WEBVTT - CZM Book Club: "Virgin Ground" by Rosel George Brown

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<v Speaker 1>Colson Media Club Club Club. Hello, and welcome to the

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<v Speaker 1>cools On Media book Club, your only book club where

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<v Speaker 1>I do the reading for you. And the I in

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<v Speaker 1>that statement is Margaret Kiljoy because that's my name, and

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<v Speaker 1>I'm the host of the book club where you don't

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<v Speaker 1>have to do the reading because I do it for you,

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<v Speaker 1>and then I explain this every week. Anyway, I've been

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<v Speaker 1>on a classic sci fi kick, and because classic sci

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<v Speaker 1>fi is kind of like what got me, and I mean,

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<v Speaker 1>of course it's what got me into sci fi, right,

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<v Speaker 1>It's the older stuff, and so it's the stuff that

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<v Speaker 1>I was reading when I was younger. But I think

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<v Speaker 1>I mentioned before on the show at one point one

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<v Speaker 1>of the first books that I ever read was this

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<v Speaker 1>or that got me into science fiction anyway, was this

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<v Speaker 1>book of like all of the greatest science fiction stories

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<v Speaker 1>from before nineteen sixty four or whatever. And I've just

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<v Speaker 1>always had a soft spot for that era. But it's

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<v Speaker 1>usually all these men, and so I was like, you

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<v Speaker 1>know what I'm going to read you all this week

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<v Speaker 1>A story from nineteen fifty nine written by a woman,

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<v Speaker 1>and it's about gender and it's like one of the

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<v Speaker 1>queerest stories in a world where you like kind of

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<v Speaker 1>can't have queer science fiction, but it's still this like

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<v Speaker 1>Golden Age science fiction thing where no one I'm sure

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<v Speaker 1>people do. It's we less and less see science fiction.

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<v Speaker 1>That's just like and we're off to go explore the

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<v Speaker 1>galaxy and set up little Wild West colonies in space,

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<v Speaker 1>you know. So here's a story more in that vein,

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<v Speaker 1>but it's strange, and it's by Russell George Brown, who

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<v Speaker 1>was a school teacher and a Greek student, a study

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<v Speaker 1>of like her area of specialty was like fifth century Greece.

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<v Speaker 1>She's from New Orleans. She died when she was forty

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<v Speaker 1>one years old of lymphoma and so and she was

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<v Speaker 1>like everyone was like really excited about her and science fiction,

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<v Speaker 1>but then she died tragically, young, said the forty one

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<v Speaker 1>year old who doesn't want to die this year. This

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<v Speaker 1>story is called Virgin Ground by Russell George Brown, and

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<v Speaker 1>it was published in Worlds of Science Fiction in February

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<v Speaker 1>nineteen fifty nine, and Gutenberg says extensive research did not

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<v Speaker 1>uncover any evidence that the US copyright on this publication

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<v Speaker 1>was renewed, so that's it's good enough for Gutenberg. The

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<v Speaker 1>like little thing in the that's like, here's what you're

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<v Speaker 1>about to read. That's from the magazine. Is Annie signed

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<v Speaker 1>on to a bride ship from Mars. There were forty brides,

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<v Speaker 1>and when she got there, thirty nine men were waiting. Dun, dun, dum.

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<v Speaker 1>The pilot shoved open the airlock and kicked the stairs down. Okay, girls,

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<v Speaker 1>carry your suitcases, and I'll give each of you an

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<v Speaker 1>oxygen mask as you go out. The air has been

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<v Speaker 1>breatheable for fifteen years, but it's still too thin to newcomers.

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<v Speaker 1>If you feel dizzy, take a whiff of oxygen. The

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<v Speaker 1>forty women just stood there and looked at each other.

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<v Speaker 1>Nobody wanted to be first. Annie moved forward, her bulky

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<v Speaker 1>suitcase practically floating in her hand. She was a big woman,

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<v Speaker 1>with that wholesome expression which some women have to substitute

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<v Speaker 1>for sex appeal. She'd make a great senior leader at

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<v Speaker 1>summer camps. I'll go first, she said, grinning confidence into

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<v Speaker 1>the others. I'm not likely to bring out the beast

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<v Speaker 1>in them. She waved herself out, letting the grin set

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<v Speaker 1>and gel. It was odd to feel light. She'd felt

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<v Speaker 1>too heavy as far back as she could remember. Not fat, heavy,

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<v Speaker 1>bone heavy. The sweat on her face dried suddenly, she

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<v Speaker 1>could feel it like something being peeled off her skin.

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<v Speaker 1>Arid climate, it was cold, but she had the warmth

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<v Speaker 1>to meet it. There they were forty men that were

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<v Speaker 1>supposed to be forty. What if one of them had died?

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<v Speaker 1>Who would go back? Not me? Annie prayed to herself,

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<v Speaker 1>Dear God, not me. She tried to count them, but

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<v Speaker 1>they moved around, so they were looking at something, not Annie.

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<v Speaker 1>The girl coming down the ramp behind Annie. It was

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<v Speaker 1>Sally with the blonde hair on her shoulders. That's all

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<v Speaker 1>they'd be able to see from there, the blonde hair.

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<v Speaker 1>But a man was coming forward. He had a tam

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<v Speaker 1>like hat pulled low to good humored eyes and an

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<v Speaker 1>easy stride. Wait, Ben, one of the other men said,

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<v Speaker 1>see the others. I pulled first, didn't I? Yeah, but

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<v Speaker 1>you ain't seen but two yet. I want that blond one.

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<v Speaker 1>Let Gary see the others, and he led Sally away.

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<v Speaker 1>He didn't feel her muscles, or look at her teeth

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<v Speaker 1>or measure her pelvic spin. After Sally came Nora. Nora

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<v Speaker 1>giggled and waved, making a shape under the shapeless clothes

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<v Speaker 1>wasn't that just like Nora? Okay, so she was cute.

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<v Speaker 1>Second man took Nora. He didn't wait for the others.

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<v Speaker 1>Third man took Regina. Regina looked scared, but you could

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<v Speaker 1>see those big cow eyes a mile off. Regina obviously

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<v Speaker 1>needed somebody to protect her. The other girls came out.

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<v Speaker 1>Annie counted, and her heart hit bottom. Someone was going

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<v Speaker 1>to be left over. Four women, three men. They all

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<v Speaker 1>felt embarrassed. It was the kind of thing the colonists

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<v Speaker 1>would talk about for years. Who was last, who was

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<v Speaker 1>second to last? Spiteful people would remember, and in a

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<v Speaker 1>tight little community, spite took root and throve on the

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<v Speaker 1>least misinterpreted expression. Or but then this wouldn't be a

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<v Speaker 1>tight little community. Annie remembered. The lichen farms were spread

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<v Speaker 1>out over the whole temperate belt of the world because

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<v Speaker 1>the lichens were grown only on hills where the sand

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<v Speaker 1>would not cover them, and because they did a more

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<v Speaker 1>efficient job of oxygenating the atmosphere when they were spread

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<v Speaker 1>over a wide area. One man, hat in hand, even

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<v Speaker 1>in the cold, A little shriveled man with a spike

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<v Speaker 1>of dust colored hair, but kind looking all he drawled

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<v Speaker 1>an embarrassment he clicked his tongue. You're both probably too

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<v Speaker 1>good for somebody like me. I don't know both fine women.

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<v Speaker 1>The two women stood in silence. What's your name, Annie, Mary? Mary?

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<v Speaker 1>My sister's name, Mary, fine woman? He took Mary's hand.

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<v Speaker 1>No disrespect to you, Annie. They were all gone. I

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<v Speaker 1>could take you out my venus run, the pilot said,

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<v Speaker 1>He too was embarrassed. But I'm afraid I'll have a

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<v Speaker 1>full ship after that unless you buy the weight in space.

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<v Speaker 1>I'd be glad to take you free, but the company.

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<v Speaker 1>Annie's eyes were full, but she wasn't going to let

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<v Speaker 1>them spill. Sally brought Ben by, already looking self consciously married.

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<v Speaker 1>I'm sorry, honey, she said. Look, Annie, if you want

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<v Speaker 1>to come stay with us until another shipment of pioneers

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<v Speaker 1>come to break ground, you're welcome. Maybe you'd find one

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<v Speaker 1>of them you liked. It was a gesture of kindness,

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<v Speaker 1>of course, but it made Annie's eyes spill. She turned

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<v Speaker 1>her head away toward the red hills red and the

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<v Speaker 1>cultivated one's green Christmas colors. Sure Ben said, swell, Anni,

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<v Speaker 1>friend of Sally's is a friend of mine. And the

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<v Speaker 1>way they looked at each other made Annie's heart lurch. Thanks, kids,

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<v Speaker 1>she said, but I don't believe. I'll try, and don't worry.

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<v Speaker 1>This isn't the first time I've been stood up. Are

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<v Speaker 1>you coming, the pilot shouted across the field. Hate to

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<v Speaker 1>rush you, but I've got a schedule to meet. Was

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<v Speaker 1>she coming? What else could she do? What happened to him? Ben?

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<v Speaker 1>Annie asked the other man that should have been here?

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<v Speaker 1>Ben worried a hole in the sand with one foot

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<v Speaker 1>and cleared his throat. He stayed home. You mean he's

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<v Speaker 1>alive here? Well, yes, but he didn't. Never mind, I

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<v Speaker 1>don't need anybody to strum a guitar under my window.

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<v Speaker 1>If he couldn't get away from the farm today, I

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<v Speaker 1>can certainly go to him. I've got a pair of

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<v Speaker 1>legs that'll walk around the world. You coming, the pilot shouted, No,

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<v Speaker 1>Annie cried, I live here. The spaceship took off a

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<v Speaker 1>phoenix rising from the flames, much like these ads arrive

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<v Speaker 1>naturally from the narrative and then interject themselves like a

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<v Speaker 1>gout of flame, or like the gout. Here's ads, and

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<v Speaker 1>we're back. Ben was shuffling his feet, hands in his pockets.

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<v Speaker 1>We'd be proud to have you stay with us. Annie, Oh,

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<v Speaker 1>cut it out, Ben, I'm no hot house Rose. Just

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<v Speaker 1>tell me which way and I'll find my own farm.

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<v Speaker 1>She paused, trying to guess his thoughts. You think he

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<v Speaker 1>might be disappointed when he sees me? Is that it? Ben?

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<v Speaker 1>I know I'm no pinup girl, but I'm a worker

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<v Speaker 1>and a breeder. He'll see it in the end. That's

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<v Speaker 1>what's going to count. Ben was still making holes in

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<v Speaker 1>the sand with his feet, trying to say something. Please,

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<v Speaker 1>don't worry. Annie went on, your friend won't be sorry

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<v Speaker 1>if he doesn't want to marry me right away. Okay,

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<v Speaker 1>I can understand it, but I can give him a

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<v Speaker 1>chance to watch me work. That isn't it? Ben said, finally,

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<v Speaker 1>I think you look fine. Annie. It's any woman. He

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<v Speaker 1>told them not to send a wife for him, any woman.

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<v Speaker 1>But that's ridiculous. He knows the laws. Five years and

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<v Speaker 1>then a wife. Why did he stick out in the

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<v Speaker 1>first place? That was before Ben answered, oh what, Oh,

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<v Speaker 1>it's not for me to say. Why don't you just

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<v Speaker 1>forget Bradman. He's a good enough guy, but not for you.

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<v Speaker 1>You come which way and how far? Ben looked at

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<v Speaker 1>her hard. Okay, on Mars. Your life is your own,

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<v Speaker 1>he pointed, second farm bubble you come to, and you'd

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<v Speaker 1>better hurry. It ought to take eight hours and night

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<v Speaker 1>falls like a ton of bricks. Here Annie made it

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<v Speaker 1>in seven easy. She went up to the transparent hemisphere.

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<v Speaker 1>He was inside working, she shouted, but if he heard her,

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<v Speaker 1>he didn't look up. She went to the flap. That

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<v Speaker 1>must be the door. There wasn't anything to knock on,

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<v Speaker 1>so she opened the flap and walked in. There was

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<v Speaker 1>nothing in the room but a cot, kitchen equipment, and

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<v Speaker 1>lichen growing on a number of tables. The air was

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<v Speaker 1>richer than outside, and Annie breathed it thirstily. I'm Annie

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<v Speaker 1>strugg she said, smiling and wishing it wasn't such an

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<v Speaker 1>ugly name. He glanced up, angry blue eyes under a

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<v Speaker 1>growth of black hair. He didn't say a word. Annie

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<v Speaker 1>set her suitcase down and looked out at the green

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<v Speaker 1>growth on the hills. Look, mister Bradman, she cried, suddenly,

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<v Speaker 1>pointing a spatulate finger to the western horizon. What in

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<v Speaker 1>the name of Heaven is that? There was just a

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<v Speaker 1>catch of fright in her voice. We don't say, mister

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<v Speaker 1>on Mars, he said, reluctantly, Brady, but you don't have

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<v Speaker 1>to call me anything because you're leaving, Sue. He was

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<v Speaker 1>a big, arid man with a sandy voice, but his hands,

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<v Speaker 1>as he stripped the lumpy, brown fruits from a giant lichen,

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<v Speaker 1>were surprisingly delicate. What is it, Annie asked, turning instinctively

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<v Speaker 1>to the big man for a reassurance and protection she

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<v Speaker 1>had no reason to expect. Bradman straightened and moved away

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<v Speaker 1>from her, looking at the black giant growing up from

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<v Speaker 1>the earth in the distance and moving straight toward them.

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<v Speaker 1>It's a sandstorm, he said. It'll be here in ten minutes.

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<v Speaker 1>Annie let out there she'd been holding. Oh that doesn't

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<v Speaker 1>sound so bad. I don't know what I thought it was.

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<v Speaker 1>I was just frightened. She smiled, shyly and apologetically at Bradman.

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<v Speaker 1>Bradman grimaced at her, his agate eyes frozen in a

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<v Speaker 1>pallid face that should have gone with red hair. The

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<v Speaker 1>sand blown lines in his face were cruel. Sister, you've

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<v Speaker 1>got a smile like a slab of concrete. Don't try

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<v Speaker 1>it again. You didn't have to say that, Annie said, quietly,

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<v Speaker 1>closing her eyes against the winds of her anger. You

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<v Speaker 1>didn't have to come here, he replied, goodbye. I'm not leaving,

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<v Speaker 1>she said, still holding tight the doors of her anger.

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<v Speaker 1>I am. He paced heavily over the sand floor and

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<v Speaker 1>pulled back the flap of the door. Where are you going?

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<v Speaker 1>Annie glanced back at the towering giant, now glowing red

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<v Speaker 1>in the sunlight like some huge, grotesque devil into the

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<v Speaker 1>storm cellar. Nobody lives through a Martian sandstone. Annie ran

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<v Speaker 1>after him. For God's sake, take me with you. You

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<v Speaker 1>can't leave me. Mine's built for one, he said, and

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<v Speaker 1>pulled the top end over him. As he disappeared into

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<v Speaker 1>the hole. Annie broke her fingernails, pulling at the cover.

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<v Speaker 1>The wind was blowing sand in her eyes. She saw

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<v Speaker 1>blood staining the rim of her index finger. She pounded

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<v Speaker 1>with her fists. Let me in, she screamed, in the

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<v Speaker 1>name of God, but all she heard was the keening

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<v Speaker 1>sand in the wind. She looked around. The devil was closer,

0:13:32.840 --> 0:13:36.520
<v Speaker 1>malignant and hungry. It wanted to eat her alive. He

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<v Speaker 1>made her angry. I'll fight it, she screamed. By God,

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<v Speaker 1>I'll fight five minutes, she guessed, maybe five minutes left.

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<v Speaker 1>She ran into the house, ripped open her suitcase bundles

0:13:48.440 --> 0:13:55.360
<v Speaker 1>of nylon marriage clothes. She began to sob somewhere with lace. Fight,

0:13:55.480 --> 0:13:58.520
<v Speaker 1>She shouted to herself. There was her oxygen mask. How

0:13:58.600 --> 0:14:02.040
<v Speaker 1>much oxygen anybody's guess. It was made for maybe a

0:14:02.040 --> 0:14:06.200
<v Speaker 1>few whiffs a day over a period of several months. Swell,

0:14:06.600 --> 0:14:08.520
<v Speaker 1>but it wouldn't keep the sand from tearing through her

0:14:08.559 --> 0:14:15.439
<v Speaker 1>eyeballs and flaying her alive. Wrapping nylon nightgowns, ridiculous spacesuit.

0:14:16.080 --> 0:14:18.240
<v Speaker 1>Annie went through the one room house as fast as

0:14:18.280 --> 0:14:22.760
<v Speaker 1>she could. No spacesuit, why should he have one? Three

0:14:22.800 --> 0:14:26.600
<v Speaker 1>minutes left, sand was blowing under the hemisphere, piling up

0:14:26.600 --> 0:14:30.200
<v Speaker 1>at one end and oozing out beneath. It was possible

0:14:30.720 --> 0:14:35.760
<v Speaker 1>she would simply be buried the refrigerator that wasn't a refrigerator,

0:14:36.160 --> 0:14:41.320
<v Speaker 1>only a cabinet loosely joined, much like this ad transition

0:14:41.560 --> 0:14:45.359
<v Speaker 1>is loosely joined into the narrative of the text, interrupting

0:14:45.920 --> 0:14:50.880
<v Speaker 1>your narrative pleasure, where now you get to learn about

0:14:51.320 --> 0:14:58.160
<v Speaker 1>things like maybe there'll be an ad for colonizing Mars.

0:14:58.760 --> 0:15:02.800
<v Speaker 1>I hope not. I'm actually totally fine with going places

0:15:02.800 --> 0:15:05.720
<v Speaker 1>that there aren't people who are living things to go

0:15:05.800 --> 0:15:08.640
<v Speaker 1>live there. But the problem is that it would probably

0:15:08.640 --> 0:15:10.760
<v Speaker 1>be a tesla ad and that would make me very sad,

0:15:11.280 --> 0:15:16.479
<v Speaker 1>because well, I want him to go on a spaceship

0:15:16.480 --> 0:15:18.400
<v Speaker 1>to Mars that he built himself, because it'll blow up

0:15:18.400 --> 0:15:20.600
<v Speaker 1>and he'll die and that'll be nice. But here's the

0:15:20.640 --> 0:15:41.360
<v Speaker 1>other ads and we're back. Annie went outside, on the

0:15:41.400 --> 0:15:43.520
<v Speaker 1>side where the field of lichens grew up a smooth

0:15:43.560 --> 0:15:46.680
<v Speaker 1>stone hill. The Red Devil was whistling at her, now

0:15:46.800 --> 0:15:51.720
<v Speaker 1>a low, insinuating whistle. Something rattled faintly against one steel

0:15:51.800 --> 0:15:54.640
<v Speaker 1>rib of the hemisphere. It was a shrub about five

0:15:54.680 --> 0:15:58.880
<v Speaker 1>feet tall, and he began to laugh hysterically. Brady had

0:15:58.920 --> 0:16:02.120
<v Speaker 1>protected the shrub with loving care. It was tied to

0:16:02.160 --> 0:16:06.120
<v Speaker 1>the steel rib through gromined holes in the hemisphere and

0:16:06.200 --> 0:16:08.960
<v Speaker 1>covered with its own plastic bag to shield off the wind.

0:16:10.040 --> 0:16:14.359
<v Speaker 1>One minute the Red Devil was shouting, now laughing with triumph.

0:16:14.640 --> 0:16:16.960
<v Speaker 1>He ran his sandy fingers through her hair and blew

0:16:17.000 --> 0:16:20.440
<v Speaker 1>his gritty breath in her eyes. She pulled the zipper

0:16:20.480 --> 0:16:23.080
<v Speaker 1>at the bottom of the polyethylene bag that covered the

0:16:23.080 --> 0:16:28.560
<v Speaker 1>shrub and yanked the bag off. It was heavy, almost oily, plastic, slippery, impliant.

0:16:29.640 --> 0:16:31.680
<v Speaker 1>There was no time to decide whether it be better

0:16:31.760 --> 0:16:34.760
<v Speaker 1>inside or outside the house. She pulled the bag over

0:16:34.800 --> 0:16:37.840
<v Speaker 1>her head inside out so the zipper would close completely.

0:16:38.480 --> 0:16:41.600
<v Speaker 1>She folded the zipper part under once and wedged herself

0:16:41.680 --> 0:16:43.840
<v Speaker 1>as far as she could go into the space between

0:16:43.840 --> 0:16:47.280
<v Speaker 1>the shrub and the hemisphere, holding the oxygen mask in

0:16:47.360 --> 0:16:50.960
<v Speaker 1>her teeth with infinite care, though she was not likely

0:16:51.040 --> 0:16:53.600
<v Speaker 1>to split the heavy bag. She pulled off her shoes

0:16:53.640 --> 0:16:57.160
<v Speaker 1>and her heavy woolen walking socks. She put the shoes

0:16:57.200 --> 0:17:00.960
<v Speaker 1>back on, her slacks covered her legs. Only her ankles

0:17:00.960 --> 0:17:05.040
<v Speaker 1>were bare. She unraveled one sock and stuffed the yarn

0:17:05.119 --> 0:17:09.920
<v Speaker 1>in her ears. There was a sudden, remarkable quiet. Then

0:17:10.160 --> 0:17:12.880
<v Speaker 1>even through the yarn came the roar of the storm,

0:17:13.280 --> 0:17:17.040
<v Speaker 1>for it was upon her. She looked through the milky

0:17:17.040 --> 0:17:20.760
<v Speaker 1>plastic into a wild red inferno, spitting at her in

0:17:20.840 --> 0:17:25.479
<v Speaker 1>furious frustration. Then she bound the other sock over her eyes.

0:17:26.640 --> 0:17:30.240
<v Speaker 1>She was in a blind, muffled world, now buffeted against

0:17:30.280 --> 0:17:33.560
<v Speaker 1>the shrub and the wires and the steel rib, but

0:17:33.720 --> 0:17:37.199
<v Speaker 1>not painfully because of her heavy clothing. It was as

0:17:37.240 --> 0:17:40.000
<v Speaker 1>though suddenly all her senses had been switched to the

0:17:40.080 --> 0:17:45.960
<v Speaker 1>last pitch before silence. I might live, Annie thought, I might.

0:17:48.440 --> 0:17:50.840
<v Speaker 1>There was sand in the bag now. Annie could feel

0:17:50.840 --> 0:17:53.840
<v Speaker 1>it sifting under her collar and blowing up her ankles.

0:17:54.600 --> 0:17:57.439
<v Speaker 1>Not much. It was coming from the bottom of the bag.

0:17:57.960 --> 0:18:00.679
<v Speaker 1>Probably the end of the zipper had worked over just

0:18:00.760 --> 0:18:04.600
<v Speaker 1>a little. Was that the dull roar of the storm

0:18:04.680 --> 0:18:07.639
<v Speaker 1>through her stoppered ears, or the rushing of her own blood?

0:18:08.359 --> 0:18:11.199
<v Speaker 1>If sand were seeping in, the storm must still be on.

0:18:12.520 --> 0:18:15.399
<v Speaker 1>How did Bradman breathe in his storm cellar? Would the

0:18:15.440 --> 0:18:17.680
<v Speaker 1>storm last long enough for the air to go bad?

0:18:18.119 --> 0:18:22.840
<v Speaker 1>It would go bad fast in an enclosed place on Mars, Bradman.

0:18:23.080 --> 0:18:25.680
<v Speaker 1>What sort of monster would walk off and let another

0:18:25.760 --> 0:18:29.639
<v Speaker 1>human being die without a glance backwards? Did the cold

0:18:29.680 --> 0:18:32.600
<v Speaker 1>desert wear out the humanity of a man? How did

0:18:32.600 --> 0:18:36.159
<v Speaker 1>a human being get like that? You've got a smile

0:18:36.280 --> 0:18:39.159
<v Speaker 1>like a concrete slab? Is that what you say to

0:18:39.200 --> 0:18:40.960
<v Speaker 1>a person when you know you're about to leave them

0:18:41.000 --> 0:18:46.159
<v Speaker 1>to die? Unmarried women between ages of twenty one and

0:18:46.240 --> 0:18:50.920
<v Speaker 1>thirty good health, well adjusted marriage on arrival Mars transports

0:18:51.000 --> 0:18:56.160
<v Speaker 1>leaves oct one good health, well adjusted. She could see

0:18:56.160 --> 0:18:59.600
<v Speaker 1>the printed words, red stereo words reaching out from the

0:18:59.640 --> 0:19:04.600
<v Speaker 1>paid Unmarried women between they came and went in her mind,

0:19:04.640 --> 0:19:07.359
<v Speaker 1>and there was a roar in her ears. The words

0:19:07.359 --> 0:19:11.280
<v Speaker 1>were gone now, only a redness that came and went, no,

0:19:12.200 --> 0:19:16.919
<v Speaker 1>a blackness. Annie snatched the exhausted oxygen mask off her

0:19:16.960 --> 0:19:20.439
<v Speaker 1>face and gulped a pallid, sandy breath of air. It

0:19:20.480 --> 0:19:23.560
<v Speaker 1>wouldn't do. She took the sock off her eyes and

0:19:23.600 --> 0:19:26.520
<v Speaker 1>bounded around her nose and mouth. It would filter some

0:19:26.600 --> 0:19:29.600
<v Speaker 1>of the sand out. She opened her eyes briefly and

0:19:29.640 --> 0:19:33.280
<v Speaker 1>closed them. The grit stayed in. She didn't dare open

0:19:33.320 --> 0:19:37.439
<v Speaker 1>them again, but the storm looked weaker, or was it

0:19:37.440 --> 0:19:41.800
<v Speaker 1>her imagination. She groped for the zipper. Foul air would

0:19:41.840 --> 0:19:45.800
<v Speaker 1>kill her quicker than sand. She couldn't find it hell

0:19:45.800 --> 0:19:48.760
<v Speaker 1>with the zipper. She pulled her little mending kit out

0:19:48.760 --> 0:19:51.200
<v Speaker 1>of her pocket and slashed the bag with the scissors.

0:19:52.200 --> 0:19:55.399
<v Speaker 1>The storm sounded louder now with the bag gone. The

0:19:55.480 --> 0:19:59.240
<v Speaker 1>sand blew under her eyelids, ripped her face, tore a

0:19:59.280 --> 0:20:03.320
<v Speaker 1>burning circle around each ankle. Annie put her face in

0:20:03.359 --> 0:20:06.960
<v Speaker 1>her hands, breathing through her nose and the sock. She

0:20:07.040 --> 0:20:11.160
<v Speaker 1>held herself stiffly. She didn't want to cough. The whole

0:20:11.240 --> 0:20:15.640
<v Speaker 1>world was a blind, gritty pain. There was no end

0:20:15.680 --> 0:20:24.080
<v Speaker 1>to think of, only pain, grayness, blackness. Finally, a voice, Bradman,

0:20:25.840 --> 0:20:28.679
<v Speaker 1>you ruined my shrub? Did you have to slash the

0:20:28.760 --> 0:20:33.720
<v Speaker 1>bag too? Annie opened her eyes. They felt red and ruined.

0:20:34.040 --> 0:20:36.800
<v Speaker 1>They were watering so much her cheeks were wet. She

0:20:36.840 --> 0:20:40.679
<v Speaker 1>could hardly see. She was having a coughing fit. She

0:20:40.760 --> 0:20:44.399
<v Speaker 1>dragged herself upright. All she could see was sand. The

0:20:44.440 --> 0:20:47.119
<v Speaker 1>plastic bubble had blown off the girders, and if the

0:20:47.160 --> 0:20:50.160
<v Speaker 1>furnishings in her suitcase were there, her eyes were still

0:20:50.200 --> 0:20:52.639
<v Speaker 1>too dim to see them. Do you know what that

0:20:52.680 --> 0:20:56.720
<v Speaker 1>shrub's worth? On Mars, Annie found the yarn had fallen

0:20:56.760 --> 0:20:58.679
<v Speaker 1>out of one ear, and she pulled it out of

0:20:58.720 --> 0:21:03.200
<v Speaker 1>the other. Do you know what that bag's worth? Gall

0:21:03.400 --> 0:21:06.240
<v Speaker 1>ran in her veins. She spat it out of her mouth.

0:21:06.880 --> 0:21:09.320
<v Speaker 1>She backed up to the steel beam and braced her

0:21:09.320 --> 0:21:13.200
<v Speaker 1>feet against it. Light in the Martian gravity, I told

0:21:13.200 --> 0:21:16.359
<v Speaker 1>them not to send a woman out here. She pushed

0:21:16.359 --> 0:21:19.520
<v Speaker 1>off and sank her fist into his teeth. He went down.

0:21:20.480 --> 0:21:22.920
<v Speaker 1>She was too light, but he was too light too.

0:21:23.520 --> 0:21:26.879
<v Speaker 1>It evened out. She turned his face and held it

0:21:26.920 --> 0:21:30.959
<v Speaker 1>in the sand. Her strength was insane. Do you know

0:21:31.000 --> 0:21:35.639
<v Speaker 1>what a human life is worth, she screamed. He struggled,

0:21:36.119 --> 0:21:39.560
<v Speaker 1>but she fought his bucking body, kept his face buried

0:21:39.560 --> 0:21:42.440
<v Speaker 1>in the sand until he was dead, and a long

0:21:42.520 --> 0:21:47.320
<v Speaker 1>time after an age passed. Annie was frozen and a

0:21:47.320 --> 0:21:52.120
<v Speaker 1>world rhymed over with white starlight sequined with frost. Then

0:21:52.600 --> 0:21:56.280
<v Speaker 1>the cross eyed moons came up. She found an edge

0:21:56.280 --> 0:21:59.280
<v Speaker 1>of the plastic bubble, rumpled and limp and half buried

0:21:59.320 --> 0:22:02.399
<v Speaker 1>in the sand. She pushed off the heaviest hills of

0:22:02.480 --> 0:22:05.560
<v Speaker 1>sand with her hands and pulled it out. She climbed

0:22:05.640 --> 0:22:08.600
<v Speaker 1>up the anchored girders with it, and then she slept

0:22:08.600 --> 0:22:12.720
<v Speaker 1>the rest of the night in her own home. The

0:22:12.760 --> 0:22:15.919
<v Speaker 1>next day she dug out her household supplies from the sand.

0:22:16.800 --> 0:22:19.320
<v Speaker 1>The day after, she cleared the sand from the lichens

0:22:19.359 --> 0:22:22.480
<v Speaker 1>on her farm. On the fourth day, she called a

0:22:22.480 --> 0:22:26.000
<v Speaker 1>few neighbors in, and late in the evening she buried Bradman.

0:22:27.320 --> 0:22:31.320
<v Speaker 1>No one questioned her. It had been after all self defense.

0:22:32.440 --> 0:22:35.159
<v Speaker 1>She kept the farm as well as any man better.

0:22:35.680 --> 0:22:39.199
<v Speaker 1>She worked how she worked, She kept herself numb with labor,

0:22:39.560 --> 0:22:44.959
<v Speaker 1>her mind drunk with the liquors, a fatigue. After five years,

0:22:45.320 --> 0:22:48.720
<v Speaker 1>he came. He just appeared inside the door flap, looking

0:22:48.760 --> 0:22:52.760
<v Speaker 1>a little nervous but grinning. I'm Jack Hamstrong, he said,

0:22:52.800 --> 0:22:56.520
<v Speaker 1>his voice full and wholesome, like Iowa corn I. You

0:22:56.560 --> 0:22:59.040
<v Speaker 1>weren't at the spaceport, so I figured, what the heck?

0:22:59.480 --> 0:23:04.240
<v Speaker 1>I just want? This is my farm, Annie said, My

0:23:04.320 --> 0:23:07.800
<v Speaker 1>hands are on every inch of it. Hamstrong's ruddy face

0:23:07.880 --> 0:23:10.960
<v Speaker 1>turned on itself a little. I know, I know the story.

0:23:11.040 --> 0:23:13.040
<v Speaker 1>I didn't come to take anything away. I came to

0:23:13.680 --> 0:23:16.480
<v Speaker 1>good Lord. Didn't you know you'd be sent a husband?

0:23:17.720 --> 0:23:22.160
<v Speaker 1>Annie's eyes went queer like a cat's a husband if

0:23:22.160 --> 0:23:25.679
<v Speaker 1>they told her she hadn't heard go away, she said.

0:23:25.960 --> 0:23:28.359
<v Speaker 1>She looked around at her farm, the fruits of her

0:23:28.400 --> 0:23:34.320
<v Speaker 1>travail alone, the virgin birth. No, he said firmly, it's

0:23:34.359 --> 0:23:38.520
<v Speaker 1>yours and mine legally, I am not a mean man. Annie.

0:23:38.560 --> 0:23:43.920
<v Speaker 1>You'll find me patient but stubborn. I can wait. Annie sighed,

0:23:44.480 --> 0:23:46.959
<v Speaker 1>or was it a shudder. She looked up again at

0:23:46.960 --> 0:23:50.360
<v Speaker 1>the puckering edges of the evening sky. She put down

0:23:50.440 --> 0:23:53.399
<v Speaker 1>the knife she'd been peeling a giant lichen with. She

0:23:53.480 --> 0:23:56.200
<v Speaker 1>wiped her hands on her apron and lifted the doorflap.

0:23:57.080 --> 0:24:03.160
<v Speaker 1>All right, then, she said, Wait for what the sand storm?

0:24:03.440 --> 0:24:06.760
<v Speaker 1>She said, and she got into the storm cellar and

0:24:06.800 --> 0:24:12.600
<v Speaker 1>pulled down the weighty lid, locking it behind her. That's

0:24:12.680 --> 0:24:17.160
<v Speaker 1>the end of the story, because she killed one husband

0:24:17.160 --> 0:24:20.520
<v Speaker 1>and she's about to kill another. I like this story

0:24:20.560 --> 0:24:25.439
<v Speaker 1>so much, and I like some of the well I

0:24:25.520 --> 0:24:27.520
<v Speaker 1>found it subtle, but maybe it's not subtle at all,

0:24:27.760 --> 0:24:32.199
<v Speaker 1>like the insinuation that the sandstorm represents like marriage and

0:24:32.320 --> 0:24:35.640
<v Speaker 1>men right, because it like multiple times like the sandstorm

0:24:35.680 --> 0:24:38.320
<v Speaker 1>is like wolf whistling at her right, and the sandstorm

0:24:38.400 --> 0:24:41.560
<v Speaker 1>is like running its hands through her hair and all

0:24:41.600 --> 0:24:43.240
<v Speaker 1>this shit, and she's just like, I just got to

0:24:43.280 --> 0:24:45.320
<v Speaker 1>survive it. I'm not gonna let it kill me, and

0:24:45.320 --> 0:24:52.879
<v Speaker 1>then then I'll be all right, you know. And that's

0:24:52.880 --> 0:24:58.240
<v Speaker 1>some science fiction from seventy years ago for you all.

0:24:59.480 --> 0:25:03.040
<v Speaker 1>I hope you like. And if you don't, well, why'd

0:25:03.080 --> 0:25:05.720
<v Speaker 1>you listen to the whole thing? Are you just stuck

0:25:05.800 --> 0:25:08.120
<v Speaker 1>driving and you're like, uh, I don't want to take

0:25:08.119 --> 0:25:10.000
<v Speaker 1>my eyes off the road, And maybe you're driving through

0:25:10.000 --> 0:25:12.080
<v Speaker 1>a storm right now and you're like, oh no, there's

0:25:12.080 --> 0:25:14.800
<v Speaker 1>a storm, and I'm stuck listening to this because I

0:25:14.800 --> 0:25:19.240
<v Speaker 1>don't want to go get my phone from where it's

0:25:19.359 --> 0:25:21.200
<v Speaker 1>giving me directions to the storm and I don't have

0:25:21.240 --> 0:25:23.720
<v Speaker 1>a co pilot with me, and if so, I'm sorry

0:25:23.800 --> 0:25:25.800
<v Speaker 1>that you've been stuck with me as your copilot this

0:25:25.840 --> 0:25:29.399
<v Speaker 1>whole time. It's pretty tragic, but you'll you'll make it

0:25:29.440 --> 0:25:33.120
<v Speaker 1>through the storm of marriage. The storm is marriage, and

0:25:33.240 --> 0:25:36.119
<v Speaker 1>I will talk to you all next week with another

0:25:36.160 --> 0:25:44.280
<v Speaker 1>episode of cool Zone Media Boom Club. It Could Happen

0:25:44.280 --> 0:25:46.640
<v Speaker 1>Here as a production of cool Zone Media. For more

0:25:46.680 --> 0:25:49.720
<v Speaker 1>podcasts from cool Zone Media, visit our website cool zonemedia

0:25:49.800 --> 0:25:52.080
<v Speaker 1>dot com, or check us out on the iHeartRadio app,

0:25:52.119 --> 0:25:55.439
<v Speaker 1>Apple Podcasts, or wherever you listen to podcasts. You can

0:25:55.520 --> 0:25:58.240
<v Speaker 1>find sources for It Could Happen Here, updated monthly at

0:25:58.240 --> 0:26:01.480
<v Speaker 1>coolzonemedia dot com slash sources. Thanks for listening