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Speaker 1: We've talked about this. I think off mic mostly, but

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Speaker 1: you know, when you're a parent, you like a lot

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Speaker 1: of parenting. You're trying to put yourself in your kid's

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Speaker 1: shoes and be like, what was I like when I

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Speaker 1: was that age? And how you know, how you know

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Speaker 1: if there's a problem or if there's something you know, like,

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Speaker 1: what did I feel? And how can I relate to it?

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Speaker 1: And try and have the conversation with India abound that

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Speaker 1: around that, and then time and time again, I smack

10
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Speaker 1: up against the realization that I'm I'm not raising myself,

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Speaker 1: I'm raising a very different person. In fact, I am

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Speaker 1: raising mister Wilford Dell pretty explicitly.

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Speaker 2: Sorry cigarettes, what's the indies favorite BRANDWS cigarette?

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Speaker 1: But it's actually been very helpful and healthy to recognize this,

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Speaker 1: and I've even come to you Will. We've had multiple

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Speaker 1: conversations where you've given me great advice because you're like, oh, no, no, no,

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Speaker 1: here's what he's thinking, and you're exactly right, and I'm

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Speaker 1: able to like reorient my way of thinking because you know, yeah,

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Speaker 1: he wants to just get a laugh, just entertain he

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Speaker 1: wants to be a voiceover actor, you know, all the

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Speaker 1: things like there's time and time again. So I came

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Speaker 1: home yesterday. I was traveling and there's a you know,

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Speaker 1: like no one's home. I come home to an empty

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Speaker 1: house and there's just the normal detritus of parenting and

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Speaker 1: what's been happening while I've been gone on the tables

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Speaker 1: and everywhere.

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Speaker 3: And I find the sheet of detritus.

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Speaker 1: I like, you, I find this. I find this sheet

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Speaker 1: of paper in INDI's handwriting that's all like crumpled and

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Speaker 1: you know, but it's just like this weird list and

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Speaker 1: I'm like, what is this? And I read it and

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Speaker 1: you know, the first line is I believe I am funny.

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Speaker 1: I am certain I am funny, and.

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Speaker 3: It goes on.

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Speaker 1: I'm like, what is is this? Like a is this some.

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Speaker 2: Sort of therapeutic like self help?

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Speaker 1: Self help thing? Like he needed to like write down something.

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Speaker 1: Did Alex tell him like, you know, you're funny? Let's

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Speaker 1: or is this a poem? Like is it you know,

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Speaker 1: some sort of I don't know, is it acrosstic?

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Speaker 2: What's going on here?

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Speaker 1: I'm trying to figure it out. And then when Indy

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Speaker 1: and my wife get home, and you know, if I

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Speaker 1: asked them about it, I get the true story, which

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Speaker 1: is much more. Oh, I'm raising Wilford Dell. So Indy

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Speaker 1: had to write sentences that use that week's spelling words,

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Speaker 1: and that week spelling words were believe certain, certain, extremely.

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Speaker 2: I am extremely funny.

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Speaker 1: Let's see direction measure explodes. So so I'm going to

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Speaker 1: read you what Indy wrote for spelling. Okay, I believe

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Speaker 1: I am funny. I'm certain I am funny. If you

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Speaker 1: look at me, you were looking in the direction of

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Speaker 1: a funny person. So I am especially funny. I am

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Speaker 1: extremely funny. It's important that you know that I'm funny.

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Speaker 1: If you measure how funny I am, I would explode

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Speaker 1: piece by piece you find out I'm funny, I'm probably funny.

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Speaker 2: With your knowledge, you know I'm funny. Oh. I was like, okay, yes, yeah,

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Speaker 2: that is.

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Speaker 1: It just gets funnier the more it goes on.

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Speaker 2: Like you did you did the assignment, Yeah yeah, yeah, to.

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Speaker 3: Say you have to come up with original sentences for.

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Speaker 1: Each one, and the only one I agree with this

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Speaker 1: probably probably right because it was retracting at the end there.

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Speaker 2: Yeah yeah, yeah.

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Speaker 1: No. So I have a teacher parent conference this afternoon.

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Speaker 1: I can't wait to talk about this. Yes, right, hopefully

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Speaker 1: she has a sense of humor. And I find this hysteric.

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Speaker 2: Can I ask a very important question?

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Speaker 4: Ye were all the words spelled properly exactly perfectly?

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Speaker 2: What did you complain about exactly? You know, I mean.

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Speaker 1: Liked be brilliant? You did it, You did it and did.

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Speaker 4: The assignment, and it's all it's all spelled properly exactly

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Speaker 4: and you showed personality in it when which you know which?

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Speaker 3: To be honest, a bunch of other kids are probably

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Speaker 3: just like and filling out some boring stuff with.

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Speaker 1: Words, making kids much more like young writers, strong who

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Speaker 1: probably wrote like a very intense.

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Speaker 4: Especially I am especially upset, especially especially sad.

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Speaker 1: I am extremely.

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Speaker 4: I can admit something here that I don't think i've

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Speaker 4: ever I know I've never admitted publicly, but I will

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Speaker 4: do it here because why not? Uh mister Brooker's class

83
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Speaker 4: fifth grade is when spelling bees really started, and I cheated,

84
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Speaker 4: and now to this day I can't.

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Speaker 2: It is I am an awful, awful speller.

86
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Speaker 4: And it's because I used to be able to glance

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Speaker 4: down at a little list I had written up and

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Speaker 4: I could cheat on my spelling bee. Don't cheat, kids, kids,

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Speaker 4: because it's I cannot spell at it's my worst. I

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Speaker 4: remember when I passed in my first script to my

91
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Speaker 4: friend George, I said, oh, I apologize for the spelling ers.

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Speaker 2: Is before spell check and all that stuff.

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Speaker 4: I think I typed it out and he wrote, Hey,

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Speaker 4: just look at yourself in the mirror and say I'm

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Speaker 4: not a.

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Speaker 2: Speller, I'm a writer.

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Speaker 4: And so I was like, hey, that's a nice way

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Speaker 4: of saying you're an idiot.

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Speaker 3: Learn.

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Speaker 1: It is true that spelling is one of those things

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Speaker 1: that just kind of doesn't matter that much anymore.

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Speaker 2: No's just what you know.

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Speaker 1: I mean, it's good to know, good to practice.

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Speaker 2: But if you don't get it, who cares.

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Speaker 4: I like to apologize to mister Brooker, by the way,

106
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Speaker 4: my first male teacher and the first teacher I ever

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Speaker 4: saw smoke, who exactly don't tell me teachers can't change

108
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Speaker 4: your life. By the way, I was like, oh, he's

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Speaker 4: really enjoying that camel.

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Speaker 3: Did you smoke in class?

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Speaker 4: No?

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Speaker 2: God, here do you think I was born?

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Speaker 1: I don't even a teacher smoking where students can see them.

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Speaker 1: It's pretty I think, I know.

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Speaker 4: But Daniel, I think sees me as the teacher smoking

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Speaker 4: in class, and then we did nuclear bomb drills like

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Speaker 4: under the.

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Speaker 3: I don't know, weren't you around when people smoked on planes?

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Speaker 2: I did smoke on it. Yeah, plane, Yeah, I smoked

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Speaker 2: on planes. I remember shy on the way to Amsterdam.

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Speaker 2: Just funniest. Oh, but that's the thing.

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Speaker 4: So I'm with Ryder's brother, Shiloh, and it's the funniest

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Speaker 4: thing in the world. So You're in a big metal

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Speaker 4: tube and half the plane is smoking in the back

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Speaker 4: and half isn't.

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Speaker 2: That's smoking and non smoking somehow.

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Speaker 3: Yeah.

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Speaker 4: And so I'm smoking a cigarette, no problem, bunch of

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Speaker 4: people around me smoking cigarette.

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Speaker 2: Shiloh lights a cigar.

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Speaker 4: Yeah, and people walk back and they're like, what do

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Speaker 4: you think you're doing? Like you've taken it at too

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Speaker 4: far and he's like, oh sorry, or like puts out

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Speaker 4: a cigar and I'm like smoking cigarette, Like.

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Speaker 2: How dare you? What are you thinking? Yeah?

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Speaker 1: My experience with the smoking section and a plane is

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Speaker 1: very very much in line with my father, the King Strong.

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Speaker 1: That's how they get your model, which was we saved

139
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Speaker 1: a lot of money my first trip to Europe when

140
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Speaker 1: I was five years old by buying tickets in the

141
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Speaker 1: smoking section. So like My first memories of being in

142
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Speaker 1: a plane are sitting in the smoking section. Will people

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Speaker 1: walk back. That's what they used to They would watch

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Speaker 1: get to the smoking section to stand down there and smoke. Well,

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Speaker 1: me and my brother are just.

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Speaker 3: Like, oh my god, I've never been on a plane

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Speaker 3: where anybody was able to smoke.

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Speaker 4: Really, no, that makes sense because by the time you

149
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Speaker 4: were a little older, you could only do it internationally,

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Speaker 4: and that I think that only lasted a year or

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Speaker 4: two when I was seventeen or eighteen, and then that

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Speaker 4: was done, Like you couldn't do that anymore, because because

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Speaker 4: why would you.

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Speaker 2: Yeah no, I mean it's like it's awful.

155
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Speaker 3: I do remember smoking and non smoking in restaurants, though,

156
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Speaker 3: I'm being like, yeah, oh yeah, we'd like to sit

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Speaker 3: in the non smoking section. And then literally like the

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Speaker 3: booth behind you.

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Speaker 2: Is part of this.

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Speaker 1: Cloud towards you.

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Speaker 2: Like what yep?

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Speaker 4: I remember that, Oh God, as a smoker, sitting and

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Speaker 4: going to airports and you have the the glass box

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Speaker 4: with fifty people in it and it's just a giant

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Speaker 4: smoke filled.

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Speaker 2: Cloud and you're just the last week and it's just oh,

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Speaker 2: got him.

168
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Speaker 1: I remember such a huge debate with your brother Greg

169
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Speaker 1: when they outlawed smoking in bars and he was like, no,

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Speaker 1: this is ridiculous. And I was like, no, man, it

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Speaker 1: makes perfect sense. You should and he was like, no,

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Speaker 1: that's why you go to a bar. You go to

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Speaker 1: a bar to drink and smoke. So by saying you

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Speaker 1: can't smoke in a bar, you're taking away my freedom.

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Speaker 1: And we got into it.

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Speaker 2: I was like, oh, I I guess I can hear

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Speaker 2: my brother, what's next? No drinking and then no talking?

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Speaker 5: I remember, I guarantee that was what I was argument,

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Speaker 5: and he was like it was I remember.

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Speaker 1: I was like trying to come up with the right metaphor.

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Speaker 1: I was our analogy, because he kept saying like, no,

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Speaker 1: it's my freedom, it's my body. I can do what

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Speaker 1: I want. You choose to come in the space. I'm like, no,

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Speaker 1: it's more equivalent to like somebody because of secondhand smoke.

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Speaker 1: It's more equivalent like you having the right to like

186
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Speaker 1: walk around with a hammer and keep pounding other people,

187
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Speaker 1: like smashing their knees. Like that's the oh, I have

188
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Speaker 1: the right. You came into this bar, I can hit

189
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Speaker 1: you in the knee with my hammer. What it's a bar.

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Speaker 2: In all fairness if the bar is called hammer knee Bar, say.

191
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Speaker 3: Everyone's favorite bar bar. Welcome to Bond Meets World.

192
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Speaker 1: I'm Danielle Fischel, I'm right or Strong, and I'm Wilfredell.

193
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Speaker 3: Welcome to today's episode recap. It is season six, episode eight,

194
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Speaker 3: You're Married, You're Dead. It originally aired November thirteenth, nineteen

195
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Speaker 3: ninety eight. The synopsis to prove he can still fit

196
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Speaker 3: in with the rest of the guys, Corey go to

197
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Speaker 3: a nightclub filled with scantily claud waitresses and loses his

198
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Speaker 3: engagement ring. It was directed by Jeff McCracken. It was

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Speaker 3: written by Gary H. Miller. Quite a few guest stars

200
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Speaker 3: this week, but before I jump into them, anybody want

201
00:10:14,480 --> 00:10:20,400
Speaker 3: to talk about their overall thoughts? No, no one wants

202
00:10:20,440 --> 00:10:20,640
Speaker 3: to do.

203
00:10:20,880 --> 00:10:23,840
Speaker 1: I have a feeling Wheel's gonna hate this episode, but okay,

204
00:10:24,520 --> 00:10:25,840
Speaker 1: I'll let him speak.

205
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Speaker 2: Go ahead.

206
00:10:28,280 --> 00:10:30,680
Speaker 1: It's just if it plays on the man women trope

207
00:10:30,679 --> 00:10:32,360
Speaker 1: thing that we've talked about a lot on the show

208
00:10:32,360 --> 00:10:34,640
Speaker 1: that you really just can't stand. So I just assumed

209
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Speaker 1: that because it really does lean into that, that's like

210
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Speaker 1: the whole point of the episode. Yeah, No, I mean,

211
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Speaker 1: I don't know this episode felt very weird to me

212
00:10:41,679 --> 00:10:44,079
Speaker 1: in that it felt like it felt like somebody had

213
00:10:44,080 --> 00:10:47,800
Speaker 1: written a draft of an episode that was, you know,

214
00:10:48,280 --> 00:10:51,760
Speaker 1: very clearly like Topanga's upset that Corey goes to a

215
00:10:51,920 --> 00:10:54,679
Speaker 1: you know, essentially a strip club or Hooters, and then

216
00:10:54,720 --> 00:10:56,880
Speaker 1: they kind of backed off of that by like having

217
00:10:56,880 --> 00:10:59,280
Speaker 1: Topanga be very understanding and so like, I feel like

218
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Speaker 1: in the rewrite it kind of it's like almost like

219
00:11:02,280 --> 00:11:05,240
Speaker 1: everything the characters are saying is going against the actual plot,

220
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Speaker 1: and so it was just felt kind of forced in

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Speaker 1: a way. And then some of the jokes felt rushed.

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Speaker 1: I don't know, something felt off. It felt like this

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Speaker 1: was a bad tape night for some reason. I don't

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Speaker 1: know what happened, but like because it is pretty funny.

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Speaker 1: Ben's very funny, like Corey being anxious is very funny,

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Speaker 1: but it just didn't land in certain parts for me.

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Speaker 1: So I kind of want to go back, and like,

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Speaker 1: even if we just live with the script as it is,

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Speaker 1: I feel like we could have done better as a

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Speaker 1: team acting wise, performance wise, it just felt off in

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Speaker 1: some way. It's interesting that was directed by McCracken, who

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Speaker 1: usually I feel like the performances are so on point

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Speaker 1: with him and we are just in it no matter

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Speaker 1: how you know what the writing is, And in this one,

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Speaker 1: I felt like a lot of us weren't in it.

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Speaker 1: Besides the guest cast, I felt like a lot of

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Speaker 1: us weren't in it, so that I don't know, that

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Speaker 1: was my problem with the episode overall.

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Speaker 4: Valid will Yeah, this ranks up there with arguably the

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Speaker 4: worst episode i've for me.

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Speaker 2: Of the series for every reason.

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Speaker 4: It's not just that trope, which is there, but it's

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Speaker 4: also the bad you know, I'm sorry, but they're they're

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Speaker 4: trying to do a Harley Joey impression with the Yeah

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Speaker 4: so Sean's throughout.

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Speaker 2: Most of the episode, sure don't.

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Speaker 4: He runs in at one point to follow Angela to

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Speaker 4: finish a conversation that they never show. Nope, Uh, there

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Speaker 4: is the cleavage thing we've seen before. Corey wearing an

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Speaker 4: engagement ring is stupid. This was the entire episode I

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Speaker 4: thought was idiotic. This was and that there are people,

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Speaker 4: Oh they're so harsh in the show.

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Speaker 2: I know TV. This was not it.

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Speaker 4: This was a bad episode of television all the way around.

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Speaker 2: That's my That's what I think this episode.

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Speaker 3: Yeah, I agree, I I you want to know what

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Speaker 3: makes me the most angry of all of the things.

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Speaker 3: I agree with everything both of you said. I agree writer.

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Speaker 3: It feels like all of us were not in it,

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Speaker 3: and I think it's because at the time we probably

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Speaker 3: felt like it was bad. And I, as I met

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Speaker 3: in the last episode, when of my soul left my body,

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Speaker 3: I can see I am vacant. I can't stand it,

264
00:13:07,040 --> 00:13:13,960
Speaker 3: and I am furious that they put the words well,

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Speaker 3: as long as there's women willing to dance like that,

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Speaker 3: there will be men to see them. Into Penga's mouth.

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Speaker 2: Yes, how dare you?

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Speaker 3: How dare you who did not say if that's an

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Speaker 3: argument we need to make, because the men in the

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Speaker 3: room also want to say, Hey, it's not just us.

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Speaker 3: You have to be responsible for it too, since it's

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Speaker 3: you know, how could we stop ourselves If that's an argument,

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Speaker 3: If that's a point you want to get in there,

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Speaker 3: you better find someone else.

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Speaker 4: Too.

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Speaker 3: Penga's mouth and for Angela and to Panga to have

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Speaker 3: that conversation where we are shaming women.

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Speaker 2: Yeah, it's disgusted.

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Speaker 1: It's interesting that that. Now that you say that, I'm like, oh, right,

280
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Speaker 1: they could have easily had Angela be the voice of

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Speaker 1: that and to Panga, because when Angela gives that speech

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Speaker 1: in the shower, like where she's going into the shower

283
00:14:08,480 --> 00:14:11,839
Speaker 1: and she's like, you know, you must be damaged, that

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00:14:11,880 --> 00:14:15,000
Speaker 1: actually could have been to Panga's perspective, which would fit

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Speaker 1: more with her character. And then maybe she would you know,

286
00:14:18,080 --> 00:14:19,800
Speaker 1: the other woman would be like, no, it's not that

287
00:14:20,000 --> 00:14:21,920
Speaker 1: like that, come with me to Panga. So they could

288
00:14:21,920 --> 00:14:24,200
Speaker 1: have actually kept the storyline it's still been more true

289
00:14:24,240 --> 00:14:27,400
Speaker 1: to Topanga's point of view. Maybe, but yeah, it's.

290
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Speaker 2: It's oh, this was bad.

291
00:14:29,160 --> 00:14:31,440
Speaker 3: This was just a bad It's a bad.

292
00:14:31,520 --> 00:14:33,840
Speaker 4: Epis is by far the worst episode of season six,

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00:14:33,880 --> 00:14:38,360
Speaker 4: and I think it's arguably up so far and arguably

294
00:14:38,440 --> 00:14:40,720
Speaker 4: up there for my least favorite episode. There's nothing about

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00:14:40,760 --> 00:14:43,280
Speaker 4: this episode that I liked. Literally nothing about this episode

296
00:14:43,280 --> 00:14:46,040
Speaker 4: that even the guest stars who the acting was fine. Yeah,

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00:14:46,160 --> 00:14:49,040
Speaker 4: but that's just the Tarley and joe You can't come

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00:14:49,120 --> 00:14:52,160
Speaker 4: up with tu with a different trope then literally Harley

299
00:14:52,160 --> 00:14:53,239
Speaker 4: and Joey again.

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Speaker 2: That's that's all you're gonna give us.

301
00:14:54,760 --> 00:14:58,240
Speaker 4: I mean, my god, it was yeah, this this was

302
00:14:58,320 --> 00:15:00,440
Speaker 4: this didn't do it for me at all.

303
00:15:00,560 --> 00:15:04,040
Speaker 3: So our guest stars, we have Phil Buckman as Gambling.

304
00:15:04,120 --> 00:15:07,560
Speaker 3: Dan Phil appeared in a ton of nineties TV, including

305
00:15:07,640 --> 00:15:11,080
Speaker 3: Major Dad, Weird Science, and Grace Underfire and movies like

306
00:15:11,120 --> 00:15:14,480
Speaker 3: An American Werewolf in Paris and a Very Brady sequel.

307
00:15:14,800 --> 00:15:17,320
Speaker 3: He is still acting and he was just seen on

308
00:15:17,440 --> 00:15:20,920
Speaker 3: the Pit. And then we have Dana dues Is as

309
00:15:21,160 --> 00:15:25,160
Speaker 3: Eric's waitress. Dues appeared on Step by Step and in

310
00:15:25,200 --> 00:15:28,160
Speaker 3: the sequel to Mannequin Mannequin on the Move.

311
00:15:28,240 --> 00:15:30,400
Speaker 2: Ooh, Mannequin two, this time it's personal.

312
00:15:30,760 --> 00:15:35,600
Speaker 3: Yeah. We have Tammy Adrian George who plays waitress, and

313
00:15:35,640 --> 00:15:37,600
Speaker 3: she showed up in a lot of great stuff movies

314
00:15:37,640 --> 00:15:41,520
Speaker 3: like Rome and Michelle's High School Reunion, Starship Troopers and Brats,

315
00:15:41,800 --> 00:15:44,480
Speaker 3: and TV shows like Deep Space nine, Heroes and Big

316
00:15:44,520 --> 00:15:47,720
Speaker 3: Time Rush. She is now a popular pilates coach with

317
00:15:47,960 --> 00:15:52,600
Speaker 3: thirty four years of experience. Dam I mean she was

318
00:15:52,640 --> 00:15:56,000
Speaker 3: doing pilates for years when we take this episode.

319
00:15:56,080 --> 00:15:58,520
Speaker 4: Yeah, when people were still pronouncing it peelates. That's how

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00:15:58,560 --> 00:16:01,440
Speaker 4: long ago that pil exactly.

321
00:16:02,440 --> 00:16:05,680
Speaker 3: And then we have Claire Salstrom as Joan. Claire also

322
00:16:05,720 --> 00:16:08,680
Speaker 3: appeared on Silk Stalkings, Seventh Heaven, and she was in

323
00:16:08,760 --> 00:16:10,880
Speaker 3: six episodes of Saved by the Bell. The New Class

324
00:16:11,160 --> 00:16:14,480
Speaker 3: and she recently hosted a web series called People and Pops,

325
00:16:14,640 --> 00:16:17,880
Speaker 3: all about adorable dogs and the people who love them.

326
00:16:18,280 --> 00:16:19,520
Speaker 3: Will could have been on that show.

327
00:16:19,920 --> 00:16:21,040
Speaker 2: I have totally been on that show.

328
00:16:21,120 --> 00:16:22,520
Speaker 3: Why weren't you asked to be on that show?

329
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Speaker 2: That's a really great questions as a dog.

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Speaker 1: Because we've discovered that Eric is.

331
00:16:28,800 --> 00:16:35,280
Speaker 4: He could go way a extremely versatile, astoundingly versatile.

332
00:16:36,040 --> 00:16:37,400
Speaker 3: I am probably.

333
00:16:39,080 --> 00:16:40,000
Speaker 2: Look in the direction of.

334
00:16:42,560 --> 00:16:46,400
Speaker 4: My versatility would make me explode.

335
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Speaker 3: Then we have Audrea Tennor as Terry. She's a familiar face.

336
00:16:52,080 --> 00:16:54,880
Speaker 3: She's from movies like The First Wives, Club, Bad Moms,

337
00:16:54,920 --> 00:16:57,320
Speaker 3: and The Artist, as well as a bunch of TV

338
00:16:57,400 --> 00:17:01,640
Speaker 3: shows including Friends, Jag, Greek and Swat. She is still working.

339
00:17:01,920 --> 00:17:03,760
Speaker 2: Does she only do shows with one name?

340
00:17:05,720 --> 00:17:10,600
Speaker 3: Yes, Friends, Jack, Greekins, Okay, that's yeah. Making sure her

341
00:17:10,640 --> 00:17:14,400
Speaker 3: special skills. It's weeding out shows with more than one more.

342
00:17:14,200 --> 00:17:17,400
Speaker 4: Than one I did Boy Meets Worldwides Never Again, Never Again,

343
00:17:17,600 --> 00:17:18,440
Speaker 4: Swatt Jack.

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00:17:21,640 --> 00:17:24,800
Speaker 3: And then we have Sean Weiss appearing as Louie. This

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00:17:24,960 --> 00:17:27,560
Speaker 3: was a bit of stunt casting. Sean is globally known

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00:17:27,600 --> 00:17:30,960
Speaker 3: as Goldberg in the iconic Mighty Ducks films. He also

347
00:17:31,040 --> 00:17:34,879
Speaker 3: played Josh Burnbaum in the cult Disney movie Heavyweights, and

348
00:17:34,920 --> 00:17:37,280
Speaker 3: nowadays he's doing stand up comedy with a lot of

349
00:17:37,280 --> 00:17:40,040
Speaker 3: focus on his sobriety, which he has been publicly speaking

350
00:17:40,080 --> 00:17:43,199
Speaker 3: about since twenty twenty two. He will return as Louie

351
00:17:43,359 --> 00:17:44,320
Speaker 3: later this season.

352
00:17:45,119 --> 00:17:47,920
Speaker 4: He also was starred with me in My first ever

353
00:17:48,000 --> 00:17:51,560
Speaker 4: thing I did on camera, my first ever television show.

354
00:17:51,720 --> 00:17:55,359
Speaker 4: Was was the first guest, the first friend actor I

355
00:17:55,400 --> 00:17:56,639
Speaker 4: ever had was Sean Weiss.

356
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Speaker 2: I was twelve years old.

357
00:17:58,800 --> 00:18:01,080
Speaker 4: He was nine or ten, and we did a cop

358
00:18:01,119 --> 00:18:07,200
Speaker 4: show in New York called True Blue Cops. No can

359
00:18:07,240 --> 00:18:09,800
Speaker 4: you imagine? Yes, we were cops. It was twenty one

360
00:18:09,880 --> 00:18:12,200
Speaker 4: Jump Street. If it was in elementary.

361
00:18:12,280 --> 00:18:15,160
Speaker 2: This is a good pitch. It's not so bad. It's

362
00:18:15,200 --> 00:18:18,920
Speaker 2: eleven Jump Street. No, no, Yeah.

363
00:18:18,920 --> 00:18:21,800
Speaker 4: So he was my first ever buddy on the set

364
00:18:21,840 --> 00:18:22,720
Speaker 4: with Sean Weiss when.

365
00:18:22,600 --> 00:18:23,560
Speaker 2: We were little kids.

366
00:18:23,800 --> 00:18:26,320
Speaker 3: We are interviewing him later, so we'll be sure to

367
00:18:26,359 --> 00:18:40,679
Speaker 3: ask him a few questions about that as well. So

368
00:18:40,920 --> 00:18:43,600
Speaker 3: jumping into our recap, we are in Corey and Sean's dorm.

369
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Speaker 3: The room feels different, a little darker, a little moodier.

370
00:18:47,200 --> 00:18:49,320
Speaker 3: Sean is playing poker with three other guys and he

371
00:18:49,359 --> 00:18:52,400
Speaker 3: confidently places ten bucks into the pile. The most smoldering

372
00:18:52,440 --> 00:18:55,560
Speaker 3: of his competitors, referred to as Gambling Dan, who also

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00:18:55,600 --> 00:18:57,080
Speaker 3: looks to be about forty years.

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00:18:56,880 --> 00:19:01,679
Speaker 5: Old, I was like, wow, okay, we are is a

375
00:19:02,040 --> 00:19:03,160
Speaker 5: senior college dude.

376
00:19:03,240 --> 00:19:05,399
Speaker 1: It's it's like, not only is he like Harley and

377
00:19:05,520 --> 00:19:07,800
Speaker 1: everything he says and all of his you know, but

378
00:19:08,000 --> 00:19:11,560
Speaker 1: also just that there's a guy who's clearly just and.

379
00:19:11,680 --> 00:19:12,840
Speaker 2: Even grown up Carly.

380
00:19:12,920 --> 00:19:15,040
Speaker 4: It's just it was strange to see him like this

381
00:19:15,080 --> 00:19:18,480
Speaker 4: because he was a famous eighties and nineties television guest star,

382
00:19:18,760 --> 00:19:21,640
Speaker 4: and he always had this really well known long hair,

383
00:19:21,760 --> 00:19:25,239
Speaker 4: like you looked like Atis from Chili Peppers, and so

384
00:19:25,280 --> 00:19:27,120
Speaker 4: to see I was like, oh, that's right, he got

385
00:19:27,119 --> 00:19:27,600
Speaker 4: his hair off.

386
00:19:28,000 --> 00:19:29,879
Speaker 3: Well. He takes a good look at Sean's face to

387
00:19:29,920 --> 00:19:34,119
Speaker 3: determine his next move. Louie, Gambling Dan's jumpy sidekick, the

388
00:19:34,240 --> 00:19:37,160
Speaker 3: Jay to his silent Bob, keeps chiming in he wants

389
00:19:37,200 --> 00:19:40,200
Speaker 3: to know Gambling Dan's plan. After a deep stare, Dan

390
00:19:40,440 --> 00:19:43,840
Speaker 3: thinks Sean's got nothing and lays his money down to Louie.

391
00:19:43,920 --> 00:19:47,000
Speaker 3: Hype Man's his friend. To Sean, you've got nothing, you loser,

392
00:19:47,600 --> 00:19:51,600
Speaker 3: but Sean reveals his car. Joey's Joey.

393
00:19:51,640 --> 00:19:54,800
Speaker 2: It's like New York, it's a Joey. Yeah, give us

394
00:19:54,880 --> 00:19:58,320
Speaker 2: a different trope, I mean, anything, anything different.

395
00:19:58,440 --> 00:20:00,720
Speaker 1: I mean maybe they really were like, let's just bring

396
00:20:00,760 --> 00:20:03,960
Speaker 1: it back, like let's you know, they wanted to familiar. Yeah,

397
00:20:04,000 --> 00:20:07,560
Speaker 1: they wanted it to be comforting, and it's it's a lot.

398
00:20:07,640 --> 00:20:12,320
Speaker 3: Yeah, well Sean has got three kings. Louis gasps, oh, no,

399
00:20:12,440 --> 00:20:15,439
Speaker 3: gambling Dan, This has never happened before. Dan shakes his

400
00:20:15,440 --> 00:20:18,399
Speaker 3: head in shame and admits, nice hand hunter, Maybe I

401
00:20:18,400 --> 00:20:22,320
Speaker 3: did misread you. Sean thanks him, but Sean still lost.

402
00:20:22,520 --> 00:20:26,440
Speaker 3: Gambling Dan reveals a flush Sean is stunned as Dan

403
00:20:26,560 --> 00:20:29,320
Speaker 3: pulls down the pot. He likes the way Sean plays.

404
00:20:29,400 --> 00:20:30,400
Speaker 3: They should hang out more.

405
00:20:30,480 --> 00:20:34,520
Speaker 2: Louis now gambling. Dan's gonna take He is cut off me,

406
00:20:35,080 --> 00:20:37,080
Speaker 2: cut off? He is for the pot.

407
00:20:37,280 --> 00:20:41,320
Speaker 3: Like, do we ever address whether gambling Dan is a

408
00:20:41,359 --> 00:20:44,520
Speaker 3: student or is he just an old dude who comes

409
00:20:44,520 --> 00:20:45,040
Speaker 3: to gambling.

410
00:20:45,880 --> 00:20:49,800
Speaker 2: We never know his name is Jim.

411
00:20:50,000 --> 00:20:52,280
Speaker 4: That's the weird thing is he goes by gambling Dan.

412
00:20:52,400 --> 00:20:55,680
Speaker 4: But yeah, it was just no, we never established that.

413
00:20:58,200 --> 00:21:00,800
Speaker 3: So Louis agrees, Yeah, I like you too, Shannie. I

414
00:21:00,920 --> 00:21:04,119
Speaker 3: was rooting for you. Louis asks, maybe you'll join us

415
00:21:04,200 --> 00:21:05,159
Speaker 3: later at Cleavage.

416
00:21:06,160 --> 00:21:09,920
Speaker 2: Quite college club name CLUVA.

417
00:21:10,600 --> 00:21:12,480
Speaker 1: I didn't remember this at all, but I did laugh

418
00:21:12,520 --> 00:21:17,800
Speaker 1: out loud. I was like, and I was like, that's

419
00:21:17,920 --> 00:21:20,840
Speaker 1: funny that I do love the name.

420
00:21:21,080 --> 00:21:21,199
Speaker 4: Oh.

421
00:21:21,440 --> 00:21:24,040
Speaker 1: The best joke of this episode well because yeah.

422
00:21:24,400 --> 00:21:26,639
Speaker 3: In my mind, one of the reasons none of this

423
00:21:26,760 --> 00:21:29,440
Speaker 3: really works is that I kept thinking, like, in any

424
00:21:29,480 --> 00:21:31,480
Speaker 3: other show, this is supposed to be a strip club,

425
00:21:31,720 --> 00:21:34,000
Speaker 3: but the fact that it's called Clavage makes me think

426
00:21:34,040 --> 00:21:35,840
Speaker 3: it's actually supposed to be more like a Hooters.

427
00:21:36,000 --> 00:21:38,159
Speaker 4: Is It's that's exactly what it's supposed to be, and

428
00:21:38,200 --> 00:21:40,560
Speaker 4: it's supposed to be women walking around with cleavage written

429
00:21:40,600 --> 00:21:40,960
Speaker 4: right on the.

430
00:21:42,720 --> 00:21:46,160
Speaker 3: Okay. Just then, Corey opens the door and gasps, what's

431
00:21:46,240 --> 00:21:48,800
Speaker 3: this My best friend in my roommate hosting a poker

432
00:21:48,880 --> 00:21:52,000
Speaker 3: game in our room without me gambling? Dan sneers, it's

433
00:21:52,040 --> 00:21:54,480
Speaker 3: the major. I thought you were out with your virgin

434
00:21:54,560 --> 00:21:57,560
Speaker 3: support group. Corey admits the other guy dropped out.

435
00:21:58,119 --> 00:21:59,520
Speaker 2: Good joke, funny joke.

436
00:21:59,640 --> 00:21:59,800
Speaker 4: Yeah.

437
00:22:00,720 --> 00:22:02,920
Speaker 3: On his way out, Dan tells Sean they'll see him tonight,

438
00:22:03,000 --> 00:22:05,560
Speaker 3: and Louis adds and don't bring nobody. As he gestures

439
00:22:05,600 --> 00:22:08,960
Speaker 3: towards Corey. Now alone, Corey asks what's going on at seven?

440
00:22:09,080 --> 00:22:11,200
Speaker 3: Sean casually mentions that a bunch of them are going.

441
00:22:11,040 --> 00:22:11,480
Speaker 2: To a club.

442
00:22:11,880 --> 00:22:14,520
Speaker 3: Corey's hurt. I suppose a bunch of us didn't think

443
00:22:14,600 --> 00:22:17,440
Speaker 3: to invite me either. Sean figured he was busy with Tapanga.

444
00:22:17,760 --> 00:22:21,000
Speaker 3: Cory scoffs, well, Pal, it just so happens. I'm free tonight.

445
00:22:21,280 --> 00:22:24,440
Speaker 3: Topega's busy. Sean says this proves his point. Everything he

446
00:22:24,520 --> 00:22:27,720
Speaker 3: does is based on Tapanga. Corey reminds him he's engaged,

447
00:22:27,760 --> 00:22:30,800
Speaker 3: and Sean admits, sometimes I wonder if that rings not

448
00:22:30,920 --> 00:22:34,240
Speaker 3: through your nose. Corey holds up his hand. It's right here, Pal,

449
00:22:34,640 --> 00:22:37,520
Speaker 3: But perhaps his best friend is secretly jealous of her.

450
00:22:38,119 --> 00:22:40,720
Speaker 3: Sean shakes his head. He's not jealous. It's just whenever

451
00:22:40,800 --> 00:22:42,800
Speaker 3: he's doing something with the guys, and he says, hey,

452
00:22:42,920 --> 00:22:46,119
Speaker 3: I'll bring Corey along. Gambling Dan says, no, not Corey,

453
00:22:46,520 --> 00:22:49,879
Speaker 3: he's married, he's dead. Cory says he doesn't care what

454
00:22:49,960 --> 00:22:52,880
Speaker 3: Gambling Dan thinks, but shortly after, he wonders, why does

455
00:22:52,920 --> 00:22:55,920
Speaker 3: he call me the Major? Sean explains it stands for

456
00:22:56,080 --> 00:22:59,040
Speaker 3: Major wooss. He says, if there was a Whipped magazine,

457
00:22:59,119 --> 00:23:02,040
Speaker 3: you'd be the center forul Corey retorts, first of all,

458
00:23:02,240 --> 00:23:05,200
Speaker 3: there is a Whipped magazine. I didn't subscribe.

459
00:23:05,280 --> 00:23:08,639
Speaker 5: Somehow they found Again, it's funny some of the Corey

460
00:23:08,760 --> 00:23:11,720
Speaker 5: gets some funny jokes in this episode that I mean that,

461
00:23:12,000 --> 00:23:15,720
Speaker 5: like his constant like over confidence and then undermining himself

462
00:23:15,800 --> 00:23:18,720
Speaker 5: is you know great, it's that aspect of it is.

463
00:23:18,920 --> 00:23:20,720
Speaker 1: All the asides are pretty funny, I think.

464
00:23:20,800 --> 00:23:23,600
Speaker 2: So now I have a question, how so we know

465
00:23:23,680 --> 00:23:24,760
Speaker 2: they do the scripts in advance.

466
00:23:25,119 --> 00:23:28,520
Speaker 4: They're obviously they're arcing now well for most seasons, they're

467
00:23:28,560 --> 00:23:29,679
Speaker 4: arcing out what they're supposed to do, and.

468
00:23:29,640 --> 00:23:31,159
Speaker 2: Then they're writing the scripts and they're going from there.

469
00:23:31,200 --> 00:23:34,119
Speaker 4: But we also know that when a joke or something works,

470
00:23:34,240 --> 00:23:36,639
Speaker 4: it tends to appear in the next week script.

471
00:23:37,280 --> 00:23:39,440
Speaker 2: We've seen that before Eric cackling.

472
00:23:39,119 --> 00:23:40,600
Speaker 4: They tried that it was in the next script, so

473
00:23:40,600 --> 00:23:44,440
Speaker 4: they obviously couldn't pad for that, right, So how much

474
00:23:44,560 --> 00:23:46,960
Speaker 4: of this do you think? Maybe one of the reasons

475
00:23:47,000 --> 00:23:52,040
Speaker 4: that it felt so I don't know, disjointed is because

476
00:23:52,960 --> 00:23:56,280
Speaker 4: Ben has been so funny playing the neurotic guy in

477
00:23:56,359 --> 00:24:01,120
Speaker 4: the last few episodes hugely great Cory season that now

478
00:24:01,240 --> 00:24:04,480
Speaker 4: are they rewriting the scripts to write more beats like that?

479
00:24:05,240 --> 00:24:07,360
Speaker 2: And so they're doing it kind of Wow, this is bad.

480
00:24:07,520 --> 00:24:08,679
Speaker 2: You got to rewrite next.

481
00:24:08,560 --> 00:24:12,080
Speaker 4: Week's script as fast as possible, and maybe it's faltering

482
00:24:12,119 --> 00:24:15,399
Speaker 4: a bit because it's like, my god, Ben is killing it.

483
00:24:15,520 --> 00:24:17,760
Speaker 4: Let's make him even more neurotic. Throw that into the script,

484
00:24:17,960 --> 00:24:20,000
Speaker 4: and then the script feels like it's rushed? I mean,

485
00:24:20,080 --> 00:24:21,040
Speaker 4: is that a possibility?

486
00:24:21,359 --> 00:24:24,359
Speaker 3: My My only argument against that point is that whenever

487
00:24:24,440 --> 00:24:26,080
Speaker 3: we've had the writers on and we talk about it,

488
00:24:26,160 --> 00:24:28,679
Speaker 3: it doesn't actually seem like the scripts are written in advance.

489
00:24:28,800 --> 00:24:32,040
Speaker 3: It seems like they throw around ideas and they come

490
00:24:32,119 --> 00:24:34,600
Speaker 3: up with something and then two people, you know, where

491
00:24:34,640 --> 00:24:36,360
Speaker 3: one person goes and kind of like puts a great

492
00:24:36,359 --> 00:24:38,440
Speaker 3: outline together and then it's it's really done.

493
00:24:38,680 --> 00:24:41,359
Speaker 1: My feeling is when you said that, Will I was like,

494
00:24:41,400 --> 00:24:43,960
Speaker 1: oh right, this was this sounds like a pitch for

495
00:24:44,640 --> 00:24:47,840
Speaker 1: when now we're in college and Corey's engaged. What can

496
00:24:47,920 --> 00:24:49,440
Speaker 1: we create stories out of that? And he was like,

497
00:24:49,680 --> 00:24:51,000
Speaker 1: oh what, what's what?

498
00:24:51,200 --> 00:24:51,240
Speaker 4: What?

499
00:24:51,760 --> 00:24:53,680
Speaker 1: How can we have a situation where it's it's in

500
00:24:53,800 --> 00:24:55,520
Speaker 1: conflict to be engaged in to be in college, and

501
00:24:55,560 --> 00:24:57,440
Speaker 1: they were like, oh, he goes out to the he

502
00:24:57,480 --> 00:24:59,480
Speaker 1: goes out with the guys, and because he's married or

503
00:24:59,520 --> 00:25:02,040
Speaker 1: because he's in it's it's in conflict with that, and

504
00:25:02,200 --> 00:25:04,479
Speaker 1: that seems like a good idea, but then you get

505
00:25:04,560 --> 00:25:07,320
Speaker 1: into the weeds of it and you're like, Topanga probably

506
00:25:07,400 --> 00:25:11,280
Speaker 1: would be fine with that, Sean would like all the

507
00:25:11,920 --> 00:25:15,920
Speaker 1: characters don't kind of fit that like situation that well.

508
00:25:16,240 --> 00:25:18,639
Speaker 1: So that's why I feel like they're writing against the

509
00:25:18,840 --> 00:25:20,720
Speaker 1: very plot that we're living in, and that's why it

510
00:25:20,920 --> 00:25:23,720
Speaker 1: just feels like, you know, especially the second half of

511
00:25:23,760 --> 00:25:25,760
Speaker 1: this episode, I was like, there's no problem here, like

512
00:25:25,840 --> 00:25:29,199
Speaker 1: Topanga going like the like the anticipation that Topanga's going

513
00:25:29,240 --> 00:25:31,680
Speaker 1: to show up at the strip club or the at Clevage.

514
00:25:31,800 --> 00:25:34,080
Speaker 1: I was like, she already said it's fine, there's no

515
00:25:34,200 --> 00:25:36,040
Speaker 1: problem here. So then they have to create the like, oh,

516
00:25:36,080 --> 00:25:37,200
Speaker 1: it's the it's the ring.

517
00:25:37,680 --> 00:25:38,399
Speaker 3: And then it's like but that.

518
00:25:39,080 --> 00:25:41,399
Speaker 4: Even that, like why would she be you know, but

519
00:25:41,480 --> 00:25:43,440
Speaker 4: a lot of it didn't make sense. The joke was

520
00:25:43,520 --> 00:25:45,560
Speaker 4: are you going to tell Topanga you're going? And he's like, well,

521
00:25:45,560 --> 00:25:46,440
Speaker 4: I've the tied of my hands.

522
00:25:46,480 --> 00:25:49,080
Speaker 2: But then he doesn't tell her he's going, so then

523
00:25:49,119 --> 00:25:50,920
Speaker 2: he has to tell her later. But you just said

524
00:25:50,960 --> 00:25:52,840
Speaker 2: you were going to tell her. Just none of it

525
00:25:52,920 --> 00:25:53,280
Speaker 2: made sense.

526
00:25:53,840 --> 00:25:56,520
Speaker 3: I mean also the tushy dance.

527
00:25:56,760 --> 00:26:00,320
Speaker 2: Oh don't don't that never happened that I'm I yes,

528
00:26:05,520 --> 00:26:06,399
Speaker 2: that is being bleethed.

529
00:26:06,640 --> 00:26:09,720
Speaker 3: Just all right, I'll bleeth it with you. I'd like

530
00:26:09,760 --> 00:26:12,360
Speaker 3: to bleef this whole episode. I did bleef this episode

531
00:26:12,760 --> 00:26:13,400
Speaker 3: before it aired.

532
00:26:14,119 --> 00:26:18,119
Speaker 2: Zero memory, zero nothing, I remember none of this.

533
00:26:18,760 --> 00:26:22,040
Speaker 3: Uh, Sean smirks, I'll tell him that tonight. At Cleavage,

534
00:26:22,600 --> 00:26:26,200
Speaker 3: Corey's jaw drops club Cleavage, where the women parade around

535
00:26:26,240 --> 00:26:29,440
Speaker 3: in little outfits that barely cover their most private of situations,

536
00:26:29,960 --> 00:26:33,520
Speaker 3: and Angela's letting you go. Sean reminds him he's not

537
00:26:33,680 --> 00:26:37,200
Speaker 3: with Angela anymore, but Corey says he is. Sean stands firm,

538
00:26:37,480 --> 00:26:40,800
Speaker 3: I am not gentle. Corey argues that he should be.

539
00:26:41,560 --> 00:26:43,440
Speaker 3: Sean says, even if I was, if I want to

540
00:26:43,480 --> 00:26:46,399
Speaker 3: go someplace, i'd go. Corey decides, well, I want to

541
00:26:46,440 --> 00:26:49,800
Speaker 3: go to Sean laughs at the thought. Corey matthews At Cleavage,

542
00:26:50,080 --> 00:26:53,280
Speaker 3: you blush at the beach, Corey gets serious. Listen, I

543
00:26:53,280 --> 00:26:55,159
Speaker 3: don't want to be excluded from all these things just

544
00:26:55,200 --> 00:26:58,000
Speaker 3: because I'm engaged. But Sean feels it's deeper than that.

545
00:26:58,280 --> 00:27:00,760
Speaker 3: He broke up with Angela, but Corey is still with Tapanka.

546
00:27:01,040 --> 00:27:04,680
Speaker 3: They're just in completely different situations. Now. Corey doesn't care.

547
00:27:04,800 --> 00:27:07,760
Speaker 3: He demands, you tell gambling Dan that the major is going.

548
00:27:08,320 --> 00:27:11,560
Speaker 3: Sean wonders what he'll tell his fiance. Corey declares, I

549
00:27:11,680 --> 00:27:13,440
Speaker 3: will tell her what I want to tell her when

550
00:27:13,520 --> 00:27:16,040
Speaker 3: I choose to tell her, or I will tell her

551
00:27:16,240 --> 00:27:19,200
Speaker 3: or I won't. It's all up to me. Sean raises

552
00:27:19,200 --> 00:27:22,240
Speaker 3: an eyebrow. So you're gonna tell her, Corey shrugs, it's

553
00:27:22,280 --> 00:27:23,119
Speaker 3: out of my hands.

554
00:27:23,359 --> 00:27:24,360
Speaker 2: Did you guys see the bus?

555
00:27:25,000 --> 00:27:25,160
Speaker 3: Oh?

556
00:27:25,240 --> 00:27:29,600
Speaker 1: Yeah, hell yeah, I.

557
00:27:31,960 --> 00:27:32,240
Speaker 2: Love it.

558
00:27:32,320 --> 00:27:34,600
Speaker 3: I was still busy thinking about how disgusting it was

559
00:27:34,640 --> 00:27:36,720
Speaker 3: that you put your filthy shoes all right on top

560
00:27:36,760 --> 00:27:39,119
Speaker 3: of your bed. I watched you do that, and I

561
00:27:39,200 --> 00:27:39,959
Speaker 3: was so grossed out.

562
00:27:40,960 --> 00:27:45,960
Speaker 2: The only thing in character for Sean in this entire episode. Yeah,

563
00:27:46,440 --> 00:27:46,880
Speaker 2: it's true.

564
00:27:46,920 --> 00:27:49,680
Speaker 1: We never noticed the details of the production design.

565
00:27:49,480 --> 00:27:51,920
Speaker 2: That they were putting the bus. It follows me everywhere.

566
00:27:52,040 --> 00:27:53,240
Speaker 2: That is so cool.

567
00:27:53,960 --> 00:27:56,359
Speaker 4: I love that the salary poster should be somewhere. It

568
00:27:56,960 --> 00:27:59,760
Speaker 4: should always be yeah, the salary poster should be somewhere.

569
00:27:59,800 --> 00:28:01,920
Speaker 3: But yeah, well, when we get our tattoos, it'll go

570
00:28:01,960 --> 00:28:02,480
Speaker 3: with us forever.

571
00:28:02,680 --> 00:28:06,240
Speaker 2: Don't don't joke, you joke, you're playing with my emotions.

572
00:28:08,080 --> 00:28:08,879
Speaker 2: You'll never do that.

573
00:28:09,880 --> 00:28:12,320
Speaker 3: We're at the boys apartment. Rachel's in the kitchen typing

574
00:28:12,359 --> 00:28:14,680
Speaker 3: at her computer. The guys try their best to quietly

575
00:28:14,800 --> 00:28:17,840
Speaker 3: and quickly sneak past her, but without glancing in their direction.

576
00:28:17,960 --> 00:28:20,760
Speaker 3: She asks, where are you going? Jack nervously responds, you

577
00:28:20,960 --> 00:28:23,480
Speaker 3: have no right to judge us. I have to point

578
00:28:23,520 --> 00:28:26,320
Speaker 3: it out. It's the first time we get a storyline

579
00:28:26,359 --> 00:28:30,160
Speaker 3: that isn't just about you two competing.

580
00:28:29,760 --> 00:28:31,080
Speaker 2: For her effects, for her, for affection.

581
00:28:31,200 --> 00:28:34,680
Speaker 3: Yeah, they it took eight episodes.

582
00:28:34,200 --> 00:28:35,080
Speaker 2: And they're finally doing it.

583
00:28:35,400 --> 00:28:38,760
Speaker 3: But they finally gave her something. They gave her a

584
00:28:38,800 --> 00:28:41,000
Speaker 3: little bit of backstory, something that's going on for her

585
00:28:41,080 --> 00:28:46,160
Speaker 3: in her school, her own goal. We should see her

586
00:28:46,200 --> 00:28:48,320
Speaker 3: being studious and smart.

587
00:28:48,480 --> 00:28:51,920
Speaker 2: So Mainlyngratua in this episode. But she was good.

588
00:28:52,160 --> 00:28:53,760
Speaker 4: Yes, I thought she was one of the people that

589
00:28:53,800 --> 00:28:57,200
Speaker 4: stood out in this episode frankly as grounded and real

590
00:28:57,360 --> 00:28:59,560
Speaker 4: and yating the beats where the rest of us weren't.

591
00:28:59,600 --> 00:29:01,520
Speaker 2: And it was I thought she was very good in

592
00:29:01,640 --> 00:29:02,200
Speaker 2: this episode.

593
00:29:02,240 --> 00:29:05,400
Speaker 3: Frank completely agree with you. She is a very high

594
00:29:05,480 --> 00:29:08,880
Speaker 3: point for what is a bleefed episode for me.

595
00:29:09,160 --> 00:29:09,880
Speaker 2: Yep agreed.

596
00:29:10,240 --> 00:29:12,640
Speaker 3: Jack nervously responds, you have no right to judge us.

597
00:29:12,920 --> 00:29:15,240
Speaker 3: Eric adds, Yeah, why are you asking so many questions?

598
00:29:15,320 --> 00:29:17,840
Speaker 3: We're not hounding you about what you're doing. She responds,

599
00:29:17,880 --> 00:29:20,040
Speaker 3: I'm doing a midterm paper on the influence of women

600
00:29:20,120 --> 00:29:23,120
Speaker 3: on male bonding. Eric concludes, there isn't any males. We're

601
00:29:23,120 --> 00:29:27,280
Speaker 3: bonding on this planet long before women arrived. Rachel sighs, Oh,

602
00:29:27,360 --> 00:29:29,560
Speaker 3: this paper is worth half my grade. I've been praying

603
00:29:29,600 --> 00:29:31,560
Speaker 3: to come up with a specific case that I can observe,

604
00:29:31,680 --> 00:29:34,760
Speaker 3: but so far I haven't. Eric gets defensive again. Look,

605
00:29:34,800 --> 00:29:37,520
Speaker 3: we're just going out, Okay, We're men doing what men do.

606
00:29:38,040 --> 00:29:40,880
Speaker 3: Quite frankly, I'm tired of all the scrutiny, the badgering,

607
00:29:41,040 --> 00:29:45,400
Speaker 3: the nitpicking. It's gotta stop. Jack as is back, don't

608
00:29:45,400 --> 00:29:48,040
Speaker 3: ask us when we're coming back either, because, quite frankly,

609
00:29:48,200 --> 00:29:50,720
Speaker 3: it's none of your business. Eric agrees, Because we're in

610
00:29:50,800 --> 00:29:53,280
Speaker 3: college now, you're not the boss of us. The boys

611
00:29:53,360 --> 00:29:55,240
Speaker 3: high five in the doorway and Eric tuns are on

612
00:29:55,280 --> 00:29:58,080
Speaker 3: their way out, nag nag nag, neg nag nag nag.

613
00:30:00,040 --> 00:30:02,280
Speaker 2: They slam the door and a smile, so I'm sorry.

614
00:30:02,440 --> 00:30:05,080
Speaker 2: Is is the connecting thread?

615
00:30:05,160 --> 00:30:08,720
Speaker 4: Then, between the A story and the B story, men

616
00:30:08,960 --> 00:30:13,000
Speaker 4: have an assumption of what women are going to think

617
00:30:13,080 --> 00:30:16,560
Speaker 4: about their life, when in reality, if they just sat

618
00:30:16,640 --> 00:30:19,440
Speaker 4: down and spoke to the woman, they would realize that

619
00:30:19,720 --> 00:30:22,040
Speaker 4: the women really aren't thinking what they think they're thinking.

620
00:30:22,400 --> 00:30:24,400
Speaker 2: Is that what it's supposed to be?

621
00:30:27,480 --> 00:30:29,080
Speaker 3: Good question? I hadn't thought of that.

622
00:30:33,320 --> 00:30:33,640
Speaker 2: I don't know.

623
00:30:33,800 --> 00:30:36,240
Speaker 4: Her paper is on the effect that women have on

624
00:30:36,400 --> 00:30:41,000
Speaker 4: male bile bonding, which is a weird subject, okay, but

625
00:30:41,120 --> 00:30:43,680
Speaker 4: it's also like she doesn't care. Rachel's not going to

626
00:30:43,720 --> 00:30:46,000
Speaker 4: care that they're going to Hooters for dinner.

627
00:30:46,000 --> 00:30:48,720
Speaker 3: But they care, which is the point of her paper,

628
00:30:48,800 --> 00:30:51,440
Speaker 3: which is like, you know, if you're if you're just

629
00:30:51,640 --> 00:30:55,480
Speaker 3: with your bros and then one of them brings their.

630
00:30:55,440 --> 00:30:58,080
Speaker 2: Girlfriend, it changes the whole dynamic.

631
00:30:57,920 --> 00:30:59,880
Speaker 3: Changes the whole dynamic. You're like, I'm not going to

632
00:31:00,200 --> 00:31:02,120
Speaker 3: the way I would normally talk. I don't want to

633
00:31:02,280 --> 00:31:04,440
Speaker 3: share that story about the girl I met last week,

634
00:31:04,480 --> 00:31:06,920
Speaker 3: because like I would talk about it with my bros

635
00:31:06,960 --> 00:31:09,560
Speaker 3: differently than I would with a woman present, and so

636
00:31:10,120 --> 00:31:13,520
Speaker 3: same thing that, like, because if if it's no big

637
00:31:13,600 --> 00:31:16,200
Speaker 3: deal for all saul to be at club Clavage, why

638
00:31:16,240 --> 00:31:19,440
Speaker 3: doesn't Corey just invite to Panga, I'm going to Clavage tonight?

639
00:31:19,560 --> 00:31:21,479
Speaker 3: Or like why wouldn't he and Tapega on a date

640
00:31:21,560 --> 00:31:24,720
Speaker 3: night go to Clavage? But it's because Tapega wouldn't want

641
00:31:24,840 --> 00:31:26,040
Speaker 3: to be at a place.

642
00:31:25,880 --> 00:31:28,800
Speaker 4: Like that, right, But shouldn't that be the story then

643
00:31:28,840 --> 00:31:31,320
Speaker 4: shouldn't they be saying shouldn't they just be walking out,

644
00:31:31,440 --> 00:31:33,800
Speaker 4: not trying to sneak past her and they're like, Hey,

645
00:31:33,840 --> 00:31:36,000
Speaker 4: we're going to Clavage and she's like, oh great, I'd

646
00:31:36,000 --> 00:31:38,480
Speaker 4: actually like to join you, And that then changes their

647
00:31:38,880 --> 00:31:39,640
Speaker 4: well because.

648
00:31:39,360 --> 00:31:40,960
Speaker 3: You know she's not gonna like it, and you don't

649
00:31:40,960 --> 00:31:43,040
Speaker 3: want to feel judged, You don't want even it's a

650
00:31:43,080 --> 00:31:46,120
Speaker 3: little bit like she's your mom, I don't let's let's

651
00:31:46,120 --> 00:31:48,040
Speaker 3: sneak out without her knowing where we're going, because if

652
00:31:48,080 --> 00:31:49,840
Speaker 3: you tell her where we're going, then she's going to say,

653
00:31:50,520 --> 00:31:52,760
Speaker 3: why would you guys go there? And then we're gonna

654
00:31:52,760 --> 00:31:54,120
Speaker 3: feel bad about it, and then we're not gonna have

655
00:31:54,120 --> 00:31:55,880
Speaker 3: as much fun as we would if we didn't have

656
00:31:56,000 --> 00:31:56,880
Speaker 3: that judgment on us.

657
00:31:57,200 --> 00:31:59,480
Speaker 1: But then there's also the other thing, which is the

658
00:31:59,600 --> 00:32:02,960
Speaker 1: effect that the women at Clavage have on male bonding,

659
00:32:03,120 --> 00:32:06,040
Speaker 1: which is a positive influence, right, Right, It's like there's

660
00:32:06,160 --> 00:32:10,000
Speaker 1: other types of women to make male bonding possible. It's

661
00:32:10,040 --> 00:32:12,120
Speaker 1: like we're not just going to play poker with our

662
00:32:12,280 --> 00:32:15,720
Speaker 1: bros and talk about women. We're going to go ogle yeah,

663
00:32:15,960 --> 00:32:19,000
Speaker 1: naked women, and those women have an influence, right. So

664
00:32:19,320 --> 00:32:21,960
Speaker 1: so there's there's there's two different types of women. There's

665
00:32:22,040 --> 00:32:26,120
Speaker 1: the virgins and the whores, and and they both affect

666
00:32:26,200 --> 00:32:31,240
Speaker 1: male bonding, one negatively and one positively. None the twains

667
00:32:31,240 --> 00:32:33,600
Speaker 1: shall ever meet, right, There's no other there's no other

668
00:32:33,640 --> 00:32:39,080
Speaker 1: way that women can affect male bonding. The show is

669
00:32:39,200 --> 00:32:42,920
Speaker 1: that there's only there's moms, perfect moms and perfect wives

670
00:32:43,120 --> 00:32:47,000
Speaker 1: who would never be scantily clad, and and and they

671
00:32:47,040 --> 00:32:49,800
Speaker 1: intrude on male bonding. And then there's women who are

672
00:32:49,880 --> 00:32:53,120
Speaker 1: willing to be scantily cloud who positively affect male bonding.

673
00:32:53,360 --> 00:32:55,400
Speaker 1: And and they have to be two different types of women.

674
00:32:55,480 --> 00:32:58,240
Speaker 1: They can't be the same, they really can't. It's like

675
00:32:58,320 --> 00:33:01,760
Speaker 1: the most horrifying image to Panga in the Cleavage thing,

676
00:33:02,000 --> 00:33:06,120
Speaker 1: because that would threaten this world view that destabilizes everything.

677
00:33:07,240 --> 00:33:08,920
Speaker 1: She very weird.

678
00:33:09,440 --> 00:33:10,040
Speaker 2: It is weird.

679
00:33:10,840 --> 00:33:15,200
Speaker 3: Okay, well, well that was a great question writer, Thank

680
00:33:15,240 --> 00:33:18,520
Speaker 3: you for putting that in perspective for us. They slam

681
00:33:18,680 --> 00:33:21,280
Speaker 3: the door and a smile crosses Rachel's face. She looks

682
00:33:21,320 --> 00:33:21,760
Speaker 3: at the sky.

683
00:33:22,440 --> 00:33:22,760
Speaker 2: Thank you.

684
00:33:23,680 --> 00:33:25,480
Speaker 3: Jack and Eric are now in the hallway talking about

685
00:33:25,560 --> 00:33:28,840
Speaker 3: Rachel's nerve, trying to make them feel guilty about going out.

686
00:33:29,400 --> 00:33:32,000
Speaker 3: Eric blames it on a woman's intuition. They sense when

687
00:33:32,040 --> 00:33:34,280
Speaker 3: a man's about to do something fun and they try

688
00:33:34,320 --> 00:33:38,880
Speaker 3: to spoil it. Jack confidently agrees it ain't gonna work

689
00:33:38,960 --> 00:33:41,200
Speaker 3: on us, but when the elevator doors open, his demeanor

690
00:33:41,280 --> 00:33:44,600
Speaker 3: quickly changes. Maybe we shouldn't go, but Eric pushes him

691
00:33:44,600 --> 00:33:49,400
Speaker 3: into the elevator anyway. And then we are at Club Cleavage. Uh.

692
00:33:50,080 --> 00:33:52,400
Speaker 3: Sean and Corey enter and see girls walking around in

693
00:33:52,480 --> 00:33:55,640
Speaker 3: sports bras and tiny shorts. This is the boy meets

694
00:33:55,680 --> 00:33:59,360
Speaker 3: world version of an upscale Hooters. Sean checks out the ladies.

695
00:33:59,560 --> 00:34:03,800
Speaker 3: That's something then you don't see every day. Corey innocently remarks, yeah, look,

696
00:34:03,960 --> 00:34:06,320
Speaker 3: an audi, you know if the doctor had just tied

697
00:34:06,360 --> 00:34:10,200
Speaker 3: a neat or not. Sean cuts him off before we

698
00:34:10,280 --> 00:34:13,160
Speaker 3: get to the guys, could you age up about thirty years?

699
00:34:14,480 --> 00:34:16,319
Speaker 3: I was trying to understand that. Are you calling him

700
00:34:16,360 --> 00:34:17,120
Speaker 3: a child?

701
00:34:17,880 --> 00:34:19,719
Speaker 2: Yeah, because he's talking about out.

702
00:34:19,880 --> 00:34:22,840
Speaker 3: As opposed to calling I thought, maybe, okay, immature. I

703
00:34:23,040 --> 00:34:25,640
Speaker 3: was thinking, maybe, isn't it the opposite that he's like

704
00:34:25,719 --> 00:34:28,960
Speaker 3: an old man and you want to you know, like

705
00:34:29,200 --> 00:34:30,759
Speaker 3: in my mind it's like we think of Corey as

706
00:34:30,800 --> 00:34:33,000
Speaker 3: being the old dude, right, But.

707
00:34:33,719 --> 00:34:35,160
Speaker 4: That then he should have come in and been like,

708
00:34:35,239 --> 00:34:38,720
Speaker 4: my god, she's gonna catch her death wearing that sweater.

709
00:34:40,440 --> 00:34:43,600
Speaker 2: Does she need to start? My god? Exactly.

710
00:34:45,440 --> 00:34:47,799
Speaker 3: Then Louis spots Corey and shouts out, hey, look it's

711
00:34:47,920 --> 00:34:50,960
Speaker 3: mister tapanga Lawrence gambling. Dan, who has one of the

712
00:34:51,000 --> 00:34:53,240
Speaker 3: waitresses sitting on his lap, salutes Corey.

713
00:34:53,440 --> 00:34:53,799
Speaker 2: What's up?

714
00:34:53,880 --> 00:34:58,600
Speaker 3: Major. Corey responds, you're not nice. Dan sarcastically asks if

715
00:34:58,800 --> 00:35:01,879
Speaker 3: this is too much action him. Corey's angry. You didn't

716
00:35:01,880 --> 00:35:04,480
Speaker 3: get enough love as a child, did you. Louie encourages

717
00:35:04,600 --> 00:35:06,920
Speaker 3: Dan to beat him up. Dan refuses, I'm sure his

718
00:35:07,040 --> 00:35:10,040
Speaker 3: wife does that for him already. Corey reminds everyone he

719
00:35:10,239 --> 00:35:13,239
Speaker 3: isn't married. He's engaged. He points to his ring finger,

720
00:35:13,600 --> 00:35:14,759
Speaker 3: so nuts to you.

721
00:35:15,600 --> 00:35:17,480
Speaker 2: What man wears an engagement ring? Is that a thing

722
00:35:17,560 --> 00:35:19,400
Speaker 2: that I just don't know about? No, thank you?

723
00:35:19,600 --> 00:35:24,879
Speaker 3: And I actually love the idea that Cory, the old

724
00:35:25,040 --> 00:35:29,279
Speaker 3: man who's obsessed with marriage, would love the idea of

725
00:35:29,400 --> 00:35:35,279
Speaker 3: a ring in this situation. For this episode, however, it

726
00:35:35,360 --> 00:35:38,800
Speaker 3: should have been mentioned way earlier when he's talking about

727
00:35:38,840 --> 00:35:41,880
Speaker 3: the ring with Sean. Sean could have been the person

728
00:35:41,960 --> 00:35:44,839
Speaker 3: to say, who what man even wears an engagement ring?

729
00:35:45,080 --> 00:35:47,719
Speaker 3: And for Corey to say it's so pretty? Why will

730
00:35:47,760 --> 00:35:48,160
Speaker 3: they not have?

731
00:35:48,400 --> 00:35:48,520
Speaker 4: You know?

732
00:35:48,640 --> 00:35:50,560
Speaker 3: For him to acknowledge it with Sean something where we

733
00:35:50,640 --> 00:35:53,680
Speaker 3: get himself and he wanted it? Yeah, yeah, like why

734
00:35:53,760 --> 00:35:55,520
Speaker 3: does why is she the only one who gets to

735
00:35:55,560 --> 00:35:59,680
Speaker 3: wear one? Or for purposes of the story, it doesn't

736
00:35:59,719 --> 00:36:03,839
Speaker 3: seem completely out of character that Tapega would believe, well,

737
00:36:03,880 --> 00:36:06,239
Speaker 3: why am I the only one who has to wear

738
00:36:06,280 --> 00:36:08,400
Speaker 3: a symbol of my relationship?

739
00:36:09,400 --> 00:36:13,320
Speaker 2: If we are assess me own me, we belong to

740
00:36:13,520 --> 00:36:15,080
Speaker 2: each other, and.

741
00:36:16,680 --> 00:36:18,799
Speaker 3: If you would like for me to wear a ring,

742
00:36:19,200 --> 00:36:21,719
Speaker 3: would let's get your ring as well and we will

743
00:36:21,760 --> 00:36:24,680
Speaker 3: both just wear rings, and then Corey could have the

744
00:36:24,760 --> 00:36:27,080
Speaker 3: thing of like but nobody else wears them and it

745
00:36:27,400 --> 00:36:31,440
Speaker 3: really separates me, like then Topega would have had some

746
00:36:31,960 --> 00:36:36,000
Speaker 3: sort of hand in this where he could have felt like,

747
00:36:36,960 --> 00:36:41,520
Speaker 3: this thing she asked me to do, well, it makes sense,

748
00:36:42,040 --> 00:36:45,759
Speaker 3: does separate me and ostracize me from the guys. But

749
00:36:45,880 --> 00:36:48,640
Speaker 3: in this situation it's even weirder because she goes, you're

750
00:36:48,840 --> 00:36:52,759
Speaker 3: the one who said she wanted it, So it's just

751
00:36:52,840 --> 00:36:55,600
Speaker 3: another thing that just kind of like, I don't know,

752
00:36:56,400 --> 00:37:00,439
Speaker 3: could have been, could have been more in character many

753
00:37:00,520 --> 00:37:04,560
Speaker 3: different ways, and and and just wasn't. Sean knows he's

754
00:37:04,600 --> 00:37:06,719
Speaker 3: not helping himself. Dan asks what kind of a guy?

755
00:37:06,760 --> 00:37:09,840
Speaker 3: Where's an engagement ring? Sean tries to explain, Corey's just

756
00:37:09,920 --> 00:37:12,640
Speaker 3: not like everybody else, He's unique. He marches to the

757
00:37:12,680 --> 00:37:13,960
Speaker 3: beat of a different drummer.

758
00:37:13,680 --> 00:37:17,759
Speaker 1: Which is finally Sean, yes, I always felt about Corey,

759
00:37:17,840 --> 00:37:20,440
Speaker 1: which is like, I love this guy. I was like,

760
00:37:20,520 --> 00:37:22,640
Speaker 1: why Sean would ever be insecure about Corey is just

761
00:37:22,719 --> 00:37:25,920
Speaker 1: driving me insane. It's like, Sean should be insecure about himself.

762
00:37:26,320 --> 00:37:29,680
Speaker 1: That's great, that speaks to going to college and all

763
00:37:29,760 --> 00:37:31,760
Speaker 1: of this, But to put to put it on Cory

764
00:37:31,920 --> 00:37:34,080
Speaker 1: like he does in so many scenes so far in

765
00:37:34,160 --> 00:37:37,320
Speaker 1: this season is really just not cool.

766
00:37:37,880 --> 00:37:42,440
Speaker 2: No, Sean is completely different, and I know why and

767
00:37:42,560 --> 00:37:43,160
Speaker 2: we'll get to it.

768
00:37:43,560 --> 00:37:45,239
Speaker 4: Well, we'll get to it in this episode. I know

769
00:37:45,440 --> 00:37:47,600
Speaker 4: what they were going for. It's it's partially that you've

770
00:37:47,680 --> 00:37:50,240
Speaker 4: checked out. You can see it, like both you and Daniel.

771
00:37:50,600 --> 00:37:52,560
Speaker 4: You can see the deadness zombie. I think that is

772
00:37:52,640 --> 00:37:55,960
Speaker 4: part of it, but there's also they address it here

773
00:37:56,000 --> 00:37:57,680
Speaker 4: and I was like, oh my god, you've got to

774
00:37:57,719 --> 00:37:58,160
Speaker 4: be kidding me.

775
00:37:58,239 --> 00:37:59,320
Speaker 2: But that's what they're going for.

776
00:37:59,640 --> 00:38:03,160
Speaker 3: Okay, Louis says, what does that mean? I hate it

777
00:38:03,200 --> 00:38:06,080
Speaker 3: when people say crap. I don't get Sean simply states

778
00:38:06,200 --> 00:38:08,560
Speaker 3: he's a good guy, but Corey says he doesn't need

779
00:38:08,600 --> 00:38:11,600
Speaker 3: Sean to defend him. Dan smirks, well he's here. That's

780
00:38:11,640 --> 00:38:14,080
Speaker 3: a start. Then a new waitress makes her way up

781
00:38:14,080 --> 00:38:16,120
Speaker 3: to the table and notices Corey right away. She sits

782
00:38:16,160 --> 00:38:18,680
Speaker 3: on his lap. You're new here. I haven't seen you before.

783
00:38:19,160 --> 00:38:21,719
Speaker 3: Corey immediately looks at the ceiling, avoiding eye contact with

784
00:38:21,760 --> 00:38:24,279
Speaker 3: the girl or her body. I'd like a hamburger and

785
00:38:24,480 --> 00:38:27,040
Speaker 3: French fries. Sean wonders why he's looking at the ceiling,

786
00:38:27,120 --> 00:38:30,800
Speaker 3: and Corey explains, because I'm uncomfortable is why. Sean pushes

787
00:38:30,840 --> 00:38:33,200
Speaker 3: his head to face the girl. Cory smiles at her.

788
00:38:33,440 --> 00:38:35,280
Speaker 2: Hi, how you doing? Did you notice?

789
00:38:35,320 --> 00:38:38,279
Speaker 4: So he's not looking at her, but his arms around

790
00:38:38,320 --> 00:38:40,839
Speaker 4: her waist and he's holding on to her waist right.

791
00:38:42,320 --> 00:38:43,920
Speaker 4: You figured it would be like he'd have his head,

792
00:38:43,960 --> 00:38:45,799
Speaker 4: but he's not. He literally has his hand around her,

793
00:38:45,840 --> 00:38:47,279
Speaker 4: is holding her, but he's not looking at her.

794
00:38:47,320 --> 00:38:49,040
Speaker 2: And I was like, oh, that he shouldn't. He shouldn't

795
00:38:49,040 --> 00:38:49,960
Speaker 2: have been touching her in anyway.

796
00:38:50,239 --> 00:38:54,279
Speaker 4: It would be fun if he's just like exactly, but

797
00:38:54,880 --> 00:38:56,400
Speaker 4: he's got his arm around her waist and he's like

798
00:38:56,440 --> 00:38:57,799
Speaker 4: his hands on her hip, and I was like, oh.

799
00:38:57,800 --> 00:38:59,080
Speaker 2: That's that's not what they were going for.

800
00:38:59,560 --> 00:39:03,200
Speaker 3: Yeah, Dan notices, I think she likes you major because,

801
00:39:03,680 --> 00:39:07,120
Speaker 3: as we know, every woman who has ever seen Corey

802
00:39:08,239 --> 00:39:11,560
Speaker 3: likes hims. Corey wants to get to know him. Corey

803
00:39:11,640 --> 00:39:14,000
Speaker 3: gets bashful. She doesn't like me, she doesn't even know me.

804
00:39:14,239 --> 00:39:16,880
Speaker 3: The girl giggles at Corey, I do like you. She

805
00:39:17,040 --> 00:39:20,399
Speaker 3: asks Danny where he's been hiding him and Danny, by

806
00:39:20,400 --> 00:39:23,120
Speaker 3: the way, Danny they even named the Harley character.

807
00:39:23,880 --> 00:39:25,960
Speaker 2: Oh my god, that's right.

808
00:39:28,360 --> 00:39:32,080
Speaker 3: Dan explains he doesn't get out much. He's married. Corey laughs, No,

809
00:39:32,320 --> 00:39:34,200
Speaker 3: I'm not married. Don't listen to him. I'm just here

810
00:39:34,239 --> 00:39:36,480
Speaker 3: for a hamburger and possibly the beverage of my choice.

811
00:39:36,880 --> 00:39:38,759
Speaker 3: The girl asks, if you're not married, why are you

812
00:39:38,840 --> 00:39:41,400
Speaker 3: wearing a ring. He explains it's an engagement ring, and

813
00:39:41,440 --> 00:39:45,080
Speaker 3: the girl figures it out. Oh, this is a bachelor party.

814
00:39:45,560 --> 00:39:52,080
Speaker 1: Corey, you know, probably could have just ended there, because

815
00:39:52,120 --> 00:39:54,120
Speaker 1: I was like, the girls descending on him is enough

816
00:39:54,160 --> 00:39:55,960
Speaker 1: of an image. But we got to get Eric in there,

817
00:39:56,120 --> 00:39:59,040
Speaker 1: so we have like all this extra reiteration of the

818
00:39:59,239 --> 00:40:02,279
Speaker 1: same things we've already just talked about. Okay, yeah, I

819
00:40:02,440 --> 00:40:06,200
Speaker 1: was rolling my eyes. Wow, a shoehorning this plot.

820
00:40:06,040 --> 00:40:09,720
Speaker 3: Like its Corey tries to correct Dan, but the waitress

821
00:40:09,719 --> 00:40:12,480
Speaker 3: has already alerted her co workers. We got a bachelor party.

822
00:40:12,640 --> 00:40:14,600
Speaker 3: They all come running over and yank Corey out of

823
00:40:14,640 --> 00:40:17,440
Speaker 3: his seat and tickle him right.

824
00:40:17,520 --> 00:40:20,279
Speaker 4: Well, you've never been to a bachelor party, Danielle, In

825
00:40:20,360 --> 00:40:23,600
Speaker 4: all fairness, lots of tickling, Yeah, if you've never never

826
00:40:23,640 --> 00:40:26,160
Speaker 4: been in the tickle circle, come on, Oh my god,

827
00:40:26,440 --> 00:40:26,680
Speaker 4: come on.

828
00:40:26,840 --> 00:40:30,360
Speaker 3: Okay, Well what I'm you're on?

829
00:40:30,600 --> 00:40:33,719
Speaker 2: You're on warning? What am I am crossing? Am I

830
00:40:33,840 --> 00:40:34,680
Speaker 2: crossing that line?

831
00:40:34,920 --> 00:40:37,080
Speaker 3: You're you're all ready to say one of those things

832
00:40:37,120 --> 00:40:38,960
Speaker 3: that you say, well, then I go now I can't done.

833
00:40:39,040 --> 00:40:39,360
Speaker 3: Hear it?

834
00:40:39,600 --> 00:40:46,879
Speaker 2: So like uglies Daniel's favorite and the tickle circle. Yeah, yes,

835
00:40:47,200 --> 00:40:47,600
Speaker 2: that's it.

836
00:40:48,440 --> 00:40:52,560
Speaker 3: Oh yeah, I have a whole body chills right now

837
00:40:52,680 --> 00:40:54,600
Speaker 3: from how closed out I am from both of you.

838
00:40:55,200 --> 00:40:57,040
Speaker 2: Ub it, just stuve it.

839
00:40:57,600 --> 00:41:00,480
Speaker 3: He has to shout, girls, this isn't necessary. You're all

840
00:41:00,640 --> 00:41:03,600
Speaker 3: wonderful and special in your own individual ways, but you're

841
00:41:03,680 --> 00:41:06,600
Speaker 3: smothering with me with your He glances at one of

842
00:41:06,640 --> 00:41:11,680
Speaker 3: the girl's chests. Oh cleavage, Now I get it. Sean

843
00:41:11,840 --> 00:41:16,480
Speaker 3: encourages him to enjoy. It's just fun. Corey agrees, then

844
00:41:16,560 --> 00:41:19,400
Speaker 3: asks their waitress what bad could come from it? Right

845
00:41:19,520 --> 00:41:22,279
Speaker 3: to panga and then suddenly the waitress is replaced with

846
00:41:22,400 --> 00:41:25,120
Speaker 3: tapanga and tiny shorts and a crop top. He points

847
00:41:25,200 --> 00:41:28,000
Speaker 3: and screams, engaged wrong, must poke eyes out.

848
00:41:28,719 --> 00:41:30,960
Speaker 2: Remember this. You don't remember doing this at all?

849
00:41:31,040 --> 00:41:31,440
Speaker 3: One bit.

850
00:41:31,520 --> 00:41:32,879
Speaker 2: I know I remember it either.

851
00:41:33,400 --> 00:41:35,600
Speaker 3: No, And I think I think for me it's probably

852
00:41:35,640 --> 00:41:39,560
Speaker 3: blocked out because I was probably well, I was probably

853
00:41:39,680 --> 00:41:40,960
Speaker 3: so uncomfortable.

854
00:41:40,560 --> 00:41:42,600
Speaker 2: Yeah, so so uncomfortable.

855
00:41:43,480 --> 00:41:45,759
Speaker 1: No with on it.

856
00:41:45,800 --> 00:41:47,279
Speaker 2: One of the things you wish you saved from the

857
00:41:47,360 --> 00:41:53,160
Speaker 2: set of all the things you could have had the things.

858
00:41:53,200 --> 00:41:56,759
Speaker 3: I look back and think about, uh bringing that home. Yeah,

859
00:41:57,560 --> 00:41:59,200
Speaker 3: I didn't trade that out for one of my home

860
00:41:59,280 --> 00:41:59,879
Speaker 3: sports bras.

861
00:42:01,239 --> 00:42:01,439
Speaker 2: Yeah.

862
00:42:03,760 --> 00:42:03,880
Speaker 4: Uh.

863
00:42:04,600 --> 00:42:07,080
Speaker 3: The real waitress watches on with horror as Corey grabs

864
00:42:07,120 --> 00:42:09,360
Speaker 3: a fork and brings it close to his eyes. Thankfully,

865
00:42:09,480 --> 00:42:10,319
Speaker 3: Sean stops him.

866
00:42:10,400 --> 00:42:11,239
Speaker 2: I poking bad.

867
00:42:11,480 --> 00:42:13,600
Speaker 3: If Dan sees you mail, there's no way you or

868
00:42:13,680 --> 00:42:15,600
Speaker 3: I will ever be able to repair the damage to

869
00:42:15,719 --> 00:42:19,160
Speaker 3: your reputation. Corey wins. But maybe he's right. Maybe I

870
00:42:19,280 --> 00:42:22,440
Speaker 3: am just mister tapango Lawrence. Sean says, Will you just

871
00:42:22,520 --> 00:42:25,719
Speaker 3: take the ring off? It's strangling you. Corey looks over

872
00:42:25,800 --> 00:42:28,239
Speaker 3: at Dan and Louie hitting it off with yet another woman,

873
00:42:28,600 --> 00:42:31,480
Speaker 3: So he does it. Corey takes off his ring. The

874
00:42:31,560 --> 00:42:33,600
Speaker 3: two walk back to their table, and Corey takes one

875
00:42:33,680 --> 00:42:35,560
Speaker 3: last look at his ring and places it on the

876
00:42:35,680 --> 00:42:36,400
Speaker 3: napkin dispenser.

877
00:42:36,520 --> 00:42:37,480
Speaker 2: And it doesn't all right.

878
00:42:37,560 --> 00:42:40,120
Speaker 1: This is also the end of a scene like yeah, weird,

879
00:42:40,480 --> 00:42:42,400
Speaker 1: Like we've gone through that, but then we have to

880
00:42:42,480 --> 00:42:43,600
Speaker 1: have the extra beats.

881
00:42:44,600 --> 00:42:46,359
Speaker 3: We need to take an eleven page scene.

882
00:42:46,680 --> 00:42:48,360
Speaker 2: It takes off the ring and puts it out. You

883
00:42:48,400 --> 00:42:50,440
Speaker 2: put it in your pocket, everybody to.

884
00:42:51,239 --> 00:42:54,080
Speaker 3: Everyone knows when you are at a clavage place, you

885
00:42:54,239 --> 00:42:59,560
Speaker 3: put your ring in your bit. My god, but he's

886
00:42:59,600 --> 00:43:01,719
Speaker 3: weighing out some second thoughts. I don't know about this.

887
00:43:02,000 --> 00:43:03,359
Speaker 3: I want to be one of the guys, but if

888
00:43:03,360 --> 00:43:05,200
Speaker 3: I have to take my ring off, I don't feel

889
00:43:05,239 --> 00:43:07,319
Speaker 3: like I belong here. I don't feel like you belong here.

890
00:43:07,400 --> 00:43:13,040
Speaker 3: I don't even feel like Eric belongs here. Right on cue,

891
00:43:13,200 --> 00:43:16,520
Speaker 3: we hear Eric yell from one of the nearby tables, Hey, nurse,

892
00:43:16,560 --> 00:43:20,680
Speaker 3: how about some show? Corey admits Eric probably does belong there.

893
00:43:21,320 --> 00:43:23,640
Speaker 3: Over at Jack at Eric's table, Jack admits, I don't

894
00:43:23,640 --> 00:43:25,200
Speaker 3: know why we thought we had to sneak out. This

895
00:43:25,360 --> 00:43:28,560
Speaker 3: is just a harmless college town gathering place. Eric agrees,

896
00:43:28,640 --> 00:43:31,200
Speaker 3: but he's convinced Rachel would see this as a low

897
00:43:31,320 --> 00:43:34,359
Speaker 3: life den of iniquity. Then a waitress comes and sits

898
00:43:34,360 --> 00:43:37,200
Speaker 3: on Eric's lap. He casually orders a tuna on white

899
00:43:37,239 --> 00:43:39,560
Speaker 3: with the corners cut off and served in triangles the

900
00:43:39,600 --> 00:43:42,920
Speaker 3: way his mommy does. The girl nods without hesitation, and

901
00:43:43,000 --> 00:43:45,319
Speaker 3: he thanks Tiffany on her way to the kitchen. Eric

902
00:43:45,400 --> 00:43:47,920
Speaker 3: returns to Jack, she'd think this place would be frequented

903
00:43:47,960 --> 00:43:51,160
Speaker 3: by the degenerate scum of the earth you know. On cue,

904
00:43:51,360 --> 00:43:52,200
Speaker 3: Corey walks up.

905
00:43:52,520 --> 00:43:56,360
Speaker 2: Hello, Hello. This next speech of Cory is my favorite

906
00:43:56,360 --> 00:43:58,440
Speaker 2: thing of the episode. See it didn't say anything, but

907
00:43:58,840 --> 00:43:59,360
Speaker 2: I loved it.

908
00:44:00,239 --> 00:44:02,400
Speaker 3: Eric asks what he's doing here, and Corey questions him,

909
00:44:02,600 --> 00:44:04,600
Speaker 3: why does it strike you on that?

910
00:44:04,760 --> 00:44:05,560
Speaker 4: Why as.

911
00:44:07,440 --> 00:44:07,880
Speaker 3: Such as this?

912
00:44:13,400 --> 00:44:17,399
Speaker 2: He's the best, the best?

913
00:44:18,640 --> 00:44:20,719
Speaker 3: Eric asks if the panga knows he's here, and Corey

914
00:44:20,760 --> 00:44:22,440
Speaker 3: plays it off, what does the matter and with the

915
00:44:22,480 --> 00:44:25,239
Speaker 3: guys tonight? Then he turns the question on them. Does

916
00:44:25,360 --> 00:44:26,600
Speaker 3: Rachel know you guys are here?

917
00:44:27,000 --> 00:44:30,279
Speaker 1: Why would Rachel have any ask that the.

918
00:44:30,320 --> 00:44:32,040
Speaker 2: Girl you met once, who's our roommate?

919
00:44:32,840 --> 00:44:35,399
Speaker 3: Like really, Jack laughs, we don't care what Rachel thinks.

920
00:44:35,440 --> 00:44:38,000
Speaker 3: She's just our roommate. Eric wonders why he'd even ask

921
00:44:38,080 --> 00:44:40,759
Speaker 3: a question like that, and Corey admits, well, she looks

922
00:44:40,760 --> 00:44:43,600
Speaker 3: surprised to see you. And then it's revealed that Rachel

923
00:44:43,680 --> 00:44:45,080
Speaker 3: is sitting at the table to them.

924
00:44:45,080 --> 00:44:46,319
Speaker 1: Surprised to see them.

925
00:44:48,640 --> 00:44:49,600
Speaker 2: Oh yeah, good question.

926
00:44:50,120 --> 00:44:52,600
Speaker 1: She literally came there seek them out and she doesn't

927
00:44:52,640 --> 00:44:55,799
Speaker 1: look surprised and studying them. So why is Corey's lyne

928
00:44:55,840 --> 00:44:59,200
Speaker 1: to review her? Because she looks surprised, should be because

929
00:44:59,239 --> 00:45:01,160
Speaker 1: she's over there. Look, you know, fine, Like what.

930
00:45:02,760 --> 00:45:07,520
Speaker 3: Because she so she followed them right here, but this

931
00:45:07,800 --> 00:45:11,400
Speaker 3: is the first time we're getting to see what her

932
00:45:11,480 --> 00:45:15,640
Speaker 3: reaction is to finding out where they went. So even

933
00:45:15,680 --> 00:45:18,200
Speaker 3: though it doesn't make sense story wise, she's surprised, like

934
00:45:18,440 --> 00:45:22,280
Speaker 3: I cannot believe my two. She is having the judgment

935
00:45:22,360 --> 00:45:24,160
Speaker 3: of them that they're afraid she's going to have, which

936
00:45:24,239 --> 00:45:26,480
Speaker 3: is like, you guys came to cleavage, but.

937
00:45:26,520 --> 00:45:28,320
Speaker 1: That's not when they reveal her. She's just kind of

938
00:45:28,360 --> 00:45:29,880
Speaker 1: looking at them and writing notes, and.

939
00:45:30,239 --> 00:45:32,200
Speaker 4: It's like, well, they also didn't see the six foot

940
00:45:32,239 --> 00:45:36,359
Speaker 4: tall redhead on this at the seats.

941
00:45:35,040 --> 00:45:35,680
Speaker 2: Away from the table.

942
00:45:36,440 --> 00:45:38,719
Speaker 1: Remember the last episode, you were like, yeah, Magice coming home.

943
00:45:39,480 --> 00:45:40,960
Speaker 2: Yeah, it's like, what the Yeah.

944
00:45:43,360 --> 00:45:45,520
Speaker 3: She greets them and asks if they're having a good time.

945
00:45:45,880 --> 00:45:50,000
Speaker 3: Jack Wins is not, and Eric finishes his sentence anymore,

946
00:46:03,120 --> 00:46:05,080
Speaker 3: and then we're back in the dorm hallway. Corey and

947
00:46:05,120 --> 00:46:06,920
Speaker 3: Sean are walking to their room and Sean has a

948
00:46:06,960 --> 00:46:08,920
Speaker 3: big smile on his face. I think tonight was good

949
00:46:08,960 --> 00:46:10,840
Speaker 3: for both of us. It really puts you over the

950
00:46:10,920 --> 00:46:13,200
Speaker 3: hump with the guys. Corey breaks it to him, this

951
00:46:13,320 --> 00:46:15,719
Speaker 3: may come as a bombshell, but that guy Dan is

952
00:46:15,760 --> 00:46:17,359
Speaker 3: a jerk, Sean defends him.

953
00:46:17,520 --> 00:46:18,400
Speaker 2: Jerk is normal.

954
00:46:18,640 --> 00:46:20,520
Speaker 3: This is what single guys do in college.

955
00:46:20,640 --> 00:46:21,680
Speaker 1: Jerk is normal.

956
00:46:22,520 --> 00:46:25,520
Speaker 2: Is normal. This and this is the thing that they're

957
00:46:25,560 --> 00:46:28,440
Speaker 2: trying to show about Sean. And this is the change.

958
00:46:29,040 --> 00:46:32,160
Speaker 4: If you're not in a committed relationship, you end up

959
00:46:32,200 --> 00:46:34,640
Speaker 4: with the wrong people, the wrong friends.

960
00:46:34,760 --> 00:46:37,640
Speaker 2: You're a worse friend to Corey. You're worst. You are

961
00:46:37,760 --> 00:46:41,360
Speaker 2: going down the wrong path because you are single.

962
00:46:41,640 --> 00:46:43,719
Speaker 1: You should not have broken up with Angela, and.

963
00:46:45,239 --> 00:46:47,840
Speaker 4: That's happening because he did. You're a worse friend to me.

964
00:46:48,040 --> 00:46:51,279
Speaker 4: You're hanging out with jerks. You're lying to Angela.

965
00:46:52,520 --> 00:46:54,319
Speaker 3: Bad women bad.

966
00:46:54,600 --> 00:46:59,000
Speaker 4: Yes, yeah, because you're single, you are bad. Look what's

967
00:46:59,000 --> 00:47:01,600
Speaker 4: happening you, Sean. It's like drums, It's like they're going,

968
00:47:01,680 --> 00:47:04,480
Speaker 4: look what Look at the path you're headed downtation because

969
00:47:04,520 --> 00:47:05,920
Speaker 4: you broke up with Angela.

970
00:47:06,360 --> 00:47:08,520
Speaker 2: Oh my god, look what's happening to your life?

971
00:47:08,560 --> 00:47:11,359
Speaker 1: And I was into a stable relationship, get back into

972
00:47:11,520 --> 00:47:12,480
Speaker 1: that's the fold of.

973
00:47:12,600 --> 00:47:16,520
Speaker 4: Because look what's happening with people's like like Dan, and

974
00:47:16,600 --> 00:47:19,000
Speaker 4: you're going to places like you don't belong there either, Sean.

975
00:47:19,080 --> 00:47:20,080
Speaker 2: He says at one time, like.

976
00:47:20,320 --> 00:47:24,480
Speaker 4: It's a restaurant and so it's just it's so I

977
00:47:24,560 --> 00:47:26,880
Speaker 4: was sitting there going like this is this is absolutely

978
00:47:26,880 --> 00:47:30,000
Speaker 4: absurd where you're in college and you're single, you broke

979
00:47:30,080 --> 00:47:30,880
Speaker 4: up with your girlfriend.

980
00:47:31,200 --> 00:47:32,359
Speaker 2: Look what's happening to your life?

981
00:47:33,120 --> 00:47:33,520
Speaker 3: You go down.

982
00:47:35,120 --> 00:47:37,680
Speaker 2: Yes, it's like, oh my god. It was so blatant

983
00:47:37,719 --> 00:47:38,280
Speaker 2: in this episode.

984
00:47:38,320 --> 00:47:40,360
Speaker 4: I was like, Wow, I can't believe this is the

985
00:47:40,480 --> 00:47:43,560
Speaker 4: thread they're going with this Without Angela, he might as

986
00:47:43,560 --> 00:47:45,919
Speaker 4: well be doing Heroin right now, Like, oh my god.

987
00:47:46,120 --> 00:47:48,080
Speaker 1: And that's just to set up what I'm sure will happen.

988
00:47:48,080 --> 00:47:49,520
Speaker 1: I mean at the end of the episode is like

989
00:47:50,200 --> 00:47:53,040
Speaker 1: miserable without Angela. His whole life is falling apart. He

990
00:47:53,200 --> 00:47:54,080
Speaker 1: needs stability.

991
00:47:54,480 --> 00:47:56,920
Speaker 4: Yes, it was that when it was just so blatant

992
00:47:56,920 --> 00:47:58,160
Speaker 4: in this one, where it was like, oh my god,

993
00:47:58,239 --> 00:47:59,120
Speaker 4: you've got to be kidding me.

994
00:47:59,239 --> 00:47:59,359
Speaker 6: Ye.

995
00:47:59,640 --> 00:48:02,040
Speaker 3: Corey questions, so is this what you broke up with

996
00:48:02,080 --> 00:48:04,320
Speaker 3: Angela for? To hang out with guys like that?

997
00:48:04,880 --> 00:48:05,839
Speaker 2: This is what you want?

998
00:48:06,239 --> 00:48:08,839
Speaker 3: Sean clarifies, No, I want you to let me live.

999
00:48:08,920 --> 00:48:10,480
Speaker 3: I'm my own man now and I don't have to

1000
00:48:10,560 --> 00:48:12,920
Speaker 3: answer to anybody. I go wherever I want to go.

1001
00:48:13,480 --> 00:48:16,240
Speaker 3: And then to Panga and Angela walk up giggling amongst themselves.

1002
00:48:16,520 --> 00:48:19,320
Speaker 3: Angela asks where they've been, and Sean quickly answers movie,

1003
00:48:19,760 --> 00:48:25,399
Speaker 3: Babe too, pig in the city, like, oh my god,

1004
00:48:25,480 --> 00:48:29,360
Speaker 3: we talk about it to Penga pouts Corey, you and

1005
00:48:29,440 --> 00:48:32,080
Speaker 3: I were supposed to see that together. We cut to Corey,

1006
00:48:32,120 --> 00:48:35,360
Speaker 3: who has nervously pressed himself up against the wall. Utterly speechless.

1007
00:48:35,760 --> 00:48:37,719
Speaker 3: Sewan assures her that he'll go again. It was a

1008
00:48:37,760 --> 00:48:40,560
Speaker 3: great movie, but he can't stop rambling it's funnier than

1009
00:48:40,600 --> 00:48:44,440
Speaker 3: those mouses. But Corey calmly jumps in. We went to clevage.

1010
00:48:45,280 --> 00:48:48,760
Speaker 3: Sean finishes his line mentioning he doesn't like little pink pigs.

1011
00:48:49,040 --> 00:48:51,640
Speaker 3: Angela crosses her arms with no, I.

1012
00:48:51,640 --> 00:48:53,919
Speaker 1: Say that, you know how I like little pink pigs,

1013
00:48:53,920 --> 00:48:56,600
Speaker 1: which is a surprising little joke of.

1014
00:48:59,239 --> 00:49:02,640
Speaker 3: Sean finishes is lie, mentioning he does like little pink pigs.

1015
00:49:03,480 --> 00:49:06,960
Speaker 3: Angela crosses her arms. You should because you are one.

1016
00:49:08,640 --> 00:49:11,200
Speaker 1: Meanwhile, because you went to a restaurant.

1017
00:49:12,000 --> 00:49:14,400
Speaker 2: Yes, you're a single guy who went to a restaurant.

1018
00:49:14,440 --> 00:49:15,160
Speaker 2: You're awful.

1019
00:49:16,160 --> 00:49:18,879
Speaker 3: Well, like we were talking about when we're talking about

1020
00:49:18,920 --> 00:49:23,280
Speaker 3: later at the scene in the bathroom, this the idea

1021
00:49:23,520 --> 00:49:27,360
Speaker 3: that there are some people women men. Whoever, some people

1022
00:49:27,480 --> 00:49:31,960
Speaker 3: who just feel like going you can go anywhere to eat.

1023
00:49:32,320 --> 00:49:35,040
Speaker 3: You're not going there because the wings are so good.

1024
00:49:35,440 --> 00:49:38,440
Speaker 3: You're going there because you want to flirt with a

1025
00:49:38,520 --> 00:49:40,719
Speaker 3: woman and have her sit on your lap, and you

1026
00:49:40,840 --> 00:49:43,560
Speaker 3: want to stare at a scantily clad person.

1027
00:49:43,719 --> 00:49:46,560
Speaker 2: That makes you and that makes you a bad person.

1028
00:49:47,080 --> 00:49:50,480
Speaker 3: There are that is just there are people who feel

1029
00:49:50,520 --> 00:49:50,839
Speaker 3: that way.

1030
00:49:51,320 --> 00:49:58,120
Speaker 2: Have you had the wings at Hooters? No, they're phenomenal.

1031
00:49:58,520 --> 00:50:01,359
Speaker 1: Okay, so but ain't you seemingly like where my brain goes?

1032
00:50:01,400 --> 00:50:05,080
Speaker 1: There is like then the woman who defends the place, right,

1033
00:50:05,120 --> 00:50:07,080
Speaker 1: the woman who comes out of the shower and oh,

1034
00:50:07,160 --> 00:50:07,560
Speaker 1: it's fine.

1035
00:50:08,480 --> 00:50:10,160
Speaker 2: She can't be a waitress there.

1036
00:50:10,200 --> 00:50:12,520
Speaker 1: She has to be the cook because if she were

1037
00:50:12,520 --> 00:50:13,360
Speaker 1: a waitress there.

1038
00:50:13,719 --> 00:50:20,080
Speaker 3: She exactly And when she came to that let her out.

1039
00:50:20,520 --> 00:50:22,759
Speaker 1: And I was like, oh, yeah, we're gonna have a

1040
00:50:23,120 --> 00:50:26,440
Speaker 1: nuanced point to destabilize this this divide.

1041
00:50:26,680 --> 00:50:29,480
Speaker 3: But I make so much money. I don't have a

1042
00:50:29,560 --> 00:50:33,360
Speaker 3: single I don't have I don't have any student loans.

1043
00:50:33,600 --> 00:50:36,399
Speaker 3: I pay them all off and to bang wuld be like, great,

1044
00:50:36,480 --> 00:50:38,560
Speaker 3: thank you, this is this is a good perspective. Let

1045
00:50:38,640 --> 00:50:41,479
Speaker 3: me go with you. No, she's a cook.

1046
00:50:42,440 --> 00:50:45,640
Speaker 1: Wow, that is so intense all the wa Yes.

1047
00:50:46,760 --> 00:50:49,600
Speaker 3: Sean tries to tell Angela it's just a restaurant. She

1048
00:50:49,719 --> 00:50:52,919
Speaker 3: walks to her door, and Sean keeps pleading, hello, drama queen,

1049
00:50:53,040 --> 00:50:56,320
Speaker 3: we're not going out anymore. Remember we're just friends. Angela

1050
00:50:56,400 --> 00:50:58,800
Speaker 3: gives him a fake smile. You're right, you can go

1051
00:50:58,880 --> 00:51:01,719
Speaker 3: wherever you want, and with that, Sean follows her into

1052
00:51:01,760 --> 00:51:02,080
Speaker 3: her room.

1053
00:51:02,239 --> 00:51:03,399
Speaker 2: I can't wait to see that scene.

1054
00:51:03,840 --> 00:51:05,960
Speaker 3: Yeah, that's gonna be great.

1055
00:51:06,000 --> 00:51:08,040
Speaker 2: Shut no, I meant, is it not? In this episode?

1056
00:51:08,880 --> 00:51:09,560
Speaker 3: We never follow up?

1057
00:51:09,800 --> 00:51:11,600
Speaker 4: Calls her a drama queen. There in the middle of

1058
00:51:11,600 --> 00:51:13,640
Speaker 4: the fight. He follows into the room, and that's just

1059
00:51:13,719 --> 00:51:14,040
Speaker 4: the end.

1060
00:51:14,360 --> 00:51:16,839
Speaker 3: And then that's just the yep, copy that, and then

1061
00:51:16,880 --> 00:51:19,279
Speaker 3: we're out in the hall now alone. Topega asks Corey

1062
00:51:19,360 --> 00:51:22,440
Speaker 3: can we go inside and talk about this? Corey nervously responds, no,

1063
00:51:22,840 --> 00:51:24,960
Speaker 3: I'd prefer to talk out here because the light is

1064
00:51:25,040 --> 00:51:27,319
Speaker 3: so lovely and you look so lovely, So I think

1065
00:51:27,360 --> 00:51:30,120
Speaker 3: we're gonna stay right out here. And then there's a

1066
00:51:30,200 --> 00:51:33,239
Speaker 3: slight optical flip where the boys door flies open and

1067
00:51:33,320 --> 00:51:37,200
Speaker 3: to Panga flings Corey into the bedroom. All these physically

1068
00:51:37,520 --> 00:51:42,200
Speaker 3: domineering women He admits or here is fine now inside

1069
00:51:42,280 --> 00:51:45,640
Speaker 3: she simply asks, why going back to your point, whell

1070
00:51:45,680 --> 00:51:47,720
Speaker 3: that we never see that scene with them? Why doesn't

1071
00:51:47,760 --> 00:51:51,240
Speaker 3: Sean just say, hey, drama queen, we're not going out anymore.

1072
00:51:51,680 --> 00:51:54,279
Speaker 3: And then she goes into the room and closes the

1073
00:51:54,320 --> 00:51:56,800
Speaker 3: door and he goes up the hallway and their argument

1074
00:51:56,920 --> 00:51:57,640
Speaker 3: isn't dissolved.

1075
00:51:57,880 --> 00:51:58,759
Speaker 4: That's it. I do.

1076
00:51:59,600 --> 00:52:01,160
Speaker 3: I know that you want us, they want us to

1077
00:52:01,200 --> 00:52:02,960
Speaker 3: be alone in the hallway, but like, why do you

1078
00:52:03,080 --> 00:52:04,239
Speaker 3: have to go into the room and then we never

1079
00:52:04,320 --> 00:52:05,279
Speaker 3: know what happens with that? Yeah?

1080
00:52:06,000 --> 00:52:07,680
Speaker 2: Yeah, it didn't make any sense.

1081
00:52:07,840 --> 00:52:11,640
Speaker 4: Also, I felt like Sean calling Angel drama queen as

1082
00:52:11,719 --> 00:52:14,560
Speaker 4: kind of like a dude term was was really out

1083
00:52:14,600 --> 00:52:15,439
Speaker 4: of character and rude.

1084
00:52:15,480 --> 00:52:17,560
Speaker 2: And that's the show. She's not in your life anymore.

1085
00:52:17,560 --> 00:52:19,120
Speaker 2: You're turning into a whole different person.

1086
00:52:19,520 --> 00:52:21,800
Speaker 3: It's so it's so unnecessary. He could have easily just

1087
00:52:21,880 --> 00:52:23,480
Speaker 3: been like, I don't know why you're hurt, We're not

1088
00:52:23,560 --> 00:52:26,080
Speaker 3: even a couple Like that alone is fine to call

1089
00:52:26,120 --> 00:52:28,759
Speaker 3: her a drama queen. I don't understand Sean it.

1090
00:52:28,840 --> 00:52:30,440
Speaker 1: Also, I mean, I think they're trying to set up

1091
00:52:30,480 --> 00:52:32,360
Speaker 1: with the last beat of the episode where it's like

1092
00:52:32,400 --> 00:52:34,719
Speaker 1: Sean is missing Angela and he just can't admit it

1093
00:52:34,760 --> 00:52:37,480
Speaker 1: to himself. But like, that's even stronger if you see

1094
00:52:37,560 --> 00:52:39,680
Speaker 1: him being like, I'm fine, cool, yeah, let her do

1095
00:52:39,800 --> 00:52:41,640
Speaker 1: her own thing. And then the last bead is like,

1096
00:52:41,800 --> 00:52:44,600
Speaker 1: actually I am a little bothered by this, but instead

1097
00:52:44,680 --> 00:52:47,000
Speaker 1: it's like got to have it both ways all the time.

1098
00:52:47,120 --> 00:52:47,520
Speaker 1: It's yeah.

1099
00:52:49,520 --> 00:52:52,120
Speaker 3: So te Benga simply asks why, and Corey raises his

1100
00:52:52,239 --> 00:52:54,720
Speaker 3: voice before you say anything, I just want to state

1101
00:52:54,840 --> 00:52:58,000
Speaker 3: that as a man, I am entitled to certain rights

1102
00:52:58,640 --> 00:53:03,919
Speaker 3: and privileges. Mm hmm to Pega knots I understand. Corey

1103
00:53:03,960 --> 00:53:06,800
Speaker 3: continues his declaration. So, as a man, I went with

1104
00:53:07,000 --> 00:53:10,360
Speaker 3: other men and did man things because I do not

1105
00:53:10,520 --> 00:53:12,960
Speaker 3: want to be thought of by those men as how

1106
00:53:13,040 --> 00:53:17,040
Speaker 3: do I put this delicately? To Panga answers whipped, Corey shouts,

1107
00:53:17,120 --> 00:53:18,759
Speaker 3: you could at least let me say it.

1108
00:53:20,960 --> 00:53:22,880
Speaker 1: Is a very funny idea that she finishes.

1109
00:53:23,600 --> 00:53:28,320
Speaker 6: Yeah, I wish he hadn't played it like yelling, But

1110
00:53:28,360 --> 00:53:30,279
Speaker 6: if you'd just been, like, if you just let me say,

1111
00:53:30,280 --> 00:53:32,560
Speaker 6: it would have been even funny, because I know, you know,

1112
00:53:32,920 --> 00:53:34,719
Speaker 6: if you'd played it whipped basically, it would have been

1113
00:53:35,560 --> 00:53:36,600
Speaker 6: but this is this is a joke.

1114
00:53:37,360 --> 00:53:39,080
Speaker 4: This is the joke they've been going through that They've

1115
00:53:39,080 --> 00:53:41,320
Speaker 4: been doing different versions of this. I mean she she

1116
00:53:41,520 --> 00:53:44,440
Speaker 4: proposed then she was going to put the ring on.

1117
00:53:44,560 --> 00:53:45,800
Speaker 4: He's like, can I at least put the ring on

1118
00:53:45,920 --> 00:53:49,280
Speaker 4: your finger? She is now talking and finishing his sentences.

1119
00:53:49,560 --> 00:53:51,640
Speaker 4: They are setting it up to where, you know, she

1120
00:53:51,760 --> 00:53:54,279
Speaker 4: obviously quote unquote where's the pants in the family, which

1121
00:53:54,280 --> 00:53:57,640
Speaker 4: is such a stupid thing, but it's yeah, it's weird dynamic.

1122
00:53:58,000 --> 00:54:01,000
Speaker 3: To Pega's eye, I'm not mad at you, Corey guesses,

1123
00:54:01,200 --> 00:54:05,399
Speaker 3: but you're disappointed to Penga clarifies, I understand your need

1124
00:54:05,480 --> 00:54:07,560
Speaker 3: to be one of the guys. The only thing that's

1125
00:54:07,600 --> 00:54:10,000
Speaker 3: important to me is that we are always honest with

1126
00:54:10,120 --> 00:54:13,759
Speaker 3: each other. Okay, Corey isn't sure what to think. You're

1127
00:54:13,800 --> 00:54:16,680
Speaker 3: not just being understanding now, but actually harboring bitterness and

1128
00:54:16,719 --> 00:54:19,239
Speaker 3: resentment that'll fester over the years until one day you

1129
00:54:19,480 --> 00:54:23,080
Speaker 3: hack me apart in my sleep. Topenga says, no, that

1130
00:54:23,160 --> 00:54:26,000
Speaker 3: would be wrong. Corey nervously laughs it off. I mean,

1131
00:54:26,280 --> 00:54:30,080
Speaker 3: you don't go around hacking people. Tapega calmly shakes her head. No,

1132
00:54:30,880 --> 00:54:35,520
Speaker 3: you don't, Corey wants some more clarification. You think of

1133
00:54:35,600 --> 00:54:37,680
Speaker 3: me as my own man, so I can do anything

1134
00:54:37,760 --> 00:54:40,880
Speaker 3: I want to. Pega answers, I trust you, Corey, do

1135
00:54:41,040 --> 00:54:43,879
Speaker 3: whatever you want. But Corey questions, what if I don't

1136
00:54:43,880 --> 00:54:46,959
Speaker 3: want to? She insists, then you don't have to. Corey

1137
00:54:47,000 --> 00:54:49,320
Speaker 3: shouts good because the food is no good and the

1138
00:54:49,440 --> 00:54:52,839
Speaker 3: service is just crazy to Pega agrees, if you think

1139
00:54:52,960 --> 00:54:55,640
Speaker 3: that's what's best, Corey's giddy. He leans back on the

1140
00:54:55,640 --> 00:54:58,200
Speaker 3: bed with open arms in a huge grin. Now come

1141
00:54:58,280 --> 00:54:59,640
Speaker 3: here and give me some sugar.

1142
00:55:01,360 --> 00:55:03,520
Speaker 2: Disgusting, but also this is to me, this is the

1143
00:55:03,640 --> 00:55:04,400
Speaker 2: end of the episode.

1144
00:55:05,040 --> 00:55:08,080
Speaker 1: She's literally saying, like, so what was she upset about

1145
00:55:08,760 --> 00:55:10,960
Speaker 1: the dishonesty that he didn't tell her it was fair?

1146
00:55:11,160 --> 00:55:13,239
Speaker 1: Might not have just hair, but also might have just

1147
00:55:13,360 --> 00:55:16,160
Speaker 1: not happened, like didn't he didn't call her before he

1148
00:55:16,280 --> 00:55:19,280
Speaker 1: went to clarage, so he did not so he didn't

1149
00:55:19,440 --> 00:55:22,439
Speaker 1: necessarily do anything wrong. But just tell me, or I guess,

1150
00:55:26,000 --> 00:55:26,600
Speaker 1: tell the truth.

1151
00:55:27,040 --> 00:55:27,880
Speaker 2: I mean Corey did.

1152
00:55:28,840 --> 00:55:31,520
Speaker 1: Yes, there's no problem, and now like the fact that

1153
00:55:31,640 --> 00:55:34,720
Speaker 1: he took the ring offense up becoming the problem. Correct,

1154
00:55:35,360 --> 00:55:40,000
Speaker 1: and that's why I'm like, why, I just yes, it's

1155
00:55:40,040 --> 00:55:43,640
Speaker 1: a it's a yeah, it's a conflict, a conflict looking

1156
00:55:43,680 --> 00:55:46,160
Speaker 1: for characters to make that conflict work, as opposed to

1157
00:55:47,000 --> 00:55:49,440
Speaker 1: a natural conflict arising from who these characters are and

1158
00:55:49,640 --> 00:55:51,560
Speaker 1: what the situation is correct.

1159
00:55:52,040 --> 00:55:54,600
Speaker 3: Correct. Instead, the Banka just walks out of the room

1160
00:55:54,960 --> 00:55:58,160
Speaker 3: through his now pained smile. Corey asques what else is new?

1161
00:55:58,840 --> 00:56:01,600
Speaker 3: Then Louis appears in the doorway, gambling Dan wants to

1162
00:56:01,640 --> 00:56:04,600
Speaker 3: see him, and then gambling Dan just walks up past Louie.

1163
00:56:04,800 --> 00:56:07,400
Speaker 3: Corey points out the obvious, He's right there, you pigeon.

1164
00:56:07,920 --> 00:56:09,920
Speaker 3: Louie can't believe it. He just called me a pigeon.

1165
00:56:10,200 --> 00:56:12,799
Speaker 3: Dan breaks it to him, he is a pigeon. Louie

1166
00:56:12,840 --> 00:56:13,880
Speaker 3: accepts this new title.

1167
00:56:14,520 --> 00:56:16,759
Speaker 2: Dan, Yeah, what is he saying?

1168
00:56:16,760 --> 00:56:17,359
Speaker 1: Then it's true.

1169
00:56:22,600 --> 00:56:24,800
Speaker 3: Dan tells Corey he was the man tonight, he was

1170
00:56:24,920 --> 00:56:27,040
Speaker 3: jealous when the girls crowded him, and he admits he

1171
00:56:27,160 --> 00:56:29,960
Speaker 3: was wrong about Corey. Dan even admires the fact that

1172
00:56:30,040 --> 00:56:33,719
Speaker 3: he finally stopped wearing that stupid ring. Cory stares at

1173
00:56:33,760 --> 00:56:36,799
Speaker 3: his hand in true horror my ring. Then we see

1174
00:56:36,800 --> 00:56:38,839
Speaker 3: a quick flash back to Corey setting his ring down

1175
00:56:38,880 --> 00:56:42,040
Speaker 3: on the napkin dispenser and cleavage Snapping back to reality,

1176
00:56:42,120 --> 00:56:44,560
Speaker 3: Corey says, I gotta stop look into the past. I

1177
00:56:44,680 --> 00:56:47,680
Speaker 3: need to look to the future, which doesn't make any

1178
00:56:47,719 --> 00:56:51,480
Speaker 3: sense in this context. He does need to look to

1179
00:56:51,520 --> 00:56:52,920
Speaker 3: the past because he needs to go, but he needs

1180
00:56:52,960 --> 00:56:55,799
Speaker 3: to figure out where he and then he did, and.

1181
00:56:55,840 --> 00:56:58,440
Speaker 1: Then it's just that, like the image is so horrifying

1182
00:56:58,480 --> 00:57:00,480
Speaker 1: that he's like, I just want to look at the future,

1183
00:57:00,600 --> 00:57:01,000
Speaker 1: and then.

1184
00:57:01,640 --> 00:57:04,040
Speaker 3: You know, then we flash forward. Corey is peacefully asleep,

1185
00:57:04,080 --> 00:57:05,759
Speaker 3: only to wake up and find Topanga at the foot

1186
00:57:05,800 --> 00:57:08,479
Speaker 3: of his bed. He smiles, but quickly realizes she's holding

1187
00:57:08,520 --> 00:57:11,279
Speaker 3: a hatchet. Corey screams and pants a hatchet or is

1188
00:57:11,320 --> 00:57:11,520
Speaker 3: it like.

1189
00:57:13,880 --> 00:57:17,000
Speaker 1: And that is that shot over your shoulder looking down

1190
00:57:17,040 --> 00:57:19,400
Speaker 1: at Corey with the cleaver coming up in giant Oh,

1191
00:57:19,760 --> 00:57:28,120
Speaker 1: that's pretty great, so fun, that's pretty misery. Yeah, exactly.

1192
00:57:29,080 --> 00:57:31,520
Speaker 3: Now back in the present, he admits the future is

1193
00:57:31,600 --> 00:57:34,280
Speaker 3: also no good, and then we're in the co ed

1194
00:57:34,320 --> 00:57:36,600
Speaker 3: dorm bathroom. Is my least favorite scene of any scene

1195
00:57:36,600 --> 00:57:38,720
Speaker 3: I've ever seen ever in the history of the show,

1196
00:57:38,920 --> 00:57:40,720
Speaker 3: especially for its Panga and Angela well.

1197
00:57:40,760 --> 00:57:43,760
Speaker 1: Also like having a conversation about whether women should be

1198
00:57:43,800 --> 00:57:46,840
Speaker 1: able to like undress themselves for men's entertainment while in

1199
00:57:47,240 --> 00:57:53,360
Speaker 1: robes and undressing yourselves and what what like Like it was,

1200
00:57:53,920 --> 00:57:58,560
Speaker 1: it's such a weird like doubling tripling of like confusing messages.

1201
00:57:58,880 --> 00:58:00,720
Speaker 1: I was like, so it's okay for us as a

1202
00:58:00,800 --> 00:58:02,960
Speaker 1: TV show to make a scene where women discuss the

1203
00:58:03,040 --> 00:58:06,080
Speaker 1: value of women. It was just like my head just exploded.

1204
00:58:06,120 --> 00:58:10,640
Speaker 3: I was doing it for cleanliness, right, but why.

1205
00:58:10,640 --> 00:58:11,360
Speaker 2: Is a TV show?

1206
00:58:11,520 --> 00:58:14,880
Speaker 1: Oh so weird? Oh my god, this just hurts my head,

1207
00:58:15,120 --> 00:58:15,680
Speaker 1: hurts my head.

1208
00:58:16,160 --> 00:58:18,680
Speaker 3: Angela is sitting on the bench because really, you think, okay, well,

1209
00:58:18,720 --> 00:58:20,000
Speaker 3: where else would they have done this? They would have

1210
00:58:20,080 --> 00:58:21,880
Speaker 3: needed They could have done it in the dorm. Well

1211
00:58:21,920 --> 00:58:23,720
Speaker 3: how would that girl have heard the conversation?

1212
00:58:23,920 --> 00:58:24,600
Speaker 2: So it has to be.

1213
00:58:26,840 --> 00:58:29,320
Speaker 1: But we'd want to see them in there. Yeah they're yeah,

1214
00:58:29,480 --> 00:58:31,280
Speaker 1: looking good in the robes and the things.

1215
00:58:31,760 --> 00:58:34,200
Speaker 3: Well it would yeah, okay. Angela is sitting on the

1216
00:58:34,200 --> 00:58:36,280
Speaker 3: bench talking to Tapanga, who's getting out of the shower.

1217
00:58:36,440 --> 00:58:38,760
Speaker 3: You think, just because you were all understanding, Corey is

1218
00:58:38,800 --> 00:58:41,040
Speaker 3: not going to go back to that place. Tapega is certain.

1219
00:58:41,200 --> 00:58:43,360
Speaker 3: I know he won't. It was a one time guy thing,

1220
00:58:43,440 --> 00:58:46,200
Speaker 3: and it's over Angela's eyes. I bet Sean's back there

1221
00:58:46,280 --> 00:58:47,680
Speaker 3: right now with all the other pervs.

1222
00:58:48,000 --> 00:58:52,800
Speaker 1: So this is all taking place in one night, right

1223
00:58:53,240 --> 00:58:56,400
Speaker 1: the episode Like this is insane, Like the amount of

1224
00:58:57,000 --> 00:58:58,680
Speaker 1: cramming that we had to do to make it make

1225
00:58:58,760 --> 00:59:00,480
Speaker 1: sense that it's a multi place in it because like

1226
00:59:00,760 --> 00:59:03,760
Speaker 1: Eric and Jack are still there, Rachel's still there. We

1227
00:59:03,920 --> 00:59:06,920
Speaker 1: go back there, you, we do the tushy dance, then

1228
00:59:06,960 --> 00:59:08,920
Speaker 1: we all go back to the student union. It's like

1229
00:59:09,080 --> 00:59:11,440
Speaker 1: it's like four in the morning by the end of

1230
00:59:11,480 --> 00:59:13,320
Speaker 1: this episode, and all of this has happened in the

1231
00:59:13,360 --> 00:59:15,400
Speaker 1: course of one night. You guys take a shower and

1232
00:59:15,520 --> 00:59:17,520
Speaker 1: then and then I get to put on new clothes,

1233
00:59:17,640 --> 00:59:19,439
Speaker 1: put on new clothing, then go back.

1234
00:59:20,720 --> 00:59:23,920
Speaker 2: Yeah, make the decision to follow the woman who works there.

1235
00:59:23,840 --> 00:59:26,000
Speaker 3: Back to let's go there now, even though it just showered.

1236
00:59:26,040 --> 00:59:27,920
Speaker 1: From the upset that Corey would ever go back there

1237
00:59:28,000 --> 00:59:30,560
Speaker 1: the same night the same time to get the ring,

1238
00:59:30,760 --> 00:59:32,920
Speaker 1: of course, makes any sense.

1239
00:59:33,040 --> 00:59:34,560
Speaker 4: Okay, wait, can you go back a little bit. I

1240
00:59:34,600 --> 00:59:37,160
Speaker 4: have a question did they because I tried. I watched

1241
00:59:37,200 --> 00:59:38,720
Speaker 4: it a couple times and I didn't understand if this

1242
00:59:38,800 --> 00:59:39,479
Speaker 4: is what they were saying.

1243
00:59:40,480 --> 00:59:42,040
Speaker 2: And I'm sure I'm wrong. I'm sure this is not

1244
00:59:42,120 --> 00:59:44,600
Speaker 2: what they were saying, but didn't they did?

1245
00:59:44,720 --> 00:59:49,280
Speaker 4: They make it seem like Topanga came at Corey in

1246
00:59:49,360 --> 00:59:53,160
Speaker 4: a certain way to manipulate him into never going back

1247
00:59:53,200 --> 00:59:53,720
Speaker 4: to Clone.

1248
00:59:53,840 --> 00:59:55,400
Speaker 3: Yes, that's the other thing is that it was a

1249
00:59:55,600 --> 00:59:59,400
Speaker 3: it was a psychological trick. If I just act like, listen,

1250
01:00:02,960 --> 01:00:06,680
Speaker 3: you are free to do whatever you want. But I know, well,

1251
01:00:06,720 --> 01:00:09,400
Speaker 3: because you know what is at well. I don't say

1252
01:00:09,440 --> 01:00:11,560
Speaker 3: that he comes to it on his own, but by

1253
01:00:11,600 --> 01:00:17,720
Speaker 3: the way, I could see very much that Tapanga already

1254
01:00:17,840 --> 01:00:20,600
Speaker 3: knows this is not the kind of place Corey is

1255
01:00:20,600 --> 01:00:24,720
Speaker 3: comfortable show to Sean. Sean knows that Corey's he says,

1256
01:00:25,120 --> 01:00:28,280
Speaker 3: you blush at the beach. So the idea that Tapanga

1257
01:00:28,320 --> 01:00:32,520
Speaker 3: would think, I can see how peer pressure got to you.

1258
01:00:33,360 --> 01:00:36,600
Speaker 3: And so if every now and then you've got to

1259
01:00:36,640 --> 01:00:38,720
Speaker 3: go to a strip club to be one of the guys,

1260
01:00:39,520 --> 01:00:43,560
Speaker 3: then then that's okay with me. I understand. I don't

1261
01:00:43,560 --> 01:00:44,760
Speaker 3: want I don't want you to feel like you don't

1262
01:00:44,760 --> 01:00:47,280
Speaker 3: fit in with your friends. And he goes, well, he says, well,

1263
01:00:47,320 --> 01:00:49,440
Speaker 3: what if I don't want to, and she goes, then

1264
01:00:49,480 --> 01:00:51,080
Speaker 3: you don't have to. And he goes great, because the

1265
01:00:51,120 --> 01:00:53,840
Speaker 3: food is terrible and the service sucks and she goes,

1266
01:00:54,120 --> 01:00:56,760
Speaker 3: then great, then that's your decision. I'm happy you made it.

1267
01:00:57,040 --> 01:00:59,760
Speaker 3: So it isn't that it's actually a trap, but she

1268
01:01:00,200 --> 01:01:02,720
Speaker 3: does want to no sell it. It's a little like

1269
01:01:02,760 --> 01:01:06,840
Speaker 3: when you're talking to a kid and you go, he

1270
01:01:06,960 --> 01:01:09,440
Speaker 3: doesn't really want to do this thing anyway. But if

1271
01:01:09,520 --> 01:01:11,960
Speaker 3: I act like he can't do it because he's gonna

1272
01:01:12,000 --> 01:01:13,760
Speaker 3: bother me, then he's gonna want to do it. So

1273
01:01:13,920 --> 01:01:16,480
Speaker 3: I'm just gonna say, honey, it's up to you. You're

1274
01:01:16,560 --> 01:01:19,080
Speaker 3: your own person. You can make your own decision and

1275
01:01:19,200 --> 01:01:21,840
Speaker 3: then see where he falls. But yes, the way it

1276
01:01:22,000 --> 01:01:24,520
Speaker 3: is written here, Angela is like, and so you think

1277
01:01:24,640 --> 01:01:27,160
Speaker 3: that because you didn't come down hard on him, that's

1278
01:01:27,200 --> 01:01:29,320
Speaker 3: somehow psychologically tricked him. But it wasn't really a trick.

1279
01:01:29,440 --> 01:01:31,040
Speaker 3: Corey just said, I truthfully, I'm.

1280
01:01:30,960 --> 01:01:32,959
Speaker 4: Not comfortable then, But that was my problem. It wasn't

1281
01:01:33,040 --> 01:01:35,600
Speaker 4: what Tapega did in the Tanga Corey conversation. It was

1282
01:01:35,600 --> 01:01:38,440
Speaker 4: the way Angela. Angel addressed it to her, like, hey,

1283
01:01:38,600 --> 01:01:40,959
Speaker 4: good job, make you know, tricking him into not wanting

1284
01:01:41,040 --> 01:01:42,680
Speaker 4: to go back is what it's said, which is.

1285
01:01:42,840 --> 01:01:45,640
Speaker 3: Exactly the argument I had about the whether or not

1286
01:01:45,760 --> 01:01:49,120
Speaker 3: it was a trap episode, right, the writers write it

1287
01:01:49,280 --> 01:01:53,560
Speaker 3: both ways. Yes, in this situation, what Tapanga said earlier

1288
01:01:53,920 --> 01:01:56,600
Speaker 3: is not a trap, Corey says, he say, he just

1289
01:01:56,680 --> 01:01:58,960
Speaker 3: repeats what he says to Sean in Club Clevage. I

1290
01:01:59,000 --> 01:02:00,960
Speaker 3: don't really like it here. I'm not comfortable here. If

1291
01:02:01,000 --> 01:02:02,360
Speaker 3: I have to take off my ring, maybe I don't

1292
01:02:02,360 --> 01:02:04,840
Speaker 3: even belong. He says that to her, and then in

1293
01:02:04,880 --> 01:02:07,480
Speaker 3: the next scene, Angela's like, so you think you think

1294
01:02:07,560 --> 01:02:09,440
Speaker 3: you have pulled a fast one on him, and Topenga goes,

1295
01:02:09,480 --> 01:02:10,240
Speaker 3: I sure did.

1296
01:02:11,920 --> 01:02:14,280
Speaker 2: Yeah, but you didn't. Yeah, but you didn't.

1297
01:02:14,480 --> 01:02:15,920
Speaker 4: Yeah. Because we have that, I mean, Sue and I

1298
01:02:16,040 --> 01:02:18,760
Speaker 4: have that where she could say to me, you want

1299
01:02:18,760 --> 01:02:20,960
Speaker 4: to go to strip club? Go, because she knows the

1300
01:02:21,120 --> 01:02:23,560
Speaker 4: most uncomfortable place I will ever be in my life

1301
01:02:23,640 --> 01:02:26,800
Speaker 4: is a strip club. But she wouldn't be she'd be

1302
01:02:26,880 --> 01:02:28,600
Speaker 4: doing it with a smile, going like you know you're

1303
01:02:28,600 --> 01:02:31,320
Speaker 4: gonna hate it. It wouldn't be like, oh, I'm doing

1304
01:02:31,360 --> 01:02:33,200
Speaker 4: it to see because I know that you know, there's

1305
01:02:33,240 --> 01:02:34,840
Speaker 4: no They try to make it sound like it was

1306
01:02:35,000 --> 01:02:37,400
Speaker 4: underhanded after the fact.

1307
01:02:37,640 --> 01:02:40,600
Speaker 3: Yes, which was exactly which is just I don't appreciate Again,

1308
01:02:40,720 --> 01:02:43,000
Speaker 3: it's the throwing of tapanga under the bus for really

1309
01:02:43,120 --> 01:02:43,640
Speaker 3: no reason.

1310
01:02:43,920 --> 01:02:44,640
Speaker 2: Yeah, Corey.

1311
01:02:44,760 --> 01:02:46,960
Speaker 3: They could have had the exact same conversation. Angela could

1312
01:02:47,000 --> 01:02:49,120
Speaker 3: have said, so you really think Corey's never going to

1313
01:02:49,160 --> 01:02:51,480
Speaker 3: go back there, and Tabga could have said, it's the

1314
01:02:51,640 --> 01:02:54,600
Speaker 3: least Corey place in the whole world, you know, like,

1315
01:02:54,720 --> 01:02:56,840
Speaker 3: that's that's not what he likes. I know he just

1316
01:02:56,920 --> 01:02:58,520
Speaker 3: wanted to fit in. I don't think he'll ever go

1317
01:02:58,640 --> 01:03:01,000
Speaker 3: back again. And we could about the exact same thing

1318
01:03:01,080 --> 01:03:05,160
Speaker 3: without it needing to be that. I did some psychological mooo.

1319
01:03:07,320 --> 01:03:09,440
Speaker 2: Psychological moo is my new favorite thing.

1320
01:03:09,760 --> 01:03:16,320
Speaker 3: Yeah to panga size. I guess as long as some

1321
01:03:16,600 --> 01:03:21,200
Speaker 3: women choose to wiggle around half naked, there will be

1322
01:03:21,440 --> 01:03:26,480
Speaker 3: men who go to see them. Angela argues women don't

1323
01:03:26,600 --> 01:03:29,840
Speaker 3: choose to work in a place like that, they're forced

1324
01:03:30,520 --> 01:03:38,120
Speaker 3: into it by circumstances. This pov by both of us sucks.

1325
01:03:38,600 --> 01:03:39,840
Speaker 1: Sucks. Yeah, is it?

1326
01:03:40,280 --> 01:03:45,160
Speaker 3: Is it possibly true for some people? Absolutely? Are there

1327
01:03:45,240 --> 01:03:48,000
Speaker 3: some people who who who do feel like my circumstances

1328
01:03:48,040 --> 01:03:50,280
Speaker 3: this is the only thing. Blah blah blah. The idea

1329
01:03:50,480 --> 01:03:54,560
Speaker 3: that two women would sit here and say, no woman

1330
01:03:55,440 --> 01:03:58,960
Speaker 3: in her right mind would ever do this because it's

1331
01:03:59,040 --> 01:04:03,720
Speaker 3: what she wants to to do. It's just gross.

1332
01:04:03,960 --> 01:04:06,280
Speaker 1: But that's but that's not even as bad as the

1333
01:04:06,360 --> 01:04:09,800
Speaker 1: fact that the woman who rebuts that argument.

1334
01:04:10,320 --> 01:04:14,400
Speaker 3: Is exactly it gets.

1335
01:04:15,120 --> 01:04:17,600
Speaker 1: It's because that is the biggest cheat to me of like,

1336
01:04:17,720 --> 01:04:20,160
Speaker 1: wait a minute, if she's going to say, look, you

1337
01:04:20,240 --> 01:04:24,400
Speaker 1: don't have your worldview is too too much of a binary.

1338
01:04:24,600 --> 01:04:27,480
Speaker 1: The reality is it's somewhat in between. But then to

1339
01:04:27,560 --> 01:04:30,200
Speaker 1: have her fit into the binary still and be like, actually,

1340
01:04:30,600 --> 01:04:33,040
Speaker 1: I'm only a cook because I ever it's like that

1341
01:04:33,200 --> 01:04:35,920
Speaker 1: is so insulting to both sides of this equation, like

1342
01:04:36,080 --> 01:04:36,960
Speaker 1: just yes, yeah.

1343
01:04:38,200 --> 01:04:40,280
Speaker 3: Then another woman pops out of the shower and butts

1344
01:04:40,320 --> 01:04:42,960
Speaker 3: in I work there to penga surprise.

1345
01:04:43,080 --> 01:04:49,840
Speaker 2: Joan, you do Joan not jo jo Joan Joan of arc.

1346
01:04:49,880 --> 01:04:54,600
Speaker 3: No, yeah, because I need Angela holds up her hand

1347
01:04:54,640 --> 01:04:56,800
Speaker 3: and tells her to stop. You need go no further,

1348
01:04:56,960 --> 01:04:59,720
Speaker 3: my sister, I know the profile, broken home, years of

1349
01:04:59,720 --> 01:05:02,360
Speaker 3: a use, then a child out of wedlock, forcing you

1350
01:05:02,440 --> 01:05:05,240
Speaker 3: into financial chaos and a life of degradation and sin.

1351
01:05:05,960 --> 01:05:08,800
Speaker 3: Angela walks into a shower and closes the curtain. Dramatically,

1352
01:05:09,120 --> 01:05:10,960
Speaker 3: Joan reveals I'm a cook.

1353
01:05:12,960 --> 01:05:15,560
Speaker 2: So if she was one of the waitresses.

1354
01:05:15,840 --> 01:05:17,880
Speaker 3: It was the story good true.

1355
01:05:18,000 --> 01:05:20,400
Speaker 1: Yeah, this point of view right, but this doesn't even

1356
01:05:20,440 --> 01:05:22,440
Speaker 1: fit Angela to have that point of view, like I

1357
01:05:22,600 --> 01:05:23,480
Speaker 1: know it doesn't fit her.

1358
01:05:23,480 --> 01:05:27,280
Speaker 4: Care Neither of them or are are saying, you know,

1359
01:05:27,400 --> 01:05:29,320
Speaker 4: some women are just strong and that's what they want

1360
01:05:29,360 --> 01:05:30,200
Speaker 4: to do and that's their choice.

1361
01:05:30,240 --> 01:05:31,280
Speaker 2: No one has that opinion.

1362
01:05:31,720 --> 01:05:35,200
Speaker 3: No one understands that maybe it's one of the jobs

1363
01:05:35,200 --> 01:05:37,960
Speaker 3: where you make a ton of money and that is

1364
01:05:38,040 --> 01:05:44,440
Speaker 3: a choice, Like it's just and fine. Make Topega and

1365
01:05:44,520 --> 01:05:47,840
Speaker 3: Angela not understand it, make them not understand it. Let

1366
01:05:47,880 --> 01:05:50,160
Speaker 3: it be a conversation for them. Let it be where

1367
01:05:50,200 --> 01:05:53,320
Speaker 3: Topega's argument is like Corey, you know, blah blah blah.

1368
01:05:53,680 --> 01:05:57,680
Speaker 3: And Angela could even say, you know, when my experience you,

1369
01:05:57,840 --> 01:06:01,120
Speaker 3: you don't do that because you want to. You must

1370
01:06:01,160 --> 01:06:03,680
Speaker 3: be forced into it, and for then Joe to come

1371
01:06:03,720 --> 01:06:07,240
Speaker 3: out and go, actually, I do it because I've worked

1372
01:06:07,280 --> 01:06:09,960
Speaker 3: a bunch of other jobs and nothing pays me as

1373
01:06:10,040 --> 01:06:13,400
Speaker 3: much money and I'm the hours are flexible, I get

1374
01:06:13,440 --> 01:06:15,640
Speaker 3: to have my days to myself. Whatever whatever it is

1375
01:06:15,680 --> 01:06:17,680
Speaker 3: about it that she loves. I love the music.

1376
01:06:17,960 --> 01:06:20,000
Speaker 2: I work with my friends all my work such good friends.

1377
01:06:20,040 --> 01:06:22,560
Speaker 2: There were super close we I mean. But also, by

1378
01:06:22,600 --> 01:06:24,600
Speaker 2: the way, if this conversation is a stand in for

1379
01:06:24,680 --> 01:06:26,200
Speaker 2: sex work, it's.

1380
01:06:26,120 --> 01:06:28,840
Speaker 1: Not even sex work. It's not even stripping, it's literally

1381
01:06:28,920 --> 01:06:29,960
Speaker 1: working at the restaurant.

1382
01:06:30,000 --> 01:06:32,720
Speaker 2: We correct, how are we dressed sexy? Which is, by

1383
01:06:32,760 --> 01:06:34,040
Speaker 2: the way, what a lot of actresses?

1384
01:06:34,360 --> 01:06:37,800
Speaker 3: She more sure than what you wear on the beach?

1385
01:06:38,040 --> 01:06:41,520
Speaker 3: She could say, I actually, I actually wear more clothes

1386
01:06:41,640 --> 01:06:43,480
Speaker 3: than i'm than I would be. Would I even wear

1387
01:06:43,560 --> 01:06:43,919
Speaker 3: less clothes?

1388
01:06:44,000 --> 01:06:46,800
Speaker 1: You could fend a nuanced position without having to be

1389
01:06:47,000 --> 01:06:50,240
Speaker 1: a full on like one extreme, But we don't. We

1390
01:06:50,320 --> 01:06:52,280
Speaker 1: can't do it. Our show cannot accept that world.

1391
01:06:52,440 --> 01:06:54,280
Speaker 4: Now that really, But it's also writer, what you just

1392
01:06:54,320 --> 01:06:56,200
Speaker 4: said makes so much sense where it's like, so then

1393
01:06:56,280 --> 01:06:59,280
Speaker 4: where all of these actresses. Should they have turned down

1394
01:06:59,360 --> 01:07:03,600
Speaker 4: the role of playing the waitress because they're doing exactly

1395
01:07:03,640 --> 01:07:05,560
Speaker 4: the same. Should the women who are in this scene

1396
01:07:05,680 --> 01:07:09,520
Speaker 4: not be wearing their their robes and towels like this

1397
01:07:09,800 --> 01:07:12,880
Speaker 4: woman whose actress is coming out like our show is literally.

1398
01:07:12,680 --> 01:07:13,320
Speaker 2: Doing the thing.

1399
01:07:13,480 --> 01:07:16,200
Speaker 1: Yes, that it is then trying to argue women should

1400
01:07:16,240 --> 01:07:18,280
Speaker 1: not have to do or that if you only do

1401
01:07:18,400 --> 01:07:21,200
Speaker 1: because of desperation and degradation of self degradation like that is.

1402
01:07:21,600 --> 01:07:23,520
Speaker 1: It's that's what my head just exploded.

1403
01:07:23,600 --> 01:07:26,720
Speaker 3: During the scene Yesh, Topanga explains angel is a bit

1404
01:07:26,800 --> 01:07:29,720
Speaker 3: sensitive these days. Is this place really that bad? Joan

1405
01:07:29,800 --> 01:07:32,320
Speaker 3: insists it's harmless. The girls wear more than you'd see

1406
01:07:32,320 --> 01:07:34,720
Speaker 3: them were at the beach. Joan offers, I'm on my

1407
01:07:34,760 --> 01:07:36,520
Speaker 3: way to work right now. You want to check it out?

1408
01:07:36,800 --> 01:07:39,240
Speaker 3: To Panga nods, yeah, I'm kind of curious to see

1409
01:07:39,240 --> 01:07:45,919
Speaker 3: what Corey finds so fascinating, even though Cory just told

1410
01:07:46,000 --> 01:07:47,640
Speaker 3: her he doesn't like.

1411
01:07:47,720 --> 01:07:49,960
Speaker 1: It and does it to bond with the guys, when

1412
01:07:50,120 --> 01:07:51,080
Speaker 1: she knows.

1413
01:07:51,320 --> 01:07:53,840
Speaker 3: He's doing it because he needed to bond with the guys,

1414
01:07:54,160 --> 01:07:56,680
Speaker 3: So why is she like, huh, well, what does he

1415
01:07:56,720 --> 01:07:58,439
Speaker 3: find so fascinating about this place?

1416
01:07:58,600 --> 01:08:02,640
Speaker 4: It's it's like they're writing it scene by scene, forgetting

1417
01:08:02,760 --> 01:08:04,280
Speaker 4: the last scene we just shot.

1418
01:08:04,520 --> 01:08:07,439
Speaker 3: Yes, why doesn't every Sean say I want to see

1419
01:08:07,480 --> 01:08:11,880
Speaker 3: what Sean finds so fascinating about the scene and Topanga, Angela.

1420
01:08:11,560 --> 01:08:15,480
Speaker 4: And Joan go together to get a burger because because

1421
01:08:15,680 --> 01:08:18,439
Speaker 4: Sean is already down the path of the devil, you

1422
01:08:18,560 --> 01:08:20,920
Speaker 4: can save Cory at this point if you figure out

1423
01:08:20,960 --> 01:08:23,920
Speaker 4: what's going on, but you can't until Angela's back in

1424
01:08:23,960 --> 01:08:24,280
Speaker 4: his life.

1425
01:08:24,280 --> 01:08:25,040
Speaker 2: You can't save Sean.

1426
01:08:25,600 --> 01:08:25,840
Speaker 1: Wow.

1427
01:08:25,920 --> 01:08:40,439
Speaker 3: Yeah, well we're back at Club Clevage. Rachel is still

1428
01:08:40,479 --> 01:08:42,639
Speaker 3: sitting at a table with her notebook. I don't understand.

1429
01:08:42,680 --> 01:08:44,320
Speaker 3: We've been here all night, and it's like you two

1430
01:08:44,320 --> 01:08:47,040
Speaker 3: aren't having any fun at all. We reveal she's sitting

1431
01:08:47,080 --> 01:08:49,120
Speaker 3: with Jack and Eric, who both have girls sitting on

1432
01:08:49,160 --> 01:08:52,120
Speaker 3: their laps, but their faces show no signs of happiness.

1433
01:08:52,680 --> 01:08:56,000
Speaker 3: Eric admits, frankly, we are appalled by what's going on here.

1434
01:08:56,360 --> 01:08:58,640
Speaker 3: Jack tells the girl sitting on him, ma'am, I'm not

1435
01:08:58,760 --> 01:09:01,680
Speaker 3: a chair. Rachel assures them, don't let me stop you

1436
01:09:01,800 --> 01:09:03,759
Speaker 3: from having fun. I'm just observing for my paper.

1437
01:09:03,920 --> 01:09:04,280
Speaker 2: That's all.

1438
01:09:04,680 --> 01:09:07,840
Speaker 3: The waitress on Eric's lap wonders for Yeager's class. Rachel

1439
01:09:07,880 --> 01:09:10,759
Speaker 3: realizes that's why she recognized her and reveals the topic

1440
01:09:10,800 --> 01:09:13,639
Speaker 3: of her paper, women and their influence on male bonding.

1441
01:09:14,000 --> 01:09:17,000
Speaker 3: Eric clarifies there isn't any. Then she tells his waitress

1442
01:09:17,040 --> 01:09:19,640
Speaker 3: to cover up he's trying to eat. She pinches his

1443
01:09:19,760 --> 01:09:22,840
Speaker 3: cheek and leaves him be. Rachel begs them to stop it.

1444
01:09:23,040 --> 01:09:25,120
Speaker 3: All her paper will say is that two guys that

1445
01:09:25,200 --> 01:09:27,600
Speaker 3: she's getting to know very well are inhibited in the

1446
01:09:27,640 --> 01:09:30,080
Speaker 3: presence of their female roommate from behaving normally in a

1447
01:09:30,160 --> 01:09:34,200
Speaker 3: male oriented environment. Jack agrees, thanks to you, we understand

1448
01:09:34,240 --> 01:09:36,360
Speaker 3: women a lot better and hold ourselves to a higher

1449
01:09:36,520 --> 01:09:42,599
Speaker 3: standard for morality. Rachel beams really. Eric agrees, Yeah really,

1450
01:09:43,040 --> 01:09:45,360
Speaker 3: Ever since you moved in, we learned this new maturity,

1451
01:09:45,640 --> 01:09:49,920
Speaker 3: and every time you're around, we're reminded of it. I

1452
01:09:49,960 --> 01:09:56,080
Speaker 3: would like to add here that when men on the

1453
01:09:56,160 --> 01:10:02,519
Speaker 3: Internet or anywhere things like I have a daughter, and

1454
01:10:02,680 --> 01:10:06,120
Speaker 3: so I'm going to I couldn't. I couldn't you know,

1455
01:10:06,760 --> 01:10:09,240
Speaker 3: I have a wife, and therefore.

1456
01:10:08,840 --> 01:10:12,840
Speaker 1: The worst defense I've ever heard, Yes, that to.

1457
01:10:12,920 --> 01:10:15,920
Speaker 3: Explain it, because I really think that some men feel

1458
01:10:16,000 --> 01:10:19,519
Speaker 3: then really shocked when somebody goes ew. Don't don't say

1459
01:10:19,560 --> 01:10:25,080
Speaker 3: that your relation to another woman shouldn't be the thing

1460
01:10:25,560 --> 01:10:27,360
Speaker 3: that makes you realize their humanity.

1461
01:10:27,960 --> 01:10:32,880
Speaker 1: Yes, yeah, you're recognizing one type of one woman, correct,

1462
01:10:32,920 --> 01:10:36,120
Speaker 1: my daughter, my wife, versus the other type of woman,

1463
01:10:36,520 --> 01:10:42,519
Speaker 1: the poor prostitute, strippers, sex worker like that that divide

1464
01:10:42,720 --> 01:10:46,639
Speaker 1: is the problem. Like if you don't see you see

1465
01:10:46,680 --> 01:10:49,040
Speaker 1: one person, one type of woman as a human being

1466
01:10:49,080 --> 01:10:50,439
Speaker 1: worthy of respect the other.

1467
01:10:52,439 --> 01:10:56,200
Speaker 3: Ye, it's like and that is what you guys say

1468
01:10:56,280 --> 01:10:59,679
Speaker 3: in the scene, well, it's hard for us to degrade

1469
01:10:59,720 --> 01:11:03,040
Speaker 3: women because now when we look at women, we also

1470
01:11:03,120 --> 01:11:06,559
Speaker 3: think of you, and you've ruined that for us. You're

1471
01:11:06,640 --> 01:11:08,400
Speaker 3: ruined it. You're actively ruining it for us.

1472
01:11:08,479 --> 01:11:10,320
Speaker 2: Now, well we saw that with Corey. He when he

1473
01:11:10,400 --> 01:11:11,920
Speaker 2: looked at the waitress, he saw to pega.

1474
01:11:14,000 --> 01:11:17,760
Speaker 3: Meanwhile, all he apparently wants from Topanga is to see her.

1475
01:11:17,920 --> 01:11:19,200
Speaker 2: Give me some Yeah.

1476
01:11:19,320 --> 01:11:21,719
Speaker 4: It's like starting when you meet somebody and they start

1477
01:11:21,720 --> 01:11:23,600
Speaker 4: their sentence with I'm not a racist, but.

1478
01:11:25,160 --> 01:11:28,240
Speaker 3: No, ev what's coming next to.

1479
01:11:30,320 --> 01:11:31,000
Speaker 2: Be awful?

1480
01:11:35,800 --> 01:11:38,840
Speaker 3: Rachel is flattered, and Eric nods, you should be. Now

1481
01:11:38,920 --> 01:11:42,840
Speaker 3: get out, it's time for the tushy dance. She laughs

1482
01:11:42,880 --> 01:11:45,519
Speaker 3: and tells them to enjoy themselves before leaving. Then we

1483
01:11:45,600 --> 01:11:48,439
Speaker 3: see Corey frantically run into the establishment. He asks the

1484
01:11:48,479 --> 01:11:51,240
Speaker 3: hostess which way is the Lost and Found. She points

1485
01:11:51,479 --> 01:11:54,960
Speaker 3: over there, next to daycare. Corey then notices his waitress

1486
01:11:55,000 --> 01:11:55,640
Speaker 3: from the other night.

1487
01:11:55,880 --> 01:11:58,519
Speaker 2: She calls him the groom that night, not the other night.

1488
01:12:00,920 --> 01:12:06,080
Speaker 3: Right, Yes, Corey notices his waitress from earlier in the evening.

1489
01:12:06,200 --> 01:12:08,720
Speaker 3: She calls him the groom and figures he had such

1490
01:12:08,720 --> 01:12:10,559
Speaker 3: a good time he had to just come back for more.

1491
01:12:11,040 --> 01:12:13,479
Speaker 3: Corey explains that he's back because he left his ring behind,

1492
01:12:13,760 --> 01:12:16,559
Speaker 3: which happened to magically slip off during the festive evening

1493
01:12:16,600 --> 01:12:18,800
Speaker 3: they spent together. The girl wonders if it's in this

1494
01:12:18,960 --> 01:12:21,519
Speaker 3: drawer with all the other rings that happen to come off.

1495
01:12:21,880 --> 01:12:24,920
Speaker 3: Then she dumps hundreds of wedding bands onto the table.

1496
01:12:25,320 --> 01:12:27,479
Speaker 3: Corey quickly sifts through the pile of rings, and a

1497
01:12:27,560 --> 01:12:31,000
Speaker 3: voice sounds over the bar Speakers ladies and gentlemen. Cleavage

1498
01:12:31,120 --> 01:12:35,439
Speaker 3: presents its world famous tushy dance. Everyone gathers in the

1499
01:12:35,479 --> 01:12:37,400
Speaker 3: middle of the room, including Eric and Jack, and the

1500
01:12:37,479 --> 01:12:41,240
Speaker 3: girls start holding their butts and synchronized dancing, a routine

1501
01:12:41,360 --> 01:12:44,320
Speaker 3: the boys seem to know by heart. Then Corey exclaims,

1502
01:12:44,400 --> 01:12:46,320
Speaker 3: my ring, I found it. He jumps up and down

1503
01:12:46,360 --> 01:12:48,040
Speaker 3: with joy, now making his way into the center of

1504
01:12:48,080 --> 01:12:50,080
Speaker 3: the dance floor, where all the girls are around him

1505
01:12:50,120 --> 01:12:53,479
Speaker 3: shaking their butts. He joins in shouting everything worked out,

1506
01:12:53,640 --> 01:12:57,040
Speaker 3: my tush touched hers. He blissfully celebrates and doesn't notice

1507
01:12:57,080 --> 01:12:59,240
Speaker 3: to Panga has walked into the club. As to Panga

1508
01:12:59,280 --> 01:13:03,080
Speaker 3: glances around, Chef Joan proves there's nothing shocking here, but

1509
01:13:03,200 --> 01:13:05,920
Speaker 3: then Tapega spots her fiance and her jaw drops to

1510
01:13:06,000 --> 01:13:08,519
Speaker 3: the floor. She makes a bee line toward Corey, who's

1511
01:13:08,600 --> 01:13:10,920
Speaker 3: now doing some sort of makarena with a woman. She

1512
01:13:11,040 --> 01:13:13,599
Speaker 3: asks what he's doing. Shocked to see her, Corey stops

1513
01:13:13,680 --> 01:13:16,040
Speaker 3: dead in his tracks, but the waitress behind him grabs

1514
01:13:16,080 --> 01:13:18,679
Speaker 3: his arms and moves them to the music. Tapega points

1515
01:13:18,720 --> 01:13:21,280
Speaker 3: out that he's tushy dancing, and Corey says I am not,

1516
01:13:21,840 --> 01:13:24,519
Speaker 3: and Topega rightfully shouts I'm looking at you.

1517
01:13:25,120 --> 01:13:27,040
Speaker 2: How does Penga know it's called the tissue dance?

1518
01:13:28,560 --> 01:13:32,320
Speaker 3: I heard over the speaker, aren't Did.

1519
01:13:32,240 --> 01:13:34,200
Speaker 4: Anybody else also think someone was going to bump into

1520
01:13:34,240 --> 01:13:35,360
Speaker 4: Corey who was going to drop the ring?

1521
01:13:35,439 --> 01:13:36,519
Speaker 2: It was going to fall on the ground. It was

1522
01:13:36,560 --> 01:13:37,920
Speaker 2: going to be him like rooting on the ground for

1523
01:13:38,000 --> 01:13:39,639
Speaker 2: the ring. That's where I thought.

1524
01:13:39,479 --> 01:13:40,040
Speaker 6: This was going.

1525
01:13:40,120 --> 01:13:40,479
Speaker 2: Mmmm.

1526
01:13:40,960 --> 01:13:44,160
Speaker 3: Probably would have been better. Corey says it's not him better, yeah,

1527
01:13:44,880 --> 01:13:46,640
Speaker 3: and urges the woman to get off of him, and

1528
01:13:46,720 --> 01:13:49,800
Speaker 3: that's when Tapanga notices he isn't wearing his ring. Why

1529
01:13:49,960 --> 01:13:52,080
Speaker 3: he found it? Why didn't he immediately put it back on?

1530
01:13:53,320 --> 01:13:55,560
Speaker 3: Corey tries to explain himself, but Topanga just takes the

1531
01:13:55,640 --> 01:13:58,360
Speaker 3: ring from his hand and walks away, and later at

1532
01:13:58,360 --> 01:14:00,519
Speaker 3: the student union, Corey walks in and sees Angela. She

1533
01:14:00,600 --> 01:14:02,439
Speaker 3: points him in the direction of the fireplace where Tapanga

1534
01:14:02,520 --> 01:14:04,439
Speaker 3: is sitting alone staring at Corey's engagement ring.

1535
01:14:04,520 --> 01:14:06,040
Speaker 1: Beautiful little fireplace.

1536
01:14:07,720 --> 01:14:09,720
Speaker 2: Spot. I don't remember that at all. It's cool, he

1537
01:14:09,840 --> 01:14:10,200
Speaker 2: tells her.

1538
01:14:10,320 --> 01:14:13,040
Speaker 3: There's a perfectly logical reason for what happened to Penga

1539
01:14:13,080 --> 01:14:15,479
Speaker 3: says she'd love to hear it. Corey assures her she's

1540
01:14:15,520 --> 01:14:17,639
Speaker 3: going to laugh. I didn't go back to that place

1541
01:14:17,680 --> 01:14:19,840
Speaker 3: tonight to do the tushy dance. I only went back

1542
01:14:19,840 --> 01:14:21,280
Speaker 3: because I left my ring on the table and I

1543
01:14:21,320 --> 01:14:23,680
Speaker 3: had to go get it back to Pega asks why

1544
01:14:23,720 --> 01:14:26,479
Speaker 3: would you take off your ring? Corey explains, because they

1545
01:14:26,520 --> 01:14:28,840
Speaker 3: were calling me the major. There are some places where

1546
01:14:28,840 --> 01:14:31,280
Speaker 3: a guy goes where he feels uncomfortable wearing a ring,

1547
01:14:31,520 --> 01:14:33,640
Speaker 3: and most guys don't even wear a ring before they

1548
01:14:33,680 --> 01:14:36,559
Speaker 3: get married, and even some merry guys don't wear rings

1549
01:14:36,920 --> 01:14:39,160
Speaker 3: to Penga reminds him, I never asked you to wear

1550
01:14:39,200 --> 01:14:41,479
Speaker 3: an engagement ring. You saw mine and said pretty, I

1551
01:14:41,600 --> 01:14:44,600
Speaker 3: want one. Corey argues, that's because I didn't expect all

1552
01:14:44,640 --> 01:14:46,360
Speaker 3: the men to hate me for it, but they really do.

1553
01:14:47,000 --> 01:14:49,240
Speaker 3: I stick out at every place they go to poker games,

1554
01:14:49,360 --> 01:14:52,519
Speaker 3: steam baths, cock fights, to Pega.

1555
01:14:52,600 --> 01:14:55,640
Speaker 1: Asks just to understand the conflict here, it's like and now,

1556
01:14:55,720 --> 01:14:58,040
Speaker 1: because then she says, you I have feeling the choice

1557
01:14:58,080 --> 01:14:59,640
Speaker 1: to have the thing or to have the ring. So

1558
01:14:59,760 --> 01:15:03,240
Speaker 1: then she could easily say, since since you don't want

1559
01:15:03,280 --> 01:15:06,080
Speaker 1: to wear a ring, and that's fine, don't wear it.

1560
01:15:06,280 --> 01:15:11,479
Speaker 3: Don't worrying if she said, listen, Corey, we agreed that

1561
01:15:11,600 --> 01:15:14,040
Speaker 3: if I was going to wear a ring, you were

1562
01:15:14,080 --> 01:15:17,439
Speaker 3: gonna wear a ring. And if the problem is looking

1563
01:15:17,800 --> 01:15:21,360
Speaker 3: like you belong to somebody, maybe you shouldn't belong to somebody,

1564
01:15:21,960 --> 01:15:24,080
Speaker 3: that's fair. Then it'd be then it'd be a conflict.

1565
01:15:24,680 --> 01:15:27,519
Speaker 3: So and some married guys don't wear rings. So you're

1566
01:15:27,520 --> 01:15:29,120
Speaker 3: all right, we're not even married yet, and you're already

1567
01:15:29,120 --> 01:15:31,519
Speaker 3: telling me you don't want an obvious symbol of marriage

1568
01:15:31,560 --> 01:15:34,639
Speaker 3: on your hand. Topeka asks, don't you realize the people

1569
01:15:34,680 --> 01:15:37,160
Speaker 3: you so desperately want to be accepted by would probably

1570
01:15:37,520 --> 01:15:42,720
Speaker 3: rather have what you have? All people just need to

1571
01:15:42,760 --> 01:15:46,400
Speaker 3: be reships, stable relationship, that's what they need.

1572
01:15:47,280 --> 01:15:50,439
Speaker 2: You cannot be happy and single. They do not work

1573
01:15:50,479 --> 01:15:51,200
Speaker 2: in the boy Mets world.

1574
01:15:51,240 --> 01:15:54,160
Speaker 3: You need no wow. Corey's confused. What do I have

1575
01:15:55,000 --> 01:15:59,320
Speaker 3: to Penga rolls her eyes me. She clarifies, I mean

1576
01:15:59,400 --> 01:16:02,320
Speaker 3: someone who cares about them. That's all the ring is about, Corey,

1577
01:16:02,439 --> 01:16:04,680
Speaker 3: that I have somebody that cares about me. But I

1578
01:16:04,800 --> 01:16:06,680
Speaker 3: care about you, whether you want to wear the ring

1579
01:16:06,880 --> 01:16:09,240
Speaker 3: or you don't. Corey pushes back. If I want to

1580
01:16:09,240 --> 01:16:13,360
Speaker 3: play poker, I'm playing to Penga nods, go play, he continues,

1581
01:16:13,479 --> 01:16:15,320
Speaker 3: and if I want to play me a little touch

1582
01:16:15,360 --> 01:16:17,800
Speaker 3: football on the field with the boys, I'm playing ta

1583
01:16:17,840 --> 01:16:20,760
Speaker 3: Pega encourages him again, you go and run real hard,

1584
01:16:21,240 --> 01:16:23,000
Speaker 3: and Corey continues, and if I want to take my

1585
01:16:23,120 --> 01:16:26,519
Speaker 3: ring off to Penga cuts him off. No, you either

1586
01:16:26,560 --> 01:16:29,640
Speaker 3: wear the ring or you don't. He asks why, and

1587
01:16:29,720 --> 01:16:33,160
Speaker 3: she explains, because I have feelings too, Corey. She holds

1588
01:16:33,200 --> 01:16:35,519
Speaker 3: out the ring toward him, and at the same moment, Dan, Louie,

1589
01:16:35,560 --> 01:16:38,920
Speaker 3: and Sean come waltzing in. Dan announces, Hey, Matthew's poker

1590
01:16:39,000 --> 01:16:41,639
Speaker 3: game my room. Dig this, You're actually invited this time.

1591
01:16:41,920 --> 01:16:44,120
Speaker 3: Louie is excited, and now they're going to play poker.

1592
01:16:44,640 --> 01:16:47,200
Speaker 2: What time is that it is? And he must be

1593
01:16:47,280 --> 01:16:49,600
Speaker 2: a student because they because he says, my room. So

1594
01:16:50,080 --> 01:16:51,320
Speaker 2: that's at the local motel.

1595
01:16:52,680 --> 01:16:55,160
Speaker 3: Louie is excited. This is great. There's two poker games

1596
01:16:55,200 --> 01:16:56,960
Speaker 3: on the same day. I get my allowance check from

1597
01:16:57,000 --> 01:16:57,400
Speaker 3: my mom.

1598
01:16:57,680 --> 01:16:58,639
Speaker 1: So we played poker.

1599
01:16:59,680 --> 01:17:01,080
Speaker 2: Where went to the strip club?

1600
01:17:01,120 --> 01:17:01,880
Speaker 1: Went back to the strip?

1601
01:17:01,960 --> 01:17:03,599
Speaker 3: Oh my god, well but I came back home, went

1602
01:17:03,640 --> 01:17:07,599
Speaker 3: back to the strip club and playing and and Pank

1603
01:17:07,680 --> 01:17:14,080
Speaker 3: is probably gonna take two more showers. Uh Dan laughs. Yeah, ironic,

1604
01:17:14,200 --> 01:17:16,360
Speaker 3: isn't it. As the two walk away Sean joins Corey

1605
01:17:16,400 --> 01:17:18,880
Speaker 3: and to Pang at the fireplace, Corey asks his best friend,

1606
01:17:19,000 --> 01:17:21,880
Speaker 3: are you still hanging out with those guys? Shawn shrugs, Yeah,

1607
01:17:22,080 --> 01:17:25,800
Speaker 3: it's either that or sleep. You coming tonight? Corey smiles, Yeah,

1608
01:17:26,240 --> 01:17:28,519
Speaker 3: save me a seat, But he adds, but if I

1609
01:17:28,560 --> 01:17:31,000
Speaker 3: don't show up, it's probably because I'm having a better

1610
01:17:31,080 --> 01:17:32,040
Speaker 3: time with somebody else.

1611
01:17:32,720 --> 01:17:35,640
Speaker 4: That's what I said. Okay, that's super ambiguous. We need

1612
01:17:35,680 --> 01:17:38,360
Speaker 4: four people for poker. Are you coming or are you

1613
01:17:38,520 --> 01:17:39,080
Speaker 4: not coming?

1614
01:17:39,640 --> 01:17:39,960
Speaker 2: Correct?

1615
01:17:40,080 --> 01:17:42,720
Speaker 3: I need to know. Also, kind of this is a

1616
01:17:42,760 --> 01:17:45,640
Speaker 3: good opportunity for you to say, go go be with

1617
01:17:45,720 --> 01:17:50,000
Speaker 3: the guys. You're good there, go go go sit and

1618
01:17:50,040 --> 01:17:52,720
Speaker 3: play poker with your bros instead of sitting here with

1619
01:17:52,840 --> 01:17:55,799
Speaker 3: me at the fireplace. I've showered and I'm.

1620
01:17:55,680 --> 01:17:58,040
Speaker 2: Ready for bed, so you can goower again.

1621
01:17:58,680 --> 01:17:58,840
Speaker 4: Uh.

1622
01:17:59,240 --> 01:18:01,720
Speaker 3: Corey sits back with Topanga and she smiles. He takes

1623
01:18:01,760 --> 01:18:03,439
Speaker 3: the ring from her hand and slips it back onto

1624
01:18:03,479 --> 01:18:06,799
Speaker 3: his finger. Sean watches on and says, good for you guys.

1625
01:18:07,439 --> 01:18:11,040
Speaker 3: Corey reminds him, you know, Sean, you're always invited to

1626
01:18:11,080 --> 01:18:14,400
Speaker 3: hang out with us. Sean nods, I know. Then he

1627
01:18:14,520 --> 01:18:17,040
Speaker 3: turns and sees Angela at the bull table. He sighs

1628
01:18:17,080 --> 01:18:20,200
Speaker 3: and walks right past her, and Angela sadly watches him leave.

1629
01:18:20,680 --> 01:18:23,120
Speaker 3: Cory and Tapanga notice the exchange and are sad to

1630
01:18:23,200 --> 01:18:28,360
Speaker 3: see the current state of their relationship their horrible lives

1631
01:18:28,439 --> 01:18:29,360
Speaker 3: because they're not together.

1632
01:18:30,240 --> 01:18:32,559
Speaker 2: Looks like you're walking away from happiness, my friend.

1633
01:18:32,840 --> 01:18:35,240
Speaker 3: Wow again, there's no tag.

1634
01:18:37,000 --> 01:18:41,479
Speaker 1: Yeah. This is probably the most ideologically twisted episode of

1635
01:18:41,520 --> 01:18:44,800
Speaker 1: Boyman's World in that it's twisting itself around all these

1636
01:18:44,840 --> 01:18:49,000
Speaker 1: different concepts that don't work against each other or with

1637
01:18:49,120 --> 01:18:51,519
Speaker 1: each other, and it's like trying to do it all

1638
01:18:51,840 --> 01:18:55,680
Speaker 1: and it just is a confusing mess of from me

1639
01:18:56,000 --> 01:18:56,919
Speaker 1: from scene to scene.

1640
01:18:56,760 --> 01:18:59,000
Speaker 4: Like it is it's I have to bleeth this one

1641
01:18:59,040 --> 01:19:00,920
Speaker 4: because I was honestly thinking. I was like, okay, I

1642
01:19:00,960 --> 01:19:02,640
Speaker 4: get people come for us sometimes and they're like, hey,

1643
01:19:02,720 --> 01:19:04,200
Speaker 4: you guys are looking at it from the lens.

1644
01:19:04,080 --> 01:19:06,800
Speaker 2: Of now, or you're being overly harsh in the show.

1645
01:19:07,000 --> 01:19:09,840
Speaker 4: I don't know how anybody could watch this episode and

1646
01:19:10,439 --> 01:19:12,320
Speaker 4: defend it in any way, shape or form. This is

1647
01:19:12,600 --> 01:19:15,880
Speaker 4: just a bad episode of television, just just a bad

1648
01:19:15,920 --> 01:19:19,440
Speaker 4: episode of Boy Meets World. It's a bad episode, internal

1649
01:19:19,479 --> 01:19:20,599
Speaker 4: logic all the way around.

1650
01:19:20,800 --> 01:19:21,639
Speaker 2: It's just bad.

1651
01:19:22,400 --> 01:19:22,599
Speaker 1: Yeah.

1652
01:19:22,960 --> 01:19:25,679
Speaker 3: Well, thank you all for joining us for this bad episode.

1653
01:19:25,960 --> 01:19:27,920
Speaker 2: Yes, thanks to means World.

1654
01:19:29,400 --> 01:19:31,320
Speaker 3: You can join us for our next episode recap, which

1655
01:19:31,360 --> 01:19:34,960
Speaker 3: is season six, episode nine, poetic license, an ode to

1656
01:19:35,240 --> 01:19:36,320
Speaker 3: Holden Coffield.

1657
01:19:36,400 --> 01:19:42,920
Speaker 4: Oh God, we're here, We're here, Yes poetry okay what

1658
01:19:43,160 --> 01:19:44,240
Speaker 4: rhymes with can't wait?

1659
01:19:45,280 --> 01:19:49,160
Speaker 3: The originally aired November twentieth, nineteen ninety eight. As always,

1660
01:19:49,160 --> 01:19:51,040
Speaker 3: you can follow us on Instagram Pod Meets World Show.

1661
01:19:51,080 --> 01:19:52,960
Speaker 3: You can send us your emails Pod Meets World Show

1662
01:19:53,000 --> 01:19:55,280
Speaker 3: at gmail dot com. And we've got merch.

1663
01:19:55,920 --> 01:19:59,400
Speaker 4: If I measured me E E s U t R

1664
01:19:59,600 --> 01:20:05,000
Speaker 4: E the amount of merch I had, I would explode

1665
01:20:05,360 --> 01:20:06,960
Speaker 4: E X Y P O.

1666
01:20:07,320 --> 01:20:08,160
Speaker 2: L D E E.

1667
01:20:10,200 --> 01:20:13,760
Speaker 3: Podmesworldshow dot com will send us out.

1668
01:20:14,160 --> 01:20:15,879
Speaker 2: We love you all, pod dismissed.

1669
01:20:17,240 --> 01:20:20,799
Speaker 4: Podmets World is nheart podcast producer and hosted by Danielle Fischel,

1670
01:20:20,880 --> 01:20:25,080
Speaker 4: Wilfredell and Ryder Strong executive producers, Jensen Carp and Amy Sugarman,

1671
01:20:25,360 --> 01:20:28,880
Speaker 4: Executive in charge of production, Danielle Romo, producer and editor,

1672
01:20:28,960 --> 01:20:32,760
Speaker 4: Tara sudbachsch producer, Maddy Moore, engineer and Boy Meets World

1673
01:20:32,800 --> 01:20:35,679
Speaker 4: superfan Easton Allen. Our theme song is by Kyle Morton

1674
01:20:35,720 --> 01:20:37,840
Speaker 4: of Typhoon and you can follow us on Instagram at

1675
01:20:37,920 --> 01:20:40,880
Speaker 4: Podmets World Show or email us at Podmets Worldshow at

1676
01:20:41,000 --> 01:20:41,840
Speaker 4: gmail dot com