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Speaker 1: I didn't.

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Speaker 2: I didn't start doing music for a bag, but I

3
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Speaker 2: caught a bag, so I'm gonna continue to do it

4
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Speaker 2: for that as well.

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Speaker 1: But Nah, I don't be in the studio LIKEO. I

6
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Speaker 1: gotta make a hit. I'll be in the studio lego.

7
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Speaker 1: I gotta get this ship off because if I don't

8
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Speaker 1: want to me, don't be going crazy.

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Speaker 3: What up, y'allist is? Joe cracked the dawn?

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Speaker 4: Your boy Jada? You know what it is that Joe

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Speaker 4: and Jada show what.

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Speaker 3: The Mondami said Jason.

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Speaker 4: The more he said every name he said, every.

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Speaker 3: Good Jason, that's good studio.

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Speaker 5: I say it, yo, Brother Rolando, to rest that name

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Speaker 5: named you a hundred.

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Speaker 6: Names and ships please, every show legendary, every show iconic.

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Speaker 4: You know what I mean. At this point, he just crushes.

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Speaker 4: Let me just fried. But today's guests, I think of hardworking.

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Speaker 7: You know, I've never really seen a female no police,

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Speaker 7: I me meaning she gotta. She packs a big punch

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Speaker 7: horse if you need one they if not, let it go.

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Speaker 7: Big energy. She brings, you know, a big presence. You

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Speaker 7: can tell she loves her mom. She come from a

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Speaker 7: good She come from some good raising of a good

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Speaker 7: mother represents Brooklyn to the fullest.

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Speaker 4: She's connected.

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Speaker 7: You know, she knocked, she knocked going out the park,

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Speaker 7: maybe one or two. I gotta look back at the billboards.

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Speaker 7: But she works very hard. Ladies and gentlemen giving up

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Speaker 7: a lolaup bro.

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Speaker 8: Like that Injo that was quiet, I like, go baby,

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Speaker 8: shut out the duke.

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Speaker 7: You know, this is what I say, hold on before

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Speaker 7: we even did you have another name, Before you was Lola,

36
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Speaker 7: before it was broke?

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Speaker 4: Was it when you did this show?

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Speaker 7: You opened up for me somewhere one time we had

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Speaker 7: to show abe that's how long she been going she

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Speaker 7: been and then work way back then.

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Speaker 4: I like to say it was very humble.

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Speaker 7: And when I seen you finally hit one out the park,

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Speaker 7: you know, I was proud of you. A lot of

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Speaker 7: people don't put that you was in the trenches, You

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Speaker 7: was doing shows. You was getting your name out there

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Speaker 7: early and not just waiting for Plymouth Rock and laying

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Speaker 7: on you.

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Speaker 4: You was out there making your you know what I mean,

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Speaker 4: making your chop. So that's a good that's salute to

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Speaker 4: you to the success. Go ahead, crack now.

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Speaker 5: I'm just saying the way you're moving is the way

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Speaker 5: I wish all the young guy rappers with moves, you

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Speaker 5: got sad, you got you got?

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Speaker 4: Oh geez job the teen eighty I mean brother or

55
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Speaker 4: team what team eighty? See eighty.

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Speaker 5: My thing is when you got the right people been

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Speaker 5: around the business for a while and they know how

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Speaker 5: to get you out of trouble.

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Speaker 4: You know a lot of.

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Speaker 5: These young dudes and they ain't got like, no unk,

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Speaker 5: no real O G's positive people. I can see where

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Speaker 5: they fuck up at. So I say that all the

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Speaker 5: time with it. With the young guys coming up, we

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Speaker 5: need an O G To just tell you, yo, don't

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Speaker 5: be impulsive, don't move like that. You're gonna get yourself

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Speaker 5: jammed up. Because we're getting tired of the next rapper

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Speaker 5: coming home from jail.

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Speaker 4: Right.

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Speaker 5: This ship had a control right now right, one go in,

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Speaker 5: one come out, one go in, one come out. We

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Speaker 5: you know this ship has played out. But I love

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Speaker 5: your team and how you move. Welcome to the show.

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Speaker 1: Thanks for having me. I love you here. Let me

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Speaker 1: let me tell y'all. They was popping mads. They're popping

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Speaker 1: mass ship before the gum came out, Oh before the

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Speaker 1: cameras came out. They they often on the camera. They

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Speaker 1: the same Offen on the camera say the same.

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Speaker 6: I'm jealous of mine, jealous gum maybe two.

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Speaker 1: I know I was supposed to have it two b.

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Speaker 7: Twarters goes or lamb or whatever. When it was we

81
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Speaker 7: had to we caught a red eye home.

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Speaker 4: They got it. Oh y dog, we had to. We

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Speaker 4: both in the first class.

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Speaker 6: You know what I mean. He got the they didn't.

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Speaker 6: It wasn't the seats.

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Speaker 7: That turned to a bed, I don't think, but which

87
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Speaker 7: she folded her body.

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Speaker 4: She was the most comfortablest person in the dog.

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Speaker 6: She she would have thought she was on the California.

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Speaker 4: I walked by her, said, Damn, I wanted to get

91
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Speaker 4: coked this leg over this Yeah, that's just like a California.

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Speaker 8: No.

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Speaker 4: I was. I'm like, damn, I wanted.

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Speaker 5: To get don't remember that ship to me one time

95
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Speaker 5: we took a uh but it wasn't bad.

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Speaker 1: He just you you big do now.

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Speaker 4: It was you were still comfortable. That haven't whenever I

98
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Speaker 4: had it. But it didn't look how comfortable you was.

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Speaker 3: I was turning out on the Jeff Blue Mint to

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Speaker 3: l a mm hmm.

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Speaker 5: The man before the plane took off, This guy went

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Speaker 5: to sleep, like he's describing you when the ship name

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Speaker 5: that he got up.

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Speaker 3: I was pissed. I'm looking at Jess sleep.

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Speaker 5: I can't even sleep on the fucking plane like that,

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Speaker 5: I said, motherfucker knocked up rich Player too before the

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Speaker 5: ship movie. Like you know, if I played that game

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Speaker 5: taking pictures of while you're sleeping.

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Speaker 1: I have told you didn't do it like that.

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Speaker 5: Dictionaries on rich Player he before the ship movie like that.

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Speaker 1: That's how I be.

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Speaker 3: I want somebody to be scared with me on the plane.

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Speaker 4: Motherfucker.

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Speaker 5: Don't want to be scared with me here, Like yo,

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Speaker 5: every man for himself. You figure it out on.

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Speaker 1: The flight take off if you can't recline and that

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Speaker 1: looking back the old mestard.

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Speaker 4: Yeah, they don't let you. Yeah, you gotta wait till

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Speaker 4: you get You know what's crazy. When you're private, you

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Speaker 4: could do jumping jacks by the ship. Take coss.

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Speaker 5: Jumping jacks back, flip them, nigga, don't give a fuck.

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Speaker 3: Watch on private they be like do you want to

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Speaker 3: put your seatbel on or not?

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Speaker 5: Like so all that ship they be running like seat up, sir,

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Speaker 5: You like seat up, sir, or make sure you're on

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Speaker 5: the air. All that shit is bullshit. No, no, na, no, no,

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Speaker 5: it's a fact. All that shit is bullshit.

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Speaker 6: When you're on a private safe Steve Measures, that's that

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Speaker 6: ship they're gonna have come, man.

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Speaker 5: Raoul Recipes was not afraid to fly. When that ship

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Speaker 5: was landing, the more turbulent he be in the front

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Speaker 5: with the pilots like, yeah, look how he's kurt, Like

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Speaker 5: I'll be like yo, And you know at that time

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Speaker 5: you're supposed to be super stracked like it's bullshit.

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Speaker 3: All them rules and all that shit is bullshit man.

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Speaker 4: And bullshit. Yeah you don't like the rules.

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Speaker 1: He never did.

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Speaker 7: Puene's is safe, man, don't play with it. Do you

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Speaker 7: think that was a did you know that was out

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Speaker 7: of the park or you had to work it? We

141
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Speaker 7: always got to work every sangree, you know what I mean,

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Speaker 7: gott to do a bunch of shit you don't want

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Speaker 7: to do, and everything's savvying them tell you to do,

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Speaker 7: and radio stations and DJs.

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Speaker 4: And all that.

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Speaker 7: But when it got when you know it was one

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Speaker 7: of them ones.

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Speaker 4: I did that fail for you?

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Speaker 1: I ain't gonna front. Just recently I just start realizing

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Speaker 1: like I had a hit.

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Speaker 4: I didn't.

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Speaker 2: I didn't feel it I've been working for so long,

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Speaker 2: Like I've been raised by my mom.

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Speaker 1: She a hard working black woman.

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Speaker 2: All I know is to work hard, and I don't

156
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Speaker 2: rewot myself because it's like it's things that you're supposed

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Speaker 2: to do, so when don't play with it pop, I

158
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Speaker 2: was just excited because you know, as an artist, when

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Speaker 2: you feeling neglected and you're not getting attention that you

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Speaker 2: feel like you're supposed to get, when you finally get

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Speaker 2: it and go over your head, you know.

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Speaker 5: The wack part about this business is when you get one,

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Speaker 5: they're working you so much, so you can't even go

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Speaker 5: to your normal spot that you would go to and

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Speaker 5: look at everybody fucking with your shit.

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Speaker 3: You like, you don't even get that.

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Speaker 4: You know what I'm saying.

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Speaker 5: You gotta lean back Number one Moatherfucker's like y'all flex

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Speaker 5: played it four hundred times. I'm in fucking Denver, Colorado

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Speaker 5: performance somewhere like raight.

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Speaker 3: You do not get to enjoy unless you're one of

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Speaker 3: them dudes.

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Speaker 5: You don't even fuck about a dollar, You don't care

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Speaker 5: about nothing. You could sit there and be like, all right,

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Speaker 5: my shit popping, But when you get a hit, it's

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Speaker 5: always like Look, it ain't never been. Look you're hard,

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Speaker 5: hard working, that's one thing we gotta say about you.

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Speaker 5: But let me tell you it never changed. You know

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Speaker 5: now even in the game. I've been in the game

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Speaker 5: thirty years. It's still don't change. You got us that actor,

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Speaker 5: enjoy your fruits of labors. That shit don't work like that. Like, Yo,

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Speaker 5: what's the next Where we gotta go, what we gotta do,

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Speaker 5: what we gotta conquer while we gotta You know, this

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Speaker 5: ship don't never especially where I don't know your finances.

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Speaker 3: You know you grew up with your moms and your pops.

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Speaker 1: No this my mom damn.

187
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Speaker 4: So you know you.

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Speaker 1: Trying to I'm just trying to pay, like you know what.

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Speaker 5: Generationally, I never had nobody before me make money like me.

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Speaker 5: You could probably look at my family tree a hundred years.

191
00:09:29,080 --> 00:09:32,200
Speaker 5: Everybody been on warfare for a hundred years. So I'm general.

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Speaker 1: I just I dropped my section eight.

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Speaker 2: When I popped, I'm like, oh, I can leave section

194
00:09:36,360 --> 00:09:38,800
Speaker 2: eight now my mom's passed down the section.

195
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Speaker 4: I still got money. You're a liar.

196
00:09:41,400 --> 00:09:42,880
Speaker 2: I wish I could have kept my as I was

197
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Speaker 2: looking for somebody to hold it down for you.

198
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Speaker 4: Hear me how much I tell you about my section eight.

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Speaker 1: You know you can't say that.

200
00:09:49,720 --> 00:09:56,080
Speaker 6: He makes you look crazy with you look, but he

201
00:09:56,200 --> 00:09:57,880
Speaker 6: don't disrespect section eight.

202
00:09:58,320 --> 00:10:01,840
Speaker 1: You know how hard it is they play with my ship.

203
00:10:02,160 --> 00:10:04,760
Speaker 5: I got cousins in section eight. They know how to

204
00:10:04,760 --> 00:10:05,559
Speaker 5: play that game.

205
00:10:05,679 --> 00:10:08,079
Speaker 4: That ship is not easy. I don't play about it.

206
00:10:08,880 --> 00:10:11,480
Speaker 5: I feel the same way the heart for like a

207
00:10:11,559 --> 00:10:12,800
Speaker 5: month or something.

208
00:10:14,400 --> 00:10:17,480
Speaker 3: I feel the same way about my hard drives as my.

209
00:10:17,559 --> 00:10:20,920
Speaker 4: Section neat as you should holding it on.

210
00:10:21,080 --> 00:10:22,920
Speaker 2: I was holding it down for a minute, but I

211
00:10:22,920 --> 00:10:24,760
Speaker 2: ain't have no way to pass it down to I'm

212
00:10:24,800 --> 00:10:26,440
Speaker 2: lonely child.

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Speaker 1: I'm lonely child. Suits. I was trying to pass it down.

214
00:10:29,880 --> 00:10:33,280
Speaker 1: She's trying to pass it down. The second was that me.

215
00:10:33,920 --> 00:10:36,360
Speaker 3: Listen to me, hold on, hold on.

216
00:10:36,640 --> 00:10:37,720
Speaker 4: Fuck the section out.

217
00:10:38,240 --> 00:10:39,560
Speaker 3: I'm trying to explain something.

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Speaker 5: You you think if jay Z wanted to stay on

219
00:10:42,080 --> 00:10:44,400
Speaker 5: section eight, he would ever be a billionaire ever on

220
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Speaker 5: a building like this.

221
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Speaker 3: That whole ship is a gimmick.

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Speaker 4: Gasp.

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00:10:47,559 --> 00:10:51,000
Speaker 6: I was going for a billionaire status, which section eight?

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Speaker 9: Nigga, I got nothing to do what he did. I'm

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Speaker 9: trying it. I dig calling you full of ship man.

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Speaker 9: Put on the first slave man for my Section.

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Speaker 6: Eight people in the comments get them fad. Let me

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Speaker 6: tell you ya strong by sex. I'm sectioned.

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Speaker 3: They ain't let me finish my statement.

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Speaker 5: If you need it, your single parent, moms, or whatever

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Speaker 5: type of struggle you're going through, I'm not knocking you.

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Speaker 1: I grew up on.

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Speaker 5: Welfare, Section eight, free cheese, free lunch, everything. Nobody was

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Speaker 5: fucking bummier than me. I said all the time. But

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Speaker 5: what I'm trying to tell you is that that system

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Speaker 5: is a trap and it's really no disrespect, but it's

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Speaker 5: really not a flex. When you go to a building

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Speaker 5: and you be like, yo, the Washington's been here for

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Speaker 5: forty years and this man, we got to get about

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Speaker 5: that shit. That shit is meant to be temporary because

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Speaker 5: they put you to a limit. If you on Section eight,

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Speaker 5: to you on that you can't make enough money to

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Speaker 5: do what you want to do. So basically what they

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Speaker 5: do is they control you from competing for the jobs

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Speaker 5: to own ship they do.

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Speaker 1: That's why my mom Roger.

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Speaker 2: My mom was like heavy on, like don't this is

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Speaker 2: this is for you to move forward to get you to.

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Speaker 1: That's it us right now.

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Speaker 3: But he's smart. If you need Section eight.

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Speaker 5: God blessed because everything you name, nobody been on welfare

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Speaker 5: more than me.

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Speaker 1: But they see it ain't coming. It goes up.

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Speaker 5: Sorry, old watch your moms ay't have a man in

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Speaker 5: the house because she couldn't. Just when they help you,

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Speaker 5: they say they don't want you to have a man.

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Speaker 5: All right, I'm telling you the truth.

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Speaker 4: My mom, My.

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Speaker 1: Mom's ain't wanted.

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Speaker 2: My moms ain't want no nigga in the cray not

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Speaker 2: because it's section eight.

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Speaker 5: This is not about our mom.

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Speaker 1: Break my mom's up. Man with my mom watched this.

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Speaker 5: Son, apologished know what I'm talking about. They masculate the

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Speaker 5: home in the projects. They don't want the woman to

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Speaker 5: have a man in the project. They don't want a

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Speaker 5: man and a woman in the projects.

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Speaker 3: They don't want it.

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Speaker 4: Man.

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Speaker 3: I'm trying to tell you the truth.

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Speaker 10: It's a given.

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Speaker 5: Like if you got a husband, they don't want you

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Speaker 5: in the projects. If you're doing better at the you

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Speaker 5: gotta raise it's salary. They don't want you in the projects,

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Speaker 5: so they want to keep you level.

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Speaker 6: You shouldn't be in the project thinking a party that

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Speaker 6: I'm not just the one breaking I'm breaking.

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Speaker 1: Its breaking through.

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Speaker 4: How you got hooked up with teammate.

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Speaker 2: It was like, twenty sixteen, is this artist he from

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Speaker 2: Browns with his name Lizzy DoD He asked me to

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Speaker 2: do a feature. I came through, met everybody just to

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Speaker 2: do a feature, just working and they court a liking

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Speaker 2: to me, and my court a liking to them. I

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Speaker 2: just was around watching them do music videos. I've never

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Speaker 2: done the music video before, go on not working records

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Speaker 2: at the clubs, get maned to do content and stuff

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Speaker 2: like that, and I fell in love with it. Like

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Speaker 2: I always was in love with music, but to be

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Speaker 2: around people that I felt like was in love with

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Speaker 2: the same thing, it made me want to lock in

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Speaker 2: with them.

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Speaker 5: You know how how you feel about coming from some

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Speaker 5: such a strong lineage in New York City of female

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Speaker 5: rappers who really.

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Speaker 4: Started you know.

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Speaker 5: I mean we had rappers from all over, but you

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Speaker 5: know that came that Fox. He They both from Brooklyn,

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Speaker 5: so you get compared to im all the same.

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Speaker 7: When I saw a ship was lit Savannah and the

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00:14:40,240 --> 00:14:44,200
Speaker 7: little daughter was doing the guy, I said, oh yeah,

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Speaker 7: that ship.

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Speaker 4: Listen.

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Speaker 5: Let me tell you I try to I try to

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Speaker 5: rig it. One time I reached out to Kim Kardashian.

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Speaker 5: I asked, did you want to say yesterday's price, not today?

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Speaker 5: I try to rig the Bible. I try to rig

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Speaker 5: it. It be like once some Kardashians and one of them

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Speaker 5: Savannahs and one of them coming next day is over,

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Speaker 5: give me a calendar that they don't want us to wear.

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Speaker 5: Justin Bieber went on that jet that that's what happens.

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Speaker 4: Sad.

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Speaker 5: The next day, Justin Bieber went on that jay. He said,

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Speaker 5: they don't want us on the plane. They don't want

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Speaker 5: us to eat caviard ands shit that ship wish Oh

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Speaker 5: you get one of them to do that.

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Speaker 3: You wake up like, holy shit, this ship out of here.

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Speaker 5: But coming back from a foxy Kim, did they inspire you?

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Speaker 11: Do?

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Speaker 5: You know you have a lot of weight on your shoulders.

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Speaker 5: Tapping into that saw you.

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Speaker 1: At first it felt like Prussian, But I'm from Brooklyn,

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Speaker 1: Like it's in me, not on me.

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Speaker 4: Look to the.

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Speaker 2: Prussia, like like coming from where I come from, it's

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Speaker 2: only Prussia if you allow it to be Like, if

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Speaker 2: this is something that you love to do.

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Speaker 1: It shouldn't be a hard thing to get done. But

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Speaker 1: I am happy that Huh.

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Speaker 3: Which one of the two and inspired you more.

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Speaker 1: Foxy, I will say, I would say both.

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Speaker 2: I would say both because I felt like Foxy has

333
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Speaker 2: her tone. It's just so it's so powerful, and Kim

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00:16:21,160 --> 00:16:24,480
Speaker 2: Presents is powerful, and they always compare me to both,

335
00:16:24,520 --> 00:16:26,240
Speaker 2: so I'd be like, I guess I'm like half and half,

336
00:16:26,280 --> 00:16:29,040
Speaker 2: like I'm an, I'm eliminated icy, I'm half and half.

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00:16:29,480 --> 00:16:34,480
Speaker 4: Well damn saying they both love Helloa Palmer, they both

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Speaker 4: loved Joe Crack.

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Speaker 5: I remember one time I must did an interview where

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00:16:38,400 --> 00:16:41,760
Speaker 5: I might have said something that might have got Foxy

341
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Speaker 5: Brown mad at me. I don't even know what I say.

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00:16:43,840 --> 00:16:45,720
Speaker 5: I talked so much shit you could forget about it.

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Speaker 5: She and me and the d M say, Yo crack,

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Speaker 5: I knew where YO cracked at. I was like, I know,

345
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Speaker 5: I fucked up. I don't I will never do it again.

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Speaker 5: Since I was on her first record at first, Soul.

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Speaker 3: Cool Jays, I shot you and she came up in

348
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Speaker 3: there with the this.

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Speaker 5: I was like, you know, we ain't never see somebody

350
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Speaker 5: with that type of swag and she was with ball

351
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Speaker 5: deep on there. Keith Bury was the hottest at the time,

352
00:17:18,400 --> 00:17:22,399
Speaker 5: by the way, very underrated. Keith Mary Keith marry his

353
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Speaker 5: flows all that ship he had it at one time. Right,

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Speaker 5: she was with us, you know Lal who was like

355
00:17:30,520 --> 00:17:33,320
Speaker 5: the king at that time, the Dawn, and she came

356
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Speaker 5: on that ship and we knew the minute we saw

357
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Speaker 5: on that set doing all that ship.

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Speaker 3: We was like, oh no, she was about Yeah.

359
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Speaker 5: You know, Brooklyn too big for me. Yeah, Brooklyn too big.

360
00:17:52,320 --> 00:17:55,600
Speaker 5: It's like you could drive in Brooklyn for hours. Like, right,

361
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Speaker 5: you ever noticed the ship? Don't run out like you

362
00:17:58,359 --> 00:18:02,640
Speaker 5: go with Brooklyn. No run now, I'm not disrespecting Brooklyn.

363
00:18:02,880 --> 00:18:06,879
Speaker 5: It is big as fuck. If you're not from Brooklyn,

364
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Speaker 5: you are very lost.

365
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Speaker 4: Now.

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Speaker 5: I remember I used to go with my man's to

367
00:18:11,080 --> 00:18:13,879
Speaker 5: bout weed out there. They have one particular spot that

368
00:18:14,040 --> 00:18:16,480
Speaker 5: was popping somewhere. But I mean, like, I could never

369
00:18:16,600 --> 00:18:19,840
Speaker 5: find that ship. So you got East New York's all

370
00:18:19,840 --> 00:18:20,080
Speaker 5: the way.

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Speaker 4: On the other.

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Speaker 2: Side, it's nothing bigger than traveling from Brooklyn to the Bronx.

373
00:18:27,520 --> 00:18:30,960
Speaker 3: I get that the Bronx is much smaller than Brooklyn.

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Speaker 1: That alone is bigger in Brooklyn.

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Speaker 5: Yo, that Brooklyn shit, man, I don't be knowing where

376
00:18:37,800 --> 00:18:41,240
Speaker 5: I'm at. You know, all the time when the plane

377
00:18:41,320 --> 00:18:43,800
Speaker 5: landing in JFK. I look out the window at Brooklyn.

378
00:18:43,840 --> 00:18:46,800
Speaker 5: I'll be like, yo, I really need to know because

379
00:18:46,840 --> 00:18:50,439
Speaker 5: in the Bronx Harlem A, I know every single block.

380
00:18:51,640 --> 00:18:54,320
Speaker 5: I haven't discovered every single block. And brook this ship

381
00:18:54,480 --> 00:18:58,240
Speaker 5: just keep going. And then it turned it in the

382
00:18:58,240 --> 00:19:00,840
Speaker 5: flight books. The next way you are flat Bush, the

383
00:19:00,840 --> 00:19:03,440
Speaker 5: next way you this. Then you got Jews right next

384
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Speaker 5: to the black dudes across the street.

385
00:19:05,720 --> 00:19:07,280
Speaker 3: This ship different from the whole world.

386
00:19:07,400 --> 00:19:12,000
Speaker 5: Brooklyn really is spikely me calling that ship like another planet,

387
00:19:12,080 --> 00:19:13,239
Speaker 5: like a number. It is.

388
00:19:13,520 --> 00:19:16,159
Speaker 3: It is you on this side of the street.

389
00:19:16,240 --> 00:19:19,680
Speaker 5: The next side that Bankers is the horsetic Jewels they

390
00:19:19,720 --> 00:19:20,240
Speaker 5: out there.

391
00:19:20,560 --> 00:19:21,359
Speaker 3: It is deep.

392
00:19:22,960 --> 00:19:24,560
Speaker 1: It truly is, Joe.

393
00:19:25,480 --> 00:19:29,359
Speaker 5: It is right that ship biggest fuck man. And so

394
00:19:29,520 --> 00:19:31,840
Speaker 5: coming from Brooklyn, what brought of Brooklyn?

395
00:19:31,960 --> 00:19:32,960
Speaker 4: Exactly? You from?

396
00:19:33,920 --> 00:19:34,960
Speaker 3: Are you from best Stye?

397
00:19:35,040 --> 00:19:37,200
Speaker 4: That's deep deep?

398
00:19:37,800 --> 00:19:40,200
Speaker 1: No, as soon as you're getting Brooklyn, Oh you.

399
00:19:40,240 --> 00:19:41,480
Speaker 4: Mean like where Biggie's from.

400
00:19:41,600 --> 00:19:43,960
Speaker 5: I used to go see Biggie the US right there,

401
00:19:44,600 --> 00:19:51,840
Speaker 5: that's right there, that's right over there is been out

402
00:19:52,119 --> 00:19:54,359
Speaker 5: that used to go see Biggie out there. Man, Best

403
00:19:54,359 --> 00:19:55,960
Speaker 5: Stide is good. But where you go, where you where

404
00:19:56,000 --> 00:19:58,000
Speaker 5: you go, you go Crown Heights. Then you go up,

405
00:19:58,359 --> 00:20:04,320
Speaker 5: give me another name in there. No, Cody Island is

406
00:20:04,320 --> 00:20:08,000
Speaker 5: that end. I was in Coney Island the other day

407
00:20:08,040 --> 00:20:12,399
Speaker 5: and that bought that diner. We went to JFK too early,

408
00:20:12,440 --> 00:20:13,960
Speaker 5: and I was like, yo, let's go to the diner.

409
00:20:14,040 --> 00:20:16,320
Speaker 3: We went to that Coney Island diner over there.

410
00:20:16,840 --> 00:20:23,960
Speaker 1: I know, like they got their own like cook. That's

411
00:20:24,000 --> 00:20:25,879
Speaker 1: not like when I used to go to I.

412
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Speaker 2: Thought I didn't even know I was still in Brooklyn

413
00:20:28,040 --> 00:20:30,359
Speaker 2: growing up, like I thought I was somewhere else.

414
00:20:30,520 --> 00:20:35,320
Speaker 5: Your fall right, shout out five mics and everybody out there.

415
00:20:35,600 --> 00:20:39,280
Speaker 5: I used to go with Steph on Marlbury. If you

416
00:20:39,320 --> 00:20:41,439
Speaker 5: don't know who that is. He was King of New

417
00:20:41,520 --> 00:20:44,400
Speaker 5: York at one time. The basketball I.

418
00:20:44,320 --> 00:20:44,960
Speaker 4: Don't know he was.

419
00:20:45,000 --> 00:20:45,919
Speaker 1: He was a Lincoln Ring.

420
00:20:46,240 --> 00:20:50,879
Speaker 4: Yeah, you know he was graded ship. I know.

421
00:20:52,119 --> 00:20:54,359
Speaker 5: I go with Steph on Maulberry because you know we

422
00:20:54,480 --> 00:20:56,080
Speaker 5: had old Oh geez, I don't.

423
00:20:56,080 --> 00:20:58,159
Speaker 3: I don't know give a fuck what you think. She

424
00:20:58,280 --> 00:20:59,560
Speaker 3: from a whole different.

425
00:20:59,280 --> 00:21:01,280
Speaker 4: Generation Brooklyn, Brooklyn.

426
00:21:01,520 --> 00:21:03,080
Speaker 1: But I study I study it.

427
00:21:03,480 --> 00:21:05,640
Speaker 5: I mean if I used to go see step out

428
00:21:05,640 --> 00:21:09,600
Speaker 5: there and he had like ten family members in one

429
00:21:09,680 --> 00:21:11,719
Speaker 5: project building the niggas is on every flo.

430
00:21:11,840 --> 00:21:15,480
Speaker 3: Let's see miss may Let's see this district like they had.

431
00:21:15,320 --> 00:21:17,720
Speaker 4: The whole building. Bro Sebastian Telfair.

432
00:21:18,080 --> 00:21:19,760
Speaker 5: That's why I got mad when he tried to play

433
00:21:19,800 --> 00:21:22,359
Speaker 5: against us, the black Eyed. We fed that boy for chicken,

434
00:21:22,400 --> 00:21:26,120
Speaker 5: wing French fries many a time out there and con

435
00:21:26,720 --> 00:21:27,600
Speaker 5: Coney Island.

436
00:21:27,640 --> 00:21:31,440
Speaker 4: Man, that ship. That's I tell people all the time.

437
00:21:31,480 --> 00:21:34,280
Speaker 5: That's my if I go dead, Brooke, I'm good with

438
00:21:34,320 --> 00:21:36,400
Speaker 5: four chicken with French fries, I sauce.

439
00:21:36,600 --> 00:21:39,639
Speaker 1: Some galls argue with you. You know about mumbo sauce, lady,

440
00:21:40,119 --> 00:21:41,560
Speaker 1: Huh you know about mumbo sauce.

441
00:21:42,240 --> 00:21:43,159
Speaker 4: Mumbo sauce.

442
00:21:43,480 --> 00:21:44,480
Speaker 1: Yeah, you don't know about that.

443
00:21:44,680 --> 00:21:45,320
Speaker 4: No, what's that?

444
00:21:45,520 --> 00:21:47,600
Speaker 1: I got to come to the sky and get mumbo sauce.

445
00:21:47,600 --> 00:21:48,560
Speaker 1: So you have French fries.

446
00:21:50,200 --> 00:21:53,199
Speaker 3: So what is it like? It sounds like mayonnaise and ketchup.

447
00:21:53,320 --> 00:21:54,520
Speaker 1: No, no, no, no, I don't.

448
00:21:54,560 --> 00:21:54,840
Speaker 4: I don't.

449
00:21:55,000 --> 00:21:57,400
Speaker 1: I don't rock with mayonnaise. Me and mayonnaise. We don't.

450
00:21:57,480 --> 00:21:58,160
Speaker 1: You don't get along?

451
00:21:58,240 --> 00:22:03,040
Speaker 4: Come calis other than the okay, don't play with me, man.

452
00:22:03,040 --> 00:22:06,680
Speaker 5: Not to sound like as a Chinese restaurant that s

453
00:22:06,960 --> 00:22:09,080
Speaker 5: come counts Chinese?

454
00:22:09,119 --> 00:22:09,320
Speaker 6: Man?

455
00:22:09,359 --> 00:22:16,640
Speaker 3: You eat the character ship before. I don't know what I.

456
00:22:16,560 --> 00:22:17,879
Speaker 4: Think cold Port opened it.

457
00:22:22,400 --> 00:22:29,920
Speaker 6: It's a good Chinese spot, but it's like a Chinese

458
00:22:30,040 --> 00:22:31,119
Speaker 6: the different part of Brooklyn.

459
00:22:31,160 --> 00:22:33,520
Speaker 3: That's Kiln on that side.

460
00:22:33,880 --> 00:22:37,919
Speaker 4: Hey, playing trivial in Brooklyn, Trilla, I'm lost.

461
00:22:38,320 --> 00:22:42,200
Speaker 6: He really is thought demographic.

462
00:22:42,560 --> 00:22:45,080
Speaker 3: I am lost in Brooklyn.

463
00:22:45,240 --> 00:22:47,760
Speaker 1: It is very I don't sell lost.

464
00:22:47,960 --> 00:22:53,320
Speaker 5: Pause that ship deep. That ship won't stop you going

465
00:22:53,440 --> 00:22:57,879
Speaker 5: the back. Let you go from the fucking arm what

466
00:22:58,000 --> 00:23:00,359
Speaker 5: you call that ship? You go from all Box please,

467
00:23:00,960 --> 00:23:05,640
Speaker 5: that's that main street at the back. You go from

468
00:23:05,680 --> 00:23:13,320
Speaker 5: the Barkley about You bought the Long Island on that ship, right?

469
00:23:13,720 --> 00:23:16,600
Speaker 5: You passed all white castles on that ship.

470
00:23:17,080 --> 00:23:22,639
Speaker 4: Yo, white on that ship. What the hecks? You love that?

471
00:23:24,200 --> 00:23:25,680
Speaker 3: You go to the Barkleys.

472
00:23:25,680 --> 00:23:28,400
Speaker 6: You take that one street at the backs, the four

473
00:23:28,440 --> 00:23:29,480
Speaker 6: white castle.

474
00:23:29,240 --> 00:23:30,560
Speaker 3: Four white castles.

475
00:23:30,800 --> 00:23:33,440
Speaker 5: That's how I know we getting to the end by

476
00:23:33,480 --> 00:23:35,600
Speaker 5: the time you hit the fourth white castle.

477
00:23:36,720 --> 00:23:40,040
Speaker 3: I went to these projects. They had a kid.

478
00:23:40,680 --> 00:23:44,000
Speaker 5: They had a fucking a basketball game, the championship in

479
00:23:44,040 --> 00:23:47,400
Speaker 5: these projects in Brooklyn. Chris gott he sent me in there.

480
00:23:47,480 --> 00:23:50,760
Speaker 5: Thank god, we had the yards. This ship was like, Yo,

481
00:23:51,280 --> 00:23:54,480
Speaker 5: it was like the colle Sealm. You gotta Park in

482
00:23:54,520 --> 00:23:57,480
Speaker 5: the middle of the project. You gotta walk into they know,

483
00:23:58,640 --> 00:24:02,520
Speaker 5: touching the surface to saw you and then leaving. Chris,

484
00:24:02,600 --> 00:24:04,840
Speaker 5: you gotta tell me what the projects was. And they

485
00:24:04,880 --> 00:24:08,800
Speaker 5: were playing the chip. They had hookerh they were selling hooker.

486
00:24:10,640 --> 00:24:16,080
Speaker 5: What's the ship they call the fucking all that crackte Gurst.

487
00:24:16,760 --> 00:24:19,800
Speaker 5: They got the girls from Starlet selling hookers and not

488
00:24:19,920 --> 00:24:20,520
Speaker 5: this ship.

489
00:24:20,359 --> 00:24:23,400
Speaker 3: Out of control. They got a popcorn standing there.

490
00:24:23,480 --> 00:24:26,040
Speaker 5: But it really felt like how we're getting out this

491
00:24:26,160 --> 00:24:26,920
Speaker 5: bitch off?

492
00:24:27,119 --> 00:24:27,800
Speaker 4: If it just.

493
00:24:30,240 --> 00:24:33,920
Speaker 3: That was East New York. So when you start from

494
00:24:33,960 --> 00:24:35,640
Speaker 3: Fort Green going over there.

495
00:24:35,800 --> 00:24:40,640
Speaker 1: It's deep. That's what I'm trying to say.

496
00:24:41,520 --> 00:24:42,479
Speaker 4: Ain't jamming me up?

497
00:24:43,000 --> 00:24:46,520
Speaker 5: You know me I taught. I taught my wife. I

498
00:24:46,600 --> 00:24:49,520
Speaker 5: never do the same ship twice. So when I go

499
00:24:49,560 --> 00:24:51,960
Speaker 5: to my house every night, I'll go down the right,

500
00:24:52,240 --> 00:24:54,919
Speaker 5: to the left, go a little further.

501
00:24:55,880 --> 00:24:58,760
Speaker 3: I did that in the Projects.

502
00:24:58,760 --> 00:25:00,760
Speaker 5: I come out through the basement one day to go

503
00:25:00,800 --> 00:25:03,000
Speaker 5: to school, I come out through the front, I go

504
00:25:03,040 --> 00:25:05,719
Speaker 5: out through the REMP building. I switch my shit up

505
00:25:05,720 --> 00:25:08,040
Speaker 5: every day. You ain't timing me like that. You don't

506
00:25:08,040 --> 00:25:12,440
Speaker 5: go like that. Right So in there, Nick, he's gonna

507
00:25:12,440 --> 00:25:14,639
Speaker 5: have to get the shooting because there ain't no normal

508
00:25:14,680 --> 00:25:17,240
Speaker 5: way to get out of them GIRs projects. I'm telling you,

509
00:25:17,600 --> 00:25:20,719
Speaker 5: are you jammed up? The parking lot is in the

510
00:25:20,720 --> 00:25:23,320
Speaker 5: middle of the projects. If they close that shit.

511
00:25:23,200 --> 00:25:25,200
Speaker 4: Up, good luck.

512
00:25:25,320 --> 00:25:27,080
Speaker 5: You gotta do what you gotta do to get the

513
00:25:27,080 --> 00:25:28,200
Speaker 5: fuck out from projects.

514
00:25:28,359 --> 00:25:29,639
Speaker 4: That's a fact, Mundo.

515
00:25:35,160 --> 00:25:38,280
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541
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542
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543
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544
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Speaker 4: Man, I saw you in our Paris.

545
00:27:24,760 --> 00:27:28,960
Speaker 5: Remember we did Paris together, the Jordan, the Jordan's joints.

546
00:27:28,840 --> 00:27:29,879
Speaker 4: Seen you out there in Paris.

547
00:27:29,960 --> 00:27:32,679
Speaker 5: I was proud of you, Thank you, And you know

548
00:27:32,720 --> 00:27:35,160
Speaker 5: what's crazy, We don't get enough time to tell you

549
00:27:35,280 --> 00:27:39,479
Speaker 5: and everybody else, whether you young, you know og you

550
00:27:39,480 --> 00:27:43,399
Speaker 5: know in this game. Yeah, it's a competitive game, but

551
00:27:43,440 --> 00:27:46,840
Speaker 5: were happy for everybody and everybody's just we got like

552
00:27:46,840 --> 00:27:51,399
Speaker 5: an Alma Model recipece fat man school outside like we.

553
00:27:51,640 --> 00:27:53,440
Speaker 4: We took a beating, you know we used to.

554
00:27:53,640 --> 00:27:57,000
Speaker 3: You know, I hung out with him. No kiss, what's

555
00:27:57,040 --> 00:27:57,440
Speaker 3: the matter?

556
00:27:57,560 --> 00:27:59,560
Speaker 4: Man, go to the.

557
00:27:59,640 --> 00:28:01,680
Speaker 3: Real because it's a family.

558
00:28:01,800 --> 00:28:04,879
Speaker 5: Gee, his brother sitting in my face? You think I can't.

559
00:28:04,920 --> 00:28:07,359
Speaker 5: That's all I could think about. This is my brother

560
00:28:07,480 --> 00:28:08,399
Speaker 5: fat Bey in school.

561
00:28:08,440 --> 00:28:09,239
Speaker 4: I hung out with him.

562
00:28:09,280 --> 00:28:12,399
Speaker 5: We ain't breakfast, right, we had a show in in

563
00:28:12,840 --> 00:28:17,719
Speaker 5: in Europe. We ain't breakfast together. That guy was so

564
00:28:17,880 --> 00:28:21,800
Speaker 5: happy he had a gun collection, right. He kept bragging

565
00:28:21,800 --> 00:28:26,879
Speaker 5: to me, Joe, here are twelve comes with us. I'm like, what, yo,

566
00:28:27,720 --> 00:28:32,640
Speaker 5: no legal legal. But he was such a positive dude

567
00:28:32,720 --> 00:28:35,840
Speaker 5: my whole life. But he was talking to me about

568
00:28:36,000 --> 00:28:39,280
Speaker 5: guns last time. He's like, yo, I can't get back.

569
00:28:39,320 --> 00:28:41,520
Speaker 5: I can't wait to get back. I'm gonna go buy

570
00:28:41,560 --> 00:28:43,240
Speaker 5: this new ship with a scope on it.

571
00:28:43,320 --> 00:28:43,400
Speaker 4: This.

572
00:28:43,520 --> 00:28:48,520
Speaker 5: I'm like, yo, fat miss cool, like you buying guns

573
00:28:48,520 --> 00:28:51,280
Speaker 5: at a mile a minute. But he loved it, right,

574
00:28:52,000 --> 00:28:52,480
Speaker 5: you know, what.

575
00:28:52,520 --> 00:28:53,520
Speaker 4: A beautiful soul.

576
00:28:53,640 --> 00:28:57,680
Speaker 5: Bro huh he was gonna claps so well. You know

577
00:28:58,240 --> 00:29:00,680
Speaker 5: that's what I say in this show, Jaden wants to

578
00:29:00,760 --> 00:29:03,880
Speaker 5: kill me. I say, yo, listen, if you have a son,

579
00:29:05,120 --> 00:29:08,080
Speaker 5: if you have a son that love guns, and you

580
00:29:08,160 --> 00:29:11,080
Speaker 5: live in New York where it's two years, no matter what,

581
00:29:11,240 --> 00:29:13,120
Speaker 5: I don't give a fuck what kind of money you got.

582
00:29:13,160 --> 00:29:16,240
Speaker 5: Lil Wayne sat two years for the gun. I don't

583
00:29:16,280 --> 00:29:19,040
Speaker 5: care how much money you got here, Johnny cockquit. Nobody

584
00:29:19,040 --> 00:29:21,720
Speaker 5: could get you out. If your son loved guns, take

585
00:29:21,760 --> 00:29:26,000
Speaker 5: them to Atlanta, take them to Connecticut, take them to Pennsylvania.

586
00:29:26,200 --> 00:29:29,560
Speaker 4: Take us some let them got the guns. They're gonna

587
00:29:29,680 --> 00:29:33,640
Speaker 4: kill them. You making it? You saying this solution. If

588
00:29:33,680 --> 00:29:38,240
Speaker 4: your son is gun Delairo, take them somewhere where the

589
00:29:38,280 --> 00:29:41,880
Speaker 4: wild wild West. You you know what I'm saying.

590
00:29:41,880 --> 00:29:43,360
Speaker 3: There's kids that love guns.

591
00:29:43,360 --> 00:29:46,120
Speaker 5: They get caught with three guns before they blink in

592
00:29:46,240 --> 00:29:48,240
Speaker 5: New York City and they doing real time.

593
00:29:49,000 --> 00:29:51,240
Speaker 2: I mean this might sound crazy, right, I had to

594
00:29:51,240 --> 00:29:53,520
Speaker 2: finish for them, but I don't know.

595
00:29:53,560 --> 00:29:56,440
Speaker 1: Something click to me that it wasn't cool. It's like

596
00:29:57,160 --> 00:29:59,800
Speaker 1: the kid's gonna get it, you know what I'm saying.

597
00:30:00,200 --> 00:30:06,480
Speaker 1: Like I'm seeing stuff like I'm just talking about you

598
00:30:06,560 --> 00:30:08,479
Speaker 1: raise your know. I'm saying though, when you raise your

599
00:30:08,560 --> 00:30:11,840
Speaker 1: kids right after a while, they get it, they get it,

600
00:30:11,600 --> 00:30:15,200
Speaker 1: it'll click. It'd be so random too. You're just a

601
00:30:15,200 --> 00:30:17,360
Speaker 1: lot of things clicked for me. Like growing up in Brooklyn,

602
00:30:18,120 --> 00:30:19,640
Speaker 1: I was around the wrong crowd.

603
00:30:19,720 --> 00:30:21,640
Speaker 2: But sometimes I go home and I'd be like, yo,

604
00:30:21,720 --> 00:30:24,680
Speaker 2: that ship was so weack, Like why did I that was?

605
00:30:24,680 --> 00:30:27,240
Speaker 2: That was point because it was corny because I knew

606
00:30:27,320 --> 00:30:29,840
Speaker 2: at home my moms made it safe. It was I

607
00:30:29,880 --> 00:30:31,840
Speaker 2: felt safe then, So it was like, why I'm going

608
00:30:31,840 --> 00:30:34,560
Speaker 2: outside doing all this extra ship when I got a

609
00:30:34,600 --> 00:30:37,040
Speaker 2: hallwiging moms that make sure the home for like home.

610
00:30:38,040 --> 00:30:43,240
Speaker 4: I can't take that for click your son crazy.

611
00:30:43,280 --> 00:30:47,200
Speaker 6: Send your kids to all these in a gun steak

612
00:30:48,480 --> 00:30:51,000
Speaker 6: and let the let them get all the guns they

613
00:30:51,000 --> 00:30:52,080
Speaker 6: want it in solution.

614
00:30:52,280 --> 00:30:57,400
Speaker 3: Okay, listen to America, know, listen to America. Here here

615
00:30:57,560 --> 00:30:58,720
Speaker 3: my logic, my logic.

616
00:30:58,800 --> 00:30:59,160
Speaker 4: Kids.

617
00:30:59,240 --> 00:31:03,680
Speaker 5: I got a lot of friends that their kids like guns.

618
00:31:04,040 --> 00:31:07,040
Speaker 5: You in America and certain states have the right to

619
00:31:07,120 --> 00:31:10,800
Speaker 5: bear arms. Before your kid is a three time felon

620
00:31:11,320 --> 00:31:15,200
Speaker 5: by the time of nineteen because he loves guns. Man,

621
00:31:15,280 --> 00:31:18,080
Speaker 5: you went to jail for the habit before you go

622
00:31:18,520 --> 00:31:21,760
Speaker 5: do that. Move to a state where it's legal and

623
00:31:21,840 --> 00:31:24,160
Speaker 5: let them do it the right way. Otherwise, I know

624
00:31:24,160 --> 00:31:27,280
Speaker 5: what I'm talking about. Guys, play if you want, and

625
00:31:27,320 --> 00:31:29,320
Speaker 5: you'll be going to see your son of state in

626
00:31:29,480 --> 00:31:30,040
Speaker 5: no time.

627
00:31:31,920 --> 00:31:40,680
Speaker 12: That shit fix me, ain't. I think you just pray,

628
00:31:41,240 --> 00:31:46,760
Speaker 12: just pray, just pray. Prayer help you you. You're into

629
00:31:46,840 --> 00:31:50,400
Speaker 12: prayer and God it, Yeah, I pray big time, pray.

630
00:31:50,400 --> 00:31:53,200
Speaker 12: I'll pray last night, I always pray. I'll pray every

631
00:31:53,320 --> 00:31:54,120
Speaker 12: I pray everywhere.

632
00:31:55,360 --> 00:31:59,680
Speaker 5: Let me tell you my prayers on a plane, because

633
00:31:59,720 --> 00:32:02,800
Speaker 5: you know I'm scared to fly. I see myself while

634
00:32:02,800 --> 00:32:06,120
Speaker 5: I'm praying in a white suit talking the millions of God.

635
00:32:06,280 --> 00:32:09,640
Speaker 5: Please the dog next to me doesn't want to die

636
00:32:09,760 --> 00:32:17,320
Speaker 5: right now. God give these pilots the knowledge. Oh yo,

637
00:32:17,400 --> 00:32:20,280
Speaker 5: if they are no, I'm certified pussy. If they if

638
00:32:20,320 --> 00:32:23,360
Speaker 5: they take my prayers in my mind on the plane,

639
00:32:24,000 --> 00:32:25,960
Speaker 5: or they like, oh this guy's pussy. He can never

640
00:32:26,040 --> 00:32:29,080
Speaker 5: act tough from his life. This guy like, I I

641
00:32:29,160 --> 00:32:34,520
Speaker 5: pray too hard. The record with Bryson Tiller, okay, sad

642
00:32:36,360 --> 00:32:40,320
Speaker 5: what you wanted it to do? Or that record with

643
00:32:40,400 --> 00:32:43,880
Speaker 5: the Super Smash did the record label, throw the proper

644
00:32:43,920 --> 00:32:46,240
Speaker 5: bag behind that.

645
00:32:46,240 --> 00:32:48,680
Speaker 4: That's my ship, you know, yoe.

646
00:32:48,960 --> 00:32:51,600
Speaker 1: Man, that's would go don't play with it went platinum,

647
00:32:51,600 --> 00:32:53,080
Speaker 1: But I gotta yet, I gotta plat.

648
00:32:55,000 --> 00:32:57,680
Speaker 4: After this is it's gonna go plat.

649
00:32:57,720 --> 00:32:58,440
Speaker 1: It's gonna go plat.

650
00:33:00,480 --> 00:33:02,240
Speaker 4: See I was we bring him for you.

651
00:33:02,960 --> 00:33:06,760
Speaker 5: Not only was the record of smash, but I don't

652
00:33:06,760 --> 00:33:09,840
Speaker 5: know if you know, we discovered Bryson Tiller and I

653
00:33:09,960 --> 00:33:13,440
Speaker 5: happen to know the man just don't work with anybody.

654
00:33:13,600 --> 00:33:16,720
Speaker 4: No, he don't care. He don't care about your bag.

655
00:33:16,840 --> 00:33:19,280
Speaker 4: He don't care who you are. That's fact.

656
00:33:19,760 --> 00:33:22,280
Speaker 5: And when that man jumped on the track with you,

657
00:33:22,760 --> 00:33:26,440
Speaker 5: to me, being a hip hop as historian, it was

658
00:33:26,480 --> 00:33:30,320
Speaker 5: a super validation because he don't fuck with nobody no matter.

659
00:33:30,400 --> 00:33:33,840
Speaker 5: We don't even post a picture on ig So that

660
00:33:33,960 --> 00:33:36,520
Speaker 5: ship is so fire. The record is fired.

661
00:33:36,920 --> 00:33:41,960
Speaker 4: Yah. And then he rocked with you.

662
00:33:41,960 --> 00:33:43,880
Speaker 5: You know that get the other you know you might

663
00:33:43,920 --> 00:33:46,760
Speaker 5: catch a taller the creator next time somebody who don't

664
00:33:46,800 --> 00:33:49,480
Speaker 5: really rock with people is like, oh see somebody we

665
00:33:49,520 --> 00:33:50,840
Speaker 5: need to take syr.

666
00:33:51,480 --> 00:33:54,160
Speaker 3: So I'm glad you because I got some records.

667
00:33:54,160 --> 00:33:56,720
Speaker 4: I did that. I thought, you know the reason why,

668
00:33:56,760 --> 00:34:00,200
Speaker 4: I truly went independent. Was I dropped the record with

669
00:34:00,320 --> 00:34:02,280
Speaker 4: young Jeezy? Yo, what was it? Ha ha?

670
00:34:03,840 --> 00:34:05,480
Speaker 3: So thatwn Son you killing them?

671
00:34:06,000 --> 00:34:06,320
Speaker 4: To me?

672
00:34:06,440 --> 00:34:09,640
Speaker 5: That was a lean back, Like I thought that aw

673
00:34:09,800 --> 00:34:12,920
Speaker 5: some crazy to that beat? You rock to that and

674
00:34:13,320 --> 00:34:16,319
Speaker 5: ha ha. Let me tell you something. We shot the

675
00:34:16,400 --> 00:34:18,720
Speaker 5: video hall and we did the movie.

676
00:34:19,400 --> 00:34:19,720
Speaker 4: Jeez.

677
00:34:19,920 --> 00:34:22,040
Speaker 5: I was like, this shit out of here, like the

678
00:34:22,080 --> 00:34:24,719
Speaker 5: phone course, I was getting what fake phone calls from

679
00:34:24,760 --> 00:34:25,440
Speaker 5: the industry.

680
00:34:25,480 --> 00:34:27,839
Speaker 4: You're back, yo, it's a lean back.

681
00:34:27,920 --> 00:34:30,719
Speaker 5: It's something I was hype and the record label I

682
00:34:30,800 --> 00:34:33,359
Speaker 5: know for a fact they didn't push that shit. And

683
00:34:33,400 --> 00:34:36,520
Speaker 5: that's when I said, you know why you guys ain't

684
00:34:36,560 --> 00:34:37,160
Speaker 5: doing this.

685
00:34:37,080 --> 00:34:37,879
Speaker 4: To me no more.

686
00:34:38,120 --> 00:34:41,160
Speaker 3: I'm going independent, putting my own bag up.

687
00:34:41,719 --> 00:34:44,400
Speaker 5: I'm not coming over here begging somebody to push my

688
00:34:44,480 --> 00:34:48,000
Speaker 5: shit or whatever the case may be. That song changed

689
00:34:48,040 --> 00:34:50,680
Speaker 5: my life because that's one song to this take.

690
00:34:51,440 --> 00:34:52,920
Speaker 3: If I'm sitting in the club.

691
00:34:52,640 --> 00:34:55,759
Speaker 5: With you and they play it, it bothers me. When

692
00:34:55,800 --> 00:34:58,120
Speaker 5: I hear it, I'm like, this shit was supposed to

693
00:34:58,160 --> 00:35:00,759
Speaker 5: be out of here. This shit was a missile. This

694
00:35:00,840 --> 00:35:04,200
Speaker 5: shit you see the Savannah. When that song came out

695
00:35:04,239 --> 00:35:06,719
Speaker 5: the next day, Lebron was doing the little dance to

696
00:35:06,760 --> 00:35:08,480
Speaker 5: the ship too, Like I was like, oh no, this

697
00:35:09,040 --> 00:35:11,799
Speaker 5: we got one, and they didn't push it, and they

698
00:35:11,880 --> 00:35:14,239
Speaker 5: was acting like, nah got you, we do it.

699
00:35:14,320 --> 00:35:14,560
Speaker 4: You know.

700
00:35:14,680 --> 00:35:17,840
Speaker 3: That's that forced me to go independent.

701
00:35:17,880 --> 00:35:19,840
Speaker 5: But you're correct, no matter what you do, if you

702
00:35:19,840 --> 00:35:22,200
Speaker 5: put out a hit, they went the second lean back

703
00:35:22,239 --> 00:35:25,319
Speaker 5: I put out lean Back. I think the next song

704
00:35:25,360 --> 00:35:28,640
Speaker 5: I put out was making Rain. The ship went full

705
00:35:28,760 --> 00:35:33,600
Speaker 5: platinum and Nick Niggas is still like this saint lean back, Yo.

706
00:35:33,680 --> 00:35:34,640
Speaker 3: They was dead ass.

707
00:35:35,040 --> 00:35:37,760
Speaker 5: Oh no, you gotta do it together, then again, then again,

708
00:35:38,000 --> 00:35:40,000
Speaker 5: then again, then again and then again.

709
00:35:40,040 --> 00:35:42,800
Speaker 3: And that's why when I look at certain artists that

710
00:35:42,960 --> 00:35:43,359
Speaker 3: put it.

711
00:35:43,320 --> 00:35:46,799
Speaker 5: Out the park consistently, that's when I'd be like, man,

712
00:35:47,000 --> 00:35:50,680
Speaker 5: because you know, one hit is a miracle. One hit,

713
00:35:51,680 --> 00:35:54,799
Speaker 5: it's a mirror. I always say, they talk about one

714
00:35:54,920 --> 00:35:58,439
Speaker 5: hit wonders. I always say, yo, motherfucker, lift this dream

715
00:35:58,520 --> 00:36:01,120
Speaker 5: one hit with my man gold over.

716
00:36:00,960 --> 00:36:03,760
Speaker 4: My plats, go the bomb.

717
00:36:03,800 --> 00:36:08,640
Speaker 3: Watch that on in our thoughts, go there on that.

718
00:36:10,560 --> 00:36:10,799
Speaker 4: Man.

719
00:36:10,920 --> 00:36:13,319
Speaker 5: I seen him on the red carpet. I see him

720
00:36:13,360 --> 00:36:15,960
Speaker 5: take pictures with everybody you ever loved. I see them

721
00:36:16,000 --> 00:36:19,239
Speaker 5: live a life. So when somebody here hit it out

722
00:36:19,280 --> 00:36:22,560
Speaker 5: the park one time, it's a dream coat you. But

723
00:36:22,680 --> 00:36:25,440
Speaker 5: the consistently you know, you hit it. You know in

724
00:36:25,480 --> 00:36:28,680
Speaker 5: our eras in Nelly, it's a fifty cents job. Rule

725
00:36:28,800 --> 00:36:31,840
Speaker 5: is these guys kept coming and coming and coming with

726
00:36:31,960 --> 00:36:35,120
Speaker 5: hits and hits, hits nits, and you have to respect

727
00:36:35,200 --> 00:36:38,400
Speaker 5: him when you're in the business and making hits, because

728
00:36:38,480 --> 00:36:40,680
Speaker 5: what when do you know you gotta hit? Do you

729
00:36:40,760 --> 00:36:41,680
Speaker 5: know when you gotta hit?

730
00:36:42,480 --> 00:36:45,600
Speaker 1: Well, now I do. You would feel it? People treat

731
00:36:45,640 --> 00:36:46,080
Speaker 1: you different.

732
00:36:47,520 --> 00:36:49,440
Speaker 2: You know what I mean in the studio you create

733
00:36:49,480 --> 00:36:52,840
Speaker 2: a song, you that I don't know. Music for me

734
00:36:52,960 --> 00:36:55,200
Speaker 2: is a lifestyle. I'm making music because it's making me

735
00:36:55,239 --> 00:36:57,600
Speaker 2: feel good. I do music because it speaks for me,

736
00:36:57,680 --> 00:36:59,480
Speaker 2: like I do music because it's therapeutic.

737
00:37:00,520 --> 00:37:00,879
Speaker 1: I didn't.

738
00:37:00,920 --> 00:37:03,960
Speaker 2: I didn't start doing music for bag, but I caught

739
00:37:04,000 --> 00:37:05,759
Speaker 2: a bag, so I'm gonna continue to do it for

740
00:37:05,800 --> 00:37:06,480
Speaker 2: that as well.

741
00:37:06,520 --> 00:37:08,560
Speaker 1: But Nah, I don't be in the studio like you

742
00:37:08,600 --> 00:37:09,319
Speaker 1: I gotta make a hit.

743
00:37:09,640 --> 00:37:11,160
Speaker 2: I'll be in a studio like I gotta get this

744
00:37:11,160 --> 00:37:14,600
Speaker 2: ship off, because if I don't want me, don't be

745
00:37:14,600 --> 00:37:16,719
Speaker 2: going crazy like that.

746
00:37:17,080 --> 00:37:21,919
Speaker 4: Like E a song's sight, you knew you what what

747
00:37:22,120 --> 00:37:24,000
Speaker 4: songs you knew? Jada, you had hit it?

748
00:37:24,200 --> 00:37:30,960
Speaker 5: Go thank you LORDA thank you God, bless if God Savior.

749
00:37:31,400 --> 00:37:35,640
Speaker 5: With this guy here, he's just snap. He be killing

750
00:37:35,680 --> 00:37:37,960
Speaker 5: me every show and I go home. I watched replay.

751
00:37:38,040 --> 00:37:40,080
Speaker 5: I'm like, Yo, this figure sniping me.

752
00:37:40,239 --> 00:37:42,960
Speaker 3: I want to I don't even know he killing me

753
00:37:43,120 --> 00:37:46,560
Speaker 3: like that. When what song you had that you knew

754
00:37:47,320 --> 00:37:49,560
Speaker 3: this is a hit before it came out?

755
00:37:49,680 --> 00:37:54,600
Speaker 4: Me and the studio you recorded why mmm?

756
00:37:56,239 --> 00:37:58,440
Speaker 1: Was so incredible. Brother, that was a different type of

757
00:37:58,520 --> 00:37:59,839
Speaker 1: hit man.

758
00:38:00,080 --> 00:38:04,360
Speaker 5: It was perfect. That was God talking like you know

759
00:38:04,360 --> 00:38:06,440
Speaker 5: what I'm saying. It was so different. It was it

760
00:38:06,520 --> 00:38:11,239
Speaker 5: was necessary to this days necessary Anthony Hamilton, What made

761
00:38:11,280 --> 00:38:12,000
Speaker 5: you think of him?

762
00:38:12,040 --> 00:38:12,520
Speaker 4: For the hook?

763
00:38:13,360 --> 00:38:15,799
Speaker 7: Shut out to my man, rest in peace, ice Pick.

764
00:38:16,040 --> 00:38:18,919
Speaker 7: We just doing you know, once we got it, once

765
00:38:18,960 --> 00:38:21,759
Speaker 7: we got the song, shout out the Havoc too for

766
00:38:21,880 --> 00:38:24,520
Speaker 7: doing the beat. And once we got it, they know

767
00:38:24,640 --> 00:38:28,600
Speaker 7: that we already knew. We knew we wanted to get somebody.

768
00:38:28,800 --> 00:38:32,640
Speaker 7: We were big fans. We are big fans of Anthony Admilton.

769
00:38:32,760 --> 00:38:36,600
Speaker 7: So it was just the beat was perfect for him.

770
00:38:36,640 --> 00:38:39,319
Speaker 7: And once we told him the concept and he heard

771
00:38:39,360 --> 00:38:44,960
Speaker 7: the verses, the verses before the hook, so once he

772
00:38:44,960 --> 00:38:48,440
Speaker 7: heard it, he was he had the hook and did

773
00:38:48,520 --> 00:38:49,959
Speaker 7: that's your fact he made the hook.

774
00:38:50,440 --> 00:38:52,040
Speaker 4: Yeah m hm.

775
00:38:52,960 --> 00:38:58,719
Speaker 1: So he was like, wow.

776
00:38:58,640 --> 00:39:02,000
Speaker 5: Hee sweat came up here. Guesswet came up here and said, Uh,

777
00:39:02,239 --> 00:39:06,200
Speaker 5: what's that shit called southern? Uh, there's a name for that,

778
00:39:06,480 --> 00:39:10,080
Speaker 5: that kind of music, Southern something Old John I never

779
00:39:10,120 --> 00:39:10,759
Speaker 5: heard he.

780
00:39:12,520 --> 00:39:12,960
Speaker 4: Made that.

781
00:39:13,000 --> 00:39:13,960
Speaker 3: We might have invented.

782
00:39:14,040 --> 00:39:19,040
Speaker 5: He invented that, right, mum, Southern something southern and so

783
00:39:19,040 --> 00:39:19,960
Speaker 5: southern soul.

784
00:39:19,800 --> 00:39:21,920
Speaker 3: That he said it ain't gonna be. It ain't distance.

785
00:39:21,920 --> 00:39:23,279
Speaker 3: They got his own name.

786
00:39:24,960 --> 00:39:26,600
Speaker 1: Huh.

787
00:39:26,800 --> 00:39:28,880
Speaker 5: Listen when I when you know I'm in the house,

788
00:39:29,600 --> 00:39:33,320
Speaker 5: my phone ring, It's like four in the morning.

789
00:39:33,840 --> 00:39:36,919
Speaker 4: I got the house phone. I'm laying in the bag.

790
00:39:37,280 --> 00:39:43,480
Speaker 5: Yo, Joe, come into here factory. I'm like, who's this?

791
00:39:43,920 --> 00:39:46,640
Speaker 5: How you got my house? And he was like, reserve

792
00:39:46,760 --> 00:39:50,080
Speaker 5: got he come into here factories four in the morning.

793
00:39:50,120 --> 00:39:52,080
Speaker 4: I said, got something for you. I only met him

794
00:39:52,080 --> 00:39:53,319
Speaker 4: one time before that.

795
00:39:54,080 --> 00:39:57,760
Speaker 5: We both booked the same studio and we talked shipped

796
00:39:57,760 --> 00:39:59,040
Speaker 5: to like seven in the morning.

797
00:39:59,120 --> 00:39:59,919
Speaker 4: No work got done.

798
00:40:00,040 --> 00:40:02,360
Speaker 5: We were just telling stories, and I realized, I said, Yo,

799
00:40:02,480 --> 00:40:04,960
Speaker 5: this Ninka just liked me like he got the stories.

800
00:40:05,239 --> 00:40:08,480
Speaker 5: Fact herv Gotti. He got the stories. So we going

801
00:40:08,600 --> 00:40:14,759
Speaker 5: back to backstories. He must have liked three Pun dies right,

802
00:40:15,280 --> 00:40:17,320
Speaker 5: rest in peace. Ja Ruh comes to the funeral. I

803
00:40:17,440 --> 00:40:19,360
Speaker 5: never even met Ja ru before that. He came in

804
00:40:19,440 --> 00:40:22,560
Speaker 5: the funeral and I was like, it's a good man.

805
00:40:23,080 --> 00:40:26,720
Speaker 5: But anyway, like a month after Gun dies, he calls

806
00:40:26,760 --> 00:40:29,360
Speaker 5: me out of nowhere and you want to talk about pressure.

807
00:40:29,640 --> 00:40:31,600
Speaker 5: They were like, you know, Pun was so much better

808
00:40:31,680 --> 00:40:33,799
Speaker 5: than me. They was like, oh, this nigga threw like

809
00:40:34,080 --> 00:40:37,160
Speaker 5: hone is the king. Joe is a bum. Now Joe

810
00:40:37,400 --> 00:40:40,000
Speaker 5: is over for him. He's like, I mean literally in

811
00:40:40,120 --> 00:40:43,520
Speaker 5: my face. They were saying this shit right. So when

812
00:40:43,520 --> 00:40:46,239
Speaker 5: I went there and they just pressed play and the

813
00:40:46,360 --> 00:40:48,360
Speaker 5: Hit Factory gift, Like, I ain't gonna lie to you.

814
00:40:48,400 --> 00:40:49,759
Speaker 4: I don't give a fuck what you think.

815
00:40:50,320 --> 00:40:52,920
Speaker 5: I never spent money like that on the studio, Like

816
00:40:53,080 --> 00:40:57,040
Speaker 5: my studios was always underground, small students. I never spent

817
00:40:57,120 --> 00:40:59,880
Speaker 5: the five thousand the night Hit Factory like, I wouldn't

818
00:40:59,880 --> 00:41:02,640
Speaker 5: do that. That's one thing I wouldn't spend on. They

819
00:41:02,719 --> 00:41:05,200
Speaker 5: had different speakers. That shit came on through No, no, no,

820
00:41:06,360 --> 00:41:12,160
Speaker 5: it was like what's love. I knew immediately I said,

821
00:41:12,239 --> 00:41:17,160
Speaker 5: oh shit, this ship out of here, like this is

822
00:41:17,200 --> 00:41:21,200
Speaker 5: shit is gone, and so what's crazy? After the earth died,

823
00:41:21,239 --> 00:41:23,239
Speaker 5: I asked my wife because she was dead with me,

824
00:41:23,320 --> 00:41:26,000
Speaker 5: and I asked her. I said, Yo, what I never

825
00:41:26,120 --> 00:41:28,319
Speaker 5: asked tough, because you know, I'm always caring about what

826
00:41:28,360 --> 00:41:30,839
Speaker 5: I think. I said, what did you think that night?

827
00:41:30,880 --> 00:41:32,719
Speaker 5: When we drove home, she said, I knew our life

828
00:41:32,760 --> 00:41:33,840
Speaker 5: had changed forever.

829
00:41:34,040 --> 00:41:34,759
Speaker 4: And she when she.

830
00:41:34,760 --> 00:41:37,520
Speaker 5: Heard one Love one time, she was like, she said,

831
00:41:37,560 --> 00:41:38,919
Speaker 5: I always loved derv God.

832
00:41:38,960 --> 00:41:41,440
Speaker 4: Because of that, she was like, I knew it.

833
00:41:41,600 --> 00:41:44,520
Speaker 5: Driving back to the Bronx, she was like, oh no,

834
00:41:44,640 --> 00:41:47,200
Speaker 5: this ship, this shit over is about to be a

835
00:41:47,239 --> 00:41:47,719
Speaker 5: new day.

836
00:41:48,080 --> 00:41:49,919
Speaker 4: But you know, when you know you got that hit.

837
00:41:50,680 --> 00:41:52,800
Speaker 2: See back then it was so different, like the substance

838
00:41:52,960 --> 00:41:57,839
Speaker 2: was so raw. Now it's like there's no such thing

839
00:41:57,920 --> 00:41:59,120
Speaker 2: as you know, what's the hit.

840
00:41:59,200 --> 00:41:59,680
Speaker 1: It'd be like.

841
00:41:59,680 --> 00:42:02,640
Speaker 2: The random stuff being a hit now.

842
00:42:03,160 --> 00:42:04,480
Speaker 1: So it's hard. It's like we in a way of

843
00:42:04,520 --> 00:42:05,239
Speaker 1: spacebook music.

844
00:42:06,040 --> 00:42:06,640
Speaker 4: Here you are.

845
00:42:06,680 --> 00:42:11,120
Speaker 5: But if you keep it consistent, nothing Yeah, nothing changes.

846
00:42:11,560 --> 00:42:11,759
Speaker 4: You know.

847
00:42:11,880 --> 00:42:16,440
Speaker 5: I love what you said without you knowing, you answered

848
00:42:16,520 --> 00:42:18,520
Speaker 5: that question so beautiful where you was like, Yo, it

849
00:42:18,520 --> 00:42:19,239
Speaker 5: ain't about to hit.

850
00:42:19,360 --> 00:42:20,359
Speaker 4: I gotta get this off.

851
00:42:21,080 --> 00:42:26,719
Speaker 5: That's really that's Areeka Franklin that's all the greats that

852
00:42:26,800 --> 00:42:30,680
Speaker 5: we could call. They just Anthony Hamilton. He just sunk

853
00:42:30,719 --> 00:42:33,120
Speaker 5: from the soul this and that, and then people related

854
00:42:33,239 --> 00:42:35,359
Speaker 5: to it right right, you know what I mean. So

855
00:42:35,719 --> 00:42:39,600
Speaker 5: that's really where music is. That you feel like you

856
00:42:39,760 --> 00:42:43,120
Speaker 5: talking your shit. You you and people could relate. That's

857
00:42:43,239 --> 00:42:45,760
Speaker 5: powerful right there. That never changes.

858
00:42:46,040 --> 00:42:49,200
Speaker 2: Your HiT's come from great energy. Well, it's a room

859
00:42:49,200 --> 00:42:51,640
Speaker 2: full of energy. Is a hit is guarantee going to

860
00:42:51,719 --> 00:42:52,040
Speaker 2: be made?

861
00:42:52,080 --> 00:42:54,600
Speaker 4: For sure? You know. It's so funny. I went to

862
00:42:54,640 --> 00:42:57,439
Speaker 4: a show one time and it was just crowded. Who

863
00:42:57,520 --> 00:42:59,840
Speaker 4: was it? I think Gumbo through some shit in Jersesey.

864
00:43:00,640 --> 00:43:03,239
Speaker 5: And here I'm going up the stairs and there's a

865
00:43:03,280 --> 00:43:06,680
Speaker 5: bunch of big guys and there's a girl flying in

866
00:43:06,719 --> 00:43:09,680
Speaker 5: the air past me going down the stairs. And that's

867
00:43:09,719 --> 00:43:12,080
Speaker 5: how I knew how little you was. It was so

868
00:43:12,160 --> 00:43:16,359
Speaker 5: crowded there y'all was carrying her out. The motherfucker. I'm like, Yo,

869
00:43:16,440 --> 00:43:18,759
Speaker 5: this ship great, I'm looking up the own ship that

870
00:43:18,880 --> 00:43:19,760
Speaker 5: little lolla crook.

871
00:43:19,880 --> 00:43:22,040
Speaker 1: It'd be so much people. We need your help.

872
00:43:22,880 --> 00:43:24,480
Speaker 3: They carry you out of this ship.

873
00:43:25,440 --> 00:43:27,359
Speaker 4: That's when it comes to handy. They can just left

874
00:43:27,440 --> 00:43:29,160
Speaker 4: you up and slide you over.

875
00:43:29,000 --> 00:43:33,280
Speaker 1: The yeah, like take me, what's.

876
00:43:33,120 --> 00:43:37,400
Speaker 4: Your process, studio? What you need? What's your what's esentil?

877
00:43:37,760 --> 00:43:42,000
Speaker 2: I so boom, I need some h two O, I

878
00:43:42,040 --> 00:43:46,799
Speaker 2: need some water. I need honey and tea. I go

879
00:43:46,920 --> 00:43:50,160
Speaker 2: front neath the keyl you know what I'm saying. You

880
00:43:50,239 --> 00:43:53,680
Speaker 2: know the You know what I'm saying.

881
00:43:54,040 --> 00:43:54,799
Speaker 1: I need.

882
00:43:56,120 --> 00:44:00,920
Speaker 2: Whoko A good engineer. I don't to keep tapping him

883
00:44:00,920 --> 00:44:04,320
Speaker 2: on his shoulder, not doing that. Get it right and

884
00:44:04,440 --> 00:44:07,239
Speaker 2: good good vibes. Of course, some grubs, you.

885
00:44:07,160 --> 00:44:08,280
Speaker 4: Know, brugs.

886
00:44:09,760 --> 00:44:12,759
Speaker 5: You know what's crazy is we was just talking off

887
00:44:12,840 --> 00:44:15,600
Speaker 5: the camera like you said it'd be some good shit, saying.

888
00:44:16,560 --> 00:44:19,000
Speaker 5: Fever was selling me that Tupac one time. There's a

889
00:44:19,120 --> 00:44:21,359
Speaker 5: video of he telling the engineer, you know, my job

890
00:44:21,480 --> 00:44:24,320
Speaker 5: is to record. I leave you mixed that ship. I

891
00:44:24,360 --> 00:44:26,279
Speaker 5: don't know what to do with that. That's you. You

892
00:44:26,400 --> 00:44:27,040
Speaker 5: get that shot.

893
00:44:27,080 --> 00:44:29,600
Speaker 7: If I even stay there for the mix. He layers

894
00:44:29,680 --> 00:44:32,000
Speaker 7: versus and tough he out make sure it's good.

895
00:44:32,600 --> 00:44:35,440
Speaker 4: That was ill Joe. That was I gotta hear it.

896
00:44:35,520 --> 00:44:37,080
Speaker 4: I gotta hear this ship man.

897
00:44:37,120 --> 00:44:39,839
Speaker 5: That boy Scott started send me back, lean back like

898
00:44:39,920 --> 00:44:40,640
Speaker 5: I got a demo.

899
00:44:40,840 --> 00:44:41,800
Speaker 3: I'm demo whited.

900
00:44:42,800 --> 00:44:45,000
Speaker 5: I know it hit I'm a little bit, and I

901
00:44:45,040 --> 00:44:47,600
Speaker 5: noticed you're not the first artist. That more artists come

902
00:44:47,640 --> 00:44:49,799
Speaker 5: here saying they didn't know what was a hit. I

903
00:44:49,920 --> 00:44:52,560
Speaker 5: always knew what was a hit. So when I left

904
00:44:52,640 --> 00:44:55,120
Speaker 5: Lean Back, I knew that ship was number one. He

905
00:44:55,280 --> 00:44:57,959
Speaker 5: sent back to mix and had like a cow bell woman.

906
00:44:58,840 --> 00:45:02,160
Speaker 5: I was like, Yo, mommy, who the fuck told you

907
00:45:02,200 --> 00:45:03,320
Speaker 5: to throw him down.

908
00:45:03,160 --> 00:45:03,680
Speaker 4: On that fit?

909
00:45:04,440 --> 00:45:06,600
Speaker 5: Take that shit crack? We could just take it out.

910
00:45:06,640 --> 00:45:09,440
Speaker 5: You get into it, saying I'm like, fuck out of here.

911
00:45:09,480 --> 00:45:12,560
Speaker 5: I'm like, I'm definitely one of those. If it ain't broke,

912
00:45:12,600 --> 00:45:13,719
Speaker 5: don't fix me.

913
00:45:13,840 --> 00:45:14,680
Speaker 4: Hear it? The shit?

914
00:45:14,840 --> 00:45:19,919
Speaker 5: You know your man Kendrick Lamar. They said that when

915
00:45:19,920 --> 00:45:22,759
Speaker 5: he did, they not like us. They ain't even mix

916
00:45:22,880 --> 00:45:23,239
Speaker 5: that shit.

917
00:45:23,280 --> 00:45:23,600
Speaker 4: He said.

918
00:45:23,600 --> 00:45:25,360
Speaker 5: He was like, Yo, get that shit out now. Thirty

919
00:45:25,400 --> 00:45:28,279
Speaker 5: minutes later he was like, yo, I want that shit out.

920
00:45:28,520 --> 00:45:29,520
Speaker 4: Like he didn't.

921
00:45:29,520 --> 00:45:33,439
Speaker 3: They didn't even professionally mix. They not like us.

922
00:45:33,480 --> 00:45:35,680
Speaker 5: It was just like, YO, do a random little two

923
00:45:35,719 --> 00:45:39,480
Speaker 5: tracks out, you know, And so you know me, I'm

924
00:45:39,520 --> 00:45:40,160
Speaker 5: into mixes.

925
00:45:40,200 --> 00:45:41,480
Speaker 3: I fucked up one time, man.

926
00:45:41,480 --> 00:45:44,600
Speaker 5: I had jay Z on this record we had on

927
00:45:44,680 --> 00:45:48,920
Speaker 5: Family Times projects. Jay Z spit the verse and we

928
00:45:49,160 --> 00:45:53,880
Speaker 5: looking for the mixture of the year, all this bullshit cooling,

929
00:45:53,960 --> 00:45:58,319
Speaker 5: Dre Jason, Joshuah gotta get back from potties this that

930
00:45:58,320 --> 00:46:03,000
Speaker 5: they was playing and the man they called back about

931
00:46:03,440 --> 00:46:06,640
Speaker 5: three four days later. It was like, yo, you can't

932
00:46:06,719 --> 00:46:08,719
Speaker 5: drop that verse now because he was like getting that

933
00:46:09,160 --> 00:46:10,640
Speaker 5: like certain people at the time.

934
00:46:10,719 --> 00:46:14,480
Speaker 4: They was like, y'all can't put that out this.

935
00:46:14,680 --> 00:46:18,200
Speaker 5: I was like, Nigga, I fucking told you to get

936
00:46:18,239 --> 00:46:22,160
Speaker 5: that ship, the funt mask the flex in twenty minutes.

937
00:46:22,840 --> 00:46:25,080
Speaker 5: Now we're sitting on the jay Z verse we can

938
00:46:25,160 --> 00:46:26,400
Speaker 5: never use in our life.

939
00:46:27,160 --> 00:46:32,160
Speaker 1: You know, sometimes can't go. You gotta go, you gotta run.

940
00:46:32,320 --> 00:46:35,000
Speaker 2: Gus how I recorded my last project, I did, I

941
00:46:35,080 --> 00:46:36,880
Speaker 2: bet like I have a scratch off and I just

942
00:46:37,040 --> 00:46:40,920
Speaker 2: I just go. So whatever I say, I'm looking at

943
00:46:40,960 --> 00:46:43,840
Speaker 2: the engineer, like keep that ship because you might not

944
00:46:44,120 --> 00:46:45,000
Speaker 2: get that moment though.

945
00:46:45,080 --> 00:46:47,759
Speaker 5: We just fucking heard that about. Tupac used to say

946
00:46:47,800 --> 00:46:51,000
Speaker 5: the same shit, be like, yo, I ain't raising none.

947
00:46:51,080 --> 00:46:52,200
Speaker 4: He go over there, rock.

948
00:46:53,000 --> 00:46:55,400
Speaker 1: Here, you be talking shit put an intro.

949
00:46:57,120 --> 00:46:59,480
Speaker 3: That's crazy, not us, they not even me.

950
00:46:59,600 --> 00:47:01,520
Speaker 5: I probably would be like that, but they forced with

951
00:47:01,640 --> 00:47:02,880
Speaker 5: these guys want perfection.

952
00:47:03,320 --> 00:47:04,640
Speaker 4: These guys. He's cool and Drake.

953
00:47:05,040 --> 00:47:07,359
Speaker 5: I'm probably the only old school rapper that they may

954
00:47:07,480 --> 00:47:12,880
Speaker 5: do it one hundred times to the verse is picture perfect,

955
00:47:12,920 --> 00:47:14,840
Speaker 5: Like they abused me in that studio.

956
00:47:15,000 --> 00:47:17,719
Speaker 4: Nah, not like that, Joe. Uh just it.

957
00:47:17,880 --> 00:47:20,840
Speaker 5: To this day they still like coach me like yo, Joe,

958
00:47:21,120 --> 00:47:24,600
Speaker 5: like humhm you know because me. I you know, if

959
00:47:24,680 --> 00:47:27,239
Speaker 5: I had a dream come true, I would go to

960
00:47:27,320 --> 00:47:30,359
Speaker 5: Nebraska some shit and make my own album and they

961
00:47:30,400 --> 00:47:34,160
Speaker 5: to be some shit about God, some about flowers, some

962
00:47:34,360 --> 00:47:38,560
Speaker 5: about killing, some about they weren't fat Joe the gangster

963
00:47:38,920 --> 00:47:40,080
Speaker 5: at all times.

964
00:47:40,080 --> 00:47:42,600
Speaker 3: They'd be like, fuck that gangster shit.

965
00:47:43,120 --> 00:47:46,520
Speaker 5: That's easy shit, Nah Joe. The niggas want to hear

966
00:47:46,600 --> 00:47:48,399
Speaker 5: you spit. And I'd be like, every time I try

967
00:47:48,400 --> 00:47:51,000
Speaker 5: to be a nice guy on the record, they all

968
00:47:51,000 --> 00:47:59,520
Speaker 5: allow us.

969
00:47:59,520 --> 00:48:02,360
Speaker 4: The song pain, do you use? Mjay?

970
00:48:02,480 --> 00:48:05,560
Speaker 3: She was excited about that, by the way, I love Mary.

971
00:48:05,800 --> 00:48:09,680
Speaker 1: I was excited. I was excuse she loved.

972
00:48:09,520 --> 00:48:12,479
Speaker 5: You like by a lot of the way behind the scenes, Yeah,

973
00:48:12,760 --> 00:48:13,799
Speaker 5: I love so much.

974
00:48:13,840 --> 00:48:15,359
Speaker 3: She's just like, yah, I cleared this.

975
00:48:15,600 --> 00:48:19,160
Speaker 5: She I'm like and then getting no little brooks are

976
00:48:19,239 --> 00:48:22,920
Speaker 5: like this that what made you use that sample?

977
00:48:23,239 --> 00:48:25,200
Speaker 4: And the title pain?

978
00:48:26,680 --> 00:48:30,400
Speaker 2: When you think of Mary j Pain is the first

979
00:48:30,640 --> 00:48:34,080
Speaker 2: the first word that came to my mom, Like, I

980
00:48:34,120 --> 00:48:36,640
Speaker 2: didn't see my moms get through her day listening to

981
00:48:36,680 --> 00:48:38,879
Speaker 2: Mary j You know what I'm saying, I didn't see

982
00:48:38,920 --> 00:48:39,799
Speaker 2: my mom stressed out.

983
00:48:39,840 --> 00:48:41,800
Speaker 1: She put on Mary Jane. She could clean a whole house.

984
00:48:42,080 --> 00:48:44,239
Speaker 1: That's what she was in my household. My mom's what

985
00:48:45,000 --> 00:48:48,120
Speaker 1: Mary j was on. Dude.

986
00:48:48,160 --> 00:48:49,839
Speaker 2: I said, Oh, I got to get up and clean

987
00:48:49,880 --> 00:48:52,719
Speaker 2: my room or she's gonna be rating on me so pain.

988
00:48:53,520 --> 00:48:56,200
Speaker 2: With that record, I feel like she liked no more Pain,

989
00:48:56,280 --> 00:48:57,640
Speaker 2: and I'm like, this is the new generation.

990
00:48:57,719 --> 00:48:58,160
Speaker 1: No more pain.

991
00:48:58,239 --> 00:49:00,600
Speaker 2: I learned from you too, Like my mom made sure

992
00:49:00,600 --> 00:49:03,360
Speaker 2: of that. It's no more pain, and we're standing on

993
00:49:03,400 --> 00:49:05,160
Speaker 2: that as black women. I'm standing on that. I'm not

994
00:49:05,160 --> 00:49:07,560
Speaker 2: going through it like I see my moms go through it.

995
00:49:07,560 --> 00:49:10,799
Speaker 1: I'm straight. So I was excited that she cleared it

996
00:49:11,600 --> 00:49:12,799
Speaker 1: because it meant something to me.

997
00:49:13,880 --> 00:49:17,759
Speaker 5: Who was rocking because there's a generational gap. And I

998
00:49:17,800 --> 00:49:20,680
Speaker 5: could tell you my mother and my aunts. They was

999
00:49:20,719 --> 00:49:22,600
Speaker 5: just one song. I don't know if you know, you

1000
00:49:22,680 --> 00:49:26,680
Speaker 5: way too young, but they were singing now Wilson Oh.

1001
00:49:26,719 --> 00:49:28,440
Speaker 5: And I was a kid. I didn't know what they

1002
00:49:28,560 --> 00:49:31,280
Speaker 5: was really singing. And they would sing this ship.

1003
00:49:31,160 --> 00:49:31,799
Speaker 1: Wait how it goes?

1004
00:49:32,920 --> 00:49:33,200
Speaker 3: Wis?

1005
00:49:34,440 --> 00:49:34,960
Speaker 4: Oh?

1006
00:49:35,000 --> 00:49:37,239
Speaker 3: No, no, no, walk out the doll?

1007
00:49:37,440 --> 00:49:37,960
Speaker 4: Who's that?

1008
00:49:39,080 --> 00:49:40,080
Speaker 3: Gloria Gainers?

1009
00:49:40,120 --> 00:49:43,920
Speaker 5: It turned around now because you not walk them. Many

1010
00:49:44,080 --> 00:49:45,680
Speaker 5: ot be in front of the building we live in

1011
00:49:45,719 --> 00:49:48,480
Speaker 5: the fifth floor in the projects. They'd be singing that

1012
00:49:48,600 --> 00:49:52,840
Speaker 5: shit and you kid outside like you know that's that

1013
00:49:53,080 --> 00:49:54,080
Speaker 5: cleaning the house?

1014
00:49:54,800 --> 00:49:57,640
Speaker 4: And Mary? Was that for you? Right? Who are?

1015
00:49:57,680 --> 00:50:03,799
Speaker 5: Some artists did were very inspirational to you in your

1016
00:50:03,920 --> 00:50:07,239
Speaker 5: age group Who is rocking? When you was like, yo,

1017
00:50:07,320 --> 00:50:09,080
Speaker 5: I think I want to be a rap? Like who

1018
00:50:09,160 --> 00:50:10,040
Speaker 5: is like on Fire?

1019
00:50:10,719 --> 00:50:13,279
Speaker 1: Lil Wayne Nick mil fIF. It was a time where

1020
00:50:13,320 --> 00:50:14,480
Speaker 1: I would have Lil Wayne.

1021
00:50:14,480 --> 00:50:16,839
Speaker 2: I would be on long Wire and it'd be nine,

1022
00:50:16,840 --> 00:50:19,920
Speaker 2: but Lil Wayne on my op ed my iPod.

1023
00:50:22,760 --> 00:50:25,319
Speaker 5: Well, I just met a little a young brother from

1024
00:50:25,440 --> 00:50:28,880
Speaker 5: New Orleans. What his name Leezie or something? A rapper.

1025
00:50:28,920 --> 00:50:33,680
Speaker 5: He was up there, LOUISEI the man. I was telling

1026
00:50:33,719 --> 00:50:36,000
Speaker 5: him that Neil Wayne taught me how to work fast.

1027
00:50:36,440 --> 00:50:38,640
Speaker 5: So I come from an I come from way back

1028
00:50:38,719 --> 00:50:41,400
Speaker 5: generation where rappers would do an album I don't give

1029
00:50:41,440 --> 00:50:43,560
Speaker 5: a fuck if it was number one, and they would

1030
00:50:43,600 --> 00:50:46,719
Speaker 5: wait four years to drop that was it. They would

1031
00:50:46,840 --> 00:50:50,239
Speaker 5: wait sit home for two years and then all right,

1032
00:50:50,320 --> 00:50:52,840
Speaker 5: it's four years to drop the next one. We didn't

1033
00:50:52,880 --> 00:50:55,839
Speaker 5: have that work effort. But Lil Wayne when he moved

1034
00:50:55,840 --> 00:50:58,279
Speaker 5: to Miami after Katrina and I used to go visit

1035
00:50:58,360 --> 00:51:01,680
Speaker 5: him in the studio and every night he was cutting records.

1036
00:51:01,719 --> 00:51:04,879
Speaker 5: He was cutting records. So he taught me, by Yo, Joe,

1037
00:51:04,960 --> 00:51:08,480
Speaker 5: if you want to be relevant in this generation, you

1038
00:51:08,560 --> 00:51:11,200
Speaker 5: gotta keep working and working and working. And so he

1039
00:51:11,320 --> 00:51:14,560
Speaker 5: taught me about being in the studio every night. Solila

1040
00:51:14,560 --> 00:51:17,640
Speaker 5: Wayne meet Mail fifty said that that's what was ringing

1041
00:51:17,680 --> 00:51:17,960
Speaker 5: off of.

1042
00:51:18,040 --> 00:51:21,560
Speaker 4: That that may mail that that shit ain't never gonna stop.

1043
00:51:21,960 --> 00:51:24,719
Speaker 4: That's like that should be in the museum. What's that shit?

1044
00:51:24,800 --> 00:51:28,480
Speaker 5: When they take your ship and they put it in Like, no,

1045
00:51:28,560 --> 00:51:30,440
Speaker 5: they got some shit where they put it in the

1046
00:51:30,560 --> 00:51:31,239
Speaker 5: Washington d C?

1047
00:51:31,360 --> 00:51:32,960
Speaker 3: What is that library or Congress?

1048
00:51:33,760 --> 00:51:34,360
Speaker 4: James?

1049
00:51:34,960 --> 00:51:36,919
Speaker 5: You got to ask the one white guy on set,

1050
00:51:37,000 --> 00:51:40,760
Speaker 5: Yo James, what is that like? Is that the Library

1051
00:51:40,840 --> 00:51:45,120
Speaker 5: of Congress? Dat ro I'm like this, No, I'm like this.

1052
00:51:45,840 --> 00:51:48,280
Speaker 2: The hunger for me would meet It was the hunger.

1053
00:51:49,520 --> 00:51:52,759
Speaker 2: He made me feel like you shouldn't be shot to

1054
00:51:52,800 --> 00:51:56,320
Speaker 2: speak about your truth. Whatever you're going through, your reality.

1055
00:51:56,440 --> 00:51:58,920
Speaker 2: You can put it in your music, no matter if

1056
00:51:58,960 --> 00:52:01,719
Speaker 2: it's embarrassed and the not. Like if you cried today

1057
00:52:01,760 --> 00:52:05,320
Speaker 2: telling crowd today, Wayne, I learned cunch lines. I listened

1058
00:52:05,320 --> 00:52:08,440
Speaker 2: to Cannon back to back, figuring out what he was,

1059
00:52:08,560 --> 00:52:11,480
Speaker 2: what he meant by his lyrics and fifty it was

1060
00:52:11,520 --> 00:52:12,440
Speaker 2: just so New York.

1061
00:52:13,040 --> 00:52:17,799
Speaker 5: Wayne is different, right, So Wayne his flow pack because

1062
00:52:17,800 --> 00:52:22,800
Speaker 5: he from the South and the Southern rappers used different flows.

1063
00:52:23,280 --> 00:52:26,360
Speaker 5: But then he started rapping over New York beats, but

1064
00:52:26,520 --> 00:52:30,279
Speaker 5: he was hitting them flows. He was dumbing out like

1065
00:52:30,640 --> 00:52:34,200
Speaker 5: I was just like, oh shit, we didn't know people

1066
00:52:34,200 --> 00:52:34,600
Speaker 5: could do that.

1067
00:52:34,640 --> 00:52:36,960
Speaker 3: I remember one one record I don't know the name.

1068
00:52:37,000 --> 00:52:39,120
Speaker 5: Every time bringing up, everybody act like they don't know

1069
00:52:39,120 --> 00:52:41,360
Speaker 5: what I'm talking about, but it was he rapped to

1070
00:52:41,400 --> 00:52:43,760
Speaker 5: a jay Z record, And let me tell you something.

1071
00:52:44,680 --> 00:52:48,600
Speaker 5: Jay Z bodied that ship to begin with, and that

1072
00:52:48,719 --> 00:52:51,040
Speaker 5: man went up in there so much you got and

1073
00:52:51,120 --> 00:52:53,880
Speaker 5: that man, little Wayne was doing all this back. He

1074
00:52:53,960 --> 00:52:57,280
Speaker 5: was doing that Jameroqui on that ship remember Jamariquaid video.

1075
00:52:57,719 --> 00:53:00,399
Speaker 3: He was going in the treadmill backwards like this shit.

1076
00:53:00,520 --> 00:53:01,799
Speaker 3: Little Wayne was doing it that shit.

1077
00:53:02,600 --> 00:53:06,120
Speaker 5: It was like AI, we had never heard nobody flow

1078
00:53:07,080 --> 00:53:09,719
Speaker 5: Asta and jay Z body that.

1079
00:53:10,000 --> 00:53:11,440
Speaker 3: And then he went up in there. It was like

1080
00:53:11,640 --> 00:53:12,520
Speaker 3: and that's when I knew.

1081
00:53:13,280 --> 00:53:15,640
Speaker 4: I said, oh we got we got a new leader

1082
00:53:15,680 --> 00:53:18,160
Speaker 4: of the new school. This guy he on.

1083
00:53:18,160 --> 00:53:21,279
Speaker 5: Another lettl another level, Lil Wayne, one of the best

1084
00:53:21,280 --> 00:53:24,400
Speaker 5: guys you're loving meet, you know on Earth.

1085
00:53:24,520 --> 00:53:26,360
Speaker 4: So where you want to go from here? Lola?

1086
00:53:26,480 --> 00:53:30,440
Speaker 5: You have some success, You got platinum, gold plaques. What

1087
00:53:30,520 --> 00:53:32,120
Speaker 5: do you want to do at the end of the

1088
00:53:32,239 --> 00:53:36,040
Speaker 5: day when you want to look at your career ten

1089
00:53:36,160 --> 00:53:40,000
Speaker 5: years from now, fifteen years from now, what's your vision

1090
00:53:40,080 --> 00:53:43,000
Speaker 5: of success.

1091
00:53:42,480 --> 00:53:46,600
Speaker 1: Being on the movie screens, having my own show? That's

1092
00:53:46,600 --> 00:53:47,120
Speaker 1: what I wanted.

1093
00:53:49,280 --> 00:53:52,200
Speaker 4: Shout out to Leanna Taylor. She hit me four times today,

1094
00:53:52,360 --> 00:53:52,520
Speaker 4: you know.

1095
00:53:54,000 --> 00:53:56,239
Speaker 5: Yeah, you know, see she got a sneaker coming out,

1096
00:53:56,280 --> 00:53:58,800
Speaker 5: so she wanted to you know, you crack.

1097
00:54:00,480 --> 00:54:04,040
Speaker 4: You know what I'm saying. You know, be so proud.

1098
00:54:04,480 --> 00:54:08,480
Speaker 5: Listen, Tianna, we are so fucking proud of you now.

1099
00:54:09,040 --> 00:54:10,360
Speaker 3: And you want to know what's crazy?

1100
00:54:10,960 --> 00:54:11,920
Speaker 1: City looks so good.

1101
00:54:12,520 --> 00:54:14,560
Speaker 3: I'm into talk.

1102
00:54:14,440 --> 00:54:17,120
Speaker 5: To shit about people or whatever the case may be,

1103
00:54:17,200 --> 00:54:22,399
Speaker 5: But I'm falling for the Tianna Wonder the award. Don't

1104
00:54:22,440 --> 00:54:25,120
Speaker 5: she look different now to you? Like from one day

1105
00:54:25,200 --> 00:54:25,719
Speaker 5: to the other.

1106
00:54:26,520 --> 00:54:27,280
Speaker 4: So now I'm.

1107
00:54:27,080 --> 00:54:30,440
Speaker 5: Looking at the outfits and I'm like, yeah, she queen,

1108
00:54:30,680 --> 00:54:33,799
Speaker 5: she a big girl. She I don't know the glow up.

1109
00:54:34,120 --> 00:54:37,600
Speaker 5: She always been bad, she always been flying, but since she.

1110
00:54:37,760 --> 00:54:39,840
Speaker 1: Wanted the award, she got a glow.

1111
00:54:40,280 --> 00:54:45,399
Speaker 5: She looking like fucking Angela Basti. He was ready, right,

1112
00:54:45,760 --> 00:54:46,520
Speaker 5: She looking like.

1113
00:54:46,560 --> 00:54:47,879
Speaker 3: Some mothers chip right now.

1114
00:54:47,920 --> 00:54:50,680
Speaker 5: She ain't just Tianna Taylor who sit like that on

1115
00:54:50,719 --> 00:54:52,520
Speaker 5: the couch of us and bug out.

1116
00:54:52,560 --> 00:54:54,520
Speaker 3: It's I don't know, I'm falling for it.

1117
00:54:54,600 --> 00:54:55,000
Speaker 4: I don't know.

1118
00:54:55,080 --> 00:54:56,440
Speaker 3: I'm feeling like, Wow, I was.

1119
00:54:56,440 --> 00:54:57,360
Speaker 1: Ready for her moment.

1120
00:54:57,440 --> 00:55:00,719
Speaker 2: You could tell that she she patiently waits, waited for

1121
00:55:00,760 --> 00:55:03,760
Speaker 2: her moment, and when it came, she was ready.

1122
00:55:05,600 --> 00:55:07,160
Speaker 1: A lot of people not ready for the moment.

1123
00:55:07,280 --> 00:55:11,840
Speaker 2: No, no, And that's the most important thing about this

1124
00:55:11,880 --> 00:55:12,359
Speaker 2: whole thing.

1125
00:55:12,360 --> 00:55:14,520
Speaker 1: You gotta be ready for when it comes, because you

1126
00:55:14,520 --> 00:55:15,480
Speaker 1: don't know when it's gonna come.

1127
00:55:15,840 --> 00:55:18,719
Speaker 5: That's a super fact, you know, good man. You could

1128
00:55:18,800 --> 00:55:21,640
Speaker 5: quote as a guy named fad Joe. His quote is,

1129
00:55:22,440 --> 00:55:23,800
Speaker 5: you gotta stay in the game.

1130
00:55:24,200 --> 00:55:25,879
Speaker 1: You ever know.

1131
00:55:26,120 --> 00:55:28,880
Speaker 3: I'm telling yo, listen, you gotta stay in the game.

1132
00:55:29,880 --> 00:55:30,560
Speaker 4: You never know.

1133
00:55:31,280 --> 00:55:33,759
Speaker 5: And so what I mean by that is you got

1134
00:55:33,800 --> 00:55:35,400
Speaker 5: a guy. I don't know if it's true or it's

1135
00:55:35,440 --> 00:55:37,359
Speaker 5: a lie, but what I hear from rumors, the guy

1136
00:55:37,400 --> 00:55:42,640
Speaker 5: what's his name, Chamelionaire chameleion in it. He had that

1137
00:55:42,719 --> 00:55:45,719
Speaker 5: big hit, but he went off and did some like

1138
00:55:46,040 --> 00:55:47,880
Speaker 5: some shit in Silicon Valley.

1139
00:55:48,239 --> 00:55:51,600
Speaker 3: You don't know that, you know, you think, Doctor.

1140
00:55:51,400 --> 00:55:54,239
Speaker 5: Drake, this is some shit. I always say, there's one

1141
00:55:54,239 --> 00:55:56,480
Speaker 5: of them stories. You say, Joe, you repeat this shit.

1142
00:55:56,560 --> 00:56:01,920
Speaker 5: But Doctor Dre discovered it nw A, that's ice cube easy,

1143
00:56:02,200 --> 00:56:06,160
Speaker 5: all of them. He's done his own albums Chronic, which

1144
00:56:06,160 --> 00:56:08,600
Speaker 5: is we considered one of the greatest, if not the

1145
00:56:08,640 --> 00:56:11,920
Speaker 5: greatest album ever. He discovered Snoop Dogg, then when it

1146
00:56:12,080 --> 00:56:17,040
Speaker 5: discovered eminem that discovered fifty cent And did you think

1147
00:56:17,719 --> 00:56:19,000
Speaker 5: that the most money he.

1148
00:56:19,000 --> 00:56:21,200
Speaker 4: Ever made come from headphones?

1149
00:56:22,680 --> 00:56:26,600
Speaker 5: You never fucking know. I'll never forget when imadphones came out.

1150
00:56:27,160 --> 00:56:30,200
Speaker 5: I'm in first class and every white guy, white girl

1151
00:56:30,239 --> 00:56:33,200
Speaker 5: on that plane had them shits on, and I'm just like,

1152
00:56:33,320 --> 00:56:37,160
Speaker 5: that's what you know, huh th black people and we

1153
00:56:37,320 --> 00:56:40,000
Speaker 5: had it, but you know, we always gonna support Doctor Dre.

1154
00:56:40,160 --> 00:56:42,759
Speaker 5: That's not what I'm saying. What I'm saying is when

1155
00:56:42,840 --> 00:56:43,880
Speaker 5: somebody listen.

1156
00:56:44,160 --> 00:56:46,879
Speaker 1: My first pick was mons, we stole them.

1157
00:56:46,880 --> 00:56:49,520
Speaker 4: Shit, Come on, Lola, tell me about it.

1158
00:56:50,000 --> 00:56:51,879
Speaker 1: Hold on, is he gonna think I try to put

1159
00:56:51,880 --> 00:56:52,960
Speaker 1: that bag in his biket?

1160
00:56:54,600 --> 00:56:54,799
Speaker 4: Yeah?

1161
00:56:54,880 --> 00:56:57,359
Speaker 3: Yeah, yeah, No, look, you stole them shit.

1162
00:56:57,840 --> 00:57:00,799
Speaker 1: I'll just say, y'all, it wasn't my.

1163
00:57:03,000 --> 00:57:03,800
Speaker 4: It wasn't yas.

1164
00:57:04,160 --> 00:57:06,720
Speaker 1: Yeah, not what I ran them. Damn.

1165
00:57:07,160 --> 00:57:09,720
Speaker 5: I was so grateful for they That is the best

1166
00:57:09,960 --> 00:57:11,479
Speaker 5: phones I ever heard that at the time.

1167
00:57:12,880 --> 00:57:16,960
Speaker 1: They had the red wires, red wires. It wasn't wireless.

1168
00:57:17,800 --> 00:57:20,160
Speaker 5: You know what broke my heart is before your time. No,

1169
00:57:20,280 --> 00:57:21,960
Speaker 5: they had this thing called the iPad.

1170
00:57:23,600 --> 00:57:24,800
Speaker 4: I have, maybe, y'all.

1171
00:57:25,480 --> 00:57:28,240
Speaker 2: What I just told you A little way on my eyepod,

1172
00:57:28,280 --> 00:57:29,640
Speaker 2: I just set that, y'all.

1173
00:57:29,720 --> 00:57:32,000
Speaker 4: I didn't know that I was listening to Cayo.

1174
00:57:32,120 --> 00:57:36,840
Speaker 3: My ship just turned off. Like, let me ask your question.

1175
00:57:37,440 --> 00:57:39,040
Speaker 3: Did everybody get.

1176
00:57:39,040 --> 00:57:42,400
Speaker 5: Like a fucking like a you know when they say

1177
00:57:42,440 --> 00:57:47,960
Speaker 5: it's a virus when my turned off? My eyepad turned off,

1178
00:57:49,000 --> 00:57:52,640
Speaker 5: not like five ten thousand fucking songs on that ship.

1179
00:57:52,720 --> 00:57:56,440
Speaker 5: My ship just did we get a bug? My eyepart

1180
00:57:56,520 --> 00:58:01,120
Speaker 5: don't work that somebody has a working eyepod twenty twenty six,

1181
00:58:01,520 --> 00:58:03,040
Speaker 5: cause my shit just turned off.

1182
00:58:03,680 --> 00:58:05,400
Speaker 1: I wanted if mine because I still got my I

1183
00:58:05,400 --> 00:58:06,040
Speaker 1: wanted to work.

1184
00:58:06,440 --> 00:58:06,600
Speaker 4: Yo.

1185
00:58:06,760 --> 00:58:09,800
Speaker 5: That shit broke my heart when the fucking odd part

1186
00:58:09,880 --> 00:58:10,360
Speaker 5: turned off.

1187
00:58:10,400 --> 00:58:12,320
Speaker 3: I'm really in the gym going.

1188
00:58:12,400 --> 00:58:13,360
Speaker 4: I got the same shit.

1189
00:58:13,440 --> 00:58:16,720
Speaker 5: Pup that pup, that stip fuck like I got that

1190
00:58:16,760 --> 00:58:21,240
Speaker 5: shit that gym playlist to keep going. That shit said

1191
00:58:22,080 --> 00:58:24,960
Speaker 5: no more odd part. You know they do that shit

1192
00:58:25,040 --> 00:58:26,720
Speaker 5: with the phones. They when they come out with the

1193
00:58:26,800 --> 00:58:29,760
Speaker 5: new phone, i' seventeen. Your shit all of a sudden

1194
00:58:30,480 --> 00:58:33,640
Speaker 5: start glitching, not working. You ain't here now, maybe I'm

1195
00:58:33,720 --> 00:58:35,520
Speaker 5: losing certain you gotta go buy the phone.

1196
00:58:35,680 --> 00:58:37,760
Speaker 1: You need a new phone, the updated one.

1197
00:58:38,080 --> 00:58:44,840
Speaker 5: Alex excex self Freshman twenty twenty three, Glo Realer Friday.

1198
00:58:45,760 --> 00:58:47,960
Speaker 4: Since you see how you.

1199
00:58:47,920 --> 00:58:50,720
Speaker 2: Feel about that class, I mean I was on it.

1200
00:58:51,280 --> 00:58:53,600
Speaker 2: I feel great about it. I ain't think I will

1201
00:58:53,640 --> 00:58:54,120
Speaker 2: ever be on.

1202
00:58:54,080 --> 00:58:59,160
Speaker 1: A couple of double XL Wow. I dreamed of it, but.

1203
00:58:59,160 --> 00:59:01,440
Speaker 2: I'm like, I ain't even gonna get that. Like if

1204
00:59:01,440 --> 00:59:04,360
Speaker 2: I get a hit, if I pop, I ain't getting that.

1205
00:59:04,480 --> 00:59:07,240
Speaker 2: I would say that as myself, but you know, coming

1206
00:59:07,280 --> 00:59:09,120
Speaker 2: from a place of doubts and to do that to you.

1207
00:59:09,200 --> 00:59:11,520
Speaker 2: So when I did get it, I'm like nah, I

1208
00:59:11,520 --> 00:59:14,880
Speaker 2: don't ever, don't ever soak out in fact.

1209
00:59:14,960 --> 00:59:17,840
Speaker 5: Crop you ever you ever feel like some people might

1210
00:59:17,880 --> 00:59:19,720
Speaker 5: have took off before you? And he was like yo,

1211
00:59:19,800 --> 00:59:22,960
Speaker 5: I was right next to him, like I had this

1212
00:59:23,080 --> 00:59:26,959
Speaker 5: artist shout out Angelica Villa she got a project coming out,

1213
00:59:27,120 --> 00:59:30,840
Speaker 5: and I remember she was doing like them showcases and

1214
00:59:31,040 --> 00:59:34,720
Speaker 5: Doja Cat was nobody knew what she was performing with.

1215
00:59:34,720 --> 00:59:37,800
Speaker 3: Her, and Jelica had more the power. She had fat

1216
00:59:37,880 --> 00:59:38,720
Speaker 3: Joe there with us.

1217
00:59:39,240 --> 00:59:41,880
Speaker 5: I'm pushing up, blowing the bag, this and that and

1218
00:59:41,920 --> 00:59:46,160
Speaker 5: that Doja Cat went to the fucking moon. I remember

1219
00:59:46,200 --> 00:59:49,760
Speaker 5: that showcase when nobody knew both of them, you know,

1220
00:59:49,840 --> 00:59:51,400
Speaker 5: at least, and Jelica walked.

1221
00:59:51,160 --> 00:59:52,240
Speaker 4: In with it.

1222
00:59:52,400 --> 00:59:56,680
Speaker 5: Joe crag we coming through third out, She's looking good

1223
00:59:57,440 --> 00:59:59,120
Speaker 5: and man that Doja Cat.

1224
00:59:59,240 --> 01:00:02,200
Speaker 3: So you ever seen ain't that and said, damn, I

1225
01:00:02,240 --> 01:00:04,320
Speaker 3: gotta get there or you.

1226
01:00:04,320 --> 01:00:06,000
Speaker 1: Know, if I would have seen that, I don't think

1227
01:00:06,000 --> 01:00:06,760
Speaker 1: I would have got my hit.

1228
01:00:06,920 --> 01:00:07,360
Speaker 4: I wouldn't.

1229
01:00:07,360 --> 01:00:09,080
Speaker 1: I wouldn't have been blessed with my hip.

1230
01:00:09,320 --> 01:00:11,120
Speaker 2: This is like when you watch somebody else blessings or

1231
01:00:11,120 --> 01:00:15,120
Speaker 2: somebody else pockets name, ain't focus on yours.

1232
01:00:15,920 --> 01:00:20,080
Speaker 5: So yeah, I get I got a little man. I

1233
01:00:20,120 --> 01:00:22,200
Speaker 5: tell everybody, I don't give a fuck what they say.

1234
01:00:22,280 --> 01:00:24,400
Speaker 5: You know, they gonna try to spice my shit up.

1235
01:00:24,400 --> 01:00:25,880
Speaker 5: But you know, I got a little man.

1236
01:00:25,920 --> 01:00:29,240
Speaker 4: I came in the game. I'm selling drugs.

1237
01:00:29,280 --> 01:00:32,880
Speaker 5: I got Beams and Benz's Cuban changed ice st Out,

1238
01:00:33,200 --> 01:00:35,439
Speaker 5: all these other rappers looking at me like they saw

1239
01:00:35,480 --> 01:00:37,600
Speaker 5: alien and shit, that's how I came in the game.

1240
01:00:37,720 --> 01:00:41,200
Speaker 5: They could fucking live they want, and all the niggas

1241
01:00:41,240 --> 01:00:44,920
Speaker 5: became billionaires before Joe Krack and I'm sitting here still

1242
01:00:44,960 --> 01:00:49,480
Speaker 5: struggling for the next paycheck, and I'm like, shit, these

1243
01:00:49,520 --> 01:00:55,040
Speaker 5: motherfuckers really got to the billy before me. Like I

1244
01:00:55,160 --> 01:00:57,880
Speaker 5: was like, you know, so you know now they inspired me.

1245
01:00:57,960 --> 01:00:59,720
Speaker 5: Now I'm like, all right, I gotta keep going. I

1246
01:00:59,720 --> 01:01:02,600
Speaker 5: know we could do that because I seen these guys

1247
01:01:02,640 --> 01:01:05,920
Speaker 5: before they did that. So I've always looked at stuff

1248
01:01:06,000 --> 01:01:09,040
Speaker 5: like inspiration, right, you know That's how I took it.

1249
01:01:09,120 --> 01:01:11,160
Speaker 3: Let's listen to pain one good job.

1250
01:01:12,160 --> 01:01:16,480
Speaker 4: Feel the pain, Philip, Hey, phil the pain I went

1251
01:01:16,520 --> 01:01:16,720
Speaker 4: to that.

1252
01:01:16,840 --> 01:01:19,120
Speaker 3: Morland got Sleepers Brook again.

1253
01:01:20,080 --> 01:01:23,560
Speaker 1: Love a lesson, learn better, annoy.

1254
01:01:23,280 --> 01:01:26,400
Speaker 4: Your friends or else you will get burned.

1255
01:01:27,200 --> 01:01:31,280
Speaker 10: Gotta count on me because I can guarantee that that

1256
01:01:31,480 --> 01:01:47,920
Speaker 10: I'll be fun.

1257
01:01:40,960 --> 01:01:43,200
Speaker 4: Everything you don't cruz.

1258
01:01:44,640 --> 01:01:45,400
Speaker 10: No more.

1259
01:01:50,680 --> 01:01:51,720
Speaker 1: I can do whatever I want you.

1260
01:01:51,880 --> 01:01:58,200
Speaker 8: You don't cure gonna look like crying. I'm buying everything

1261
01:01:58,200 --> 01:02:01,040
Speaker 8: you brought me. Thompson reminds me I was dead bitch

1262
01:02:01,080 --> 01:02:03,720
Speaker 8: before him. He trying to you bing bong. I'm like,

1263
01:02:03,760 --> 01:02:04,520
Speaker 8: guess who bitch?

1264
01:02:04,760 --> 01:02:05,840
Speaker 13: But they keep it pee.

1265
01:02:05,880 --> 01:02:07,200
Speaker 1: I'm like, if you bitch.

1266
01:02:07,120 --> 01:02:09,000
Speaker 8: Or you thought that was your man's hun, guess who

1267
01:02:09,040 --> 01:02:11,280
Speaker 8: bitch want him on his money? These hos been crushing

1268
01:02:11,280 --> 01:02:14,120
Speaker 8: for DUMBI the brother day ladies, man be dusn't your money?

1269
01:02:14,240 --> 01:02:16,160
Speaker 8: What you doing? What a bitch that got momotion in

1270
01:02:16,280 --> 01:02:19,280
Speaker 8: your money than you that's out here hustling you trying

1271
01:02:19,280 --> 01:02:20,600
Speaker 8: to not this out of the pitch with don't got

1272
01:02:20,600 --> 01:02:23,280
Speaker 8: nothing to lose wine giving niggas nothing. He got something

1273
01:02:23,320 --> 01:02:24,960
Speaker 8: to prove. I got too much.

1274
01:02:24,800 --> 01:02:25,960
Speaker 1: Money to be fucking with you.

1275
01:02:26,160 --> 01:02:28,840
Speaker 8: I got plenty of is a hundred of you, So

1276
01:02:30,000 --> 01:02:32,240
Speaker 8: you know how do you know how move? Crying?

1277
01:02:32,280 --> 01:02:50,200
Speaker 13: But you that I do, don't.

1278
01:02:52,640 --> 01:02:55,360
Speaker 8: Trying to play me like an outcast and pictures the outlast.

1279
01:02:55,640 --> 01:02:57,840
Speaker 8: I'm gonna make you drinking tears in the shot class.

1280
01:02:58,040 --> 01:03:00,280
Speaker 8: I'm gonna make you fix your fist going out, gonna

1281
01:03:00,320 --> 01:03:03,520
Speaker 8: do your big one on me some of love, but

1282
01:03:03,600 --> 01:03:05,720
Speaker 8: you're begging for attention to one to do my back

1283
01:03:05,760 --> 01:03:08,240
Speaker 8: of putting sh and instead of trying to keep it

1284
01:03:08,240 --> 01:03:10,080
Speaker 8: for you should have new your limits, Like I wouldn't

1285
01:03:10,120 --> 01:03:45,160
Speaker 8: have you crying in the new minuet.

1286
01:03:35,120 --> 01:03:41,200
Speaker 5: That based on that's s going somewhere else with it. Man,

1287
01:03:45,120 --> 01:03:45,880
Speaker 5: what's the name of the.

1288
01:03:45,960 --> 01:03:47,280
Speaker 3: Project, the new Joint?

1289
01:03:47,600 --> 01:03:50,960
Speaker 1: I bet I bet it's like I bet, look.

1290
01:03:51,120 --> 01:03:56,400
Speaker 5: Little New York show this saint that that ain't this

1291
01:03:57,680 --> 01:03:58,439
Speaker 5: cracking kiss?

1292
01:03:58,560 --> 01:04:01,240
Speaker 4: God damn it, there's some noise for Lulla brook y'all

1293
01:04:01,600 --> 01:04:11,920
Speaker 4: for sure, Hm,