1
00:00:00,160 --> 00:00:03,120
Speaker 1: Buleg Cavs show special guests in here. Not only do

2
00:00:03,240 --> 00:00:06,960
Speaker 1: we have a baby dinosaur little see three See three,

3
00:00:07,000 --> 00:00:10,880
Speaker 1: your son is here who's also moonlighting as a velociraptor.

4
00:00:11,600 --> 00:00:15,520
Speaker 1: We have hit boy in here. First of all, I mean,

5
00:00:15,640 --> 00:00:17,920
Speaker 1: just keep on congratulating you every time I see you.

6
00:00:18,400 --> 00:00:21,560
Speaker 1: Ship just keeps leveling up and leveling up. You see

7
00:00:21,560 --> 00:00:27,120
Speaker 1: the interviews going viral, trying trying to brod Yeah, I was.

8
00:00:27,160 --> 00:00:28,840
Speaker 1: I was actually thinking about that. I was like, I

9
00:00:28,880 --> 00:00:31,760
Speaker 1: wonder if Kendrick like show with the family or whatever.

10
00:00:31,880 --> 00:00:34,319
Speaker 1: So that's the first thing I thought. I was, Yeah,

11
00:00:34,320 --> 00:00:36,440
Speaker 1: because I was like, yeah, I wonder when the Heart

12
00:00:36,840 --> 00:00:39,760
Speaker 1: Part five came out, I was like, you know, all

13
00:00:39,800 --> 00:00:42,000
Speaker 1: the people's faces he used. I wonder if like everyone

14
00:00:42,080 --> 00:00:44,760
Speaker 1: had a heads up or just was on some real

15
00:00:44,840 --> 00:00:47,120
Speaker 1: artists shit and just threw it out. Yeah, And it

16
00:00:47,200 --> 00:00:49,559
Speaker 1: worked out because it was done with a great intention

17
00:00:49,720 --> 00:00:55,160
Speaker 1: and great you know, great artistic executed perfectly. Man. What

18
00:00:55,200 --> 00:00:59,080
Speaker 1: did you think of the Kendrick album Fire? Amazing? Yeah,

19
00:00:59,120 --> 00:01:03,120
Speaker 1: for sure? What is it like? What you know, you

20
00:01:03,240 --> 00:01:07,120
Speaker 1: obviously worked with Kendrick in the past. You've worked with

21
00:01:07,280 --> 00:01:11,000
Speaker 1: like who's who's that one artist that creative process. Who

22
00:01:11,040 --> 00:01:13,959
Speaker 1: you've been in the studio with was like just different.

23
00:01:14,040 --> 00:01:16,480
Speaker 1: That was like the most unique because you've been in

24
00:01:16,560 --> 00:01:20,240
Speaker 1: with everybody. I mean, it's like I can't say because

25
00:01:20,240 --> 00:01:23,520
Speaker 1: everybody got their own unique you know ways about him,

26
00:01:23,560 --> 00:01:25,560
Speaker 1: you know what I'm saying, Like working with somebody like

27
00:01:25,600 --> 00:01:28,600
Speaker 1: Big Sean, like how he always just make sure he

28
00:01:28,880 --> 00:01:31,880
Speaker 1: really dial in on every lyric, every line, Like he'll

29
00:01:31,920 --> 00:01:33,839
Speaker 1: say some shit and I'm like, oh, that's it, it's fire.

30
00:01:33,880 --> 00:01:35,080
Speaker 1: He'd be like, nah, I think I can come with

31
00:01:35,120 --> 00:01:38,640
Speaker 1: something crazier. So just even watching artists just that that

32
00:01:38,640 --> 00:01:41,120
Speaker 1: that helps me game perspective, helps me to want to

33
00:01:41,120 --> 00:01:43,280
Speaker 1: push further. You know what I'm saying. Have you taken

34
00:01:43,319 --> 00:01:46,199
Speaker 1: any of the stuff you've seen on the producer side

35
00:01:46,280 --> 00:01:48,520
Speaker 1: when you work with artists and applied it to your

36
00:01:48,600 --> 00:01:51,720
Speaker 1: ship as a rapper, any of the creative stuff I'll

37
00:01:51,760 --> 00:01:53,360
Speaker 1: be sitting next to na as well, you know what

38
00:01:53,440 --> 00:01:55,960
Speaker 1: i mean. That's what I'm saying. Engineered most of the

39
00:01:56,040 --> 00:01:59,240
Speaker 1: not songs. So I literally watched, you know, the way

40
00:01:59,280 --> 00:02:01,920
Speaker 1: he's delivered in the lyrics, the way he's writing them,

41
00:02:01,920 --> 00:02:04,080
Speaker 1: and it's like I have no choice but to be

42
00:02:04,160 --> 00:02:06,720
Speaker 1: leveling up every time we link up. So you'll applied

43
00:02:06,880 --> 00:02:09,840
Speaker 1: some of that stuff to your own one million percent.

44
00:02:10,480 --> 00:02:13,600
Speaker 1: I wouldn't. I'll be stupid not to. So Coursa is

45
00:02:14,280 --> 00:02:18,360
Speaker 1: officially the YouTube premieres out Friday. I think there's it's

46
00:02:18,360 --> 00:02:21,960
Speaker 1: gonna be on DSP, DSP's Thursday Night. It's on YouTube

47
00:02:22,000 --> 00:02:24,720
Speaker 1: right now, It's on YouTube right now. DSPs this week

48
00:02:24,800 --> 00:02:27,679
Speaker 1: going crazy. Man, we got the merch course of all that. Yeah,

49
00:02:27,680 --> 00:02:30,160
Speaker 1: so give me cause obviously you and Dom half a

50
00:02:30,200 --> 00:02:33,080
Speaker 1: mil you guys already have a great, a great legacy.

51
00:02:33,520 --> 00:02:37,280
Speaker 1: Is this going into the direction of another joint project

52
00:02:37,440 --> 00:02:40,240
Speaker 1: or what is what's going on? Me and Dom we

53
00:02:40,400 --> 00:02:44,280
Speaker 1: just always we got a crazy, just good friendship. Just firstly,

54
00:02:44,400 --> 00:02:47,160
Speaker 1: so the music is just becoming, you know what I'm saying,

55
00:02:47,160 --> 00:02:49,800
Speaker 1: And this was a joint we did and we both agree, like, bro,

56
00:02:49,880 --> 00:02:52,320
Speaker 1: we got to drop this like it's shit different. What

57
00:02:52,360 --> 00:02:54,200
Speaker 1: are we talking on the radio. I think he's trying

58
00:02:54,200 --> 00:02:59,080
Speaker 1: to get out of that mask. Let's check it off

59
00:02:59,120 --> 00:03:01,800
Speaker 1: and he's trying to figure that out. You good, see

60
00:03:01,840 --> 00:03:07,239
Speaker 1: through you good buddy, that's bouleg We're gonna get you

61
00:03:07,320 --> 00:03:12,360
Speaker 1: some chips man. Yeah. So you and Dom, you just

62
00:03:12,560 --> 00:03:15,359
Speaker 1: are I mean you guys are always working, always working,

63
00:03:15,440 --> 00:03:17,120
Speaker 1: and of course it was just something we came up

64
00:03:17,160 --> 00:03:19,680
Speaker 1: with and it just felt right, you know what I'm saying.

65
00:03:19,680 --> 00:03:22,240
Speaker 1: We we took the song to New York. I went

66
00:03:22,280 --> 00:03:25,200
Speaker 1: to Brooklyn and uh song went out to bed Sty

67
00:03:25,360 --> 00:03:27,960
Speaker 1: and just played the joint like it wasn't even like

68
00:03:28,040 --> 00:03:30,520
Speaker 1: no force ful, like we about to record, y'all. Let's

69
00:03:30,560 --> 00:03:32,200
Speaker 1: like I want you to dance to it. They just

70
00:03:32,280 --> 00:03:35,280
Speaker 1: was dancing to that mother for You're Getting Sturdy. They

71
00:03:35,360 --> 00:03:37,720
Speaker 1: was just doing it on their own. Yeah, it was fly. Yeah,

72
00:03:37,880 --> 00:03:39,720
Speaker 1: you know, I sawry so they were doing the New York.

73
00:03:39,800 --> 00:03:41,440
Speaker 1: I don't know what that dance. You know, what's that?

74
00:03:41,680 --> 00:03:45,760
Speaker 1: What's that called that be doing? Getting sturdy? Getting start? Yeah? Yeah, yeah,

75
00:03:45,520 --> 00:03:47,760
Speaker 1: the drill the drill wave in New York is crazy

76
00:03:47,840 --> 00:03:51,880
Speaker 1: right now. So I see you have a surf club

77
00:03:51,960 --> 00:03:54,160
Speaker 1: chain on For people who don't know that is kind

78
00:03:54,160 --> 00:03:58,440
Speaker 1: of the origins of everything. You kind of came into

79
00:03:58,440 --> 00:04:01,280
Speaker 1: the game shout out to h the whole surf club ship,

80
00:04:01,320 --> 00:04:04,880
Speaker 1: that whole movement was insane. Is this something you're gonna

81
00:04:04,880 --> 00:04:07,800
Speaker 1: be resurrecting. I mean it never went away, like surf

82
00:04:07,840 --> 00:04:10,440
Speaker 1: club that's just been at the core of everything I do.

83
00:04:10,520 --> 00:04:12,320
Speaker 1: But you know I started because it went it went

84
00:04:12,400 --> 00:04:15,120
Speaker 1: yeah to Surf Club to hsaighty seven, which is just

85
00:04:15,160 --> 00:04:17,880
Speaker 1: like I feel like HS eighty seven is like my

86
00:04:18,000 --> 00:04:20,680
Speaker 1: heart and soul of the music aspect of what I do.

87
00:04:20,760 --> 00:04:23,080
Speaker 1: Surf Club is just the overall lifestyle. That's how I

88
00:04:23,080 --> 00:04:25,960
Speaker 1: live my life. Just so some wavy ship like we've

89
00:04:26,000 --> 00:04:28,360
Speaker 1: been on that for years. So you know what I'm saying,

90
00:04:28,400 --> 00:04:31,200
Speaker 1: we I mean Surf Club, I'm about to really be

91
00:04:31,200 --> 00:04:34,120
Speaker 1: putting out you know, new music, new artists, my own music,

92
00:04:34,360 --> 00:04:37,280
Speaker 1: just like really pushing the Surf Club through the Serf Club.

93
00:04:37,480 --> 00:04:40,120
Speaker 1: So that is officially going to be like your label. Yeah,

94
00:04:41,800 --> 00:04:44,400
Speaker 1: this gang though, like everybody that's from Surf Club, they

95
00:04:44,400 --> 00:04:46,360
Speaker 1: could do what they do with the with the wave

96
00:04:46,400 --> 00:04:50,320
Speaker 1: because we all started it together. What uh would there

97
00:04:50,320 --> 00:04:52,120
Speaker 1: be any of the old AGHA eighty seven guys you

98
00:04:52,160 --> 00:04:54,560
Speaker 1: try to like I always think about k Roosevelt and

99
00:04:54,600 --> 00:04:56,599
Speaker 1: do me now and how perfect of a song that was.

100
00:04:57,440 --> 00:05:00,680
Speaker 1: And it's crazy because I feel like you were as

101
00:05:00,839 --> 00:05:03,680
Speaker 1: as crazy as HS eighty seven was. Somehow just the

102
00:05:03,720 --> 00:05:07,000
Speaker 1: timing wasn't right. Yeah, I mean, well everything was changing

103
00:05:07,120 --> 00:05:10,160
Speaker 1: with uh you know DSPs and you know, going over

104
00:05:10,240 --> 00:05:13,080
Speaker 1: from people buying music to like completely streaming, and they

105
00:05:13,120 --> 00:05:15,560
Speaker 1: were still trying to calculate how to do all that.

106
00:05:15,720 --> 00:05:17,640
Speaker 1: So we got kind of caught up in the whirlwind

107
00:05:17,680 --> 00:05:20,880
Speaker 1: of that. And I feel like not having the right infrastructure,

108
00:05:20,960 --> 00:05:23,880
Speaker 1: not having the right people on my team speaking for

109
00:05:23,920 --> 00:05:26,440
Speaker 1: me while I'm making this music, because it's hard to

110
00:05:26,480 --> 00:05:28,760
Speaker 1: make the music and have to think about the business,

111
00:05:28,800 --> 00:05:31,200
Speaker 1: to have to think about all the other aspects of everything.

112
00:05:31,440 --> 00:05:34,800
Speaker 1: And you had you had a pretty serious roster too, Like, uh,

113
00:05:34,960 --> 00:05:36,679
Speaker 1: it wasn't like you just had a couple of artists.

114
00:05:36,680 --> 00:05:39,520
Speaker 1: You had audio push camp money. I forget what was

115
00:05:39,520 --> 00:05:43,239
Speaker 1: the young lady's name be mack be Mac the queen,

116
00:05:43,440 --> 00:05:45,760
Speaker 1: you know it was k Rose. I just like kind

117
00:05:45,760 --> 00:05:48,520
Speaker 1: of just opened up, you know, the opportunities I had

118
00:05:48,600 --> 00:05:50,640
Speaker 1: opened up my House of Hit era, the House of

119
00:05:50,680 --> 00:05:54,599
Speaker 1: Hit area, just just like opening up the studio, opening

120
00:05:54,680 --> 00:05:56,760
Speaker 1: up the opportunities for everybody to just come and do

121
00:05:56,839 --> 00:05:59,960
Speaker 1: their thing. And it was a super like a real

122
00:06:00,160 --> 00:06:02,760
Speaker 1: learning curve for me, just like on how to really

123
00:06:02,839 --> 00:06:05,440
Speaker 1: move in the game. And now you kind of are

124
00:06:05,600 --> 00:06:07,719
Speaker 1: probably able to take some of those lessons you learned

125
00:06:07,760 --> 00:06:10,680
Speaker 1: and then apply him to the surf Club. How many

126
00:06:10,720 --> 00:06:16,320
Speaker 1: years later is this seven years? It was that twenty fourteen,

127
00:06:16,360 --> 00:06:18,920
Speaker 1: twenty fifteen, almost nine years, bro for real? Well, I

128
00:06:19,000 --> 00:06:21,160
Speaker 1: mean we was going well, Granted All My Life was

129
00:06:21,200 --> 00:06:23,479
Speaker 1: twenty fourteen. Yeah, so damn it. Eight that was eight years,

130
00:06:23,480 --> 00:06:25,800
Speaker 1: eight years. I remember hearing Granted All my Life at

131
00:06:25,880 --> 00:06:28,200
Speaker 1: least a year before it came out. Yeah, you used

132
00:06:28,240 --> 00:06:30,960
Speaker 1: to pull up. Yeah that's crazy. And I remember when

133
00:06:31,000 --> 00:06:33,000
Speaker 1: you told me that that was your dad rapping. I

134
00:06:33,040 --> 00:06:35,039
Speaker 1: was like, wait a minute, free big hit too man

135
00:06:35,839 --> 00:06:38,440
Speaker 1: for your pops. Man. I remember that was the wildest

136
00:06:38,440 --> 00:06:40,480
Speaker 1: shit because when he was like, hit boys my son,

137
00:06:40,960 --> 00:06:44,280
Speaker 1: I was like, wait, wait, bue, yes my pops. Yeah,

138
00:06:44,320 --> 00:06:47,520
Speaker 1: shout out to your dad man free him. Is there

139
00:06:47,560 --> 00:06:50,240
Speaker 1: going to be uh? I just want to thank you

140
00:06:50,560 --> 00:06:54,440
Speaker 1: because you are Obviously NAS has a lot to do

141
00:06:54,480 --> 00:06:56,920
Speaker 1: with it, but just in terms of kind of I

142
00:06:56,960 --> 00:06:59,039
Speaker 1: don't know what it is about your relationship with Nas,

143
00:06:59,040 --> 00:07:01,799
Speaker 1: but it is inspired him to release a high quantity

144
00:07:01,800 --> 00:07:05,160
Speaker 1: of music over the last couple of years. The fact

145
00:07:05,240 --> 00:07:08,000
Speaker 1: we got Magic just as like a bonus last year

146
00:07:08,120 --> 00:07:10,600
Speaker 1: was fucking incredible. I think Magic low Key might be

147
00:07:10,640 --> 00:07:12,880
Speaker 1: my favorite of the three albums. That's the funny thing.

148
00:07:12,920 --> 00:07:15,400
Speaker 1: And that's what's motivational for me, and I would say

149
00:07:15,480 --> 00:07:17,240
Speaker 1: him as well, is the fact that every time we

150
00:07:17,320 --> 00:07:19,720
Speaker 1: drop a project, people are like, na, this one better

151
00:07:19,760 --> 00:07:22,480
Speaker 1: than the last one. They've gotten better each time exactly.

152
00:07:22,520 --> 00:07:24,600
Speaker 1: So my thing is like, let's just keep leveling it

153
00:07:24,680 --> 00:07:27,080
Speaker 1: up every time and kind of just competing with ourselves.

154
00:07:27,120 --> 00:07:29,360
Speaker 1: We're not obviously nas is who he is, like he

155
00:07:29,480 --> 00:07:32,280
Speaker 1: seemed he's cemented in this ship and you know, legend

156
00:07:32,400 --> 00:07:35,400
Speaker 1: royalty all that, but it's like he just motivated to

157
00:07:35,520 --> 00:07:37,800
Speaker 1: make the music and it's just strictly about that, and

158
00:07:37,840 --> 00:07:40,320
Speaker 1: that's why it's just leveling up. How much of King's

159
00:07:40,320 --> 00:07:43,320
Speaker 1: Disease three is has been worked on? Man, I can't

160
00:07:43,400 --> 00:07:46,760
Speaker 1: say a percentage, man, But you guys, it's it's it's happening.

161
00:07:46,800 --> 00:07:48,600
Speaker 1: I mean, I mean, you know he said it, don't

162
00:07:48,640 --> 00:07:50,240
Speaker 1: magic it. Yeah, I'm saying he said it. So it's

163
00:07:50,360 --> 00:07:52,040
Speaker 1: on the way. So it is on the way. It's

164
00:07:52,200 --> 00:07:54,400
Speaker 1: the way nice is it when you guys get in

165
00:07:54,440 --> 00:07:56,400
Speaker 1: for a new project, is it is there any sort

166
00:07:56,400 --> 00:07:58,480
Speaker 1: of direction or is it just such an organic vibe

167
00:07:58,480 --> 00:08:00,960
Speaker 1: that it's like whatever comes out comes out, you guys, guys,

168
00:08:01,120 --> 00:08:03,440
Speaker 1: that's basically how it is like because we we just

169
00:08:03,560 --> 00:08:06,400
Speaker 1: kept recording after KT two, and you know, it was

170
00:08:06,400 --> 00:08:08,200
Speaker 1: a moment where it was like maybe this is KTI

171
00:08:08,280 --> 00:08:09,720
Speaker 1: three and was like, nah, we got to just go

172
00:08:09,800 --> 00:08:12,520
Speaker 1: with a completely new concept and he just was knocking

173
00:08:12,600 --> 00:08:14,640
Speaker 1: him out up until the point where it was like, nah,

174
00:08:14,640 --> 00:08:17,640
Speaker 1: we got to drop some you know, two in one years.

175
00:08:17,720 --> 00:08:20,920
Speaker 1: That shit's big, bro. And it's crazy too, because like,

176
00:08:21,200 --> 00:08:26,120
Speaker 1: I know, you guys won uh you got something to say? Say?

177
00:08:26,160 --> 00:08:31,600
Speaker 1: What up? He's like, I'm straight. I was gonna say,

178
00:08:32,040 --> 00:08:34,199
Speaker 1: you guys obviously want to Grammy for Rap Album of

179
00:08:34,240 --> 00:08:37,800
Speaker 1: the Year in twenty twenty one, right, twenty twenty Yeah,

180
00:08:37,840 --> 00:08:41,160
Speaker 1: ship the whole last couple of years, everything is just stemic.

181
00:08:41,320 --> 00:08:44,880
Speaker 1: Oh man, it's crazy. But I feel like King's Disease

182
00:08:44,960 --> 00:08:48,480
Speaker 1: two was the better album of oh what exactly. I

183
00:08:48,480 --> 00:08:50,960
Speaker 1: mean that's how a lot of people. Yeah, I feel

184
00:08:51,000 --> 00:08:54,199
Speaker 1: like Magic is better than the other two exactly. So

185
00:08:54,280 --> 00:08:56,320
Speaker 1: it's like that's why you can't really call it man,

186
00:08:56,400 --> 00:08:59,320
Speaker 1: Like you gotta just just keep it pushing after you know,

187
00:08:59,360 --> 00:09:01,680
Speaker 1: the decision, even with my Producer of the Year award,

188
00:09:01,880 --> 00:09:03,720
Speaker 1: I was gonna say, twenty twenty you got you got

189
00:09:03,760 --> 00:09:06,439
Speaker 1: snubbed twenty twenty one, it came back around. You got

190
00:09:06,440 --> 00:09:09,199
Speaker 1: the nomination. That's the nomination you should have took. A

191
00:09:09,240 --> 00:09:11,000
Speaker 1: lot of people have said that, but it is what

192
00:09:11,040 --> 00:09:13,600
Speaker 1: it is. You got to keep pushing for that next year. Yeah,

193
00:09:13,720 --> 00:09:16,080
Speaker 1: what who ended up winning the year you were nominated?

194
00:09:16,160 --> 00:09:23,440
Speaker 1: Last year? Who won? What was his name be? Truth?

195
00:09:25,960 --> 00:09:29,760
Speaker 1: Jack Antonov? Right? Yeah, I mean congrats to him for shure.

196
00:09:29,840 --> 00:09:31,600
Speaker 1: I never met him or nothing, but but he ain't

197
00:09:31,600 --> 00:09:35,560
Speaker 1: on a hit boy run. To be honest, I feel

198
00:09:35,600 --> 00:09:37,720
Speaker 1: like you and Alchemist Loki have had the craziest like

199
00:09:37,880 --> 00:09:40,440
Speaker 1: underrated Well yours you're not as underrated, but I feel

200
00:09:40,440 --> 00:09:42,600
Speaker 1: like you and now have really been like nah, and

201
00:09:42,800 --> 00:09:46,320
Speaker 1: Alchemist is just pure just in terms of just putting

202
00:09:46,320 --> 00:09:50,160
Speaker 1: out shit NonStop the last few years. It's just quality. Yeah,

203
00:09:50,200 --> 00:09:52,520
Speaker 1: Like I mean he was like killing shit before I

204
00:09:52,559 --> 00:09:55,120
Speaker 1: even ever made a beat of course. Yeah, that's what's

205
00:09:55,160 --> 00:09:58,240
Speaker 1: just ill to just that's motivation for me. It's like, damn,

206
00:09:58,240 --> 00:10:00,400
Speaker 1: you could keep leveling it up. You can keep reaching

207
00:10:00,400 --> 00:10:02,559
Speaker 1: new heights and just making the ship that you want

208
00:10:02,600 --> 00:10:05,320
Speaker 1: to make. You know what, I love wash When you

209
00:10:05,320 --> 00:10:07,960
Speaker 1: guys did your verses, you and boy wanted during the pandemic.

210
00:10:08,000 --> 00:10:10,120
Speaker 1: It was one of the early ones. That was the

211
00:10:10,160 --> 00:10:13,360
Speaker 1: first one after Swizz and Timberland. That's right. They didn't

212
00:10:13,400 --> 00:10:15,079
Speaker 1: even set theirs up. They just got in the car

213
00:10:15,360 --> 00:10:17,920
Speaker 1: board during the pandemic and start playing records. Right. What

214
00:10:17,920 --> 00:10:20,520
Speaker 1: I'm saying, ours was, you know, set up. It was

215
00:10:20,559 --> 00:10:23,520
Speaker 1: people tuned in and tapped into that. It's crazy too,

216
00:10:23,559 --> 00:10:27,120
Speaker 1: because it happened kind of like pre the Grammy pre

217
00:10:28,040 --> 00:10:30,880
Speaker 1: I think King's Disease wasn't out yet right now. There

218
00:10:30,960 --> 00:10:33,760
Speaker 1: was so much I was the super underdog, big time

219
00:10:33,840 --> 00:10:35,920
Speaker 1: under the time. But I feel like during that verses

220
00:10:35,960 --> 00:10:37,720
Speaker 1: you just had to kind of remind people like, Yo,

221
00:10:38,280 --> 00:10:40,120
Speaker 1: that's why it was good. And that's what I loved

222
00:10:40,120 --> 00:10:43,200
Speaker 1: about Versus in the early days is it was giving

223
00:10:43,280 --> 00:10:45,839
Speaker 1: you know, you know, flowers to the people that don't

224
00:10:46,080 --> 00:10:48,640
Speaker 1: normally get you know, the flowers or whatever. So I

225
00:10:48,640 --> 00:10:50,680
Speaker 1: feel like that that was the aspect that was so

226
00:10:50,840 --> 00:10:53,560
Speaker 1: ill to me, and it felt really organic. There was

227
00:10:53,559 --> 00:10:58,240
Speaker 1: something about it not being as produced when it was

228
00:10:58,320 --> 00:11:00,560
Speaker 1: just like yo, we're going live and I'm in my spot,

229
00:11:00,600 --> 00:11:03,040
Speaker 1: you're in your spot. That it made it intense. I

230
00:11:03,040 --> 00:11:04,840
Speaker 1: think it made it intense, and I just think it

231
00:11:04,840 --> 00:11:09,480
Speaker 1: it introduced like a unpredictability that like once they got

232
00:11:09,480 --> 00:11:11,959
Speaker 1: it like really together, it was like, yeah, it's like

233
00:11:12,040 --> 00:11:14,400
Speaker 1: kind of watching the TV show now, Yeah for sure,

234
00:11:15,080 --> 00:11:17,559
Speaker 1: for sure. Yeah, it's super produced in high level high

235
00:11:17,920 --> 00:11:20,520
Speaker 1: There was something about like you known, my connection was

236
00:11:20,559 --> 00:11:23,000
Speaker 1: good people trying to figure out the sound, like when

237
00:11:23,080 --> 00:11:25,640
Speaker 1: Riza and Primo were trying to figure out like yo,

238
00:11:25,679 --> 00:11:27,520
Speaker 1: yo you no, no, try this, try this. It was

239
00:11:27,600 --> 00:11:30,480
Speaker 1: just something about that that was like vintage verses, Like

240
00:11:30,520 --> 00:11:34,040
Speaker 1: I didn't even know the last eight on MJG. Shit,

241
00:11:34,080 --> 00:11:36,200
Speaker 1: I didn't even know that was going on when it

242
00:11:36,240 --> 00:11:38,200
Speaker 1: was going on. I've seen people like yo, I didn't

243
00:11:38,200 --> 00:11:40,520
Speaker 1: even know it was the verses happening right now. Yeah.

244
00:11:40,600 --> 00:11:42,959
Speaker 1: I think the last verses that I was really honed

245
00:11:43,000 --> 00:11:45,600
Speaker 1: in on was the Bone Thugs one with three six

246
00:11:46,160 --> 00:11:47,680
Speaker 1: just because I'm a big Bone fan and I just

247
00:11:47,679 --> 00:11:50,280
Speaker 1: wanted to see how that went and it was an

248
00:11:50,360 --> 00:11:54,800
Speaker 1: entertaining one because Busy Bone got extremely emotional. And last

249
00:11:54,800 --> 00:11:57,960
Speaker 1: big one I remember it was the Gucci and Geezy one.

250
00:11:58,040 --> 00:12:01,000
Speaker 1: That was probably the no. Was that was that before

251
00:12:01,240 --> 00:12:03,760
Speaker 1: Jada kiss? You know what was that after? Before that

252
00:12:03,840 --> 00:12:05,960
Speaker 1: was before so maybe ye jadakiss joint I was like

253
00:12:05,960 --> 00:12:08,480
Speaker 1: the pinnacle. Yeah, I think the Kiss moment is like

254
00:12:08,520 --> 00:12:14,400
Speaker 1: the greatest versus performance ever. I think Jada it was

255
00:12:14,440 --> 00:12:16,880
Speaker 1: the raws hip hop. It's the most raw shit because

256
00:12:16,920 --> 00:12:20,280
Speaker 1: he won the verses by just being like, like that

257
00:12:20,400 --> 00:12:23,080
Speaker 1: freestyle he did was like it was like dude, like

258
00:12:23,160 --> 00:12:26,760
Speaker 1: that's just no no extras. It was the epitome of

259
00:12:26,880 --> 00:12:29,800
Speaker 1: why we love hip hop music, Like how we grew

260
00:12:29,880 --> 00:12:32,200
Speaker 1: up listening to this ship. It's like Kiss just went

261
00:12:32,280 --> 00:12:34,400
Speaker 1: up there and put on a clinic like how to perform,

262
00:12:34,600 --> 00:12:37,360
Speaker 1: how to just like fuck the hits. He had the hits,

263
00:12:37,360 --> 00:12:40,240
Speaker 1: but like just yeah, try to do this. You guys

264
00:12:40,280 --> 00:12:42,800
Speaker 1: are wrapping over your tracks over there. Shout out to

265
00:12:42,880 --> 00:12:46,280
Speaker 1: Kiss man. What I also love is how you've just

266
00:12:46,360 --> 00:12:49,800
Speaker 1: been kind of bringing a lot of worlds together sonically,

267
00:12:50,960 --> 00:12:54,000
Speaker 1: whether it's bringing Blast into the room with Nas or

268
00:12:54,280 --> 00:12:57,160
Speaker 1: having Dom Kennedy on a record with Like, there's certain

269
00:12:57,240 --> 00:13:01,560
Speaker 1: like collaborations that probably never would have happened. And from

270
00:13:01,600 --> 00:13:03,600
Speaker 1: like somebody who loves West Coast hip hop and just

271
00:13:03,640 --> 00:13:07,000
Speaker 1: loves hip hop in general, I'm like, that's that's the

272
00:13:07,120 --> 00:13:10,480
Speaker 1: hip boy sauce. Like I'm not sure domin Knos would

273
00:13:10,480 --> 00:13:15,000
Speaker 1: have worked together had they not linked don Toliver. Yeah, like,

274
00:13:15,040 --> 00:13:17,280
Speaker 1: I just I just think of it as music, you

275
00:13:17,280 --> 00:13:20,120
Speaker 1: know what I'm saying. I'll really you know, categorize shit.

276
00:13:20,200 --> 00:13:22,160
Speaker 1: I'm just like, if it can, if it can sound

277
00:13:22,240 --> 00:13:24,400
Speaker 1: quality in my head, I know I can bring that

278
00:13:24,440 --> 00:13:27,360
Speaker 1: out to speakers. Yeah, one hundred percent. Who are some

279
00:13:27,400 --> 00:13:30,160
Speaker 1: of the younger artists right now? Because you do have

280
00:13:30,200 --> 00:13:32,480
Speaker 1: your ear to the street, your studios kind of become

281
00:13:32,520 --> 00:13:35,920
Speaker 1: like a it's a special place. Man. Who are some

282
00:13:35,920 --> 00:13:37,560
Speaker 1: of the younger artists right now that you're checking for

283
00:13:37,679 --> 00:13:39,400
Speaker 1: that aren't on Surf Club? And then let's shout out

284
00:13:39,400 --> 00:13:41,240
Speaker 1: the ones who maybe may or may not be on

285
00:13:41,280 --> 00:13:43,280
Speaker 1: Surf Club. Yo? What man, we gotta stop the interview

286
00:13:43,280 --> 00:13:45,160
Speaker 1: real quick to tell you about our good folks at

287
00:13:45,280 --> 00:13:48,880
Speaker 1: blue Chew. That's right, go to bluetoo dot com. Fellas

288
00:13:49,520 --> 00:13:52,760
Speaker 1: you know, sometimes you go through some stress, you go

289
00:13:52,840 --> 00:13:56,560
Speaker 1: through a little anxiety, and your dick is not performing

290
00:13:56,640 --> 00:13:59,079
Speaker 1: maybe how you'd like, it's called ed. A lot of

291
00:13:59,120 --> 00:14:02,120
Speaker 1: guys goed. You could just be old as shit. If

292
00:14:02,160 --> 00:14:03,920
Speaker 1: you're watching this and you're dick ain't working like it

293
00:14:03,920 --> 00:14:06,320
Speaker 1: did when you were like twenty, you know what I mean? Well, listen,

294
00:14:06,760 --> 00:14:10,440
Speaker 1: blue Choo, it is the wave. How about this? The

295
00:14:10,480 --> 00:14:14,600
Speaker 1: same active ingredients as viagra and cialis getting delivered right

296
00:14:14,640 --> 00:14:17,840
Speaker 1: to your door in a chewable form in discrete packaging.

297
00:14:18,120 --> 00:14:21,320
Speaker 1: And the best part about it is it's all online.

298
00:14:21,920 --> 00:14:25,720
Speaker 1: Zero awkward visits to the doctor's office. Zero. You go online,

299
00:14:25,720 --> 00:14:29,440
Speaker 1: you sign up with the promo code Bootleg. That's right,

300
00:14:29,680 --> 00:14:32,120
Speaker 1: boot Leg. When you check out, you will get the

301
00:14:32,160 --> 00:14:35,520
Speaker 1: first month for free. All you gotta do is pay

302
00:14:35,520 --> 00:14:37,640
Speaker 1: five dollars on shipping and you're gonna get one month's

303
00:14:37,640 --> 00:14:40,040
Speaker 1: supply of blue chew, all right, and you're gonna be

304
00:14:40,080 --> 00:14:43,440
Speaker 1: fucking like you were fucking never fucking before your dick's

305
00:14:43,480 --> 00:14:48,440
Speaker 1: gonna I'm gonna assume you're adding at least a quarter

306
00:14:48,480 --> 00:14:51,960
Speaker 1: of an inch of erection. That shit's gonna be rocked up,

307
00:14:52,160 --> 00:14:54,240
Speaker 1: rocked up and socked up, all right, boys, So what

308
00:14:54,320 --> 00:14:55,600
Speaker 1: you need to do one more time go to blue

309
00:14:55,640 --> 00:14:58,680
Speaker 1: choo dot com and use that promo code Bootleg and

310
00:14:58,800 --> 00:15:02,840
Speaker 1: get your first month four free bootleg promo core Bootleg

311
00:15:03,160 --> 00:15:05,920
Speaker 1: on blue choot dot com. Let's get back to the interview.

312
00:15:06,360 --> 00:15:09,160
Speaker 1: I mean, right now, I'm playing the homie spank Nybie

313
00:15:09,240 --> 00:15:11,560
Speaker 1: he he out of the Ie he out of Hemmet.

314
00:15:11,680 --> 00:15:16,040
Speaker 1: I actually found a yeah deep in the I Yeah,

315
00:15:16,680 --> 00:15:19,920
Speaker 1: my homeboy Price from Audio Push actually killing it put

316
00:15:19,960 --> 00:15:21,760
Speaker 1: me on his music, you know what I'm saying, probably

317
00:15:21,800 --> 00:15:23,880
Speaker 1: like a few years trying a Price who just I

318
00:15:23,880 --> 00:15:25,400
Speaker 1: think it's on tour with a big criit right now.

319
00:15:25,480 --> 00:15:27,600
Speaker 1: He's doing his thing for sure. So he put me

320
00:15:27,640 --> 00:15:29,800
Speaker 1: on Spank music some years ago. And it's funny he

321
00:15:29,920 --> 00:15:31,280
Speaker 1: used to be signing me and now I'm me and

322
00:15:31,360 --> 00:15:34,040
Speaker 1: Spank be working on a lot of music together. Yo.

323
00:15:34,320 --> 00:15:36,920
Speaker 1: For people who don't know him, it is as deep,

324
00:15:37,120 --> 00:15:39,400
Speaker 1: oh that it's very deep, Like I mean, it's like

325
00:15:39,440 --> 00:15:41,600
Speaker 1: it's like breaking bad ship up right up right over there,

326
00:15:41,640 --> 00:15:44,480
Speaker 1: like close to coach. Really Yeah, some breaking bad shit

327
00:15:44,560 --> 00:15:48,120
Speaker 1: going on in him for sure. Yeah damn. So it's

328
00:15:48,200 --> 00:15:50,440
Speaker 1: it's it's that's someone you're working with. That's somebody I'm

329
00:15:50,440 --> 00:15:53,160
Speaker 1: working with, somebody I've just been building making music with

330
00:15:53,280 --> 00:15:55,080
Speaker 1: and I don't know exactly where it's gonna go, but

331
00:15:55,120 --> 00:15:57,960
Speaker 1: we've just been trying to figure it out how long

332
00:15:59,200 --> 00:16:02,000
Speaker 1: Because somebody like I feel like you and Blast have

333
00:16:02,880 --> 00:16:05,720
Speaker 1: kind of similar parallels in terms of like just you

334
00:16:05,720 --> 00:16:07,800
Speaker 1: guys have been around for a long time. Now Blast

335
00:16:07,880 --> 00:16:11,080
Speaker 1: finally got his flowers recently. But did you ever know Blast,

336
00:16:11,200 --> 00:16:13,800
Speaker 1: Like back in the day when he was producing, he

337
00:16:13,840 --> 00:16:15,480
Speaker 1: was in a group. He used to be in a group.

338
00:16:15,520 --> 00:16:17,080
Speaker 1: Forgot the name of the group, but I know the

339
00:16:17,120 --> 00:16:20,920
Speaker 1: homegirl Jizzle first introduced me to Blast. She brought him

340
00:16:20,920 --> 00:16:24,080
Speaker 1: to my studio and he was playing joints from his group,

341
00:16:24,200 --> 00:16:25,840
Speaker 1: I believe at the time, and she was telling me

342
00:16:25,880 --> 00:16:28,680
Speaker 1: how he kind of was like creative directing his own shit,

343
00:16:28,800 --> 00:16:30,960
Speaker 1: so he always had the vision. That's one thing I

344
00:16:31,040 --> 00:16:34,320
Speaker 1: realized looking back, you know, watching Travis Scott go from

345
00:16:34,360 --> 00:16:37,720
Speaker 1: literally zero to where he is now, watching Frank Ocean

346
00:16:37,800 --> 00:16:39,680
Speaker 1: not even be an artist. He was writing songs to

347
00:16:39,720 --> 00:16:41,720
Speaker 1: my beats, you know what I'm saying, not even just

348
00:16:41,760 --> 00:16:44,400
Speaker 1: to sell them to other people. Just watching these people

349
00:16:44,440 --> 00:16:47,960
Speaker 1: like they also had a vision for themselves early, Like Travis,

350
00:16:48,040 --> 00:16:49,920
Speaker 1: he knew the type of videos he wanted to make.

351
00:16:50,000 --> 00:16:52,080
Speaker 1: He knew how he wanted to dress, how he wanted

352
00:16:52,120 --> 00:16:55,320
Speaker 1: his hair. I remember seeing Travis opened up for Casey

353
00:16:55,360 --> 00:16:58,440
Speaker 1: Veggies back in the day, like twenty ten, eleven, twelve,

354
00:16:58,480 --> 00:17:01,240
Speaker 1: I don't remember, I remember what year was. Yeah, it's crazy.

355
00:17:01,320 --> 00:17:03,160
Speaker 1: And then I didn't know so Frank. You knew Frank

356
00:17:03,160 --> 00:17:05,600
Speaker 1: Ocean prior to him actually decided to become an artist.

357
00:17:05,680 --> 00:17:08,520
Speaker 1: One of his first placements ever was this song that

358
00:17:08,560 --> 00:17:10,880
Speaker 1: he wrote on a beat that me and Chasing Cash did.

359
00:17:10,880 --> 00:17:12,560
Speaker 1: It was a song for Brandy that was on one

360
00:17:12,600 --> 00:17:15,040
Speaker 1: of her albums, and he wrote the songs Oh Ship,

361
00:17:15,960 --> 00:17:19,080
Speaker 1: It's chasing called first in Love, It's Chasing Cash. Going

362
00:17:19,119 --> 00:17:21,600
Speaker 1: to be involved in the obviously og Surf Club member

363
00:17:21,680 --> 00:17:24,439
Speaker 1: is he like? He shot me the logo that I

364
00:17:24,560 --> 00:17:26,800
Speaker 1: made my chain out of, and we're using that shout

365
00:17:26,840 --> 00:17:30,919
Speaker 1: out hit to his clothing line too. I forget what fire? Yeah, crazy,

366
00:17:30,960 --> 00:17:32,960
Speaker 1: he'd be getting love shout out to the New Orleans

367
00:17:33,080 --> 00:17:37,120
Speaker 1: legend man million damn. That's it's crazy how much history

368
00:17:37,160 --> 00:17:39,280
Speaker 1: you've been a part of them? Man for sure. I

369
00:17:39,320 --> 00:17:41,639
Speaker 1: mean even like said Drake Repens Serf Club back in

370
00:17:41,680 --> 00:17:44,040
Speaker 1: the day. You go listen to his A Milli freestyle,

371
00:17:44,080 --> 00:17:47,040
Speaker 1: he shouted out Serf Club. Go listen to nine am

372
00:17:47,040 --> 00:17:49,919
Speaker 1: in Dallas. He's shouting out Serf Club in Chase just

373
00:17:49,960 --> 00:17:52,560
Speaker 1: like this. It's real deep rooted. So you know what

374
00:17:52,560 --> 00:17:54,520
Speaker 1: I'm saying. When we when we pop out just on

375
00:17:54,560 --> 00:17:56,760
Speaker 1: some shit people just got to know it's history to this.

376
00:17:57,920 --> 00:18:01,879
Speaker 1: Can you give me what is your best story? Because

377
00:18:01,920 --> 00:18:05,240
Speaker 1: I'm real tight with you know, in Phoenix we got

378
00:18:05,240 --> 00:18:07,800
Speaker 1: a legend to us and he is a legend. Shout

379
00:18:07,840 --> 00:18:11,040
Speaker 1: out my brother Lifted, who produced Mercy. We used to

380
00:18:11,040 --> 00:18:13,200
Speaker 1: be around each other a lot out in Hawaiian, right,

381
00:18:13,240 --> 00:18:14,840
Speaker 1: so he would tell me some of these stories about

382
00:18:14,880 --> 00:18:18,320
Speaker 1: Hawaii or even like some of these hotel sessions up

383
00:18:18,320 --> 00:18:22,080
Speaker 1: in like some hotel suites out in London. Yeah, in London, Yeah,

384
00:18:22,280 --> 00:18:24,520
Speaker 1: like yeah, I just flew in and Kanye had the

385
00:18:24,560 --> 00:18:27,159
Speaker 1: studio set up in a hotel suite. I remember we

386
00:18:27,280 --> 00:18:29,439
Speaker 1: was all in there and me, Lifted, pushed. It was

387
00:18:29,480 --> 00:18:32,800
Speaker 1: pretty much the whole roster of good music. And they

388
00:18:32,840 --> 00:18:36,359
Speaker 1: played the Mercy beat and Sean was literally sitting on

389
00:18:36,400 --> 00:18:38,960
Speaker 1: the floor everybody around him, and he just like recording

390
00:18:39,000 --> 00:18:41,879
Speaker 1: his verse like vibe and shit was crazy. Kanye was

391
00:18:41,880 --> 00:18:44,359
Speaker 1: like kind of coaching him like it was a moment. Wow.

392
00:18:44,880 --> 00:18:47,520
Speaker 1: So he's just recording it in the room, just sitting

393
00:18:47,560 --> 00:18:49,320
Speaker 1: on the floor holding the mic and on the floor

394
00:18:49,400 --> 00:18:53,119
Speaker 1: like just going over his parts. That's crazy. There was

395
00:18:53,160 --> 00:18:56,440
Speaker 1: another song that I may or may not have heard

396
00:18:56,480 --> 00:18:58,480
Speaker 1: a snippet of that Never Has seen the light of

397
00:18:58,560 --> 00:19:01,560
Speaker 1: Day that was similar to Mercy. Now. I know they

398
00:19:01,560 --> 00:19:04,520
Speaker 1: put out a Mercy Part two that wasn't crazy, But

399
00:19:04,600 --> 00:19:06,639
Speaker 1: there was another record that I think was supposed to

400
00:19:06,680 --> 00:19:08,800
Speaker 1: be what was the other Cruel Summer is the one

401
00:19:08,840 --> 00:19:10,320
Speaker 1: we got, and they were supposed to be Cool Winter,

402
00:19:10,600 --> 00:19:13,159
Speaker 1: Full Winter. Yeah, I mean I still got a bunch

403
00:19:13,160 --> 00:19:17,200
Speaker 1: of beats in my zips that say Cruel Winter ideas,

404
00:19:17,240 --> 00:19:19,600
Speaker 1: Like I was presenting ideas for Cruel Winter because I

405
00:19:19,600 --> 00:19:23,919
Speaker 1: had three or four songs on Cruel Summer. That's crazy.

406
00:19:23,960 --> 00:19:27,560
Speaker 1: Did you hear any of the Cruel Winter shit? We

407
00:19:27,760 --> 00:19:30,360
Speaker 1: just I mean probably probably stuff that could have been

408
00:19:30,359 --> 00:19:33,760
Speaker 1: on there. Hey man, you got a new dinosaur match.

409
00:19:33,760 --> 00:19:35,800
Speaker 1: You gotta let them. If Drastic Park comes out on Friday,

410
00:19:35,920 --> 00:19:39,400
Speaker 1: right right right, you're gonna go see it. Jurassic Part

411
00:19:39,520 --> 00:19:43,560
Speaker 1: probably How dope was it because I know that there

412
00:19:43,640 --> 00:19:47,840
Speaker 1: was like a I don't know, like a weird energy

413
00:19:47,920 --> 00:19:49,800
Speaker 1: between you and ya, and then it was dope to

414
00:19:49,840 --> 00:19:53,399
Speaker 1: see you guys kind of get back together around the

415
00:19:53,440 --> 00:19:56,680
Speaker 1: time that the Donda Kings King's disease shit was happening,

416
00:19:57,560 --> 00:20:00,480
Speaker 1: really like linking up with game like linked up with

417
00:20:00,560 --> 00:20:04,359
Speaker 1: him top of January and we just start cutting. After

418
00:20:04,400 --> 00:20:06,520
Speaker 1: we after like three days, we probably had like eleven

419
00:20:06,600 --> 00:20:09,679
Speaker 1: twelve joints, and there was one joint in particular. I

420
00:20:09,720 --> 00:20:11,639
Speaker 1: was like, Yo, you need to have Yay pull up

421
00:20:11,680 --> 00:20:14,080
Speaker 1: the chilice so we can get him on this joint.

422
00:20:14,480 --> 00:20:16,919
Speaker 1: We end up playing a bunch of stuff and easy

423
00:20:17,000 --> 00:20:19,560
Speaker 1: was one of the ideas that game had already had.

424
00:20:19,640 --> 00:20:24,240
Speaker 1: And as soon as Kanye had heard the Easy party,

425
00:20:24,320 --> 00:20:26,639
Speaker 1: tapped me like, Yo, this like this the one basically

426
00:20:27,080 --> 00:20:29,359
Speaker 1: and how he ended up hopping on it. That was

427
00:20:29,400 --> 00:20:32,240
Speaker 1: something that him and the homie Duke. Duke is fire

428
00:20:32,520 --> 00:20:34,399
Speaker 1: Duke crazy. You know what I'm saying, shout out of

429
00:20:34,400 --> 00:20:40,520
Speaker 1: Ohio to homies Cleveland. Yeah, he also Duke could also

430
00:20:40,560 --> 00:20:43,840
Speaker 1: be he's also security slash producer as a mountain of

431
00:20:43,880 --> 00:20:46,160
Speaker 1: a man. I've been doing Duke for a minute. Yeah,

432
00:20:46,320 --> 00:20:50,200
Speaker 1: he's a He's an incredible producer. So what's up, man?

433
00:20:50,240 --> 00:20:55,160
Speaker 1: We got something to say? Say? How old are you?

434
00:20:55,359 --> 00:21:00,600
Speaker 1: Do you know? You know it's okay? Kids shy man.

435
00:21:00,800 --> 00:21:02,320
Speaker 1: I kid was shy. He was up until he was

436
00:21:02,359 --> 00:21:06,520
Speaker 1: like six. Yeah, these game sessions were crazy because I

437
00:21:06,520 --> 00:21:10,280
Speaker 1: remember going to listen to like he invited me to

438
00:21:10,320 --> 00:21:14,720
Speaker 1: the studio, and it was you know, we know how

439
00:21:14,760 --> 00:21:17,560
Speaker 1: studio sessions are, and they're not like how people think

440
00:21:17,600 --> 00:21:20,280
Speaker 1: they are. Like you know, if you tell your girl

441
00:21:20,320 --> 00:21:21,920
Speaker 1: you're going to the studio and she doesn't know better,

442
00:21:21,960 --> 00:21:23,399
Speaker 1: she's gonna think there's a bunch of hoes and a

443
00:21:23,400 --> 00:21:26,520
Speaker 1: bunch of bullshit going on, and it's not like that. Well,

444
00:21:26,560 --> 00:21:29,359
Speaker 1: these sessions were definitely like that. There are they are

445
00:21:29,400 --> 00:21:33,200
Speaker 1: one rapper sessions. It was some real vintage I call

446
00:21:33,240 --> 00:21:35,439
Speaker 1: it club game. It was club ship, so it's a

447
00:21:35,480 --> 00:21:39,920
Speaker 1: whole bottles, it's a bars around. But the crazy thing

448
00:21:40,040 --> 00:21:41,840
Speaker 1: is is he's in there knocking out four or five

449
00:21:41,880 --> 00:21:44,760
Speaker 1: songs a night. Man, he's in there focus no matter

450
00:21:44,800 --> 00:21:46,679
Speaker 1: what's going on. Ever have one hundred people in my

451
00:21:46,760 --> 00:21:49,160
Speaker 1: session and get all this done. So I mean applaud

452
00:21:49,200 --> 00:21:52,840
Speaker 1: to him, and it's that Nigga's crazy. How many beats

453
00:21:52,880 --> 00:21:55,160
Speaker 1: do you have on the dramatic project that's coming out

454
00:21:55,160 --> 00:21:57,000
Speaker 1: on the Seventeen't know, because I know they're trying to

455
00:21:57,040 --> 00:21:59,000
Speaker 1: clear samples and I don't know what's going to clear.

456
00:21:59,240 --> 00:22:01,160
Speaker 1: Was not we we use a bunch of samples, so

457
00:22:01,560 --> 00:22:05,200
Speaker 1: we're gonna see was that like, uh, you you and Game.

458
00:22:05,240 --> 00:22:08,119
Speaker 1: Did you guys ever work together previously? Yeah? I worked

459
00:22:08,160 --> 00:22:10,600
Speaker 1: on the Red album. Okay, yeah, I did some ship

460
00:22:10,680 --> 00:22:13,160
Speaker 1: on there. So we always was tapped in and we

461
00:22:13,160 --> 00:22:15,560
Speaker 1: we we had other joints, but just nothing that ever

462
00:22:15,960 --> 00:22:18,520
Speaker 1: came out. And then uh, we just tapped in Top

463
00:22:18,560 --> 00:22:20,439
Speaker 1: of the Year right after Magic came out. It was

464
00:22:20,480 --> 00:22:22,760
Speaker 1: just an energy in the air. So he pulled up

465
00:22:23,080 --> 00:22:25,119
Speaker 1: and at first it was just like us just in

466
00:22:25,200 --> 00:22:28,159
Speaker 1: the stool for you know, three four days, and we

467
00:22:28,240 --> 00:22:30,480
Speaker 1: knocked out a bunch of stuff. And after that he

468
00:22:30,520 --> 00:22:32,119
Speaker 1: got inspired and he was like, man, I'm about to

469
00:22:32,119 --> 00:22:34,159
Speaker 1: start booking my own room and he just turned it

470
00:22:34,200 --> 00:22:37,120
Speaker 1: into club. Yeah, he booked that room across from me. Yeah,

471
00:22:37,160 --> 00:22:41,040
Speaker 1: that ship's crazy. You want some chips? You want some chips? Man?

472
00:22:42,160 --> 00:22:43,879
Speaker 1: You want a I have two phones. You want to

473
00:22:43,920 --> 00:22:48,880
Speaker 1: play on one of them? You want to watch YouTube?

474
00:22:50,240 --> 00:22:52,320
Speaker 1: You want to what kind of kid ship to have

475
00:22:52,359 --> 00:22:54,600
Speaker 1: on my phone? This? This is the good phone. So

476
00:22:54,600 --> 00:22:57,480
Speaker 1: it ain't getting crazy on him. You wanna you wanna?

477
00:22:57,760 --> 00:23:04,159
Speaker 1: You want to play game? He's like, what what the fuck? Man?

478
00:23:04,440 --> 00:23:08,119
Speaker 1: Who was this white man? Yeah? No, it was I

479
00:23:08,119 --> 00:23:09,920
Speaker 1: feel like because a game had played me some shit.

480
00:23:10,040 --> 00:23:12,520
Speaker 1: Probably like late last year. This is before he started

481
00:23:12,520 --> 00:23:15,359
Speaker 1: working at Chalice, and he had like what I guess

482
00:23:15,400 --> 00:23:20,440
Speaker 1: he considered his album. Some of it was dope, but

483
00:23:20,480 --> 00:23:22,600
Speaker 1: then the ship that he was working on at Chalice

484
00:23:22,680 --> 00:23:25,879
Speaker 1: was just crazy. It was like a whole new energy.

485
00:23:26,119 --> 00:23:28,040
Speaker 1: I can't even tell you how many songs he got

486
00:23:28,040 --> 00:23:30,160
Speaker 1: because I know just between me and him, we got

487
00:23:30,200 --> 00:23:32,399
Speaker 1: about thirty something songs. So I'm like, he didn't have

488
00:23:32,480 --> 00:23:35,000
Speaker 1: a hundred producers and he must have two or three

489
00:23:35,080 --> 00:23:38,000
Speaker 1: hundred songs, Like, yeah, really go like that. So once

490
00:23:38,080 --> 00:23:40,720
Speaker 1: Kanye pulled up to cut here, because we all saw

491
00:23:40,760 --> 00:23:42,439
Speaker 1: the footage of him at the studio, was that like

492
00:23:42,480 --> 00:23:45,359
Speaker 1: where you guys kind of really had like a moment

493
00:23:45,920 --> 00:23:49,800
Speaker 1: to kind of move past whatever energy had been. I mean, yeah,

494
00:23:49,800 --> 00:23:51,920
Speaker 1: at least for that moment, for sure, it was dope.

495
00:23:52,000 --> 00:23:54,320
Speaker 1: Like I was able to at the you know, we

496
00:23:54,320 --> 00:23:56,360
Speaker 1: was in game room. I was like, bro, you got

497
00:23:56,359 --> 00:23:58,399
Speaker 1: to come into my room and just bless the energy,

498
00:23:58,520 --> 00:24:01,480
Speaker 1: like you know, Nipsey been in there, being there so

499
00:24:01,560 --> 00:24:03,520
Speaker 1: many people, I'm like, I gotta have you pull up.

500
00:24:03,560 --> 00:24:05,600
Speaker 1: And he pulled up. I was able to play him

501
00:24:05,600 --> 00:24:07,560
Speaker 1: a couple of beats and we was vibing but we

502
00:24:07,600 --> 00:24:10,560
Speaker 1: haven't connected on anything else yet. Was this prior or

503
00:24:10,720 --> 00:24:14,520
Speaker 1: after the random drink Champs interview happened? This was before

504
00:24:14,720 --> 00:24:17,000
Speaker 1: because then that interview happened in Sean's like, I was

505
00:24:17,080 --> 00:24:19,440
Speaker 1: just with this dude, like, you know how that went

506
00:24:19,480 --> 00:24:21,760
Speaker 1: down out, it's crazy, You're gonna be able to edit

507
00:24:21,760 --> 00:24:26,119
Speaker 1: all this right? So yeah, that was the That was

508
00:24:26,160 --> 00:24:29,440
Speaker 1: the funny part for me, because how that thing went

509
00:24:29,480 --> 00:24:31,760
Speaker 1: down was I reached out to somebody that you know,

510
00:24:31,880 --> 00:24:37,560
Speaker 1: Kanye was rocking with. This was around maybe maybe October,

511
00:24:38,240 --> 00:24:40,040
Speaker 1: and I was like, yo, me and Sean got this

512
00:24:40,160 --> 00:24:42,080
Speaker 1: song called what a Life? We drop in and I

513
00:24:42,200 --> 00:24:44,720
Speaker 1: want to see if Yay hop on the remix. So

514
00:24:44,760 --> 00:24:47,280
Speaker 1: his people was like, yo, you know I reached out

515
00:24:47,280 --> 00:24:49,199
Speaker 1: to him. Yay is open to the idea, but he

516
00:24:49,240 --> 00:24:51,000
Speaker 1: wants to chop it with you and Sean. Come to

517
00:24:51,000 --> 00:24:54,840
Speaker 1: Sunday Service. So we pull up the Sunday Service. It's

518
00:24:54,960 --> 00:24:57,639
Speaker 1: all love. We chopping it. I'm telling him and Sean like, yo,

519
00:24:57,720 --> 00:25:00,000
Speaker 1: we need to do Click part two. It's a vibe

520
00:25:00,240 --> 00:25:04,080
Speaker 1: whatever whatever. Yeah, and then you know a few days

521
00:25:04,160 --> 00:25:06,560
Speaker 1: later the joint come out and I was just confused

522
00:25:06,600 --> 00:25:09,200
Speaker 1: as to how like he had already recorded the Drink Champs,

523
00:25:09,200 --> 00:25:12,160
Speaker 1: but we are in his face and he's not saying nothing.

524
00:25:12,240 --> 00:25:14,440
Speaker 1: So it's just like that just threw me off. Yeah.

525
00:25:14,640 --> 00:25:17,440
Speaker 1: Sometimes the Drink Champs, you know, I know, sometimes they'll

526
00:25:17,440 --> 00:25:20,159
Speaker 1: hold interviews for like a month. I figured that's what happened.

527
00:25:20,200 --> 00:25:22,159
Speaker 1: I'm like, this had to have been recorded like a

528
00:25:22,200 --> 00:25:24,399
Speaker 1: few weeks ago or something. I mean, I think it

529
00:25:24,440 --> 00:25:26,800
Speaker 1: was just like recorders like some days or like a

530
00:25:26,880 --> 00:25:30,320
Speaker 1: week prior to you guys actually thinking of So that

531
00:25:30,440 --> 00:25:31,760
Speaker 1: just kind of hit you out, like what the fuck?

532
00:25:31,880 --> 00:25:33,920
Speaker 1: Yeah yeah, yeah, so it's like, you know, but it's

533
00:25:33,960 --> 00:25:36,480
Speaker 1: all love though. Man. Yes, they chopped it, they talked

534
00:25:36,480 --> 00:25:40,679
Speaker 1: it out. That's good. Something that you've because whenever I

535
00:25:40,680 --> 00:25:45,960
Speaker 1: have producers on, I want some chips. You want some chips? Bro? Yeah?

536
00:25:46,480 --> 00:25:51,360
Speaker 1: Oh god. Something that I just talked to the south

537
00:25:51,400 --> 00:25:53,119
Speaker 1: Side about. We just talked to hit Make about. I

538
00:25:53,160 --> 00:25:58,280
Speaker 1: try to like give game to up and coming songwriters producers,

539
00:25:58,880 --> 00:26:02,000
Speaker 1: And something that you've been vocal about is your your

540
00:26:02,000 --> 00:26:05,920
Speaker 1: pub deal. And it is a mistake that a lot

541
00:26:05,920 --> 00:26:12,000
Speaker 1: of artists make, not even producers, just writers signing a

542
00:26:12,000 --> 00:26:15,880
Speaker 1: pub deal too early and getting taken advantage of. I mean,

543
00:26:16,320 --> 00:26:18,399
Speaker 1: I would say, you know, I've spoken on this in

544
00:26:18,440 --> 00:26:20,200
Speaker 1: a bunch of interviews, and I don't want to get

545
00:26:20,200 --> 00:26:22,040
Speaker 1: too deep right now, but I would just say that

546
00:26:22,440 --> 00:26:25,560
Speaker 1: any deal, period, make sure it's an exit plan. Make

547
00:26:25,600 --> 00:26:27,919
Speaker 1: sure that they can't you know. It's like my pop's

548
00:26:27,960 --> 00:26:30,080
Speaker 1: been in prison, in the system since he was like

549
00:26:30,200 --> 00:26:32,720
Speaker 1: nineteen years old. He's like fifty something now. So it's

550
00:26:32,760 --> 00:26:35,760
Speaker 1: like they'll railroad you and they'll find loopoh's and ways

551
00:26:35,760 --> 00:26:37,760
Speaker 1: to just keep you down, keep you in. And I

552
00:26:37,760 --> 00:26:39,760
Speaker 1: feel like I'm literally going through that, like no matter

553
00:26:39,800 --> 00:26:43,000
Speaker 1: how much money I earn or how much success I have,

554
00:26:43,359 --> 00:26:45,439
Speaker 1: they don't really have to honor it because of the

555
00:26:45,440 --> 00:26:48,000
Speaker 1: way to the protract was written. Yeah, so it's like,

556
00:26:48,000 --> 00:26:50,119
Speaker 1: make sure you got an exit plan. That's that's the most.

557
00:26:50,160 --> 00:26:52,359
Speaker 1: Have you tried buying yourself out of the deal. They

558
00:26:52,440 --> 00:26:55,040
Speaker 1: won't even let it happens. That's that deep. It's like

559
00:26:55,119 --> 00:26:59,240
Speaker 1: it's sticky. Just keep airing them out, bro. That's that's

560
00:26:59,280 --> 00:27:02,080
Speaker 1: why I gotta go crazy. That's fucking wild. Because you

561
00:27:02,080 --> 00:27:04,080
Speaker 1: say you've been in it since you were nineteen, Yeah,

562
00:27:04,200 --> 00:27:06,840
Speaker 1: I'll just turned thirty five. I've been in this is

563
00:27:06,840 --> 00:27:11,640
Speaker 1: all the nineteen sixteen years that's so crazy. I don't

564
00:27:11,640 --> 00:27:16,640
Speaker 1: know if like it's acceptable anymore to offer those kind

565
00:27:16,680 --> 00:27:19,040
Speaker 1: of deals anymore, because I know that they're not well

566
00:27:19,040 --> 00:27:20,679
Speaker 1: from what I hear, like they've gotten rid of the

567
00:27:21,320 --> 00:27:24,720
Speaker 1: was it the nbrcs, because that's that minimum delivery the

568
00:27:24,880 --> 00:27:31,280
Speaker 1: delivery requirement I think where they'll tell you ten compositions. Yeah,

569
00:27:31,280 --> 00:27:34,439
Speaker 1: but that's that's that's a thousand points. So if you

570
00:27:34,480 --> 00:27:36,360
Speaker 1: do a beat, what would you say, hit Like, if

571
00:27:36,359 --> 00:27:40,320
Speaker 1: you do a beat, it's like a typical amount of

572
00:27:40,320 --> 00:27:42,000
Speaker 1: points you would get on a record, like not even

573
00:27:42,040 --> 00:27:44,960
Speaker 1: you specifically, just in general your experience in the music industry,

574
00:27:45,240 --> 00:27:48,399
Speaker 1: if you make the beat, mean, if you got a

575
00:27:48,440 --> 00:27:50,480
Speaker 1: good team and you got that leverage, I would say

576
00:27:50,520 --> 00:27:55,160
Speaker 1: four maybe five points sometimes per record, per song. Yeah

577
00:27:55,200 --> 00:27:58,119
Speaker 1: and so yeah, so if you have a thousand points,

578
00:27:58,119 --> 00:28:01,680
Speaker 1: you have to recoup through the maths a lot. So

579
00:28:01,680 --> 00:28:04,560
Speaker 1: how about this if somebody because you know a lot

580
00:28:04,640 --> 00:28:09,480
Speaker 1: of times somebody like yourself established producer will reach out

581
00:28:09,520 --> 00:28:11,920
Speaker 1: and maybe get a loop pack from somebody. And I'm

582
00:28:11,920 --> 00:28:13,439
Speaker 1: not saying you do that, but I mean in general,

583
00:28:13,480 --> 00:28:16,560
Speaker 1: like you know, sometimes we do a nice way to

584
00:28:16,600 --> 00:28:18,560
Speaker 1: get on. If you're an up and cooming artist is

585
00:28:18,560 --> 00:28:23,440
Speaker 1: to send loops out, Like if you're upcoming producer, if

586
00:28:23,440 --> 00:28:27,639
Speaker 1: someone uses your loop, is that something that? What? What?

587
00:28:27,640 --> 00:28:29,880
Speaker 1: What is? Ideally? What do you? Did you even get

588
00:28:29,880 --> 00:28:32,680
Speaker 1: cut in on the pub at that point? I mean yeah,

589
00:28:32,680 --> 00:28:35,320
Speaker 1: I mean it just depends on what y'all work out, right,

590
00:28:35,440 --> 00:28:37,119
Speaker 1: or if they have a set thing like oh, this

591
00:28:37,240 --> 00:28:39,920
Speaker 1: is this is, this is these are my terms or whatever.

592
00:28:40,400 --> 00:28:42,360
Speaker 1: But most of the times, it's like, you know, it

593
00:28:42,440 --> 00:28:44,760
Speaker 1: depends on how much they do. Like I'm a super

594
00:28:44,760 --> 00:28:47,120
Speaker 1: fair guy. A lot of people, like even my counselor

595
00:28:47,240 --> 00:28:50,000
Speaker 1: been like yo, you like you're a super fair person.

596
00:28:50,080 --> 00:28:52,400
Speaker 1: Like it's people that take people's whole beats and don't

597
00:28:52,400 --> 00:28:53,920
Speaker 1: even give them and just throw the tag on it.

598
00:28:53,960 --> 00:28:57,600
Speaker 1: You know what I'm saying, Like it's yeah, no, it's crazy.

599
00:28:57,640 --> 00:29:00,200
Speaker 1: I mean it's happened a lot. I mean through out

600
00:29:00,640 --> 00:29:03,200
Speaker 1: hip hop, that's happened for sure, Like, no, I made

601
00:29:03,200 --> 00:29:05,800
Speaker 1: that beat, but your tags on. I've seen interviews about

602
00:29:05,880 --> 00:29:09,200
Speaker 1: legendary producers that I that I, you know, literally look

603
00:29:09,280 --> 00:29:11,960
Speaker 1: up to. It's like, nah, this person really made that beat.

604
00:29:12,040 --> 00:29:14,640
Speaker 1: So it's like, you know, yeah, hit Maker just shared

605
00:29:14,680 --> 00:29:18,800
Speaker 1: a story about a big producer that just took the

606
00:29:18,840 --> 00:29:21,400
Speaker 1: whole song that he brought to them and then got

607
00:29:21,400 --> 00:29:22,960
Speaker 1: an ask cap a word for it. And he was

608
00:29:23,000 --> 00:29:25,440
Speaker 1: sitting there collecting his own ass cap word and he's like,

609
00:29:25,840 --> 00:29:29,680
Speaker 1: the fuck man, crazy man, Let's get past this point

610
00:29:29,680 --> 00:29:32,560
Speaker 1: because I'll start getting deep. I bet it because I

611
00:29:32,600 --> 00:29:34,880
Speaker 1: thought that nigga do that. I thought hit Maker it

612
00:29:34,960 --> 00:29:38,000
Speaker 1: take niggas beats and songs like. I don't know him,

613
00:29:38,600 --> 00:29:40,680
Speaker 1: so I asked him that I kind of had talked

614
00:29:40,720 --> 00:29:44,720
Speaker 1: to him about and he said, you know, yeah, I

615
00:29:44,760 --> 00:29:47,240
Speaker 1: bring people together and they get their credit, they get

616
00:29:47,280 --> 00:29:49,560
Speaker 1: their pub I look at him as like a like

617
00:29:49,640 --> 00:29:53,040
Speaker 1: a calde, like an executive, like may not be actually

618
00:29:53,080 --> 00:29:55,280
Speaker 1: making the music, but he knows how to point out

619
00:29:55,280 --> 00:29:57,000
Speaker 1: the right one. You know what he was saying, He's like,

620
00:29:57,040 --> 00:29:58,960
Speaker 1: I cut everybody in on. I have a song deal

621
00:29:59,000 --> 00:30:01,200
Speaker 1: with Atlantic and somebody. He said, I have half of

622
00:30:01,240 --> 00:30:03,760
Speaker 1: the money, smart business. Half of that money that's allocated

623
00:30:03,760 --> 00:30:07,120
Speaker 1: to me. I set aside half of it for the

624
00:30:07,160 --> 00:30:10,000
Speaker 1: co producers, for the co writers, and they get all

625
00:30:10,040 --> 00:30:12,760
Speaker 1: their credit. Business man, for sure, I respect him on

626
00:30:12,840 --> 00:30:15,440
Speaker 1: the business and for sure, for sure, I mean you're

627
00:30:15,480 --> 00:30:17,160
Speaker 1: in there with the I mean I've seen you're a

628
00:30:17,160 --> 00:30:21,239
Speaker 1: fucking monster. How how like I was gonna say, like,

629
00:30:21,360 --> 00:30:24,440
Speaker 1: how much has your beat making process changed over the years,

630
00:30:24,480 --> 00:30:26,800
Speaker 1: because there's been so I mean, some people started on

631
00:30:26,840 --> 00:30:29,880
Speaker 1: fruity loops and then they've evolved to pro tools or

632
00:30:29,960 --> 00:30:33,600
Speaker 1: to reason or like what is like your current beat

633
00:30:33,640 --> 00:30:36,160
Speaker 1: making go to setup? What do you? What do you?

634
00:30:36,320 --> 00:30:38,440
Speaker 1: What are you cooking on? I've been on FL Studios

635
00:30:38,480 --> 00:30:41,480
Speaker 1: since two thousand and three, bro, almost twenty years. Still,

636
00:30:41,960 --> 00:30:44,760
Speaker 1: I mean I've messed around with able to logic. Yeah,

637
00:30:44,760 --> 00:30:47,719
Speaker 1: I use pro tools, I record and sometimes arrange one

638
00:30:47,800 --> 00:30:50,680
Speaker 1: beats in there. But I'm FL Studio Bro. I'm just

639
00:30:50,880 --> 00:30:54,080
Speaker 1: quick on it and shout out to a ninth wonder

640
00:30:54,120 --> 00:30:57,920
Speaker 1: who was the first guy was really put on really

641
00:30:58,040 --> 00:31:02,440
Speaker 1: heard about somebody super professional make using FL. Yeah, so

642
00:31:02,440 --> 00:31:05,200
Speaker 1: it's still fruity loops. So you gotta have a PC? Yeah? Well,

643
00:31:05,200 --> 00:31:07,080
Speaker 1: I mean no, they got it on Mac now do that.

644
00:31:07,240 --> 00:31:08,440
Speaker 1: I didn't know. I know back in the day you

645
00:31:08,440 --> 00:31:10,240
Speaker 1: had to like partition your hard drive. That's what I

646
00:31:10,320 --> 00:31:13,280
Speaker 1: used to do. Yeah, I use a PC though that's fire,

647
00:31:13,480 --> 00:31:16,320
Speaker 1: So you still use a PC. I use the Asis.

648
00:31:16,880 --> 00:31:18,600
Speaker 1: So you got your you got your Mac. I'm sure

649
00:31:18,640 --> 00:31:20,560
Speaker 1: everyone's got a MacBook for other ship and then you

650
00:31:20,600 --> 00:31:23,200
Speaker 1: got your I just got the mac the computer to

651
00:31:23,240 --> 00:31:25,080
Speaker 1: just put my pro tool stuff on. I don't even

652
00:31:25,120 --> 00:31:27,000
Speaker 1: have a MacBook no more. That was that was just

653
00:31:27,280 --> 00:31:31,160
Speaker 1: what's you know, he's just a kid hanging out. He's

654
00:31:31,240 --> 00:31:37,120
Speaker 1: he don't know. He was the radio anything now anything

655
00:31:37,120 --> 00:31:40,600
Speaker 1: you want to add age. Tell him how old you are,

656
00:31:40,680 --> 00:31:46,840
Speaker 1: real quick, say it on the microphone. How old are you, bron?

657
00:31:46,960 --> 00:31:49,720
Speaker 1: How old is he too? Too? Yeah, it's just say

658
00:31:49,720 --> 00:31:55,960
Speaker 1: two to Chuck de deuce man, how many kids you have? Kid?

659
00:31:56,000 --> 00:32:00,960
Speaker 1: It's only one? One of one? See three man ce three?

660
00:32:00,960 --> 00:32:03,960
Speaker 1: What is the Uh? He's a third? So your dad's

661
00:32:04,000 --> 00:32:06,880
Speaker 1: the first, you're the second, he's the third. That's fire.

662
00:32:07,360 --> 00:32:09,200
Speaker 1: Do you get to take him to go visit grandpa?

663
00:32:09,440 --> 00:32:12,000
Speaker 1: Like when he's locked up? He was born like literally

664
00:32:12,240 --> 00:32:14,880
Speaker 1: a day before we went into lockdown in La so

665
00:32:14,920 --> 00:32:16,760
Speaker 1: he it was like, he's a COVID baby, you know

666
00:32:16,800 --> 00:32:19,360
Speaker 1: what I'm saying. COVID baby. You know you can't have

667
00:32:19,440 --> 00:32:22,640
Speaker 1: really no visits in prisons during the COVID shit. So yeah,

668
00:32:22,720 --> 00:32:26,920
Speaker 1: we don't work it out soon though. Hey, so nowadays,

669
00:32:27,040 --> 00:32:31,400
Speaker 1: what I like about we're talking you have a team

670
00:32:31,440 --> 00:32:33,200
Speaker 1: around you. You You got a guy like jan Sport j

671
00:32:33,960 --> 00:32:36,480
Speaker 1: who's been around for a long time as an artist too.

672
00:32:36,520 --> 00:32:38,720
Speaker 1: I remember seeing his shit on Two Dope Boys back

673
00:32:38,720 --> 00:32:43,080
Speaker 1: in the day. Six man, how important is it to

674
00:32:43,160 --> 00:32:45,800
Speaker 1: kind of like make sure you also surround yourself or

675
00:32:46,040 --> 00:32:51,080
Speaker 1: with just like other inspiring producers, guys who bring something

676
00:32:51,080 --> 00:32:53,080
Speaker 1: to the table, you know what I mean. I mean

677
00:32:53,960 --> 00:32:57,280
Speaker 1: Janz Sport legendary, like he chopped samples like you know,

678
00:32:57,400 --> 00:32:59,920
Speaker 1: bar None, Like he's one of the craziest doing that,

679
00:33:00,040 --> 00:33:01,959
Speaker 1: you know what I'm saying. And that's just something that

680
00:33:02,000 --> 00:33:04,720
Speaker 1: inspired me, Like, I definitely got to keep myself surrounded with,

681
00:33:05,480 --> 00:33:08,719
Speaker 1: you know, people that are just you know, in their

682
00:33:08,800 --> 00:33:12,520
Speaker 1: own land and just doing what they do. Yeah, how

683
00:33:13,200 --> 00:33:15,440
Speaker 1: because you know with with for people who don't know

684
00:33:15,440 --> 00:33:18,840
Speaker 1: you have a studio, Chalice that you've had for four years.

685
00:33:18,960 --> 00:33:21,400
Speaker 1: Four years in August, that's where you did Racks in

686
00:33:21,440 --> 00:33:24,160
Speaker 1: the middle, right, Racks in the middle. I did a

687
00:33:24,240 --> 00:33:29,400
Speaker 1: bunch of stuff, all of the one KT too magic. Yeah,

688
00:33:29,480 --> 00:33:33,520
Speaker 1: it's it's a special place, man. Crazy. We did Burden

689
00:33:33,600 --> 00:33:35,920
Speaker 1: the Proof at Childie too. I think I was I

690
00:33:35,960 --> 00:33:37,680
Speaker 1: was there for that. Yeah, I was there for some

691
00:33:37,720 --> 00:33:41,040
Speaker 1: of that. Chick Conway was there that it's crazy west Side.

692
00:33:41,440 --> 00:33:45,480
Speaker 1: It was hey and unofficially the start of the album.

693
00:33:45,480 --> 00:33:47,680
Speaker 1: We're never gonna get the Freddie Gibbs Benny album. That's

694
00:33:47,680 --> 00:33:50,640
Speaker 1: probably never coming out. I hope it does. Man. If not,

695
00:33:50,760 --> 00:33:53,080
Speaker 1: we will leak. We're gonna well you already kind of

696
00:33:53,120 --> 00:33:54,640
Speaker 1: leaked it. Well. I put it on my I g

697
00:33:54,800 --> 00:33:56,320
Speaker 1: one day. I was just playing it. I'm like, this

698
00:33:56,320 --> 00:33:59,480
Speaker 1: ship too hard. People got to hear this. Leaked it

699
00:33:59,480 --> 00:34:01,680
Speaker 1: on my you took it down, now I'll take it down.

700
00:34:01,760 --> 00:34:03,520
Speaker 1: Did anybody hit you about it? I did get hit

701
00:34:03,640 --> 00:34:06,320
Speaker 1: up for show. It wasn't even like take it down.

702
00:34:06,400 --> 00:34:08,040
Speaker 1: I just was like, I'm gonna just take it. Hit

703
00:34:08,080 --> 00:34:10,839
Speaker 1: you up about it. A couple of people, couple people

704
00:34:11,880 --> 00:34:14,440
Speaker 1: from both sides. Yeah, like, yoh, what the fuck? I

705
00:34:14,480 --> 00:34:16,120
Speaker 1: thought about doing the same thing. I'm glad to was

706
00:34:16,120 --> 00:34:17,200
Speaker 1: you though, because you made it. I was like I

707
00:34:17,239 --> 00:34:19,359
Speaker 1: can't do this and I was just like this beat,

708
00:34:19,400 --> 00:34:23,080
Speaker 1: crazy song. It's insane, nick loving. Hopefully it comes out

709
00:34:23,080 --> 00:34:25,000
Speaker 1: one day. Man, maybe if you do, like a car

710
00:34:25,160 --> 00:34:27,839
Speaker 1: it's on YouTube and all that show. Oh is it?

711
00:34:27,920 --> 00:34:29,880
Speaker 1: I mean just like a leaked Oh just your version

712
00:34:29,920 --> 00:34:31,440
Speaker 1: that you put you put up, not the whole thing

713
00:34:31,480 --> 00:34:35,280
Speaker 1: in and maybe if you ever put out like a

714
00:34:35,280 --> 00:34:38,319
Speaker 1: producer compilation, well that's what's coming next. Like I'm about

715
00:34:38,320 --> 00:34:40,359
Speaker 1: to I'm actually starting to drop music this summer. I'm

716
00:34:40,360 --> 00:34:43,239
Speaker 1: gonna drop my first joint probably August. It's gonna be

717
00:34:43,360 --> 00:34:46,480
Speaker 1: just like my beats with different artists without you rapping.

718
00:34:47,200 --> 00:34:49,480
Speaker 1: And I'm also dropping a rap shit at the same time,

719
00:34:49,600 --> 00:34:52,880
Speaker 1: so doubling old fledge. Yeah. How how like I feel

720
00:34:52,880 --> 00:34:57,440
Speaker 1: like for somehow over the last five or six years,

721
00:34:57,440 --> 00:34:59,959
Speaker 1: like you're still kind of been flying under the radar

722
00:35:00,920 --> 00:35:02,840
Speaker 1: for some of the projects you put out as a rapper.

723
00:35:03,480 --> 00:35:05,560
Speaker 1: Do you feel like finally that tied is starting to

724
00:35:05,600 --> 00:35:08,080
Speaker 1: turn in terms of like you're getting a lot more

725
00:35:08,080 --> 00:35:10,960
Speaker 1: respect as an MC because you put out some great,

726
00:35:11,239 --> 00:35:14,279
Speaker 1: great shit, not even like domb shit aside, like half

727
00:35:14,280 --> 00:35:16,000
Speaker 1: a milshit aside, like even the solo shit you were

728
00:35:16,000 --> 00:35:18,160
Speaker 1: putting out. Nah. I mean, I just feel like I

729
00:35:18,280 --> 00:35:20,560
Speaker 1: just feel it on a personal level, you know. And

730
00:35:20,600 --> 00:35:22,879
Speaker 1: then when I play the music, I show the new

731
00:35:22,960 --> 00:35:25,160
Speaker 1: videos I'm making, I just see the reaction, you know

732
00:35:25,160 --> 00:35:27,520
Speaker 1: what I'm saying, a natural, organic reaction to the people

733
00:35:27,520 --> 00:35:29,640
Speaker 1: that I played it for. I'm like Yeah, I definitely

734
00:35:29,680 --> 00:35:32,920
Speaker 1: can see the growth. I can see what's up. I

735
00:35:32,920 --> 00:35:35,440
Speaker 1: can see how much just being around these great artists

736
00:35:35,520 --> 00:35:38,640
Speaker 1: like Big Sean like Nas and what dude, you don't

737
00:35:38,640 --> 00:35:42,799
Speaker 1: want me to talk, yo, you want to put this on?

738
00:35:44,080 --> 00:35:51,040
Speaker 1: Let me see dinosaur mode. There you go, Oh he's outside. Okay. Yeah,

739
00:35:51,239 --> 00:35:53,800
Speaker 1: just like seeing my own growth. Man, that's been super

740
00:35:53,800 --> 00:35:56,480
Speaker 1: inspired to me beyond just like if other people are

741
00:35:56,920 --> 00:35:59,040
Speaker 1: hearing it as well. It's just like, damn, like I

742
00:35:59,040 --> 00:36:02,640
Speaker 1: can I could just feel growth. Yeah, with this new

743
00:36:02,680 --> 00:36:06,960
Speaker 1: ship that's coming out obviously Corsa, is there going to

744
00:36:07,000 --> 00:36:11,080
Speaker 1: be what is is this the lead into like another project,

745
00:36:11,120 --> 00:36:13,560
Speaker 1: a full project or is this just kind of like

746
00:36:13,640 --> 00:36:17,399
Speaker 1: most definitely it's it's okay man, we're here. People see

747
00:36:17,440 --> 00:36:19,680
Speaker 1: it on YouTube. There's a we have a two year

748
00:36:19,680 --> 00:36:25,879
Speaker 1: old with a toy where it happens. Damn. I was saying,

749
00:36:25,920 --> 00:36:28,600
Speaker 1: like with Coursa, like what is this leading into? Like

750
00:36:28,600 --> 00:36:32,000
Speaker 1: like Coursa, that's some It's gonna either end up on

751
00:36:32,000 --> 00:36:34,279
Speaker 1: a half a mile project or a solo hit board

752
00:36:34,320 --> 00:36:36,560
Speaker 1: or whatever the case is. We're just making music at

753
00:36:36,560 --> 00:36:38,879
Speaker 1: this point and I just want to keep dropping, keep

754
00:36:38,880 --> 00:36:41,279
Speaker 1: the momentum up. Yeah. One hundred percent and that I

755
00:36:41,320 --> 00:36:44,960
Speaker 1: know you recently left rock Nation right on a management

756
00:36:45,160 --> 00:36:48,440
Speaker 1: on the management side, what what's something that you had

757
00:36:48,520 --> 00:36:52,160
Speaker 1: kind of learned on? Like obviously rock Nation is a

758
00:36:52,200 --> 00:36:56,080
Speaker 1: prestigious brand. Respects to them, Shout out to Hoe, Shout

759
00:36:56,120 --> 00:36:58,759
Speaker 1: out to everybody over there, everybody that locked in with me.

760
00:36:58,880 --> 00:37:01,239
Speaker 1: Were you able to like kind of like learn anything

761
00:37:01,239 --> 00:37:02,759
Speaker 1: of your time over there on the management side? Just

762
00:37:02,760 --> 00:37:05,000
Speaker 1: getting managed by those guys for sure, And just like

763
00:37:05,120 --> 00:37:08,320
Speaker 1: on a personal level, just the things that I see

764
00:37:08,320 --> 00:37:10,560
Speaker 1: for myself and the things that I want for myself,

765
00:37:10,600 --> 00:37:13,359
Speaker 1: they have to align all across the board. And it's

766
00:37:13,360 --> 00:37:16,360
Speaker 1: like if it's any disconnection, it's gonna be tough. You

767
00:37:16,360 --> 00:37:17,600
Speaker 1: know what I'm saying. I don't want to get into

768
00:37:17,640 --> 00:37:20,359
Speaker 1: the dtails of you know nothing, but it's all love

769
00:37:20,440 --> 00:37:23,600
Speaker 1: to the that's fire. What is uh? You know we've

770
00:37:23,600 --> 00:37:26,760
Speaker 1: seen a lot of producers do different business moves outside

771
00:37:26,800 --> 00:37:28,799
Speaker 1: of music. Are you working on anything that is not

772
00:37:28,840 --> 00:37:32,480
Speaker 1: necessarily directly music related? I got to hit boyog with

773
00:37:32,560 --> 00:37:34,520
Speaker 1: the homies, Illi canis you know what I'm saying? You

774
00:37:34,600 --> 00:37:37,239
Speaker 1: got some weed? I got it in some stores right now,

775
00:37:37,320 --> 00:37:40,440
Speaker 1: some lemonades and some cookie stores and about to keep

776
00:37:40,480 --> 00:37:42,840
Speaker 1: pushing it, you know, do you actually like pull up

777
00:37:42,880 --> 00:37:44,560
Speaker 1: and like go to the grow and like figure out

778
00:37:44,719 --> 00:37:47,120
Speaker 1: exactly what your string is gonna be been to to

779
00:37:47,160 --> 00:37:50,000
Speaker 1: grow plenty of times. And then sometimes they'll bring like

780
00:37:50,080 --> 00:37:52,640
Speaker 1: even their lab person to the studio just oh, I've

781
00:37:52,680 --> 00:37:54,480
Speaker 1: been there and there's been pounds and pounds of weed

782
00:37:54,520 --> 00:37:56,120
Speaker 1: at your stud I don't even know if it's that guy,

783
00:37:56,160 --> 00:37:58,480
Speaker 1: but there's just yeah. So they'll bring like, you know,

784
00:37:58,520 --> 00:38:00,640
Speaker 1: their whole team to the stool just about with me

785
00:38:00,719 --> 00:38:03,600
Speaker 1: and bring me different strains to you know, piece together

786
00:38:03,640 --> 00:38:05,839
Speaker 1: that we can you know, but you're O g guy,

787
00:38:06,640 --> 00:38:09,640
Speaker 1: hit boy OG is the overall brand. Waiting Game is

788
00:38:09,680 --> 00:38:12,360
Speaker 1: the strains. So this is like the first one. Waiting

789
00:38:12,400 --> 00:38:15,360
Speaker 1: Game is not the most heavy og you know smoke,

790
00:38:15,440 --> 00:38:17,440
Speaker 1: but it's a good smoke at the same time. But

791
00:38:17,480 --> 00:38:19,239
Speaker 1: the next one is we're gonna definitely hit him with

792
00:38:19,280 --> 00:38:23,319
Speaker 1: some ogs. I remember being there one night and there

793
00:38:23,400 --> 00:38:26,000
Speaker 1: was like a jeweler who was trying to rip everybody off.

794
00:38:26,719 --> 00:38:30,239
Speaker 1: Big Sean was there. I forget who it was, but

795
00:38:30,280 --> 00:38:32,080
Speaker 1: there was like a jeweler who like pulled And it's

796
00:38:32,080 --> 00:38:34,520
Speaker 1: funny because I've seen that actually happen a bunch of

797
00:38:34,560 --> 00:38:37,759
Speaker 1: times we're jewelery. I mean, this was the jeweler that

798
00:38:38,760 --> 00:38:40,560
Speaker 1: you know the little Baby when Little Baby was like

799
00:38:40,600 --> 00:38:42,600
Speaker 1: somebody told me a fake watch. This's the same jeweler

800
00:38:42,640 --> 00:38:44,719
Speaker 1: that was at my studio. I remember everybody once he

801
00:38:44,800 --> 00:38:46,360
Speaker 1: left was like, yo, this guy was really trying to

802
00:38:46,360 --> 00:38:50,239
Speaker 1: get over on us, like he's fucking crazy. Wow. But

803
00:38:50,280 --> 00:38:53,400
Speaker 1: you know it's wild. They got the some of the

804
00:38:53,400 --> 00:38:56,600
Speaker 1: Ellis finesss ever, because think about it, it happens a lot.

805
00:38:56,719 --> 00:38:58,320
Speaker 1: I'm sure you've seen that jeweler pull up to the

806
00:38:58,360 --> 00:39:01,279
Speaker 1: studio prior. Like that shit happens all the time, where

807
00:39:01,320 --> 00:39:03,520
Speaker 1: somebody will pull up with a fucking suitcase of ice

808
00:39:04,160 --> 00:39:06,080
Speaker 1: in a room full of rappers. There's no way to

809
00:39:06,200 --> 00:39:09,200
Speaker 1: verify if the shit is and then they'll try to

810
00:39:09,280 --> 00:39:11,360
Speaker 1: upsell you like it's like they're selling. Like you know

811
00:39:11,360 --> 00:39:13,040
Speaker 1: when you get a little kid knocking on your door

812
00:39:13,040 --> 00:39:14,839
Speaker 1: trying to sell you some candy or some shit. It's

813
00:39:14,920 --> 00:39:19,600
Speaker 1: like like in the towel lately, it's candy dudes outside

814
00:39:19,640 --> 00:39:22,040
Speaker 1: of towel every night, like trying to sell you candy

815
00:39:22,200 --> 00:39:26,040
Speaker 1: right from outside of highlight room. Really get in the bag.

816
00:39:26,200 --> 00:39:28,440
Speaker 1: It's like they must have learned from the Atlanta water boards,

817
00:39:28,480 --> 00:39:30,480
Speaker 1: like why are we hanging out at Walmart? Why are

818
00:39:30,480 --> 00:39:32,839
Speaker 1: we hanging out at Target? Let's go to the fucking Word.

819
00:39:33,040 --> 00:39:35,120
Speaker 1: Let's go to where all the famous people. Let's go

820
00:39:35,160 --> 00:39:38,880
Speaker 1: sell some fucking candy to paparazzis for sure? What up, y'all? Hey,

821
00:39:38,920 --> 00:39:41,080
Speaker 1: we gotta stop the interview to tell you about our partners.

822
00:39:41,200 --> 00:39:44,880
Speaker 1: They presenting sponsor of the Bootleg cav podcast, our family

823
00:39:45,000 --> 00:39:48,399
Speaker 1: at odds Socks. Man, they're dropping so much heat at

824
00:39:48,400 --> 00:39:51,600
Speaker 1: odd socks right now. Go to odd socksofficial dot com.

825
00:39:51,800 --> 00:39:55,560
Speaker 1: Use the promo code bootleg keV. One word bootleg keV.

826
00:39:55,920 --> 00:39:58,319
Speaker 1: You will save twenty percent off of checkout. Listen. They

827
00:39:58,320 --> 00:40:00,640
Speaker 1: got the socks, you know what I mean, shout out

828
00:40:00,640 --> 00:40:05,040
Speaker 1: to the Ninja Turtles. I totally just dropped my Mike flag.

829
00:40:05,600 --> 00:40:07,600
Speaker 1: And then they got the odds sos basics, which are

830
00:40:07,640 --> 00:40:10,399
Speaker 1: just kind of like these boys my favorites. I love

831
00:40:10,440 --> 00:40:13,040
Speaker 1: the odd Socks basics. And let's not forget ladies and gentlemen.

832
00:40:13,320 --> 00:40:16,279
Speaker 1: Odd socks now has the underwear. That's right, Tapa TiO

833
00:40:16,360 --> 00:40:19,759
Speaker 1: draws on that ass. Remember odd soosoficial dot com. Use

834
00:40:19,800 --> 00:40:22,960
Speaker 1: that promo code Bootleg caps save twenty percent off at checkout.

835
00:40:23,120 --> 00:40:26,000
Speaker 1: Let's get back to the podcast. Have you had it

836
00:40:26,080 --> 00:40:27,600
Speaker 1: like a little harder time because I feel like your

837
00:40:27,600 --> 00:40:30,400
Speaker 1: profile is higher now than it's ever been in your career.

838
00:40:31,440 --> 00:40:35,279
Speaker 1: Does it kind of change how you move? Have you

839
00:40:35,400 --> 00:40:39,200
Speaker 1: noticed like maybe you gotta have security now in places

840
00:40:39,239 --> 00:40:41,760
Speaker 1: maybe you didn't have to have it before. Biggas getting

841
00:40:41,840 --> 00:40:45,120
Speaker 1: ribbed for this shit and this shit all day around La,

842
00:40:45,239 --> 00:40:47,320
Speaker 1: not just La. But you know what I'm saying, it's

843
00:40:47,440 --> 00:40:49,600
Speaker 1: like heavy out here, heavy and La. You gotta just

844
00:40:49,640 --> 00:40:51,640
Speaker 1: move proper in I'll be having my son with me, Like,

845
00:40:51,719 --> 00:40:53,840
Speaker 1: you don't want to just get caught up in any

846
00:40:53,960 --> 00:40:57,160
Speaker 1: just situation being too just all over the place, So

847
00:40:57,239 --> 00:41:00,360
Speaker 1: I move militant regardless. Yeah, that's important. Why do you

848
00:41:00,400 --> 00:41:02,680
Speaker 1: think that is in La? Man? Like? Because it is

849
00:41:02,719 --> 00:41:04,560
Speaker 1: the thing in La. I think I think a lot

850
00:41:04,560 --> 00:41:07,000
Speaker 1: of it was because the edd was rampant out here,

851
00:41:07,480 --> 00:41:09,360
Speaker 1: that shit dried up. People got to see something they

852
00:41:09,360 --> 00:41:11,680
Speaker 1: ain't ever seen and be in places ain't ever been

853
00:41:11,719 --> 00:41:13,839
Speaker 1: and it's like hard to let that go. So it's

854
00:41:13,880 --> 00:41:16,319
Speaker 1: like anybody by any means, so you just gotta be

855
00:41:16,360 --> 00:41:19,680
Speaker 1: moving right. You are somebody who took the pandemic and

856
00:41:19,719 --> 00:41:21,880
Speaker 1: like leveled up to uh, I think a career high.

857
00:41:22,280 --> 00:41:25,600
Speaker 1: I did the same thing. What was a what was it?

858
00:41:25,760 --> 00:41:27,919
Speaker 1: Was it a coincidence feed that the pandemic like worked

859
00:41:27,920 --> 00:41:29,239
Speaker 1: out for you in the right way, or was there

860
00:41:29,280 --> 00:41:31,040
Speaker 1: something that happened during the pandemic where you kind of

861
00:41:31,080 --> 00:41:32,839
Speaker 1: had to switch turn on? Because it kind of for me,

862
00:41:32,960 --> 00:41:35,239
Speaker 1: Like I said, this guy was born a day before

863
00:41:35,320 --> 00:41:37,440
Speaker 1: the lockdown, so it was like, nah, I gotta I

864
00:41:37,440 --> 00:41:39,720
Speaker 1: gotta go on the overdrive. Like I was already feeling

865
00:41:39,719 --> 00:41:42,160
Speaker 1: that way, like knowing he was coming. When he got here.

866
00:41:42,200 --> 00:41:44,400
Speaker 1: It was like, nah, bros, a game changer. I gotta

867
00:41:44,640 --> 00:41:47,560
Speaker 1: kill ship, go to a new level. Yeah, once you

868
00:41:47,560 --> 00:41:50,280
Speaker 1: have a kid, man, it changes everything. Yeah, one hundred

869
00:41:50,320 --> 00:41:58,560
Speaker 1: per How old are you two? Say what? He's shy man,

870
00:41:58,719 --> 00:42:00,839
Speaker 1: He's a shy little guy. I ain't mad at you, bro,

871
00:42:01,560 --> 00:42:03,319
Speaker 1: I'm gonna get you some chips in a little bit.

872
00:42:03,760 --> 00:42:05,279
Speaker 1: At least he don't have an iPad. You know, most

873
00:42:05,320 --> 00:42:07,439
Speaker 1: kids you get the iPad and're like, nah, for sure,

874
00:42:07,680 --> 00:42:09,680
Speaker 1: I mean he'd be having an iPhone. He don't even

875
00:42:09,719 --> 00:42:12,000
Speaker 1: like the iPad. He got an iPad and he got

876
00:42:12,000 --> 00:42:14,600
Speaker 1: his own little cell phone he'll be using a lot

877
00:42:14,640 --> 00:42:17,359
Speaker 1: of kids are getting raised by iPads these days, for sure. Yeah,

878
00:42:17,360 --> 00:42:20,359
Speaker 1: I'll tell you this. My son Millennium, he's eight years old.

879
00:42:21,320 --> 00:42:24,800
Speaker 1: Sometimes I have YouTube going on the big TV downstairs,

880
00:42:24,840 --> 00:42:28,040
Speaker 1: and I'll be like, the fuck are you? Bruh, the

881
00:42:28,080 --> 00:42:32,319
Speaker 1: fuck are you watching? Maybe into these uh what's the

882
00:42:33,239 --> 00:42:37,879
Speaker 1: mister beasts? And those YouTube right right YouTube channels are?

883
00:42:38,400 --> 00:42:40,799
Speaker 1: I mean he's still on like Blippy and like real

884
00:42:40,880 --> 00:42:43,399
Speaker 1: little kid. Yeah, the Blippy ship is lit. I don't

885
00:42:43,400 --> 00:42:45,560
Speaker 1: even know about it, bro when he was born, like

886
00:42:45,760 --> 00:42:48,239
Speaker 1: you know, that's when I first was watching Blippy come up.

887
00:42:48,280 --> 00:42:51,640
Speaker 1: And then like last week, I'm going through like the Netflix.

888
00:42:51,719 --> 00:42:55,759
Speaker 1: He's on Max. He's gonna do has like his own cartoon. Now.

889
00:42:55,840 --> 00:42:58,600
Speaker 1: It's crazy. The Blippy thing is why it really came

890
00:42:58,680 --> 00:43:01,160
Speaker 1: well man, Yeah, crazy because I remember as a kid,

891
00:43:01,239 --> 00:43:05,360
Speaker 1: like there was like Teletubbies and yeah, Blippy is that

892
00:43:05,400 --> 00:43:08,600
Speaker 1: guy right now for the kids and that little Asian kid, Ryan,

893
00:43:08,960 --> 00:43:13,200
Speaker 1: Ryan's toy, Ryan's world, Yeah right right, that kid yo,

894
00:43:13,360 --> 00:43:18,279
Speaker 1: his his parents are eat what he's like nine? What's

895
00:43:18,320 --> 00:43:20,520
Speaker 1: he doing with one hundred million dollars? His parents? I

896
00:43:20,560 --> 00:43:24,200
Speaker 1: guess us us need to get him opening toys on YouTube. Nah,

897
00:43:24,239 --> 00:43:28,000
Speaker 1: for sure, that's coming. Yeah, that's a that's a revenue

898
00:43:28,000 --> 00:43:30,759
Speaker 1: stream for sure. For sure. What else, obviously, besides your

899
00:43:30,760 --> 00:43:32,600
Speaker 1: solo ship, I'm sure you've got a lot of placements coming.

900
00:43:32,640 --> 00:43:35,000
Speaker 1: I know you can't divulge into all of those, but yeah,

901
00:43:35,040 --> 00:43:37,400
Speaker 1: I've been I've been tapped in man the hips working.

902
00:43:37,400 --> 00:43:39,840
Speaker 1: I'm actually working on a lot of music for the

903
00:43:39,880 --> 00:43:42,959
Speaker 1: new Madden that's dropping, the one with Madden on the cover.

904
00:43:43,120 --> 00:43:45,160
Speaker 1: Uh huh. Yeah, I'm doing a lot of like the

905
00:43:45,239 --> 00:43:48,239
Speaker 1: scoring for like the franchise mode, like when you're doing

906
00:43:48,239 --> 00:43:50,440
Speaker 1: a career mode, Like I'm basically all the scenes, like

907
00:43:50,680 --> 00:43:52,960
Speaker 1: I'm scoring them, So you're scoring them with all original

908
00:43:53,000 --> 00:43:55,839
Speaker 1: ship original music. That's big. Is this the first time

909
00:43:55,840 --> 00:43:59,080
Speaker 1: you've scored something like? Nah, I scored a movie called

910
00:43:59,400 --> 00:44:02,560
Speaker 1: Corked that was on Netflix. Oh the guy that's actually

911
00:44:02,640 --> 00:44:04,680
Speaker 1: the black dude that's and I can't think of his name.

912
00:44:04,719 --> 00:44:07,320
Speaker 1: He's in the new Jurassic Park that's coming out on Friday.

913
00:44:07,400 --> 00:44:09,799
Speaker 1: That was one of his first big roles. And I

914
00:44:09,960 --> 00:44:13,480
Speaker 1: scored that whole movie and did a couple other things.

915
00:44:13,520 --> 00:44:16,240
Speaker 1: But this is like, you know, when you score something

916
00:44:16,320 --> 00:44:19,440
Speaker 1: like that, do they send you those scenes dry and

917
00:44:19,440 --> 00:44:21,320
Speaker 1: then it's just up to you to set the vibe.

918
00:44:21,360 --> 00:44:24,120
Speaker 1: They'll send well, they'll send me a reference that like

919
00:44:24,160 --> 00:44:26,239
Speaker 1: they might have, you know, picked a song or picked

920
00:44:26,239 --> 00:44:28,400
Speaker 1: a piece of music that they thought fit. So they

921
00:44:28,480 --> 00:44:31,520
Speaker 1: was like, try to at least match the energy. It

922
00:44:31,560 --> 00:44:33,759
Speaker 1: is like do your own thing, but try to just

923
00:44:33,800 --> 00:44:36,120
Speaker 1: make sure it has a pace, similar to how this

924
00:44:36,200 --> 00:44:39,759
Speaker 1: is movie. Wow, that's big. So you're kind of when

925
00:44:39,880 --> 00:44:41,960
Speaker 1: when are you go You're gonna get credit on? Man,

926
00:44:42,000 --> 00:44:45,600
Speaker 1: it's probably gonna be like executive produced by hit Boy.

927
00:44:45,840 --> 00:44:49,440
Speaker 1: That's huge. Somebody who I love that's young, that's up

928
00:44:49,440 --> 00:44:52,000
Speaker 1: and coming. He's from the Bay, but he's in La.

929
00:44:52,320 --> 00:44:54,279
Speaker 1: Have you got a chance to work with Simba yet?

930
00:44:54,520 --> 00:44:56,400
Speaker 1: I have not, but I mean I didn't seen him

931
00:44:56,440 --> 00:44:59,600
Speaker 1: tear down a few free styles. He's crazy. Duke working

932
00:44:59,600 --> 00:45:01,680
Speaker 1: with him, Yeah, Duke works with him. I feel like

933
00:45:01,760 --> 00:45:03,319
Speaker 1: you guys got to set up a session. Well, we

934
00:45:03,360 --> 00:45:04,800
Speaker 1: had set up a session, but this was maybe a

935
00:45:04,880 --> 00:45:09,839
Speaker 1: couple of years ago and time and his everything. He's special. Man. Yeah,

936
00:45:09,880 --> 00:45:11,759
Speaker 1: So the game album, we don't know how many you have,

937
00:45:12,000 --> 00:45:14,480
Speaker 1: but hopefully we'll find out on the seventeenth, I guess

938
00:45:14,480 --> 00:45:17,319
Speaker 1: we all gonna find out because that's like next week, right.

939
00:45:17,800 --> 00:45:21,279
Speaker 1: I feel like Game is very, very sporadic. He's coming

940
00:45:21,320 --> 00:45:23,680
Speaker 1: on the show next week, so I'm gonna but yeah,

941
00:45:23,840 --> 00:45:27,000
Speaker 1: it's like thirty songs and next week or you know,

942
00:45:27,080 --> 00:45:29,600
Speaker 1: it's like that's a crazy guy, but he's he's a

943
00:45:29,640 --> 00:45:32,200
Speaker 1: great rapper man, so you know, let him just do

944
00:45:32,239 --> 00:45:34,040
Speaker 1: what he do. He is a great rapper and he's

945
00:45:34,040 --> 00:45:41,160
Speaker 1: got one of the more prestigious discographies. Yeah, especially on

946
00:45:41,200 --> 00:45:43,279
Speaker 1: the West Coast too, because Game don't put out whack

947
00:45:43,320 --> 00:45:45,600
Speaker 1: albums for sure. Like I can't think of a time

948
00:45:45,680 --> 00:45:47,279
Speaker 1: er I listened to a Game album and I was like,

949
00:45:48,080 --> 00:45:51,120
Speaker 1: it's like solid alwayst I feel like he's and I

950
00:45:51,120 --> 00:45:54,000
Speaker 1: feel like not a lot of people can say that

951
00:45:54,120 --> 00:45:56,879
Speaker 1: everyone has weak points in their discography. I'm not sure

952
00:45:56,960 --> 00:46:01,719
Speaker 1: Game has any. Because Red album was dope, fucking Jesus piece. Obviously,

953
00:46:02,160 --> 00:46:07,080
Speaker 1: Doctor's Advocate was my favorite. Hmm. I'm trying to think

954
00:46:07,239 --> 00:46:11,400
Speaker 1: lax Lax was fine. Album was crazy. Documentary two was dope,

955
00:46:11,960 --> 00:46:14,120
Speaker 1: a lot of bars. Are you are You? And Benny

956
00:46:14,120 --> 00:46:17,520
Speaker 1: gonna do Burner Proof too, We're gonna see I want

957
00:46:17,520 --> 00:46:21,000
Speaker 1: to tape back in that was I was just working

958
00:46:21,000 --> 00:46:23,799
Speaker 1: with Jay Worthy the other day. We all tapped in

959
00:46:23,840 --> 00:46:26,719
Speaker 1: on a text message, like a group text. We want

960
00:46:26,719 --> 00:46:28,640
Speaker 1: to do something together, so we're gonna put it together.

961
00:46:28,760 --> 00:46:32,040
Speaker 1: I feel like that's kind of his zelmatic, low key crazy.

962
00:46:32,160 --> 00:46:34,400
Speaker 1: That's a crazy way to put it. Yeah, I mean

963
00:46:34,400 --> 00:46:36,560
Speaker 1: it kind of changed his life and that and you

964
00:46:36,600 --> 00:46:38,040
Speaker 1: know a lot of people would say that's his best

965
00:46:38,080 --> 00:46:41,880
Speaker 1: body of work. It would only be right. Would you

966
00:46:41,920 --> 00:46:46,000
Speaker 1: do another joint album with you know, because you and

967
00:46:46,040 --> 00:46:49,879
Speaker 1: Conway shit is crazy? Man, that's somebody I was thinking like, man,

968
00:46:50,239 --> 00:46:53,600
Speaker 1: we might as well just cranking out do I mean Conway?

969
00:46:53,680 --> 00:46:57,319
Speaker 1: I think that should be hard. Yeah, because Conway's that

970
00:46:57,400 --> 00:46:59,279
Speaker 1: guy that ship with him and Dave's Love that I

971
00:46:59,320 --> 00:47:02,239
Speaker 1: did was hard. Oh that's that was the first song

972
00:47:02,440 --> 00:47:06,319
Speaker 1: on the album in Yeah, that was Yeah. Did you

973
00:47:06,360 --> 00:47:08,120
Speaker 1: are you going to put Dave Wolf on that record?

974
00:47:08,400 --> 00:47:12,279
Speaker 1: That was Conway? Yeah? Because that shit came out crazy. Yeah. Yeah,

975
00:47:12,280 --> 00:47:15,399
Speaker 1: shout out to the Griselda guys. Anything else that you're

976
00:47:15,400 --> 00:47:20,640
Speaker 1: working on? Man? What else should I bring up with me?

977
00:47:20,719 --> 00:47:27,120
Speaker 1: Every day? That's a lot of courses on DSPs Friday

978
00:47:27,520 --> 00:47:30,560
Speaker 1: or there's new music. Man, I'm dropping a lot of

979
00:47:30,640 --> 00:47:32,879
Speaker 1: rap ship and I'm dropping a lot of production all

980
00:47:32,920 --> 00:47:36,640
Speaker 1: at the same is your production album compilation joint? Is

981
00:47:36,680 --> 00:47:38,319
Speaker 1: that already kind of like do you have like a

982
00:47:38,440 --> 00:47:41,080
Speaker 1: folder where there's already ship in there? Set aside? So

983
00:47:41,120 --> 00:47:43,080
Speaker 1: I got a lot of joints, different artists, but you

984
00:47:43,120 --> 00:47:45,920
Speaker 1: know it's it's clearances and it's a lot of nuances

985
00:47:45,960 --> 00:47:47,760
Speaker 1: that going to I'm gonna go out on the legend

986
00:47:47,800 --> 00:47:51,040
Speaker 1: say Nas and Don Kennedy might be on that album.

987
00:47:51,239 --> 00:47:54,160
Speaker 1: That's a good guess, that's an easy one. And then

988
00:47:54,239 --> 00:47:56,560
Speaker 1: King's Disease three hopefully I'm working on the album with

989
00:47:56,600 --> 00:48:00,719
Speaker 1: Belly to Belly, Are You serious? Ship? Album? Pretty much done?

990
00:48:00,760 --> 00:48:03,440
Speaker 1: We got some crazy joints, dude hip hop and some

991
00:48:03,520 --> 00:48:08,440
Speaker 1: turned up shit. Belly is one of my favorite rappers

992
00:48:09,080 --> 00:48:11,560
Speaker 1: just period, and he's like my shroom brother. Me and

993
00:48:11,680 --> 00:48:15,040
Speaker 1: him are very much into into the shrooms. Has Belly

994
00:48:15,080 --> 00:48:19,560
Speaker 1: tried to get you the eatrooms yet? Now, Belly ain't.

995
00:48:20,360 --> 00:48:21,960
Speaker 1: I mean a lot of people have been talking about

996
00:48:21,960 --> 00:48:24,520
Speaker 1: strooms lately, but that's not my thing. But he does

997
00:48:24,840 --> 00:48:29,600
Speaker 1: cook a crazy mill a crazy tenderlin with these noodles,

998
00:48:29,640 --> 00:48:34,520
Speaker 1: broy Can. He's such a prolific, so prolific on that pan.

999
00:48:35,880 --> 00:48:37,239
Speaker 1: Have you been in the studio with him? He has

1000
00:48:37,239 --> 00:48:40,440
Speaker 1: this thing at his house. It's like a plate with

1001
00:48:40,640 --> 00:48:44,880
Speaker 1: sand on it, and he got a few houses or something.

1002
00:48:44,920 --> 00:48:46,480
Speaker 1: No, no no, no, no no. So there's this like thing.

1003
00:48:46,560 --> 00:48:49,880
Speaker 1: It's there's a name for it, and it's like a

1004
00:48:49,920 --> 00:48:52,840
Speaker 1: plate that has a bunch of sand on it and

1005
00:48:52,920 --> 00:48:57,120
Speaker 1: it makes shapes the music that you play, whatever frequency

1006
00:48:57,200 --> 00:49:00,480
Speaker 1: or whatever the sand moves into like the shapes of

1007
00:49:00,560 --> 00:49:03,359
Speaker 1: it's it's crazy. You got to ask him about that ship.

1008
00:49:03,960 --> 00:49:06,560
Speaker 1: So you and Belly got a whole album coming. Yeah

1009
00:49:06,719 --> 00:49:09,680
Speaker 1: the fuck I got to pull up on Belly in

1010
00:49:09,719 --> 00:49:12,040
Speaker 1: here this ship. What did you guys record it at

1011
00:49:12,080 --> 00:49:14,080
Speaker 1: his house? Your place? We recorded it at my spot

1012
00:49:14,160 --> 00:49:16,480
Speaker 1: in his spot. Yeah, he got a crazy studio. Yeah,

1013
00:49:16,480 --> 00:49:19,759
Speaker 1: he's actually the producer CV with two Uh it's a duo.

1014
00:49:19,840 --> 00:49:22,239
Speaker 1: I forget their names, man, but they're super talented. I

1015
00:49:22,239 --> 00:49:24,880
Speaker 1: would fuck I wish I remember their names. You probably

1016
00:49:24,920 --> 00:49:26,440
Speaker 1: met the guys, the two guys he's got with them,

1017
00:49:27,000 --> 00:49:30,520
Speaker 1: the homies from XO. Yeah yeah, yeah, and he's got

1018
00:49:30,560 --> 00:49:36,040
Speaker 1: a very moody French bulldog. Chips have been secured, ladies,

1019
00:49:36,840 --> 00:49:40,880
Speaker 1: The chips have been secured. So Belly album King's Disease

1020
00:49:40,960 --> 00:49:44,960
Speaker 1: three hopefully Yeah, yeah, we you know, that's a tough one, bro,

1021
00:49:45,080 --> 00:49:48,280
Speaker 1: because it's the first time we got some real pressure

1022
00:49:48,320 --> 00:49:50,520
Speaker 1: on us speak. We got so much lead time before.

1023
00:49:51,120 --> 00:49:54,040
Speaker 1: You really only had like seven days to prepare for

1024
00:49:54,120 --> 00:49:57,160
Speaker 1: KD one, five days to prepare for kat two and

1025
00:49:57,200 --> 00:50:00,239
Speaker 1: then Magic. We dropped the cover twelve hours before. How

1026
00:50:00,320 --> 00:50:02,520
Speaker 1: magic shit came out out of nowhere. It was like

1027
00:50:02,560 --> 00:50:06,080
Speaker 1: a twelve hours We dropped the artwork maybe twelve pm

1028
00:50:06,080 --> 00:50:08,560
Speaker 1: and it dropped at twelve am. So we this is

1029
00:50:08,640 --> 00:50:11,799
Speaker 1: the longest, like because he he said this, you know,

1030
00:50:11,880 --> 00:50:14,799
Speaker 1: on the song Ugly Katie three on the way. This

1031
00:50:14,920 --> 00:50:17,160
Speaker 1: is real, Like it's pressure, this shit gotta be hard,

1032
00:50:17,440 --> 00:50:20,000
Speaker 1: gotta be and it's the trilogy. It's the trilogy. There

1033
00:50:20,040 --> 00:50:22,799
Speaker 1: hasn't been any I mean shout out to the blueprint, right,

1034
00:50:22,880 --> 00:50:25,360
Speaker 1: there's three of those. There were some weak points in

1035
00:50:25,400 --> 00:50:27,680
Speaker 1: the Blueprint. I mean I wouldn't I wasn't crazy about

1036
00:50:27,680 --> 00:50:30,440
Speaker 1: Blueprint three to be, but Blueprint two had some of

1037
00:50:30,480 --> 00:50:33,520
Speaker 1: my favorite hope. Now, there was some fat that they

1038
00:50:33,560 --> 00:50:35,279
Speaker 1: cut off when they did the Blueprint two point one.

1039
00:50:35,320 --> 00:50:38,280
Speaker 1: You remember that they put out like the original blueprint too,

1040
00:50:38,840 --> 00:50:40,080
Speaker 1: and then there was this You never know what that

1041
00:50:40,160 --> 00:50:42,239
Speaker 1: was about. It was just because there was there was

1042
00:50:42,280 --> 00:50:44,319
Speaker 1: some good ship on the Blueprint too, like some of

1043
00:50:44,360 --> 00:50:46,919
Speaker 1: my favorite hope. I think the best storytelling song ever

1044
00:50:47,080 --> 00:50:49,320
Speaker 1: is on there. It's called Me the Parents. Oh yeah,

1045
00:50:49,440 --> 00:50:52,920
Speaker 1: that's a classic record. But there was a lot of

1046
00:50:52,920 --> 00:50:55,080
Speaker 1: bullshit on Blueprint. Blueprint too. So they did the two

1047
00:50:55,120 --> 00:50:56,520
Speaker 1: point one. I feel like it was kind of like

1048
00:50:57,040 --> 00:50:58,719
Speaker 1: because I always used to see that cover because they

1049
00:50:58,760 --> 00:51:01,160
Speaker 1: had the red with the like split up. I just

1050
00:51:01,200 --> 00:51:02,600
Speaker 1: never knew what I was. I think it was just like,

1051
00:51:02,640 --> 00:51:05,200
Speaker 1: all right, guys. I think it was their way of

1052
00:51:05,239 --> 00:51:07,839
Speaker 1: trying to get people to really digest the fire shit

1053
00:51:07,920 --> 00:51:10,440
Speaker 1: on that album. But you guys are two for two,

1054
00:51:10,520 --> 00:51:13,680
Speaker 1: three for three, But you know King's Disease three you

1055
00:51:13,719 --> 00:51:16,200
Speaker 1: got You're right, kay, three gotta you gotta beat the one.

1056
00:51:16,280 --> 00:51:18,200
Speaker 1: Do you feel like the way you and Nabs work

1057
00:51:18,239 --> 00:51:21,160
Speaker 1: together like this is just for life now? I mean

1058
00:51:21,760 --> 00:51:23,839
Speaker 1: I was, I mean because I would hate like King's

1059
00:51:23,840 --> 00:51:25,360
Speaker 1: Disease three come out, and then I got cool, but

1060
00:51:25,400 --> 00:51:28,880
Speaker 1: we completed the trilogy. We're moving on. You never know, bro, Honestly,

1061
00:51:28,920 --> 00:51:31,359
Speaker 1: we just kind of just move off the energy that's

1062
00:51:31,400 --> 00:51:34,279
Speaker 1: present with us and it just seems like it's gonna

1063
00:51:34,280 --> 00:51:36,359
Speaker 1: be going for a while, so let's just hope for that.

1064
00:51:36,680 --> 00:51:39,600
Speaker 1: Who do you think you have similar chemistry with? I

1065
00:51:39,600 --> 00:51:42,880
Speaker 1: would say Sean, I would say Dom. I actually got

1066
00:51:42,880 --> 00:51:47,400
Speaker 1: a great fucking rapport with Don Tolliver, Like, you know,

1067
00:51:47,440 --> 00:51:49,760
Speaker 1: I did a single his first single on his last album,

1068
00:51:49,800 --> 00:51:52,399
Speaker 1: What You Need, and we're working on new music now

1069
00:51:52,480 --> 00:51:55,480
Speaker 1: and it's like me and Bro got a synergy. You know.

1070
00:51:55,760 --> 00:51:58,840
Speaker 1: I love Don Tolliver because his voice to me is

1071
00:51:58,920 --> 00:52:02,040
Speaker 1: just very just like there's very few people who have

1072
00:52:02,120 --> 00:52:04,560
Speaker 1: like that unique pitch. That's you're like when you hear him,

1073
00:52:04,600 --> 00:52:08,000
Speaker 1: you hear him, that's you know who it is? Is?

1074
00:52:08,040 --> 00:52:10,799
Speaker 1: He still managed by Cheddar the Connect. I would not

1075
00:52:11,000 --> 00:52:14,000
Speaker 1: know Bro. Remember the Flick of the Wrist song from

1076
00:52:14,040 --> 00:52:16,720
Speaker 1: what I understood for a while that was his manager,

1077
00:52:16,760 --> 00:52:20,200
Speaker 1: which is amazing because that song was south By Southwest

1078
00:52:20,320 --> 00:52:24,360
Speaker 1: twenty fourteen encapsulated is Flick of the Wrist? Did you

1079
00:52:24,360 --> 00:52:26,399
Speaker 1: ever do a south By run? Oh? Yeah, you came

1080
00:52:26,440 --> 00:52:29,080
Speaker 1: to my stage and performed I used to go to

1081
00:52:29,520 --> 00:52:32,680
Speaker 1: say I was going there way before even Niggas was

1082
00:52:32,719 --> 00:52:35,719
Speaker 1: even a low poping. Yeah. No, that my first big

1083
00:52:35,760 --> 00:52:39,359
Speaker 1: stage there. You guys performed. Do you remember that it

1084
00:52:39,400 --> 00:52:44,040
Speaker 1: was you guys, Audio, Push, whiz Khalifa, Berner and Tye

1085
00:52:44,160 --> 00:52:49,000
Speaker 1: performed Crazy Damn. You know runs used to be like

1086
00:52:49,040 --> 00:52:52,760
Speaker 1: you were just going down you do like twelve shows. Yeah.

1087
00:52:52,800 --> 00:52:55,239
Speaker 1: I went to south By this year for the first

1088
00:52:55,239 --> 00:52:57,840
Speaker 1: time since like twenty sixteen, and it was god awful.

1089
00:52:58,719 --> 00:53:01,120
Speaker 1: I would never get bro don't go. It's a waste.

1090
00:53:01,160 --> 00:53:04,359
Speaker 1: What was different about it just there's no energy. There's

1091
00:53:04,520 --> 00:53:06,799
Speaker 1: it's it's terrible. Like you know, you used to go

1092
00:53:06,840 --> 00:53:10,040
Speaker 1: to south By it was a thing, and you'd also

1093
00:53:10,120 --> 00:53:13,280
Speaker 1: be like, oh, I got to check out this person

1094
00:53:13,440 --> 00:53:15,759
Speaker 1: because they're on the cusp, you know what I mean.

1095
00:53:16,320 --> 00:53:18,319
Speaker 1: There was none of that this year. It was it

1096
00:53:18,360 --> 00:53:20,520
Speaker 1: was the first year back post pandemic, but it was

1097
00:53:20,840 --> 00:53:23,719
Speaker 1: absolutely disappointing. I was like, I was trying to tell

1098
00:53:23,719 --> 00:53:24,920
Speaker 1: the homies that are out there with me for the

1099
00:53:25,040 --> 00:53:26,480
Speaker 1: I was like this just so y'all know, this ain't

1100
00:53:26,520 --> 00:53:31,359
Speaker 1: how usually is this ship used to be legendary? Cool man?

1101
00:53:31,440 --> 00:53:33,800
Speaker 1: Then shit, you gotta start DJ man. What you talking to?

1102
00:53:33,840 --> 00:53:35,959
Speaker 1: South Side? South Side is gonna start DJing. You gotta

1103
00:53:35,960 --> 00:53:39,520
Speaker 1: start DJA. Get all the bags the little gig I

1104
00:53:39,600 --> 00:53:42,520
Speaker 1: did like when I really DJ, like they paid me great,

1105
00:53:42,600 --> 00:53:44,880
Speaker 1: So I'm with all that. You just play, you know,

1106
00:53:45,040 --> 00:53:47,880
Speaker 1: nwards in Paris and all the hits played out about

1107
00:53:47,880 --> 00:53:50,360
Speaker 1: ten times. And let's say I was gonna say peak

1108
00:53:51,040 --> 00:53:53,880
Speaker 1: in Paris. How many times in a road did they

1109
00:53:53,960 --> 00:53:55,520
Speaker 1: end up? What was the record on the Washing the

1110
00:53:55,520 --> 00:53:57,080
Speaker 1: Throne tour? They did it back to back to back.

1111
00:53:57,640 --> 00:54:00,719
Speaker 1: I feel like it's like fifteen fourteen, fifth team in

1112
00:54:00,760 --> 00:54:03,680
Speaker 1: a row. Yeah, and in the club you could play

1113
00:54:03,680 --> 00:54:07,000
Speaker 1: that bitch five times, just back to back to back.

1114
00:54:07,440 --> 00:54:10,719
Speaker 1: I don't even remember the last time that happened. It

1115
00:54:10,800 --> 00:54:14,080
Speaker 1: hasn't as far as I know. There's been big club

1116
00:54:14,120 --> 00:54:16,520
Speaker 1: records like I remember, like Designers Panda was like a

1117
00:54:16,560 --> 00:54:20,759
Speaker 1: fucking moment, but like nothing that you could just rewind

1118
00:54:21,000 --> 00:54:24,319
Speaker 1: over and over it, especially in a concert. Oh yeah,

1119
00:54:24,320 --> 00:54:27,280
Speaker 1: the show ship was crazy. And then you I remember

1120
00:54:27,280 --> 00:54:28,640
Speaker 1: you got pulled up on stage at one of those

1121
00:54:28,640 --> 00:54:34,080
Speaker 1: shows that was just showing Paris. That was it. Didn't

1122
00:54:34,080 --> 00:54:36,239
Speaker 1: you have that framed or something? For sure? Yeah? I

1123
00:54:36,280 --> 00:54:39,040
Speaker 1: got that on a canvas. Somebody got that done for me.

1124
00:54:39,320 --> 00:54:41,440
Speaker 1: Where do you keep your grammies these days? Right in

1125
00:54:41,480 --> 00:54:44,160
Speaker 1: the studio, right where I'm making beats. You don't keep

1126
00:54:44,160 --> 00:54:46,279
Speaker 1: any at home and at the mom's house. Nothing. Nah,

1127
00:54:46,280 --> 00:54:48,160
Speaker 1: I'm gonna get some more and then I'll give them

1128
00:54:48,160 --> 00:54:51,640
Speaker 1: to it. Can you order extras? No, they just give

1129
00:54:51,680 --> 00:54:55,000
Speaker 1: you the one. Yeah. If it's fucked, it's fucked, right,

1130
00:54:55,520 --> 00:54:59,480
Speaker 1: damn all the how many Grammies now? Three? Now? Three?

1131
00:55:00,000 --> 00:55:02,960
Speaker 1: It's a lot of Grammys, man, that's you know, there's

1132
00:55:03,000 --> 00:55:05,080
Speaker 1: people out here with twenty something. Man, so I got

1133
00:55:05,120 --> 00:55:07,480
Speaker 1: work to do. These people out here with zero. You

1134
00:55:07,520 --> 00:55:11,680
Speaker 1: are right about that. You have more than Nas. That's crazy. Yeah,

1135
00:55:11,840 --> 00:55:15,440
Speaker 1: that's nuts. You have two more than nas. Right, Yeah,

1136
00:55:15,640 --> 00:55:18,000
Speaker 1: I can't share the one we got together. That's you

1137
00:55:18,040 --> 00:55:19,840
Speaker 1: know what's crazy? As I feel like Nas is like

1138
00:55:20,080 --> 00:55:21,920
Speaker 1: up until he got his Grammy, it was like Leonardo

1139
00:55:21,920 --> 00:55:25,640
Speaker 1: DiCaprio at the Oscars, like Leo has this one of

1140
00:55:25,640 --> 00:55:28,799
Speaker 1: the greatest actors of all time, and up until what

1141
00:55:28,960 --> 00:55:30,400
Speaker 1: was the movie with the bear that fucked him up?

1142
00:55:30,400 --> 00:55:33,120
Speaker 1: Do you remember the name of that movie? Nima Revenant.

1143
00:55:33,360 --> 00:55:38,439
Speaker 1: He finally, he finally got one. It's like, dude, this

1144
00:55:38,480 --> 00:55:41,760
Speaker 1: is an all time great Tupac ain't got no Grammy, Big,

1145
00:55:41,760 --> 00:55:44,200
Speaker 1: I don't think got no grammy. A lot of people

1146
00:55:44,239 --> 00:55:46,600
Speaker 1: don't man, so which one means the most, the Nipsy

1147
00:55:46,680 --> 00:55:50,840
Speaker 1: Grammy or the NAS Grammy. That's a great question. They both.

1148
00:55:51,360 --> 00:55:53,480
Speaker 1: They both meet a whole lot. Honestly, I feel like

1149
00:55:54,200 --> 00:55:56,480
Speaker 1: the energy that Nipsey left with me and left in

1150
00:55:56,520 --> 00:55:58,720
Speaker 1: my room just because he loved working in my studio

1151
00:55:58,840 --> 00:56:01,960
Speaker 1: so much, that trickle down into KDE. I don't think

1152
00:56:02,000 --> 00:56:05,080
Speaker 1: there will be a KD, you know, because just the

1153
00:56:05,120 --> 00:56:07,399
Speaker 1: amount of energy in the way I feel when I'm

1154
00:56:07,400 --> 00:56:09,120
Speaker 1: in a room in a way that other artists feel

1155
00:56:09,160 --> 00:56:12,000
Speaker 1: they want to work. They got a real spirit of

1156
00:56:12,040 --> 00:56:14,520
Speaker 1: one to get shit done when they pull up. I

1157
00:56:14,560 --> 00:56:17,279
Speaker 1: don't think the KD shit it's I think it has

1158
00:56:17,280 --> 00:56:19,040
Speaker 1: something to do with nick you know. I don't want

1159
00:56:19,040 --> 00:56:21,760
Speaker 1: if you don't know, super spiritual or no Weir or whatever.

1160
00:56:21,800 --> 00:56:24,239
Speaker 1: But I definitely think he left an energy there for

1161
00:56:24,360 --> 00:56:26,520
Speaker 1: me and NAS to really because him and NAS had

1162
00:56:26,600 --> 00:56:29,160
Speaker 1: just linked up before it happened. Obviously, me and nip

1163
00:56:29,239 --> 00:56:31,520
Speaker 1: was working a lot, so it was just something that

1164
00:56:31,640 --> 00:56:34,520
Speaker 1: just tells me like that energy was left in there

1165
00:56:34,560 --> 00:56:37,440
Speaker 1: for me and Nos to get them albums done. Nipsey

1166
00:56:37,480 --> 00:56:40,360
Speaker 1: was obviously a one of one. Is there anyone in

1167
00:56:40,360 --> 00:56:42,840
Speaker 1: the game right now? That gives you similar energy that

1168
00:56:43,560 --> 00:56:52,440
Speaker 1: nippad sh man. I can't call it right now. I

1169
00:56:52,480 --> 00:56:54,719
Speaker 1: can't really think of nobody right. It was very like

1170
00:56:55,120 --> 00:56:59,040
Speaker 1: lightning in a bottle. It's crazy one for sure, one

1171
00:56:59,080 --> 00:57:02,919
Speaker 1: on one for sure. Man, Oh, what's for you? Man?

1172
00:57:03,960 --> 00:57:07,359
Speaker 1: You know, if we watch this in twenty years, what

1173
00:57:07,360 --> 00:57:10,000
Speaker 1: do you want the legacy of hip boy to be?

1174
00:57:10,600 --> 00:57:13,000
Speaker 1: And you might still be fucking active in twenty years.

1175
00:57:13,080 --> 00:57:16,160
Speaker 1: Let's say we watched him thirty five years you're retired.

1176
00:57:16,640 --> 00:57:20,480
Speaker 1: What do you want the legacy of hip boy to be? Man? Oh,

1177
00:57:20,520 --> 00:57:25,320
Speaker 1: I'm gonna just say, like just being associated with great shit,

1178
00:57:25,400 --> 00:57:26,920
Speaker 1: you know what I'm saying the way I look at

1179
00:57:27,200 --> 00:57:29,439
Speaker 1: the people who came before me, like I just want

1180
00:57:29,480 --> 00:57:31,240
Speaker 1: people to look at me the same way. Like, Man,

1181
00:57:31,280 --> 00:57:34,240
Speaker 1: this motherfucker was really on that music shit, really like

1182
00:57:34,320 --> 00:57:37,840
Speaker 1: going crazy. I think you're very much like knocking. So

1183
00:57:37,880 --> 00:57:39,880
Speaker 1: you know, when we always ask who's the greatest producers

1184
00:57:39,880 --> 00:57:42,360
Speaker 1: of all time, there's always the names that nobody can

1185
00:57:42,360 --> 00:57:44,680
Speaker 1: say shit about. I think it's DJ Premier, it's Doctor Dre,

1186
00:57:44,760 --> 00:57:49,440
Speaker 1: It's timbaland Riza, you know, I mean, even alchemists in

1187
00:57:49,480 --> 00:57:52,120
Speaker 1: that conversation. But there's there's like that. I feel like

1188
00:57:52,160 --> 00:57:57,400
Speaker 1: you're like, right, you're I think you're I mean you're there,

1189
00:57:57,640 --> 00:58:00,600
Speaker 1: You're getting there. You're getting into that conversation that not

1190
00:58:00,720 --> 00:58:04,040
Speaker 1: a lot of people like a very elite club of

1191
00:58:04,120 --> 00:58:09,320
Speaker 1: all time greats. I mean, you know, that's honestly something

1192
00:58:09,360 --> 00:58:11,600
Speaker 1: that's not really up to me. It's just about me

1193
00:58:11,720 --> 00:58:14,080
Speaker 1: putting in the work, putting in the time to be

1194
00:58:14,200 --> 00:58:17,480
Speaker 1: considered on that level. Yeah, I think you're up there, man.

1195
00:58:17,520 --> 00:58:20,320
Speaker 1: I think in terms of just quality of beats, I'm

1196
00:58:20,360 --> 00:58:22,000
Speaker 1: not sure anybody can fuck with you. I always told

1197
00:58:22,000 --> 00:58:24,640
Speaker 1: you this, anytime you've ever just like played beats as

1198
00:58:24,640 --> 00:58:29,640
Speaker 1: long as I've known you, dude, I've never had anybody

1199
00:58:29,840 --> 00:58:33,320
Speaker 1: ever just play me beats that just like stand alone

1200
00:58:33,320 --> 00:58:36,320
Speaker 1: by themselves in such an amazing way. So shout out

1201
00:58:36,320 --> 00:58:41,000
Speaker 1: to you man, Uh course out new ship on the way. Yes,

1202
00:58:41,600 --> 00:58:44,520
Speaker 1: go buy this. The merch available March is available on

1203
00:58:44,680 --> 00:58:49,040
Speaker 1: hit boy dot com. Surf Club ship coming there it is, man,

1204
00:58:49,080 --> 00:58:52,520
Speaker 1: go buy some hip boy og. Yes, sir, and uh yeah,

1205
00:58:53,160 --> 00:58:55,000
Speaker 1: shout out to your son who who brought up amazing

1206
00:58:55,400 --> 00:58:57,680
Speaker 1: He's somewhere here. It is man, hit Boy