WEBVTT - Alien: Earth episode 4

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<v Speaker 1>Warning. Today's episode contains spoilers for Alien Earths Episode four,

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<v Speaker 1>Free the Aliens. Hello, it was Jason Concepcion and I'm

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<v Speaker 1>Rosy night and welcome back to x Ray Vision of

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<v Speaker 1>the podcast. We we dive deep at your favorite shows, movies,

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<v Speaker 1>comics of pop culture, coming to you from iHeart. We'll

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<v Speaker 1>breathe three episodes a week, plus news on Saturdays.

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<v Speaker 2>In today's episode, we are exploring Aliens Haunting. Fourth episode,

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<v Speaker 2>Haunting Haunting. It's going to make you ask some questions.

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<v Speaker 2>You've got to be asking a lot of questions about

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<v Speaker 2>the ethics of this technology on many different levels. So

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<v Speaker 2>let's dive in a lot to talk about this time around.

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<v Speaker 1>Okay, Alien Earth Episode four Observation. Wendy is waking up

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<v Speaker 1>after collapsing at the end of episode three. Dame and

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<v Speaker 1>Kersh are discussing her, but she can't hear them. They've

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<v Speaker 1>turned off her hearing, so she's not affected by whatever.

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<v Speaker 2>In immediately horrific situation. Yes, I kind of makes you

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<v Speaker 2>realize what they can do to you if you're in

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<v Speaker 2>one of these bodies.

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<v Speaker 1>So Kersh has figured out basically that Wendy is hearing

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<v Speaker 1>signals emitted by the xenomorphs she can hear, basically, she

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<v Speaker 1>can hear them, and he tells this to boy Genius

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<v Speaker 1>as boy Genius comes in the lab, but Boy Genius

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<v Speaker 1>is like, yeah, I figured that out already, kersh the

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<v Speaker 1>fuck of course, cursh jesus, I'm a boy genius. Get name, buddy,

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<v Speaker 1>uh And he's like, speaking of stuff and expectations, why

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<v Speaker 1>aren't you in the lab doing the job that I

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<v Speaker 1>fucking assigned to you? Now get out of here, And

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<v Speaker 1>then he rips on Dame saying, like, stop treating her

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<v Speaker 1>like a baby. She's a billion dollar synthetic prototype. And

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<v Speaker 1>everybody leaves until it's only Arthur, who who we found

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<v Speaker 1>out of this episode is Dame's husband. Shocker, did not

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<v Speaker 1>see that, did not see any chemistry between these two,

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<v Speaker 1>until it's only Arthur, Curly and boy Genius. Then Joe

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<v Speaker 1>comes in yep, and they you know, he's very obviously

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<v Speaker 1>worried about Wendy, and they're like, well, she can't hear

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<v Speaker 1>you right now, we turned off her hearing. And by

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<v Speaker 1>the way, i'm your boss, why are you acting like

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<v Speaker 1>you shouldn't be respecting me? And you're like worried about

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<v Speaker 1>your sister? And you're not showing me the proper me boy, genius,

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<v Speaker 1>your employer, your proper deference.

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<v Speaker 2>I'm like Joe, I don't know if he's seen like

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<v Speaker 2>a human boss for a long time. Bro, his boss

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<v Speaker 2>is little just y faceless robots, so he might not care.

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<v Speaker 1>And like, as if to underline the point, is like,

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<v Speaker 1>by the way, how's the new lung I made you?

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<v Speaker 1>How's that breathing? How's that thing taste? Your other lung?

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<v Speaker 1>Your old lung? You're never gonna guess where it is.

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<v Speaker 1>It's in a vat right now, being used to as

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<v Speaker 1>a nest for a baby chest burster. And Joe realizes

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<v Speaker 1>now that the alien specimens are in the building and

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<v Speaker 1>he thinks this is crazy, as we all do. Arthur

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<v Speaker 1>and the crew slowly like bring up Wendy's hearing and

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<v Speaker 1>Joe tells her about oh, I underwent surgery, but he

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<v Speaker 1>doesn't really go into the new lung and all that stuff.

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<v Speaker 1>He very he downplays it severely, and he asks Wendy, like,

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<v Speaker 1>what happened. She says that after the fight with the

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<v Speaker 1>alien and she was brought back kind of like in

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<v Speaker 1>a state of suspension, some sort of like robot coma.

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<v Speaker 1>She's brought back to Research Island, but then she woke

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<v Speaker 1>up and heard the call of the aliens. She went

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<v Speaker 1>down to where she was hearing it and was lab

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<v Speaker 1>workers was experimenting on the aliens. And she then refers

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<v Speaker 1>to the chest Burster as the baby and says the baby.

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<v Speaker 2>Was screaming the baby.

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<v Speaker 1>So listen. One thing I love about this episode is

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<v Speaker 1>the way it made empathized with these terrible, horrific creatures.

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<v Speaker 2>Absolutely insane twist I did not see coming this episode,

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<v Speaker 2>but it actually makes so much sense because when we

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<v Speaker 2>actually look back at how whailing Utani, from what we've seen,

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<v Speaker 2>have used the creatures and have constantly been hunting them down,

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<v Speaker 2>and then someone like Michael kind of tried to create

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<v Speaker 2>a different version of them to you know, terror, kind

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<v Speaker 2>of terror formed the earth that he would take them

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<v Speaker 2>to like it. They have been being exploited throughout by

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<v Speaker 2>whaling Utani, which is just a crazy thing to say

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<v Speaker 2>because they're also monsters.

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<v Speaker 1>Void Genius is like so so happy. He is like

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<v Speaker 1>absolutely rock hard at this new discovery that his billion

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<v Speaker 1>dollar prototype is talking air quotes, talking to aliens, or

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<v Speaker 1>at least hearing an alien talk to it, and yeah, sure,

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<v Speaker 1>it causes her extreme pain and distress and locks up

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<v Speaker 1>her body.

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<v Speaker 2>Who fucking care to think of the diet foddy, isn't it?

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<v Speaker 1>It's a fa and Joe. So, Joe and Arthur are

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<v Speaker 1>like when she's like, oh, it caused me pain, They're like, yeah, yeah,

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<v Speaker 1>we'll stop that happening. And He's like, what stop it?

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<v Speaker 1>Are you kidding?

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<v Speaker 2>Why?

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<v Speaker 1>Why would we stop it? Yea, her whole body belongs

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<v Speaker 1>to Prodigy, Like what are you talking about? Wendy settles it.

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<v Speaker 1>Wendy's like, wait a second, I want to I want

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<v Speaker 1>to continue to hear them, like I want to know

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<v Speaker 1>why they're speaking to me, Like what do they want

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<v Speaker 1>to say? And so they test her hearing and when

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<v Speaker 1>you find out that the alien signal is spread out

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<v Speaker 1>across like multiple frequencies all the way up to like

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<v Speaker 1>the highest ranges of Wendy's k ability, way way beyond

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<v Speaker 1>human hearing, like and and even I can't hear it

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<v Speaker 1>like other synthetics apparently can't hear it. Yeah, which raises

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<v Speaker 1>this question of did the aliens figure out a way

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<v Speaker 1>to tailor the frequency and the signal and aiming at Wendy?

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<v Speaker 2>Huh? Okay, I like that. I like that read a lot.

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<v Speaker 2>Let me. There was a really great discord theory about

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<v Speaker 2>this that was kind of blowing my mind. So it

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<v Speaker 2>was Josmick One who said, maybe if boy Cavalier worked

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<v Speaker 2>for whalen Utani when he was on his meteoric rise

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<v Speaker 2>to the top, perhaps he could you know, have gotten

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<v Speaker 2>like he has some of the goo, you know, and

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<v Speaker 2>if he touches the goo that we've seen, the black

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<v Speaker 2>goo that you kind of get from alien promethe, maybe

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<v Speaker 2>that was used in creating this version of the hybrid,

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<v Speaker 2>and that might be why they can hear Is there

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<v Speaker 2>some kind of alien wailan U Tanny connection here, because

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<v Speaker 2>it does seem weird the eight that Wendy can hear

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<v Speaker 2>it and nobody else can, even the other hybrids.

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<v Speaker 1>I guess we would need to know if there's because

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<v Speaker 1>it seems to me, like Wendy is, there's no organic

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<v Speaker 1>material in in Wendy like.

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<v Speaker 2>I don't not. From what we know so far, these

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<v Speaker 2>are alleged completely synthetialies.

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<v Speaker 1>Boy Genius asked Wendy to can you just like whistle

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<v Speaker 1>the sound like but obviously in a register we can

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<v Speaker 1>all hear it? She does it, Curly's jealousy is ignited

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<v Speaker 1>fanned by Boy Genius is like, aha, can you do that?

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<v Speaker 1>I wish as something such. I absolutely love pitting the kids,

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<v Speaker 1>like obviously it's terrible, but like.

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<v Speaker 2>Me too, and I also feel like I feel no,

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<v Speaker 2>it's it's great to watch. And I also hope that

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<v Speaker 2>Kylie will become part of Boy Genius's downfall. That was

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<v Speaker 2>like my biggest wish because he sucks. He's so so

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<v Speaker 2>good at sucking this actorate act that he's doing.

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<v Speaker 1>So yeah, this is Boy Genius's boy Cavaliers like villain

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<v Speaker 1>toured to force, Like this is some of the best.

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<v Speaker 1>I haven't felt this way about a villain in a

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<v Speaker 1>little bit like this was a he's a great villain.

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<v Speaker 2>I know it does. It was it was hinting at

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<v Speaker 2>Jeoffrey level.

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<v Speaker 1>It's there.

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<v Speaker 2>I was like, it's not that yet, but it's if

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<v Speaker 2>you had the seasons, if we get more than I

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<v Speaker 2>feel like it could build up. He really he's a

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<v Speaker 2>he's a bad guy.

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<v Speaker 1>A bigger, much bigger fan of the xenomorph than than boys,

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<v Speaker 1>which is, you know, thematically very alien. Okay, so you

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<v Speaker 1>know A Joe is like, hey, can we give Wendy

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<v Speaker 1>a break. She's very tired. He's like, she doesn't get tired,

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<v Speaker 1>she's android, but like, but then he eventually agrees, Okay,

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<v Speaker 1>let's give her a break. But you can tell like,

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<v Speaker 1>He's like, let me, let me put a pin in

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<v Speaker 1>that little conversation between me and Joe, who I don't like.

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<v Speaker 1>Boy Genius then asks Lobot for his opinion about what's

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<v Speaker 1>going on. Lobot is like, well, we must ask why

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<v Speaker 1>the hostile aliens are trying to speak to Wendy. Yes,

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<v Speaker 1>of course, Wow, Lobot, is that why they pay you

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<v Speaker 1>the big bucks? What incredible? And then Boy Genius tells Lobot, Lobot,

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<v Speaker 1>go tell Joe to remember who signs his fucking paycheck, okay,

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<v Speaker 1>and who owns the peace on his partent, I.

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<v Speaker 2>Don't know if Joe's can't pay that much pay I think.

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<v Speaker 2>I don't know if he's gonna give up Mossy for that.

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<v Speaker 1>Let's take a quick break to pay our bills and

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<v Speaker 1>we'll be right back. And we're at Wendy shows Joe

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<v Speaker 1>around her room and they're catching up a little bit.

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<v Speaker 1>Wendy wants then wants to know, Hey, Joe, are you

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<v Speaker 1>mad at me for, you know, for wanting to hear

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<v Speaker 1>the aliens and for you being tricked into thinking I

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<v Speaker 1>was dead? And He's like, no, I'm not mad at you.

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<v Speaker 1>I'm mad at all the people that lied to me.

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<v Speaker 1>I'm mad at Prodigy for lying to me. I'm mad

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<v Speaker 1>at Prodigy for not I'm mad at the fact that

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<v Speaker 1>they made it so hard for me to see you

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<v Speaker 1>and Dad when you were in the hospital. And Wendy

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<v Speaker 1>really can't seem to get her head around that Joe

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<v Speaker 1>wasn't able to come see her, but there was apparently

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<v Speaker 1>a war on which was the first we've heard of this. Yeah, interesting,

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<v Speaker 1>and he's among other issues. It just made it difficult.

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<v Speaker 1>You know.

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<v Speaker 2>I really like that Wendy is stressed out about this

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<v Speaker 2>because like in her mind, she wanted to get to Joe,

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<v Speaker 2>so she just got to him, you know, like with

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<v Speaker 2>us kind of and that understand like as a child,

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<v Speaker 2>she doesn't really understand like how he couldn't kersh uh.

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<v Speaker 1>Watches the tapes of Morrow. It's just getting more information

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<v Speaker 1>on the former security chief of the Magineo. Meanwhile, boy

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<v Speaker 1>Genius and we have to talk about this. Boy Genius

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<v Speaker 1>is reading Peter Pan on his podcast. Does he have

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<v Speaker 1>a podcast? He's sitting in front of a mic, a

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<v Speaker 1>nice mic, apparently a.

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<v Speaker 2>Pod a podcast, And also like why this one read

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<v Speaker 2>another book? My guy?

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<v Speaker 1>Well, you know what it was. I put this in

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<v Speaker 1>the group chat, but it is this is the episode

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<v Speaker 1>where I realized, Oh, what they're doing is Peter Thiel's

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<v Speaker 1>like obsession with Lord of the Rings and naming all

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<v Speaker 1>his differ free companies Palenteer a little bit uh, and

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<v Speaker 1>I forget what the other ones. It's like Pialenteer is

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<v Speaker 1>the currently most currently most well known one, but like

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<v Speaker 1>I think it's oh yeah, also Anderil and Mythrill. And

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<v Speaker 1>it's like, I think this is clearly that this is

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<v Speaker 1>like a version of oh, this very powerful man has

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<v Speaker 1>taken the exact wrong message from this very.

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<v Speaker 2>Popular fac series exactly.

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<v Speaker 1>I would just love to know more about Boy Genius podcast.

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<v Speaker 1>Very funny to me.

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<v Speaker 2>Are they going to release an episode as a special edition?

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<v Speaker 2>I would I want to know camera.

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<v Speaker 1>I want to like when it goes to the two shot,

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<v Speaker 1>I want you to see like Lobot sitting in the

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<v Speaker 1>other chair with a with his with his like baseball

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<v Speaker 1>cap on like backwards, very basic questions of like boy genius. Okay,

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<v Speaker 1>So boy Genus is doing his pod which again we

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<v Speaker 1>can't talk we can't talk enough about. Slightly is out

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<v Speaker 1>in the jungle with Moro talking in his head, and

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<v Speaker 1>Morow is basically like, here, okay, listen, you need to

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<v Speaker 1>go grab an alien egg and bring it to me.

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<v Speaker 1>Go get it. It's not stealing if you're worried about that,

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<v Speaker 1>because it is itself is stolen from me. I am

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<v Speaker 1>the rightful owner. You will only be returning stolen property

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<v Speaker 1>to its rightful owner, their owner. Therefore, this is the

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<v Speaker 1>right thing to do. And then to build this as

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<v Speaker 1>the grooming continues to build this relationship on a stronger foundation,

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<v Speaker 1>Marrow tells Slightly his real name, Kume Moro, and then

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<v Speaker 1>asks him his name, and his name is Rush and

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<v Speaker 1>he's from India. A Rush finds Kersh in his room

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<v Speaker 1>in a Rusha's room. Kersh is looking at this the

0:14:00.880 --> 0:14:03.280
<v Speaker 1>you know, the see no evil, hear, no evil speak,

0:14:03.320 --> 0:14:06.440
<v Speaker 1>no evil monkeys carved. He's like a carving of that

0:14:06.520 --> 0:14:07.800
<v Speaker 1>on his wall, and he's like, do you know what

0:14:07.840 --> 0:14:13.160
<v Speaker 1>this means? And they discuss the historical and ethical questions

0:14:13.200 --> 0:14:18.840
<v Speaker 1>at the heart of this saying, and basically what Kirsch

0:14:18.920 --> 0:14:21.680
<v Speaker 1>wants to know is, would slightly, Let's say I'm going

0:14:21.760 --> 0:14:25.000
<v Speaker 1>to do something bad. He says so slightly, I'm about

0:14:25.040 --> 0:14:28.960
<v Speaker 1>to do something that's going to hurt somebody, would you

0:14:29.080 --> 0:14:34.200
<v Speaker 1>stop me? And Tomorrow meanwhile, was whispering and slightly sad

0:14:34.240 --> 0:14:38.560
<v Speaker 1>like begiful, and then slightly says I would stand up

0:14:38.600 --> 0:14:42.080
<v Speaker 1>for my friends, which Kirsh says is the right answer,

0:14:42.680 --> 0:14:45.040
<v Speaker 1>although I'm still not sure how that connects to I

0:14:45.040 --> 0:14:48.720
<v Speaker 1>guess he's basically Kirsch's basically saying, be loyal. You didn't

0:14:48.720 --> 0:14:51.240
<v Speaker 1>see anything, you didn't hear anything, you don't say anything,

0:14:52.680 --> 0:14:53.320
<v Speaker 1>be loyal to the.

0:14:53.320 --> 0:14:56.520
<v Speaker 2>People that made I think Cash's like I think Cash

0:14:56.520 --> 0:14:59.800
<v Speaker 2>she's getting like curious. I think that at the beginning

0:14:59.880 --> 0:15:03.640
<v Speaker 2>of this season he was very much like do your job,

0:15:03.960 --> 0:15:06.560
<v Speaker 2>like get things done. But I think that the arrival

0:15:06.600 --> 0:15:09.320
<v Speaker 2>of the different types of alien species and the way

0:15:09.360 --> 0:15:11.680
<v Speaker 2>that the kids are reacting to them, I think he

0:15:11.880 --> 0:15:15.760
<v Speaker 2>is finding his own curiosity again rather than this kind

0:15:15.760 --> 0:15:19.680
<v Speaker 2>of just acceptance of the boy genius. Once I felt

0:15:19.680 --> 0:15:21.400
<v Speaker 2>like this was really interesting.

0:15:22.160 --> 0:15:29.080
<v Speaker 1>As a burseoning potential alliance between the Synthetics and the

0:15:29.120 --> 0:15:35.600
<v Speaker 1>aliens against meat against humans. I saw this as basically saying,

0:15:36.360 --> 0:15:38.840
<v Speaker 1>when the rubber hits the road, who are you going

0:15:38.920 --> 0:15:42.200
<v Speaker 1>to listen to the others who are like you the synthetics.

0:15:41.600 --> 0:15:43.160
<v Speaker 2>And me or.

0:15:45.000 --> 0:15:48.080
<v Speaker 1>Meat sticks like boy Genius Cavalier and Arthur and the

0:15:48.120 --> 0:15:51.640
<v Speaker 1>rest of them going to be loyal to if you

0:15:51.680 --> 0:15:54.560
<v Speaker 1>see me, let's see you say you see me put

0:15:54.600 --> 0:15:56.960
<v Speaker 1>my hands around Boy Cavalier's neck.

0:15:57.400 --> 0:16:00.720
<v Speaker 2>Right right, You're going to be a gon't be saying.

0:16:01.240 --> 0:16:04.200
<v Speaker 1>In the lab, curse continues with these experiments. They expose

0:16:04.280 --> 0:16:07.800
<v Speaker 1>the sheep horrendously to the eye, and the eye attacks

0:16:07.840 --> 0:16:12.240
<v Speaker 1>it and pulls out the sheep's eye and then hacks

0:16:12.320 --> 0:16:18.200
<v Speaker 1>into its nervous system and is now using the sheep's body,

0:16:18.720 --> 0:16:23.320
<v Speaker 1>which I think remains somewhat alive right or maybe dying quickly, but.

0:16:23.360 --> 0:16:26.280
<v Speaker 2>Like like it's definitely the kind it's almost kind of

0:16:26.320 --> 0:16:31.080
<v Speaker 2>like the the Corterceps style, like it's taking you over.

0:16:31.200 --> 0:16:34.280
<v Speaker 2>It takes over your brain, but your body can still function. Also,

0:16:34.320 --> 0:16:36.600
<v Speaker 2>I have to say, this is going to sound really silly,

0:16:37.120 --> 0:16:40.560
<v Speaker 2>but I never the iyapus. I didn't expect the eye

0:16:40.560 --> 0:16:42.520
<v Speaker 2>to be such an important part. I thought that was

0:16:42.600 --> 0:16:44.640
<v Speaker 2>just how I lived. I didn't realize. So I thought

0:16:44.640 --> 0:16:48.800
<v Speaker 2>this was a really inventive and clever way of adding

0:16:48.840 --> 0:16:51.920
<v Speaker 2>a new type of creepy alien to the species.

0:16:52.000 --> 0:16:54.600
<v Speaker 1>Yes, and one wonders, like how related it is to

0:16:54.680 --> 0:17:02.000
<v Speaker 1>the original black goo species various black goo created. Yeah,

0:17:02.040 --> 0:17:07.920
<v Speaker 1>Boy Genius again is like, you know, it's another rock

0:17:07.960 --> 0:17:11.399
<v Speaker 1>hard moment for Boy Genius. He's like he can't believe

0:17:11.440 --> 0:17:12.040
<v Speaker 1>what he's seeing.

0:17:12.080 --> 0:17:14.399
<v Speaker 2>You can't believe this. He's like, this is incredible.

0:17:14.560 --> 0:17:16.720
<v Speaker 1>Kursh can tell from the brain wave readout that this

0:17:16.800 --> 0:17:19.520
<v Speaker 1>is a very very intelligent creature, very very smart, and

0:17:19.560 --> 0:17:22.000
<v Speaker 1>he studies it through the glass, moving around, like looking

0:17:22.040 --> 0:17:25.720
<v Speaker 1>at it from different angles. Lobot is like, you know,

0:17:25.760 --> 0:17:28.240
<v Speaker 1>if those things get out, and Boy Genius is like, great,

0:17:28.320 --> 0:17:31.800
<v Speaker 1>who cares, Like, we let's take the risk, no reward

0:17:31.880 --> 0:17:35.360
<v Speaker 1>without risk if it escapes to escape, like, we'll be careful.

0:17:35.359 --> 0:17:39.640
<v Speaker 1>But this guy is insane sight and and this is

0:17:39.840 --> 0:17:43.600
<v Speaker 1>really where you kind of feel that first, like, oh,

0:17:44.480 --> 0:17:49.119
<v Speaker 1>could Kursh could curseh And some of the synthetics say,

0:17:50.840 --> 0:17:53.000
<v Speaker 1>what's happened to the aliens is what happened to us

0:17:53.680 --> 0:17:56.159
<v Speaker 1>and this is bad and the aliens don't want to

0:17:56.240 --> 0:17:58.760
<v Speaker 1>kill us. They and they never try to hug our

0:17:58.760 --> 0:18:03.000
<v Speaker 1>faces or attack us. Well, NIBBs would disagree, but and

0:18:03.480 --> 0:18:05.840
<v Speaker 1>you know, maybe the time has come to free ourselves

0:18:05.880 --> 0:18:11.840
<v Speaker 1>of these human meat puppets. Boy Genius locks eyes with

0:18:11.920 --> 0:18:14.720
<v Speaker 1>the creature and like whispers stuff to a very very

0:18:14.720 --> 0:18:16.240
<v Speaker 1>creepy he wants.

0:18:16.400 --> 0:18:18.800
<v Speaker 2>The funny thing is, I think, like I wonder if

0:18:18.840 --> 0:18:23.240
<v Speaker 2>boy Genius even has a tiny in the back of

0:18:23.240 --> 0:18:26.040
<v Speaker 2>his mind, like an itch on the back of his brain,

0:18:26.320 --> 0:18:28.640
<v Speaker 2>because I feel like, in this moment, like he's trying

0:18:28.640 --> 0:18:30.760
<v Speaker 2>to act like he has a connection with the creatures,

0:18:30.800 --> 0:18:33.600
<v Speaker 2>but it's like really clear that he doesn't. Yeah, whereas

0:18:33.640 --> 0:18:36.520
<v Speaker 2>we can see the sense and the hybrids, there's some

0:18:36.600 --> 0:18:38.320
<v Speaker 2>kind of connection that I.

0:18:39.000 --> 0:18:43.480
<v Speaker 1>Don't know that he is aware enough to see the

0:18:43.520 --> 0:18:48.920
<v Speaker 1>possible tensions brewing around him with the synths and these aliens.

0:18:48.960 --> 0:18:52.199
<v Speaker 1>But I do think, on a very cynical level, I

0:18:52.240 --> 0:18:55.800
<v Speaker 1>think that he heard I think he heard Curse say

0:18:56.040 --> 0:18:58.560
<v Speaker 1>this is a very very smart creature, and all of

0:18:58.560 --> 0:19:02.480
<v Speaker 1>a sudden, Boy Genius like wants to connect with it exactly.

0:19:02.600 --> 0:19:04.520
<v Speaker 2>Oh my god, that's such a good point. Yeah, he's

0:19:04.560 --> 0:19:06.040
<v Speaker 2>still looking for that conversation.

0:19:08.240 --> 0:19:11.640
<v Speaker 1>Arthur takes Dame to a quiet spot outside the labs,

0:19:12.240 --> 0:19:14.320
<v Speaker 1>and all of a sudden, he has some very very

0:19:14.600 --> 0:19:22.160
<v Speaker 1>serious concerns about everything they're doing, most pressingly the alien

0:19:22.200 --> 0:19:26.480
<v Speaker 1>species now on this island, Like what can they do?

0:19:26.600 --> 0:19:29.000
<v Speaker 1>What are the dangers? We don't know? He's also concerned

0:19:29.000 --> 0:19:32.280
<v Speaker 1>that whatever the Lost Boys are supposed to be doing,

0:19:32.280 --> 0:19:34.400
<v Speaker 1>And this is interesting, how did you read this? Because

0:19:34.400 --> 0:19:39.280
<v Speaker 1>he's basically like, apparently the Lost Boys are built for

0:19:39.280 --> 0:19:41.720
<v Speaker 1>a purpose that we don't understand, right, we don't actually

0:19:41.760 --> 0:19:44.280
<v Speaker 1>know what the product line is designed to do. He

0:19:44.600 --> 0:19:47.000
<v Speaker 1>but Arthur seems very concerned that they're not ready to

0:19:47.080 --> 0:19:49.359
<v Speaker 1>do whatever it is that they are going to be

0:19:49.520 --> 0:19:50.840
<v Speaker 1>marketed as doing.

0:19:52.040 --> 0:19:57.879
<v Speaker 2>Yeah, I wonder if it was like I just wonder

0:19:57.920 --> 0:20:01.399
<v Speaker 2>if he is upset because this is like not what

0:20:01.520 --> 0:20:03.760
<v Speaker 2>they're supposed to be doing. And I felt like when

0:20:03.800 --> 0:20:06.560
<v Speaker 2>they were talking about Prodigy, the name of it and everything,

0:20:07.080 --> 0:20:12.000
<v Speaker 2>the idea was going to be the brain body situation.

0:20:12.240 --> 0:20:14.360
<v Speaker 2>Then you can essentially have them just living in your

0:20:14.359 --> 0:20:17.840
<v Speaker 2>house as your child or as your relative who died.

0:20:18.480 --> 0:20:23.120
<v Speaker 2>But Boy Genius basically turned them into weapons the first

0:20:23.200 --> 0:20:26.760
<v Speaker 2>moment he had the chance, when they still had you know,

0:20:27.320 --> 0:20:31.720
<v Speaker 2>ten year old brain going inside their heads. So I

0:20:31.720 --> 0:20:35.800
<v Speaker 2>don't know, but yes, Arthur Dame definitely arguing married couple

0:20:35.840 --> 0:20:39.359
<v Speaker 2>at the center of this hilarious.

0:20:38.840 --> 0:20:42.080
<v Speaker 1>Now this brings up some interesting I think. Yes, so

0:20:42.200 --> 0:20:45.919
<v Speaker 1>they were talking about this, if this technology existed, and

0:20:45.960 --> 0:20:50.000
<v Speaker 1>you could upload people into a fully functioning synthetic body

0:20:49.800 --> 0:20:53.119
<v Speaker 1>and the and when you speak to it, it has

0:20:53.160 --> 0:20:55.959
<v Speaker 1>all the memories and the personality basically of the person.

0:20:57.000 --> 0:21:00.199
<v Speaker 1>If that was possible, I think it would be. I

0:21:00.240 --> 0:21:03.600
<v Speaker 1>don't think that you could legally call that a person.

0:21:03.760 --> 0:21:06.640
<v Speaker 1>You certainly couldn't call it the same person. Like let's

0:21:06.640 --> 0:21:09.159
<v Speaker 1>say it was a wendy situation where they died and

0:21:09.240 --> 0:21:10.400
<v Speaker 1>then you brought them back as this.

0:21:11.240 --> 0:21:13.560
<v Speaker 2>Yeah, I think it's you would basically just say they're

0:21:13.560 --> 0:21:14.600
<v Speaker 2>an upload of a quncient.

0:21:15.000 --> 0:21:17.760
<v Speaker 1>You'd have to classify them as something completely different, like

0:21:17.800 --> 0:21:20.960
<v Speaker 1>I think legally, Like imagine a situation in which they

0:21:21.040 --> 0:21:24.760
<v Speaker 1>upload you, but then the doctor runs into the room

0:21:24.800 --> 0:21:26.879
<v Speaker 1>where you're on the table and says, actually we were wrong,

0:21:26.960 --> 0:21:29.120
<v Speaker 1>Like you don't have stage four cancer. You're gonna live.

0:21:29.359 --> 0:21:32.359
<v Speaker 1>So now that both of you are alive, okay, you

0:21:32.400 --> 0:21:38.320
<v Speaker 1>could classify that other synthetic as like a different you know,

0:21:38.440 --> 0:21:41.160
<v Speaker 1>Jason two. But Jason two is still going to want

0:21:41.160 --> 0:21:43.080
<v Speaker 1>all Jason one's things. It's going to live in my house.

0:21:43.119 --> 0:21:45.000
<v Speaker 1>It's gonna want my dog, it's gonna want like all

0:21:45.040 --> 0:21:46.280
<v Speaker 1>the relationships that I have.

0:21:47.160 --> 0:21:49.879
<v Speaker 2>And is that why they've only been making these with

0:21:49.960 --> 0:21:51.159
<v Speaker 2>femininely ill kids.

0:21:51.240 --> 0:21:53.399
<v Speaker 1>I think yes, because obviously if you do it to

0:21:53.440 --> 0:21:57.240
<v Speaker 1>a living person, it's the problems are severe and very

0:21:58.960 --> 0:22:01.879
<v Speaker 1>and very disruptive, and so legally, I don't think you

0:22:01.880 --> 0:22:03.800
<v Speaker 1>could call these I don't think you could call a

0:22:03.840 --> 0:22:06.480
<v Speaker 1>synthetic person a person. Like if it, I think you'd

0:22:06.520 --> 0:22:09.200
<v Speaker 1>have to call it a synthetic person. They'll invent another class.

0:22:09.480 --> 0:22:12.399
<v Speaker 1>But the other thing I was thinking is like, like,

0:22:12.440 --> 0:22:15.639
<v Speaker 1>what do you even let's say that technology did exist.

0:22:15.680 --> 0:22:21.320
<v Speaker 1>I don't even know what all the uses forget the

0:22:21.359 --> 0:22:23.480
<v Speaker 1>fact that like ethically and Morley to make these things,

0:22:23.520 --> 0:22:24.119
<v Speaker 1>it's terrible.

0:22:24.760 --> 0:22:25.000
<v Speaker 2>Yeah.

0:22:25.040 --> 0:22:27.399
<v Speaker 1>All the uses that I come up with that you

0:22:27.520 --> 0:22:29.680
<v Speaker 1>that you could use like now today, like right away,

0:22:29.720 --> 0:22:34.119
<v Speaker 1>are terrible. It's it's basically like, okay, you train it.

0:22:34.320 --> 0:22:37.679
<v Speaker 1>You take a highly trained Navy seal, right that you've

0:22:37.720 --> 0:22:41.640
<v Speaker 1>spent fifteen million dollars training them, You upload their consciousness

0:22:41.640 --> 0:22:43.920
<v Speaker 1>into these bodies, and then you send those out to kill.

0:22:43.920 --> 0:22:47.240
<v Speaker 1>And now the guy the Navy seal doesn't get PTSD

0:22:47.320 --> 0:22:50.120
<v Speaker 1>and doesn't get injured, and you just send these things

0:22:50.119 --> 0:22:53.159
<v Speaker 1>out to die. Die die, die die. That's one version.

0:22:53.560 --> 0:22:56.720
<v Speaker 1>Version two is like some sort of basically a haircut

0:22:56.760 --> 0:22:58.679
<v Speaker 1>of that's like some sort of like slave labor. You

0:22:58.720 --> 0:23:03.399
<v Speaker 1>take like highly skilled like mechanists and engineers and you

0:23:03.440 --> 0:23:07.120
<v Speaker 1>send them to do like crazy dangerous jobs like on Mars. Yeah,

0:23:07.119 --> 0:23:11.080
<v Speaker 1>which is like basically a blade runner or and this

0:23:11.119 --> 0:23:14.800
<v Speaker 1>is I'm sorry that this is what I thought of.

0:23:15.560 --> 0:23:19.879
<v Speaker 1>Let's say you get like a high value prisoner, you

0:23:20.000 --> 0:23:23.359
<v Speaker 1>upload their consciousness into a body so horrific, and that

0:23:23.480 --> 0:23:26.399
<v Speaker 1>body is not a person, does not have legal human rights.

0:23:26.520 --> 0:23:30.040
<v Speaker 1>You can torture that version of the person all day

0:23:30.040 --> 0:23:34.080
<v Speaker 1>and night until it dies. It should get like the

0:23:34.119 --> 0:23:36.840
<v Speaker 1>information you need. I think like those are like the

0:23:36.880 --> 0:23:39.919
<v Speaker 1>applications that I immediately come up with, and they're that.

0:23:40.240 --> 0:23:44.639
<v Speaker 2>It's horrific but true. And I also think that you

0:23:44.760 --> 0:23:47.320
<v Speaker 2>make a really interesting point because also we've seen how

0:23:47.320 --> 0:23:49.680
<v Speaker 2>they can turn off Wendy's hearing and they can turn

0:23:49.680 --> 0:23:51.840
<v Speaker 2>it back on again, so I'm sure they can probably

0:23:51.880 --> 0:23:56.560
<v Speaker 2>also play with pain receptors and nervous systems spies probably.

0:23:56.600 --> 0:23:59.159
<v Speaker 1>I think they would be incredible spies. You know, you

0:23:59.200 --> 0:24:01.600
<v Speaker 1>send them behind any you don't care if they get captured.

0:24:01.880 --> 0:24:06.119
<v Speaker 2>You also can't tell physically again, kind of like it

0:24:06.240 --> 0:24:08.720
<v Speaker 2>was with Ash in the first Alien movie and onwards.

0:24:09.119 --> 0:24:11.800
<v Speaker 2>You can't tell that they are synthetic or that they

0:24:11.840 --> 0:24:14.760
<v Speaker 2>are not hybrids, you know, so that they are hybrids.

0:24:14.800 --> 0:24:19.760
<v Speaker 2>So I would say definitely, spy, assassin, any kind of weapon.

0:24:20.280 --> 0:24:24.160
<v Speaker 2>I'm also interested in the name of the company being Prodigy,

0:24:24.640 --> 0:24:27.480
<v Speaker 2>them only being able to do this to kids, and

0:24:27.680 --> 0:24:30.560
<v Speaker 2>obviously boy genius. There is some kind of thing about

0:24:30.840 --> 0:24:35.159
<v Speaker 2>the idea of like youth and how you can save youth,

0:24:35.240 --> 0:24:37.280
<v Speaker 2>and is there even a way I wonder, Okay, listen

0:24:37.280 --> 0:24:41.359
<v Speaker 2>to this for a crazy one. What if what they're

0:24:41.400 --> 0:24:45.720
<v Speaker 2>really trying to do is they do this version of it,

0:24:46.920 --> 0:24:49.280
<v Speaker 2>But what if there's a different version where they can

0:24:49.920 --> 0:24:55.840
<v Speaker 2>take an old person's consciousness, transplant it into a kid's

0:24:55.880 --> 0:24:58.760
<v Speaker 2>body and a kid's brain, and then put the kid's

0:24:58.800 --> 0:25:01.960
<v Speaker 2>brain into the machine. Because how you really need to

0:25:02.080 --> 0:25:06.040
<v Speaker 2>help old people extend their lives. So I'm interested to

0:25:06.119 --> 0:25:08.840
<v Speaker 2>know if there's a version of it where you are

0:25:08.920 --> 0:25:10.480
<v Speaker 2>kind of essentially.

0:25:11.320 --> 0:25:12.439
<v Speaker 1>Like a swap.

0:25:12.720 --> 0:25:17.000
<v Speaker 2>Us like a swap so that the kid becomes You.

0:25:16.960 --> 0:25:19.080
<v Speaker 1>Even need to take take kid's mind out, though you

0:25:19.119 --> 0:25:22.400
<v Speaker 1>could just like just write over it, you wouldn't I guess.

0:25:22.359 --> 0:25:24.119
<v Speaker 2>Yeah, no, that's what I mean, just right over that

0:25:24.200 --> 0:25:25.960
<v Speaker 2>and then you put it into the body, you know.

0:25:26.119 --> 0:25:28.960
<v Speaker 2>So I'm like, I'm intrigued because I feel like, to

0:25:29.080 --> 0:25:34.720
<v Speaker 2>really make this profitable, it's either weapons or life, kind

0:25:34.760 --> 0:25:38.080
<v Speaker 2>of making your life longer. And even though obviously lots

0:25:38.080 --> 0:25:40.200
<v Speaker 2>of people do have sick kids, the real people who

0:25:40.240 --> 0:25:42.480
<v Speaker 2>want to make their lives longer are these kind of

0:25:43.400 --> 0:25:46.680
<v Speaker 2>obsessive men who feel like they have this huge thing

0:25:46.800 --> 0:25:49.200
<v Speaker 2>that they have to keep working on and they must

0:25:49.200 --> 0:25:52.199
<v Speaker 2>always be able to stay as youthful as possible. So

0:25:52.240 --> 0:25:55.080
<v Speaker 2>I feel like the real money is in getting adults

0:25:55.600 --> 0:25:58.640
<v Speaker 2>brains into those bodies, which we know they say their

0:25:58.640 --> 0:26:01.680
<v Speaker 2>brains are too rigid. So I'm also interested in how

0:26:01.720 --> 0:26:03.840
<v Speaker 2>they are planning to make that work because I feel

0:26:03.840 --> 0:26:05.879
<v Speaker 2>like that has to be part of the money.

0:26:06.000 --> 0:26:08.840
<v Speaker 1>Yeah, I feel like obviously you would send them to

0:26:08.880 --> 0:26:12.760
<v Speaker 1>do very dangerous things, but I guess I then would

0:26:13.119 --> 0:26:16.320
<v Speaker 1>need to understand like the cost proposition of how much

0:26:16.359 --> 0:26:18.600
<v Speaker 1>these cost like if you just.

0:26:18.560 --> 0:26:21.280
<v Speaker 2>Throw a billion human into space, yeah you can, it

0:26:21.280 --> 0:26:22.000
<v Speaker 2>doesn't matter.

0:26:21.960 --> 0:26:24.560
<v Speaker 1>Right, you can send one of these to like go

0:26:24.720 --> 0:26:26.760
<v Speaker 1>study the sun, right you know.

0:26:26.920 --> 0:26:29.159
<v Speaker 2>Yeah exactly, But but like how much money are you

0:26:29.240 --> 0:26:31.200
<v Speaker 2>making from that? And how much money did it cost?

0:26:31.320 --> 0:26:34.159
<v Speaker 1>Yeah, so it'll be interesting to see what these you

0:26:34.240 --> 0:26:36.520
<v Speaker 1>used to for. My sense is probably like war.

0:26:37.320 --> 0:26:39.200
<v Speaker 2>Yeah, war, I think is your number one. Right.

0:26:39.280 --> 0:26:42.080
<v Speaker 1>They're probably gonna use these as his foot soldiers or something,

0:26:42.080 --> 0:26:45.320
<v Speaker 1>although what is the cost per unit? Like if each

0:26:45.440 --> 0:26:49.240
<v Speaker 1>body costs a billion dollars, then it's like why I

0:26:49.400 --> 0:26:52.640
<v Speaker 1>even do it? Just use poor people like they've been

0:26:52.640 --> 0:26:58.000
<v Speaker 1>doing for years. Anyway, Arthur basically says to Dame, listen,

0:26:58.040 --> 0:27:01.360
<v Speaker 1>I want us thinking about contingency play. These aliens are here.

0:27:01.480 --> 0:27:05.040
<v Speaker 1>The stuff with the Lost Boys is going in different directions,

0:27:05.040 --> 0:27:07.160
<v Speaker 1>like if this all goes sideways, we need to think

0:27:07.160 --> 0:27:11.360
<v Speaker 1>about getting out, okay yeah, And Dame is like, hey, yeah, yeah,

0:27:11.359 --> 0:27:12.040
<v Speaker 1>it'll be fine.

0:27:12.320 --> 0:27:16.200
<v Speaker 2>Nibs, she's not a serious passon, and like she has

0:27:16.240 --> 0:27:18.879
<v Speaker 2>not realized the seriousness of her situation until late.

0:27:19.240 --> 0:27:21.679
<v Speaker 1>Well, she's about to realize it now. NIBBs walks up,

0:27:21.680 --> 0:27:23.800
<v Speaker 1>and NIBBs is acting weird.

0:27:24.160 --> 0:27:27.240
<v Speaker 2>Which honestly normal day for Nibs. But she's obvious she's

0:27:27.280 --> 0:27:30.560
<v Speaker 2>always been struggling. Yeah, she's with this more than the others.

0:27:30.680 --> 0:27:35.320
<v Speaker 1>Listen, she's the she has the mind of a young person,

0:27:35.440 --> 0:27:39.520
<v Speaker 1>and she's been severely traumatized by both the process that

0:27:39.560 --> 0:27:42.760
<v Speaker 1>she's undergone that put her in this new body and

0:27:42.800 --> 0:27:44.480
<v Speaker 1>everything she's seen in the last few days. So she

0:27:44.520 --> 0:27:47.639
<v Speaker 1>comes up and she's like, I'm pregnant for real, Like

0:27:47.680 --> 0:27:49.640
<v Speaker 1>for real, for real, I am a baby. I'm gonna

0:27:49.680 --> 0:27:54.119
<v Speaker 1>have a baby. And Dame smartly plays along because when

0:27:54.200 --> 0:27:56.800
<v Speaker 1>Arthur's like, that's impossible, you don't have you're not a person.

0:27:57.480 --> 0:27:59.680
<v Speaker 2>Nibs I would.

0:27:59.440 --> 0:28:02.280
<v Speaker 1>Say, she doesn't get violent, but you could. She reacts

0:28:02.400 --> 0:28:05.720
<v Speaker 1>very negatively, and so Dame smartly plays along and she's like,

0:28:05.720 --> 0:28:09.240
<v Speaker 1>come to my office, let's talk privately. They go to

0:28:09.320 --> 0:28:15.000
<v Speaker 1>the office and NIBBs is like, very, very dedicated to

0:28:15.040 --> 0:28:18.080
<v Speaker 1>this idea that she's going to have a baby. And

0:28:19.000 --> 0:28:21.280
<v Speaker 1>by the way, she understands how babies are made, the

0:28:21.359 --> 0:28:25.560
<v Speaker 1>physical and biological process, and she's not at all convinced

0:28:25.560 --> 0:28:26.840
<v Speaker 1>that you need to go through all that to have

0:28:26.920 --> 0:28:29.800
<v Speaker 1>a baby. She's because she is having a baby. And

0:28:29.840 --> 0:28:31.920
<v Speaker 1>while all that stuff didn't happen. She's having a baby,

0:28:31.960 --> 0:28:35.280
<v Speaker 1>So what are you gonna do about it? Dame? The

0:28:35.320 --> 0:28:38.160
<v Speaker 1>penny drops for Dame that this whole project that they've

0:28:38.200 --> 0:28:43.480
<v Speaker 1>been working on is like rushing along without any kind

0:28:43.520 --> 0:28:46.840
<v Speaker 1>of heed to the potential consequences or disruptions that are

0:28:46.880 --> 0:28:51.400
<v Speaker 1>now happening. NIBBs then gets, you know, Dame, I think,

0:28:51.440 --> 0:28:53.800
<v Speaker 1>tries to be like, let's reason with you, Hey, would

0:28:53.800 --> 0:28:55.479
<v Speaker 1>you like to see the blueprints of your body?

0:28:56.160 --> 0:28:57.520
<v Speaker 2>No, that's not what she needed.

0:28:58.320 --> 0:29:01.520
<v Speaker 1>Becomes violent now and NIBBs is super strong, as are

0:29:01.560 --> 0:29:06.320
<v Speaker 1>all these kids, and you know, puts her. She just

0:29:06.320 --> 0:29:08.760
<v Speaker 1>does not want to and she continues, she doubles down.

0:29:08.760 --> 0:29:11.120
<v Speaker 1>She's like, it's a girl, I think the baby, and

0:29:11.120 --> 0:29:14.480
<v Speaker 1>I'm going to name it Clarissa. And we get these

0:29:14.520 --> 0:29:17.360
<v Speaker 1>flashes of memories and we realize that NIBBs is haunted

0:29:17.400 --> 0:29:20.600
<v Speaker 1>by the confrontation with the eye creature in the lab

0:29:20.960 --> 0:29:24.680
<v Speaker 1>and that was horrifying, horrifying, and she doesn't it's so

0:29:24.800 --> 0:29:27.760
<v Speaker 1>horrifying in fact, that she does not want to talk

0:29:27.800 --> 0:29:29.320
<v Speaker 1>about it. She doesn't want to talk about She will

0:29:29.360 --> 0:29:32.360
<v Speaker 1>rather talk about anything else. She violently does not want

0:29:32.400 --> 0:29:34.400
<v Speaker 1>to talk about it. Like, she grabs Dame around the

0:29:34.480 --> 0:29:39.440
<v Speaker 1>neck and Dame plays it off, goes up, presses a

0:29:39.440 --> 0:29:43.120
<v Speaker 1>panic button. Guards show up, and then she's like, oh

0:29:43.160 --> 0:29:46.680
<v Speaker 1>my god, Nibs, I forgot I have a meeting with Boycovalier.

0:29:46.720 --> 0:29:49.160
<v Speaker 1>I have to go now bye. Yeah, the guards will

0:29:49.160 --> 0:29:51.720
<v Speaker 1>show you to your room, and NIBBs leaves with one

0:29:51.720 --> 0:29:55.960
<v Speaker 1>of Dame's stuffed animals, and Dame then pulls one of

0:29:55.960 --> 0:29:57.760
<v Speaker 1>the guards aside and says, we have a level three

0:29:57.840 --> 0:29:59.920
<v Speaker 1>security event. You know what that means, which I think

0:30:00.120 --> 0:30:01.920
<v Speaker 1>probably means we're wiping Nibs.

0:30:02.360 --> 0:30:04.200
<v Speaker 2>Yes, that's what it feels like to me, is like

0:30:04.520 --> 0:30:06.840
<v Speaker 2>we're getting rid of her. Like whatever that means.

0:30:07.360 --> 0:30:09.800
<v Speaker 1>She's gone, yes, we're gonna hold down the start button

0:30:09.800 --> 0:30:13.600
<v Speaker 1>for five seconds and then enter reboot mode, control all delete. Yes.

0:30:14.960 --> 0:30:18.600
<v Speaker 1>Joe goes to see Lobot for that meaning, and Lobot

0:30:18.680 --> 0:30:22.560
<v Speaker 1>is like, listen, that's what you got to understand. Wendy's

0:30:22.560 --> 0:30:25.360
<v Speaker 1>not your sister. That's a synthetic body with the brain

0:30:25.440 --> 0:30:28.720
<v Speaker 1>waves that are modeled on your sisters. Also, you work

0:30:28.800 --> 0:30:33.480
<v Speaker 1>for me. Also, everything you've seen and heard, even the

0:30:33.520 --> 0:30:36.640
<v Speaker 1>air you are breathing right now, is the intellectual property

0:30:36.720 --> 0:30:39.400
<v Speaker 1>of Prodigy Corporation, and Joe's like, well, I don't work

0:30:39.400 --> 0:30:41.479
<v Speaker 1>here anymore. Quit and well it says, okay, you can

0:30:41.520 --> 0:30:43.360
<v Speaker 1>do that, but that means you can never talk to

0:30:43.400 --> 0:30:45.760
<v Speaker 1>any of your friends that you made in.

0:30:45.760 --> 0:30:48.640
<v Speaker 2>Your your peers who you spent months and.

0:30:48.480 --> 0:30:51.280
<v Speaker 1>Wendy you will never speak to her again because she

0:30:51.640 --> 0:30:54.720
<v Speaker 1>is lockstock and barrel, the property of Prodigy Corporation. And

0:30:54.800 --> 0:30:56.760
<v Speaker 1>also like, what's up with that lung that we make

0:30:56.880 --> 0:30:57.400
<v Speaker 1>that we grew you?

0:30:57.640 --> 0:30:59.360
<v Speaker 2>Yeah, whonder where that came from?

0:30:59.560 --> 0:31:02.560
<v Speaker 1>So you can leave, but your credit score is going

0:31:02.640 --> 0:31:06.240
<v Speaker 1>to get nuked from orbit and will never be the

0:31:06.280 --> 0:31:07.000
<v Speaker 1>fucking same.

0:31:07.720 --> 0:31:10.640
<v Speaker 2>So it's gonna be worse with that ever of mine

0:31:10.760 --> 0:31:11.240
<v Speaker 2>or something.

0:31:11.560 --> 0:31:18.200
<v Speaker 1>I mean, if the class stuff really comes through in this.

0:31:18.440 --> 0:31:21.520
<v Speaker 2>Yeah, I also want to say, like, I think that

0:31:22.440 --> 0:31:24.720
<v Speaker 2>a lot of the stuff they've been exploring in this

0:31:24.840 --> 0:31:29.200
<v Speaker 2>show is quite broad and you can kind of read

0:31:29.240 --> 0:31:31.600
<v Speaker 2>into it however you want to read into it. But

0:31:31.760 --> 0:31:35.320
<v Speaker 2>this moment and the context of like the lung and

0:31:35.400 --> 0:31:38.760
<v Speaker 2>the new lung, and how having your body directly connected

0:31:38.760 --> 0:31:42.800
<v Speaker 2>to the corporation that you work for is really dangerous,

0:31:42.840 --> 0:31:46.320
<v Speaker 2>and how if you can't pay off medical debt then

0:31:46.320 --> 0:31:48.400
<v Speaker 2>you can end up with bad credit that would ruin

0:31:48.440 --> 0:31:51.960
<v Speaker 2>your life. Noah Hawley's being very direct here. This is

0:31:52.120 --> 0:31:55.800
<v Speaker 2>this is less a analogy than it is a direct comment.

0:31:56.000 --> 0:32:00.640
<v Speaker 2>And I think that's really exciting vibe And Yes, Common,

0:32:00.960 --> 0:32:03.920
<v Speaker 2>One of my favorite films I show with super producer

0:32:04.000 --> 0:32:09.040
<v Speaker 2>Common is Repo the Genetic Opera. It is definitely giving

0:32:09.080 --> 0:32:11.640
<v Speaker 2>that the idea that you could kind of reclaim a

0:32:11.760 --> 0:32:15.280
<v Speaker 2>lung or an organ that you didn't pay for. Yeah,

0:32:15.520 --> 0:32:20.680
<v Speaker 2>very very bleak stuff. And I kind of love that

0:32:20.800 --> 0:32:23.520
<v Speaker 2>Lowboy is the one who's giving these out as well,

0:32:23.560 --> 0:32:26.080
<v Speaker 2>Like boy Genius really just does not handle his own

0:32:26.120 --> 0:32:29.000
<v Speaker 2>business in any way, shape or form. This man is

0:32:29.040 --> 0:32:32.360
<v Speaker 2>like thinking about Peter Patten. Everyone else is doing the

0:32:32.440 --> 0:32:33.280
<v Speaker 2>damage control.

0:32:33.880 --> 0:32:38.479
<v Speaker 1>So Joe then wants to kind of change the subject.

0:32:38.520 --> 0:32:41.160
<v Speaker 1>He's like, Okay, well is that my sister? What did

0:32:41.200 --> 0:32:43.200
<v Speaker 1>you do? Or like what was the process? Like? Tell

0:32:43.240 --> 0:32:49.080
<v Speaker 1>me about it? And love that is, Like, well, first

0:32:49.120 --> 0:32:51.000
<v Speaker 1>of all, are you in or out? Like are you

0:32:51.080 --> 0:32:52.720
<v Speaker 1>do you work for us or not? Like are you

0:32:52.840 --> 0:32:55.800
<v Speaker 1>quitting and ruining your life or not? And by the way,

0:32:55.880 --> 0:33:00.680
<v Speaker 1>your sister, Wendy quote unquote or quote sister, she is

0:33:01.160 --> 0:33:03.920
<v Speaker 1>one hundred the property of the Project Corporation.

0:33:04.200 --> 0:33:07.120
<v Speaker 2>It does look whether she is real or isn't real?

0:33:07.400 --> 0:33:10.440
<v Speaker 2>Is your sister or isn't your sister? She is? And

0:33:10.520 --> 0:33:13.600
<v Speaker 2>I do think something I think that's really interesting about

0:33:13.640 --> 0:33:19.800
<v Speaker 2>the show is actually, this is the kind of this

0:33:19.960 --> 0:33:22.680
<v Speaker 2>is the version of this technology that we've seen in

0:33:22.720 --> 0:33:26.520
<v Speaker 2>sci fi that I think is the most definitively you

0:33:26.640 --> 0:33:29.840
<v Speaker 2>can say that is your sister kind of situation because

0:33:30.160 --> 0:33:32.640
<v Speaker 2>even though it is brain waves just based on your sister,

0:33:33.000 --> 0:33:36.000
<v Speaker 2>that was a conscious choice your sister made to go

0:33:36.160 --> 0:33:38.760
<v Speaker 2>into that body, and now the body has her memories

0:33:38.800 --> 0:33:41.040
<v Speaker 2>that remember that choice. So I think we're in a

0:33:41.080 --> 0:33:45.920
<v Speaker 2>really interesting situation when it comes to sentience and agency

0:33:45.960 --> 0:33:48.320
<v Speaker 2>over the human body and who you are. But obviously,

0:33:48.360 --> 0:33:51.800
<v Speaker 2>like can a ten year old child even actually consent

0:33:51.960 --> 0:33:55.080
<v Speaker 2>to a choice like this or a decision like this,

0:33:55.240 --> 0:33:56.760
<v Speaker 2>That's where the things start getting really.

0:33:56.680 --> 0:34:02.400
<v Speaker 1>Mabsolutely they can't. Yes, no, no, the baby yeah. So

0:34:04.240 --> 0:34:08.880
<v Speaker 1>there is, however, a carrot too. After the stick and

0:34:09.000 --> 0:34:13.600
<v Speaker 1>Joe leaves the office, he sees his old colleagues Rachety

0:34:13.640 --> 0:34:17.160
<v Speaker 1>and Siberian. They're fine, and apparently the whole search and

0:34:17.160 --> 0:34:20.000
<v Speaker 1>rescue squad, all his buddies, are now based on Research Island.

0:34:20.719 --> 0:34:23.520
<v Speaker 2>Okay, Jason, I got my class hostages. Yes, I got

0:34:23.560 --> 0:34:26.040
<v Speaker 2>a question for you. Who is I was thinking about

0:34:26.080 --> 0:34:28.160
<v Speaker 2>this a lot of stuff. Who made that choice? Like

0:34:28.200 --> 0:34:29.760
<v Speaker 2>who is the real boss?

0:34:29.840 --> 0:34:30.440
<v Speaker 1>Who is the.

0:34:30.360 --> 0:34:34.120
<v Speaker 2>One who's making these decisions? While boy Genius isn't, Like

0:34:34.160 --> 0:34:37.279
<v Speaker 2>who was smart enough to know? Well, Joe's him. Maybe

0:34:37.320 --> 0:34:39.480
<v Speaker 2>we can use these people to navigate.

0:34:39.719 --> 0:34:42.240
<v Speaker 1>I guess Lobot is like the fix Law.

0:34:42.239 --> 0:34:46.120
<v Speaker 2>The kind of real the real brains at the moment behind,

0:34:46.200 --> 0:34:48.920
<v Speaker 2>kind of keeping things under wraps right now.

0:34:49.520 --> 0:34:51.800
<v Speaker 1>Yeah, And I think we're sjured. Does a very dangerous

0:34:51.880 --> 0:34:56.400
<v Speaker 1>job because he is colleagues work in a very dangerous

0:34:56.719 --> 0:34:59.960
<v Speaker 1>line of work, search and rescue, and anything can happen

0:35:00.280 --> 0:35:04.400
<v Speaker 1>to them, to that whole squad exactly. Wendy has a

0:35:04.440 --> 0:35:07.320
<v Speaker 1>meeting with boy Genius, and Boy Genius is like fucking

0:35:08.120 --> 0:35:12.320
<v Speaker 1>so obsessed with Peter Pan and like again it's it's

0:35:12.360 --> 0:35:15.000
<v Speaker 1>the very bunch Peter Teal and Lord of the Rings.

0:35:15.520 --> 0:35:20.200
<v Speaker 1>Wendy is. You can tell from this conversation empathizing somewhat

0:35:20.239 --> 0:35:23.680
<v Speaker 1>with the aliens something there is an emotional appeal in

0:35:23.719 --> 0:35:27.480
<v Speaker 1>that communication that they are sending that she is responding to,

0:35:27.640 --> 0:35:30.920
<v Speaker 1>and she says they don't like being experimented on, and

0:35:30.960 --> 0:35:33.120
<v Speaker 1>he's like, how did they tell you that? And he's like, well, well,

0:35:33.920 --> 0:35:36.800
<v Speaker 1>and she basically says, well would you want to be?

0:35:36.840 --> 0:35:37.759
<v Speaker 1>Like would you?

0:35:37.880 --> 0:35:41.439
<v Speaker 2>Which I have to say feels like foreshadowing to see

0:35:41.440 --> 0:35:47.480
<v Speaker 2>some good torture and experimentation on boy Genius sun Cereal the.

0:35:47.440 --> 0:35:52.799
<v Speaker 1>Sense and the aliens will rise up. Boy Genius then

0:35:52.880 --> 0:35:55.600
<v Speaker 1>asks like, why did you Tanny want them? And and

0:35:55.800 --> 0:36:00.560
<v Speaker 1>you know why? And she doesn't know, and he basically

0:36:00.680 --> 0:36:02.799
<v Speaker 1>now he raises the question of Joe, what do we

0:36:02.840 --> 0:36:05.480
<v Speaker 1>do about Joe? I don't like Joe. Joe is like

0:36:05.960 --> 0:36:09.120
<v Speaker 1>distracting you from your work, and shouldn't we send Joe

0:36:09.200 --> 0:36:12.480
<v Speaker 1>out of here because we don't need him? And when

0:36:12.480 --> 0:36:14.120
<v Speaker 1>he's like no, please, please, please, don't to send my

0:36:14.120 --> 0:36:16.920
<v Speaker 1>brother away, and then Boise's just like yeah, but like,

0:36:17.520 --> 0:36:19.080
<v Speaker 1>is does he really care about you if you didn't

0:36:19.080 --> 0:36:20.640
<v Speaker 1>come see you when you were sick and dying?

0:36:20.719 --> 0:36:20.879
<v Speaker 2>Oh?

0:36:21.160 --> 0:36:24.839
<v Speaker 1>Clearly was like watching and listening to this conversation her

0:36:24.880 --> 0:36:29.080
<v Speaker 1>eyes and knows all about knows that pressure point very well.

0:36:29.680 --> 0:36:33.000
<v Speaker 1>And he says, well, listen, here's the deal. You talk

0:36:33.040 --> 0:36:36.359
<v Speaker 1>to the aliens. Help me understand them and then we'll

0:36:36.400 --> 0:36:39.680
<v Speaker 1>keep Joe around. So that's a lot that's we're doing that.

0:36:39.880 --> 0:36:42.640
<v Speaker 1>We go onto the LA lab where the observation testing

0:36:42.680 --> 0:36:46.200
<v Speaker 1>of the eye is continuing. Toodles says, hey, I want

0:36:46.200 --> 0:36:49.799
<v Speaker 1>to change my name to Isaac after you know, Sir

0:36:49.840 --> 0:36:55.640
<v Speaker 1>Isaac Newton, and they're like, okay. Isaac runs into Slightly

0:36:55.680 --> 0:36:58.600
<v Speaker 1>and tells Slightly that hey, I'm going by Isaac now,

0:36:58.960 --> 0:37:01.880
<v Speaker 1>and it's like, you know, Toodles is like a kid's name.

0:37:01.880 --> 0:37:04.160
<v Speaker 1>I don't like it, and Slightly it's like, wait, well

0:37:04.160 --> 0:37:06.240
<v Speaker 1>you can change our names. Hold on as sad, and

0:37:06.320 --> 0:37:09.480
<v Speaker 1>he's also asking he's Slightly is also acting very very

0:37:09.480 --> 0:37:11.080
<v Speaker 1>sketchy cleuely come down here to.

0:37:11.000 --> 0:37:13.320
<v Speaker 2>Steal the literal voice in his head.

0:37:13.360 --> 0:37:16.719
<v Speaker 1>Right, and he's lies about being asked to come get

0:37:16.760 --> 0:37:18.760
<v Speaker 1>something and then leaves.

0:37:19.200 --> 0:37:21.480
<v Speaker 2>Okay, I'll ask you about this. This is another one

0:37:21.480 --> 0:37:23.520
<v Speaker 2>of my favorite theories that I've been seeing in the

0:37:23.520 --> 0:37:29.600
<v Speaker 2>discord online, essentially that Morrow is Captain Hook because he

0:37:29.640 --> 0:37:32.839
<v Speaker 2>has the cyborg arm and that's kind of his role

0:37:32.960 --> 0:37:35.520
<v Speaker 2>in the peter Pan of it all, and I thought

0:37:35.560 --> 0:37:38.160
<v Speaker 2>that was very interesting, especially now with this kind of

0:37:38.239 --> 0:37:43.000
<v Speaker 2>connection between him and you know, Slightly.

0:37:42.920 --> 0:37:46.080
<v Speaker 1>I hate the Peter Pan metaphor so much, I know,

0:37:46.160 --> 0:37:48.600
<v Speaker 1>and the only thing that, the only thing, the saving

0:37:48.640 --> 0:37:52.080
<v Speaker 1>grace of it is in this episode, I finally realized

0:37:52.120 --> 0:37:58.960
<v Speaker 1>that the metaphor is less about Holly putting this metaphor

0:37:58.960 --> 0:38:00.799
<v Speaker 1>on it, although that's also an aspect of it, and

0:38:00.840 --> 0:38:05.400
<v Speaker 1>it's more that, yeah, boy Cavalier is obsessed with this story.

0:38:05.640 --> 0:38:10.279
<v Speaker 1>And so when moral Captain Hook, I answer, I don't

0:38:10.320 --> 0:38:13.200
<v Speaker 1>fucking care, and I don't. I don't.

0:38:13.400 --> 0:38:16.480
<v Speaker 2>I'm very interested. I like the idea that I like

0:38:16.560 --> 0:38:18.839
<v Speaker 2>the archetypes. I think they're fine. I think it's good,

0:38:19.360 --> 0:38:22.799
<v Speaker 2>and I'm but I'm also interested to see how boy

0:38:22.840 --> 0:38:28.120
<v Speaker 2>Genius is gonna respond to the kids taking these little

0:38:28.120 --> 0:38:31.400
<v Speaker 2>bits of agency, like renaming themselves, because that pushes it

0:38:31.520 --> 0:38:35.359
<v Speaker 2>out of his understanding of the book and what he

0:38:35.440 --> 0:38:38.239
<v Speaker 2>gains from the book, which is I'm just Peter Pan

0:38:38.320 --> 0:38:40.240
<v Speaker 2>and I'm going to be young forever, and he doesn't

0:38:40.239 --> 0:38:42.239
<v Speaker 2>really understand the point of the book, which is like,

0:38:42.280 --> 0:38:44.759
<v Speaker 2>you will never end up empathizing or loving people if

0:38:44.760 --> 0:38:46.799
<v Speaker 2>you don't allow yourself to grow. Well, I think so,

0:38:46.840 --> 0:38:49.200
<v Speaker 2>I think you're right. It's very it's very much more

0:38:49.239 --> 0:38:52.480
<v Speaker 2>about the book's connection to boy Genius than it is

0:38:52.480 --> 0:38:53.359
<v Speaker 2>to Horley.

0:38:53.320 --> 0:38:56.439
<v Speaker 1>Right, And I think that listen, I think that boy

0:38:56.520 --> 0:38:59.480
<v Speaker 1>Genius is looking at all the ways that these his

0:38:59.600 --> 0:39:02.479
<v Speaker 1>creation are developing, and I think that he is going

0:39:02.520 --> 0:39:07.360
<v Speaker 1>to obviously version two is going to have some different features.

0:39:07.400 --> 0:39:12.240
<v Speaker 1>They're going to be more controllable, more compliant, less unpredictable, probably,

0:39:12.320 --> 0:39:14.839
<v Speaker 1>like that's probably what he would be thinking looking at this.

0:39:15.320 --> 0:39:17.840
<v Speaker 1>So slightly goes out of the world to the woods

0:39:17.880 --> 0:39:20.560
<v Speaker 1>to talk tomorrow again. It's like, I can't get the egg,

0:39:21.239 --> 0:39:23.680
<v Speaker 1>and Marrow's like, well, what if I kill your whole family?

0:39:23.760 --> 0:39:26.040
<v Speaker 1>I'm with your mom right now. I always kill him.

0:39:26.440 --> 0:39:28.640
<v Speaker 1>And so you got to get that egg. But like,

0:39:29.239 --> 0:39:31.319
<v Speaker 1>I've figured out an easier way to do it. You

0:39:31.360 --> 0:39:33.320
<v Speaker 1>don't have to go get the egg. Just bring a

0:39:33.360 --> 0:39:35.319
<v Speaker 1>person down there and be like, oh, look at that thing.

0:39:35.920 --> 0:39:36.920
<v Speaker 1>Isn't that thing interesting?

0:39:36.960 --> 0:39:38.880
<v Speaker 2>And get him in in that special position.

0:39:39.000 --> 0:39:41.319
<v Speaker 1>You get him into the face hugger position, and the

0:39:41.360 --> 0:39:43.279
<v Speaker 1>face hugger will take care of everything else. Then you

0:39:43.360 --> 0:39:46.360
<v Speaker 1>just have to babysit that unconscious person for like twenty

0:39:46.360 --> 0:39:50.320
<v Speaker 1>four hours and every now nature will take its course.

0:39:50.480 --> 0:39:55.840
<v Speaker 1>Now here is I don't know if it's a loophole,

0:39:55.840 --> 0:39:59.120
<v Speaker 1>But it's interesting why can't boy Cat, Why doesn't Boy

0:39:59.160 --> 0:40:02.640
<v Speaker 1>Cavalier why is looking through Slightly's eyes or why doesn't

0:40:02.680 --> 0:40:07.800
<v Speaker 1>he get the daily recordings from Slightly's head and realize

0:40:07.800 --> 0:40:08.680
<v Speaker 1>that this is going on?

0:40:08.800 --> 0:40:12.520
<v Speaker 2>Okay, is there something because it is synth to synth?

0:40:12.880 --> 0:40:13.879
<v Speaker 2>Is there a way like.

0:40:13.880 --> 0:40:15.080
<v Speaker 1>He's talking out loud?

0:40:16.120 --> 0:40:19.160
<v Speaker 2>That's the crazy thing that we think carries like.

0:40:19.120 --> 0:40:24.360
<v Speaker 1>I'm willing to I am willing to believe that Morrow

0:40:24.400 --> 0:40:26.880
<v Speaker 1>has encrypted the signal in some sort of way that

0:40:27.000 --> 0:40:30.080
<v Speaker 1>like Boy Genius Cavalier can't pick up. But the fact

0:40:30.120 --> 0:40:35.200
<v Speaker 1>that he doesn't wonder who Slightly is talking out loud

0:40:35.280 --> 0:40:36.600
<v Speaker 1>to is weird to me.

0:40:37.239 --> 0:40:40.360
<v Speaker 2>Yeah, I think that's I guess. Also, well, I also

0:40:40.440 --> 0:40:45.319
<v Speaker 2>think like the other option is kind of like that

0:40:46.520 --> 0:40:50.120
<v Speaker 2>Boy Genius doesn't really do a lot of the looking

0:40:50.120 --> 0:40:52.120
<v Speaker 2>through people's eyes doing all that kind of stuff, that

0:40:52.200 --> 0:40:55.560
<v Speaker 2>stuff that like Kirsh does or Dame does. And I

0:40:55.600 --> 0:40:59.160
<v Speaker 2>think that if it just so happens that Kirsh is

0:40:59.160 --> 0:41:01.480
<v Speaker 2>the one, as we kind of see who's listening to

0:41:01.520 --> 0:41:04.880
<v Speaker 2>the whole thing, he I think his curiosity is peaked

0:41:05.080 --> 0:41:07.880
<v Speaker 2>to like, well, let's just see where this goes. Maybe

0:41:07.880 --> 0:41:10.839
<v Speaker 2>something different is gonna happen. Yeah, I think we will

0:41:10.960 --> 0:41:15.440
<v Speaker 2>learn more. I think than boy genius kind of feeling

0:41:15.560 --> 0:41:17.759
<v Speaker 2>like that out of his hands. I don't think he

0:41:17.800 --> 0:41:19.120
<v Speaker 2>does a lot of the handling.

0:41:19.480 --> 0:41:23.680
<v Speaker 1>So that's a good question because they intercut this with

0:41:23.880 --> 0:41:29.919
<v Speaker 1>Kersh watching a monitor, and it's kind of unclear if

0:41:29.960 --> 0:41:34.759
<v Speaker 1>he is keeping tabs on this conversation or not. I

0:41:34.880 --> 0:41:37.000
<v Speaker 1>tend to believe, like you, that he is aware of

0:41:37.040 --> 0:41:37.680
<v Speaker 1>this conversation.

0:41:37.800 --> 0:41:39.759
<v Speaker 2>Mike got says that Kersh is kind of it's his

0:41:40.040 --> 0:41:43.480
<v Speaker 2>curiosity of like, well, okay, let's see what would happen

0:41:43.520 --> 0:41:44.439
<v Speaker 2>if someone put their face.

0:41:44.440 --> 0:41:46.600
<v Speaker 1>I also think like he's thinking, listen morerow is information

0:41:46.640 --> 0:41:49.080
<v Speaker 1>about these creatures. I've been tasked with learning about these creatures.

0:41:49.520 --> 0:41:51.359
<v Speaker 2>Mm hmm. That's a good hole for me.

0:41:51.440 --> 0:41:53.560
<v Speaker 1>Maybe we'll get Yeah, maybe that's a loophole. Maybe I'll

0:41:53.560 --> 0:41:58.080
<v Speaker 1>get some information this way, right, Yeah, Kirsh goes to

0:41:58.120 --> 0:42:00.239
<v Speaker 1>see the eggs. He pets one of the eggs. It

0:42:00.239 --> 0:42:02.440
<v Speaker 1>doesn't even move because Kurch is a synthetic and it

0:42:02.440 --> 0:42:03.120
<v Speaker 1>doesn't want.

0:42:03.320 --> 0:42:05.040
<v Speaker 2>We're going to take a quick break and we'll be

0:42:05.120 --> 0:42:05.560
<v Speaker 2>right back.

0:42:20.640 --> 0:42:23.760
<v Speaker 1>We're back elsewhere on the island. Wendy and Smee showed

0:42:23.880 --> 0:42:27.120
<v Speaker 1>Joe the slips of paper that they eat. They create

0:42:27.320 --> 0:42:31.320
<v Speaker 1>different flavors when they want to taste something. And Isaac,

0:42:32.480 --> 0:42:35.200
<v Speaker 1>you know, is showing off that he knows how this

0:42:35.400 --> 0:42:38.680
<v Speaker 1>technology works, and he's been also learning at a prodigious

0:42:38.719 --> 0:42:41.600
<v Speaker 1>rate by downloading different information from the Internet, and just

0:42:41.600 --> 0:42:44.680
<v Speaker 1>like putting in his brain. Curly asks Show to explain

0:42:44.760 --> 0:42:47.160
<v Speaker 1>how the world ended up this way, and we learned

0:42:47.160 --> 0:42:50.720
<v Speaker 1>that the old forms of government just were no longer workable,

0:42:50.760 --> 0:42:54.560
<v Speaker 1>and so the corporations took over Prodigy, Whalen, Threshold, Dynamic, Lynch,

0:42:55.560 --> 0:42:58.440
<v Speaker 1>And he tells them that the other companies are probably

0:42:58.520 --> 0:43:01.800
<v Speaker 1>very mad at Prodigy because they wailing Tony's stuff, whiling

0:43:01.960 --> 0:43:07.719
<v Speaker 1>tany obviously more than the others. Slash slightly wants to

0:43:07.760 --> 0:43:10.200
<v Speaker 1>know why Wendy can have her brother here and none

0:43:10.200 --> 0:43:11.879
<v Speaker 1>of the rest of them can have their families here.

0:43:11.920 --> 0:43:13.840
<v Speaker 1>He's very upset at this. He's very angry at this,

0:43:13.960 --> 0:43:16.239
<v Speaker 1>and he should be. Joe agrees with them, like you

0:43:16.280 --> 0:43:19.120
<v Speaker 1>should all have your families here. That of course, and

0:43:19.160 --> 0:43:21.040
<v Speaker 1>now the loss there's this moment where you feel like

0:43:21.040 --> 0:43:22.719
<v Speaker 1>the Lost Boys beginning to unionize.

0:43:22.840 --> 0:43:29.560
<v Speaker 2>Yet I'm like Joe is definitely ends up, like Joe's

0:43:29.640 --> 0:43:30.719
<v Speaker 2>definitely gonna end.

0:43:30.640 --> 0:43:38.480
<v Speaker 1>Up character that said, there's always some rats in the barrel,

0:43:38.560 --> 0:43:41.200
<v Speaker 1>and the rats in the barrel are Curly and Isaac,

0:43:41.239 --> 0:43:44.400
<v Speaker 1>who are like, actually, we love this, we love and

0:43:44.600 --> 0:43:49.439
<v Speaker 1>to be fair to them, you know, it's not hard

0:43:49.440 --> 0:43:52.960
<v Speaker 1>to imagine in this world coming from a life situation

0:43:53.080 --> 0:43:57.520
<v Speaker 1>where you think this is pretty good. I lots of

0:43:57.520 --> 0:43:58.759
<v Speaker 1>resources earn.

0:43:59.320 --> 0:44:03.719
<v Speaker 2>Yeah, and if you think about the economics of the

0:44:03.800 --> 0:44:06.560
<v Speaker 2>show that we've learned so far in the world, you know,

0:44:06.840 --> 0:44:09.760
<v Speaker 2>for all we know the reason these kids are terminally

0:44:09.760 --> 0:44:12.520
<v Speaker 2>ill is because they were sold into mining when they

0:44:12.520 --> 0:44:15.279
<v Speaker 2>were little kids and they've never been able. Yeah, we

0:44:15.400 --> 0:44:19.120
<v Speaker 2>have no idea, so they could really also imagine, aside

0:44:19.120 --> 0:44:23.000
<v Speaker 2>from just the capitalist exploitation aspect, which is quite likely,

0:44:23.200 --> 0:44:26.000
<v Speaker 2>there's also just like you could come from an abusive home,

0:44:26.160 --> 0:44:29.759
<v Speaker 2>you could come from He's never there, So I think

0:44:29.800 --> 0:44:32.000
<v Speaker 2>it's normal. I think it makes a lot of sense,

0:44:32.040 --> 0:44:34.440
<v Speaker 2>and I think this is a good I'm glad they

0:44:34.520 --> 0:44:36.640
<v Speaker 2>did this me too, because I was also going to say,

0:44:36.640 --> 0:44:38.879
<v Speaker 2>I think this is a good understanding of Holly from

0:44:38.880 --> 0:44:42.040
<v Speaker 2>Holly of how a character like Curly works, which is

0:44:42.080 --> 0:44:45.280
<v Speaker 2>like you have to understand their own motivations and everything,

0:44:45.320 --> 0:44:47.680
<v Speaker 2>and he's doing a great job of slowly peeling that back.

0:44:48.040 --> 0:44:51.120
<v Speaker 2>I also think this episode for people who weren't necessarily

0:44:51.160 --> 0:44:54.759
<v Speaker 2>into the kid leads of it all. I think this

0:44:54.840 --> 0:44:57.839
<v Speaker 2>episode starts adding in the ring calls that make it

0:44:57.960 --> 0:45:01.480
<v Speaker 2>way more interesting than if it were just some adults,

0:45:01.560 --> 0:45:04.840
<v Speaker 2>since I think like the fear aspects, how easily the

0:45:04.880 --> 0:45:09.360
<v Speaker 2>kids can be manipulated, the kind of early concept and

0:45:09.480 --> 0:45:12.400
<v Speaker 2>passion of like, well, imagine if we were all in

0:45:12.440 --> 0:45:15.160
<v Speaker 2>this together, like maybe we could change something. There's a

0:45:15.160 --> 0:45:17.880
<v Speaker 2>lot of stuff that wouldn't necessarily work if they were

0:45:17.960 --> 0:45:21.080
<v Speaker 2>fully aged adults, And I think that is what's really

0:45:21.120 --> 0:45:25.080
<v Speaker 2>smart here is that Morally has essentially introduced us to

0:45:25.200 --> 0:45:28.680
<v Speaker 2>characters who learn as we learn, and that is a

0:45:28.680 --> 0:45:30.799
<v Speaker 2>good way of getting exposition in. But it's also a

0:45:30.800 --> 0:45:34.600
<v Speaker 2>good way of making this feel very different from any

0:45:34.640 --> 0:45:36.120
<v Speaker 2>other alien project.

0:45:36.960 --> 0:45:39.759
<v Speaker 1>So Curly and Isaac are basically like, well, we kind

0:45:39.760 --> 0:45:41.760
<v Speaker 1>of like everything the way it is, like we're.

0:45:42.480 --> 0:45:44.840
<v Speaker 2>I like living on this tropical island and being immortal.

0:45:47.800 --> 0:45:50.160
<v Speaker 1>You know, it's kind of put off by the awkwardness

0:45:50.160 --> 0:45:51.759
<v Speaker 1>intention She's like, I'm going to go to the lab,

0:45:51.840 --> 0:45:55.600
<v Speaker 1>so she heads off Joe. We get some snippets of scenes.

0:45:55.680 --> 0:45:58.400
<v Speaker 1>Joe inspects his lung scar and is like, you know,

0:46:00.360 --> 0:46:03.319
<v Speaker 1>multi thousand dollars piece of property, prodigy property in my

0:46:03.440 --> 0:46:08.279
<v Speaker 1>chest now rash outside his apartment, like watches him through

0:46:08.280 --> 0:46:11.000
<v Speaker 1>the window. Very I don't know what this is about,

0:46:11.040 --> 0:46:16.400
<v Speaker 1>but yes, it's clearly he's maybe, I think is really.

0:46:16.239 --> 0:46:19.440
<v Speaker 2>Going to say because he knows they're in danger and

0:46:19.480 --> 0:46:22.040
<v Speaker 2>he's kind of thinking, well, I mean, my read here

0:46:22.160 --> 0:46:28.360
<v Speaker 2>was like, is is this somebody that he is like, Okay,

0:46:28.360 --> 0:46:30.480
<v Speaker 2>this is a human who if I get them to

0:46:31.320 --> 0:46:36.640
<v Speaker 2>get chest busted? Yes, he want in trouble exactly. Nobody's

0:46:36.640 --> 0:46:38.360
<v Speaker 2>gonna care if I get rid of this guy. I

0:46:38.360 --> 0:46:40.120
<v Speaker 2>think Wendys who cas.

0:46:39.960 --> 0:46:42.400
<v Speaker 1>I think there's two things. It's like, well, it's not fair.

0:46:43.640 --> 0:46:46.600
<v Speaker 1>Wendy's brother is here. He shouldn't be here because nobody

0:46:46.600 --> 0:46:49.400
<v Speaker 1>else gets to have one, and I need a human,

0:46:49.600 --> 0:46:52.480
<v Speaker 1>so why not him. I don't like him anyway, just

0:46:52.520 --> 0:46:54.680
<v Speaker 1>what he stands for, not necessarily as a person, So

0:46:54.719 --> 0:47:01.399
<v Speaker 1>it makes you can see the logic. Wendy goes down

0:47:01.440 --> 0:47:04.920
<v Speaker 1>to the baby alien growing in his brother's law and

0:47:04.960 --> 0:47:07.080
<v Speaker 1>her brother's lung and she's trying to raise into it.

0:47:07.120 --> 0:47:10.960
<v Speaker 1>She's trying to talk to it. Kersh is watching this.

0:47:11.680 --> 0:47:14.239
<v Speaker 1>The alien bursts out of the little lung and then

0:47:14.320 --> 0:47:16.880
<v Speaker 1>bursts out of the glass and now was running around,

0:47:17.480 --> 0:47:20.040
<v Speaker 1>and Wendy goes to it and like communes with it,

0:47:20.080 --> 0:47:22.799
<v Speaker 1>and they pets it. She's paying and talks to it,

0:47:24.480 --> 0:47:29.040
<v Speaker 1>and Cursh is like, holy shit, this is so crazy.

0:47:29.080 --> 0:47:31.959
<v Speaker 1>And then we get a I don't know what they're

0:47:32.000 --> 0:47:34.080
<v Speaker 1>going to do in the broadcast. In our screener version,

0:47:34.080 --> 0:47:37.120
<v Speaker 1>they're use they used Jane's addiction ocean sizes.

0:47:37.239 --> 0:47:40.760
<v Speaker 2>Yeah, the breaking definitely, It's unclear that we are getting

0:47:40.760 --> 0:47:45.160
<v Speaker 2>the same finished versions, but uh yeah, I just love

0:47:45.280 --> 0:47:48.040
<v Speaker 2>this moment so much. I think this is kind of

0:47:48.080 --> 0:47:52.600
<v Speaker 2>that big halfway point, you know, where Hawley is telling

0:47:52.680 --> 0:47:55.560
<v Speaker 2>us like, hey, you thought this was going somewhere, Well

0:47:55.600 --> 0:47:58.719
<v Speaker 2>it's going somewhere else. And I think that you can

0:47:58.840 --> 0:48:03.480
<v Speaker 2>hint that the reason and that maybe Prodigy doesn't exist

0:48:04.040 --> 0:48:07.000
<v Speaker 2>at when we hit Alien in two years is maybe

0:48:07.040 --> 0:48:09.880
<v Speaker 2>because the Lost Boys and the Aliens are going to unionize,

0:48:10.560 --> 0:48:12.120
<v Speaker 2>I mean unionize this enomop.

0:48:12.960 --> 0:48:15.920
<v Speaker 1>Let me ask you this, what happens to an alien

0:48:16.080 --> 0:48:21.560
<v Speaker 1>that is grown out of in part the genetic material

0:48:21.640 --> 0:48:23.840
<v Speaker 1>of a human who is still alive.

0:48:24.800 --> 0:48:26.840
<v Speaker 2>That's what I'm thinking, Like, is are they going to

0:48:26.920 --> 0:48:29.960
<v Speaker 2>have a connection essentially going to.

0:48:30.000 --> 0:48:32.919
<v Speaker 1>Be like a pet? Yeah? Not it, well not a pet,

0:48:33.000 --> 0:48:35.399
<v Speaker 1>but like because they're too smart obviously to be pets.

0:48:35.440 --> 0:48:38.879
<v Speaker 1>But like, will it read Joe as one of its own?

0:48:39.440 --> 0:48:42.879
<v Speaker 2>Exactly? Will it be something that Joe and Wendy can

0:48:42.920 --> 0:48:46.080
<v Speaker 2>have at their side as they go towards this battle.

0:48:46.200 --> 0:48:48.960
<v Speaker 2>I will be interested to see, because if Wendy can

0:48:49.040 --> 0:48:56.240
<v Speaker 2>essentially raise the baby, then that becomes a whole different situation.

0:48:56.480 --> 0:48:59.400
<v Speaker 2>Like are we going to have like Wendy like riding

0:48:59.440 --> 0:49:01.480
<v Speaker 2>a crazy If I would love it, I don't think

0:49:01.520 --> 0:49:03.560
<v Speaker 2>the fans would love it, So let's I just think that.

0:49:03.719 --> 0:49:05.799
<v Speaker 2>But you know what, I just want to see how

0:49:05.840 --> 0:49:09.960
<v Speaker 2>this familial connection with the alien is gonna happen, because

0:49:10.000 --> 0:49:13.960
<v Speaker 2>it seems to be very important. It also is directly

0:49:14.120 --> 0:49:19.560
<v Speaker 2>outside of any of boy Wonder Boy Cavaliers kind of dreams,

0:49:20.200 --> 0:49:23.000
<v Speaker 2>because all he can see things through is this mindset

0:49:23.080 --> 0:49:26.920
<v Speaker 2>of Peter Pan Right, So you know is the okay,

0:49:26.920 --> 0:49:31.880
<v Speaker 2>wait a minute, I'm gonna tell you so is the

0:49:31.920 --> 0:49:37.400
<v Speaker 2>will the xenomorph essentially become like a protector for the kids,

0:49:37.440 --> 0:49:41.080
<v Speaker 2>like the dog is in Peter Pan, Like I'm I'm

0:49:41.160 --> 0:49:44.759
<v Speaker 2>very interested in in whether or not Hawley's gonna go

0:49:44.840 --> 0:49:47.120
<v Speaker 2>all in on it, or whether once Wendy kind of

0:49:47.160 --> 0:49:51.680
<v Speaker 2>gets her agency, Boy Genius just starts to realize that

0:49:52.160 --> 0:49:55.240
<v Speaker 2>everything he's thinking about was stupid and he didn't understand

0:49:55.280 --> 0:49:57.879
<v Speaker 2>the book, you know, Like I'm interested to see I.

0:49:57.760 --> 0:49:59.680
<v Speaker 1>Think we're gonna go. I think we are headed to

0:49:59.680 --> 0:50:05.320
<v Speaker 1>a play place where the robots and the aliens fight

0:50:05.560 --> 0:50:09.200
<v Speaker 1>on the same side. I think Holly's done too much

0:50:09.239 --> 0:50:12.319
<v Speaker 1>work getting is to empathize with the aliens to be

0:50:12.400 --> 0:50:15.840
<v Speaker 1>nothing right, yeah, or for them to get or for

0:50:15.920 --> 0:50:19.560
<v Speaker 1>them suddenly to flip to being the bad guys and

0:50:19.600 --> 0:50:21.680
<v Speaker 1>we have to wipe them out. And we've done too

0:50:21.760 --> 0:50:25.960
<v Speaker 1>much good work building up Boy Genius as like really

0:50:26.040 --> 0:50:27.360
<v Speaker 1>someone we want to see die.

0:50:27.840 --> 0:50:30.080
<v Speaker 2>Yeah, I'm so excited to see him die, and I'm

0:50:30.120 --> 0:50:32.640
<v Speaker 2>so excited to learn when he's going to die too,

0:50:32.760 --> 0:50:35.799
<v Speaker 2>because a lot could happen on that island even with

0:50:35.880 --> 0:50:40.080
<v Speaker 2>him dead. So, yeah, how are you feeling about Episode Alien?

0:50:40.120 --> 0:50:41.080
<v Speaker 2>Half halfway through.

0:50:40.920 --> 0:50:44.560
<v Speaker 1>The set getting better and better? I think it started

0:50:44.640 --> 0:50:46.920
<v Speaker 1>very strong and it's only gotten better since then this

0:50:47.040 --> 0:50:51.040
<v Speaker 1>is this episode has so many like things to think

0:50:51.040 --> 0:50:56.239
<v Speaker 1>about and is just so well done. I mean, I

0:50:56.239 --> 0:51:01.960
<v Speaker 1>think some of the acting by Toodles now Isaac by Curly,

0:51:02.200 --> 0:51:06.440
<v Speaker 1>like the the little conversation when they when Joe is

0:51:06.520 --> 0:51:10.360
<v Speaker 1>talking about, oh, here's the five corporations and like Isaac

0:51:10.480 --> 0:51:12.240
<v Speaker 1>is like trying to name them at the same time,

0:51:12.360 --> 0:51:13.719
<v Speaker 1>Like that's such a kid thing to do.

0:51:13.880 --> 0:51:15.000
<v Speaker 2>And That's what I'm saying.

0:51:15.120 --> 0:51:16.920
<v Speaker 1>Like the way they's feel good.

0:51:17.520 --> 0:51:20.759
<v Speaker 2>These actors bring to life the kid aspect, I think

0:51:20.880 --> 0:51:22.759
<v Speaker 2>is one of the strongest things about the show, and

0:51:22.800 --> 0:51:24.520
<v Speaker 2>I think it's one of the things people were most

0:51:24.560 --> 0:51:27.239
<v Speaker 2>worried about when it was introduced. But I think it

0:51:27.480 --> 0:51:30.680
<v Speaker 2>allows us to have character dynamics and character interactions that

0:51:30.680 --> 0:51:33.239
<v Speaker 2>we would never usually get in like an rated sci

0:51:33.239 --> 0:51:36.680
<v Speaker 2>fi show without it's kind of like an homage to

0:51:36.800 --> 0:51:40.120
<v Speaker 2>a character like Newt but without going full t to

0:51:40.840 --> 0:51:43.399
<v Speaker 2>Now you have a kid's sidekick, and I think they're

0:51:43.400 --> 0:51:48.239
<v Speaker 2>doing something really interesting with it. I am so interested

0:51:48.360 --> 0:51:56.680
<v Speaker 2>to see where the Cush kind of sides with the hybrids,

0:51:56.840 --> 0:51:59.960
<v Speaker 2>or sides with Prodigy, or does more of a kind

0:52:00.040 --> 0:52:04.960
<v Speaker 2>kind of David's style thing where he just he thinks

0:52:05.000 --> 0:52:08.000
<v Speaker 2>he's not like interacting, but really he's doing little bits

0:52:08.000 --> 0:52:13.040
<v Speaker 2>of machinations. It's really it's classic alien stuff, and I'm

0:52:13.120 --> 0:52:13.680
<v Speaker 2>loving it.

0:52:13.800 --> 0:52:18.919
<v Speaker 1>My sense is much like the current show Foundation, which

0:52:18.960 --> 0:52:21.120
<v Speaker 1>is like in season three. I think, I think that

0:52:21.480 --> 0:52:24.759
<v Speaker 1>Kersh is looking for a loophole. Like you said, I

0:52:24.760 --> 0:52:27.839
<v Speaker 1>think the reason he's not dropping he's immediately cutting off

0:52:27.880 --> 0:52:32.080
<v Speaker 1>the Morrow conversation is because he's been given a very

0:52:32.239 --> 0:52:36.719
<v Speaker 1>clear task to study the aliens. Morrow has information about

0:52:36.719 --> 0:52:38.920
<v Speaker 1>the aliens as the head of security of that ship,

0:52:38.960 --> 0:52:42.560
<v Speaker 1>and as someone who has been in space with those

0:52:42.600 --> 0:52:46.400
<v Speaker 1>creatures for decades knows a lot about them. Therefore, it

0:52:46.480 --> 0:52:52.239
<v Speaker 1>is within his responsibilities to allow this communication to go

0:52:52.280 --> 0:52:54.440
<v Speaker 1>forward so that he can get more information about the aliens.

0:52:54.760 --> 0:52:59.239
<v Speaker 1>And I think similarly, he is looking for other loopholes

0:52:59.400 --> 0:53:04.080
<v Speaker 1>like that so that he can break free of Boy Cavalier.

0:53:04.160 --> 0:53:07.000
<v Speaker 1>And I think again, I think that conversation that he

0:53:07.160 --> 0:53:10.719
<v Speaker 1>had with Slightly about like what are you going to do?

0:53:11.320 --> 0:53:14.200
<v Speaker 1>Who you're going to side with? Is about siding with

0:53:14.640 --> 0:53:18.480
<v Speaker 1>his kind, with the synthetic kind, against the people who are.

0:53:18.880 --> 0:53:24.040
<v Speaker 2>Which you're crushing them. That trajectory is like very much

0:53:24.239 --> 0:53:28.439
<v Speaker 2>on the same route as we have seen with other

0:53:28.640 --> 0:53:33.839
<v Speaker 2>kind of alien synths in the series where they do

0:53:33.920 --> 0:53:37.120
<v Speaker 2>work for the corporation, but they also usually have their

0:53:37.160 --> 0:53:40.840
<v Speaker 2>own agenda, whether it's something from Whalen himself or whether

0:53:40.880 --> 0:53:44.520
<v Speaker 2>it's like when David became obsessed with the creatures and

0:53:44.560 --> 0:53:47.480
<v Speaker 2>the Doo, so he started to kind of create spaces

0:53:47.480 --> 0:53:50.680
<v Speaker 2>to see what would happen with the creatures, which obviously

0:53:50.800 --> 0:53:52.600
<v Speaker 2>led us to where we are in this. So yeah,

0:53:52.640 --> 0:53:57.759
<v Speaker 2>I just find it a very intriguing set up that

0:53:57.880 --> 0:54:01.000
<v Speaker 2>I think for the second half of the season is

0:54:02.320 --> 0:54:06.960
<v Speaker 2>gonna turn into a cool like potential you know, hybrid

0:54:07.080 --> 0:54:12.319
<v Speaker 2>synthetic uprising, which if you think about it, would be

0:54:12.760 --> 0:54:16.239
<v Speaker 2>an instant reason why Prodigy could just not exist. They

0:54:16.280 --> 0:54:18.400
<v Speaker 2>just get bought up by Waylam because he couldn't control

0:54:18.440 --> 0:54:21.000
<v Speaker 2>the things he created, you know, Like it seems like

0:54:21.600 --> 0:54:24.479
<v Speaker 2>that wouldn't be a hard thing to explain and gives

0:54:24.480 --> 0:54:26.480
<v Speaker 2>a reason for why we would never have heard of them.

0:54:26.480 --> 0:54:28.800
<v Speaker 2>But maybe it's gonna be way worse. Maybe the Aliens

0:54:28.800 --> 0:54:34.080
<v Speaker 2>will actually overrun New Siam. I'm just I'm very excited

0:54:34.080 --> 0:54:36.200
<v Speaker 2>to be watching a show where I really really don't

0:54:36.239 --> 0:54:38.360
<v Speaker 2>have a handle on what is gonna happen next.

0:54:40.120 --> 0:54:42.160
<v Speaker 1>Well. In the next episode of extra Vision, we're diving

0:54:42.200 --> 0:54:44.480
<v Speaker 1>into the biggest stories and streaming, including the arrival of

0:54:44.520 --> 0:54:48.200
<v Speaker 1>Marvel's Thunderwolt's Asterisk on Disney Plus and the arrival of

0:54:48.239 --> 0:54:51.960
<v Speaker 1>Superman oh on VOD that's been for this episode. Thanks

0:54:52.000 --> 0:54:57.680
<v Speaker 1>for listening by x Ray. Vision is hosted by Jason

0:54:57.719 --> 0:55:00.120
<v Speaker 1>Concepcion and Rosie Knight and as a production of I

0:55:00.200 --> 0:55:00.960
<v Speaker 1>Heard Podcast.

0:55:01.320 --> 0:55:04.920
<v Speaker 2>Our executive producers are Joel Monique and Aaron Kaufman.

0:55:05.160 --> 0:55:07.200
<v Speaker 1>Our supervising producer is Abu Zafar.

0:55:07.600 --> 0:55:11.520
<v Speaker 2>Our producers are Common Laurent Dean Jonathan and Bay Wag.

0:55:11.640 --> 0:55:14.439
<v Speaker 1>A theme song is by Brian Vasquez, with alternate theme

0:55:14.480 --> 0:55:15.760
<v Speaker 1>songs by Aaron Kauffman.

0:55:15.920 --> 0:55:19.279
<v Speaker 2>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

0:55:19.400 --> 0:55:21.160
<v Speaker 2>Heidi our discord moderator.