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Speaker 1: Check it out. Kids. I got shows and I want

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Speaker 1: you to come and see me. So let me give

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Speaker 1: you the details about where I'm gonna be so you

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Speaker 1: can get tickets and make plans. This weekend September two

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Speaker 1: to September four, I will be in pleasant in California

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Speaker 1: at Tommy Tease. On September seventeenth, I'm doing a very special,

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Speaker 1: sold out show at the Etty Hat Arena and Abu Dhabi,

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Speaker 1: United Arab Emirates, So you can't get tickets for that

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Speaker 1: performance anymore. But I just wanted to let you know

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Speaker 1: because it's kind of like a like light little brag.

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Speaker 1: I mean, I don't know how to tell you this,

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Speaker 1: but I'm kind of a big deal. September I will

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Speaker 1: be in Phoenix, Arizona, doing shows that stand up live

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Speaker 1: just two nights. So more shows are always being added,

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Speaker 1: so please keep checking Russell Peters dot com for updates.

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Speaker 1: And now, please enjoy my little show. All right, hey, umm,

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Speaker 1: I'd like to start off the show by clearing my throat.

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Speaker 1: Welcome to culturally canceled. This is a very an episode

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Speaker 1: for me. This one is the first time I think

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Speaker 1: it's the first time I've done just me and another person. Right. Oh,

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Speaker 1: that's right, we had love it. Wow, I have to

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Speaker 1: follow him. Oh, Eric, how dare you so on the

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Speaker 1: show of Me today? Not only are we just by ourselves,

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Speaker 1: he's the only one other than John Lovet's but also

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Speaker 1: one of my Canadian homeboys and the voice of five

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Speaker 1: five characters, five characters in Looney Tunes. He's the new

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Speaker 1: voice of all of them. And he's and he's my

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Speaker 1: my first time meeting him actually, but we've known about

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Speaker 1: each other for a little while and we've sent each other. Well,

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Speaker 1: he sent me clothing in the past. It was weird

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Speaker 1: because it was used underwear, but whatever clothing is clothing. Um,

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Speaker 1: please welcome my new friend. Eric Bowser is in the

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Speaker 1: house with me tonight. Hew. You see he's Uh, that

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Speaker 1: was a really good Stewie. What did you know? When

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Speaker 1: people see the footage, I'll be like, I can't believe

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Speaker 1: you guys got the host of Masks singer to be

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Speaker 1: on the show. They're like, Man, Ken's gained a little

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Speaker 1: bit away. He yeah, he has, he has. Thank you

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Speaker 1: for having me. Man, you're not just the show, but

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Speaker 1: in in your in your in your home and and

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Speaker 1: uh it's it's good to connect with a fellow canny.

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Speaker 1: I'm homesick. I know I have some Canadian things in

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Speaker 1: the house. I have catchup chips if you want. I

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Speaker 1: saw that, and and not just on the counter with

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Speaker 1: the drawer and oh yeah, I think I might have

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Speaker 1: a coffee crisp touch. I found the stash you could

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Speaker 1: find coffee crisp that the Chevron gas station at like

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Speaker 1: Hollywood Way, and uh, it's like right by the report

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Speaker 1: like one thirty four. Yeah, It's like I couldn't believe it.

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Speaker 1: There was like the all Canadian stash in there, like Arrow,

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Speaker 1: really malteezers, they got the whole thing. Got malteesers upstairs

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Speaker 1: if you want. Really, this is what's this. I'm telling you.

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Speaker 1: I was like, I as soon as I discovered that,

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Speaker 1: I was like, I may never have to go home again.

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Speaker 1: Do they have Jersey milk? No, they don't. I forgot

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Speaker 1: about that one. That Jersey milk is good. Jersey milk

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Speaker 1: was just just classic chocolate, right, it was. It was

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Speaker 1: it was just like a Hershey bar, but you see,

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Speaker 1: but Jersey milk was tasty. It was like something good

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Speaker 1: about it. I think, uh, I think Arrow would trumpet though,

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Speaker 1: that's me personally. I love arrow. Mirage is like a

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Speaker 1: fat arrow. Okay, Mirrage, now we're talking. I need that

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Speaker 1: on a T shirt. Yeah, Mirage, that's a good one.

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Speaker 1: Remember the the how much for the caramelk secret? I'll

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Speaker 1: give you the catramilk secret. And then that was like

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Speaker 1: and then they would end the commercial on like someone

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Speaker 1: just took a piece of it, and then the cat

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Speaker 1: when you look at it's just really very very sexual.

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Speaker 1: It was like the cream pie of chocolates. It's the

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Speaker 1: it's the last and the only thing you want in

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Speaker 1: your mouth if you're talking Canadian delicacies. And what about

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Speaker 1: what was that other commercial where they coffee crisp was

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Speaker 1: those two like wafers and they pour the chocolate over it.

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Speaker 1: Yeah that was like I thought I was getting away

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Speaker 1: with something as a kid because I thought, well, I

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Speaker 1: can't drink coffee. It was it had caffeine and oh yeah,

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Speaker 1: there's Mirage up on the screen. What was that one

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Speaker 1: commercial where they had made it sound really sexual where

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Speaker 1: they were like and they're pouring the chocolate on in

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Speaker 1: the commercial and they're talking really sensual, like picture this

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Speaker 1: chocolate and then the milk chocolate on it was it Canadian?

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Speaker 1: It was Canadian. It was definitely Canadian. Canadians and their

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Speaker 1: sexual chocolate, sexual chocolate ladies. It always comes back to

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Speaker 1: coming to America. Uh. And then there was the toffee fae.

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Speaker 1: Is that a Canadian thing where you have toffee fa

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Speaker 1: out here? Toffee toffee tofie Faye Court thought it was Tofife.

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Speaker 1: You know, you say to Fife, it's probably to Fife

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Speaker 1: toffee fee. That's what they said in the commercial toffi fee,

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Speaker 1: because it's toffee inside. Now a lot of these, a

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Speaker 1: lot of these are also available. And by the way,

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Speaker 1: we're only gonna be talking about chocolates from Canada for

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Speaker 1: the next era, but a lot of these are like

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Speaker 1: Briti there is to to Fife the British. It could

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Speaker 1: be a hazel nut and caramel with creamyn. Because here's

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Speaker 1: the big thing about Canada and England. In the U.

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Speaker 1: K's like smarties, right, like we got Smartmarties and over

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Speaker 1: here smarties are rockets, rockets exactly. That's the biggest what

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Speaker 1: separates us. Well, you guys call smarties, we call rockets,

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Speaker 1: and what we call smarties is chocolate. They're like Eminem's

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Speaker 1: bud Better you know those Canadians, they come in with

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Speaker 1: the chocolate and they screw it all up. Smarties are

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Speaker 1: rockets and rockets are smarties? Just disgusting. You know that

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Speaker 1: some of these guys are a light, but they're taking

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Speaker 1: all the jobs. We gotta build a wall around Canada

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Speaker 1: with putin, Right, it's their favorite food. It's cheese, rise

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Speaker 1: and gravy. It's true, it's Russian food. Yeah. I could

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Speaker 1: have Puttin in my mouth all day. Hello, I love it.

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Speaker 1: I love it. How many voices do you do? Eric,

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Speaker 1: I don't know. I don't know one of those guys

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Speaker 1: who just doesn't and go, oh, apparently I could do

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Speaker 1: this one too. Yes, I feel like that's the case.

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Speaker 1: And you know, I spent a lot of time watching

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Speaker 1: like a lot of cartoons. That's that's where I had

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Speaker 1: the Looney Tunes. If if we're going to go back

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Speaker 1: to that, it's Saturday mornings on Global above his Bunny

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Speaker 1: and Tweetie show. We're on Global. Yeah, it was. They

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Speaker 1: had an hour. And that's like basically since if you're

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Speaker 1: looking at the lineage of Looney Tunes, they were made

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Speaker 1: in like forties fifties, so they that's why some of them. Listen,

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Speaker 1: we were talking about this. Some of them are so racist.

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Speaker 1: And when the guy would like have the cigar that exploded,

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Speaker 1: and he would look like a h he was in

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Speaker 1: black face, it's the lips would be it was like

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Speaker 1: we didn't even a cardo. It didn't have cardos. When

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Speaker 1: were kids were like, that's funny, and I realized, now,

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Speaker 1: I go, holy sh it, that's so fucking racist. I mean,

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Speaker 1: they had an episode Bugs Bunny Nips the Nips you

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Speaker 1: know that now, Now that's that's a real cartoon and

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Speaker 1: oh yeah, they have the bone on their nose and

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Speaker 1: they were making a soup out of another human. It

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Speaker 1: was all propaganda and the Bugs Bunny up then flipped

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Speaker 1: to the Nips. And now Mel Blank is rolling in

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Speaker 1: his grave. No, just kidding. I'm sure he's proud. But

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Speaker 1: when did Mel Blank day? And so who filled in

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Speaker 1: for the past thirty two years before you? The first guy,

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Speaker 1: Jeff Bergman, he was actually bugs in in the movie

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Speaker 1: Space Jam. I was I am Bugs for HBO Max's

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Speaker 1: Looney Tunes cartoons. I'm in space Gym as Daffy duck

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Speaker 1: Elma very very quiet. I'm hunting that web. Marvin the marsh.

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Speaker 1: He isn't their lovely earth creature used to love Marvin

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Speaker 1: the Martian Fog, I say, fog horn leg harn. You

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Speaker 1: know that Russell Peter's son like a dirt road between

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Speaker 1: two corn fields, nothing between the ears. That's a joke, son,

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Speaker 1: that's a joke. Uh And then uh, yeah, Porky Pig.

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Speaker 1: I'm gonna you know, Filipino, Porky Lichen or Larry Lichon,

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Speaker 1: we'll call him. Yeah, we're gonna switch it up. Bury

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Speaker 1: the bob boy buried. That sounds like a sex move

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Speaker 1: in the Philippines. Let me bury my bub boy in you.

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Speaker 1: But yeah, only five in that one, but I mean

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Speaker 1: five on. I mean, look were at some time we

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Speaker 1: were doing I was doing scratch dialogue for all the characters,

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Speaker 1: even Granny, just because they needed someone in there to

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Speaker 1: act against Lebron. I was in the booth with Lebron

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Speaker 1: at least four or five times. Very cool, very very cool,

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Speaker 1: very very tall. You should play basketball, I think, or

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Speaker 1: clean the gutters. He's so tall. Man. Like we we

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Speaker 1: took a picture with him, I was saying earlier, we

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Speaker 1: all looked like we were standing in potholes, like like

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Speaker 1: next to him, it was. It was me and his

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Speaker 1: kneecaps was acting. I never saw it. But he was good.

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Speaker 1: I mean, you're going to say that, but everybody else

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Speaker 1: said he sucked. At least with me in the booth.

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Speaker 1: My niece and nephew said how, I said, how space Jam.

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Speaker 1: It was really good. But Lebron is a terrible actor.

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Speaker 1: You know what a nine year old calling you have

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Speaker 1: to I got good news is he's a decent basketball player. Yeah,

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Speaker 1: at the very end of the day, at least he

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Speaker 1: has that to fall back on. But if a nine

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Speaker 1: year old, if if you know, they say the brutal

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Speaker 1: honesty about the thing. But I don't think really Lebron

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Speaker 1: gives a ship either way. So you know, I mean

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Speaker 1: the guy between producing the film, being in the bubble

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Speaker 1: during the pandemic, uh, you know, being family and nobody.

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Speaker 1: Nobody's ever going to dispute his drive. There's a reason

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Speaker 1: he is where he is in life because he's not me.

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Speaker 1: He's not lazy. Sweeping the Raptors two years in a row. Yeah,

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Speaker 1: we will never forget that. Did he sweep? But he

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Speaker 1: never won that year? Did he? How many rings does

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Speaker 1: he have now? And I think it's Lebrono's form rings

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Speaker 1: there which one are you? You look great in the

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Speaker 1: red flowered shirt, the one that looks like short round

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Speaker 1: from Indiana Jones next to Indiana Genes. That's Spike brand Brand.

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Speaker 1: He was the animation director. He worked on the original

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Speaker 1: Space Gym and now he's the animation director on on

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Speaker 1: the sequel twenty five years later. What's it? The number

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Speaker 1: one movie? It was, right, it was. It was at

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Speaker 1: one point the number one movie. And to do that

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Speaker 1: in a in a pandemic, it's very hard to do. Yeah,

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Speaker 1: how did they do that? Yeah? I don't understand that.

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Speaker 1: I mean, I understand it, but I don't understand it,

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Speaker 1: you know what I mean. I'm like, morally and and

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Speaker 1: for humanity, we understand it, but uh, for for the

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Speaker 1: outcome of the movie's sake regarding box office, that's that,

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Speaker 1: you know, And and the numbers are hidden and and

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Speaker 1: and they say there's a formula that's going to work out.

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Speaker 1: I just don't see it. I don't I don't see

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Speaker 1: why they would do that. I'm just used to movies

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Speaker 1: like coming on pay per view, like like at the

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Speaker 1: tail end of them being in theaters. Yeah, and they're

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Speaker 1: already advertising its presence on on home video and blue

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Speaker 1: ray and all that stuff. People still do that, people

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Speaker 1: still I still do it. I still like having that

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Speaker 1: tangible thing. I do like tangible things. But do we

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Speaker 1: have a DVD player? Do we have a Blue ray?

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Speaker 1: Are you still producing like content on like tangible? Is

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Speaker 1: it all streaming now? It's all streaming as far as

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Speaker 1: I know. I mean, I still own like all your

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Speaker 1: original stuff. Really. Oh yeah, it's never it's never go

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Speaker 1: I gotta style at my house. Well, yeah, that's from

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Speaker 1: my tangible days. The tangible I think. I think I

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Speaker 1: have like a tangible copy of Notorious, the one that

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Speaker 1: with the Netflix special I made. I made a stack

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Speaker 1: of them just for like promo. Nice. But when we

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Speaker 1: still have them. I've seen him somewhere in the house

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Speaker 1: a stack of them. Yeah we have. We had a

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Speaker 1: bunch of them. I'll give you one, please, because I

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Speaker 1: don't think that works are streaming it anymore. Well, fuck

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Speaker 1: my dreams. Huh. I heard that you're going to uh

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Speaker 1: Abu Dhabi. I am going to Abu Dhabi And is

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Speaker 1: that the first time you know? I've been to Abu

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Speaker 1: Dhabi many times. Um, I've never been what's it like?

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Speaker 1: Should come? They might think you're a worker. If I go,

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Speaker 1: I might stay right like, I might not have buzz

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Speaker 1: board to leave. I'm I'm just know you have bilibino.

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Speaker 1: You have to go back to work. They have the

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Speaker 1: Warner Brothers theme park there, do they? Yes, you should come.

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Speaker 1: I've done voices in rides that I may never get

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Speaker 1: to try. You should come to Abudhabi. Uh, your money.

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Speaker 1: You could get a ticket at a head Airways. Right,

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Speaker 1: that's the we're gonna go. Um. Yeah, it's the Eddie

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Speaker 1: had Arena that I'm opening, Okay, And I wanted to

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Speaker 1: fly Eddie Had on that on that flight, but I

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Speaker 1: wanted to do there. They have these first class private suites. Yeah,

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Speaker 1: they're like, but they're not. They're not running them right now,

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Speaker 1: and I'm like, come on, wouldn't they I don't know.

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Speaker 1: I guess it's probably costs them a lot of money

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Speaker 1: to run that plane. Yeah, right, right, right right. So

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Speaker 1: I'm going Emirates. Okay, it's not like I'm suffering. I'm

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Speaker 1: still going to say that doesn't send too bad. I'm

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Speaker 1: still going Emirates first, you know what I mean. It's

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Speaker 1: not like I still get a suite, and I still

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Speaker 1: get a shower on board if I want, you know, well,

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Speaker 1: well safety wise, I'm still live the mind like, being

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Speaker 1: far from like the general population on the plane is

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Speaker 1: probably a better idea than oh yeah, being in the mix.

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Speaker 1: It's probably gonna be just me in the first class

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Speaker 1: in the life, I have no problem with. I'll just

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Speaker 1: keep switching seats the whole flight. What is the audience

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Speaker 1: going to be? Like, I mean, like you did it

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Speaker 1: demographically speaking, no, no, no volume one. Oh, they're only

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Speaker 1: doing three thousand seats, which is weird because it's in

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Speaker 1: an arena, right, that's what just open and it's sold out.

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Speaker 1: I'm like, just open it up. They're having like I mean,

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Speaker 1: arena like basketball like games that have like I'm hoping

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Speaker 1: you're not spread out because that will Oh my god,

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Speaker 1: the laughs are gonna be echoing in that place. If

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Speaker 1: you spread out three thousand people in a seat arena,

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Speaker 1: your mind as will be playing to yourself. You're gonna

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Speaker 1: hear You're gonna hear things. The one guy in the back, yeah,

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Speaker 1: you else, what what's he talking about? Who's he talking about?

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Speaker 1: The crowd? Work in a in a in a arena

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Speaker 1: that big how do you How do you manage to

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Speaker 1: do that? That's my favorite part of your every every

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Speaker 1: bit of your stand up is like I like to

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Speaker 1: So what I do is when I'm in an arena,

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Speaker 1: I have two camera guys on stage and they'll shoot

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Speaker 1: the audience and they know basically they the parameters of

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Speaker 1: where I will speak to somebody, of course, because there's

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Speaker 1: only so far I can go, so they know that's

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Speaker 1: even lit because yeah, so they noticed scan like the

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Speaker 1: first two to three rows maximum three and then uh

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Speaker 1: and then and then they'll kind of figure out. They'll

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Speaker 1: they know my these guys have been with me for

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Speaker 1: a long time, so they know my moves. They'll be like,

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Speaker 1: he's probably gonna talk to that guy. Probably gonna talk

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Speaker 1: to that guy. I don't know until I get out there,

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Speaker 1: and then we all figure it out. And sometimes I'm like, hey,

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Speaker 1: you and they'll get the wrong guy. What are you

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Speaker 1: doing the rest of that? The guy I'm talking to,

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Speaker 1: I said, a black guy, and you shut up a

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Speaker 1: white woman. I mean that's the but but that that's

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Speaker 1: even better though, right, I mean anything you know, do

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Speaker 1: you get to um, do you get to do lots

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Speaker 1: of winging it on? Any of the voices. Definitely, like

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Speaker 1: on this one, there there were like which one on

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Speaker 1: this on this podcast on Space Jam on Space Jam,

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Speaker 1: like I'm thinking about like something that I just did,

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Speaker 1: and it was basically like here's the script. But even

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Speaker 1: you know, when you're working on a film, it's like

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Speaker 1: versus TV. As you know, in animation like they needed

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Speaker 1: yesterday and TV. But with film it's like we got

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Speaker 1: two years, so we'd be going back into the booth

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Speaker 1: like for months working and hammering out scenes that they're like,

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Speaker 1: this is funnier. There's always time to punch up, and

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Speaker 1: then they will give you the opportunity to you know,

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Speaker 1: here's do three on the three on the page, and

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Speaker 1: do one that you like right right or yeah. And

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Speaker 1: then Malcolm d Lee the director, Malcolm directed this, Malcolm

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Speaker 1: d Lee, son of a bit, you know, Malcolm, Yeah,

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Speaker 1: I'm a text his ask text of column right now,

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Speaker 1: welcome d Lee, the director of Space Jamnue legacy was

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Speaker 1: I did not know that he was always in the room,

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Speaker 1: and uh, if not in the room during the pandemic,

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Speaker 1: I'd be recording in my my Christopher walk in closet.

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Speaker 1: As as long as I was making Malcolm. Laugh. I

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Speaker 1: knew I was doing my job right because I'm we're

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Speaker 1: talking with a guy that's worked with Hattish Heart, all

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Speaker 1: the all the greats, Mr Ben Schwartz. And I was

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Speaker 1: supposed to do a movie with Malcolm but then I

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Speaker 1: don't know what happened with that. But okay, they never

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Speaker 1: never came together. But then he keeps texting me like

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Speaker 1: we've got to work together. I'm like, you're the one

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Speaker 1: doing all the work. Put me in. You should have

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Speaker 1: been in space, jam man. Yeah, he's he's um, Spike

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Speaker 1: Lee's cousin. No way, you didn't know that. Yes, Spike

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Speaker 1: Lee's cousin. I did not know it. And his mother

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Speaker 1: is Jamaican. Okay, that's why we all. That's what I mean.

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Speaker 1: You know, he's that's the power of of grown up

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Speaker 1: in Toronto, of the Island folk and la Jamaican. Well,

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Speaker 1: you know he's if he says he's going to put

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Speaker 1: you in something, he's he's good to his word. I'm

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Speaker 1: sure he's been many years now, it's been right, well

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Speaker 1: now in a half years of Malcolm, you funk, what's

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Speaker 1: wrong with you? It was Barbershop three or four whatever,

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Speaker 1: was one of the barbershops. Okay, so I didn't know

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Speaker 1: that he was. He continuing that that legacy if he

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Speaker 1: did the last barbershop that they did, and um, and

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Speaker 1: I was supposed to be in it. But then they

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Speaker 1: gave it to a different Indian kid, which is fine,

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Speaker 1: I mean, there he is, there he is. They gave

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Speaker 1: it to a younger, better looking Indian one that looked

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Speaker 1: more Indian. I'm like, that's fair. Whatever. I end up

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Speaker 1: doing Jungle Book instead. So that's why I only do

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Speaker 1: voice over, because they'll never give it to another Filipino guy.

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Speaker 1: They might, you know, joke coin might take your joke

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Speaker 1: coin man. Another another, another generous comedian. He I haven't

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Speaker 1: met him, I've I've been a fan of his work.

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Speaker 1: And he sent me a bunch of gear and yeah,

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Speaker 1: congratulations and never sent me ship. And how long have

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Speaker 1: you guys have known each other? Fifteen years? Holy smokes.

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Speaker 1: He opened for me. I took him on tour to

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Speaker 1: Australia him and I'm ed, I'm ed a matter of fact.

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Speaker 1: And I just found the flyer for. I found a

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Speaker 1: stack of the flyers for when I was in the

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Speaker 1: Vegas house. But I noticed a lot of artwork in

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Speaker 1: your house, a lot of music memorabilia and and the

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Speaker 1: ones in twos spending lots. I've been djas and five. Dude,

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Speaker 1: that's amazing man. Starting from Scratch. Yes, Scratch and I

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Speaker 1: have known each other since eighty nine. We did Alive

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Speaker 1: to Air together back in ninety. He's a huge retro

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Speaker 1: Kid supporter. Yes, he is, as as am. I I

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Speaker 1: know wearing You've always wearing your mr dress up right

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Speaker 1: now And dude, I like, so, how do we are

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Speaker 1: you one of the owners of retro Ki. Yeah. I

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Speaker 1: designed these shirts. Really, I designed it. So before I

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Speaker 1: went into animation, I was an animator. I was like working,

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Speaker 1: uh in in a few studios like in and around Hollywood,

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Speaker 1: just drawing, and then someone said, you know, they'll they'll

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Speaker 1: give you money to read into a microphone. So it

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Speaker 1: was like kind of moonlighting between drawing during like my shifts,

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Speaker 1: and then I would go to like Nickelodeon an audition

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Speaker 1: for stuff, and then drive back to the animation house

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Speaker 1: and and draw. I don't know how long you've been

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Speaker 1: in l A. About twenty years. Oh really? Yeah you

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Speaker 1: came out here way early then. Yeah. Yeah. Again, like

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Speaker 1: was like the college internship. I was at Centennial Centennial College.

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Speaker 1: I performed there. Yeah really yeah? Which one that Centennial

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Speaker 1: Centennial College? Which one in uh Oshawa? No? Mine was

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Speaker 1: my campus was the one buy paper Mortimer by by

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Speaker 1: the dan for I think I did that one. I

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Speaker 1: did all of them. Yeah. There was like an auditorium.

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Speaker 1: It would have like the Nooner Show. It was the

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Speaker 1: Nooner Show noon it was uh the loony noony show.

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Speaker 1: It was like cost your dollar to get in really

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Speaker 1: sure for sure? Yeah, And I would be doing those

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Speaker 1: shows back in the yeah, back in the day. I

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Speaker 1: actually have a flyer from one of them I posted

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Speaker 1: up in my house in Vegas. It's a looney Looney

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Speaker 1: Tuesday was Looney Tuesdays or something like that. Tuesdays for

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Speaker 1: Loony Tuesdays. For KFC. That was the big deal. And

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Speaker 1: it was like, I don't know, one of those colleges

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Speaker 1: like New Him or something. You know, you were you

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Speaker 1: broke them, old man, You're You're like nothing anyone Like

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Speaker 1: my family, we would anytime you had a special on TV.

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Speaker 1: We would always like tape it on VHS because that's

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Speaker 1: that's all you could do back then, and we would

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Speaker 1: just watch the ship out of your your specials man. Well,

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Speaker 1: the first two were kind of bad. Now, the first

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Speaker 1: one was really good. I was very green then I

390
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Speaker 1: was I don't doing stand up six years? Really six years?

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Speaker 1: Six years? It was six years. And I mean you're

392
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Speaker 1: the kind of comic and I mean, you know, uh,

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Speaker 1: I mean people know stand up comedy, but I mean,

394
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Speaker 1: like that, just go out when when there's no special

395
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Speaker 1: known Netflix, just go out to a bar maybe that

396
00:22:19,400 --> 00:22:21,720
Speaker 1: has five or ten people, and just still tells jokes

397
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Speaker 1: like an audience. You got to do it. That's really

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Speaker 1: the hustle is thirty two years. So you know who

399
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Speaker 1: tried to get me to do stand up was Harlan Williams. Really,

400
00:22:30,200 --> 00:22:33,320
Speaker 1: I was like, how you're a Canadian fella. Hey there, buddy,

401
00:22:33,840 --> 00:22:37,840
Speaker 1: you do voices? Hey Beckers, why don't you do it? Hey? Shot?

402
00:22:38,000 --> 00:22:41,520
Speaker 1: Who wants a hot corn beef sandwich? You know? It

403
00:22:41,680 --> 00:22:45,040
Speaker 1: was hot corn beef. We always text each other around.

404
00:22:45,040 --> 00:22:48,919
Speaker 1: It was really random Canadian things. It'll do you ever

405
00:22:48,960 --> 00:22:51,679
Speaker 1: send him stuff? Every now and then we will should

406
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Speaker 1: you know, who wants something? Bonnie McFarland wants a bunch

407
00:22:54,400 --> 00:22:56,919
Speaker 1: of stuff? Well yeah, you know, yeah. We were on

408
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Speaker 1: Ian Bags Uh podcast at one point yeah, she saw

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Speaker 1: me with one of my which one. Yeah. She was like,

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Speaker 1: oh my god, where'd you get that? I go, it's

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Speaker 1: a Canadian. Come, I'll get you. I'll get them to

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Speaker 1: send you some stuff. Yeah yeah, yeah, yeah, I'll have

413
00:23:13,600 --> 00:23:14,920
Speaker 1: to hit her up then I'll tell her I was

414
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Speaker 1: on your show and we always hook up the Canadians

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Speaker 1: with our our Canadian guard. We're working on a y

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Speaker 1: t V campaign. Might have some Breaker High hoodies and

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Speaker 1: I hate to take a page out of Drake's book.

418
00:23:31,880 --> 00:23:33,840
Speaker 1: He showed up to a Raptors game and a Breaker

419
00:23:33,920 --> 00:23:37,240
Speaker 1: High hoodie. Really yeah, where you got it from? I

420
00:23:37,280 --> 00:23:39,200
Speaker 1: don't know. I'm sure he had his maide. I mean

421
00:23:39,720 --> 00:23:42,120
Speaker 1: he has a clothing company. I'm sure you've all heard

422
00:23:42,119 --> 00:23:45,800
Speaker 1: of it. This is um, this is this is one

423
00:23:45,840 --> 00:23:50,560
Speaker 1: of our You and Harlan. Harlan basically the literally Holy

424
00:23:50,680 --> 00:23:54,879
Speaker 1: Grape Crush. He texted. Then he saw this painting of

425
00:23:54,880 --> 00:23:57,919
Speaker 1: a Max Milk Oh yeah, and he was like, I

426
00:23:57,960 --> 00:23:59,480
Speaker 1: was going to buy you this at an art show

427
00:23:59,480 --> 00:24:03,040
Speaker 1: and Whistler, but then decided you deserve Becker's I mean better.

428
00:24:10,320 --> 00:24:12,680
Speaker 1: Since you're listening to this show, I think it's safe

429
00:24:12,720 --> 00:24:15,880
Speaker 1: to say you like podcasts. Or maybe you've only recently

430
00:24:15,920 --> 00:24:17,919
Speaker 1: become a fan because you just can't get enough of

431
00:24:17,960 --> 00:24:22,080
Speaker 1: my of my culturally canceled podcast. Well, either way, you'll

432
00:24:22,119 --> 00:24:25,760
Speaker 1: find a ton of benj Worthy podcasts, including hours on

433
00:24:25,800 --> 00:24:30,520
Speaker 1: Amazon Music. Amazon Music has more than ten million free

434
00:24:30,520 --> 00:24:34,880
Speaker 1: podcast episodes to listen to. But Amazon Music isn't just

435
00:24:35,040 --> 00:24:38,040
Speaker 1: for listening to podcasts. They have thousands of music stations

436
00:24:38,359 --> 00:24:42,280
Speaker 1: and top playlist to stream for free. Let me tell

437
00:24:42,320 --> 00:24:44,439
Speaker 1: you something. We talked about music all the time on

438
00:24:44,480 --> 00:24:46,359
Speaker 1: this show, and we get pretty specific. So if you

439
00:24:46,400 --> 00:24:48,439
Speaker 1: want to go here Kango Kid, do his thing in

440
00:24:48,560 --> 00:24:51,200
Speaker 1: Roxanne Roxanne, or listen to the bridge Smooth b wrote

441
00:24:51,200 --> 00:24:54,520
Speaker 1: for Bobby Brown in my prerogative, you can find what

442
00:24:54,640 --> 00:24:57,120
Speaker 1: you want to hear on Amazon Music, and no matter

443
00:24:57,160 --> 00:25:00,440
Speaker 1: what you're listening to, you can go hands free with Alexa.

444
00:25:00,680 --> 00:25:02,639
Speaker 1: If you're like me and you want your music on

445
00:25:02,680 --> 00:25:05,480
Speaker 1: demand and add free, you have to try Amazon Music

446
00:25:05,520 --> 00:25:09,080
Speaker 1: Unlimited that gives you unlimited access to over seventy five

447
00:25:09,160 --> 00:25:13,040
Speaker 1: million songs, as well as podcasts, music videos, and more.

448
00:25:13,920 --> 00:25:16,800
Speaker 1: With Amazon Music Unlimited, you can listen to any song

449
00:25:16,920 --> 00:25:21,080
Speaker 1: anywhere offline with unlimited skips. And when I'm trying to

450
00:25:21,119 --> 00:25:23,480
Speaker 1: listen to a whole album. There's always some songs that

451
00:25:23,520 --> 00:25:26,560
Speaker 1: aren't as good as they may need to be, and

452
00:25:26,600 --> 00:25:31,000
Speaker 1: they probably need to be skipped, so unlimited skips is crucial. Again,

453
00:25:31,359 --> 00:25:34,080
Speaker 1: we talked about music and hip hop. I don't know

454
00:25:34,080 --> 00:25:36,199
Speaker 1: why music and hip hop or two different things. Well,

455
00:25:36,240 --> 00:25:38,199
Speaker 1: you know what I'm saying. We talked about music a

456
00:25:38,240 --> 00:25:40,560
Speaker 1: lot and all the time on this show, and I

457
00:25:40,600 --> 00:25:42,320
Speaker 1: love one of my guests recommends a song or an

458
00:25:42,359 --> 00:25:44,840
Speaker 1: album that I've never really gotten into so that I

459
00:25:44,840 --> 00:25:47,560
Speaker 1: can look it up on Amazon Music Unlimited and hear

460
00:25:47,600 --> 00:25:50,840
Speaker 1: it from myself. It's always easy to find whatever I'm

461
00:25:50,840 --> 00:25:53,840
Speaker 1: looking for, and I would definitely recommend that listeners of

462
00:25:53,880 --> 00:25:56,320
Speaker 1: the show check out the albums we've been talking about

463
00:25:56,359 --> 00:26:00,359
Speaker 1: by using Amazon Music Unlimited. If you've never tried Amazon

464
00:26:00,440 --> 00:26:04,439
Speaker 1: Music Unlimited, now is a great time. For a limited time,

465
00:26:04,920 --> 00:26:09,240
Speaker 1: new customers can try Amazon Unlimited free for thirty days,

466
00:26:09,880 --> 00:26:12,560
Speaker 1: no credit card required. Just go to Amazon dot com

467
00:26:12,640 --> 00:26:17,440
Speaker 1: slash peters that's Amazon dot com slash peters to try

468
00:26:17,560 --> 00:26:23,400
Speaker 1: Amazon Music Unlimited free for thirty days Amazon dot com

469
00:26:23,480 --> 00:26:27,240
Speaker 1: slash peters. Amazon Music renews automatically and you can cancel

470
00:26:27,400 --> 00:26:37,040
Speaker 1: any time. Terms apply he's so good man. And it's

471
00:26:37,119 --> 00:26:40,359
Speaker 1: like the kind of person that you can watch two

472
00:26:40,400 --> 00:26:44,160
Speaker 1: sets back to back, same jokes, but it's this it's

473
00:26:44,280 --> 00:26:47,720
Speaker 1: different every time. And it's and that's the guy agatting

474
00:26:47,720 --> 00:26:49,439
Speaker 1: the guy that he was like, you gotta get up

475
00:26:49,480 --> 00:26:54,120
Speaker 1: there on stage and make people laugh again, Jenner. I'm like,

476
00:26:54,160 --> 00:26:58,160
Speaker 1: who's so he put me up on the stage. Uh,

477
00:26:58,400 --> 00:27:01,639
Speaker 1: the Long Beach laugh Factory that I was terrified it

478
00:27:01,720 --> 00:27:04,359
Speaker 1: was him and Adam Ray how long ago? And this

479
00:27:04,480 --> 00:27:06,240
Speaker 1: is the years and years and years and years and

480
00:27:06,320 --> 00:27:08,280
Speaker 1: years ago. And you know, I was trying for for

481
00:27:08,280 --> 00:27:10,119
Speaker 1: a little bit, but I was like, I can't. I

482
00:27:10,680 --> 00:27:13,160
Speaker 1: don't wake up thinking of the rest of the joke,

483
00:27:13,280 --> 00:27:15,280
Speaker 1: you know. I I wake up thinking can can I

484
00:27:15,320 --> 00:27:18,120
Speaker 1: do that voice? And and that's what is the voice?

485
00:27:18,119 --> 00:27:20,160
Speaker 1: And that's all it needs. A look at you guys

486
00:27:20,160 --> 00:27:22,480
Speaker 1: and Harley, look at that. Harlan out chinned me in

487
00:27:22,520 --> 00:27:25,959
Speaker 1: that photo. That is an ugly photo of both of us.

488
00:27:27,480 --> 00:27:31,880
Speaker 1: That is like a fucking caricature photo. What the fun

489
00:27:33,280 --> 00:27:36,159
Speaker 1: my face looks seventy You guys are so close together

490
00:27:36,200 --> 00:27:38,600
Speaker 1: in proximity, but there it is is that Norman Jewison,

491
00:27:38,960 --> 00:27:42,240
Speaker 1: Oh my god, it is he came to our college

492
00:27:42,280 --> 00:27:46,880
Speaker 1: ones to talk about some and that was the one

493
00:27:46,920 --> 00:27:50,040
Speaker 1: where me and Alan Thick and nia Ardalos were there.

494
00:27:50,119 --> 00:27:53,240
Speaker 1: That's the Canadian mount Rushmore right there. Who's that woman?

495
00:27:53,880 --> 00:27:59,600
Speaker 1: I don't know? That might be his wife. Interesting fact

496
00:27:59,600 --> 00:28:04,800
Speaker 1: about yeah, Lynn st David Jewish? What is the interesting

497
00:28:04,800 --> 00:28:10,680
Speaker 1: fact about Norman? He's not Jewish? What he's not? What's

498
00:28:10,680 --> 00:28:13,680
Speaker 1: with that last name? Even like Norman? Never mind Jewison?

499
00:28:13,760 --> 00:28:18,679
Speaker 1: I mean, I go, you Jewish? He goes, no, go

500
00:28:18,840 --> 00:28:22,040
Speaker 1: what with a name like jewis soon your jewie son?

501
00:28:23,480 --> 00:28:25,600
Speaker 1: I'm like, no, not Jewish. I'm like, what the fuck

502
00:28:26,040 --> 00:28:28,760
Speaker 1: your name is? Norman? He's been living a lie this

503
00:28:28,840 --> 00:28:32,920
Speaker 1: whole time? Well, he's been getting away with eat. He

504
00:28:32,960 --> 00:28:35,600
Speaker 1: wanted to remake that movie The Russians Are Coming, Remember,

505
00:28:35,640 --> 00:28:37,840
Speaker 1: and he wanted me to do it. And he wanted

506
00:28:37,880 --> 00:28:40,320
Speaker 1: me to learn Russian or either wanted me to learn

507
00:28:40,400 --> 00:28:43,400
Speaker 1: Russian or Arabic one or the other. He wanted me

508
00:28:43,440 --> 00:28:45,480
Speaker 1: to learn Arabic for the role. Like, how am I

509
00:28:45,480 --> 00:28:49,320
Speaker 1: going to learn an entire language for the role? I mean,

510
00:28:50,280 --> 00:28:52,280
Speaker 1: I mean I could figure it out. I was gonna say,

511
00:28:52,320 --> 00:28:57,760
Speaker 1: I wouldn't. I wouldn't sell yourself short. You're You're horrible.

512
00:28:57,840 --> 00:29:02,240
Speaker 1: That sucking what I always had good jackets? Man, Where

513
00:29:02,240 --> 00:29:05,040
Speaker 1: do you get your who's your stylists? I got you?

514
00:29:05,040 --> 00:29:06,880
Speaker 1: You need something? You get you? Look you got you

515
00:29:06,920 --> 00:29:09,520
Speaker 1: got me the gear, the Russell, the only gear I

516
00:29:09,560 --> 00:29:11,280
Speaker 1: could give you. I mean, you've get sent me so

517
00:29:11,360 --> 00:29:13,720
Speaker 1: much stuff and there's more coming. Man, I want the

518
00:29:13,760 --> 00:29:16,080
Speaker 1: knob Hill Farms stuff. Is that out yet? It is?

519
00:29:16,280 --> 00:29:19,160
Speaker 1: I haven't got that yet. I loved kno Hill Farms.

520
00:29:19,200 --> 00:29:23,000
Speaker 1: We've been working with the guy who runs Retro Ontario

521
00:29:23,400 --> 00:29:26,960
Speaker 1: and that guy has been like in the Canadian pop

522
00:29:27,040 --> 00:29:29,760
Speaker 1: culture nostalgia game for a while because he used to

523
00:29:29,760 --> 00:29:33,280
Speaker 1: work at City TV. So I used to work at CITYTV.

524
00:29:33,440 --> 00:29:40,160
Speaker 1: So really, yeah, I used to um work on lunch television. Okay,

525
00:29:40,200 --> 00:29:43,360
Speaker 1: So you're always like in entertainment, in production, behind the scenes,

526
00:29:43,400 --> 00:29:46,040
Speaker 1: and I just wanted to, Like had been doing stand

527
00:29:46,080 --> 00:29:50,080
Speaker 1: up five years, I was never on TV and I

528
00:29:50,200 --> 00:29:53,480
Speaker 1: ended up becoming like all of those people that don't

529
00:29:53,520 --> 00:29:59,600
Speaker 1: get paid voluntotter. It was an intern and yeah, I

530
00:29:59,600 --> 00:30:02,120
Speaker 1: would have to take down the breakfast television set, then

531
00:30:02,120 --> 00:30:05,680
Speaker 1: put up the lunch television set, and then to make money,

532
00:30:06,240 --> 00:30:08,440
Speaker 1: I would work on electric circus as a cable puller.

533
00:30:08,480 --> 00:30:12,840
Speaker 1: Oh my god, ec ten bucks an hour was like, yeah,

534
00:30:12,840 --> 00:30:17,080
Speaker 1: I'm making bank. I don't know a cable Like at

535
00:30:17,080 --> 00:30:19,120
Speaker 1: a dance club every Friday night, I would be the

536
00:30:19,120 --> 00:30:20,800
Speaker 1: guy across the street. Know, when they did the shot

537
00:30:20,840 --> 00:30:23,480
Speaker 1: from the street into the building, I would be on

538
00:30:23,520 --> 00:30:26,320
Speaker 1: the camera guy outside holding the cables. That was me,

539
00:30:27,280 --> 00:30:29,960
Speaker 1: And I think I have I'm probably do have it somewhere,

540
00:30:29,960 --> 00:30:31,520
Speaker 1: but I have videotape. When we do a lot of

541
00:30:31,520 --> 00:30:32,880
Speaker 1: wide shot, you would see the camera and I'm like,

542
00:30:32,920 --> 00:30:35,760
Speaker 1: that's me. You look at my TV holding holding the camera.

543
00:30:36,560 --> 00:30:40,640
Speaker 1: Just hold the cable camera in dude. Cable puller is

544
00:30:40,680 --> 00:30:43,800
Speaker 1: still an essential part of production, I think now then

545
00:30:43,800 --> 00:30:45,120
Speaker 1: then they have it like down to science, like the

546
00:30:45,160 --> 00:30:47,480
Speaker 1: cables on the guy's hip now and it's on an

547
00:30:47,520 --> 00:30:50,280
Speaker 1: elastic or something. It's it's it's all high tech. Yeah,

548
00:30:50,280 --> 00:30:52,760
Speaker 1: it's all bluetooth now, but not in Canada. Caada, they

549
00:30:52,800 --> 00:30:55,400
Speaker 1: still got it. They still got it back the Caveman

550
00:30:55,480 --> 00:30:58,000
Speaker 1: era of production. Let's talk about shirts. We should do

551
00:30:58,080 --> 00:31:01,760
Speaker 1: like other al right, Okay, So beach commerce beach combers

552
00:31:01,800 --> 00:31:06,360
Speaker 1: has been definitely tossed around the CBC. So Canadian broadcast Corporation.

553
00:31:06,880 --> 00:31:10,000
Speaker 1: I wanted to do some David Suzuki stuff I wanted.

554
00:31:10,640 --> 00:31:14,000
Speaker 1: I wanted the I love David David Suzuki, such a

555
00:31:14,040 --> 00:31:17,440
Speaker 1: cool guy legend. I wanted to do like the glasses,

556
00:31:17,520 --> 00:31:20,160
Speaker 1: the mustache and like the big hair yea, but not

557
00:31:20,240 --> 00:31:24,240
Speaker 1: as you know, just like the simplistic art. Uh we

558
00:31:24,240 --> 00:31:29,640
Speaker 1: were gonna do. Um gosh, there's there's just so much stuff.

559
00:31:29,880 --> 00:31:32,920
Speaker 1: Max Milk. Oh, I was going to ask about Maximulk today.

560
00:31:33,000 --> 00:31:35,600
Speaker 1: I wanted the cat, but there's an old school cat

561
00:31:36,120 --> 00:31:39,680
Speaker 1: remember that one too, maxim Milk at m AC. So

562
00:31:39,760 --> 00:31:42,480
Speaker 1: these are like convenience stores in and around Canada. If

563
00:31:42,600 --> 00:31:45,960
Speaker 1: if there's listeners that don't understand what we're talking about,

564
00:31:45,960 --> 00:31:49,240
Speaker 1: but I'm sure there's gonna Jugo Milk, there's jug City.

565
00:31:49,440 --> 00:31:51,640
Speaker 1: It was jug City. Jug City and that was like

566
00:31:51,680 --> 00:31:54,360
Speaker 1: our least popular shirt to say, yeah, well women might

567
00:31:54,360 --> 00:31:57,280
Speaker 1: have with big boobs might about it. That was that

568
00:31:57,400 --> 00:32:03,760
Speaker 1: was like hey fellows, hey Jugsy. It was the Canadian

569
00:32:04,240 --> 00:32:08,040
Speaker 1: Hooters of convenience stories. If that makes any sense. Food city,

570
00:32:08,040 --> 00:32:10,080
Speaker 1: Can you do a food city? Food city and towers

571
00:32:10,200 --> 00:32:15,360
Speaker 1: that would be Towers Miracle Bouku Uh yeah, wait, Miracle

572
00:32:15,400 --> 00:32:18,720
Speaker 1: mart Miracle mart. But before that was Miracle Bocu. What

573
00:32:19,200 --> 00:32:23,120
Speaker 1: miracle boucou? I don't know that. That was like seventies,

574
00:32:23,280 --> 00:32:27,560
Speaker 1: consumers distributing, consumers distributing. That would be the most boring shirt.

575
00:32:27,640 --> 00:32:29,920
Speaker 1: But I but it wouldn't because the logo is actually

576
00:32:29,960 --> 00:32:33,400
Speaker 1: really dope. It's it's it looks really good. It looks

577
00:32:33,480 --> 00:32:36,480
Speaker 1: very it looks very discoy. What about what about Hakeem

578
00:32:36,560 --> 00:32:40,160
Speaker 1: Optical it's still around. I think people would wear shirt

579
00:32:40,920 --> 00:32:46,760
Speaker 1: glasses on item optical Cedar by eight that was the

580
00:32:46,760 --> 00:32:49,280
Speaker 1: famous players do a famous players one? Famous players would

581
00:32:49,280 --> 00:32:51,440
Speaker 1: be sick. That would be dope. Famous players yea, even

582
00:32:51,520 --> 00:32:54,760
Speaker 1: just yeah, the name famous players too would be good.

583
00:32:54,880 --> 00:32:58,360
Speaker 1: But Ontario place we're trying to get, but they wouldn't

584
00:32:58,400 --> 00:33:03,480
Speaker 1: let us do. Like the look, there's a jug City

585
00:33:03,560 --> 00:33:07,760
Speaker 1: right now. We may have leftovers if in case anyone

586
00:33:07,800 --> 00:33:11,200
Speaker 1: wants a Jug City shirt. I want a Jug City shirt.

587
00:33:11,440 --> 00:33:15,200
Speaker 1: It was pretty dope. We look at that. Uh there,

588
00:33:15,240 --> 00:33:18,000
Speaker 1: I am there when when I used to own a

589
00:33:18,080 --> 00:33:21,480
Speaker 1: Jug City? Why does it look like it's a mug

590
00:33:21,480 --> 00:33:31,320
Speaker 1: shot for that city? Actually? Oh my god, at my story,

591
00:33:33,160 --> 00:33:36,240
Speaker 1: what is happening in this photo? I wonder more than milk.

592
00:33:36,480 --> 00:33:42,600
Speaker 1: That's oh, one customer who counted, we only do things

593
00:33:42,600 --> 00:33:46,800
Speaker 1: in the hundreds in Ontario. Count how many customers came

594
00:33:46,800 --> 00:33:49,880
Speaker 1: in if you got that answer. But I love those

595
00:33:50,000 --> 00:33:53,400
Speaker 1: uh those genes, those acid washed jeans. This was just

596
00:33:53,480 --> 00:34:01,200
Speaker 1: last year, I believe the fashion because it can't be

597
00:34:01,280 --> 00:34:04,680
Speaker 1: that long ago. In all fairness, I don't know, but

598
00:34:04,920 --> 00:34:07,920
Speaker 1: I'm thinking we have a lot more to cover as

599
00:34:07,960 --> 00:34:12,080
Speaker 1: far as like Canadian nostalgia. And that's that's what we wanted,

600
00:34:12,239 --> 00:34:13,880
Speaker 1: was that how are we going to stand out in

601
00:34:13,920 --> 00:34:17,040
Speaker 1: a sea of people selling shirts all the time? And

602
00:34:17,040 --> 00:34:19,799
Speaker 1: and we thought Canadian pop culture. You brought back the

603
00:34:19,800 --> 00:34:22,680
Speaker 1: City TV stuff, right, we did very limited because I

604
00:34:22,680 --> 00:34:25,480
Speaker 1: never got any of that either. I'm so sorry, Russell.

605
00:34:25,600 --> 00:34:27,880
Speaker 1: What's your partner's name out there? Steve? Steve, Yeah, he

606
00:34:27,920 --> 00:34:29,600
Speaker 1: hooks me up. He was the one that was like

607
00:34:29,800 --> 00:34:32,480
Speaker 1: very animal. He's like, we gotta start so you card

608
00:34:32,600 --> 00:34:37,319
Speaker 1: now scratch, you know, scratch, you know. I got Eric

609
00:34:37,400 --> 00:34:39,960
Speaker 1: McCormick on the West Coast. I saw, yeah, I saw

610
00:34:40,040 --> 00:34:42,880
Speaker 1: him wear what was he wearing? Had he had a case? Yes?

611
00:34:43,120 --> 00:34:46,040
Speaker 1: So yeah, I would design these things and you know

612
00:34:46,280 --> 00:34:48,439
Speaker 1: a lot of the stuff we're wearing or you could

613
00:34:48,440 --> 00:34:53,400
Speaker 1: see especially Mr Dress of nothing was ever preserved digitally,

614
00:34:53,480 --> 00:34:56,960
Speaker 1: so I would have to freeze frame YouTube and then

615
00:34:57,680 --> 00:35:00,160
Speaker 1: and then clean it in illustrator or have one of

616
00:35:00,200 --> 00:35:02,360
Speaker 1: our production artists kind of like I would lay it

617
00:35:02,400 --> 00:35:04,480
Speaker 1: out and then they would recreate it digitally, so then

618
00:35:04,760 --> 00:35:07,680
Speaker 1: CBC would walk away with like all these digital assets

619
00:35:07,719 --> 00:35:10,920
Speaker 1: now that they could reproduce into you know, whatever they want.

620
00:35:10,920 --> 00:35:13,120
Speaker 1: CBC hoodie is actually one of my favorites. It is

621
00:35:13,160 --> 00:35:16,960
Speaker 1: our our best seller. The color is so perfect. Yeah,

622
00:35:17,000 --> 00:35:19,440
Speaker 1: and then the logo was nice and raised. It's like

623
00:35:19,480 --> 00:35:21,240
Speaker 1: I want to. I want to get into doing hats

624
00:35:21,840 --> 00:35:27,160
Speaker 1: for Canadian you know, hats are tricky for me. You're

625
00:35:27,160 --> 00:35:29,000
Speaker 1: wearing I can't wear, but you got one on now

626
00:35:29,120 --> 00:35:30,799
Speaker 1: and that's I know. But it's got to be like

627
00:35:31,120 --> 00:35:33,000
Speaker 1: when I wear like a ball cap. It's got to

628
00:35:33,040 --> 00:35:36,440
Speaker 1: be one of those um flex fit ones. Okay, like

629
00:35:36,480 --> 00:35:39,360
Speaker 1: a full back, have fullback and flex fits because I

630
00:35:39,360 --> 00:35:41,759
Speaker 1: need the curve because you're hip hop bad. You gotta

631
00:35:41,800 --> 00:35:43,239
Speaker 1: be able to, I know, but I can't rock the

632
00:35:43,280 --> 00:35:46,839
Speaker 1: flat brim. It sucks because I would love to. This

633
00:35:46,920 --> 00:35:49,160
Speaker 1: was an experiment, trust me, it works well on you.

634
00:35:49,360 --> 00:35:57,600
Speaker 1: I'm worried to look like a b boy though. Yeah,

635
00:35:57,880 --> 00:35:59,279
Speaker 1: we got to do some of these. How what was

636
00:35:59,320 --> 00:36:03,200
Speaker 1: that other show, mass your minds? Yeah, dude, masterminds. Uh,

637
00:36:03,719 --> 00:36:09,200
Speaker 1: bumper Stumpers, Bumper Stumpers. The classic one was Definition, right,

638
00:36:09,239 --> 00:36:18,279
Speaker 1: that was just remember that song Definition Powers. Another Scarborough kid,

639
00:36:19,239 --> 00:36:22,439
Speaker 1: that Quincy Jones who did that? Yes, that's crazy right.

640
00:36:22,520 --> 00:36:25,560
Speaker 1: That is the weirdest like hidden fact that, of course

641
00:36:25,640 --> 00:36:28,000
Speaker 1: only someone like Mike Myers would bring to the surface,

642
00:36:28,640 --> 00:36:33,000
Speaker 1: was that Quincy Jones composed that song soul bossa Nova,

643
00:36:33,239 --> 00:36:36,319
Speaker 1: which was the name the beginning of Austin Power that

644
00:36:36,440 --> 00:36:38,920
Speaker 1: song for whatever reason, and that was a Canadian game

645
00:36:38,960 --> 00:36:44,480
Speaker 1: show theme show Mastermind Definition. Uh, you said just like

646
00:36:44,560 --> 00:36:46,600
Speaker 1: Mom at the beginning of this Just like Mom was

647
00:36:46,640 --> 00:36:50,560
Speaker 1: a good one. My brother was on Uncle Bobby. What

648
00:36:50,680 --> 00:36:52,880
Speaker 1: do you remember Uncle Bobby. He used to drive. So

649
00:36:52,920 --> 00:36:55,560
Speaker 1: I went to elementary school in Scarborough at at the

650
00:36:55,640 --> 00:37:00,800
Speaker 1: very beginning Saint Maria GARRETTI Kennedy by Kennedy Station, And

651
00:37:01,360 --> 00:37:04,000
Speaker 1: I believe Uncle Bobby used to be a bus driver.

652
00:37:04,520 --> 00:37:07,440
Speaker 1: He used to drive like a school bus. Really yeah,

653
00:37:07,640 --> 00:37:10,400
Speaker 1: the Uncle Bobby show, Yeah, I remember. My brother was

654
00:37:10,440 --> 00:37:13,000
Speaker 1: one of the they called the fun time kids or

655
00:37:13,040 --> 00:37:14,880
Speaker 1: something like that. So he was like in the audience,

656
00:37:14,920 --> 00:37:16,680
Speaker 1: he was one of the kids, like on the floor

657
00:37:16,960 --> 00:37:19,160
Speaker 1: kids sitting on the floor in front of him. Then

658
00:37:19,200 --> 00:37:25,480
Speaker 1: Bimbo would dropbo, Bimbo, Bimbo, where did your mommy go?

659
00:37:25,719 --> 00:37:29,920
Speaker 1: Wait a minute, what the fuck? There's some hidden ship

660
00:37:30,040 --> 00:37:33,719
Speaker 1: on that. There's retrotary the clown. Wow. So who do

661
00:37:33,760 --> 00:37:36,400
Speaker 1: you think? Where was that broadcast that was shot in

662
00:37:36,440 --> 00:37:40,120
Speaker 1: like kitchen or something. Oh my god, there is Yeah,

663
00:37:40,160 --> 00:37:44,440
Speaker 1: there's Uncle Bobby and there's the yeah, the oh man. Yeah,

664
00:37:44,480 --> 00:37:46,920
Speaker 1: there's some some weird My brother was on that and

665
00:37:46,960 --> 00:37:50,279
Speaker 1: like the late sixties or early seventies or something. So

666
00:37:50,320 --> 00:37:53,680
Speaker 1: you you are as you you could just be the

667
00:37:53,840 --> 00:37:57,640
Speaker 1: retro kid spokesperson, though I would do it. Kid, Well,

668
00:37:57,680 --> 00:38:01,400
Speaker 1: we should do a Russell collection. I'm down with that

669
00:38:03,000 --> 00:38:06,880
Speaker 1: because I mean, there there's no greater ambassador to the

670
00:38:06,960 --> 00:38:11,400
Speaker 1: nation of Canada than than you. Drake, really, Drake in

671
00:38:11,400 --> 00:38:16,279
Speaker 1: all fairness, who's that? Yeah, Drake? Fairness Drake? And then

672
00:38:16,480 --> 00:38:22,920
Speaker 1: the weekend in bieber and and Murray. You know, I

673
00:38:22,920 --> 00:38:24,920
Speaker 1: gotta and would kill me if I'm gonna tell the

674
00:38:24,920 --> 00:38:27,560
Speaker 1: story anyway, Sorry, Ann, but I'm no. I won't post

675
00:38:27,560 --> 00:38:30,880
Speaker 1: it and don't. It's just for us. I'll talk about it,

676
00:38:30,880 --> 00:38:32,759
Speaker 1: but I won't show the picture I have. When I

677
00:38:32,800 --> 00:38:36,200
Speaker 1: hosted the Juno's in two thousand and seven or eight,

678
00:38:36,760 --> 00:38:40,080
Speaker 1: the first time, it was in Calgary and one of

679
00:38:40,080 --> 00:38:41,640
Speaker 1: the in between one of the things, I had to

680
00:38:41,719 --> 00:38:43,319
Speaker 1: dress up like a cowboy, so they put on a

681
00:38:43,320 --> 00:38:47,600
Speaker 1: full cowboy outfit on me. The wrangler jeans, cowboy has

682
00:38:47,640 --> 00:38:49,960
Speaker 1: that you it's because we're in Calgary. I walked out

683
00:38:49,960 --> 00:38:52,720
Speaker 1: to introduce the next thing and I addressed a cowboy

684
00:38:53,000 --> 00:38:56,680
Speaker 1: and then they put socks in my crotch to make

685
00:38:56,719 --> 00:38:59,720
Speaker 1: it look really big, and uh, I got a picture

686
00:38:59,719 --> 00:39:01,680
Speaker 1: of me and Anne Murray and she's holding my crotch

687
00:39:02,040 --> 00:39:06,320
Speaker 1: what because of the socks. She's not actually touching my

688
00:39:06,360 --> 00:39:08,640
Speaker 1: pen and she's just touching the socks. But she knew

689
00:39:08,680 --> 00:39:10,720
Speaker 1: that it was. It was all, yeah, I have that picture.

690
00:39:10,719 --> 00:39:12,560
Speaker 1: And she was like, don't ever fucking post this, And

691
00:39:12,600 --> 00:39:14,920
Speaker 1: I was like, I won't post it. I've never posted him.

692
00:39:14,920 --> 00:39:17,040
Speaker 1: A man of my word and I love you too much.

693
00:39:17,239 --> 00:39:19,160
Speaker 1: We won't post it, but we will definitely print it

694
00:39:19,200 --> 00:39:21,400
Speaker 1: on one I'm gonna show him off camera though, just

695
00:39:21,440 --> 00:39:26,200
Speaker 1: for the record. Well that is like a blessing from

696
00:39:26,239 --> 00:39:31,399
Speaker 1: the Pope getting crotch touched by Anne Murray. Yeah she's

697
00:39:31,400 --> 00:39:35,160
Speaker 1: actually really cool, Yeah, really cool. She's a rock star, man,

698
00:39:35,239 --> 00:39:38,280
Speaker 1: she is, and she has all those songs that you forget.

699
00:39:38,360 --> 00:39:42,200
Speaker 1: She had Snowbird, right, Oh yeah, was that the that

700
00:39:42,239 --> 00:39:45,040
Speaker 1: was the one. There was a bunch of them, But

701
00:39:45,080 --> 00:39:48,239
Speaker 1: I can't believe that that happened to you. Now, I'm

702
00:39:48,239 --> 00:39:50,479
Speaker 1: going to go hunting for that footage and I wonder

703
00:39:50,480 --> 00:39:52,440
Speaker 1: if that was the time right there, because I think

704
00:39:52,520 --> 00:39:54,640
Speaker 1: that's where she's wearing the red jacket. I think that

705
00:39:54,719 --> 00:39:59,000
Speaker 1: might be it around that time. Really yeah, man, oh man,

706
00:39:59,280 --> 00:40:01,880
Speaker 1: Well dude, I I'm gonna have to get Steve on

707
00:40:01,920 --> 00:40:04,840
Speaker 1: the line and uh yeah, we text each other on

708
00:40:04,920 --> 00:40:07,600
Speaker 1: when we DM each other, and uh, I was good,

709
00:40:07,600 --> 00:40:09,680
Speaker 1: excited when I get my little retro. I never The

710
00:40:09,760 --> 00:40:12,239
Speaker 1: thing with me is whenever I get things sent to me,

711
00:40:12,560 --> 00:40:15,480
Speaker 1: I never post him on my Instagram. And I don't

712
00:40:15,480 --> 00:40:16,879
Speaker 1: know why. I think it's one of those things where

713
00:40:16,880 --> 00:40:18,680
Speaker 1: I'm like, I don't want people to know where I

714
00:40:18,680 --> 00:40:20,719
Speaker 1: got this from, right, you want to keep it a hit.

715
00:40:20,800 --> 00:40:22,400
Speaker 1: I want to keep it a secret. And I also

716
00:40:22,480 --> 00:40:25,000
Speaker 1: don't want to people go, hey, man, can they hook

717
00:40:25,080 --> 00:40:27,879
Speaker 1: me up to right? Right? Well? Nowadays? That's I mean,

718
00:40:28,440 --> 00:40:30,680
Speaker 1: we were just huge fans of yours and we wanted

719
00:40:30,719 --> 00:40:32,920
Speaker 1: you to have some stuff that we knew you would enjoy,

720
00:40:33,280 --> 00:40:35,439
Speaker 1: and and and not and not everyone's going to get

721
00:40:35,440 --> 00:40:37,200
Speaker 1: the stuff that I mean. Have you sent LaVar Burton

722
00:40:37,200 --> 00:40:42,000
Speaker 1: the Reading Rainbow stuff? No? And I don't know. I

723
00:40:42,040 --> 00:40:44,440
Speaker 1: don't know if it's a sensitive subject with him. And

724
00:40:44,960 --> 00:40:47,600
Speaker 1: he's pretty cool about it, is he he's actually a

725
00:40:47,640 --> 00:40:51,399
Speaker 1: really really good, really good guy. I would I would

726
00:40:51,440 --> 00:40:53,840
Speaker 1: guess that's going to get his address and get it

727
00:40:53,880 --> 00:40:55,520
Speaker 1: for you to send him some stuff if he if

728
00:40:55,520 --> 00:40:58,480
Speaker 1: he's cool. Again, I I we never really tried. And

729
00:40:58,719 --> 00:41:02,880
Speaker 1: again we're so small potatoes grassroots stuff. We we literally

730
00:41:02,920 --> 00:41:06,279
Speaker 1: just no publicists, just reach out to the people ourselves,

731
00:41:07,280 --> 00:41:09,359
Speaker 1: you know. But I'm a big fan of it, though

732
00:41:09,800 --> 00:41:12,400
Speaker 1: I wasn't sure if it was a sensitive subject with

733
00:41:12,480 --> 00:41:15,799
Speaker 1: him or not. Think it is because when we like

734
00:41:15,880 --> 00:41:18,799
Speaker 1: we're making those shirts, there were and and all of

735
00:41:18,840 --> 00:41:21,960
Speaker 1: the garb even this this is like neither this is

736
00:41:22,320 --> 00:41:25,920
Speaker 1: this is stop. I'm so sorry, man, I should have

737
00:41:26,000 --> 00:41:28,399
Speaker 1: come with with gifts, But did you came with two

738
00:41:28,800 --> 00:41:31,360
Speaker 1: stuffed animals from my daughter A Daffy and a and

739
00:41:31,440 --> 00:41:34,080
Speaker 1: a bug that was specifically for them, and I know

740
00:41:34,360 --> 00:41:36,680
Speaker 1: the viewer the like once they're gonna do voices. You

741
00:41:36,760 --> 00:41:40,240
Speaker 1: have this guy and you know Daffy of Jeff Richard

742
00:41:40,320 --> 00:41:43,640
Speaker 1: d with a list that voice, it makes sense. You know,

743
00:41:43,680 --> 00:41:45,479
Speaker 1: we're not gonna line up to be a hot meal

744
00:41:45,560 --> 00:41:50,160
Speaker 1: for thumb shark. Okay, we're dealing with a perfect eating machine.

745
00:41:50,360 --> 00:41:52,480
Speaker 1: Mr Vaughan, was there one they asked you to do

746
00:41:52,520 --> 00:41:57,520
Speaker 1: that you couldn't do again? It's we were talking about

747
00:41:57,560 --> 00:42:00,520
Speaker 1: this earlier about say hey, Eric can do this and

748
00:42:00,560 --> 00:42:02,399
Speaker 1: you go, I think so you're trying your go fund

749
00:42:02,480 --> 00:42:05,640
Speaker 1: sounds left thing like it. Everybody makes fun of me

750
00:42:05,680 --> 00:42:10,080
Speaker 1: because my default for any impression is love. It's literally,

751
00:42:10,120 --> 00:42:11,440
Speaker 1: ever go do this, and I'll go do and they go,

752
00:42:11,520 --> 00:42:13,000
Speaker 1: that's love. It's like, okay, let me try it again.

753
00:42:13,120 --> 00:42:15,200
Speaker 1: That's still love. That still love. It's because love it's

754
00:42:15,280 --> 00:42:18,600
Speaker 1: is so like you know, he's one of those voices

755
00:42:18,680 --> 00:42:21,880
Speaker 1: you just fall into and Kim Jong in, that's love it.

756
00:42:22,000 --> 00:42:26,000
Speaker 1: That's love it again? All right, people of North Korea? Yeah,

757
00:42:26,360 --> 00:42:28,600
Speaker 1: can you imagine if that's how he talked like? That

758
00:42:28,600 --> 00:42:33,200
Speaker 1: would be amazing. I haven't shipped in ten years. You're

759
00:42:33,239 --> 00:42:38,200
Speaker 1: all under my control tonight. Yeah, I mean it's um

760
00:42:39,400 --> 00:42:41,600
Speaker 1: And I saw him at the Love It's Comedy Club

761
00:42:41,880 --> 00:42:44,759
Speaker 1: back at the Universal. I did that place back in

762
00:42:44,800 --> 00:42:48,120
Speaker 1: the day. That was that was the place man Hula themed. Yeah,

763
00:42:48,120 --> 00:42:52,000
Speaker 1: it was a very weird thing them. Uh but yeah, voices,

764
00:42:52,160 --> 00:42:55,000
Speaker 1: it's like sometimes I'll sit there and try to to

765
00:42:55,120 --> 00:42:58,520
Speaker 1: nail something, get things down. But it's like with Daffy,

766
00:42:58,560 --> 00:43:01,000
Speaker 1: it was always bugs, right, everyone wants to do Bugs

767
00:43:02,719 --> 00:43:05,960
Speaker 1: at home, Like yeah at home accounts. Yeah, when when

768
00:43:05,960 --> 00:43:08,560
Speaker 1: you're sitting there, going can I do this voice? Like

769
00:43:08,640 --> 00:43:12,080
Speaker 1: what is it about bugs? Bunny that everyone loves? And

770
00:43:12,120 --> 00:43:15,920
Speaker 1: it's the hardest kind of voice from York, New York,

771
00:43:16,440 --> 00:43:21,040
Speaker 1: the Nasal, the Brooklyn Bronx thing, And but I never

772
00:43:21,080 --> 00:43:24,080
Speaker 1: thought Daffy Daffy was was something I could do until

773
00:43:24,160 --> 00:43:26,480
Speaker 1: you're asked to audition for it and then you sit

774
00:43:26,520 --> 00:43:29,759
Speaker 1: down and you try to peel back the voice because Daffy,

775
00:43:29,760 --> 00:43:32,600
Speaker 1: when mel Blank was doing the voice, he was actually

776
00:43:32,680 --> 00:43:36,759
Speaker 1: doing Phil Vester. Nobody knows if, but he was doing

777
00:43:36,840 --> 00:43:40,160
Speaker 1: Phil Vester and they would pitch it up like how

778
00:43:40,160 --> 00:43:42,120
Speaker 1: they I guess used to do it or still kind

779
00:43:42,120 --> 00:43:44,440
Speaker 1: of do it with Trey Parker on South Park when

780
00:43:44,480 --> 00:43:48,080
Speaker 1: where he's doing Cartman, he's not doing that pitched thing.

781
00:43:48,880 --> 00:43:51,200
Speaker 1: He's kind of doing this this kind of deep kid

782
00:43:51,320 --> 00:43:53,600
Speaker 1: voice thing and they pitch it up and for whatever reason,

783
00:43:53,600 --> 00:43:56,360
Speaker 1: it turns in the Cartman. So that's how Daffy has

784
00:43:56,400 --> 00:44:00,440
Speaker 1: done He's actually doing Sylvester's voice, but then they they

785
00:44:00,520 --> 00:44:02,279
Speaker 1: raise it. But when I'm doing it, it's like a

786
00:44:02,320 --> 00:44:04,960
Speaker 1: self pitched voice. Like how when you do love it's

787
00:44:05,160 --> 00:44:08,880
Speaker 1: it's a son of a pitch, son of a pitch.

788
00:44:11,120 --> 00:44:14,360
Speaker 1: I think I was never I used to try doing voices.

789
00:44:14,440 --> 00:44:17,920
Speaker 1: But well, here's the thing. There's impressions and there's voices.

790
00:44:17,960 --> 00:44:21,759
Speaker 1: You do tons of voices in your act. Yes, like

791
00:44:22,120 --> 00:44:24,799
Speaker 1: the ship thing isn't none of them are famous, Like

792
00:44:24,840 --> 00:44:27,000
Speaker 1: none of the people Like it's not like here's my impression,

793
00:44:27,200 --> 00:44:30,239
Speaker 1: it's like here's my next door neighbor. Yeah, and here's

794
00:44:30,239 --> 00:44:33,480
Speaker 1: the thing. I think that's what what what kind of

795
00:44:33,520 --> 00:44:36,400
Speaker 1: irked me about stand up was I think Harlan was

796
00:44:36,400 --> 00:44:39,200
Speaker 1: was you don't do the do the the voice, the impression.

797
00:44:39,440 --> 00:44:40,840
Speaker 1: And when I got up there, I just wanted to

798
00:44:40,920 --> 00:44:43,080
Speaker 1: do jokes or material because I didn't want to feel

799
00:44:43,120 --> 00:44:44,960
Speaker 1: like I was, you know, on a crutch. But that's

800
00:44:44,960 --> 00:44:46,960
Speaker 1: how you got to do it, I get. I mean

801
00:44:47,080 --> 00:44:50,319
Speaker 1: you need the safety net for sure. For sure, and

802
00:44:50,320 --> 00:44:52,719
Speaker 1: and people that have turned it into mega careers, like

803
00:44:52,760 --> 00:44:56,800
Speaker 1: someone like Jay Farrell, you know who's who's insanely talented

804
00:44:56,840 --> 00:45:00,839
Speaker 1: and j Jamie Fox does really good impression. Oh my uh,

805
00:45:00,880 --> 00:45:04,000
Speaker 1: I mean got an oscar for it. Yeah, I got

806
00:45:04,040 --> 00:45:07,239
Speaker 1: two of them now. But yeah, I mean, you know,

807
00:45:07,800 --> 00:45:11,320
Speaker 1: I uh, stand up will always be a spectator sport

808
00:45:11,400 --> 00:45:13,640
Speaker 1: for me, and and it's always just going to be,

809
00:45:14,520 --> 00:45:17,200
Speaker 1: you know, strictly voice over, and I'm happy with that.

810
00:45:17,280 --> 00:45:19,520
Speaker 1: What about your own cartoons that you want to do?

811
00:45:19,800 --> 00:45:22,520
Speaker 1: That is something? Cartoons? Is that bad? No? No, no, no,

812
00:45:22,560 --> 00:45:26,480
Speaker 1: that is definitely animation. It's a cartoon. I mean animation

813
00:45:26,520 --> 00:45:29,520
Speaker 1: in the industry, but cartoons or cartoons. I definitely have

814
00:45:29,640 --> 00:45:32,480
Speaker 1: like a handful of ideas that I that I want

815
00:45:32,520 --> 00:45:36,160
Speaker 1: to pitch. You know, uh, two adults swim in the

816
00:45:36,239 --> 00:45:38,959
Speaker 1: in that area canvoice someone, can't? You could be any

817
00:45:39,040 --> 00:45:41,879
Speaker 1: all of it whatever you want, Russell, I'm voicing something

818
00:45:41,960 --> 00:45:46,960
Speaker 1: right now for HBO Max Velma. Yes, yes, I play

819
00:45:47,000 --> 00:45:49,840
Speaker 1: her dad on it. Really my voice is my voice

820
00:45:49,840 --> 00:45:52,600
Speaker 1: on it. Okay, it's not like, um, it's not like

821
00:45:52,600 --> 00:45:55,600
Speaker 1: I switched it up. I'm like, hey, I'm like, hey, listen,

822
00:45:55,640 --> 00:45:57,680
Speaker 1: you know, I'm just literally me. I'm just literally doing

823
00:45:57,719 --> 00:46:00,759
Speaker 1: my voice. But you have and it's so easy to write,

824
00:46:00,920 --> 00:46:02,960
Speaker 1: right right. I go in when they're like we need

825
00:46:02,960 --> 00:46:04,760
Speaker 1: you for an hour and knock it out in fifteen minutes.

826
00:46:04,800 --> 00:46:07,680
Speaker 1: Some people have difficulty with that. Some people have like me. I,

827
00:46:07,880 --> 00:46:10,319
Speaker 1: I sometimes have difficulty with my own voice. So I'm like,

828
00:46:10,360 --> 00:46:12,400
Speaker 1: that's why I do voices, you know, like the sky.

829
00:46:12,640 --> 00:46:15,239
Speaker 1: Sometimes you don't like the way you sound, right Like

830
00:46:15,360 --> 00:46:16,759
Speaker 1: I don't like the way I sound when I hear

831
00:46:16,800 --> 00:46:19,160
Speaker 1: it back. I'm like, when they approached you with the world,

832
00:46:19,200 --> 00:46:21,560
Speaker 1: did you want to do like more charactery stuff or

833
00:46:21,600 --> 00:46:23,960
Speaker 1: did you want to do something just They just wanted

834
00:46:24,000 --> 00:46:27,160
Speaker 1: something straight. Yeah, they wanted it straight. And I was like, really,

835
00:46:27,480 --> 00:46:29,479
Speaker 1: I thought they would want an Indian accent or something,

836
00:46:29,520 --> 00:46:32,200
Speaker 1: and they were like no, because Mindy Kaling is Velma.

837
00:46:32,320 --> 00:46:37,120
Speaker 1: They and they switched the nationality of Elma right like yeah,

838
00:46:37,120 --> 00:46:39,600
Speaker 1: And I love the argument there. She's like, yeah, what

839
00:46:39,640 --> 00:46:43,360
Speaker 1: are you talking about? There are nerty Indians out there,

840
00:46:43,719 --> 00:46:47,880
Speaker 1: Are there no ship. Yeah, that's that's a given. But

841
00:46:47,960 --> 00:46:51,000
Speaker 1: I love that character change and I feel like, you know,

842
00:46:51,080 --> 00:46:53,600
Speaker 1: we're living in this aging world now where it's like, yeah,

843
00:46:53,880 --> 00:46:58,000
Speaker 1: like why not why not have the variety and why

844
00:46:58,000 --> 00:47:01,880
Speaker 1: not have it speak to you know, such a huge

845
00:47:02,040 --> 00:47:06,080
Speaker 1: part of your audience. There are probably people long before

846
00:47:06,160 --> 00:47:08,440
Speaker 1: they made the switch that were of the Indian background

847
00:47:08,440 --> 00:47:10,880
Speaker 1: and culture that loves Scooby Doo. Oh yeah. I used

848
00:47:10,880 --> 00:47:12,799
Speaker 1: to do Scooby Doo in my act back in the day.

849
00:47:14,160 --> 00:47:18,360
Speaker 1: They were impression. This was early. Excuse me, this was

850
00:47:18,400 --> 00:47:21,000
Speaker 1: early in my career. I used to do a joke

851
00:47:21,040 --> 00:47:25,120
Speaker 1: about going to India and watching morning cartoons and I

852
00:47:25,200 --> 00:47:31,040
Speaker 1: said they would have they had Scooby dude, And it

853
00:47:31,120 --> 00:47:38,799
Speaker 1: was like the weeks that's really good, dude. I bet

854
00:47:38,880 --> 00:47:41,120
Speaker 1: you could do like a ship tun of cartoon impressions

855
00:47:41,160 --> 00:47:43,560
Speaker 1: and you didn't even know. I used to do a gazoo,

856
00:47:44,640 --> 00:47:50,520
Speaker 1: Hello dumb dumb. Yes, oh god, Fred, hey did gazoo?

857
00:47:50,560 --> 00:47:56,719
Speaker 1: How's it going? Hello dumb dumb? And then I used

858
00:47:56,719 --> 00:47:58,480
Speaker 1: to do like when there was a big dopey guy

859
00:47:58,480 --> 00:48:00,360
Speaker 1: in the audience. Usually when there's like, say there was

860
00:48:00,440 --> 00:48:03,360
Speaker 1: it happened in Oklahoma. I remember ready there was a

861
00:48:03,400 --> 00:48:06,520
Speaker 1: big Indian guy in the frontal, big dopey looking guy,

862
00:48:07,200 --> 00:48:10,040
Speaker 1: and I go, you remind me of that, um, that

863
00:48:10,200 --> 00:48:13,239
Speaker 1: Robin Hood Bugs Bunny cartoon. And I kept looking at

864
00:48:13,320 --> 00:48:19,000
Speaker 1: him going, don't you worry, never robbing hull swoopy here.

865
00:48:20,400 --> 00:48:23,200
Speaker 1: That was the best they drew with those big lips. Yeah,

866
00:48:23,400 --> 00:48:27,120
Speaker 1: I did not know this was my friend, Robin Hood. Yeah, yeah,

867
00:48:27,239 --> 00:48:31,800
Speaker 1: you've been seeing that dropped the entire picture. He's never arrived. Yeah, dude,

868
00:48:31,800 --> 00:48:34,560
Speaker 1: that was like me and my brother's favorite cartoon, the

869
00:48:34,640 --> 00:48:38,040
Speaker 1: Robin Hood one and uh the two Hillbillies Hillbilly here,

870
00:48:38,680 --> 00:48:41,239
Speaker 1: which on the Hillbillies. It was the it was promenade

871
00:48:41,360 --> 00:48:44,520
Speaker 1: across the floor, right out that door, out the door,

872
00:48:44,600 --> 00:48:48,239
Speaker 1: run into the glad, and everybody promenade like that, and

873
00:48:48,239 --> 00:48:50,040
Speaker 1: then they would do the little do They would beat

874
00:48:50,040 --> 00:48:51,600
Speaker 1: the ship out of each other because they would be

875
00:48:51,640 --> 00:48:55,120
Speaker 1: following what bugs Bunny was saying. Like, they would take

876
00:48:55,120 --> 00:48:57,879
Speaker 1: sticks and that was the whole, the whole stick. But

877
00:48:58,840 --> 00:49:03,120
Speaker 1: those are like two of them memorable like brother. No,

878
00:49:03,320 --> 00:49:05,680
Speaker 1: my brother was mainly he was the you know, well

879
00:49:05,719 --> 00:49:08,880
Speaker 1: like we we grew up laughing and and and cutting jokes.

880
00:49:10,080 --> 00:49:11,759
Speaker 1: He is he's six years older than me, and my

881
00:49:11,800 --> 00:49:14,760
Speaker 1: brothers six years older than me. And he's my manager.

882
00:49:15,640 --> 00:49:18,959
Speaker 1: My other manager, Paul, he's here, he's also my manager. Yes, yes, yes,

883
00:49:19,280 --> 00:49:21,719
Speaker 1: you always have to have someone in the family keeping

884
00:49:21,760 --> 00:49:24,640
Speaker 1: an eye out for sure. Um, I'm sure he would,

885
00:49:24,760 --> 00:49:26,800
Speaker 1: he would be my manager. But he's too busy working

886
00:49:26,840 --> 00:49:30,520
Speaker 1: for Bell, so you know which part of Bell he's

887
00:49:30,520 --> 00:49:32,839
Speaker 1: on the floor. He's he's making sure everyone can hear

888
00:49:32,880 --> 00:49:36,840
Speaker 1: each other, Bell Mobility, all the whole like Internet and

889
00:49:36,880 --> 00:49:40,480
Speaker 1: all that stuff. He's he's more of a technical savvy guy. Yeah,

890
00:49:40,520 --> 00:49:43,680
Speaker 1: my brother is a brains guy. He's he's in the

891
00:49:43,719 --> 00:49:46,680
Speaker 1: business of of of Hollywood though he's he's Yeah, but

892
00:49:46,719 --> 00:49:50,000
Speaker 1: my brother knows how to like negotiate, definitely knows how

893
00:49:50,040 --> 00:49:52,279
Speaker 1: to negotiate, and he definitely knows how to think a

894
00:49:52,320 --> 00:49:54,880
Speaker 1: little bit more strategically than I do. Well, that's good.

895
00:49:55,840 --> 00:49:59,040
Speaker 1: You're you're busy being creative and there's no time for

896
00:49:59,080 --> 00:50:02,200
Speaker 1: you to spend any of your brain cells thinking of

897
00:50:02,280 --> 00:50:06,160
Speaker 1: like the teams being crossed, because then you think about

898
00:50:06,200 --> 00:50:07,920
Speaker 1: these guys that are doing all these other things. You're like,

899
00:50:07,920 --> 00:50:10,239
Speaker 1: somebody has to be guiding them, And I'm like, how

900
00:50:10,239 --> 00:50:13,239
Speaker 1: do you get one of these guides. Yeah, well, I

901
00:50:13,280 --> 00:50:14,600
Speaker 1: mean because you should do this, this and this and

902
00:50:14,600 --> 00:50:16,879
Speaker 1: put your money in that great and then they see

903
00:50:16,920 --> 00:50:18,200
Speaker 1: them getting richer and rich, and I'm like, what a

904
00:50:18,200 --> 00:50:21,200
Speaker 1: fund is Nobody helping me? Yea, my my managers, My

905
00:50:21,200 --> 00:50:25,080
Speaker 1: my best friend's mom, Judy, it was, she's my manager.

906
00:50:25,160 --> 00:50:29,680
Speaker 1: I like to call her because like, you know, no one,

907
00:50:29,920 --> 00:50:32,040
Speaker 1: no one would you know, step up and and she

908
00:50:32,120 --> 00:50:34,480
Speaker 1: was like, yeah, well this kid, this kid clearly has

909
00:50:34,800 --> 00:50:37,920
Speaker 1: something in in animation. So yeah, because you know what's

910
00:50:37,920 --> 00:50:41,319
Speaker 1: funny is I was playing people the the animated gift

911
00:50:41,400 --> 00:50:42,920
Speaker 1: you sent me with the voice of Bugs on it.

912
00:50:44,280 --> 00:50:46,800
Speaker 1: Amber goes, holy shit. I go, well, he's the voice.

913
00:50:47,440 --> 00:50:49,720
Speaker 1: He's not doing an impression of it. He's the voice.

914
00:50:51,400 --> 00:50:54,160
Speaker 1: It sounds great. It's still you know, I'll always just

915
00:50:54,239 --> 00:50:57,000
Speaker 1: beat the seventh guy to voice Bugs Bunny. It'll always

916
00:50:57,000 --> 00:51:02,680
Speaker 1: be mel but you know, don't Yeah, Wow was number

917
00:51:02,719 --> 00:51:05,400
Speaker 1: one numero. You know, he was the he was the

918
00:51:06,360 --> 00:51:12,239
Speaker 1: bank to oh my god, argue arguably. I mean they

919
00:51:12,280 --> 00:51:14,239
Speaker 1: say he's the man of a thousand voices. I think

920
00:51:14,600 --> 00:51:16,920
Speaker 1: I think you never met him though I never met him.

921
00:51:16,920 --> 00:51:18,680
Speaker 1: He died before you can meet him. Eighty nine. I

922
00:51:18,760 --> 00:51:20,759
Speaker 1: was born seventy nine. I could have met him, but

923
00:51:21,600 --> 00:51:25,360
Speaker 1: I was not out here in Hollywood. That's wild. That

924
00:51:25,440 --> 00:51:28,360
Speaker 1: was the guy. What's he doing and probably twiggling his

925
00:51:28,360 --> 00:51:36,279
Speaker 1: ear to make it a voice car speeding innzalez eddie. Yeah,

926
00:51:36,280 --> 00:51:40,000
Speaker 1: it was the guy. But now Gabriel Iglesias doing speedy,

927
00:51:40,200 --> 00:51:42,279
Speaker 1: Oh yeah, that makes sense that that's the weird thing

928
00:51:42,320 --> 00:51:45,400
Speaker 1: to me. Now, not weird in that way, but they're like,

929
00:51:45,440 --> 00:51:48,320
Speaker 1: oh no, this person has to do the voice because

930
00:51:48,320 --> 00:51:51,600
Speaker 1: they are that people. I'm like, you're missing the point here.

931
00:51:51,960 --> 00:51:54,560
Speaker 1: This is animation, this is not real life. Well here's

932
00:51:54,560 --> 00:51:56,560
Speaker 1: the thing, and this is the argument now. And what

933
00:51:56,600 --> 00:51:59,760
Speaker 1: I always go back to is just you know, voice

934
00:51:59,760 --> 00:52:02,000
Speaker 1: over was always the thing that it didn't matter what

935
00:52:02,080 --> 00:52:04,239
Speaker 1: you look like. It was just if you could do

936
00:52:04,280 --> 00:52:06,760
Speaker 1: the voice, if you could pull off the acting. And

937
00:52:06,920 --> 00:52:10,320
Speaker 1: of course you know, if it's if it's cultural appropriation,

938
00:52:10,320 --> 00:52:12,319
Speaker 1: then it's a no, no, it's bad if that's what

939
00:52:12,360 --> 00:52:15,399
Speaker 1: they say, if you're if you're yeah true true true.

940
00:52:15,480 --> 00:52:19,560
Speaker 1: Now now today, um, but I feel like you know

941
00:52:20,280 --> 00:52:23,960
Speaker 1: now that they're kind of shining a light on it. Uh,

942
00:52:24,239 --> 00:52:27,920
Speaker 1: it's good for for equality and people that probably didn't

943
00:52:27,960 --> 00:52:31,200
Speaker 1: have a chance as at voicing a character, which I get. Yeah,

944
00:52:31,440 --> 00:52:33,560
Speaker 1: but somebody, you're still on the air of comedy side.

945
00:52:33,600 --> 00:52:37,280
Speaker 1: If it's I'm on the I'm on the what works. Yeah,

946
00:52:37,440 --> 00:52:39,840
Speaker 1: and I would like to get back to a place

947
00:52:40,239 --> 00:52:44,440
Speaker 1: where that is still if it's funny, it's funny. And

948
00:52:44,160 --> 00:52:47,839
Speaker 1: if if you're we're gonna get to a place where, like, um, Eric,

949
00:52:47,880 --> 00:52:50,200
Speaker 1: you can't do bugs anymore because you're not a rabbit.

950
00:52:50,239 --> 00:52:52,960
Speaker 1: You're not a bunny. Yeah, you're not a rabbit. But

951
00:52:53,040 --> 00:52:55,440
Speaker 1: I eat all a lot of carriage, Doc, that's the

952
00:52:56,000 --> 00:53:00,200
Speaker 1: that's the secret. But yeah, no, it's it's like it's

953
00:53:00,280 --> 00:53:02,600
Speaker 1: My favorite line was I must I should have made

954
00:53:02,600 --> 00:53:07,000
Speaker 1: a left in Albuquerque. Yeah, I took a wrong tointed

955
00:53:07,080 --> 00:53:10,600
Speaker 1: albu Quoque. That was my favorite left at albu Quique

956
00:53:10,600 --> 00:53:12,480
Speaker 1: because that's a kid. I was like, what's albu Quokee?

957
00:53:12,480 --> 00:53:16,160
Speaker 1: It sounds funny. He goes, uh say this don't look

958
00:53:16,200 --> 00:53:23,720
Speaker 1: like the Coachella Valley to me, boy bank Couca manga.

959
00:53:23,960 --> 00:53:27,240
Speaker 1: That's the other one you do, uh fog horn? Yeah,

960
00:53:27,280 --> 00:53:29,640
Speaker 1: I say far I did it at the beginning. Russell

961
00:53:29,760 --> 00:53:32,920
Speaker 1: pay attention. Sorry, sorry, kids, that's okay. I don't want

962
00:53:32,920 --> 00:53:36,480
Speaker 1: your neighbors to get scared. Sounds like a Trump supporter.

963
00:53:38,160 --> 00:53:42,120
Speaker 1: It is is definitely a Trump more definitely Southern fried

964
00:53:42,600 --> 00:53:45,760
Speaker 1: like my my my maga hat. Yeah, I ain't wearing

965
00:53:45,840 --> 00:53:51,359
Speaker 1: no mask. Yeah, I'm worried about Corona. I'm worried about

966
00:53:51,360 --> 00:53:58,319
Speaker 1: bird flu. Yeah yeah. And again like looking at that

967
00:53:58,440 --> 00:54:00,799
Speaker 1: roster there, it's it's pretty in saying to see how

968
00:54:00,800 --> 00:54:03,640
Speaker 1: many he's done from he was from New York. I've

969
00:54:03,640 --> 00:54:11,960
Speaker 1: also done Dino's Voice Stones that's have you done it? Yeah? Yeah, yeah,

970
00:54:12,000 --> 00:54:14,200
Speaker 1: they had the reboot they did They did like one

971
00:54:14,239 --> 00:54:17,160
Speaker 1: called Yabadaba Dinos where it was more about the kids.

972
00:54:17,480 --> 00:54:20,120
Speaker 1: But that's all I did. I was, you know, go

973
00:54:20,200 --> 00:54:22,440
Speaker 1: to the booth for four hours and just bark and

974
00:54:22,480 --> 00:54:25,000
Speaker 1: that was it. That was that was my job. That's

975
00:54:25,000 --> 00:54:27,520
Speaker 1: the That's the part I like least is when they

976
00:54:27,560 --> 00:54:30,880
Speaker 1: make you do the the random noises. Oh yeah, like

977
00:54:30,920 --> 00:54:32,920
Speaker 1: I'll be I'll be done early, and they're like, do

978
00:54:32,960 --> 00:54:35,359
Speaker 1: we need any sounds? Yeah? Can you laugh? Can you cry?

979
00:54:35,440 --> 00:54:37,359
Speaker 1: Can you cough? Can you bark? Can you sneeze? Can

980
00:54:37,400 --> 00:54:40,279
Speaker 1: you have you done any video games? No? That's what

981
00:54:40,320 --> 00:54:43,560
Speaker 1: the money isn't it. Here's the thing. No, No, residuals

982
00:54:43,560 --> 00:54:46,960
Speaker 1: in video games, and it's probably the most taxing you

983
00:54:47,000 --> 00:54:49,399
Speaker 1: could do, because I'm sure you guys playing, if you're

984
00:54:49,400 --> 00:54:52,680
Speaker 1: sitting there playing a game, someone gets hurt or stabbed.

985
00:54:52,800 --> 00:54:55,919
Speaker 1: They get thrown off a chair, they get thrown off

986
00:54:56,120 --> 00:54:58,320
Speaker 1: a balcony, they get thrown off a building, and each

987
00:54:58,600 --> 00:55:02,440
Speaker 1: specific noise has to be done from scratch. So they go,

988
00:55:02,520 --> 00:55:05,080
Speaker 1: you get punched in the face, you get stabbed in

989
00:55:05,080 --> 00:55:08,480
Speaker 1: the side, you go. You have to do all those noises,

990
00:55:08,520 --> 00:55:10,319
Speaker 1: and they want them like some people want them sucking

991
00:55:10,360 --> 00:55:12,120
Speaker 1: ten times in a row, ten times in a row,

992
00:55:12,239 --> 00:55:14,640
Speaker 1: and then the intensity so you walk out of there

993
00:55:14,880 --> 00:55:17,120
Speaker 1: you're exhausted with the Yeah, it was like, it's like

994
00:55:17,120 --> 00:55:20,439
Speaker 1: my version of going to the gym. It's like but

995
00:55:20,440 --> 00:55:23,120
Speaker 1: but with no residuals and a sore throat at the

996
00:55:23,160 --> 00:55:24,759
Speaker 1: end of it. Yes, I've had that happen at the

997
00:55:24,800 --> 00:55:28,080
Speaker 1: end of voicing s. You remember I did those weird ones, Pauly,

998
00:55:28,160 --> 00:55:31,480
Speaker 1: those other ones. What was a giant robot? Is that

999
00:55:31,480 --> 00:55:37,400
Speaker 1: what it's calling? No, And Bella Thorne was on one

1000
00:55:37,440 --> 00:55:40,560
Speaker 1: of them with me. I only did it because Bella

1001
00:55:40,600 --> 00:55:42,560
Speaker 1: Thorne was gonna be doing it, and then I realized

1002
00:55:42,560 --> 00:55:44,200
Speaker 1: I didn't realize. You don't meet these people when you're

1003
00:55:44,239 --> 00:55:46,239
Speaker 1: doing it. Oh no, they like shove you in a

1004
00:55:46,480 --> 00:55:50,759
Speaker 1: broom closet by yourself. M hm oh, ribb it, I

1005
00:55:50,840 --> 00:55:56,359
Speaker 1: forgot about Ribbit. I played two things on that right, Yeah,

1006
00:55:56,400 --> 00:55:58,520
Speaker 1: but I also played it was my Wasn't the bat

1007
00:55:58,560 --> 00:56:01,000
Speaker 1: like a deep Ac Choper type of guy? Was this

1008
00:56:01,040 --> 00:56:05,839
Speaker 1: a video game? It was a animation project. Ribbit. H man,

1009
00:56:06,040 --> 00:56:08,160
Speaker 1: I'm telling you you must have done and seen so

1010
00:56:08,200 --> 00:56:11,120
Speaker 1: many things come and go in this town. But you

1011
00:56:11,160 --> 00:56:14,400
Speaker 1: sold you you've been here longer. Yeah, I mean you

1012
00:56:14,920 --> 00:56:19,040
Speaker 1: out last me by five years. Well, I know that

1013
00:56:19,120 --> 00:56:21,879
Speaker 1: you're Did you make that move at twenty years old? Though? Uh?

1014
00:56:22,080 --> 00:56:25,200
Speaker 1: With family out here? You know, I couldn't have done

1015
00:56:25,239 --> 00:56:27,560
Speaker 1: it with family. There was no couch to crash on

1016
00:56:27,600 --> 00:56:31,360
Speaker 1: while I was doing an internship out here where it

1017
00:56:31,480 --> 00:56:38,480
Speaker 1: was a studio by the name of Spumco. They were responsible. Yeah,

1018
00:56:38,520 --> 00:56:42,399
Speaker 1: they were the responsible form. Yeah I might as well

1019
00:56:42,440 --> 00:56:45,200
Speaker 1: have been. They were the ones that produced the original

1020
00:56:45,200 --> 00:56:48,319
Speaker 1: Rent and Stimpy show. Oh I love Rent and Stimpy. Yeah,

1021
00:56:48,520 --> 00:56:52,880
Speaker 1: that was an old nineties Nickelodeon classic. But from there

1022
00:56:52,960 --> 00:56:56,600
Speaker 1: I moved to another studio called six point harness. And

1023
00:56:56,640 --> 00:57:00,440
Speaker 1: then that's where I was like gaining traction with Like again,

1024
00:57:00,640 --> 00:57:03,000
Speaker 1: in animation, it's like working in the trenches. You never

1025
00:57:03,080 --> 00:57:05,239
Speaker 1: know who you're going to meet. Oh, this is river.

1026
00:57:05,480 --> 00:57:07,640
Speaker 1: That was the one. That's the one. I'm I'm not

1027
00:57:07,680 --> 00:57:11,040
Speaker 1: even on the fucking poster. Wow. Oh there I am

1028
00:57:11,040 --> 00:57:13,040
Speaker 1: in the bottom on the left. That's me. There you go,

1029
00:57:13,120 --> 00:57:17,400
Speaker 1: a little brown bat. That's awesome. But yeah, it's it's

1030
00:57:17,440 --> 00:57:20,240
Speaker 1: like you you just kind of like work away and

1031
00:57:20,720 --> 00:57:22,640
Speaker 1: you you throw all the darts at the board and

1032
00:57:22,880 --> 00:57:26,000
Speaker 1: whichever one sticks you just hopefully branch off to the

1033
00:57:26,040 --> 00:57:29,840
Speaker 1: next thing. So when I did Um Jungle Book, I

1034
00:57:29,920 --> 00:57:36,480
Speaker 1: was Rocky the Rhino and fabric. I'm like, well, start shooting.

1035
00:57:36,520 --> 00:57:39,560
Speaker 1: Goes okay, you're gonna tell him watching kid, And I

1036
00:57:39,640 --> 00:57:41,560
Speaker 1: was like, hey, watch it kid. He goes, no, No,

1037
00:57:41,560 --> 00:57:45,200
Speaker 1: I don't do that more more calm. I was like,

1038
00:57:45,240 --> 00:57:48,080
Speaker 1: watch it, cude, yeah, because yeah, that's it. I go, okay, fine.

1039
00:57:48,320 --> 00:57:51,160
Speaker 1: And then I did the peacock in the in the film,

1040
00:57:51,200 --> 00:57:52,520
Speaker 1: in the film, the new one, the one came up

1041
00:57:52,560 --> 00:57:54,440
Speaker 1: five years ago. I gotta watch it back now. It's

1042
00:57:54,440 --> 00:57:56,840
Speaker 1: only at the beginning. I'm I'm, I'm the peacock fighting

1043
00:57:57,280 --> 00:58:01,600
Speaker 1: the porcupine over us over a branch from the truce,

1044
00:58:01,800 --> 00:58:05,960
Speaker 1: the water truce, and Gary Shandling was the porcupine. So

1045
00:58:06,000 --> 00:58:09,240
Speaker 1: when we shot it, we were actually standing together, you guys,

1046
00:58:09,320 --> 00:58:13,040
Speaker 1: like on set doing were at Sony doing it in

1047
00:58:13,160 --> 00:58:16,120
Speaker 1: the giant theater room. There they had it on the

1048
00:58:16,160 --> 00:58:20,160
Speaker 1: screen and we each had a chopstick in our mouth

1049
00:58:20,160 --> 00:58:23,200
Speaker 1: and we were pretending we're fighting over the stick with

1050
00:58:23,360 --> 00:58:30,240
Speaker 1: Gary Shandling. God, damn, dude, that's insane. Who's your ill?

1051
00:58:30,280 --> 00:58:34,400
Speaker 1: I guess Mel definitely Mel for sure, living legend. I

1052
00:58:34,440 --> 00:58:37,680
Speaker 1: would have to say Billy West. He was you know,

1053
00:58:38,120 --> 00:58:40,160
Speaker 1: you might know him as the red Eminem, but he

1054
00:58:40,240 --> 00:58:43,920
Speaker 1: was like almost every voice on Future Rama. He was

1055
00:58:44,000 --> 00:58:49,520
Speaker 1: Fry Farnsworth Zoidberger. I'd say that he was like the

1056
00:58:49,560 --> 00:58:53,960
Speaker 1: modern Mel Blank. Is the modern Mel Blank. And you know,

1057
00:58:54,160 --> 00:58:57,720
Speaker 1: not just for the ability to imitate Mel Blanks characters,

1058
00:58:57,760 --> 00:59:02,080
Speaker 1: but the very reason that he create eights classic voices,

1059
00:59:02,680 --> 00:59:05,120
Speaker 1: like the voices that you know you or cracks down

1060
00:59:05,160 --> 00:59:09,320
Speaker 1: impressions that you never think would be possible. For Stimpy,

1061
00:59:09,360 --> 00:59:11,520
Speaker 1: he was the voice of Snimpy. He was doing a Larry.

1062
00:59:12,960 --> 00:59:14,760
Speaker 1: He was the other one. He was the cat with

1063
00:59:14,800 --> 00:59:17,080
Speaker 1: the fat nose. He was also a rent to. He

1064
00:59:17,360 --> 00:59:19,400
Speaker 1: did voice rend I'm a cat with a fat nose.

1065
00:59:21,080 --> 00:59:24,640
Speaker 1: We gotta get you back in in in children's animation.

1066
00:59:25,400 --> 00:59:28,120
Speaker 1: But the voice he did for Stimpy was an impression

1067
00:59:28,120 --> 00:59:32,680
Speaker 1: of Larry Fine from The Three Stooges. It was like, hey, hey, Mole,

1068
00:59:33,120 --> 00:59:36,840
Speaker 1: I pete in my shoe. Yeah, we gotta get those guys.

1069
00:59:37,040 --> 00:59:39,880
Speaker 1: It was like that kind of voice. Yes, yes, and uh.

1070
00:59:40,320 --> 00:59:42,320
Speaker 1: He was on The Stern Show for a number of years.

1071
00:59:42,840 --> 00:59:47,400
Speaker 1: M he was you know, yeah, I guess you know.

1072
00:59:47,520 --> 00:59:49,960
Speaker 1: Do you know Craig gas I don't you know who

1073
00:59:50,000 --> 00:59:56,120
Speaker 1: he is? He's a stand up, he does impressions and yeah,

1074
00:59:56,480 --> 01:00:00,439
Speaker 1: he was in the original space gym. Yah, because Ivan

1075
01:00:00,520 --> 01:00:02,840
Speaker 1: Rightman was on. He was he was produced? Was he

1076
01:00:02,920 --> 01:00:06,560
Speaker 1: not producing private parts for Stern? I think that's how

1077
01:00:06,600 --> 01:00:08,880
Speaker 1: they kind of met. And then he said, hey, why

1078
01:00:08,880 --> 01:00:15,000
Speaker 1: don't you audition for this basketball cartoon movie? And yeah,

1079
01:00:15,040 --> 01:00:17,200
Speaker 1: so yeah, so we're going back to that other conversation

1080
01:00:17,280 --> 01:00:20,400
Speaker 1: yet earlier it was Jeff Bergman was the first guy,

1081
01:00:20,560 --> 01:00:29,400
Speaker 1: then Greg Burson, then Billy West, Joe Alaski. Um, I

1082
01:00:29,440 --> 01:00:32,040
Speaker 1: think Noel Blank had had a try at doing bugs

1083
01:00:32,800 --> 01:00:38,120
Speaker 1: and then his son no Noel blank, there's Billy, uh

1084
01:00:38,200 --> 01:00:42,520
Speaker 1: but yeah, and then me so hopefully I can continue that.

1085
01:00:43,320 --> 01:00:45,560
Speaker 1: But who's that one on the top right, top right

1086
01:00:45,640 --> 01:00:48,440
Speaker 1: is Doug Doug from I think he was He had

1087
01:00:48,440 --> 01:00:51,600
Speaker 1: a Nickelodeon show, then it moved to Disney and it was,

1088
01:00:51,800 --> 01:00:54,200
Speaker 1: you know, basically kind of like that voice that he does,

1089
01:00:54,600 --> 01:00:57,600
Speaker 1: you know for Fry. It was kind of similar to that.

1090
01:00:57,720 --> 01:00:59,480
Speaker 1: And there's a guy named Reno. Do you know Reno

1091
01:01:00,080 --> 01:01:04,320
Speaker 1: to Romeo? Yeah, the from Toronto. Yeah. I want to

1092
01:01:04,360 --> 01:01:07,400
Speaker 1: thank everybody for tuning into this episode of Culturally Canceled

1093
01:01:07,440 --> 01:01:11,120
Speaker 1: with myself, Russell Peters, my special guest, Eric Bowser, the

1094
01:01:11,520 --> 01:01:13,680
Speaker 1: Man of a Thousand Voices, the new Man of a

1095
01:01:13,720 --> 01:01:16,840
Speaker 1: Thousand Voices. Thanks for tuning in. Guys. We'll see uh

1096
01:01:16,880 --> 01:01:20,600
Speaker 1: when I see you U