WEBVTT - Francis Ford Coppola

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<v Speaker 1>You were listening to Ruthie's Table four in partnership with Montclair.

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<v Speaker 2>Since Francis Ford Coppola agreed to do a podcast with me,

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<v Speaker 2>I've been slightly overwhelmed. But good friends who know us,

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<v Speaker 2>both Wes Anderson, Fisher, Stevens, Greta Gerwik assured me. Actually, Ruthie,

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<v Speaker 2>the two of you are rather alike. Do they mean

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<v Speaker 2>being a chef is like being a director, or producing

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<v Speaker 2>a movie is like running a restaurant, or choosing the

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<v Speaker 2>grapes for your vineyard is like choosing the herbs for

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<v Speaker 2>your fish, or most of all, do they mean we

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<v Speaker 2>both have our family involved in everything we do. I'm

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<v Speaker 2>happy to take any of the above. Francis and I

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<v Speaker 2>are here together after a long lunch in the River

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<v Speaker 2>Cafe to talk about food and wine, movies and families,

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<v Speaker 2>menus and friends, and much much more.

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<v Speaker 1>Well, thank you for the lovely comments said.

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<v Speaker 2>You've made ruth So for lunch today, you had as

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<v Speaker 2>a starter.

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<v Speaker 1>Pundarella, which a Roman salad which you only have certain

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<v Speaker 1>times of year, and basically you Italians have a taste

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<v Speaker 1>for bitter. Puntorella is really a bitter salad, and so

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<v Speaker 1>it comes from a kind of winter chicoria plant which

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<v Speaker 1>is divided and cut up in a certain way and

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<v Speaker 1>served with olive oil and anchovy and capers, sometimes and

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<v Speaker 1>sometimes not. And this is the famous puntorella salad that

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<v Speaker 1>you get in a Roman restaurant.

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<v Speaker 2>It is a great way to start a meal, I

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<v Speaker 2>think if.

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<v Speaker 1>We didn't need it when we were kids, because we

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<v Speaker 1>ate food that was either Neapolitan from my mother's side

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<v Speaker 1>or lu Canese Bernalda, the region in the extreme south

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<v Speaker 1>of Italy, which is my mother's side. Well, it says

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<v Speaker 1>here puntorella, it says two puntarella heads. The vegetable is chicoria,

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<v Speaker 1>and it's a winter chechorea. Twelve salted anchovy phil cut

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<v Speaker 1>into small pieces, four tablespoons red wine vinegar, one gar

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<v Speaker 1>of co peeled and finally chopped, one drud some dried

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<v Speaker 1>red chili pepperonchina rosso and then six tablespoons of virgin

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<v Speaker 1>olive oil. And you prepare. You slice the buds into

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<v Speaker 1>these little thin stalks in your place in the water

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<v Speaker 1>a bowl of ice water to crisp, but they'll curl up.

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<v Speaker 1>Combine the anchovy's garlic and chili and covered with vinegar

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<v Speaker 1>leaf for fifteen minutes, had six table students of olive oil,

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<v Speaker 1>spin dried the puntarella segments and then putting a in

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<v Speaker 1>a bowl and spoon the stuff over it, and that's

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<v Speaker 1>your puntarella salad.

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<v Speaker 2>So you grew up in a house that served incredible food.

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<v Speaker 2>When a lot of Southern Italians.

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<v Speaker 1>Came father and grandfather from your.

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<v Speaker 2>Father and came to the United States. I grew up

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<v Speaker 2>in upstate New York, one hundred miles north of New

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<v Speaker 2>York City, and when we went out to an Italian restaurant,

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<v Speaker 2>we would have veal parmechan we would have the meatballs

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<v Speaker 2>and spaghetti. The food of the meatballs.

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<v Speaker 1>If you know what you're doing, they really make meatballs. Well.

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<v Speaker 1>Number one, you have to have three components. A meatball

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<v Speaker 1>is one third pork, one third veal, and one for

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<v Speaker 1>a thief, and with bread a lot of breadcrumbs.

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<v Speaker 2>But the scene and the Godfather, if we can talk

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<v Speaker 2>about that, I sadly I watched it again. I thought,

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<v Speaker 2>you know what, the way he said, you know and

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<v Speaker 2>then throwing this, and well, that's so nonchalant.

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<v Speaker 1>When I wrote that scene, I wrote it the way

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<v Speaker 1>I knew how to do. It, and I said, well,

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<v Speaker 1>take you first, you brown the sausage, and then there's

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<v Speaker 1>a fry. And Mario said, Gangsters don't say brown, Franksters

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<v Speaker 1>say fry. So we changed it to fry. Then he said,

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<v Speaker 1>and then the secret is true, that the little the

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<v Speaker 1>secret of a good meat sauce is a little bit

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<v Speaker 1>of sugar. You added like a you know, a half

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<v Speaker 1>a tablespoon of sugar to a meat sauce. So the

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<v Speaker 1>recipes were authentic, but we tried to give them a

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<v Speaker 1>gangster type of vocabulary. Although I must say that the

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<v Speaker 1>reason I'm convinced that The Godfather was successful because it

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<v Speaker 1>was the first gangster film that had a lot of

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<v Speaker 1>kids running around in the seats. Never were gangster pictures

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<v Speaker 1>though they didn't have kids. But of course an Italian

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<v Speaker 1>wedding was all the kids sliding around it.

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<v Speaker 2>So you grew up in a family that could Italian food,

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<v Speaker 2>but in New York and New York speaking Italian. That's

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<v Speaker 2>how we started. Did you know Italian?

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<v Speaker 1>No? I only heard some cursed. But my mother didn't

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<v Speaker 1>want us to be like Italians couldn't live in certain neighborhoods. Yeah,

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<v Speaker 1>and the Italians, you know, each immigrant group in America

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<v Speaker 1>was bullied by the one that came before, and the

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<v Speaker 1>one who came before the Italians were the Irish, and

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<v Speaker 1>the Irish used to beat up on Theians.

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<v Speaker 2>The policeman and the Godfather.

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<v Speaker 1>Right, the police. The police were all Irish and they

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<v Speaker 1>used to they used to pick. That's the way it works.

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<v Speaker 2>So you were restricted to this neighborhood. And did you

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<v Speaker 2>experience food other than Italian food or did you was

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<v Speaker 2>eating Hell, if you see.

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<v Speaker 1>The Godfather, you realized that I knew that Italians used

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<v Speaker 1>to get takeout Chinese food. Yeah, every street corner in

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<v Speaker 1>New York had a German delicatessen, a candy store what

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<v Speaker 1>we call the candy store, which was a soda fountain

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<v Speaker 1>where they sold coke which was five cents and they

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<v Speaker 1>would make it to put the syrup and it wouldn't

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<v Speaker 1>be in a bottle, and model airplanes, and a German

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<v Speaker 1>delicatessen where you would buy cheesecake.

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<v Speaker 2>So there there would be a mix that would be

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<v Speaker 2>a German.

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<v Speaker 1>And always a Chinese restaurant. In the neighborhoods. There were

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<v Speaker 1>a lot of Polish people and Italians because they were

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<v Speaker 1>both Catholic, and there were a lot of Italian Polish

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<v Speaker 1>weddings because they were both Catholic. And I went to

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<v Speaker 1>a lot of Polish weddings, and I knew Polish food

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<v Speaker 1>was like they had Kebbasa whereas we had sazich. It

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<v Speaker 1>was America. It was a wonderful a mixture of cultures.

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<v Speaker 2>And we want to keep that. We want to keep

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<v Speaker 2>we want to keep that. And then should we talk

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<v Speaker 2>about polio?

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<v Speaker 1>If anything, you ask your question, I'd be.

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<v Speaker 2>Interested in the fact that as a child you had

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<v Speaker 2>polio and spent how long invent.

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<v Speaker 1>I spent the whole sixth grade, so a whole year

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<v Speaker 1>year and little more than a year. And in those

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<v Speaker 1>days polio, you know, of course it had also affected adults.

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<v Speaker 1>President Franklin Roosevelt had polio, but there was an epidemic

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<v Speaker 1>for children in nineteen forty nine. And I was a

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<v Speaker 1>cup Scout and I went on a cup Scout camp

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<v Speaker 1>out and it was raining, and the next morning I

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<v Speaker 1>had the symptoms. And you know, polio only affects you

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<v Speaker 1>one night. In other words, it's the night of the fever,

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<v Speaker 1>is the night you have it, and then you get

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<v Speaker 1>over it. But the damage is to your spinal cord,

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<v Speaker 1>and Napolio destroys the nerves selectively within the spinal cord,

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<v Speaker 1>so that I mean literally when I woke up, I

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<v Speaker 1>woke up in a ward with like eight hundred kids

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<v Speaker 1>piled up everywhere crying, a whole row of iron lungs

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<v Speaker 1>because the kids whose lungs were affected couldn't breathe, so

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<v Speaker 1>they had to be in a machine that breathe, and

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<v Speaker 1>they were crying for their parents. It was a nightmare.

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<v Speaker 1>And then I felt so sad for all these kids.

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<v Speaker 1>And then I got out of bed. I tried to

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<v Speaker 1>get out of bed. I just fell on the floor

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<v Speaker 1>and I realized I couldn't walk. And I was never

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<v Speaker 1>too scared at first. But I stayed there for about

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<v Speaker 1>a week more and then finally they took me home,

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<v Speaker 1>and my father was very sharp the method they took

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<v Speaker 1>me to this. I remember a French doctor who gave

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<v Speaker 1>me a big speech of like I was a soldier

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<v Speaker 1>and I was going to be a good soul. And

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<v Speaker 1>then he told me the prognosis, which was he says, well,

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<v Speaker 1>you'll be able to do everything a normal person could do,

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<v Speaker 1>but always in a wheelchair. And I was just I

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<v Speaker 1>hadn't realized that it was that serious. So I remember

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<v Speaker 1>being very emotional and we all went to have my

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<v Speaker 1>favorite We all went to have Chinese food and crying

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<v Speaker 1>in the Mugoogai pen and they took me home, my father,

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<v Speaker 1>and they pinned me in the bed so I couldn't move.

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<v Speaker 1>That was the way they thought you should treat it.

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<v Speaker 1>And it didn't make sense to my father, and he

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<v Speaker 1>heard about another method, which was the Sister Kenney method.

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<v Speaker 1>A Sister Kenny was an Australian nurse who had decided

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<v Speaker 1>that rather than make them the paralyzed victim immobilized so

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<v Speaker 1>they don't damage their muscle, and instead you did therapy.

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<v Speaker 1>He did the opposite. My father went and talked to

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<v Speaker 1>them and got the folio Infant how Paralysis Association to

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<v Speaker 1>pay for a Sister Kenny therapist came and this lady came.

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<v Speaker 1>Her name was Miss Wilson, wonderful lady, and she worked

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<v Speaker 1>on me, you know, and it was very gentle exercises,

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<v Speaker 1>but they were. And I was in this room, I

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<v Speaker 1>just watched television all that had puppets. I played with puppets.

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<v Speaker 2>The puppets is interesting because did that make you think

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<v Speaker 2>about film? Do you think that.

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<v Speaker 1>No, it made me think about having friends. I wanted.

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<v Speaker 1>I wanted to be with the kids. I wanted. There

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<v Speaker 1>was a show on television in those days, sponsored by

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<v Speaker 1>Horn and Hart, do you remember the Automatic And it

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<v Speaker 1>was called the Children's Hour and it was all these

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<v Speaker 1>talented kids singing and dancing, and I just wanted to

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<v Speaker 1>be part of that.

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<v Speaker 2>When I grew up in the fifties, there was how

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<v Speaker 2>do you duty?

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<v Speaker 1>Well? How do you do? I can tell you how

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<v Speaker 1>do duty? Stories? Too.

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<v Speaker 2>My parents took me. I was actually they knew somebody

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<v Speaker 2>who worked on the how do you do? We were

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<v Speaker 2>in the audience. I was in the Peanuts Peanut again,

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<v Speaker 2>really lucky.

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<v Speaker 1>It's how do you do? Time? It's how they dude

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<v Speaker 1>the time Bob if I aroused here, because how they

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<v Speaker 1>do it's time to start the show. Well let's go.

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<v Speaker 2>God, I haven't satten that song for a love.

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<v Speaker 1>But he didn't look like that. One night I said

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<v Speaker 1>to my parents, look, I went like that and I

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<v Speaker 1>couldn't do that with my left arm, you know. And

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<v Speaker 1>they were shocked. And then eventually I was able. I

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<v Speaker 1>never could run fast though after that, but I was

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<v Speaker 1>a good wrestler. I went to the same military school

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<v Speaker 1>as Donald Trump went to. I went to many high

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<v Speaker 1>schools and I went to New York Military Academy.

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<v Speaker 2>And when did you study film?

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<v Speaker 1>I was a theaterist student and I was very successful

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<v Speaker 1>in college. I directed a lot of plays and I

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<v Speaker 1>was slated to go to the Al Drama School. And

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<v Speaker 1>then one afternoon I saw a movie in a theater

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<v Speaker 1>by the great Rush director, sirge Eisenstein. And I saw

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<v Speaker 1>that and came out said, wow, I know, say anything

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<v Speaker 1>like that. I'm going to be a film director. You know.

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<v Speaker 1>It was October the Ten Days that shook the World.

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<v Speaker 1>And I went to the UCLA Film.

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<v Speaker 2>School and so California then, so that was in what

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<v Speaker 2>that would have been.

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<v Speaker 1>I was in nineteen sixty.

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<v Speaker 2>Yeah, so that was the time when you went to

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<v Speaker 2>the LA Film School.

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<v Speaker 1>I went to UCLA.

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<v Speaker 2>Yeah, And what was that like?

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<v Speaker 1>Oh it was I was a graduate student. I was

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<v Speaker 1>very poor. I ran away from military school, so my

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<v Speaker 1>father was not going to help me very much. He

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<v Speaker 1>was very angry because when I ran away from military school,

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<v Speaker 1>he had to pay anyway for that year and he

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<v Speaker 1>didn't never forgive me for that. So when I went

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<v Speaker 1>to UCLA, I had about a dollar twenty five a

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<v Speaker 1>day to live on, so I had twenty five cents

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<v Speaker 1>for breakfast, fifty cents for lunch, and fifty cents for dinner.

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<v Speaker 1>So I pretty much ate every night craft macaroni and

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<v Speaker 1>cheese dinners. And I just got fatter and fatter and

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<v Speaker 1>fatter and fatter, and I was very depressed. I had

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<v Speaker 1>no money, I had no car, I had no girlfriend.

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<v Speaker 1>I was pretty miserable, and there was a time when

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<v Speaker 1>I thought I would quit. And I had a wonderful

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<v Speaker 1>directing teacher, a woman who was the only woman director

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<v Speaker 1>in Hollywood during the thirties. Her name was Miss ars

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<v Speaker 1>the Dorothy Orsner. She was great, she was she was

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<v Speaker 1>so smart, and we we all everyone who studied with

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<v Speaker 1>Miss Arsener just and we call her miss ars there

0:12:38.080 --> 0:12:41.840
<v Speaker 1>because we respected her so much, and she was just

0:12:44.040 --> 0:12:47.520
<v Speaker 1>What happened was I was there one night and very

0:12:47.559 --> 0:12:49.960
<v Speaker 1>depressed that I was pretty much decided that I was

0:12:50.000 --> 0:12:51.480
<v Speaker 1>going to go back to New York and get a

0:12:51.559 --> 0:12:53.800
<v Speaker 1>job as a stage manager because I would get a

0:12:53.840 --> 0:12:56.520
<v Speaker 1>salary and I could. And she said, what are you

0:12:56.640 --> 0:13:00.000
<v Speaker 1>doing here? And I said, I'm miss Arsdre. I'm just miserable.

0:13:00.120 --> 0:13:02.480
<v Speaker 1>I'm going to go back at the side. I'm going

0:13:02.520 --> 0:13:04.800
<v Speaker 1>to quit and I'm going to get a job as

0:13:04.800 --> 0:13:07.040
<v Speaker 1>a stage marcher. And she looked at me and she said,

0:13:08.200 --> 0:13:11.000
<v Speaker 1>you know, I've been around and I know you'll make it.

0:13:11.120 --> 0:13:14.800
<v Speaker 1>I know. And she left because she told me that,

0:13:14.960 --> 0:13:17.880
<v Speaker 1>and we looked up to her so much. She was

0:13:18.200 --> 0:13:22.040
<v Speaker 1>you look her up. She was a great woman. I

0:13:22.080 --> 0:13:24.480
<v Speaker 1>miss Ardas said, you'll make it. I've been around, and

0:13:24.520 --> 0:13:29.040
<v Speaker 1>I know. I stayed, and ultimately I stayed at UCLA

0:13:29.080 --> 0:13:33.319
<v Speaker 1>and I won this Goldwiner prize, which was a writing award,

0:13:33.360 --> 0:13:35.600
<v Speaker 1>and it was two thousand dollars and that was a

0:13:35.600 --> 0:13:38.760
<v Speaker 1>big turning point in my life.

0:13:43.520 --> 0:13:46.600
<v Speaker 2>Imagine a state bottled olive oil chosen and bottled for

0:13:46.640 --> 0:13:50.520
<v Speaker 2>the River Cafe, arriving at your door every month. Our

0:13:50.600 --> 0:13:54.560
<v Speaker 2>subscription is available for six or twelve months, with each

0:13:54.600 --> 0:13:58.120
<v Speaker 2>oil chosen personally by our head chefs and varying with

0:13:58.160 --> 0:14:02.920
<v Speaker 2>each delivery. To bring some River Cafe flavor into your

0:14:02.960 --> 0:14:05.800
<v Speaker 2>home or to show someone you really care for them

0:14:05.920 --> 0:14:10.080
<v Speaker 2>with the gift, visit our website shop the Rivercafe dot

0:14:10.120 --> 0:14:12.360
<v Speaker 2>co dot uk to place your order.

0:14:12.440 --> 0:14:21.080
<v Speaker 1>Now, there were two schools that were competing. There was USC,

0:14:21.960 --> 0:14:25.680
<v Speaker 1>which was considered more of a technically oriented school, and

0:14:25.720 --> 0:14:30.080
<v Speaker 1>there was more UCLA, which was more sort of artsy

0:14:30.120 --> 0:14:34.520
<v Speaker 1>FARTSI kind of directors who wanted to be the new

0:14:34.560 --> 0:14:37.200
<v Speaker 1>Felini and the new this and that. So there was

0:14:37.240 --> 0:14:42.920
<v Speaker 1>a competition between USC and UCLA, and I emerged as

0:14:42.920 --> 0:14:45.760
<v Speaker 1>a star of UCLA because I won the gold Wooden

0:14:45.800 --> 0:14:50.360
<v Speaker 1>Prize And then I made as a thesis feature film,

0:14:50.400 --> 0:14:54.320
<v Speaker 1>which was unheard of a commercial film as my thesis

0:14:54.360 --> 0:14:56.760
<v Speaker 1>film was a movie in New York CLD You're a

0:14:56.760 --> 0:15:01.560
<v Speaker 1>Big Boy Now. And I got married. I had two kids,

0:15:01.600 --> 0:15:04.320
<v Speaker 1>and you know, I always thought that being married with

0:15:04.480 --> 0:15:07.560
<v Speaker 1>kids was good for me because instead of you know,

0:15:07.640 --> 0:15:11.600
<v Speaker 1>going out having fund screwing around, I was concerned with

0:15:12.120 --> 0:15:14.720
<v Speaker 1>supporting my family. I had a wife and two kids.

0:15:15.280 --> 0:15:18.520
<v Speaker 1>I loved my kids. Geo was my first John Carlo

0:15:19.120 --> 0:15:22.760
<v Speaker 1>and Sofia in Roman. Sofia was born during the Godfile.

0:15:23.280 --> 0:15:26.960
<v Speaker 1>So what happened was I got a job to direct

0:15:27.000 --> 0:15:30.960
<v Speaker 1>Fred Astaire at a big musical called Finian's Rainbow. And

0:15:31.080 --> 0:15:34.000
<v Speaker 1>as I was directing this, I was a young guy

0:15:34.640 --> 0:15:37.640
<v Speaker 1>with a crew of adults all wearing suits and ties.

0:15:38.400 --> 0:15:41.480
<v Speaker 1>I noticed there was a skinny kid watching what was

0:15:41.520 --> 0:15:45.240
<v Speaker 1>going on. And I went over to him and I said,

0:15:45.280 --> 0:15:48.680
<v Speaker 1>I ain't I what you're doing. What are you looking at?

0:15:48.680 --> 0:15:51.840
<v Speaker 1>He said nothing much. I said, well, you know what

0:15:51.840 --> 0:15:53.600
<v Speaker 1>are you doing here? He said, well, I'm a USC

0:15:53.800 --> 0:15:57.280
<v Speaker 1>student and I won a scholarship to observe. I came

0:15:57.320 --> 0:16:00.120
<v Speaker 1>over to look at the Warner Brothers Adomation department. But

0:16:00.200 --> 0:16:02.920
<v Speaker 1>I heard there was a UCLA student directing this movie,

0:16:02.960 --> 0:16:06.120
<v Speaker 1>so I thought i'd watch. I said, oh great, what's

0:16:06.120 --> 0:16:09.160
<v Speaker 1>your name? He said, George Lucas And I said, well,

0:16:09.200 --> 0:16:11.560
<v Speaker 1>you want to come every day and watch the film?

0:16:11.920 --> 0:16:15.120
<v Speaker 1>He said sure. I said, well I'm one condition you can't.

0:16:15.160 --> 0:16:17.200
<v Speaker 1>He says, what's that. I said, well you got to

0:16:17.200 --> 0:16:19.680
<v Speaker 1>come up with a brilliant idea every day. And he said,

0:16:19.680 --> 0:16:23.000
<v Speaker 1>I'll do that, and he did. And so I met

0:16:23.000 --> 0:16:25.880
<v Speaker 1>this wonderful kid, who of course.

0:16:25.640 --> 0:16:27.960
<v Speaker 2>Became a well that.

0:16:27.920 --> 0:16:30.960
<v Speaker 1>Would be Finean's rainbow. So and I had a little boy,

0:16:31.160 --> 0:16:33.840
<v Speaker 1>like about two. So that must have been about nineteen

0:16:33.920 --> 0:16:38.560
<v Speaker 1>sixty five at the worst. And that made a marriage

0:16:38.640 --> 0:16:42.920
<v Speaker 1>between UCLA because then not only did I meet George,

0:16:43.000 --> 0:16:47.320
<v Speaker 1>but I met all of the USC guys, and they

0:16:47.360 --> 0:16:50.800
<v Speaker 1>met all the UCLA guys. So that we began. Then

0:16:51.120 --> 0:16:53.800
<v Speaker 1>we went off and made a film. I said, if

0:16:53.840 --> 0:16:56.200
<v Speaker 1>you come off and help me with this film, I'll

0:16:56.240 --> 0:16:59.440
<v Speaker 1>sponsor your first film. And we made a film called

0:16:59.480 --> 0:17:02.560
<v Speaker 1>The Rain Peaceeople where we actually rode across the country

0:17:02.600 --> 0:17:05.399
<v Speaker 1>at a bus at editing. And then he made a

0:17:05.440 --> 0:17:09.280
<v Speaker 1>film called THHX The thirty eight and we founded that's

0:17:09.320 --> 0:17:12.359
<v Speaker 1>when it became American Zorchra. We founded a company and

0:17:12.400 --> 0:17:14.200
<v Speaker 1>we decided to put it in San Francisco.

0:17:14.600 --> 0:17:18.560
<v Speaker 2>My San Francisco away from Los Angeles. Y studio is yeah.

0:17:18.600 --> 0:17:22.760
<v Speaker 1>But by being in San Francisco with no money, it

0:17:22.920 --> 0:17:28.200
<v Speaker 1>determined that we, as we always knew, picture and sound

0:17:28.560 --> 0:17:33.280
<v Speaker 1>equally contribute to a movie being being good, but sound

0:17:33.359 --> 0:17:37.040
<v Speaker 1>is much cheaper. So we made a big investment in sound.

0:17:37.080 --> 0:17:40.399
<v Speaker 1>And that really changed because there was a company in

0:17:40.440 --> 0:17:45.160
<v Speaker 1>San Francisco called Doby that was very that was very

0:17:45.240 --> 0:17:48.880
<v Speaker 1>nice and liked us. It always helped us, but they

0:17:49.000 --> 0:17:52.840
<v Speaker 1>benefited because they saw everything we were doing and we

0:17:53.840 --> 0:17:57.439
<v Speaker 1>changed movies both in terms of the sound. And then

0:17:57.480 --> 0:18:00.760
<v Speaker 1>when George made Star Wars, he just I died that

0:18:01.200 --> 0:18:03.879
<v Speaker 1>if we could shoot in a digital format, they wouldn't

0:18:03.920 --> 0:18:07.960
<v Speaker 1>have to convert from film to digital for effects, back

0:18:08.000 --> 0:18:11.720
<v Speaker 1>to film. So we really, because of our poverty, we

0:18:11.800 --> 0:18:16.159
<v Speaker 1>changed the face of cinema around the world through Dolby.

0:18:16.200 --> 0:18:18.880
<v Speaker 2>Do you remember have memories of food at that time?

0:18:20.040 --> 0:18:23.040
<v Speaker 2>Why Lucas? Did you like good food?

0:18:23.480 --> 0:18:25.760
<v Speaker 1>I was a good army cook. I could cook for

0:18:25.800 --> 0:18:28.880
<v Speaker 1>fifty people, and I always used to cook for everyone.

0:18:28.880 --> 0:18:30.639
<v Speaker 2>But I have youone on the set.

0:18:31.080 --> 0:18:34.040
<v Speaker 1>Yeah, I can cook dinner for fifty sixty people with

0:18:34.119 --> 0:18:35.720
<v Speaker 1>no trouble at all. I have done it.

0:18:36.280 --> 0:18:36.480
<v Speaker 2>Yeah.

0:18:36.560 --> 0:18:41.119
<v Speaker 1>I once went to the I went to teacher at Cuba.

0:18:41.400 --> 0:18:44.120
<v Speaker 1>I was invited along with Terry Mallick and some people

0:18:44.200 --> 0:18:47.479
<v Speaker 1>to go to Cuba and go at the Cuban Film School.

0:18:48.200 --> 0:18:50.119
<v Speaker 1>And I said to them, I said, I like to

0:18:50.119 --> 0:18:52.679
<v Speaker 1>cook for the students. And they said, well, what do

0:18:52.720 --> 0:18:54.359
<v Speaker 1>you want to cook? I said, well, I don't know what.

0:18:54.440 --> 0:18:56.960
<v Speaker 1>Do you have tomatoes? They said sure? I said, do

0:18:57.000 --> 0:19:00.680
<v Speaker 1>you have a basil whatever it was? Golden said, below,

0:19:00.960 --> 0:19:03.800
<v Speaker 1>you know they had basil. I said, do you have

0:19:03.840 --> 0:19:06.600
<v Speaker 1>any pasta? No, no, we don't have pasta. Well do

0:19:06.600 --> 0:19:09.920
<v Speaker 1>you have potato? You have potatoes? You see, I had flowers.

0:19:09.960 --> 0:19:12.720
<v Speaker 1>So I made yuki and they said, but you can't

0:19:12.760 --> 0:19:14.560
<v Speaker 1>just make it for the students. You got. We're a

0:19:14.600 --> 0:19:17.520
<v Speaker 1>socialist country, you have to make it for everybody. So

0:19:17.600 --> 0:19:20.320
<v Speaker 1>I said, well, how many people would have to eat?

0:19:20.400 --> 0:19:24.680
<v Speaker 1>They said five hundred, So we cooked yuki for five

0:19:24.760 --> 0:19:28.159
<v Speaker 1>hundred people. But we did it. We did it, and

0:19:28.200 --> 0:19:28.720
<v Speaker 1>it was great.

0:19:28.760 --> 0:19:31.159
<v Speaker 2>They they had the right potatoes because for yi you

0:19:31.240 --> 0:19:32.440
<v Speaker 2>need those very dry.

0:19:32.680 --> 0:19:35.720
<v Speaker 1>Got whatever potatoes they gave me. There was no selection

0:19:35.880 --> 0:19:39.200
<v Speaker 1>in Cuba. And then the next year I went. They said,

0:19:39.240 --> 0:19:41.399
<v Speaker 1>are you going to cook again? They said yes, This

0:19:41.520 --> 0:19:44.439
<v Speaker 1>time I brought pasta. We had a pasta coming. So

0:19:44.640 --> 0:19:47.680
<v Speaker 1>I cooked that Cuba maybe three four times.

0:19:47.520 --> 0:19:51.560
<v Speaker 2>With all of you in Spielberg and Lucas and who

0:19:51.640 --> 0:19:56.960
<v Speaker 2>was part of that other? Did you all have meals together?

0:19:57.119 --> 0:19:58.760
<v Speaker 2>Was eating out? What did you?

0:19:58.800 --> 0:20:02.919
<v Speaker 1>All of them? Yes? But of all of them, the

0:20:02.960 --> 0:20:07.280
<v Speaker 1>only one who were my kind of Italian was Marty Is.

0:20:07.800 --> 0:20:10.440
<v Speaker 1>It was his parent, his mother. He wrote a very

0:20:10.480 --> 0:20:13.480
<v Speaker 1>good cookbook which you can still get and it's hard, missus.

0:20:13.720 --> 0:20:14.679
<v Speaker 1>Catherine Scorsese.

0:20:15.640 --> 0:20:20.040
<v Speaker 2>One thing for moving ahead to the Godfather is that

0:20:20.720 --> 0:20:22.720
<v Speaker 2>we all know the scene. Of course, we know the

0:20:22.720 --> 0:20:25.119
<v Speaker 2>scenes we were just talking about of cooking the sauce,

0:20:25.200 --> 0:20:29.320
<v Speaker 2>so the getting the cannoli but for me, it's about

0:20:29.400 --> 0:20:33.479
<v Speaker 2>citrus as well. Yeah, because you know the two scenes

0:20:33.520 --> 0:20:36.440
<v Speaker 2>that I thought and I that was an accident.

0:20:36.520 --> 0:20:40.080
<v Speaker 1>I always had someone bring an orange, but the orange

0:20:40.119 --> 0:20:41.120
<v Speaker 1>became going.

0:20:41.040 --> 0:20:43.000
<v Speaker 2>To talk about the two scenes, one of them which

0:20:43.160 --> 0:20:46.880
<v Speaker 2>was in the market when he's choosing the oranges. Yeah,

0:20:46.880 --> 0:20:49.119
<v Speaker 2>and then he then he's shot right when Brandon is

0:20:49.359 --> 0:20:51.800
<v Speaker 2>That was right across the that's the premonition that he's

0:20:51.880 --> 0:20:54.240
<v Speaker 2>when he's going to be He realized he's going to

0:20:54.280 --> 0:20:54.800
<v Speaker 2>be killed.

0:20:54.840 --> 0:20:58.600
<v Speaker 1>There was this orange motif that was not true. It's

0:20:58.680 --> 0:21:01.560
<v Speaker 1>just that I had always said, you know, we'll bring

0:21:01.600 --> 0:21:04.480
<v Speaker 1>an orange as a gift from Florida or something nice.

0:21:05.960 --> 0:21:08.560
<v Speaker 1>I didn't know that it became a symbol. But I

0:21:08.560 --> 0:21:09.160
<v Speaker 1>didn't know what.

0:21:09.160 --> 0:21:11.320
<v Speaker 2>About the scene at the very end when he's playing

0:21:11.359 --> 0:21:12.320
<v Speaker 2>with his child.

0:21:12.600 --> 0:21:15.600
<v Speaker 1>That scene they cut out of the script because they felt.

0:21:15.760 --> 0:21:17.760
<v Speaker 2>We didn't describe that scene. That's the scene.

0:21:17.800 --> 0:21:20.320
<v Speaker 1>Why, well, let me tell you the circumstance of it.

0:21:20.960 --> 0:21:23.240
<v Speaker 1>That that scene was cut out of the script because

0:21:23.280 --> 0:21:25.680
<v Speaker 1>they figured if we just cut to the graveyard, you'll

0:21:25.680 --> 0:21:27.320
<v Speaker 1>know he died. So what did you have to see

0:21:27.400 --> 0:21:30.199
<v Speaker 1>him die? But I wanted to shoot him dying in

0:21:30.240 --> 0:21:33.560
<v Speaker 1>the tomato patch. So when I was shooting the wedding,

0:21:33.720 --> 0:21:37.600
<v Speaker 1>I had got this little tomato patch developed. In fact,

0:21:37.640 --> 0:21:40.000
<v Speaker 1>we had to bring the tomatoes fly them in a

0:21:40.119 --> 0:21:44.080
<v Speaker 1>great expense from Chicago because we had no tomatoes. And

0:21:44.520 --> 0:21:47.399
<v Speaker 1>during lunch, I was over there trying to get the

0:21:47.440 --> 0:21:51.080
<v Speaker 1>shot of him with his grandson and the minder that

0:21:51.119 --> 0:21:53.120
<v Speaker 1>they had on me. He said, you can't do this,

0:21:53.119 --> 0:21:55.080
<v Speaker 1>the scene's been cut. I said, well, let me just

0:21:55.119 --> 0:21:57.240
<v Speaker 1>get I can get one shot and I'm going to

0:21:57.400 --> 0:21:59.320
<v Speaker 1>go to you know, you have to go to lunch,

0:21:59.359 --> 0:22:01.560
<v Speaker 1>I said, And I did the one shot, and then

0:22:01.560 --> 0:22:06.359
<v Speaker 1>I went to lunch and the kid was We didn't

0:22:06.400 --> 0:22:08.359
<v Speaker 1>we didn't want to do it. So Brandon said, let

0:22:08.400 --> 0:22:11.159
<v Speaker 1>me do something I do for my grandkids, and he

0:22:11.600 --> 0:22:13.840
<v Speaker 1>cut he on his own. I didn't know what he

0:22:13.920 --> 0:22:14.359
<v Speaker 1>was going to do.

0:22:14.359 --> 0:22:14.920
<v Speaker 2>It is true.

0:22:15.119 --> 0:22:17.159
<v Speaker 1>He cut the orange and he did it, and he

0:22:17.200 --> 0:22:20.159
<v Speaker 1>did it like a monster, and the kid cried. So

0:22:20.200 --> 0:22:23.359
<v Speaker 1>it became memorable and it got put in the picture.

0:22:23.400 --> 0:22:26.120
<v Speaker 1>And then I shot the rest of it of him

0:22:26.480 --> 0:22:30.040
<v Speaker 1>running around stuff. So that was a scene that they

0:22:30.080 --> 0:22:34.000
<v Speaker 1>had tried to cut out that because of Brando's ingenuity,

0:22:34.880 --> 0:22:36.240
<v Speaker 1>it became ended.

0:22:36.000 --> 0:22:40.359
<v Speaker 2>In running around and playing a game and the child

0:22:41.320 --> 0:22:44.960
<v Speaker 2>actually thinks that him falling down and dying is part

0:22:45.000 --> 0:22:46.800
<v Speaker 2>of the gang, isn't he You know, he doesn't.

0:22:47.400 --> 0:22:50.679
<v Speaker 1>It was the movie. It's just it's luck that that

0:22:50.880 --> 0:22:53.440
<v Speaker 1>Brando did that and the kid, because they were there

0:22:53.480 --> 0:22:58.440
<v Speaker 1>were standing there wanting me to cut. When Brando did

0:22:58.440 --> 0:23:02.440
<v Speaker 1>his first day, everyone saw his first day and they said,

0:23:02.480 --> 0:23:05.040
<v Speaker 1>all this stuff is too dark and he's mumbling and

0:23:05.119 --> 0:23:08.320
<v Speaker 1>we hate it. One of the people who was sort

0:23:08.320 --> 0:23:09.919
<v Speaker 1>of on my side, you know it, said to me,

0:23:09.960 --> 0:23:12.160
<v Speaker 1>you know, France, they're going to fire you this weekend.

0:23:13.080 --> 0:23:15.560
<v Speaker 1>Because they never fire a director in the middle of

0:23:15.600 --> 0:23:17.840
<v Speaker 1>the week. They always fire the director on the weekend

0:23:17.880 --> 0:23:20.960
<v Speaker 1>so the new director has time to come in and

0:23:21.160 --> 0:23:23.520
<v Speaker 1>get everything organized. So he said, they're going to fire

0:23:23.520 --> 0:23:28.800
<v Speaker 1>you this weekend. So knowing that I just that day

0:23:28.960 --> 0:23:31.760
<v Speaker 1>that I heard that, I fired the fifteen people that

0:23:31.800 --> 0:23:34.159
<v Speaker 1>were in on the cabal that were going to fire me,

0:23:34.680 --> 0:23:36.879
<v Speaker 1>and no one knew that I even had the authority

0:23:36.960 --> 0:23:39.320
<v Speaker 1>to do that. I just did it. And because I

0:23:40.000 --> 0:23:43.359
<v Speaker 1>wanted to reshoot the shot of Brando that they didn't like,

0:23:43.640 --> 0:23:45.639
<v Speaker 1>and when I said I want to do it, they said, no,

0:23:45.800 --> 0:23:48.240
<v Speaker 1>don't do it. That's when he said, they're going to

0:23:48.320 --> 0:23:51.439
<v Speaker 1>fire you. So I fired everyone. I went up and

0:23:51.480 --> 0:23:55.200
<v Speaker 1>I reshot the ste It was the first scene where

0:23:55.240 --> 0:23:58.280
<v Speaker 1>he comes in and sits and has the meeting with

0:23:58.400 --> 0:24:02.479
<v Speaker 1>Solotso in the dark in the Hollive oil factory. So

0:24:03.080 --> 0:24:05.399
<v Speaker 1>they thought it was too dark and Brando was mumbley,

0:24:05.520 --> 0:24:08.280
<v Speaker 1>so I reshot it. So then everyone had to wait

0:24:08.320 --> 0:24:11.560
<v Speaker 1>and see in the weekend, and everyone was saying, can

0:24:11.600 --> 0:24:14.480
<v Speaker 1>he do that? You know, maybe he can't, and is

0:24:14.520 --> 0:24:16.159
<v Speaker 1>he fired? I didn't know. I thought they were going

0:24:16.200 --> 0:24:19.720
<v Speaker 1>to fire me anyway, so but they waited and then

0:24:19.760 --> 0:24:23.639
<v Speaker 1>they decided that the reshoot was much better, and so

0:24:24.160 --> 0:24:27.080
<v Speaker 1>they said they worked and fire me. And the head

0:24:27.080 --> 0:24:29.639
<v Speaker 1>of the company brought me to the Palm Steakhouse and

0:24:29.720 --> 0:24:32.199
<v Speaker 1>bought me and my father dinner and said that, you know,

0:24:32.280 --> 0:24:33.960
<v Speaker 1>they were going to back stay with me.

0:24:34.240 --> 0:24:37.000
<v Speaker 2>I'm always interested in meetings that take place in restaurants,

0:24:37.000 --> 0:24:38.320
<v Speaker 2>So they took you to a restaurant.

0:24:38.359 --> 0:24:40.600
<v Speaker 1>They took me to the Palm Restaurant, which I think

0:24:40.600 --> 0:24:44.800
<v Speaker 1>he Charlie Bluto a own part of and my father too,

0:24:45.119 --> 0:24:47.399
<v Speaker 1>and they said they weren't going to fire me. But

0:24:47.760 --> 0:24:50.080
<v Speaker 1>the truth of the matter is that in the movie.

0:24:50.640 --> 0:24:53.879
<v Speaker 1>It's the first scene. In other words, they didn't know

0:24:53.880 --> 0:24:56.119
<v Speaker 1>what they were talking about. The Godfather was dark, that

0:24:56.320 --> 0:25:01.840
<v Speaker 1>was its style. Brando in an oscar for The Godfather,

0:25:01.960 --> 0:25:04.919
<v Speaker 1>and you know, he always mumbled. He told me he

0:25:05.000 --> 0:25:07.479
<v Speaker 1>mumbled deliberately because it was easier to add to what

0:25:07.600 --> 0:25:10.080
<v Speaker 1>lines later he wanted to his mouth didn't live.

0:25:10.960 --> 0:25:16.040
<v Speaker 2>Michael Kaine said to me that almost every movie that

0:25:16.119 --> 0:25:18.920
<v Speaker 2>was offered to him, or that he thought of from

0:25:18.960 --> 0:25:22.720
<v Speaker 2>being offered a pardon, was done in a restaurant. So

0:25:22.800 --> 0:25:26.040
<v Speaker 2>I'm really interested in restaurants and work and restaurants, how

0:25:26.080 --> 0:25:29.119
<v Speaker 2>people go to restaurants, and how they use restaurants. People

0:25:29.160 --> 0:25:31.560
<v Speaker 2>do I always say very private things in a very

0:25:31.560 --> 0:25:33.840
<v Speaker 2>public space, So fire people in a restaurant.

0:25:33.880 --> 0:25:37.200
<v Speaker 1>There were a bunch of famous restaurants, show business restaurants.

0:25:37.240 --> 0:25:42.080
<v Speaker 1>Sorry sorry. One of the famous Elaine's in New York.

0:25:42.840 --> 0:25:45.640
<v Speaker 1>Elaine was a lady much like you. If you did

0:25:45.680 --> 0:25:46.360
<v Speaker 1>you know Elaine.

0:25:46.440 --> 0:25:47.280
<v Speaker 2>No, I never met her.

0:25:47.480 --> 0:25:52.240
<v Speaker 1>She conducted a sort of salon. Yeah, it's more like

0:25:52.280 --> 0:25:52.800
<v Speaker 1>a so long.

0:25:54.200 --> 0:25:55.640
<v Speaker 2>But in Hollywood would people.

0:25:56.359 --> 0:25:59.240
<v Speaker 1>I used to write with Mario Puzzo, and I would

0:25:59.240 --> 0:26:02.399
<v Speaker 1>go with him because he loved the gamble I would

0:26:02.400 --> 0:26:05.719
<v Speaker 1>go with him to the pepper Mill casino in Reno

0:26:06.480 --> 0:26:08.760
<v Speaker 1>and we would work in the pepper Mill because in

0:26:08.800 --> 0:26:12.439
<v Speaker 1>a gambling casino you can order you know, ham and

0:26:12.480 --> 0:26:15.879
<v Speaker 1>eggs at three in the morning or anything else and

0:26:15.920 --> 0:26:18.240
<v Speaker 1>then you can go. It's twenty four hours a day.

0:26:18.920 --> 0:26:21.560
<v Speaker 1>And all the work I always been with Mario was

0:26:21.600 --> 0:26:23.600
<v Speaker 1>always in a gambling casino in.

0:26:23.480 --> 0:26:28.040
<v Speaker 2>Reno, feeding people. You were telling me at lunch that

0:26:28.080 --> 0:26:31.439
<v Speaker 2>you wanted to tell me the story about having to

0:26:31.560 --> 0:26:34.520
<v Speaker 2>give the crew lunch, and if you don't.

0:26:34.520 --> 0:26:37.280
<v Speaker 1>We always gave. We wanted to give. I tried to

0:26:37.320 --> 0:26:39.840
<v Speaker 1>give the crew because you know, a crew worked so

0:26:40.000 --> 0:26:44.919
<v Speaker 1>hard that their only entertainment, their only amusement is at lunch.

0:26:45.280 --> 0:26:49.479
<v Speaker 2>You know, their mutan the people who are not actors.

0:26:49.359 --> 0:26:52.480
<v Speaker 1>Well everyone including the actors. I mean, they have no loather,

0:26:52.640 --> 0:26:57.560
<v Speaker 1>working sometimes twelve hours a day. So I had lunches

0:26:57.640 --> 0:27:00.400
<v Speaker 1>and I would have two kinds of wine, which now

0:27:00.480 --> 0:27:03.040
<v Speaker 1>was illegal, by the way, but I would. You can't

0:27:04.280 --> 0:27:07.640
<v Speaker 1>not now you can't in France they do. I had

0:27:07.640 --> 0:27:10.280
<v Speaker 1>two kinds of wine I had. I was famous for

0:27:10.400 --> 0:27:13.639
<v Speaker 1>wonderful lunches and on Friday I would always have a

0:27:13.680 --> 0:27:16.639
<v Speaker 1>special treat because it was a final thank you. So

0:27:17.280 --> 0:27:20.399
<v Speaker 1>I doubled the meal budget so that they could do

0:27:20.480 --> 0:27:25.800
<v Speaker 1>something really wonderful on Fridays as a thank you, because

0:27:25.840 --> 0:27:28.000
<v Speaker 1>that's the only entertainment the crew gets.

0:27:28.320 --> 0:27:30.439
<v Speaker 2>Yeah, and what you said that you were punished if

0:27:30.880 --> 0:27:32.320
<v Speaker 2>you were late for giving them lunch.

0:27:32.880 --> 0:27:36.000
<v Speaker 1>Oh that was there's not the thing called the meal penalty.

0:27:36.040 --> 0:27:39.080
<v Speaker 1>When you're on a movie set and it's time to

0:27:39.080 --> 0:27:41.680
<v Speaker 1>say lunch has to be at one o'clock. It all

0:27:42.160 --> 0:27:46.320
<v Speaker 1>depends on what time the day starts one o'clock. If

0:27:46.320 --> 0:27:49.280
<v Speaker 1>it's one fifteen, everyone gets one hundred dollars for the

0:27:49.359 --> 0:27:52.960
<v Speaker 1>fifteen minutes. And then those are penalties and where it

0:27:53.040 --> 0:27:58.000
<v Speaker 1>comes from. In the twenties, there was a Hungarian director

0:27:58.280 --> 0:28:03.239
<v Speaker 1>named Michael. He was a gentleman, so he would have

0:28:03.359 --> 0:28:06.560
<v Speaker 1>them work and they'd bring a table and serve him

0:28:06.560 --> 0:28:10.200
<v Speaker 1>at the four course dinner while everyone else was working

0:28:10.400 --> 0:28:14.320
<v Speaker 1>was eating nothing. So because of that, the union put

0:28:14.359 --> 0:28:15.560
<v Speaker 1>in a meal penalty.

0:28:16.080 --> 0:28:19.720
<v Speaker 2>And what about the famous canteens. Meilbrooks always talked about

0:28:19.760 --> 0:28:22.400
<v Speaker 2>seeing carry granting was.

0:28:22.400 --> 0:28:25.800
<v Speaker 1>In a lot of the studios had, Like I remember

0:28:25.880 --> 0:28:29.080
<v Speaker 1>Fox had a big area where they would have lunch.

0:28:29.160 --> 0:28:32.280
<v Speaker 1>That's where I saw when me and Farrell in a

0:28:32.400 --> 0:28:34.800
<v Speaker 1>tough cut off all long hair and went in there

0:28:35.800 --> 0:28:41.880
<v Speaker 1>angry about something. But I don't know which canteen he saw.

0:28:42.240 --> 0:28:45.360
<v Speaker 1>Carry grant was extraordinary.

0:28:45.000 --> 0:28:47.760
<v Speaker 2>The stars of the of the early days. Whether it

0:28:47.800 --> 0:28:48.840
<v Speaker 2>was well, I know that.

0:28:50.800 --> 0:28:53.480
<v Speaker 1>Well, I know one thing. It's true that Jack Warner

0:28:54.440 --> 0:28:58.160
<v Speaker 1>used to have a private dining room and he would

0:28:58.200 --> 0:29:02.360
<v Speaker 1>require that the directors and stuff come into his private

0:29:02.440 --> 0:29:06.200
<v Speaker 1>dining room. And that's where and then he next to it,

0:29:06.280 --> 0:29:10.920
<v Speaker 1>he had a room with all his awards, and you

0:29:11.240 --> 0:29:13.280
<v Speaker 1>had to go in other words, you had to go.

0:29:15.640 --> 0:29:17.840
<v Speaker 1>You were expected to be in there at least three

0:29:17.920 --> 0:29:22.000
<v Speaker 1>times a week. That's where I first had Matsa. And

0:29:22.120 --> 0:29:25.080
<v Speaker 1>I liked Matza a lot, so I was always happy

0:29:25.080 --> 0:29:27.640
<v Speaker 1>to go in Matsa. But I brought with me once

0:29:28.480 --> 0:29:33.440
<v Speaker 1>into the dining room Patula Clark, and I didn't realize

0:29:33.480 --> 0:29:36.160
<v Speaker 1>that there was no women had ever been in the

0:29:36.200 --> 0:29:37.960
<v Speaker 1>private dining room Jack Warner.

0:29:43.320 --> 0:29:46.000
<v Speaker 2>The River Cafe Winter said lunch is now running from

0:29:46.040 --> 0:29:51.240
<v Speaker 2>Monday to Thursday. Reserve a booking on www. Rivercafe dot

0:29:51.280 --> 0:29:59.200
<v Speaker 2>co dot uk or give us a call. We have

0:29:59.560 --> 0:30:02.600
<v Speaker 2>too some there people who met six hours ago, four

0:30:02.640 --> 0:30:06.920
<v Speaker 2>hours ago. We have both lost our life partners. You're

0:30:06.960 --> 0:30:08.360
<v Speaker 2>your wife, Eleanor.

0:30:08.120 --> 0:30:11.160
<v Speaker 1>And about the loss of a child.

0:30:11.400 --> 0:30:12.920
<v Speaker 2>Tell me what we both have shared that.

0:30:12.960 --> 0:30:15.720
<v Speaker 1>You lost your son. What happened to me, and maybe

0:30:15.760 --> 0:30:19.920
<v Speaker 1>it didn't appen to you is but to me it

0:30:20.040 --> 0:30:24.400
<v Speaker 1>was thirty years before the first thing I thought of

0:30:24.960 --> 0:30:28.880
<v Speaker 1>was what had happened? And then finally, after thirty years,

0:30:28.920 --> 0:30:31.760
<v Speaker 1>if you can imagine, I woke up one morning and

0:30:31.800 --> 0:30:34.120
<v Speaker 1>it wasn't the first thing I thought of, and I

0:30:34.200 --> 0:30:37.800
<v Speaker 1>realized that it was the beginning of getting past it.

0:30:38.440 --> 0:30:41.040
<v Speaker 1>So that for me it was a thirty year sentence.

0:30:41.360 --> 0:30:44.120
<v Speaker 2>When was that thirty years? Well it was thirty years

0:30:44.640 --> 0:30:45.400
<v Speaker 2>How many years ago?

0:30:45.800 --> 0:30:50.280
<v Speaker 1>Well, I mean he died and his daughter is thirty

0:30:50.560 --> 0:30:54.920
<v Speaker 1>four years old, so she that was New Year's on

0:30:55.040 --> 0:30:58.800
<v Speaker 1>the year he died, so thirty four years ago, so

0:30:59.440 --> 0:31:03.080
<v Speaker 1>it was four year years ago. Every morning, the first

0:31:03.160 --> 0:31:06.680
<v Speaker 1>thing I thought of was, oh did that happen? And

0:31:06.760 --> 0:31:10.040
<v Speaker 1>it was that was like terrible? Did that happen for you?

0:31:11.200 --> 0:31:13.800
<v Speaker 1>How long? Every morning did you? Was it the first

0:31:13.800 --> 0:31:14.560
<v Speaker 1>thing you thought of?

0:31:16.000 --> 0:31:21.960
<v Speaker 2>Well, for me it was thirteen years ago, and.

0:31:22.040 --> 0:31:23.920
<v Speaker 1>You still wake up and it's the first thing.

0:31:24.040 --> 0:31:25.600
<v Speaker 2>I don't know if it would be the first thing

0:31:25.640 --> 0:31:28.080
<v Speaker 2>I woke up with. But I certainly would be buying

0:31:28.080 --> 0:31:30.280
<v Speaker 2>an orange in the market and think of it. Well,

0:31:30.320 --> 0:31:32.760
<v Speaker 2>I'd walk into his room and think of it. I'd

0:31:33.240 --> 0:31:38.400
<v Speaker 2>see something that reminded me. Here here music. So for me, it.

0:31:40.240 --> 0:31:43.080
<v Speaker 1>It takes Yeah, well my sentence was the first thing.

0:31:43.560 --> 0:31:45.280
<v Speaker 1>Oh did it happen?

0:31:45.800 --> 0:31:47.800
<v Speaker 2>How are you feeling that about your wife? Now?

0:31:47.960 --> 0:31:52.200
<v Speaker 1>No, No, my wife is funny because I just just

0:31:52.320 --> 0:31:54.880
<v Speaker 1>all the time I think, you know, there's someone I

0:31:54.920 --> 0:31:57.280
<v Speaker 1>got to tell something, and I got to tell her that.

0:31:57.320 --> 0:31:59.720
<v Speaker 1>But no, I don't have to tell her that because

0:31:59.720 --> 0:32:05.280
<v Speaker 1>she's so It's different because your son, you don't expect

0:32:05.400 --> 0:32:09.280
<v Speaker 1>to get that news. Whereas she I knew I was

0:32:09.320 --> 0:32:11.320
<v Speaker 1>with her when she died. I was holding her hand,

0:32:12.320 --> 0:32:15.280
<v Speaker 1>and I knew she wanted to go because she was

0:32:15.400 --> 0:32:19.880
<v Speaker 1>so so in such discomfort and pain. So I mean

0:32:19.920 --> 0:32:24.920
<v Speaker 1>it was it was the whole family was there holding her,

0:32:24.920 --> 0:32:30.520
<v Speaker 1>and we did it deliberately. She did for her, for her,

0:32:31.080 --> 0:32:35.880
<v Speaker 1>But a child, you you don't expect that news. It

0:32:35.920 --> 0:32:38.840
<v Speaker 1>was just a horrible news. I couldn't believe it when

0:32:38.920 --> 0:32:39.560
<v Speaker 1>they told me.

0:32:40.240 --> 0:32:41.440
<v Speaker 2>And you were making a film.

0:32:42.360 --> 0:32:46.400
<v Speaker 1>I started to make a film. Yeah, I was I did,

0:32:46.720 --> 0:32:50.200
<v Speaker 1>but I continued. They said, you don't have to will abandon.

0:32:50.240 --> 0:32:52.920
<v Speaker 1>I said, no, he'd want me to finish it. But

0:32:53.000 --> 0:32:55.600
<v Speaker 1>that was what I noticed, is that it was like

0:32:55.640 --> 0:32:59.959
<v Speaker 1>a sentence, a thirty year sentence of that of being harper.

0:33:01.440 --> 0:33:06.040
<v Speaker 1>I woke up every morning. Yeah, but there's that beautiful Eschylus,

0:33:07.360 --> 0:33:12.160
<v Speaker 1>how it drops on you, drop by drop until by

0:33:12.200 --> 0:33:17.680
<v Speaker 1>the awful grace of God, you're given you're given a break,

0:33:17.760 --> 0:33:21.800
<v Speaker 1>you know, Eschylus. Can you imagine Eschlus? How long ago

0:33:21.840 --> 0:33:22.280
<v Speaker 1>that is?

0:33:23.760 --> 0:33:24.680
<v Speaker 2>Death of a child.

0:33:25.800 --> 0:33:31.160
<v Speaker 1>It's not something Fortunately, there aren't many people today who've

0:33:31.360 --> 0:33:33.480
<v Speaker 1>experienced that. It's it's it's rare.

0:33:33.880 --> 0:33:36.720
<v Speaker 2>I remember thinking that that would be how I was defined,

0:33:37.680 --> 0:33:40.920
<v Speaker 2>that I would be the woman whose child had died.

0:33:41.880 --> 0:33:44.520
<v Speaker 1>You know, it used to be years ago, when when

0:33:44.600 --> 0:33:48.600
<v Speaker 1>families were bigger, you know, people would have seven, eight kids.

0:33:48.880 --> 0:33:52.040
<v Speaker 1>They always lost one or two. It was part of

0:33:52.400 --> 0:33:55.280
<v Speaker 1>having a lot of kids. But that's it's rare now

0:33:55.400 --> 0:33:59.080
<v Speaker 1>that they're not. Yeah, those people who lose their child,

0:33:59.720 --> 0:34:05.080
<v Speaker 1>thank God, is a small minority. It's a terrible group

0:34:05.200 --> 0:34:05.880
<v Speaker 1>to be part of.

0:34:06.440 --> 0:34:13.280
<v Speaker 2>And if we need comfort, we find comfort. I find

0:34:13.520 --> 0:34:16.120
<v Speaker 2>right now. And we talked about this for a moment

0:34:16.160 --> 0:34:18.359
<v Speaker 2>as well, about when my husband died, that I find

0:34:18.400 --> 0:34:22.360
<v Speaker 2>comfort in being active. My comfort is to keep working

0:34:22.440 --> 0:34:27.160
<v Speaker 2>and being here. You know that you have well other people.

0:34:27.320 --> 0:34:31.800
<v Speaker 2>I have a friend whose brother died in an accident

0:34:32.120 --> 0:34:35.360
<v Speaker 2>in French and her mother went to bed for six months,

0:34:36.400 --> 0:34:39.720
<v Speaker 2>and that's whatever it is. People find their own way,

0:34:40.120 --> 0:34:43.279
<v Speaker 2>But for me, it's being active and for comfort. We

0:34:43.360 --> 0:34:47.600
<v Speaker 2>find comfort in different ways. And I suppose my last

0:34:47.719 --> 0:34:50.279
<v Speaker 2>question to you today, though I think we should do

0:34:50.719 --> 0:34:52.799
<v Speaker 2>another one of this because there's so much more to

0:34:52.840 --> 0:34:56.000
<v Speaker 2>talk about. Is if you had to find comfort in food,

0:34:56.520 --> 0:34:59.719
<v Speaker 2>if there was something that you could eat before you

0:34:59.840 --> 0:35:03.360
<v Speaker 2>die that you would find that it would give you comfort.

0:35:03.400 --> 0:35:05.720
<v Speaker 2>Would there be a food that you would define as comforting?

0:35:05.800 --> 0:35:06.400
<v Speaker 2>What would that be?

0:35:06.760 --> 0:35:07.160
<v Speaker 1>Halva?

0:35:08.600 --> 0:35:12.040
<v Speaker 2>Halva? Yeah, that I would not have expected.

0:35:12.440 --> 0:35:15.239
<v Speaker 1>Why I love it? I always loved what I was

0:35:15.280 --> 0:35:15.520
<v Speaker 1>a little.

0:35:15.680 --> 0:35:17.080
<v Speaker 2>Can you describe what halva is?

0:35:17.520 --> 0:35:24.360
<v Speaker 1>Halva is Middle Eastern peoples of different origin. It's made

0:35:24.400 --> 0:35:32.840
<v Speaker 1>of ground sesame seeds and egg albumen and sugar probably honey.

0:35:33.239 --> 0:35:34.239
<v Speaker 2>I think it has honey in it.

0:35:35.000 --> 0:35:39.600
<v Speaker 1>Well Eastern foods as I love Middle Eastern.

0:35:39.480 --> 0:35:41.960
<v Speaker 2>I do too. You're going to make a movie. What

0:35:42.120 --> 0:35:42.720
<v Speaker 2>is it about?

0:35:43.640 --> 0:35:47.000
<v Speaker 1>It's about a time in the thirties when marriage and

0:35:47.239 --> 0:35:51.560
<v Speaker 1>marriage ability was in very test related. In other words,

0:35:51.560 --> 0:35:54.240
<v Speaker 1>you had to be in your crowd or your set

0:35:54.560 --> 0:35:58.360
<v Speaker 1>in order to consider marriage. And then people would marry,

0:35:58.920 --> 0:36:01.440
<v Speaker 1>and then they would get the worst and marry upwards.

0:36:01.440 --> 0:36:04.800
<v Speaker 1>And the marriage was the marriage was sort.

0:36:04.640 --> 0:36:07.160
<v Speaker 2>Of for gain and you're gonna film it here.

0:36:07.640 --> 0:36:10.399
<v Speaker 1>Well, no, it's I'm gonna base it here and then

0:36:10.480 --> 0:36:12.879
<v Speaker 1>do it all over. They go to all the they

0:36:12.920 --> 0:36:15.319
<v Speaker 1>go to Anna, they go to bay Ritz, they go

0:36:15.360 --> 0:36:17.200
<v Speaker 1>to all the places rich people go to.

0:36:18.719 --> 0:36:20.880
<v Speaker 2>Well, we want we want you here, We want you

0:36:20.880 --> 0:36:22.800
<v Speaker 2>to be here to the future.

0:36:29.200 --> 0:36:32.320
<v Speaker 1>Thank you for listening to Ruthie's Table four in partnership

0:36:32.360 --> 0:36:33.000
<v Speaker 1>with Montclair