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Speaker 1: So I'm out there with Candice Bushnel and Jay Giles

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Speaker 1: and we're spray painting the anarchy symbol the White House

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Speaker 1: lot and uh, secret Service guy comes up and is

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Speaker 1: being respectful because he's a little bit star struck by Jay,

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Speaker 1: and he goes, uh, hey, look, I can't have you

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Speaker 1: spray painting anything on the lawn. And I go, well,

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Speaker 1: this is actually, uh a nice thing, and he goes, oh,

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Speaker 1: really is it? And I go yeah, and he goes, school, yeah,

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Speaker 1: looks like an A. What does the A stand for?

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Speaker 1: And I go, um A sphincter says what. He goes

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Speaker 1: huh And hey go, I go, oh, the ages stands

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Speaker 1: for ass sphinter says what. So he didn't say what. No,

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Speaker 1: unfortunately no for the gag. Yeah, he went, huh, I

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Speaker 1: can't understand a word you're saying. Slow down. It almost

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Speaker 1: sounds like you're saying a phrase very quickly. And I went, no, no, no,

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Speaker 1: it's it's all one word. It's Assphinter says what And

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Speaker 1: he was going seriously, I the end of it sounds like,

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Speaker 1: says what. But the rest so in that way he

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Speaker 1: did way I heard it, but yeah, and so I

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Speaker 1: did get him pretty good. And then uh Jay had

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Speaker 1: to like sign some sign of his jacket or something

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Speaker 1: to kind of get us out without going to jail.

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Speaker 2: All right, each of you taking a different part of

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Speaker 2: the A.

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Speaker 1: Yeah, because we're reading it huge. Okay, it's got to

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Speaker 1: be huge. You are painting it now, spring painting it

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Speaker 1: on the lawn, okay?

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Speaker 2: Interesting? Would be fun. What if you mowed it in there? Yeah?

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Speaker 1: Well, and again that was the original plan. I brought

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Speaker 1: spray paint just in case. But the groundskeeper he was

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Speaker 1: being kind of a sphincter about it.

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Speaker 2: Hey, welcome to Hollywood Handbook, An Insider's guide to kicking

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Speaker 2: button dropping names in the red carpet lineback hallways of

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Speaker 2: this industry we call showbiz. I I would love to

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Speaker 2: introduce you, but I guess it would probably be better

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Speaker 2: if I'm just kind of confused what you're doing here,

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Speaker 2: like what the whole story is. So maybe you say

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Speaker 2: welcome back, welcome back.

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Speaker 3: Yeah, I'm here, oh to you.

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Speaker 1: Yeah you're welcoming.

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Speaker 3: I'm welcoming myself back.

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Speaker 1: Yeah.

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Speaker 2: Tom Sharpling is here. Always like a night, it's always

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Speaker 2: a surprise, it's always fun. Mmmm.

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Speaker 1: Yes, I love that you keep me on my toes

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Speaker 1: and that we'll have a totally different guests scheduled sometimes

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Speaker 1: and they won't show up and you will be here.

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Speaker 2: Yeah, and they will have gotten like some kind of

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Speaker 2: emergency text. Yeah, I guess you found a way to

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Speaker 2: like home.

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Speaker 3: Break in someone's They'll get a thing like someone's breaking

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Speaker 3: into my house and guys, I can't tape.

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Speaker 1: Yeah, that has happened a few times. Yea. And I

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Speaker 1: don't know if you break them into their house or

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Speaker 1: if you it's you said, it's just a coincidence.

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Speaker 3: Little old me. He's got nothing to do with any

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Speaker 3: of that stuff. But it just happens to work out.

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Speaker 3: I'm already parked.

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Speaker 1: It seems like a scam.

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Speaker 2: Okay, so do you have a separate another person in

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Speaker 2: this operation? It sounds like if you're already here, who

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Speaker 2: is breaking into the house?

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Speaker 1: And I noticed the breaking sort of skyrocketed around the

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Speaker 1: time that engineer Cody stopped working get here, uh huh

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Speaker 1: and said that he had a new freelance gig.

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Speaker 3: Yeah. What you notice he got taken off the market

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Speaker 3: pretty quick. He had his resume out there. Next thing,

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Speaker 3: he was not solictening for work anymore because someone hired

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Speaker 3: him to rattle a few mailboxes and throw a few rocks,

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Speaker 3: a few cinder blocks off the overpass.

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Speaker 2: If I'm gonna yeah, if I'm gonna hire anyone for

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Speaker 2: those specific jobs, that's who I would were on his

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Speaker 2: respecial skills, mailbox rattling, this one that just says rocks. So, okay,

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Speaker 2: you're here, Yeah, John Graziki, I guess we'll be back

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Speaker 2: maybe yeah, Jack Ryan.

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Speaker 3: No, he's here. He's just being quiet because that's what

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Speaker 3: he did in that movie. I think I didn't see.

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Speaker 2: Yeah, yeah, I didn't want to see that movie.

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Speaker 3: Yeah no, but I'm out here. Look, this is it's

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Speaker 3: a nice bonus. It's a cherry on top of the

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Speaker 3: Sunday when I get to swing by and hang out

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Speaker 3: with the boys, and I got my own la business

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Speaker 3: keeping me hopping.

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Speaker 2: Okay, so you're not here for this. You have a

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Speaker 2: lot of stuff going.

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Speaker 1: This is an extra.

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Speaker 3: Yes yesterday, because I don't know if you guys know,

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Speaker 3: it's a political world.

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Speaker 1: Now it's starting to be I notice.

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Speaker 3: This politics equals world.

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Speaker 1: M Sure.

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Speaker 3: I did an interview, a political interview because I need

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Speaker 3: to kind of get into this political part of things.

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Speaker 1: He did a political interview.

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Speaker 3: I did a political interview with this guy. He is

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Speaker 3: a colonel in the Israeli Army, and he did a

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Speaker 3: little thing with me and I, uh, he asked me

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Speaker 3: about guns, and I talked to him about guns, and

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Speaker 3: then I uh took my clothes off.

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Speaker 1: Uh huh sure.

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Speaker 3: Climbed into a dumpster full pudding and started screaming, uh insults.

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Speaker 2: Okay, maybe like racially inflected insults.

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Speaker 3: I signed an NDA. I'm not allowed to say what

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Speaker 3: the insults were.

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Speaker 4: Ok.

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Speaker 1: It was the the Israeli colonel. Was his face coming off.

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Speaker 3: The interview, it was about it was about one hundred

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Speaker 3: and fifty percent as big as a normal Okay, was.

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Speaker 2: It like half we're half the features like muppet parts.

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Speaker 3: Actually, yes, it seemed like he was working over time

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Speaker 3: to even just move his like eyes or mouth.

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Speaker 1: Yeah.

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Speaker 2: It seemed like basically like a less human version of

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Speaker 2: Sam Eagle. Is that sort of.

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Speaker 3: What he looked like? Yes? And he was Yeah, this

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Speaker 3: guy was. It's his face at one point started to

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Speaker 3: crack and then someone ran in with flex seal and

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Speaker 3: kind of patched it up.

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Speaker 1: Sure, it's an interview, the lights are hot.

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Speaker 3: I figured it was just Yeah, I figured it was

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Speaker 3: just how show business is done.

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Speaker 1: Is there a team of about fourteen different, nearly identical

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Speaker 1: white guys coming in and whispering in his ear and

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Speaker 1: then kind of giggling with him in between the questions.

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Speaker 3: Yes, there were that's uh, but that's again politics.

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Speaker 2: Yeah, okay, so they had you fly out here. I

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Speaker 2: don't think of you as like a gun guy, really.

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Speaker 3: I'm not. I saw an opportunity to just kind of

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Speaker 3: say I was because they were looking for someone like that,

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Speaker 3: and I just going, I got machine guns. You should

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Speaker 3: see my machine gun collection. I got a hundred machine guns.

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Speaker 3: I was talking about my machine gun machine gun.

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Speaker 1: Of course not. Yeah, but it made you a little

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Speaker 1: more visible to say that you did.

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Speaker 3: It's just like I love shooting my machine guns, like

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Speaker 3: huh yeah. And then you got nude mm hmm.

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Speaker 1: Sure even became nude during the interview.

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Speaker 3: Because it was part of a training exercise. Mm no, yeah,

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Speaker 3: anti terrorism thing, right, climbing nude into a dumpster full.

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Speaker 1: A dumpster full, putting? Yeah, so just just putting in

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Speaker 1: the dumpster.

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Speaker 3: Was there other I hope, I hope it was just

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Speaker 3: putting it, Okay. I felt things like like that. I

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Speaker 3: was standing on. I think one was like a kid's tricycle. Okay, yeah,

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Speaker 3: this plastic tricycles. I hope that's what that was.

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Speaker 1: Okay, Yeah, all right, Well that's exciting. So you're making moves.

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Speaker 1: Of course, you're in Los Angeles, you're doing interviews. That's cool.

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Speaker 1: Any other opportunities Are you pitching anything while you're here?

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Speaker 3: I'm throwing a few lines out and seeing who I

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Speaker 3: reel in, you know, but I like to I play

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Speaker 3: my cards pretty close to the vest.

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Speaker 1: Sure. Yeah. I always say, you know, whenever I'm pitching

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Speaker 1: something that it's top secret, because that's very intriguing, and

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Speaker 1: my ideas are so unique and original. How could I

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Speaker 1: ever tell you possibly what it's about, Whether it's about

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Speaker 1: guy moving back in with his family, Did I tell

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Speaker 1: you my idea? No? No? Was that? Did I accident?

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Speaker 3: One of the two?

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Speaker 1: Uh?

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Speaker 3: The other one is the retirement community? Ah? Yes, yes, yes,

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Speaker 3: two cool dudes at retirement community. Okay, and they realize

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Speaker 3: that these old people party harder than they ever could.

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Speaker 2: Do you have any casting ideas for that for that one?

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Speaker 1: Yeah?

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Speaker 3: I was thinking along the lad lines of Andy Milanakas.

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Speaker 3: I was hoping could be one of the cool dudes

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Speaker 3: and maybe half of them, I mean they that's sick.

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Speaker 5: Yeah.

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Speaker 1: I could see him and Simon Rex mixing it up.

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Speaker 1: Could be a killer combo. And you've already got the soundtrack,

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Speaker 1: you know what I mean. You've got to spend a

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Speaker 1: lot of money on music because those guys, we're gonna

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Speaker 1: hit you with the fire.

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Speaker 2: Then those guys, it seems like, could be there to smash.

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Speaker 2: That could be kind of the idea if they're looking

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Speaker 2: to smash.

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Speaker 1: Yeah, then that that gives me four episodes right there,

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Speaker 1: just getting shot down from smashing actually smashing smashing and

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Speaker 1: she dies. I'm sorry, but you know, we have to

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Speaker 1: talk about it. Unfortunately that happens.

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Speaker 3: Yeah, there's one thing where one of the characters is

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Speaker 3: just like, I'm gonna zap that.

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Speaker 1: Battle right Well, is that a situation where maybe one

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Speaker 1: of the old broads at the retirement community is a

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Speaker 1: real hard ass and they're like, we know what she

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Speaker 1: needs to loosen her up. A good zap, A good zapping.

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Speaker 1: That could be cool. I had a similar idea without

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Speaker 1: ripping you off, and the idea and tell me if

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Speaker 1: you like this, it's young golden girls. So it's just

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Speaker 1: like three kind of hot twenty something women. I think

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Speaker 1: we could use the same scripts. It's the exact same characters,

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Speaker 1: same idea, you know, but just like a little bit

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Speaker 1: of eye candy on screen, you know. I think it

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Speaker 1: would appeal to young people because they'd want to look

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Speaker 1: at it. But some of those Golden Girl scripts are

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Speaker 1: it's just collecting dust and Betty White is in it

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Speaker 1: as there like foul out Landlord. That would be bad ass.

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Speaker 1: If we can get her in there for you know,

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Speaker 1: one or two to do some of her off their

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Speaker 1: rockers material. Yes, she could pop in and kind of

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Speaker 1: be like you girls, maybe she could really just like bleeping.

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Speaker 1: She could this very hard on the Rose character, like

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Speaker 1: what are you some kind of dummy? You know? But

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Speaker 1: and it's because she played that, Yeah, because they're doing

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Speaker 1: obviously they're doing Charmed, and they've recast with younger women,

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Speaker 1: and I'm going, like, what else could we make much

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Speaker 1: younger to me? Golden Girls? You've got so much room

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Speaker 1: to go you yeah, yeah.

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Speaker 3: And then it could be on the air for like

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Speaker 3: sixty years.

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Speaker 1: Oh yeah, until it's time to re up do it again.

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Speaker 3: Yeah. And then just like Doctor Who, they there's like

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Speaker 3: the new Rose reveals her like she comes through the

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Speaker 3: door and with the dry ice and the.

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Speaker 1: And whoever was it becomes the new landlord. I mean,

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Speaker 1: that's what I love about it.

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Speaker 3: And then whoever was the landlord then just enters the TV.

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Speaker 2: Oh waves goodbye, and then is on the TV with

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Speaker 2: previously filmed things that can be forever in the TV. Yeah,

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Speaker 2: that's nice.

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Speaker 1: It's really cool. But I were you. I'm sorry, I

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Speaker 1: kind of interrupted, do you. Yeah, the does dirt Nasty

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Speaker 1: appear in sort of a Stefan or Cal type.

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Speaker 2: He spins around really fast, but he has become dirt Nasty.

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Speaker 1: Yeah that appeal to you at all.

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Speaker 3: That's that's great, and uh, I hope you'll put that

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Speaker 3: in your packet when I'm meeting with writers. Let's get

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Speaker 3: set up today.

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Speaker 1: What's the Mickey avalon episode I?

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Speaker 3: I don't want to think too much about. I'm thinking

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Speaker 3: there's a big arm wrestling community at the Old Folks

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Speaker 3: thing that just like it's like who's going to win

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Speaker 3: the big arm wrestling thing? And you know, Milanocas is

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Speaker 3: just like, I got the arms that you're kidding. I'm

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Speaker 3: a young guy. And then naturally he gets his arms

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Speaker 3: slammed down on the table so hard by some old

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Speaker 3: assault by a braille looking older exactly.

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Speaker 1: Yes, man, that'll show him. Yes, it's it's old. Positive.

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Speaker 2: It sounds like someone is very quietly playing the trumpet

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Speaker 2: in here.

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Speaker 1: I think my chair is squeaking.

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Speaker 2: Oh okay, do we want to switch that out? Okay?

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Speaker 3: Well, I mean that's not the kind of thing that

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Speaker 3: like an engineer would Well.

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Speaker 2: Yeah, I do want it, so Okay, I guess this

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Speaker 2: is a good time to introduce engineer Devin. We have

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Speaker 2: been needing some new blood in here for a while.

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Speaker 2: I don't know if we do need this much, but

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Speaker 2: Engineer Devin is here shadowing Engineer Ryan. Uh, so, I

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Speaker 2: guess we can introduce him. He has a mic set

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Speaker 2: up already is a little presumptuous, but since you are

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Speaker 2: ready to go, it seems like welcome to uh to

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Speaker 2: this family. Hey, and you're you're friends with Ryan?

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Speaker 1: Is that right? Yes? I've known Ryan for some time.

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Speaker 2: Yes, okay, Yeah, amazing that the two of you could

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Speaker 2: find common ground.

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Speaker 3: Yeah, what on earth could they possibly have in common?

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Speaker 1: From a completely different world? What would these guys talk about?

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Speaker 1: They're identical haircut? Ryan?

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Speaker 2: What did you so this is obviously a nepotism case.

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Speaker 2: What what did you say to to Oh? First of all,

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Speaker 2: I just want to say, if I'm saying, if I'm

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Speaker 2: engineer Sam, I'm pissed. Oh yeah, because I you know,

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Speaker 2: I got all kinds of dirt bag friads that that

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Speaker 2: need a lot more work than than ryotspreads.

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Speaker 1: Yeah. Ryot's friends are doing okay, they're they're comfortable. A

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Speaker 1: lot of my friends, if I'm Engineer Sam, are just

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Speaker 1: guys who live on a motorcycle. Like it's one thing

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Speaker 1: to live out of your car, but if you live

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Speaker 1: in a motorcycle, try that motorcycle.

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Speaker 2: Yeah alright, So what did you say Ryan? What was

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Speaker 2: the conversation with Josh?

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Speaker 1: Well? I think Brett mainly wanted to clean up our

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Speaker 1: image a little bit. Okay, Can I say I switched

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Speaker 1: chairs and I still hear the sound?

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Speaker 2: Uh huh, maybe it's your butt come it's well, this

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Speaker 2: is being recorded.

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Speaker 1: I don't mind if you ras me like that off

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Speaker 1: the like that's fine, that's really funny. But there's a

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Speaker 1: there's there's a point where people hear you say that

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Speaker 1: and they think it's okay for them to say that

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Speaker 1: to me, and you know that it's not my butt.

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Speaker 2: Okay, I agree that it's funny, but you did just

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Speaker 2: switch chairs. I can hear that the noise is still happening.

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Speaker 1: What I'm saying is it may not be coming from me. Okay,

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Speaker 1: it might be your chair for all we know, or

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Speaker 1: it might be your butt. How does that feel? Not great?

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Speaker 1: I'm well, I'm moving around.

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Speaker 3: Test number one, I'm moving.

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Speaker 1: I'm moving around.

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Speaker 3: You're supposed to get up. If you were going to

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Speaker 3: pass this test, you went, you got some some some

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Speaker 3: w D forty. You scored on both chairs. You made

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Speaker 3: sure they didn't squeak, and that's how you pass. So

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Speaker 3: the new guy fell Test one.

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Speaker 1: No, I don't know. You're pointing at that chair. No

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Speaker 1: one's sitting in that chair. Maybe it's huh, it's not

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Speaker 1: that either.

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Speaker 2: Okay, what is this?

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Speaker 3: This guy?

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Speaker 2: That guy chef Kevin's hair.

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Speaker 3: It's I was just starting to warm up to him

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Speaker 3: and then he just like materializes.

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Speaker 1: Yeah, I'm going to go back to the first chair

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Speaker 1: because it's it. It didn't fix it to switch and

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Speaker 1: sit here. Engineer Devin's got a chair with arms, and

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Speaker 1: then I'm just flying free. It makes no sense.

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Speaker 2: And he's using that chair and pretty hard.

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Speaker 1: Junior engineer, Devin, I mean this is like a junior engineer, Devin.

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Speaker 3: Yeah, that's good engineer.

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Speaker 2: Yeah.

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Speaker 3: Uh this what a clown car of a slide the

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Speaker 3: chair back to the first chair that squeaked. Got the

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Speaker 3: kid with the camera taking pictures that are never Okay,

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Speaker 3: so it's.

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Speaker 2: Not it's Sean wasn't moving. Everyone be quietly, Everyone be quiet?

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Speaker 3: Did you hear that?

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Speaker 1: M Oh, it's so okay.

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Speaker 2: What I've noticed that that that's a noise that happens.

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Speaker 2: I guess when you move your eyes around.

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Speaker 3: Yes, I'm actually out here also to get that looked

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Speaker 3: at you.

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Speaker 1: You do seem and I don't, don't take this the

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Speaker 1: wrong way. You seem extremely dry, dry.

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Speaker 3: Smart exact. Summertime drives me out.

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Speaker 1: But there's yeah, if you want to just look straight

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Speaker 1: ahead for the rest of the show, yeah, not try to.

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Speaker 2: Or just move your neck, but which I've noticed you

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Speaker 2: have not been doing at all.

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Speaker 3: Okay, I'll move my neck then.

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Speaker 1: Okay. That really sounds uncomfortable. Are you do you feel Okay?

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Speaker 3: It hurts every time I turn. It's like, oh, that's

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Speaker 3: the sound I want to make.

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Speaker 2: Is so who is looking at that you have an

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Speaker 2: appointment set up.

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Speaker 3: I know there's doctors out here, and I'm going to

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Speaker 3: try to find one.

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Speaker 2: Okay, sounds like you've maybe gone through a bunch.

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Speaker 3: I talked to the colonel, talk to Colonel Aaron Ran

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Speaker 3: about it, and he he was.

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Speaker 1: A very memorable name.

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Speaker 3: He was going to set me up with a guy

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Speaker 3: he just needed. He said he just needed to six

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Speaker 3: weeks uh huh to get a whole production set up,

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Speaker 3: and he wanted me to meet with a doctor and

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Speaker 3: then it would go. It would be a memorable experience. Wow,

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Speaker 3: he just needed to He said he needed to work

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Speaker 3: on his New York voice a little more, okay, which

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Speaker 3: I don't know what that meant.

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Speaker 1: That's interesting, Yeah, that he needed to work on a

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Speaker 1: new voice. The sound is crazy. It's happening so much.

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Speaker 1: It maybe outside this room. It could be I have

353
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Speaker 1: no idea. Is it that chair? Not me?

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Speaker 3: Boss?

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Speaker 1: Nice? Try Ryan, and I'm trying.

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Speaker 2: I mean it must be Junior engineer Devin. This has

357
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Speaker 2: never happened before.

358
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Speaker 1: It seems like there's maybe like a mouse inside the

359
00:21:29,960 --> 00:21:32,800
Speaker 1: vents or something like something else is going on, is

360
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Speaker 1: what we learned. I'd like to blame. What's recording next door?

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Speaker 1: What's the other show? It's Jonathan Van Oh, I'm not

362
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Speaker 1: going after him.

363
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Speaker 2: Guy's like a like a.

364
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Speaker 1: White hot star. What's he doing here? Yeah? I do

365
00:21:49,200 --> 00:21:51,119
Speaker 1: not know what a step down to do an your

366
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Speaker 1: Wolf podcast?

367
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Speaker 2: Let me guess, did he? Was he doing this already,

368
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Speaker 2: chef Kevin?

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Speaker 4: Sorry, I'm sorry, what do you mean? Was he doing it?

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Speaker 1: Like?

371
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Speaker 2: Was he doing this podcast before he became a superstar?

372
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Speaker 1: Colin?

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Speaker 4: Colin got him right before the show actually came out?

374
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Speaker 2: Yeah, yeah, okay, now it all makes sense. He's locked in.

375
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Speaker 2: M he's in podcast jail.

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Speaker 1: Very smart, another one, another one in Colin's bear trap.

377
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Speaker 1: Unbelievable the guys. I mean, for all his faults, he's

378
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Speaker 1: a genius. I mean, oh yes, destroying lives. Oh yeah,

379
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Speaker 1: it's unbelievable, the way he traps people on this bottom

380
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Speaker 1: tier of showbiz for as long as possible. M hm,

381
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Speaker 1: really disgusting. But he's rich as hell. Yeah, you see

382
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Speaker 1: his Instagram some of the trips he takes, No tell

383
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Speaker 1: me about it. Oh gosh, he's going wherever he wants.

384
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Speaker 1: You're up. I mean, the guy's sick. He's a sick.

385
00:23:05,160 --> 00:23:16,920
Speaker 2: Disgusting purpose like his hero Blackadder. Obsessed with Blackadder. Now, Tom,

386
00:23:17,000 --> 00:23:19,880
Speaker 2: you had something you said you wanted. You said, I'm here.

387
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Speaker 2: You said you're here to make moves. I noticed you

388
00:23:22,560 --> 00:23:25,920
Speaker 2: haven't made any not yet, so it seems like you're

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Speaker 2: waiting to be asked.

390
00:23:27,560 --> 00:23:31,360
Speaker 3: I'm ready to Well this squeak gate knocked me off

391
00:23:31,400 --> 00:23:34,480
Speaker 3: point and I realized that that's the play out. I'm

392
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Speaker 3: not going to do two things at once and come

393
00:23:37,520 --> 00:23:39,800
Speaker 3: dilute what I'm trying to get to here.

394
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Speaker 1: Can't get a picture of Colin. Sorry, I just went

395
00:23:49,359 --> 00:23:52,359
Speaker 1: add it, pulled up Collin's Instagram. I mean, Tom, do

396
00:23:52,400 --> 00:23:56,119
Speaker 1: you want to read this for us? Just this is

397
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Speaker 1: what he's spending Maybe as Collin Jonathan Henness his money.

398
00:24:01,600 --> 00:24:08,719
Speaker 3: I could read it as Kevin good my new summer

399
00:24:08,760 --> 00:24:13,760
Speaker 3: happy Place. Hollywood pool. It slide three dollars fifty cents.

400
00:24:13,960 --> 00:24:19,040
Speaker 1: So he's so he's blowing three point fifty to have

401
00:24:19,080 --> 00:24:22,720
Speaker 1: fun in the sun at this pool. Go down the

402
00:24:22,760 --> 00:24:25,840
Speaker 1: slide in the middle of Hollywood. Yeah, that has a slide.

403
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Speaker 2: I just want to say, Ryan just walked over. What

404
00:24:28,240 --> 00:24:30,520
Speaker 2: I just saw Ryan do is walk over to Bosh

405
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Speaker 2: and step on him.

406
00:24:31,720 --> 00:24:33,440
Speaker 1: Yeah. I step over and.

407
00:24:33,359 --> 00:24:36,720
Speaker 2: Walk and walk back to his seat. There was nothing

408
00:24:36,800 --> 00:24:38,440
Speaker 2: over there. There was nothing for him to do.

409
00:24:38,480 --> 00:24:39,960
Speaker 1: Over he didn't have to go to the bathroom anything,

410
00:24:40,000 --> 00:24:41,760
Speaker 1: because he didn't leave the room. So what happened is

411
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Speaker 1: he stood up in order to stomp on my dog.

412
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Speaker 1: Am I concerned? I'm trying to.

413
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Speaker 2: See if I could hear the squeak better over in

414
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Speaker 2: that corner.

415
00:24:51,760 --> 00:24:56,359
Speaker 3: All right, okay, So anyway, what I'm here to present

416
00:24:57,280 --> 00:25:01,680
Speaker 3: because seriously, look, guys, this is a sidebar. You turn

417
00:25:01,800 --> 00:25:06,280
Speaker 3: these zeros into personalities and you get away with the

418
00:25:06,320 --> 00:25:10,520
Speaker 3: tricks sometimes, yeah, but at some point your luck runs out.

419
00:25:10,720 --> 00:25:12,040
Speaker 3: That's right, you're already.

420
00:25:11,800 --> 00:25:14,439
Speaker 2: I'm looking at I'm looking down in the face right

421
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Speaker 2: now with Junior engineered dead.

422
00:25:16,000 --> 00:25:16,800
Speaker 3: I can see the sea.

423
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Speaker 1: Evan is about to be my greatest failure.

424
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Speaker 3: It seems on Kevin are showing like you can see

425
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Speaker 3: the seed.

426
00:25:26,080 --> 00:25:27,440
Speaker 1: Yeah, oh yeah, it's.

427
00:25:27,280 --> 00:25:32,000
Speaker 2: Like there's like like weird material coming out through the

428
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Speaker 2: seed threadbare.

429
00:25:34,080 --> 00:25:40,679
Speaker 3: Yeah, there's points when forty five seconds into him talking,

430
00:25:40,720 --> 00:25:44,800
Speaker 3: you're just kind of like, oh, okay, it's that's what

431
00:25:44,960 --> 00:25:48,760
Speaker 3: this kid actually brings to the table. When the puppet

432
00:25:48,800 --> 00:25:52,800
Speaker 3: masters let the strings sag a little bit. You're real.

433
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Speaker 1: Evin is standing with his hand on the doorknob, doesn't

434
00:25:56,200 --> 00:25:59,920
Speaker 1: quite want to leave until he just shit exactly how

435
00:26:00,080 --> 00:26:03,320
Speaker 1: destroyed he's gonna get. Yeah, go ahead and sit down.

436
00:26:03,440 --> 00:26:05,000
Speaker 1: Tom's gonna take.

437
00:26:04,920 --> 00:26:06,760
Speaker 4: A chef Kevin here. I was waiting for a big

438
00:26:06,840 --> 00:26:09,360
Speaker 4: laugh so I could so I could quietly leave.

439
00:26:09,440 --> 00:26:15,160
Speaker 3: But oh boy, as funny as it, I guess it's

440
00:26:15,200 --> 00:26:17,320
Speaker 3: not as funny as the other shows you work on.

441
00:26:17,560 --> 00:26:21,800
Speaker 3: Who we're trying, we're trying. It's hard to be funny.

442
00:26:22,600 --> 00:26:25,159
Speaker 1: And Tom has wisely made it about the whole show

443
00:26:25,200 --> 00:26:27,399
Speaker 1: and not just about the fact that he was talking

444
00:26:27,440 --> 00:26:28,800
Speaker 1: while Kevin was waiting to leave.

445
00:26:33,119 --> 00:26:36,720
Speaker 3: I have a business proposition to get to. And it's

446
00:26:36,720 --> 00:26:38,720
Speaker 3: a good thing you're here, Kevin, because you're a part

447
00:26:38,760 --> 00:26:41,880
Speaker 3: of this unfortunate as that is you are.

448
00:26:43,920 --> 00:26:44,840
Speaker 1: He's settling in.

449
00:26:45,840 --> 00:26:48,560
Speaker 3: Don't say anything anything.

450
00:26:48,720 --> 00:26:51,159
Speaker 2: You look very upset.

451
00:26:51,200 --> 00:26:52,920
Speaker 3: The water doing okay.

452
00:26:52,640 --> 00:26:53,760
Speaker 1: Hey, go ahead talk?

453
00:26:54,560 --> 00:26:55,160
Speaker 3: Are you done?

454
00:26:55,359 --> 00:26:55,600
Speaker 4: Yeah?

455
00:26:59,640 --> 00:27:07,720
Speaker 3: So the way TV seems to work these days. Where's

456
00:27:07,720 --> 00:27:11,479
Speaker 3: that coming from? Where is that coming from? Maybe just

457
00:27:11,480 --> 00:27:15,480
Speaker 3: a water sound. I'm hearing someone pouring water.

458
00:27:15,880 --> 00:27:18,679
Speaker 2: I think it sounds. I think it might be like

459
00:27:19,080 --> 00:27:21,240
Speaker 2: fluids circulating through your body.

460
00:27:21,320 --> 00:27:25,199
Speaker 3: Hold on, let me look over this way. It's no

461
00:27:25,240 --> 00:27:27,040
Speaker 3: one over on this side of the room. Hold on,

462
00:27:29,280 --> 00:27:32,040
Speaker 3: it's no one over there. I can't see who it is.

463
00:27:32,119 --> 00:27:43,520
Speaker 3: Oh there, it is you. It's you. So TV shows

464
00:27:45,359 --> 00:27:56,399
Speaker 3: they a hit TV show. Yeah, it goes. I'm just

465
00:27:56,440 --> 00:28:00,400
Speaker 3: gonna compare them through this. This is a test hit

466
00:28:00,480 --> 00:28:08,960
Speaker 3: TV show. In success, hit TV show, the creators of

467
00:28:09,040 --> 00:28:12,440
Speaker 3: the show make piles of money, and then they get

468
00:28:12,480 --> 00:28:14,680
Speaker 3: other offers for other things, and they.

469
00:28:15,640 --> 00:28:22,760
Speaker 1: Anybody else want any water before I put it away?

470
00:28:23,680 --> 00:28:25,880
Speaker 1: So when the thing, sorry, go ahead.

471
00:28:26,600 --> 00:28:29,280
Speaker 3: Like a Chuck Laurie type, when you think about.

472
00:28:29,040 --> 00:28:30,560
Speaker 2: It, go back to hit TV show.

473
00:28:30,720 --> 00:28:35,879
Speaker 3: Yes, hit TV shows in success, everybody benefits and the

474
00:28:35,960 --> 00:28:39,120
Speaker 3: creators get to go explore whatever new adventure they want

475
00:28:39,160 --> 00:28:41,320
Speaker 3: to explore. And then, but they want the thing to

476
00:28:41,400 --> 00:28:43,360
Speaker 3: keep going and keep making money for they have to

477
00:28:43,360 --> 00:28:47,040
Speaker 3: be chained to it. Chuck Laurie wasn't working every day

478
00:28:47,080 --> 00:28:49,120
Speaker 3: on Two and a half Men. He was just cashing

479
00:28:49,200 --> 00:28:51,360
Speaker 3: the checks. Let somebody else do it. He goes off,

480
00:28:51,440 --> 00:28:53,880
Speaker 3: creates Big Bang Theory, doesn't have to sit around, and

481
00:28:53,920 --> 00:28:55,840
Speaker 3: then he doesn't sit there all day, goes off and

482
00:28:55,840 --> 00:28:58,280
Speaker 3: makes mom and then he doesn't sit there all day,

483
00:28:58,360 --> 00:29:00,600
Speaker 3: goes off and does disjoint it. He can just do

484
00:29:01,280 --> 00:29:03,760
Speaker 3: the title cards. Yes, he's got he's got to write

485
00:29:03,800 --> 00:29:07,720
Speaker 3: the title cards. But as as was.

486
00:29:07,720 --> 00:29:08,920
Speaker 1: He Mike and Molly as well?

487
00:29:11,720 --> 00:29:12,000
Speaker 3: Was he?

488
00:29:12,880 --> 00:29:14,320
Speaker 1: I mean, was he also Mike and Mom?

489
00:29:14,760 --> 00:29:16,720
Speaker 2: Let's just let it. It seems like you've thrown him

490
00:29:16,760 --> 00:29:17,680
Speaker 2: off a little.

491
00:29:17,400 --> 00:29:21,040
Speaker 3: Bit TV show and I can go back to where

492
00:29:21,040 --> 00:29:29,200
Speaker 3: I was. Hold on. I come to Hollywood Handbook a

493
00:29:29,240 --> 00:29:39,040
Speaker 3: fan first, and I say that you guys have other

494
00:29:39,160 --> 00:29:42,280
Speaker 3: adventures to go on, other roads, to go down, their

495
00:29:42,400 --> 00:29:46,520
Speaker 3: opportunities waiting for you. You did this, You did it.

496
00:29:48,680 --> 00:29:53,840
Speaker 3: Now go off to whatever new adventure is waiting for you.

497
00:29:54,840 --> 00:29:59,000
Speaker 3: But don't end this. Let this keep going. Just cash

498
00:29:59,040 --> 00:29:59,720
Speaker 3: the checks.

499
00:30:00,880 --> 00:30:02,440
Speaker 1: Okay, all right?

500
00:30:03,240 --> 00:30:04,920
Speaker 3: So what I propose to you.

501
00:30:05,800 --> 00:30:09,200
Speaker 2: This does sound like a lot of things I've been thinking.

502
00:30:09,800 --> 00:30:13,080
Speaker 1: Yeah, everything except for their other opportunities waiting for you.

503
00:30:14,600 --> 00:30:17,160
Speaker 2: Just all the rest of it. You did this. You're

504
00:30:17,320 --> 00:30:18,480
Speaker 2: you are done with this?

505
00:30:20,240 --> 00:30:22,680
Speaker 3: Yeah, It's like it's like you both have senior writis,

506
00:30:22,680 --> 00:30:32,880
Speaker 3: but you also forgot to apply to colleges. So it's

507
00:30:32,920 --> 00:30:36,360
Speaker 3: time for you to go see what's out there. Right,

508
00:30:37,400 --> 00:30:42,880
Speaker 3: So you let Hollywood Handbook continue with other people running it,

509
00:30:43,320 --> 00:30:46,440
Speaker 3: not to say you guys can't swing by. Wait, you know,

510
00:30:46,560 --> 00:30:48,000
Speaker 3: keep your presence on the thing.

511
00:30:48,040 --> 00:30:52,440
Speaker 1: Maybe in ok like the beginning of the new season.

512
00:30:52,640 --> 00:30:55,720
Speaker 2: Sure, hey, guys, so excited for I've heard great things

513
00:30:55,760 --> 00:30:58,720
Speaker 2: about everyone, absolutely and you never see us again.

514
00:30:59,080 --> 00:31:03,880
Speaker 1: Our guy here's some great ideas. Read the email he

515
00:31:03,960 --> 00:31:06,800
Speaker 1: sent and was so thrilled, and.

516
00:31:06,680 --> 00:31:10,280
Speaker 2: You guys are and your replies were so funny to

517
00:31:10,360 --> 00:31:10,880
Speaker 2: the email.

518
00:31:11,240 --> 00:31:14,880
Speaker 1: What a crew. A lot of turnover again this year.

519
00:31:14,960 --> 00:31:20,480
Speaker 1: You know, a lot of new faces, I could. Okay,

520
00:31:20,600 --> 00:31:23,400
Speaker 1: who's to say why? Probably everyone gets successful off it

521
00:31:23,480 --> 00:31:25,360
Speaker 1: and go to do something else, and I wish them well.

522
00:31:25,400 --> 00:31:27,640
Speaker 1: And it's not that I'm a monster.

523
00:31:29,400 --> 00:31:34,479
Speaker 2: Okay, we could do that. So so, but what is

524
00:31:34,560 --> 00:31:35,560
Speaker 2: the new show?

525
00:31:36,120 --> 00:31:38,200
Speaker 3: It's Hollywood Handbook, okay.

526
00:31:38,480 --> 00:31:39,840
Speaker 1: And the pro version.

527
00:31:39,560 --> 00:31:42,360
Speaker 3: Two, well, well we can figure that out. I figure

528
00:31:42,400 --> 00:31:44,680
Speaker 3: you guys need to maybe do that for a few

529
00:31:44,720 --> 00:31:49,040
Speaker 3: more and then kind of slide out on that also okay,

530
00:31:49,280 --> 00:31:52,240
Speaker 3: but at least for the time being, no more Hollywood

531
00:31:52,280 --> 00:31:54,680
Speaker 3: Handbook with Hazen.

532
00:31:54,320 --> 00:31:56,480
Speaker 1: Shawn uh huh, okay.

533
00:31:56,320 --> 00:31:58,960
Speaker 3: But Hollywood Handbook can listening, Yes.

534
00:31:58,720 --> 00:32:01,760
Speaker 1: All right, I'm I'm like in the area Look, so

535
00:32:01,840 --> 00:32:04,600
Speaker 1: who would I turn the reins over to? Is there

536
00:32:04,640 --> 00:32:08,920
Speaker 1: somebody I guess I'm trying to picture, would like Matt

537
00:32:08,960 --> 00:32:13,680
Speaker 1: Gurley or someone wanted he would amazing perfect, Yeah that

538
00:32:14,040 --> 00:32:16,920
Speaker 1: I would feel very comfortable leaving it in his capable hands.

539
00:32:17,480 --> 00:32:20,400
Speaker 2: And and like one of his buddy, I had to

540
00:32:20,440 --> 00:32:21,800
Speaker 2: let him pick honestly.

541
00:32:21,960 --> 00:32:25,120
Speaker 1: Oh yeah, it's whoever, whoever he feels comfortable with. I mean,

542
00:32:25,120 --> 00:32:29,000
Speaker 1: it's really just getting can get somebody at that maybe

543
00:32:29,000 --> 00:32:33,920
Speaker 1: a little diversity please and that and here that could

544
00:32:33,920 --> 00:32:34,840
Speaker 1: mean almost anything.

545
00:32:40,200 --> 00:32:44,520
Speaker 3: Look by your wolf standards, Yeah, I'm from New Jersey.

546
00:32:46,120 --> 00:32:52,280
Speaker 1: Okay, sure, so even that? Yeah, yeah, yeah, that's a

547
00:32:52,320 --> 00:32:52,840
Speaker 1: good point.

548
00:32:53,120 --> 00:32:55,080
Speaker 3: So New Jersey?

549
00:32:56,440 --> 00:33:00,840
Speaker 2: Do you have some Italian blood? Okay, that's huge?

550
00:33:02,560 --> 00:33:07,160
Speaker 3: So why not? Look the person you're looking for is

551
00:33:07,200 --> 00:33:09,080
Speaker 3: sitting right in front of you, guys.

552
00:33:09,560 --> 00:33:14,080
Speaker 2: Me, okay, let me do it. You just you want

553
00:33:14,080 --> 00:33:18,880
Speaker 2: to host the show? Yeah, we are still paid to

554
00:33:18,920 --> 00:33:19,239
Speaker 2: do it.

555
00:33:19,320 --> 00:33:21,880
Speaker 3: Yeah, yeah, you guys are presences on it every once

556
00:33:21,920 --> 00:33:24,840
Speaker 3: in a while. Be kind of like maybe we'll figure

557
00:33:24,920 --> 00:33:26,560
Speaker 3: what if we figure out like a little like like

558
00:33:27,240 --> 00:33:31,000
Speaker 3: little little punching things a little like a little little.

559
00:33:31,040 --> 00:33:33,360
Speaker 1: Okay, but I'm curious whe we can record a bunch

560
00:33:33,400 --> 00:33:34,000
Speaker 1: of them.

561
00:33:34,040 --> 00:33:37,560
Speaker 3: Like, hey, it's uh hazing shown with the Hollywood update?

562
00:33:37,920 --> 00:33:40,880
Speaker 3: Which of us is that it's hazing? Sewan? Well, I'm

563
00:33:40,880 --> 00:33:42,520
Speaker 3: not doing an impression, you guys. I can't do an

564
00:33:42,520 --> 00:33:44,560
Speaker 3: impression you guys. I wouldn't do that.

565
00:33:44,920 --> 00:33:45,560
Speaker 1: It's hurtful.

566
00:33:45,680 --> 00:33:49,840
Speaker 2: But I'm curious about the financial structure. You've got all

567
00:33:49,840 --> 00:33:53,360
Speaker 2: these papers here with little sign here tabs. Yes, what

568
00:33:53,840 --> 00:33:56,880
Speaker 2: is if we are still getting paid to do the show?

569
00:33:57,160 --> 00:33:57,480
Speaker 3: Yes?

570
00:33:58,240 --> 00:33:58,720
Speaker 1: How does it?

571
00:33:58,800 --> 00:33:59,240
Speaker 3: What?

572
00:33:59,240 --> 00:34:00,440
Speaker 1: How does it work for you?

573
00:34:00,520 --> 00:34:00,640
Speaker 5: Like?

574
00:34:00,680 --> 00:34:04,480
Speaker 2: What do you get? And also I am curious exposure.

575
00:34:06,120 --> 00:34:12,920
Speaker 2: M okay, that's what this whole business is about. Yeah, money,

576
00:34:13,200 --> 00:34:17,480
Speaker 2: you chase the money. You're a sucker. You chase exposure.

577
00:34:18,040 --> 00:34:18,560
Speaker 3: It's king.

578
00:34:18,680 --> 00:34:22,040
Speaker 2: And it's never enough with money, you know, it's always

579
00:34:22,120 --> 00:34:23,000
Speaker 2: more and more and more.

580
00:34:23,480 --> 00:34:26,239
Speaker 1: Yeah, but when you spend it, I mean, money is temporary,

581
00:34:26,239 --> 00:34:28,759
Speaker 1: but exposure is permanent, exactly.

582
00:34:29,000 --> 00:34:31,840
Speaker 3: That's forever, thank you. And that's what I want.

583
00:34:32,080 --> 00:34:34,640
Speaker 1: You appear on a single episode of a podcast. Yeah,

584
00:34:34,760 --> 00:34:35,239
Speaker 1: forget it.

585
00:34:35,440 --> 00:34:38,839
Speaker 3: I just want some of that Hollywood exposure. Just let

586
00:34:38,880 --> 00:34:42,600
Speaker 3: me in the door. So that's what I'm proposing. Mm hmm,

587
00:34:43,040 --> 00:34:47,480
Speaker 3: you guys, step away, let me take the Show, the

588
00:34:47,600 --> 00:34:50,480
Speaker 3: New Hollywood Handbook, just like When The Man Show, just

589
00:34:50,520 --> 00:34:50,879
Speaker 3: like when.

590
00:34:51,840 --> 00:34:54,480
Speaker 1: So you're like a stand hope, Stan.

591
00:34:54,320 --> 00:34:58,200
Speaker 3: Hope and broken. Yeah, it'll be fun. I think it's

592
00:34:58,200 --> 00:35:00,759
Speaker 3: a winner. I hope you guys would lead give me

593
00:35:00,800 --> 00:35:02,080
Speaker 3: a shot. That's all I ask for.

594
00:35:03,120 --> 00:35:08,200
Speaker 1: Okay, I'll listen to this right uh yeah, sure? Are

595
00:35:08,239 --> 00:35:10,000
Speaker 1: you gonna do? Do you want to take a run

596
00:35:10,040 --> 00:35:10,279
Speaker 1: at it?

597
00:35:13,400 --> 00:35:16,360
Speaker 3: I I I thought i'd have a co host to

598
00:35:16,440 --> 00:35:21,040
Speaker 3: do it, okay, And I do have a co host,

599
00:35:22,200 --> 00:35:26,239
Speaker 3: another guy right under your nose. Look, I don't love him, Yeah,

600
00:35:26,280 --> 00:35:35,319
Speaker 3: you hate him, But people in show biz have who

601
00:35:35,440 --> 00:35:41,280
Speaker 3: aren't best friends off Mike have made magic together together.

602
00:35:42,040 --> 00:35:42,440
Speaker 1: That's all.

603
00:35:42,520 --> 00:35:44,360
Speaker 3: I'm looking for a little bit as long.

604
00:35:44,200 --> 00:35:46,680
Speaker 1: As me, sort of a moonlighting thing.

605
00:35:49,400 --> 00:35:52,759
Speaker 2: Like the Pardo Bell Nap Dynamics sort of.

606
00:35:53,680 --> 00:35:57,400
Speaker 3: Yeah, all that, all the podcasts fighting and that ship.

607
00:35:57,560 --> 00:36:01,600
Speaker 3: We're not getting into any of it. Ex Mail and Joe, Yes, exactly.

608
00:36:03,000 --> 00:36:05,960
Speaker 3: So this kid right.

609
00:36:05,800 --> 00:36:09,920
Speaker 2: Here okay, Kevin, Yeah, host Kevin.

610
00:36:09,800 --> 00:36:13,880
Speaker 3: Host Kevin. I figured that we the two of us,

611
00:36:14,280 --> 00:36:18,640
Speaker 3: can kind of keep this thing going mmm m and sure,

612
00:36:18,719 --> 00:36:21,160
Speaker 3: I'm sure there'll be a couple bumps in the road,

613
00:36:21,280 --> 00:36:24,920
Speaker 3: but well, we'll make it happen. Mm hmmm, so do

614
00:36:24,960 --> 00:36:26,400
Speaker 3: we do? We have your blessing.

615
00:36:26,800 --> 00:36:30,440
Speaker 2: It's getting as you get closer, closer I think to

616
00:36:31,000 --> 00:36:32,080
Speaker 2: converting a zail.

617
00:36:32,800 --> 00:36:35,799
Speaker 1: The noise is getting louder, and it feels like it's

618
00:36:35,840 --> 00:36:38,560
Speaker 1: a warning sign. It really does.

619
00:36:39,040 --> 00:36:41,759
Speaker 2: It's basically become an alarm.

620
00:36:41,840 --> 00:36:47,920
Speaker 1: Yeah, it's like someone's someone's handshaking as they go to

621
00:36:48,000 --> 00:36:50,600
Speaker 1: sort of make the handshake deal, like it's sort of

622
00:36:50,640 --> 00:36:54,120
Speaker 1: trembling so much you go like I am getting tricked.

623
00:36:55,080 --> 00:36:59,640
Speaker 1: I think this squeaking noise is supposed to be indicating

624
00:36:59,640 --> 00:37:01,839
Speaker 1: to me I shouldn't feel comfortable in this, but I'm

625
00:37:01,880 --> 00:37:04,000
Speaker 1: willing to hear a version of the show. I mean,

626
00:37:04,040 --> 00:37:06,560
Speaker 1: can you just get a sample sort of a sizzle reel.

627
00:37:06,719 --> 00:37:08,680
Speaker 1: You don't even have to do a coherent.

628
00:37:08,320 --> 00:37:10,360
Speaker 2: Five minutes, but just some quick pop just come in

629
00:37:10,440 --> 00:37:12,000
Speaker 2: right in the middle to like, you don't have to

630
00:37:12,040 --> 00:37:14,279
Speaker 2: do an intro or anything like whatever part of.

631
00:37:14,239 --> 00:37:17,080
Speaker 3: It you want to do, do the intro, play the intro.

632
00:37:17,280 --> 00:37:23,160
Speaker 1: Okay, that's engineer right, and he's talking to there we go,

633
00:37:24,280 --> 00:37:27,080
Speaker 1: Jesus one second, even though I was on board for

634
00:37:27,120 --> 00:37:34,520
Speaker 1: that one. All right, here we go, Well, shure all right,

635
00:37:34,640 --> 00:37:35,120
Speaker 1: here we go.

636
00:37:41,800 --> 00:37:48,719
Speaker 3: Yeah. So it's me right, and I'm with Rab himself

637
00:37:49,920 --> 00:37:55,799
Speaker 3: and Nudy Novak and Brandon d. Camillo and we're sitting

638
00:37:55,840 --> 00:38:00,880
Speaker 3: around watching Viva Labam. Hey, welcome to Hollywood hand Book,

639
00:38:00,920 --> 00:38:07,520
Speaker 3: the new Hollywood Handbook. Yeah, it's me Tom, the host,

640
00:38:07,840 --> 00:38:10,280
Speaker 3: and this is my co host.

641
00:38:10,680 --> 00:38:12,719
Speaker 4: Hey, I'm host Kevin, co host Kevin here.

642
00:38:12,960 --> 00:38:14,160
Speaker 3: What's what's going down?

643
00:38:14,200 --> 00:38:14,759
Speaker 1: Bro? Hey?

644
00:38:14,800 --> 00:38:15,040
Speaker 4: Tom?

645
00:38:15,080 --> 00:38:16,120
Speaker 1: What's going up? Brother?

646
00:38:16,200 --> 00:38:19,000
Speaker 3: Hollywood Weekend? Right? How'd that go for you?

647
00:38:19,200 --> 00:38:21,279
Speaker 1: Hell? Yeah, I did it, did really well.

648
00:38:21,320 --> 00:38:23,600
Speaker 4: I went on a run and fell and I have

649
00:38:23,840 --> 00:38:25,040
Speaker 4: fand aids on my aunt.

650
00:38:27,239 --> 00:38:38,640
Speaker 3: Yeah. So we're on the show now, and this is

651
00:38:38,880 --> 00:38:41,879
Speaker 3: uh And look, I'd just like to say something at.

652
00:38:41,760 --> 00:38:44,399
Speaker 1: The Tom, I'm not even here.

653
00:38:48,239 --> 00:38:50,520
Speaker 2: Go ahead, Tom.

654
00:38:52,080 --> 00:38:58,080
Speaker 3: I'd like to just say, first of all, thank you

655
00:39:00,080 --> 00:39:04,520
Speaker 3: to be in this chair, to get to do this show,

656
00:39:06,080 --> 00:39:11,760
Speaker 3: Hollywood Handbook, and to call myself the host of Hollywood

657
00:39:11,800 --> 00:39:19,279
Speaker 3: Handbook is not something I take lately. And I appreciate

658
00:39:19,320 --> 00:39:25,120
Speaker 3: everyone who has supported me on this journey to this point.

659
00:39:26,680 --> 00:39:32,080
Speaker 3: And I am proud to call myself the host of

660
00:39:32,160 --> 00:39:33,080
Speaker 3: Hollywood Handbook.

661
00:39:34,160 --> 00:39:38,080
Speaker 1: Same juh.

662
00:39:39,920 --> 00:39:44,160
Speaker 3: So we have a guest in this right, should we

663
00:39:44,200 --> 00:39:46,480
Speaker 3: have a guest, right, yes, do you want to talk

664
00:39:46,480 --> 00:39:49,040
Speaker 3: about the Office to, Like, let's this one thing. I

665
00:39:49,080 --> 00:39:52,440
Speaker 3: think one thing that those guys didn't do when it

666
00:39:52,560 --> 00:39:56,600
Speaker 3: was their run. They didn't put enough of themselves into

667
00:39:56,640 --> 00:39:59,480
Speaker 3: the show. You know what I mean? Yeah, let's put

668
00:39:59,480 --> 00:40:03,120
Speaker 3: ourselves into it. Sure, talk about the let's talk about

669
00:40:03,160 --> 00:40:05,080
Speaker 3: the Office. So what do you watch any episodes of

670
00:40:05,120 --> 00:40:06,480
Speaker 3: the Office this weekend or what?

671
00:40:06,840 --> 00:40:07,600
Speaker 1: Yes? I did.

672
00:40:08,800 --> 00:40:12,280
Speaker 4: I watched the episode where Jim and Pam got married.

673
00:40:13,040 --> 00:40:17,360
Speaker 2: Uh, you will fine with Chef Kevin. He does not

674
00:40:17,520 --> 00:40:20,880
Speaker 2: really know that much about the Office. I mean, I

675
00:40:20,920 --> 00:40:22,879
Speaker 2: know you guys have been down this room before, but.

676
00:40:24,680 --> 00:40:27,480
Speaker 1: Okay, he only really likes the part where the entire

677
00:40:27,600 --> 00:40:28,759
Speaker 1: cast had turned over.

678
00:40:31,680 --> 00:40:34,800
Speaker 3: So you like, you're you're more of a Clark dukman.

679
00:40:36,640 --> 00:40:37,919
Speaker 1: Yep, that's right.

680
00:40:38,000 --> 00:40:40,040
Speaker 2: I would like if you're gonna have a guest, Yeah,

681
00:40:40,080 --> 00:40:44,120
Speaker 2: I think we have a perfect challenge in this room

682
00:40:45,320 --> 00:40:50,000
Speaker 2: for a new host. Okay, if you can spin the

683
00:40:50,160 --> 00:40:54,480
Speaker 2: straw and the gold, yeah, yeah, for junior engineer Devin

684
00:40:54,840 --> 00:40:58,600
Speaker 2: as like a legit guest on the show, that would

685
00:40:58,640 --> 00:41:00,279
Speaker 2: really show us some thing.

686
00:41:00,600 --> 00:41:05,279
Speaker 3: Sure, let's do it. We're excited to have on the

687
00:41:05,360 --> 00:41:10,880
Speaker 3: show and look the word star gets thrown around a

688
00:41:11,160 --> 00:41:15,719
Speaker 3: lot in show business now to where it's devalued a

689
00:41:15,719 --> 00:41:18,000
Speaker 3: little bit. And i'd like to do this new version

690
00:41:18,000 --> 00:41:23,600
Speaker 3: of Hollywood Handbook, which I again, it's been a road

691
00:41:23,680 --> 00:41:26,680
Speaker 3: to get me here. I appreciate the support. There's a

692
00:41:26,719 --> 00:41:32,040
Speaker 3: lot of challenges. I'm here, thank you. I'd like to

693
00:41:32,040 --> 00:41:37,840
Speaker 3: bring a little bit of old Hollywood glamour back. Two things,

694
00:41:38,680 --> 00:41:42,360
Speaker 3: And with that in mind, let's bring our first guest

695
00:41:43,440 --> 00:41:47,920
Speaker 3: engineer Dev Junior engineer Devin to the New Hollywood Handbook.

696
00:41:48,680 --> 00:41:49,480
Speaker 1: It's great to be here.

697
00:41:49,520 --> 00:41:50,200
Speaker 2: It's great to be here.

698
00:41:50,200 --> 00:41:52,239
Speaker 3: Thanks, thanks, yes for being here.

699
00:41:52,320 --> 00:41:54,280
Speaker 4: What was your experience like working on.

700
00:41:54,440 --> 00:41:57,400
Speaker 3: No, that's what do you? What do you? What is?

701
00:41:57,400 --> 00:42:01,680
Speaker 3: This guy is taking a deposition or something. Let's take

702
00:42:01,719 --> 00:42:04,560
Speaker 3: our time. Let's get to know this guy and look

703
00:42:04,760 --> 00:42:10,240
Speaker 3: sure this guy's news. It's going to be so boring. Yeah,

704
00:42:10,320 --> 00:42:12,440
Speaker 3: so we're gonna have to carry so much of this.

705
00:42:13,360 --> 00:42:16,680
Speaker 3: Let's limit his talking. You're you're you want to get

706
00:42:16,680 --> 00:42:18,600
Speaker 3: a straight Q and a going would be over in

707
00:42:18,680 --> 00:42:19,440
Speaker 3: thirty seconds.

708
00:42:20,880 --> 00:42:23,000
Speaker 4: Maybe I could set him up for a queue, but

709
00:42:23,080 --> 00:42:25,040
Speaker 4: it really is like you're the one answering it.

710
00:42:25,719 --> 00:42:30,640
Speaker 1: Like it. I'll I'll shift it to you. I'll shift

711
00:42:30,640 --> 00:42:30,920
Speaker 1: it to you.

712
00:42:31,560 --> 00:42:34,640
Speaker 3: Let you try. Let's see. Let's look you're you're host

713
00:42:34,680 --> 00:42:37,040
Speaker 3: on this thing. Yeah, I gotta give you some trust.

714
00:42:37,080 --> 00:42:38,440
Speaker 1: Thank you. Go ahead, Devin.

715
00:42:38,480 --> 00:42:40,520
Speaker 4: What was that MTV show you worked on?

716
00:42:41,320 --> 00:42:45,960
Speaker 1: Oh uh, singled Out? Singled Out? Yeah? Whoa, that's crazy.

717
00:42:45,960 --> 00:42:46,879
Speaker 1: Have you ever heard of that show?

718
00:42:46,960 --> 00:42:48,439
Speaker 3: Tom singled Out?

719
00:42:48,600 --> 00:42:50,680
Speaker 1: Yeah? Yeah, very old Hollywood?

720
00:42:50,800 --> 00:42:51,960
Speaker 3: You worked onne singled Out?

721
00:42:52,080 --> 00:42:55,320
Speaker 1: Oh yeah? What are you like a quantum leap or something?

722
00:42:55,840 --> 00:42:59,520
Speaker 1: Teens what?

723
00:43:01,400 --> 00:43:03,480
Speaker 2: Behind the scenes, it was like a million years ago.

724
00:43:04,160 --> 00:43:05,400
Speaker 1: Are you tricking us?

725
00:43:06,440 --> 00:43:09,160
Speaker 2: You were a teenager working on Singled Out?

726
00:43:09,600 --> 00:43:11,080
Speaker 1: It was incredible, It was a great It was a

727
00:43:11,120 --> 00:43:17,760
Speaker 1: wild time. I have to say, wow, is this a trick? Trick?

728
00:43:17,960 --> 00:43:18,240
Speaker 2: Lie?

729
00:43:18,560 --> 00:43:23,720
Speaker 1: I mean what? So that's the new version of the show.

730
00:43:23,840 --> 00:43:30,359
Speaker 1: Is everybody lies to each other? Tom? Is that? By

731
00:43:30,400 --> 00:43:30,719
Speaker 1: the way?

732
00:43:30,760 --> 00:43:32,520
Speaker 2: By the way, okay, I was going to tell the truth.

733
00:43:32,600 --> 00:43:36,000
Speaker 2: I do see some potential for follow up questions. This

734
00:43:36,040 --> 00:43:39,399
Speaker 2: person was backstage on the show singled Out.

735
00:43:40,480 --> 00:43:42,440
Speaker 1: Yeah, he may want to ask him how they came

736
00:43:42,520 --> 00:43:44,719
Speaker 1: up with all those fun questions.

737
00:43:45,680 --> 00:43:49,040
Speaker 2: Or maybe other stuff. So Bath fed back.

738
00:43:49,120 --> 00:43:52,160
Speaker 3: Yeah, right with the cast.

739
00:43:53,440 --> 00:43:55,840
Speaker 1: Uh huh, let's think.

740
00:43:57,400 --> 00:44:01,000
Speaker 3: Questions. What can we ask him about backstage single down.

741
00:44:01,360 --> 00:44:05,879
Speaker 1: I've not I've never heard the show. What's the show?

742
00:44:07,000 --> 00:44:10,280
Speaker 1: Junior engineer control?

743
00:44:12,040 --> 00:44:15,719
Speaker 3: So engineer Devin? Right?

744
00:44:15,880 --> 00:44:16,160
Speaker 1: Yes?

745
00:44:17,680 --> 00:44:20,719
Speaker 3: What what what's the what's the the thing with being

746
00:44:20,719 --> 00:44:23,799
Speaker 3: an engineer? That that that brings you back to your

747
00:44:24,360 --> 00:44:29,280
Speaker 3: childhood memories of wanting to be an engineer?

748
00:44:30,080 --> 00:44:36,600
Speaker 1: Go uh deep? Love of four tracks? Four track recorders?

749
00:44:36,719 --> 00:44:39,200
Speaker 3: A lost art.

750
00:44:39,400 --> 00:44:40,600
Speaker 1: Indeed, that's what it's all about.

751
00:44:40,800 --> 00:44:42,880
Speaker 3: Knob twirling and some call it.

752
00:44:45,520 --> 00:44:47,280
Speaker 1: Twiddling. Is that? Yes?

753
00:44:47,640 --> 00:44:49,760
Speaker 3: Well, some call it twiddling, some call it twirling.

754
00:44:49,920 --> 00:44:52,360
Speaker 4: Say something funny, Hey, what are you a twiddler?

755
00:44:52,440 --> 00:44:52,960
Speaker 1: You creep?

756
00:44:53,160 --> 00:44:53,759
Speaker 5: There you go?

757
00:44:54,560 --> 00:44:57,520
Speaker 3: Oh god, And let me just say it's a sidebar.

758
00:44:58,920 --> 00:45:00,480
Speaker 3: See how you called him a care deep is a

759
00:45:00,480 --> 00:45:02,880
Speaker 3: default setting. Now you know why they called you a creep?

760
00:45:02,920 --> 00:45:04,239
Speaker 1: And easy and.

761
00:45:05,760 --> 00:45:07,080
Speaker 3: Cheap so easy?

762
00:45:07,360 --> 00:45:10,279
Speaker 1: Apologize to him, Sorry, buddy, that's fine. Good.

763
00:45:10,360 --> 00:45:11,520
Speaker 3: Hey, it's co host Kevin.

764
00:45:11,560 --> 00:45:13,840
Speaker 4: Hey, co host Kevin here. Sorry, Devin, didn't mean to

765
00:45:13,840 --> 00:45:15,440
Speaker 4: call you a creep. I don't like how it feels

766
00:45:15,440 --> 00:45:17,560
Speaker 4: when I get called that every day for a year

767
00:45:17,600 --> 00:45:19,279
Speaker 4: and a half, so I can't imagine that.

768
00:45:19,360 --> 00:45:21,520
Speaker 2: We haven't done it for so long.

769
00:45:21,800 --> 00:45:25,040
Speaker 1: We barely do it anymore, except sometimes by accident.

770
00:45:28,280 --> 00:45:30,640
Speaker 3: So you worked on singled out right? What did you

771
00:45:30,719 --> 00:45:31,240
Speaker 3: do on.

772
00:45:31,120 --> 00:45:34,000
Speaker 1: That General Dog's body? Showrunner?

773
00:45:35,080 --> 00:45:36,240
Speaker 3: You did what with bodies?

774
00:45:37,560 --> 00:45:41,480
Speaker 1: Dogs body? Random? General dogs body? Yeah, dog's body.

775
00:45:42,400 --> 00:45:45,200
Speaker 2: That was at your title on the show General Dogs Body,

776
00:45:45,280 --> 00:45:46,640
Speaker 2: General dogs body.

777
00:45:46,960 --> 00:45:54,239
Speaker 1: And now his best friend, engineer Ryan stomped on my dog.

778
00:45:55,400 --> 00:45:57,720
Speaker 1: Still see how these two might have met, still lying

779
00:45:57,760 --> 00:46:00,719
Speaker 1: there recovering, and then this guy said his name was

780
00:46:00,840 --> 00:46:04,879
Speaker 1: General Dogs. Buddy. I don't like this.

781
00:46:07,960 --> 00:46:10,800
Speaker 2: So now you guys see this is the biggest challenge

782
00:46:10,880 --> 00:46:13,239
Speaker 2: that you could pull off with this show.

783
00:46:13,120 --> 00:46:15,600
Speaker 3: Is just getting out of it a doud guest, Yes,

784
00:46:16,000 --> 00:46:21,920
Speaker 3: stud guest, you're stuck with another sack of potatoes like

785
00:46:22,520 --> 00:46:25,520
Speaker 3: Kevin here, who just you think brings value, but then

786
00:46:25,600 --> 00:46:29,359
Speaker 3: you realize is draining your own energy, like you bring

787
00:46:29,440 --> 00:46:32,680
Speaker 3: less to the table when you just have like a

788
00:46:32,800 --> 00:46:35,680
Speaker 3: talent vampire. Yeah, like Kevin in the room.

789
00:46:36,440 --> 00:46:40,200
Speaker 4: Well, hold on, we're only like thirty seconds in. You know,

790
00:46:40,920 --> 00:46:43,719
Speaker 4: often it takes forty to fifty five minutes.

791
00:46:43,440 --> 00:46:45,200
Speaker 3: For the ball skit.

792
00:46:45,880 --> 00:46:51,000
Speaker 4: Okay, Hey, my name is Sandy Pearson, and I put

793
00:46:51,440 --> 00:46:57,360
Speaker 4: sand in sandboxes. You know, get the sand, getting the

794
00:46:57,520 --> 00:47:00,560
Speaker 4: sand in the sand. You know a lot of people

795
00:47:00,600 --> 00:47:04,239
Speaker 4: provide just the sandboxes, but they don't provide the sand Well,

796
00:47:04,320 --> 00:47:08,040
Speaker 4: I provide, I provide the sand and commercial.

797
00:47:08,080 --> 00:47:08,760
Speaker 3: It's a commercial.

798
00:47:08,840 --> 00:47:12,520
Speaker 1: Yeah, it's a commercial. Yeah, well you gotta have that

799
00:47:12,600 --> 00:47:15,520
Speaker 1: in your package. Something I wrote with Darius do.

800
00:47:17,880 --> 00:47:20,759
Speaker 3: Like a fake medicine a medicine commercial, and then just

801
00:47:20,800 --> 00:47:22,719
Speaker 3: list all kinds of symptoms.

802
00:47:22,239 --> 00:47:27,239
Speaker 4: Like sure, uh so I I got to make it

803
00:47:27,280 --> 00:47:27,520
Speaker 4: for like.

804
00:47:27,520 --> 00:47:29,759
Speaker 3: A thing that's like dumb, that like nobody actually has

805
00:47:29,800 --> 00:47:30,480
Speaker 3: that problem.

806
00:47:30,560 --> 00:47:33,040
Speaker 1: Yeah, Like the thing the medicine fixes is very small,

807
00:47:33,080 --> 00:47:34,279
Speaker 1: but the problems can cause.

808
00:47:36,400 --> 00:47:40,439
Speaker 4: Yeah, hey, your fingernails growing too long, Well check out

809
00:47:40,480 --> 00:47:41,600
Speaker 4: my fingernail.

810
00:47:42,200 --> 00:47:44,080
Speaker 1: Uh, steady time.

811
00:47:44,200 --> 00:47:46,960
Speaker 4: Now, it helps make sure your fingernails are growing at

812
00:47:46,960 --> 00:47:50,359
Speaker 4: a consistent speed so they don't so they don't get

813
00:47:50,400 --> 00:47:51,480
Speaker 4: too long too fast.

814
00:47:51,680 --> 00:47:53,360
Speaker 1: The side effects include.

815
00:47:53,239 --> 00:48:02,480
Speaker 6: You throw effects, blood, a vomitop, you get stomach aches,

816
00:48:02,920 --> 00:48:07,960
Speaker 6: you get headaches, you you get real sick you.

817
00:48:07,960 --> 00:48:12,960
Speaker 1: Maybe they'd become fantastic you you become no, no, no no.

818
00:48:13,000 --> 00:48:16,280
Speaker 1: The side effects becomes sort of like like the side effects.

819
00:48:16,280 --> 00:48:18,560
Speaker 1: You can really go to medicine. You go to space.

820
00:48:19,239 --> 00:48:21,560
Speaker 4: You go underground, and you can't.

821
00:48:21,640 --> 00:48:24,000
Speaker 1: They're still negative. You go to space.

822
00:48:24,040 --> 00:48:25,719
Speaker 3: Those are all good things. You get to go to

823
00:48:25,760 --> 00:48:28,600
Speaker 3: space if you think this and you have to go underground.

824
00:48:28,040 --> 00:48:30,000
Speaker 1: You go, you go to space and you can't breathe.

825
00:48:30,040 --> 00:48:31,800
Speaker 4: And you go under ground and you can't breathe.

826
00:48:31,840 --> 00:48:34,160
Speaker 3: No stuff like stuff like you got norm shooting out

827
00:48:34,160 --> 00:48:34,680
Speaker 3: of your chest?

828
00:48:34,800 --> 00:48:37,399
Speaker 1: Yeah, arm shooting out of your chest? Stop catching fine,

829
00:48:37,440 --> 00:48:38,440
Speaker 1: you got a third butt.

830
00:48:38,400 --> 00:48:44,359
Speaker 7: Cheek, you start catching fire on your you go, arm

831
00:48:44,440 --> 00:48:48,640
Speaker 7: come out of your chest. You you're you got you.

832
00:48:48,680 --> 00:48:49,479
Speaker 2: Blink too much.

833
00:48:49,840 --> 00:48:51,920
Speaker 1: Maybe get in a dig at somebody like it's you

834
00:48:51,960 --> 00:48:54,480
Speaker 1: start to enjoy the music of blank, and then we

835
00:48:54,600 --> 00:48:56,080
Speaker 1: get somebody really good.

836
00:48:55,960 --> 00:48:58,760
Speaker 7: And actually you start to enjoy the music of Jason

837
00:48:58,840 --> 00:49:02,160
Speaker 7: Moraz and uh, you spend a lot of your time

838
00:49:02,280 --> 00:49:03,320
Speaker 7: reading boring books.

839
00:49:03,480 --> 00:49:07,520
Speaker 3: Do Jason Morass, do Jason morassan argue with yourself. Hey man,

840
00:49:07,600 --> 00:49:08,799
Speaker 3: my music school.

841
00:49:08,560 --> 00:49:11,200
Speaker 1: Hey man, my music school. I like the acoustic guitar.

842
00:49:11,560 --> 00:49:12,919
Speaker 3: It's actually really good on the radio.

843
00:49:13,040 --> 00:49:15,880
Speaker 4: And I've had a good caer Okay, Joseph Maraz.

844
00:49:16,800 --> 00:49:21,040
Speaker 1: Yeah, but yeah no, but maybe so the whole medicine thing, right,

845
00:49:21,080 --> 00:49:23,600
Speaker 1: it's his medicine to fix something that Jason morass big

846
00:49:23,680 --> 00:49:26,720
Speaker 1: hit song is called the Remedy. Maybe we have something

847
00:49:26,760 --> 00:49:30,840
Speaker 1: in there. Well, you could, actually, this is Jason Moraz,

848
00:49:30,880 --> 00:49:33,120
Speaker 1: you could. You could I have my medicine. Actually is

849
00:49:33,120 --> 00:49:35,240
Speaker 1: the right You could be the remedy with it.

850
00:49:36,800 --> 00:49:40,000
Speaker 3: There, good good, good good, great, let's throw to it.

851
00:49:40,080 --> 00:49:41,239
Speaker 1: That's pretty fun at home.

852
00:49:41,480 --> 00:49:47,680
Speaker 3: Let's throw to Hollywood Handbook, Hollywood Minute with the old host.

853
00:49:47,440 --> 00:49:50,279
Speaker 2: And we just straight up stole David's space. Yeah, we're

854
00:49:50,360 --> 00:49:51,560
Speaker 2: just doing Hollywood.

855
00:49:51,760 --> 00:49:54,839
Speaker 3: Let's call it the Hollywood forty five. It's not even

856
00:49:54,880 --> 00:49:56,320
Speaker 3: a minute's forty five seconds?

857
00:49:56,719 --> 00:50:02,400
Speaker 1: Okay, great, h are you gonna do that?

858
00:50:03,160 --> 00:50:08,480
Speaker 3: Hey, everybody, and welcome back to Hollywood Handbook. Great skit, Kevin.

859
00:50:09,080 --> 00:50:12,680
Speaker 3: We'll be back with more with Engineer Devin. But we

860
00:50:12,800 --> 00:50:15,840
Speaker 3: got Sean and Hayes are swinging by with another Hollywood

861
00:50:15,920 --> 00:50:18,280
Speaker 3: forty five. Take it away, Sean and Hayes.

862
00:50:18,560 --> 00:50:23,840
Speaker 1: So the Stone Temple Pilots did a concert this weekend.

863
00:50:23,920 --> 00:50:25,880
Speaker 1: I think I liked him better the first time I

864
00:50:25,960 --> 00:50:34,920
Speaker 1: saw him, when they were called Pearl Jam.

865
00:50:35,320 --> 00:50:38,239
Speaker 2: I was just waiting for the laugh to sure to

866
00:50:39,360 --> 00:50:47,640
Speaker 2: play out. Johnny Cochran gave another testimony this week. He said,

867
00:50:47,680 --> 00:50:52,960
Speaker 2: if the glove don't fit, you must have quit? What

868
00:50:53,080 --> 00:50:55,520
Speaker 2: if the what if fit?

869
00:50:55,840 --> 00:50:55,960
Speaker 7: Uh?

870
00:50:56,440 --> 00:50:59,000
Speaker 1: Shit, it's okay, it's okay.

871
00:50:59,120 --> 00:51:03,400
Speaker 2: It's hard. Yeah, yeah, yeah, but I mean, but the

872
00:51:03,400 --> 00:51:05,200
Speaker 2: whole idea is that I don't have to do the

873
00:51:05,239 --> 00:51:05,960
Speaker 2: show anymore.

874
00:51:06,080 --> 00:51:08,359
Speaker 1: I'm done to drive.

875
00:51:09,840 --> 00:51:11,880
Speaker 2: Like as I'm well, as I'm watching you do this,

876
00:51:12,360 --> 00:51:15,799
Speaker 2: I'm like, it's over. I'm I'm ready, I'm ready to go.

877
00:51:16,440 --> 00:51:16,960
Speaker 1: Yeah.

878
00:51:17,040 --> 00:51:19,239
Speaker 2: I couldn't tell you what a relief it was to

879
00:51:19,480 --> 00:51:21,600
Speaker 2: to watch it happening without.

880
00:51:21,360 --> 00:51:24,880
Speaker 1: Me, to just see the show, you know, m h.

881
00:51:25,480 --> 00:51:29,000
Speaker 1: And it seems like the sickos that listen to the

882
00:51:29,040 --> 00:51:32,759
Speaker 1: show already might not even know the difference. Oh, I

883
00:51:32,920 --> 00:51:38,680
Speaker 1: obviously don't enjoy it, but that doesn't really matter. No.

884
00:51:39,160 --> 00:51:40,840
Speaker 1: I loved being done. Yeah.

885
00:51:40,880 --> 00:51:42,759
Speaker 2: I just feel like now I can just like go

886
00:51:42,880 --> 00:51:45,560
Speaker 2: to sleep, you know.

887
00:51:45,840 --> 00:51:49,080
Speaker 4: At long last, Tom, we can do this thing where

888
00:51:49,120 --> 00:51:50,920
Speaker 4: like you and I just do the show for like

889
00:51:51,680 --> 00:51:54,120
Speaker 4: forty five minutes and then we just use like five

890
00:51:54,160 --> 00:51:57,640
Speaker 4: minutes of the interview with Devin that way, because we

891
00:51:57,680 --> 00:51:59,319
Speaker 4: don't have to deal well, we don't have to deal

892
00:51:59,360 --> 00:52:01,160
Speaker 4: with the dud being like an hour long.

893
00:52:01,719 --> 00:52:04,760
Speaker 3: You know, no, I have literally no idea what you're.

894
00:52:04,600 --> 00:52:06,319
Speaker 4: Saying, so well, the first segment will just be you

895
00:52:06,400 --> 00:52:09,040
Speaker 4: and me, Okay, and we'll be doing bits and riffs

896
00:52:09,080 --> 00:52:12,279
Speaker 4: and joke sketches, sketches, skits.

897
00:52:12,080 --> 00:52:14,560
Speaker 1: And then we do we cut sketches and skits. Yes,

898
00:52:14,880 --> 00:52:16,560
Speaker 1: and then we cut it.

899
00:52:16,480 --> 00:52:18,319
Speaker 3: Off a sketch and a skit.

900
00:52:18,680 --> 00:52:20,120
Speaker 1: A sketch is like what.

901
00:52:20,040 --> 00:52:21,440
Speaker 2: The community likes.

902
00:52:21,560 --> 00:52:25,880
Speaker 4: In a skit is what your parents like. Ah, And

903
00:52:25,920 --> 00:52:29,200
Speaker 4: then we do the Hollywood forty five. Yeah, and then

904
00:52:29,200 --> 00:52:31,400
Speaker 4: we do a minute and a half of the interview

905
00:52:31,440 --> 00:52:32,680
Speaker 4: with Devin, and the show's over.

906
00:52:32,680 --> 00:52:34,920
Speaker 3: So we need to start shooting ship then, is what

907
00:52:34,920 --> 00:52:39,759
Speaker 3: you're saying? Yeah, Yeah, okay, I want to I want

908
00:52:39,760 --> 00:52:41,920
Speaker 3: to do a segment on this and this might be

909
00:52:41,960 --> 00:52:47,400
Speaker 3: a little artistic, a little We'll be like a sultry

910
00:52:47,480 --> 00:52:50,080
Speaker 3: saxophone playing behind me, you know what I mean? Sure,

911
00:52:50,200 --> 00:52:54,120
Speaker 3: And then I'll do a character, be like another another

912
00:52:54,360 --> 00:52:59,520
Speaker 3: crazy night in Lipstick City. Cool, okay, and I'll just

913
00:52:59,560 --> 00:53:08,640
Speaker 3: talk about like l a Adventures guy noir character kind

914
00:53:08,680 --> 00:53:09,439
Speaker 3: of Yeah.

915
00:53:09,560 --> 00:53:10,480
Speaker 2: Here, let's see it.

916
00:53:11,040 --> 00:53:11,759
Speaker 1: I'm looking for.

917
00:53:13,280 --> 00:53:13,600
Speaker 2: Devin.

918
00:53:13,640 --> 00:53:16,160
Speaker 4: This is where a saxophone part would come in, just

919
00:53:16,440 --> 00:53:18,560
Speaker 4: thinking for a future.

920
00:53:20,680 --> 00:53:21,759
Speaker 1: Old Hollywood.

921
00:53:21,960 --> 00:53:23,200
Speaker 5: Yeah.

922
00:53:26,719 --> 00:53:29,360
Speaker 3: Should I do it in the Garrison Keeler voice?

923
00:53:29,520 --> 00:53:37,480
Speaker 5: Probably right? Yes, it's another sad night and.

924
00:53:37,640 --> 00:53:41,000
Speaker 3: Lipstick City and closer to the closer.

925
00:53:40,920 --> 00:53:51,920
Speaker 5: I'm here and the other day I went to Mucha

926
00:53:52,080 --> 00:53:56,440
Speaker 5: and French and ordered delivery onion.

927
00:53:59,680 --> 00:53:59,719
Speaker 1: No.

928
00:54:02,080 --> 00:54:06,840
Speaker 5: The booth across from me was none other than Burt

929
00:54:06,880 --> 00:54:17,680
Speaker 5: Ward Robin from the original Batman series. And that was

930
00:54:17,719 --> 00:54:22,920
Speaker 5: another crazy night Instick City.

931
00:54:24,440 --> 00:54:34,600
Speaker 8: Bye, I'm a horny girl Wolf.

932
00:54:34,920 --> 00:54:38,640
Speaker 1: This has been an Earwold production, executive produced by Scott Ackerman,

933
00:54:38,800 --> 00:54:42,160
Speaker 1: Colin Anderson, and Chris Bannon. For more information and content,

934
00:54:42,280 --> 00:54:47,560
Speaker 1: visit iarwolf dot com. Oh