WEBVTT - "Larry Lechon" with Eric Bauza

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<v Speaker 1>Check it out. Kids. I got shows and I want

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<v Speaker 1>you to come and see me. So let me give

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<v Speaker 1>you the details about where I'm gonna be so you

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<v Speaker 1>can get tickets and make plans. This weekend September two

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<v Speaker 1>to September four, I will be in pleasant in California

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<v Speaker 1>at Tommy Tease. On September seventeenth, I'm doing a very special,

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<v Speaker 1>sold out show at the Etty Hat Arena and Abu Dhabi,

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<v Speaker 1>United Arab Emirates, So you can't get tickets for that

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<v Speaker 1>performance anymore. But I just wanted to let you know

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<v Speaker 1>because it's kind of like a like light little brag.

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<v Speaker 1>I mean, I don't know how to tell you this,

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<v Speaker 1>but I'm kind of a big deal. September I will

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<v Speaker 1>be in Phoenix, Arizona, doing shows that stand up live

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<v Speaker 1>just two nights. So more shows are always being added,

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<v Speaker 1>so please keep checking Russell Peters dot com for updates.

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<v Speaker 1>And now, please enjoy my little show. All right, hey, umm,

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<v Speaker 1>I'd like to start off the show by clearing my throat.

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<v Speaker 1>Welcome to culturally canceled. This is a very an episode

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<v Speaker 1>for me. This one is the first time I think

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<v Speaker 1>it's the first time I've done just me and another person. Right. Oh,

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<v Speaker 1>that's right, we had love it. Wow, I have to

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<v Speaker 1>follow him. Oh, Eric, how dare you so on the

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<v Speaker 1>show of Me today? Not only are we just by ourselves,

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<v Speaker 1>he's the only one other than John Lovet's but also

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<v Speaker 1>one of my Canadian homeboys and the voice of five

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<v Speaker 1>five characters, five characters in Looney Tunes. He's the new

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<v Speaker 1>voice of all of them. And he's and he's my

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<v Speaker 1>my first time meeting him actually, but we've known about

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<v Speaker 1>each other for a little while and we've sent each other. Well,

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<v Speaker 1>he sent me clothing in the past. It was weird

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<v Speaker 1>because it was used underwear, but whatever clothing is clothing. Um,

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<v Speaker 1>please welcome my new friend. Eric Bowser is in the

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<v Speaker 1>house with me tonight. Hew. You see he's Uh, that

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<v Speaker 1>was a really good Stewie. What did you know? When

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<v Speaker 1>people see the footage, I'll be like, I can't believe

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<v Speaker 1>you guys got the host of Masks singer to be

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<v Speaker 1>on the show. They're like, Man, Ken's gained a little

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<v Speaker 1>bit away. He yeah, he has, he has. Thank you

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<v Speaker 1>for having me. Man, you're not just the show, but

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<v Speaker 1>in in your in your in your home and and

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<v Speaker 1>uh it's it's good to connect with a fellow canny.

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<v Speaker 1>I'm homesick. I know I have some Canadian things in

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<v Speaker 1>the house. I have catchup chips if you want. I

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<v Speaker 1>saw that, and and not just on the counter with

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<v Speaker 1>the drawer and oh yeah, I think I might have

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<v Speaker 1>a coffee crisp touch. I found the stash you could

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<v Speaker 1>find coffee crisp that the Chevron gas station at like

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<v Speaker 1>Hollywood Way, and uh, it's like right by the report

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<v Speaker 1>like one thirty four. Yeah, It's like I couldn't believe it.

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<v Speaker 1>There was like the all Canadian stash in there, like Arrow,

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<v Speaker 1>really malteezers, they got the whole thing. Got malteesers upstairs

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<v Speaker 1>if you want. Really, this is what's this. I'm telling you.

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<v Speaker 1>I was like, I as soon as I discovered that,

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<v Speaker 1>I was like, I may never have to go home again.

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<v Speaker 1>Do they have Jersey milk? No, they don't. I forgot

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<v Speaker 1>about that one. That Jersey milk is good. Jersey milk

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<v Speaker 1>was just just classic chocolate, right, it was. It was

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<v Speaker 1>it was just like a Hershey bar, but you see,

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<v Speaker 1>but Jersey milk was tasty. It was like something good

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<v Speaker 1>about it. I think, uh, I think Arrow would trumpet though,

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<v Speaker 1>that's me personally. I love arrow. Mirage is like a

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<v Speaker 1>fat arrow. Okay, Mirrage, now we're talking. I need that

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<v Speaker 1>on a T shirt. Yeah, Mirage, that's a good one.

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<v Speaker 1>Remember the the how much for the caramelk secret? I'll

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<v Speaker 1>give you the catramilk secret. And then that was like

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<v Speaker 1>and then they would end the commercial on like someone

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<v Speaker 1>just took a piece of it, and then the cat

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<v Speaker 1>when you look at it's just really very very sexual.

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<v Speaker 1>It was like the cream pie of chocolates. It's the

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<v Speaker 1>it's the last and the only thing you want in

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<v Speaker 1>your mouth if you're talking Canadian delicacies. And what about

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<v Speaker 1>what was that other commercial where they coffee crisp was

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<v Speaker 1>those two like wafers and they pour the chocolate over it.

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<v Speaker 1>Yeah that was like I thought I was getting away

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<v Speaker 1>with something as a kid because I thought, well, I

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<v Speaker 1>can't drink coffee. It was it had caffeine and oh yeah,

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<v Speaker 1>there's Mirage up on the screen. What was that one

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<v Speaker 1>commercial where they had made it sound really sexual where

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<v Speaker 1>they were like and they're pouring the chocolate on in

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<v Speaker 1>the commercial and they're talking really sensual, like picture this

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<v Speaker 1>chocolate and then the milk chocolate on it was it Canadian?

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<v Speaker 1>It was Canadian. It was definitely Canadian. Canadians and their

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<v Speaker 1>sexual chocolate, sexual chocolate ladies. It always comes back to

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<v Speaker 1>coming to America. Uh. And then there was the toffee fae.

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<v Speaker 1>Is that a Canadian thing where you have toffee fa

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<v Speaker 1>out here? Toffee toffee tofie Faye Court thought it was Tofife.

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<v Speaker 1>You know, you say to Fife, it's probably to Fife

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<v Speaker 1>toffee fee. That's what they said in the commercial toffi fee,

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<v Speaker 1>because it's toffee inside. Now a lot of these, a

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<v Speaker 1>lot of these are also available. And by the way,

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<v Speaker 1>we're only gonna be talking about chocolates from Canada for

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<v Speaker 1>the next era, but a lot of these are like

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<v Speaker 1>Briti there is to to Fife the British. It could

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<v Speaker 1>be a hazel nut and caramel with creamyn. Because here's

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<v Speaker 1>the big thing about Canada and England. In the U.

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<v Speaker 1>K's like smarties, right, like we got Smartmarties and over

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<v Speaker 1>here smarties are rockets, rockets exactly. That's the biggest what

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<v Speaker 1>separates us. Well, you guys call smarties, we call rockets,

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<v Speaker 1>and what we call smarties is chocolate. They're like Eminem's

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<v Speaker 1>bud Better you know those Canadians, they come in with

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<v Speaker 1>the chocolate and they screw it all up. Smarties are

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<v Speaker 1>rockets and rockets are smarties? Just disgusting. You know that

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<v Speaker 1>some of these guys are a light, but they're taking

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<v Speaker 1>all the jobs. We gotta build a wall around Canada

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<v Speaker 1>with putin, Right, it's their favorite food. It's cheese, rise

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<v Speaker 1>and gravy. It's true, it's Russian food. Yeah. I could

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<v Speaker 1>have Puttin in my mouth all day. Hello, I love it.

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<v Speaker 1>I love it. How many voices do you do? Eric,

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<v Speaker 1>I don't know. I don't know one of those guys

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<v Speaker 1>who just doesn't and go, oh, apparently I could do

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<v Speaker 1>this one too. Yes, I feel like that's the case.

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<v Speaker 1>And you know, I spent a lot of time watching

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<v Speaker 1>like a lot of cartoons. That's that's where I had

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<v Speaker 1>the Looney Tunes. If if we're going to go back

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<v Speaker 1>to that, it's Saturday mornings on Global above his Bunny

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<v Speaker 1>and Tweetie show. We're on Global. Yeah, it was. They

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<v Speaker 1>had an hour. And that's like basically since if you're

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<v Speaker 1>looking at the lineage of Looney Tunes, they were made

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<v Speaker 1>in like forties fifties, so they that's why some of them. Listen,

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<v Speaker 1>we were talking about this. Some of them are so racist.

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<v Speaker 1>And when the guy would like have the cigar that exploded,

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<v Speaker 1>and he would look like a h he was in

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<v Speaker 1>black face, it's the lips would be it was like

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<v Speaker 1>we didn't even a cardo. It didn't have cardos. When

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<v Speaker 1>were kids were like, that's funny, and I realized, now,

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<v Speaker 1>I go, holy sh it, that's so fucking racist. I mean,

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<v Speaker 1>they had an episode Bugs Bunny Nips the Nips you

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<v Speaker 1>know that now, Now that's that's a real cartoon and

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<v Speaker 1>oh yeah, they have the bone on their nose and

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<v Speaker 1>they were making a soup out of another human. It

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<v Speaker 1>was all propaganda and the Bugs Bunny up then flipped

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<v Speaker 1>to the Nips. And now Mel Blank is rolling in

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<v Speaker 1>his grave. No, just kidding. I'm sure he's proud. But

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<v Speaker 1>when did Mel Blank day? And so who filled in

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<v Speaker 1>for the past thirty two years before you? The first guy,

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<v Speaker 1>Jeff Bergman, he was actually bugs in in the movie

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<v Speaker 1>Space Jam. I was I am Bugs for HBO Max's

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<v Speaker 1>Looney Tunes cartoons. I'm in space Gym as Daffy duck

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<v Speaker 1>Elma very very quiet. I'm hunting that web. Marvin the marsh.

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<v Speaker 1>He isn't their lovely earth creature used to love Marvin

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<v Speaker 1>the Martian Fog, I say, fog horn leg harn. You

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<v Speaker 1>know that Russell Peter's son like a dirt road between

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<v Speaker 1>two corn fields, nothing between the ears. That's a joke, son,

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<v Speaker 1>that's a joke. Uh And then uh, yeah, Porky Pig.

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<v Speaker 1>I'm gonna you know, Filipino, Porky Lichen or Larry Lichon,

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<v Speaker 1>we'll call him. Yeah, we're gonna switch it up. Bury

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<v Speaker 1>the bob boy buried. That sounds like a sex move

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<v Speaker 1>in the Philippines. Let me bury my bub boy in you.

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<v Speaker 1>But yeah, only five in that one, but I mean

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<v Speaker 1>five on. I mean, look were at some time we

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<v Speaker 1>were doing I was doing scratch dialogue for all the characters,

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<v Speaker 1>even Granny, just because they needed someone in there to

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<v Speaker 1>act against Lebron. I was in the booth with Lebron

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<v Speaker 1>at least four or five times. Very cool, very very cool,

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<v Speaker 1>very very tall. You should play basketball, I think, or

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<v Speaker 1>clean the gutters. He's so tall. Man. Like we we

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<v Speaker 1>took a picture with him, I was saying earlier, we

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<v Speaker 1>all looked like we were standing in potholes, like like

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<v Speaker 1>next to him, it was. It was me and his

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<v Speaker 1>kneecaps was acting. I never saw it. But he was good.

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<v Speaker 1>I mean, you're going to say that, but everybody else

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<v Speaker 1>said he sucked. At least with me in the booth.

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<v Speaker 1>My niece and nephew said how, I said, how space Jam.

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<v Speaker 1>It was really good. But Lebron is a terrible actor.

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<v Speaker 1>You know what a nine year old calling you have

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<v Speaker 1>to I got good news is he's a decent basketball player. Yeah,

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<v Speaker 1>at the very end of the day, at least he

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<v Speaker 1>has that to fall back on. But if a nine

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<v Speaker 1>year old, if if you know, they say the brutal

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<v Speaker 1>honesty about the thing. But I don't think really Lebron

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<v Speaker 1>gives a ship either way. So you know, I mean

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<v Speaker 1>the guy between producing the film, being in the bubble

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<v Speaker 1>during the pandemic, uh, you know, being family and nobody.

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<v Speaker 1>Nobody's ever going to dispute his drive. There's a reason

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<v Speaker 1>he is where he is in life because he's not me.

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<v Speaker 1>He's not lazy. Sweeping the Raptors two years in a row. Yeah,

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<v Speaker 1>we will never forget that. Did he sweep? But he

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<v Speaker 1>never won that year? Did he? How many rings does

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<v Speaker 1>he have now? And I think it's Lebrono's form rings

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<v Speaker 1>there which one are you? You look great in the

0:10:28.040 --> 0:10:34.160
<v Speaker 1>red flowered shirt, the one that looks like short round

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<v Speaker 1>from Indiana Jones next to Indiana Genes. That's Spike brand Brand.

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<v Speaker 1>He was the animation director. He worked on the original

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<v Speaker 1>Space Gym and now he's the animation director on on

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<v Speaker 1>the sequel twenty five years later. What's it? The number

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<v Speaker 1>one movie? It was, right, it was. It was at

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<v Speaker 1>one point the number one movie. And to do that

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<v Speaker 1>in a in a pandemic, it's very hard to do. Yeah,

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<v Speaker 1>how did they do that? Yeah? I don't understand that.

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<v Speaker 1>I mean, I understand it, but I don't understand it,

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<v Speaker 1>you know what I mean. I'm like, morally and and

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<v Speaker 1>for humanity, we understand it, but uh, for for the

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<v Speaker 1>outcome of the movie's sake regarding box office, that's that,

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<v Speaker 1>you know, And and the numbers are hidden and and

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<v Speaker 1>and they say there's a formula that's going to work out.

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<v Speaker 1>I just don't see it. I don't I don't see

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<v Speaker 1>why they would do that. I'm just used to movies

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<v Speaker 1>like coming on pay per view, like like at the

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<v Speaker 1>tail end of them being in theaters. Yeah, and they're

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<v Speaker 1>already advertising its presence on on home video and blue

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<v Speaker 1>ray and all that stuff. People still do that, people

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<v Speaker 1>still I still do it. I still like having that

0:11:39.600 --> 0:11:42.280
<v Speaker 1>tangible thing. I do like tangible things. But do we

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<v Speaker 1>have a DVD player? Do we have a Blue ray?

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<v Speaker 1>Are you still producing like content on like tangible? Is

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<v Speaker 1>it all streaming now? It's all streaming as far as

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<v Speaker 1>I know. I mean, I still own like all your

0:11:56.600 --> 0:11:59.920
<v Speaker 1>original stuff. Really. Oh yeah, it's never it's never go

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<v Speaker 1>I gotta style at my house. Well, yeah, that's from

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<v Speaker 1>my tangible days. The tangible I think. I think I

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<v Speaker 1>have like a tangible copy of Notorious, the one that

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<v Speaker 1>with the Netflix special I made. I made a stack

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<v Speaker 1>of them just for like promo. Nice. But when we

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<v Speaker 1>still have them. I've seen him somewhere in the house

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<v Speaker 1>a stack of them. Yeah we have. We had a

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<v Speaker 1>bunch of them. I'll give you one, please, because I

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<v Speaker 1>don't think that works are streaming it anymore. Well, fuck

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<v Speaker 1>my dreams. Huh. I heard that you're going to uh

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<v Speaker 1>Abu Dhabi. I am going to Abu Dhabi And is

0:12:40.640 --> 0:12:42.360
<v Speaker 1>that the first time you know? I've been to Abu

0:12:42.400 --> 0:12:45.480
<v Speaker 1>Dhabi many times. Um, I've never been what's it like?

0:12:45.720 --> 0:12:50.040
<v Speaker 1>Should come? They might think you're a worker. If I go,

0:12:50.200 --> 0:12:54.199
<v Speaker 1>I might stay right like, I might not have buzz

0:12:54.200 --> 0:12:58.800
<v Speaker 1>board to leave. I'm I'm just know you have bilibino.

0:12:58.920 --> 0:13:01.480
<v Speaker 1>You have to go back to work. They have the

0:13:01.520 --> 0:13:04.560
<v Speaker 1>Warner Brothers theme park there, do they? Yes, you should come.

0:13:04.679 --> 0:13:07.720
<v Speaker 1>I've done voices in rides that I may never get

0:13:07.720 --> 0:13:11.040
<v Speaker 1>to try. You should come to Abudhabi. Uh, your money.

0:13:11.080 --> 0:13:13.880
<v Speaker 1>You could get a ticket at a head Airways. Right,

0:13:13.920 --> 0:13:16.080
<v Speaker 1>that's the we're gonna go. Um. Yeah, it's the Eddie

0:13:16.120 --> 0:13:18.840
<v Speaker 1>had Arena that I'm opening, Okay, And I wanted to

0:13:18.840 --> 0:13:22.400
<v Speaker 1>fly Eddie Had on that on that flight, but I

0:13:22.440 --> 0:13:26.199
<v Speaker 1>wanted to do there. They have these first class private suites. Yeah,

0:13:26.240 --> 0:13:28.880
<v Speaker 1>they're like, but they're not. They're not running them right now,

0:13:29.679 --> 0:13:32.480
<v Speaker 1>and I'm like, come on, wouldn't they I don't know.

0:13:32.559 --> 0:13:34.160
<v Speaker 1>I guess it's probably costs them a lot of money

0:13:34.160 --> 0:13:36.880
<v Speaker 1>to run that plane. Yeah, right, right, right right. So

0:13:36.920 --> 0:13:41.120
<v Speaker 1>I'm going Emirates. Okay, it's not like I'm suffering. I'm

0:13:41.120 --> 0:13:44.120
<v Speaker 1>still going to say that doesn't send too bad. I'm

0:13:44.120 --> 0:13:45.920
<v Speaker 1>still going Emirates first, you know what I mean. It's

0:13:45.920 --> 0:13:47.960
<v Speaker 1>not like I still get a suite, and I still

0:13:47.960 --> 0:13:49.920
<v Speaker 1>get a shower on board if I want, you know, well,

0:13:51.320 --> 0:13:54.120
<v Speaker 1>well safety wise, I'm still live the mind like, being

0:13:54.600 --> 0:13:57.439
<v Speaker 1>far from like the general population on the plane is

0:13:57.480 --> 0:14:00.679
<v Speaker 1>probably a better idea than oh yeah, being in the mix.

0:14:00.920 --> 0:14:02.760
<v Speaker 1>It's probably gonna be just me in the first class

0:14:02.760 --> 0:14:06.360
<v Speaker 1>in the life, I have no problem with. I'll just

0:14:06.440 --> 0:14:09.439
<v Speaker 1>keep switching seats the whole flight. What is the audience

0:14:09.480 --> 0:14:12.360
<v Speaker 1>going to be? Like, I mean, like you did it

0:14:12.679 --> 0:14:15.720
<v Speaker 1>demographically speaking, no, no, no volume one. Oh, they're only

0:14:15.720 --> 0:14:18.559
<v Speaker 1>doing three thousand seats, which is weird because it's in

0:14:18.600 --> 0:14:22.240
<v Speaker 1>an arena, right, that's what just open and it's sold out.

0:14:22.240 --> 0:14:26.040
<v Speaker 1>I'm like, just open it up. They're having like I mean,

0:14:26.200 --> 0:14:29.800
<v Speaker 1>arena like basketball like games that have like I'm hoping

0:14:29.840 --> 0:14:33.440
<v Speaker 1>you're not spread out because that will Oh my god,

0:14:34.520 --> 0:14:37.800
<v Speaker 1>the laughs are gonna be echoing in that place. If

0:14:37.840 --> 0:14:40.960
<v Speaker 1>you spread out three thousand people in a seat arena,

0:14:42.000 --> 0:14:43.920
<v Speaker 1>your mind as will be playing to yourself. You're gonna

0:14:43.960 --> 0:14:53.480
<v Speaker 1>hear You're gonna hear things. The one guy in the back, yeah,

0:14:53.800 --> 0:14:56.360
<v Speaker 1>you else, what what's he talking about? Who's he talking about?

0:14:58.280 --> 0:15:00.600
<v Speaker 1>The crowd? Work in a in a in a arena

0:15:00.680 --> 0:15:03.960
<v Speaker 1>that big how do you How do you manage to

0:15:04.000 --> 0:15:06.600
<v Speaker 1>do that? That's my favorite part of your every every

0:15:06.600 --> 0:15:08.480
<v Speaker 1>bit of your stand up is like I like to

0:15:08.920 --> 0:15:10.320
<v Speaker 1>So what I do is when I'm in an arena,

0:15:10.320 --> 0:15:13.360
<v Speaker 1>I have two camera guys on stage and they'll shoot

0:15:13.640 --> 0:15:19.200
<v Speaker 1>the audience and they know basically they the parameters of

0:15:19.200 --> 0:15:21.560
<v Speaker 1>where I will speak to somebody, of course, because there's

0:15:21.560 --> 0:15:24.320
<v Speaker 1>only so far I can go, so they know that's

0:15:24.320 --> 0:15:27.520
<v Speaker 1>even lit because yeah, so they noticed scan like the

0:15:27.560 --> 0:15:32.560
<v Speaker 1>first two to three rows maximum three and then uh

0:15:32.600 --> 0:15:34.640
<v Speaker 1>and then and then they'll kind of figure out. They'll

0:15:34.720 --> 0:15:36.520
<v Speaker 1>they know my these guys have been with me for

0:15:36.520 --> 0:15:38.960
<v Speaker 1>a long time, so they know my moves. They'll be like,

0:15:39.280 --> 0:15:42.120
<v Speaker 1>he's probably gonna talk to that guy. Probably gonna talk

0:15:42.120 --> 0:15:44.560
<v Speaker 1>to that guy. I don't know until I get out there,

0:15:45.480 --> 0:15:47.680
<v Speaker 1>and then we all figure it out. And sometimes I'm like, hey,

0:15:47.720 --> 0:15:48.960
<v Speaker 1>you and they'll get the wrong guy. What are you

0:15:48.960 --> 0:15:50.360
<v Speaker 1>doing the rest of that? The guy I'm talking to,

0:15:50.520 --> 0:15:52.440
<v Speaker 1>I said, a black guy, and you shut up a

0:15:52.520 --> 0:15:55.720
<v Speaker 1>white woman. I mean that's the but but that that's

0:15:55.760 --> 0:16:00.400
<v Speaker 1>even better though, right, I mean anything you know, do

0:16:00.440 --> 0:16:02.600
<v Speaker 1>you get to um, do you get to do lots

0:16:02.600 --> 0:16:06.360
<v Speaker 1>of winging it on? Any of the voices. Definitely, like

0:16:07.120 --> 0:16:10.680
<v Speaker 1>on this one, there there were like which one on

0:16:10.720 --> 0:16:14.560
<v Speaker 1>this on this podcast on Space Jam on Space Jam,

0:16:14.600 --> 0:16:17.240
<v Speaker 1>like I'm thinking about like something that I just did,

0:16:18.200 --> 0:16:21.280
<v Speaker 1>and it was basically like here's the script. But even

0:16:22.440 --> 0:16:24.320
<v Speaker 1>you know, when you're working on a film, it's like

0:16:24.880 --> 0:16:27.880
<v Speaker 1>versus TV. As you know, in animation like they needed

0:16:28.280 --> 0:16:30.640
<v Speaker 1>yesterday and TV. But with film it's like we got

0:16:30.640 --> 0:16:33.800
<v Speaker 1>two years, so we'd be going back into the booth

0:16:34.000 --> 0:16:38.040
<v Speaker 1>like for months working and hammering out scenes that they're like,

0:16:38.080 --> 0:16:40.880
<v Speaker 1>this is funnier. There's always time to punch up, and

0:16:40.920 --> 0:16:43.320
<v Speaker 1>then they will give you the opportunity to you know,

0:16:43.560 --> 0:16:45.840
<v Speaker 1>here's do three on the three on the page, and

0:16:45.880 --> 0:16:48.280
<v Speaker 1>do one that you like right right or yeah. And

0:16:48.320 --> 0:16:53.200
<v Speaker 1>then Malcolm d Lee the director, Malcolm directed this, Malcolm

0:16:53.280 --> 0:16:55.880
<v Speaker 1>d Lee, son of a bit, you know, Malcolm, Yeah,

0:16:55.880 --> 0:16:59.800
<v Speaker 1>I'm a text his ask text of column right now,

0:17:00.000 --> 0:17:03.720
<v Speaker 1>welcome d Lee, the director of Space Jamnue legacy was

0:17:04.520 --> 0:17:06.760
<v Speaker 1>I did not know that he was always in the room,

0:17:06.800 --> 0:17:10.200
<v Speaker 1>and uh, if not in the room during the pandemic,

0:17:10.240 --> 0:17:15.200
<v Speaker 1>I'd be recording in my my Christopher walk in closet.

0:17:15.840 --> 0:17:18.159
<v Speaker 1>As as long as I was making Malcolm. Laugh. I

0:17:18.240 --> 0:17:20.760
<v Speaker 1>knew I was doing my job right because I'm we're

0:17:20.760 --> 0:17:25.520
<v Speaker 1>talking with a guy that's worked with Hattish Heart, all

0:17:25.560 --> 0:17:30.840
<v Speaker 1>the all the greats, Mr Ben Schwartz. And I was

0:17:30.880 --> 0:17:33.359
<v Speaker 1>supposed to do a movie with Malcolm but then I

0:17:33.400 --> 0:17:35.800
<v Speaker 1>don't know what happened with that. But okay, they never

0:17:36.000 --> 0:17:38.080
<v Speaker 1>never came together. But then he keeps texting me like

0:17:38.240 --> 0:17:40.280
<v Speaker 1>we've got to work together. I'm like, you're the one

0:17:40.320 --> 0:17:43.480
<v Speaker 1>doing all the work. Put me in. You should have

0:17:43.480 --> 0:17:46.520
<v Speaker 1>been in space, jam man. Yeah, he's he's um, Spike

0:17:46.640 --> 0:17:50.399
<v Speaker 1>Lee's cousin. No way, you didn't know that. Yes, Spike

0:17:50.480 --> 0:17:53.200
<v Speaker 1>Lee's cousin. I did not know it. And his mother

0:17:53.520 --> 0:17:57.600
<v Speaker 1>is Jamaican. Okay, that's why we all. That's what I mean.

0:17:57.640 --> 0:18:01.480
<v Speaker 1>You know, he's that's the power of of grown up

0:18:01.520 --> 0:18:07.640
<v Speaker 1>in Toronto, of the Island folk and la Jamaican. Well,

0:18:07.680 --> 0:18:09.800
<v Speaker 1>you know he's if he says he's going to put

0:18:09.840 --> 0:18:11.800
<v Speaker 1>you in something, he's he's good to his word. I'm

0:18:11.800 --> 0:18:13.920
<v Speaker 1>sure he's been many years now, it's been right, well

0:18:14.040 --> 0:18:16.120
<v Speaker 1>now in a half years of Malcolm, you funk, what's

0:18:16.160 --> 0:18:20.520
<v Speaker 1>wrong with you? It was Barbershop three or four whatever,

0:18:20.680 --> 0:18:23.399
<v Speaker 1>was one of the barbershops. Okay, so I didn't know

0:18:23.440 --> 0:18:26.520
<v Speaker 1>that he was. He continuing that that legacy if he

0:18:26.640 --> 0:18:31.240
<v Speaker 1>did the last barbershop that they did, and um, and

0:18:31.280 --> 0:18:32.639
<v Speaker 1>I was supposed to be in it. But then they

0:18:32.680 --> 0:18:35.760
<v Speaker 1>gave it to a different Indian kid, which is fine,

0:18:35.960 --> 0:18:38.240
<v Speaker 1>I mean, there he is, there he is. They gave

0:18:38.280 --> 0:18:41.480
<v Speaker 1>it to a younger, better looking Indian one that looked

0:18:41.520 --> 0:18:45.000
<v Speaker 1>more Indian. I'm like, that's fair. Whatever. I end up

0:18:45.000 --> 0:18:47.280
<v Speaker 1>doing Jungle Book instead. So that's why I only do

0:18:47.440 --> 0:18:50.800
<v Speaker 1>voice over, because they'll never give it to another Filipino guy.

0:18:51.240 --> 0:18:56.520
<v Speaker 1>They might, you know, joke coin might take your joke

0:18:56.560 --> 0:19:02.280
<v Speaker 1>coin man. Another another, another generous comedian. He I haven't

0:19:02.320 --> 0:19:04.520
<v Speaker 1>met him, I've I've been a fan of his work.

0:19:04.560 --> 0:19:07.920
<v Speaker 1>And he sent me a bunch of gear and yeah,

0:19:07.960 --> 0:19:13.320
<v Speaker 1>congratulations and never sent me ship. And how long have

0:19:13.359 --> 0:19:17.160
<v Speaker 1>you guys have known each other? Fifteen years? Holy smokes.

0:19:17.680 --> 0:19:20.480
<v Speaker 1>He opened for me. I took him on tour to

0:19:20.480 --> 0:19:22.840
<v Speaker 1>Australia him and I'm ed, I'm ed a matter of fact.

0:19:22.840 --> 0:19:25.399
<v Speaker 1>And I just found the flyer for. I found a

0:19:25.440 --> 0:19:26.960
<v Speaker 1>stack of the flyers for when I was in the

0:19:27.040 --> 0:19:29.639
<v Speaker 1>Vegas house. But I noticed a lot of artwork in

0:19:29.680 --> 0:19:32.479
<v Speaker 1>your house, a lot of music memorabilia and and the

0:19:32.520 --> 0:19:37.639
<v Speaker 1>ones in twos spending lots. I've been djas and five. Dude,

0:19:37.640 --> 0:19:40.840
<v Speaker 1>that's amazing man. Starting from Scratch. Yes, Scratch and I

0:19:40.880 --> 0:19:42.560
<v Speaker 1>have known each other since eighty nine. We did Alive

0:19:42.600 --> 0:19:45.919
<v Speaker 1>to Air together back in ninety. He's a huge retro

0:19:46.040 --> 0:19:48.960
<v Speaker 1>Kid supporter. Yes, he is, as as am. I I

0:19:49.040 --> 0:19:52.239
<v Speaker 1>know wearing You've always wearing your mr dress up right

0:19:52.240 --> 0:19:56.760
<v Speaker 1>now And dude, I like, so, how do we are

0:19:56.800 --> 0:19:58.399
<v Speaker 1>you one of the owners of retro Ki. Yeah. I

0:19:58.680 --> 0:20:02.040
<v Speaker 1>designed these shirts. Really, I designed it. So before I

0:20:02.080 --> 0:20:05.600
<v Speaker 1>went into animation, I was an animator. I was like working,

0:20:05.800 --> 0:20:09.480
<v Speaker 1>uh in in a few studios like in and around Hollywood,

0:20:09.600 --> 0:20:13.920
<v Speaker 1>just drawing, and then someone said, you know, they'll they'll

0:20:13.920 --> 0:20:17.359
<v Speaker 1>give you money to read into a microphone. So it

0:20:17.520 --> 0:20:21.600
<v Speaker 1>was like kind of moonlighting between drawing during like my shifts,

0:20:21.680 --> 0:20:24.680
<v Speaker 1>and then I would go to like Nickelodeon an audition

0:20:24.760 --> 0:20:27.920
<v Speaker 1>for stuff, and then drive back to the animation house

0:20:27.920 --> 0:20:31.040
<v Speaker 1>and and draw. I don't know how long you've been

0:20:31.080 --> 0:20:34.520
<v Speaker 1>in l A. About twenty years. Oh really? Yeah you

0:20:34.600 --> 0:20:37.399
<v Speaker 1>came out here way early then. Yeah. Yeah. Again, like

0:20:38.800 --> 0:20:43.119
<v Speaker 1>was like the college internship. I was at Centennial Centennial College.

0:20:43.119 --> 0:20:47.320
<v Speaker 1>I performed there. Yeah really yeah? Which one that Centennial

0:20:47.600 --> 0:20:51.119
<v Speaker 1>Centennial College? Which one in uh Oshawa? No? Mine was

0:20:51.520 --> 0:20:55.080
<v Speaker 1>my campus was the one buy paper Mortimer by by

0:20:55.080 --> 0:20:57.159
<v Speaker 1>the dan for I think I did that one. I

0:20:57.200 --> 0:20:59.320
<v Speaker 1>did all of them. Yeah. There was like an auditorium.

0:20:59.359 --> 0:21:02.080
<v Speaker 1>It would have like the Nooner Show. It was the

0:21:02.080 --> 0:21:06.880
<v Speaker 1>Nooner Show noon it was uh the loony noony show.

0:21:06.880 --> 0:21:08.960
<v Speaker 1>It was like cost your dollar to get in really

0:21:09.200 --> 0:21:11.560
<v Speaker 1>sure for sure? Yeah, And I would be doing those

0:21:11.600 --> 0:21:14.639
<v Speaker 1>shows back in the yeah, back in the day. I

0:21:14.680 --> 0:21:18.600
<v Speaker 1>actually have a flyer from one of them I posted

0:21:18.640 --> 0:21:22.359
<v Speaker 1>up in my house in Vegas. It's a looney Looney

0:21:22.359 --> 0:21:26.639
<v Speaker 1>Tuesday was Looney Tuesdays or something like that. Tuesdays for

0:21:26.720 --> 0:21:29.919
<v Speaker 1>Loony Tuesdays. For KFC. That was the big deal. And

0:21:30.000 --> 0:21:32.400
<v Speaker 1>it was like, I don't know, one of those colleges

0:21:32.440 --> 0:21:34.760
<v Speaker 1>like New Him or something. You know, you were you

0:21:34.880 --> 0:21:38.760
<v Speaker 1>broke them, old man, You're You're like nothing anyone Like

0:21:38.840 --> 0:21:41.600
<v Speaker 1>my family, we would anytime you had a special on TV.

0:21:42.560 --> 0:21:46.680
<v Speaker 1>We would always like tape it on VHS because that's

0:21:47.040 --> 0:21:49.800
<v Speaker 1>that's all you could do back then, and we would

0:21:49.880 --> 0:21:52.680
<v Speaker 1>just watch the ship out of your your specials man. Well,

0:21:52.720 --> 0:21:55.520
<v Speaker 1>the first two were kind of bad. Now, the first

0:21:55.520 --> 0:21:59.280
<v Speaker 1>one was really good. I was very green then I

0:21:59.320 --> 0:22:02.960
<v Speaker 1>was I don't doing stand up six years? Really six years?

0:22:03.000 --> 0:22:05.640
<v Speaker 1>Six years? It was six years. And I mean you're

0:22:05.640 --> 0:22:09.040
<v Speaker 1>the kind of comic and I mean, you know, uh,

0:22:09.760 --> 0:22:11.800
<v Speaker 1>I mean people know stand up comedy, but I mean,

0:22:11.880 --> 0:22:15.800
<v Speaker 1>like that, just go out when when there's no special

0:22:15.840 --> 0:22:19.320
<v Speaker 1>known Netflix, just go out to a bar maybe that

0:22:19.400 --> 0:22:21.720
<v Speaker 1>has five or ten people, and just still tells jokes

0:22:21.760 --> 0:22:24.800
<v Speaker 1>like an audience. You got to do it. That's really

0:22:24.880 --> 0:22:27.120
<v Speaker 1>the hustle is thirty two years. So you know who

0:22:27.359 --> 0:22:29.960
<v Speaker 1>tried to get me to do stand up was Harlan Williams. Really,

0:22:30.200 --> 0:22:33.320
<v Speaker 1>I was like, how you're a Canadian fella. Hey there, buddy,

0:22:33.840 --> 0:22:37.840
<v Speaker 1>you do voices? Hey Beckers, why don't you do it? Hey? Shot?

0:22:38.000 --> 0:22:41.520
<v Speaker 1>Who wants a hot corn beef sandwich? You know? It

0:22:41.680 --> 0:22:45.040
<v Speaker 1>was hot corn beef. We always text each other around.

0:22:45.040 --> 0:22:48.919
<v Speaker 1>It was really random Canadian things. It'll do you ever

0:22:48.960 --> 0:22:51.679
<v Speaker 1>send him stuff? Every now and then we will should

0:22:51.680 --> 0:22:54.360
<v Speaker 1>you know, who wants something? Bonnie McFarland wants a bunch

0:22:54.400 --> 0:22:56.919
<v Speaker 1>of stuff? Well yeah, you know, yeah. We were on

0:22:57.800 --> 0:23:03.040
<v Speaker 1>Ian Bags Uh podcast at one point yeah, she saw

0:23:03.080 --> 0:23:07.680
<v Speaker 1>me with one of my which one. Yeah. She was like,

0:23:07.720 --> 0:23:09.200
<v Speaker 1>oh my god, where'd you get that? I go, it's

0:23:09.200 --> 0:23:11.159
<v Speaker 1>a Canadian. Come, I'll get you. I'll get them to

0:23:11.240 --> 0:23:13.560
<v Speaker 1>send you some stuff. Yeah yeah, yeah, yeah, I'll have

0:23:13.600 --> 0:23:14.920
<v Speaker 1>to hit her up then I'll tell her I was

0:23:14.960 --> 0:23:18.560
<v Speaker 1>on your show and we always hook up the Canadians

0:23:18.640 --> 0:23:22.600
<v Speaker 1>with our our Canadian guard. We're working on a y

0:23:22.680 --> 0:23:27.919
<v Speaker 1>t V campaign. Might have some Breaker High hoodies and

0:23:28.040 --> 0:23:31.680
<v Speaker 1>I hate to take a page out of Drake's book.

0:23:31.880 --> 0:23:33.840
<v Speaker 1>He showed up to a Raptors game and a Breaker

0:23:33.920 --> 0:23:37.240
<v Speaker 1>High hoodie. Really yeah, where you got it from? I

0:23:37.280 --> 0:23:39.200
<v Speaker 1>don't know. I'm sure he had his maide. I mean

0:23:39.720 --> 0:23:42.120
<v Speaker 1>he has a clothing company. I'm sure you've all heard

0:23:42.119 --> 0:23:45.800
<v Speaker 1>of it. This is um, this is this is one

0:23:45.840 --> 0:23:50.560
<v Speaker 1>of our You and Harlan. Harlan basically the literally Holy

0:23:50.680 --> 0:23:54.879
<v Speaker 1>Grape Crush. He texted. Then he saw this painting of

0:23:54.880 --> 0:23:57.919
<v Speaker 1>a Max Milk Oh yeah, and he was like, I

0:23:57.960 --> 0:23:59.480
<v Speaker 1>was going to buy you this at an art show

0:23:59.480 --> 0:24:03.040
<v Speaker 1>and Whistler, but then decided you deserve Becker's I mean better.

0:24:10.320 --> 0:24:12.680
<v Speaker 1>Since you're listening to this show, I think it's safe

0:24:12.720 --> 0:24:15.880
<v Speaker 1>to say you like podcasts. Or maybe you've only recently

0:24:15.920 --> 0:24:17.919
<v Speaker 1>become a fan because you just can't get enough of

0:24:17.960 --> 0:24:22.080
<v Speaker 1>my of my culturally canceled podcast. Well, either way, you'll

0:24:22.119 --> 0:24:25.760
<v Speaker 1>find a ton of benj Worthy podcasts, including hours on

0:24:25.800 --> 0:24:30.520
<v Speaker 1>Amazon Music. Amazon Music has more than ten million free

0:24:30.520 --> 0:24:34.880
<v Speaker 1>podcast episodes to listen to. But Amazon Music isn't just

0:24:35.040 --> 0:24:38.040
<v Speaker 1>for listening to podcasts. They have thousands of music stations

0:24:38.359 --> 0:24:42.280
<v Speaker 1>and top playlist to stream for free. Let me tell

0:24:42.320 --> 0:24:44.439
<v Speaker 1>you something. We talked about music all the time on

0:24:44.480 --> 0:24:46.359
<v Speaker 1>this show, and we get pretty specific. So if you

0:24:46.400 --> 0:24:48.439
<v Speaker 1>want to go here Kango Kid, do his thing in

0:24:48.560 --> 0:24:51.200
<v Speaker 1>Roxanne Roxanne, or listen to the bridge Smooth b wrote

0:24:51.200 --> 0:24:54.520
<v Speaker 1>for Bobby Brown in my prerogative, you can find what

0:24:54.640 --> 0:24:57.120
<v Speaker 1>you want to hear on Amazon Music, and no matter

0:24:57.160 --> 0:25:00.440
<v Speaker 1>what you're listening to, you can go hands free with Alexa.

0:25:00.680 --> 0:25:02.639
<v Speaker 1>If you're like me and you want your music on

0:25:02.680 --> 0:25:05.480
<v Speaker 1>demand and add free, you have to try Amazon Music

0:25:05.520 --> 0:25:09.080
<v Speaker 1>Unlimited that gives you unlimited access to over seventy five

0:25:09.160 --> 0:25:13.040
<v Speaker 1>million songs, as well as podcasts, music videos, and more.

0:25:13.920 --> 0:25:16.800
<v Speaker 1>With Amazon Music Unlimited, you can listen to any song

0:25:16.920 --> 0:25:21.080
<v Speaker 1>anywhere offline with unlimited skips. And when I'm trying to

0:25:21.119 --> 0:25:23.480
<v Speaker 1>listen to a whole album. There's always some songs that

0:25:23.520 --> 0:25:26.560
<v Speaker 1>aren't as good as they may need to be, and

0:25:26.600 --> 0:25:31.000
<v Speaker 1>they probably need to be skipped, so unlimited skips is crucial. Again,

0:25:31.359 --> 0:25:34.080
<v Speaker 1>we talked about music and hip hop. I don't know

0:25:34.080 --> 0:25:36.199
<v Speaker 1>why music and hip hop or two different things. Well,

0:25:36.240 --> 0:25:38.199
<v Speaker 1>you know what I'm saying. We talked about music a

0:25:38.240 --> 0:25:40.560
<v Speaker 1>lot and all the time on this show, and I

0:25:40.600 --> 0:25:42.320
<v Speaker 1>love one of my guests recommends a song or an

0:25:42.359 --> 0:25:44.840
<v Speaker 1>album that I've never really gotten into so that I

0:25:44.840 --> 0:25:47.560
<v Speaker 1>can look it up on Amazon Music Unlimited and hear

0:25:47.600 --> 0:25:50.840
<v Speaker 1>it from myself. It's always easy to find whatever I'm

0:25:50.840 --> 0:25:53.840
<v Speaker 1>looking for, and I would definitely recommend that listeners of

0:25:53.880 --> 0:25:56.320
<v Speaker 1>the show check out the albums we've been talking about

0:25:56.359 --> 0:26:00.359
<v Speaker 1>by using Amazon Music Unlimited. If you've never tried Amazon

0:26:00.440 --> 0:26:04.439
<v Speaker 1>Music Unlimited, now is a great time. For a limited time,

0:26:04.920 --> 0:26:09.240
<v Speaker 1>new customers can try Amazon Unlimited free for thirty days,

0:26:09.880 --> 0:26:12.560
<v Speaker 1>no credit card required. Just go to Amazon dot com

0:26:12.640 --> 0:26:17.440
<v Speaker 1>slash peters that's Amazon dot com slash peters to try

0:26:17.560 --> 0:26:23.400
<v Speaker 1>Amazon Music Unlimited free for thirty days Amazon dot com

0:26:23.480 --> 0:26:27.240
<v Speaker 1>slash peters. Amazon Music renews automatically and you can cancel

0:26:27.400 --> 0:26:37.040
<v Speaker 1>any time. Terms apply he's so good man. And it's

0:26:37.119 --> 0:26:40.359
<v Speaker 1>like the kind of person that you can watch two

0:26:40.400 --> 0:26:44.160
<v Speaker 1>sets back to back, same jokes, but it's this it's

0:26:44.280 --> 0:26:47.720
<v Speaker 1>different every time. And it's and that's the guy agatting

0:26:47.720 --> 0:26:49.439
<v Speaker 1>the guy that he was like, you gotta get up

0:26:49.480 --> 0:26:54.120
<v Speaker 1>there on stage and make people laugh again, Jenner. I'm like,

0:26:54.160 --> 0:26:58.160
<v Speaker 1>who's so he put me up on the stage. Uh,

0:26:58.400 --> 0:27:01.639
<v Speaker 1>the Long Beach laugh Factory that I was terrified it

0:27:01.720 --> 0:27:04.359
<v Speaker 1>was him and Adam Ray how long ago? And this

0:27:04.480 --> 0:27:06.240
<v Speaker 1>is the years and years and years and years and

0:27:06.320 --> 0:27:08.280
<v Speaker 1>years ago. And you know, I was trying for for

0:27:08.280 --> 0:27:10.119
<v Speaker 1>a little bit, but I was like, I can't. I

0:27:10.680 --> 0:27:13.160
<v Speaker 1>don't wake up thinking of the rest of the joke,

0:27:13.280 --> 0:27:15.280
<v Speaker 1>you know. I I wake up thinking can can I

0:27:15.320 --> 0:27:18.120
<v Speaker 1>do that voice? And and that's what is the voice?

0:27:18.119 --> 0:27:20.160
<v Speaker 1>And that's all it needs. A look at you guys

0:27:20.160 --> 0:27:22.480
<v Speaker 1>and Harley, look at that. Harlan out chinned me in

0:27:22.520 --> 0:27:25.959
<v Speaker 1>that photo. That is an ugly photo of both of us.

0:27:27.480 --> 0:27:31.880
<v Speaker 1>That is like a fucking caricature photo. What the fun

0:27:33.280 --> 0:27:36.159
<v Speaker 1>my face looks seventy You guys are so close together

0:27:36.200 --> 0:27:38.600
<v Speaker 1>in proximity, but there it is is that Norman Jewison,

0:27:38.960 --> 0:27:42.240
<v Speaker 1>Oh my god, it is he came to our college

0:27:42.280 --> 0:27:46.880
<v Speaker 1>ones to talk about some and that was the one

0:27:46.920 --> 0:27:50.040
<v Speaker 1>where me and Alan Thick and nia Ardalos were there.

0:27:50.119 --> 0:27:53.240
<v Speaker 1>That's the Canadian mount Rushmore right there. Who's that woman?

0:27:53.880 --> 0:27:59.600
<v Speaker 1>I don't know? That might be his wife. Interesting fact

0:27:59.600 --> 0:28:04.800
<v Speaker 1>about yeah, Lynn st David Jewish? What is the interesting

0:28:04.800 --> 0:28:10.680
<v Speaker 1>fact about Norman? He's not Jewish? What he's not? What's

0:28:10.680 --> 0:28:13.680
<v Speaker 1>with that last name? Even like Norman? Never mind Jewison?

0:28:13.760 --> 0:28:18.679
<v Speaker 1>I mean, I go, you Jewish? He goes, no, go

0:28:18.840 --> 0:28:22.040
<v Speaker 1>what with a name like jewis soon your jewie son?

0:28:23.480 --> 0:28:25.600
<v Speaker 1>I'm like, no, not Jewish. I'm like, what the fuck

0:28:26.040 --> 0:28:28.760
<v Speaker 1>your name is? Norman? He's been living a lie this

0:28:28.840 --> 0:28:32.920
<v Speaker 1>whole time? Well, he's been getting away with eat. He

0:28:32.960 --> 0:28:35.600
<v Speaker 1>wanted to remake that movie The Russians Are Coming, Remember,

0:28:35.640 --> 0:28:37.840
<v Speaker 1>and he wanted me to do it. And he wanted

0:28:37.880 --> 0:28:40.320
<v Speaker 1>me to learn Russian or either wanted me to learn

0:28:40.400 --> 0:28:43.400
<v Speaker 1>Russian or Arabic one or the other. He wanted me

0:28:43.440 --> 0:28:45.480
<v Speaker 1>to learn Arabic for the role. Like, how am I

0:28:45.480 --> 0:28:49.320
<v Speaker 1>going to learn an entire language for the role? I mean,

0:28:50.280 --> 0:28:52.280
<v Speaker 1>I mean I could figure it out. I was gonna say,

0:28:52.320 --> 0:28:57.760
<v Speaker 1>I wouldn't. I wouldn't sell yourself short. You're You're horrible.

0:28:57.840 --> 0:29:02.240
<v Speaker 1>That sucking what I always had good jackets? Man, Where

0:29:02.240 --> 0:29:05.040
<v Speaker 1>do you get your who's your stylists? I got you?

0:29:05.040 --> 0:29:06.880
<v Speaker 1>You need something? You get you? Look you got you

0:29:06.920 --> 0:29:09.520
<v Speaker 1>got me the gear, the Russell, the only gear I

0:29:09.560 --> 0:29:11.280
<v Speaker 1>could give you. I mean, you've get sent me so

0:29:11.360 --> 0:29:13.720
<v Speaker 1>much stuff and there's more coming. Man, I want the

0:29:13.760 --> 0:29:16.080
<v Speaker 1>knob Hill Farms stuff. Is that out yet? It is?

0:29:16.280 --> 0:29:19.160
<v Speaker 1>I haven't got that yet. I loved kno Hill Farms.

0:29:19.200 --> 0:29:23.000
<v Speaker 1>We've been working with the guy who runs Retro Ontario

0:29:23.400 --> 0:29:26.960
<v Speaker 1>and that guy has been like in the Canadian pop

0:29:27.040 --> 0:29:29.760
<v Speaker 1>culture nostalgia game for a while because he used to

0:29:29.760 --> 0:29:33.280
<v Speaker 1>work at City TV. So I used to work at CITYTV.

0:29:33.440 --> 0:29:40.160
<v Speaker 1>So really, yeah, I used to um work on lunch television. Okay,

0:29:40.200 --> 0:29:43.360
<v Speaker 1>So you're always like in entertainment, in production, behind the scenes,

0:29:43.400 --> 0:29:46.040
<v Speaker 1>and I just wanted to, Like had been doing stand

0:29:46.080 --> 0:29:50.080
<v Speaker 1>up five years, I was never on TV and I

0:29:50.200 --> 0:29:53.480
<v Speaker 1>ended up becoming like all of those people that don't

0:29:53.520 --> 0:29:59.600
<v Speaker 1>get paid voluntotter. It was an intern and yeah, I

0:29:59.600 --> 0:30:02.120
<v Speaker 1>would have to take down the breakfast television set, then

0:30:02.120 --> 0:30:05.680
<v Speaker 1>put up the lunch television set, and then to make money,

0:30:06.240 --> 0:30:08.440
<v Speaker 1>I would work on electric circus as a cable puller.

0:30:08.480 --> 0:30:12.840
<v Speaker 1>Oh my god, ec ten bucks an hour was like, yeah,

0:30:12.840 --> 0:30:17.080
<v Speaker 1>I'm making bank. I don't know a cable Like at

0:30:17.080 --> 0:30:19.120
<v Speaker 1>a dance club every Friday night, I would be the

0:30:19.120 --> 0:30:20.800
<v Speaker 1>guy across the street. Know, when they did the shot

0:30:20.840 --> 0:30:23.480
<v Speaker 1>from the street into the building, I would be on

0:30:23.520 --> 0:30:26.320
<v Speaker 1>the camera guy outside holding the cables. That was me,

0:30:27.280 --> 0:30:29.960
<v Speaker 1>And I think I have I'm probably do have it somewhere,

0:30:29.960 --> 0:30:31.520
<v Speaker 1>but I have videotape. When we do a lot of

0:30:31.520 --> 0:30:32.880
<v Speaker 1>wide shot, you would see the camera and I'm like,

0:30:32.920 --> 0:30:35.760
<v Speaker 1>that's me. You look at my TV holding holding the camera.

0:30:36.560 --> 0:30:40.640
<v Speaker 1>Just hold the cable camera in dude. Cable puller is

0:30:40.680 --> 0:30:43.800
<v Speaker 1>still an essential part of production, I think now then

0:30:43.800 --> 0:30:45.120
<v Speaker 1>then they have it like down to science, like the

0:30:45.160 --> 0:30:47.480
<v Speaker 1>cables on the guy's hip now and it's on an

0:30:47.520 --> 0:30:50.280
<v Speaker 1>elastic or something. It's it's it's all high tech. Yeah,

0:30:50.280 --> 0:30:52.760
<v Speaker 1>it's all bluetooth now, but not in Canada. Caada, they

0:30:52.800 --> 0:30:55.400
<v Speaker 1>still got it. They still got it back the Caveman

0:30:55.480 --> 0:30:58.000
<v Speaker 1>era of production. Let's talk about shirts. We should do

0:30:58.080 --> 0:31:01.760
<v Speaker 1>like other al right, Okay, So beach commerce beach combers

0:31:01.800 --> 0:31:06.360
<v Speaker 1>has been definitely tossed around the CBC. So Canadian broadcast Corporation.

0:31:06.880 --> 0:31:10.000
<v Speaker 1>I wanted to do some David Suzuki stuff I wanted.

0:31:10.640 --> 0:31:14.000
<v Speaker 1>I wanted the I love David David Suzuki, such a

0:31:14.040 --> 0:31:17.440
<v Speaker 1>cool guy legend. I wanted to do like the glasses,

0:31:17.520 --> 0:31:20.160
<v Speaker 1>the mustache and like the big hair yea, but not

0:31:20.240 --> 0:31:24.240
<v Speaker 1>as you know, just like the simplistic art. Uh we

0:31:24.240 --> 0:31:29.640
<v Speaker 1>were gonna do. Um gosh, there's there's just so much stuff.

0:31:29.880 --> 0:31:32.920
<v Speaker 1>Max Milk. Oh, I was going to ask about Maximulk today.

0:31:33.000 --> 0:31:35.600
<v Speaker 1>I wanted the cat, but there's an old school cat

0:31:36.120 --> 0:31:39.680
<v Speaker 1>remember that one too, maxim Milk at m AC. So

0:31:39.760 --> 0:31:42.480
<v Speaker 1>these are like convenience stores in and around Canada. If

0:31:42.600 --> 0:31:45.960
<v Speaker 1>if there's listeners that don't understand what we're talking about,

0:31:45.960 --> 0:31:49.240
<v Speaker 1>but I'm sure there's gonna Jugo Milk, there's jug City.

0:31:49.440 --> 0:31:51.640
<v Speaker 1>It was jug City. Jug City and that was like

0:31:51.680 --> 0:31:54.360
<v Speaker 1>our least popular shirt to say, yeah, well women might

0:31:54.360 --> 0:31:57.280
<v Speaker 1>have with big boobs might about it. That was that

0:31:57.400 --> 0:32:03.760
<v Speaker 1>was like hey fellows, hey Jugsy. It was the Canadian

0:32:04.240 --> 0:32:08.040
<v Speaker 1>Hooters of convenience stories. If that makes any sense. Food city,

0:32:08.040 --> 0:32:10.080
<v Speaker 1>Can you do a food city? Food city and towers

0:32:10.200 --> 0:32:15.360
<v Speaker 1>that would be Towers Miracle Bouku Uh yeah, wait, Miracle

0:32:15.400 --> 0:32:18.720
<v Speaker 1>mart Miracle mart. But before that was Miracle Bocu. What

0:32:19.200 --> 0:32:23.120
<v Speaker 1>miracle boucou? I don't know that. That was like seventies,

0:32:23.280 --> 0:32:27.560
<v Speaker 1>consumers distributing, consumers distributing. That would be the most boring shirt.

0:32:27.640 --> 0:32:29.920
<v Speaker 1>But I but it wouldn't because the logo is actually

0:32:29.960 --> 0:32:33.400
<v Speaker 1>really dope. It's it's it looks really good. It looks

0:32:33.480 --> 0:32:36.480
<v Speaker 1>very it looks very discoy. What about what about Hakeem

0:32:36.560 --> 0:32:40.160
<v Speaker 1>Optical it's still around. I think people would wear shirt

0:32:40.920 --> 0:32:46.760
<v Speaker 1>glasses on item optical Cedar by eight that was the

0:32:46.760 --> 0:32:49.280
<v Speaker 1>famous players do a famous players one? Famous players would

0:32:49.280 --> 0:32:51.440
<v Speaker 1>be sick. That would be dope. Famous players yea, even

0:32:51.520 --> 0:32:54.760
<v Speaker 1>just yeah, the name famous players too would be good.

0:32:54.880 --> 0:32:58.360
<v Speaker 1>But Ontario place we're trying to get, but they wouldn't

0:32:58.400 --> 0:33:03.480
<v Speaker 1>let us do. Like the look, there's a jug City

0:33:03.560 --> 0:33:07.760
<v Speaker 1>right now. We may have leftovers if in case anyone

0:33:07.800 --> 0:33:11.200
<v Speaker 1>wants a Jug City shirt. I want a Jug City shirt.

0:33:11.440 --> 0:33:15.200
<v Speaker 1>It was pretty dope. We look at that. Uh there,

0:33:15.240 --> 0:33:18.000
<v Speaker 1>I am there when when I used to own a

0:33:18.080 --> 0:33:21.480
<v Speaker 1>Jug City? Why does it look like it's a mug

0:33:21.480 --> 0:33:31.320
<v Speaker 1>shot for that city? Actually? Oh my god, at my story,

0:33:33.160 --> 0:33:36.240
<v Speaker 1>what is happening in this photo? I wonder more than milk.

0:33:36.480 --> 0:33:42.600
<v Speaker 1>That's oh, one customer who counted, we only do things

0:33:42.600 --> 0:33:46.800
<v Speaker 1>in the hundreds in Ontario. Count how many customers came

0:33:46.800 --> 0:33:49.880
<v Speaker 1>in if you got that answer. But I love those

0:33:50.000 --> 0:33:53.400
<v Speaker 1>uh those genes, those acid washed jeans. This was just

0:33:53.480 --> 0:34:01.200
<v Speaker 1>last year, I believe the fashion because it can't be

0:34:01.280 --> 0:34:04.680
<v Speaker 1>that long ago. In all fairness, I don't know, but

0:34:04.920 --> 0:34:07.920
<v Speaker 1>I'm thinking we have a lot more to cover as

0:34:07.960 --> 0:34:12.080
<v Speaker 1>far as like Canadian nostalgia. And that's that's what we wanted,

0:34:12.239 --> 0:34:13.880
<v Speaker 1>was that how are we going to stand out in

0:34:13.920 --> 0:34:17.040
<v Speaker 1>a sea of people selling shirts all the time? And

0:34:17.040 --> 0:34:19.799
<v Speaker 1>and we thought Canadian pop culture. You brought back the

0:34:19.800 --> 0:34:22.680
<v Speaker 1>City TV stuff, right, we did very limited because I

0:34:22.680 --> 0:34:25.480
<v Speaker 1>never got any of that either. I'm so sorry, Russell.

0:34:25.600 --> 0:34:27.880
<v Speaker 1>What's your partner's name out there? Steve? Steve, Yeah, he

0:34:27.920 --> 0:34:29.600
<v Speaker 1>hooks me up. He was the one that was like

0:34:29.800 --> 0:34:32.480
<v Speaker 1>very animal. He's like, we gotta start so you card

0:34:32.600 --> 0:34:37.319
<v Speaker 1>now scratch, you know, scratch, you know. I got Eric

0:34:37.400 --> 0:34:39.960
<v Speaker 1>McCormick on the West Coast. I saw, yeah, I saw

0:34:40.040 --> 0:34:42.880
<v Speaker 1>him wear what was he wearing? Had he had a case? Yes?

0:34:43.120 --> 0:34:46.040
<v Speaker 1>So yeah, I would design these things and you know

0:34:46.280 --> 0:34:48.439
<v Speaker 1>a lot of the stuff we're wearing or you could

0:34:48.440 --> 0:34:53.400
<v Speaker 1>see especially Mr Dress of nothing was ever preserved digitally,

0:34:53.480 --> 0:34:56.960
<v Speaker 1>so I would have to freeze frame YouTube and then

0:34:57.680 --> 0:35:00.160
<v Speaker 1>and then clean it in illustrator or have one of

0:35:00.200 --> 0:35:02.360
<v Speaker 1>our production artists kind of like I would lay it

0:35:02.400 --> 0:35:04.480
<v Speaker 1>out and then they would recreate it digitally, so then

0:35:04.760 --> 0:35:07.680
<v Speaker 1>CBC would walk away with like all these digital assets

0:35:07.719 --> 0:35:10.920
<v Speaker 1>now that they could reproduce into you know, whatever they want.

0:35:10.920 --> 0:35:13.120
<v Speaker 1>CBC hoodie is actually one of my favorites. It is

0:35:13.160 --> 0:35:16.960
<v Speaker 1>our our best seller. The color is so perfect. Yeah,

0:35:17.000 --> 0:35:19.440
<v Speaker 1>and then the logo was nice and raised. It's like

0:35:19.480 --> 0:35:21.240
<v Speaker 1>I want to. I want to get into doing hats

0:35:21.840 --> 0:35:27.160
<v Speaker 1>for Canadian you know, hats are tricky for me. You're

0:35:27.160 --> 0:35:29.000
<v Speaker 1>wearing I can't wear, but you got one on now

0:35:29.120 --> 0:35:30.799
<v Speaker 1>and that's I know. But it's got to be like

0:35:31.120 --> 0:35:33.000
<v Speaker 1>when I wear like a ball cap. It's got to

0:35:33.040 --> 0:35:36.440
<v Speaker 1>be one of those um flex fit ones. Okay, like

0:35:36.480 --> 0:35:39.360
<v Speaker 1>a full back, have fullback and flex fits because I

0:35:39.360 --> 0:35:41.759
<v Speaker 1>need the curve because you're hip hop bad. You gotta

0:35:41.800 --> 0:35:43.239
<v Speaker 1>be able to, I know, but I can't rock the

0:35:43.280 --> 0:35:46.839
<v Speaker 1>flat brim. It sucks because I would love to. This

0:35:46.920 --> 0:35:49.160
<v Speaker 1>was an experiment, trust me, it works well on you.

0:35:49.360 --> 0:35:57.600
<v Speaker 1>I'm worried to look like a b boy though. Yeah,

0:35:57.880 --> 0:35:59.279
<v Speaker 1>we got to do some of these. How what was

0:35:59.320 --> 0:36:03.200
<v Speaker 1>that other show, mass your minds? Yeah, dude, masterminds. Uh,

0:36:03.719 --> 0:36:09.200
<v Speaker 1>bumper Stumpers, Bumper Stumpers. The classic one was Definition, right,

0:36:09.239 --> 0:36:18.279
<v Speaker 1>that was just remember that song Definition Powers. Another Scarborough kid,

0:36:19.239 --> 0:36:22.439
<v Speaker 1>that Quincy Jones who did that? Yes, that's crazy right.

0:36:22.520 --> 0:36:25.560
<v Speaker 1>That is the weirdest like hidden fact that, of course

0:36:25.640 --> 0:36:28.000
<v Speaker 1>only someone like Mike Myers would bring to the surface,

0:36:28.640 --> 0:36:33.000
<v Speaker 1>was that Quincy Jones composed that song soul bossa Nova,

0:36:33.239 --> 0:36:36.319
<v Speaker 1>which was the name the beginning of Austin Power that

0:36:36.440 --> 0:36:38.920
<v Speaker 1>song for whatever reason, and that was a Canadian game

0:36:38.960 --> 0:36:44.480
<v Speaker 1>show theme show Mastermind Definition. Uh, you said just like

0:36:44.560 --> 0:36:46.600
<v Speaker 1>Mom at the beginning of this Just like Mom was

0:36:46.640 --> 0:36:50.560
<v Speaker 1>a good one. My brother was on Uncle Bobby. What

0:36:50.680 --> 0:36:52.880
<v Speaker 1>do you remember Uncle Bobby. He used to drive. So

0:36:52.920 --> 0:36:55.560
<v Speaker 1>I went to elementary school in Scarborough at at the

0:36:55.640 --> 0:37:00.800
<v Speaker 1>very beginning Saint Maria GARRETTI Kennedy by Kennedy Station, And

0:37:01.360 --> 0:37:04.000
<v Speaker 1>I believe Uncle Bobby used to be a bus driver.

0:37:04.520 --> 0:37:07.440
<v Speaker 1>He used to drive like a school bus. Really yeah,

0:37:07.640 --> 0:37:10.400
<v Speaker 1>the Uncle Bobby show, Yeah, I remember. My brother was

0:37:10.440 --> 0:37:13.000
<v Speaker 1>one of the they called the fun time kids or

0:37:13.040 --> 0:37:14.880
<v Speaker 1>something like that. So he was like in the audience,

0:37:14.920 --> 0:37:16.680
<v Speaker 1>he was one of the kids, like on the floor

0:37:16.960 --> 0:37:19.160
<v Speaker 1>kids sitting on the floor in front of him. Then

0:37:19.200 --> 0:37:25.480
<v Speaker 1>Bimbo would dropbo, Bimbo, Bimbo, where did your mommy go?

0:37:25.719 --> 0:37:29.920
<v Speaker 1>Wait a minute, what the fuck? There's some hidden ship

0:37:30.040 --> 0:37:33.719
<v Speaker 1>on that. There's retrotary the clown. Wow. So who do

0:37:33.760 --> 0:37:36.400
<v Speaker 1>you think? Where was that broadcast that was shot in

0:37:36.440 --> 0:37:40.120
<v Speaker 1>like kitchen or something. Oh my god, there is Yeah,

0:37:40.160 --> 0:37:44.440
<v Speaker 1>there's Uncle Bobby and there's the yeah, the oh man. Yeah,

0:37:44.480 --> 0:37:46.920
<v Speaker 1>there's some some weird My brother was on that and

0:37:46.960 --> 0:37:50.279
<v Speaker 1>like the late sixties or early seventies or something. So

0:37:50.320 --> 0:37:53.680
<v Speaker 1>you you are as you you could just be the

0:37:53.840 --> 0:37:57.640
<v Speaker 1>retro kid spokesperson, though I would do it. Kid, Well,

0:37:57.680 --> 0:38:01.400
<v Speaker 1>we should do a Russell collection. I'm down with that

0:38:03.000 --> 0:38:06.880
<v Speaker 1>because I mean, there there's no greater ambassador to the

0:38:06.960 --> 0:38:11.400
<v Speaker 1>nation of Canada than than you. Drake, really, Drake in

0:38:11.400 --> 0:38:16.279
<v Speaker 1>all fairness, who's that? Yeah, Drake? Fairness Drake? And then

0:38:16.480 --> 0:38:22.920
<v Speaker 1>the weekend in bieber and and Murray. You know, I

0:38:22.920 --> 0:38:24.920
<v Speaker 1>gotta and would kill me if I'm gonna tell the

0:38:24.920 --> 0:38:27.560
<v Speaker 1>story anyway, Sorry, Ann, but I'm no. I won't post

0:38:27.560 --> 0:38:30.880
<v Speaker 1>it and don't. It's just for us. I'll talk about it,

0:38:30.880 --> 0:38:32.759
<v Speaker 1>but I won't show the picture I have. When I

0:38:32.800 --> 0:38:36.200
<v Speaker 1>hosted the Juno's in two thousand and seven or eight,

0:38:36.760 --> 0:38:40.080
<v Speaker 1>the first time, it was in Calgary and one of

0:38:40.080 --> 0:38:41.640
<v Speaker 1>the in between one of the things, I had to

0:38:41.719 --> 0:38:43.319
<v Speaker 1>dress up like a cowboy, so they put on a

0:38:43.320 --> 0:38:47.600
<v Speaker 1>full cowboy outfit on me. The wrangler jeans, cowboy has

0:38:47.640 --> 0:38:49.960
<v Speaker 1>that you it's because we're in Calgary. I walked out

0:38:49.960 --> 0:38:52.720
<v Speaker 1>to introduce the next thing and I addressed a cowboy

0:38:53.000 --> 0:38:56.680
<v Speaker 1>and then they put socks in my crotch to make

0:38:56.719 --> 0:38:59.720
<v Speaker 1>it look really big, and uh, I got a picture

0:38:59.719 --> 0:39:01.680
<v Speaker 1>of me and Anne Murray and she's holding my crotch

0:39:02.040 --> 0:39:06.320
<v Speaker 1>what because of the socks. She's not actually touching my

0:39:06.360 --> 0:39:08.640
<v Speaker 1>pen and she's just touching the socks. But she knew

0:39:08.680 --> 0:39:10.720
<v Speaker 1>that it was. It was all, yeah, I have that picture.

0:39:10.719 --> 0:39:12.560
<v Speaker 1>And she was like, don't ever fucking post this, And

0:39:12.600 --> 0:39:14.920
<v Speaker 1>I was like, I won't post it. I've never posted him.

0:39:14.920 --> 0:39:17.040
<v Speaker 1>A man of my word and I love you too much.

0:39:17.239 --> 0:39:19.160
<v Speaker 1>We won't post it, but we will definitely print it

0:39:19.200 --> 0:39:21.400
<v Speaker 1>on one I'm gonna show him off camera though, just

0:39:21.440 --> 0:39:26.200
<v Speaker 1>for the record. Well that is like a blessing from

0:39:26.239 --> 0:39:31.399
<v Speaker 1>the Pope getting crotch touched by Anne Murray. Yeah she's

0:39:31.400 --> 0:39:35.160
<v Speaker 1>actually really cool, Yeah, really cool. She's a rock star, man,

0:39:35.239 --> 0:39:38.280
<v Speaker 1>she is, and she has all those songs that you forget.

0:39:38.360 --> 0:39:42.200
<v Speaker 1>She had Snowbird, right, Oh yeah, was that the that

0:39:42.239 --> 0:39:45.040
<v Speaker 1>was the one. There was a bunch of them, But

0:39:45.080 --> 0:39:48.239
<v Speaker 1>I can't believe that that happened to you. Now, I'm

0:39:48.239 --> 0:39:50.479
<v Speaker 1>going to go hunting for that footage and I wonder

0:39:50.480 --> 0:39:52.440
<v Speaker 1>if that was the time right there, because I think

0:39:52.520 --> 0:39:54.640
<v Speaker 1>that's where she's wearing the red jacket. I think that

0:39:54.719 --> 0:39:59.000
<v Speaker 1>might be it around that time. Really yeah, man, oh man,

0:39:59.280 --> 0:40:01.880
<v Speaker 1>Well dude, I I'm gonna have to get Steve on

0:40:01.920 --> 0:40:04.840
<v Speaker 1>the line and uh yeah, we text each other on

0:40:04.920 --> 0:40:07.600
<v Speaker 1>when we DM each other, and uh, I was good,

0:40:07.600 --> 0:40:09.680
<v Speaker 1>excited when I get my little retro. I never The

0:40:09.760 --> 0:40:12.239
<v Speaker 1>thing with me is whenever I get things sent to me,

0:40:12.560 --> 0:40:15.480
<v Speaker 1>I never post him on my Instagram. And I don't

0:40:15.480 --> 0:40:16.879
<v Speaker 1>know why. I think it's one of those things where

0:40:16.880 --> 0:40:18.680
<v Speaker 1>I'm like, I don't want people to know where I

0:40:18.680 --> 0:40:20.719
<v Speaker 1>got this from, right, you want to keep it a hit.

0:40:20.800 --> 0:40:22.400
<v Speaker 1>I want to keep it a secret. And I also

0:40:22.480 --> 0:40:25.000
<v Speaker 1>don't want to people go, hey, man, can they hook

0:40:25.080 --> 0:40:27.879
<v Speaker 1>me up to right? Right? Well? Nowadays? That's I mean,

0:40:28.440 --> 0:40:30.680
<v Speaker 1>we were just huge fans of yours and we wanted

0:40:30.719 --> 0:40:32.920
<v Speaker 1>you to have some stuff that we knew you would enjoy,

0:40:33.280 --> 0:40:35.439
<v Speaker 1>and and and not and not everyone's going to get

0:40:35.440 --> 0:40:37.200
<v Speaker 1>the stuff that I mean. Have you sent LaVar Burton

0:40:37.200 --> 0:40:42.000
<v Speaker 1>the Reading Rainbow stuff? No? And I don't know. I

0:40:42.040 --> 0:40:44.440
<v Speaker 1>don't know if it's a sensitive subject with him. And

0:40:44.960 --> 0:40:47.600
<v Speaker 1>he's pretty cool about it, is he he's actually a

0:40:47.640 --> 0:40:51.399
<v Speaker 1>really really good, really good guy. I would I would

0:40:51.440 --> 0:40:53.840
<v Speaker 1>guess that's going to get his address and get it

0:40:53.880 --> 0:40:55.520
<v Speaker 1>for you to send him some stuff if he if

0:40:55.520 --> 0:40:58.480
<v Speaker 1>he's cool. Again, I I we never really tried. And

0:40:58.719 --> 0:41:02.880
<v Speaker 1>again we're so small potatoes grassroots stuff. We we literally

0:41:02.920 --> 0:41:06.279
<v Speaker 1>just no publicists, just reach out to the people ourselves,

0:41:07.280 --> 0:41:09.359
<v Speaker 1>you know. But I'm a big fan of it, though

0:41:09.800 --> 0:41:12.400
<v Speaker 1>I wasn't sure if it was a sensitive subject with

0:41:12.480 --> 0:41:15.799
<v Speaker 1>him or not. Think it is because when we like

0:41:15.880 --> 0:41:18.799
<v Speaker 1>we're making those shirts, there were and and all of

0:41:18.840 --> 0:41:21.960
<v Speaker 1>the garb even this this is like neither this is

0:41:22.320 --> 0:41:25.920
<v Speaker 1>this is stop. I'm so sorry, man, I should have

0:41:26.000 --> 0:41:28.399
<v Speaker 1>come with with gifts, But did you came with two

0:41:28.800 --> 0:41:31.360
<v Speaker 1>stuffed animals from my daughter A Daffy and a and

0:41:31.440 --> 0:41:34.080
<v Speaker 1>a bug that was specifically for them, and I know

0:41:34.360 --> 0:41:36.680
<v Speaker 1>the viewer the like once they're gonna do voices. You

0:41:36.760 --> 0:41:40.240
<v Speaker 1>have this guy and you know Daffy of Jeff Richard

0:41:40.320 --> 0:41:43.640
<v Speaker 1>d with a list that voice, it makes sense. You know,

0:41:43.680 --> 0:41:45.479
<v Speaker 1>we're not gonna line up to be a hot meal

0:41:45.560 --> 0:41:50.160
<v Speaker 1>for thumb shark. Okay, we're dealing with a perfect eating machine.

0:41:50.360 --> 0:41:52.480
<v Speaker 1>Mr Vaughan, was there one they asked you to do

0:41:52.520 --> 0:41:57.520
<v Speaker 1>that you couldn't do again? It's we were talking about

0:41:57.560 --> 0:42:00.520
<v Speaker 1>this earlier about say hey, Eric can do this and

0:42:00.560 --> 0:42:02.399
<v Speaker 1>you go, I think so you're trying your go fund

0:42:02.480 --> 0:42:05.640
<v Speaker 1>sounds left thing like it. Everybody makes fun of me

0:42:05.680 --> 0:42:10.080
<v Speaker 1>because my default for any impression is love. It's literally,

0:42:10.120 --> 0:42:11.440
<v Speaker 1>ever go do this, and I'll go do and they go,

0:42:11.520 --> 0:42:13.000
<v Speaker 1>that's love. It's like, okay, let me try it again.

0:42:13.120 --> 0:42:15.200
<v Speaker 1>That's still love. That still love. It's because love it's

0:42:15.280 --> 0:42:18.600
<v Speaker 1>is so like you know, he's one of those voices

0:42:18.680 --> 0:42:21.880
<v Speaker 1>you just fall into and Kim Jong in, that's love it.

0:42:22.000 --> 0:42:26.000
<v Speaker 1>That's love it again? All right, people of North Korea? Yeah,

0:42:26.360 --> 0:42:28.600
<v Speaker 1>can you imagine if that's how he talked like? That

0:42:28.600 --> 0:42:33.200
<v Speaker 1>would be amazing. I haven't shipped in ten years. You're

0:42:33.239 --> 0:42:38.200
<v Speaker 1>all under my control tonight. Yeah, I mean it's um

0:42:39.400 --> 0:42:41.600
<v Speaker 1>And I saw him at the Love It's Comedy Club

0:42:41.880 --> 0:42:44.759
<v Speaker 1>back at the Universal. I did that place back in

0:42:44.800 --> 0:42:48.120
<v Speaker 1>the day. That was that was the place man Hula themed. Yeah,

0:42:48.120 --> 0:42:52.000
<v Speaker 1>it was a very weird thing them. Uh but yeah, voices,

0:42:52.160 --> 0:42:55.000
<v Speaker 1>it's like sometimes I'll sit there and try to to

0:42:55.120 --> 0:42:58.520
<v Speaker 1>nail something, get things down. But it's like with Daffy,

0:42:58.560 --> 0:43:01.000
<v Speaker 1>it was always bugs, right, everyone wants to do Bugs

0:43:02.719 --> 0:43:05.960
<v Speaker 1>at home, Like yeah at home accounts. Yeah, when when

0:43:05.960 --> 0:43:08.560
<v Speaker 1>you're sitting there, going can I do this voice? Like

0:43:08.640 --> 0:43:12.080
<v Speaker 1>what is it about bugs? Bunny that everyone loves? And

0:43:12.120 --> 0:43:15.920
<v Speaker 1>it's the hardest kind of voice from York, New York,

0:43:16.440 --> 0:43:21.040
<v Speaker 1>the Nasal, the Brooklyn Bronx thing, And but I never

0:43:21.080 --> 0:43:24.080
<v Speaker 1>thought Daffy Daffy was was something I could do until

0:43:24.160 --> 0:43:26.480
<v Speaker 1>you're asked to audition for it and then you sit

0:43:26.520 --> 0:43:29.759
<v Speaker 1>down and you try to peel back the voice because Daffy,

0:43:29.760 --> 0:43:32.600
<v Speaker 1>when mel Blank was doing the voice, he was actually

0:43:32.680 --> 0:43:36.759
<v Speaker 1>doing Phil Vester. Nobody knows if, but he was doing

0:43:36.840 --> 0:43:40.160
<v Speaker 1>Phil Vester and they would pitch it up like how

0:43:40.160 --> 0:43:42.120
<v Speaker 1>they I guess used to do it or still kind

0:43:42.120 --> 0:43:44.440
<v Speaker 1>of do it with Trey Parker on South Park when

0:43:44.480 --> 0:43:48.080
<v Speaker 1>where he's doing Cartman, he's not doing that pitched thing.

0:43:48.880 --> 0:43:51.200
<v Speaker 1>He's kind of doing this this kind of deep kid

0:43:51.320 --> 0:43:53.600
<v Speaker 1>voice thing and they pitch it up and for whatever reason,

0:43:53.600 --> 0:43:56.360
<v Speaker 1>it turns in the Cartman. So that's how Daffy has

0:43:56.400 --> 0:44:00.440
<v Speaker 1>done He's actually doing Sylvester's voice, but then they they

0:44:00.520 --> 0:44:02.279
<v Speaker 1>raise it. But when I'm doing it, it's like a

0:44:02.320 --> 0:44:04.960
<v Speaker 1>self pitched voice. Like how when you do love it's

0:44:05.160 --> 0:44:08.880
<v Speaker 1>it's a son of a pitch, son of a pitch.

0:44:11.120 --> 0:44:14.360
<v Speaker 1>I think I was never I used to try doing voices.

0:44:14.440 --> 0:44:17.920
<v Speaker 1>But well, here's the thing. There's impressions and there's voices.

0:44:17.960 --> 0:44:21.759
<v Speaker 1>You do tons of voices in your act. Yes, like

0:44:22.120 --> 0:44:24.799
<v Speaker 1>the ship thing isn't none of them are famous, Like

0:44:24.840 --> 0:44:27.000
<v Speaker 1>none of the people Like it's not like here's my impression,

0:44:27.200 --> 0:44:30.239
<v Speaker 1>it's like here's my next door neighbor. Yeah, and here's

0:44:30.239 --> 0:44:33.480
<v Speaker 1>the thing. I think that's what what what kind of

0:44:33.520 --> 0:44:36.400
<v Speaker 1>irked me about stand up was I think Harlan was

0:44:36.400 --> 0:44:39.200
<v Speaker 1>was you don't do the do the the voice, the impression.

0:44:39.440 --> 0:44:40.840
<v Speaker 1>And when I got up there, I just wanted to

0:44:40.920 --> 0:44:43.080
<v Speaker 1>do jokes or material because I didn't want to feel

0:44:43.120 --> 0:44:44.960
<v Speaker 1>like I was, you know, on a crutch. But that's

0:44:44.960 --> 0:44:46.960
<v Speaker 1>how you got to do it, I get. I mean

0:44:47.080 --> 0:44:50.319
<v Speaker 1>you need the safety net for sure. For sure, and

0:44:50.320 --> 0:44:52.719
<v Speaker 1>and people that have turned it into mega careers, like

0:44:52.760 --> 0:44:56.800
<v Speaker 1>someone like Jay Farrell, you know who's who's insanely talented

0:44:56.840 --> 0:45:00.839
<v Speaker 1>and j Jamie Fox does really good impression. Oh my uh,

0:45:00.880 --> 0:45:04.000
<v Speaker 1>I mean got an oscar for it. Yeah, I got

0:45:04.040 --> 0:45:07.239
<v Speaker 1>two of them now. But yeah, I mean, you know,

0:45:07.800 --> 0:45:11.320
<v Speaker 1>I uh, stand up will always be a spectator sport

0:45:11.400 --> 0:45:13.640
<v Speaker 1>for me, and and it's always just going to be,

0:45:14.520 --> 0:45:17.200
<v Speaker 1>you know, strictly voice over, and I'm happy with that.

0:45:17.280 --> 0:45:19.520
<v Speaker 1>What about your own cartoons that you want to do?

0:45:19.800 --> 0:45:22.520
<v Speaker 1>That is something? Cartoons? Is that bad? No? No, no, no,

0:45:22.560 --> 0:45:26.480
<v Speaker 1>that is definitely animation. It's a cartoon. I mean animation

0:45:26.520 --> 0:45:29.520
<v Speaker 1>in the industry, but cartoons or cartoons. I definitely have

0:45:29.640 --> 0:45:32.480
<v Speaker 1>like a handful of ideas that I that I want

0:45:32.520 --> 0:45:36.160
<v Speaker 1>to pitch. You know, uh, two adults swim in the

0:45:36.239 --> 0:45:38.959
<v Speaker 1>in that area canvoice someone, can't? You could be any

0:45:39.040 --> 0:45:41.879
<v Speaker 1>all of it whatever you want, Russell, I'm voicing something

0:45:41.960 --> 0:45:46.960
<v Speaker 1>right now for HBO Max Velma. Yes, yes, I play

0:45:47.000 --> 0:45:49.840
<v Speaker 1>her dad on it. Really my voice is my voice

0:45:49.840 --> 0:45:52.600
<v Speaker 1>on it. Okay, it's not like, um, it's not like

0:45:52.600 --> 0:45:55.600
<v Speaker 1>I switched it up. I'm like, hey, I'm like, hey, listen,

0:45:55.640 --> 0:45:57.680
<v Speaker 1>you know, I'm just literally me. I'm just literally doing

0:45:57.719 --> 0:46:00.759
<v Speaker 1>my voice. But you have and it's so easy to write,

0:46:00.920 --> 0:46:02.960
<v Speaker 1>right right. I go in when they're like we need

0:46:02.960 --> 0:46:04.760
<v Speaker 1>you for an hour and knock it out in fifteen minutes.

0:46:04.800 --> 0:46:07.680
<v Speaker 1>Some people have difficulty with that. Some people have like me. I,

0:46:07.880 --> 0:46:10.319
<v Speaker 1>I sometimes have difficulty with my own voice. So I'm like,

0:46:10.360 --> 0:46:12.400
<v Speaker 1>that's why I do voices, you know, like the sky.

0:46:12.640 --> 0:46:15.239
<v Speaker 1>Sometimes you don't like the way you sound, right Like

0:46:15.360 --> 0:46:16.759
<v Speaker 1>I don't like the way I sound when I hear

0:46:16.800 --> 0:46:19.160
<v Speaker 1>it back. I'm like, when they approached you with the world,

0:46:19.200 --> 0:46:21.560
<v Speaker 1>did you want to do like more charactery stuff or

0:46:21.600 --> 0:46:23.960
<v Speaker 1>did you want to do something just They just wanted

0:46:24.000 --> 0:46:27.160
<v Speaker 1>something straight. Yeah, they wanted it straight. And I was like, really,

0:46:27.480 --> 0:46:29.479
<v Speaker 1>I thought they would want an Indian accent or something,

0:46:29.520 --> 0:46:32.200
<v Speaker 1>and they were like no, because Mindy Kaling is Velma.

0:46:32.320 --> 0:46:37.120
<v Speaker 1>They and they switched the nationality of Elma right like yeah,

0:46:37.120 --> 0:46:39.600
<v Speaker 1>And I love the argument there. She's like, yeah, what

0:46:39.640 --> 0:46:43.360
<v Speaker 1>are you talking about? There are nerty Indians out there,

0:46:43.719 --> 0:46:47.880
<v Speaker 1>Are there no ship. Yeah, that's that's a given. But

0:46:47.960 --> 0:46:51.000
<v Speaker 1>I love that character change and I feel like, you know,

0:46:51.080 --> 0:46:53.600
<v Speaker 1>we're living in this aging world now where it's like, yeah,

0:46:53.880 --> 0:46:58.000
<v Speaker 1>like why not why not have the variety and why

0:46:58.000 --> 0:47:01.880
<v Speaker 1>not have it speak to you know, such a huge

0:47:02.040 --> 0:47:06.080
<v Speaker 1>part of your audience. There are probably people long before

0:47:06.160 --> 0:47:08.440
<v Speaker 1>they made the switch that were of the Indian background

0:47:08.440 --> 0:47:10.880
<v Speaker 1>and culture that loves Scooby Doo. Oh yeah. I used

0:47:10.880 --> 0:47:12.799
<v Speaker 1>to do Scooby Doo in my act back in the day.

0:47:14.160 --> 0:47:18.360
<v Speaker 1>They were impression. This was early. Excuse me, this was

0:47:18.400 --> 0:47:21.000
<v Speaker 1>early in my career. I used to do a joke

0:47:21.040 --> 0:47:25.120
<v Speaker 1>about going to India and watching morning cartoons and I

0:47:25.200 --> 0:47:31.040
<v Speaker 1>said they would have they had Scooby dude, And it

0:47:31.120 --> 0:47:38.799
<v Speaker 1>was like the weeks that's really good, dude. I bet

0:47:38.880 --> 0:47:41.120
<v Speaker 1>you could do like a ship tun of cartoon impressions

0:47:41.160 --> 0:47:43.560
<v Speaker 1>and you didn't even know. I used to do a gazoo,

0:47:44.640 --> 0:47:50.520
<v Speaker 1>Hello dumb dumb. Yes, oh god, Fred, hey did gazoo?

0:47:50.560 --> 0:47:56.719
<v Speaker 1>How's it going? Hello dumb dumb? And then I used

0:47:56.719 --> 0:47:58.480
<v Speaker 1>to do like when there was a big dopey guy

0:47:58.480 --> 0:48:00.360
<v Speaker 1>in the audience. Usually when there's like, say there was

0:48:00.440 --> 0:48:03.360
<v Speaker 1>it happened in Oklahoma. I remember ready there was a

0:48:03.400 --> 0:48:06.520
<v Speaker 1>big Indian guy in the frontal, big dopey looking guy,

0:48:07.200 --> 0:48:10.040
<v Speaker 1>and I go, you remind me of that, um, that

0:48:10.200 --> 0:48:13.239
<v Speaker 1>Robin Hood Bugs Bunny cartoon. And I kept looking at

0:48:13.320 --> 0:48:19.000
<v Speaker 1>him going, don't you worry, never robbing hull swoopy here.

0:48:20.400 --> 0:48:23.200
<v Speaker 1>That was the best they drew with those big lips. Yeah,

0:48:23.400 --> 0:48:27.120
<v Speaker 1>I did not know this was my friend, Robin Hood. Yeah, yeah,

0:48:27.239 --> 0:48:31.800
<v Speaker 1>you've been seeing that dropped the entire picture. He's never arrived. Yeah, dude,

0:48:31.800 --> 0:48:34.560
<v Speaker 1>that was like me and my brother's favorite cartoon, the

0:48:34.640 --> 0:48:38.040
<v Speaker 1>Robin Hood one and uh the two Hillbillies Hillbilly here,

0:48:38.680 --> 0:48:41.239
<v Speaker 1>which on the Hillbillies. It was the it was promenade

0:48:41.360 --> 0:48:44.520
<v Speaker 1>across the floor, right out that door, out the door,

0:48:44.600 --> 0:48:48.239
<v Speaker 1>run into the glad, and everybody promenade like that, and

0:48:48.239 --> 0:48:50.040
<v Speaker 1>then they would do the little do They would beat

0:48:50.040 --> 0:48:51.600
<v Speaker 1>the ship out of each other because they would be

0:48:51.640 --> 0:48:55.120
<v Speaker 1>following what bugs Bunny was saying. Like, they would take

0:48:55.120 --> 0:48:57.879
<v Speaker 1>sticks and that was the whole, the whole stick. But

0:48:58.840 --> 0:49:03.120
<v Speaker 1>those are like two of them memorable like brother. No,

0:49:03.320 --> 0:49:05.680
<v Speaker 1>my brother was mainly he was the you know, well

0:49:05.719 --> 0:49:08.880
<v Speaker 1>like we we grew up laughing and and and cutting jokes.

0:49:10.080 --> 0:49:11.759
<v Speaker 1>He is he's six years older than me, and my

0:49:11.800 --> 0:49:14.760
<v Speaker 1>brothers six years older than me. And he's my manager.

0:49:15.640 --> 0:49:18.959
<v Speaker 1>My other manager, Paul, he's here, he's also my manager. Yes, yes, yes,

0:49:19.280 --> 0:49:21.719
<v Speaker 1>you always have to have someone in the family keeping

0:49:21.760 --> 0:49:24.640
<v Speaker 1>an eye out for sure. Um, I'm sure he would,

0:49:24.760 --> 0:49:26.800
<v Speaker 1>he would be my manager. But he's too busy working

0:49:26.840 --> 0:49:30.520
<v Speaker 1>for Bell, so you know which part of Bell he's

0:49:30.520 --> 0:49:32.839
<v Speaker 1>on the floor. He's he's making sure everyone can hear

0:49:32.880 --> 0:49:36.840
<v Speaker 1>each other, Bell Mobility, all the whole like Internet and

0:49:36.880 --> 0:49:40.480
<v Speaker 1>all that stuff. He's he's more of a technical savvy guy. Yeah,

0:49:40.520 --> 0:49:43.680
<v Speaker 1>my brother is a brains guy. He's he's in the

0:49:43.719 --> 0:49:46.680
<v Speaker 1>business of of of Hollywood though he's he's Yeah, but

0:49:46.719 --> 0:49:50.000
<v Speaker 1>my brother knows how to like negotiate, definitely knows how

0:49:50.040 --> 0:49:52.279
<v Speaker 1>to negotiate, and he definitely knows how to think a

0:49:52.320 --> 0:49:54.880
<v Speaker 1>little bit more strategically than I do. Well, that's good.

0:49:55.840 --> 0:49:59.040
<v Speaker 1>You're you're busy being creative and there's no time for

0:49:59.080 --> 0:50:02.200
<v Speaker 1>you to spend any of your brain cells thinking of

0:50:02.280 --> 0:50:06.160
<v Speaker 1>like the teams being crossed, because then you think about

0:50:06.200 --> 0:50:07.920
<v Speaker 1>these guys that are doing all these other things. You're like,

0:50:07.920 --> 0:50:10.239
<v Speaker 1>somebody has to be guiding them, And I'm like, how

0:50:10.239 --> 0:50:13.239
<v Speaker 1>do you get one of these guides. Yeah, well, I

0:50:13.280 --> 0:50:14.600
<v Speaker 1>mean because you should do this, this and this and

0:50:14.600 --> 0:50:16.879
<v Speaker 1>put your money in that great and then they see

0:50:16.920 --> 0:50:18.200
<v Speaker 1>them getting richer and rich, and I'm like, what a

0:50:18.200 --> 0:50:21.200
<v Speaker 1>fund is Nobody helping me? Yea, my my managers, My

0:50:21.200 --> 0:50:25.080
<v Speaker 1>my best friend's mom, Judy, it was, she's my manager.

0:50:25.160 --> 0:50:29.680
<v Speaker 1>I like to call her because like, you know, no one,

0:50:29.920 --> 0:50:32.040
<v Speaker 1>no one would you know, step up and and she

0:50:32.120 --> 0:50:34.480
<v Speaker 1>was like, yeah, well this kid, this kid clearly has

0:50:34.800 --> 0:50:37.920
<v Speaker 1>something in in animation. So yeah, because you know what's

0:50:37.920 --> 0:50:41.319
<v Speaker 1>funny is I was playing people the the animated gift

0:50:41.400 --> 0:50:42.920
<v Speaker 1>you sent me with the voice of Bugs on it.

0:50:44.280 --> 0:50:46.800
<v Speaker 1>Amber goes, holy shit. I go, well, he's the voice.

0:50:47.440 --> 0:50:49.720
<v Speaker 1>He's not doing an impression of it. He's the voice.

0:50:51.400 --> 0:50:54.160
<v Speaker 1>It sounds great. It's still you know, I'll always just

0:50:54.239 --> 0:50:57.000
<v Speaker 1>beat the seventh guy to voice Bugs Bunny. It'll always

0:50:57.000 --> 0:51:02.680
<v Speaker 1>be mel but you know, don't Yeah, Wow was number

0:51:02.719 --> 0:51:05.400
<v Speaker 1>one numero. You know, he was the he was the

0:51:06.360 --> 0:51:12.239
<v Speaker 1>bank to oh my god, argue arguably. I mean they

0:51:12.280 --> 0:51:14.239
<v Speaker 1>say he's the man of a thousand voices. I think

0:51:14.600 --> 0:51:16.920
<v Speaker 1>I think you never met him though I never met him.

0:51:16.920 --> 0:51:18.680
<v Speaker 1>He died before you can meet him. Eighty nine. I

0:51:18.760 --> 0:51:20.759
<v Speaker 1>was born seventy nine. I could have met him, but

0:51:21.600 --> 0:51:25.360
<v Speaker 1>I was not out here in Hollywood. That's wild. That

0:51:25.440 --> 0:51:28.360
<v Speaker 1>was the guy. What's he doing and probably twiggling his

0:51:28.360 --> 0:51:36.279
<v Speaker 1>ear to make it a voice car speeding innzalez eddie. Yeah,

0:51:36.280 --> 0:51:40.000
<v Speaker 1>it was the guy. But now Gabriel Iglesias doing speedy,

0:51:40.200 --> 0:51:42.279
<v Speaker 1>Oh yeah, that makes sense that that's the weird thing

0:51:42.320 --> 0:51:45.400
<v Speaker 1>to me. Now, not weird in that way, but they're like,

0:51:45.440 --> 0:51:48.320
<v Speaker 1>oh no, this person has to do the voice because

0:51:48.320 --> 0:51:51.600
<v Speaker 1>they are that people. I'm like, you're missing the point here.

0:51:51.960 --> 0:51:54.560
<v Speaker 1>This is animation, this is not real life. Well here's

0:51:54.560 --> 0:51:56.560
<v Speaker 1>the thing, and this is the argument now. And what

0:51:56.600 --> 0:51:59.760
<v Speaker 1>I always go back to is just you know, voice

0:51:59.760 --> 0:52:02.000
<v Speaker 1>over was always the thing that it didn't matter what

0:52:02.080 --> 0:52:04.239
<v Speaker 1>you look like. It was just if you could do

0:52:04.280 --> 0:52:06.760
<v Speaker 1>the voice, if you could pull off the acting. And

0:52:06.920 --> 0:52:10.320
<v Speaker 1>of course you know, if it's if it's cultural appropriation,

0:52:10.320 --> 0:52:12.319
<v Speaker 1>then it's a no, no, it's bad if that's what

0:52:12.360 --> 0:52:15.399
<v Speaker 1>they say, if you're if you're yeah true true true.

0:52:15.480 --> 0:52:19.560
<v Speaker 1>Now now today, um, but I feel like you know

0:52:20.280 --> 0:52:23.960
<v Speaker 1>now that they're kind of shining a light on it. Uh,

0:52:24.239 --> 0:52:27.920
<v Speaker 1>it's good for for equality and people that probably didn't

0:52:27.960 --> 0:52:31.200
<v Speaker 1>have a chance as at voicing a character, which I get. Yeah,

0:52:31.440 --> 0:52:33.560
<v Speaker 1>but somebody, you're still on the air of comedy side.

0:52:33.600 --> 0:52:37.280
<v Speaker 1>If it's I'm on the I'm on the what works. Yeah,

0:52:37.440 --> 0:52:39.840
<v Speaker 1>and I would like to get back to a place

0:52:40.239 --> 0:52:44.440
<v Speaker 1>where that is still if it's funny, it's funny. And

0:52:44.160 --> 0:52:47.839
<v Speaker 1>if if you're we're gonna get to a place where, like, um, Eric,

0:52:47.880 --> 0:52:50.200
<v Speaker 1>you can't do bugs anymore because you're not a rabbit.

0:52:50.239 --> 0:52:52.960
<v Speaker 1>You're not a bunny. Yeah, you're not a rabbit. But

0:52:53.040 --> 0:52:55.440
<v Speaker 1>I eat all a lot of carriage, Doc, that's the

0:52:56.000 --> 0:53:00.200
<v Speaker 1>that's the secret. But yeah, no, it's it's like it's

0:53:00.280 --> 0:53:02.600
<v Speaker 1>My favorite line was I must I should have made

0:53:02.600 --> 0:53:07.000
<v Speaker 1>a left in Albuquerque. Yeah, I took a wrong tointed

0:53:07.080 --> 0:53:10.600
<v Speaker 1>albu Quoque. That was my favorite left at albu Quique

0:53:10.600 --> 0:53:12.480
<v Speaker 1>because that's a kid. I was like, what's albu Quokee?

0:53:12.480 --> 0:53:16.160
<v Speaker 1>It sounds funny. He goes, uh say this don't look

0:53:16.200 --> 0:53:23.720
<v Speaker 1>like the Coachella Valley to me, boy bank Couca manga.

0:53:23.960 --> 0:53:27.240
<v Speaker 1>That's the other one you do, uh fog horn? Yeah,

0:53:27.280 --> 0:53:29.640
<v Speaker 1>I say far I did it at the beginning. Russell

0:53:29.760 --> 0:53:32.920
<v Speaker 1>pay attention. Sorry, sorry, kids, that's okay. I don't want

0:53:32.920 --> 0:53:36.480
<v Speaker 1>your neighbors to get scared. Sounds like a Trump supporter.

0:53:38.160 --> 0:53:42.120
<v Speaker 1>It is is definitely a Trump more definitely Southern fried

0:53:42.600 --> 0:53:45.760
<v Speaker 1>like my my my maga hat. Yeah, I ain't wearing

0:53:45.840 --> 0:53:51.359
<v Speaker 1>no mask. Yeah, I'm worried about Corona. I'm worried about

0:53:51.360 --> 0:53:58.319
<v Speaker 1>bird flu. Yeah yeah. And again like looking at that

0:53:58.440 --> 0:54:00.799
<v Speaker 1>roster there, it's it's pretty in saying to see how

0:54:00.800 --> 0:54:03.640
<v Speaker 1>many he's done from he was from New York. I've

0:54:03.640 --> 0:54:11.960
<v Speaker 1>also done Dino's Voice Stones that's have you done it? Yeah? Yeah, yeah,

0:54:12.000 --> 0:54:14.200
<v Speaker 1>they had the reboot they did They did like one

0:54:14.239 --> 0:54:17.160
<v Speaker 1>called Yabadaba Dinos where it was more about the kids.

0:54:17.480 --> 0:54:20.120
<v Speaker 1>But that's all I did. I was, you know, go

0:54:20.200 --> 0:54:22.440
<v Speaker 1>to the booth for four hours and just bark and

0:54:22.480 --> 0:54:25.000
<v Speaker 1>that was it. That was that was my job. That's

0:54:25.000 --> 0:54:27.520
<v Speaker 1>the That's the part I like least is when they

0:54:27.560 --> 0:54:30.880
<v Speaker 1>make you do the the random noises. Oh yeah, like

0:54:30.920 --> 0:54:32.920
<v Speaker 1>I'll be I'll be done early, and they're like, do

0:54:32.960 --> 0:54:35.359
<v Speaker 1>we need any sounds? Yeah? Can you laugh? Can you cry?

0:54:35.440 --> 0:54:37.359
<v Speaker 1>Can you cough? Can you bark? Can you sneeze? Can

0:54:37.400 --> 0:54:40.279
<v Speaker 1>you have you done any video games? No? That's what

0:54:40.320 --> 0:54:43.560
<v Speaker 1>the money isn't it. Here's the thing. No, No, residuals

0:54:43.560 --> 0:54:46.960
<v Speaker 1>in video games, and it's probably the most taxing you

0:54:47.000 --> 0:54:49.399
<v Speaker 1>could do, because I'm sure you guys playing, if you're

0:54:49.400 --> 0:54:52.680
<v Speaker 1>sitting there playing a game, someone gets hurt or stabbed.

0:54:52.800 --> 0:54:55.919
<v Speaker 1>They get thrown off a chair, they get thrown off

0:54:56.120 --> 0:54:58.320
<v Speaker 1>a balcony, they get thrown off a building, and each

0:54:58.600 --> 0:55:02.440
<v Speaker 1>specific noise has to be done from scratch. So they go,

0:55:02.520 --> 0:55:05.080
<v Speaker 1>you get punched in the face, you get stabbed in

0:55:05.080 --> 0:55:08.480
<v Speaker 1>the side, you go. You have to do all those noises,

0:55:08.520 --> 0:55:10.319
<v Speaker 1>and they want them like some people want them sucking

0:55:10.360 --> 0:55:12.120
<v Speaker 1>ten times in a row, ten times in a row,

0:55:12.239 --> 0:55:14.640
<v Speaker 1>and then the intensity so you walk out of there

0:55:14.880 --> 0:55:17.120
<v Speaker 1>you're exhausted with the Yeah, it was like, it's like

0:55:17.120 --> 0:55:20.439
<v Speaker 1>my version of going to the gym. It's like but

0:55:20.440 --> 0:55:23.120
<v Speaker 1>but with no residuals and a sore throat at the

0:55:23.160 --> 0:55:24.759
<v Speaker 1>end of it. Yes, I've had that happen at the

0:55:24.800 --> 0:55:28.080
<v Speaker 1>end of voicing s. You remember I did those weird ones, Pauly,

0:55:28.160 --> 0:55:31.480
<v Speaker 1>those other ones. What was a giant robot? Is that

0:55:31.480 --> 0:55:37.400
<v Speaker 1>what it's calling? No, And Bella Thorne was on one

0:55:37.440 --> 0:55:40.560
<v Speaker 1>of them with me. I only did it because Bella

0:55:40.600 --> 0:55:42.560
<v Speaker 1>Thorne was gonna be doing it, and then I realized

0:55:42.560 --> 0:55:44.200
<v Speaker 1>I didn't realize. You don't meet these people when you're

0:55:44.239 --> 0:55:46.239
<v Speaker 1>doing it. Oh no, they like shove you in a

0:55:46.480 --> 0:55:50.759
<v Speaker 1>broom closet by yourself. M hm oh, ribb it, I

0:55:50.840 --> 0:55:56.359
<v Speaker 1>forgot about Ribbit. I played two things on that right, Yeah,

0:55:56.400 --> 0:55:58.520
<v Speaker 1>but I also played it was my Wasn't the bat

0:55:58.560 --> 0:56:01.000
<v Speaker 1>like a deep Ac Choper type of guy? Was this

0:56:01.040 --> 0:56:05.839
<v Speaker 1>a video game? It was a animation project. Ribbit. H man,

0:56:06.040 --> 0:56:08.160
<v Speaker 1>I'm telling you you must have done and seen so

0:56:08.200 --> 0:56:11.120
<v Speaker 1>many things come and go in this town. But you

0:56:11.160 --> 0:56:14.400
<v Speaker 1>sold you you've been here longer. Yeah, I mean you

0:56:14.920 --> 0:56:19.040
<v Speaker 1>out last me by five years. Well, I know that

0:56:19.120 --> 0:56:21.879
<v Speaker 1>you're Did you make that move at twenty years old? Though? Uh?

0:56:22.080 --> 0:56:25.200
<v Speaker 1>With family out here? You know, I couldn't have done

0:56:25.239 --> 0:56:27.560
<v Speaker 1>it with family. There was no couch to crash on

0:56:27.600 --> 0:56:31.360
<v Speaker 1>while I was doing an internship out here where it

0:56:31.480 --> 0:56:38.480
<v Speaker 1>was a studio by the name of Spumco. They were responsible. Yeah,

0:56:38.520 --> 0:56:42.399
<v Speaker 1>they were the responsible form. Yeah I might as well

0:56:42.440 --> 0:56:45.200
<v Speaker 1>have been. They were the ones that produced the original

0:56:45.200 --> 0:56:48.319
<v Speaker 1>Rent and Stimpy show. Oh I love Rent and Stimpy. Yeah,

0:56:48.520 --> 0:56:52.880
<v Speaker 1>that was an old nineties Nickelodeon classic. But from there

0:56:52.960 --> 0:56:56.600
<v Speaker 1>I moved to another studio called six point harness. And

0:56:56.640 --> 0:57:00.440
<v Speaker 1>then that's where I was like gaining traction with Like again,

0:57:00.640 --> 0:57:03.000
<v Speaker 1>in animation, it's like working in the trenches. You never

0:57:03.080 --> 0:57:05.239
<v Speaker 1>know who you're going to meet. Oh, this is river.

0:57:05.480 --> 0:57:07.640
<v Speaker 1>That was the one. That's the one. I'm I'm not

0:57:07.680 --> 0:57:11.040
<v Speaker 1>even on the fucking poster. Wow. Oh there I am

0:57:11.040 --> 0:57:13.040
<v Speaker 1>in the bottom on the left. That's me. There you go,

0:57:13.120 --> 0:57:17.400
<v Speaker 1>a little brown bat. That's awesome. But yeah, it's it's

0:57:17.440 --> 0:57:20.240
<v Speaker 1>like you you just kind of like work away and

0:57:20.720 --> 0:57:22.640
<v Speaker 1>you you throw all the darts at the board and

0:57:22.880 --> 0:57:26.000
<v Speaker 1>whichever one sticks you just hopefully branch off to the

0:57:26.040 --> 0:57:29.840
<v Speaker 1>next thing. So when I did Um Jungle Book, I

0:57:29.920 --> 0:57:36.480
<v Speaker 1>was Rocky the Rhino and fabric. I'm like, well, start shooting.

0:57:36.520 --> 0:57:39.560
<v Speaker 1>Goes okay, you're gonna tell him watching kid, And I

0:57:39.640 --> 0:57:41.560
<v Speaker 1>was like, hey, watch it kid. He goes, no, No,

0:57:41.560 --> 0:57:45.200
<v Speaker 1>I don't do that more more calm. I was like,

0:57:45.240 --> 0:57:48.080
<v Speaker 1>watch it, cude, yeah, because yeah, that's it. I go, okay, fine.

0:57:48.320 --> 0:57:51.160
<v Speaker 1>And then I did the peacock in the in the film,

0:57:51.200 --> 0:57:52.520
<v Speaker 1>in the film, the new one, the one came up

0:57:52.560 --> 0:57:54.440
<v Speaker 1>five years ago. I gotta watch it back now. It's

0:57:54.440 --> 0:57:56.840
<v Speaker 1>only at the beginning. I'm I'm, I'm the peacock fighting

0:57:57.280 --> 0:58:01.600
<v Speaker 1>the porcupine over us over a branch from the truce,

0:58:01.800 --> 0:58:05.960
<v Speaker 1>the water truce, and Gary Shandling was the porcupine. So

0:58:06.000 --> 0:58:09.240
<v Speaker 1>when we shot it, we were actually standing together, you guys,

0:58:09.320 --> 0:58:13.040
<v Speaker 1>like on set doing were at Sony doing it in

0:58:13.160 --> 0:58:16.120
<v Speaker 1>the giant theater room. There they had it on the

0:58:16.160 --> 0:58:20.160
<v Speaker 1>screen and we each had a chopstick in our mouth

0:58:20.160 --> 0:58:23.200
<v Speaker 1>and we were pretending we're fighting over the stick with

0:58:23.360 --> 0:58:30.240
<v Speaker 1>Gary Shandling. God, damn, dude, that's insane. Who's your ill?

0:58:30.280 --> 0:58:34.400
<v Speaker 1>I guess Mel definitely Mel for sure, living legend. I

0:58:34.440 --> 0:58:37.680
<v Speaker 1>would have to say Billy West. He was you know,

0:58:38.120 --> 0:58:40.160
<v Speaker 1>you might know him as the red Eminem, but he

0:58:40.240 --> 0:58:43.920
<v Speaker 1>was like almost every voice on Future Rama. He was

0:58:44.000 --> 0:58:49.520
<v Speaker 1>Fry Farnsworth Zoidberger. I'd say that he was like the

0:58:49.560 --> 0:58:53.960
<v Speaker 1>modern Mel Blank. Is the modern Mel Blank. And you know,

0:58:54.160 --> 0:58:57.720
<v Speaker 1>not just for the ability to imitate Mel Blanks characters,

0:58:57.760 --> 0:59:02.080
<v Speaker 1>but the very reason that he create eights classic voices,

0:59:02.680 --> 0:59:05.120
<v Speaker 1>like the voices that you know you or cracks down

0:59:05.160 --> 0:59:09.320
<v Speaker 1>impressions that you never think would be possible. For Stimpy,

0:59:09.360 --> 0:59:11.520
<v Speaker 1>he was the voice of Snimpy. He was doing a Larry.

0:59:12.960 --> 0:59:14.760
<v Speaker 1>He was the other one. He was the cat with

0:59:14.800 --> 0:59:17.080
<v Speaker 1>the fat nose. He was also a rent to. He

0:59:17.360 --> 0:59:19.400
<v Speaker 1>did voice rend I'm a cat with a fat nose.

0:59:21.080 --> 0:59:24.640
<v Speaker 1>We gotta get you back in in in children's animation.

0:59:25.400 --> 0:59:28.120
<v Speaker 1>But the voice he did for Stimpy was an impression

0:59:28.120 --> 0:59:32.680
<v Speaker 1>of Larry Fine from The Three Stooges. It was like, hey, hey, Mole,

0:59:33.120 --> 0:59:36.840
<v Speaker 1>I pete in my shoe. Yeah, we gotta get those guys.

0:59:37.040 --> 0:59:39.880
<v Speaker 1>It was like that kind of voice. Yes, yes, and uh.

0:59:40.320 --> 0:59:42.320
<v Speaker 1>He was on The Stern Show for a number of years.

0:59:42.840 --> 0:59:47.400
<v Speaker 1>M he was you know, yeah, I guess you know.

0:59:47.520 --> 0:59:49.960
<v Speaker 1>Do you know Craig gas I don't you know who

0:59:50.000 --> 0:59:56.120
<v Speaker 1>he is? He's a stand up, he does impressions and yeah,

0:59:56.480 --> 1:00:00.439
<v Speaker 1>he was in the original space gym. Yah, because Ivan

1:00:00.520 --> 1:00:02.840
<v Speaker 1>Rightman was on. He was he was produced? Was he

1:00:02.920 --> 1:00:06.560
<v Speaker 1>not producing private parts for Stern? I think that's how

1:00:06.600 --> 1:00:08.880
<v Speaker 1>they kind of met. And then he said, hey, why

1:00:08.880 --> 1:00:15.000
<v Speaker 1>don't you audition for this basketball cartoon movie? And yeah,

1:00:15.040 --> 1:00:17.200
<v Speaker 1>so yeah, so we're going back to that other conversation

1:00:17.280 --> 1:00:20.400
<v Speaker 1>yet earlier it was Jeff Bergman was the first guy,

1:00:20.560 --> 1:00:29.400
<v Speaker 1>then Greg Burson, then Billy West, Joe Alaski. Um, I

1:00:29.440 --> 1:00:32.040
<v Speaker 1>think Noel Blank had had a try at doing bugs

1:00:32.800 --> 1:00:38.120
<v Speaker 1>and then his son no Noel blank, there's Billy, uh

1:00:38.200 --> 1:00:42.520
<v Speaker 1>but yeah, and then me so hopefully I can continue that.

1:00:43.320 --> 1:00:45.560
<v Speaker 1>But who's that one on the top right, top right

1:00:45.640 --> 1:00:48.440
<v Speaker 1>is Doug Doug from I think he was He had

1:00:48.440 --> 1:00:51.600
<v Speaker 1>a Nickelodeon show, then it moved to Disney and it was,

1:00:51.800 --> 1:00:54.200
<v Speaker 1>you know, basically kind of like that voice that he does,

1:00:54.600 --> 1:00:57.600
<v Speaker 1>you know for Fry. It was kind of similar to that.

1:00:57.720 --> 1:00:59.480
<v Speaker 1>And there's a guy named Reno. Do you know Reno

1:01:00.080 --> 1:01:04.320
<v Speaker 1>to Romeo? Yeah, the from Toronto. Yeah. I want to

1:01:04.360 --> 1:01:07.400
<v Speaker 1>thank everybody for tuning into this episode of Culturally Canceled

1:01:07.440 --> 1:01:11.120
<v Speaker 1>with myself, Russell Peters, my special guest, Eric Bowser, the

1:01:11.520 --> 1:01:13.680
<v Speaker 1>Man of a Thousand Voices, the new Man of a

1:01:13.720 --> 1:01:16.840
<v Speaker 1>Thousand Voices. Thanks for tuning in. Guys. We'll see uh

1:01:16.880 --> 1:01:20.600
<v Speaker 1>when I see you U