WEBVTT - From the Vault: Trains of Terror, Part 2

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<v Speaker 1>Hey you welcome to Stuff to Blow Your Mind. My

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<v Speaker 1>name is Robert Lamb. Yes, we're in fall break this week,

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<v Speaker 1>but we have lots of Halloween related content for you.

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<v Speaker 1>This is going to be Trains of Terror Part two,

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<v Speaker 1>which originally published ten three, twenty twenty four. Continuation of

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<v Speaker 1>Trains of Terror Part one, So if you have your

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<v Speaker 1>ticket from that episode, we're going to check that ticket again,

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<v Speaker 1>but we're going to continue the ride.

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<v Speaker 2>Welcome to Stuff to Blow Your Mind, production of iHeartRadio.

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<v Speaker 1>Hey, welcome to Stuff to Blow Your Mind.

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<v Speaker 3>My name is Robert Lamb, and I am Joe McCormick,

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<v Speaker 3>and we're back with part two in our Halloween season

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<v Speaker 3>series on locomotive Horror and Trains of Terror. Now. In

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<v Speaker 3>the last episode, we talked about how trains are often

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<v Speaker 3>used in weird fiction and the kinds of themes that

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<v Speaker 3>they emphasize, including things like fate and helplessness, isolation, alienation,

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<v Speaker 3>and especially in nineteenth century stories, the irresistible changes brought

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<v Speaker 3>by technology brought on by the steam era, how it

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<v Speaker 3>was transforming the landscape, transforming our culture, and highlighting maybe

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<v Speaker 3>the fragility of our minds and bodies. We also talked

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<v Speaker 3>about the various inputs leading to the invention of the

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<v Speaker 3>steam locomotive, And finally we got to the Victorian panic

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<v Speaker 3>about railway madness, a belief you'll find attested in a

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<v Speaker 3>bunch of British newspapers from the eighteen sixties through about

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<v Speaker 3>eighteen eighty, according to which it is common for men

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<v Speaker 3>to be driven instantly, violently insane by the vibrations of

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<v Speaker 3>a railway carriage in transit. So that was part one.

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<v Speaker 3>If you haven't heard that yet, it's definitely worth a listen,

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<v Speaker 3>go back and check that out first. But we're here

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<v Speaker 3>today talk about more that's right.

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<v Speaker 1>This week, we're going to be getting into the more

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<v Speaker 1>familiar territory of the ghost train. Though even as I

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<v Speaker 1>say that and I start thinking about potential mainstream examples,

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<v Speaker 1>it's really hard for me to think of a straight

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<v Speaker 1>up haunted train in popular media like Polar Express maybe

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<v Speaker 1>comes to minds like the most mainstream example. Yeah, is

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<v Speaker 1>it just me? Or do we just not actually have

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<v Speaker 1>a lot of stories about ghost trains.

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<v Speaker 3>Well, it's interesting that you frame it that way, because

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<v Speaker 3>I was thinking about the ghost train as a concept

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<v Speaker 3>and thinking about how, yeah, we have the concept of

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<v Speaker 3>ghosts which are spectral, insubstantial entities that take the form

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<v Speaker 3>of a human I guess sometimes an animal usually human

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<v Speaker 3>understood to be like the soul or the animate image

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<v Speaker 3>of a person who has died. So these are individual

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<v Speaker 3>human entities. They usually move around and I don't know,

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<v Speaker 3>they interact in some kind of sensory capacity. You can

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<v Speaker 3>see them, they make noise and so forth. But then

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<v Speaker 3>we also have the concept of haunted houses or haunted locations,

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<v Speaker 3>for example a church or a cemetery or a battlefield.

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<v Speaker 3>These are places where hauntings by individual ghosts happen, most

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<v Speaker 3>often understood to be the location of a tragedy or

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<v Speaker 3>a death, or maybe like a place that the ghost

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<v Speaker 3>frequented frequented in life.

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<v Speaker 1>But the house, the haunted house is usually an actual house.

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<v Speaker 3>I guess.

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<v Speaker 1>Maybe there are some versions where ooh, there was never

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<v Speaker 1>a house there at all, it was just a vacant lot.

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<v Speaker 1>But for the most part it's like, oh, it's the

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<v Speaker 1>old the old McCormick place there.

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<v Speaker 3>Yeah, yeah, exactly so. But trains are like in this

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<v Speaker 3>in between realm where they I guess they could sort

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<v Speaker 3>of be both, because on one hand, they are moving entities

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<v Speaker 3>like people, and so they can sort of be a

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<v Speaker 3>moving form that could pass in and out of your awareness.

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<v Speaker 3>And the same time, trains are locations like houses. People

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<v Speaker 3>go inside them, inhabit them. They have rooms and corridors

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<v Speaker 3>and doorways. So a train oddly has the ability to

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<v Speaker 3>be like a wandering ghost itself or like a haunted house.

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<v Speaker 3>And I was trying to think, is there any equivalent.

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<v Speaker 3>I guess like a ship, like a you could have

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<v Speaker 3>a ghost ship or a haunted ship. Though, like you

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<v Speaker 3>were saying, or I think you were alluding to this,

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<v Speaker 3>most of the ghost train Lord that I'm aware of

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<v Speaker 3>and that I could turn up and research for this

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<v Speaker 3>episode seems to be about beliefs about a spectral train

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<v Speaker 3>that you believe you see passing as an outside observer,

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<v Speaker 3>not a physical train that you get on board and

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<v Speaker 3>then believe to be haunted like a haunted house. The

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<v Speaker 3>latter is possible in concept, it just seems like there's

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<v Speaker 3>less of that.

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<v Speaker 1>Yeah, I think it is probably an idea that is

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<v Speaker 1>infected by these other concepts, Like you said, haunted house,

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<v Speaker 1>the haunted domicile, and a train is kind of a

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<v Speaker 1>place that you live. It is an environment, but it's

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<v Speaker 1>also a vehicle, and we have a long legacy of

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<v Speaker 1>ghost ship stories. But it's interesting because that doesn't really

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<v Speaker 1>line up one hundred percent because with the idea of

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<v Speaker 1>a ghost train, because with ghost ships you have, of

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<v Speaker 1>course tales of a flying Dutchman and you know, everything

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<v Speaker 1>from a haunted unoccupied vessel maybe it has Dracula on

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<v Speaker 1>it and so forth, or a straight up spectral vessel.

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<v Speaker 1>But then a lot of this is based on the

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<v Speaker 1>historic reality and even contemporary reality of ships that have

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<v Speaker 1>even been damaged or abandoned or something terrible has happened

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<v Speaker 1>and they are left to be moved around on the

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<v Speaker 1>water by wave and wind, something that isn't really in

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<v Speaker 1>the cards for a train, you know, especially in the

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<v Speaker 1>modern air, but even historically, like if you had an

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<v Speaker 1>unknown train moving around and it was a physical reality,

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<v Speaker 1>bad things would happen pretty quickly. And yes, the idea

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<v Speaker 1>does tie into fears of those things happening, and I

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<v Speaker 1>think a lot of the examples you can look at

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<v Speaker 1>of ghost trains are tied to either memories or anxieties

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<v Speaker 1>concerning train accidents. But yeah, it doesn't really it seems

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<v Speaker 1>to be influenced by all these other concepts but also

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<v Speaker 1>it doesn't line up one with any of them either.

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<v Speaker 3>M M yeah, I think that's right. This is kind

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<v Speaker 3>of a tangent. But this also because the train has

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<v Speaker 3>this potential duality that it could be like a haunted

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<v Speaker 3>house or like a like a ghost itself. It was

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<v Speaker 3>making me think about the different moral understandings we have

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<v Speaker 3>of individual ghostly entities versus haunted locations in horror fiction,

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<v Speaker 3>because I don't know, maybe maybe you have some counter

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<v Speaker 3>examples to this, but I was thinking that in most

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<v Speaker 3>horror stories, individual ghosts, though they invoke fright, are usually

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<v Speaker 3>looked on with pity once you know their story. They

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<v Speaker 3>are usually said to be victims in some way, people

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<v Speaker 3>who suffered, whereas haunted locations are often characterized as evil

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<v Speaker 3>or malicious in themselves. There's this idea that like a

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<v Speaker 3>haunted house is a bad place. It's like the Overlook hotel.

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<v Speaker 3>The hotel is evil.

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<v Speaker 1>Yeah.

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<v Speaker 3>Yeah, And yet while a train could be a location

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<v Speaker 3>like this haunted house that you often think of as

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<v Speaker 3>a bad place. When I read through all this ghost

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<v Speaker 3>train lord, I don't get that feeling like, oh the

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<v Speaker 3>ghost train, Ooh that's wicked, it's bad, it's malicious. Instead,

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<v Speaker 3>it has more the character of the individual wandering ghost.

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<v Speaker 3>It's something that may be frightening but is mainly to

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<v Speaker 3>be kind of pitied to tell a sad story about.

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<v Speaker 1>Yeah, that's the impression I get as well. So we'll

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<v Speaker 1>keep that in mind as we roll through some of

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<v Speaker 1>the specific examples here, and perhaps out there there's a

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<v Speaker 1>wish well we'll touch on this again, but there are

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<v Speaker 1>there are a lot of ghost train stories out there.

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<v Speaker 1>There's a lot of train related urban legend. So we

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<v Speaker 1>have things that have been circulating for a while, and

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<v Speaker 1>you know, stories that are just kicking up. Perhaps, So

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<v Speaker 1>if you were familiar listener with a story of a

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<v Speaker 1>malicious ghost train, or just any ghost train story that

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<v Speaker 1>we don't mention here, or if you have additional thoughts

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<v Speaker 1>on things we mentioned here, obviously write in because we

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<v Speaker 1>would love.

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<v Speaker 3>To hear from you. Absolutely contact at stuff to Blow

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<v Speaker 3>your Mind dot com. Please share with us your local

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<v Speaker 3>ghost train story, especially if there's something unusual about it.

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<v Speaker 1>Now, before we get into specific ghost trains and ghost

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<v Speaker 1>train stories, I do want to just kind of an

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<v Speaker 1>overview of what seemed to me to be sort of

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<v Speaker 1>like three definite types of ghost trains to consider. Okay, okay,

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<v Speaker 1>So the first type we'll come back to this one

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<v Speaker 1>in some specifics here shortly, is the idea of just

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<v Speaker 1>lights and or sounds of trains on or near the

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<v Speaker 1>tracks that never materialize. The idea that I hear the

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<v Speaker 1>sound or I see the like to a train that

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<v Speaker 1>should not be here, and then that train never arrives.

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<v Speaker 1>But it causes you a lot of anxiety because, oh,

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<v Speaker 1>if there's not supposed to be a train here right now,

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<v Speaker 1>that's a bad thing.

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<v Speaker 3>You know, this ties into you. And I were looking

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<v Speaker 3>at an example of a play about a ghost train

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<v Speaker 3>off Mike. We ended up not getting into it in

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<v Speaker 3>our outline really here, but there's a play called The

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<v Speaker 3>Ghost Train by an author named Arnold Ridley, which turns

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<v Speaker 3>out to have a quite bizarre twist where there's like

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<v Speaker 3>a story of a ghost train and then it turns

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<v Speaker 3>out to be like a communist counter espionage thriller. But anyway,

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<v Speaker 3>I think that story was said to be inspired by

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<v Speaker 3>the author's experience of being stuck at a train station

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<v Speaker 3>at night and hearing what sounded like a train approaching

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<v Speaker 3>and thinking it was arriving to pick him up, but

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<v Speaker 3>then it just like seeming to pass without him ever

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<v Speaker 3>seeing it. And the explanation is the train was there

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<v Speaker 3>was a train coming by him, but it was being

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<v Speaker 3>diverted along a different track that was. So he's like

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<v Speaker 3>in the night hearing a train approach and then leave,

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<v Speaker 3>but never sees anything.

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<v Speaker 1>You know, the approach of a train is kind of haunting,

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<v Speaker 1>almost supernatural occurrence in some ways, you know, because you're

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<v Speaker 1>standing there and perhaps you hear just like that initial

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<v Speaker 1>hum of the rails, maybe the air is suddenly a

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<v Speaker 1>little bit different. You get to get to get some

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<v Speaker 1>of that sort of underground air coming at you if

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<v Speaker 1>you're in a subway system, all ahead of the actual

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<v Speaker 1>roar of the train, the lights of the train, and

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<v Speaker 1>so forth, there are a lot of subtle hints leading

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<v Speaker 1>up to the arrival, all right. So that that's the first,

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<v Speaker 1>you know, rough categorization for ghost trains. The second one

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<v Speaker 1>I want to highlight are just straight up overtly creepy

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<v Speaker 1>or ghostly trains, straight up spectral trains, trains with ghosts

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<v Speaker 1>on them that are sometimes connected to railway disasters, but

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<v Speaker 1>sometimes to other mishaps and tragedies and so forth. And

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<v Speaker 1>then there's this third area and this is empty trains

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<v Speaker 1>witnessed moving down the tracks. And this is a category

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<v Speaker 1>that is going to include both. Just straight up, here's

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<v Speaker 1>a train. It doesn't look like it as people on it,

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<v Speaker 1>but it is a physical train. And also, here's a

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<v Speaker 1>train that is you know, there's nothing suspects about who's

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<v Speaker 1>piloting it. We know it's either we can see the

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<v Speaker 1>human or we know that this is an automated rail system,

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<v Speaker 1>whatever the case. But why is there a train with

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<v Speaker 1>no people on it? Why is it stopping and letting

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<v Speaker 1>no one out and then continuing on its way.

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<v Speaker 3>You know, it's funny how this connects to the idea

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<v Speaker 3>of the ghost ship which you were talking about, could

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<v Speaker 3>be inspired by sightings of real ships that were saying

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<v Speaker 3>people have abandoned them. And you see a ship drifting

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<v Speaker 3>in the waves with nobody on it. That's a very

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<v Speaker 3>chilling site. But that would be a real thing people

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<v Speaker 3>would observe in various situations. Obviously, a train is a

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<v Speaker 3>little bit different because it's the train isn't going to

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<v Speaker 3>be completely abandoned and drifting on the waves. It needs

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<v Speaker 3>to be moving for some reason, like somebody's got to

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<v Speaker 3>push a button to make it go, but it may

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<v Speaker 3>in fact be empty of passengers, and just like seeing

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<v Speaker 3>through the windows and seeing it empty can be a

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<v Speaker 3>creepy site.

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<v Speaker 1>Yeah, absolutely, you know, thinking about the trains that go

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<v Speaker 1>by directly by my house. There's the Marta Train, the

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<v Speaker 1>public transportation train system here in Atlanta, and sometimes there

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<v Speaker 1>are empty train cars that are going by because you

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<v Speaker 1>know that one's done for the night. And then there's

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<v Speaker 1>the CSX line, and this is freight, not passengers. Though

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<v Speaker 1>at least on one occurrence, I did see some empty

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<v Speaker 1>passenger trains on the tracks. I think they were being

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<v Speaker 1>I assume they were being moved somewhere, you know, either

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<v Speaker 1>I don't even remember how nice they looked. Maybe they

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<v Speaker 1>were brand new being moved somewhere to go into service,

0:12:51.720 --> 0:12:55.360
<v Speaker 1>or they were being retired or scrapped or something. But

0:12:55.880 --> 0:12:59.480
<v Speaker 1>you know, there is something potentially creepy about seeing this

0:12:59.600 --> 0:13:02.720
<v Speaker 1>space that is made for people, devoid of people, but

0:13:02.880 --> 0:13:06.840
<v Speaker 1>still in motion, as if it's going somewhere but without people.

0:13:07.240 --> 0:13:09.480
<v Speaker 3>A lot of horror movies used to great effect the

0:13:10.120 --> 0:13:13.600
<v Speaker 3>empty subway train. You know, the subway arrives in the station,

0:13:13.720 --> 0:13:16.320
<v Speaker 3>the door is open, there's nobody in sight, Nobody on

0:13:16.360 --> 0:13:18.320
<v Speaker 3>the train. It is a creepy feeling.

0:13:19.480 --> 0:13:21.360
<v Speaker 1>Now. I was reading a bit more about this idea

0:13:21.360 --> 0:13:25.840
<v Speaker 1>of ghost trains, and there is this unofficial classification for

0:13:25.920 --> 0:13:29.280
<v Speaker 1>a ghost train, at least in Britain, that has nothing

0:13:29.320 --> 0:13:32.240
<v Speaker 1>to do with hauntings. And these are trains, according to

0:13:32.480 --> 0:13:36.679
<v Speaker 1>Amanda Rugeri and Why Britain Has Secret Ghost Trains twenty

0:13:36.679 --> 0:13:41.560
<v Speaker 1>fifteen BBC, these are low frequency routes that often entail

0:13:41.679 --> 0:13:45.640
<v Speaker 1>mostly empty, if not entirely empty cars, and this is

0:13:45.679 --> 0:13:48.920
<v Speaker 1>a reality that the author describes as being due to

0:13:49.000 --> 0:13:50.920
<v Speaker 1>a quote bureaucratic hangover.

0:13:51.559 --> 0:13:54.640
<v Speaker 3>Okay, so these are trains that are operating normally. They're

0:13:54.720 --> 0:13:57.440
<v Speaker 3>just like they haven't adjusted to the fact that there

0:13:57.559 --> 0:14:00.360
<v Speaker 3>is little or no demand for travel along the route

0:14:00.360 --> 0:14:02.720
<v Speaker 3>where they're they're going. That's correct.

0:14:03.200 --> 0:14:06.079
<v Speaker 1>She goes on to write, there is no single definition

0:14:06.120 --> 0:14:09.040
<v Speaker 1>of what constitutes a ghost train, although the general consensus

0:14:09.440 --> 0:14:11.800
<v Speaker 1>is that it's when a service is so infrequent the

0:14:11.840 --> 0:14:15.680
<v Speaker 1>train becomes effectively useless, slippery or not. Though the term

0:14:15.720 --> 0:14:18.880
<v Speaker 1>ghost train seems apt, it implies a service that is

0:14:18.920 --> 0:14:22.200
<v Speaker 1>not exactly whole, something that whispers through towns and countryside,

0:14:22.520 --> 0:14:26.840
<v Speaker 1>leaving barely a dent in its wake, And it's really

0:14:26.960 --> 0:14:30.320
<v Speaker 1>interesting to read about these because a lot of a

0:14:30.320 --> 0:14:32.680
<v Speaker 1>lot of people don't you know, aren't even a where

0:14:32.680 --> 0:14:35.840
<v Speaker 1>that these exist. Perhaps, But there are hobbyists, ghost train

0:14:35.960 --> 0:14:40.240
<v Speaker 1>hunters they call themselves, who seek these out. They try

0:14:40.280 --> 0:14:43.200
<v Speaker 1>and find these lines or these particular trains, and sometimes

0:14:43.200 --> 0:14:46.600
<v Speaker 1>they run at strange hours, and you know they're stopping.

0:14:46.640 --> 0:14:49.200
<v Speaker 1>It stops their way out out in the middle of

0:14:49.280 --> 0:14:52.720
<v Speaker 1>nowhere and so forth. But they kind of like pride

0:14:52.720 --> 0:14:55.640
<v Speaker 1>themselves on hunting them down and getting their pictures made

0:14:55.760 --> 0:14:59.160
<v Speaker 1>on them or with them. But as the article explains,

0:14:59.200 --> 0:15:03.280
<v Speaker 1>these trains are are often legal placeholders to keep a

0:15:03.320 --> 0:15:07.120
<v Speaker 1>line from being closed. Absolutely the sort of lines that

0:15:07.200 --> 0:15:11.680
<v Speaker 1>are mostly useless currently, but it would be controversial to

0:15:11.760 --> 0:15:16.440
<v Speaker 1>close them. It would be perhaps bureaucratically expensive or require

0:15:16.440 --> 0:15:19.160
<v Speaker 1>a lot of effort to close them. And another big

0:15:19.200 --> 0:15:24.120
<v Speaker 1>fact is, of course, you know, populations don't stay the same.

0:15:24.280 --> 0:15:28.000
<v Speaker 1>You know what, maybe a ghost station and a ghost

0:15:28.000 --> 0:15:32.440
<v Speaker 1>train line today could be vitally important, say five years

0:15:32.480 --> 0:15:35.360
<v Speaker 1>from now, ten years from now, as population shift and

0:15:35.440 --> 0:15:39.320
<v Speaker 1>new communities develop and so forth. The more official name

0:15:39.360 --> 0:15:42.720
<v Speaker 1>for these are parliamentary trains, since in the past and

0:15:42.880 --> 0:15:45.320
<v Speaker 1>at any rate, it took an act of Parliament to

0:15:45.360 --> 0:15:50.400
<v Speaker 1>shut down a line, so against speaking to the amount

0:15:50.440 --> 0:15:52.360
<v Speaker 1>of effort that it would go you'd have to go

0:15:52.440 --> 0:15:56.000
<v Speaker 1>to to actually close one of these. There, of course

0:15:56.040 --> 0:16:00.560
<v Speaker 1>corresponding parliamentary ghost train stations again, and these are also

0:16:00.600 --> 0:16:04.920
<v Speaker 1>sought out by hobbyists, and these trains and these groups

0:16:04.960 --> 0:16:07.600
<v Speaker 1>are still very much around, so I would love to

0:16:07.640 --> 0:16:10.840
<v Speaker 1>hear from any ghost train hunters out there. I also

0:16:10.840 --> 0:16:13.400
<v Speaker 1>have to note that, especially with subway systems, there are

0:16:13.480 --> 0:16:16.600
<v Speaker 1>various examples of ghost stations that are no longer in use,

0:16:17.040 --> 0:16:21.680
<v Speaker 1>often for logistical reasons or expansion reasons, such as the

0:16:21.720 --> 0:16:24.680
<v Speaker 1>famous City Hall station in New York City, noted for

0:16:24.720 --> 0:16:28.880
<v Speaker 1>its Romanesque revival architecture. Sometimes stations such as this are

0:16:29.000 --> 0:16:33.160
<v Speaker 1>used on tours or they're repurposed, And yeah, there's something

0:16:33.640 --> 0:16:36.960
<v Speaker 1>captivating about the idea of such places, stops that are

0:16:37.080 --> 0:16:40.600
<v Speaker 1>on the line but no longer stops, human spaces that

0:16:40.680 --> 0:16:43.480
<v Speaker 1>have literally been carved out of the interior of the

0:16:43.520 --> 0:16:46.120
<v Speaker 1>earth but are just no longer used by human beings.

0:16:47.160 --> 0:16:50.040
<v Speaker 1>And you know, after I was putting together my notes

0:16:50.080 --> 0:16:52.720
<v Speaker 1>on this section, I was walking back to my house

0:16:52.760 --> 0:16:56.560
<v Speaker 1>from a place that I was working remotely, and as

0:16:56.640 --> 0:16:59.760
<v Speaker 1>luck would have it, I was walking right past a

0:17:00.000 --> 0:17:03.760
<v Speaker 1>ghost tunnel of the Marta rail system here in Atlanta.

0:17:04.480 --> 0:17:08.199
<v Speaker 1>There's about two hundred feet of tunnel, originally built for

0:17:08.280 --> 0:17:11.760
<v Speaker 1>a Tucker North to cabline expansion that was never completed.

0:17:12.400 --> 0:17:16.600
<v Speaker 1>Now just a yawning urban cave amidst other track structures.

0:17:17.760 --> 0:17:21.119
<v Speaker 1>And I really don't think i'd noticed this until yesterday.

0:17:22.040 --> 0:17:24.920
<v Speaker 1>I looked up and there's a there's a YouTube page

0:17:25.000 --> 0:17:27.160
<v Speaker 1>called V twelve Productions that does a lot of stuff

0:17:27.160 --> 0:17:29.920
<v Speaker 1>on trains and also some stuff on like urban and

0:17:30.000 --> 0:17:34.359
<v Speaker 1>Atlanta architecture and so forth. They did a nice video

0:17:34.520 --> 0:17:38.679
<v Speaker 1>on it about six years ago. So now I know

0:17:38.760 --> 0:17:43.040
<v Speaker 1>all about this kind of haunting cave, this unnatural human

0:17:43.080 --> 0:17:45.760
<v Speaker 1>made cave in the earth, just you know, a stone's

0:17:45.760 --> 0:17:46.600
<v Speaker 1>throw from where I live.

0:17:47.000 --> 0:17:49.000
<v Speaker 3>Did you take this photo in our outline here?

0:17:49.400 --> 0:17:51.000
<v Speaker 1>I did not. I've thought a lot of people have

0:17:51.080 --> 0:17:53.639
<v Speaker 1>sought this out. I think some people were doing a

0:17:53.640 --> 0:17:57.720
<v Speaker 1>little sneaking around to get in there and get closer,

0:17:58.720 --> 0:18:01.439
<v Speaker 1>because there's it's not just the tunnel, there's also a

0:18:01.520 --> 0:18:04.800
<v Speaker 1>length it's like, what do you call it, a trench

0:18:05.440 --> 0:18:08.720
<v Speaker 1>that was constructed too, Like basically the situation was they

0:18:08.760 --> 0:18:15.399
<v Speaker 1>were building out the Marta bridgework overhead, and if they

0:18:15.440 --> 0:18:18.199
<v Speaker 1>were going to do this line, they would need to

0:18:18.359 --> 0:18:20.520
<v Speaker 1>make the tunnel now rather than later. It would be

0:18:20.560 --> 0:18:22.480
<v Speaker 1>just so much cheaper to go ahead and build the

0:18:22.480 --> 0:18:26.440
<v Speaker 1>tunnel early than to do it later once everything else

0:18:26.520 --> 0:18:27.359
<v Speaker 1>was built up around it.

0:18:28.000 --> 0:18:30.440
<v Speaker 3>The steep cutting in the earth is reminding me of

0:18:30.200 --> 0:18:34.240
<v Speaker 3>that haunting descriptive passage from the signalman, right. You know,

0:18:35.119 --> 0:18:38.400
<v Speaker 3>there's just the strip of sky and seeing the stone

0:18:38.440 --> 0:18:42.679
<v Speaker 3>on either side the damp walls. But it's one of

0:18:42.720 --> 0:18:46.080
<v Speaker 3>these visions that's both gloomy and beautiful at the same time.

0:18:46.520 --> 0:18:58.240
<v Speaker 1>Yeah, Now getting into some more examples of like straight

0:18:58.280 --> 0:19:02.679
<v Speaker 1>up ghost trains, actual spectrum trains, haunted trains, trains associated

0:19:02.720 --> 0:19:07.000
<v Speaker 1>with ghosts or supernatural creatures. We're going to turn briefly

0:19:07.080 --> 0:19:10.199
<v Speaker 1>here once more to Japan. I want to add the

0:19:10.200 --> 0:19:12.640
<v Speaker 1>caveat that again. There are so many ghost train traditions

0:19:12.680 --> 0:19:15.000
<v Speaker 1>around the world, and some of them are rather popular,

0:19:15.359 --> 0:19:17.800
<v Speaker 1>but we ultimately had to focus on ones that maybe

0:19:17.800 --> 0:19:20.359
<v Speaker 1>had just a little more in some cases, a little

0:19:20.359 --> 0:19:23.080
<v Speaker 1>more scholarship around them, or just a few more just

0:19:23.119 --> 0:19:24.959
<v Speaker 1>interesting things to point out because some of them are

0:19:25.000 --> 0:19:28.800
<v Speaker 1>just like, hey, there's a ghost train rides around. We're

0:19:28.840 --> 0:19:31.040
<v Speaker 1>not sure where it's going, where it's coming from. Maybe hell,

0:19:32.200 --> 0:19:34.960
<v Speaker 1>we don't know, And you know those are fun and

0:19:35.520 --> 0:19:37.800
<v Speaker 1>that maybe there's less meat to chew on.

0:19:37.760 --> 0:19:38.280
<v Speaker 3>There for us.

0:19:40.160 --> 0:19:42.080
<v Speaker 1>But anyway, there are a few different traditions in Japan,

0:19:42.760 --> 0:19:46.600
<v Speaker 1>one of which concerns the legendary tanukis of Japan. We've

0:19:46.640 --> 0:19:51.040
<v Speaker 1>discussed these before you have. These are the youkai versions

0:19:51.119 --> 0:19:55.720
<v Speaker 1>of the actual Japanese raccoon dog, which, to be clear,

0:19:56.119 --> 0:19:59.600
<v Speaker 1>are far more closely related to dogs. They are part

0:19:59.640 --> 0:20:02.720
<v Speaker 1>of the kind of day family, so they are there

0:20:04.200 --> 0:20:07.439
<v Speaker 1>essentially dog can. They are not raccoon can except in

0:20:07.480 --> 0:20:08.640
<v Speaker 1>a very distant sense.

0:20:09.240 --> 0:20:12.199
<v Speaker 3>They look like raccoons, though they've got that kind of

0:20:12.240 --> 0:20:13.400
<v Speaker 3>head shape and coloration.

0:20:14.280 --> 0:20:17.760
<v Speaker 1>Now, if you've ever watched the excellent nineteen ninety four

0:20:17.800 --> 0:20:20.960
<v Speaker 1>Studio Ghibli film Pom Poko, then you know all about

0:20:21.000 --> 0:20:23.280
<v Speaker 1>these guys, and if you haven't, you should go watch it.

0:20:23.280 --> 0:20:26.160
<v Speaker 1>It's I believe it's on Max in the States, and

0:20:26.640 --> 0:20:29.720
<v Speaker 1>it's excellent, taking viewers into the world of shape shifting

0:20:29.800 --> 0:20:34.760
<v Speaker 1>by way of their testicles. Bake danuki. These are yokai

0:20:34.800 --> 0:20:40.760
<v Speaker 1>tanuki supernatural tanuki and their struggles alongside a changing, modernizing world.

0:20:41.480 --> 0:20:44.600
<v Speaker 1>And this last bit is a common theme in tanuki lore,

0:20:44.840 --> 0:20:49.159
<v Speaker 1>especially during the Meiji era. The tanuki are a symbol

0:20:49.200 --> 0:20:53.120
<v Speaker 1>of the folkloric wilds of rural life. The traditional tanuki

0:20:53.119 --> 0:20:57.000
<v Speaker 1>statue also entails multiple symbols for good luck, and you'll

0:20:57.000 --> 0:21:00.480
<v Speaker 1>find them in both rural and urban Japanese neighborhoods today,

0:21:00.480 --> 0:21:04.919
<v Speaker 1>in front of homes and so forth. In Pandemonium and

0:21:04.960 --> 0:21:09.399
<v Speaker 1>Parade Japanese Monsters and the Culture of Yokai, Michael Dylan

0:21:09.440 --> 0:21:12.960
<v Speaker 1>Foster describes ways in which the tanuki and the locomotive

0:21:13.160 --> 0:21:16.879
<v Speaker 1>stand in stark opposition to each other. So you know,

0:21:17.720 --> 0:21:20.959
<v Speaker 1>reminder here the first Japanese rail line opened in eighteen

0:21:21.040 --> 0:21:24.840
<v Speaker 1>seventy two and remains an impressive and highly connected form

0:21:24.880 --> 0:21:26.280
<v Speaker 1>of public transportation. There.

0:21:27.600 --> 0:21:31.600
<v Speaker 3>Yeah, but I recall reading and by the way, Michael

0:21:31.640 --> 0:21:35.080
<v Speaker 3>Dylan Foster is a folklorist I've cited on the show before.

0:21:35.119 --> 0:21:38.960
<v Speaker 3>His book of Yokai is great, but I think I've

0:21:39.000 --> 0:21:41.960
<v Speaker 3>seen him write that there was some on record, some

0:21:42.119 --> 0:21:46.520
<v Speaker 3>ambivalence about the edition of the Railroad to Japanese life.

0:21:47.280 --> 0:21:50.400
<v Speaker 1>Yeah, yeah, and that seems to be reflected in these

0:21:50.440 --> 0:21:55.520
<v Speaker 1>tales of the Tanuki. They're sort of two main legends

0:21:55.600 --> 0:22:00.320
<v Speaker 1>slash accounts to take into account here concerning the uki

0:22:00.400 --> 0:22:03.600
<v Speaker 1>and the train, and they both occur where these two

0:22:03.640 --> 0:22:07.119
<v Speaker 1>worlds meet, you know, the world of the folklore, magical

0:22:07.200 --> 0:22:13.400
<v Speaker 1>wild and this rapidly modernizing world. So you know, imagine

0:22:13.440 --> 0:22:16.959
<v Speaker 1>a lonely train track running through the wilderness in Japan.

0:22:17.600 --> 0:22:20.600
<v Speaker 1>And and you're if if you're aboard one of these trains,

0:22:20.800 --> 0:22:23.080
<v Speaker 1>or maybe you're working on the rail, or maybe you're

0:22:23.119 --> 0:22:27.560
<v Speaker 1>at some sort of like very rural train station and

0:22:27.920 --> 0:22:31.000
<v Speaker 1>suddenly you hear the sounds or you see the lights

0:22:31.040 --> 0:22:33.719
<v Speaker 1>of an oncoming train, well that's a cause for alarm

0:22:33.960 --> 0:22:37.760
<v Speaker 1>for all the reasons we've cited so far. So if

0:22:37.800 --> 0:22:39.920
<v Speaker 1>you're if you're if you're on a boarded train, perhaps

0:22:39.960 --> 0:22:42.359
<v Speaker 1>you slow or stop. If you're working, well, then you know,

0:22:42.400 --> 0:22:45.280
<v Speaker 1>you freak out. You try and get in touch with

0:22:45.280 --> 0:22:47.160
<v Speaker 1>with with the folks and let them know that there's

0:22:47.200 --> 0:22:49.960
<v Speaker 1>some sort of unexpected train on the track. But then,

0:22:50.400 --> 0:22:53.360
<v Speaker 1>as is the case with ghost trains, sometimes it never

0:22:53.440 --> 0:22:56.760
<v Speaker 1>shows up. It becomes clear that this was a false alarm,

0:22:56.840 --> 0:23:00.159
<v Speaker 1>there was no train, and in this case, be the

0:23:00.200 --> 0:23:04.040
<v Speaker 1>supernatural Yokai explanation. This was clearly the work of the

0:23:04.080 --> 0:23:08.320
<v Speaker 1>tanukis mimicking the sights and sounds of the train to

0:23:08.520 --> 0:23:09.840
<v Speaker 1>mess with these humans.

0:23:10.280 --> 0:23:13.960
<v Speaker 3>Ah, little trickster is okay. So this I think is

0:23:14.040 --> 0:23:17.560
<v Speaker 3>a slightly more humorous take on the ghost train, Like

0:23:17.600 --> 0:23:21.320
<v Speaker 3>there's a bit of a spirit of pranksteriness about it.

0:23:21.720 --> 0:23:25.160
<v Speaker 1>Yeah, yeah, where it's like, oh, Tanuki's they got us again.

0:23:26.080 --> 0:23:28.720
<v Speaker 1>But then there's a flip side to it, and this

0:23:28.960 --> 0:23:32.600
<v Speaker 1>is where one sees the side of a dead Tanuki,

0:23:32.640 --> 0:23:36.160
<v Speaker 1>perhaps cut in half by train by a roaring train,

0:23:36.680 --> 0:23:39.600
<v Speaker 1>by the side of the tracks, and Foster describes it

0:23:39.640 --> 0:23:43.720
<v Speaker 1>as follows. The confrontation between Tanuki and steam train, a

0:23:43.760 --> 0:23:47.680
<v Speaker 1>common trope during this period, gestures dramatically to the changing

0:23:47.760 --> 0:23:51.119
<v Speaker 1>meanings of yokai. The old forms of magic, the shape

0:23:51.119 --> 0:23:53.720
<v Speaker 1>shifting talents of the Tanuki still had the power to

0:23:53.800 --> 0:23:56.560
<v Speaker 1>dazzle and deceive, causing the train engineers to proceed with

0:23:56.640 --> 0:24:00.320
<v Speaker 1>caution through the lonely countryside. But the instant they stop

0:24:00.400 --> 0:24:04.320
<v Speaker 1>believing and plowed full speed ahead, the iron mechanism of

0:24:04.359 --> 0:24:08.920
<v Speaker 1>technology could make the magic powerless, transforming a supernatural creature

0:24:09.200 --> 0:24:12.280
<v Speaker 1>into nothing more than an animal body. Lying dead beside

0:24:12.320 --> 0:24:13.560
<v Speaker 1>the tracks of progress.

0:24:14.080 --> 0:24:15.520
<v Speaker 3>Oh, that's quite poignant.

0:24:16.080 --> 0:24:19.440
<v Speaker 1>And if you are a fan of Pompoco, which again

0:24:19.520 --> 0:24:22.240
<v Speaker 1>is an excellent film, there's a sequence towards the end

0:24:23.080 --> 0:24:25.920
<v Speaker 1>of this movie which has quite a serious ecological message

0:24:25.920 --> 0:24:27.960
<v Speaker 1>and gets into this, you know, some of these these

0:24:28.000 --> 0:24:31.359
<v Speaker 1>topics we're discussing here, in which some of the tanuki

0:24:31.400 --> 0:24:34.560
<v Speaker 1>are run over by automobiles and trucks, And the impact

0:24:34.600 --> 0:24:37.240
<v Speaker 1>of this scene, at least in my understanding, seems to

0:24:37.240 --> 0:24:41.159
<v Speaker 1>mirror the traditions here, the idea that, you know, they

0:24:41.480 --> 0:24:44.080
<v Speaker 1>lose their power when they are when they go head

0:24:44.080 --> 0:24:46.480
<v Speaker 1>on head with like the violent nature of progress.

0:24:47.119 --> 0:24:50.680
<v Speaker 3>Yeah, that the magic is gone once it once their

0:24:50.680 --> 0:24:54.240
<v Speaker 3>presence fails to convince anyone to slow the giant machine down.

0:24:55.720 --> 0:25:00.040
<v Speaker 1>Now, there are other supernatural beings associated with trains. I

0:25:00.040 --> 0:25:03.760
<v Speaker 1>guess there are other yokai and yuri that may be

0:25:04.600 --> 0:25:07.240
<v Speaker 1>it may turn up on a train in some tellings,

0:25:07.280 --> 0:25:10.080
<v Speaker 1>but there I read did run across one. There's a

0:25:10.119 --> 0:25:14.760
<v Speaker 1>particular urban legend of a yuri of ghost by the

0:25:14.840 --> 0:25:17.479
<v Speaker 1>name of I think Tikki Tikki. I'm not sure if

0:25:17.480 --> 0:25:19.800
<v Speaker 1>I'm saying this correctly. I think it is the idea

0:25:19.840 --> 0:25:23.080
<v Speaker 1>here is this is supposed to sound like the sound

0:25:23.280 --> 0:25:25.800
<v Speaker 1>that a half of a woman makes when she crawls

0:25:25.840 --> 0:25:29.600
<v Speaker 1>across the ground, because the ghost is that of someone

0:25:29.640 --> 0:25:32.600
<v Speaker 1>who was cut in half by a train whoa one

0:25:32.720 --> 0:25:37.080
<v Speaker 1>version of this tale recounted on the MPR podcast Code Switch,

0:25:38.240 --> 0:25:40.240
<v Speaker 1>or more specifically, I think an article referring to one

0:25:40.280 --> 0:25:42.640
<v Speaker 1>of their episodes that I came across. I do listen

0:25:42.640 --> 0:25:44.159
<v Speaker 1>to Code Switch, but I don't think I've heard this

0:25:44.200 --> 0:25:47.840
<v Speaker 1>particular episode the Creepiest Ghost and monster stories from around

0:25:47.880 --> 0:25:51.840
<v Speaker 1>the world. They mentioned that this particular ghost is sometimes

0:25:51.920 --> 0:25:56.320
<v Speaker 1>named Kashima Raiko, and sometimes she inhabits a bathroom stall

0:25:56.680 --> 0:25:59.440
<v Speaker 1>and asks children who venture into the bathroom to fetch

0:25:59.440 --> 0:26:03.359
<v Speaker 1>her legs from a neighboring stall. And there are other

0:26:03.440 --> 0:26:05.600
<v Speaker 1>versions of this too, where she just like basically, you know,

0:26:05.680 --> 0:26:07.160
<v Speaker 1>she's going to cut you in half. That's what she's

0:26:07.200 --> 0:26:09.240
<v Speaker 1>going to do if you run a foul of her.

0:26:09.320 --> 0:26:12.240
<v Speaker 1>But interesting too that it ends up connecting to bathrooms

0:26:12.240 --> 0:26:14.040
<v Speaker 1>because there are a lot of yokai and you were

0:26:14.200 --> 0:26:17.760
<v Speaker 1>that seem to be associated with the fear of young

0:26:17.800 --> 0:26:22.560
<v Speaker 1>people venturing into perhaps dank or quiet bathroom areas.

0:26:22.960 --> 0:26:25.159
<v Speaker 3>Oh Man have we ever done a Halloween episode on

0:26:25.600 --> 0:26:28.240
<v Speaker 3>scary bathrooms? I feel like that should be a series.

0:26:28.600 --> 0:26:30.760
<v Speaker 1>Oh yeah, that would be a good one. There are

0:26:30.760 --> 0:26:33.119
<v Speaker 1>a number of yokai that line up with that.

0:26:33.440 --> 0:26:35.720
<v Speaker 3>Wait, do we have everything planned for this month? Maybe

0:26:35.720 --> 0:26:37.680
<v Speaker 3>we should sub that in. That's a pinch hit.

0:26:38.160 --> 0:26:40.080
<v Speaker 1>Oh, we'll see. We'll have to look at the calendar.

0:26:40.320 --> 0:26:40.679
<v Speaker 3>Okay.

0:26:41.040 --> 0:26:43.880
<v Speaker 1>Now, there's also a railway tunnel said to be haunted

0:26:44.160 --> 0:26:48.120
<v Speaker 1>joe Mon Tunnel and Hokkaido, said to be haunted by

0:26:48.359 --> 0:26:53.560
<v Speaker 1>laborers who died in its early twentieth century construction, laborers

0:26:53.600 --> 0:26:56.600
<v Speaker 1>who were then either buried on site or walled up

0:26:56.600 --> 0:27:00.440
<v Speaker 1>in the tunnel or side shafts, and for this reason

0:27:00.680 --> 0:27:03.480
<v Speaker 1>it's also it also has another name, and that is

0:27:03.680 --> 0:27:08.639
<v Speaker 1>Hito Bashira tunnel, a term referring to an ancient Japanese

0:27:08.680 --> 0:27:14.119
<v Speaker 1>form of foundation burial, premature burial, and human sacrifice that

0:27:14.200 --> 0:27:18.439
<v Speaker 1>traces back to ancient Chinese practices. The concept here is

0:27:18.960 --> 0:27:22.120
<v Speaker 1>that such a sacrifice is necessary to appease the gods

0:27:22.440 --> 0:27:25.879
<v Speaker 1>on large scale construction projects, to prevent them from failing

0:27:26.119 --> 0:27:29.760
<v Speaker 1>or falling to the elements and natural disasters and so

0:27:29.800 --> 0:27:35.920
<v Speaker 1>forth later on. According to Andrea D. Antoni in Down

0:27:36.000 --> 0:27:40.159
<v Speaker 1>in a Whole twenty nineteen Japan Review, archaeological evidence suggests

0:27:40.200 --> 0:27:42.159
<v Speaker 1>that the practice was used maybe as late as the

0:27:42.200 --> 0:27:46.280
<v Speaker 1>sixteenth century in Japan now standard CAAVIAT. Anytime we bring

0:27:46.320 --> 0:27:51.359
<v Speaker 1>up particular historical cultural examples of human sacrifice, we have

0:27:51.440 --> 0:27:53.960
<v Speaker 1>to drive home that you can find examples of human

0:27:54.000 --> 0:27:57.160
<v Speaker 1>sacrifice in all ancient cultures. And there are many examples

0:27:57.200 --> 0:28:00.919
<v Speaker 1>of foundation burial human or others wise you can find

0:28:01.119 --> 0:28:04.920
<v Speaker 1>in different cultures around the world. But in Japanese usage,

0:28:04.960 --> 0:28:09.760
<v Speaker 1>the term hitobashira, meaning human pillar itself, can also refer

0:28:09.840 --> 0:28:12.959
<v Speaker 1>to laborers who end up buried or dying in one

0:28:13.000 --> 0:28:16.640
<v Speaker 1>of these construction projects just due to bad working conditions,

0:28:17.160 --> 0:28:19.159
<v Speaker 1>and this seems to be the case with Joe Mun Tunnel.

0:28:19.480 --> 0:28:23.640
<v Speaker 1>And this leads to various ghost stories that invoke actual

0:28:23.960 --> 0:28:27.560
<v Speaker 1>ritual premature burial. So to read more on this, so

0:28:27.600 --> 0:28:30.040
<v Speaker 1>it turned to one of the books that Heroko Yoda

0:28:30.080 --> 0:28:33.560
<v Speaker 1>and Matt Alt wrote. I reference to these a lot.

0:28:33.680 --> 0:28:35.760
<v Speaker 1>They wrote one on ninjas, they wrote one on Yokai,

0:28:35.760 --> 0:28:36.840
<v Speaker 1>and they wrote one on Yuri.

0:28:37.119 --> 0:28:37.280
<v Speaker 3>Well.

0:28:37.280 --> 0:28:40.120
<v Speaker 1>In the Yuri book Yuri Attack, they point out that

0:28:40.160 --> 0:28:44.880
<v Speaker 1>officials initially dismissed these accounts for years that Jomun Tunnel

0:28:45.480 --> 0:28:48.960
<v Speaker 1>was haunted or had humans buried in the walls, until

0:28:49.200 --> 0:28:53.520
<v Speaker 1>around nineteen seventy. That's when there were repairs underway following

0:28:53.560 --> 0:28:56.200
<v Speaker 1>a nineteen sixty eight earthquake that it damaged the tunnel,

0:28:56.560 --> 0:28:59.680
<v Speaker 1>and skeletons were discovered in the walls of the tunnel,

0:29:00.000 --> 0:29:03.640
<v Speaker 1>apparently in a standing position, and dozens more were buried

0:29:03.680 --> 0:29:07.360
<v Speaker 1>outside of the tunnel. Some accounts say hundreds of some

0:29:07.440 --> 0:29:11.760
<v Speaker 1>seem to point towards a far lesser but still disturbing

0:29:11.760 --> 0:29:12.720
<v Speaker 1>amount of skeletons.

0:29:13.040 --> 0:29:13.240
<v Speaker 3>Wow.

0:29:13.680 --> 0:29:16.720
<v Speaker 1>Now, I don't think any serious historians suggest that early

0:29:16.760 --> 0:29:19.720
<v Speaker 1>twentieth century construction of this tunnel made use of ritual

0:29:19.800 --> 0:29:23.560
<v Speaker 1>human sacrifice, but rather that the skeletal remains, as well

0:29:23.600 --> 0:29:27.120
<v Speaker 1>as some physical evidence and accounts involving the construction of

0:29:27.160 --> 0:29:29.200
<v Speaker 1>the tunnel point out that it was a difficult tunnel

0:29:29.240 --> 0:29:34.560
<v Speaker 1>project with many accidents, and that the working conditions were dangerous.

0:29:35.280 --> 0:29:38.960
<v Speaker 1>And Andrea D'Antoni, in the paper I say it previously,

0:29:39.000 --> 0:29:43.160
<v Speaker 1>also discusses the probability that these were forced laborers as well.

0:29:44.800 --> 0:29:47.680
<v Speaker 1>So not a ghost train, but a ghost train tunnel.

0:29:48.320 --> 0:29:51.480
<v Speaker 3>Is there any known modern folklore about this like, do

0:29:51.520 --> 0:29:55.240
<v Speaker 3>people believe there are hauntings related to this tunnel? Yeah.

0:29:55.320 --> 0:29:59.240
<v Speaker 1>I think the idea is in these have persisted for

0:29:59.280 --> 0:30:02.840
<v Speaker 1>a while that if you trip, you're traveling through that tunnel,

0:30:02.880 --> 0:30:06.920
<v Speaker 1>you might hear strange sounds, maybe see strange sites, but

0:30:07.040 --> 0:30:11.320
<v Speaker 1>certainly sounds. So there is a tradition of it being haunted,

0:30:12.080 --> 0:30:14.640
<v Speaker 1>and as that paper that I cited points out, it's

0:30:14.640 --> 0:30:17.400
<v Speaker 1>also become sort of a focal point for what the

0:30:17.440 --> 0:30:20.720
<v Speaker 1>author calls dark tourism, where people actually seek it out.

0:30:21.120 --> 0:30:23.920
<v Speaker 1>And we have plenty of examples of this obviously in

0:30:23.960 --> 0:30:28.560
<v Speaker 1>other places around the world. Haunted castles, haunted cabins, haunted

0:30:28.680 --> 0:30:31.280
<v Speaker 1>locations that have some sort of dark history, and they

0:30:31.280 --> 0:30:33.480
<v Speaker 1>become a target for dark tourism.

0:30:34.040 --> 0:30:36.760
<v Speaker 3>I'm a sucker for a ghost tour, even a cheesy one.

0:30:37.080 --> 0:30:39.760
<v Speaker 1>Yeah. I am glad you mentioned that, because that is

0:30:39.800 --> 0:30:43.280
<v Speaker 1>one of the problems about research and ghost trains is

0:30:43.320 --> 0:30:46.320
<v Speaker 1>that you have actual traditions of ghost trains, and then

0:30:46.320 --> 0:30:50.680
<v Speaker 1>you have plenty of trains, either actual or maybe almost

0:30:50.720 --> 0:30:54.760
<v Speaker 1>trains that do like ghost Halloween related events.

0:30:54.400 --> 0:30:56.920
<v Speaker 3>In rocket Yes, yeah, yeah, yeah.

0:30:57.200 --> 0:31:00.600
<v Speaker 1>It kind of messes with your search results sometimes.

0:31:01.000 --> 0:31:03.000
<v Speaker 3>Oh I bet a train could make a really good

0:31:03.040 --> 0:31:05.720
<v Speaker 3>haunted house, though, you know, because it's already like lineary

0:31:05.960 --> 0:31:08.440
<v Speaker 3>moving through it. I don't know. Then again, is the

0:31:09.080 --> 0:31:11.760
<v Speaker 3>terrain of the inside of a train varied enough?

0:31:12.240 --> 0:31:17.920
<v Speaker 1>Yeah, I think serious professional haunt designers would probably argue

0:31:17.920 --> 0:31:20.720
<v Speaker 1>that you just don't have enough room to move people

0:31:20.760 --> 0:31:24.880
<v Speaker 1>around and have the various distractions and frights. But you know,

0:31:24.960 --> 0:31:28.160
<v Speaker 1>it's like a simple haunted house and there's a one

0:31:28.200 --> 0:31:31.240
<v Speaker 1>off gimmick, I'd be down for it. Haunted subway train,

0:31:31.440 --> 0:31:32.480
<v Speaker 1>that's great, let's do it.

0:31:33.080 --> 0:31:36.360
<v Speaker 3>Okay, So we've talked about shape shifting, tanuki's pretending to

0:31:36.400 --> 0:31:40.240
<v Speaker 3>be trains, We've talked about haunted train tunnels, But what

0:31:40.360 --> 0:31:44.120
<v Speaker 3>about just like a full on spectral train, a train

0:31:44.240 --> 0:31:47.080
<v Speaker 3>that is like a wandering ghost in itself in that

0:31:47.160 --> 0:31:50.280
<v Speaker 3>people seem to see or hear it passing by them

0:31:50.320 --> 0:31:53.320
<v Speaker 3>along the tracks, and it turns out there's no physical

0:31:53.360 --> 0:31:53.960
<v Speaker 3>train there.

0:31:54.560 --> 0:32:01.120
<v Speaker 1>Well, all aboard for Lincoln's funeral train, the spectral because

0:32:01.400 --> 0:32:04.800
<v Speaker 1>there was an actual Lincoln funeral train because in eighteen

0:32:04.880 --> 0:32:08.840
<v Speaker 1>sixty five, after the assassination of the US President, funeral

0:32:08.880 --> 0:32:12.200
<v Speaker 1>services were held, his body laid in state, and then

0:32:12.520 --> 0:32:16.640
<v Speaker 1>a funeral train transported his body at low speeds through

0:32:16.720 --> 0:32:20.840
<v Speaker 1>seven states to be buried in Springfield, Illinois. A pilot

0:32:20.880 --> 0:32:23.280
<v Speaker 1>train went ahead of the nine car funeral train to

0:32:23.320 --> 0:32:25.800
<v Speaker 1>make sure the tracks were clear. And you know then

0:32:25.800 --> 0:32:29.120
<v Speaker 1>people you know heard this go by or gathered to

0:32:29.120 --> 0:32:31.840
<v Speaker 1>watch it go by included a map for you hear

0:32:31.920 --> 0:32:35.760
<v Speaker 1>Joe showing all the different cities it hit on the way.

0:32:36.280 --> 0:32:38.400
<v Speaker 3>Right, so it was not a direct route. It went

0:32:38.520 --> 0:32:42.560
<v Speaker 3>up from Washington, d C. Through Maryland, Pennsylvania, New Jersey,

0:32:42.600 --> 0:32:46.520
<v Speaker 3>and New York and then background upstate New York to

0:32:46.560 --> 0:32:49.200
<v Speaker 3>the through like Albany and Buffalo, and then down through Ohio,

0:32:49.360 --> 0:32:51.200
<v Speaker 3>Indiana and finally Illinois.

0:32:51.520 --> 0:32:53.560
<v Speaker 1>Yeah, they could. You could really do like a band

0:32:53.600 --> 0:32:57.760
<v Speaker 1>tour t shirt for this. I would be tempted to

0:32:57.760 --> 0:32:59.520
<v Speaker 1>create one if we were more of like a US

0:32:59.680 --> 0:33:04.240
<v Speaker 1>history podcast and not Science and Culture. Now, the ghost

0:33:04.320 --> 0:33:08.160
<v Speaker 1>train story here allegedly dates back to the thirties and forties,

0:33:08.520 --> 0:33:13.960
<v Speaker 1>and it involves a spectral version of this train continuing

0:33:14.000 --> 0:33:17.560
<v Speaker 1>to make this journey once a year in April and

0:33:17.640 --> 0:33:20.520
<v Speaker 1>stopping clocks and watches on the way. And I think

0:33:20.560 --> 0:33:23.240
<v Speaker 1>a lot of these are also these sightings where are

0:33:23.240 --> 0:33:26.160
<v Speaker 1>located in New York and in fact. One of the

0:33:26.200 --> 0:33:29.280
<v Speaker 1>main sources on this that everyone points to this is

0:33:29.320 --> 0:33:33.600
<v Speaker 1>a nineteen forty five article in New York History by

0:33:33.920 --> 0:33:38.400
<v Speaker 1>folklorist Louis C. Jonas Session titled some Historic Ghosts of

0:33:38.440 --> 0:33:38.880
<v Speaker 1>New York.

0:33:39.200 --> 0:33:40.040
<v Speaker 3>Okay, let's hear it.

0:33:40.520 --> 0:33:43.640
<v Speaker 1>The author writes, the first train is followed by a second,

0:33:43.760 --> 0:33:47.080
<v Speaker 1>this time with a single flat car draped as is

0:33:47.120 --> 0:33:49.479
<v Speaker 1>the one before it, But on this car is a

0:33:49.480 --> 0:33:53.480
<v Speaker 1>lonely coffin, nothing more, neither ghost nor skeleton. As the

0:33:53.520 --> 0:33:57.080
<v Speaker 1>train approaches, a black carpet seems to unroll along the

0:33:57.160 --> 0:34:01.160
<v Speaker 1>track before it, and all sound, even the passing of frights,

0:34:01.520 --> 0:34:05.080
<v Speaker 1>is blanketed. Men know which day and spring the ghost

0:34:05.080 --> 0:34:08.479
<v Speaker 1>train has passed through. For all clocks stop and wait

0:34:08.600 --> 0:34:11.320
<v Speaker 1>five to eight minutes before they begin again.

0:34:12.040 --> 0:34:14.200
<v Speaker 3>Now, this seems to me to be, at least as

0:34:14.200 --> 0:34:17.360
<v Speaker 3>far as I know, a really unusual kind of ghost story,

0:34:17.400 --> 0:34:21.120
<v Speaker 3>because ghost stories are typically very local. You know, it's like,

0:34:21.200 --> 0:34:24.960
<v Speaker 3>here's the local phenomenon. The locals claim to have seen it,

0:34:25.080 --> 0:34:27.960
<v Speaker 3>or maybe people who come to visit, but it's tied

0:34:28.000 --> 0:34:31.200
<v Speaker 3>to a specific location. This is going cross country, it's

0:34:31.239 --> 0:34:33.640
<v Speaker 3>going all over the place, going through New York and

0:34:34.000 --> 0:34:36.400
<v Speaker 3>saying stopping clocks as it goes along.

0:34:36.960 --> 0:34:39.719
<v Speaker 1>Well, I mean, that's the story. But then I guess

0:34:39.760 --> 0:34:42.000
<v Speaker 1>we have to keep in mind that the story itself

0:34:42.040 --> 0:34:45.080
<v Speaker 1>could be very local. That's true, and you know, it

0:34:45.120 --> 0:34:47.520
<v Speaker 1>could be isolated to just parts of New York State,

0:34:47.920 --> 0:34:50.520
<v Speaker 1>but then gets passed on as if this is happening everywhere.

0:34:51.400 --> 0:34:55.840
<v Speaker 3>Yeah, because the actual trains route was so long, it

0:34:55.880 --> 0:34:58.680
<v Speaker 3>gives the impression that it's all along the tracks, but

0:34:58.719 --> 0:35:01.680
<v Speaker 3>it could be. Yeah, like you're saying, just a local story.

0:35:02.239 --> 0:35:04.879
<v Speaker 1>Now, this particular ghost story, it's interesting in a number

0:35:04.920 --> 0:35:08.279
<v Speaker 1>of ways. On one hand, it does seem to kind

0:35:08.320 --> 0:35:11.719
<v Speaker 1>of line up with ancient folkloric traditions of the procession

0:35:11.760 --> 0:35:15.120
<v Speaker 1>of the dead, in which souls proceed along a road

0:35:15.200 --> 0:35:18.920
<v Speaker 1>or path bound for the underworld. And of course this

0:35:19.000 --> 0:35:21.560
<v Speaker 1>matches up nicely with some of the ideas we discussed about,

0:35:21.560 --> 0:35:23.839
<v Speaker 1>like why the train is captivating. You know, the idea

0:35:23.840 --> 0:35:26.160
<v Speaker 1>of it is fate at is point A to point B,

0:35:26.239 --> 0:35:28.640
<v Speaker 1>there's no getting off, and in this case, the train

0:35:28.760 --> 0:35:31.600
<v Speaker 1>is bound for the underworld or the afterlife, or the

0:35:31.640 --> 0:35:33.480
<v Speaker 1>great beyond in one form or the other.

0:35:33.960 --> 0:35:36.800
<v Speaker 3>Also tying into the uniqueness of tunnels, passing into that

0:35:36.960 --> 0:35:38.120
<v Speaker 3>literally under the earth.

0:35:38.239 --> 0:35:42.400
<v Speaker 1>Yeah, yeah, you can. You can also line this up

0:35:42.400 --> 0:35:46.360
<v Speaker 1>with traditions of the wild hunt, and you know, in

0:35:46.400 --> 0:35:49.480
<v Speaker 1>another other traditions of the procession of the dead, which

0:35:49.520 --> 0:35:54.320
<v Speaker 1>sometimes are more malicious, you know, it's the dam going

0:35:54.320 --> 0:35:56.360
<v Speaker 1>into hell, and other times it's more solemn.

0:35:56.400 --> 0:35:56.600
<v Speaker 3>You know.

0:35:57.160 --> 0:35:59.040
<v Speaker 1>It's hard to say exactly how we're supposed to feel

0:35:59.200 --> 0:36:02.960
<v Speaker 1>about Lincoln's ghost train. The author here in the nineteen

0:36:02.960 --> 0:36:06.279
<v Speaker 1>forty five paper is is light on interpretation, but I

0:36:06.400 --> 0:36:08.839
<v Speaker 1>get the impression that it's meant to be somber, kind

0:36:08.840 --> 0:36:13.320
<v Speaker 1>of a folkloric expression of communal shock and grief, aligned

0:36:13.520 --> 0:36:17.120
<v Speaker 1>perhaps to sightings of unidentified trains or strange sites and

0:36:17.200 --> 0:36:19.000
<v Speaker 1>sounds by the tracks and so forth.

0:36:20.040 --> 0:36:22.440
<v Speaker 3>That's interesting. I'm a little curious. I don't know if

0:36:22.480 --> 0:36:24.520
<v Speaker 3>you know what to make of this, but I'm curious

0:36:24.600 --> 0:36:30.200
<v Speaker 3>why the description from Jonah Session mentions that the train

0:36:30.320 --> 0:36:33.000
<v Speaker 3>is moving along and it only has the coffin, and

0:36:33.080 --> 0:36:36.920
<v Speaker 3>it says no skeleton. Would people be expecting to see

0:36:36.920 --> 0:36:37.719
<v Speaker 3>the skeleton?

0:36:38.800 --> 0:36:41.239
<v Speaker 1>I guess they wanted. I guess the author's trying to

0:36:41.320 --> 0:36:44.480
<v Speaker 1>drive home the idea that it's that it's tasteful.

0:36:44.640 --> 0:36:47.799
<v Speaker 3>I don't know, you know, it almost seems like it's

0:36:47.840 --> 0:36:51.680
<v Speaker 3>like a very respectful ghost story, you know, and keeping

0:36:51.719 --> 0:36:55.640
<v Speaker 3>with presidential decorum. It's like, no gory details, no signs

0:36:55.640 --> 0:36:58.560
<v Speaker 3>of decay. You're just seeing the coffin. It's just a box. Yeah.

0:36:58.800 --> 0:37:01.400
<v Speaker 1>No, there's no like ghost's going to get you. Yes,

0:37:02.440 --> 0:37:07.080
<v Speaker 1>it does seem to be more of this expression of

0:37:07.560 --> 0:37:08.720
<v Speaker 1>communal shock and grief.

0:37:09.000 --> 0:37:09.800
<v Speaker 3>Yeah.

0:37:09.920 --> 0:37:12.080
<v Speaker 1>Now, as an aside, though, it is worth noting that

0:37:12.120 --> 0:37:15.520
<v Speaker 1>Lincoln's personal ghost, not just his train, has long been

0:37:15.600 --> 0:37:18.520
<v Speaker 1>said to haunt the White House, as well as various

0:37:18.560 --> 0:37:23.680
<v Speaker 1>former residences of Araham Lincoln and offices that the sixteenth

0:37:23.800 --> 0:37:27.200
<v Speaker 1>US president held or occupied for some amount of time.

0:37:27.560 --> 0:37:29.839
<v Speaker 1>This of course raises all sorts of questions about how

0:37:29.840 --> 0:37:33.360
<v Speaker 1>many places the ghost of a single person can manifest in.

0:37:34.440 --> 0:37:36.640
<v Speaker 1>But I would if we were to believe all of

0:37:36.640 --> 0:37:38.200
<v Speaker 1>these accounts, it would seem like a lot.

0:37:39.000 --> 0:37:41.080
<v Speaker 3>It's got to go both ways, right, Like how many

0:37:41.320 --> 0:37:43.920
<v Speaker 3>different places can one ghost be in? And also how

0:37:43.960 --> 0:37:46.560
<v Speaker 3>many different ghosts can be in one house? I would

0:37:46.719 --> 0:37:48.720
<v Speaker 3>guess the White House probably has a lot.

0:37:49.239 --> 0:37:52.920
<v Speaker 1>They do. Now, we know from our media consumption that

0:37:52.960 --> 0:37:55.720
<v Speaker 1>the maximum number of ghosts in a given location is thirteen,

0:37:56.280 --> 0:37:58.719
<v Speaker 1>So I haven't done a full count, so Joe, you're

0:37:58.719 --> 0:38:00.919
<v Speaker 1>gonna have to count them as I proceed here.

0:38:01.080 --> 0:38:03.120
<v Speaker 3>Okay, I'll be your Matthew Lillard.

0:38:03.840 --> 0:38:07.640
<v Speaker 1>According to the White House Historical Society, the White House

0:38:07.719 --> 0:38:11.320
<v Speaker 1>ghosts include the following. In addition to Abraham Lincoln, so

0:38:11.400 --> 0:38:13.520
<v Speaker 1>let's go ahead and count him as one, we also

0:38:13.600 --> 0:38:16.239
<v Speaker 1>have Willie Lincoln, his son who actually died in the

0:38:16.239 --> 0:38:19.960
<v Speaker 1>White House in eighteen sixty two, of typhoid fever, Mary Lincoln,

0:38:20.000 --> 0:38:25.520
<v Speaker 1>as well Andrew Jackson, Thomas Jefferson, Dolly Madison, John Tyler,

0:38:25.960 --> 0:38:29.160
<v Speaker 1>William Henry Harrison, first president to die in the White House,

0:38:29.480 --> 0:38:34.719
<v Speaker 1>Abigail Adams, former landowner of the essentially the property there,

0:38:34.880 --> 0:38:40.080
<v Speaker 1>David Burns, Anna Seurrett, mother of Lincoln assassination conspirator Mary Sewrett,

0:38:40.320 --> 0:38:44.240
<v Speaker 1>also an unnamed British soldier Jeremiah Smith, and then finally,

0:38:44.600 --> 0:38:47.080
<v Speaker 1>the ghost of a fifteen year old boy known only

0:38:47.120 --> 0:38:50.360
<v Speaker 1>as the Thing according to reports around nineteen eleven.

0:38:51.000 --> 0:38:53.440
<v Speaker 3>Wow, I would not have guessed that many. And also like,

0:38:53.760 --> 0:38:56.800
<v Speaker 3>didn't most of these people not actually die in the

0:38:56.840 --> 0:38:57.480
<v Speaker 3>White House?

0:38:57.680 --> 0:39:02.640
<v Speaker 1>Yeah, most of them didn't, So raises questions like do

0:39:02.719 --> 0:39:04.560
<v Speaker 1>you have to die somewhere? To haunt that place, or

0:39:04.600 --> 0:39:09.120
<v Speaker 1>you can just have important associations with that place. Hard

0:39:09.120 --> 0:39:10.800
<v Speaker 1>to say, but did we hit thirteen? No?

0:39:10.960 --> 0:39:14.479
<v Speaker 3>I failed in my mission. I forgot to count. There's

0:39:14.480 --> 0:39:16.560
<v Speaker 3>got to be okay estimate.

0:39:16.680 --> 0:39:21.640
<v Speaker 1>Yes, Nixon's ghost, by the way, was not listed, though

0:39:21.760 --> 0:39:24.520
<v Speaker 1>Nixon's ghost, of course, has appeared on The Simpsons. Yes,

0:39:25.360 --> 0:39:28.000
<v Speaker 1>so I was not familiar with Lincoln's ghost train before.

0:39:28.040 --> 0:39:29.640
<v Speaker 1>I don't know if this I don't know to what

0:39:29.760 --> 0:39:34.080
<v Speaker 1>extent this is still an active bit of a folklore.

0:39:34.560 --> 0:39:37.319
<v Speaker 1>This is active ghost story, an active ghost story at all.

0:39:37.640 --> 0:39:40.839
<v Speaker 1>I don't know when the most recent alleged sighting of

0:39:41.000 --> 0:39:44.359
<v Speaker 1>Lincoln's ghost train occurred. So this is definitely a case

0:39:44.360 --> 0:39:46.279
<v Speaker 1>where I'd love to hear from anyone out there. Were

0:39:46.280 --> 0:39:50.040
<v Speaker 1>you aware with the tradition of Lincoln's ghost train? Were

0:39:50.080 --> 0:39:54.600
<v Speaker 1>you aware of it like organically and have you ever

0:39:54.640 --> 0:39:56.400
<v Speaker 1>seen it? I definitely want to hear from anyone who

0:39:56.440 --> 0:40:00.960
<v Speaker 1>has seen Lincoln's ghost train as it proceeds spectrally, stopping clocks,

0:40:01.920 --> 0:40:04.600
<v Speaker 1>you know, along the train line or anywhere. I mean,

0:40:04.640 --> 0:40:07.400
<v Speaker 1>that's another question, like does it have to if this

0:40:07.440 --> 0:40:10.200
<v Speaker 1>is a ghost train, does it have to adhere to

0:40:10.280 --> 0:40:13.720
<v Speaker 1>the previous itinerary or can it just pop up anywhere?

0:40:13.760 --> 0:40:15.440
<v Speaker 1>Can it pop up in the New York Subway? I

0:40:15.480 --> 0:40:15.799
<v Speaker 1>don't know.

0:40:16.880 --> 0:40:20.640
<v Speaker 3>Yeah, if ghosts of human bodies can walk through walls,

0:40:20.719 --> 0:40:24.160
<v Speaker 3>which regular human bodies cannot do, can ghost trains leave

0:40:24.200 --> 0:40:27.520
<v Speaker 3>the tracks which regular trains cannot do? Maybe? So?

0:40:27.680 --> 0:40:29.520
<v Speaker 1>I mean the polar Express pulls out in front of

0:40:29.520 --> 0:40:32.759
<v Speaker 1>the Boy's house, right, So yeah, it shows that anything is.

0:40:32.719 --> 0:40:45.359
<v Speaker 3>Possible, all right. Next, I wanted to talk about some

0:40:45.600 --> 0:40:52.439
<v Speaker 3>connections between railroad lore and so called ghost lights. There

0:40:52.480 --> 0:40:56.320
<v Speaker 3>are a number of connections of this kind in stories

0:40:56.360 --> 0:40:59.319
<v Speaker 3>from all throughout the United States and I believe some

0:40:59.400 --> 0:41:02.440
<v Speaker 3>other countries as well. But there really are a lot

0:41:02.440 --> 0:41:05.200
<v Speaker 3>of these that I'm aware of in US traditions. You

0:41:05.200 --> 0:41:09.560
<v Speaker 3>can find them in little local legends from places all

0:41:09.600 --> 0:41:12.839
<v Speaker 3>around the country. And in reading about them, I came

0:41:12.880 --> 0:41:15.120
<v Speaker 3>to notice that in a lot of these stories, the

0:41:15.800 --> 0:41:19.359
<v Speaker 3>so called ghost light is not actually said to come

0:41:19.400 --> 0:41:22.359
<v Speaker 3>from a train itself. In a few cases it is,

0:41:22.400 --> 0:41:25.400
<v Speaker 3>but in a lot of cases there's another source. So

0:41:25.480 --> 0:41:28.600
<v Speaker 3>here's one example I wanted to talk about. That is

0:41:28.719 --> 0:41:32.960
<v Speaker 3>the Maco ghost Light. So there's a famous railway ghost

0:41:33.080 --> 0:41:38.400
<v Speaker 3>light associated with a small community in southeastern North Carolina

0:41:38.880 --> 0:41:42.640
<v Speaker 3>called Maco, which is just outside of the city of Wilmington.

0:41:43.880 --> 0:41:47.399
<v Speaker 3>And to establish the alleged origin of this story, I'm

0:41:47.360 --> 0:41:50.080
<v Speaker 3>going to turn to a book by a scholar named

0:41:50.160 --> 0:41:55.200
<v Speaker 3>Richard Wallzer. This was This book is called North Carolina Legends,

0:41:55.239 --> 0:41:58.320
<v Speaker 3>published by the North Carolina Division of Archives in history

0:41:58.440 --> 0:42:01.040
<v Speaker 3>in the year nineteen eighty. And here's what Wallser says.

0:42:01.800 --> 0:42:05.560
<v Speaker 3>At a small Brunswick County station of Mako, fifteen miles

0:42:05.600 --> 0:42:09.439
<v Speaker 3>west of Wilmington, a slow freight train was puffing down

0:42:09.480 --> 0:42:14.120
<v Speaker 3>the track. In the caboose was Joe Baldwin, a flagman.

0:42:14.920 --> 0:42:17.960
<v Speaker 3>A jerking noise startled him, and he was aware that

0:42:18.000 --> 0:42:21.320
<v Speaker 3>his caboose had become uncoupled from the rest of the train,

0:42:21.680 --> 0:42:26.240
<v Speaker 3>which went heedlessly on its way. As the caboose slackened speed,

0:42:26.640 --> 0:42:29.880
<v Speaker 3>Joe looked up and saw the beaming light of a

0:42:29.960 --> 0:42:34.440
<v Speaker 3>fast passenger train bearing down upon him. Grabbing his lantern,

0:42:34.480 --> 0:42:37.759
<v Speaker 3>he waved it frantically to warn the oncoming engineer of

0:42:37.800 --> 0:42:41.400
<v Speaker 3>the imminent danger. It was too late. At a trestle

0:42:41.440 --> 0:42:44.960
<v Speaker 3>over the swamp, the passenger train plowed into the caboose.

0:42:45.400 --> 0:42:49.600
<v Speaker 3>Joe was decapitated. His head flew into the swamp on

0:42:49.600 --> 0:42:52.279
<v Speaker 3>one side of the track, his lantern on the other.

0:42:52.920 --> 0:42:55.640
<v Speaker 3>It was days before the destruction caused by the wreck

0:42:55.760 --> 0:42:58.880
<v Speaker 3>was cleared away, and when Joe's head could not be found,

0:42:59.040 --> 0:43:04.200
<v Speaker 3>his body was buried without it. But the story does

0:43:04.239 --> 0:43:08.600
<v Speaker 3>not end there because Wallser says that thereafter, say on

0:43:08.719 --> 0:43:13.000
<v Speaker 3>misty nights, people would see a light in the darkness

0:43:13.080 --> 0:43:17.759
<v Speaker 3>that was attributed to the ghost of Joe Baldwin, the

0:43:17.880 --> 0:43:21.480
<v Speaker 3>headless ghost wandering around in the swamp or along the

0:43:21.520 --> 0:43:25.440
<v Speaker 3>train tracks looking for his head. Now, some versions of

0:43:25.440 --> 0:43:27.680
<v Speaker 3>the story say that there's like a single light that

0:43:27.800 --> 0:43:31.880
<v Speaker 3>swings back and forth like a lantern, moving through the country,

0:43:32.640 --> 0:43:35.200
<v Speaker 3>and as it gets closer and closer to the observer,

0:43:35.320 --> 0:43:37.520
<v Speaker 3>it gets brighter and brighter until it kind of like

0:43:37.640 --> 0:43:41.560
<v Speaker 3>flares up and turns into this big brilliance and then

0:43:41.719 --> 0:43:46.040
<v Speaker 3>just poofs disappears. There are other versions of the story

0:43:46.080 --> 0:43:49.200
<v Speaker 3>that say that you might see like two lights maybe

0:43:49.239 --> 0:43:52.120
<v Speaker 3>going toward one another, as if you know, one is

0:43:52.160 --> 0:43:54.600
<v Speaker 3>the light from the caboo swinging to worn and then

0:43:54.640 --> 0:43:57.440
<v Speaker 3>the other is the light of the approaching train, and

0:43:57.480 --> 0:44:01.120
<v Speaker 3>then eventually they cross because I guess they're both ghosts

0:44:01.160 --> 0:44:05.919
<v Speaker 3>in this case, so railroad ghost lore and a ghost light.

0:44:06.160 --> 0:44:09.080
<v Speaker 3>But in most cases the ghost light is not thought

0:44:09.120 --> 0:44:12.040
<v Speaker 3>to be the train itself. Rather, it's the lantern of

0:44:12.080 --> 0:44:16.440
<v Speaker 3>this man who was killed in a terrible train accident. Now,

0:44:16.560 --> 0:44:21.160
<v Speaker 3>a claim famously repeated all over in many sources is

0:44:21.239 --> 0:44:23.960
<v Speaker 3>that here we come back to US presidential history, that

0:44:24.280 --> 0:44:29.080
<v Speaker 3>US President Grover Cleveland, who was famously present the only

0:44:29.120 --> 0:44:32.920
<v Speaker 3>president to have two non consecutive terms, so he was

0:44:32.960 --> 0:44:36.120
<v Speaker 3>president from eighteen eighty five to eighteen eighty nine and

0:44:36.160 --> 0:44:39.160
<v Speaker 3>then again from eighteen ninety three to ninety seven, that

0:44:39.280 --> 0:44:44.320
<v Speaker 3>Cleveland personally witnessed the Maco Ghost Light. And I thought

0:44:44.320 --> 0:44:47.480
<v Speaker 3>that was kind of interesting. He allegedly enjoyed the story

0:44:47.520 --> 0:44:49.960
<v Speaker 3>and talked about the Maco Ghost Light in some of

0:44:49.960 --> 0:44:53.480
<v Speaker 3>his speeches. But I was reading some follow up about

0:44:53.480 --> 0:44:57.080
<v Speaker 3>this in an article for the Wilmington Star News by

0:44:57.120 --> 0:45:01.160
<v Speaker 3>Ben Steelman. The article was titled did Grover Cleveland ever

0:45:01.200 --> 0:45:04.160
<v Speaker 3>see the make O Light? And despite the number of

0:45:04.239 --> 0:45:07.880
<v Speaker 3>sources that spread this claim, especially in more recent decades,

0:45:08.400 --> 0:45:13.200
<v Speaker 3>investigation of older sources reveals actually something quite different. So

0:45:13.520 --> 0:45:17.720
<v Speaker 3>Steelman mentions a feature in the Sunday Star News from

0:45:17.800 --> 0:45:23.520
<v Speaker 3>March twenty eighth, nineteen forty eight, which says that according

0:45:23.520 --> 0:45:28.080
<v Speaker 3>to records, Cleveland was traveling on the Wilmington, Manchester and

0:45:28.120 --> 0:45:31.799
<v Speaker 3>Augusta railroad. Sometimes I think this was sometime between his

0:45:31.920 --> 0:45:36.960
<v Speaker 3>two non consecutive presidential terms, when the train stopped somewhere

0:45:37.040 --> 0:45:40.680
<v Speaker 3>to refill its water reserves, and according to this article,

0:45:40.760 --> 0:45:43.400
<v Speaker 3>Cleveland got out of the train during the stop to

0:45:43.440 --> 0:45:46.799
<v Speaker 3>take a walk, during which he noticed the conductor was

0:45:46.880 --> 0:45:51.719
<v Speaker 3>waving two different lights, one green and one white. And

0:45:51.800 --> 0:45:54.399
<v Speaker 3>so he asked the question, why are you waving two

0:45:54.520 --> 0:45:58.720
<v Speaker 3>lanterns instead of one? And someone explained to the president

0:45:58.840 --> 0:46:03.920
<v Speaker 3>the story of Joe Baldwin and said that because Baldwin was,

0:46:03.960 --> 0:46:05.880
<v Speaker 3>you know, always out here looking for his head with

0:46:05.960 --> 0:46:10.040
<v Speaker 3>one light, railway workers had to use two lights on

0:46:10.080 --> 0:46:14.880
<v Speaker 3>this stretch, two different colored lights to signal other trains.

0:46:15.200 --> 0:46:17.960
<v Speaker 3>So if you're a train, you know, passing through this

0:46:18.040 --> 0:46:21.440
<v Speaker 3>stretch of tracks, you see two different colored lights ahead. Okay,

0:46:21.520 --> 0:46:24.319
<v Speaker 3>that's an actual signal to the approaching trains that we

0:46:24.440 --> 0:46:27.440
<v Speaker 3>need to stop. There's an obstruction on the tracks. But

0:46:27.480 --> 0:46:30.800
<v Speaker 3>if you just see one light, that's just a ghost. Ignore.

0:46:31.040 --> 0:46:34.399
<v Speaker 3>Plow on ahead. It seems almost to have some similarities

0:46:34.400 --> 0:46:36.680
<v Speaker 3>to the Tanuki magic thing. It's like, you know, oh,

0:46:36.719 --> 0:46:39.160
<v Speaker 3>one light, Yeah, don't worry about it, just a ghost

0:46:39.160 --> 0:46:40.359
<v Speaker 3>to go on. Yeah.

0:46:40.400 --> 0:46:43.320
<v Speaker 1>And then also an example of like some of the

0:46:43.560 --> 0:46:47.279
<v Speaker 1>haunt loses its power in the face of like modernity

0:46:47.360 --> 0:46:49.359
<v Speaker 1>and logic, where it's like, oh, yeah, there's a ghost

0:46:49.400 --> 0:46:50.840
<v Speaker 1>light out there yet, but it's not. It's not the

0:46:50.880 --> 0:46:53.719
<v Speaker 1>appropriate color, it's not the right code, so it's no

0:46:53.760 --> 0:46:54.880
<v Speaker 1>big deal, just ignore it.

0:46:55.120 --> 0:46:57.319
<v Speaker 3>But I have doubts about this. I don't know. Maybe

0:46:57.480 --> 0:47:00.960
<v Speaker 3>maybe somebody with North Carolina rail road knowledge could set

0:47:00.960 --> 0:47:03.399
<v Speaker 3>me straight, but I just kind of doubt that if

0:47:03.440 --> 0:47:06.839
<v Speaker 3>an engine driver saw one light, they'd be like, ah,

0:47:06.840 --> 0:47:12.719
<v Speaker 3>it's fine, just keep going. Anyway, There's this difference in

0:47:12.800 --> 0:47:16.480
<v Speaker 3>where the Grover Cleveland story lands. Older sources do not

0:47:16.680 --> 0:47:19.640
<v Speaker 3>say that Cleveland actually saw the light, just that somebody

0:47:19.719 --> 0:47:23.480
<v Speaker 3>told him the story, and apparently this got garbled in

0:47:23.960 --> 0:47:28.120
<v Speaker 3>subsequent published retellings beginning in the nineteen forties, and then

0:47:28.360 --> 0:47:31.279
<v Speaker 3>ended up with the legend that a former president had

0:47:31.280 --> 0:47:35.960
<v Speaker 3>seen the ghost himself. However, here things get kind of interesting.

0:47:36.480 --> 0:47:41.120
<v Speaker 3>Steelman also explains the work of a local historian named

0:47:41.360 --> 0:47:45.239
<v Speaker 3>James Burke, not that James Burke a different one who

0:47:45.360 --> 0:47:48.960
<v Speaker 3>had written books on the Wilmington and Weldon Railroad, so

0:47:49.040 --> 0:47:53.480
<v Speaker 3>sort of local railroad historian. And this guy looked into

0:47:53.520 --> 0:47:58.080
<v Speaker 3>the origins of the Joe Baldwin Railroad decapitation story and

0:47:58.200 --> 0:48:01.280
<v Speaker 3>could not find any evidence that the the original story

0:48:01.440 --> 0:48:05.160
<v Speaker 3>ever took place either. In fact, he couldn't find any

0:48:05.200 --> 0:48:09.280
<v Speaker 3>evidence of a person named Joe or Joseph Baldwin living

0:48:09.280 --> 0:48:13.200
<v Speaker 3>around Wilmington at that time. Now, there is something that

0:48:13.239 --> 0:48:15.640
<v Speaker 3>may have gotten distorted here. The Star News article says,

0:48:15.719 --> 0:48:19.640
<v Speaker 3>quote Burke did find accounts, however, of an accident on

0:48:19.840 --> 0:48:24.880
<v Speaker 3>the Wilmington, Manchester and Augusta in January eighteen fifty six

0:48:25.400 --> 0:48:29.759
<v Speaker 3>along a curvy stretch outside Wilmington known as the Rattlesnake

0:48:29.920 --> 0:48:34.120
<v Speaker 3>Grade near Hoods Creek, in which a conductor named Charles

0:48:34.239 --> 0:48:38.200
<v Speaker 3>Baldwin was fatally injured. Burke thinks the details of this

0:48:38.360 --> 0:48:43.680
<v Speaker 3>incident were garbled in the oral tradition of the story. However,

0:48:44.320 --> 0:48:47.800
<v Speaker 3>even this so, this accident could not have taken place

0:48:48.200 --> 0:48:52.160
<v Speaker 3>at anything called the Mako Station because Maco didn't exist

0:48:52.200 --> 0:48:55.760
<v Speaker 3>in eighteen fifty six, so at the time the station

0:48:55.880 --> 0:48:59.520
<v Speaker 3>had a different name. So we've got several different transformations

0:48:59.600 --> 0:49:03.000
<v Speaker 3>of the original story on our hands. Who was injured,

0:49:03.360 --> 0:49:08.120
<v Speaker 3>how when and where, and who allegedly witnessed the ghost.

0:49:08.400 --> 0:49:12.160
<v Speaker 3>All of these got changed in the retelling, which makes

0:49:12.160 --> 0:49:15.719
<v Speaker 3>me think back to our episodes on the Telephone Game.

0:49:15.760 --> 0:49:19.920
<v Speaker 3>You know, the empirical research about how details of stories

0:49:19.960 --> 0:49:25.120
<v Speaker 3>get changed in retellings, the kind of just unavoidable process

0:49:25.200 --> 0:49:28.279
<v Speaker 3>of the transformation of a story, including all of these

0:49:28.320 --> 0:49:34.120
<v Speaker 3>types of key details as it gets repeated and repeated. Yeah. Finally,

0:49:34.640 --> 0:49:37.960
<v Speaker 3>the Wilmington Star News article says, quote, the light was

0:49:38.080 --> 0:49:42.160
<v Speaker 3>unseen after nineteen seventy seven when the CSX line pulled

0:49:42.239 --> 0:49:45.640
<v Speaker 3>up the railroad tracks in the Makeo vicinity. More recently,

0:49:45.719 --> 0:49:49.000
<v Speaker 3>paranormal investigations claimed to have caught evidence of the Mako

0:49:49.120 --> 0:49:51.640
<v Speaker 3>light on camera. And I looked it up, and yeah,

0:49:51.640 --> 0:49:54.319
<v Speaker 3>it does seem recently people have been like looking for

0:49:54.440 --> 0:49:56.480
<v Speaker 3>it out there, trying to get it.

0:49:56.960 --> 0:50:00.040
<v Speaker 1>So, just to be clear, do the Makeo does the

0:50:00.080 --> 0:50:01.600
<v Speaker 1>make A light or the make A lights? Do they

0:50:01.640 --> 0:50:04.920
<v Speaker 1>have the presidential seal of approval here? Do we really

0:50:05.160 --> 0:50:06.080
<v Speaker 1>know one way or another?

0:50:06.400 --> 0:50:09.719
<v Speaker 3>I think we do not know. Okay, the administration has

0:50:09.760 --> 0:50:13.879
<v Speaker 3>been ambiguous on this, but note that this is part

0:50:13.920 --> 0:50:18.600
<v Speaker 3>of a broader phenomenon of ghost lights, which don't always

0:50:18.680 --> 0:50:21.719
<v Speaker 3>necessarily connect to trains. A lot of times they're just disconnected.

0:50:22.000 --> 0:50:25.440
<v Speaker 3>People in a certain vantage point claim to see, or

0:50:25.480 --> 0:50:29.000
<v Speaker 3>in some cases definitely do see lights that don't have

0:50:29.040 --> 0:50:32.839
<v Speaker 3>a very easy to explain origin. We've talked about this

0:50:32.880 --> 0:50:35.319
<v Speaker 3>on the show before. We've gotten into some of the

0:50:35.360 --> 0:50:39.960
<v Speaker 3>main scientific or skeptical explanations where these mysterious lights come from.

0:50:40.719 --> 0:50:44.560
<v Speaker 3>There are a number of different possibilities, but very often

0:50:44.640 --> 0:50:48.680
<v Speaker 3>they're just like reflected lights from normal sources that are

0:50:49.520 --> 0:50:52.319
<v Speaker 3>being seen from farther away than you would imagine they

0:50:52.360 --> 0:50:54.719
<v Speaker 3>could be seen. A lot of times they're like headlights

0:50:54.760 --> 0:50:57.759
<v Speaker 3>from a highway. So, for example, there is another train

0:50:57.960 --> 0:51:03.040
<v Speaker 3>associated ghost light in northern Michigan known as the Paulding Light.

0:51:03.120 --> 0:51:05.439
<v Speaker 3>This is in the Upper Peninsula, and I was reading

0:51:05.480 --> 0:51:08.200
<v Speaker 3>about this. Apparently there was some investigation into this light,

0:51:08.280 --> 0:51:11.200
<v Speaker 3>and finally it turned out that it's car headlights. It's

0:51:11.239 --> 0:51:14.200
<v Speaker 3>car headlights just appearing in a place where you wouldn't

0:51:14.200 --> 0:51:16.200
<v Speaker 3>expect to see them.

0:51:16.680 --> 0:51:21.920
<v Speaker 1>Yeah, growing up, there was some sort of ghost story

0:51:22.000 --> 0:51:25.960
<v Speaker 1>about a local train track light and I never saw it.

0:51:26.000 --> 0:51:28.800
<v Speaker 1>I never sought it out, but I think you encounter

0:51:28.880 --> 0:51:30.480
<v Speaker 1>things like this in a lot of places. And there's

0:51:30.560 --> 0:51:35.560
<v Speaker 1>again some likely spill over between these stories and stories

0:51:35.560 --> 0:51:38.520
<v Speaker 1>of Will of the Wisps and other strange lights in

0:51:38.560 --> 0:51:42.319
<v Speaker 1>the night. We've always had these stories. A lot of

0:51:42.320 --> 0:51:47.439
<v Speaker 1>it comes down to a mix of actual phenomena and

0:51:47.520 --> 0:51:52.799
<v Speaker 1>just our desire to dive into different stories and supernatural

0:51:52.840 --> 0:51:54.360
<v Speaker 1>explanations of what we've seen.

0:52:05.800 --> 0:52:07.560
<v Speaker 3>All Right, Rob, if you don't mind, I want to

0:52:07.600 --> 0:52:12.759
<v Speaker 3>cap our discussion today with a little interesting little invention.

0:52:12.960 --> 0:52:17.359
<v Speaker 3>Note I came across semantically related to ghost trains. So

0:52:17.600 --> 0:52:21.240
<v Speaker 3>back in twenty seventeen, there were some press releases about

0:52:21.280 --> 0:52:25.840
<v Speaker 3>a new invention in development by an employee of Fermi Lab,

0:52:26.280 --> 0:52:31.160
<v Speaker 3>and the invention was called the ghost train generator. Now,

0:52:31.200 --> 0:52:33.879
<v Speaker 3>for those not familiar, Fermi Lab is formerly called the

0:52:33.920 --> 0:52:38.279
<v Speaker 3>Fermi National Accelerator Laboratory. It is a particle physics lab

0:52:38.400 --> 0:52:42.640
<v Speaker 3>high energy particle physics that's housed in Batavia, Illinois, which

0:52:42.719 --> 0:52:46.360
<v Speaker 3>operates under the US Department of Energy. One of my

0:52:46.400 --> 0:52:49.120
<v Speaker 3>main sources here is a Fermi Lab press release by

0:52:49.280 --> 0:52:52.960
<v Speaker 3>Daniel Garristo. So, what on earth would be the purpose

0:52:53.000 --> 0:52:57.160
<v Speaker 3>of something called a ghost train generator? Well, this takes

0:52:57.239 --> 0:53:01.200
<v Speaker 3>us back to the territory of railway obstructions and collisions,

0:53:01.360 --> 0:53:06.000
<v Speaker 3>specifically what happens when a wheeled vehicle like a car

0:53:06.200 --> 0:53:10.160
<v Speaker 3>or truck, gets stuck while crossing railroad tracks and then

0:53:10.239 --> 0:53:13.040
<v Speaker 3>is hit by a train. At the time of this

0:53:13.120 --> 0:53:16.680
<v Speaker 3>Fermilab press release, about seven years ago, the Federal Railroad

0:53:16.719 --> 0:53:20.520
<v Speaker 3>Administration stats revealed that this was happening hundreds of times

0:53:20.560 --> 0:53:23.480
<v Speaker 3>a year, which was shocking to me. I had no

0:53:23.680 --> 0:53:26.800
<v Speaker 3>idea that it was this common to have a collision

0:53:26.840 --> 0:53:29.920
<v Speaker 3>between a train and a wheeled vehicle. I went to

0:53:30.000 --> 0:53:32.920
<v Speaker 3>check on updated numbers and found that, at least according

0:53:32.920 --> 0:53:37.760
<v Speaker 3>to preliminary statistics from the Federal Railroad Administration, in twenty

0:53:37.800 --> 0:53:40.920
<v Speaker 3>twenty three, there were two thy one hundred and ninety

0:53:40.920 --> 0:53:45.520
<v Speaker 3>two vehicle train collisions at railroad crossings in the United States,

0:53:46.040 --> 0:53:48.799
<v Speaker 3>and that there were two hundred and forty seven fatalities

0:53:48.800 --> 0:53:51.960
<v Speaker 3>and seven hundred and sixty six injuries. I found these

0:53:51.960 --> 0:53:54.400
<v Speaker 3>stats reported by the way on the website of a

0:53:54.480 --> 0:53:59.880
<v Speaker 3>rail safety organization called Operation Life Saver. So I don't know.

0:54:00.239 --> 0:54:02.880
<v Speaker 3>To me, that is just like way more vehicles and

0:54:02.920 --> 0:54:05.600
<v Speaker 3>people getting hit by trains at highway crossings than I

0:54:05.600 --> 0:54:08.640
<v Speaker 3>would have guessed, and despite what you might assume based

0:54:08.680 --> 0:54:10.879
<v Speaker 3>on those numbers, this is not a problem that has

0:54:10.960 --> 0:54:14.759
<v Speaker 3>recently gotten worse. The number of crossing accidents used to

0:54:14.840 --> 0:54:19.600
<v Speaker 3>be astronomically higher decades ago. According to that same Safety Org,

0:54:19.680 --> 0:54:22.880
<v Speaker 3>there were something like twelve thousand of these incidents in

0:54:22.960 --> 0:54:25.320
<v Speaker 3>nineteen seventy two, and that's at a time when the

0:54:25.400 --> 0:54:28.000
<v Speaker 3>US population was only like two thirds of what it

0:54:28.040 --> 0:54:31.440
<v Speaker 3>is now. So now we're down to like twenty two

0:54:31.520 --> 0:54:33.799
<v Speaker 3>hundred a year now, so it's much better than it

0:54:33.880 --> 0:54:37.040
<v Speaker 3>used to be, but still, at least that's just way

0:54:37.080 --> 0:54:38.600
<v Speaker 3>more common than I would have guessed.

0:54:39.400 --> 0:54:42.640
<v Speaker 1>Yeah, yeah, this always reminds me. There's a great Mystery

0:54:42.640 --> 0:54:47.320
<v Speaker 1>Science Theater three thousand short riffing on a nineteen fifty

0:54:47.440 --> 0:54:51.800
<v Speaker 1>nine educational short film from Union Specific Railroad titled Last

0:54:51.840 --> 0:54:56.080
<v Speaker 1>Clear Chance about the dangers of railway crossings, And it's

0:54:56.080 --> 0:54:58.160
<v Speaker 1>a fun riff. Off the top of my head, I

0:54:58.160 --> 0:55:01.839
<v Speaker 1>can't remember which movie this is attached, if it has

0:55:02.080 --> 0:55:06.160
<v Speaker 1>the line and why don't they look? And I've seen

0:55:06.200 --> 0:55:08.799
<v Speaker 1>this short so many times over the years, But it's

0:55:08.840 --> 0:55:12.120
<v Speaker 1>also like, it's a really serious message and I feel like,

0:55:12.239 --> 0:55:14.399
<v Speaker 1>even though there are lots of laughs, watching the riff

0:55:14.480 --> 0:55:16.399
<v Speaker 1>version of it, the message still kind of drives home

0:55:16.440 --> 0:55:20.840
<v Speaker 1>for you and you realize no trains are dangerous and

0:55:20.960 --> 0:55:25.200
<v Speaker 1>that they're holy, blameless creatures as well as they riff

0:55:25.400 --> 0:55:27.520
<v Speaker 1>on it in the In the short you know, it's like,

0:55:27.880 --> 0:55:33.040
<v Speaker 1>trains are dangerous. They can be dangerous, especially if you're

0:55:33.040 --> 0:55:36.160
<v Speaker 1>not being careful around them, and you're not you're not listening,

0:55:36.239 --> 0:55:39.840
<v Speaker 1>you're not obeying like basic train related safety tips.

0:55:40.200 --> 0:55:42.560
<v Speaker 3>Yeah, you know, it's not the train's fault that these

0:55:42.600 --> 0:55:45.319
<v Speaker 3>collisions happen. The train cannot stop quickly. It is not

0:55:45.480 --> 0:55:47.440
<v Speaker 3>able to you know, it might take it a mile

0:55:47.600 --> 0:55:51.200
<v Speaker 3>to stop. So, yeah, you know those those safety the

0:55:51.200 --> 0:55:53.440
<v Speaker 3>bars come down and the lights go up for a reason,

0:55:53.520 --> 0:55:56.200
<v Speaker 3>it is not worth it trying to get across the tracks.

0:55:56.239 --> 0:55:59.279
<v Speaker 3>As you know, before the train comes, you can wait

0:55:59.320 --> 0:56:00.160
<v Speaker 3>a few minutes.

0:56:00.400 --> 0:56:04.600
<v Speaker 1>Yeah, especially if you're dealing with a train that's moving

0:56:04.680 --> 0:56:08.279
<v Speaker 1>at a considerable speed. I think sometimes it's easy to

0:56:08.280 --> 0:56:10.960
<v Speaker 1>take this for granted if you're more familiar with trains

0:56:11.000 --> 0:56:15.160
<v Speaker 1>passing through urban settings, like you're in Atlanta, where by

0:56:15.160 --> 0:56:17.840
<v Speaker 1>the time the train is coming through town, it's usually

0:56:17.880 --> 0:56:20.439
<v Speaker 1>not going it may or at least it doesn't seem

0:56:20.520 --> 0:56:22.759
<v Speaker 1>to be going that fast. Now you can also get

0:56:22.760 --> 0:56:26.120
<v Speaker 1>into a serious discussion about how fast that train is

0:56:26.200 --> 0:56:29.520
<v Speaker 1>really going if it needs to stop suddenly because your

0:56:29.560 --> 0:56:32.000
<v Speaker 1>car is on the tracks when it shouldn't.

0:56:31.560 --> 0:56:35.319
<v Speaker 3>Be exactly, And of course it's quite clear that it

0:56:35.400 --> 0:56:37.840
<v Speaker 3>is dangerous for the vehicle in the train's path. But

0:56:37.960 --> 0:56:40.520
<v Speaker 3>in some cases it's not that common. But in some

0:56:40.600 --> 0:56:43.719
<v Speaker 3>cases it can even derail a train, So it's a

0:56:43.760 --> 0:56:47.760
<v Speaker 3>bad thing. Yeah, But I used to have this question.

0:56:47.880 --> 0:56:51.120
<v Speaker 3>This is sort of a tangent, but this reading about

0:56:51.120 --> 0:56:53.640
<v Speaker 3>this answered this question for me. I used to have

0:56:53.680 --> 0:56:58.480
<v Speaker 3>this question, how does it happen at all that trucks

0:56:58.600 --> 0:57:02.279
<v Speaker 3>or buses get stuck on the railroad tracks? Because I

0:57:02.280 --> 0:57:05.520
<v Speaker 3>would see I would read about this, and I would think,

0:57:05.640 --> 0:57:08.200
<v Speaker 3>just like, what are the odds that your vehicle breaks

0:57:08.239 --> 0:57:11.799
<v Speaker 3>down or stalls out right there? Like how often could

0:57:11.840 --> 0:57:16.120
<v Speaker 3>that actually happen? But apparently there is at least one reason,

0:57:16.600 --> 0:57:21.040
<v Speaker 3>especially large vehicles get stuck on railroad tracks. And I

0:57:21.160 --> 0:57:23.640
<v Speaker 3>was thinking about it wrong. It's not usually that they

0:57:23.720 --> 0:57:27.080
<v Speaker 3>happen to like break down because of an engine malfunction

0:57:27.400 --> 0:57:32.720
<v Speaker 3>right there. Rather, it's that they bottom out. Railroad tracks

0:57:32.760 --> 0:57:36.240
<v Speaker 3>tend to be elevated for drainage reasons. You can imagine

0:57:36.240 --> 0:57:38.720
<v Speaker 3>the problem. If you know water, We're covering the rails,

0:57:38.720 --> 0:57:40.800
<v Speaker 3>so they tend to be raised up a little bit

0:57:41.600 --> 0:57:46.080
<v Speaker 3>so water drains away, and at intersections with highways, the

0:57:46.120 --> 0:57:49.360
<v Speaker 3>tracks often form a hump in the road. When a

0:57:49.440 --> 0:57:53.400
<v Speaker 3>vehicle with low ground clearance, like say a bus or

0:57:53.480 --> 0:57:57.480
<v Speaker 3>certain types of truck and trailer combinations, goes over the hump,

0:57:57.560 --> 0:57:59.640
<v Speaker 3>they can get hung up on the hump.

0:58:00.160 --> 0:58:02.240
<v Speaker 1>That makes sense. I had not thought about this before,

0:58:02.320 --> 0:58:03.640
<v Speaker 1>but yeah.

0:58:03.120 --> 0:58:06.880
<v Speaker 3>And so obviously that's a big problem. Anyway, this brings

0:58:06.960 --> 0:58:09.480
<v Speaker 3>us back to the ghost train generator. So there is

0:58:09.520 --> 0:58:13.080
<v Speaker 3>a proposed solution to this problem. That was the idea

0:58:13.160 --> 0:58:17.480
<v Speaker 3>of a Fermi Lab specialist named Derek Plant. Plant came

0:58:17.560 --> 0:58:20.720
<v Speaker 3>up with the idea of a device that could take

0:58:20.760 --> 0:58:27.120
<v Speaker 3>advantage of the railroad's automated signaling system by faking the

0:58:27.160 --> 0:58:31.040
<v Speaker 3>presence of another train on the tracks, hence the ghost

0:58:31.160 --> 0:58:34.560
<v Speaker 3>train generator, and the way it works is this. So

0:58:34.680 --> 0:58:38.880
<v Speaker 3>modern railroads are broken up into segments called signal blocks,

0:58:38.960 --> 0:58:41.960
<v Speaker 3>that have stretches of tracks that are at least a

0:58:41.960 --> 0:58:46.480
<v Speaker 3>mile long, sometimes several miles, in which an electrical signaling

0:58:46.520 --> 0:58:49.240
<v Speaker 3>system is hooked up to each of the two separate rails,

0:58:49.760 --> 0:58:53.000
<v Speaker 3>and so when a train is present on the tracks

0:58:53.120 --> 0:58:57.640
<v Speaker 3>within a signal block, the train's wheels and axles create

0:58:57.680 --> 0:59:01.400
<v Speaker 3>a connection between the two rails. They compleet the electrical circuit,

0:59:01.840 --> 0:59:05.560
<v Speaker 3>and the signal block activates lights all down the line

0:59:05.720 --> 0:59:08.600
<v Speaker 3>that indicate to oncoming trains there is a train on

0:59:08.640 --> 0:59:11.880
<v Speaker 3>the block up ahead. Maybe something is stalled out or

0:59:11.920 --> 0:59:15.640
<v Speaker 3>behind schedule, and this gives the approaching train time to

0:59:15.680 --> 0:59:19.600
<v Speaker 3>slow down and stop. The ghost train generator would be

0:59:19.640 --> 0:59:23.240
<v Speaker 3>a small portable device that could be stored inside any

0:59:23.360 --> 0:59:26.200
<v Speaker 3>truck or bus along with other emergency equipment you know,

0:59:26.240 --> 0:59:29.800
<v Speaker 3>like a fire extinguisher or jumper cables or whatever. And

0:59:29.880 --> 0:59:33.280
<v Speaker 3>the device would be made from two magnets with a

0:59:33.360 --> 0:59:36.720
<v Speaker 3>special conducting wire, so it would be equipment essentially to

0:59:36.800 --> 0:59:40.280
<v Speaker 3>connect the two rails. So if your vehicle gets stuck

0:59:40.320 --> 0:59:43.080
<v Speaker 3>on the tracks, you would quickly get out and attach

0:59:43.160 --> 0:59:45.400
<v Speaker 3>one magnet to one rail, the other magnet to the

0:59:45.400 --> 0:59:48.400
<v Speaker 3>other rail, and the circuit is complete. So the signaling

0:59:48.440 --> 0:59:52.640
<v Speaker 3>block thinks a phantom train is obstructing the line. This

0:59:52.760 --> 0:59:55.360
<v Speaker 3>sends a signal up the path to any approaching train,

0:59:55.640 --> 0:59:58.000
<v Speaker 3>so it has plenty of time to stop so that

0:59:58.040 --> 1:00:00.560
<v Speaker 3>you can get your car out of the way. So

1:00:00.800 --> 1:00:04.400
<v Speaker 3>the last I've seen of this is talk about a

1:00:04.440 --> 1:00:08.240
<v Speaker 3>conference presentation and patent application from several years back now,

1:00:08.280 --> 1:00:11.760
<v Speaker 3>So I don't know if this ever went into production anywhere.

1:00:11.800 --> 1:00:14.320
<v Speaker 3>Maybe there was something that's not actually viable about it.

1:00:14.360 --> 1:00:16.880
<v Speaker 3>I don't know, or maybe they are out there. I

1:00:16.920 --> 1:00:20.880
<v Speaker 3>don't know exactly where this idea went, but assuming it works,

1:00:20.960 --> 1:00:23.120
<v Speaker 3>I think it's a really cool idea. I love the

1:00:23.160 --> 1:00:27.560
<v Speaker 3>idea of summoning spectral trains to prevent destruction and potentially

1:00:27.600 --> 1:00:28.280
<v Speaker 3>save lives.

1:00:28.960 --> 1:00:31.360
<v Speaker 1>I mean maybe there was a religious objection to it,

1:00:31.440 --> 1:00:33.240
<v Speaker 1>just based on the title. It's like, we don't need

1:00:33.280 --> 1:00:38.400
<v Speaker 1>more ghost trains, TASS funded ghost trains on our rail systems, No, sir,

1:00:39.040 --> 1:00:39.200
<v Speaker 1>you know.

1:00:39.280 --> 1:00:42.320
<v Speaker 3>I think about how many horror stories there are where

1:00:42.760 --> 1:00:46.200
<v Speaker 3>there's a ghost that at first is scary, but then

1:00:46.480 --> 1:00:49.240
<v Speaker 3>the twist at the end. This is really common, I think,

1:00:49.560 --> 1:00:52.080
<v Speaker 3>is that the ghost is actually trying to be helpful

1:00:52.240 --> 1:00:57.400
<v Speaker 3>and warning or trying to help the protagonist against a

1:00:57.560 --> 1:01:00.880
<v Speaker 3>really threatening human villain. So I wonder could we get

1:01:00.920 --> 1:01:03.080
<v Speaker 3>a story where there's a ghost train of that kind,

1:01:03.200 --> 1:01:05.440
<v Speaker 3>Like it's scary at first, but the train is really

1:01:05.480 --> 1:01:06.280
<v Speaker 3>just trying to help.

1:01:07.560 --> 1:01:09.240
<v Speaker 1>Yeah, I'd be down for that.

1:01:09.520 --> 1:01:12.600
<v Speaker 3>I don't know what information it would provide. It goes

1:01:12.600 --> 1:01:14.800
<v Speaker 3>by somebody's yelling at you, like, don't go in.

1:01:14.720 --> 1:01:19.680
<v Speaker 1>There, man, But seriously, I would love to hear from

1:01:19.720 --> 1:01:22.400
<v Speaker 1>everyone out there if you have some great ghost train

1:01:22.480 --> 1:01:25.320
<v Speaker 1>stories you want to share with us, be it something

1:01:25.360 --> 1:01:29.120
<v Speaker 1>that's just completely fanciful or something that seems to connect

1:01:29.160 --> 1:01:32.280
<v Speaker 1>with reality on some level or another. There was one

1:01:32.320 --> 1:01:34.240
<v Speaker 1>that we were looking into a little bit, the Silver

1:01:34.320 --> 1:01:39.280
<v Speaker 1>Train of Stockholm, that we didn't get into here, but

1:01:39.480 --> 1:01:43.320
<v Speaker 1>I did find it interesting that one possible explanation for

1:01:43.360 --> 1:01:46.040
<v Speaker 1>this one was that, well, there was like maybe like

1:01:46.160 --> 1:01:49.920
<v Speaker 1>one silver colored train car that was being used that

1:01:50.080 --> 1:01:53.080
<v Speaker 1>was like a prototype or something, and just stories began

1:01:53.120 --> 1:01:54.920
<v Speaker 1>to generate about it because it stood out and it

1:01:54.960 --> 1:01:59.280
<v Speaker 1>looked different, And yeah, I kind of like that. You know,

1:01:59.320 --> 1:02:02.000
<v Speaker 1>as someone who used to ride the train a lot

1:02:03.440 --> 1:02:07.480
<v Speaker 1>to work and back, you were always on the lookout

1:02:07.520 --> 1:02:10.840
<v Speaker 1>for different trains, and I would actually have recurring dreams

1:02:11.280 --> 1:02:14.080
<v Speaker 1>about catching a different train that had like a different

1:02:14.080 --> 1:02:17.280
<v Speaker 1>design to it. So there is something kind of attractive

1:02:17.280 --> 1:02:20.560
<v Speaker 1>about that. You look for something you know that stands out,

1:02:20.680 --> 1:02:24.840
<v Speaker 1>and then I don't know the mind or supernatural tendencies

1:02:24.880 --> 1:02:26.000
<v Speaker 1>create the rest around it.

1:02:27.000 --> 1:02:29.680
<v Speaker 3>Well, do we think does that do it for trains

1:02:29.720 --> 1:02:30.200
<v Speaker 3>of Terror?

1:02:30.720 --> 1:02:32.520
<v Speaker 1>I believe it does. We're gonna go ahead and cap

1:02:32.560 --> 1:02:35.240
<v Speaker 1>it here, but yes, right in, we'd love to hear

1:02:35.280 --> 1:02:38.240
<v Speaker 1>from you, And if you were a fan of our

1:02:38.240 --> 1:02:41.240
<v Speaker 1>Weird House Cinema episodes, tune in tomorrow because we'll be

1:02:41.280 --> 1:02:45.120
<v Speaker 1>talking about the nineteen seventy two train based horror film

1:02:45.240 --> 1:02:48.240
<v Speaker 1>Horror Express. That one should be a lot of fun

1:02:48.280 --> 1:02:48.680
<v Speaker 1>as well.

1:02:49.160 --> 1:02:52.160
<v Speaker 3>That movie has some twists, got some good ones.

1:02:52.600 --> 1:02:56.200
<v Speaker 1>Yes, and some science. We'll have some things to say

1:02:56.200 --> 1:02:58.400
<v Speaker 1>about the science of Horror Express.

1:02:58.400 --> 1:03:01.880
<v Speaker 3>Extremely sound, all.

1:03:01.880 --> 1:03:04.040
<v Speaker 1>Right, just reminded of stuff to blow your mind. Is

1:03:04.080 --> 1:03:07.080
<v Speaker 1>primarily a science and culture podcast, with core episodes on

1:03:07.120 --> 1:03:10.560
<v Speaker 1>Tuesdays and Thursdays, Weird House Cinemas on Fridays. That's when

1:03:10.560 --> 1:03:12.520
<v Speaker 1>we set aside most serious concerns, would just talk about

1:03:12.520 --> 1:03:15.080
<v Speaker 1>a weird film. Not all of our episodes are normally

1:03:15.160 --> 1:03:17.920
<v Speaker 1>horror themed, but it is October, so we are leaning

1:03:17.960 --> 1:03:19.200
<v Speaker 1>into the season.

1:03:19.720 --> 1:03:23.440
<v Speaker 3>That's right, huge, Thanks as always to our excellent audio

1:03:23.480 --> 1:03:25.960
<v Speaker 3>producer JJ Posway. If you would like to get in

1:03:26.040 --> 1:03:28.400
<v Speaker 3>touch with us with feedback on this episode or any other,

1:03:28.480 --> 1:03:30.720
<v Speaker 3>to suggest a topic for the future, or just to

1:03:30.760 --> 1:03:33.680
<v Speaker 3>say hello. You can email us at contact at stuff

1:03:33.720 --> 1:03:43.160
<v Speaker 3>to Blow your Mind dot com.

1:03:43.280 --> 1:03:46.200
<v Speaker 2>Stuff to Blow Your Mind is production of iHeartRadio. For

1:03:46.280 --> 1:03:49.080
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