WEBVTT - Rob Bank, Write Book… Make Big, Big Money?

0:00:01.120 --> 0:00:04.120
<v Speaker 1>Ridiculous Crime is a production of My Heart Radio. Hey

0:00:04.280 --> 0:00:08.240
<v Speaker 1>Elizabeth Dutton, saren my girl. Do you know what's ridiculous?

0:00:08.760 --> 0:00:14.680
<v Speaker 1>Oh do I you came at it already. I'm what's

0:00:14.760 --> 0:00:20.480
<v Speaker 1>ridiculous is that Applebee's is making a lip gloss. Wait

0:00:20.520 --> 0:00:24.800
<v Speaker 1>what Yeah, they're working with this company called Winky Looks,

0:00:25.800 --> 0:00:30.600
<v Speaker 1>and they've come up with four shades and tastes of

0:00:30.680 --> 0:00:34.600
<v Speaker 1>the thing that they call saucy gloss. And they're the

0:00:34.680 --> 0:00:39.199
<v Speaker 1>different flavors of their chicken wings. So if you want

0:00:39.240 --> 0:00:44.360
<v Speaker 1>me to read you the names of the yes, sorry, sorry, buddy. Um.

0:00:44.400 --> 0:00:48.320
<v Speaker 1>The one is called give Me Hot Buffalo, and it's

0:00:48.400 --> 0:00:53.320
<v Speaker 1>coral colored sweet Chili Kiss and that's gold flakes in

0:00:53.479 --> 0:00:59.000
<v Speaker 1>a deep red color. Then there's one called Bema Honey Pepper.

0:01:00.080 --> 0:01:03.440
<v Speaker 1>That one's golden. Someone got paid to come up with these, yeah,

0:01:03.480 --> 0:01:09.080
<v Speaker 1>and then there's Honey Barbecutie Barbecut, and that's a burgundy color.

0:01:09.400 --> 0:01:13.240
<v Speaker 1>They're eighteen dollars apiece. They taste like the barbecue sauces

0:01:13.280 --> 0:01:15.280
<v Speaker 1>that they're named for. So are you supposed to like

0:01:15.360 --> 0:01:17.680
<v Speaker 1>put this on and make out? And they let the

0:01:17.720 --> 0:01:19.880
<v Speaker 1>taste of chicken wings come between you and the person

0:01:19.959 --> 0:01:23.360
<v Speaker 1>you want to get intimate with um Yeah, sorry, I

0:01:23.400 --> 0:01:26.200
<v Speaker 1>mean that this way instead of like just really going

0:01:26.280 --> 0:01:28.800
<v Speaker 1>to town on a bucket of wings and then making

0:01:28.800 --> 0:01:30.840
<v Speaker 1>out with someone, you can make out and go to

0:01:30.840 --> 0:01:35.000
<v Speaker 1>town on the bucket of wings. They're eighteen dollars a piece.

0:01:35.040 --> 0:01:37.040
<v Speaker 1>If you want a whole set of them, there sixty five.

0:01:37.600 --> 0:01:41.080
<v Speaker 1>They also apparently made a dance music video called Taste

0:01:41.120 --> 0:01:47.000
<v Speaker 1>My Face that goes with them Taste Face. The founder

0:01:47.040 --> 0:01:49.480
<v Speaker 1>of Winky Looks said that she got a message on

0:01:49.600 --> 0:01:52.760
<v Speaker 1>LinkedIn from an Applebee's rep and that's how they started

0:01:52.800 --> 0:01:54.960
<v Speaker 1>all this. This all started on a LinkedIn d m

0:01:55.560 --> 0:02:00.880
<v Speaker 1>y so perfect and so like each loss looks like

0:02:00.960 --> 0:02:03.560
<v Speaker 1>the sauce. Let your m and tell you about some

0:02:03.600 --> 0:02:06.040
<v Speaker 1>lip glosses. It is I have for like a synergy

0:02:06.120 --> 0:02:09.280
<v Speaker 1>between our corporations. I love it. They said that they

0:02:09.280 --> 0:02:11.440
<v Speaker 1>had to use all these like materials so that to

0:02:11.520 --> 0:02:14.919
<v Speaker 1>make it taste like the sauces, and so their labs

0:02:14.919 --> 0:02:17.680
<v Speaker 1>smelled like barbecue sauce for a really long time. Can

0:02:17.720 --> 0:02:20.320
<v Speaker 1>you imagine the taste test for the lip gloss. It

0:02:20.400 --> 0:02:22.760
<v Speaker 1>doesn't taste like chicken. You just got like a guy

0:02:22.760 --> 0:02:25.000
<v Speaker 1>in the corner who dips the one thing and sucks

0:02:25.000 --> 0:02:30.120
<v Speaker 1>on it. Tastes like rubber boots, tastes like my cousin,

0:02:30.240 --> 0:02:32.440
<v Speaker 1>tastes like a tire fire. Next, you don't want to

0:02:32.040 --> 0:02:37.360
<v Speaker 1>taste like berry. Next, Well, that's all very ridiculous. I

0:02:37.360 --> 0:02:40.200
<v Speaker 1>don't even know how to recover from that. You can't,

0:02:40.360 --> 0:02:44.280
<v Speaker 1>but I've got something for you that's it's ridiculous. But

0:02:44.440 --> 0:02:48.280
<v Speaker 1>also it's a crime. Okay, So this one takes place

0:02:48.320 --> 0:02:52.919
<v Speaker 1>in those super sexy, super fun seventies. In July ninety six,

0:02:52.960 --> 0:02:56.960
<v Speaker 1>there was a group of French hard ben and they decided,

0:02:57.040 --> 0:02:59.680
<v Speaker 1>you know what, let's quit messing around. Let's go big.

0:02:59.760 --> 0:03:03.920
<v Speaker 1>Let's robbed the las at the General or the main

0:03:04.040 --> 0:03:09.520
<v Speaker 1>bank in Nice, France. Now that main bank is like, um,

0:03:09.560 --> 0:03:13.800
<v Speaker 1>pretty much a medieval structure, big stone walls like eight

0:03:13.880 --> 0:03:17.120
<v Speaker 1>meters thick, so you're basically a castle. So they're like,

0:03:17.160 --> 0:03:20.000
<v Speaker 1>let's break into a bank that's a castle right now.

0:03:20.080 --> 0:03:25.040
<v Speaker 1>In France, this case became known as le cas d sc,

0:03:25.360 --> 0:03:28.800
<v Speaker 1>which is means the bank robbery of the century. Why

0:03:28.840 --> 0:03:50.320
<v Speaker 1>because they got away with it nice, You're ready, I'm ready.

0:03:52.440 --> 0:03:57.120
<v Speaker 1>This is ridiculous crime. A podcast about absurd and outrageous

0:03:57.240 --> 0:04:02.240
<v Speaker 1>capers heights and cons it's all always murder free and

0:04:02.440 --> 0:04:08.240
<v Speaker 1>one ridiculous. Don't you forget it? Never? Cow? Could I so, Elizabeth?

0:04:08.400 --> 0:04:10.920
<v Speaker 1>This bank robbery, I'd like to tell you about the

0:04:11.000 --> 0:04:14.920
<v Speaker 1>lecas Do Sack, the bank robberty of the century. It

0:04:15.040 --> 0:04:19.320
<v Speaker 1>was a thirty million euro bank job, which at the

0:04:19.320 --> 0:04:21.520
<v Speaker 1>time this was not euros. It was actually still Frank's

0:04:22.080 --> 0:04:25.120
<v Speaker 1>and in modern dollars. If the currency converters are correct

0:04:25.160 --> 0:04:27.960
<v Speaker 1>and the inflation converters are correct, this is a hundred

0:04:28.000 --> 0:04:32.800
<v Speaker 1>and forty million dollar job they pulled off. Dang, yeah, goal, jewelry,

0:04:32.839 --> 0:04:34.880
<v Speaker 1>bank notes, all the best things that you can hide

0:04:34.920 --> 0:04:38.120
<v Speaker 1>in safety deposit boxes. Now, many folks believe this job

0:04:38.160 --> 0:04:41.080
<v Speaker 1>was an inspiration for the Spanish swiler show, that one

0:04:41.120 --> 0:04:44.640
<v Speaker 1>that we both like, the La casa the papel or

0:04:44.880 --> 0:04:47.560
<v Speaker 1>in English money heist. Yeah, which is not what costa

0:04:47.640 --> 0:04:50.080
<v Speaker 1>the papel means in English. No, it is not at all,

0:04:50.240 --> 0:04:53.479
<v Speaker 1>but you know whatever the paper house is like. But

0:04:53.560 --> 0:04:56.960
<v Speaker 1>that's also a nickname for that specific Spanish bank. So

0:04:57.120 --> 0:04:59.560
<v Speaker 1>actually it's the it's the money printer in Spain, right,

0:04:59.600 --> 0:05:02.200
<v Speaker 1>you know, the mint So it makes sense in that

0:05:02.240 --> 0:05:04.520
<v Speaker 1>I don't think we would be like yes, the mint.

0:05:04.640 --> 0:05:06.200
<v Speaker 1>I don't know if that would work in English, So

0:05:06.240 --> 0:05:10.400
<v Speaker 1>I guess whatever that money simple people. So the stories

0:05:10.400 --> 0:05:13.479
<v Speaker 1>about bank robberies we both enjoy. It's something that we

0:05:13.600 --> 0:05:16.039
<v Speaker 1>will if we see a good and will tell the other. Now,

0:05:16.160 --> 0:05:18.400
<v Speaker 1>do you have a favorite bank job or that's in

0:05:18.440 --> 0:05:22.200
<v Speaker 1>from a movie or a book not reality, Like you

0:05:22.279 --> 0:05:25.760
<v Speaker 1>think of a favorite bank job that's pulled off, You're like, oh, dude,

0:05:26.080 --> 0:05:28.560
<v Speaker 1>the one in the Italian job was pretty good. Whatever

0:05:28.640 --> 0:05:32.960
<v Speaker 1>that sexy beast. I really like that. So now could

0:05:33.000 --> 0:05:35.240
<v Speaker 1>you imagine deciding to take a movie that you love

0:05:35.240 --> 0:05:37.520
<v Speaker 1>and going that's going to be my criminal bible, that's

0:05:37.520 --> 0:05:41.279
<v Speaker 1>going to be my like self help book. You can

0:05:41.800 --> 0:05:46.080
<v Speaker 1>sure you're very open today. I like that. I'll do anything. Now, see, personally,

0:05:46.120 --> 0:05:48.680
<v Speaker 1>I could not. That's you're limiting yourself to one source.

0:05:48.720 --> 0:05:51.040
<v Speaker 1>And so if anything that's not in the scope of that,

0:05:51.720 --> 0:05:53.839
<v Speaker 1>will you run the risk too? If if you're using

0:05:53.839 --> 0:05:56.600
<v Speaker 1>it as a model, then others are going to realize that,

0:05:56.680 --> 0:05:59.719
<v Speaker 1>and it depends on when they when they realize that

0:05:59.720 --> 0:06:02.080
<v Speaker 1>that's a good point. Yeah, they can get a couple

0:06:02.080 --> 0:06:04.039
<v Speaker 1>of chapters ahead. They're like, wait a minute, I've read

0:06:04.080 --> 0:06:08.200
<v Speaker 1>this book, so yeah, much like you know the French

0:06:08.360 --> 0:06:11.000
<v Speaker 1>bank robber, the fictional one or Saint Lupint. We have

0:06:11.120 --> 0:06:14.800
<v Speaker 1>a very charismatic Frenchman for this story. And his name

0:06:14.880 --> 0:06:18.240
<v Speaker 1>was Albert or Speggieri, which is an Italian last name,

0:06:18.240 --> 0:06:21.039
<v Speaker 1>I know, But he's a Frenchman. He's from the Alps,

0:06:21.480 --> 0:06:23.440
<v Speaker 1>the French Alps, so you can see how the name

0:06:23.520 --> 0:06:25.760
<v Speaker 1>might have moved over borders, or borders moved over names.

0:06:25.839 --> 0:06:28.920
<v Speaker 1>I don't know, but he's from the how is that

0:06:29.320 --> 0:06:34.200
<v Speaker 1>the department or the High Alps Department in English, which

0:06:34.240 --> 0:06:37.360
<v Speaker 1>is basically the French Alps region, So in southeast France.

0:06:37.360 --> 0:06:39.680
<v Speaker 1>That's what this dude is raised. Now, as a teenager,

0:06:39.880 --> 0:06:41.839
<v Speaker 1>he gets to crime real quick. He's like, you know

0:06:41.880 --> 0:06:44.760
<v Speaker 1>what this whole like, Hey work a day and it's

0:06:44.760 --> 0:06:46.800
<v Speaker 1>not from me, and I got things I need to do.

0:06:46.880 --> 0:06:49.400
<v Speaker 1>I got this girl I'm trying to impress. So as

0:06:49.440 --> 0:06:52.279
<v Speaker 1>a teenager, he uh pulls off his first robbery to

0:06:52.279 --> 0:06:54.440
<v Speaker 1>impress a girl. He needs to buy a diamond ring.

0:06:54.720 --> 0:06:56.680
<v Speaker 1>He hasn't had that kind of money painting fences and

0:06:56.760 --> 0:06:59.359
<v Speaker 1>delivering newspapers or whatever the French equivalent was for a

0:06:59.360 --> 0:07:03.719
<v Speaker 1>teenage boy. I guess sixties running a crape stand, running

0:07:03.720 --> 0:07:05.960
<v Speaker 1>a crape stand. That hot crepe business wasn't really working.

0:07:06.000 --> 0:07:07.480
<v Speaker 1>So he's like, I'm gonna rob a bag, and he

0:07:07.520 --> 0:07:10.800
<v Speaker 1>pulls off a robbery, gets a diamond, impresses the girl,

0:07:11.360 --> 0:07:13.320
<v Speaker 1>and then after that he's like, you know what if

0:07:13.320 --> 0:07:16.360
<v Speaker 1>you want to make your dreams come true? Crime exactly.

0:07:16.480 --> 0:07:19.360
<v Speaker 1>He's also a flashy, somewhat arrogant criminal, and if you

0:07:19.400 --> 0:07:22.880
<v Speaker 1>know anything about flashy arrogant criminals, they eventually get caught. Yeah,

0:07:23.280 --> 0:07:25.440
<v Speaker 1>that's why we're talking about him today. Didn't take him

0:07:25.480 --> 0:07:27.200
<v Speaker 1>long to get busted early on because he had not

0:07:27.280 --> 0:07:30.120
<v Speaker 1>yet learned that lesson, and so he gets busted as

0:07:30.120 --> 0:07:32.920
<v Speaker 1>a young man. And for some reason what I was

0:07:32.920 --> 0:07:35.239
<v Speaker 1>reading about him, I couldn't quite get the same answer

0:07:35.320 --> 0:07:38.120
<v Speaker 1>from two different stories on this. He goes to work

0:07:38.160 --> 0:07:42.800
<v Speaker 1>for some anti de Gaul but yet pro French colonial

0:07:42.960 --> 0:07:47.520
<v Speaker 1>paramilitary wing that is against the Algerian independence movement. You

0:07:47.600 --> 0:07:50.560
<v Speaker 1>say so, right, So he's like down there working in

0:07:50.680 --> 0:07:54.160
<v Speaker 1>like a right wing paramilitary like let's hold onto our

0:07:54.240 --> 0:07:58.360
<v Speaker 1>colonial countries, I guess, And uh, that gets him put

0:07:58.360 --> 0:08:00.680
<v Speaker 1>into prison. So I don't know exactly what happened, but

0:08:00.720 --> 0:08:04.120
<v Speaker 1>whatever he was doing as a paramilitary wing person. He

0:08:04.160 --> 0:08:06.360
<v Speaker 1>gets thrown into prison. He says, oh, you know what,

0:08:06.600 --> 0:08:09.040
<v Speaker 1>that's not good. I'm going back to crime. Crime is

0:08:09.080 --> 0:08:12.520
<v Speaker 1>where it works. So by nineteen seventy six he's out

0:08:12.640 --> 0:08:16.880
<v Speaker 1>a freeman, and ostensibly he lets everybody else believe that

0:08:16.920 --> 0:08:19.760
<v Speaker 1>he is a gone legitimate, you know, because he's realized

0:08:19.840 --> 0:08:22.920
<v Speaker 1>I cannot be the flashy criminal because that calls attention

0:08:22.960 --> 0:08:25.720
<v Speaker 1>to myself. So I'm gonna be a comma photographer. He

0:08:25.760 --> 0:08:29.240
<v Speaker 1>gets a photo studio, he lives in Nice, France, and

0:08:29.280 --> 0:08:31.800
<v Speaker 1>he takes pictures of people. Zim Boom Boom is also

0:08:31.960 --> 0:08:34.040
<v Speaker 1>very nice, and he does such a good job. He

0:08:34.080 --> 0:08:38.200
<v Speaker 1>becomes the official photographer of Nice France, so he's noting

0:08:38.240 --> 0:08:40.600
<v Speaker 1>down there. If you've seen a picture from the early

0:08:40.720 --> 0:08:43.280
<v Speaker 1>seventies and it was a tourist photo of Nice France,

0:08:43.320 --> 0:08:46.439
<v Speaker 1>most likely he took me. Yeah. So dudes like any

0:08:46.720 --> 0:08:49.440
<v Speaker 1>comes from friends with the mayor. He ingratiates himself and

0:08:49.440 --> 0:08:51.959
<v Speaker 1>this is a tourist economy. So these people, they're a

0:08:51.960 --> 0:08:54.920
<v Speaker 1>little more easy breezy than others, say parts of France

0:08:55.920 --> 0:08:59.120
<v Speaker 1>very well. Maybe now that he's gone legit friends with

0:08:59.160 --> 0:09:02.040
<v Speaker 1>the mayor, the whole it He's like, I need to

0:09:02.040 --> 0:09:04.440
<v Speaker 1>go first some kind of score. I got everybody looking

0:09:04.440 --> 0:09:07.000
<v Speaker 1>the other way, which, you know, maybe a little room

0:09:07.080 --> 0:09:10.040
<v Speaker 1>to move. He hears from his friend that the bank,

0:09:10.200 --> 0:09:15.080
<v Speaker 1>the Society's days general, has this um issue at the moment,

0:09:15.760 --> 0:09:18.320
<v Speaker 1>they're about to install a bank alarm. Now, for the

0:09:18.360 --> 0:09:20.320
<v Speaker 1>longest time, they never had a bank alarm because, as

0:09:20.360 --> 0:09:23.400
<v Speaker 1>I told you, it's a castle eight eight meter thick walls,

0:09:23.440 --> 0:09:25.160
<v Speaker 1>so they don't need anything like that. If you've got

0:09:25.160 --> 0:09:28.600
<v Speaker 1>twenty four ft walls, you know, alarm huh. But they're

0:09:28.679 --> 0:09:30.959
<v Speaker 1>like huge by the way, right, But they're like, well

0:09:31.000 --> 0:09:33.559
<v Speaker 1>things are times are changing, you know, it's the seventies.

0:09:33.600 --> 0:09:35.600
<v Speaker 1>A lot of banks have alarms. We should get with it.

0:09:35.679 --> 0:09:37.760
<v Speaker 1>So they're going to do that. But it's France, so

0:09:37.840 --> 0:09:40.800
<v Speaker 1>there's all these permits they got to get and construction stalls,

0:09:40.840 --> 0:09:42.959
<v Speaker 1>and so the friends complaining about this and basically lets

0:09:42.960 --> 0:09:46.520
<v Speaker 1>it be known there's no alarm in the bank. He

0:09:46.840 --> 0:09:51.559
<v Speaker 1>was venting to the wrong person and ten percent. So

0:09:51.880 --> 0:09:55.360
<v Speaker 1>the French permitting process that allows us all to occur

0:09:55.520 --> 0:09:59.640
<v Speaker 1>this delay he becomes like almost like a taunt for

0:10:00.080 --> 0:10:04.120
<v Speaker 1>man Albert. Right, So Albert says to himself quote whoever

0:10:04.240 --> 0:10:07.720
<v Speaker 1>herald of a bank with no seismic or ultrasonic alarm,

0:10:07.960 --> 0:10:12.920
<v Speaker 1>no TV system. Right, it's like offensive to him, kind

0:10:12.960 --> 0:10:16.720
<v Speaker 1>of like that's offensive to everyone. So just let's just

0:10:16.800 --> 0:10:23.760
<v Speaker 1>skip past that and let me do it. You're either

0:10:23.760 --> 0:10:27.800
<v Speaker 1>getting inspector Cluso or you're getting Pepe. So which one

0:10:27.840 --> 0:10:30.240
<v Speaker 1>do you want? Do you want to bumbling like the blend,

0:10:31.400 --> 0:10:34.600
<v Speaker 1>I'll just kind of hit the middle. So this dude, Albert,

0:10:34.800 --> 0:10:37.200
<v Speaker 1>he writes a book later on about being a criminal.

0:10:37.400 --> 0:10:39.560
<v Speaker 1>Much later, he writes, and that's where that line comes from.

0:10:39.760 --> 0:10:42.480
<v Speaker 1>Right now, he wasn't just a writer. He was also

0:10:42.559 --> 0:10:45.520
<v Speaker 1>something of a reader. And uh, he's a renaissance man,

0:10:45.679 --> 0:10:47.840
<v Speaker 1>tell you amount of letters. And now this book that

0:10:47.920 --> 0:10:51.160
<v Speaker 1>he reads and becomes, as I said earlier, a criminal bible.

0:10:51.240 --> 0:10:55.640
<v Speaker 1>In this case for him, it was called to or

0:10:55.920 --> 0:10:58.920
<v Speaker 1>Loophole or how to Rob a Bank, and it was

0:10:58.960 --> 0:11:01.400
<v Speaker 1>by Robert Paul. It was a English book, but he

0:11:01.440 --> 0:11:03.680
<v Speaker 1>obviously read it in French. So that's the French title.

0:11:03.720 --> 0:11:05.560
<v Speaker 1>I read. The English title is a buch easier how

0:11:05.600 --> 0:11:11.160
<v Speaker 1>to rob a bank exactly, but it's called Loophole or

0:11:11.200 --> 0:11:12.800
<v Speaker 1>how to Rob a Bank. It's so I will be

0:11:12.840 --> 0:11:14.880
<v Speaker 1>referring to it as loophole because how to rob a bank?

0:11:14.920 --> 0:11:20.000
<v Speaker 1>Make it confusing? Or if I did it exactly this

0:11:20.200 --> 0:11:23.880
<v Speaker 1>book that was published one year before the robbery goes down, right,

0:11:24.000 --> 0:11:27.160
<v Speaker 1>So it's a brand new, fresh, contemporaneous book. And it

0:11:27.320 --> 0:11:30.520
<v Speaker 1>builds itself quote as a fast moving and gripping plot.

0:11:30.679 --> 0:11:34.520
<v Speaker 1>And most importantly, and I quote, loophole provides a shrewd

0:11:34.559 --> 0:11:37.880
<v Speaker 1>and fascinating insight into the preparation execution of a major crime.

0:11:38.320 --> 0:11:42.640
<v Speaker 1>It supposed to be like a novel as blueprint crime

0:11:42.679 --> 0:11:45.120
<v Speaker 1>thriller is about it English bank robber, who's the best?

0:11:45.120 --> 0:11:47.400
<v Speaker 1>Who's ever cracked a safe? Right? And I'm just gonna

0:11:47.480 --> 0:11:50.160
<v Speaker 1>quote from the inside flap of this book because some

0:11:50.200 --> 0:11:54.160
<v Speaker 1>of it is just so deliciously anyway, here's a quote

0:11:54.160 --> 0:11:56.640
<v Speaker 1>of the example of the dialogue ever heard of the

0:11:56.679 --> 0:11:59.640
<v Speaker 1>City Savings Deposits Bank. I know what they got, I

0:11:59.640 --> 0:12:01.559
<v Speaker 1>know every foot of that place. I'm telling you get

0:12:01.559 --> 0:12:03.680
<v Speaker 1>in and get out, and I won't be cut. I

0:12:03.720 --> 0:12:06.320
<v Speaker 1>made him American just because it just sounds like somebody,

0:12:06.720 --> 0:12:11.240
<v Speaker 1>a guy named would say Steve. Now, this guy, he's

0:12:11.280 --> 0:12:14.160
<v Speaker 1>an architect who that's the main character. He gets fired

0:12:14.200 --> 0:12:16.840
<v Speaker 1>three weeks before Christmas. That is such a you know,

0:12:16.880 --> 0:12:19.520
<v Speaker 1>they always have people the architects. It's it's a job

0:12:19.559 --> 0:12:22.520
<v Speaker 1>nobody does except in movies and books. I mean, obviously

0:12:22.520 --> 0:12:24.680
<v Speaker 1>there are real architects, but if you never ever see

0:12:24.679 --> 0:12:26.880
<v Speaker 1>it treated as anything other than we need A character

0:12:26.920 --> 0:12:29.520
<v Speaker 1>has a job that will not matter in the plot.

0:12:30.440 --> 0:12:34.199
<v Speaker 1>But yet he's like wealthy and a dresses interesting people

0:12:34.280 --> 0:12:36.120
<v Speaker 1>like him. So it's like, how do you make him

0:12:36.160 --> 0:12:37.960
<v Speaker 1>a doctor? But he didn't have to go to the hospital,

0:12:38.559 --> 0:12:40.480
<v Speaker 1>and he doesn't have super long hours. Yeah, and he

0:12:40.480 --> 0:12:44.199
<v Speaker 1>doesn't have any of the complications of morality. Yeah. So

0:12:44.600 --> 0:12:47.520
<v Speaker 1>this architect fired three weeks before Christmas. He doesn't know

0:12:47.559 --> 0:12:49.079
<v Speaker 1>what to do. He's got all his money problems, he

0:12:49.080 --> 0:12:51.400
<v Speaker 1>can't afford his life and because it's apparently he's living

0:12:51.480 --> 0:12:53.880
<v Speaker 1>high on the architect salary, and he's like, what am

0:12:53.880 --> 0:12:57.880
<v Speaker 1>I gonna do? And so and I quote Mike Daniels

0:12:57.880 --> 0:13:00.160
<v Speaker 1>has always been looking for the one big job that

0:13:00.160 --> 0:13:01.840
<v Speaker 1>will enable him to get out of the game, and

0:13:01.880 --> 0:13:04.560
<v Speaker 1>recently he's got his eye on the City Savings Deposits bank.

0:13:04.640 --> 0:13:08.000
<v Speaker 1>With his alarm vault, infrared beams, radio frequency waves, and

0:13:08.080 --> 0:13:11.040
<v Speaker 1>unscheduled patrol vis it's all the thieves in London declared,

0:13:11.160 --> 0:13:14.679
<v Speaker 1>this is the one jug you cannot blow. Oh no,

0:13:14.760 --> 0:13:16.920
<v Speaker 1>I don't know about you, but I don't come from

0:13:17.040 --> 0:13:19.840
<v Speaker 1>jug blowing people. So for a book to tell me

0:13:19.920 --> 0:13:21.840
<v Speaker 1>this is one jug you can't blow, I'm just gonna

0:13:21.880 --> 0:13:23.520
<v Speaker 1>take their word for it. And then like typically, I

0:13:23.520 --> 0:13:26.480
<v Speaker 1>think that's fighting words. I don't know. I've never met

0:13:26.480 --> 0:13:30.080
<v Speaker 1>a jug. I couldn't blow me. I will not be told. Yeah,

0:13:30.200 --> 0:13:32.520
<v Speaker 1>don't don't limit me. You don't know the jugs I know. Bro.

0:13:33.320 --> 0:13:40.240
<v Speaker 1>So this fictional man, Mike Daniels, I'm with this dude.

0:13:40.240 --> 0:13:43.360
<v Speaker 1>He takes the bet. He's like, I will blow this jug. Bro.

0:13:44.040 --> 0:13:47.400
<v Speaker 1>So Daniels and I quote thinks he's found a loophole

0:13:47.400 --> 0:13:50.360
<v Speaker 1>in the bank security. You damn right he did. Brothers,

0:13:50.960 --> 0:13:54.600
<v Speaker 1>He's gonna exploit that because it is a loophole. So

0:13:54.760 --> 0:13:57.679
<v Speaker 1>he has this loophole. And I quote, if you are

0:13:57.760 --> 0:14:01.199
<v Speaker 1>Mike Daniels, ambitious professional thief and master safecracker, you plan

0:14:01.360 --> 0:14:04.800
<v Speaker 1>for months, in minute detail. You hire three hard bitten

0:14:04.840 --> 0:14:08.640
<v Speaker 1>colleagues whose working respect, and you find yourself Stephen Booker,

0:14:08.760 --> 0:14:12.280
<v Speaker 1>out of work architect and civil engineer, whose comfortable suburban

0:14:12.320 --> 0:14:15.560
<v Speaker 1>life is coming apart. You pick his brain, get him involved,

0:14:15.600 --> 0:14:19.160
<v Speaker 1>where down his moral resistance and hire him. Then you

0:14:19.280 --> 0:14:22.440
<v Speaker 1>enter the London sewer and bore from within the safe

0:14:22.480 --> 0:14:25.320
<v Speaker 1>as a timelock. And you have a weekend in which

0:14:25.360 --> 0:14:28.040
<v Speaker 1>to dig a tunnel under the vault and blast it open.

0:14:28.320 --> 0:14:30.640
<v Speaker 1>If you throw the alarm, half the police force will

0:14:30.680 --> 0:14:33.600
<v Speaker 1>be on your tail. The timing must be split second.

0:14:33.880 --> 0:14:37.080
<v Speaker 1>Nerves are stretched. One of your men is claustrophobic. There

0:14:37.160 --> 0:14:40.880
<v Speaker 1>is constant danger of lethal gas. A rainstorm can wipe

0:14:40.920 --> 0:14:43.840
<v Speaker 1>you out. But if you pull it off, the prize

0:14:43.960 --> 0:14:47.440
<v Speaker 1>is several million pounds and pride and having done the biggest,

0:14:47.800 --> 0:14:51.560
<v Speaker 1>most daring and ingenious job in history. If you pull

0:14:51.600 --> 0:14:55.200
<v Speaker 1>it off, that is it sounds like a you're advertising

0:14:55.280 --> 0:14:59.880
<v Speaker 1>a monster truck rally, right, chicken wings. I could not myself.

0:15:00.120 --> 0:15:01.880
<v Speaker 1>That's all from the flat of the inside of the book.

0:15:01.880 --> 0:15:04.880
<v Speaker 1>I want to read this book now, Mike Daniels jugg blower,

0:15:06.640 --> 0:15:10.040
<v Speaker 1>I can blow that jug brother so our real wife

0:15:10.040 --> 0:15:14.480
<v Speaker 1>criminal Albert Speghiari he takes from this book Loophole and

0:15:14.480 --> 0:15:17.000
<v Speaker 1>he's like, you know what, this author nailed everything. I'm

0:15:17.000 --> 0:15:19.760
<v Speaker 1>going to follow this to the t I'm gonna find

0:15:19.760 --> 0:15:21.960
<v Speaker 1>a sewer. I'm gonna find a bank. I'm gonna rob it,

0:15:22.000 --> 0:15:24.840
<v Speaker 1>I'm gonna bore a tunnel. I'm not gonna get an architect.

0:15:24.840 --> 0:15:26.320
<v Speaker 1>I don't know if I were get an architect. But

0:15:26.360 --> 0:15:28.120
<v Speaker 1>other than that, I'm gonna follow this to the letter.

0:15:28.200 --> 0:15:30.440
<v Speaker 1>He's gonna blow jug. So he's like, you know, if

0:15:30.440 --> 0:15:32.840
<v Speaker 1>this guy wrote the perfect blueprint, what could go wrong

0:15:32.880 --> 0:15:36.080
<v Speaker 1>if I follow it? And he's on this show? So

0:15:36.320 --> 0:15:40.880
<v Speaker 1>something went wrong. Well, after this short little break, we'll

0:15:40.920 --> 0:15:44.760
<v Speaker 1>get into Albert throwing the wheels of this crime into motion.

0:16:03.400 --> 0:16:07.600
<v Speaker 1>Elizabeth ready for Albert to set the wheels in motion. Okay,

0:16:07.640 --> 0:16:10.960
<v Speaker 1>so my brother, my dude, my fulk hero criminal about

0:16:11.000 --> 0:16:14.160
<v Speaker 1>to be. He's eyeing what's going to be a career

0:16:14.280 --> 0:16:17.800
<v Speaker 1>making crime. He's like, this could be the biggest job.

0:16:17.920 --> 0:16:20.200
<v Speaker 1>I need to be smart about this. So he's like,

0:16:20.400 --> 0:16:23.160
<v Speaker 1>I'm gonna map the sewers because that was in the book.

0:16:23.160 --> 0:16:25.120
<v Speaker 1>So he goes and he maps the sewers. He starts

0:16:25.400 --> 0:16:28.280
<v Speaker 1>figuring out, he gets blueprints, He walks the sewers, so

0:16:28.360 --> 0:16:31.200
<v Speaker 1>he knows every left and right turn, every dead end,

0:16:31.320 --> 0:16:34.080
<v Speaker 1>so forth right. He's like, that's step one. Now for

0:16:34.240 --> 0:16:37.200
<v Speaker 1>step two, he's like, okay, I need to test the

0:16:37.320 --> 0:16:40.800
<v Speaker 1>system to see what I'm dealing with. So he gets

0:16:40.840 --> 0:16:44.640
<v Speaker 1>a safety security deposit box. He rents one of those,

0:16:44.760 --> 0:16:47.320
<v Speaker 1>and he goes in and they when they leave him alone, next,

0:16:47.440 --> 0:16:49.320
<v Speaker 1>we will leave you to your privacy so you can

0:16:49.360 --> 0:16:51.640
<v Speaker 1>inspect you all the little pictures and jewels to whatever

0:16:51.800 --> 0:16:54.520
<v Speaker 1>you bring. And he's like, may wee thank you all right,

0:16:54.680 --> 0:16:58.360
<v Speaker 1>So he pulls out an alarm clock, winds it up,

0:16:58.480 --> 0:17:00.680
<v Speaker 1>sets it to midnight, throws it in a box, puts

0:17:00.680 --> 0:17:03.080
<v Speaker 1>the box in, closes it, locks it up, and he's like,

0:17:03.440 --> 0:17:06.160
<v Speaker 1>I'm good, and then knocks on the door, let me out.

0:17:06.200 --> 0:17:07.800
<v Speaker 1>I'm good. They're like, that was fast, So he's like

0:17:08.000 --> 0:17:11.520
<v Speaker 1>it's fine, and so check and see if it was yep, Yeah,

0:17:11.640 --> 0:17:13.800
<v Speaker 1>that's it. He sets the alarm from midnight. And he

0:17:13.840 --> 0:17:16.440
<v Speaker 1>has a reason for this because he wants enough to

0:17:16.560 --> 0:17:18.479
<v Speaker 1>vault has an alarm and it will be tripped by

0:17:18.560 --> 0:17:21.480
<v Speaker 1>noise or by shaking. So he figures this alarm clock,

0:17:21.520 --> 0:17:23.919
<v Speaker 1>there's like an old rattley kind will do enough to

0:17:23.960 --> 0:17:26.440
<v Speaker 1>trigger the alarm because if if it, he can keep

0:17:26.480 --> 0:17:29.640
<v Speaker 1>the sensitivity of what he plans to do underneath that

0:17:29.720 --> 0:17:34.119
<v Speaker 1>level of shaking is essentially his idea. Yea sets it off.

0:17:34.160 --> 0:17:36.160
<v Speaker 1>The bank does not report, oh we've been broken into.

0:17:36.200 --> 0:17:38.080
<v Speaker 1>He's like, so I think I've got it, and we

0:17:38.200 --> 0:17:40.399
<v Speaker 1>got a good measure of what I can get away with.

0:17:40.480 --> 0:17:43.760
<v Speaker 1>So now he's like, okay, sticking to the plot of loophole,

0:17:43.880 --> 0:17:46.200
<v Speaker 1>what do I need to do next, he goes like, okay, now,

0:17:46.440 --> 0:17:49.560
<v Speaker 1>hire a crew of hard men. So he's done his mapping,

0:17:49.640 --> 0:17:51.959
<v Speaker 1>he's got a safety deposit, and he's checked with the alarm.

0:17:52.240 --> 0:17:54.000
<v Speaker 1>Go hire some bad men. So he's like, where can

0:17:54.000 --> 0:17:56.440
<v Speaker 1>I get bad men around here? So he goes down

0:17:56.440 --> 0:17:58.919
<v Speaker 1>to the port town of Marseille. He goes up and

0:17:59.000 --> 0:18:02.240
<v Speaker 1>he's like, a good crime town. You smell the crime

0:18:02.240 --> 0:18:05.240
<v Speaker 1>in the air, right, mars is the kind of place

0:18:05.240 --> 0:18:07.000
<v Speaker 1>like if you imagine a Guy Ritchie movie, but a

0:18:07.040 --> 0:18:09.439
<v Speaker 1>Guy Ritchie movie that has been running for centuries, like

0:18:09.480 --> 0:18:13.359
<v Speaker 1>that's Marseille. Okay. So he's at this, uh, this inspiration

0:18:13.400 --> 0:18:15.760
<v Speaker 1>loophole and he's like going, you know what, in the book,

0:18:15.800 --> 0:18:18.159
<v Speaker 1>there's this many criminals. I'm gonna go a little bit bigger.

0:18:18.200 --> 0:18:21.879
<v Speaker 1>So he hires fifteen veteran Marseille hardman. Oh that's a

0:18:22.640 --> 0:18:25.639
<v Speaker 1>that's that's that's worries big more. The more people, the

0:18:25.720 --> 0:18:27.480
<v Speaker 1>more trouble. Totally, you got a lot of mouse to

0:18:27.560 --> 0:18:30.120
<v Speaker 1>keep quiet. So but he picks them and he goes

0:18:30.200 --> 0:18:32.480
<v Speaker 1>and he doesn't just hire them off the street, like, oh,

0:18:32.520 --> 0:18:33.960
<v Speaker 1>you look like you have a strong back. If you

0:18:34.000 --> 0:18:36.479
<v Speaker 1>ever held a shovel, you know. He goes to a

0:18:36.480 --> 0:18:39.320
<v Speaker 1>crime family and he's like, hey, I get some guys.

0:18:39.359 --> 0:18:41.960
<v Speaker 1>He's like, they're the OMERTA part will come from them,

0:18:41.960 --> 0:18:44.399
<v Speaker 1>their their coat of silence will be to their boss.

0:18:44.400 --> 0:18:46.400
<v Speaker 1>And if I get their boss, then I get their silence.

0:18:46.400 --> 0:18:48.200
<v Speaker 1>So he's like, this should be fun. That makes way

0:18:48.200 --> 0:18:50.119
<v Speaker 1>more sense than I was thinking, Like sit outside of

0:18:50.160 --> 0:18:53.520
<v Speaker 1>a cafe reading loophole and then kind of give people

0:18:53.560 --> 0:18:55.879
<v Speaker 1>knowing looks when they walk by. And if anyone know,

0:18:56.240 --> 0:18:59.080
<v Speaker 1>you're like over here, I want to talk about a book,

0:18:59.440 --> 0:19:03.280
<v Speaker 1>or you hold additions, here, hold this shovel. Does that

0:19:03.280 --> 0:19:06.920
<v Speaker 1>feel natural? So he he gets his fifth team, Marc

0:19:07.160 --> 0:19:09.160
<v Speaker 1>hard Men, and he's like, Okay, now back to the book.

0:19:09.200 --> 0:19:11.200
<v Speaker 1>What do I do now? And so he's like, okay,

0:19:11.359 --> 0:19:14.240
<v Speaker 1>I've got to drill a hole in the bank fault

0:19:14.320 --> 0:19:18.600
<v Speaker 1>from the sewers. Okay, check, check, all right, I've got

0:19:18.600 --> 0:19:21.840
<v Speaker 1>my map. Okay, it's time to get the equipment. So

0:19:22.080 --> 0:19:25.160
<v Speaker 1>he's like, okay, hard Men come to nice France, I'll

0:19:25.160 --> 0:19:30.040
<v Speaker 1>put you up. Okay, here's the deal. He had them

0:19:30.080 --> 0:19:34.639
<v Speaker 1>take their own little scooters there, like twelve little tiny

0:19:34.720 --> 0:19:37.119
<v Speaker 1>citron No. No, I'm imagining them all in vespas, like

0:19:37.119 --> 0:19:40.360
<v Speaker 1>in a row, fifteen hard men on vespas. That's beautiful.

0:19:40.400 --> 0:19:44.760
<v Speaker 1>That's beautiful. Leather jack hits, mean glares and shiny light

0:19:44.760 --> 0:19:48.359
<v Speaker 1>blue vespas, lots of chrome. Now that everything's set up

0:19:48.359 --> 0:19:49.639
<v Speaker 1>in the hard men are in town, he's like, we

0:19:49.680 --> 0:19:52.200
<v Speaker 1>need to get equipment. So he's like, look, guys, I'm

0:19:52.200 --> 0:19:53.879
<v Speaker 1>gonna get all this stuff that is, like you know,

0:19:53.960 --> 0:19:56.040
<v Speaker 1>the filters and the power cables. I'm gonna need you

0:19:56.080 --> 0:19:58.560
<v Speaker 1>to get the drills, but do not go buy them.

0:19:58.600 --> 0:20:00.399
<v Speaker 1>They like, what do you mean? And don't buy them?

0:20:00.440 --> 0:20:03.600
<v Speaker 1>He's like, hey, go steal them. So he hasn't go

0:20:03.640 --> 0:20:06.360
<v Speaker 1>to construction site, so there's no purchase records of any

0:20:06.400 --> 0:20:08.359
<v Speaker 1>of this stuff, and so he just they've spend a

0:20:08.359 --> 0:20:12.760
<v Speaker 1>couple of months stealing all the pneumatic drills, the industrial pumps,

0:20:12.880 --> 0:20:15.280
<v Speaker 1>anything that they think they need, right, and now they're

0:20:15.280 --> 0:20:18.320
<v Speaker 1>like a thermal lance. One might need a thermal lance

0:20:18.440 --> 0:20:21.879
<v Speaker 1>or a powerful jack. It's a good dry run to

0:20:22.200 --> 0:20:24.560
<v Speaker 1>like if any of them kind of balk at the idea, Yeah,

0:20:24.560 --> 0:20:27.320
<v Speaker 1>you can see how good they are priming. Yeah, So

0:20:28.119 --> 0:20:30.080
<v Speaker 1>once they have everything set up, they set up their

0:20:30.080 --> 0:20:32.800
<v Speaker 1>work site and the okay, let's run some filters. So,

0:20:32.840 --> 0:20:34.720
<v Speaker 1>because we got to deal with all the toxic smells

0:20:34.720 --> 0:20:36.760
<v Speaker 1>and we're gonna have in the sewer system, we're gonna

0:20:36.800 --> 0:20:38.480
<v Speaker 1>have to get our industrial drills down there is we're

0:20:38.480 --> 0:20:41.720
<v Speaker 1>gonna need electrical So they run electricity through the street lights.

0:20:41.720 --> 0:20:43.119
<v Speaker 1>So they just plug into the street lights and they

0:20:43.119 --> 0:20:46.480
<v Speaker 1>would drop cords down. They're super serious. So they only

0:20:46.480 --> 0:20:49.080
<v Speaker 1>work on alternating nights. And then this allows them to

0:20:49.440 --> 0:20:52.399
<v Speaker 1>want sleep for ten hours, which he insists that they do.

0:20:52.520 --> 0:20:54.080
<v Speaker 1>He's like, you have to sleep for ten hours and

0:20:55.200 --> 0:20:59.680
<v Speaker 1>that you get your good night's sleep. He's like, your crew, Yeah,

0:21:00.040 --> 0:21:02.200
<v Speaker 1>not only that there only does the demand ten hours asleep,

0:21:02.200 --> 0:21:06.240
<v Speaker 1>which I knew you would love. You will be so

0:21:06.359 --> 0:21:09.280
<v Speaker 1>impressed with his just wherewithal he doesn't allow them to

0:21:09.320 --> 0:21:11.800
<v Speaker 1>drink while they're working. They cannot bring in caffeine. They're

0:21:11.800 --> 0:21:14.280
<v Speaker 1>not allowed to do anything. They have to run clean

0:21:14.480 --> 0:21:16.840
<v Speaker 1>and they gotta run natural, right, So he has them.

0:21:17.040 --> 0:21:19.879
<v Speaker 1>So it's like a sports season has just begun. But

0:21:19.920 --> 0:21:21.720
<v Speaker 1>when you say they had to be really serious, I

0:21:21.720 --> 0:21:23.920
<v Speaker 1>imagine they're all working away and one guy cracks a

0:21:24.000 --> 0:21:27.240
<v Speaker 1>joke and everyone just stares at him in silent shaking

0:21:27.240 --> 0:21:29.520
<v Speaker 1>their heads. No, we don't do that, mean bug until

0:21:29.520 --> 0:21:33.359
<v Speaker 1>you stop that funny business. So they're sitting there working

0:21:33.600 --> 0:21:36.560
<v Speaker 1>every other night, and they're so thorough about this that

0:21:36.600 --> 0:21:40.280
<v Speaker 1>they knock a hole into this like sewer system and

0:21:40.320 --> 0:21:42.080
<v Speaker 1>they go and they work on their tunnel and they're like,

0:21:42.119 --> 0:21:44.200
<v Speaker 1>you know, creating the walls. They dig a little, they're goingly,

0:21:44.400 --> 0:21:47.560
<v Speaker 1>going a few inches each night. They then brick back

0:21:47.680 --> 0:21:51.000
<v Speaker 1>up the wall covering where they've penetrated from the sewer.

0:21:51.119 --> 0:21:53.280
<v Speaker 1>So every night they also have to add a couple

0:21:53.359 --> 0:21:56.480
<v Speaker 1>hours in to remake the wall. And this way, any

0:21:56.480 --> 0:21:58.760
<v Speaker 1>sewer people are going to cruise down the sewer worker

0:21:58.760 --> 0:22:01.719
<v Speaker 1>wouldn't notice because so know the wall. So the tunnel

0:22:01.760 --> 0:22:03.880
<v Speaker 1>is being hidden behind this false wall that they rebuild

0:22:03.920 --> 0:22:08.679
<v Speaker 1>every other day. Now takes them about two months to

0:22:08.800 --> 0:22:10.960
<v Speaker 1>get to the edge of the walls, right, But these

0:22:11.000 --> 0:22:13.240
<v Speaker 1>are Marseille hard men. They work and they work, and

0:22:13.280 --> 0:22:15.600
<v Speaker 1>they do exactly as told. They get through ten hours.

0:22:15.640 --> 0:22:17.800
<v Speaker 1>They don't snitch, they don't speak out, and they don't

0:22:17.800 --> 0:22:19.400
<v Speaker 1>go to bars and get drunk on their day off.

0:22:19.440 --> 0:22:21.840
<v Speaker 1>They're really good about it. And they get to the

0:22:21.880 --> 0:22:25.240
<v Speaker 1>walls and it's just before Bastille Day, which was his

0:22:25.359 --> 0:22:28.080
<v Speaker 1>plan because that is a huge day in France. It's

0:22:28.160 --> 0:22:30.600
<v Speaker 1>basically like the fourth of July is and it in

0:22:30.760 --> 0:22:33.520
<v Speaker 1>essence it's a celebration to freedom and independence, but also

0:22:33.600 --> 0:22:36.159
<v Speaker 1>it's a big party weekend everybody. So they wanted to

0:22:36.200 --> 0:22:37.920
<v Speaker 1>get there on Friday. And they get to the walls

0:22:37.960 --> 0:22:40.280
<v Speaker 1>on Friday, and how do they know because they can

0:22:40.320 --> 0:22:42.840
<v Speaker 1>hear the alarm clocks shaking at midnight and they know

0:22:42.920 --> 0:22:45.439
<v Speaker 1>it's right there in the safety deposit box wall and

0:22:45.480 --> 0:22:47.960
<v Speaker 1>that's where they are. So now they've also used it

0:22:48.000 --> 0:22:51.119
<v Speaker 1>as a homing signal. That's perfect, right, pretty brilliant. I

0:22:51.160 --> 0:22:55.120
<v Speaker 1>appreciate that. So now that we have reached the walls,

0:22:55.320 --> 0:22:57.560
<v Speaker 1>the tunnel is dug, they're on the other side of

0:22:57.600 --> 0:22:59.639
<v Speaker 1>safety deposit box. All it is left for them to

0:22:59.680 --> 0:23:02.960
<v Speaker 1>do is to break in. Elizabeth, I'd like you to

0:23:02.960 --> 0:23:10.240
<v Speaker 1>close your eyes and picture it. I'm picturing it it's

0:23:10.280 --> 0:23:12.600
<v Speaker 1>best deal day weekend. I don't know what it is yet.

0:23:13.760 --> 0:23:17.640
<v Speaker 1>It's furry, it's warm, it's in your hand. In France

0:23:17.720 --> 0:23:21.040
<v Speaker 1>nineteen seventy six, it's the Friday night of a long weekend.

0:23:21.800 --> 0:23:23.880
<v Speaker 1>One hell of a bell bottom, good time going down

0:23:23.880 --> 0:23:26.720
<v Speaker 1>to Nice right now, al right, each night, drunken rebblers

0:23:26.720 --> 0:23:29.080
<v Speaker 1>in the street. They've got the mayor out there with

0:23:29.160 --> 0:23:32.000
<v Speaker 1>him prows and everyone's having fun. The fireworks overhead. It's

0:23:32.000 --> 0:23:33.680
<v Speaker 1>a perfect cover if you want to break into a

0:23:33.720 --> 0:23:37.120
<v Speaker 1>bank fault. So Albert and the Marseille hardman, they are

0:23:37.160 --> 0:23:40.520
<v Speaker 1>busy in their workspace, just banging away, swinging hammers, knocking

0:23:40.600 --> 0:23:43.959
<v Speaker 1>chisels and the two months of hard, sweaty, stinky work.

0:23:44.000 --> 0:23:47.159
<v Speaker 1>Because remember they are working in a sewer essentially, like

0:23:47.440 --> 0:23:51.480
<v Speaker 1>sometimes they're waist deep and filth. Sometimes they're in rubber rafts.

0:23:51.520 --> 0:23:55.840
<v Speaker 1>It's just been a hard so a few fuse. It's

0:23:55.880 --> 0:24:02.040
<v Speaker 1>so funny of them just sitting there working on damnits.

0:24:02.160 --> 0:24:05.639
<v Speaker 1>Jacques or a few enthusiastic swings of the sledge hammer.

0:24:05.720 --> 0:24:07.840
<v Speaker 1>Chisels breakthrough and all of a sudden there's a shaft

0:24:07.880 --> 0:24:12.280
<v Speaker 1>of light. They can see into the vault. They're there.

0:24:12.960 --> 0:24:15.919
<v Speaker 1>They knocked through the wall, and then they realize actually

0:24:15.920 --> 0:24:18.160
<v Speaker 1>in the safety deposit wall, so they have to push

0:24:18.160 --> 0:24:20.720
<v Speaker 1>their way through, and they pry open the safety deposit

0:24:20.800 --> 0:24:25.640
<v Speaker 1>boxes from the backside, which is yeah, extra difficult, and

0:24:25.720 --> 0:24:29.000
<v Speaker 1>now boom they're inside. So they knock a hole. They

0:24:29.040 --> 0:24:32.159
<v Speaker 1>have a workspace. They take the as settling torches and

0:24:32.200 --> 0:24:34.800
<v Speaker 1>stuff and start getting to business. Now they're able to

0:24:34.880 --> 0:24:39.280
<v Speaker 1>open three hundred and seventy one safety deposit boxes. Jug

0:24:39.640 --> 0:24:43.800
<v Speaker 1>blown fully blown. So this jug, now that it's fully

0:24:43.800 --> 0:24:49.800
<v Speaker 1>blown and tooting away, is giving up gold bars, jewelry collections, diamonds, pearls, rubies, emeralds,

0:24:49.880 --> 0:24:53.640
<v Speaker 1>you name it. Dude, niece has got real wealth down

0:24:53.640 --> 0:24:58.199
<v Speaker 1>There's that's im like. And then also there is the

0:24:59.359 --> 0:25:02.000
<v Speaker 1>as you I've noted in other bank robbers we discussed

0:25:02.040 --> 0:25:03.879
<v Speaker 1>there's always a potential of the blackmail photo in the

0:25:03.880 --> 0:25:07.520
<v Speaker 1>safety deposit box. This one comes very much true. They

0:25:07.560 --> 0:25:10.320
<v Speaker 1>take out the blackmail photos and they're all these lurid,

0:25:10.440 --> 0:25:13.240
<v Speaker 1>naked photos of the rich, famous and powerful doing things

0:25:13.280 --> 0:25:15.360
<v Speaker 1>to each other that are dirty and naked, and they

0:25:15.400 --> 0:25:17.520
<v Speaker 1>throw them up on the walls of the vault, plastering

0:25:17.600 --> 0:25:19.600
<v Speaker 1>them so that while they're working they're just staring at

0:25:19.600 --> 0:25:23.159
<v Speaker 1>all these naked people. Yeah, right, exactly, so you know,

0:25:23.200 --> 0:25:25.200
<v Speaker 1>it's a little fun for the guys, exactly, they get

0:25:25.280 --> 0:25:28.240
<v Speaker 1>some fun and then also keeping things French. Albert is

0:25:28.359 --> 0:25:30.359
<v Speaker 1>very good to his men. He brings in the picnic

0:25:30.480 --> 0:25:32.480
<v Speaker 1>lunch and the picnic lunch, what do you think is

0:25:32.520 --> 0:25:39.479
<v Speaker 1>in it? Very good? Also for gras, he brings in

0:25:39.640 --> 0:25:43.000
<v Speaker 1>red wine. They eat a meal of coke and potatoes

0:25:43.000 --> 0:25:47.080
<v Speaker 1>that he cooks with a reportable stove for their meals.

0:25:47.080 --> 0:25:50.399
<v Speaker 1>By the way, they're eating on these solid silver utensils

0:25:50.400 --> 0:25:54.720
<v Speaker 1>that they're pulling out of the safety deposit box exactly,

0:25:55.640 --> 0:25:58.240
<v Speaker 1>using all the rich people's stuff for like I don't know,

0:25:58.280 --> 0:25:59.960
<v Speaker 1>I don't know if they're using it appropriately or not,

0:26:00.080 --> 0:26:02.560
<v Speaker 1>but they're just using it having fun. They're using the

0:26:02.680 --> 0:26:04.879
<v Speaker 1>right utensils for each I don't mean, like do they

0:26:04.920 --> 0:26:06.280
<v Speaker 1>have the right fork in the right hand. I mean,

0:26:06.359 --> 0:26:07.800
<v Speaker 1>I don't know if they're just like stabbing the knife

0:26:07.840 --> 0:26:09.760
<v Speaker 1>into the wall for fun too, and then also using

0:26:09.760 --> 0:26:17.720
<v Speaker 1>it to like spread the Yeah, exactly. So there's these

0:26:17.800 --> 0:26:21.240
<v Speaker 1>huge silver toureens, like you know, like soup containers for

0:26:21.480 --> 0:26:24.480
<v Speaker 1>like now they're silver. They were using those for the commodes.

0:26:24.600 --> 0:26:26.560
<v Speaker 1>So they're just like crapping in these rich people in

0:26:26.600 --> 0:26:30.440
<v Speaker 1>that fancy buckets, making soup, making the new soup. So

0:26:31.480 --> 0:26:34.280
<v Speaker 1>this is like how the how these fifteen Marseille hard

0:26:34.320 --> 0:26:37.119
<v Speaker 1>men entertaining themselves over this long weekend while they break

0:26:37.160 --> 0:26:39.840
<v Speaker 1>into all of the safety deposit boxes and it takes

0:26:39.880 --> 0:26:41.960
<v Speaker 1>a while. Did not just like popping each one open.

0:26:42.000 --> 0:26:43.960
<v Speaker 1>They have to like pry and work on to get

0:26:43.960 --> 0:26:47.040
<v Speaker 1>three one of the thousands that are there. Is like

0:26:47.080 --> 0:26:50.640
<v Speaker 1>a real accomplishment. Now, over the time of the weekend,

0:26:50.720 --> 0:26:55.760
<v Speaker 1>Sunday afternoon, uh starts to come to be and the

0:26:55.880 --> 0:26:59.320
<v Speaker 1>rains start to gather and there's hard rain that's falling

0:26:59.359 --> 0:27:02.560
<v Speaker 1>on nice. Hard rain is going to fall on this

0:27:02.680 --> 0:27:05.600
<v Speaker 1>hard rain starts to hit the sewers, it starts to flood.

0:27:05.840 --> 0:27:07.359
<v Speaker 1>So the guys are like, oh man, we got to

0:27:07.359 --> 0:27:09.040
<v Speaker 1>get at the show on the road. So they gather

0:27:09.160 --> 0:27:12.000
<v Speaker 1>up everything that they can and then they managed to

0:27:12.280 --> 0:27:14.640
<v Speaker 1>unlike some of the other robbers we've covered, they removed

0:27:14.640 --> 0:27:16.919
<v Speaker 1>most everything they brought with them. They get all on

0:27:16.920 --> 0:27:20.240
<v Speaker 1>the rubber boats and they're like go go right. So

0:27:20.320 --> 0:27:22.200
<v Speaker 1>like these guys are all like launching down the sewer

0:27:22.280 --> 0:27:24.080
<v Speaker 1>with all the stolen stuff. And then right before they

0:27:24.119 --> 0:27:27.240
<v Speaker 1>leave Alberts like un moment, and then he like takes

0:27:27.280 --> 0:27:29.240
<v Speaker 1>the piece of chalk and he writes a message on

0:27:29.280 --> 0:27:31.480
<v Speaker 1>the inside of the bank fault and in in chalk

0:27:31.600 --> 0:27:36.919
<v Speaker 1>he writes arms knee violence, So which that means in

0:27:36.960 --> 0:27:39.679
<v Speaker 1>English and not my bad accent, he means without guns,

0:27:39.880 --> 0:27:44.080
<v Speaker 1>nor violence nor hate. So he was basically saying, is

0:27:44.160 --> 0:27:46.159
<v Speaker 1>they were bragging, we pulled this off and we're not

0:27:46.200 --> 0:27:49.080
<v Speaker 1>like these other terrorists bank robbers of the seventies, because

0:27:49.119 --> 0:27:51.040
<v Speaker 1>like the PLO was a getting into bank robbery at

0:27:51.040 --> 0:27:53.440
<v Speaker 1>this time, so they really wanted to stinguish themselves. The

0:27:53.560 --> 0:27:55.280
<v Speaker 1>i RA was in bank robbery. There was a lot

0:27:55.320 --> 0:27:57.399
<v Speaker 1>of like people, They're like, look, we did this without guns,

0:27:57.560 --> 0:27:59.479
<v Speaker 1>without hate in our heart. We just did it for

0:27:59.520 --> 0:28:02.399
<v Speaker 1>the rush. She just basically put a piece symbol on

0:28:02.440 --> 0:28:06.960
<v Speaker 1>the wall exactly two fingers and then swam off in

0:28:06.960 --> 0:28:09.160
<v Speaker 1>the wastewater. Yeah, well that's the other thing. So then

0:28:09.520 --> 0:28:11.800
<v Speaker 1>this is also part of the possibly illegal strategy. So

0:28:11.840 --> 0:28:14.520
<v Speaker 1>it's like, look, we didn't mean any harts establish it

0:28:14.640 --> 0:28:18.600
<v Speaker 1>that it's the seventies. Relax. A lot of stuff happened.

0:28:18.800 --> 0:28:21.199
<v Speaker 1>It was more than just regrettable men's fashions. There was

0:28:21.400 --> 0:28:23.560
<v Speaker 1>a lot of stuff happening. Do you think back to

0:28:23.640 --> 0:28:26.119
<v Speaker 1>how wild the seventies were when you read these news stories, Like,

0:28:26.160 --> 0:28:28.800
<v Speaker 1>I can't imagine explaining to someone who's like under the

0:28:28.800 --> 0:28:30.960
<v Speaker 1>age of what the seventies like. You could just take

0:28:31.000 --> 0:28:33.600
<v Speaker 1>any week of the newspaper and just take the headlines

0:28:33.640 --> 0:28:35.080
<v Speaker 1>and they'd be like, are you for real right now?

0:28:35.080 --> 0:28:36.800
<v Speaker 1>I'm like, yeah, look at that, and here's the next day,

0:28:36.840 --> 0:28:38.320
<v Speaker 1>and here's the next day, and it's just the headlines.

0:28:38.400 --> 0:28:42.560
<v Speaker 1>But don't you think that applies now to butt Well,

0:28:42.560 --> 0:28:44.360
<v Speaker 1>they get hung up on the idea of like it's

0:28:44.400 --> 0:28:47.040
<v Speaker 1>so it's so unique now, and I'm like, oh, people

0:28:47.120 --> 0:28:48.800
<v Speaker 1>who are a little older, like you know, like my

0:28:48.840 --> 0:28:50.560
<v Speaker 1>mother has a sense of this which she talks to

0:28:50.560 --> 0:28:53.520
<v Speaker 1>me about like the repetition of repetition of history. So

0:28:53.560 --> 0:28:55.240
<v Speaker 1>I'm like, if you go back the seventies, it wasn't

0:28:55.280 --> 0:28:57.920
<v Speaker 1>all like people were just like everything was cool and

0:28:57.960 --> 0:29:00.000
<v Speaker 1>we're growing our launch and trying to get over the

0:29:00.160 --> 0:29:03.200
<v Speaker 1>sixties and trying to buy back into America. No, it

0:29:03.280 --> 0:29:07.320
<v Speaker 1>was turbulent as hell, especially internationally. That decade needs more

0:29:07.400 --> 0:29:10.600
<v Speaker 1>look back. It totally does. But also you and I

0:29:10.640 --> 0:29:15.240
<v Speaker 1>love newspapers dot com. Yes, this is not a paid advertisement.

0:29:15.320 --> 0:29:18.600
<v Speaker 1>They don't they don't even know we exists. They just

0:29:18.640 --> 0:29:21.680
<v Speaker 1>take my money. But anytime you go back and you

0:29:21.720 --> 0:29:24.680
<v Speaker 1>look at headlines on a in like the thirties and

0:29:24.760 --> 0:29:27.920
<v Speaker 1>the eighteen sixties, you look at these headlines and it's nuts. Yeah,

0:29:28.040 --> 0:29:31.640
<v Speaker 1>because constantly and it's all on one newspaper, like that's

0:29:31.640 --> 0:29:33.560
<v Speaker 1>all happening. Everyone thinks they're living at the end of

0:29:33.600 --> 0:29:35.560
<v Speaker 1>the world, I guess. And also, no times are unique

0:29:35.560 --> 0:29:37.600
<v Speaker 1>in terms of it being insane, is essentially my point,

0:29:38.280 --> 0:29:41.760
<v Speaker 1>just different flavors of insane. Yeah, so, okay, Monday rolls around.

0:29:41.800 --> 0:29:44.200
<v Speaker 1>Bank employees show up. There's a hole in the vault,

0:29:44.240 --> 0:29:46.680
<v Speaker 1>but they don't know it because these robbers were so

0:29:46.680 --> 0:29:49.600
<v Speaker 1>smart they welded the bank vault shut from the inside

0:29:49.960 --> 0:29:51.800
<v Speaker 1>so they can't get into the bank. They're like, oh,

0:29:51.800 --> 0:29:53.320
<v Speaker 1>so they don't even know it's been robbed yet, but

0:29:53.360 --> 0:29:55.480
<v Speaker 1>they know something's wrong because the bank is welded shut.

0:29:55.480 --> 0:29:58.920
<v Speaker 1>Their jugs been blown fully blown, so they have to

0:29:58.920 --> 0:30:01.080
<v Speaker 1>go and get a drill of their own and reblow

0:30:01.120 --> 0:30:03.400
<v Speaker 1>the jug and they knock a hole in the wall,

0:30:03.720 --> 0:30:05.680
<v Speaker 1>and then they find out when they look inside the

0:30:05.680 --> 0:30:08.120
<v Speaker 1>whole of the vault they they've knocked into, They're like, oh,

0:30:08.160 --> 0:30:11.920
<v Speaker 1>we've been robbed Sacar Blue. So yeah, so then they

0:30:11.960 --> 0:30:13.520
<v Speaker 1>have to go and tell the police. The police come

0:30:13.520 --> 0:30:15.760
<v Speaker 1>out to investigate. Word gets out and all the rich

0:30:15.800 --> 0:30:17.920
<v Speaker 1>and famous and powerful they come running down there, like

0:30:18.120 --> 0:30:20.520
<v Speaker 1>my secret stuff, and they're all in a panic. And

0:30:20.560 --> 0:30:22.600
<v Speaker 1>so the banks meant a bunch of time keeping its

0:30:22.600 --> 0:30:24.880
<v Speaker 1>customers out of the bank while they're like waving their

0:30:25.160 --> 0:30:29.719
<v Speaker 1>rich risks with bobbles of jewels knocking about. And so

0:30:29.800 --> 0:30:31.720
<v Speaker 1>the bank's like, look, calm down, we'll get you all

0:30:31.720 --> 0:30:33.520
<v Speaker 1>your stuff. We're not gonna just throw it in a pile,

0:30:33.640 --> 0:30:35.880
<v Speaker 1>and we're gonna we're gonna have it all like sorted out.

0:30:35.920 --> 0:30:38.000
<v Speaker 1>Don't worry. We'll let you know if it was your

0:30:38.000 --> 0:30:40.120
<v Speaker 1>stuff we're stolen or not. We have a list, and

0:30:40.120 --> 0:30:42.680
<v Speaker 1>everyone's like and the police were like, okay, um, you

0:30:42.720 --> 0:30:44.800
<v Speaker 1>deal with the angry customers. We're gonna start trying to

0:30:44.840 --> 0:30:48.200
<v Speaker 1>investigate stuff, right, So they go and get the list

0:30:48.360 --> 0:30:50.480
<v Speaker 1>on their own of like witch box has been broken into,

0:30:50.520 --> 0:30:52.160
<v Speaker 1>they figure out who it is and they go to

0:30:52.200 --> 0:30:54.560
<v Speaker 1>the individual people because once again the bank isn't really

0:30:54.600 --> 0:30:56.960
<v Speaker 1>being helpful. They're like, okay, so we understand that you

0:30:57.000 --> 0:30:59.080
<v Speaker 1>had a box and you had box number seven four three,

0:30:59.240 --> 0:31:00.720
<v Speaker 1>would you like to tell what was in it? And

0:31:00.760 --> 0:31:03.360
<v Speaker 1>the person It's like, no, I did not. That is

0:31:03.400 --> 0:31:10.560
<v Speaker 1>important to just finds this stuff. You photos? Yeah, why

0:31:10.600 --> 0:31:12.719
<v Speaker 1>do you want to look at toto? Do you want

0:31:12.760 --> 0:31:17.280
<v Speaker 1>to see that? I show you do? Not shaming me

0:31:18.760 --> 0:31:22.560
<v Speaker 1>as they've gotten away with his stolen loot. Albert Spagghieri

0:31:22.680 --> 0:31:25.600
<v Speaker 1>has done it. He's pulled off the crime of the century,

0:31:25.840 --> 0:31:28.600
<v Speaker 1>hundreds of millions of dollars. All these rich and powerful

0:31:28.640 --> 0:31:31.640
<v Speaker 1>people are embarrassed. The newspapers are talking about it. There

0:31:31.760 --> 0:31:34.600
<v Speaker 1>is no reason for people to not know his name

0:31:34.640 --> 0:31:36.680
<v Speaker 1>at this point. Everyone. All he has to do is

0:31:36.680 --> 0:31:39.560
<v Speaker 1>make himself known and everyone would be like, that's the guy.

0:31:39.960 --> 0:31:42.880
<v Speaker 1>So it's tempting him. But he's like, hundreds of millions

0:31:42.880 --> 0:31:45.200
<v Speaker 1>of dollars, why would you want? Who cares if everyone

0:31:45.200 --> 0:31:46.960
<v Speaker 1>knows you're the guy? But he wants the fame. He

0:31:47.000 --> 0:31:48.720
<v Speaker 1>wants the crowd. He wants people to know he was

0:31:48.760 --> 0:31:51.920
<v Speaker 1>the mastermind he because remember he used his book and

0:31:51.920 --> 0:31:57.160
<v Speaker 1>he's so perfect plan. Yeah, so let's take a quick

0:31:57.200 --> 0:31:59.880
<v Speaker 1>little break and I'll get into how this all goes

0:32:00.080 --> 0:32:23.680
<v Speaker 1>oh so wrong. So now we have the robbery as occurred.

0:32:23.680 --> 0:32:26.200
<v Speaker 1>They've gotten away, Albert and his Marseille hard Man are

0:32:26.280 --> 0:32:29.400
<v Speaker 1>on the lamb and the police have to spring into action.

0:32:29.520 --> 0:32:31.360
<v Speaker 1>Right So they've interviewed the rich people and they don't

0:32:31.400 --> 0:32:35.440
<v Speaker 1>have a clue to go on. They got nothing. Meanwhile, Albert,

0:32:35.560 --> 0:32:37.960
<v Speaker 1>he's gone home. He's taking a bubble bath, he's gonna

0:32:38.000 --> 0:32:41.200
<v Speaker 1>can espresso. He's cleaned himself up, he's wiped the sewer off,

0:32:41.200 --> 0:32:42.880
<v Speaker 1>he's counting his money, and he's like, you know what,

0:32:43.520 --> 0:32:46.520
<v Speaker 1>I'm out of here. He bounces, he leaves. They're not

0:32:46.560 --> 0:32:50.280
<v Speaker 1>going to catch him because this mastermind of the sewer gang,

0:32:50.320 --> 0:32:52.840
<v Speaker 1>he knows that, you know, eventually he will not be

0:32:52.880 --> 0:32:55.600
<v Speaker 1>able to resist the acclaim. So he knows, I gotta

0:32:55.600 --> 0:32:57.560
<v Speaker 1>get myself out of here. He bounces, Where's he go?

0:32:58.320 --> 0:33:01.960
<v Speaker 1>I have no United States of America there not, just that.

0:33:02.040 --> 0:33:09.600
<v Speaker 1>He goes to c I A headquarters. Yes, right up

0:33:09.600 --> 0:33:11.920
<v Speaker 1>to CIA headquarters, knocks on the front door and knock knock.

0:33:12.000 --> 0:33:15.080
<v Speaker 1>Did he give notice in niece about like I'm not

0:33:15.120 --> 0:33:19.680
<v Speaker 1>going to be here. I'm taking photography break now he

0:33:19.760 --> 0:33:23.920
<v Speaker 1>just you know, disappears. He's a flight tr He shows

0:33:23.960 --> 0:33:27.880
<v Speaker 1>up at CIA headquarters. He tells the CIA, hey, you

0:33:27.880 --> 0:33:30.920
<v Speaker 1>guys want to take a meeting with me. They're like, bro,

0:33:31.960 --> 0:33:34.080
<v Speaker 1>who are you? Because you have to remember, this is

0:33:34.160 --> 0:33:36.880
<v Speaker 1>the CIA in the seventies, one year before the Church

0:33:36.920 --> 0:33:39.600
<v Speaker 1>Committee hearings will renew to the world what the CIA

0:33:39.680 --> 0:33:41.680
<v Speaker 1>has been doing. So this is the last year of

0:33:41.720 --> 0:33:45.160
<v Speaker 1>the shameless. We will kill your leader CIA. Exactly. We

0:33:45.200 --> 0:33:47.560
<v Speaker 1>tried to kill Fidel cast eight thirty eight times. Do

0:33:47.560 --> 0:33:51.080
<v Speaker 1>you think we will not embarrass and disappear you? So

0:33:51.400 --> 0:33:53.680
<v Speaker 1>that CIA is the CIA we're talking about, right, So

0:33:53.720 --> 0:33:55.880
<v Speaker 1>Albert turns up at the CIA crowd quarters like, you

0:33:55.880 --> 0:33:58.120
<v Speaker 1>guys should totally hire me because like I'm kind of

0:33:58.160 --> 0:34:00.360
<v Speaker 1>a mastermind. In case you didn't know this, you don't

0:34:00.400 --> 0:34:02.320
<v Speaker 1>keep up on French crime. I've come to tell you

0:34:02.360 --> 0:34:06.680
<v Speaker 1>personally that is like again, who are you? And he's like, oh,

0:34:06.800 --> 0:34:10.040
<v Speaker 1>you know, I'll lay out my bona feedes and he's

0:34:10.040 --> 0:34:12.360
<v Speaker 1>like telling him all this stuff, all the jobs he's pulled,

0:34:12.360 --> 0:34:14.080
<v Speaker 1>and he's like, then, by the way, I just kind

0:34:14.080 --> 0:34:17.680
<v Speaker 1>of pulled off the bank robbery of the century. He

0:34:17.719 --> 0:34:20.680
<v Speaker 1>tells the c I A just to get a job there.

0:34:20.880 --> 0:34:25.120
<v Speaker 1>Then he pulled off the bank robbery and he's like,

0:34:25.160 --> 0:34:29.120
<v Speaker 1>hey guys. So he's like, oh, you do know what

0:34:29.160 --> 0:34:32.640
<v Speaker 1>we do here? Right? We don't. Okay, look, we don't

0:34:32.640 --> 0:34:34.640
<v Speaker 1>need a HIGST team, not right now. So we're good,

0:34:34.680 --> 0:34:37.000
<v Speaker 1>thanks for coming in, but we'll take your resume if

0:34:37.000 --> 0:34:38.560
<v Speaker 1>you want to leave it at the front door. And

0:34:38.640 --> 0:34:40.719
<v Speaker 1>he's like or like, you know, I don't know, leave

0:34:40.719 --> 0:34:43.040
<v Speaker 1>a card or something whatever, Just please go away. We

0:34:43.080 --> 0:34:44.759
<v Speaker 1>don't have time for this. And he's like, oh. They're like,

0:34:44.880 --> 0:34:47.839
<v Speaker 1>but oh, one more thing. What was your name again?

0:34:48.200 --> 0:34:49.759
<v Speaker 1>You could you? Like? Where are you from? You said

0:34:49.760 --> 0:34:51.440
<v Speaker 1>he pulled off the bank robbery, the centry, I was

0:34:51.480 --> 0:34:54.200
<v Speaker 1>in France and nice And he's like, yeah, I got

0:34:54.200 --> 0:34:57.520
<v Speaker 1>to gout. Are not interested, right, And they're like, no, seriously,

0:34:57.600 --> 0:34:59.640
<v Speaker 1>that was you. You're absolutely certain that was you. Do

0:34:59.640 --> 0:35:01.960
<v Speaker 1>you have any evidence that we could know this was you?

0:35:02.040 --> 0:35:06.319
<v Speaker 1>And he's like maybe we do, right, which means uh,

0:35:06.560 --> 0:35:10.919
<v Speaker 1>you know, but yes, of course right, And they're like okay, well,

0:35:11.080 --> 0:35:13.920
<v Speaker 1>maybe we could have a home number, maybe your your address,

0:35:14.000 --> 0:35:16.200
<v Speaker 1>you could just give that to us. We could get

0:35:16.200 --> 0:35:18.040
<v Speaker 1>in contact with you later. And he's like, no, no,

0:35:18.160 --> 0:35:20.800
<v Speaker 1>I got to go because it's of course, the CIA

0:35:21.000 --> 0:35:24.680
<v Speaker 1>is an investigative agency, has allies and been France, so

0:35:24.719 --> 0:35:27.040
<v Speaker 1>they call their French counterparts like as soon as he's

0:35:27.040 --> 0:35:30.680
<v Speaker 1>out of the building, and they're like a French CIA,

0:35:31.000 --> 0:35:34.920
<v Speaker 1>which I'm sorry I do not know is called French CIA.

0:35:35.400 --> 0:35:37.920
<v Speaker 1>Do you know who's just in our office? And they're like, no,

0:35:38.400 --> 0:35:40.480
<v Speaker 1>for all, neither do. We wouldn't give us his name.

0:35:40.640 --> 0:35:45.319
<v Speaker 1>He goes in there and he's like, I did these crimes, big,

0:35:45.920 --> 0:35:49.960
<v Speaker 1>not gonna tell you my name's interested they're not really okay.

0:35:50.000 --> 0:35:51.640
<v Speaker 1>He tells him his name, but he's like, you know,

0:35:52.360 --> 0:35:54.440
<v Speaker 1>They're like, is that really your name? They were like,

0:35:54.520 --> 0:35:56.560
<v Speaker 1>we have some evidence that you did this crime because

0:35:56.560 --> 0:35:59.560
<v Speaker 1>they're gonna immediately turned it over the front name Mr

0:35:59.640 --> 0:36:04.080
<v Speaker 1>corn Towers. Yes exactly, Regina, you say okay. So a

0:36:04.120 --> 0:36:07.240
<v Speaker 1>few months later, the French authorities get another tip about

0:36:07.239 --> 0:36:09.400
<v Speaker 1>this crime, but this time not from the CIA. This

0:36:09.480 --> 0:36:14.640
<v Speaker 1>time the tip is from an angry X. Yeah. So actually, well,

0:36:14.840 --> 0:36:16.480
<v Speaker 1>the French authorities got a couple of tips they got

0:36:16.520 --> 0:36:19.200
<v Speaker 1>and one tip was from two of the lookouts for

0:36:19.239 --> 0:36:21.840
<v Speaker 1>the crew. They had been paid in gold bars and

0:36:21.880 --> 0:36:24.880
<v Speaker 1>they've been going around town going cash would you like

0:36:24.960 --> 0:36:28.040
<v Speaker 1>to buy these gold bars? How much would you buy

0:36:28.080 --> 0:36:30.239
<v Speaker 1>these gold bars for? So they make a name for

0:36:30.280 --> 0:36:32.520
<v Speaker 1>themselves that these two guys with gold bars for sales.

0:36:32.560 --> 0:36:34.520
<v Speaker 1>So the cops just go and arrest him. And so

0:36:34.560 --> 0:36:37.280
<v Speaker 1>then what's one story that they then turn on the crew.

0:36:37.360 --> 0:36:40.000
<v Speaker 1>The other story is that an X gets in a

0:36:40.080 --> 0:36:42.040
<v Speaker 1>fight with one of the members of the crew, he

0:36:42.200 --> 0:36:44.920
<v Speaker 1>like jilts her. She then goes immediately to the cops

0:36:44.920 --> 0:36:46.520
<v Speaker 1>and says, you know who my ex boyfriend is, and

0:36:46.560 --> 0:36:49.000
<v Speaker 1>then lays out he wasn't he did the bank robberate

0:36:49.040 --> 0:36:52.000
<v Speaker 1>this entry and his buddies are Albert Spickery and it

0:36:52.080 --> 0:36:54.600
<v Speaker 1>just runs down the crew. And so then that guy

0:36:54.640 --> 0:36:57.480
<v Speaker 1>gets arrested. The cops bring him in, they interrogate him

0:36:57.520 --> 0:36:59.160
<v Speaker 1>for hours and hours and hours. He's like, no, I

0:36:59.239 --> 0:37:00.719
<v Speaker 1>was not there. I don't think are you're talking about

0:37:00.920 --> 0:37:02.480
<v Speaker 1>like four hours later. I don't know if he just

0:37:02.640 --> 0:37:04.719
<v Speaker 1>he just really needed a smoke or what, but he

0:37:04.840 --> 0:37:07.040
<v Speaker 1>was like, how about the smoke break. They're like, tell

0:37:07.120 --> 0:37:08.680
<v Speaker 1>us the name of the crew. He's like, I can't

0:37:08.719 --> 0:37:10.799
<v Speaker 1>have a smoke break. And then they're like, if you

0:37:10.800 --> 0:37:12.080
<v Speaker 1>tell his name of the crew, will give you a

0:37:12.080 --> 0:37:14.759
<v Speaker 1>two galos or whatever, and he's like, yeah, okay, he

0:37:14.800 --> 0:37:17.520
<v Speaker 1>gives up the whole crew, all right, so some a

0:37:17.560 --> 0:37:20.920
<v Speaker 1>few hours of interrogation, he's done. Right. So now it's

0:37:20.960 --> 0:37:23.839
<v Speaker 1>October seventies six, basically the end of the year, and

0:37:23.920 --> 0:37:27.560
<v Speaker 1>the whole gang is getting arrested. But Albert once again

0:37:27.680 --> 0:37:29.839
<v Speaker 1>is luckily out of the country because he just has

0:37:29.920 --> 0:37:33.080
<v Speaker 1>luck like that. He happens to be in Japan. So

0:37:33.160 --> 0:37:35.840
<v Speaker 1>he's like, hey, Japan, Yeah, I'm just hanging out. Let

0:37:35.880 --> 0:37:38.360
<v Speaker 1>me tell you about me. He's there with the mayor

0:37:38.440 --> 0:37:41.200
<v Speaker 1>of Nice and they're on like a buddy's tour of Japan.

0:37:42.600 --> 0:37:44.560
<v Speaker 1>They're doing like a whole like sister city thing or

0:37:44.600 --> 0:37:46.799
<v Speaker 1>guess I don't know what they're doing, but anyway, they're

0:37:46.840 --> 0:37:49.080
<v Speaker 1>hanging out. When they get back to Nice, there's all

0:37:49.120 --> 0:37:51.279
<v Speaker 1>these police at the airport and they're like, oh, for

0:37:51.320 --> 0:37:54.719
<v Speaker 1>the mayor, this is obviously part of our security. And

0:37:54.760 --> 0:38:00.520
<v Speaker 1>instead they're like, oh, he's like me, I mean, and

0:38:00.560 --> 0:38:02.400
<v Speaker 1>so then they arrest him in front of the mayor

0:38:02.480 --> 0:38:05.319
<v Speaker 1>and then he gets taken in so he gets interrogated

0:38:05.360 --> 0:38:08.719
<v Speaker 1>by the police. He last two full days, doesn't say

0:38:08.800 --> 0:38:12.040
<v Speaker 1>a word. Finally, after two days he's like, okay, it

0:38:12.080 --> 0:38:15.799
<v Speaker 1>was me, can you can you alert the press? So so,

0:38:15.920 --> 0:38:18.360
<v Speaker 1>but he refuses the name names. He is a real criminal,

0:38:18.360 --> 0:38:20.040
<v Speaker 1>he doesn't he didn't say any other members of the crew.

0:38:20.120 --> 0:38:21.680
<v Speaker 1>He won't say anything about how he got the money,

0:38:21.719 --> 0:38:23.920
<v Speaker 1>who was the money man to pay for all this anything.

0:38:24.000 --> 0:38:26.480
<v Speaker 1>He's like, I was the mastermind. Please tell the press

0:38:26.560 --> 0:38:29.959
<v Speaker 1>this and everything should be fine, and they're like, uh sir.

0:38:30.080 --> 0:38:32.799
<v Speaker 1>He's like, yes, just tell them famous folk hero bank

0:38:32.920 --> 0:38:36.920
<v Speaker 1>Robert Albert Speggieri was been arrested. You need help. I

0:38:36.960 --> 0:38:38.759
<v Speaker 1>can write this for you. The press release. What's is

0:38:38.800 --> 0:38:40.800
<v Speaker 1>the problem? They're like, no, we need to know. I

0:38:40.840 --> 0:38:42.920
<v Speaker 1>don't know anything else. This is all I know. So

0:38:43.080 --> 0:38:46.120
<v Speaker 1>they have gone. They follow his request. The press becomes known,

0:38:46.640 --> 0:38:49.400
<v Speaker 1>and he then has one problem. This means he has

0:38:49.480 --> 0:38:51.160
<v Speaker 1>now go to prisons. He's like, that does not to

0:38:51.200 --> 0:38:53.480
<v Speaker 1>work for Albert. So he's like, you know what, I've

0:38:53.480 --> 0:38:55.480
<v Speaker 1>got the plan. So he gets to work. He's like,

0:38:55.600 --> 0:38:57.200
<v Speaker 1>I don't know if this other part comes from the book.

0:38:57.200 --> 0:38:58.880
<v Speaker 1>I don't know if it was in loophole. But his

0:38:58.960 --> 0:39:03.240
<v Speaker 1>plan is is he invents documents and he fakes these documents,

0:39:03.280 --> 0:39:05.560
<v Speaker 1>and then when his trial comes up, he's like, I

0:39:05.640 --> 0:39:08.040
<v Speaker 1>have these documents that they will need to be decoded

0:39:08.080 --> 0:39:09.680
<v Speaker 1>for the judge that they will tell you the full

0:39:09.719 --> 0:39:11.960
<v Speaker 1>plan and all of the people in the crew. And

0:39:12.000 --> 0:39:14.840
<v Speaker 1>they're like really okay, yeah, yeah here and he's like,

0:39:15.080 --> 0:39:16.759
<v Speaker 1>but I cannot do it in the open court room.

0:39:16.800 --> 0:39:20.160
<v Speaker 1>We have to do it in judges chambers. No. Yeah.

0:39:20.200 --> 0:39:22.320
<v Speaker 1>So he's like, I will decode it with the judge.

0:39:22.360 --> 0:39:24.279
<v Speaker 1>That way the judge can see for themselves, like, I

0:39:24.320 --> 0:39:26.160
<v Speaker 1>will give you the code and the judge can do it,

0:39:26.200 --> 0:39:28.040
<v Speaker 1>not the prosecutor. I don't want anybody. I want the

0:39:28.120 --> 0:39:30.000
<v Speaker 1>judge to decode it. So he's like they're like, okay,

0:39:30.120 --> 0:39:32.320
<v Speaker 1>but not here. We have to do it in the

0:39:32.440 --> 0:39:34.960
<v Speaker 1>judges chambers. So they're like all right, dude, let's go

0:39:35.040 --> 0:39:36.640
<v Speaker 1>up there. So they go to the third floor and

0:39:36.680 --> 0:39:38.719
<v Speaker 1>that's so they're in the palais do Justice and the

0:39:38.760 --> 0:39:40.880
<v Speaker 1>third floor and the judges chambers and he's he pulls

0:39:40.880 --> 0:39:42.880
<v Speaker 1>out his paper to work and he's like all right, judge,

0:39:43.120 --> 0:39:45.560
<v Speaker 1>here you go. And so the judges like, okay, so

0:39:45.600 --> 0:39:47.640
<v Speaker 1>what is this And it's like, okay, well, this is

0:39:47.680 --> 0:39:49.759
<v Speaker 1>the coded document I told you about, and here is

0:39:49.800 --> 0:39:52.319
<v Speaker 1>the code. And the prosecutors like le let me see

0:39:52.360 --> 0:39:54.960
<v Speaker 1>the key. Only no, no, no, just the judges of

0:39:54.960 --> 0:39:57.600
<v Speaker 1>those both looks, so they they're both like really focused

0:39:57.600 --> 0:40:01.560
<v Speaker 1>on this document. Meanwhile, Albert for the window that has

0:40:01.560 --> 0:40:04.120
<v Speaker 1>been left open after he complained about the heat. So

0:40:04.440 --> 0:40:06.920
<v Speaker 1>the moment of distraction, he jumps out of the window.

0:40:07.080 --> 0:40:09.480
<v Speaker 1>He lands on top of a portico above the entrance

0:40:09.520 --> 0:40:12.439
<v Speaker 1>to the Palais Do Justice, bounces off the portico, lands

0:40:12.480 --> 0:40:14.960
<v Speaker 1>on a park car, hops off the park car and

0:40:14.960 --> 0:40:19.680
<v Speaker 1>it is perfectly fine. Three story fall to the charge

0:40:19.680 --> 0:40:21.440
<v Speaker 1>and the prosecutor run to the window to look down

0:40:21.480 --> 0:40:23.279
<v Speaker 1>at the ground floor and there he is Outbert is

0:40:23.320 --> 0:40:25.120
<v Speaker 1>perfectly fine, and he waves up to him and goes

0:40:26.239 --> 0:40:28.440
<v Speaker 1>Then he hops on the back of a waiting motorbike

0:40:28.600 --> 0:40:31.560
<v Speaker 1>and takes off and disappears, never to be seen again

0:40:31.640 --> 0:40:34.440
<v Speaker 1>by anyone in French justice. Oh and then the judge

0:40:34.480 --> 0:40:36.799
<v Speaker 1>goes back and the decodes it and it tells him

0:40:36.800 --> 0:40:42.160
<v Speaker 1>to remember to drink his oval teeth like a secret coder.

0:40:42.880 --> 0:40:47.279
<v Speaker 1>Very good, so he okay, So he successfully jumps out

0:40:47.280 --> 0:40:49.839
<v Speaker 1>of a third story window onto like a portico roof,

0:40:49.920 --> 0:40:52.440
<v Speaker 1>like a little roof that's like over the entry way

0:40:52.440 --> 0:40:54.480
<v Speaker 1>Do Justice. And then from there he hops onto a park,

0:40:54.560 --> 0:40:56.839
<v Speaker 1>car rolls off the park, car lands on the street,

0:40:56.880 --> 0:40:59.479
<v Speaker 1>and he had a motorbike waiting part of his plan,

0:41:00.000 --> 0:41:05.480
<v Speaker 1>and then Alvoir and then bounces out. So once they

0:41:05.480 --> 0:41:09.440
<v Speaker 1>tootle off, he's gone to judge pissed right, the judge

0:41:09.600 --> 0:41:12.560
<v Speaker 1>is demanding of justice. So the judge then continues the

0:41:12.600 --> 0:41:15.680
<v Speaker 1>trial and he convicts Albert in absentia gives him life

0:41:15.719 --> 0:41:19.719
<v Speaker 1>in prison. Meanwhile, Albert has decided I'm out brothers. He

0:41:19.880 --> 0:41:23.560
<v Speaker 1>goes to South America and he gets some plastic surgery

0:41:23.760 --> 0:41:26.760
<v Speaker 1>and he falls in love. He meets a young heiress

0:41:26.920 --> 0:41:30.319
<v Speaker 1>named Audie, and then she forsakes her fortune for his,

0:41:30.520 --> 0:41:33.000
<v Speaker 1>and then the two of them live happily ever after

0:41:33.120 --> 0:41:35.879
<v Speaker 1>on the Lamb. Now, he still, though likes to mess

0:41:35.920 --> 0:41:37.840
<v Speaker 1>with the French police in the French justice is um

0:41:38.000 --> 0:41:39.799
<v Speaker 1>so every so and so often he sends in a

0:41:39.800 --> 0:41:41.960
<v Speaker 1>photo of him in some outrageous get up, like him

0:41:41.960 --> 0:41:43.600
<v Speaker 1>on the lap of Santa Claus or him with the

0:41:43.600 --> 0:41:46.840
<v Speaker 1>giant afro on, and it says hello from Albert. And

0:41:46.880 --> 0:41:50.520
<v Speaker 1>then he also sends photos of himself to the newspapers

0:41:50.520 --> 0:41:52.319
<v Speaker 1>because he doesn't want to be forgotten, so he also

0:41:52.400 --> 0:41:54.560
<v Speaker 1>sends them like I am still alive and so be

0:41:54.600 --> 0:41:58.560
<v Speaker 1>like you know, ho ho, and which means like you know,

0:41:58.640 --> 0:42:00.799
<v Speaker 1>my little cabbage is and so he's like, you know,

0:42:00.840 --> 0:42:05.960
<v Speaker 1>taunting everybody. Finally, years after his triumphant bank robbery of

0:42:06.000 --> 0:42:09.080
<v Speaker 1>the century, Albert passes away from cancer on the lamb

0:42:09.120 --> 0:42:12.919
<v Speaker 1>in Argentine, Argentina. Rather, his loving wife Audi's still there

0:42:12.960 --> 0:42:14.920
<v Speaker 1>by his side. She arranged for the body to be

0:42:14.960 --> 0:42:17.200
<v Speaker 1>sent back home to his mother in France. The l

0:42:17.200 --> 0:42:20.600
<v Speaker 1>A Times reported on his death right and this is

0:42:20.800 --> 0:42:23.919
<v Speaker 1>a quote from the l A Times. Albert Spencer seven,

0:42:23.960 --> 0:42:26.880
<v Speaker 1>mastermind of the spectacular Sewer Gang bank heist in on

0:42:26.920 --> 0:42:28.920
<v Speaker 1>the run for twelve years, died and his body was

0:42:29.040 --> 0:42:33.520
<v Speaker 1>left outside his mother's house on Saturday. Police said Speieri's

0:42:33.560 --> 0:42:35.840
<v Speaker 1>body was brought to his mother's home in this Riviera

0:42:35.920 --> 0:42:41.400
<v Speaker 1>city early Saturday by two men who fled. Now please

0:42:41.480 --> 0:42:43.640
<v Speaker 1>tell me it was like a confident at least. Yeah,

0:42:43.800 --> 0:42:45.440
<v Speaker 1>it wasn't just like on the street now. It was

0:42:45.480 --> 0:42:47.560
<v Speaker 1>like it wasn't like he was in a bag marked Albert.

0:42:48.600 --> 0:42:50.480
<v Speaker 1>So if if you can imagine, his mother is like

0:42:50.520 --> 0:42:52.359
<v Speaker 1>happy that he's been returned to her because you can

0:42:52.400 --> 0:42:55.560
<v Speaker 1>bury him in France. Now, if you can also keep

0:42:55.640 --> 0:42:58.040
<v Speaker 1>up with this, and I know you can. I'm gonna

0:42:58.120 --> 0:42:59.560
<v Speaker 1>lay this one right down in your feet. This is

0:42:59.560 --> 0:43:02.600
<v Speaker 1>not the end this story. Yeah, I know that he

0:43:02.960 --> 0:43:05.880
<v Speaker 1>was dead. The bank robbery's done. How could it possibly be?

0:43:06.680 --> 0:43:09.759
<v Speaker 1>Well before he died back in when he was living

0:43:09.800 --> 0:43:12.520
<v Speaker 1>on the lamb and he just wanted that acclaim. He's

0:43:12.560 --> 0:43:14.640
<v Speaker 1>down in Argentine and he writes a book about the

0:43:14.719 --> 0:43:18.120
<v Speaker 1>niece robbery, right, and he was inspired by the novel Loophole.

0:43:18.120 --> 0:43:19.520
<v Speaker 1>So I don't know if he's like wanting to pay

0:43:19.560 --> 0:43:21.560
<v Speaker 1>it back, like I'm going to inspire some criminal in

0:43:21.600 --> 0:43:25.040
<v Speaker 1>the future too, right, So anyway, he decides to do this,

0:43:25.160 --> 0:43:27.279
<v Speaker 1>and he in his version of the account of the

0:43:27.360 --> 0:43:31.480
<v Speaker 1>niece robbery, there is this smooth and savvy criminal contractor

0:43:31.760 --> 0:43:35.160
<v Speaker 1>who explores the sewers by night and he then goes

0:43:35.200 --> 0:43:37.359
<v Speaker 1>on to higher two men from Marseilles and they put

0:43:37.400 --> 0:43:40.279
<v Speaker 1>together a crew and they pull off this wonderful bank job.

0:43:40.280 --> 0:43:43.239
<v Speaker 1>And there's a brilliant right, he's super handsome. So he

0:43:43.280 --> 0:43:45.480
<v Speaker 1>publishes his book and everybody knows about it, and the

0:43:45.520 --> 0:43:48.239
<v Speaker 1>French police read it and then they dismiss it as

0:43:48.280 --> 0:43:51.439
<v Speaker 1>mere fiction. They like, we expect better realism from someone

0:43:51.480 --> 0:43:54.239
<v Speaker 1>who's actually successfully robbed a bank. I do not believe it.

0:43:54.360 --> 0:43:57.120
<v Speaker 1>They call him out on his literary and he's successfully

0:43:58.160 --> 0:44:01.160
<v Speaker 1>exactly so, but they're like all focused on book, Like

0:44:01.239 --> 0:44:04.839
<v Speaker 1>I did not believe the realism. The dialogue so bad. Yeah,

0:44:04.880 --> 0:44:09.280
<v Speaker 1>I have questions, so many questions. The French, so howbvert

0:44:09.400 --> 0:44:11.040
<v Speaker 1>he wasn't the only member of his crew to write

0:44:11.040 --> 0:44:13.640
<v Speaker 1>a novel about this bank job to other dudes from

0:44:14.480 --> 0:44:16.879
<v Speaker 1>also write books. And they're also wanting to be known

0:44:16.920 --> 0:44:19.840
<v Speaker 1>that Albert was not the mastermind. So they said he

0:44:19.920 --> 0:44:22.520
<v Speaker 1>was definitely not the mastermind, even if he thinks he was,

0:44:22.760 --> 0:44:26.319
<v Speaker 1>And they're like, m, that's an interesting way of phrasing it.

0:44:26.320 --> 0:44:30.080
<v Speaker 1>It turns out in Tighten, the apparently true mastermind of

0:44:30.120 --> 0:44:33.439
<v Speaker 1>this nineteen seventy six bank robbery finally comes to brought

0:44:33.520 --> 0:44:37.080
<v Speaker 1>forward to justice. Right, the real mastermind was a Marseilles

0:44:37.200 --> 0:44:40.040
<v Speaker 1>kingpin named Jacques Cassandri who was the head of the

0:44:40.120 --> 0:44:43.120
<v Speaker 1>Zampa crime family in the lawless port town of Marseilles.

0:44:43.760 --> 0:44:46.640
<v Speaker 1>So can you guess how this head of the Zampa

0:44:46.680 --> 0:44:49.839
<v Speaker 1>crime family gets caught as the true mastermind? Oh my god?

0:44:49.920 --> 0:44:53.440
<v Speaker 1>Did he posted on Facebook? He wrote a book? A

0:44:53.600 --> 0:45:02.240
<v Speaker 1>novel about so he wanted credit to so he's public

0:45:02.600 --> 0:45:04.520
<v Speaker 1>is the way to do it, and he's so he's

0:45:04.560 --> 0:45:07.080
<v Speaker 1>like absolutely convinced that the statue of limitations is up

0:45:07.120 --> 0:45:08.600
<v Speaker 1>and he's like, Oh, I'm not going to talk to

0:45:08.600 --> 0:45:10.439
<v Speaker 1>a lawyer about this. I'm just gonna write a novel

0:45:10.680 --> 0:45:13.600
<v Speaker 1>and publish it. Turns out, in France there's a statue

0:45:13.600 --> 0:45:16.200
<v Speaker 1>of limitations on bank robbery. He was right about that,

0:45:16.280 --> 0:45:19.080
<v Speaker 1>but there is no statue of limitations on money laundring.

0:45:19.239 --> 0:45:21.560
<v Speaker 1>So they come after him not for the original crime,

0:45:21.600 --> 0:45:25.440
<v Speaker 1>but the commission of getting rid of the crime. Two tens,

0:45:25.440 --> 0:45:29.040
<v Speaker 1>Cassandra published his novel, which he flatteringly described there was

0:45:29.080 --> 0:45:31.480
<v Speaker 1>a man very much like himself who was secretly the

0:45:31.520 --> 0:45:34.400
<v Speaker 1>real mastermind of the Nie bank robbery, right, and in

0:45:34.520 --> 0:45:37.200
<v Speaker 1>this novel he goes on to describe it. And apparently

0:45:37.200 --> 0:45:39.960
<v Speaker 1>the French police were much more convinced by the realism

0:45:40.000 --> 0:45:42.560
<v Speaker 1>of his book because I took it seriously. And even

0:45:42.560 --> 0:45:45.960
<v Speaker 1>though he publishes this book anonymously as d Amigo, all right,

0:45:46.000 --> 0:45:50.520
<v Speaker 1>that's his pen name, damiegal sod Amigo, because Jacques Cassandri

0:45:50.880 --> 0:45:53.600
<v Speaker 1>head of the Zampa crime family. When he publishes his book.

0:45:53.640 --> 0:45:55.760
<v Speaker 1>The French police were like, I will take two copies,

0:45:55.800 --> 0:45:58.320
<v Speaker 1>and so they go and they investigate the book and

0:45:58.320 --> 0:46:00.920
<v Speaker 1>they're like, de realism is amazing. I believe him, you know.

0:46:01.000 --> 0:46:03.080
<v Speaker 1>So then they decided let's make a case, and so

0:46:03.120 --> 0:46:06.680
<v Speaker 1>they start to investigate. Cassandre is like, whoa, whoa, whoa mess?

0:46:06.800 --> 0:46:10.040
<v Speaker 1>Just a novel man? Who's this d amigo guy? Not me?

0:46:10.120 --> 0:46:12.959
<v Speaker 1>My name is Jaux Cassandres. The police were like, m sir,

0:46:13.520 --> 0:46:15.680
<v Speaker 1>we went to the signing and you're the one. He's

0:46:16.280 --> 0:46:19.480
<v Speaker 1>right there. You signed our book. So the French police

0:46:19.520 --> 0:46:23.920
<v Speaker 1>continued their investigation. And although this guy had waited thirty

0:46:23.960 --> 0:46:25.960
<v Speaker 1>six years to get his credit, he had not talked

0:46:26.000 --> 0:46:28.680
<v Speaker 1>to a lawyer. So he doomed himself by using this novel.

0:46:28.920 --> 0:46:30.680
<v Speaker 1>And it turns out that he had also left a

0:46:30.719 --> 0:46:33.480
<v Speaker 1>manuscript on his home computer. So if the police found

0:46:33.520 --> 0:46:35.680
<v Speaker 1>the manuscript of the book on his own computer, he

0:46:35.680 --> 0:46:38.960
<v Speaker 1>didn't use a ghostwriter. He said that Jacques Cassandred his

0:46:39.000 --> 0:46:41.560
<v Speaker 1>way right through this novel. He did like no, like

0:46:41.680 --> 0:46:46.920
<v Speaker 1>was it November national novel writing? Yeah? Yeah, no right mo.

0:46:47.680 --> 0:46:49.839
<v Speaker 1>So he throws his his hat in that ring and

0:46:50.120 --> 0:46:52.080
<v Speaker 1>proms out of the book. Publish it, and it's all

0:46:52.120 --> 0:46:55.160
<v Speaker 1>about these people, and uh it tells the story if

0:46:55.200 --> 0:46:57.759
<v Speaker 1>six Marseille hard men, which is this is apparently the

0:46:57.800 --> 0:47:01.239
<v Speaker 1>most accurate account. Six Marseille hard Man and Albert Spezieri.

0:47:01.360 --> 0:47:03.439
<v Speaker 1>They break into a bank vault. They welld it shut.

0:47:03.640 --> 0:47:06.080
<v Speaker 1>They probably opened the boxes. They didn't Zeve do this

0:47:06.200 --> 0:47:09.120
<v Speaker 1>on Bastill day with the picnic party the cultiv all

0:47:09.239 --> 0:47:12.160
<v Speaker 1>that was true. They crapped in the antique silver soup tureens.

0:47:12.520 --> 0:47:14.520
<v Speaker 1>All that's true. The party lasts the whole weekend and

0:47:14.520 --> 0:47:16.400
<v Speaker 1>they get away for it for the next few decades

0:47:16.520 --> 0:47:19.960
<v Speaker 1>until he writes his book. So Cassandri apparently got two

0:47:19.960 --> 0:47:22.879
<v Speaker 1>billion euros for his part of the job, and he

0:47:22.920 --> 0:47:25.759
<v Speaker 1>eventually through the trial that he gets clear to the

0:47:25.760 --> 0:47:29.759
<v Speaker 1>money laundering charges. So he's out on that. But the

0:47:29.840 --> 0:47:32.680
<v Speaker 1>defense was hinged on the question of whether a novel

0:47:32.719 --> 0:47:36.680
<v Speaker 1>can be considered evidence of a crime. So the court

0:47:36.719 --> 0:47:39.080
<v Speaker 1>sides with him. They go, nah, this is France. It's

0:47:39.080 --> 0:47:40.759
<v Speaker 1>a it's a book of fiction that can not be

0:47:40.840 --> 0:47:47.000
<v Speaker 1>real if it says right there. So the judge, though,

0:47:47.040 --> 0:47:52.200
<v Speaker 1>is like, but I still want justice. So he goes

0:47:52.239 --> 0:47:54.840
<v Speaker 1>and he says, you know, Cassandra, you are now guilty

0:47:54.920 --> 0:47:59.040
<v Speaker 1>of fraud, embezzlement, bribery and just got not a list

0:47:59.080 --> 0:48:01.120
<v Speaker 1>of petty crimes that he get him on. This is

0:48:01.160 --> 0:48:04.000
<v Speaker 1>basically just all criminal cron r is um and nepotism

0:48:04.040 --> 0:48:07.839
<v Speaker 1>because he also then the judge buss his wife, his son,

0:48:08.239 --> 0:48:11.880
<v Speaker 1>his daughter, and just threw some extra humiliation he bust

0:48:11.920 --> 0:48:15.080
<v Speaker 1>the daughter in law. In total, eleven members of the

0:48:15.160 --> 0:48:18.280
<v Speaker 1>Zappa crime family all go down because the boss wanted

0:48:18.280 --> 0:48:20.840
<v Speaker 1>to write a novel ticket credit for the bank Robbery

0:48:20.880 --> 0:48:23.959
<v Speaker 1>of the Century. So from book to book to book,

0:48:24.040 --> 0:48:27.120
<v Speaker 1>this it comes around full circle. It goes they pull

0:48:27.200 --> 0:48:28.799
<v Speaker 1>it off because of book, and they get doomed because

0:48:28.800 --> 0:48:31.080
<v Speaker 1>of a book. That's amazing. So there you go. That

0:48:31.280 --> 0:48:35.399
<v Speaker 1>is the story of Albert Spaggieri and Jacques Cassandri and

0:48:35.520 --> 0:48:38.399
<v Speaker 1>the bank Robbery of the Century and the mini mini

0:48:38.440 --> 0:48:41.920
<v Speaker 1>novels about it, available at any fun book publishing stories

0:48:42.080 --> 0:48:47.840
<v Speaker 1>near you. Boy, Elizabeth, what's our ridiculous takeaway? Well, for me,

0:48:48.280 --> 0:48:50.719
<v Speaker 1>I would have to say that you know it's that

0:48:50.880 --> 0:48:55.120
<v Speaker 1>vanity like that's right. Just I don't understand if you

0:48:55.200 --> 0:48:57.719
<v Speaker 1>pull this thing off and you have the money, which

0:48:57.719 --> 0:49:00.600
<v Speaker 1>should be like your original goal and you have the

0:49:00.640 --> 0:49:04.120
<v Speaker 1>ability that you know you've got a good cover. No

0:49:04.160 --> 0:49:10.359
<v Speaker 1>one wants to read your writing criminals or write something else. Yeah,

0:49:10.880 --> 0:49:12.799
<v Speaker 1>I'm a big believer in the standard lane and this one,

0:49:12.840 --> 0:49:14.600
<v Speaker 1>which is you're a criminal, you're good at that. Do that?

0:49:14.800 --> 0:49:16.719
<v Speaker 1>Is that your takeaway, I'd love to hear your take away. Oh,

0:49:16.840 --> 0:49:20.080
<v Speaker 1>thank you for asking, Elizabeth, that was so genuine. My

0:49:20.320 --> 0:49:23.920
<v Speaker 1>takeaway is basically, writers, what are you gonna do with

0:49:24.000 --> 0:49:27.279
<v Speaker 1>the But I'm honestly, they constantly do themselves. They either

0:49:27.360 --> 0:49:30.040
<v Speaker 1>become the monster of their own creation or they imprison

0:49:30.120 --> 0:49:33.240
<v Speaker 1>themselves inside their stories. Like writers just constantly can't figure

0:49:33.280 --> 0:49:36.840
<v Speaker 1>this stuff out. And like I'm I'm fully aware of

0:49:36.880 --> 0:49:39.360
<v Speaker 1>this that these are the dangers in the perils of

0:49:39.360 --> 0:49:42.320
<v Speaker 1>the path. You're a writer, I'm a writer. Our stories

0:49:42.320 --> 0:49:44.799
<v Speaker 1>will prison us or we ourselves become the monsters in

0:49:44.800 --> 0:49:46.920
<v Speaker 1>our stories if we come a persona or a character.

0:49:46.960 --> 0:49:49.239
<v Speaker 1>And this is all you know, can be made so

0:49:49.360 --> 0:49:52.000
<v Speaker 1>much worse when you also add into the mix the

0:49:52.080 --> 0:49:55.719
<v Speaker 1>male ego, because i mean, let's be real about this

0:49:55.760 --> 0:49:58.080
<v Speaker 1>for a second. There is a reason why most of

0:49:58.120 --> 0:49:59.879
<v Speaker 1>the criminals that we cover in the story are men,

0:50:00.520 --> 0:50:03.479
<v Speaker 1>because they do things like women and fems, they would

0:50:03.480 --> 0:50:06.320
<v Speaker 1>seem to understand that there is an importance to the crime.

0:50:06.680 --> 0:50:09.000
<v Speaker 1>You wanted the crime, you got away with the crime.

0:50:09.160 --> 0:50:12.200
<v Speaker 1>You want credit for the crime too, Like that's too much.

0:50:12.280 --> 0:50:15.040
<v Speaker 1>You're now asking to ride the same horse twice with

0:50:15.160 --> 0:50:17.440
<v Speaker 1>just your one. But you can't do that right, Like

0:50:17.840 --> 0:50:20.680
<v Speaker 1>you can't blow that jug. That jug has been blown.

0:50:20.840 --> 0:50:24.200
<v Speaker 1>So having people know you got away with it, that

0:50:24.360 --> 0:50:27.439
<v Speaker 1>that's that is the the unreachable goal. And women seem

0:50:27.480 --> 0:50:29.840
<v Speaker 1>to understand, and women, fems and people who are do

0:50:29.920 --> 0:50:32.360
<v Speaker 1>not suffer from the male ego seem to understand that

0:50:32.440 --> 0:50:34.200
<v Speaker 1>this is if you want to get crested credit, you're

0:50:34.200 --> 0:50:36.680
<v Speaker 1>gonna get busted. That's just how crime works. Because we

0:50:36.719 --> 0:50:39.080
<v Speaker 1>know you did the crime. Now you have to do

0:50:39.200 --> 0:50:41.319
<v Speaker 1>the time. So if you want to get away with

0:50:41.320 --> 0:50:43.920
<v Speaker 1>the crime, don't let anyone know about it. That's the

0:50:44.000 --> 0:50:47.360
<v Speaker 1>secret to crime. Thanks for joining us. I'm Elizabeth Dutton,

0:50:47.560 --> 0:50:51.319
<v Speaker 1>I'm Saren Burnett. Is my damn right. So you can

0:50:51.320 --> 0:50:54.800
<v Speaker 1>find us online at Ridiculous Crime on both Twitter and Instagram.

0:50:54.880 --> 0:50:56.680
<v Speaker 1>You gotta tip for us about a ridiculous crime you'd

0:50:56.680 --> 0:50:58.799
<v Speaker 1>like to hear about. Hit us up. Do you want

0:50:58.800 --> 0:51:01.680
<v Speaker 1>to confess to Ridiculous Crime. We don't recommend it, but

0:51:01.760 --> 0:51:04.960
<v Speaker 1>if that jug needs blown, send it this way. Email

0:51:05.000 --> 0:51:14.040
<v Speaker 1>us at Ridiculous Cry I'm at gmail dot com. Ridiculous

0:51:14.080 --> 0:51:17.520
<v Speaker 1>Crime is hosted by Elizabeth Dutton and Zarin Burnett, produced

0:51:17.520 --> 0:51:20.200
<v Speaker 1>and edited by head of the Couston Crime Family Dave Coust.

0:51:20.400 --> 0:51:23.600
<v Speaker 1>Researches by Chief Inspector of the French Riviera, Merissa brown.

0:51:23.719 --> 0:51:26.960
<v Speaker 1>Our theme song is by Monshoeur, Thomas v and Freer

0:51:27.160 --> 0:51:31.520
<v Speaker 1>Travis Dutton. Executive producers are Ben Scargo or Scard. Don't

0:51:31.560 --> 0:51:35.280
<v Speaker 1>It's all delicious to me? Boland and nol Sap Corrupt

0:51:35.400 --> 0:51:47.320
<v Speaker 1>Browne say it one more time? We dequeous Crew. Ridiculous

0:51:47.320 --> 0:51:50.200
<v Speaker 1>Crime is a production of iHeart Radio. Four more podcasts

0:51:50.200 --> 0:51:53.279
<v Speaker 1>to my heart Radio, visit the iHeart Radio app, Apple Podcasts,

0:51:53.360 --> 0:51:55.200
<v Speaker 1>or wherever you listen to your favorite shows.