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Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter

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Speaker 1: at Total Wine and More. Garnishing your hand with pineapple

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Speaker 1: parent with a delicious Chardonnay to make their taste bud swirl.

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Speaker 1: Deviled eggs are even better when paired with a light,

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Speaker 1: dry wine like a bubbly Prosecco or a Pinot Grizzy.

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Speaker 1: For me, nothing beats recommending a great wine, and with

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Speaker 1: such an extensive selection, I can help you find the

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Speaker 1: perfect one in your budget, whether you're hosting or just bring.

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Speaker 1: The wine we love to share are always low prices

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Speaker 1: and ridiculous selection. This spring at Total Wine and More, cheers,

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Speaker 1: it was set y'all's going. He's a legendary queen's rapper,

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Speaker 1: Hang Seges your boy, and he's a Miami hip hop pioneer.

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Speaker 1: What up is d J E f N Together they

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Speaker 1: drink it up with some of the biggest players in

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Speaker 1: music and sport. You know, I mean the most professional,

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Speaker 1: unprofessional podcast and your number one source for drunk facts.

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Speaker 1: This is Drinks Chip read to where every day is

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Speaker 1: New Year's e. That's right, yo, y'alla y'alla YOA Fitch

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Speaker 1: is DJ podcast right now? I have to properly introduce

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Speaker 1: these two icons. In my in my eyes, one of

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Speaker 1: the people who the motivators of the culture, people who

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Speaker 1: pushed the culture forward, people who stood by the artists.

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Speaker 1: I remember being down with them. I never sold under

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Speaker 1: a hundred thousand my first week. They make sure your

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Speaker 1: artists when they get behind them, they're now calling theirselves

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Speaker 1: servants and the richest. Hell, how do you get richer

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Speaker 1: and get more humble at the same time is something

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Speaker 1: that me and you have to learn. You're a greedy bastard,

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Speaker 1: because I'm a greedy bastard is a fact. Right now,

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Speaker 1: we've got two of my favorite CEOs, two people who

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Speaker 1: helped made me a man when I was coming from

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Speaker 1: boy to being a man and having money and not

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Speaker 1: knowing to do with the people who shape and molde

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Speaker 1: me and told me go off there and bust your ass.

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Speaker 1: And it's only right. We're in a conference room for executives.

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Speaker 1: Let's make some noise for Leo Coles. Hey, Carolus, God,

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Speaker 1: damn God, damn Lego you got you got one of

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Speaker 1: the best hip hop stories I ever in my life,

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Speaker 1: and my whole a luxurious nineteen years was I remember

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Speaker 1: when Ja Rule was getting like kind of played out

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Speaker 1: and you didn't clear a record for Fat Joe, and

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Speaker 1: I did a jar Rule video right and you know,

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Speaker 1: most executives they want to meet with you and they say,

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Speaker 1: you know, if you come along, But Leo said, bring

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Speaker 1: your whole crew. He said, bring your whole crew. And

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Speaker 1: he gets this jar Rule video and he comes to

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Speaker 1: me to be a right track studio and he has

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Speaker 1: all my boys there. He puts the video in and

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Speaker 1: he goes, how do you like this video? I say,

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Speaker 1: you know, I like myself, so I'm looking at myself.

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Speaker 1: I'm like, he said, do you know what I think?

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Speaker 1: I said no, he said, I think it's popcorn. After time,

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Speaker 1: I like popcorn, so I like Popcorner is cool. And

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Speaker 1: he goes, Yu won't exist in four months because of

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Speaker 1: the records he's doing. Why would I invest in Nori

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Speaker 1: for Nori to be like Gerald? So he said to me, Nori,

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Speaker 1: if I cut you right now, what would you bleed?

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Speaker 1: And I said blood? And he said, now I asked

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Speaker 1: me the question Nori, So I said, Lee off, I

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Speaker 1: cut you right now, what would you bleed? He said,

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Speaker 1: run DMC, sucker MC. And then he asked me the

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Speaker 1: question again. He said, so, Nori, if I cut you

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Speaker 1: right now, what would you bled? I said, super thug

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Speaker 1: and he said exactly. The car services downstairs video made

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Speaker 1: me go see for real, And if it wasn't for

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Speaker 1: that exact move, I wouldn't have one of the biggest

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Speaker 1: hits of my life, which is nothing homeboy, I came

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Speaker 1: to party, Let's make some Why do you keep it

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Speaker 1: so real with your artists like that? Like you could?

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Speaker 1: You could you could um, you could like said it

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Speaker 1: to me like nicer, but you did. So I want

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Speaker 1: to do to you and to my artists, to my

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Speaker 1: comrades how I want to be done on that wasn't

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Speaker 1: that was in English? Let's do that again? Can someone

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Speaker 1: help me? What's the saying you do want to others?

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Speaker 1: How you would want to be done to yourself? So

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Speaker 1: I only want the truth. I'm so tired of the

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Speaker 1: cryptic language. I was telling people upstairs, there's this guy

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Speaker 1: that I love and the door and his name is Joachim,

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Speaker 1: and he used to say to me it's all good.

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Speaker 1: I used to say, what the fund does that mean?

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Speaker 1: I want to shoot a d MX video tomorrow? He

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Speaker 1: would say, it's all good, and I'm and I'm I'm

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Speaker 1: so austin trying to figure out what people mean. I

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Speaker 1: just want people to tell me exactly how I'm doing.

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Speaker 1: I just did a speech upstairs. I go to Kevin.

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Speaker 1: I said one to ten. He said four. I said,

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Speaker 1: I said, how do I get it to a ten

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Speaker 1: next time? Okay, that's it. He didn't. He didn't say, oh,

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Speaker 1: it's a nine point five five. And you know what

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Speaker 1: I'm saying, because I just want to I want to improve.

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Speaker 1: So you know, when you're on stage or when you're

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Speaker 1: doing this, you want people around you that give you

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Speaker 1: constructive criticism. You you want to be the biggest, the

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Speaker 1: best podcast in the world. I'm sorry, um so anyhow,

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Speaker 1: that's basically the reason why I keep it so gully

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Speaker 1: is that that's how I want it done to me.

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Speaker 1: The reason why I never walked around with security guards

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Speaker 1: is real thorough people have planned B, C, D, and E.

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Speaker 1: You don't get in trouble with thorough people if you

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Speaker 1: allow them the ability to go to their plan B.

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Speaker 1: If you retard their ability to go to plan B,

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Speaker 1: that's when you get in trouble. That's when you have

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Speaker 1: to walk around with security guards. Okay, but you can't

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Speaker 1: be mad at me when I tell you your records

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Speaker 1: are stiff. It's over. No one cares or spinning it

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Speaker 1: because then they could go to Plan B. But when

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Speaker 1: you tell them a stiff record, oh it's working, I

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Speaker 1: need a few more weeks, and it just gets deeper

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Speaker 1: and deeper, and you get colder and colder. That's when

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Speaker 1: you get in trouble. So I've always kept it very,

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Speaker 1: very honest and direct because that's just how I wanted.

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Speaker 1: That's that's that's a beautiful thing now, Kevin allows keV,

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Speaker 1: I remember me being on the label and you did

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Speaker 1: something that was like so important. You you made us

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Speaker 1: stay on the road like the Red Man's, the Method Man's,

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Speaker 1: the Noriegas, the cameras, that Jewel Santana, the freeways at

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Speaker 1: that time, and like, uh, we wouldn't get like the

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Speaker 1: artist had named. We were like I want to say

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Speaker 1: be list, but not be list, you know what I'm saying.

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Speaker 1: The d on the ride and so we bobly never

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Speaker 1: got the two million dollar budgets, but we would make

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Speaker 1: that two million, but we would earn that two million,

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Speaker 1: and it was almost like you felt better, like you know,

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Speaker 1: what going out there? Why why was that your approach?

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Speaker 1: Like the artist has to hit the road and and

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Speaker 1: and touch the babies and and kiss kiss girlfriends and

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Speaker 1: other people's girlfriend I think it's important for me man

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Speaker 1: I being a former artist, being being out on the road.

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Speaker 1: If you don't touch it, how you know what the

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Speaker 1: best it feels like? How do you know what to

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Speaker 1: smell like? You know what I mean? So I wanted

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Speaker 1: you guys to always touch your fans. We like Baggie snoring.

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Speaker 1: What's the slogan? The cake? We want the bands? You know, Okay,

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Speaker 1: we don't. We don't got the champagne yet, all right,

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Speaker 1: all right, So I'm sorry. So it was just all

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Speaker 1: about you guys not not being distorted. You know, sometimes

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Speaker 1: you have a hit record, then you go buy the

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Speaker 1: big house and you sit up in the house with

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Speaker 1: your friends and then you forget you know, really what

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Speaker 1: made it? You know what I mean? And what it

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Speaker 1: what it felt like to have that fan, And even

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Speaker 1: to this day is why the guys that your name,

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Speaker 1: they can all go around the world and make a

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Speaker 1: limit to that day. Because you kept touching the fans,

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Speaker 1: kept touching the bag, and that was part of it.

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Speaker 1: And that's now it's a loss. You know. Now you

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Speaker 1: got labels, they'll say, his, uh, we're not worried about

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Speaker 1: your tour. We don't. We're not involved in that. It's

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Speaker 1: your money. No. No, if you funk up on that,

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Speaker 1: you're sucking our money up too. So we gotta make

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Speaker 1: sure three sixty three and this degree that you're always working.

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Speaker 1: I never managed Nori. You never manage any of the guys,

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Speaker 1: but I always managed it went when ship went down,

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Speaker 1: I got the call. I don't get what was going down,

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Speaker 1: and when it went down, I got that call. So

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Speaker 1: it was always in the road. Was a good friend

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Speaker 1: to us. Okay, So now how hard was it for

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Speaker 1: you guys, because at one point when I thought Deaf Jam,

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Speaker 1: I thought Leo Kevin Russell? So how how how hard

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Speaker 1: was it when it was like, you know, I know

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Speaker 1: you went to Atlantic first before you started three hundred,

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Speaker 1: But how hard was that decision to say I'm gonna

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Speaker 1: leave the place that I you basically built. So let's

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Speaker 1: be clear that I shold the company to Universal, and

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Speaker 1: I went to Ireland and Mercury and formed um we

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Speaker 1: founded Island Deaf Champ. So before Atlantic there was five

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Speaker 1: years you conveniently forgot, so um, listen. If you're not

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Speaker 1: busy being born, you're busy dying. So that was beautiful.

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Speaker 1: It's we make coffee table books. I flipped through the pages.

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Speaker 1: I see friendly faces and moments in time that I

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Speaker 1: adore and love. But I'm about the present. So you

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Speaker 1: know that once was It was a beautiful memory. It's

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Speaker 1: nice that people recognize me and give me that for

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Speaker 1: my contribution. But I don't live. I don't you come

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Speaker 1: to my house. There's no f y I this is

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Speaker 1: who I once was. Okay, no, So I'm only focused

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Speaker 1: right here and right now. I want to continue, continue

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Speaker 1: to contribute, be a great partner to Kevin and my artists.

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Speaker 1: And until I can't contribute, I'm going to be on

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Speaker 1: the court. And when I'm on the court and I

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Speaker 1: go for that read, You're gonna get topped by my elbows. Okay,

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Speaker 1: simple as that. You know. It was funny. It was funny,

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Speaker 1: you know, you know I came out, was from Baltimore,

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Speaker 1: so me me coming and as an intern, came meet

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Speaker 1: me coming up. We all started his interns. Russell was

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Speaker 1: a intern, was Mike Kis are working at Radio Shock

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Speaker 1: and then Russell Simmons hired him from Radio Shack, Tower Records,

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Speaker 1: Tower Records. Um. You know the thing with me, um,

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Speaker 1: all of us, you kind of open. We we led

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Speaker 1: deft can it was not even a thing. And selling

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Speaker 1: the company didn't mean we didn't still love and live

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Speaker 1: for the company. Building a new company with now the

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Speaker 1: Aft music didn't mean that we left hip hop our

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Speaker 1: responsibility and always totally or I really only want to

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Speaker 1: do this with him, you know what I mean at

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Speaker 1: the end of the day. But we got to continue

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Speaker 1: to build the pyramid so we can continue to get

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Speaker 1: bigger and employ more people and keep the culture moving.

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Speaker 1: So we never stopped. And I think right now what

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Speaker 1: you're seeing as a surgeons of young people who are

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Speaker 1: living in today because they are native to the Internet.

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Speaker 1: Sometimes we get caught up in our memories or what

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Speaker 1: we did, and it impedes our possibilities because we anything

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Speaker 1: that's possible for anybody to be alive today and don't

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Speaker 1: feel anything is possible. So when Leo said, Yo, we

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Speaker 1: want to do it again. You want to do an

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Speaker 1: No Rector company? I said hell yeah, Because now that's

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Speaker 1: when people thought it was crazy to do it. I

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Speaker 1: said yeah, let's do it. So to me, if we're

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Speaker 1: not reinventing ourselves every day, making ourselves better, put more

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Speaker 1: tools in our tool box, I don't think we're gonna

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Speaker 1: build bigger houses and better houses and more places for

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Speaker 1: people to live and growing. So Kevin's always thinking about others.

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Speaker 1: And I so appreciate that. I just gave a speech

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Speaker 1: for a thousand people upstairs and I made reference to

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Speaker 1: the Cold Crush Brothers and nobody knew what I was trying.

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Speaker 1: I was about to say, so bold a smack, a

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Speaker 1: man with his gun, his woman, this his mother, and

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Speaker 1: don't even run, and I had to hold that. Come on,

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Speaker 1: they're gonna see me rapping to explain who the Cold

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Speaker 1: Cause Brothers did the panel with Charlie Chase too. I

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Speaker 1: remember this is this is one of the best days

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Speaker 1: of my life, right me and you have us trying

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Speaker 1: to do business since when I was on penalty records

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Speaker 1: and you realized that I was the only one moving

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Speaker 1: on penalty records. I think he's trying to buy penalty

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Speaker 1: that first, I'm just getting Nori, which is a smart move.

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Speaker 1: So um, we was trying to do business for years

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Speaker 1: and then when I finally get to death. Jam. I

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Speaker 1: signed the papers and I believe you had crystal O there.

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Speaker 1: I believe you have some crystal there. And I smoked

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Speaker 1: the blood in the war room. It wasn't your office,

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Speaker 1: it was the war room. Smoked the blunt. Then you

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Speaker 1: took like two hits and then I asked you, Leo,

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Speaker 1: what's that picture right there? And it was you on

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Speaker 1: the run dmc toll and your your nose is bloody.

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Speaker 1: And I said you had to fight. He said, no,

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Speaker 1: sniff cocaine all night. And listen, that's just classic back

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Speaker 1: in the disco fever right, Okay, you got mad kids,

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Speaker 1: We got heard that. Man, You've been so sorry talking

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Speaker 1: about the blow right, So back in the disco fever days.

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Speaker 1: Don't think anybody actually knows about the disco fever one

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Speaker 1: sixty nine in Jerome, and um, sweet Gee was the

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Speaker 1: dorman and the host. We used to there was no

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Speaker 1: one that didn't have a hundred dollar bill dancing. That's

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Speaker 1: how we danced like that. So it wasn't because I

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Speaker 1: was sniffing blow. We're all sniffing any part of the culture.

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Speaker 1: I just thought that story was ill because I'm sitting

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Speaker 1: there expecting him to say no, I had to fight

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Speaker 1: with run DMC is like, nah, we didn't tell you

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Speaker 1: to bring it all, but we're glad on Ice. Please

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Speaker 1: come on to win. You know he's your biggest fan.

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Speaker 1: By the way, they who are you? What are you

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Speaker 1: doing here? So and I remember, uh, you know, it

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Speaker 1: was the first person to be all to tell me

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Speaker 1: I had radio skills and I'll bring it back. I

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Speaker 1: fresh your memory. It was a time at depth Jam

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Speaker 1: where nobody was messing with starring buck Waw. Nobody will

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Speaker 1: go up there, and he had did he had this

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Speaker 1: proded you the week before, and when he had mentioned

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Speaker 1: my name, I just was furious. So I did not

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Speaker 1: a box of death game rules and I went up

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Speaker 1: there and I handled star like you know, I don't

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Speaker 1: mean like handle them, but you know what I'm saying, Like,

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Speaker 1: I destroyed the interview and Leo called called me and

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Speaker 1: said you must come to the office now. And I said, Leo,

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Speaker 1: I'm mad, tired. He's like, and I'm hungry. He said,

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Speaker 1: he goes say that again. He said you must come

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Speaker 1: to the office now, and I said, I'm tired and

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Speaker 1: I'm hungry. He said, first off, he said, you must

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Speaker 1: eat um, the pink teacup. You refer me to pink teacup,

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Speaker 1: you said, me and Russell a sniff cooke on like

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Speaker 1: yourself this week. I always remember your coke stories. I

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Speaker 1: love them. But you called me and then when I

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Speaker 1: got can you imagine hold ahead? Can you imagine that

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Speaker 1: vegan eating yoga? Twisted used to eat three meals a

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Speaker 1: day at the Pink teacup. He used to um, um,

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Speaker 1: poor pickknuckles, he said, little night and they had to

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Speaker 1: But you told me, you said, because it was something

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Speaker 1: that sparked in that interview with you know, Star was

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Speaker 1: the man in New York at the time, and he

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Speaker 1: controlled the interview. But it was something that I did

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Speaker 1: when I controlled when I flipped it back on Star,

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Speaker 1: and you was like, I believe you said, I want

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Speaker 1: you to start the Artist Development Company. It was something

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Speaker 1: like that. But this, so this is what led to this.

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Speaker 1: So LEO is responsible. But how like we got day

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Speaker 1: they here, you guys are involving, evolving with these new artists. Now,

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Speaker 1: how do you find these artists? Are they hot or

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Speaker 1: do somebody bring them to you? Or so let me

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Speaker 1: let me explain to you how day they work. Let's

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Speaker 1: go they they had a record in a very specific

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Speaker 1: and important club that was starting to work. And when

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Speaker 1: are ain't our executive, very talented partner of our Selie

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Speaker 1: brought us the record. He said, I just want you

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Speaker 1: to listen to the patience of how this man wraps.

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Speaker 1: And there was something so beautifully patient about how he

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Speaker 1: held onto some of those phrases in those words. It

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Speaker 1: is obvious that he was very talented. And so bow

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Speaker 1: bow bow. Let me just tell you something, my man.

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Speaker 1: You would tour the people who if you listen, you

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Speaker 1: can be the most successful person ever. But what's gonna

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Speaker 1: happen is success is gonna funk with you, and it's

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Speaker 1: gonna tell you ain't gonna listen because we all go

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Speaker 1: through it. You got to listen. You gotta go crazy

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Speaker 1: to know that you're you're not crazy. You gotta go

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Speaker 1: crazy once r you went crazy already, look like you

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Speaker 1: already sometimes though, But who are you from? It all

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Speaker 1: from fourth water of a Lina Boulevard sound rough? You

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Speaker 1: know it's real? Yeah, that's what's that's what's pour the water? Okay?

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Speaker 1: And now, so how did you get how did you

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Speaker 1: get involved with three hundred um? I had got involved

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Speaker 1: with three hundred through Nitty Beats. No shout out Nitty

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Speaker 1: you know, um, but Nitty had a strong relationship with Kevin.

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Speaker 1: No um, so shout out Kevin loud you know um.

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Speaker 1: So you know, I guess they had a great relationship.

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Speaker 1: And you know, by my talent having with um Nitty Beats,

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Speaker 1: I get you know that linked up with Kevin, and

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Speaker 1: you know at this situation happened. But I appreciate them,

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Speaker 1: you know. And I appreciate the team for working hard.

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Speaker 1: We're here. It felt hard to have you here. We

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Speaker 1: don't even have a new artists here, but we all

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Speaker 1: put his foot down and I can't say no. I

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Speaker 1: can't say no. The record was popping in one particular club.

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Speaker 1: What club was that? Look? Shout out look Cora. Look Okay, okay,

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Speaker 1: that's what sell very important, man, I'm just telling you. Man.

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Speaker 1: Let me. Let me just explain something. First of all,

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Speaker 1: I'm humbled to be here. Oh man. I'm always mesmerized

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Speaker 1: when someone actually wants to hear my words. It's I'm humbled.

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Speaker 1: He imitates you. That's how much we want to hear.

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Speaker 1: I don't I don't take it for granted. Noory, so

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Speaker 1: Bravo to you, Bravo to you, Bravo to your whole crew.

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Speaker 1: Let's hear le we also got larger more on the building. Yea,

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Speaker 1: I must say you're busy being born and the fact

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Speaker 1: that you are understanding the new digital era that this

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Speaker 1: is a powerful radio station and you don't need a

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Speaker 1: signal exactly. You decided to get some fucking champagne and

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Speaker 1: some liquor and get your man here and and and

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Speaker 1: do a podcast. The amount of influence and power that

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Speaker 1: you have by your voice, your interviews and your perspective

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Speaker 1: is just fabulous because you know what it is. Leo.

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Speaker 1: Um see, a lot of a lot of media has

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Speaker 1: never been a part of the culture. So this is

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Speaker 1: now people reporting the culture from inside the culture. It's

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Speaker 1: like if Jordan's outself to Jordan's but um maybe maybe

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Speaker 1: it's okay, yeah, okay, maybe maybe after Jordan plays the game,

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Speaker 1: if Jordan is interviewing the artist, it's like, it's some

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Speaker 1: people consider it cheating, but it's about time, real niggas

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Speaker 1: on the way to cheating. I know that I chose,

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Speaker 1: but listen, if I had a nineteen career, nineteen year career,

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Speaker 1: and I wasn't being cool with everybody, Like it all

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Speaker 1: makes sense now, Like I always kept great relationships. I

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Speaker 1: always I like to tell me that you know what

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Speaker 1: I'm saying, like Kevin change my heart, my life gracious,

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Speaker 1: So it's gracious. So you can come to us. Now.

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Speaker 1: We know you did rap Radar. It's a mistake. It's

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Speaker 1: a mistake. They was born and almost felt as sleep

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Speaker 1: there they boring guys. Don't worry about it, but make

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Speaker 1: some noise for you being here. We got Kevin and

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Speaker 1: we all together. I'm sorry, Yelli, you know I just

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Speaker 1: gotta take it. You know they number three, they number

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Speaker 1: like they're down there. You know they're mad that you

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Speaker 1: know a guy who never went to college is running

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Speaker 1: their job better. But so but listen, man, you guys

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Speaker 1: have been I love this d Max story where d

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Speaker 1: max jaw was broken and you hate run for you

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Speaker 1: and you still knew he was a star. What is

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Speaker 1: Joe Wyatt like every every rapper? So the real story

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Speaker 1: was I drove up to Yonkers with Earth because he

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Speaker 1: wanted us to hear him. By two thirty, he still

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Speaker 1: wasn't there, and the rough Riders were trying to present

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Speaker 1: every compared the pizza man M sixteen. Don't worry, he's

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Speaker 1: on his way. We got the pizza man here. Finally

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Speaker 1: X showed up, mouth wired shut, obviously in pain, and

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Speaker 1: started rapping, and all the rappers, the pizza man ran

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Speaker 1: out the door and they just got shook. And I

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Speaker 1: like to say, if my mother was there with me,

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Speaker 1: she would have said, that's the one. It's that obvious.

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Speaker 1: Changed when he walked in the room, even even with

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Speaker 1: the jaw wire, it was special. It was special, special. Oh,

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Speaker 1: I got the hair on my back, on my neck

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Speaker 1: just stood up. And then was it your I did

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Speaker 1: to say I'm gonna drop two albums this year. I

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Speaker 1: think it was Kevin's idea. No, I'm not taking on

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Speaker 1: the It was definitely as I did. And and I'll

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Speaker 1: tell a story for him. DMX didn't put on an album.

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Speaker 1: He changed culture. That first album changed culture. So part

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Speaker 1: of being a good person is to ride a wave.

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Speaker 1: And so a lot of people are X had a

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Speaker 1: hundred records. X X felt rapping was his job. X

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Speaker 1: I went wake up every day and I'm gonna do

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Speaker 1: three or four songs, five or six songs. He took it.

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Speaker 1: A lot of people X crazy, We know what guy,

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Speaker 1: you know, But but his wor ethic when it came

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Speaker 1: to him doing music, he got he got a bubble,

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Speaker 1: X got a bubble of good and bad, right or wrong.

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Speaker 1: And so the world was ready for it. And Leo said,

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Speaker 1: you know, let's do what that's that's song? Why we them?

400
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Speaker 1: And they got us? They can't do what we do?

401
00:25:19,320 --> 00:25:21,359
Speaker 1: And X came out. But then a lot of artists

402
00:25:21,400 --> 00:25:23,840
Speaker 1: trying to keep, trying to kept at the body. Nobody

403
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Speaker 1: was successful. What it's I'm gonna give you. I'm gonna

404
00:25:27,520 --> 00:25:31,800
Speaker 1: give you some real You want the inside, I'm gonna

405
00:25:31,800 --> 00:25:33,600
Speaker 1: give you. I'm gonna give you the inside. I was

406
00:25:33,640 --> 00:25:36,280
Speaker 1: about to give up the game. I was about to

407
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Speaker 1: retire what X No. Just before X I was about

408
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Speaker 1: to retire, Puffy made everything technicolor and shiny, and bad

409
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Speaker 1: Boy was running ship on the shiny technicolor ship and

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Speaker 1: death Cham represents black and white and shades of gray.

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Speaker 1: And I looked at my crew and I said, man,

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Speaker 1: I don't think I can contribute anymore. And then I

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Speaker 1: found X just when Puffy made the locks technicolor, and

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Speaker 1: that's when I knew I had to pull out on

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Speaker 1: him and start shooting. Okay, I carried in my breast

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Speaker 1: pocket a black and white photo of the album covered

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Speaker 1: a polaroid. It was X black and white. You remember that,

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Speaker 1: And I said, this is the reason why I'm still

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Speaker 1: gonna do this because I was so infuriated of what

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Speaker 1: they did to the locks. Remember the locks of street

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Speaker 1: motherfucker's and they turned them into some high technicolor ship.

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Speaker 1: And that was when we said enough is enough. And

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Speaker 1: that's when X came on the scene. Because I remember

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Speaker 1: even the video, the first video looked like nobody care.

425
00:26:59,080 --> 00:27:03,359
Speaker 1: It looked like it was messed it up. We carried

426
00:27:03,520 --> 00:27:06,679
Speaker 1: so much what I'm saying, it was so authentic. It

427
00:27:06,800 --> 00:27:10,080
Speaker 1: was like like at that time, you know, videos was

428
00:27:10,200 --> 00:27:12,919
Speaker 1: cost it was costed, and for them to have like

429
00:27:13,320 --> 00:27:15,840
Speaker 1: the record was exploding but the video was black and white.

430
00:27:16,119 --> 00:27:19,080
Speaker 1: I'm like what I was doing. They got a scheme

431
00:27:19,160 --> 00:27:21,840
Speaker 1: and then the whole thing came out. But that was

432
00:27:21,960 --> 00:27:24,640
Speaker 1: that was awesome. That was amazing. He X and shout

433
00:27:24,680 --> 00:27:27,640
Speaker 1: out to IRV got X and when we were doing

434
00:27:27,680 --> 00:27:32,080
Speaker 1: four three two one and would say, yo, X gotta

435
00:27:32,119 --> 00:27:34,240
Speaker 1: going on that record. You know, was a red Man,

436
00:27:34,320 --> 00:27:38,600
Speaker 1: Matthew Man, and so I had to go talk anybody. Sorry,

437
00:27:39,240 --> 00:27:46,080
Speaker 1: And when he said stay out the dog, everybody looked

438
00:27:46,080 --> 00:27:49,720
Speaker 1: at me and said, jeez, it was it was nothing

439
00:27:49,760 --> 00:27:51,400
Speaker 1: you knew at that moment, you know what I mean?

440
00:27:51,640 --> 00:27:55,400
Speaker 1: He was the next and you you just imagine all

441
00:27:55,440 --> 00:27:59,160
Speaker 1: those todd being the original be boy to math at

442
00:27:59,200 --> 00:28:01,000
Speaker 1: that time and read at the time that this kids

443
00:28:01,000 --> 00:28:04,399
Speaker 1: stay out. Uh listen to Nori, We're gonna have to

444
00:28:04,440 --> 00:28:10,960
Speaker 1: do this under you know, multiple sequences. Man, I got

445
00:28:10,960 --> 00:28:13,960
Speaker 1: a long career here. Um today, they's gonna be in

446
00:28:14,000 --> 00:28:17,640
Speaker 1: the spot for a long time. Um, Kevin's not going anywhere.

447
00:28:18,080 --> 00:28:20,960
Speaker 1: So invite us back and we'll come back and chop

448
00:28:21,000 --> 00:28:23,320
Speaker 1: it up with you and give you some more stories. Okay, Nori,

449
00:28:24,320 --> 00:28:32,679
Speaker 1: can I say the short? Is that short? More? Even? Yet?

450
00:28:32,840 --> 00:28:40,480
Speaker 1: What is that? I got a radio? You said that

451
00:28:40,560 --> 00:28:42,640
Speaker 1: Russell was an intern for someone who did he intern

452
00:28:42,720 --> 00:28:46,840
Speaker 1: for Russell? All of us started from the bottom. Yeah,

453
00:28:46,880 --> 00:28:48,240
Speaker 1: you know, because you know him and Rick, you know

454
00:28:48,320 --> 00:28:51,760
Speaker 1: what what partners and everything. But I wanted to say

455
00:28:51,920 --> 00:28:54,520
Speaker 1: something you didn't even notice. Story. The first thing you

456
00:28:54,560 --> 00:28:58,880
Speaker 1: said to Dady was not about your record, not about

457
00:28:58,920 --> 00:29:03,280
Speaker 1: a how hot you are anything. You said you gotta listen,

458
00:29:03,560 --> 00:29:09,400
Speaker 1: gotta listen and to just addendum to listening, I never

459
00:29:09,440 --> 00:29:16,560
Speaker 1: heard that word. I want to. I want to honestly say,

460
00:29:16,800 --> 00:29:22,120
Speaker 1: like when you finally when you find an artist in

461
00:29:22,120 --> 00:29:25,760
Speaker 1: your when you find an artist, uh that does listen,

462
00:29:26,320 --> 00:29:29,040
Speaker 1: you're willing to do anything. It was nothing I couldn't

463
00:29:29,080 --> 00:29:31,360
Speaker 1: call you and get you to do. It was nothing

464
00:29:31,440 --> 00:29:32,680
Speaker 1: that you can call me get me to do in

465
00:29:32,800 --> 00:29:37,080
Speaker 1: this moment right here to day. That that's appreciate it

466
00:29:37,200 --> 00:29:40,280
Speaker 1: coming from somebody that had it every which way. You

467
00:29:40,320 --> 00:29:43,000
Speaker 1: know what I mean that you can have ups, downs, rounds.

468
00:29:43,520 --> 00:29:46,200
Speaker 1: I remember we were doing the Nothing record and I said, Yo,

469
00:29:46,280 --> 00:29:49,920
Speaker 1: we need to put more. That dude a lot of

470
00:29:49,960 --> 00:29:52,320
Speaker 1: thought and they had to go convince him. You go

471
00:29:52,440 --> 00:29:59,480
Speaker 1: to the fucking studio and that's the real, really something

472
00:29:59,480 --> 00:30:02,840
Speaker 1: And I'm just you know, I want to I want

473
00:30:02,840 --> 00:30:06,880
Speaker 1: to say this, Um, speaking of that quote you just

474
00:30:07,320 --> 00:30:10,640
Speaker 1: where he was speaking on like Kevin told me that

475
00:30:11,400 --> 00:30:15,800
Speaker 1: you remember that it was in the label. It was like, um,

476
00:30:15,840 --> 00:30:19,240
Speaker 1: all you gotta do is listen. So I tell all

477
00:30:19,280 --> 00:30:22,440
Speaker 1: my friends that from now, like all my friends that

478
00:30:22,520 --> 00:30:25,600
Speaker 1: be around what I was drinking a fire day. I

479
00:30:25,720 --> 00:30:32,200
Speaker 1: got my goal. We are drinking right now. The French right.

480
00:30:34,040 --> 00:30:38,320
Speaker 1: I learned this in France. You know what I'm saying.

481
00:30:38,920 --> 00:30:42,400
Speaker 1: I got class, I got class rich people. Yeah, that's all.

482
00:30:42,880 --> 00:30:44,240
Speaker 1: That's what they're doing in France. I haven't been a

483
00:30:44,240 --> 00:30:50,240
Speaker 1: friend staff, but I will be, you k. I want

484
00:30:50,240 --> 00:30:53,080
Speaker 1: to I want to propose the toast, please. I want

485
00:30:53,080 --> 00:30:57,960
Speaker 1: to propose the toast too. Let's make sure did we

486
00:30:58,040 --> 00:31:01,600
Speaker 1: get out and vote? Okay, because you want to know

487
00:31:01,680 --> 00:31:04,840
Speaker 1: about sucking up the game? If we don't go out

488
00:31:04,960 --> 00:31:08,680
Speaker 1: and vote, it's gonna be problematic. Okay, we talked about

489
00:31:08,680 --> 00:31:18,760
Speaker 1: it lest night. Vote. What cans up with you? We

490
00:31:18,880 --> 00:31:24,560
Speaker 1: got Trump supporters that whatever? Because this is this is

491
00:31:24,800 --> 00:31:27,480
Speaker 1: something that's very important to me because you know, you

492
00:31:27,520 --> 00:31:32,280
Speaker 1: guys are obviously where I want to be. But how

493
00:31:32,320 --> 00:31:36,240
Speaker 1: do you for what you wish for? But how do

494
00:31:36,320 --> 00:31:39,800
Speaker 1: you guys make you know, have a great career, make

495
00:31:39,880 --> 00:31:43,360
Speaker 1: this money, but still have the same drive. Like I

496
00:31:43,360 --> 00:31:45,600
Speaker 1: don't want to rap no more because I'm not doing

497
00:31:45,640 --> 00:31:49,480
Speaker 1: it a no more. So I got to do other things.

498
00:31:49,680 --> 00:31:52,560
Speaker 1: So I choose not to spend rhymes no more for now?

499
00:31:53,400 --> 00:31:56,280
Speaker 1: So did you see me in five months with the album?

500
00:31:59,040 --> 00:32:01,960
Speaker 1: But you I seemed like like I did a call

501
00:32:02,040 --> 00:32:05,000
Speaker 1: with Leo recently and um I called him a mogul,

502
00:32:05,360 --> 00:32:07,840
Speaker 1: and Leo said, the mogul was cool. But I like

503
00:32:07,920 --> 00:32:11,320
Speaker 1: to be called a servant, like that thing that that

504
00:32:11,360 --> 00:32:14,840
Speaker 1: struck our audience everybody kept hitting us. Wants to be

505
00:32:14,920 --> 00:32:19,560
Speaker 1: called a servant, but something else, humble servant, Like how

506
00:32:19,640 --> 00:32:22,440
Speaker 1: do you guys be so successful, have these accolades, but

507
00:32:22,520 --> 00:32:29,200
Speaker 1: still have the same drive. Mm hmm. So I love

508
00:32:29,280 --> 00:32:33,360
Speaker 1: what I do, so I have no interest. I remember

509
00:32:33,400 --> 00:32:37,520
Speaker 1: when I sold death Champ and I sold it for

510
00:32:37,560 --> 00:32:41,400
Speaker 1: a big number. The next week, I was on the

511
00:32:41,440 --> 00:32:46,240
Speaker 1: plane to a convention in Miami, and the whole plane

512
00:32:46,320 --> 00:32:49,320
Speaker 1: was full of people going to convention. And I walked

513
00:32:49,360 --> 00:32:52,840
Speaker 1: down the hallway just stapping people up, saying what up,

514
00:32:52,840 --> 00:32:55,320
Speaker 1: what up? What up? And they all looked at me

515
00:32:55,360 --> 00:32:58,120
Speaker 1: and said, didn't you just get papered up? What are

516
00:32:58,120 --> 00:33:00,480
Speaker 1: you coming to this convention for. Aren't you supposed to

517
00:33:00,520 --> 00:33:05,200
Speaker 1: go to a beach somewhere? And I said, you know,

518
00:33:05,280 --> 00:33:08,680
Speaker 1: when you think about a beach, it's just a hot, dusty,

519
00:33:08,800 --> 00:33:12,840
Speaker 1: dirty place. You just want to know that you can

520
00:33:12,960 --> 00:33:16,960
Speaker 1: go when you can go. But I love doing this ship.

521
00:33:17,800 --> 00:33:20,520
Speaker 1: It's the thought process that you can go to the beach.

522
00:33:20,560 --> 00:33:24,240
Speaker 1: I don't sit in the sun and that dusty, dirty beach.

523
00:33:26,000 --> 00:33:30,320
Speaker 1: But it's a nice imagination to have. What I love

524
00:33:30,400 --> 00:33:34,480
Speaker 1: doing is waking up every morning working with my partner Kevin,

525
00:33:35,360 --> 00:33:42,040
Speaker 1: working and finding new wonderful talent like day day. Just

526
00:33:42,360 --> 00:33:48,840
Speaker 1: I just love being inspired by Reina, who runs our

527
00:33:48,880 --> 00:33:55,160
Speaker 1: marketing department. So it's just I guess it's a career

528
00:33:55,360 --> 00:33:59,080
Speaker 1: versus a job, and so I'd like to continue with

529
00:33:59,120 --> 00:34:03,880
Speaker 1: this doing this and YouTube can uh ditto ditto. But

530
00:34:04,000 --> 00:34:07,560
Speaker 1: it gets like a little bit more serious to me because,

531
00:34:08,040 --> 00:34:14,440
Speaker 1: like you gotta understand, I'm not raising rappers or singers

532
00:34:14,920 --> 00:34:19,080
Speaker 1: or other men to have kids that have to be

533
00:34:19,200 --> 00:34:21,440
Speaker 1: influential in their lives, and most of them don't have

534
00:34:21,520 --> 00:34:25,160
Speaker 1: fathers and most of times so you're you're you know,

535
00:34:25,160 --> 00:34:27,360
Speaker 1: I don't mean I don't call uncle dad all that

536
00:34:27,400 --> 00:34:31,040
Speaker 1: kind of shots before um, and so I look at

537
00:34:31,080 --> 00:34:35,799
Speaker 1: it as, uh, with success comes more responsibility. So I

538
00:34:35,840 --> 00:34:40,719
Speaker 1: wasn't raised by myself. So anything, anybody, if I get

539
00:34:40,760 --> 00:34:42,360
Speaker 1: money with you, you're gonna have a different kind of

540
00:34:42,400 --> 00:34:45,120
Speaker 1: respect for me when I tell you some grown manship,

541
00:34:45,400 --> 00:34:47,479
Speaker 1: you know what I mean. So to me, I think,

542
00:34:47,960 --> 00:34:52,560
Speaker 1: really our responsibility is to give you guys a platform

543
00:34:52,640 --> 00:34:57,600
Speaker 1: and an opportunity and support and conversation and just stewardship

544
00:34:58,080 --> 00:35:00,919
Speaker 1: to be better people, you know, and life. So it's

545
00:35:00,960 --> 00:35:03,719
Speaker 1: not how can I'm not a record exactly. I'm gonna

546
00:35:03,719 --> 00:35:06,480
Speaker 1: say I'm somebody who is a life changer, you know.

547
00:35:06,480 --> 00:35:08,959
Speaker 1: I really, if you get with us, we're gonna change

548
00:35:08,960 --> 00:35:12,200
Speaker 1: your life. You're gonna be a better man. I can't

549
00:35:12,200 --> 00:35:14,800
Speaker 1: say even some of the million records, but you definitely

550
00:35:14,840 --> 00:35:17,200
Speaker 1: will be a better man. But I remember one point

551
00:35:17,239 --> 00:35:19,799
Speaker 1: when lee All had left and went to Atlantic and

552
00:35:19,840 --> 00:35:21,680
Speaker 1: you were still kind of like in death Jam and

553
00:35:21,680 --> 00:35:24,400
Speaker 1: it was like the l A Read thing, and I

554
00:35:24,440 --> 00:35:26,440
Speaker 1: remember having a meeting with you, and I was like

555
00:35:26,600 --> 00:35:28,320
Speaker 1: he was like, No, everything's gonna be all right, Everything's

556
00:35:28,320 --> 00:35:30,839
Speaker 1: gonna be But I knew you was lying, like like

557
00:35:30,960 --> 00:35:32,799
Speaker 1: lying to me, but like in a good way, Like

558
00:35:32,840 --> 00:35:35,799
Speaker 1: look Norway, we're gonna get the funk about of him

559
00:35:35,800 --> 00:35:38,799
Speaker 1: not working with this guy. But I can't say that

560
00:35:38,880 --> 00:35:41,000
Speaker 1: to you, like I know that was a weird period

561
00:35:41,040 --> 00:35:46,640
Speaker 1: for you. Wasn't because l A is a friend. Um

562
00:35:47,040 --> 00:35:50,560
Speaker 1: that wasn't there always was always. I got an award

563
00:35:50,600 --> 00:35:53,040
Speaker 1: for Song of the Year and in nineteen nineties six

564
00:35:53,120 --> 00:36:08,640
Speaker 1: with right. Yeah, I want to go there every time

565
00:36:08,640 --> 00:36:15,040
Speaker 1: I listen to the record. He wrote it so not

566
00:36:15,280 --> 00:36:23,240
Speaker 1: so that the thing was and again this was grown Kevin, Um,

567
00:36:23,320 --> 00:36:26,959
Speaker 1: I had the house when Leo left, I had the house.

568
00:36:27,160 --> 00:36:32,760
Speaker 1: It's my house, but the landlord gave him the keys. Now, Kevin,

569
00:36:32,920 --> 00:36:39,359
Speaker 1: it was always your house. So so so, what I'm

570
00:36:39,400 --> 00:36:43,920
Speaker 1: not gonna do is allowing industry to put me in

571
00:36:43,960 --> 00:36:46,480
Speaker 1: a position, to put l A in a position where

572
00:36:46,960 --> 00:36:49,879
Speaker 1: the house would get destroyed and divided. I love Deaf

573
00:36:49,960 --> 00:36:53,040
Speaker 1: Jam too much. I love the people there too much.

574
00:36:54,120 --> 00:36:56,120
Speaker 1: It was no way that I was gonna let oh,

575
00:36:56,280 --> 00:36:58,160
Speaker 1: let's put them in a cage and see what, see

576
00:36:58,160 --> 00:37:01,160
Speaker 1: what happens. I ain't doing that, ain't ain't that guy.

577
00:37:01,239 --> 00:37:02,959
Speaker 1: I'm just gonna point out, this is the most woman

578
00:37:03,040 --> 00:37:04,800
Speaker 1: we ever had a dream camp that lets you know,

579
00:37:05,000 --> 00:37:13,600
Speaker 1: Leo right, do the right thing. Sorry you shout out

580
00:37:13,640 --> 00:37:17,920
Speaker 1: to women, say right now and say that so what

581
00:37:17,640 --> 00:37:21,240
Speaker 1: I what I felt was and that's a l A. Listen.

582
00:37:21,640 --> 00:37:23,960
Speaker 1: The best thing for us to do is to have

583
00:37:24,280 --> 00:37:29,359
Speaker 1: one voice, one way, one mission, and I would like

584
00:37:29,440 --> 00:37:32,000
Speaker 1: that for it to be yours. I can't do I'm

585
00:37:32,000 --> 00:37:34,080
Speaker 1: not gonna do that. Towards something we love. Now, A

586
00:37:34,080 --> 00:37:35,799
Speaker 1: lot of people were like, you shouldn't have did that.

587
00:37:36,080 --> 00:37:38,440
Speaker 1: You you know this, and they wanted me to whatever.

588
00:37:38,800 --> 00:37:40,200
Speaker 1: But I could have couldn't talk to my man. My

589
00:37:40,239 --> 00:37:43,200
Speaker 1: man was noncompete, all that kind of ship going on

590
00:37:43,239 --> 00:37:46,200
Speaker 1: with him. So to me, it was more so about

591
00:37:46,360 --> 00:37:49,560
Speaker 1: what's best for death Camp, and I thought one way,

592
00:37:49,760 --> 00:37:52,200
Speaker 1: one thought, you know what's best for definitely, and that's

593
00:37:52,200 --> 00:37:54,319
Speaker 1: why left. I never never know it will That's that's

594
00:37:54,320 --> 00:37:57,440
Speaker 1: a falsehood in l A. Even today, we all want

595
00:37:57,480 --> 00:37:59,919
Speaker 1: hundred you know all right, how do you feel about

596
00:37:59,920 --> 00:38:01,480
Speaker 1: that jam? Now? Do you ever look at it and

597
00:38:01,520 --> 00:38:04,560
Speaker 1: be like huh oh? Do you look at it and

598
00:38:04,600 --> 00:38:06,680
Speaker 1: be like that's what they get? How about this? How

599
00:38:06,760 --> 00:38:08,480
Speaker 1: you look at it and we leave it at that?

600
00:38:08,920 --> 00:38:11,040
Speaker 1: I look at y'all like y'all death jam still like

601
00:38:11,760 --> 00:38:13,759
Speaker 1: I'm caught in the time zone. Like when I think

602
00:38:13,800 --> 00:38:18,120
Speaker 1: death Lam, I think you Leo come Russell, like, you

603
00:38:18,160 --> 00:38:21,200
Speaker 1: know what? Let me tell you something. One seventy Varick

604
00:38:21,400 --> 00:38:25,200
Speaker 1: am I saying this correct? One sixty Varick saved so

605
00:38:25,280 --> 00:38:28,799
Speaker 1: many rappers lives. Let me tell y'all something and this

606
00:38:29,000 --> 00:38:32,000
Speaker 1: I have never I have never said this publicly but

607
00:38:32,120 --> 00:38:35,200
Speaker 1: one sixty Varick was a place where it was death Jam.

608
00:38:35,320 --> 00:38:37,880
Speaker 1: It was when I first got um started going to

609
00:38:37,920 --> 00:38:40,600
Speaker 1: Depth Jam. But they had Rush associated labels in there.

610
00:38:40,600 --> 00:38:43,440
Speaker 1: They had the violator, so you didn't have to actually

611
00:38:43,520 --> 00:38:47,560
Speaker 1: be on death Jam. But you can roll dice. You

612
00:38:47,600 --> 00:38:50,160
Speaker 1: didn't get your hair cut and star and you can

613
00:38:50,200 --> 00:38:56,160
Speaker 1: also by weed in one sixty Varick. So artists like yo,

614
00:38:56,239 --> 00:38:58,000
Speaker 1: you do you think about it when you first get

615
00:38:58,040 --> 00:39:01,760
Speaker 1: signed there. They're gonna check, but there's nothing that makes

616
00:39:01,760 --> 00:39:04,480
Speaker 1: you that person that you you just you just sold

617
00:39:04,520 --> 00:39:07,520
Speaker 1: to them that you are, so you're still streets and

618
00:39:07,520 --> 00:39:09,160
Speaker 1: that's why so many people get a check and then

619
00:39:09,160 --> 00:39:11,799
Speaker 1: they catch a case because they catch a case because

620
00:39:11,800 --> 00:39:14,280
Speaker 1: they're still in the streets. But that place right there

621
00:39:14,520 --> 00:39:17,200
Speaker 1: gave artists a place to get the funk out of

622
00:39:17,239 --> 00:39:19,800
Speaker 1: the hood but still kind of beat hood because you

623
00:39:19,840 --> 00:39:24,800
Speaker 1: go by we lets you know that direct for the record.

624
00:39:25,000 --> 00:39:27,480
Speaker 1: Uh in my next life as a politician, I don't

625
00:39:27,480 --> 00:39:30,200
Speaker 1: know what he's talking about or anything, but but I

626
00:39:30,200 --> 00:39:32,640
Speaker 1: want to want to say one of les points where

627
00:39:32,880 --> 00:39:37,600
Speaker 1: less create an environment that was about art o UM.

628
00:39:37,680 --> 00:39:41,040
Speaker 1: We always like that environment was done on purpose? Was

629
00:39:41,080 --> 00:39:43,880
Speaker 1: it done on a purpose? The outlay. How everything was that,

630
00:39:44,200 --> 00:39:49,319
Speaker 1: you know, management records, everything was right here. It was crazy,

631
00:39:49,360 --> 00:39:54,040
Speaker 1: was crazy. I remember a time it was me Redman, Lebron,

632
00:39:54,200 --> 00:40:01,759
Speaker 1: James Mellow uh uh, Scarface blew to Chris. You never know,

633
00:40:01,840 --> 00:40:04,000
Speaker 1: people came no matter where they were, they just came

634
00:40:04,960 --> 00:40:07,400
Speaker 1: to hang out. Hang out. I mean video video that

635
00:40:07,440 --> 00:40:09,600
Speaker 1: with Mann Challenges. We had a two or three in

636
00:40:09,640 --> 00:40:12,600
Speaker 1: the morning. It's just a place where people and that

637
00:40:12,800 --> 00:40:16,239
Speaker 1: that's just something he Lear has always wanted us to

638
00:40:16,920 --> 00:40:18,880
Speaker 1: not felt like we was working, but it felt like

639
00:40:18,960 --> 00:40:21,520
Speaker 1: we was communion, you know, being in the community. Because

640
00:40:21,520 --> 00:40:23,359
Speaker 1: then when you went to the other building it felt

641
00:40:23,400 --> 00:40:26,560
Speaker 1: corporate like it was we sold the company. It was

642
00:40:26,680 --> 00:40:30,799
Speaker 1: right also when six that was when it was still

643
00:40:30,840 --> 00:40:34,040
Speaker 1: all that makes sense. But I just want you guys

644
00:40:34,040 --> 00:40:36,680
Speaker 1: to know you saved a lot of rappers lives, maybe

645
00:40:36,840 --> 00:40:40,600
Speaker 1: indirectly or or not or straight up directly because that

646
00:40:40,640 --> 00:40:42,600
Speaker 1: was a hangout. At one point, that was the place.

647
00:40:42,880 --> 00:40:45,279
Speaker 1: Like I was on Violator, they were like, yo, you know,

648
00:40:45,400 --> 00:40:48,680
Speaker 1: just come one sixty varc and I'm talking about every

649
00:40:48,760 --> 00:40:50,799
Speaker 1: artist Wu Tang would be up there. They was on loud,

650
00:40:50,840 --> 00:40:52,360
Speaker 1: but they would still be up there. You know what

651
00:40:52,400 --> 00:40:55,000
Speaker 1: I'm saying, and it was like and when I got older,

652
00:40:55,000 --> 00:40:57,120
Speaker 1: I was like, Yo, they created the hood that was

653
00:40:57,320 --> 00:41:00,640
Speaker 1: in Manhattan. It was in the city for us. That

654
00:41:00,719 --> 00:41:02,799
Speaker 1: ship was the Ellison Vibe. We need to make a

655
00:41:02,840 --> 00:41:17,840
Speaker 1: documentary about that. Cut You in Welcome to play a

656
00:41:17,880 --> 00:41:23,040
Speaker 1: new podcast network featuring radio and TV personalities talking business, sports, tech,

657
00:41:23,239 --> 00:41:27,880
Speaker 1: entertainment and more. Play it at play dot It. We're

658
00:41:27,920 --> 00:41:31,360
Speaker 1: back to Drink Champs Radio with Rapper and R and

659
00:41:31,560 --> 00:41:38,800
Speaker 1: d J. Then so three, I heard you guys, deaths

660
00:41:39,000 --> 00:41:43,040
Speaker 1: are in the middle of the whole. You guys like,

661
00:41:43,160 --> 00:41:46,440
Speaker 1: that's front line ship. Why do you guys want to

662
00:41:47,680 --> 00:41:54,600
Speaker 1: Was it motivation? Oh? So, here's the thing. We never

663
00:41:54,760 --> 00:42:04,120
Speaker 1: felt like outwardly facing things were representative of our influence,

664
00:42:04,400 --> 00:42:11,080
Speaker 1: in our power. So we are under very understated. Period

665
00:42:11,360 --> 00:42:14,719
Speaker 1: are all the office you referred to was comfortable, but

666
00:42:14,920 --> 00:42:20,799
Speaker 1: was understated. It was homie, So rock paper scissor. We

667
00:42:20,920 --> 00:42:24,520
Speaker 1: go for the homie and not for the flashy. We

668
00:42:24,560 --> 00:42:27,400
Speaker 1: want people to come in and recognize that work is

669
00:42:27,400 --> 00:42:31,719
Speaker 1: getting done, not that we're putting our feet up on

670
00:42:32,040 --> 00:42:35,760
Speaker 1: very expensive desk. We want all the money to stay

671
00:42:35,760 --> 00:42:39,920
Speaker 1: on the screen. We don't We don't want to waste

672
00:42:40,000 --> 00:42:45,640
Speaker 1: money by you know, trying to act important because we

673
00:42:45,719 --> 00:42:52,600
Speaker 1: have flashier offices or bigger cars. It's we're past that.

674
00:42:52,680 --> 00:43:03,520
Speaker 1: We're in the rubber band stage. Okay, so now the

675
00:43:03,560 --> 00:43:05,800
Speaker 1: young dog. I want to speak about young Doug because

676
00:43:06,120 --> 00:43:08,000
Speaker 1: at one point it kind of seemed like young Doug

677
00:43:08,120 --> 00:43:11,520
Speaker 1: was actually on babies cash money. Then he seemed like

678
00:43:11,520 --> 00:43:14,080
Speaker 1: he was with Gucci Man, and he seemed like and

679
00:43:14,680 --> 00:43:17,600
Speaker 1: it was like when you stepped in, it kind of

680
00:43:17,640 --> 00:43:20,920
Speaker 1: made him. It seemed like his whole Now it seemed

681
00:43:20,960 --> 00:43:24,040
Speaker 1: like you was the right choice. Now was he originally

682
00:43:24,040 --> 00:43:27,160
Speaker 1: signed the three D From the beginning, he was signed

683
00:43:27,200 --> 00:43:35,960
Speaker 1: to Gucci, and Gucci signed his action to us. And

684
00:43:37,200 --> 00:43:42,200
Speaker 1: we didn't feel that we needed to run around and

685
00:43:42,480 --> 00:43:46,000
Speaker 1: it wasn't critical to us that everybody knew and had

686
00:43:46,040 --> 00:43:50,560
Speaker 1: to know, you know, you know when I went to

687
00:43:50,640 --> 00:43:54,839
Speaker 1: the Red Parent this is real old school New York City.

688
00:43:57,760 --> 00:44:01,040
Speaker 1: When Fat Cat came and he sat in that corner,

689
00:44:02,520 --> 00:44:06,320
Speaker 1: he didn't, he didn't, he didn't, he didn't, he didn't

690
00:44:06,480 --> 00:44:11,239
Speaker 1: advertise that he was fat Cat. But and it's more

691
00:44:11,239 --> 00:44:17,200
Speaker 1: powerful who's that guy in the corner. So I like

692
00:44:17,360 --> 00:44:21,080
Speaker 1: when people put their name, our name in their mouth

693
00:44:22,040 --> 00:44:27,920
Speaker 1: because of the understated thing that we got going. You know,

694
00:44:28,000 --> 00:44:32,040
Speaker 1: it's silly when I see people rolling with big security guys,

695
00:44:32,480 --> 00:44:37,160
Speaker 1: big big, stupid security guys. The first ones to run,

696
00:44:37,719 --> 00:44:42,520
Speaker 1: the first one to run. Okay, it's that little guy.

697
00:44:42,760 --> 00:44:45,000
Speaker 1: It's that little guy you gotta be worried about. Right,

698
00:44:46,120 --> 00:44:48,320
Speaker 1: it's a little guy that you gotta be worried about.

699
00:44:48,840 --> 00:44:51,760
Speaker 1: You're gonna spill it now that you've got that. Okay,

700
00:44:52,280 --> 00:44:54,040
Speaker 1: that's my friend twin. He went to Vegas with eight

701
00:44:54,040 --> 00:44:56,759
Speaker 1: dollars and came back with twenty. He's the brokenst He

702
00:44:56,840 --> 00:44:59,919
Speaker 1: got a good he got a good hulk, broken riches.

703
00:45:00,000 --> 00:45:05,239
Speaker 1: I know, a bigger famous and thank you, thank you.

704
00:45:05,320 --> 00:45:13,080
Speaker 1: Yeah they are. They are so um and now three

705
00:45:13,160 --> 00:45:17,439
Speaker 1: hundred is it three sixty based company or people? Can

706
00:45:17,560 --> 00:45:22,759
Speaker 1: you know, get down with three hundred and um? We

707
00:45:22,840 --> 00:45:25,840
Speaker 1: believe in three sixty. We want to be partners, partners,

708
00:45:25,920 --> 00:45:28,200
Speaker 1: not you know, and we don't want to open up

709
00:45:28,239 --> 00:45:31,640
Speaker 1: the barbecue restaurant and then you start selling barbecue shops

710
00:45:31,680 --> 00:45:33,839
Speaker 1: out the back. You want to be involved in every

711
00:45:33,920 --> 00:45:37,279
Speaker 1: We want to be involved in everything, you know, But

712
00:45:37,320 --> 00:45:39,600
Speaker 1: there is the negative connotation to the whole You don't

713
00:45:39,719 --> 00:45:43,279
Speaker 1: care about the connation We don't pay any attention to

714
00:45:43,320 --> 00:45:49,040
Speaker 1: the connotation because we go to work a negative because people, no, no,

715
00:45:49,160 --> 00:45:53,680
Speaker 1: it hasn't a negative connotation because no one did it

716
00:45:53,760 --> 00:45:57,799
Speaker 1: before us. So that's why it has a negative connotation.

717
00:45:58,280 --> 00:46:03,279
Speaker 1: And and you know the reality is we want to

718
00:46:03,320 --> 00:46:06,280
Speaker 1: be just partners. You know, if we're going to invest

719
00:46:06,520 --> 00:46:11,600
Speaker 1: our capital, our sweat equity. If you ask me, I'm

720
00:46:11,640 --> 00:46:14,840
Speaker 1: going to open up a restaurant and I need some capital,

721
00:46:15,520 --> 00:46:23,120
Speaker 1: what do you think the capital usually represents? Now, imagine

722
00:46:23,920 --> 00:46:27,120
Speaker 1: if I wasn't just capital you came to me and said,

723
00:46:27,160 --> 00:46:29,480
Speaker 1: you know, I don't know anything about the restaurant business.

724
00:46:29,520 --> 00:46:32,200
Speaker 1: You know about the restaurant business. Fact that this great idea.

725
00:46:32,280 --> 00:46:35,040
Speaker 1: So not only am I putting up capital, I'm putting

726
00:46:35,040 --> 00:46:39,040
Speaker 1: a sweat capital too. Time is money, you know. So

727
00:46:39,080 --> 00:46:41,920
Speaker 1: I just want to be if you if it's successful

728
00:46:42,560 --> 00:46:46,680
Speaker 1: and and everybody loves the barbecue, then we go together

729
00:46:46,760 --> 00:46:50,040
Speaker 1: and say let's make some barbecue sacks. And we've been

730
00:46:50,040 --> 00:46:54,960
Speaker 1: doing it. We're doing it forever with the right artists.

731
00:46:55,520 --> 00:46:59,799
Speaker 1: They always wanted us to be because essentially it's like

732
00:46:59,840 --> 00:47:06,480
Speaker 1: you're management. It's not only like we listen. Even young boy,

733
00:47:07,080 --> 00:47:10,719
Speaker 1: I care who he's opening for what time is he

734
00:47:10,760 --> 00:47:13,319
Speaker 1: going on? That's not the most record people don't by

735
00:47:13,320 --> 00:47:15,120
Speaker 1: the way, most of them don't even show up, you

736
00:47:15,120 --> 00:47:18,320
Speaker 1: know what I mean? Part of that. So the reality

737
00:47:18,360 --> 00:47:22,240
Speaker 1: of it is the conversations. We have an uh seed

738
00:47:22,440 --> 00:47:26,640
Speaker 1: funder early conversations. But you have to want to be

739
00:47:26,680 --> 00:47:30,400
Speaker 1: my partner now. And the labels built to have different

740
00:47:30,440 --> 00:47:32,600
Speaker 1: kinds of deals for different kinds of people, whether you

741
00:47:32,600 --> 00:47:35,000
Speaker 1: want to be an entrepreneur, star your own label, whether

742
00:47:35,040 --> 00:47:38,040
Speaker 1: you want to be a straight artist or but we

743
00:47:38,120 --> 00:47:41,640
Speaker 1: have to be involved in your life funk rap fu

744
00:47:41,800 --> 00:47:44,200
Speaker 1: fucking singing. We have to be involved in your life

745
00:47:44,239 --> 00:47:45,840
Speaker 1: when you wake up in the morning. We want to

746
00:47:45,880 --> 00:47:47,640
Speaker 1: see that at your fucking table. We want to be

747
00:47:47,640 --> 00:47:50,200
Speaker 1: on your boarder. The ret Now that that involves movies

748
00:47:50,280 --> 00:47:53,239
Speaker 1: that involved what you're doing, we don't do what what what?

749
00:47:53,239 --> 00:47:58,160
Speaker 1: What haven't we really done in any particular way. Business

750
00:47:58,239 --> 00:47:59,520
Speaker 1: is business. But at the end of the day, if

751
00:47:59,520 --> 00:48:00,920
Speaker 1: I'm going to invest in you and you're going to

752
00:48:00,960 --> 00:48:02,960
Speaker 1: invest in me, that we want to eat with each other.

753
00:48:03,040 --> 00:48:06,320
Speaker 1: But LL comes to you right now, it says Kevin Lows,

754
00:48:06,360 --> 00:48:09,160
Speaker 1: I want to put out a record, and I only

755
00:48:09,160 --> 00:48:11,920
Speaker 1: trust you and Leo. We talked about it will be

756
00:48:12,120 --> 00:48:14,120
Speaker 1: it would be an honor to put out his record,

757
00:48:14,480 --> 00:48:17,239
Speaker 1: a fucking honor. Yeah, we talked about it to North.

758
00:48:22,640 --> 00:48:28,440
Speaker 1: I know where he was going. It's not trust. Here's

759
00:48:28,440 --> 00:48:32,839
Speaker 1: the thing. We live in the unique world of digital distribution,

760
00:48:33,600 --> 00:48:35,719
Speaker 1: so I don't have to go so far on the

761
00:48:35,800 --> 00:48:40,120
Speaker 1: limb to make a bunch of them and then spend

762
00:48:40,120 --> 00:48:42,640
Speaker 1: a bunch of money to buy that real estate in

763
00:48:42,719 --> 00:48:45,799
Speaker 1: the record store. So we could get it on in

764
00:48:45,800 --> 00:48:50,640
Speaker 1: a very inexpensive way that you could test the market

765
00:48:51,800 --> 00:48:58,400
Speaker 1: in a innocent, honest, but effective way. I like this

766
00:48:58,480 --> 00:49:01,359
Speaker 1: told this is my baborite one. So I'm just I'm

767
00:49:01,400 --> 00:49:06,719
Speaker 1: just saying, man, you know these are my guys. A

768
00:49:06,800 --> 00:49:10,479
Speaker 1: lot of CEOs they talked indirect to me. The reason

769
00:49:10,480 --> 00:49:12,920
Speaker 1: why I appreciate our relationship with both of you guys

770
00:49:13,239 --> 00:49:16,439
Speaker 1: is you even when I didn't like it, even when

771
00:49:16,440 --> 00:49:18,600
Speaker 1: I didn't like First of all, this is one of

772
00:49:18,640 --> 00:49:21,800
Speaker 1: the funniest stories. Was Fat Joe is trying to clear

773
00:49:22,200 --> 00:49:25,440
Speaker 1: rule record. Right, So Fat Joe calls me and goes, Yo,

774
00:49:25,520 --> 00:49:27,520
Speaker 1: I'm going to bring the gext of his people up there,

775
00:49:27,520 --> 00:49:29,759
Speaker 1: and I'm going to see Leo cons right, I'm like,

776
00:49:29,840 --> 00:49:33,960
Speaker 1: don't do that fast, but fat doesn't anyway, right, So

777
00:49:34,080 --> 00:49:36,960
Speaker 1: he goes I used to be Santa Claus for Russell

778
00:49:37,080 --> 00:49:40,520
Speaker 1: Simmons ten years straight his kids. So he said, he

779
00:49:40,560 --> 00:49:42,879
Speaker 1: goes to see Leo and he's like, Leo, you gotta

780
00:49:42,920 --> 00:49:49,560
Speaker 1: clear the record. And Leo said, no, you forgot one

781
00:49:49,680 --> 00:49:54,120
Speaker 1: other part of it. I tell people mission, in all

782
00:49:54,200 --> 00:49:57,880
Speaker 1: due respect, the answer is no. And when you opened

783
00:49:57,880 --> 00:50:01,360
Speaker 1: the window up and fling me out the window and

784
00:50:01,400 --> 00:50:03,640
Speaker 1: I'm just about to hit the concrete, the answer is

785
00:50:03,640 --> 00:50:07,440
Speaker 1: still gonna be no. So if it was going to

786
00:50:07,560 --> 00:50:10,480
Speaker 1: be different, then I could understand you intimidating. But since

787
00:50:10,920 --> 00:50:13,000
Speaker 1: it's not gonna be you don't have to actually fling

788
00:50:13,080 --> 00:50:14,880
Speaker 1: me out and find out, and then you're gonna end

789
00:50:14,960 --> 00:50:17,640
Speaker 1: up in jail and funked up. It's gonna be a

790
00:50:17,680 --> 00:50:22,480
Speaker 1: sad day all the way around. And so they know, unbelievable.

791
00:50:22,520 --> 00:50:26,680
Speaker 1: It's not no to get a yes. It's a no

792
00:50:26,880 --> 00:50:31,120
Speaker 1: because it's no. It's with respect no, you know, And

793
00:50:31,200 --> 00:50:34,040
Speaker 1: that that's what makes you guys, hands down, that's what

794
00:50:34,160 --> 00:50:37,640
Speaker 1: that's the longevity of you guys are having is uh

795
00:50:37,920 --> 00:50:42,040
Speaker 1: is a direct effect through the realness that when artists,

796
00:50:42,120 --> 00:50:45,040
Speaker 1: when when you tell artists when they're younger, like so

797
00:50:45,120 --> 00:50:47,480
Speaker 1: much things that you you you guys both have taught me.

798
00:50:48,120 --> 00:50:51,040
Speaker 1: Uh And I probably acted like I didn't listen back then,

799
00:50:51,440 --> 00:50:55,000
Speaker 1: But I apply to my everyday life like I don't

800
00:50:55,040 --> 00:50:57,879
Speaker 1: apply math to my everyday life. But I apply things

801
00:50:57,920 --> 00:51:00,520
Speaker 1: that you guys talk. Like the first time when me

802
00:51:00,560 --> 00:51:02,839
Speaker 1: and Leo tried to do business, he said to me,

803
00:51:03,600 --> 00:51:05,520
Speaker 1: what are you doing today? I said, a punt video.

804
00:51:05,560 --> 00:51:07,600
Speaker 1: He said, I'll be there. Hung up. They can never

805
00:51:07,680 --> 00:51:10,640
Speaker 1: asked for no information. They can never asked what states,

806
00:51:11,360 --> 00:51:14,560
Speaker 1: what city? He said, I'll be there, And I was like,

807
00:51:15,120 --> 00:51:18,239
Speaker 1: look that funk out of A hour later he pulled

808
00:51:18,280 --> 00:51:19,759
Speaker 1: up and you pulled up with Ji rous. It's the

809
00:51:19,760 --> 00:51:21,719
Speaker 1: first time I ever met Jab who's one of my

810
00:51:21,760 --> 00:51:23,799
Speaker 1: best friends right now, and he pulled up with Jar

811
00:51:24,400 --> 00:51:30,200
Speaker 1: in the town. But but what what when you want something,

812
00:51:30,680 --> 00:51:33,759
Speaker 1: you just you you find no way in the way

813
00:51:33,800 --> 00:51:36,080
Speaker 1: you get with the hell you want. I don't know,

814
00:51:36,160 --> 00:51:41,400
Speaker 1: that's pretty obvious answer, you know. It's I think that

815
00:51:43,880 --> 00:51:47,560
Speaker 1: I'm a hard worker. I was raised right chaut out

816
00:51:47,600 --> 00:51:52,719
Speaker 1: to my parents and my family, and I don't want

817
00:51:52,760 --> 00:51:58,759
Speaker 1: to ever embarrass them or embarrass my family and let

818
00:51:58,800 --> 00:52:00,760
Speaker 1: me put it to you this way. You're never gonna

819
00:52:00,800 --> 00:52:04,160
Speaker 1: go in the locker room and say, what the funk

820
00:52:04,200 --> 00:52:08,480
Speaker 1: happened to you? You didn't show up. I'm the I'm

821
00:52:08,480 --> 00:52:12,000
Speaker 1: the right person. If you have time, I'll tell you

822
00:52:12,080 --> 00:52:15,640
Speaker 1: the real story. So you know how I'm funny, my

823
00:52:15,719 --> 00:52:19,240
Speaker 1: accent is, and you know how my name is spelled.

824
00:52:20,120 --> 00:52:23,759
Speaker 1: So when I touched down in America and I was

825
00:52:23,800 --> 00:52:27,680
Speaker 1: in the public school and after school program, um they're

826
00:52:27,760 --> 00:52:35,200
Speaker 1: choosing baseball teams, and motherfucker's chose me last because of

827
00:52:35,280 --> 00:52:38,640
Speaker 1: my funny name and my funny accent. But I caught

828
00:52:38,719 --> 00:52:43,000
Speaker 1: every fucking ball and I put everybody out the last

829
00:52:43,040 --> 00:52:46,920
Speaker 1: time I was called last. So that's why you know,

830
00:52:46,960 --> 00:52:49,719
Speaker 1: I just have to work harder. I'm not that intelligent,

831
00:52:50,800 --> 00:52:55,560
Speaker 1: I'm not that you know. I don't have insane gift,

832
00:52:55,640 --> 00:52:58,319
Speaker 1: but I'm ready to put it on people and work

833
00:52:58,480 --> 00:53:11,160
Speaker 1: very very hard. Be one man. I want to take

834
00:53:11,200 --> 00:53:14,920
Speaker 1: it from the Run DMC days because like, can you

835
00:53:14,960 --> 00:53:17,440
Speaker 1: give us a run DMC story because it was a

836
00:53:17,600 --> 00:53:25,560
Speaker 1: road manager. I'm proud. I'm proud. Uh. The thing that

837
00:53:25,640 --> 00:53:30,319
Speaker 1: I use every single day more than anything was my

838
00:53:30,400 --> 00:53:33,920
Speaker 1: road manager. My road experience, like Kevin was referring to

839
00:53:33,960 --> 00:53:37,680
Speaker 1: the road. My road experience separates me from all those

840
00:53:37,719 --> 00:53:42,440
Speaker 1: other people I compete with every day. So we have

841
00:53:42,560 --> 00:53:47,480
Speaker 1: so many stories from going up to Detroit and UM

842
00:53:47,719 --> 00:53:53,399
Speaker 1: witnessing the young boys, UH, to um Long Beach when

843
00:53:53,440 --> 00:53:57,600
Speaker 1: all ship broke out, and and we're on the UM

844
00:53:57,719 --> 00:54:04,720
Speaker 1: Nightly News, UH the Live Aid and performing in front

845
00:54:04,719 --> 00:54:10,320
Speaker 1: of that historic show. UM. So many many beautiful stories.

846
00:54:10,360 --> 00:54:13,839
Speaker 1: But I guess the biggest and most important story that

847
00:54:14,000 --> 00:54:18,160
Speaker 1: tells you the fabric of who I am and the

848
00:54:18,200 --> 00:54:22,319
Speaker 1: fabric of what we represent. And remember we represent the

849
00:54:22,360 --> 00:54:28,040
Speaker 1: blue collar, the hard working is when we were selling

850
00:54:28,120 --> 00:54:32,160
Speaker 1: to joe Lewis is back to back, two gardens, back

851
00:54:32,200 --> 00:54:36,239
Speaker 1: to back, the spectrum, back to back. Our click on

852
00:54:36,280 --> 00:54:43,560
Speaker 1: the road was five Joey, d J Running Ray and Leor.

853
00:54:44,600 --> 00:54:48,960
Speaker 1: We didn't have an entourage, big security guides. We carried

854
00:54:48,960 --> 00:54:54,400
Speaker 1: our own luggage and before the curtain dropped and the

855
00:54:54,480 --> 00:54:56,960
Speaker 1: music was finished, we're in the car on the way

856
00:54:57,000 --> 00:55:01,960
Speaker 1: to the next city. So, you know, all when I

857
00:55:02,000 --> 00:55:06,200
Speaker 1: look at all these um new rappers with their you know,

858
00:55:06,400 --> 00:55:11,799
Speaker 1: fifty people entourage and these big security guards, that all

859
00:55:11,840 --> 00:55:14,920
Speaker 1: you have to say is booing this start running running

860
00:55:15,680 --> 00:55:25,799
Speaker 1: um um. It's it's like clowns. And so that's the

861
00:55:25,880 --> 00:55:28,759
Speaker 1: greatest story is we never missed a gig in three

862
00:55:28,800 --> 00:55:32,759
Speaker 1: and a half years. One gig, one night. We did

863
00:55:32,840 --> 00:55:38,240
Speaker 1: five shows in three different cities, three different states, five

864
00:55:38,280 --> 00:55:43,280
Speaker 1: shows in three different states. We were mobile, We stayed

865
00:55:43,280 --> 00:55:46,240
Speaker 1: out of trouble and we were onto the next city.

866
00:55:46,600 --> 00:55:50,239
Speaker 1: And that's you know, you know, we were ingrateful. Do

867
00:55:50,280 --> 00:55:51,960
Speaker 1: you remember the fish spot we used to eat that

868
00:55:52,040 --> 00:55:59,080
Speaker 1: La pasca do absolutely absolutely that fish soup man. Well,

869
00:55:59,120 --> 00:56:01,960
Speaker 1: look at you know his face when I first shorted

870
00:56:01,960 --> 00:56:07,000
Speaker 1: the fish shoot, I'm not doing that. I'm looking like that.

871
00:56:07,440 --> 00:56:10,440
Speaker 1: And then I gave him spooner, gave him a spoon

872
00:56:10,520 --> 00:56:14,080
Speaker 1: and then boy, I was turned out his soup spot.

873
00:56:14,400 --> 00:56:19,560
Speaker 1: Every meeting, every meeting we had was around lunch. He

874
00:56:19,680 --> 00:56:26,200
Speaker 1: always booked my meeting little pest due no, no, this

875
00:56:26,400 --> 00:56:28,759
Speaker 1: this one time, right, I thought I was the man

876
00:56:30,040 --> 00:56:33,000
Speaker 1: because this is when Leo walks into the door, they

877
00:56:33,040 --> 00:56:34,840
Speaker 1: say fish shoot man, like that's like it was like

878
00:56:34,880 --> 00:56:36,959
Speaker 1: some big ship. So I started going there a lot.

879
00:56:37,239 --> 00:56:39,239
Speaker 1: So I wanted to take Leo out one day and

880
00:56:39,280 --> 00:56:41,640
Speaker 1: I was like yo, and I took care of the bill.

881
00:56:42,040 --> 00:56:46,200
Speaker 1: Lee off like your hold on? Are you? Who are? You?

882
00:56:46,239 --> 00:56:50,480
Speaker 1: Gave him the bill called the balls? Yo. Yeah, I

883
00:56:50,480 --> 00:56:52,439
Speaker 1: don't realize when the person is the man, you gotta

884
00:56:52,480 --> 00:56:54,959
Speaker 1: let them be the man. You can't try to creep

885
00:56:55,000 --> 00:56:56,920
Speaker 1: up on me. And I learned a life lesson that day.

886
00:56:57,000 --> 00:56:59,600
Speaker 1: Leo was pissed, not at me, he was mad at them,

887
00:56:59,680 --> 00:57:01,279
Speaker 1: like this is my squot. I don't care how much

888
00:57:01,320 --> 00:57:06,800
Speaker 1: he comes here. Remember, I'm the guy who respect this

889
00:57:07,000 --> 00:57:10,640
Speaker 1: is sonoryou. I'm gonna I'm gonna say something before I leave,

890
00:57:11,840 --> 00:57:13,400
Speaker 1: thank you for Kevin and day. They are going to

891
00:57:13,520 --> 00:57:18,000
Speaker 1: stay to keep it going. So here's my thing. So

892
00:57:18,720 --> 00:57:22,680
Speaker 1: what's a year two thousand sixteen. I don't know. I

893
00:57:25,120 --> 00:57:28,800
Speaker 1: don't even know. I only think about records. I know

894
00:57:28,960 --> 00:57:33,240
Speaker 1: this is you know, um um, you know I'm pre

895
00:57:33,400 --> 00:57:36,280
Speaker 1: sucker MC. So that's how I think about time. Is

896
00:57:36,320 --> 00:57:41,439
Speaker 1: that you know? So I don't know. If you read

897
00:57:41,480 --> 00:57:47,680
Speaker 1: the recent report the r I a where for the

898
00:57:47,760 --> 00:57:55,360
Speaker 1: first time in eighteen years, the business has grown. I'm

899
00:57:55,360 --> 00:58:00,800
Speaker 1: telling you, and I'm telling everybody that listens, if you're

900
00:58:00,840 --> 00:58:05,000
Speaker 1: an entrepreneur and you want to get into a great business,

901
00:58:05,080 --> 00:58:09,000
Speaker 1: not a good business, and get papered up, get into

902
00:58:09,000 --> 00:58:13,880
Speaker 1: the music business, the record business. For the last two decades,

903
00:58:14,480 --> 00:58:19,080
Speaker 1: the business has been shrinking and consolidating. So there are

904
00:58:19,080 --> 00:58:26,560
Speaker 1: no deaf jams, no islands, no motowns, no A and MS,

905
00:58:26,840 --> 00:58:36,680
Speaker 1: no Chrysalis's boutiques, boutiques. This is a time for you

906
00:58:36,720 --> 00:58:40,240
Speaker 1: to call go together a little capital because it's not expensive,

907
00:58:41,440 --> 00:58:46,600
Speaker 1: and find stunning talent and putting them out in the marketplace.

908
00:58:47,120 --> 00:58:51,480
Speaker 1: This is the moment in time. I've never seen a

909
00:58:51,560 --> 00:58:58,480
Speaker 1: more fertile business environment as it is today. So your listeners,

910
00:58:58,720 --> 00:59:02,680
Speaker 1: I know they love the nostalgia and the fund that

911
00:59:02,760 --> 00:59:07,560
Speaker 1: you guys have, but all serious, all jokes aside. I

912
00:59:07,640 --> 00:59:11,040
Speaker 1: do want to leave you and your your your viewership

913
00:59:11,800 --> 00:59:18,240
Speaker 1: with the absolute clarity that what better business that you

914
00:59:18,320 --> 00:59:23,479
Speaker 1: can go tonight and record someone ship it the next

915
00:59:23,600 --> 00:59:29,280
Speaker 1: day all around the world at zero costs, no manufacturing costs,

916
00:59:29,760 --> 00:59:35,720
Speaker 1: no shipping costs, no obsolescence, no inventory, no everything digital

917
00:59:36,760 --> 00:59:41,040
Speaker 1: and inexpensive and very efficient. Remember we used to make

918
00:59:41,160 --> 00:59:46,400
Speaker 1: videos that cost us money to promote our songs. Now

919
00:59:46,440 --> 00:59:52,400
Speaker 1: there's a YouTube that you put the video you can

920
00:59:54,840 --> 00:59:57,960
Speaker 1: you just put a video up and get paid for it.

921
00:59:58,840 --> 01:00:04,080
Speaker 1: So I'm just is saying, man, I'm tired of the

922
01:00:04,320 --> 01:00:09,400
Speaker 1: highly concentrated industry. Now is the time you You may

923
01:00:09,440 --> 01:00:14,240
Speaker 1: be too late if you keep waiting to get this paper.

924
01:00:14,360 --> 01:00:17,080
Speaker 1: There's a lot of paper out here, and this is

925
01:00:17,120 --> 01:00:20,320
Speaker 1: a great business. And I want you and your consumers

926
01:00:20,400 --> 01:00:24,240
Speaker 1: to recognize how great of a business this you enjoy

927
01:00:24,320 --> 01:00:28,600
Speaker 1: Streaming you think streaming is Streaming is such a friendly

928
01:00:29,080 --> 01:00:33,600
Speaker 1: and wonderful consumer proposition. All the world's music for ten

929
01:00:33,640 --> 01:00:37,200
Speaker 1: dollars a month. And it's the first iteration. My daughter

930
01:00:37,280 --> 01:00:42,160
Speaker 1: doesn't want to hear classical music or or African music.

931
01:00:42,520 --> 01:00:46,640
Speaker 1: She likes to pop hits. Maybe as we iterate that

932
01:00:46,720 --> 01:00:50,360
Speaker 1: business her her bill would be three bucks a month

933
01:00:50,400 --> 01:00:53,640
Speaker 1: and she only gets the top hits. So it's just

934
01:00:53,800 --> 01:00:56,920
Speaker 1: the infancy. You know that streaming is only a to

935
01:00:57,480 --> 01:01:04,400
Speaker 1: three penetration, so just announce it when it's penetration. So

936
01:01:04,560 --> 01:01:07,520
Speaker 1: don't have just Kevin and I be the only papered

937
01:01:07,560 --> 01:01:10,800
Speaker 1: up motherfucker's out here. Okay, we don't want to be

938
01:01:10,840 --> 01:01:14,200
Speaker 1: by ourselves. We want other people to hang out with.

939
01:01:15,280 --> 01:01:18,960
Speaker 1: We want other people to seize the opportunity of this

940
01:01:19,240 --> 01:01:27,200
Speaker 1: environment and start creating new special companies that you know

941
01:01:27,280 --> 01:01:33,080
Speaker 1: are culturally significant and healthy for artists and and and creators.

942
01:01:34,000 --> 01:01:41,600
Speaker 1: So thank you, thank you, thank you guys that you're

943
01:01:41,640 --> 01:01:43,880
Speaker 1: in good hands with Kevy calv Before you go, we

944
01:01:43,880 --> 01:01:47,280
Speaker 1: gotta take a picture over. Come on, man, you don't

945
01:01:47,280 --> 01:02:22,360
Speaker 1: stop nothing leaving? Okay, crew, okay, thank you sorryka right

946
01:02:22,440 --> 01:02:35,360
Speaker 1: the good this right? Thank you so much for people people,

947
01:02:35,440 --> 01:02:43,120
Speaker 1: you know what I mean? Syme more minutes? Cool? Come on,

948
01:02:43,160 --> 01:02:44,560
Speaker 1: thank you can't come on. I need I needed to

949
01:02:44,600 --> 01:02:47,960
Speaker 1: buy yourself anyway. You know you're broke back radio after

950
01:02:48,000 --> 01:02:50,160
Speaker 1: dirt you know they was they was dead before you

951
01:02:50,200 --> 01:02:52,400
Speaker 1: got on the podcast. You helped him out the dirt

952
01:02:52,720 --> 01:02:55,520
Speaker 1: stop it? You did? You did? You did? That's why

953
01:02:55,520 --> 01:02:57,440
Speaker 1: I called you immediately in the morning. I said, hold on,

954
01:02:57,880 --> 01:03:06,240
Speaker 1: hold on, hold on. So Kevin lives Bottomore's finest. Yeah,

955
01:03:06,800 --> 01:03:10,200
Speaker 1: so Kevin and and I know we we we we

956
01:03:10,200 --> 01:03:16,440
Speaker 1: we we touched on it a little bit earlier. Yeah,

957
01:03:16,480 --> 01:03:20,520
Speaker 1: but the love for the game has to bunch of

958
01:03:20,560 --> 01:03:27,600
Speaker 1: more bounds. Yeah, coming, but um, how how many years

959
01:03:27,640 --> 01:03:30,160
Speaker 1: have you been in the game? CAB two and you

960
01:03:30,280 --> 01:03:33,360
Speaker 1: still love it the same way? Or sometimes you wake

961
01:03:33,440 --> 01:03:37,240
Speaker 1: up and be like this, you break sometimes when when

962
01:03:37,280 --> 01:03:43,520
Speaker 1: not My critical moment was uh, when I left that jam.

963
01:03:44,280 --> 01:03:48,520
Speaker 1: You know that. And then when uh, in two thousand nine,

964
01:03:48,600 --> 01:03:53,280
Speaker 1: when I said, um, yo, the business is about to change,

965
01:03:53,320 --> 01:03:55,680
Speaker 1: and y'all y'all making decision. You know, there's the chaman

966
01:03:55,680 --> 01:03:58,680
Speaker 1: I'm saying, yo, the decisions that we're making. I don't

967
01:03:58,680 --> 01:04:01,800
Speaker 1: know if I could continue the same way, you know

968
01:04:01,800 --> 01:04:02,960
Speaker 1: what I mean? And I said, so I had to

969
01:04:03,000 --> 01:04:05,120
Speaker 1: go hug some trees and were going had to go

970
01:04:05,440 --> 01:04:09,120
Speaker 1: hug some trees, walk on the dirty sand, and I said,

971
01:04:09,120 --> 01:04:12,320
Speaker 1: I'm out. I let people. I left in two thousand nine,

972
01:04:12,360 --> 01:04:17,200
Speaker 1: I said, you know what, I'm good. Um, but then

973
01:04:19,480 --> 01:04:22,080
Speaker 1: you know the whole trade that ain't happened. And you

974
01:04:22,120 --> 01:04:24,800
Speaker 1: know he was his his manager was one of my

975
01:04:24,880 --> 01:04:28,800
Speaker 1: internal about Trey songs. And he said, yeah, I gotta

976
01:04:28,800 --> 01:04:30,200
Speaker 1: fire my manage. I said, ye, ask my man, why

977
01:04:30,200 --> 01:04:32,360
Speaker 1: are you gonna fire him? You should really work it out.

978
01:04:33,360 --> 01:04:38,080
Speaker 1: And so he said, yeah, I need you to uh

979
01:04:38,280 --> 01:04:40,720
Speaker 1: doing Mary. I said, yeah, I'm not doing that. And

980
01:04:40,800 --> 01:04:43,880
Speaker 1: you like that groundwork more like management? Do you do?

981
01:04:43,720 --> 01:04:47,240
Speaker 1: You do? Enjoy it? We gotta understand nor. I enjoyed

982
01:04:47,320 --> 01:04:52,120
Speaker 1: being beside talent. I enjoyed being signed brothers. When chick

983
01:04:52,200 --> 01:04:54,560
Speaker 1: go down, you know, go down, and I just enjoyed

984
01:04:54,600 --> 01:04:57,680
Speaker 1: being around and next to people. You know what I mean.

985
01:04:57,720 --> 01:04:59,320
Speaker 1: So to me, I don't know how to I really

986
01:04:59,440 --> 01:05:01,720
Speaker 1: was where I I lost. I'm sitting I re tower.

987
01:05:02,200 --> 01:05:04,120
Speaker 1: All I had to do was go around the country

988
01:05:04,120 --> 01:05:09,439
Speaker 1: and fix problems. But I tell you we should sign

989
01:05:09,480 --> 01:05:13,400
Speaker 1: this artist named Chris Brown, and you say he's not

990
01:05:13,440 --> 01:05:18,880
Speaker 1: gonna be I can't do. I don't know what I said,

991
01:05:18,920 --> 01:05:22,880
Speaker 1: no name, but my girl managed. If I said you

992
01:05:22,880 --> 01:05:24,320
Speaker 1: wish your sign and you don't want to sign him,

993
01:05:24,480 --> 01:05:29,160
Speaker 1: then I tell you, yo, Rick shout to Rick Rock.

994
01:05:29,520 --> 01:05:34,440
Speaker 1: Rick is one of those you have cross to y'all

995
01:05:35,840 --> 01:05:39,120
Speaker 1: you don't want to continue with. No, it was at

996
01:05:39,160 --> 01:05:41,040
Speaker 1: that moment, and you want me to stand next to

997
01:05:41,120 --> 01:05:43,600
Speaker 1: motherfucker's putting that feet over the head and I don't

998
01:05:43,640 --> 01:05:45,800
Speaker 1: know that in the shoot, I don't know what that ship.

999
01:05:45,840 --> 01:05:48,320
Speaker 1: I don't do. So my thing was I wanted to

1000
01:05:48,360 --> 01:05:52,800
Speaker 1: be with art and so when I left, it was like, um,

1001
01:05:52,840 --> 01:05:54,680
Speaker 1: I had to find myself. And really, at the end

1002
01:05:54,680 --> 01:05:57,320
Speaker 1: of the day, I can't go anywhere because even to

1003
01:05:57,400 --> 01:06:00,320
Speaker 1: this day, I still talked to Todd, I still talked Hope,

1004
01:06:00,600 --> 01:06:02,800
Speaker 1: I still talked to X, I still talk to Job

1005
01:06:03,080 --> 01:06:06,920
Speaker 1: I still talk to your silly I'm your at the

1006
01:06:07,000 --> 01:06:08,400
Speaker 1: end of the day. That's so I don't know how

1007
01:06:08,480 --> 01:06:10,160
Speaker 1: to get out of it because it's emmy, you know,

1008
01:06:10,160 --> 01:06:13,280
Speaker 1: That's what I'm saying. I'm I'm a former artist, a DJ.

1009
01:06:14,240 --> 01:06:16,160
Speaker 1: When I was president. In my head to our hunters

1010
01:06:16,160 --> 01:06:19,000
Speaker 1: in office, everybody noticed that we used to fucking Maryland

1011
01:06:19,000 --> 01:06:23,440
Speaker 1: and hang out and and I'm just blessed pop, I'm

1012
01:06:23,480 --> 01:06:28,960
Speaker 1: miss blessed. Gotta be twin. I can't even be mad.

1013
01:06:29,040 --> 01:06:31,320
Speaker 1: You find out this twin like he got eight dollars

1014
01:06:31,320 --> 01:06:34,520
Speaker 1: in his pocket. He funked up. You got a right,

1015
01:06:35,080 --> 01:06:39,560
Speaker 1: but he's got good heart. We know Kevin lives. Man.

1016
01:06:39,600 --> 01:06:42,680
Speaker 1: I really appreciate you coming hanging out with us because

1017
01:06:42,720 --> 01:06:45,320
Speaker 1: you guys are so important to the culture. I love

1018
01:06:45,320 --> 01:06:48,000
Speaker 1: what you guys are doing that three hundred because I

1019
01:06:48,080 --> 01:06:50,000
Speaker 1: just I just love the fact that you guys can

1020
01:06:50,000 --> 01:06:52,120
Speaker 1: make all this money, have all this success, and then

1021
01:06:52,200 --> 01:06:55,840
Speaker 1: still want to be the people that helps the artists

1022
01:06:55,880 --> 01:06:59,960
Speaker 1: pushed forward. And that's that could because at the end

1023
01:07:00,040 --> 01:07:02,120
Speaker 1: to the day, it could have been like it's just

1024
01:07:02,120 --> 01:07:04,520
Speaker 1: all about us, y'all. But it's like you guys just

1025
01:07:04,640 --> 01:07:08,720
Speaker 1: like like I know these artists don't know who you are,

1026
01:07:09,360 --> 01:07:13,000
Speaker 1: and that's what would it like. For instance, like if

1027
01:07:13,000 --> 01:07:15,120
Speaker 1: Mellie Mali put me on a caress from put me

1028
01:07:15,200 --> 01:07:18,520
Speaker 1: on it's like, al right, cool, you know exactly who

1029
01:07:18,600 --> 01:07:21,680
Speaker 1: he is whatever. But Kevi's history is so rich le

1030
01:07:21,760 --> 01:07:23,880
Speaker 1: all history is so rich and they don't really bring

1031
01:07:23,920 --> 01:07:25,880
Speaker 1: it up. It's not like they go to the arts

1032
01:07:25,960 --> 01:07:27,760
Speaker 1: and be like, you know, I made such and such

1033
01:07:27,760 --> 01:07:30,040
Speaker 1: a such. They don't really live on the past like

1034
01:07:30,080 --> 01:07:32,080
Speaker 1: they said. So I know that's why I gave that

1035
01:07:32,200 --> 01:07:34,720
Speaker 1: love the day day because I'm like, yo, listening if

1036
01:07:34,760 --> 01:07:37,400
Speaker 1: you listen, because it's gonna come a time like I'm

1037
01:07:37,440 --> 01:07:40,480
Speaker 1: just keeping it real. I don't given who you are. Nobody.

1038
01:07:40,640 --> 01:07:42,960
Speaker 1: There's not a book that said that you got zero

1039
01:07:43,000 --> 01:07:45,160
Speaker 1: account in your account today and then tomorrow you got

1040
01:07:45,200 --> 01:07:50,440
Speaker 1: four hund and how to act after that four Like

1041
01:07:50,480 --> 01:07:53,000
Speaker 1: you know, when it's pending, you're looking like, oh, like

1042
01:07:53,320 --> 01:07:56,120
Speaker 1: is it coming in? But when they're really clears, you're like,

1043
01:07:56,160 --> 01:07:58,840
Speaker 1: I got four hunted and I could really do some

1044
01:07:58,920 --> 01:08:01,200
Speaker 1: ship And then you start you stopped listening to them

1045
01:08:01,240 --> 01:08:03,480
Speaker 1: because you think you did it on your own. I mean,

1046
01:08:03,520 --> 01:08:07,120
Speaker 1: that's artist syndrome. One on one you know what I'm saying, like, uh,

1047
01:08:07,160 --> 01:08:10,240
Speaker 1: and it's crazy because it might happen to you two

1048
01:08:10,360 --> 01:08:13,840
Speaker 1: or three times. It happened to me three times. You

1049
01:08:13,880 --> 01:08:18,680
Speaker 1: know what happened up? Penalty, Shut up, Tommy Boy. The

1050
01:08:19,200 --> 01:08:21,160
Speaker 1: Depth Jam, you know what I mean? And Depth Jam

1051
01:08:21,240 --> 01:08:23,800
Speaker 1: was like playing for the Yankees at that time, Like

1052
01:08:24,280 --> 01:08:27,960
Speaker 1: it was truly like playing for the Yankees. It was like,

1053
01:08:27,960 --> 01:08:31,040
Speaker 1: like I said, like I never went on tour that

1054
01:08:31,080 --> 01:08:34,560
Speaker 1: many times, Like Kevin Liles came to me and was like, look, motherfucker,

1055
01:08:35,240 --> 01:08:38,880
Speaker 1: we we here, but we need to be here and

1056
01:08:39,160 --> 01:08:41,400
Speaker 1: you might not see your family for the next two months.

1057
01:08:41,479 --> 01:08:44,439
Speaker 1: You can fly them out though, fly them out, but

1058
01:08:44,840 --> 01:08:47,599
Speaker 1: that that that does that still exist in hip hop

1059
01:08:47,760 --> 01:08:49,800
Speaker 1: and I'm glad you. But every year we put out

1060
01:08:49,800 --> 01:08:52,439
Speaker 1: a new artist tour. We put out Young Hustle Tour

1061
01:08:52,520 --> 01:08:55,080
Speaker 1: last year. Now we're dropping the Birth of a New

1062
01:08:55,160 --> 01:09:00,439
Speaker 1: Nation tour with Shot Lizzy um Day Day and P

1063
01:09:00,560 --> 01:09:05,000
Speaker 1: and b Rock goes out in November. Were always gonna

1064
01:09:05,240 --> 01:09:08,519
Speaker 1: invest in the street because what I hope to find

1065
01:09:08,560 --> 01:09:11,880
Speaker 1: in the city is the next Nor, the next pnb Rock,

1066
01:09:12,000 --> 01:09:14,680
Speaker 1: the next Shot Lizzie, the next day they and we

1067
01:09:14,760 --> 01:09:17,320
Speaker 1: go to every city I don't just invite fans. I

1068
01:09:17,400 --> 01:09:21,320
Speaker 1: invite hustlers, invite artists. I'm like, whoever making noise in

1069
01:09:21,320 --> 01:09:23,040
Speaker 1: the town, come out and hang out with us. But

1070
01:09:23,040 --> 01:09:24,800
Speaker 1: you're gonna look at my ship and you're gonna tell

1071
01:09:24,840 --> 01:09:26,600
Speaker 1: me how I'm gonna break my ship in your marketplace,

1072
01:09:26,920 --> 01:09:29,000
Speaker 1: and we're gonna get money together and not to me,

1073
01:09:29,120 --> 01:09:32,599
Speaker 1: you can't you get no better than that because again,

1074
01:09:33,640 --> 01:09:35,519
Speaker 1: like day, they still grown, so he don't really know

1075
01:09:35,560 --> 01:09:37,960
Speaker 1: how to engage like Norris, like I want Nora to

1076
01:09:38,280 --> 01:09:40,040
Speaker 1: funk with him all man, then I want him to

1077
01:09:40,320 --> 01:09:49,640
Speaker 1: want to win your artist development partner, you know. But

1078
01:09:49,720 --> 01:09:53,120
Speaker 1: I'm saying like, like to me, I want I want people. Um,

1079
01:09:53,840 --> 01:09:55,479
Speaker 1: the reason we do this tour because I want young

1080
01:09:55,560 --> 01:09:58,839
Speaker 1: artists to know that we believe that through touching your fans,

1081
01:09:59,160 --> 01:10:02,519
Speaker 1: you become arts, not just a record. And that's that's

1082
01:10:02,520 --> 01:10:04,960
Speaker 1: the difference. We're not. We're not with pop music like that.

1083
01:10:05,000 --> 01:10:06,640
Speaker 1: You know. We gotta get on our street. We have

1084
01:10:06,720 --> 01:10:08,559
Speaker 1: to be in the street because I feel like I

1085
01:10:08,600 --> 01:10:10,639
Speaker 1: feel like that too, because I feel like a lot

1086
01:10:10,680 --> 01:10:12,960
Speaker 1: of times these artists don't have training, like they don't

1087
01:10:13,000 --> 01:10:15,479
Speaker 1: have they don't have somebody like me, like like I

1088
01:10:15,880 --> 01:10:19,760
Speaker 1: remember seeing Um Young Doug go to UM Serious Satellite

1089
01:10:19,920 --> 01:10:22,719
Speaker 1: and I was remember seeing like him saying, y'all gonna

1090
01:10:22,760 --> 01:10:24,920
Speaker 1: play the record and then lee all going to sway

1091
01:10:25,040 --> 01:10:27,080
Speaker 1: and go into this air, and I was just like,

1092
01:10:28,240 --> 01:10:30,800
Speaker 1: people don't care that much. No more like you're the

1093
01:10:30,840 --> 01:10:34,280
Speaker 1: only company that fucking cares like that. Like, you know,

1094
01:10:34,640 --> 01:10:37,160
Speaker 1: shout out to Atlantic Records. I think. I think Kas

1095
01:10:37,200 --> 01:10:49,479
Speaker 1: and Julie Kiss. We give them a past. But welcome

1096
01:10:49,560 --> 01:10:52,840
Speaker 1: to play a new podcast network featuring radio and TV

1097
01:10:52,960 --> 01:10:57,320
Speaker 1: personalities talking business, sports, tech, entertainment, and more. Play it

1098
01:10:57,520 --> 01:11:02,280
Speaker 1: at play dot It. We're back to Drink Champs Radio

1099
01:11:02,439 --> 01:11:07,720
Speaker 1: with Rapper and R and d jes. So, Man, you're

1100
01:11:07,800 --> 01:11:11,360
Speaker 1: Kevin now, who's up? Oh? Ja? Kiss came in you

1101
01:11:11,400 --> 01:11:15,400
Speaker 1: straight from the gym? Yo? How do you look like

1102
01:11:15,439 --> 01:11:22,880
Speaker 1: you're coming from the gym? And you drunk? And I'm like, dad,

1103
01:11:25,320 --> 01:11:29,840
Speaker 1: kids out of control? J I can pass up hold.

1104
01:11:30,000 --> 01:11:34,120
Speaker 1: I'm gonna say something about Kiss quick so part of

1105
01:11:34,360 --> 01:11:39,600
Speaker 1: part of our culture, even if you weren't signed a

1106
01:11:39,680 --> 01:11:43,400
Speaker 1: DEF Gym or three hundred or any of that ship

1107
01:11:43,600 --> 01:11:47,000
Speaker 1: that straight, K I mean that ship going on. If

1108
01:11:47,040 --> 01:11:50,280
Speaker 1: you hip hop, you respect hip hop, I could call

1109
01:11:50,400 --> 01:11:53,800
Speaker 1: Kiss and say, Yo, this is what I'm thinking, This

1110
01:11:53,880 --> 01:11:55,720
Speaker 1: is what what what? This is what? He can call

1111
01:11:55,760 --> 01:11:57,879
Speaker 1: me too, and he can check me and say, yo,

1112
01:11:58,120 --> 01:12:02,240
Speaker 1: why y'all do that? And that to me is when

1113
01:12:02,240 --> 01:12:06,439
Speaker 1: you talk about true motherfucker's real people. This dude right here,

1114
01:12:06,920 --> 01:12:10,000
Speaker 1: he knew and by the way, show up. They ain't

1115
01:12:10,000 --> 01:12:13,360
Speaker 1: gotta worry about about homeboy And Mama told you about evolution.

1116
01:12:14,280 --> 01:12:17,240
Speaker 1: He's not a rapper, He's a man. You gotta stop

1117
01:12:17,800 --> 01:12:22,120
Speaker 1: like giving titles to real people like that. You know,

1118
01:12:22,400 --> 01:12:26,759
Speaker 1: this guy's a man. He's gonna go around and influence

1119
01:12:26,920 --> 01:12:29,760
Speaker 1: lots of people through his music, through his love, through

1120
01:12:29,760 --> 01:12:32,800
Speaker 1: his art, and that to me, he belongs in the

1121
01:12:32,840 --> 01:12:42,000
Speaker 1: Smith's only institute, My nigga, that's that was love. We

1122
01:12:42,000 --> 01:12:49,800
Speaker 1: gotta do a show. I didn't know that something. Yeah,

1123
01:12:50,280 --> 01:13:00,280
Speaker 1: I don't know out here flick okay bad you see,

1124
01:13:00,280 --> 01:13:02,400
Speaker 1: we kind of an executive room. We had the executives,

1125
01:13:02,640 --> 01:13:20,000
Speaker 1: you know what I mean? All right? I need here please? Yeah?

1126
01:13:20,120 --> 01:13:32,800
Speaker 1: The last one? All right? So classic jack kiss? What's

1127
01:13:32,840 --> 01:13:35,160
Speaker 1: going on with my brother? Baby? We did? We just

1128
01:13:35,280 --> 01:13:37,240
Speaker 1: rob beats together? You know you you went for the

1129
01:13:37,360 --> 01:13:41,640
Speaker 1: room back listen. I came back with the bag he

1130
01:13:41,720 --> 01:13:44,160
Speaker 1: came back with bags and the plog and Lee is

1131
01:13:44,240 --> 01:13:46,519
Speaker 1: trying to hold it. Don't get to attached in my

1132
01:13:46,600 --> 01:13:50,400
Speaker 1: bag your you got my hat, you got my ship.

1133
01:13:50,479 --> 01:13:54,920
Speaker 1: I'm watching you, yo. What's going on? Kiss? Why? You know?

1134
01:13:55,120 --> 01:13:58,040
Speaker 1: You know what I'm talking about the other day I said,

1135
01:13:58,040 --> 01:14:00,760
Speaker 1: we gotta do now now that we out of the show.

1136
01:14:00,800 --> 01:14:04,960
Speaker 1: But like a scripted show, everybody loves Jaya Kiss set

1137
01:14:04,960 --> 01:14:10,600
Speaker 1: it up. You got to connect right now. Let's keep that.

1138
01:14:12,600 --> 01:14:16,920
Speaker 1: Oh yeah, okay, is this twin you know twins Jada

1139
01:14:16,920 --> 01:14:21,479
Speaker 1: again the focus mewhere he broke his nigger that we

1140
01:14:21,520 --> 01:14:25,439
Speaker 1: got down with us, but he got a good hard,

1141
01:14:23,960 --> 01:14:27,760
Speaker 1: got good hard. See Jada Nori on TV to being

1142
01:14:27,880 --> 01:14:30,640
Speaker 1: here in person. You can see my friends and I'm

1143
01:14:30,720 --> 01:14:36,160
Speaker 1: drunking you a lout on my mic name not kicking

1144
01:14:36,160 --> 01:14:39,679
Speaker 1: out every episode. Let's get get your life together. Gets

1145
01:14:39,720 --> 01:14:42,439
Speaker 1: your life together, Ja cash Man, you just got the

1146
01:14:42,479 --> 01:14:44,600
Speaker 1: bad Boy to Yeah, yeah, he just came off the

1147
01:14:44,600 --> 01:14:49,000
Speaker 1: bad Boy Tour. It was a great, great family reunion

1148
01:14:49,080 --> 01:14:51,759
Speaker 1: grade you know what I mean. Everybody's in a great space.

1149
01:14:51,800 --> 01:14:55,719
Speaker 1: It It went real very successful. Yesterday, I've seen something

1150
01:14:55,800 --> 01:14:58,200
Speaker 1: very interesting. We was at the college pick up the

1151
01:14:58,240 --> 01:15:00,839
Speaker 1: college he got his own camps out of the students,

1152
01:15:01,000 --> 01:15:03,360
Speaker 1: and I walked into a conversation. I was you and

1153
01:15:03,439 --> 01:15:06,280
Speaker 1: Mace there and Mason's like, I'll do yes, ship, but

1154
01:15:06,320 --> 01:15:08,240
Speaker 1: I ain't going to the breakfast club. And I was like,

1155
01:15:08,720 --> 01:15:10,880
Speaker 1: he was like, because I'll be wanting to fight the

1156
01:15:11,080 --> 01:15:13,559
Speaker 1: Mace say even wanting to fight? That was exact word.

1157
01:15:15,800 --> 01:15:19,160
Speaker 1: I don't even wanting to fight, and don't be fight.

1158
01:15:20,520 --> 01:15:25,000
Speaker 1: I ain't gonna hold on, I say, Maze, it's crazy.

1159
01:15:25,160 --> 01:15:27,439
Speaker 1: I think, Oh, he bought that life on the lu

1160
01:15:27,560 --> 01:15:31,479
Speaker 1: You think so, I eat ain't got beef for song.

1161
01:15:32,280 --> 01:15:36,000
Speaker 1: I don't even know what. Probably it probably was. They

1162
01:15:36,040 --> 01:15:39,320
Speaker 1: probably don't talk too kindly of him up there. I

1163
01:15:39,320 --> 01:15:42,880
Speaker 1: don't really know what the was his breakfast club, the

1164
01:15:43,000 --> 01:15:45,639
Speaker 1: strepping see is. But we we heard him say he'd

1165
01:15:45,720 --> 01:15:48,679
Speaker 1: do the drink champs though, And that's right. We want

1166
01:15:48,680 --> 01:15:51,040
Speaker 1: you here and then you can fight whoever you want

1167
01:15:51,040 --> 01:15:55,200
Speaker 1: over here. It's okay, we don't mind. I'm just playing Mace.

1168
01:15:55,240 --> 01:15:57,880
Speaker 1: You know, I've seen him stk out the day we

1169
01:15:57,960 --> 01:16:00,160
Speaker 1: sat there, chopped it up. It was awkward, but as

1170
01:16:00,160 --> 01:16:03,360
Speaker 1: I did offer him a drink, not of disrespect. That's

1171
01:16:03,400 --> 01:16:05,280
Speaker 1: what you do that's what I do now. He just

1172
01:16:05,320 --> 01:16:07,080
Speaker 1: looked at me like no, And I was like, oh yeah,

1173
01:16:07,120 --> 01:16:09,000
Speaker 1: I forgot, you know, the whole thing. But I want

1174
01:16:09,000 --> 01:16:10,840
Speaker 1: to pick up want to pick up the Bad Boy

1175
01:16:11,360 --> 01:16:15,320
Speaker 1: Um Reunion tour because I went to see y'all in Vegas. Uh,

1176
01:16:17,479 --> 01:16:20,519
Speaker 1: and you guys were very professional, Like I'm talking about

1177
01:16:20,600 --> 01:16:24,280
Speaker 1: everybody I was on time that was there before. There

1178
01:16:24,360 --> 01:16:29,000
Speaker 1: was a prayer that happened, like that ship was flawless.

1179
01:16:29,720 --> 01:16:32,360
Speaker 1: Did he big shot out? The big shot out to

1180
01:16:32,360 --> 01:16:35,360
Speaker 1: the whole staff. They it was really like a theatrical

1181
01:16:35,520 --> 01:16:37,200
Speaker 1: play that to him, you know what I mean, it

1182
01:16:37,240 --> 01:16:40,920
Speaker 1: was a it was a nineties hip hop mentally of

1183
01:16:41,240 --> 01:16:43,599
Speaker 1: you know, the hints that was made back then, but

1184
01:16:44,160 --> 01:16:46,760
Speaker 1: the structure and the format of it, like he said,

1185
01:16:46,800 --> 01:16:49,760
Speaker 1: it was like it's like a play. Like everybody on time,

1186
01:16:49,880 --> 01:16:54,000
Speaker 1: anybody backstage getting miked up. They went very successful. It

1187
01:16:54,040 --> 01:16:56,240
Speaker 1: was a good I actually want to do some more

1188
01:16:56,240 --> 01:16:59,280
Speaker 1: because try to furnish this new house. I just let's

1189
01:16:59,320 --> 01:17:04,240
Speaker 1: make the more for that. I got Jada motherfucking kill you.

1190
01:17:04,400 --> 01:17:08,439
Speaker 1: Listen my Nigga k K in the building. Listen, I'm

1191
01:17:08,479 --> 01:17:14,880
Speaker 1: in listen, listen. Ship and then nobody credit card in

1192
01:17:15,080 --> 01:17:17,200
Speaker 1: this room. Right, it's a vault credit card. We're gonna charge.

1193
01:17:17,280 --> 01:17:25,200
Speaker 1: We're gonna smoke and charge it to the vault. Trying

1194
01:17:25,200 --> 01:17:28,639
Speaker 1: to ag see him. I see you. It's going down.

1195
01:17:29,400 --> 01:17:31,920
Speaker 1: Listen to the vote. Uh you man, I just want

1196
01:17:31,960 --> 01:17:34,920
Speaker 1: to pick up a vote this conference because definite Since

1197
01:17:35,000 --> 01:17:38,400
Speaker 1: like Mixed Show, Power Summit, I haven't even if it

1198
01:17:38,560 --> 01:17:41,080
Speaker 1: has been like fake conferences, I haven't been a part

1199
01:17:41,080 --> 01:17:43,439
Speaker 1: of them. And when I was a part of them,

1200
01:17:43,439 --> 01:17:46,400
Speaker 1: our came it was not put together. Like last night,

1201
01:17:46,439 --> 01:17:48,040
Speaker 1: I just walked through the lobby. I got to see you.

1202
01:17:48,080 --> 01:17:50,679
Speaker 1: I got to see Jim Jones, I got to see

1203
01:17:50,680 --> 01:17:54,360
Speaker 1: too Harry, I got to see DJ Quick Quicksilver, I

1204
01:17:54,400 --> 01:17:56,800
Speaker 1: got to see s and I got to see Clark

1205
01:17:56,880 --> 01:17:59,120
Speaker 1: can't Clark can't Big Clark, can't scare because when I'm

1206
01:17:59,360 --> 01:18:01,400
Speaker 1: I know clau kn' starts. You know what I'm saying,

1207
01:18:01,560 --> 01:18:03,599
Speaker 1: He's stay a little he's a little nervous in the drink, Chap.

1208
01:18:03,640 --> 01:18:06,439
Speaker 1: But we're getting your ass on here, clock um, but

1209
01:18:06,479 --> 01:18:08,799
Speaker 1: bick up to everybody, because that's what the music business.

1210
01:18:09,160 --> 01:18:12,600
Speaker 1: You know. You know, one of the uh, one of

1211
01:18:12,640 --> 01:18:14,880
Speaker 1: the best nights I ever had in my life was

1212
01:18:14,920 --> 01:18:17,720
Speaker 1: when Hot nineties, Hot ninety seven had something called Hot

1213
01:18:17,800 --> 01:18:20,519
Speaker 1: Night Jamaica. You always tell me that, and they out

1214
01:18:20,560 --> 01:18:23,160
Speaker 1: there and they flew out there and we had no choice,

1215
01:18:23,200 --> 01:18:25,679
Speaker 1: like hole, Like this is a true story. The hope

1216
01:18:26,439 --> 01:18:29,960
Speaker 1: they the other rooms was wast was booked, so hope

1217
01:18:29,960 --> 01:18:32,160
Speaker 1: I had to stay in the same hotel as us

1218
01:18:32,280 --> 01:18:34,040
Speaker 1: domain that we had to stay in the same hotel,

1219
01:18:34,479 --> 01:18:37,320
Speaker 1: like we're all in one hotel, and it just it

1220
01:18:37,479 --> 01:18:40,599
Speaker 1: got a chance for people to meet each other, like alright, cool,

1221
01:18:40,640 --> 01:18:42,400
Speaker 1: I want you on the record, you an't answer, or

1222
01:18:42,439 --> 01:18:44,400
Speaker 1: you wanted me on record, I ain't answer. Now we're

1223
01:18:44,400 --> 01:18:47,640
Speaker 1: just sitting down drinking red stripes. You know what I'm saying.

1224
01:18:48,120 --> 01:18:50,960
Speaker 1: And you're like, oh but And that's what this reminded

1225
01:18:51,000 --> 01:18:53,960
Speaker 1: me of. This music conference was like you know, um,

1226
01:18:54,640 --> 01:18:57,040
Speaker 1: I spoke to Ja Rule. Rule had flew out here.

1227
01:18:57,560 --> 01:19:00,719
Speaker 1: Uh DMX is out here, and it's like, I think

1228
01:19:01,200 --> 01:19:04,160
Speaker 1: Voter is doing is an awesome thing. This is an

1229
01:19:04,160 --> 01:19:06,280
Speaker 1: awesome thing. They bring it back to the assets. Do

1230
01:19:06,280 --> 01:19:09,240
Speaker 1: you think that's important for us? Definitely important for us.

1231
01:19:09,960 --> 01:19:14,719
Speaker 1: It's not even important for us. It's important for the culture.

1232
01:19:14,720 --> 01:19:18,000
Speaker 1: It's important for the new artists to know how to

1233
01:19:18,200 --> 01:19:21,240
Speaker 1: how what we went through, and how the structure and

1234
01:19:21,240 --> 01:19:26,200
Speaker 1: and how the networking the bigger, the bigger picture of

1235
01:19:26,240 --> 01:19:27,960
Speaker 1: this hip hop industry, you know what I mean than

1236
01:19:28,040 --> 01:19:30,439
Speaker 1: just being an artist or being a producer. How to

1237
01:19:30,479 --> 01:19:33,120
Speaker 1: get longevity, how to be in it for years? How

1238
01:19:33,200 --> 01:19:36,000
Speaker 1: to set up you build your brand and get your

1239
01:19:36,040 --> 01:19:38,840
Speaker 1: revenue right, you know what I mean? When I got

1240
01:19:38,880 --> 01:19:43,600
Speaker 1: to New York. But I'm gonna have to cut you

1241
01:19:43,640 --> 01:19:51,880
Speaker 1: off because nobody asked you. You know, I didn't know.

1242
01:19:53,080 --> 01:19:54,720
Speaker 1: I didn't know neither. But for the record, let me

1243
01:19:54,760 --> 01:19:57,720
Speaker 1: just explain this. What happened was we were supposed to

1244
01:19:57,760 --> 01:20:01,120
Speaker 1: do gyrou earlier, and we were supposed to do kids

1245
01:20:01,160 --> 01:20:05,719
Speaker 1: at that We're supposed to do this. What really happened? Yeah,

1246
01:20:05,760 --> 01:20:08,439
Speaker 1: you're right, I missed it because I asked something to do.

1247
01:20:10,040 --> 01:20:15,639
Speaker 1: Yeah did he like? Yo? Do you? And J That's

1248
01:20:15,640 --> 01:20:17,519
Speaker 1: how it happened, and that's how it happened. And because

1249
01:20:17,560 --> 01:20:20,400
Speaker 1: to that episode, we got Dog Pound with Tony Yale

1250
01:20:22,000 --> 01:20:28,320
Speaker 1: mixing collaboral drink Chance and you still want to collavorate

1251
01:20:28,400 --> 01:20:32,639
Speaker 1: drink chance to be just maybe? But you know what, kids,

1252
01:20:32,720 --> 01:20:34,320
Speaker 1: you know what, you know what the crazy thing is?

1253
01:20:34,560 --> 01:20:35,960
Speaker 1: You know, I want to thank you. I want to

1254
01:20:35,960 --> 01:20:38,679
Speaker 1: thank all the artists because at the end of the day, um,

1255
01:20:38,880 --> 01:20:42,000
Speaker 1: you know style chic, I mean, just everybody who participated

1256
01:20:42,000 --> 01:20:44,640
Speaker 1: in Drink Chance because me and my part of d

1257
01:20:44,720 --> 01:20:47,120
Speaker 1: J E FM, we had an idea what we was

1258
01:20:47,120 --> 01:20:50,400
Speaker 1: gonna do, but we freestyled everything and and y'all could

1259
01:20:50,400 --> 01:20:52,759
Speaker 1: have shut us down. You could have been like, think whatever,

1260
01:20:53,000 --> 01:20:55,599
Speaker 1: you know what I'm saying. And you know, Fat Joe

1261
01:20:55,680 --> 01:20:58,160
Speaker 1: was our first episode that we put out. It wasn't

1262
01:20:58,160 --> 01:21:00,599
Speaker 1: the first one. It was the first one. The first

1263
01:21:00,600 --> 01:21:04,960
Speaker 1: woman called was Kenny Anderson. Um, and then like I

1264
01:21:05,080 --> 01:21:07,400
Speaker 1: really called my friends like you know what I'm saying.

1265
01:21:07,479 --> 01:21:10,320
Speaker 1: So you know, um, like when I asked people if

1266
01:21:10,320 --> 01:21:12,880
Speaker 1: they eat ass, so how many abortions they had? Like

1267
01:21:12,920 --> 01:21:18,200
Speaker 1: a lot of people can't. Got weird, got weir me

1268
01:21:18,240 --> 01:21:20,519
Speaker 1: lose avertime, But a lot of people they like they

1269
01:21:20,560 --> 01:21:22,800
Speaker 1: can't ask Fat Joe that, you know what I'm saying.

1270
01:21:23,040 --> 01:21:28,719
Speaker 1: They can't. Freddie B's freddie B's Jason. Who's oh Freddy

1271
01:21:28,840 --> 01:21:37,000
Speaker 1: vers Jason? Okay, yeah, yo yo yo Dominic Dominican Texas.

1272
01:21:37,880 --> 01:21:53,840
Speaker 1: That's what That's what he texted. The Medici wrote it.

1273
01:21:54,320 --> 01:22:06,200
Speaker 1: He wrote it especially the first special to memican in Domedican.

1274
01:22:07,320 --> 01:22:10,840
Speaker 1: I ain't tell you pop that, no no, no, let's

1275
01:22:10,880 --> 01:22:12,760
Speaker 1: get cold. You can't do that. J kiss. Man, he's

1276
01:22:12,760 --> 01:22:16,240
Speaker 1: a important nicklas. You know I'm losing might a bottles,

1277
01:22:17,479 --> 01:22:22,760
Speaker 1: big y'all, a big y'all up the dread Chimps barbeque

1278
01:22:23,160 --> 01:22:27,800
Speaker 1: because somehow the Moett people came to the studio the

1279
01:22:27,920 --> 01:22:31,599
Speaker 1: big give me the kiss. We called those How that happened?

1280
01:22:33,439 --> 01:22:35,120
Speaker 1: That's the visions where I saw one of this. This

1281
01:22:35,280 --> 01:22:38,160
Speaker 1: is here's the thing like, because midget don't want to

1282
01:22:38,160 --> 01:22:41,439
Speaker 1: be called midgets no more. So I don't want little people,

1283
01:22:41,479 --> 01:22:44,040
Speaker 1: but I don't want that world to just go away.

1284
01:22:44,680 --> 01:22:54,080
Speaker 1: So um yes, that be honest. So those bottles of

1285
01:22:54,160 --> 01:22:59,519
Speaker 1: my way el was called midgets. You know this is

1286
01:22:59,640 --> 01:23:01,960
Speaker 1: spect to the main community. I don't mean that no more,

1287
01:23:02,280 --> 01:23:05,439
Speaker 1: no more. You know what I'm saying. You saw and

1288
01:23:05,520 --> 01:23:07,400
Speaker 1: he can take your bottom. He had to get you

1289
01:23:07,479 --> 01:23:09,160
Speaker 1: another one. The next thing he wrought, Oh yeah on

1290
01:23:09,320 --> 01:23:12,200
Speaker 1: yonkers and yah that was that was my man. We

1291
01:23:12,320 --> 01:23:14,719
Speaker 1: just finished winning. That was because it was a tournament

1292
01:23:14,800 --> 01:23:18,000
Speaker 1: on my block that I don't calling midnight basketball tournament

1293
01:23:18,640 --> 01:23:22,120
Speaker 1: and we had just finished ball at midnight. Yeah, they

1294
01:23:22,160 --> 01:23:28,360
Speaker 1: gotta niggas get shot y'all basketball on this monet. I

1295
01:23:28,439 --> 01:23:32,040
Speaker 1: heard of this ship though, and I was over there

1296
01:23:32,120 --> 01:23:34,800
Speaker 1: talking to one of my man's and he can just

1297
01:23:34,920 --> 01:23:37,280
Speaker 1: pop my boy. I mean the bottle was already poplar.

1298
01:23:37,439 --> 01:23:40,680
Speaker 1: You got that, don't even drink, just started indulging in.

1299
01:23:41,560 --> 01:23:43,880
Speaker 1: I had. Yeah, he my man the white Mark, he

1300
01:23:43,960 --> 01:23:46,240
Speaker 1: actually got moment show off that he got about bigger

1301
01:23:46,280 --> 01:23:48,439
Speaker 1: white mark. My mom's called me one day and ship

1302
01:23:49,720 --> 01:23:55,559
Speaker 1: right back on this white boy on the said, gott oh,

1303
01:23:56,000 --> 01:24:00,599
Speaker 1: I'm talking about real good assistant just not getting this week.

1304
01:24:02,320 --> 01:24:06,880
Speaker 1: I gotta teach it. I gotta teach you balance spelled

1305
01:24:06,920 --> 01:24:12,840
Speaker 1: backwards level. You gotta balance it, kissing. What's going on

1306
01:24:12,960 --> 01:24:16,040
Speaker 1: in hip hop? Have you what you ever think that

1307
01:24:16,760 --> 01:24:21,400
Speaker 1: what's going on like in Philly was even possible, because

1308
01:24:21,479 --> 01:24:24,439
Speaker 1: it's kind of sad when you think about it. Anything's

1309
01:24:24,479 --> 01:24:30,560
Speaker 1: possible though with this fucking fun anything that happened, but

1310
01:24:30,840 --> 01:24:35,240
Speaker 1: um yeah, that was actually the only discrepan ship of

1311
01:24:35,280 --> 01:24:37,599
Speaker 1: the tour, that incident in Philly, That's the only thing

1312
01:24:37,680 --> 01:24:41,839
Speaker 1: that was the only thing that happened. So so what happened?

1313
01:24:42,000 --> 01:24:43,880
Speaker 1: So what happened in your opinion. Like I mean, I

1314
01:24:44,000 --> 01:24:45,560
Speaker 1: was in my room. I ain't actually see it, but

1315
01:24:45,880 --> 01:24:48,839
Speaker 1: I guess it was some type of altercation with somebody

1316
01:24:48,880 --> 01:24:54,640
Speaker 1: from Meeks camping Seagull, Right, Yeah, so it's it's it's like,

1317
01:24:54,840 --> 01:24:58,920
Speaker 1: you know, when y'all was battling the rock and even

1318
01:24:59,000 --> 01:25:02,400
Speaker 1: battling the state property or even g unit, it felt

1319
01:25:02,479 --> 01:25:06,760
Speaker 1: like there was no hands that, you know what I'm saying.

1320
01:25:06,800 --> 01:25:10,760
Speaker 1: It was put on anybody so as not to cut

1321
01:25:10,840 --> 01:25:14,920
Speaker 1: you off those those times. It was really though if

1322
01:25:14,960 --> 01:25:18,640
Speaker 1: you actually because it was when those somebody could have

1323
01:25:18,680 --> 01:25:22,240
Speaker 1: really got put down back then, you know what I mean.

1324
01:25:22,520 --> 01:25:24,840
Speaker 1: So it was it was like more intense if you

1325
01:25:24,880 --> 01:25:29,479
Speaker 1: asked me then now with the Internet, because before when

1326
01:25:29,520 --> 01:25:31,559
Speaker 1: you had a problem, you had to see a nigger

1327
01:25:32,120 --> 01:25:35,000
Speaker 1: n go to the studio. Now you can just go

1328
01:25:35,160 --> 01:25:38,000
Speaker 1: on Twitter. You can stay in the crib in the

1329
01:25:38,600 --> 01:25:42,280
Speaker 1: fight from behind the keyboard. So it's a different. It's different,

1330
01:25:42,439 --> 01:25:44,479
Speaker 1: but you know, and they're fighting for the camera. It

1331
01:25:44,560 --> 01:25:48,320
Speaker 1: stays on wax. It's therapeutic for hip hop. Once it

1332
01:25:48,400 --> 01:25:51,560
Speaker 1: gets hands on and people start getting something, you know,

1333
01:25:51,760 --> 01:25:55,439
Speaker 1: struck vigorously, it can go a different way. A great world.

1334
01:25:55,479 --> 01:25:58,880
Speaker 1: I love that word vigorously. No, No, I got that already.

1335
01:25:58,920 --> 01:26:02,040
Speaker 1: Vigorously and enthusiat stick been on. It had been in

1336
01:26:02,120 --> 01:26:07,040
Speaker 1: my catalog in my um what's it called for? Nacolo?

1337
01:26:08,560 --> 01:26:10,840
Speaker 1: That three big words I used together? Use them all right?

1338
01:26:10,880 --> 01:26:13,920
Speaker 1: Now you know what what what's the other word? Tax?

1339
01:26:14,000 --> 01:26:21,720
Speaker 1: Soone told us, you know, conscrued, corroborate with and we

1340
01:26:21,800 --> 01:26:27,640
Speaker 1: know we learned words on this podcast kissing correlate. So

1341
01:26:27,760 --> 01:26:39,280
Speaker 1: can mere at least say that, uh, correlate that means running.

1342
01:26:39,439 --> 01:26:41,880
Speaker 1: That's what y'all. I don't know that is that is

1343
01:26:41,960 --> 01:26:46,000
Speaker 1: missed the leaf from star Rock Clothing. I'm here, I'm

1344
01:26:46,400 --> 01:26:48,880
Speaker 1: I'm telling for runing them they should buy his clothes line.

1345
01:26:49,320 --> 01:26:52,120
Speaker 1: Just put him on his clothes line. Is hard. Yeah,

1346
01:26:52,200 --> 01:26:54,760
Speaker 1: let's do it. But let's do it. Juice balls, don't kiss.

1347
01:26:54,800 --> 01:26:57,120
Speaker 1: You just opened up Brooklyn shout out the b K.

1348
01:26:57,320 --> 01:27:01,799
Speaker 1: We opened one on Malcolm Metch All right, yeah, we're working.

1349
01:27:01,920 --> 01:27:03,439
Speaker 1: Can we get that in Miami? We need to do that.

1350
01:27:08,200 --> 01:27:10,160
Speaker 1: I was gonna get in, but then if we started

1351
01:27:10,240 --> 01:27:11,920
Speaker 1: drink camps, it's like, I may not, it may not

1352
01:27:12,040 --> 01:27:16,519
Speaker 1: relationship perfectly in the morning. Juice up in the morning.

1353
01:27:16,560 --> 01:27:21,120
Speaker 1: We get in the morning and we not if we

1354
01:27:21,240 --> 01:27:24,160
Speaker 1: open up a juice or drink chaps for life, right,

1355
01:27:25,800 --> 01:27:31,280
Speaker 1: drink for like. So in the daytime juice up, you

1356
01:27:31,479 --> 01:27:34,920
Speaker 1: get a little tiger, but then at nighttime just tiger

1357
01:27:35,040 --> 01:27:38,799
Speaker 1: googleg boggy, all of the and all of the fouls

1358
01:27:39,080 --> 01:27:41,559
Speaker 1: like us in the world. It just brings you under

1359
01:27:41,600 --> 01:27:43,800
Speaker 1: the table. The bump bumps. Yeah, you just gotta get

1360
01:27:43,880 --> 01:27:48,679
Speaker 1: under the alright, alright, alright, alright, twin, I like your job,

1361
01:27:48,800 --> 01:27:51,599
Speaker 1: got do your job. It's just snap. So gata kiss man?

1362
01:27:52,800 --> 01:27:55,040
Speaker 1: What what? What? What's going on? So? Yeah, you're doing

1363
01:27:55,720 --> 01:27:58,639
Speaker 1: a juice Bobby. At least show heard something like MTV

1364
01:27:58,880 --> 01:28:01,240
Speaker 1: or something that greenless some ship. You and camera camera

1365
01:28:01,400 --> 01:28:03,640
Speaker 1: got some ship. And then also the y'all got a

1366
01:28:03,720 --> 01:28:06,360
Speaker 1: juice ball ship. I think we got one in the um.

1367
01:28:07,240 --> 01:28:09,360
Speaker 1: I think we got We don't talks. We didn't talk

1368
01:28:09,400 --> 01:28:12,800
Speaker 1: to MTV to make something happen. Niggas really lit up.

1369
01:28:13,640 --> 01:28:16,599
Speaker 1: I thought y'all was playing ramon. I ain't got nothing

1370
01:28:16,640 --> 01:28:20,799
Speaker 1: to do with it too. I look like I ain't smoking.

1371
01:28:21,000 --> 01:28:32,800
Speaker 1: It's act like somebody little snoop gets to They said that, yeah, y'all,

1372
01:28:32,920 --> 01:28:36,920
Speaker 1: motherfucker's Yeah, this is loud nigger. That ship ain't doing

1373
01:28:37,040 --> 01:28:40,360
Speaker 1: nothing that covering the head. We're smoking live on a

1374
01:28:40,439 --> 01:28:47,080
Speaker 1: re vault. Man about to get the sprinkle. So look,

1375
01:28:47,120 --> 01:28:49,400
Speaker 1: I just want to throw this out there, The bog

1376
01:28:49,760 --> 01:28:57,040
Speaker 1: the Bogey. Nominees are Mac Miller, Joe but Post Malone,

1377
01:28:58,560 --> 01:29:06,439
Speaker 1: and r E. My nigga, Ca ro Spies and lesson.

1378
01:29:06,520 --> 01:29:08,840
Speaker 1: A lot of people don't know who K is, but

1379
01:29:08,920 --> 01:29:13,160
Speaker 1: he the buggy nigga. Yeah, I'm gonna throw that out there.

1380
01:29:13,160 --> 01:29:15,200
Speaker 1: Come on, shout out to Instagram and all that. Come on.

1381
01:29:18,360 --> 01:29:22,400
Speaker 1: You know what I'm saying. I stopped smoking. I stopped

1382
01:29:22,439 --> 01:29:25,479
Speaker 1: smoking for like six months and Kay didn't talk to

1383
01:29:25,560 --> 01:29:29,760
Speaker 1: me that those six months. Yeah, that was that was

1384
01:29:29,840 --> 01:29:33,840
Speaker 1: the That was the new. No, I wasn't family. K

1385
01:29:34,120 --> 01:29:38,040
Speaker 1: was like, I like you, But nigga where the other nigga?

1386
01:29:38,680 --> 01:29:40,920
Speaker 1: You know what I'm saying, that's my nigga. K Man, Okay,

1387
01:29:41,000 --> 01:29:43,320
Speaker 1: you've been you know, that's the first time in need

1388
01:29:43,400 --> 01:29:47,320
Speaker 1: for anything in him In the dream chapter ward you

1389
01:29:47,360 --> 01:29:50,360
Speaker 1: know We're giving Puff is also nominated for I'm asked

1390
01:29:50,400 --> 01:29:53,599
Speaker 1: Eat the year We're Gonna Eat. Yeah, you didn't put

1391
01:29:53,600 --> 01:29:58,519
Speaker 1: that man that dominated for yea um, but K you

1392
01:29:58,600 --> 01:30:00,439
Speaker 1: know I feel like that in a year to crazy,

1393
01:30:00,680 --> 01:30:03,560
Speaker 1: y'all fighting. A lot of nigga's been hitting me like

1394
01:30:03,640 --> 01:30:06,160
Speaker 1: Jack Doore Little been hitting me like yo what Yeah,

1395
01:30:06,360 --> 01:30:10,360
Speaker 1: like yo, you know Pop can't win that award over me.

1396
01:30:10,760 --> 01:30:12,880
Speaker 1: And I'm like, whoever nice to me that night? Nigga?

1397
01:30:12,960 --> 01:30:15,800
Speaker 1: You know, we might give it to him. But looks

1398
01:30:15,800 --> 01:30:18,960
Speaker 1: a real bogie nigga the year. Um for years, I've

1399
01:30:18,960 --> 01:30:21,080
Speaker 1: been seeing this nigga. Listen and we know what I

1400
01:30:21,120 --> 01:30:24,479
Speaker 1: want to. I want to promote you more because I

1401
01:30:24,640 --> 01:30:28,920
Speaker 1: see you and Jada together, y'all. Loyalty is serious. That's

1402
01:30:29,040 --> 01:30:33,840
Speaker 1: really your your friend from the from from getting third

1403
01:30:33,960 --> 01:30:38,120
Speaker 1: grade ship, ms Ebanks class. That's what it's about, though,

1404
01:30:38,160 --> 01:30:40,200
Speaker 1: a lot of people don't have that now and keep

1405
01:30:42,040 --> 01:30:44,640
Speaker 1: we're gonna get blow up. Nigga's got to keep the

1406
01:30:44,680 --> 01:30:49,760
Speaker 1: tower on the door and be quiet. But that's how

1407
01:30:49,840 --> 01:30:54,160
Speaker 1: it is, though, you know, loyalty is everything. Bogey ness though,

1408
01:30:54,640 --> 01:30:56,720
Speaker 1: because he's working out, he's looking good, right yea, yeah,

1409
01:30:56,800 --> 01:30:59,200
Speaker 1: you gotta get back. You see on the track with

1410
01:30:59,360 --> 01:31:02,680
Speaker 1: the bogey Yeah, next the water is supposed to go

1411
01:31:02,760 --> 01:31:08,479
Speaker 1: on the chap. I got to light one. It's bad

1412
01:31:12,040 --> 01:31:14,759
Speaker 1: smoking bogie at the running Canyon, I slow the bogie

1413
01:31:14,800 --> 01:31:18,920
Speaker 1: during running going up, I got up. I was like, yeah,

1414
01:31:19,000 --> 01:31:22,600
Speaker 1: boger man, I mean too, I do the same things.

1415
01:31:24,520 --> 01:31:33,280
Speaker 1: Come on, Ali, nobody up yo. Yo's okay man, I

1416
01:31:33,360 --> 01:31:35,880
Speaker 1: want to honor you because you're coming up the We're

1417
01:31:35,880 --> 01:31:39,360
Speaker 1: still doing the Drink Champs Awards January twod for all

1418
01:31:39,439 --> 01:31:41,680
Speaker 1: the people that's that's the Hangover Awards. It's the day

1419
01:31:41,680 --> 01:31:45,559
Speaker 1: after New Year's um so, so we're trying to catch

1420
01:31:45,640 --> 01:31:48,479
Speaker 1: everybody that's in puff House. When y'all leave puff House

1421
01:31:48,560 --> 01:31:51,400
Speaker 1: come to the Drink Champs and we're gonna broadcast this.

1422
01:31:51,479 --> 01:31:55,760
Speaker 1: We're dead seriously, Oh I forgot busters a bogie mominee. Uh.

1423
01:31:56,280 --> 01:31:59,040
Speaker 1: We have to ask either and he thinks he got it,

1424
01:31:59,120 --> 01:32:03,160
Speaker 1: but we're not sure. I'm just saying, look, I'm just

1425
01:32:03,240 --> 01:32:05,960
Speaker 1: saying I'm gonna keep it red because he's claiming that

1426
01:32:06,000 --> 01:32:08,880
Speaker 1: I want to give it. The pup got bad and

1427
01:32:09,080 --> 01:32:12,160
Speaker 1: he just he proposed it to Angeline. Yeah yo, yo,

1428
01:32:12,200 --> 01:32:14,439
Speaker 1: we have Angelina on the other day. He was like

1429
01:32:14,520 --> 01:32:17,680
Speaker 1: this Eddie the ass Angeline start getting red. He's like,

1430
01:32:17,960 --> 01:32:23,600
Speaker 1: I'll eat your ass, like offering got man weird? He

1431
01:32:23,720 --> 01:32:28,560
Speaker 1: got weird. Yea. We found niggers over oh ship that

1432
01:32:28,720 --> 01:32:34,760
Speaker 1: looked like the police. You know me, I'm so much

1433
01:32:35,200 --> 01:32:51,400
Speaker 1: I was. Now we're putting you on the podcast for Amos.

1434
01:32:54,520 --> 01:32:58,479
Speaker 1: I'm going, oh lord, what do you get in? Yeah? Yeah,

1435
01:32:59,120 --> 01:33:01,200
Speaker 1: he form a vote. You know what you're doing. You

1436
01:33:01,320 --> 01:33:03,400
Speaker 1: know you can't even do that? Yeah, I know. To

1437
01:33:04,960 --> 01:33:11,160
Speaker 1: sit down this industry shirt. This is Sean Press. Everybody

1438
01:33:11,800 --> 01:33:16,080
Speaker 1: ran bad Boy for eighteen years, still running bad Boy.

1439
01:33:16,800 --> 01:33:18,240
Speaker 1: He does what he do like he does. We gotta

1440
01:33:18,240 --> 01:33:24,320
Speaker 1: do around the corner hyd War. That thing is sitting

1441
01:33:24,320 --> 01:33:26,280
Speaker 1: here dressed in all right like he's down on South.

1442
01:33:26,360 --> 01:33:31,040
Speaker 1: Out of here. Let's go shar Press. Tell these people

1443
01:33:31,120 --> 01:33:34,439
Speaker 1: what's going on. Man, we're having a good weekend down here.

1444
01:33:34,560 --> 01:33:37,160
Speaker 1: I love what your brothers is doing. Man, I love it.

1445
01:33:37,200 --> 01:33:39,240
Speaker 1: If I didn't get a chance to say, if we

1446
01:33:39,360 --> 01:33:41,960
Speaker 1: go back so far, knowing we go back so far.

1447
01:33:42,080 --> 01:33:44,519
Speaker 1: I love what y'are doing. Man, We appreciate you, but

1448
01:33:44,640 --> 01:33:47,320
Speaker 1: we want to show you. We like to and people

1449
01:33:47,360 --> 01:33:49,800
Speaker 1: behind the scene because that's who you are, and you

1450
01:33:49,920 --> 01:33:52,880
Speaker 1: make a lot of things shaking big just to give

1451
01:33:52,920 --> 01:33:54,720
Speaker 1: these people a little bit of history. Are you and

1452
01:33:54,840 --> 01:33:59,000
Speaker 1: how you perform? Okay, real quick, who's showing Press Shawan Press,

1453
01:33:59,120 --> 01:34:08,799
Speaker 1: go back into bad Boy moved on started my company,

1454
01:34:08,880 --> 01:34:14,519
Speaker 1: Palm Moves. You know, it's instrumental. You know, Puff is

1455
01:34:14,520 --> 01:34:16,880
Speaker 1: a wonderful person because it's as long as you're down

1456
01:34:16,960 --> 01:34:20,000
Speaker 1: with Puff in your hall, worker, you always gonna be

1457
01:34:20,080 --> 01:34:22,760
Speaker 1: part of the system. And that's one. If you leave,

1458
01:34:22,920 --> 01:34:29,360
Speaker 1: oh even if you leave, like when, still you always

1459
01:34:29,439 --> 01:34:33,599
Speaker 1: gonna Yeah. So when when when we started Palm Moves,

1460
01:34:33,760 --> 01:34:36,920
Speaker 1: like like that was the account it was a marketing company,

1461
01:34:38,479 --> 01:34:42,160
Speaker 1: accounting Yeah in Miami like this, my guy, right, Eddie

1462
01:34:42,600 --> 01:34:45,200
Speaker 1: like like my guy know he's then as now he's

1463
01:34:45,200 --> 01:34:49,639
Speaker 1: not Eddie understanding something. I said, what's up to Eddie?

1464
01:34:49,720 --> 01:34:52,000
Speaker 1: I said, you looking ya? I said, we got all

1465
01:34:52,080 --> 01:34:54,840
Speaker 1: the gray hair you black? He was like, cause I'm

1466
01:34:54,960 --> 01:35:09,200
Speaker 1: eating I say that, Warner, No, listen, Sean. Look, we're

1467
01:35:09,200 --> 01:35:11,360
Speaker 1: doing the Foul Awards show. It's called the Fouls Award

1468
01:35:11,400 --> 01:35:14,880
Speaker 1: Ship showever, right, so we're gonna mock all the awards. Right.

1469
01:35:15,560 --> 01:35:18,639
Speaker 1: So I've never spoke to Puff about this at all, Okay,

1470
01:35:19,080 --> 01:35:22,320
Speaker 1: but I mean, obviously coming you might hear about it now. Um,

1471
01:35:22,760 --> 01:35:25,720
Speaker 1: but he thinks he should win. Asked either the yea

1472
01:35:26,320 --> 01:35:29,000
Speaker 1: or the year over? Puff? I just feel like puff

1473
01:35:29,040 --> 01:35:31,920
Speaker 1: as I asked, the bad bitches he got he he

1474
01:35:32,560 --> 01:35:40,360
Speaker 1: he asked that mountains matins. But who you need to

1475
01:35:40,400 --> 01:35:47,120
Speaker 1: get to? Ask you to want to say? And I

1476
01:35:47,200 --> 01:35:54,360
Speaker 1: think you should get that? Does Sean Press? He asked,

1477
01:35:56,600 --> 01:36:01,800
Speaker 1: We're doing it like like I'm kind of like to

1478
01:36:02,360 --> 01:36:08,640
Speaker 1: Spin Awards. That's your ship. That's right. That's a lot

1479
01:36:08,680 --> 01:36:11,000
Speaker 1: of people who know. Global Spin Awards a ward show

1480
01:36:11,080 --> 01:36:13,280
Speaker 1: dedicated to the DJ. We got the ward show dedicated

1481
01:36:13,320 --> 01:36:17,439
Speaker 1: to foul shit, but the dedicated speak about that Global

1482
01:36:17,479 --> 01:36:20,639
Speaker 1: Spin Awards we recognized the unrecognized with y'all. The DJ

1483
01:36:20,840 --> 01:36:24,120
Speaker 1: is the most influential guys in the game. You know

1484
01:36:24,520 --> 01:36:27,400
Speaker 1: who who who never really got this shot, who never

1485
01:36:27,439 --> 01:36:29,920
Speaker 1: would put up on that platform. So the Global Spin

1486
01:36:29,960 --> 01:36:33,280
Speaker 1: Awards is the Grammys for the DJs, and um we

1487
01:36:33,400 --> 01:36:37,560
Speaker 1: did them the nominations yesterday, real big. So all the

1488
01:36:37,640 --> 01:36:40,680
Speaker 1: DJs around the country right now celebrating social media is

1489
01:36:40,720 --> 01:36:43,640
Speaker 1: going crazy. My man, kiss You was there last year

1490
01:36:43,680 --> 01:36:47,160
Speaker 1: when y'all came in and and we had Swiss Beats

1491
01:36:47,680 --> 01:36:50,920
Speaker 1: host last year and gave him I think it was

1492
01:36:50,960 --> 01:36:54,160
Speaker 1: fifty million records sold, So everybody from Rough Riders came

1493
01:36:54,240 --> 01:36:56,840
Speaker 1: So I mean it's it's it's a love fest, but

1494
01:36:56,960 --> 01:37:01,000
Speaker 1: it's recognizing to me the most importan with influences in

1495
01:37:01,040 --> 01:37:05,000
Speaker 1: the game with you're the DJs. I'm ready for my order. Yeah, yeah,

1496
01:37:05,040 --> 01:37:06,639
Speaker 1: you need to get you need to get a great

1497
01:37:06,680 --> 01:37:10,280
Speaker 1: bear of water something about something. But y'all knew each

1498
01:37:10,320 --> 01:37:12,720
Speaker 1: other a long time to press you're a very instrumental

1499
01:37:12,840 --> 01:37:15,840
Speaker 1: person in this industry, and you know that's what a podcast,

1500
01:37:16,080 --> 01:37:17,519
Speaker 1: that's what we're trying to do here. We want to

1501
01:37:17,600 --> 01:37:21,200
Speaker 1: keep our legends alive our music. So much the minute

1502
01:37:21,240 --> 01:37:24,720
Speaker 1: somebody does something, somebody you know, they find out this,

1503
01:37:24,880 --> 01:37:27,519
Speaker 1: we just kill our own legends. That is so bad

1504
01:37:27,680 --> 01:37:30,360
Speaker 1: in our culture. So what we want to do purpose

1505
01:37:30,400 --> 01:37:33,360
Speaker 1: of our podcasts to keep our legends alive, and specially

1506
01:37:33,960 --> 01:37:36,600
Speaker 1: especially to people that's behind the scenes, because yeah, with

1507
01:37:36,680 --> 01:37:39,840
Speaker 1: the forefront as artist, but you know what, artists ain't

1508
01:37:39,840 --> 01:37:43,040
Speaker 1: ship without five people behind him, and sometimes people don't

1509
01:37:43,040 --> 01:37:45,880
Speaker 1: recognize those five people behind him and those positions. So

1510
01:37:46,880 --> 01:37:49,800
Speaker 1: that's why we interview Leon and Kevin Lyles earlier because

1511
01:37:49,960 --> 01:37:51,960
Speaker 1: a lot of people, you know, they just think that

1512
01:37:52,000 --> 01:37:54,040
Speaker 1: they're just the check writers when they're a lot more

1513
01:37:54,120 --> 01:37:55,960
Speaker 1: to it. And the same thing with you it's like,

1514
01:37:56,120 --> 01:37:58,600
Speaker 1: you know, um, we appreciate you people like that. You

1515
01:37:58,680 --> 01:38:00,400
Speaker 1: know what I'm saying. We appreciate and we want to own.

1516
01:38:00,479 --> 01:38:02,400
Speaker 1: Look at ja, the kids trying to slide. We've seen you.

1517
01:38:05,080 --> 01:38:07,960
Speaker 1: You got you got nice assistance. Man. Listen, you ain't

1518
01:38:08,000 --> 01:38:11,880
Speaker 1: from yakers at all. Let's keep it real from bank men,

1519
01:38:11,960 --> 01:38:17,040
Speaker 1: like I'm all right, come on, think it got good assistance.

1520
01:38:17,320 --> 01:38:20,120
Speaker 1: You ain't gonna lie Leo Cones and Kevin Low's brun

1521
01:38:20,200 --> 01:38:23,120
Speaker 1: the most females. Is that? Is that not accurate? Yeah?

1522
01:38:23,479 --> 01:38:25,599
Speaker 1: I mean they brought the most money too, so don't

1523
01:38:25,600 --> 01:38:31,200
Speaker 1: even make sense. Let's make for that. So Sean present,

1524
01:38:32,280 --> 01:38:35,400
Speaker 1: how did how did you get started with Bad Boys?

1525
01:38:36,000 --> 01:38:38,040
Speaker 1: I did it. I did it the way it should

1526
01:38:38,080 --> 01:38:42,160
Speaker 1: be done. You started the bottom. Yeah, like like anything

1527
01:38:42,240 --> 01:38:44,479
Speaker 1: that's handed to you, you don't. You don't appreciate it.

1528
01:38:44,640 --> 01:38:47,120
Speaker 1: And when Bad Boy in the early days and kissing,

1529
01:38:47,439 --> 01:38:50,479
Speaker 1: I mean it's nineteen street. The office was the size

1530
01:38:50,520 --> 01:38:54,360
Speaker 1: of this room right here, like everybody everybody though, you

1531
01:38:54,400 --> 01:38:56,760
Speaker 1: know in Big Shot if if y'all don't mind to

1532
01:38:56,960 --> 01:39:02,040
Speaker 1: to some of the day one June, Yeah, sharing a butcher,

1533
01:39:04,520 --> 01:39:07,880
Speaker 1: you go super Mario where you at and like those

1534
01:39:07,920 --> 01:39:10,519
Speaker 1: are the guys who brought me in and gave me

1535
01:39:10,640 --> 01:39:14,200
Speaker 1: my platform. Then you know, moving forward, we had guys

1536
01:39:14,240 --> 01:39:16,960
Speaker 1: like Malcolm's all these dudes who really put work in

1537
01:39:17,000 --> 01:39:20,720
Speaker 1: the game to get bad Boy to to to There

1538
01:39:20,800 --> 01:39:23,600
Speaker 1: you go, Capricorn Clock, she was there in the beginning. No,

1539
01:39:23,840 --> 01:39:30,320
Speaker 1: not Burrow jb around here someway. That's who y'all should

1540
01:39:30,360 --> 01:39:34,840
Speaker 1: snatch up. But too smooth because you know jas Jeff

1541
01:39:35,000 --> 01:39:38,360
Speaker 1: is extra smooth. Hold on, Oh no, no, no, that

1542
01:39:38,439 --> 01:39:45,280
Speaker 1: was Jeff Burrows am walking in the building got them.

1543
01:39:45,400 --> 01:39:49,439
Speaker 1: We did Jesus yesterday too. That was crazy. That was crazy.

1544
01:39:49,439 --> 01:39:56,120
Speaker 1: We didn't yesterday shout out Team Cats out there too

1545
01:39:56,160 --> 01:39:58,880
Speaker 1: that we wrapped four. Oh yeah, Like, I mean, you know,

1546
01:39:59,120 --> 01:40:01,080
Speaker 1: I come from the streets team days. I come from

1547
01:40:01,200 --> 01:40:06,680
Speaker 1: from handing out flyers saying that is that possible for

1548
01:40:06,800 --> 01:40:12,519
Speaker 1: the Street Team to exist again? Because the online it's

1549
01:40:12,680 --> 01:40:17,200
Speaker 1: it's definitely a lane for it. But the labels think

1550
01:40:17,240 --> 01:40:20,840
Speaker 1: the artists got to formulate their own streets. Yea. They

1551
01:40:20,880 --> 01:40:23,599
Speaker 1: want you to just go there, going the conference room,

1552
01:40:23,920 --> 01:40:27,080
Speaker 1: sitting in front of the screen, and that's the new

1553
01:40:27,160 --> 01:40:29,040
Speaker 1: Street Team. Like you know what I'm saying, that's the

1554
01:40:29,120 --> 01:40:32,759
Speaker 1: new Like but but it's nothing like the real hutching

1555
01:40:34,000 --> 01:40:37,200
Speaker 1: on the ground. And that's what the Street Team was like.

1556
01:40:37,720 --> 01:40:40,479
Speaker 1: Put it this way, it'd be albums coming out now.

1557
01:40:41,200 --> 01:40:44,960
Speaker 1: I don't even know they just they just here. Back

1558
01:40:45,000 --> 01:40:51,040
Speaker 1: in the days, you drive, Yeah, you knew you was

1559
01:40:51,080 --> 01:40:53,840
Speaker 1: getting on the train. We was hitting you. You know

1560
01:40:54,000 --> 01:40:56,880
Speaker 1: you're driving down the West Side highways post the balls up.

1561
01:40:56,960 --> 01:40:58,840
Speaker 1: It's crazy. And when you had the team in each market,

1562
01:40:58,920 --> 01:41:00,840
Speaker 1: you you had the pulse of that market. And that's

1563
01:41:00,880 --> 01:41:03,000
Speaker 1: what it was. That's what it was. I could I

1564
01:41:03,040 --> 01:41:06,960
Speaker 1: could call you E, I could call at any given moment.

1565
01:41:07,960 --> 01:41:10,479
Speaker 1: You know what's going on in Miami? Well I need

1566
01:41:10,600 --> 01:41:12,679
Speaker 1: I need to know who. Do you think the Internet

1567
01:41:12,800 --> 01:41:15,760
Speaker 1: killed the Street Team? No, I think it made it.

1568
01:41:15,920 --> 01:41:20,760
Speaker 1: It made made it money. No, it was giving out

1569
01:41:20,880 --> 01:41:24,479
Speaker 1: different bred but the NR E and they kiss the

1570
01:41:24,600 --> 01:41:27,479
Speaker 1: game of all dumb budgets. These new niggers have never

1571
01:41:27,640 --> 01:41:33,799
Speaker 1: known that kind of budget. Yeah, basically, I ain't gonna budget.

1572
01:41:34,280 --> 01:41:38,040
Speaker 1: So I'm looking at these niggas budget right now taking

1573
01:41:38,080 --> 01:41:40,920
Speaker 1: their hit. They did it. If I can just send

1574
01:41:40,960 --> 01:41:43,519
Speaker 1: an artist to the office and do an Internet blast,

1575
01:41:43,880 --> 01:41:47,519
Speaker 1: that's way cheaper than paying a group of dudes that

1576
01:41:47,720 --> 01:41:49,960
Speaker 1: go on a van or go up the east coast

1577
01:41:50,000 --> 01:41:53,400
Speaker 1: of hit the whole highway, hit the subway, hit I

1578
01:41:53,479 --> 01:41:55,519
Speaker 1: see my mad champoo out there. He's still doing it.

1579
01:41:56,640 --> 01:42:02,000
Speaker 1: It's like the last he was about in a minute.

1580
01:42:02,439 --> 01:42:06,280
Speaker 1: He's my nigge. I'm gonna tell you all your artists

1581
01:42:06,400 --> 01:42:09,360
Speaker 1: up and coming, get your boys together, because I'm you know,

1582
01:42:09,479 --> 01:42:12,360
Speaker 1: I'm a firm believer in grassroots. I'm a firm believer

1583
01:42:12,439 --> 01:42:14,920
Speaker 1: in touching the people. I'm a firm believing the DJ's

1584
01:42:15,240 --> 01:42:17,240
Speaker 1: get out there and put your hustle in. I noticed

1585
01:42:17,320 --> 01:42:21,840
Speaker 1: social media everybody working on a million go hand go

1586
01:42:22,160 --> 01:42:24,160
Speaker 1: hands on. You got to we did. We did the

1587
01:42:24,200 --> 01:42:27,720
Speaker 1: poster boards, and I remember that was that was that

1588
01:42:27,880 --> 01:42:36,800
Speaker 1: was I don't want the Street team to die here.

1589
01:42:36,920 --> 01:42:39,600
Speaker 1: Look at stickers like that's all him, like ef it

1590
01:42:39,720 --> 01:42:42,639
Speaker 1: comes from that. And he's pure. He's still a guy

1591
01:42:42,720 --> 01:42:45,680
Speaker 1: who wants to play vinyl. He's a purer. He's a

1592
01:42:45,760 --> 01:42:48,000
Speaker 1: hip hop purist. That's why, that's why, that's what, that's

1593
01:42:48,000 --> 01:42:51,080
Speaker 1: what I was called my hip hop purist. And you

1594
01:42:51,160 --> 01:42:54,120
Speaker 1: know that's different from these people, like these people just

1595
01:42:54,200 --> 01:42:57,479
Speaker 1: know a computer, Like what's going on? You're taking batteries,

1596
01:42:57,720 --> 01:43:00,479
Speaker 1: all right? So he's the type of guy like he

1597
01:43:00,600 --> 01:43:04,120
Speaker 1: appreciates the old school. What happened with the old school presented?

1598
01:43:04,400 --> 01:43:10,960
Speaker 1: You know what I mean? Panel? Because Hollywood did drink

1599
01:43:12,240 --> 01:43:15,000
Speaker 1: had no starts in one hour? We have to end

1600
01:43:15,080 --> 01:43:17,320
Speaker 1: this and I don't know what word that is? Like

1601
01:43:17,439 --> 01:43:21,720
Speaker 1: that five team that wasn't you missing? What time is it?

1602
01:43:22,240 --> 01:43:25,080
Speaker 1: I don't know the till time? All right? Cool? We

1603
01:43:25,160 --> 01:43:29,440
Speaker 1: got the five? Go use have we goddamn minute of it? Goddamn,

1604
01:43:29,680 --> 01:43:31,439
Speaker 1: I don't know. Come to support you in the panels

1605
01:43:31,479 --> 01:43:33,000
Speaker 1: because you want the panel, because you'll be on the

1606
01:43:33,000 --> 01:43:37,400
Speaker 1: panel too. I'm not I got a d D A

1607
01:43:37,600 --> 01:43:39,880
Speaker 1: certain point. I gotta like if I'm sitting around and

1608
01:43:40,320 --> 01:43:46,439
Speaker 1: there's nothing happening, I'm just ship real like you know.

1609
01:43:46,520 --> 01:43:48,320
Speaker 1: That's what they gave me a up. No, they gave

1610
01:43:48,360 --> 01:43:51,200
Speaker 1: me Thursday and they said that nigga, he got too

1611
01:43:51,320 --> 01:43:54,360
Speaker 1: much energy. Let's calm him down. My mom's came to

1612
01:43:54,400 --> 01:44:01,920
Speaker 1: see me one day. I'm on Thursday. J's how yo?

1613
01:44:02,120 --> 01:44:04,920
Speaker 1: You know what I'm talking about? Was just talking to

1614
01:44:05,080 --> 01:44:11,400
Speaker 1: me and I'm talking back, just my mouth. I'm like, mom, good,

1615
01:44:11,479 --> 01:44:17,280
Speaker 1: what you talking about? My Mom's called the warden whatever

1616
01:44:17,360 --> 01:44:23,240
Speaker 1: that kidding I'm calling out shop in that's not my son,

1617
01:44:23,439 --> 01:44:26,040
Speaker 1: not just you know, you fight too much. Nigga hit

1618
01:44:26,080 --> 01:44:30,040
Speaker 1: you that thing that's a bill I don't want. I'm sorry.

1619
01:44:30,040 --> 01:44:35,960
Speaker 1: I went somewhere a dog he's about to buy because

1620
01:44:36,000 --> 01:44:39,360
Speaker 1: it's just jail niggas like it's got jail my nigga, right,

1621
01:44:39,400 --> 01:44:45,200
Speaker 1: he got just jail riding all over my nigger. He

1622
01:44:45,360 --> 01:44:48,560
Speaker 1: just got locked down a little just feel like like

1623
01:44:48,880 --> 01:44:50,320
Speaker 1: and it feels like the things I would hang out

1624
01:44:50,360 --> 01:44:52,880
Speaker 1: within the yard, both of him and k both bogy

1625
01:44:52,960 --> 01:44:55,519
Speaker 1: niggas like that. That would have been my section, the

1626
01:44:55,520 --> 01:44:59,040
Speaker 1: bobby section in the oh we had the back, we

1627
01:44:59,120 --> 01:45:01,839
Speaker 1: had a body sex. They do us in the showers.

1628
01:45:01,920 --> 01:45:03,879
Speaker 1: You remember they say, Yo, you gotta smoke them cigarettes

1629
01:45:03,920 --> 01:45:08,000
Speaker 1: in the showers. That's yeah, that's fine yo. Listen, Sean Press,

1630
01:45:08,040 --> 01:45:13,920
Speaker 1: I can't thank you more than enough. Want you to

1631
01:45:14,040 --> 01:45:16,680
Speaker 1: shout out. We want you to shout out to your Instagram,

1632
01:45:16,840 --> 01:45:19,080
Speaker 1: your company because we want the people to follow you.

1633
01:45:20,120 --> 01:45:22,240
Speaker 1: We want people to know how important that this is

1634
01:45:22,280 --> 01:45:26,360
Speaker 1: behind the scene, because the artists are great, but artist

1635
01:45:26,680 --> 01:45:31,840
Speaker 1: can't be great by himself. Now, that's honestly, I'll be

1636
01:45:32,000 --> 01:45:37,280
Speaker 1: remissed if if I don't know what that works. I

1637
01:45:37,360 --> 01:45:41,240
Speaker 1: mean big, I felt it was necessary to say at

1638
01:45:41,280 --> 01:45:45,760
Speaker 1: the moment, but if I didn't, Yeah, y'all need to

1639
01:45:45,800 --> 01:45:51,920
Speaker 1: get like like me like that's that's my mentor right there,

1640
01:45:52,040 --> 01:45:54,400
Speaker 1: So y'all need harp here, y'all can find me a

1641
01:45:54,439 --> 01:45:57,559
Speaker 1: Global Spin three sixty five at Global Spin three six

1642
01:45:57,800 --> 01:46:00,200
Speaker 1: five follow the movement. Shout out to all of the

1643
01:46:00,320 --> 01:46:03,679
Speaker 1: DJs who were just nominated for this year's Global Spin Awards.

1644
01:46:03,920 --> 01:46:06,920
Speaker 1: Shout out to um the whole Revote staff. I've seen

1645
01:46:07,080 --> 01:46:10,439
Speaker 1: ramand Duke's in here. My man all breathed. Dirk Ferguson

1646
01:46:10,560 --> 01:46:14,240
Speaker 1: just dragged me into something over everybody, Thank you and

1647
01:46:14,360 --> 01:46:18,679
Speaker 1: thanks for having me much love, kiss you know alright? Cool,

1648
01:46:18,720 --> 01:46:20,840
Speaker 1: we got about four more minutes. Thank you so much.

1649
01:46:20,880 --> 01:46:22,439
Speaker 1: Maybe we need to flick with him right, quicker, right,

1650
01:46:22,560 --> 01:46:25,120
Speaker 1: let's get a flick her head? Come on, we drained

1651
01:46:25,720 --> 01:46:28,560
Speaker 1: all right, cool fast on the camera. I feel like

1652
01:46:28,600 --> 01:46:33,000
Speaker 1: a boys. I'm gonna sitting down in the chair trying

1653
01:46:33,280 --> 01:46:35,960
Speaker 1: trying to let Jaya kissing on the bogie is nuts?

1654
01:46:38,200 --> 01:46:42,960
Speaker 1: You the only a bogey pass with. I ain't gonna

1655
01:46:42,960 --> 01:46:45,160
Speaker 1: front Ray Kawan. Let me smoke bogies on this tour

1656
01:46:45,240 --> 01:46:47,840
Speaker 1: bus too. I was like, everybody's looking at me like

1657
01:46:48,360 --> 01:46:53,479
Speaker 1: damn like like' like bogie. I got a bogie back

1658
01:46:53,520 --> 01:46:56,320
Speaker 1: because like, um, like Newport owe me money like in

1659
01:46:56,400 --> 01:47:00,600
Speaker 1: real life, like I really change the nigger say you

1660
01:47:00,600 --> 01:47:02,800
Speaker 1: know what the crazy ship is. Newport could have just

1661
01:47:02,840 --> 01:47:05,600
Speaker 1: sent me a carton and I want to fin like

1662
01:47:05,920 --> 01:47:09,000
Speaker 1: I funk with you. Some niggas ain't even sent me

1663
01:47:09,080 --> 01:47:12,320
Speaker 1: a carton. They don't even say, my nigga, you're holding

1664
01:47:12,439 --> 01:47:18,680
Speaker 1: us down. So I switched. I smoke camel crush now yo, No,

1665
01:47:18,960 --> 01:47:24,280
Speaker 1: I'm putting out there right now, Camel Crush, n r

1666
01:47:24,439 --> 01:47:30,160
Speaker 1: E and the drink Chance. I'm sorry Camels. Now you

1667
01:47:30,200 --> 01:47:32,639
Speaker 1: know why because you know my throat and the nigga

1668
01:47:32,680 --> 01:47:34,439
Speaker 1: met The man told me a long time ago. He

1669
01:47:34,560 --> 01:47:36,920
Speaker 1: was like I was performed one night. He's like, your

1670
01:47:36,920 --> 01:47:38,920
Speaker 1: ship is fucked up right. I was like, yeah, he's

1671
01:47:38,960 --> 01:47:41,559
Speaker 1: like New Boys. I said, oh, he said, for your voice.

1672
01:47:41,840 --> 01:47:50,840
Speaker 1: Always smoked white people's cigarettes, camel you know, camel meth

1673
01:47:50,920 --> 01:47:56,800
Speaker 1: smoke camel, no methmoke. Marlborough lights. He's no, I ain't

1674
01:47:56,800 --> 01:48:00,559
Speaker 1: gonna front. The lights are actually good like expect especially

1675
01:48:00,560 --> 01:48:03,840
Speaker 1: if you're drinking. You drinking light because a lot of

1676
01:48:03,880 --> 01:48:06,840
Speaker 1: white girls drink. I'm smoking as well, so they're gonna

1677
01:48:07,120 --> 01:48:08,880
Speaker 1: gonna always be around. If you hang out in the white,

1678
01:48:08,880 --> 01:48:10,880
Speaker 1: white sections, you gotta be in a white white set.

1679
01:48:11,200 --> 01:48:13,320
Speaker 1: If you're in the white section and they're smoking new ports,

1680
01:48:13,360 --> 01:48:18,200
Speaker 1: get the get out of it. Get out. Who wants

1681
01:48:18,240 --> 01:48:21,840
Speaker 1: a white person that wants to be black? Like I

1682
01:48:21,920 --> 01:48:23,720
Speaker 1: want a white person that want to be white. That

1683
01:48:23,920 --> 01:48:27,320
Speaker 1: ship works for me. I'm sorry, man, We're gonna go

1684
01:48:27,840 --> 01:48:29,880
Speaker 1: and then we're gonna go support you in the pdcast.

1685
01:48:30,280 --> 01:48:32,400
Speaker 1: You know my a D D. But I'm and I

1686
01:48:32,520 --> 01:48:37,160
Speaker 1: might like this is my thing. My thing is I

1687
01:48:37,320 --> 01:48:43,200
Speaker 1: want to get kicked out, So I'm gonna you're talking

1688
01:48:43,280 --> 01:48:46,320
Speaker 1: about someone just go to the panel. They make some

1689
01:48:46,439 --> 01:48:53,360
Speaker 1: good Listen, man, this was a classic episode by the way.

1690
01:48:53,560 --> 01:48:56,120
Speaker 1: We had Leo Colmbs, we had Kevin Lyles, we had

1691
01:48:56,240 --> 01:48:59,080
Speaker 1: Day Day, you know day they got seventeen kids and two.

1692
01:48:59,280 --> 01:49:08,200
Speaker 1: It's the fact the new dad you just made. That's

1693
01:49:08,200 --> 01:49:11,600
Speaker 1: a drunk factor. You don't know none of that's but

1694
01:49:11,720 --> 01:49:15,439
Speaker 1: you just come on, man, you don't know he is ader.

1695
01:49:15,920 --> 01:49:18,720
Speaker 1: Come on, let's pop that bottle because we gotta get

1696
01:49:18,760 --> 01:49:22,120
Speaker 1: ready for ef it's the first panel your panel nigga

1697
01:49:22,200 --> 01:49:24,280
Speaker 1: riches a panel nigger has as a panel nigga. But

1698
01:49:24,360 --> 01:49:26,519
Speaker 1: it's the first time. I'm gonna watch y'all on the panel,

1699
01:49:26,920 --> 01:49:28,880
Speaker 1: and I want to make panel watching her. I'm gonna

1700
01:49:28,880 --> 01:49:32,320
Speaker 1: panel watch a ruck. I'm watching ruck and you know what,

1701
01:49:32,760 --> 01:49:36,400
Speaker 1: Jada Kiss, thank you for being on the Drink Champs again.

1702
01:49:36,560 --> 01:49:39,880
Speaker 1: But you know, we gotta do a special Jada Kiss

1703
01:49:41,200 --> 01:49:45,160
Speaker 1: Drink Champs edition where we go through all your balls.

1704
01:49:45,280 --> 01:49:48,080
Speaker 1: So it's gonna be like a thousand hour interview. It's

1705
01:49:48,120 --> 01:49:53,200
Speaker 1: gonna breaks, We're gonna we're gonna do like a marathon.

1706
01:49:53,479 --> 01:49:56,679
Speaker 1: It's gonna be like a thousand Jada Kiss bars because

1707
01:49:57,160 --> 01:49:59,960
Speaker 1: you know, you know what tax Stone said. He said

1708
01:50:00,000 --> 01:50:03,280
Speaker 1: you could raise kids off for Jada Kiss. Boss. That

1709
01:50:03,479 --> 01:50:05,719
Speaker 1: was the hardest compliment I ever heard in my life.

1710
01:50:06,280 --> 01:50:08,200
Speaker 1: I should have called you that moment. I don't know

1711
01:50:08,280 --> 01:50:10,640
Speaker 1: why I didn't, But I'm calling you now, like in

1712
01:50:10,760 --> 01:50:14,720
Speaker 1: my mind, it just in my mind. It's just like

1713
01:50:14,840 --> 01:50:20,160
Speaker 1: in my mind it happened yesterday. So I'm like, you

1714
01:50:20,240 --> 01:50:27,040
Speaker 1: ain't up. But yo, yo, that is the biggest one

1715
01:50:29,080 --> 01:50:31,200
Speaker 1: calling you now, come on the way. My memory is

1716
01:50:31,240 --> 01:50:33,800
Speaker 1: set up. But Jada kiss man. I can't thank you

1717
01:50:33,920 --> 01:50:36,759
Speaker 1: enough because again, you was one of the second episodes

1718
01:50:36,880 --> 01:50:39,280
Speaker 1: we ever did you and job we got sucked up,

1719
01:50:39,400 --> 01:50:45,400
Speaker 1: we got up, it got more fun. They can have

1720
01:50:45,520 --> 01:50:47,479
Speaker 1: me and the I ate ready to throw up. He

1721
01:50:47,600 --> 01:50:49,479
Speaker 1: was like, like, y'all want you to see this ship.

1722
01:50:49,760 --> 01:50:53,080
Speaker 1: I'm like, I don't even want to be here. You

1723
01:50:53,200 --> 01:50:55,360
Speaker 1: got me ready to earl like I'm on great Adventure

1724
01:50:55,439 --> 01:50:58,840
Speaker 1: screen machine. But Jada kiss you. Let me just let

1725
01:50:58,880 --> 01:51:00,559
Speaker 1: me just say this before we get out of head.

1726
01:51:02,160 --> 01:51:05,080
Speaker 1: They ain't a lot of people that I consider my brothers.

1727
01:51:05,479 --> 01:51:07,679
Speaker 1: They ain't a lot of people I consider my friends.

1728
01:51:07,960 --> 01:51:11,880
Speaker 1: They ain't a lot of people I consider family and

1729
01:51:12,000 --> 01:51:15,760
Speaker 1: the locks all of them. You know, I might be

1730
01:51:15,840 --> 01:51:20,439
Speaker 1: closer to kids, so closer to the styles, but I'm

1731
01:51:20,560 --> 01:51:23,040
Speaker 1: all of them. I represent all of them, you know,

1732
01:51:23,560 --> 01:51:25,840
Speaker 1: chic as well. And they ain't a lot of people

1733
01:51:25,920 --> 01:51:32,240
Speaker 1: who's pure, genuine and sincere like they are. We went

1734
01:51:32,320 --> 01:51:36,760
Speaker 1: to Yonker's. It was a little scary because because they

1735
01:51:37,000 --> 01:51:41,120
Speaker 1: the elevators weren't even working. But we did studio looks crazy,

1736
01:51:43,040 --> 01:51:50,040
Speaker 1: look like serious, yo, yo, that's how you know. But

1737
01:51:50,160 --> 01:51:51,920
Speaker 1: nun do a record with y'all And they go to

1738
01:51:52,000 --> 01:51:57,439
Speaker 1: your studio like they gotta trust y'all like studio. I

1739
01:51:57,520 --> 01:52:00,720
Speaker 1: love Ross Rose my brother. He pulled up into a song.

1740
01:52:01,000 --> 01:52:05,720
Speaker 1: Huh he got to like the second flow Swiss Yo.

1741
01:52:05,840 --> 01:52:19,800
Speaker 1: Kiss this email me this email, Well, your hat's got

1742
01:52:19,840 --> 01:52:46,880
Speaker 1: my handphone right, Tell me like that. I'm going find

1743
01:52:46,920 --> 01:52:49,280
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Speaker 1: today restricts and supply