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Speaker 1: Today's show is pre recorded. Y'all know what time. I

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Speaker 1: don't know. Y'all have a suit all giving them like

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Speaker 1: them things and its subte h Steve, I want to

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Speaker 1: join jo. You gotta turn you turn to turn them out, turn,

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Speaker 1: got to turnmout the water the water go. Come come

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Speaker 1: on your thing I show. Well a good morning everybody

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Speaker 1: y'all listening to the voice. Come on dig me nah,

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Speaker 1: one and only Steve Harvey got a radio show. Okay,

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Speaker 1: here we go today, folks. This is a good one

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Speaker 1: because today I want to share with you something that

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Speaker 1: affects every living soul, and that one thing is your attitude.

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Speaker 1: This affects everyone. It is your attitude. You know. I

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Speaker 1: don't know if anyone's ever told you, but I mean

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Speaker 1: many of you who listen know this, but there are

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Speaker 1: a lot of people who don't understand. A positive attitude

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Speaker 1: can bring about a change. A positive attitude can bring

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Speaker 1: about a change. Well, now here we go with the

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Speaker 1: nay says, well, Steve, what you mean if I'm just

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Speaker 1: positive being changed? Nor my mama go on? What me

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Speaker 1: being positive got to do with that? Okay, now listen

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Speaker 1: to me carefully. A positive attitude can bring about change. Well, okay, Steve,

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Speaker 1: I hear you saying that, but they didn't fired me.

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Speaker 1: So now what does my having a positive attitude have

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Speaker 1: to do with the fact that they fired me? Well,

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Speaker 1: one more time, a positive attitude can bring about change.

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Speaker 1: Or Steve, I set up in here and gave eight, nine,

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Speaker 1: twelve years of my life to this man and he

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Speaker 1: just he cheated on me and walked out. Now what

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Speaker 1: does me being positive have to do with him cheating

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Speaker 1: on me? How that's gonna change that? Okay, here we

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Speaker 1: go again. A positive attitude can bring about change. And

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Speaker 1: listen to the whole thing. Now, the positive attitude and

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Speaker 1: the change that can happen starts. This is the start.

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Speaker 1: It starts within you. See, life is ten percent of

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Speaker 1: what happens is what you do about what happens. Okay,

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Speaker 1: you gave twelve years of your life to this man.

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Speaker 1: He cheated and left you hold in the bag, the

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Speaker 1: kids and everything. Now what does being positive have to

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Speaker 1: do with changing that? Or they came in and they

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Speaker 1: fired you. You lost your job that you was a

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Speaker 1: stellar performer at. But now how does you having a

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Speaker 1: positive attitude? How does that change things for you? So far?

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Speaker 1: You can use any example. Here's what happens when you

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Speaker 1: have a positive attitude. What it produces within you is

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Speaker 1: a positive approach to life. And when you have a

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Speaker 1: positive attitude and a positive approach to life, it causes

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Speaker 1: you to be optimistic, to have a positive out a

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Speaker 1: look to expect things to eventually turn around, and and

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Speaker 1: and and turn into a positive That's very important because

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Speaker 1: as the law of attraction comes into play, if you

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Speaker 1: think positive thoughts, you attract positive things. If you think

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Speaker 1: evil thoughts, you attract evil to you. You know, if

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Speaker 1: you want for nothing, then nothing comes your way. If

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Speaker 1: you want for a positive attitude, if you want for

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Speaker 1: positive results, if you want for a great outcome, that's

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Speaker 1: what you attract to you. The change will begin within you.

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Speaker 1: So let's take the man that walked out your life

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Speaker 1: and left you hold in the bag. Here's a positive attitude. Okay,

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Speaker 1: two things have happened as positive here. Number one, you've

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Speaker 1: ridd it yourself of someone who is obviously going to be,

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Speaker 1: if not already been, toxic in your life. Cause you

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Speaker 1: many restless nights, a lot of uncomfortable feelings, an uneasiness,

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Speaker 1: not sure, insecure. You've been going through it with this person,

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Speaker 1: whoever they are. Number one, that person has been released

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Speaker 1: from your life. Number two, It allows you now to

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Speaker 1: have the someone who will treat you just the way

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Speaker 1: you want to be treated. That's the positive outlook, that's

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Speaker 1: the optimistic way. That's when you're a positive person. You

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Speaker 1: see the positive in things that happen to you, instead

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Speaker 1: of burying yourself under the horse wrong with it, a

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Speaker 1: old woe is me? Now? Concept see a positive attitude.

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Speaker 1: When they came in there and they fired you and

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Speaker 1: let you go, could this not have been just the

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Speaker 1: opening you needed to finally start on a new career

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Speaker 1: path that you've been talking about doing anyway? Could it

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Speaker 1: possibly be a brand new chance for you to get

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Speaker 1: the dream job or dream career of your choice. Could

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Speaker 1: it not possibly be the perfect opportunity now for you

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Speaker 1: to finally finally do something about that gift, about that

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Speaker 1: talent that God gave you, that thing that you love

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Speaker 1: to do. Could it not be the perfect time for

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Speaker 1: you to pursue that. But if you don't have a

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Speaker 1: positive attitude, then you lay there, Oh they finned come

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Speaker 1: getting my house? Oh what I'm gonna do now? All

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Speaker 1: this unemployment ain't enough? Oh? Lord, when this unemployment run out,

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Speaker 1: what am I gonna do? Then I won't have nothing?

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Speaker 1: And you old woe is me until you become old

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Speaker 1: woe is me. But if you take it from the

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Speaker 1: positive approach, some amazing things can happen in your life.

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Speaker 1: I will tell you on a personal note, that's some

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Speaker 1: of the most some of the best changes, some of

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Speaker 1: the biggest moments in my life came after a loss.

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Speaker 1: So I don't want to go down on the list,

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Speaker 1: but boy, I could tell you. Let me, let me

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Speaker 1: tell you something. When they didn't want me on the

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Speaker 1: radio anymore in La, when they didn't when they was

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Speaker 1: sick of the way I did radio out there and

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Speaker 1: they wanted me gone. And on May twenty third, two

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Speaker 1: thousand and five, when my when when when my deal

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Speaker 1: was done with the beat out in La? Okay, look

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Speaker 1: what happened though, y'all. I was gone in May. But

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Speaker 1: in September nineteenth I started to Steve Harvey Radio Network

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Speaker 1: with four cities. You see. But I didn't go old

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Speaker 1: war was me? I said, Oh, okay, God must have

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Speaker 1: something else from it then, because if he didn't remove

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Speaker 1: me from this, that must be something else. Same thing

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Speaker 1: can happened when you lose and you and you and

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Speaker 1: you break up in a relationship, same thing can happen

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Speaker 1: to you. You never know the one God God for

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Speaker 1: you that here you go, here you go again. Now

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Speaker 1: you get put into a situation with somebody, treat you

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Speaker 1: just the way you want to be treated, provide you

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Speaker 1: the whole lot of aspects of your life you knew

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Speaker 1: nothing about prior to that. But you gotta stay positive.

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Speaker 1: If you stay positive, that positive attitude, that optimistic outlook,

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Speaker 1: that that always thinking God got me no matter what

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Speaker 1: happened to me, some amazing things that's going can will

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Speaker 1: happen in your life. It's a fact. I don't know

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Speaker 1: how it works that way. I just know that's what

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Speaker 1: it is. Positive attitude is everything, y'all. So get off

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Speaker 1: the old woe is Me negativity train because it ain't

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Speaker 1: gonna take you nowhere but down and get get your

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Speaker 1: outlook up. If you change your attitude, you change your altitude.

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Speaker 1: Altitude is determined by your attitude. How high you go,

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Speaker 1: how big you become, how far you go. It all

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Speaker 1: depends on how you think. It all depends on what

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Speaker 1: type of attitude you got. It ain't no ain't no

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Speaker 1: very very successful, super negative people. It just doesn't coincide

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Speaker 1: that way. If you see that something that happened to

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Speaker 1: them along the way, And don't worry. You ain't gonna

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Speaker 1: weary about it because you ain't gonna see them long

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Speaker 1: because you can't stay up there like that. It's just

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Speaker 1: too hard, all right. That's the conversation you're listening, ladies

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Speaker 1: and gentlemen. The time has come. The Steve Harvey Morning

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Speaker 1: Show is sitting at the doorstep of reality, of mourning,

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Speaker 1: and on the doorstep of gratitude. Open the door to

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Speaker 1: your heart and let me eat. Boy, that was my

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Speaker 1: opening door to Dramatics, moved door to your heart? Who

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Speaker 1: water the coldest dawn in the cupboard? Oh gosh, how

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Speaker 1: to share in the basement, in the dog, oh anywhere?

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Speaker 1: See if there a place for me in your heart? Loo,

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Speaker 1: that's my jam, boy, you don't even understand. If you

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Speaker 1: got time to day, download Door to your Heart by

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Speaker 1: the Dramatics, one of the coldest love songs. Boy, I

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Speaker 1: found out about it from you. I had ye heard

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Speaker 1: that it was never a hit. It was on the

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Speaker 1: b side of Lord. If you if you understood soul music,

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Speaker 1: them damn dramatics. Man, I want to go outside. Yeah.

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Speaker 1: All I know is that in the rain, and what

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Speaker 1: you see is what you get. What you see like

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Speaker 1: a love. You know, some people may eat a plastic Boy,

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Speaker 1: that was a jail. They got jam shot, not by

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Speaker 1: anything they had. Boy, they had some hits, but I

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Speaker 1: thought one way remade that surely just shopping. I didn't

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Speaker 1: know it was a dramatic. I don't know where your

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Speaker 1: dramatics jair one way, no no South, no song we

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Speaker 1: got offended, my man? No no one way? Hell okay,

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Speaker 1: one way to one one to make cutie Poe. Yeah, yeah,

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Speaker 1: one way hell no damn dramatics. Take shot out to

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Speaker 1: said one way, Ron Banks l j Rynolds Dramatic World,

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Speaker 1: Squirrel World squirld Yes, Squirrel Junior. One's on your mind

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Speaker 1: right quickly, man, Come to tell you, man, I didn't

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Speaker 1: know all these souls make you feel like this would

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Speaker 1: They'd be singing about what they were doing, just shopping,

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Speaker 1: not buying, then sing right, God, I just never heard

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Speaker 1: these must be falling in love? What's your baby? What's

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Speaker 1: that other? Jam? Uh? Like wheel whirling round and round,

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Speaker 1: roping down to hell, spinning on the ground. Your kisses

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Speaker 1: make me deasy in the head. Now I'm falling, yeah, falling. Whoa,

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Speaker 1: here I go wall down and down I go. I

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Speaker 1: can't help myself. You're listening, show, it is time now

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Speaker 1: to start your morning off with the nephew and run

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Speaker 1: that frank back. What you got now? Chopper's funeral at

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Speaker 1: the club, let's go cat, y'all trying to reach out

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Speaker 1: James James, James, Yeah, Yeah, what's up? Hey, this this

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Speaker 1: is a Gerald. Uh. I was a friend of uh,

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Speaker 1: your your friend Chopper. Yeah, and the Chopper just uh

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Speaker 1: passed away last week, right, I know they posed how

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Speaker 1: the funeral and stuff over at uh at my adoptist church,

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Speaker 1: and uh, I don't really know you, but me, Me

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Speaker 1: and me and Chopper and a bunch of rest us. Man,

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Speaker 1: we used to hang out at the club not too

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Speaker 1: far from the house. You know. That's pretty much where

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Speaker 1: Chopper woold all the time. And at the club anyway,

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Speaker 1: what a bunch of us was over at the club talking, man,

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Speaker 1: and I was we was really want to reach out

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Speaker 1: to one of the family members, you know, And then

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Speaker 1: somebody said you was, you know, kind of a good

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Speaker 1: friend of his. And when we we we we decided

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Speaker 1: to call you and see if you didn't mind. Do

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Speaker 1: you think that you can talk to uh some of

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Speaker 1: the family members and see if they don't mind having

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Speaker 1: the funeral at the club. At the club. See what,

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Speaker 1: let me let me try to explain something to you, Jane.

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Speaker 1: What we're trying to do is, see, we believed that

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Speaker 1: we believe you said at the club. Come on the club.

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Speaker 1: There's a funeral. And I understand it. But see, chop

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Speaker 1: Choppa ain't really go to church a whole lot. You

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Speaker 1: know what I'm saying. He didn't really really go long

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Speaker 1: as I've been knowing him. Now, he loved a Lord

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Speaker 1: and stuff like that, folks, I understand, But see Chopper

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Speaker 1: wouldn't Chopper Chopper went to the club. So what I'm

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Speaker 1: asking you is, let's have the funeral at the club. Hell, no, bro,

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Speaker 1: come on, we can't have no funeral at no club. Man,

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Speaker 1: Come on, No, no, I can't. But but what I'm

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Speaker 1: saying is is that he wasn't really he wasn't really

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Speaker 1: no church going person. I believe that a person ought

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Speaker 1: to be uh. The last words are to be said

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Speaker 1: over him in a place he's more familiar with you

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Speaker 1: know what I'm saying. Player, player, No, I don't. I

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Speaker 1: don't know what you mean. Players. No, just just gotta

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Speaker 1: be a funeral. This, this is this is church for

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Speaker 1: I go to church and all my folks go to church.

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Speaker 1: Now we gotta do this thing up in church. This

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Speaker 1: is a church thing. But you don't, you don't feel

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Speaker 1: But do you understand why I'm coming from. No, that

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Speaker 1: man ought to going on and and the last words

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Speaker 1: are to be in a place he more familiar with. Now,

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Speaker 1: if he went to church, then I understand that. You see,

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Speaker 1: oh broll no, no, see, it's his chance to get

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Speaker 1: itself right. We don't we don't have him up in

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Speaker 1: church in front of everybody. You know, that don't make sense?

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Speaker 1: Who's this again? I mean, who are you? My name Gerald?

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Speaker 1: But who is Gerald? I mean? How do you? How

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Speaker 1: do you relate to this? Are you preacher? Are you? No? No?

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Speaker 1: You no, no, no, no, I'm I'm I was friends

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Speaker 1: with Chopper and see I hung out at the club

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Speaker 1: and still hang out there with a whole bunch of

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Speaker 1: you know, was real good friends with Chopping and we

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Speaker 1: were saying that, you know, Chopper's lads words about Chopper

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Speaker 1: or to be said at the club or see, that's

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Speaker 1: what Choppa was. But five six days a week, that's

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Speaker 1: what Choppa was. Yeah, but what church are you affiliated with?

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Speaker 1: I mean, why the hell? What I try to talk

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Speaker 1: to the family, make me look stupid in front of

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Speaker 1: the family, telling them to put the thing in a club?

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Speaker 1: How that gonna go off? Well? See, see that's what

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Speaker 1: I'm saying. You know them way more than we do,

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Speaker 1: because you're talking about trying to move from and damn

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Speaker 1: funeral at a church to a damn nightclub or strip

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Speaker 1: club or something. No, not no strip club, just a nightclub.

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Speaker 1: It's the same thing, ain't it. I mean you're talking

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Speaker 1: about having folks travel from across the country and meeting

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Speaker 1: into the damn club. What kind of that? But that's

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Speaker 1: what Choppa was. That what Choppa was. I'm gonna look,

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Speaker 1: if I'm the one telling them to root it to

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Speaker 1: the damn club, You're gonna look like somebody that's trying

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Speaker 1: to I'm gonna look like a fool. No you're not.

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Speaker 1: You're gonna look like somebody that's trying to keep it

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Speaker 1: real when come to the damn feeling. If I will

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Speaker 1: to do something like that, Okay, Okay, let me and

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Speaker 1: you this hit in. Let me ass you this hill

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Speaker 1: or Jane, do you think do you think you can

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Speaker 1: maybe get the body and bring it over to the club. Well,

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Speaker 1: I'm just saying before they even do the funeral or whatever,

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Speaker 1: I ain't touching getting the walk in the dog by

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Speaker 1: myself body for him. No all, we're just trying to

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Speaker 1: say our last words. And chopper Man in a place

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Speaker 1: that chopper most no Hillmer again, who you you get

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Speaker 1: my number? Somebody at the club had your number, said

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Speaker 1: you was print. But why y'all called me? Of all folks,

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Speaker 1: y'all call me, They say you good. You in with

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Speaker 1: the family and you can tell me the family. But

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Speaker 1: I ain't in the samler make me look stupid. Hell, No, won't, y'all.

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Speaker 1: I get yall the number to the family. Y'all call

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Speaker 1: the family, y'all tell them that yourself. Man, I won't.

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Speaker 1: I just want trying to get you to brain the

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Speaker 1: body by man and let us no, I ain't touching

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Speaker 1: no dead body. We just want to have one last drink.

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Speaker 1: Chopper Man, you have one with your boys, and you

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Speaker 1: get together with him and y'all talk about bottom and

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Speaker 1: let him know I Chopper one, what kind of prisony was?

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Speaker 1: What kind of prison? But we need to we won't

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Speaker 1: chop up to be there. This Chopper, this is Chopper

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Speaker 1: you talking about? Man, Bring y'all to the church. Y'all

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Speaker 1: need to be up in the church. We want to

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Speaker 1: have Chopper at the club. We weren't on them a man,

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Speaker 1: y'all fuller well, we know have looking like a fool

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Speaker 1: at the damn funeral. Just about Chopper though, And then

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Speaker 1: I'm writing about Chopper. You break Chopper to that club,

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Speaker 1: y'all tripping, man, I ain't doing I'm just going to

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Speaker 1: this funeral. I'm gonna care to family what I think

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Speaker 1: about Chopping, And I'm moving on. If y'all want to

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Speaker 1: clays in front of town of y'all call the town

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Speaker 1: of y'all seventy. Then look, I got one more thing

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Speaker 1: I want to see. I don't even know you, well

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Speaker 1: what what what? This is nephew Timmy from the Steve

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Speaker 1: hard And Morning Show. You just got pranked by your board.

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Speaker 1: This nephew taught me. Man from the Steve Harvey Morning Show.

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Speaker 1: Your boy told me to prank you. Man, I just James.

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Speaker 1: This is nephew t me, no, no playoff. Oh man,

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Speaker 1: I can't believe this. No, he didn't. I can't even

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Speaker 1: believe he did that. Hey man, I got one more

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Speaker 1: thing to ask you, man, what is what is the

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Speaker 1: baddest radio show in the land, The Steve Harvey Moaning Show.

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Speaker 1: You can thank me later. I'll be back on another

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Speaker 1: hour tomorrow. Thank you. That coming up next, it is

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Speaker 1: asked the CLO or Chief Love Officer, Steve Harvey is

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Speaker 1: in the building and he's waiting and ready. You're listening.

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Speaker 1: Every morning show coming up at the top of the hour,

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Speaker 1: and entertainment news, the Osandaro brothers do a reenactment of

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Speaker 1: the Jesse Smalllette attack in their new documentary, plus an

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Speaker 1: other entertainment news. Yeah, yeah, reenact me. Yes, Yes, they

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Speaker 1: have a brand new documentary. We'll talk about it, plus

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Speaker 1: an other entertainment news. Producers of the ninety fifth Oscars

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Speaker 1: said they were harder jokes written about Will Smith, but

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Speaker 1: they decided to cut them out. We'll talk about all

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Speaker 1: of these stories, like I said at the top of

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Speaker 1: the hour, but right now it is time to ask

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Speaker 1: the CLO. All right, Cello, Cynthia and Louisville writes, my

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Speaker 1: husband loves to go running after work and then come home,

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Speaker 1: eat dinner, and crash. He's a shower once a day

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Speaker 1: kind of guy. And it's usually in the morning, and

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Speaker 1: it's getting hotter now. So how do I get him

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Speaker 1: to take a shower after his evening run? He can't

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Speaker 1: get in the bed. Yeah, y'all know how to do it. Y'all.

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Speaker 1: Woman can stop a man from getting the bed. Ah,

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Speaker 1: you're not getting in here. Take a shower because nagging.

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Speaker 1: Nagging is very effective. Get nato. Yeah, well I must

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Speaker 1: see men men different. So like he figured, I'm gonna

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Speaker 1: show out in the morning, like you know, just just running.

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Speaker 1: And that's too much. See. I don't like that sticky feeling. Yeah.

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Speaker 1: I can't even sleep good like that. I like my

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Speaker 1: skin moving smooth on the sheets and stuff. I don't

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Speaker 1: like when my legs and thighs is under arms, is touching,

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Speaker 1: getting stuck. That's a that's an uncomfortable man. Get yours.

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00:22:52,520 --> 00:22:55,080
Speaker 1: I fell asleep like that and got up and took

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Speaker 1: a shower, went home on man, this this ain't this.

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Speaker 1: It's come on now, bought on Triford. Yeah, sorry, Cynthia,

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Speaker 1: All right. Jasmine in Springfield says I'm twenty eight years

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Speaker 1: old and I was stating a man that is overweight

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Speaker 1: and unattractive. Never in a million years did I think

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00:23:13,400 --> 00:23:16,639
Speaker 1: he cheat on me. I'm in shape and beautiful, but

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00:23:16,880 --> 00:23:21,400
Speaker 1: he cheated. Anyway, she says she's dating. Yeah, she's dating

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Speaker 1: him at twenty years old. He's overweight, unattractive, okay, And

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Speaker 1: her question is, cello, why aren't men ever satisfied, especially

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00:23:32,000 --> 00:23:37,680
Speaker 1: especially the ugly ones, particularly because you're ugly, fat, overweight,

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Speaker 1: ugly as man got money, which is why you wit

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Speaker 1: him in the first place. Let's stop this. If you

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00:23:42,880 --> 00:23:44,920
Speaker 1: ain't waiting for his weight, and you ain't waiting for

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Speaker 1: his attractiveness, then what's the pool is he bought you

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00:23:48,840 --> 00:23:52,119
Speaker 1: stuff and took care of you. That's why you with him. Hey,

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00:23:52,280 --> 00:23:55,040
Speaker 1: quit playing this game right here. So now says he

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00:23:55,200 --> 00:23:58,040
Speaker 1: know that's why you win him. And that's debate that's worked.

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00:23:58,119 --> 00:24:00,360
Speaker 1: He ain't got no problem spreading debate around the way,

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00:24:01,160 --> 00:24:04,240
Speaker 1: moving around. See y'all, y'all, but see listen to me, man,

347
00:24:04,640 --> 00:24:11,760
Speaker 1: stop this. He's overweighting, unattractive. What you're waiting for? Call sup?

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00:24:11,960 --> 00:24:16,280
Speaker 1: What he'd do? You all will overlook weight and looks

349
00:24:16,359 --> 00:24:18,760
Speaker 1: if a dude can give you the lifestyle, you won't,

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00:24:19,560 --> 00:24:31,960
Speaker 1: and women do it all overlook, overlook a multitude of sins.

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00:24:32,320 --> 00:24:34,320
Speaker 1: If he can give you the lifestyle and take care

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00:24:34,320 --> 00:24:41,960
Speaker 1: of you the way you wanted to care, please a girl,

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Speaker 1: I know that's the truth. So this she rode in,

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00:24:44,440 --> 00:24:50,040
Speaker 1: Why can't he because that bait worked for you. He

355
00:24:50,119 --> 00:24:53,480
Speaker 1: gonna spread this bait around. He got money for that

356
00:24:53,600 --> 00:25:01,200
Speaker 1: other girl too, so she get a broke U. Why

357
00:25:01,240 --> 00:25:05,800
Speaker 1: don't you try getting somebody to care about you. See

358
00:25:05,840 --> 00:25:09,280
Speaker 1: that's where you start. Get somebody to care about you.

359
00:25:09,760 --> 00:25:12,480
Speaker 1: Get somebody you can build something together. See when y'all

360
00:25:12,480 --> 00:25:16,240
Speaker 1: get these ready made men that ain't really ready made,

361
00:25:16,880 --> 00:25:21,320
Speaker 1: ain't really made, I think it ain't. No ugly cheetahs

362
00:25:21,320 --> 00:25:23,920
Speaker 1: out there, that's what they think. I don't know why, man, please,

363
00:25:27,320 --> 00:25:30,280
Speaker 1: he said, tell them Tommy, some ugly cheetahs out there.

364
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Speaker 1: All right? Moving on, Jasmine, I hope you got the message.

365
00:25:36,119 --> 00:25:39,960
Speaker 1: Marquise and key West says um, I've been dating a

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Speaker 1: woman for three years, but I don't love her romantically,

367
00:25:43,480 --> 00:25:47,159
Speaker 1: and we haven't had sex this year. This is I

368
00:25:47,320 --> 00:25:50,800
Speaker 1: do value our friendship and I wouldn't want it to

369
00:25:51,080 --> 00:25:53,360
Speaker 1: end because I broke up with her. Is it possible

370
00:25:53,400 --> 00:25:56,920
Speaker 1: to remain close friends after a breakup? I ain't it,

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00:25:57,119 --> 00:26:07,280
Speaker 1: March March fellow. I don't. I don't understand that. I mean,

372
00:26:07,520 --> 00:26:09,200
Speaker 1: I don't know why you with somebody you ain't in

373
00:26:09,320 --> 00:26:12,400
Speaker 1: love with for three years? See you see you don't

374
00:26:12,520 --> 00:26:16,480
Speaker 1: got used to her. It's easy to be with her.

375
00:26:17,240 --> 00:26:19,440
Speaker 1: You ain't in love with her if you ain't had sex, Di,

376
00:26:19,760 --> 00:26:23,800
Speaker 1: you ain't had sex with her this year? Well? Actually, fair, yeah,

377
00:26:24,359 --> 00:26:27,520
Speaker 1: we haven't had sex. No no, no, no, no, no

378
00:26:28,440 --> 00:26:33,440
Speaker 1: that he had sex? Right, he's having it. Yeah, he

379
00:26:33,560 --> 00:26:37,160
Speaker 1: ain't had it with her her right, So it's because

380
00:26:37,200 --> 00:26:39,159
Speaker 1: you ain't in love with her. Dog, you don't. You

381
00:26:39,240 --> 00:26:41,560
Speaker 1: don't outgrew it. Why don't you get somebody you love?

382
00:26:42,480 --> 00:26:44,760
Speaker 1: See you value the friendship? Why don't you tell her

383
00:26:44,760 --> 00:26:46,840
Speaker 1: you just want to be free and see how that go? Now?

384
00:26:46,920 --> 00:26:49,720
Speaker 1: She gonna stalk you, and I want you to be looking.

385
00:26:50,200 --> 00:26:53,560
Speaker 1: I want you, Yeah, she gonna stalk you, dog, Yeah,

386
00:26:53,720 --> 00:26:55,640
Speaker 1: And I want you to be aware of a couple

387
00:26:55,680 --> 00:26:58,760
Speaker 1: of things too, because listen to me. Listen to me closely. Dog.

388
00:27:00,760 --> 00:27:04,240
Speaker 1: If you walk out of building, always look at your

389
00:27:04,320 --> 00:27:07,000
Speaker 1: clothes when you walk out of a building. Wait, what

390
00:27:07,800 --> 00:27:10,000
Speaker 1: always look at your clothes when you walk out of

391
00:27:11,040 --> 00:27:13,720
Speaker 1: what's that far because it could be a red dot

392
00:27:13,800 --> 00:27:19,119
Speaker 1: on your shirt. He is close to the street on

393
00:27:19,280 --> 00:27:22,840
Speaker 1: top of building, and she can take your ass out.

394
00:27:23,280 --> 00:27:26,040
Speaker 1: You can tell her. Yeah, I'm gonna and tell her

395
00:27:26,040 --> 00:27:28,120
Speaker 1: you just won't be friends if you want to. I'm

396
00:27:28,160 --> 00:27:32,800
Speaker 1: just letting you know. That's all I'm gonna say. See, hello,

397
00:27:33,400 --> 00:27:35,520
Speaker 1: women put men in the friend zone all the time

398
00:27:35,800 --> 00:27:38,639
Speaker 1: if they Yeah, but y'all don't like getting put in

399
00:27:38,720 --> 00:27:42,400
Speaker 1: it though, especially if y'all been now, especially after y'all

400
00:27:42,480 --> 00:27:45,600
Speaker 1: been doing more than friendly stuff. Now oh now, oh

401
00:27:45,760 --> 00:27:48,640
Speaker 1: you don't want this. Well who you're getting it from,

402
00:27:49,480 --> 00:27:52,520
Speaker 1: you know that's where you're going. And then also you've

403
00:27:52,560 --> 00:27:55,000
Speaker 1: been cheating, and then you know what's gonna happen after that.

404
00:27:55,800 --> 00:27:58,160
Speaker 1: It is hard. The best thing you could do, dog

405
00:27:58,359 --> 00:28:02,000
Speaker 1: is move out of state. He got to relocated. Yeah,

406
00:28:02,440 --> 00:28:05,600
Speaker 1: you got the uproot dog, because you're going there and

407
00:28:05,680 --> 00:28:07,760
Speaker 1: tell this woman y'all just going to be friend There's

408
00:28:07,760 --> 00:28:12,160
Speaker 1: fenn to be no peace in your valley all over town.

409
00:28:13,800 --> 00:28:18,840
Speaker 1: Oh all right, last one? See last one. This is

410
00:28:18,880 --> 00:28:22,840
Speaker 1: from d Shay. D Shay and Richmond writes whenever I'm

411
00:28:22,880 --> 00:28:26,320
Speaker 1: out with my boyfriend, he's always commenting on how other

412
00:28:26,440 --> 00:28:29,560
Speaker 1: women look. He's a gentleman and opens doors for women,

413
00:28:29,640 --> 00:28:33,000
Speaker 1: but then he follows them inside with his eyes. Is

414
00:28:33,040 --> 00:28:37,960
Speaker 1: he being chivalrous or disrespectful in my presence? Well, he's

415
00:28:38,000 --> 00:28:42,040
Speaker 1: being chivalrous because he's opening doors. Yeah, he's not being

416
00:28:42,160 --> 00:28:45,280
Speaker 1: disrespectful to you, because he don't know you watching him.

417
00:28:46,240 --> 00:28:51,000
Speaker 1: What you can't expect us not to see her. So

418
00:28:51,120 --> 00:28:52,680
Speaker 1: when you open the door, you got to do all

419
00:28:52,760 --> 00:28:56,040
Speaker 1: this with your eyes. Yes. See what he got to

420
00:28:56,160 --> 00:28:59,080
Speaker 1: do is see you. Now see what he's stupid is

421
00:28:59,280 --> 00:29:01,920
Speaker 1: he got the old niddope for his girl and her

422
00:29:02,760 --> 00:29:04,959
Speaker 1: and he got let him go through. And while they

423
00:29:05,120 --> 00:29:11,640
Speaker 1: going through, then you follow le j okay, whatever coming up?

424
00:29:13,680 --> 00:29:15,880
Speaker 1: His problem is he getting in front of his girl

425
00:29:15,960 --> 00:29:18,800
Speaker 1: and she watching his head stay behind both of them.

426
00:29:18,880 --> 00:29:21,720
Speaker 1: Don't coming up. At the top of the hour, we'll

427
00:29:21,760 --> 00:29:24,800
Speaker 1: have some entertainment news where you right after this, you're

428
00:29:24,880 --> 00:29:32,600
Speaker 1: listening show well. In their first extensive interviews since testifying

429
00:29:32,640 --> 00:29:37,320
Speaker 1: a former Empire actor Jesse Smalette's trial, the Ocean Daro

430
00:29:37,480 --> 00:29:40,360
Speaker 1: Brothers returned to the Chicago Block for the first time

431
00:29:40,480 --> 00:29:44,200
Speaker 1: since that Chile, January twenty nineteen morning for the five

432
00:29:44,280 --> 00:29:49,120
Speaker 1: part docuseries Jesse Smallette Anatomy of a Hoax. The Ocean,

433
00:29:49,200 --> 00:29:52,400
Speaker 1: Daro brothers said on the morning they prepared to allegedly

434
00:29:52,520 --> 00:29:56,480
Speaker 1: help Jesse, that they were helping him stage this racism

435
00:29:56,560 --> 00:30:00,600
Speaker 1: homophobic attack against him in twenty nineteen. Didn't show up

436
00:30:00,640 --> 00:30:06,240
Speaker 1: on time, They said, quote, he was late. He was

437
00:30:06,360 --> 00:30:10,720
Speaker 1: late for dogs, he said, get the sandwich. Oh yeah, yeah, yeah,

438
00:30:10,800 --> 00:30:15,080
Speaker 1: the problem, yeah, he said. The brother said, quote, we

439
00:30:15,200 --> 00:30:18,280
Speaker 1: made sure we got there at two a m. Sharp.

440
00:30:18,720 --> 00:30:21,920
Speaker 1: Take a listen, and we had to plan our escape

441
00:30:21,960 --> 00:30:26,040
Speaker 1: rout to survey the land. His building is actually right here,

442
00:30:26,600 --> 00:30:29,560
Speaker 1: right above the stairs that we're going to attack him. Matter.

443
00:30:30,080 --> 00:30:33,080
Speaker 1: We made sure we got there at two am sharp

444
00:30:33,360 --> 00:30:35,680
Speaker 1: on the DIT. On the DIT, we had no phones

445
00:30:35,760 --> 00:30:38,320
Speaker 1: because he did not want us to bring any phones,

446
00:30:38,640 --> 00:30:41,200
Speaker 1: he said, so we don't lose them. I don't know

447
00:30:41,280 --> 00:30:44,360
Speaker 1: if that's really the reason, but you can deduce your

448
00:30:44,400 --> 00:30:48,560
Speaker 1: own reason. So two am he was nowhere to be found.

449
00:30:48,840 --> 00:30:51,480
Speaker 1: He was not there, so we were like, damn, what

450
00:30:51,640 --> 00:30:58,960
Speaker 1: do we do? Yeah, man, we ain't got no victim

451
00:30:59,560 --> 00:31:04,160
Speaker 1: right late. For your own hope, students, sir, have you

452
00:31:04,240 --> 00:31:08,400
Speaker 1: seen Jesse. It's two in the morning on a show

453
00:31:09,040 --> 00:31:13,040
Speaker 1: Cole Chicago, Tago. Right, all right, we all remember the trial.

454
00:31:13,160 --> 00:31:16,120
Speaker 1: Back in twenty December of twenty twenty one, a jury

455
00:31:16,160 --> 00:31:20,040
Speaker 1: found Smallett guilty of five of the sixtis orderly conduct counts.

456
00:31:20,320 --> 00:31:22,400
Speaker 1: He was sentenced in March of last year to one

457
00:31:22,520 --> 00:31:25,160
Speaker 1: hundred and fifty days in jail, but only served six

458
00:31:25,320 --> 00:31:27,720
Speaker 1: days in the Cook County jail. We all know Jesse

459
00:31:27,840 --> 00:31:34,240
Speaker 1: Smallett still proclaimed his innocence. Okay, Jesse got stopped this

460
00:31:34,360 --> 00:31:38,080
Speaker 1: proclaiming come on, yeah, you gotta cut this out. But

461
00:31:39,320 --> 00:31:43,560
Speaker 1: we got the documentaries, all right, listen to this. The

462
00:31:43,640 --> 00:31:46,520
Speaker 1: brothers went on to say, we started tussling and moving around.

463
00:31:46,680 --> 00:31:49,200
Speaker 1: Take a listen. Then I threw him to the ground.

464
00:31:49,600 --> 00:31:52,320
Speaker 1: He wanted it to look like he fought back. That

465
00:31:52,520 --> 00:31:55,440
Speaker 1: was very important for him because he said, hey, don't

466
00:31:55,520 --> 00:31:58,160
Speaker 1: just beat my ass. Make it look like I'm fighting

467
00:31:58,240 --> 00:32:00,960
Speaker 1: back and whatnot. So we did that, and then I

468
00:32:01,040 --> 00:32:03,200
Speaker 1: threw him to the ground. He had no bruise. I

469
00:32:03,280 --> 00:32:06,239
Speaker 1: wanted it to look more real. So after I threw

470
00:32:06,320 --> 00:32:08,960
Speaker 1: him to the ground, I used my knuckle and gave

471
00:32:09,040 --> 00:32:12,360
Speaker 1: him a noogie. So I went like this. Why did

472
00:32:12,440 --> 00:32:14,680
Speaker 1: I do that? To give him a scar, to give

473
00:32:14,760 --> 00:32:16,960
Speaker 1: him a mark, to make it look real like he

474
00:32:17,120 --> 00:32:20,120
Speaker 1: really did get his ass beat? After I did that,

475
00:32:20,680 --> 00:32:22,880
Speaker 1: I fake kicked him. I don't know what he was doing.

476
00:32:23,000 --> 00:32:26,080
Speaker 1: I wasn't paying attached where. I came around with the bleach,

477
00:32:26,320 --> 00:32:30,000
Speaker 1: the infamous bleach in the hot sauce bottle, spoored it

478
00:32:30,080 --> 00:32:33,320
Speaker 1: on his shirt. Then I finally put the rope around

479
00:32:33,400 --> 00:32:41,320
Speaker 1: his face. Too much, I directed this. I gotta watch

480
00:32:41,480 --> 00:32:46,080
Speaker 1: this documentary. I want to see see. That's why Jesse

481
00:32:46,240 --> 00:32:50,880
Speaker 1: got to come off this. He ain't Jesse. You got it,

482
00:32:50,960 --> 00:32:53,880
Speaker 1: you got it. You gotta fest up Jesse, then explaining

483
00:32:53,920 --> 00:32:56,520
Speaker 1: too much of this. Yeah, yeah, I say that because

484
00:32:56,560 --> 00:33:02,400
Speaker 1: they can follow some directions directed that. Oh you gotta

485
00:33:02,400 --> 00:33:04,840
Speaker 1: be pretty good to be the actor and the director. Yeah.

486
00:33:05,000 --> 00:33:06,880
Speaker 1: Wait a minute, wait a minute, wait minute, now, beat

487
00:33:06,920 --> 00:33:09,240
Speaker 1: my ass a little mote and I'm gonna fight you

488
00:33:09,400 --> 00:33:13,600
Speaker 1: back though, And and what am I saying with you?

489
00:33:13,800 --> 00:33:17,560
Speaker 1: I just I just lost run damn saying he said earlier.

490
00:33:17,600 --> 00:33:20,200
Speaker 1: He said, then I came with the bleach and the

491
00:33:20,280 --> 00:33:26,160
Speaker 1: hot sauce. It wasn't blood, it was hot sauce. The

492
00:33:26,400 --> 00:33:32,160
Speaker 1: world didn't cut that out, just about getting all right,

493
00:33:33,880 --> 00:33:36,000
Speaker 1: let me show you this though a little bit more,

494
00:33:36,800 --> 00:33:40,560
Speaker 1: he said me. He said, I didn't put the rope

495
00:33:40,640 --> 00:33:43,520
Speaker 1: around his neck like he said, it was his face.

496
00:33:43,960 --> 00:33:47,800
Speaker 1: I said, justhing, you got his stock. Too many lives,

497
00:33:48,000 --> 00:33:51,560
Speaker 1: too many lives, because he works as he works, since then,

498
00:33:51,720 --> 00:33:54,000
Speaker 1: as he works since u Yeah, he's telling a couple

499
00:33:54,000 --> 00:33:56,360
Speaker 1: of things they wrote off his character and the Empire

500
00:33:56,640 --> 00:33:59,400
Speaker 1: since then, yeah, since the Empire. Yeah, yeah, I don't know,

501
00:34:00,080 --> 00:34:03,400
Speaker 1: all right. Moving on to other entertainment news, Jimmy Kimmel's

502
00:34:03,480 --> 00:34:07,040
Speaker 1: Oscars monologue contained some jokes about the slapping incident at

503
00:34:07,160 --> 00:34:09,960
Speaker 1: last year's ceremony, but he was actually prepared to go

504
00:34:10,239 --> 00:34:14,680
Speaker 1: much harder on Will Smith. Kimmel's wife, Molly McNerney, says

505
00:34:15,560 --> 00:34:19,160
Speaker 1: that she was also an executive producer of the Oscars telecast,

506
00:34:19,239 --> 00:34:21,440
Speaker 1: and she says there were a lot more Will Smith

507
00:34:21,520 --> 00:34:24,799
Speaker 1: jokes written for the monologue, but they were ultimately cut.

508
00:34:25,120 --> 00:34:28,480
Speaker 1: She told People magazine, we didn't want to make this

509
00:34:28,680 --> 00:34:32,400
Speaker 1: year all about last year. I cannot tell you how

510
00:34:32,440 --> 00:34:36,120
Speaker 1: many Will Smith jokes we had then that we had

511
00:34:36,160 --> 00:34:38,880
Speaker 1: to get rid of. We think the only that was

512
00:34:38,960 --> 00:34:41,440
Speaker 1: only best for the show and the room made it.

513
00:34:41,600 --> 00:34:45,400
Speaker 1: You know, there were certain certainly some jokes that went harder,

514
00:34:45,480 --> 00:34:47,640
Speaker 1: but we didn't think that that was our place to

515
00:34:47,760 --> 00:34:50,160
Speaker 1: do that. That should be Chris Rock, not us. Well,

516
00:34:50,600 --> 00:34:54,959
Speaker 1: Chris Rock came true, now, didn't he Yeah he understood sign,

517
00:34:55,239 --> 00:34:58,319
Speaker 1: Yes he did, Yes, he did. So there were much

518
00:34:58,360 --> 00:35:01,960
Speaker 1: harder jokes besides that one that Jimmy Kimmel said about it.

519
00:35:02,200 --> 00:35:05,160
Speaker 1: There's any violence here, Uh, we'll give you the best

520
00:35:05,440 --> 00:35:07,800
Speaker 1: Oscar and give you an opportunity to do a nineteen

521
00:35:07,840 --> 00:35:16,480
Speaker 1: minute speech acceptance speech. Yeah, they'll never forget. No, no,

522
00:35:18,360 --> 00:35:23,040
Speaker 1: you won't forget. It was the most unforgettable Oscar moment

523
00:35:23,160 --> 00:35:28,759
Speaker 1: of all times, of all time. Yes, and I'm telling

524
00:35:28,800 --> 00:35:31,759
Speaker 1: you it's eating him alive because he's been the Golden Boy.

525
00:35:32,200 --> 00:35:36,800
Speaker 1: He's not handled this well at all. I agree with

526
00:35:36,920 --> 00:35:43,640
Speaker 1: that wholeheartedly. An immediate in that house right there? What's

527
00:35:43,719 --> 00:35:45,959
Speaker 1: in that house? Yea? All of a sudden, that wrong

528
00:35:46,200 --> 00:35:52,360
Speaker 1: name after Miss Universe pageant? Ain't that big? Isn't that about?

529
00:35:52,480 --> 00:35:58,799
Speaker 1: You always do talk about live TV moments? Yeah, yeah, yeah,

530
00:35:58,840 --> 00:36:02,680
Speaker 1: I've been in him. We all hang dog all right,

531
00:36:02,760 --> 00:36:05,040
Speaker 1: coming up at twenty minutes after the hour, we'll talk

532
00:36:05,080 --> 00:36:10,200
Speaker 1: about Sierra's Vanity Fair Oscar party dress right after this. Okay,

533
00:36:10,840 --> 00:36:17,840
Speaker 1: you're listening, Okay, So let's talk about Sierra and this dress.

534
00:36:18,200 --> 00:36:20,480
Speaker 1: She took a she took risk to a new level

535
00:36:20,520 --> 00:36:24,440
Speaker 1: and practically shut down the Vanity the Vanity Fair Oscar

536
00:36:24,560 --> 00:36:27,839
Speaker 1: party red carpet when she arrived in a barely there,

537
00:36:28,320 --> 00:36:31,800
Speaker 1: sheer netta gown by Dundas that was fresh off the

538
00:36:31,920 --> 00:36:36,640
Speaker 1: Paris runway, you know, for fashion week. The shimmering halter

539
00:36:36,800 --> 00:36:41,520
Speaker 1: dress showed everything, including a tiny black thong that covered

540
00:36:41,760 --> 00:36:45,840
Speaker 1: very little. She also covered her breath with nude nipple covers.

541
00:36:46,520 --> 00:36:50,399
Speaker 1: Fans have mixed reactions to Sarah's Sierra's look. Some people

542
00:36:50,480 --> 00:36:54,120
Speaker 1: thought it was amazing, and others spelled it was something

543
00:36:54,160 --> 00:36:57,720
Speaker 1: that should be worn at home for her husband in private.

544
00:36:59,239 --> 00:37:02,480
Speaker 1: Looking at r face, Russell didn't look like he was happy.

545
00:37:02,560 --> 00:37:05,080
Speaker 1: That's what they looked at me. Russell looked like he wasn't.

546
00:37:05,360 --> 00:37:07,399
Speaker 1: I know, they argued about that before they left the house.

547
00:37:07,880 --> 00:37:11,560
Speaker 1: They had I don't know how they got at that house.

548
00:37:11,600 --> 00:37:15,000
Speaker 1: But Russell was anger when he left that house. Shocking. Yeah, yeah, yeah,

549
00:37:15,040 --> 00:37:16,600
Speaker 1: he was shocked the whole way in the car on

550
00:37:16,760 --> 00:37:19,879
Speaker 1: the way to the Russell was shot to the party. Yeah,

551
00:37:20,520 --> 00:37:23,520
Speaker 1: I think I think they agreed to it. Oh you

552
00:37:23,880 --> 00:37:25,560
Speaker 1: you disagree with what Tommy saying. You don't think it

553
00:37:25,600 --> 00:37:27,760
Speaker 1: was an argument. I think no, I think they agreed

554
00:37:27,840 --> 00:37:31,440
Speaker 1: to it. You know, that was that she really wanted

555
00:37:31,480 --> 00:37:35,000
Speaker 1: to wear it, and he saw how much she wanted

556
00:37:35,040 --> 00:37:38,960
Speaker 1: to wear it and go forward. He agreed to that.

557
00:37:39,640 --> 00:37:41,440
Speaker 1: I mean, did you see how he stood in that

558
00:37:41,560 --> 00:37:43,319
Speaker 1: picture when they were taking that picture? Did you see

559
00:37:43,360 --> 00:37:45,640
Speaker 1: you know I haven't seen send it to somebody a lot.

560
00:37:47,320 --> 00:37:50,040
Speaker 1: Don't look like he agreed to He looked like well,

561
00:37:50,120 --> 00:37:52,600
Speaker 1: I mean he didn't look happy. He did. No, he

562
00:37:52,680 --> 00:37:55,560
Speaker 1: didn't look happy, not an agreeable face. Well, I mean,

563
00:37:56,520 --> 00:38:00,200
Speaker 1: I mean, look you got to Yeah, well he's a

564
00:38:00,280 --> 00:38:05,520
Speaker 1: deal your wife. You have a special place for her, huh,

565
00:38:06,040 --> 00:38:08,600
Speaker 1: as opposed to anybody else. And I know he does.

566
00:38:08,680 --> 00:38:11,320
Speaker 1: He loves this girl. Man, he loves this He's a

567
00:38:11,400 --> 00:38:15,680
Speaker 1: great guy. I love him as a couple too. But

568
00:38:16,040 --> 00:38:21,120
Speaker 1: you know that, you know when people looking at your

569
00:38:21,160 --> 00:38:24,680
Speaker 1: wife and I look at that picture and look at

570
00:38:24,760 --> 00:38:26,920
Speaker 1: his face and look at russell face. When I when

571
00:38:26,920 --> 00:38:31,600
Speaker 1: you see this him, Russell Russell looked like you're comfortable,

572
00:38:31,680 --> 00:38:35,279
Speaker 1: bright him all you had to do with just put

573
00:38:35,360 --> 00:38:38,080
Speaker 1: on the pants suit. You don't think Russell talking underhill.

574
00:38:38,320 --> 00:38:39,960
Speaker 1: I don't tell you shouldn't want it, Damn, dream don't

575
00:38:39,960 --> 00:38:43,960
Speaker 1: tell you talking to tell you shouldn't want it. Damn

576
00:38:44,719 --> 00:38:46,920
Speaker 1: looking at me my friends and looking at me, cra

577
00:38:47,200 --> 00:38:49,480
Speaker 1: you don't walk down the home drink. I don't make

578
00:38:49,600 --> 00:38:53,960
Speaker 1: my damn well. I mean it was at the Oscars.

579
00:38:54,040 --> 00:38:57,920
Speaker 1: It's over now, but people are still talking about it.

580
00:38:58,400 --> 00:39:03,879
Speaker 1: I mean, you know, oh i'd have mercy fun. I'm like, yeah,

581
00:39:04,480 --> 00:39:07,080
Speaker 1: great body, you know what I mean. I mean, I

582
00:39:07,280 --> 00:39:09,520
Speaker 1: love them though I loved him as a couple. That's

583
00:39:09,560 --> 00:39:12,279
Speaker 1: the thing, man, and so like, that's stay businesses that

584
00:39:12,440 --> 00:39:18,400
Speaker 1: the husband and wife. They worked that out. Me and

585
00:39:18,560 --> 00:39:20,880
Speaker 1: Modrede though we're gonna be in that. We're gonna be

586
00:39:20,960 --> 00:39:27,480
Speaker 1: throwing hands. Coming up, I'm gonna tell a dress at

587
00:39:27,480 --> 00:39:31,839
Speaker 1: the house. Coming up at thirty four minutes after the hour,

588
00:39:31,920 --> 00:39:35,080
Speaker 1: we'll check Steve's voicemail eight seven seven twenty nine Steve

589
00:39:35,440 --> 00:39:38,839
Speaker 1: eight seven seven twenty nine Steve. Right after this you're

590
00:39:38,880 --> 00:39:45,120
Speaker 1: listening show, it is time now to check Steve's voicemail

591
00:39:45,280 --> 00:39:47,520
Speaker 1: and if you would like to leave a message for Steve,

592
00:39:47,640 --> 00:39:49,239
Speaker 1: all you have to do is call him eight seven

593
00:39:49,360 --> 00:39:51,680
Speaker 1: seven twenty nine, Steve. You never know you might just

594
00:39:51,840 --> 00:39:54,960
Speaker 1: hear your call on the air. Steve, Are you ready?

595
00:39:56,440 --> 00:39:59,719
Speaker 1: Stay ready? That's what I wanted you to say. To

596
00:40:00,600 --> 00:40:04,320
Speaker 1: from Compton, California. Has something for you, Steve Hey, Steve

597
00:40:04,840 --> 00:40:09,719
Speaker 1: Study from Constant, California. I was calling basically to say

598
00:40:09,840 --> 00:40:12,520
Speaker 1: thank you. Hello to everybody that's from the show as well,

599
00:40:12,840 --> 00:40:14,719
Speaker 1: but I was calling to say thank you. I've been

600
00:40:14,800 --> 00:40:18,200
Speaker 1: really overwhelmed with life and I've been trying to find

601
00:40:18,280 --> 00:40:21,480
Speaker 1: ways to stay motivated. So I went on YouTube and

602
00:40:21,560 --> 00:40:26,680
Speaker 1: I came across your motivational video and it really uplifted me.

603
00:40:27,160 --> 00:40:30,320
Speaker 1: But then I downloaded the iHeart Radio and started listening

604
00:40:30,360 --> 00:40:34,320
Speaker 1: to the Steve Barton Morning Show every day. And I

605
00:40:34,520 --> 00:40:39,040
Speaker 1: promise you, I've noticed a difference within my attitude, within

606
00:40:39,520 --> 00:40:42,480
Speaker 1: my thought process, and I just really want to genuinely

607
00:40:42,600 --> 00:40:45,320
Speaker 1: say from my heart, I appreciate you. Man. I know

608
00:40:45,440 --> 00:40:48,680
Speaker 1: you get these all the time, but I'm a cancer

609
00:40:48,760 --> 00:40:52,440
Speaker 1: survivor and I'm struggling every day to be happy when

610
00:40:52,480 --> 00:40:55,399
Speaker 1: I'm really grateful to be alive, but it's still get

611
00:40:55,480 --> 00:40:58,400
Speaker 1: overwhelming sometimes and I just really want to thank you.

612
00:40:58,880 --> 00:41:01,400
Speaker 1: It's not just meed, but I know it's plenty of

613
00:41:01,480 --> 00:41:04,279
Speaker 1: people who says God bless you and thank you so much.

614
00:41:04,680 --> 00:41:08,680
Speaker 1: Love Steve Martin, Hey, Tutty, I appreciate you saying that.

615
00:41:09,280 --> 00:41:12,800
Speaker 1: Steve Harvey loves you back. But more importantly, God loves

616
00:41:12,800 --> 00:41:15,480
Speaker 1: you more than I could ever possibly And that's the

617
00:41:15,560 --> 00:41:18,080
Speaker 1: good thing. When you open up your mind and your

618
00:41:18,160 --> 00:41:21,800
Speaker 1: heart to a relationship with God. You don't have to

619
00:41:21,880 --> 00:41:25,359
Speaker 1: be saved. You don't have to be Christian, you don't

620
00:41:25,440 --> 00:41:28,440
Speaker 1: have to be rich, you don't have to be able,

621
00:41:28,800 --> 00:41:32,560
Speaker 1: you don't have to be healed. You you can have

622
00:41:32,719 --> 00:41:40,440
Speaker 1: relationship with God just like you are, broken, unhappy, dissatisfied, confused, challenged,

623
00:41:41,200 --> 00:41:44,480
Speaker 1: all of that. He takes all that. That's how he

624
00:41:44,600 --> 00:41:48,160
Speaker 1: wants you. The problem, the mistake people make is they

625
00:41:48,280 --> 00:41:51,200
Speaker 1: try to fix theirselfs and then go to God. Dad.

626
00:41:51,280 --> 00:41:59,160
Speaker 1: Ain't hide work, y'all. Take your broken, disgruntled, unhappy, depressed, bored,

627
00:41:59,560 --> 00:42:04,960
Speaker 1: over whelmed, confused, don't know where to turn to self.

628
00:42:05,239 --> 00:42:08,799
Speaker 1: Over that to him, just like that, and watch him

629
00:42:08,840 --> 00:42:11,440
Speaker 1: do what he do and just tell it, man, this

630
00:42:11,520 --> 00:42:14,759
Speaker 1: is my situation. I'm broken. Can you help me? And

631
00:42:14,840 --> 00:42:18,520
Speaker 1: then watch he can't help me next, surely all right?

632
00:42:18,800 --> 00:42:23,680
Speaker 1: Andrew left a message regarding Richard Pryor Steve. Yes, mister

633
00:42:23,760 --> 00:42:26,520
Speaker 1: Steve Harvey, my name is Andrew Harvey Jones. I was

634
00:42:26,600 --> 00:42:31,840
Speaker 1: just sending the message to let you know I believe

635
00:42:32,560 --> 00:42:37,720
Speaker 1: that you could really be Richard Pryor some great service

636
00:42:38,320 --> 00:42:42,400
Speaker 1: right about now in the comedy where or a movie

637
00:42:42,719 --> 00:42:46,359
Speaker 1: something like that. But hey, him out and now thank

638
00:42:46,440 --> 00:42:48,480
Speaker 1: you and you have a great day now you, mister

639
00:42:48,680 --> 00:42:53,000
Speaker 1: Steve Harvey, appreciate you. Drew. Old radio boys. Yeah, yeah,

640
00:42:54,080 --> 00:42:57,600
Speaker 1: the old school play. He means what he says. I

641
00:42:57,680 --> 00:43:01,239
Speaker 1: think the windows passed for me play that role. That

642
00:43:01,400 --> 00:43:03,640
Speaker 1: was a time when I was younger. It would have worked,

643
00:43:04,480 --> 00:43:06,960
Speaker 1: but I was told I wasn't good enough actor for it,

644
00:43:08,040 --> 00:43:11,759
Speaker 1: which they don't know, they don't know, but uh, and

645
00:43:11,880 --> 00:43:15,600
Speaker 1: I know that. I don't want to say that because

646
00:43:15,640 --> 00:43:20,520
Speaker 1: he's famous. And uh he told you you weren't good

647
00:43:20,560 --> 00:43:26,279
Speaker 1: enough like Richard Pryor himself. Yeah, did he tell you

648
00:43:26,360 --> 00:43:30,320
Speaker 1: what you should work on? No? No, no, no, he

649
00:43:30,400 --> 00:43:36,920
Speaker 1: said he was gonna do it. Huh. Oh all right then,

650
00:43:37,040 --> 00:43:40,239
Speaker 1: well okay, and that was before two thousand and five.

651
00:43:40,840 --> 00:43:43,719
Speaker 1: You ain't seen the movie? How you not at all

652
00:43:45,239 --> 00:43:51,160
Speaker 1: guess I wasn't the only one that could act. That

653
00:43:51,320 --> 00:44:00,239
Speaker 1: was movie he did it. Yeah, yeah, yeah, yeah, But Steve,

654
00:44:00,280 --> 00:44:03,680
Speaker 1: you do look like Richard Bryor. Hey man, I got

655
00:44:03,760 --> 00:44:07,560
Speaker 1: pictures of him and me, and it's crazy. Let me

656
00:44:07,600 --> 00:44:10,879
Speaker 1: ask y'all, something, did he think you look? Well? He knew,

657
00:44:11,040 --> 00:44:13,520
Speaker 1: he knew my act was like kids. His wife, Flynn,

658
00:44:13,680 --> 00:44:15,680
Speaker 1: had told him about me. That's when he called me

659
00:44:15,800 --> 00:44:20,120
Speaker 1: first time. Oh wow, he get it in Flynn telling

660
00:44:20,160 --> 00:44:28,400
Speaker 1: me about you. Wow. Okay, tell us more. I love that.

661
00:44:31,640 --> 00:44:33,840
Speaker 1: All right? Coming up next, frank phone call from a

662
00:44:33,880 --> 00:44:40,800
Speaker 1: nephew right after this you're listening, coming up at the

663
00:44:40,880 --> 00:44:43,160
Speaker 1: top of the hour, right about four minutes after. It's

664
00:44:43,200 --> 00:44:46,440
Speaker 1: my Strawberry letter for today and the subject is get in,

665
00:44:46,960 --> 00:44:49,600
Speaker 1: get it on, and get on out. We'll get into

666
00:44:49,680 --> 00:44:52,120
Speaker 1: that in just a bit, but right now it is

667
00:44:52,200 --> 00:44:56,120
Speaker 1: time for the nephew and today's prank phone call. Nephew,

668
00:44:56,360 --> 00:44:58,640
Speaker 1: what you got? I got it? I got it, I

669
00:44:58,719 --> 00:45:00,920
Speaker 1: got it. I got a quote that's been quote it

670
00:45:01,040 --> 00:45:04,360
Speaker 1: all over the country and every black household we've said it.

671
00:45:04,480 --> 00:45:06,839
Speaker 1: It's been said to you. The title lives don't let

672
00:45:06,920 --> 00:45:10,759
Speaker 1: them white folks help you get your ass wolf, don't

673
00:45:10,960 --> 00:45:14,319
Speaker 1: let I'm white folks. Help you get your ass will

674
00:45:14,480 --> 00:45:20,160
Speaker 1: Let's go cat Dog. Hello, Hey, I'm trying to reach Herrell.

675
00:45:21,120 --> 00:45:24,440
Speaker 1: Yeah that's the real who is Hey, Drill, this is Drake. Hey.

676
00:45:24,520 --> 00:45:27,799
Speaker 1: You you work the you work the day shift, right? Yeah?

677
00:45:27,800 --> 00:45:29,759
Speaker 1: I work at the day shift. I'm last year. What's

678
00:45:29,840 --> 00:45:32,520
Speaker 1: right now? What's going on? All right? I'm on I'm

679
00:45:32,560 --> 00:45:36,040
Speaker 1: on the night shift with with d Sean and Jamal.

680
00:45:36,280 --> 00:45:38,120
Speaker 1: I'm on the night shift. I don't know that, but

681
00:45:38,680 --> 00:45:43,040
Speaker 1: something like, what's going on? Yeah? Yeah, we got a problem.

682
00:45:43,120 --> 00:45:47,000
Speaker 1: So listen us on the night shift. We're here that

683
00:45:47,360 --> 00:45:49,920
Speaker 1: you supposed to be telling everybody that we ain't doing

684
00:45:50,000 --> 00:45:52,719
Speaker 1: something right. Listen, when we get a load in at

685
00:45:52,800 --> 00:45:55,200
Speaker 1: the dock, we check that load in, We filed it

686
00:45:55,280 --> 00:45:57,000
Speaker 1: like we're supposed to file it, and then we put

687
00:45:57,040 --> 00:45:58,520
Speaker 1: it and then we take the fore clip and put

688
00:45:58,560 --> 00:46:00,840
Speaker 1: everything where it's supposed to be. That's what we do.

689
00:46:00,960 --> 00:46:04,280
Speaker 1: What I gotta do with you, brother, because they saying

690
00:46:04,440 --> 00:46:07,440
Speaker 1: they saying that, they saying that you're saying that we

691
00:46:07,520 --> 00:46:10,040
Speaker 1: ain't doing our job right on the nice ship. Who

692
00:46:10,200 --> 00:46:12,160
Speaker 1: is they? We got the wrong person? Brother? Who is

693
00:46:12,200 --> 00:46:17,920
Speaker 1: they for? Wine? You? You? You Turreil. Right, yeah, that's Trel.

694
00:46:18,000 --> 00:46:21,040
Speaker 1: But who is they? And I ain't saying nothing like that. Okay,

695
00:46:21,080 --> 00:46:22,480
Speaker 1: so but let me let me, let me go, let

696
00:46:22,520 --> 00:46:24,480
Speaker 1: me go clear up like this here though. Don't let

697
00:46:24,560 --> 00:46:30,880
Speaker 1: them white folks help you get your here' whoa brother? No,

698
00:46:31,040 --> 00:46:34,360
Speaker 1: I'm telling you right now, if we get one more complaint,

699
00:46:34,440 --> 00:46:36,880
Speaker 1: but they're talking about the nice shif ain't doing something right.

700
00:46:37,160 --> 00:46:38,920
Speaker 1: I'm gonna tell you right now, we're coming up there

701
00:46:39,000 --> 00:46:41,080
Speaker 1: to the day's shill and you're gonna get your You're

702
00:46:41,080 --> 00:46:43,359
Speaker 1: gonna let the white folks help you get your talking

703
00:46:43,360 --> 00:46:45,719
Speaker 1: about brother for wine. I ain't making any complaints. You

704
00:46:45,840 --> 00:46:49,359
Speaker 1: bring your black down here and you're talking about come

705
00:46:49,440 --> 00:46:53,440
Speaker 1: on down here. I put this points up all right, broody,

706
00:46:53,920 --> 00:46:55,680
Speaker 1: you can you can do all this wolf and you're

707
00:46:55,680 --> 00:46:57,759
Speaker 1: doing right now. You can do all this wolfing. What

708
00:46:57,880 --> 00:47:00,480
Speaker 1: I'm letting you know is one more come plaint go

709
00:47:00,600 --> 00:47:03,640
Speaker 1: down about somebody saying something about the night shift. I'm

710
00:47:03,719 --> 00:47:06,480
Speaker 1: coming up their parson ring down here there. Man, I

711
00:47:06,480 --> 00:47:09,480
Speaker 1: ain't trying to hell this buy. I'm not work right now.

712
00:47:09,560 --> 00:47:11,759
Speaker 1: You called me with this bull. I don't even know

713
00:47:11,840 --> 00:47:14,239
Speaker 1: who you are talking about the knight shift a matter

714
00:47:14,239 --> 00:47:16,320
Speaker 1: of fact, don't come down doing the day shift. I

715
00:47:16,360 --> 00:47:18,480
Speaker 1: don't want it for you to come to the knight shift.

716
00:47:18,560 --> 00:47:20,719
Speaker 1: Well you can do what you want to. Don't do

717
00:47:20,760 --> 00:47:23,759
Speaker 1: it the double and and work that double. Whatever you

718
00:47:23,880 --> 00:47:26,040
Speaker 1: got to do, it don't matter to me, trel It

719
00:47:26,160 --> 00:47:28,920
Speaker 1: don't matter me. All I'm saying is up, you're gonna

720
00:47:29,000 --> 00:47:32,880
Speaker 1: charge you least. Don't call this bulls? Why why are

721
00:47:32,880 --> 00:47:34,960
Speaker 1: you running your Why are you running your mouth? Why

722
00:47:34,960 --> 00:47:38,040
Speaker 1: are you running your mouth? Why are you why are

723
00:47:38,080 --> 00:47:40,040
Speaker 1: you running your mouth to the wife vos talking about

724
00:47:40,160 --> 00:47:43,359
Speaker 1: we ain't doing our job on the night shifty, You're

725
00:47:43,400 --> 00:47:45,560
Speaker 1: better call somebody. I was gonna calling with them for

726
00:47:46,120 --> 00:47:48,680
Speaker 1: now so so so what why are your voice getting

727
00:47:48,760 --> 00:47:53,239
Speaker 1: high because you're lying talking about we're calling with this?

728
00:47:54,600 --> 00:47:58,080
Speaker 1: Hey man, you're working, you're working. I'm working to night.

729
00:47:58,239 --> 00:48:01,040
Speaker 1: I'm working now you you night. I'm gonna say over,

730
00:48:01,080 --> 00:48:04,160
Speaker 1: I'm gonna work a double. Just whoop your okay, well

731
00:48:04,200 --> 00:48:07,320
Speaker 1: come get this double? Whooping dn okay, come get this

732
00:48:07,400 --> 00:48:10,200
Speaker 1: double because were already then found out you the person

733
00:48:10,440 --> 00:48:12,480
Speaker 1: running your mouth and the white folks time by the

734
00:48:12,600 --> 00:48:15,160
Speaker 1: nice sift nice? If I ain't nice, ye if I

735
00:48:15,160 --> 00:48:17,239
Speaker 1: ain't put this way it was supposed to go night

736
00:48:17,280 --> 00:48:20,120
Speaker 1: siff ain't ain't checked this all the end, right, knight shift,

737
00:48:20,280 --> 00:48:23,799
Speaker 1: night shift, you blame it. Why don't you stop? Stop

738
00:48:24,480 --> 00:48:28,120
Speaker 1: stop saying you rested up? Stop up? And people want

739
00:48:28,200 --> 00:48:31,160
Speaker 1: the plain on the day shift. It sounds we were

740
00:48:31,320 --> 00:48:33,719
Speaker 1: messing up on the knighte shift. That's what I'm telling you. Boy,

741
00:48:34,760 --> 00:48:39,560
Speaker 1: nothing howably needs to fire you. Okay, okay, okay, cool?

742
00:48:39,719 --> 00:48:41,719
Speaker 1: You know what you know? What? How long for you

743
00:48:41,800 --> 00:48:44,480
Speaker 1: get off? Man? How long for you get off? How

744
00:48:44,520 --> 00:48:46,719
Speaker 1: love for you get off? I'm working a double I'm

745
00:48:46,760 --> 00:48:52,240
Speaker 1: getting paid for with your nice Come on boy? All right, cool, cool,

746
00:48:52,760 --> 00:48:56,080
Speaker 1: let's say no more so how your wife Cynthia dom?

747
00:48:56,880 --> 00:49:03,120
Speaker 1: But how you know wife? How she? Don't you know

748
00:49:03,280 --> 00:49:06,719
Speaker 1: my wife? I'm saying. I'm just saying I'm asking your question.

749
00:49:07,160 --> 00:49:09,879
Speaker 1: Cruising for a bruising you're really crusing for Bruzon? Don't

750
00:49:10,040 --> 00:49:13,920
Speaker 1: you know my wife? Man? You know my wife? Huh?

751
00:49:14,640 --> 00:49:16,480
Speaker 1: I'm I'm gonna tell you. You want to know how

752
00:49:16,520 --> 00:49:18,800
Speaker 1: I know you? Why? You want to know how I

753
00:49:18,880 --> 00:49:24,439
Speaker 1: know you? Why? Yeah? You know my wife? To real,

754
00:49:24,920 --> 00:49:27,520
Speaker 1: This is nephew Timmy from the Steve Harvey Morning. To

755
00:49:27,560 --> 00:49:30,279
Speaker 1: show your wife Cynthia got me to praying phone call. Yo,

756
00:49:32,520 --> 00:49:39,560
Speaker 1: what real? Slowdown? Slowdown, slowdouse, lowdown. This is this Nephew

757
00:49:39,680 --> 00:49:42,680
Speaker 1: Timmy from the Steve Harvey Morning to show your wife, Cynthia,

758
00:49:43,880 --> 00:49:49,600
Speaker 1: you almost got too. I was sixty nine. Shout this

759
00:49:49,800 --> 00:49:55,759
Speaker 1: car boy, God, you damnly got me. Fire. The whole

760
00:49:55,840 --> 00:49:58,799
Speaker 1: fact that you're looking at me right now. I might

761
00:49:58,840 --> 00:50:01,839
Speaker 1: have to check your but if I get five. Hey, hey,

762
00:50:02,200 --> 00:50:07,520
Speaker 1: this was nephew Tommy. Yeah, you off your shows? Yeah,

763
00:50:07,719 --> 00:50:13,680
Speaker 1: not your sound right now? Do me a favorite, man,

764
00:50:13,719 --> 00:50:16,160
Speaker 1: You gotta tell me this. What is the baddest and

765
00:50:16,320 --> 00:50:19,880
Speaker 1: I mean the baddest radio show in the land, The

766
00:50:20,120 --> 00:50:27,520
Speaker 1: Steve Harvey's Warning Show. Oh man, y'all got me sound

767
00:50:28,320 --> 00:50:40,480
Speaker 1: for a minute. I pitch boys start six though nothing

768
00:50:40,520 --> 00:50:42,799
Speaker 1: White folks, help you get your behind? What that's what's

769
00:50:42,840 --> 00:50:50,000
Speaker 1: gonna happen? Classics, classic classic, all right, April Fools, April

770
00:50:50,040 --> 00:50:53,080
Speaker 1: Fools is growing down. Y'all already know comedy jam number six,

771
00:50:53,160 --> 00:50:55,880
Speaker 1: all right? That is Junior Dominique rotting the pair of

772
00:50:55,960 --> 00:50:59,240
Speaker 1: yours truly nephew Tommy and Monique, the Queen of comedy

773
00:50:59,520 --> 00:51:03,600
Speaker 1: that is at Texas Trust, Dallas, Texas April fools, April

774
00:51:03,600 --> 00:51:06,279
Speaker 1: the first Saturday night. You do not want to miss it.

775
00:51:06,360 --> 00:51:09,879
Speaker 1: Tickets on sale. Red naw, all right, laying in the cut.

776
00:51:09,920 --> 00:51:13,120
Speaker 1: April fifteenth, The nephew is going to Bowling Green, Kentucky.

777
00:51:13,600 --> 00:51:16,920
Speaker 1: Me and my man Life Jennings Laughing Love, Baby Laughing Love,

778
00:51:17,120 --> 00:51:21,080
Speaker 1: Southern Kentucky Performing Arts Center. All right, you do not

779
00:51:21,280 --> 00:51:24,279
Speaker 1: want to miss it. Tickets are on sale right now,

780
00:51:24,480 --> 00:51:27,839
Speaker 1: April the fifteenth. I've been informed that is not tax Day.

781
00:51:28,120 --> 00:51:30,680
Speaker 1: It has moved to the eighteenth. But I would be

782
00:51:30,800 --> 00:51:32,799
Speaker 1: there on the fifteenth, So come hang out with your

783
00:51:32,840 --> 00:51:39,279
Speaker 1: boying Life Jennings Bowling Green, Kentucky. Nah, all right, Nah

784
00:51:39,920 --> 00:51:43,719
Speaker 1: sounds like fun. Junior whipping to grab the mic. Boar,

785
00:51:44,160 --> 00:51:47,279
Speaker 1: Hey man, hey man, just call my microphone. Just call

786
00:51:47,640 --> 00:51:53,760
Speaker 1: my name. Watch your time, Hall my name, watch your time.

787
00:51:53,920 --> 00:51:57,480
Speaker 1: You know who you're working with. Oh you gotta worry

788
00:51:57,520 --> 00:52:00,440
Speaker 1: bout my time? I got my time. I'm cool. Just

789
00:52:00,560 --> 00:52:05,200
Speaker 1: call me good time, do your time. Get your ass

790
00:52:05,360 --> 00:52:15,200
Speaker 1: off stage, both of us. Like anybody say anything about me,

791
00:52:15,800 --> 00:52:24,680
Speaker 1: handle it immediately. Oh, don't be scared. Oh you're just

792
00:52:24,840 --> 00:52:29,040
Speaker 1: catching on, Junior. I ain't know you felt that way,

793
00:52:29,160 --> 00:52:35,239
Speaker 1: Yes you did. I got it. Okay, I got it?

794
00:52:37,600 --> 00:52:44,959
Speaker 1: Got me? Tell him? How I let you? Boy? Yeah?

795
00:52:47,320 --> 00:52:51,440
Speaker 1: From that engagement to today Texas Trust, don't miss it

796
00:52:51,560 --> 00:52:57,839
Speaker 1: April Fool's Night, Saturday night in Dallas, Texas. It's gonna

797
00:52:57,840 --> 00:53:02,960
Speaker 1: be fun stupid, So you don't want to come. Where's

798
00:53:02,960 --> 00:53:06,800
Speaker 1: it gonna beat you? The Texas Trust Data April first?

799
00:53:07,160 --> 00:53:12,640
Speaker 1: Where's that at Junior down in Dallas? In Dallas? Yes? Se?

800
00:53:13,719 --> 00:53:17,879
Speaker 1: You know if I walk out on the stage in Dallas, Texas. Yeah,

801
00:53:18,040 --> 00:53:20,719
Speaker 1: because you know that's like where it all really really

802
00:53:20,840 --> 00:53:27,560
Speaker 1: popped off from me. Yeah, well you don't understand walking

803
00:53:27,640 --> 00:53:32,640
Speaker 1: there and shut it down? Ain't gold beat? No? Next?

804
00:53:34,800 --> 00:53:38,640
Speaker 1: All right, all right, guys, coming up next Strawberry Letters subjects.

805
00:53:38,719 --> 00:53:40,839
Speaker 1: Get in, get it on, and get on out. We'll

806
00:53:40,880 --> 00:53:46,040
Speaker 1: get into that right after this. You're listening Morning Show.

807
00:53:47,520 --> 00:53:50,680
Speaker 1: It is time now for today's Strawberry Letter, and listen.

808
00:53:50,719 --> 00:53:54,560
Speaker 1: If you need advice on relationships, on dating, on work,

809
00:53:54,719 --> 00:53:58,320
Speaker 1: on sex, on parenting, and more, please submit your Strawberry

810
00:53:58,400 --> 00:54:01,600
Speaker 1: Letter to Steve Harvey at them doc and click submit

811
00:54:01,719 --> 00:54:04,400
Speaker 1: Strawberry Letter. We could be reading your letter live on

812
00:54:04,560 --> 00:54:07,359
Speaker 1: the air, just like we're gonna read this one right here,

813
00:54:07,520 --> 00:54:11,760
Speaker 1: right now you never know, it could be yours. Okay,

814
00:54:12,560 --> 00:54:14,560
Speaker 1: you never know. Buckle up and hold on. Type we

815
00:54:14,600 --> 00:54:18,480
Speaker 1: got it for you. Here it is strawberry letter, Thank you, nephew. Subjects,

816
00:54:18,640 --> 00:54:21,680
Speaker 1: Get in, get it on, and get on out. Dear

817
00:54:21,719 --> 00:54:24,520
Speaker 1: Stephen Shirley. I'm a thirty four year old single man

818
00:54:24,880 --> 00:54:28,000
Speaker 1: and I'm not ready to settle down. But one female

819
00:54:28,120 --> 00:54:31,200
Speaker 1: in particular has me hooked. I was the type of

820
00:54:31,280 --> 00:54:34,160
Speaker 1: guy to get in, get it on, and get on out,

821
00:54:34,480 --> 00:54:36,839
Speaker 1: but she had splipped the script on me. So now

822
00:54:36,960 --> 00:54:40,560
Speaker 1: I need advice from the master. I'm seeing three different

823
00:54:40,640 --> 00:54:44,880
Speaker 1: women regularly, but I'm taking precautions and I'm being respectful

824
00:54:44,960 --> 00:54:47,879
Speaker 1: to the ladies. So far, none of them have been

825
00:54:47,920 --> 00:54:50,640
Speaker 1: in their feelings. I'm the one that's getting caught up,

826
00:54:50,920 --> 00:54:53,759
Speaker 1: and it's the fourth woman on my roster that's got

827
00:54:53,880 --> 00:54:57,360
Speaker 1: my nose wide open. As my daddy said, she's a

828
00:54:57,440 --> 00:55:01,920
Speaker 1: professional single mother and her son is always respectful, her

829
00:55:02,000 --> 00:55:05,040
Speaker 1: house is always clean, and she is always in the

830
00:55:05,160 --> 00:55:08,520
Speaker 1: best mood when we're together. I don't mind being seen

831
00:55:08,640 --> 00:55:11,759
Speaker 1: with her because she always knows how to act, how

832
00:55:11,800 --> 00:55:14,000
Speaker 1: to order food, and how to pick up a check.

833
00:55:14,200 --> 00:55:17,160
Speaker 1: Sometimes she insists on paying the bill every once in

834
00:55:17,239 --> 00:55:19,760
Speaker 1: a while, so I let her if it's something small,

835
00:55:19,880 --> 00:55:23,120
Speaker 1: like when we go get smoothies. Yes, I get smoothies

836
00:55:23,200 --> 00:55:26,239
Speaker 1: with her and her son if she invites me. The

837
00:55:26,400 --> 00:55:29,800
Speaker 1: only thing that bothers me is that she doesn't need me.

838
00:55:30,360 --> 00:55:33,360
Speaker 1: The other women expects small tokens of appreciation if I

839
00:55:33,440 --> 00:55:36,680
Speaker 1: sleep with them, and I understand that this fourth woman

840
00:55:37,000 --> 00:55:39,800
Speaker 1: gets me in. We get it on, and then she

841
00:55:39,960 --> 00:55:43,000
Speaker 1: expects me to leave before her son realizes I'm there.

842
00:55:44,200 --> 00:55:47,080
Speaker 1: That's such a turn on for me. I think I

843
00:55:47,160 --> 00:55:49,680
Speaker 1: may be falling in love with her. My dad said

844
00:55:49,760 --> 00:55:52,959
Speaker 1: it's because she has high standards for herself. If that's

845
00:55:53,000 --> 00:55:55,480
Speaker 1: the case, why is she sleeping with me with no

846
00:55:55,680 --> 00:55:59,160
Speaker 1: strings attached. I often wonder if she has a roster

847
00:55:59,280 --> 00:56:01,759
Speaker 1: of other men, or if I am special to her.

848
00:56:02,120 --> 00:56:04,279
Speaker 1: I would love to see where our relationship can go,

849
00:56:04,680 --> 00:56:06,440
Speaker 1: but I don't know how to bring it up to her.

850
00:56:06,719 --> 00:56:11,480
Speaker 1: Can we go from friends with benefits to a monogamous relationship? Wow?

851
00:56:12,560 --> 00:56:15,600
Speaker 1: This is different. You're right we usually get these kinds

852
00:56:15,640 --> 00:56:18,480
Speaker 1: of letters from women. But thank you for showing us

853
00:56:18,520 --> 00:56:22,160
Speaker 1: your vulnerability. Thank you for showing us what some men

854
00:56:22,280 --> 00:56:27,120
Speaker 1: really want. Men can get caught up to you said

855
00:56:27,160 --> 00:56:30,960
Speaker 1: you love just everything about her, almost this one woman,

856
00:56:31,960 --> 00:56:34,759
Speaker 1: except the fact that she doesn't seem to need you.

857
00:56:35,200 --> 00:56:38,359
Speaker 1: And men want to be needed, don't they. But it's

858
00:56:38,400 --> 00:56:40,440
Speaker 1: not that she doesn't need you, it's just that she

859
00:56:40,600 --> 00:56:43,520
Speaker 1: loves herself and puts herself and her needs first. Is

860
00:56:43,600 --> 00:56:46,200
Speaker 1: like your dad says, she has high standard. She's a

861
00:56:46,280 --> 00:56:48,960
Speaker 1: smart woman. She knows what kind of man you are.

862
00:56:49,160 --> 00:56:51,719
Speaker 1: She knows that you have more than one woman. She's

863
00:56:51,760 --> 00:56:53,920
Speaker 1: not gonna get caught up like that. She's just not

864
00:56:54,040 --> 00:56:57,200
Speaker 1: gonna do it. Everyone likes someone that's hard to get,

865
00:56:57,400 --> 00:57:00,080
Speaker 1: not easy, and men like women that they have to

866
00:57:00,160 --> 00:57:03,279
Speaker 1: work for and do things for. So keep working at it.

867
00:57:03,719 --> 00:57:06,959
Speaker 1: Let her know you're serious. You know you can spend

868
00:57:07,040 --> 00:57:10,080
Speaker 1: more time with her. And in order to do that,

869
00:57:10,239 --> 00:57:12,120
Speaker 1: guess what, You're gonna have to lose some weight, let

870
00:57:12,200 --> 00:57:14,759
Speaker 1: some of those other women go. Plus, you have to

871
00:57:14,840 --> 00:57:18,520
Speaker 1: start making plans that include her and her son. Clean

872
00:57:18,680 --> 00:57:21,000
Speaker 1: up your act, make sure you can take care of them,

873
00:57:21,120 --> 00:57:24,200
Speaker 1: provide for them before you shoot yourself your shot, so

874
00:57:24,440 --> 00:57:26,840
Speaker 1: I get your finances in order. All of that. If

875
00:57:26,880 --> 00:57:30,000
Speaker 1: you're not serious about this woman, though you're not serious

876
00:57:30,000 --> 00:57:32,680
Speaker 1: about doing right by her, don't play with her. Just

877
00:57:32,920 --> 00:57:38,760
Speaker 1: keep it right where it is, Steve, this is very

878
00:57:38,840 --> 00:57:43,000
Speaker 1: simple for me. Shirley made a statement that thank you

879
00:57:43,120 --> 00:57:46,680
Speaker 1: for sean us your vulnerable side. I want to say something.

880
00:57:47,440 --> 00:57:49,760
Speaker 1: This is happening to this thirty four year old man,

881
00:57:50,320 --> 00:57:56,360
Speaker 1: It happens to every last one of us. It is

882
00:57:56,480 --> 00:58:01,320
Speaker 1: going to happen. This is a letter that's so explains

883
00:58:02,520 --> 00:58:08,960
Speaker 1: what I've always said. All men can change, all men

884
00:58:09,600 --> 00:58:13,920
Speaker 1: will change, but there's only one woman that we are

885
00:58:14,040 --> 00:58:17,400
Speaker 1: going to change. Four and well, that's what this letter

886
00:58:17,520 --> 00:58:20,040
Speaker 1: is about. This is about a thirty four year old

887
00:58:20,120 --> 00:58:23,720
Speaker 1: single man who said he was not ready to settle down.

888
00:58:24,480 --> 00:58:28,840
Speaker 1: But there's one female in particular particularly that's got me hooked.

889
00:58:29,600 --> 00:58:31,240
Speaker 1: He taught about he want to get it in, get

890
00:58:31,280 --> 00:58:33,920
Speaker 1: it on, get on out, but he said this one

891
00:58:34,040 --> 00:58:37,480
Speaker 1: to flip the script. So now you need advice from

892
00:58:37,560 --> 00:58:41,560
Speaker 1: the master. So he's come to Steve Harvey. But your

893
00:58:41,640 --> 00:58:46,720
Speaker 1: father is a master too, because he's seen this movie before.

894
00:58:47,120 --> 00:58:50,200
Speaker 1: Because guess what had happened to your father with your mama.

895
00:58:50,800 --> 00:58:53,560
Speaker 1: So your father had already told it to you. You're

896
00:58:53,560 --> 00:58:57,640
Speaker 1: seeing three different women regularly, you're taking precautions and you're

897
00:58:57,640 --> 00:59:01,160
Speaker 1: being respectful. So far ain't don't been in their feelings,

898
00:59:01,360 --> 00:59:04,200
Speaker 1: because really most of them know what they got because

899
00:59:04,240 --> 00:59:06,640
Speaker 1: when you got time for three women, you ain't got

900
00:59:06,720 --> 00:59:09,960
Speaker 1: time for one, So they already know if you ain't here,

901
00:59:10,000 --> 00:59:12,800
Speaker 1: you got to be somewhere. You understand you ain't giving

902
00:59:12,880 --> 00:59:15,040
Speaker 1: none of them full time attention because you can't because

903
00:59:15,040 --> 00:59:17,600
Speaker 1: you got your time split by three. Now you got

904
00:59:17,720 --> 00:59:20,040
Speaker 1: to split by four. So everybody knows what a quarter

905
00:59:20,080 --> 00:59:23,200
Speaker 1: of attention is. So far, none of them being in

906
00:59:23,240 --> 00:59:25,360
Speaker 1: their field. But the fourth woman on my roster got

907
00:59:25,400 --> 00:59:29,320
Speaker 1: your nose wide open, your daddy said, as your daddy said,

908
00:59:29,440 --> 00:59:32,800
Speaker 1: your nose wide open. She's a professional single mother. Her

909
00:59:32,880 --> 00:59:36,520
Speaker 1: son is always respectful, she raising her kid right, her

910
00:59:36,560 --> 00:59:38,760
Speaker 1: house is always clean, and she's always in the best

911
00:59:38,800 --> 00:59:41,720
Speaker 1: move when we're together. She's a great person. Sounds like

912
00:59:41,800 --> 00:59:44,520
Speaker 1: a good catch. I don't mind being seen with it

913
00:59:44,600 --> 00:59:47,600
Speaker 1: because she always knows how to act. Right there. Now

914
00:59:47,680 --> 00:59:49,680
Speaker 1: you're having problem with a couple of being seen with

915
00:59:49,800 --> 00:59:55,000
Speaker 1: the mother ones because they're just good for that activity.

916
00:59:56,360 --> 00:59:58,240
Speaker 1: But to see what a man say, I don't mind

917
00:59:58,320 --> 01:00:00,360
Speaker 1: being seen with her because she knows how to act.

918
01:00:00,560 --> 01:00:02,560
Speaker 1: Because he hadn't been with somebody that hasn't got out

919
01:00:02,600 --> 01:00:05,800
Speaker 1: there and act that out. She knows how to order food,

920
01:00:05,880 --> 01:00:08,160
Speaker 1: how to pick up a check. Sometimes I hate that

921
01:00:08,280 --> 01:00:10,840
Speaker 1: you say that. She insists on paying the bill every

922
01:00:10,880 --> 01:00:12,800
Speaker 1: once in a while, So I let if it's something small,

923
01:00:12,920 --> 01:00:15,360
Speaker 1: like when we get smoothies. Okay, I'll understand that I

924
01:00:15,480 --> 01:00:17,640
Speaker 1: get smoothies with her in the sun if she invites me.

925
01:00:18,360 --> 01:00:20,320
Speaker 1: The only thing that bothers me is that she don't

926
01:00:20,360 --> 01:00:23,960
Speaker 1: need me when we come back. I'll explain what he

927
01:00:24,120 --> 01:00:26,960
Speaker 1: means by that, ladies, and I'm gonna show you how

928
01:00:27,000 --> 01:00:29,480
Speaker 1: you catch what you want. You will have part two

929
01:00:29,680 --> 01:00:32,160
Speaker 1: of your response coming up at twenty three minutes after

930
01:00:32,280 --> 01:00:35,600
Speaker 1: the hour. Today's Strawberry letter subjects get in, get it on,

931
01:00:35,760 --> 01:00:38,800
Speaker 1: and get on out. We'll be right back after this.

932
01:00:39,720 --> 01:00:44,680
Speaker 1: You're listening. He's being respectful of the women. He always

933
01:00:44,720 --> 01:00:47,880
Speaker 1: protects himself. He's being respectful. So far, none of them

934
01:00:47,960 --> 01:00:50,760
Speaker 1: have been in their feelings. And the reason that no

935
01:00:50,840 --> 01:00:52,760
Speaker 1: one's getting caught up in their feelings, and it's because

936
01:00:52,800 --> 01:00:55,840
Speaker 1: they know their own a roster. Because if you got

937
01:00:55,920 --> 01:00:58,200
Speaker 1: four women, there's no way you can devote your time

938
01:00:58,280 --> 01:01:01,440
Speaker 1: to one. So they know what part time is. But

939
01:01:01,560 --> 01:01:04,000
Speaker 1: they're also getting some benefits. We found her later in

940
01:01:04,080 --> 01:01:06,600
Speaker 1: the letter. But the problem me is so far none

941
01:01:06,640 --> 01:01:08,680
Speaker 1: of them been in their feelings. But it's the one

942
01:01:08,760 --> 01:01:11,240
Speaker 1: that I'm getting caught up when it's to forefen. She

943
01:01:11,360 --> 01:01:14,360
Speaker 1: got my nose wide open, Like your daddy say, she's

944
01:01:14,400 --> 01:01:19,000
Speaker 1: a professional single mother and her son is always professional, respectful.

945
01:01:19,040 --> 01:01:21,000
Speaker 1: Now you say you've come to me because you need

946
01:01:21,040 --> 01:01:23,360
Speaker 1: advice from the master. But I gotta tell you something.

947
01:01:23,400 --> 01:01:26,760
Speaker 1: Your daddy spot on. Your daddy's a master too. Don't

948
01:01:26,760 --> 01:01:28,720
Speaker 1: take much to be a master. You just gotta have

949
01:01:28,880 --> 01:01:31,240
Speaker 1: lived it. Your dad didn't lived, or he didn't told

950
01:01:31,280 --> 01:01:33,800
Speaker 1: you she got your nose wide open. He already seen

951
01:01:33,880 --> 01:01:37,400
Speaker 1: this movie before. She's a professional single mother, her son

952
01:01:37,560 --> 01:01:40,240
Speaker 1: is always respectful, her house is always clean, and she's

953
01:01:40,240 --> 01:01:42,320
Speaker 1: always in the best move when we're together. It sound

954
01:01:42,400 --> 01:01:44,560
Speaker 1: like a great catching me. I don't mind being seen

955
01:01:44,640 --> 01:01:46,720
Speaker 1: with her because she always knows how to act. The

956
01:01:46,800 --> 01:01:48,840
Speaker 1: reason a man right that in the letter, ladies, because

957
01:01:48,880 --> 01:01:50,720
Speaker 1: one of these three women that he takes out, these

958
01:01:50,760 --> 01:01:52,760
Speaker 1: three where he can't go nowhere with them because they

959
01:01:52,840 --> 01:01:55,400
Speaker 1: don't went out and showed out. She knows how to

960
01:01:55,560 --> 01:01:58,880
Speaker 1: order food. Y'all, you got the mothers you down to dinner.

961
01:01:59,240 --> 01:02:01,360
Speaker 1: You down to dinner with this other one, and she

962
01:02:01,480 --> 01:02:03,640
Speaker 1: all in the back of the menu. You at ihop

963
01:02:03,720 --> 01:02:05,480
Speaker 1: and she all in the back of the menu. When

964
01:02:05,520 --> 01:02:07,800
Speaker 1: we go to Denny's, we get to breakfast, slam and

965
01:02:07,920 --> 01:02:10,720
Speaker 1: the moons over my hammock. You don't go in the

966
01:02:10,800 --> 01:02:12,760
Speaker 1: back of the menu when you go to ie hoop,

967
01:02:12,880 --> 01:02:16,040
Speaker 1: you stay at the front of the menu. Get what's

968
01:02:16,240 --> 01:02:19,240
Speaker 1: on the damn sign? What is you all back here

969
01:02:19,280 --> 01:02:21,760
Speaker 1: telling about? I want some strimps? This ain't what they

970
01:02:21,920 --> 01:02:24,120
Speaker 1: do back here? What does you want in the strip?

971
01:02:24,280 --> 01:02:27,320
Speaker 1: Then the fall? Yeah? Now you all? Yeah? You all

972
01:02:27,480 --> 01:02:29,480
Speaker 1: in the back or the stiff you want? I want

973
01:02:29,520 --> 01:02:35,040
Speaker 1: to chicken fries? Stay, that's not what they do. You

974
01:02:35,160 --> 01:02:37,480
Speaker 1: all back on page foe fall Get up here in

975
01:02:37,520 --> 01:02:42,200
Speaker 1: the front. She assists on paying the bill every once

976
01:02:42,240 --> 01:02:44,120
Speaker 1: in a while, so I let her. It's something small

977
01:02:44,240 --> 01:02:46,800
Speaker 1: like when we get smoothies. Yes, I get smoothies with

978
01:02:46,880 --> 01:02:48,640
Speaker 1: her in the sun when she invites me. So now

979
01:02:48,720 --> 01:02:51,200
Speaker 1: you like it. The only thing that bothers me is

980
01:02:51,320 --> 01:02:54,440
Speaker 1: she don't need me. Now, ladies, this is where some

981
01:02:54,680 --> 01:02:58,640
Speaker 1: of us ladies make mistakes by demonstrating that you don't

982
01:02:58,800 --> 01:03:02,200
Speaker 1: need a man. It's not always the smart move because

983
01:03:02,400 --> 01:03:04,720
Speaker 1: now a man don't get to be the night in

984
01:03:04,840 --> 01:03:07,400
Speaker 1: shining armor. He don't get to ride in at the

985
01:03:07,480 --> 01:03:10,400
Speaker 1: calvary over the hill and save the day. He don't

986
01:03:10,720 --> 01:03:13,560
Speaker 1: be able to rescue the damsel in distress. You have

987
01:03:13,760 --> 01:03:16,720
Speaker 1: got to show some form of vulnerability so a man

988
01:03:16,800 --> 01:03:19,520
Speaker 1: can see where he fits in. That's what we're looking

989
01:03:19,600 --> 01:03:24,600
Speaker 1: for now, that's what Bob is him. The other women

990
01:03:24,720 --> 01:03:27,680
Speaker 1: expects small tokens of appreciation if I sleep with them,

991
01:03:27,720 --> 01:03:30,160
Speaker 1: and I understand it. So it's a play for It's

992
01:03:30,160 --> 01:03:34,080
Speaker 1: a pay to play situation. You know, I'm sleeping with you.

993
01:03:34,160 --> 01:03:36,680
Speaker 1: I need help with my rent. This woman ain't doing that,

994
01:03:37,360 --> 01:03:40,720
Speaker 1: and he expects me. And then this other woman expect

995
01:03:40,800 --> 01:03:43,600
Speaker 1: The other women expect tokens of appreciation if I sleep

996
01:03:43,640 --> 01:03:46,080
Speaker 1: and I understand. The fourth woman gets me in, we

997
01:03:46,200 --> 01:03:47,880
Speaker 1: get it on, and she expects me to leave for

998
01:03:48,000 --> 01:03:50,520
Speaker 1: her son realizes I'm here. That's because she don't want

999
01:03:50,560 --> 01:03:53,600
Speaker 1: her son to see somebody that might not be around

1000
01:03:53,720 --> 01:03:57,240
Speaker 1: for the long haul and have some ignorant thoughts about

1001
01:03:57,760 --> 01:04:01,760
Speaker 1: her mama. This woman is smart. That's such a turn

1002
01:04:01,880 --> 01:04:04,160
Speaker 1: on for me. I think I may be falling in

1003
01:04:04,280 --> 01:04:06,880
Speaker 1: love with her, my dad says, because she got high

1004
01:04:06,920 --> 01:04:10,760
Speaker 1: standards for herself. See, now you see what a real

1005
01:04:10,880 --> 01:04:15,560
Speaker 1: woman act like. She's a single mother. She handling her business,

1006
01:04:16,000 --> 01:04:18,360
Speaker 1: she taking care of the way. She cares about what

1007
01:04:18,520 --> 01:04:21,400
Speaker 1: her son and her child feels. She wants you in

1008
01:04:21,560 --> 01:04:24,200
Speaker 1: and out. She likes you. She ain't putting a whole

1009
01:04:24,280 --> 01:04:26,240
Speaker 1: lot in it. She hoping you step up to the

1010
01:04:26,360 --> 01:04:28,560
Speaker 1: plate because she ain't just in here playing with you

1011
01:04:28,680 --> 01:04:30,919
Speaker 1: like a board toy. She really wants you to step

1012
01:04:31,040 --> 01:04:33,320
Speaker 1: up to the plate, and she hoping you do. But

1013
01:04:33,440 --> 01:04:37,160
Speaker 1: she ain't gonna make that move now. She got high standards.

1014
01:04:37,800 --> 01:04:40,680
Speaker 1: And if that's the case, why is she sleeping with

1015
01:04:40,840 --> 01:04:44,480
Speaker 1: me with no strings attached? Everybody don't want to be

1016
01:04:44,720 --> 01:04:48,720
Speaker 1: paid to sleep with them. Ain't strings you're saying, with

1017
01:04:48,840 --> 01:04:53,200
Speaker 1: no strings attached? No, there's no money attached. She don't

1018
01:04:53,240 --> 01:04:56,440
Speaker 1: want to equate her body and her love with a payment.

1019
01:04:57,200 --> 01:05:00,360
Speaker 1: How you don't see that, homie, She don't want that.

1020
01:05:01,040 --> 01:05:03,640
Speaker 1: She's saying, I'm good enough as I am. Now, when

1021
01:05:03,680 --> 01:05:06,280
Speaker 1: you realize I'm worth more, would you please let me know.

1022
01:05:06,600 --> 01:05:09,240
Speaker 1: But in the meantime, please don't drop no rent money

1023
01:05:09,280 --> 01:05:11,200
Speaker 1: off on my counter because that ain't I'm not that

1024
01:05:11,440 --> 01:05:14,520
Speaker 1: girl often one that she has a roster of other men.

1025
01:05:14,640 --> 01:05:18,000
Speaker 1: Why she's taking care of herself, she's a professional. Or

1026
01:05:18,040 --> 01:05:20,760
Speaker 1: if I'm special to her, you probably are. I would

1027
01:05:20,800 --> 01:05:22,840
Speaker 1: love to see how relationship can go, but I don't

1028
01:05:22,840 --> 01:05:24,760
Speaker 1: know how to bring it up. Yeah, you know how

1029
01:05:24,800 --> 01:05:26,840
Speaker 1: to bring it up to him? Bring it up to him?

1030
01:05:27,320 --> 01:05:30,440
Speaker 1: Can we go from friends with benefits to a monogamous relationship?

1031
01:05:30,640 --> 01:05:33,640
Speaker 1: That's what she's hoping for, So why don't you man up,

1032
01:05:33,840 --> 01:05:35,640
Speaker 1: zip it up and come on in that with a plan.

1033
01:05:35,960 --> 01:05:37,760
Speaker 1: But you got to cut to mother Helper's loose though.

1034
01:05:37,840 --> 01:05:42,080
Speaker 1: Dog all right, post your comments on today's Strawberry Let

1035
01:05:42,200 --> 01:05:45,600
Speaker 1: her at Steve Harvey FM on Instagram and Facebook, and

1036
01:05:45,720 --> 01:05:49,440
Speaker 1: check out the Strawberry Letter podcast on demand coming up

1037
01:05:49,440 --> 01:05:52,080
Speaker 1: at forty six minutes after the hour into Sports Talk

1038
01:05:52,160 --> 01:05:58,320
Speaker 1: with Junior right after this you're listening show. It is

1039
01:05:58,400 --> 01:06:02,240
Speaker 1: time now for Junior and Sports to talk with j Okay. Well,

1040
01:06:02,320 --> 01:06:05,560
Speaker 1: start with the NFL shirleys. Still no word on Aaron

1041
01:06:05,640 --> 01:06:07,560
Speaker 1: Rodgers going to the Jets. Is he gonna stay in

1042
01:06:07,640 --> 01:06:10,720
Speaker 1: Green Bay? But Aaron Rodgers did send a wish list

1043
01:06:10,840 --> 01:06:12,919
Speaker 1: to the Jets, So does that a sign he going

1044
01:06:13,200 --> 01:06:15,840
Speaker 1: because there's some players he got some players he wanted

1045
01:06:15,840 --> 01:06:19,480
Speaker 1: to see in Jets uniform, like his former wide receiver

1046
01:06:19,560 --> 01:06:21,880
Speaker 1: Adam Lazard, he just signed a four year, forty four

1047
01:06:21,920 --> 01:06:24,919
Speaker 1: million dollars deal with the Jets. Then he also would

1048
01:06:24,920 --> 01:06:27,400
Speaker 1: like to have Mercedes Lewis, a tight end for the

1049
01:06:27,480 --> 01:06:29,200
Speaker 1: Green Bay Packers, to go to the Jets. And he

1050
01:06:29,320 --> 01:06:31,840
Speaker 1: also wants Randall Cobb wide receiver who was playing with

1051
01:06:31,920 --> 01:06:33,960
Speaker 1: Green Bay. He wants him to go to the Jets.

1052
01:06:34,000 --> 01:06:36,200
Speaker 1: But he got one out of three right now, does

1053
01:06:36,280 --> 01:06:38,640
Speaker 1: that mean he's yeah, he was trying to pick a team.

1054
01:06:38,720 --> 01:06:42,360
Speaker 1: Man he holding it held or something about Lamar and

1055
01:06:42,560 --> 01:06:45,720
Speaker 1: Lamar Jackson. Unk can start taking office sheets and from

1056
01:06:45,800 --> 01:06:48,120
Speaker 1: office sheets from other teams because he still hadn't signed

1057
01:06:48,160 --> 01:06:50,640
Speaker 1: his franchise tag, so they can give him offer. Now

1058
01:06:50,800 --> 01:06:52,800
Speaker 1: now some people say he wanted to go to the Titans.

1059
01:06:53,440 --> 01:06:57,760
Speaker 1: Now this could be. This could happen if the kids.

1060
01:06:58,200 --> 01:06:59,520
Speaker 1: All they need to do is just give up two

1061
01:06:59,560 --> 01:07:01,640
Speaker 1: first round picks. That's all I gotta do, and they

1062
01:07:01,680 --> 01:07:05,080
Speaker 1: gotta match the offer. I'm hearing everything, but the Texas, Okay,

1063
01:07:05,080 --> 01:07:09,480
Speaker 1: I'll get you going down there. Anybody go down there

1064
01:07:09,480 --> 01:07:14,560
Speaker 1: and run for their life. The only movie we made

1065
01:07:14,600 --> 01:07:17,480
Speaker 1: him free agency, Tommy is we just uh we signed

1066
01:07:17,480 --> 01:07:19,800
Speaker 1: a guard. That's all I can tell you. Listen to

1067
01:07:19,920 --> 01:07:29,920
Speaker 1: Saint shack Maker. He got nobody to guard. Also, man,

1068
01:07:30,040 --> 01:07:33,160
Speaker 1: Jimmy Garoppolo is going to the Las Vegas Raiders. You

1069
01:07:33,240 --> 01:07:36,840
Speaker 1: got a three years, sixty seven million dollar deal. Man

1070
01:07:37,040 --> 01:07:40,160
Speaker 1: brock Purty from San Francisco. Brock Purty gonna be the

1071
01:07:40,200 --> 01:07:41,720
Speaker 1: start it or is it gonna be Trey Land We

1072
01:07:41,760 --> 01:07:43,919
Speaker 1: got to see. But we know Jimmy g ain't gonna

1073
01:07:43,920 --> 01:07:47,720
Speaker 1: be there. That's what they We do know it's irrelevant.

1074
01:07:47,720 --> 01:07:52,560
Speaker 1: That's what's gonna be there. Didn't play man. So also Darren.

1075
01:07:52,800 --> 01:07:54,840
Speaker 1: But here's the thing. Darren Waller, who was a tight

1076
01:07:54,960 --> 01:07:57,480
Speaker 1: end for the Raiders, he got traded to the New

1077
01:07:57,600 --> 01:08:00,880
Speaker 1: York Football Giants. So the one weapon applo gonna be without.

1078
01:08:01,160 --> 01:08:03,760
Speaker 1: They gave up a third round pick for him. Cowboys

1079
01:08:03,840 --> 01:08:08,600
Speaker 1: have traded for ended up his cornerback. Still Stephan Gilmore. Oh,

1080
01:08:08,880 --> 01:08:13,080
Speaker 1: Stephan Guilmore going from the coach to the Cowboys. Still

1081
01:08:13,240 --> 01:08:17,439
Speaker 1: nothing about the Texas toime. I'm sorry, cornerback he does

1082
01:08:17,640 --> 01:08:19,439
Speaker 1: They trying to get somebody on the other side over

1083
01:08:19,479 --> 01:08:24,719
Speaker 1: there from the steps, yeahs whichever. I think it's Treyvonn

1084
01:08:24,800 --> 01:08:27,439
Speaker 1: But I think that's gonna be a nice, nice secondary there.

1085
01:08:27,800 --> 01:08:30,920
Speaker 1: You guys still that Cowboys ain't going nowhere? Dog. I

1086
01:08:31,040 --> 01:08:33,559
Speaker 1: hate to say that, but they just said. I don't

1087
01:08:33,640 --> 01:08:36,920
Speaker 1: see it, man, I don't like the coach. To me,

1088
01:08:37,160 --> 01:08:40,040
Speaker 1: it's been that redhead boy that was coaching New Garrison.

1089
01:08:40,360 --> 01:08:42,760
Speaker 1: They kept him too long. I think they got they

1090
01:08:42,840 --> 01:08:45,000
Speaker 1: got the talent. Man, I think it's a coach. I

1091
01:08:45,040 --> 01:08:50,240
Speaker 1: don't like this fat boy McCarthy. I don't think. Coming

1092
01:08:50,320 --> 01:08:52,160
Speaker 1: up at the top of the hour, there's a guy

1093
01:08:52,240 --> 01:08:54,840
Speaker 1: on social media seeker needs advice. He says his son

1094
01:08:55,000 --> 01:08:57,519
Speaker 1: is flirting with his wife's friends. We'll talk about it

1095
01:08:57,640 --> 01:09:04,479
Speaker 1: right after this you're listening show, all right. Steve so

1096
01:09:04,680 --> 01:09:08,160
Speaker 1: Jack on Facebook writes, my son's turning into a player.

1097
01:09:08,439 --> 01:09:11,400
Speaker 1: He's now sixteen years old and clearly has a thing

1098
01:09:11,600 --> 01:09:15,400
Speaker 1: for older women. Occasionally we'll have friends over, and there

1099
01:09:15,439 --> 01:09:18,320
Speaker 1: have been multiple reports of my kid making some smooth

1100
01:09:18,400 --> 01:09:21,240
Speaker 1: moves on some of my wife's friends. The first time

1101
01:09:21,280 --> 01:09:23,400
Speaker 1: I heard about it, it was kind of funny. Now

1102
01:09:23,520 --> 01:09:27,080
Speaker 1: though it's happened five times that I know about. Do

1103
01:09:27,240 --> 01:09:29,439
Speaker 1: we need to step in on this or just stop

1104
01:09:29,520 --> 01:09:33,439
Speaker 1: inviting my wife's very attractive friends over. What's the deal? Well,

1105
01:09:33,880 --> 01:09:37,320
Speaker 1: you know it's the boy ain't no real really no problem.

1106
01:09:38,439 --> 01:09:41,800
Speaker 1: You know you could step to your son and tell hey, hey,

1107
01:09:42,400 --> 01:09:45,000
Speaker 1: these grown folks don't come in here with that. They

1108
01:09:45,120 --> 01:09:48,040
Speaker 1: starting to mumble about it. Do it again. I'm gonna

1109
01:09:48,040 --> 01:09:49,840
Speaker 1: have to talk to you now. Listen, you gotta say

1110
01:09:49,920 --> 01:09:52,599
Speaker 1: something if that's really the problem. But I'm curious why

1111
01:09:52,680 --> 01:09:55,280
Speaker 1: this man is writing us about his sixteen year old son.

1112
01:09:56,040 --> 01:09:59,759
Speaker 1: I really think the problem is him. Who the father?

1113
01:10:00,360 --> 01:10:02,720
Speaker 1: You think the problem is with the dad? With the

1114
01:10:02,880 --> 01:10:08,160
Speaker 1: wife's very attractive friends. They find they ain't attractive. They

1115
01:10:08,280 --> 01:10:11,720
Speaker 1: find yeah yeah they look yeah yeah see and he

1116
01:10:11,920 --> 01:10:14,160
Speaker 1: know it. Yeah, he got to wrote a letter for

1117
01:10:14,160 --> 01:10:16,200
Speaker 1: what can he say to the boy? He need advice

1118
01:10:16,320 --> 01:10:21,240
Speaker 1: for himself. Oh, he needed to know he try and

1119
01:10:21,360 --> 01:10:26,360
Speaker 1: talk himself down off this bridge himself himself. You know

1120
01:10:26,439 --> 01:10:31,960
Speaker 1: who we're talking about it himself. It's Miss Nias coming

1121
01:10:32,000 --> 01:10:42,360
Speaker 1: over again, d dad, it is miss Needs coming back

1122
01:10:42,400 --> 01:10:46,360
Speaker 1: over for that out fish he had on God the hills.

1123
01:10:46,880 --> 01:10:55,160
Speaker 1: I'm gonna say something should come back. I'm gonna say so. Yeah,

1124
01:10:55,240 --> 01:11:00,519
Speaker 1: that's the problem. Everything problem is him. Yeah, and say

1125
01:11:00,560 --> 01:11:06,839
Speaker 1: he just looked. Man, Look it happens, and what happens.

1126
01:11:07,280 --> 01:11:10,080
Speaker 1: You're gonna run into some your wife's gonna have some friends.

1127
01:11:10,600 --> 01:11:15,080
Speaker 1: Go set your ass down somewhere, Go sit show stupid

1128
01:11:15,840 --> 01:11:21,479
Speaker 1: ass down somewhere and shut show down mouth. That's never

1129
01:11:21,600 --> 01:11:25,800
Speaker 1: happened to you, right, Steve. I sits my ass down

1130
01:11:26,040 --> 01:11:30,000
Speaker 1: somewhere and shut. The best I do is off for coffee.

1131
01:11:32,040 --> 01:11:34,200
Speaker 1: That's all I can do. You know, they always say

1132
01:11:34,280 --> 01:11:39,080
Speaker 1: wow for him to be on TV. He is so polite, y'all. Ladies, ladies,

1133
01:11:39,200 --> 01:11:42,360
Speaker 1: y'all need anything, Baby, you want some coffee? I know,

1134
01:11:42,479 --> 01:11:44,280
Speaker 1: I no, no, I treat it like a queen in

1135
01:11:44,360 --> 01:11:47,920
Speaker 1: front of them. Girl, Baby, y'all need anything. Let me

1136
01:11:47,960 --> 01:11:51,120
Speaker 1: get somebody down here for I'm actually taking the coffee

1137
01:11:51,160 --> 01:11:56,240
Speaker 1: in the room for what. Yeah, I know how to

1138
01:11:56,280 --> 01:11:58,760
Speaker 1: get the brownie points, man, you know, just in case,

1139
01:11:59,120 --> 01:12:03,400
Speaker 1: Oh March, Steve so sweet. Let's see why you married

1140
01:12:03,479 --> 01:12:09,200
Speaker 1: him out all of that. Any of your son's been

1141
01:12:09,240 --> 01:12:12,439
Speaker 1: in that situation? Oh yeah, they didn't say something about

1142
01:12:12,439 --> 01:12:17,720
Speaker 1: a couple of friends. Margine snapped taste out there. I

1143
01:12:17,840 --> 01:12:19,479
Speaker 1: wish you would go over there and say something to

1144
01:12:19,560 --> 01:12:21,920
Speaker 1: her and deeper still, I want her to say something

1145
01:12:21,960 --> 01:12:23,559
Speaker 1: back to you, because I'm gonna kill both of y'all.

1146
01:12:23,880 --> 01:12:35,519
Speaker 1: Oh deeple still people still steal? Yeah, okay, um, we

1147
01:12:35,640 --> 01:12:38,160
Speaker 1: have time. We have another one. This is from Jalil

1148
01:12:38,680 --> 01:12:42,320
Speaker 1: on Steve Ham. He says, I'm I'm a high school

1149
01:12:42,320 --> 01:12:45,479
Speaker 1: guys taking on my first part time job. I have

1150
01:12:45,520 --> 01:12:48,880
Speaker 1: a question for more seasoned employees than me. Since I'm

1151
01:12:48,920 --> 01:12:51,360
Speaker 1: in school. They said I can't be part time, so

1152
01:12:51,600 --> 01:12:53,960
Speaker 1: I'm working six hours a day, five days a week.

1153
01:12:54,479 --> 01:12:56,519
Speaker 1: I was also told that they had to give me

1154
01:12:56,600 --> 01:12:59,200
Speaker 1: at least one thirty minute break during my shift. Well,

1155
01:12:59,240 --> 01:13:01,320
Speaker 1: I've been working by a month now, and each day

1156
01:13:02,640 --> 01:13:05,719
Speaker 1: but one, I've been told to clock out for my break,

1157
01:13:05,880 --> 01:13:08,840
Speaker 1: but it always happens during a rush, and I've been

1158
01:13:08,880 --> 01:13:11,639
Speaker 1: asked to come back and help out even though I'm

1159
01:13:11,760 --> 01:13:14,120
Speaker 1: on my break and off the clock. I kind of

1160
01:13:14,600 --> 01:13:17,600
Speaker 1: asked about it once and was hit with substantial attitude.

1161
01:13:17,640 --> 01:13:19,720
Speaker 1: What's the real story with this? I like the job

1162
01:13:19,800 --> 01:13:22,320
Speaker 1: and want the experience, but I also don't want to

1163
01:13:22,360 --> 01:13:28,519
Speaker 1: get used. Okay out, that's life, dog, it happens. Yeah,

1164
01:13:28,600 --> 01:13:30,400
Speaker 1: supposed to get thirty, But to ask you to come

1165
01:13:30,439 --> 01:13:33,360
Speaker 1: back early. You know you got to start taking your

1166
01:13:33,400 --> 01:13:37,080
Speaker 1: break earlier before the rush or after the rush is over. Okay,

1167
01:13:37,240 --> 01:13:40,320
Speaker 1: that's all to it. Life ain't fair, dog, all right?

1168
01:13:40,560 --> 01:13:42,720
Speaker 1: I hapen twenty minutes after the hour, we'll have more

1169
01:13:42,840 --> 01:13:47,240
Speaker 1: of a Steve Harvey Morning show right after this you're

1170
01:13:47,280 --> 01:13:55,920
Speaker 1: listening to show. Former GMA three anchors Amy Roebuck and TJ.

1171
01:13:56,160 --> 01:13:59,519
Speaker 1: Holmes are reportedly in Los Angeles pitching ideas for their

1172
01:13:59,600 --> 01:14:03,679
Speaker 1: first post Good Morning America gig. The couple who, of course,

1173
01:14:03,760 --> 01:14:06,920
Speaker 1: they were fired from GMA over their affair, they want

1174
01:14:06,960 --> 01:14:09,800
Speaker 1: to co host a daytime talk show. Well, a TV

1175
01:14:09,960 --> 01:14:13,880
Speaker 1: executive said, quote two attractive hosts mix in a romantic drama.

1176
01:14:14,000 --> 01:14:18,000
Speaker 1: Who wouldn't want to watch them interact every day? Sounds

1177
01:14:18,040 --> 01:14:22,360
Speaker 1: good to me? Questions for the guys, would you want

1178
01:14:22,400 --> 01:14:25,240
Speaker 1: to do a TV H talk show with your spouse

1179
01:14:25,439 --> 01:14:30,320
Speaker 1: quote partner every day? Would you want to nah, No,

1180
01:14:32,479 --> 01:14:38,080
Speaker 1: margin work at home like Kelly and Mark now instead

1181
01:14:38,120 --> 01:14:41,320
Speaker 1: of Kelly and Ryan. Kelly's gonna gonna work with her

1182
01:14:41,439 --> 01:14:44,400
Speaker 1: husband now every day and be at home. Well, he

1183
01:14:44,479 --> 01:14:52,200
Speaker 1: gotta do something to contribute. I'm already contributing. Huh. I

1184
01:14:52,360 --> 01:15:00,760
Speaker 1: like missing my girl. Seeing her at Okay, Yeah, then

1185
01:15:00,800 --> 01:15:04,640
Speaker 1: you gotta come home and talk about work. See what

1186
01:15:04,720 --> 01:15:06,200
Speaker 1: I'm not gonna do is half her telling me what

1187
01:15:06,360 --> 01:15:09,200
Speaker 1: do it work too? That's not that's that's gonna get

1188
01:15:09,240 --> 01:15:18,080
Speaker 1: on your nerves completely, junior. You're newly wet, that's what

1189
01:15:18,800 --> 01:15:20,880
Speaker 1: you're gonna You're gonna wein a newness all fast. I

1190
01:15:21,000 --> 01:15:24,960
Speaker 1: know it's gonna be open yea, and y'all just gonna

1191
01:15:24,960 --> 01:15:31,840
Speaker 1: be yeah, all right, coming up with thirty three minutes after,

1192
01:15:31,920 --> 01:15:33,920
Speaker 1: we'll play a round it would you rather right after

1193
01:15:34,080 --> 01:15:39,720
Speaker 1: this you're listening to show it is time now for

1194
01:15:39,880 --> 01:15:43,439
Speaker 1: another round of would you rather? Would you rather go

1195
01:15:43,640 --> 01:15:46,479
Speaker 1: one month with only a tank top on? Or would

1196
01:15:46,520 --> 01:15:51,040
Speaker 1: you rather go one month with only a speedo? What

1197
01:15:51,080 --> 01:15:54,760
Speaker 1: do you mean just the only the only article of clothes. Yeah,

1198
01:15:54,920 --> 01:16:00,360
Speaker 1: just a tank top or a speedo? Which one month?

1199
01:16:00,560 --> 01:16:02,840
Speaker 1: Just for a month? You mean you mean every day

1200
01:16:02,920 --> 01:16:05,200
Speaker 1: that's all you can wear? Just for a month. Yeah,

1201
01:16:05,400 --> 01:16:12,080
Speaker 1: I'm gonna have pertain speedos. I got to I can't have.

1202
01:16:12,680 --> 01:16:18,880
Speaker 1: I got you just can't be out like this. It's

1203
01:16:18,960 --> 01:16:23,880
Speaker 1: just too much because you got to kill you got

1204
01:16:23,960 --> 01:16:32,160
Speaker 1: to care about this area all damn all right? Would

1205
01:16:32,160 --> 01:16:34,800
Speaker 1: you rather make out at the movies? Or would you

1206
01:16:34,920 --> 01:16:36,960
Speaker 1: rather make out at the back seat of a car?

1207
01:16:37,120 --> 01:16:39,800
Speaker 1: In the back seat of a car, in the car,

1208
01:16:41,200 --> 01:16:44,360
Speaker 1: the car gonna leave to something. That movie is uncomfortable.

1209
01:16:44,400 --> 01:16:46,760
Speaker 1: That chair right there? You ever tried that chair? That chair?

1210
01:16:47,040 --> 01:16:50,160
Speaker 1: I'm sorry making out in the car uncomfortable. No, it's

1211
01:16:50,240 --> 01:16:56,080
Speaker 1: not the least I've done it before working I was

1212
01:16:56,120 --> 01:16:59,519
Speaker 1: way young, or something else. All right, here's another one.

1213
01:16:59,560 --> 01:17:02,560
Speaker 1: Would you do it in an abandoned building or a

1214
01:17:02,680 --> 01:17:08,240
Speaker 1: public park? Which one? I don't know about. This abandoned

1215
01:17:08,280 --> 01:17:13,479
Speaker 1: building that flow my fall through. We're gonna be outside

1216
01:17:13,520 --> 01:17:18,320
Speaker 1: of that glass. A public park, people can see you. Well,

1217
01:17:18,439 --> 01:17:20,160
Speaker 1: we're gonna be night or something. We're gonna be able

1218
01:17:20,160 --> 01:17:22,800
Speaker 1: to get some tree. We're gonna keeping on this tree.

1219
01:17:23,840 --> 01:17:25,720
Speaker 1: We're gonna keep moving around this tree. I could work

1220
01:17:25,760 --> 01:17:29,200
Speaker 1: with this park and then on top of that earth

1221
01:17:29,240 --> 01:17:31,360
Speaker 1: we'd abandoned building. It could be a drug deal going down.

1222
01:17:31,400 --> 01:17:39,240
Speaker 1: We are geting naked. It's not an FBI. I can't

1223
01:17:39,320 --> 01:17:49,479
Speaker 1: feel nothing run across my foot. All right? Would you

1224
01:17:49,600 --> 01:17:53,360
Speaker 1: rather lick a public doorknob or would you rather lick

1225
01:17:53,600 --> 01:17:56,720
Speaker 1: the floor of the subway station. I'm not doing that.

1226
01:17:56,840 --> 01:18:00,800
Speaker 1: On one of them public doorknob. You to pick one

1227
01:18:01,240 --> 01:18:07,240
Speaker 1: which you rather, or what is in my house? What

1228
01:18:07,400 --> 01:18:13,240
Speaker 1: dough is a public? That's a private doorknob. Public. Man,

1229
01:18:13,800 --> 01:18:20,320
Speaker 1: We're gonna die either way, so pick one, all right?

1230
01:18:20,560 --> 01:18:28,760
Speaker 1: Do knock, all right, junior, don't do knock on the

1231
01:18:28,880 --> 01:18:32,559
Speaker 1: door knob. Yes we've been get the doctor on hill though,

1232
01:18:32,680 --> 01:18:38,519
Speaker 1: I'm ting, yeah, I'm going to do the don because

1233
01:18:38,520 --> 01:18:41,400
Speaker 1: that way, I ain't. Nobody wiped theirself on that Doorknow,

1234
01:18:45,439 --> 01:18:49,400
Speaker 1: all right, that's today's stick around, and would you rather

1235
01:18:51,120 --> 01:18:53,479
Speaker 1: coming up in forty nine minutes after the hour, our

1236
01:18:53,560 --> 01:18:55,479
Speaker 1: last break of the day, and we'll close out the

1237
01:18:55,520 --> 01:18:58,360
Speaker 1: show with the one and only Steve Harvey right after this.

1238
01:18:59,200 --> 01:19:03,920
Speaker 1: You're listening show? All right, guys, here we are our

1239
01:19:04,040 --> 01:19:07,560
Speaker 1: last break of the day. It's been a good Thursday.

1240
01:19:08,080 --> 01:19:14,000
Speaker 1: You know what tomorrow is? Saint Patrick's Day? Yeah, that

1241
01:19:14,640 --> 01:19:17,600
Speaker 1: that's what. That's not what you were referring to Friday.

1242
01:19:18,840 --> 01:19:22,479
Speaker 1: All right, so I don't even know what that is.

1243
01:19:23,920 --> 01:19:27,920
Speaker 1: You know what your green beer, no free milkshake from

1244
01:19:28,000 --> 01:19:33,960
Speaker 1: mcdomph in Chicago. They turned the river green. Okay. See,

1245
01:19:34,080 --> 01:19:35,840
Speaker 1: so before we get out of here, we have a

1246
01:19:36,000 --> 01:19:40,240
Speaker 1: call for you from Victoria. Hey, Steve, my name is Victoria.

1247
01:19:40,240 --> 01:19:42,360
Speaker 1: I didn't travel halfway around the world and I listened

1248
01:19:42,360 --> 01:19:45,160
Speaker 1: to you everywhere. I just got to say, you know what,

1249
01:19:45,920 --> 01:19:49,360
Speaker 1: you're real, You're funny. Um. Just keep doing what you're

1250
01:19:49,400 --> 01:19:51,960
Speaker 1: doing because God has busted you with a gift and

1251
01:19:52,680 --> 01:19:54,639
Speaker 1: you know what you make my day. I don't care

1252
01:19:54,720 --> 01:19:59,719
Speaker 1: whether it's something good, some bad, some hood or some government,

1253
01:20:00,200 --> 01:20:02,439
Speaker 1: whatever it is. You just keep doing what you do

1254
01:20:03,120 --> 01:20:05,640
Speaker 1: be in sight of and that's what you've been. I

1255
01:20:05,720 --> 01:20:09,479
Speaker 1: appreciate you and really look forward to continue hearing you.

1256
01:20:09,680 --> 01:20:11,760
Speaker 1: I'm glad that God has blessed you to continue to

1257
01:20:11,800 --> 01:20:14,519
Speaker 1: be here and man, he continue to shine on you.

1258
01:20:15,040 --> 01:20:17,640
Speaker 1: Keep up to Goord Steve. I love you. One day

1259
01:20:17,640 --> 01:20:20,760
Speaker 1: I'll be on your show. Just remember my name Victory.

1260
01:20:20,880 --> 01:20:25,320
Speaker 1: It called me Miste. Holla at your girl boy. Yeah,

1261
01:20:26,000 --> 01:20:29,680
Speaker 1: got your girl boy. Appreciate that we're gonna keep doing it.

1262
01:20:29,760 --> 01:20:33,600
Speaker 1: Ain't nothing else to do, I heard them, Yeah, and

1263
01:20:33,800 --> 01:20:38,200
Speaker 1: do anything else would be a violation. M Yeah, and

1264
01:20:39,360 --> 01:20:41,000
Speaker 1: a dog on it. I like you too, I heard

1265
01:20:41,080 --> 01:20:47,240
Speaker 1: him yeah. But you know, it was interesting that she

1266
01:20:47,400 --> 01:20:50,120
Speaker 1: said God has blessed you with a gift, but don't

1267
01:20:50,120 --> 01:20:53,080
Speaker 1: we all have gifts. Victoria has their own gift, right,

1268
01:20:53,120 --> 01:20:55,560
Speaker 1: everybody got a gift. God never created a soul. He

1269
01:20:55,640 --> 01:20:58,840
Speaker 1: didn't bestore a gift to That's the thing about it.

1270
01:20:59,280 --> 01:21:02,080
Speaker 1: It's just the people keep looking at gifts the wrong way.

1271
01:21:02,680 --> 01:21:08,480
Speaker 1: They keep thinking, if you're gifted, they're talking about running, jumping, singing, dancing, performing.

1272
01:21:09,200 --> 01:21:12,880
Speaker 1: Those are gifts if you, If you, if you're a

1273
01:21:13,000 --> 01:21:16,800
Speaker 1: caregiver of people, if you're gifted at that. If everybody

1274
01:21:16,920 --> 01:21:18,880
Speaker 1: wants you to take care of a baby instead of

1275
01:21:19,040 --> 01:21:23,479
Speaker 1: other person, babysitting as a gift. Babysitting turns into daycast centers,

1276
01:21:23,560 --> 01:21:28,000
Speaker 1: daycast centers turn into multimillion dollar operations. You can be

1277
01:21:28,120 --> 01:21:31,840
Speaker 1: a landscaper can be your gift. Agriculture farming can be

1278
01:21:32,000 --> 01:21:34,800
Speaker 1: Teaching can be your guilt. There are nurses who are

1279
01:21:34,880 --> 01:21:38,120
Speaker 1: gifted at Nurses. Nurses are important people, man, They're the

1280
01:21:38,240 --> 01:21:40,760
Speaker 1: goal between between the doctor and that patient. Man. If

1281
01:21:40,760 --> 01:21:43,240
Speaker 1: you got a good nurse, man, dog, a nurse can

1282
01:21:43,320 --> 01:21:46,120
Speaker 1: help you out. You got a bad nurse, man, you

1283
01:21:46,200 --> 01:21:49,360
Speaker 1: got a rough state, you got real state. So you know,

1284
01:21:49,520 --> 01:21:51,719
Speaker 1: it's a lot of gifts. Man. I know a person

1285
01:21:51,800 --> 01:21:55,400
Speaker 1: whose gift is driving. I met an old guy who

1286
01:21:55,439 --> 01:21:58,320
Speaker 1: was shooting a commercial this weekend and he said, Man,

1287
01:21:59,040 --> 01:22:01,280
Speaker 1: this is my dream. I've always wanted to be a

1288
01:22:01,320 --> 01:22:04,719
Speaker 1: truck driver. He's the best job in the world. He's

1289
01:22:04,800 --> 01:22:09,559
Speaker 1: gifted at it, he's I've been driving truck forty some years. Man,

1290
01:22:09,600 --> 01:22:11,920
Speaker 1: he said, I would never do nothing else. He say,

1291
01:22:12,000 --> 01:22:15,240
Speaker 1: the freedom of mot on the road. I said, Wow,

1292
01:22:15,680 --> 01:22:18,479
Speaker 1: you can be gifted at a lot of stuff, and

1293
01:22:18,680 --> 01:22:21,120
Speaker 1: you have to honor that gift, and your gift will

1294
01:22:21,200 --> 01:22:24,479
Speaker 1: make room for you. But more importantly, if you live

1295
01:22:24,520 --> 01:22:27,160
Speaker 1: in your gift, man, you'll always be content with waking

1296
01:22:27,240 --> 01:22:30,200
Speaker 1: up every morning. It's when you're not living in your

1297
01:22:30,280 --> 01:22:33,599
Speaker 1: gift that you lose your contentment with life. Because if

1298
01:22:33,600 --> 01:22:36,040
Speaker 1: you're waking up doing something you don't enjoy doing, or

1299
01:22:36,080 --> 01:22:38,559
Speaker 1: you're not gifted at, you got to do it every

1300
01:22:38,640 --> 01:22:41,439
Speaker 1: day and you don't like it. That's a that's a

1301
01:22:41,560 --> 01:22:45,360
Speaker 1: tough existence, man, And there are so many people doing

1302
01:22:45,439 --> 01:22:48,599
Speaker 1: it because they are afraid to let go of their

1303
01:22:48,720 --> 01:22:53,479
Speaker 1: job and pursue their gift or their dream. And pursuing

1304
01:22:53,520 --> 01:22:58,479
Speaker 1: your dreams, it's difficult. It takes courage to follow your dream.

1305
01:22:59,200 --> 01:23:03,559
Speaker 1: It takes courage to quit your job. It takes courage

1306
01:23:03,600 --> 01:23:08,800
Speaker 1: to open a business. It takes courage man to be

1307
01:23:08,920 --> 01:23:11,880
Speaker 1: in a committed relationship. It takes courage to do the

1308
01:23:12,040 --> 01:23:14,920
Speaker 1: right thing. It takes courage to take out that loan.

1309
01:23:15,800 --> 01:23:19,759
Speaker 1: It takes courage man to go to school. It takes

1310
01:23:19,880 --> 01:23:22,760
Speaker 1: courage to get a degree. It takes courage to get

1311
01:23:22,880 --> 01:23:27,080
Speaker 1: properly trained. It takes courage to climb the corporate letter.

1312
01:23:27,640 --> 01:23:29,960
Speaker 1: You gotta have courage to go to work every day

1313
01:23:30,040 --> 01:23:34,360
Speaker 1: at the post office, at fad X, at UPS, at DHL,

1314
01:23:34,760 --> 01:23:37,840
Speaker 1: at the fire department, as a police person. You got

1315
01:23:37,960 --> 01:23:41,439
Speaker 1: to have courage man strap advantage on every day. It

1316
01:23:41,680 --> 01:23:44,040
Speaker 1: takes courage to be what you want to be in

1317
01:23:44,160 --> 01:23:46,560
Speaker 1: life because the devil's mission is to rob you of

1318
01:23:46,640 --> 01:23:50,920
Speaker 1: your destiny. Do you understand what I just said. It

1319
01:23:51,160 --> 01:23:54,439
Speaker 1: takes courage to be what you're supposed to be because

1320
01:23:54,479 --> 01:23:57,160
Speaker 1: the devil's mission is to rob you of your destiny.

1321
01:23:57,880 --> 01:24:00,400
Speaker 1: So when you take the step forward to be God

1322
01:24:00,479 --> 01:24:03,880
Speaker 1: intended for you to be, to live your dream, to

1323
01:24:04,040 --> 01:24:08,479
Speaker 1: live in your gift, to go after your purpose, there's

1324
01:24:08,560 --> 01:24:15,439
Speaker 1: going to be opposition. The opposition is real. It's real, man,

1325
01:24:16,400 --> 01:24:19,800
Speaker 1: and that's that's what happens. And people don't people think

1326
01:24:21,000 --> 01:24:23,240
Speaker 1: I don't know. Well, I know what people think. I

1327
01:24:23,320 --> 01:24:28,040
Speaker 1: do know. Stop expecting it to be easy. Stop tripping

1328
01:24:28,200 --> 01:24:32,040
Speaker 1: every time you get hard. It's gonna be hard. It's

1329
01:24:32,080 --> 01:24:35,519
Speaker 1: hard to have a family, it's hard to raise children,

1330
01:24:36,720 --> 01:24:39,040
Speaker 1: it's hard to keep them on the right track. All

1331
01:24:39,120 --> 01:24:43,640
Speaker 1: this stuff is hard, man. It's not easy, y'all. You

1332
01:24:43,760 --> 01:24:45,519
Speaker 1: got some people that make it look easy, but it's

1333
01:24:45,520 --> 01:24:47,240
Speaker 1: hard to take your hat off to these people that's

1334
01:24:47,320 --> 01:24:50,600
Speaker 1: raising these kids out there. Yeah, I wouldn't let my

1335
01:24:50,720 --> 01:24:54,040
Speaker 1: child do that. That ain't your child, This ain't your situation,

1336
01:24:54,360 --> 01:24:57,400
Speaker 1: and there is no manual for this thing. I would

1337
01:24:57,479 --> 01:25:00,280
Speaker 1: never let no man do me like that. You don't

1338
01:25:00,320 --> 01:25:02,639
Speaker 1: know what a man doing behind your back. You ain't

1339
01:25:02,680 --> 01:25:06,960
Speaker 1: got control of that. Stop with all this, man, y'all.

1340
01:25:07,360 --> 01:25:09,960
Speaker 1: This thing is hard, But if you put God in

1341
01:25:10,040 --> 01:25:12,519
Speaker 1: the mix, he can help you deal with all of it.

1342
01:25:13,160 --> 01:25:17,040
Speaker 1: Hard becomes easy once you have a solution. Those are

1343
01:25:17,120 --> 01:25:20,360
Speaker 1: my closing remarks today, and I didn't even plan on it.

1344
01:25:21,840 --> 01:25:24,040
Speaker 1: Talk to God today, y'all. He loved to hear from you.

1345
01:25:24,120 --> 01:25:26,639
Speaker 1: If you don't talk to him, he'll still be there

1346
01:25:26,960 --> 01:25:29,400
Speaker 1: when you do. That's the cool thing about him. But

1347
01:25:29,479 --> 01:25:31,280
Speaker 1: if you don't call me when you say you're gonna

1348
01:25:31,320 --> 01:25:34,320
Speaker 1: call me, lose the number because I'm picking up after that.

1349
01:25:34,640 --> 01:25:38,280
Speaker 1: That's different between me and the Lord Lord, ain't you glad?

1350
01:25:38,360 --> 01:25:43,240
Speaker 1: He is no purchase necessary void We're prohibited. Participants must

1351
01:25:43,280 --> 01:25:46,400
Speaker 1: be legal US residents at least eighteen years old, unless

1352
01:25:46,479 --> 01:25:50,320
Speaker 1: otherwise stated. For complete contest rules, visit Steve Harvey FM

1353
01:25:50,479 --> 01:25:54,000
Speaker 1: dot com. You're listening Steve Harvey Morning Show