WEBVTT - Earthenware Cooking: Japan | Greece 

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<v Speaker 1>Um, Welcome back to Point of Origin, the podcast about

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<v Speaker 1>the world of food from around the world. I'm your host,

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<v Speaker 1>wet Stone Magazine co founder Steven Saderfield. Today marks our

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<v Speaker 1>seventh episode to date, can you believe it? And so

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<v Speaker 1>far we've started each episode by getting right into the

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<v Speaker 1>story because these episodes are dense and there's a lot

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<v Speaker 1>of ground to cover. But before we do so today

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<v Speaker 1>we have a request. That is, if you're listening to this,

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<v Speaker 1>now on to today's show. You know, when we think

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<v Speaker 1>about food origins, often we think about the movement of people, plants, animals,

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<v Speaker 1>and ideas, But the study of humans would be an

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<v Speaker 1>incomplete one without the study of clay and ceramic vessels

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<v Speaker 1>one of human kind's earliest and most important inventions. These

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<v Speaker 1>fragments of earth, when listened to attentively, are clues to

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<v Speaker 1>the past. What is the type or quality of material used?

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<v Speaker 1>What was the technology? Was it more like a sculpture

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<v Speaker 1>or formed on a wheel? What can these fragments and

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<v Speaker 1>particles tell us about its uses? If pottery is a

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<v Speaker 1>conversation with past, archaeologists are our interpreters. Today we're talking

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<v Speaker 1>to a whisper of ancient history, culinary archaeologist jerre Lynn Morrison.

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<v Speaker 1>Jery Lynn has a PhD in archaeology specializing in the

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<v Speaker 1>ancient cooking vessels of crete. And after we talk to

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<v Speaker 1>jey Lynn, we will be talking to Nyoko take more

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<v Speaker 1>about the miracle of Donabe, the ceramic pot that is

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<v Speaker 1>one of the oldest in Japan. Nyoko is a food

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<v Speaker 1>and drink expert. She is also the author of the

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<v Speaker 1>Fantastic Donabe Cookbook, an owner of Toro Kitchen in Los Angeles,

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<v Speaker 1>a purveyor of fine Japanese ceramic cookware. But first up

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<v Speaker 1>we go to the dungeons of crete greased to talk

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<v Speaker 1>Bronze age ceramics with Jelyn Morrison. Yeah, I mean I

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<v Speaker 1>just recently took the title of culinary archaeologist for this

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<v Speaker 1>one hotel that I'm working at, because that's the title

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<v Speaker 1>right there. Okay, there we go, because they kept calling

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<v Speaker 1>me an archaeologist. But here in Greece that means that

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<v Speaker 1>you're excavating on the property so that people can build.

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<v Speaker 1>And I was like, no, guys, you guys can't call

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<v Speaker 1>me that. Everyone's confusing the whole thing. So like, you know, so, yeah,

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<v Speaker 1>so we came up with that to be more specific,

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<v Speaker 1>you know, for when I was there doing presentations. And

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<v Speaker 1>I think it works pretty well. I think so too,

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<v Speaker 1>So that's what we'll say. And an enviable or aspirational

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<v Speaker 1>job title for sure. Good job. Yeah it sounds a

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<v Speaker 1>little overinflated sometimes, but you know, no, it's right on

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<v Speaker 1>target for you. Welcome to Point of Origin. Today. We

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<v Speaker 1>are talking pottery, both in traditions and cooking methodol gs,

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<v Speaker 1>and we are very excited to have with us on

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<v Speaker 1>the line from Crete in Greece. Jerylyn Morrison, who is

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<v Speaker 1>a culinary archaeologist who will be talking to us about,

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<v Speaker 1>among other things, some of the pottery traditions and crete

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<v Speaker 1>thank you so much for joining us today. On point

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<v Speaker 1>of origin. Sojerlyn, you were kind of fixating on this

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<v Speaker 1>title that you have of culinary archaeologists, but it is

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<v Speaker 1>in some ways a descriptive term for the work you do.

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<v Speaker 1>But can you tell us in your own words what

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<v Speaker 1>kind of work you do and how you how you

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<v Speaker 1>think about the work that you're doing. Yeah. Absolutely, Basically

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<v Speaker 1>what I do is um. I have a very strong

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<v Speaker 1>art background, particularly in the strama arts and pottery, and

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<v Speaker 1>I use that in conjunction with a lot of other

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<v Speaker 1>research in anthropology and archaeology to talk about ancient cooking

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<v Speaker 1>practices and food in a g and Bronze Age in particular,

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<v Speaker 1>and so that encompasses create all the neighboring islands, a

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<v Speaker 1>little bit of Anatolia and the Greek mainland. I use

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<v Speaker 1>a variety of different types of sources to kind of

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<v Speaker 1>look about what people were eating, how they were cooking,

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<v Speaker 1>and then kind of why to try to put that

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<v Speaker 1>into some sort of anthropological context, to kind of talk

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<v Speaker 1>about basically what people were doing every day in the

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<v Speaker 1>world back in the day, back in the Bronze Age. Well,

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<v Speaker 1>in wet Stone parlance, we would call you an origin forager,

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<v Speaker 1>so we can. And what is it about this region

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<v Speaker 1>the Aegean that garnered your attention? Yeah, I kind of

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<v Speaker 1>came here serendipitously. I was down originally down in the

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<v Speaker 1>America's down in Guatemala and Mexico for several years in

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<v Speaker 1>the late nineties, and there was a civil war going

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<v Speaker 1>on and it was really quite too dangerous to be

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<v Speaker 1>there anymore. And I had phoned a friend of mine

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<v Speaker 1>who was an archaeologist and creed Jennifer Moody, and she

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<v Speaker 1>kept saying, you know, you just have to come over

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<v Speaker 1>here and just experience it. And I said, Okay, I'll

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<v Speaker 1>do it. I'll do it. So I did, and I

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<v Speaker 1>really just fell in love with it. And I think,

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<v Speaker 1>you know, the moment I stepped off the plane, I

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<v Speaker 1>really felt at home. And you know, since then, I

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<v Speaker 1>feel like, you know, it's a world of a of

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<v Speaker 1>a lot of contrast. You know, the landscape is very

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<v Speaker 1>contrasting without like the stark mountains and the sea. You know,

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<v Speaker 1>you're in a lot of you know, the geopolitical area

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<v Speaker 1>over here is super rich. It's old. You know, the

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<v Speaker 1>whole origins between the neat Near East and Europe and

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<v Speaker 1>then Western civilization is here, so you know, the whole

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<v Speaker 1>scope is just really different than what I grew up with.

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<v Speaker 1>And I just I really love that. M HM. And

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<v Speaker 1>your specialty is Minoan civilization. Can you say a little

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<v Speaker 1>bit more about how Manoan called sure plays into your work.

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<v Speaker 1>That's kind of a time period that's super dramatic because

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<v Speaker 1>we have the theory and eruption which has happened. There's

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<v Speaker 1>a lot of trading going on. The Minoan civilization is rebuilding.

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<v Speaker 1>There's a lot of different ideas about what's happening with

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<v Speaker 1>the economy, what's happening with the political structure between the

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<v Speaker 1>old palaces and the new palaces, you know, plus a

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<v Speaker 1>lot of different influences from the Greek mainland, from the

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<v Speaker 1>Mycenaean culture. So you know, most of the time what

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<v Speaker 1>we do in archaeology and in history is we study

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<v Speaker 1>these big topics like warfare or trade or you know,

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<v Speaker 1>mass migration. And what's nice about cooking and about food

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<v Speaker 1>is that you can kind of study the household level,

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<v Speaker 1>and so that's what I'm most interested in. And then

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<v Speaker 1>once you can look at that, you can kind of

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<v Speaker 1>branch out, because of course food is also influencing farming

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<v Speaker 1>and trading, and sometimes you also see movements of people

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<v Speaker 1>on that. Absolutely yeah. We so often say that the

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<v Speaker 1>study of food isle the study of the movement of

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<v Speaker 1>people and plants, so the migration aspect is super resident

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<v Speaker 1>with us as well. From a more macro view, Create

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<v Speaker 1>is its own an island into itself. For people who

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<v Speaker 1>have not been to Greece or are not clear on

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<v Speaker 1>the distinction between Crete and the mainland Greece, can you

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<v Speaker 1>say more about kind of culturally and geographically what some

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<v Speaker 1>of those differences aren't Oh? Yeah, absolutely, Create is a

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<v Speaker 1>very special island, even in the Aegean because if you

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<v Speaker 1>can imagine for those in the United States, like the

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<v Speaker 1>perimeter is about the size of long island, so it's

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<v Speaker 1>not very long. You can drive east to west and

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<v Speaker 1>about five and a half hours and about the thinnest

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<v Speaker 1>point where I live, and it's only fift twenty minute

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<v Speaker 1>drive to the north coast from the south coast and

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<v Speaker 1>then the longest it can take you to get across

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<v Speaker 1>is about two hours. But what's interesting is that topography

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<v Speaker 1>is unbelievable because there's about three to form large mountain

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<v Speaker 1>mestiefs which just create this micro climates and all sorts

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<v Speaker 1>of variants between the east and the west side of

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<v Speaker 1>the mountains. So the west side of Crete is really

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<v Speaker 1>interesting because it's the coolest, it's the wettest side. And

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<v Speaker 1>basically what happens is the rain will come across the

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<v Speaker 1>Mediterranean and it starts dumping the water there, so, you know,

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<v Speaker 1>as the mountains kind of trapping in, it dumps the water,

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<v Speaker 1>it moves across the island and it continues to dump

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<v Speaker 1>the water until it gets to the far east end,

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<v Speaker 1>and then there there's very little rain left. So the

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<v Speaker 1>east end is much drier, it's much hotter, and also

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<v Speaker 1>create is kind of you know latitude eally, it's not

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<v Speaker 1>straight across the globe, it's kind of angled, so the

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<v Speaker 1>east side is much farther south than the west side,

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<v Speaker 1>and so it's still much hotter down here. And it's tropical.

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<v Speaker 1>It's the only tropical zone in Europe as well, So

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<v Speaker 1>even climactically across this little tiny space of the island,

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<v Speaker 1>you have a huge variation and a lot of mini

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<v Speaker 1>microclimates to the food can be slightly different the seasons,

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<v Speaker 1>you know, the seasonal temperatures within the season can be

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<v Speaker 1>slightly different. And then of course between the high mountain

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<v Speaker 1>plateaus and the sea coast, you know, you get you

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<v Speaker 1>know snow and oftentimes you know, when the snows comes,

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<v Speaker 1>those mountain peaks are covered for about three or four

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<v Speaker 1>months out of the year, so there's quite a variety

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<v Speaker 1>here on the island. It's also extremely grew green. So really,

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<v Speaker 1>even though people like to come here in the summer,

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<v Speaker 1>if you want to experience the food culture and if

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<v Speaker 1>you want to experience some really awesome hikes, the best

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<v Speaker 1>time to come is after the rain start, when we

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<v Speaker 1>kind of have what they call a second spring, and

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<v Speaker 1>that's when all the wild greens start growing, the wild

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<v Speaker 1>mushrooms start coming out, the snails come alive, so everybody's

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<v Speaker 1>out foraging. Everybody's like collecting what they want to eat,

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<v Speaker 1>collecting what they want to do. And then of course

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<v Speaker 1>year round we have a variety of different kinds of

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<v Speaker 1>like food production and process is going on. So you know,

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<v Speaker 1>during this time there's a lot of foraging, there's rackie making,

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<v Speaker 1>wine productions already going in, and then people are starting

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<v Speaker 1>to get ready for for cheese and milk production in

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<v Speaker 1>the spring, so you know, it's extremely rich compared to

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<v Speaker 1>other islands which typically don't have so much areas for crops,

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<v Speaker 1>and then you know, just the variety of the different

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<v Speaker 1>types of mountains, and then the elevation here just makes it.

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<v Speaker 1>You know, you have more accessibility and more stuff. Basically,

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<v Speaker 1>what yeah, utter dream, It sounds like quite a paradise.

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<v Speaker 1>Let's talk a little bit more about your area of focus,

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<v Speaker 1>which is in pottery. You came to this work before

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<v Speaker 1>you were a scholar as an artist. What can you

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<v Speaker 1>tell us about the traditions in pottery in this region.

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<v Speaker 1>They have very very very long fish in here in

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<v Speaker 1>the Aegean with reproduction. The Neolithic culture that was here

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<v Speaker 1>before the Manoans also produced pottery. Create because of its biology,

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<v Speaker 1>has a lot of different types of clay out crops

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<v Speaker 1>or clay exposures across the island, so you can make

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<v Speaker 1>a wide range of vessels. You can make a lot

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<v Speaker 1>of different types of fine wares that can be painted

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<v Speaker 1>very delicately, or you can big course wear vessels like

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<v Speaker 1>their storage jars or their cooking pots. So you really

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<v Speaker 1>have a wide range of like potting materials to deal with,

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<v Speaker 1>and that's true for a lot of places here in

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<v Speaker 1>the Aegean and particularly in Greece, and you know their

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<v Speaker 1>craftsmen and women above all, so you know, making pottery

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<v Speaker 1>was very much like second nature to a lot of people.

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<v Speaker 1>Welcome back to point of origin. I'm interested in the

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<v Speaker 1>material part of the research because mostly when we think

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<v Speaker 1>about vessels for whetstone, it's through a specific culinary or

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<v Speaker 1>gastronomic lens. But what you're referring to is actually the origins, right,

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<v Speaker 1>the raw material. So can you say more about that?

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<v Speaker 1>So one of the things I'm really interested in, both

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<v Speaker 1>as a potter and as an archaeologist, looking into kind

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<v Speaker 1>of the origins of like the Bronze Age vessels and

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<v Speaker 1>in particular the cooking pots, is kind of what types

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<v Speaker 1>of plays the Manlan potters were using and what kind

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<v Speaker 1>of properties they had may be compared to the other

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<v Speaker 1>types of vessels. So you know, we know through ethnography

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<v Speaker 1>and and also talking to modern day potters, is that

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<v Speaker 1>you know there's a lot of different play sources on

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<v Speaker 1>the island. Sometimes the modern day potters don't even use

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<v Speaker 1>the clay towards anymore, and they used like industrial plays,

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<v Speaker 1>But about fifties sixty years ago they used all these

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<v Speaker 1>local resources, and so you can see a lot of

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<v Speaker 1>the you know, the natural plays just kind of outcrops

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<v Speaker 1>and exposed everywhere, particularly like in the road cut because

0:14:21.240 --> 0:14:23.400
<v Speaker 1>they're making a lot of new roads on the islands.

0:14:23.440 --> 0:14:26.240
<v Speaker 1>So that's kind of convenient for us um that are

0:14:26.280 --> 0:14:29.480
<v Speaker 1>looking for rock lays. And then in the riverbeds, of course,

0:14:29.520 --> 0:14:32.280
<v Speaker 1>that's like one of the more traditional places to start

0:14:32.320 --> 0:14:35.600
<v Speaker 1>looking for rock lays. And so at the site that

0:14:35.640 --> 0:14:39.240
<v Speaker 1>I work at called mock Class Excavations here on each street,

0:14:39.800 --> 0:14:44.200
<v Speaker 1>it's directed by Jeffrey Souls and Coast Eustavirus, And here

0:14:44.240 --> 0:14:48.320
<v Speaker 1>we actually have a Bronze Age artists and quarters where

0:14:48.360 --> 0:14:51.720
<v Speaker 1>we know there was potters. They're making pottery out of

0:14:51.720 --> 0:14:55.640
<v Speaker 1>the local clay. And I've been extremely fortunate to work

0:14:55.800 --> 0:14:58.920
<v Speaker 1>with a wonderful team that has been looking at the

0:14:58.960 --> 0:15:02.440
<v Speaker 1>different clay sources and looking at the pottery for years.

0:15:02.480 --> 0:15:05.040
<v Speaker 1>And so one of my roles on the project was

0:15:05.080 --> 0:15:09.080
<v Speaker 1>to come in and in particularly look at the cooking

0:15:09.120 --> 0:15:12.320
<v Speaker 1>pots to see, you know, what does the cooking pot

0:15:12.400 --> 0:15:15.440
<v Speaker 1>clay look like, what did these forms look like, And

0:15:15.480 --> 0:15:18.200
<v Speaker 1>then try to go out into the landscape near the

0:15:18.320 --> 0:15:20.880
<v Speaker 1>artists and quarters here at this site and try to

0:15:20.960 --> 0:15:23.880
<v Speaker 1>locate it, work it up, make it, make the cooking

0:15:23.920 --> 0:15:28.560
<v Speaker 1>vessels themselves, and then basically start from scratch and then

0:15:28.760 --> 0:15:31.480
<v Speaker 1>end up with a cooking pot that's viable that you

0:15:31.560 --> 0:15:35.360
<v Speaker 1>couldn't cook in. So so the cool thing is that

0:15:35.440 --> 0:15:37.960
<v Speaker 1>you find out about these material properties with the treating

0:15:38.000 --> 0:15:42.240
<v Speaker 1>clay is that oftentimes the cooking vessels in the Bronze

0:15:42.240 --> 0:15:46.240
<v Speaker 1>Age didn't really appear to have any distinction between those

0:15:46.280 --> 0:15:49.240
<v Speaker 1>that they were making large storage jars out of four

0:15:49.440 --> 0:15:51.840
<v Speaker 1>water jugs out of just all made out of this

0:15:51.920 --> 0:15:55.080
<v Speaker 1>kind of course war clay. There's a rock called philite,

0:15:55.160 --> 0:15:58.280
<v Speaker 1>so with metamorphic rock which is really common here in

0:15:58.280 --> 0:16:01.680
<v Speaker 1>the local geology, and they just kept it in and

0:16:01.760 --> 0:16:04.920
<v Speaker 1>the clay that they mixed it up, and that seemed

0:16:04.920 --> 0:16:08.680
<v Speaker 1>to give it in thermal shock resistance or aided in

0:16:08.800 --> 0:16:11.480
<v Speaker 1>the heating and cooling of the cooking pot to allow

0:16:11.560 --> 0:16:14.240
<v Speaker 1>it to be cooking. So that's that's one of the

0:16:14.240 --> 0:16:16.680
<v Speaker 1>main things that I do when I'm looking at material

0:16:16.760 --> 0:16:20.560
<v Speaker 1>sources and trying to look at forms of forms of

0:16:20.560 --> 0:16:23.760
<v Speaker 1>different types of vessels, particularly in terms of like the

0:16:23.920 --> 0:16:26.880
<v Speaker 1>history of like of culinary study here on the island.

0:16:27.440 --> 0:16:33.520
<v Speaker 1>And did you notice over centuries, stylistic or design changes

0:16:33.840 --> 0:16:37.120
<v Speaker 1>or functional changes in the type of vessels that were

0:16:37.120 --> 0:16:41.320
<v Speaker 1>being used for culinary purposes. Yeah, that's an interesting question.

0:16:41.680 --> 0:16:45.200
<v Speaker 1>In the minoans stayed around for you know, several thousand years,

0:16:45.240 --> 0:16:48.680
<v Speaker 1>and basically the kind of the iconic vessel was like

0:16:48.800 --> 0:16:52.520
<v Speaker 1>the big pot with three legs, and it's really perfect

0:16:52.520 --> 0:16:56.040
<v Speaker 1>for like boiling and submarine food. And what you find

0:16:56.160 --> 0:16:59.240
<v Speaker 1>in the change of the actual vessel, either at this

0:16:59.360 --> 0:17:03.360
<v Speaker 1>particular site or other sites, like maybe the upper body

0:17:03.400 --> 0:17:06.640
<v Speaker 1>will change a little bit, so instead of having an

0:17:06.640 --> 0:17:09.920
<v Speaker 1>incurving rim, you'll have a rim that that turns outwards.

0:17:10.320 --> 0:17:12.520
<v Speaker 1>So maybe you know, when you put a lid on it,

0:17:13.080 --> 0:17:15.439
<v Speaker 1>lid on it in a different kind of way, but

0:17:15.520 --> 0:17:17.880
<v Speaker 1>it would still be a litted vessel. There are other

0:17:17.960 --> 0:17:20.840
<v Speaker 1>types of newar types of vessels that come in that

0:17:20.880 --> 0:17:23.760
<v Speaker 1>tend to be also a cooking pot with three length

0:17:23.920 --> 0:17:27.119
<v Speaker 1>but the having it close, you know, it would be

0:17:27.160 --> 0:17:30.840
<v Speaker 1>completely open. So it looked like in that situation, whatever

0:17:30.880 --> 0:17:33.800
<v Speaker 1>you're preparing and that kind of vessel, you'd want so

0:17:34.400 --> 0:17:37.880
<v Speaker 1>whatever liquid with inside of the vessel to kind of

0:17:37.960 --> 0:17:41.280
<v Speaker 1>evaporate a little bit quicker or a little bit more easy,

0:17:41.600 --> 0:17:43.879
<v Speaker 1>and you have to think about these vessels too, not

0:17:44.000 --> 0:17:47.879
<v Speaker 1>just as cooking pluts, but they're also found industrial areas,

0:17:47.920 --> 0:17:50.919
<v Speaker 1>So they couldn't to be making like different types of

0:17:50.960 --> 0:17:55.080
<v Speaker 1>costumes or medicines, or maybe even melting different types of

0:17:55.160 --> 0:17:58.919
<v Speaker 1>resins or wax or things like that to create sales

0:17:59.000 --> 0:18:02.439
<v Speaker 1>for the boat, or you know, decode different types of

0:18:02.520 --> 0:18:06.040
<v Speaker 1>twine that they were making for, you know, anything that

0:18:06.080 --> 0:18:09.320
<v Speaker 1>they were producing. So it was kind of like an

0:18:09.320 --> 0:18:13.479
<v Speaker 1>all purpose industrial vessel, but most commonly used for cooking,

0:18:13.800 --> 0:18:17.919
<v Speaker 1>you know, So it was really a good pot that

0:18:18.040 --> 0:18:20.840
<v Speaker 1>was used for heating up stuff. And do you have

0:18:20.880 --> 0:18:23.640
<v Speaker 1>any examples of what some of the dishes might have been.

0:18:24.000 --> 0:18:26.640
<v Speaker 1>We're really luking in each creek because we have excellent

0:18:26.720 --> 0:18:30.440
<v Speaker 1>preservation with a lot of food in the site, and

0:18:30.800 --> 0:18:33.600
<v Speaker 1>we have found in more than one occasion we found

0:18:33.680 --> 0:18:36.639
<v Speaker 1>a cooking pot that have mentals like brown lintles in

0:18:36.680 --> 0:18:40.240
<v Speaker 1>the bottom, or like haloes of the brown lintles that

0:18:40.320 --> 0:18:42.640
<v Speaker 1>were burnt, or like head of roaded out over time.

0:18:43.160 --> 0:18:45.639
<v Speaker 1>We even have like one cooking pot with like the

0:18:45.680 --> 0:18:48.919
<v Speaker 1>bones of two wild hair. And then so we know

0:18:49.000 --> 0:18:52.440
<v Speaker 1>that they were at least like hunting or trapping animals

0:18:52.840 --> 0:18:56.159
<v Speaker 1>as farming and hunting and fishing. Those are like actual

0:18:56.200 --> 0:18:58.919
<v Speaker 1>food remains that we found in the pot. At another

0:18:59.000 --> 0:19:01.600
<v Speaker 1>site called Pupa the loocle boats who are was one

0:19:01.600 --> 0:19:04.920
<v Speaker 1>of the directives the increase of Sophia new She was

0:19:05.400 --> 0:19:09.359
<v Speaker 1>excavating and found actual shellfish called the Olympics or pective

0:19:09.440 --> 0:19:13.080
<v Speaker 1>less inside one of the cooking pots, and so they

0:19:13.119 --> 0:19:16.280
<v Speaker 1>were making kind of a seafood too. So so you

0:19:16.440 --> 0:19:20.320
<v Speaker 1>find the actual food remains sometimes in the vessel, but

0:19:20.320 --> 0:19:22.480
<v Speaker 1>but it's rare. I mean, it's not common. I don't

0:19:22.480 --> 0:19:26.080
<v Speaker 1>want to give you know, misrepresentation of like a Pompey

0:19:26.080 --> 0:19:29.200
<v Speaker 1>ask kind of vision, so you can find them. And

0:19:29.240 --> 0:19:33.040
<v Speaker 1>we're talking what like two thousand year old vessels or

0:19:33.080 --> 0:19:36.000
<v Speaker 1>something like that. She's the three thousand years old. I'm

0:19:36.080 --> 0:19:38.600
<v Speaker 1>just so amazed by that. I mean, I know that

0:19:38.600 --> 0:19:43.560
<v Speaker 1>that is precisely what it means to be an archaeologist,

0:19:43.720 --> 0:19:48.159
<v Speaker 1>but still hearing that, especially just given the age of it,

0:19:48.240 --> 0:19:52.440
<v Speaker 1>i mean talking millennia, it really blows my mind about

0:19:52.520 --> 0:19:55.080
<v Speaker 1>the integrity of the clay and then the fact that

0:19:55.119 --> 0:20:00.159
<v Speaker 1>the contents are still able to give us so much information. Mean,

0:20:00.200 --> 0:20:03.200
<v Speaker 1>it's super exciting. And when I'm working with my colleagues

0:20:03.280 --> 0:20:06.480
<v Speaker 1>who study the actual bones and the siege and the show,

0:20:06.560 --> 0:20:09.520
<v Speaker 1>and they can look at like a crushed grape seed

0:20:09.720 --> 0:20:13.520
<v Speaker 1>under the microscope and say, Yep, this grape seed has

0:20:13.560 --> 0:20:16.159
<v Speaker 1>the look of a seed that was crushed most likely

0:20:16.240 --> 0:20:19.919
<v Speaker 1>for line. You're like, oh my god, that's unbelievable. I

0:20:19.920 --> 0:20:22.399
<v Speaker 1>mean that to me is like, it's just super exciting

0:20:22.800 --> 0:20:25.320
<v Speaker 1>to be able to look at the actual preservation of

0:20:25.400 --> 0:20:28.080
<v Speaker 1>the food and me and have an idea of how

0:20:28.160 --> 0:20:31.399
<v Speaker 1>people you know, performed with that particular food product, to

0:20:31.480 --> 0:20:34.399
<v Speaker 1>see what they were what they were doing with it. Yeah,

0:20:34.400 --> 0:20:37.160
<v Speaker 1>it's so cool. We'll never get old. How much of

0:20:37.240 --> 0:20:42.320
<v Speaker 1>these traditions, these culinary traditions that are rooted in clay

0:20:42.359 --> 0:20:47.199
<v Speaker 1>pot cooking, how many of them have been retained just

0:20:47.280 --> 0:20:50.359
<v Speaker 1>from what you observe in your time there. Oh, I

0:20:50.400 --> 0:20:53.719
<v Speaker 1>think that's that's that's a really interesting question. Is I

0:20:53.760 --> 0:20:57.679
<v Speaker 1>think that there's multiple traditions going on simultaneously with food

0:20:57.760 --> 0:20:59.879
<v Speaker 1>here in the Aegean. So, first of all, you have

0:21:00.000 --> 0:21:03.239
<v Speaker 1>of claypot cooking, which is slow cooking either in an

0:21:03.280 --> 0:21:07.480
<v Speaker 1>oven or like open air cooking. So the Minoans did

0:21:07.480 --> 0:21:11.159
<v Speaker 1>not have ovens that we recognize like they do today today,

0:21:11.200 --> 0:21:14.359
<v Speaker 1>they would cook in a catch rolla particularly like a

0:21:14.359 --> 0:21:16.919
<v Speaker 1>catch a little type cook pots is that particularly like

0:21:16.960 --> 0:21:20.600
<v Speaker 1>a chickpea type of soup or a big like lamb

0:21:20.720 --> 0:21:22.360
<v Speaker 1>or something like that. That they would do a lot,

0:21:22.440 --> 0:21:24.720
<v Speaker 1>a lot of slow cooking hand. So that's like the

0:21:24.760 --> 0:21:27.320
<v Speaker 1>surrend that kind of cooking they do today. They also

0:21:27.400 --> 0:21:30.840
<v Speaker 1>have a thing with grilling, lots and wats and lots

0:21:30.840 --> 0:21:33.800
<v Speaker 1>and lots of food that's grilled. And you know, we

0:21:33.880 --> 0:21:36.960
<v Speaker 1>believe that the Manoans were also grilling. People in the

0:21:37.000 --> 0:21:39.679
<v Speaker 1>Bronze Age also grilled a lot of food. So you

0:21:39.680 --> 0:21:43.040
<v Speaker 1>have those two types of traditions. And then of course

0:21:43.200 --> 0:21:47.320
<v Speaker 1>I believe a percent that they practiced food preservation when

0:21:47.320 --> 0:21:52.199
<v Speaker 1>it came to using the sun or fault blind and

0:21:52.280 --> 0:21:54.760
<v Speaker 1>the sun, you know, and they do those as well today,

0:21:54.800 --> 0:21:57.680
<v Speaker 1>depending on the time of the year or where you are.

0:21:58.359 --> 0:22:00.920
<v Speaker 1>And so, you know, I think that those three types

0:22:00.960 --> 0:22:04.040
<v Speaker 1>of traditions are still pretty strong. It's just that they

0:22:04.280 --> 0:22:06.440
<v Speaker 1>you know, they do them a slightly different way with

0:22:06.600 --> 0:22:10.960
<v Speaker 1>slightly different food products. How would the grilling do you

0:22:11.000 --> 0:22:14.479
<v Speaker 1>have any idea how that would have been set up

0:22:14.520 --> 0:22:17.760
<v Speaker 1>over open flames? Well, I mean, that's a good question.

0:22:17.880 --> 0:22:20.480
<v Speaker 1>I think here when I've been out with people sometimes

0:22:20.480 --> 0:22:22.520
<v Speaker 1>and they want to grill up to meat, you know,

0:22:22.560 --> 0:22:24.639
<v Speaker 1>you'll either have like your wire mesh grill that you

0:22:24.680 --> 0:22:26.880
<v Speaker 1>just kind of pull out and do and you set

0:22:26.920 --> 0:22:29.520
<v Speaker 1>it between two rocks. Or you can also take like

0:22:29.560 --> 0:22:32.159
<v Speaker 1>a big stick, like a limb off a tree, you know,

0:22:32.200 --> 0:22:35.120
<v Speaker 1>and you clean it and it's fresh and so it's

0:22:35.160 --> 0:22:37.600
<v Speaker 1>not dry, and then they just put the meat through

0:22:37.640 --> 0:22:40.600
<v Speaker 1>that and it stays just just fine. It doesn't I

0:22:40.640 --> 0:22:43.040
<v Speaker 1>think there's a lot of things in the archaeological record

0:22:43.160 --> 0:22:45.640
<v Speaker 1>that you just won't see, we just don't recover because

0:22:45.640 --> 0:22:49.000
<v Speaker 1>they're made out of organic pieces. And so I think

0:22:49.040 --> 0:22:52.080
<v Speaker 1>I'm always fortunate that I like seramics because the majority

0:22:52.080 --> 0:22:56.320
<v Speaker 1>of stuff we find your suram suramic trash really and

0:22:56.359 --> 0:22:59.760
<v Speaker 1>I think, you know, it's inorganic and for the most part,

0:22:59.760 --> 0:23:02.080
<v Speaker 1>it's a there. It's going to be there except for

0:23:02.119 --> 0:23:05.320
<v Speaker 1>some extreme situations, and so it's made out of leather

0:23:05.560 --> 0:23:09.040
<v Speaker 1>or wood or other you know, other sorts of materials.

0:23:09.080 --> 0:23:14.800
<v Speaker 1>It is won't saying MH. Have you found any non

0:23:15.240 --> 0:23:21.440
<v Speaker 1>clay materials, tools or weapons or anything like that that

0:23:21.520 --> 0:23:25.160
<v Speaker 1>have given you some insight to go along with what

0:23:25.520 --> 0:23:28.639
<v Speaker 1>your research has shown you in uh, studying the clay.

0:23:29.160 --> 0:23:31.840
<v Speaker 1>You know, sometimes what you'll find which has really like

0:23:32.040 --> 0:23:35.320
<v Speaker 1>is in the clay you'll see impressions like weavings of

0:23:35.400 --> 0:23:39.000
<v Speaker 1>baskets or weavings of cloths, and often times I think

0:23:39.040 --> 0:23:41.840
<v Speaker 1>about that as like a secondary kind of lining that

0:23:41.960 --> 0:23:44.560
<v Speaker 1>they could have used, particularly when you're making a particular

0:23:44.640 --> 0:23:47.480
<v Speaker 1>kind of vessel. We have this one very complicated vessel.

0:23:48.000 --> 0:23:50.760
<v Speaker 1>It's complicated because it's super thin and yet at the

0:23:50.800 --> 0:23:53.800
<v Speaker 1>same time large, and it's about the size of a

0:23:53.920 --> 0:23:57.480
<v Speaker 1>large sea turtle show and it's basically that shape inside,

0:23:58.040 --> 0:24:02.160
<v Speaker 1>and it's also extremely thin, and it's and it's mold made,

0:24:02.400 --> 0:24:04.720
<v Speaker 1>and it's quite difficult. Nobody has really been able to

0:24:04.760 --> 0:24:08.040
<v Speaker 1>figure out how could produce it. And so if you

0:24:08.040 --> 0:24:11.399
<v Speaker 1>look on the underside of that vessel, it's very you

0:24:11.440 --> 0:24:14.159
<v Speaker 1>can see impressions of some sort of material, but and

0:24:14.280 --> 0:24:17.159
<v Speaker 1>oftentimes you're off you're looking at kind of like the

0:24:17.280 --> 0:24:20.320
<v Speaker 1>negative space of something, you know, embedded in the clay

0:24:20.400 --> 0:24:23.159
<v Speaker 1>that can kind of help you. Other than that, you

0:24:23.160 --> 0:24:26.159
<v Speaker 1>can you can find the odd stone tool, you know,

0:24:26.200 --> 0:24:28.679
<v Speaker 1>like a pivot stone that will go along with the

0:24:28.720 --> 0:24:31.840
<v Speaker 1>potter's wheel to try to understand the mechanics of how

0:24:31.960 --> 0:24:33.919
<v Speaker 1>Potter's wheel could have worked and how you could have

0:24:33.960 --> 0:24:36.640
<v Speaker 1>put that together, which is kind of you know, it's

0:24:36.800 --> 0:24:40.159
<v Speaker 1>very exciting to try to understand, and you know, and

0:24:40.200 --> 0:24:44.080
<v Speaker 1>sometimes they'll have like obsidian blades, you know, which obviously

0:24:44.119 --> 0:24:47.080
<v Speaker 1>they could have used. It's some sort of splicing tool. Yeah,

0:24:47.119 --> 0:24:49.720
<v Speaker 1>you know, things like that. You know, it's it's nothing

0:24:49.800 --> 0:24:52.320
<v Speaker 1>is really isolated in the world when you're making anything,

0:24:52.359 --> 0:24:55.280
<v Speaker 1>all the different types of tools you pull out to use.

0:24:55.480 --> 0:24:57.800
<v Speaker 1>I always try to probe to my problems in that way,

0:24:57.800 --> 0:25:00.640
<v Speaker 1>to see, like what am I doing and and look

0:25:00.760 --> 0:25:03.679
<v Speaker 1>back at the archaeological material and say, okay, this is

0:25:03.720 --> 0:25:05.960
<v Speaker 1>what do I have? What's missing? And then can I

0:25:06.040 --> 0:25:08.080
<v Speaker 1>get to that, you know, from point A to point B,

0:25:08.200 --> 0:25:10.919
<v Speaker 1>and like what's in between? Okay. My last question for

0:25:10.960 --> 0:25:14.720
<v Speaker 1>you is kind of an obvious one perhaps, but when

0:25:14.760 --> 0:25:17.399
<v Speaker 1>I don't know the answer to which is how do

0:25:17.440 --> 0:25:22.480
<v Speaker 1>you know where to go? Book? Well, that is a

0:25:22.560 --> 0:25:26.040
<v Speaker 1>very good question, I think actually, because if not so obvious,

0:25:26.160 --> 0:25:28.760
<v Speaker 1>I think when you're looking for new site, it's credibly

0:25:28.840 --> 0:25:32.920
<v Speaker 1>hard and a lot of archaeologists, you know, they might

0:25:32.960 --> 0:25:36.840
<v Speaker 1>grapple with this. For me, I'm very lucky because I'm

0:25:36.840 --> 0:25:38.960
<v Speaker 1>extremely fortunate in the sense that I work on a

0:25:39.040 --> 0:25:41.959
<v Speaker 1>site that has a very long history, and so our

0:25:42.080 --> 0:25:47.080
<v Speaker 1>site was first excavated in nineteen o eight, So so

0:25:47.160 --> 0:25:50.040
<v Speaker 1>I decided been there much longer than the teams that

0:25:50.080 --> 0:25:53.240
<v Speaker 1>I'm working with has has been there. But you know

0:25:53.280 --> 0:25:55.480
<v Speaker 1>there's things about that. You know, when the first X

0:25:55.760 --> 0:25:58.760
<v Speaker 1>became lit speakering, he was working at mor class, he

0:25:58.880 --> 0:26:01.560
<v Speaker 1>was excavating certain points, you know, and then since then

0:26:01.680 --> 0:26:04.400
<v Speaker 1>several other lads have come and then this next way

0:26:04.560 --> 0:26:07.920
<v Speaker 1>with Professor Souls and in Potius of ours, they kind

0:26:07.960 --> 0:26:10.439
<v Speaker 1>of understand the landscape and we can kind of actually

0:26:10.480 --> 0:26:14.440
<v Speaker 1>see I guess it's looking at pattern recognition and the landscape.

0:26:14.520 --> 0:26:17.600
<v Speaker 1>It's like once you're tune your eyes, you know, and

0:26:17.640 --> 0:26:20.800
<v Speaker 1>then when it doesn't look like that was underneath, you

0:26:20.840 --> 0:26:24.320
<v Speaker 1>can kind of go, ah, that looks like some buildings there,

0:26:24.440 --> 0:26:27.720
<v Speaker 1>or you know, these these stones in the roads there's

0:26:27.800 --> 0:26:30.720
<v Speaker 1>form on death in a straight line, Well that's probably

0:26:30.720 --> 0:26:34.160
<v Speaker 1>a wall. You know, things that are natural that are

0:26:34.240 --> 0:26:38.760
<v Speaker 1>lined up in an unnatural way. If that makes me know,

0:26:39.040 --> 0:26:42.920
<v Speaker 1>that's actually a really good answer, and it's kind of

0:26:43.000 --> 0:26:46.360
<v Speaker 1>what is true in so many parts of life. Right

0:26:46.480 --> 0:26:50.719
<v Speaker 1>you you need to pay attention and recognize patterns and

0:26:50.800 --> 0:26:54.639
<v Speaker 1>learn from the patterns and apply what you've learned to

0:26:54.760 --> 0:26:59.600
<v Speaker 1>make informed choices. So yeah, but that's excellent, that's right,

0:27:00.760 --> 0:27:04.520
<v Speaker 1>it makes sense to me. I am super inspired after

0:27:05.240 --> 0:27:08.160
<v Speaker 1>talking to you. I think you have just the coolest

0:27:08.200 --> 0:27:13.160
<v Speaker 1>gig ever a culinary archaeologist, and have really given me

0:27:13.920 --> 0:27:17.600
<v Speaker 1>a new appreciation for clay pottery. And I already had

0:27:17.640 --> 0:27:21.320
<v Speaker 1>a deep appreciation, but a newfound appreciation. So thank you

0:27:21.400 --> 0:27:24.080
<v Speaker 1>so much for joining us and for sharing all of

0:27:24.119 --> 0:27:27.359
<v Speaker 1>your knowledge with us. Well, thank you so much, Stephen.

0:27:27.440 --> 0:27:29.560
<v Speaker 1>It's a big placere to always talk to you, and

0:27:29.600 --> 0:27:32.800
<v Speaker 1>then I look for for to you coming here. Yes,

0:27:33.000 --> 0:27:35.960
<v Speaker 1>soon soon. You've inspired me, as I said, so it

0:27:36.000 --> 0:27:38.760
<v Speaker 1>won't be long I'll be hitting you up. Sounds good,

0:27:38.960 --> 0:28:32.399
<v Speaker 1>all right, Thanks Carolyn. Hi, this is Stephen calling from

0:28:32.440 --> 0:28:37.679
<v Speaker 1>Whetstone Magazine. H alcohol you, Hi, How are you great?

0:28:37.720 --> 0:28:42.160
<v Speaker 1>Thank you? Thank you for of course, thanks for taking

0:28:42.160 --> 0:28:46.160
<v Speaker 1>the time. I'm really appreciative. I am familiar with your

0:28:46.160 --> 0:28:51.080
<v Speaker 1>work through your Donab cookbook, Thank you. Yeah, which I

0:28:51.120 --> 0:28:54.480
<v Speaker 1>bought a couple of years ago and really really enjoyed.

0:28:54.680 --> 0:28:57.640
<v Speaker 1>So I'm happy to talk to you. Welcome back to

0:28:57.680 --> 0:29:02.520
<v Speaker 1>Point of origin. Our guest today is Naoko take More.

0:29:02.520 --> 0:29:07.040
<v Speaker 1>She is author of the cookbook Donabe and she's also

0:29:07.280 --> 0:29:10.600
<v Speaker 1>the owner of Toro Kitchen, which is in Los Angeles,

0:29:11.200 --> 0:29:14.200
<v Speaker 1>and we are so much looking forward to speaking with

0:29:14.240 --> 0:29:17.920
<v Speaker 1>her today all about dona be. Thank you so much

0:29:17.960 --> 0:29:20.479
<v Speaker 1>for joining us now, Co, thank you so much for

0:29:20.520 --> 0:29:26.040
<v Speaker 1>having me. I'm very excited, absolutely as too. So I

0:29:26.040 --> 0:29:31.000
<v Speaker 1>am really interested in earthenware cooking and clay pot cooking

0:29:31.400 --> 0:29:34.280
<v Speaker 1>because it's it connects us to a really long and

0:29:34.360 --> 0:29:37.960
<v Speaker 1>ancient tradition all over the world, many many different cultures,

0:29:38.600 --> 0:29:42.320
<v Speaker 1>but for the donabe in particular, it's a commentary on

0:29:42.640 --> 0:29:46.800
<v Speaker 1>Japanese history. So I was hoping you could tell us

0:29:47.080 --> 0:29:50.800
<v Speaker 1>about what the donabe is and what its origins are.

0:29:51.120 --> 0:29:58.000
<v Speaker 1>So stop means clay and not it means pot. And

0:29:59.120 --> 0:30:02.320
<v Speaker 1>in Japan, back in the really ancient times, there's no

0:30:02.440 --> 0:30:05.680
<v Speaker 1>written history, but it's said that it can be traced

0:30:05.680 --> 0:30:09.000
<v Speaker 1>back to more than ten thousand years ago, but then

0:30:09.280 --> 0:30:12.640
<v Speaker 1>continue to develop and similar to like what we have now,

0:30:12.720 --> 0:30:15.880
<v Speaker 1>that donade can go back to more than thirteen hundred

0:30:15.960 --> 0:30:19.440
<v Speaker 1>years ago, and in the regions like Ega, that's kind

0:30:19.480 --> 0:30:21.840
<v Speaker 1>of like a central of the home shoot the main

0:30:21.920 --> 0:30:26.440
<v Speaker 1>islands of Japan, and Donade just have been the very

0:30:26.560 --> 0:30:32.440
<v Speaker 1>essential cooking tool for Japanese people's lives for many, many centuries,

0:30:32.640 --> 0:30:36.120
<v Speaker 1>and the making of Donade, Colorio donabe all started to

0:30:36.200 --> 0:30:40.280
<v Speaker 1>evolve and develop two certain nineteens of now it's still

0:30:40.560 --> 0:30:44.680
<v Speaker 1>one of the most important cooking vessels in Japanese culture.

0:30:44.800 --> 0:30:47.160
<v Speaker 1>And it's in fact, I would say, it's like a

0:30:47.240 --> 0:30:51.800
<v Speaker 1>national cook player for Japanese people. And how did you

0:30:52.240 --> 0:30:57.160
<v Speaker 1>get into researching? So for me, because I was born

0:30:57.160 --> 0:31:01.160
<v Speaker 1>and grew up in Japan, donade was like already there.

0:31:01.200 --> 0:31:04.600
<v Speaker 1>You know, every household has at least one done. So

0:31:05.040 --> 0:31:07.680
<v Speaker 1>as I grew up, my family always left, you know,

0:31:07.720 --> 0:31:09.880
<v Speaker 1>cooking and eating good food. So don't have it to

0:31:09.880 --> 0:31:12.320
<v Speaker 1>me in a in a grood way. It was like

0:31:12.360 --> 0:31:15.760
<v Speaker 1>an air to me, you know, I never even thought

0:31:15.800 --> 0:31:19.240
<v Speaker 1>of it. It was always there and we always cooked

0:31:19.240 --> 0:31:23.200
<v Speaker 1>in it. Especially on weekend when we have dinner all

0:31:23.280 --> 0:31:27.040
<v Speaker 1>family together at home, donal it was there and it

0:31:27.160 --> 0:31:30.360
<v Speaker 1>was cooked and served right at the table and everybody

0:31:30.400 --> 0:31:34.760
<v Speaker 1>could participate. And when we get together with grandparents or

0:31:34.800 --> 0:31:38.440
<v Speaker 1>the relatives. Don't know, it was always there too, just

0:31:39.040 --> 0:31:41.920
<v Speaker 1>very natural. And also after I realized it was very

0:31:41.960 --> 0:31:45.680
<v Speaker 1>important part of my life in terms of cooking and eating,

0:31:46.040 --> 0:31:49.240
<v Speaker 1>but it wasn't after I moved to the United States,

0:31:49.280 --> 0:31:51.680
<v Speaker 1>which was back in two thousand one. You know, Los

0:31:51.720 --> 0:31:55.479
<v Speaker 1>Angeles is very diverse city and with diverse culture, and

0:31:55.680 --> 0:31:59.560
<v Speaker 1>Japanese food was already quite popular in l A. And

0:32:00.080 --> 0:32:03.080
<v Speaker 1>there are many Japanese restaurants and people you know, to

0:32:03.200 --> 0:32:06.560
<v Speaker 1>sush it and pura and you know other things. But

0:32:06.720 --> 0:32:10.640
<v Speaker 1>I realized that Japanese good food but not very much

0:32:10.800 --> 0:32:13.719
<v Speaker 1>known among people in l A or people in the

0:32:13.840 --> 0:32:18.280
<v Speaker 1>US and Dona. There was basically the almost unknown to

0:32:18.400 --> 0:32:22.040
<v Speaker 1>the American people. And I talked to different people, my

0:32:22.160 --> 0:32:25.040
<v Speaker 1>friends and you know, other people, American people, and they

0:32:25.040 --> 0:32:28.200
<v Speaker 1>all feel like they feel a little bit intimidated by

0:32:28.200 --> 0:32:31.280
<v Speaker 1>the idea of cooking Japanese food at home. So I

0:32:31.280 --> 0:32:34.320
<v Speaker 1>felt like, oh, that's only because they don't know what

0:32:34.440 --> 0:32:37.440
<v Speaker 1>Japanese home cooking is about. And to me, don't they

0:32:37.560 --> 0:32:42.880
<v Speaker 1>really represent the Japanese home cooking and also the essentially

0:32:42.920 --> 0:32:46.240
<v Speaker 1>the Japanese culture of like communal dining and how we

0:32:46.440 --> 0:32:49.880
<v Speaker 1>bomb together. So I felt like other Japanese living in

0:32:49.920 --> 0:32:53.200
<v Speaker 1>the US, I thought it was my nation to kind

0:32:53.200 --> 0:32:56.400
<v Speaker 1>of bring the wonderful Japanese food culture and introduced them

0:32:56.600 --> 0:33:00.239
<v Speaker 1>to people in l A and beyond. So that kind

0:33:00.240 --> 0:33:04.160
<v Speaker 1>of how I started. When you're talking about dishes of

0:33:04.200 --> 0:33:10.080
<v Speaker 1>your early memories, are there certain kinds of donabe that

0:33:10.560 --> 0:33:15.920
<v Speaker 1>are more closely aligned with specific dishes. The basic style

0:33:16.000 --> 0:33:19.120
<v Speaker 1>donade is essentially, you know, like a like a caspitle,

0:33:19.360 --> 0:33:22.160
<v Speaker 1>you know, so there's a ball and the lid. That's it.

0:33:22.480 --> 0:33:26.120
<v Speaker 1>So that's what best known style of donade as I

0:33:26.160 --> 0:33:28.920
<v Speaker 1>grew up. That's actually the only kind of donad I

0:33:28.960 --> 0:33:32.080
<v Speaker 1>was familiar with. And there are different sizes. Sometimes my

0:33:32.120 --> 0:33:36.080
<v Speaker 1>mom pulled out like really large donad when we have

0:33:36.320 --> 0:33:38.720
<v Speaker 1>my grandparents this thing and so there's a big group

0:33:38.720 --> 0:33:42.440
<v Speaker 1>of people, or when I get sick I took a

0:33:42.560 --> 0:33:45.880
<v Speaker 1>day off from Gentary school, my mom made it like

0:33:45.920 --> 0:33:49.040
<v Speaker 1>a porridge, like a very typical like a like comfort

0:33:49.080 --> 0:33:52.840
<v Speaker 1>eating food was Japanese people, and she pulled a tiny

0:33:52.920 --> 0:33:56.120
<v Speaker 1>donadet for individual size and made a porridge. And then

0:33:56.520 --> 0:34:00.280
<v Speaker 1>they are different produces different regions making donade. And over

0:34:00.320 --> 0:34:04.240
<v Speaker 1>the years, especially maybe like past two decades, those really

0:34:04.280 --> 0:34:09.239
<v Speaker 1>like innovative minded trust people, they started to kind of

0:34:09.560 --> 0:34:13.480
<v Speaker 1>design different styles of donade for different modes of cooking.

0:34:14.600 --> 0:34:17.799
<v Speaker 1>That's a great thing about the carrying the tradition, and

0:34:18.239 --> 0:34:21.480
<v Speaker 1>for I think that the Japanese people and especially those

0:34:21.480 --> 0:34:24.600
<v Speaker 1>are distance the definition of tradition is not just doing

0:34:24.640 --> 0:34:27.239
<v Speaker 1>the same same thing over and over and over, but

0:34:27.719 --> 0:34:31.240
<v Speaker 1>the tradition evolves, you know, according to the people's needs

0:34:31.320 --> 0:34:35.160
<v Speaker 1>at the time. So there's different styles of donat started

0:34:35.200 --> 0:34:39.720
<v Speaker 1>to get developed, like a donade design specifically for cooking

0:34:39.800 --> 0:34:43.160
<v Speaker 1>rice perfect rice, and there's a dona there for steaming,

0:34:43.280 --> 0:34:47.600
<v Speaker 1>donad for smoking, etcetera, etcetera. So now I would say

0:34:47.640 --> 0:34:52.319
<v Speaker 1>like they're very exciting time for the culture of donadic cooking, yeah,

0:34:52.360 --> 0:34:57.200
<v Speaker 1>which you yourself are helping to ussure into homes all

0:34:57.239 --> 0:35:02.200
<v Speaker 1>over the US. So thank you for redefining our American

0:35:02.280 --> 0:35:07.000
<v Speaker 1>food culture. So kind of for on a more practical level,

0:35:07.360 --> 0:35:10.399
<v Speaker 1>because mostly in the States, you know, we don't we're

0:35:10.400 --> 0:35:14.960
<v Speaker 1>not accustomed to using clay pot cooking in our own homes.

0:35:15.280 --> 0:35:18.680
<v Speaker 1>Hence maybe why there are some intimidation for people what

0:35:18.880 --> 0:35:22.759
<v Speaker 1>is the cooking application for donabe in one's home. I

0:35:22.880 --> 0:35:27.000
<v Speaker 1>often tell people who are new to don that, you know,

0:35:27.440 --> 0:35:32.720
<v Speaker 1>I understand people who feel intimidated if you've never cooked

0:35:32.719 --> 0:35:36.439
<v Speaker 1>in donade. So I always tell them that dona it's

0:35:36.520 --> 0:35:40.200
<v Speaker 1>really just a cooking pot, but it's an amazing cooking pot.

0:35:40.480 --> 0:35:43.640
<v Speaker 1>So so you can just think of anything you would

0:35:43.680 --> 0:35:46.279
<v Speaker 1>like to cook in a pot and then you can

0:35:46.320 --> 0:35:49.120
<v Speaker 1>cook it in donade. You know, but why do not

0:35:49.280 --> 0:35:53.040
<v Speaker 1>be special? Is the most authentic donade. It's made one

0:35:53.040 --> 0:35:56.640
<v Speaker 1>in person clay and that the ones I introduced from Japan.

0:35:57.040 --> 0:36:00.719
<v Speaker 1>It's come from the region called Eagle in Japan, and

0:36:01.440 --> 0:36:04.640
<v Speaker 1>the entire region Eager used to be that of like

0:36:04.880 --> 0:36:08.040
<v Speaker 1>Diva about four million years ago, so that was like

0:36:08.080 --> 0:36:13.680
<v Speaker 1>a prehistoric era. So the the dona from the region

0:36:14.160 --> 0:36:17.399
<v Speaker 1>is made entirely of the clay from the region. So

0:36:17.640 --> 0:36:21.439
<v Speaker 1>the clay contains a lot of fossilized micro organism from

0:36:21.480 --> 0:36:25.800
<v Speaker 1>the perfect prehistoric era. And so once you know shape

0:36:25.840 --> 0:36:28.759
<v Speaker 1>the donad and then fire it, the body becomes really

0:36:28.800 --> 0:36:32.839
<v Speaker 1>poorous because those you know, fossilizing micro organisms, they become

0:36:32.960 --> 0:36:36.960
<v Speaker 1>they creates the kind of negative tiny negative spaces, and

0:36:37.040 --> 0:36:40.080
<v Speaker 1>so that's really the key to the kind of like

0:36:40.160 --> 0:36:43.959
<v Speaker 1>a magic you know, don't create. So the product body

0:36:43.960 --> 0:36:48.280
<v Speaker 1>of dona, the actually makes the body really strong and durable,

0:36:48.920 --> 0:36:52.640
<v Speaker 1>and it takes longer time for the heat to build.

0:36:52.960 --> 0:36:55.640
<v Speaker 1>But once the heat is built, don't the stays hot

0:36:55.719 --> 0:36:58.560
<v Speaker 1>for a long long time. And after you turn off

0:36:58.560 --> 0:37:02.080
<v Speaker 1>the heat is stays for a long time too. So

0:37:02.840 --> 0:37:05.800
<v Speaker 1>back in the old times, in the centuries ago, people

0:37:05.960 --> 0:37:09.320
<v Speaker 1>somehow new like don't have the makes the food taste better,

0:37:10.320 --> 0:37:13.080
<v Speaker 1>But people didn't really know why. But now they're you know,

0:37:13.120 --> 0:37:17.120
<v Speaker 1>all the scientific studies and their proofs. That's why don't

0:37:17.120 --> 0:37:19.799
<v Speaker 1>have the makes food taste better. It's really because of

0:37:19.840 --> 0:37:24.279
<v Speaker 1>this poorest body and the slow process of building the

0:37:24.320 --> 0:37:29.160
<v Speaker 1>heat and then slow process of cooling down, so that

0:37:29.360 --> 0:37:34.120
<v Speaker 1>gradual temperature change actually is essential for the so called

0:37:34.239 --> 0:37:37.480
<v Speaker 1>many flavors to develop, and all the different flavors kind

0:37:37.520 --> 0:37:42.239
<v Speaker 1>of integrated together. So that's why don't specially great for

0:37:42.680 --> 0:37:47.600
<v Speaker 1>soups to braising too, and and don't know, it's often safe.

0:37:47.719 --> 0:37:50.480
<v Speaker 1>So I often do like a you know, like a

0:37:50.520 --> 0:37:53.279
<v Speaker 1>slow cooking, like a funk of meat, you know, like

0:37:53.320 --> 0:37:56.319
<v Speaker 1>a pop belly, or I cooked you know, like a

0:37:56.560 --> 0:37:59.960
<v Speaker 1>kind of like a big things like this. Uh, sometimes

0:38:00.040 --> 0:38:02.480
<v Speaker 1>I put it in the oven for like seven eight

0:38:02.520 --> 0:38:05.400
<v Speaker 1>hours and I don't have to do anything in a

0:38:05.520 --> 0:38:07.960
<v Speaker 1>mila and and don't have it. That's all the work

0:38:08.040 --> 0:38:11.759
<v Speaker 1>for you sold on that that is that is an

0:38:11.840 --> 0:38:17.319
<v Speaker 1>awesome description. So the poorest clay that you're mentioning, which

0:38:17.360 --> 0:38:21.239
<v Speaker 1>has this history tied back to millions of years ago,

0:38:21.760 --> 0:38:26.319
<v Speaker 1>if you were to source clay from a different prefecture

0:38:26.440 --> 0:38:31.640
<v Speaker 1>or somewhere else in Japan, with that alter the profile

0:38:32.000 --> 0:38:35.120
<v Speaker 1>of the dona and if is that something that is happening,

0:38:35.960 --> 0:38:40.680
<v Speaker 1>it could So the clay from Eager, it's arguably considered

0:38:40.719 --> 0:38:44.920
<v Speaker 1>as the display for for the pot in the world.

0:38:45.600 --> 0:38:48.960
<v Speaker 1>And and there are plays from other regions. And also

0:38:49.560 --> 0:38:53.280
<v Speaker 1>they're much inexpensive, kind of like a mass produced donag

0:38:54.000 --> 0:38:59.000
<v Speaker 1>which contains you know, different materials inside too. So I've

0:38:59.040 --> 0:39:02.080
<v Speaker 1>never tried them like side by side. But to me,

0:39:02.320 --> 0:39:06.839
<v Speaker 1>like when I use anadive from Ega, it's just yeah,

0:39:07.680 --> 0:39:11.560
<v Speaker 1>I just feel this is there, that's the place. Yeah,

0:39:12.000 --> 0:39:16.919
<v Speaker 1>And you have a retail store in Los Angeles as well,

0:39:17.480 --> 0:39:21.360
<v Speaker 1>Toro Kitchen, where you are selling the donabe, but you

0:39:21.440 --> 0:39:25.239
<v Speaker 1>also have other wares too, So so now I think

0:39:25.600 --> 0:39:29.880
<v Speaker 1>we have more than five hundred different items, including kitchen tools,

0:39:30.120 --> 0:39:33.719
<v Speaker 1>table where some of the country you know, like food items.

0:39:34.760 --> 0:39:38.040
<v Speaker 1>So it's really like it's our mission to spread the

0:39:38.120 --> 0:39:42.960
<v Speaker 1>wonderful Japanese food culture to people outside with Japan, and

0:39:43.239 --> 0:39:46.360
<v Speaker 1>I like to call it happy Donadal life. It's not

0:39:47.120 --> 0:39:50.760
<v Speaker 1>necessarily always about like you have to cook everything in donade,

0:39:50.880 --> 0:39:54.680
<v Speaker 1>but it's really the spirit of the donade cooking so

0:39:54.880 --> 0:39:59.920
<v Speaker 1>which is like you enjoy cooking and dyning and involve

0:40:00.160 --> 0:40:04.760
<v Speaker 1>people and creates the more communication with people and also

0:40:04.920 --> 0:40:09.920
<v Speaker 1>make your life more fulfilled. Easier too, easier in cooking

0:40:10.000 --> 0:40:12.840
<v Speaker 1>because I don't know, it's awesome like cooked and serf

0:40:12.960 --> 0:40:16.080
<v Speaker 1>right out of it, so the cleaning is really easy.

0:40:17.160 --> 0:40:19.680
<v Speaker 1>And then we have other like cooking tools and the

0:40:19.880 --> 0:40:23.640
<v Speaker 1>table where the things and from all over Japan, and

0:40:24.400 --> 0:40:27.839
<v Speaker 1>they're all made by different artisans. So each product even

0:40:27.920 --> 0:40:31.879
<v Speaker 1>like a tiny sperm because its own story. So it's

0:40:31.960 --> 0:40:35.520
<v Speaker 1>really like I want to tell people like who makes

0:40:35.600 --> 0:40:39.920
<v Speaker 1>the bites the shops? None of the products we introduce

0:40:40.080 --> 0:40:44.200
<v Speaker 1>are you know, there only because it looks pretty, you know.

0:40:44.800 --> 0:40:48.680
<v Speaker 1>We introduced those items because we love them so much,

0:40:48.960 --> 0:40:51.719
<v Speaker 1>and we want to bring the stories to people, and

0:40:52.040 --> 0:40:55.680
<v Speaker 1>we're hoping that people who buy them they enjoy them

0:40:55.760 --> 0:40:59.239
<v Speaker 1>for a long time and once you have like such

0:40:59.280 --> 0:41:02.160
<v Speaker 1>a nice it and with the stories, the way you

0:41:02.480 --> 0:41:07.000
<v Speaker 1>appreciate cooking and dining really changed even when you were

0:41:07.040 --> 0:41:10.280
<v Speaker 1>just preparing just you know, like a bowl of yogurt

0:41:10.400 --> 0:41:14.520
<v Speaker 1>and granola, or the feast with family and friends. I

0:41:14.600 --> 0:41:17.920
<v Speaker 1>want to make it even a little bit more meaningful.

0:41:18.239 --> 0:41:21.920
<v Speaker 1>So that's that's a kind of mission throughout products so

0:41:22.040 --> 0:41:24.920
<v Speaker 1>beautiful and it's really true what you say. I am

0:41:25.040 --> 0:41:29.560
<v Speaker 1>thinking of many meals that I've had in Clay that

0:41:29.800 --> 0:41:34.040
<v Speaker 1>have a completely different flavor profile just because of the

0:41:34.600 --> 0:41:38.480
<v Speaker 1>vessel in which it was being served. So if we

0:41:39.160 --> 0:41:43.120
<v Speaker 1>want to live the happy Donabe life, which I love

0:41:43.320 --> 0:41:46.839
<v Speaker 1>and I certainly inspired to do, is the best way

0:41:47.080 --> 0:41:50.600
<v Speaker 1>for people to bring Donabe into their lives. Just go

0:41:50.760 --> 0:41:54.600
<v Speaker 1>on your website and order what maybe one of the

0:41:54.719 --> 0:41:58.520
<v Speaker 1>classic vessels. Would that be a good place for someone

0:41:58.640 --> 0:42:01.680
<v Speaker 1>to start, Yes, there's really And also if you already

0:42:01.760 --> 0:42:05.320
<v Speaker 1>have like a specific purposes you want to really like

0:42:05.560 --> 0:42:08.680
<v Speaker 1>do for don't have the cooking for example, like if

0:42:08.719 --> 0:42:12.719
<v Speaker 1>you really want something way for cooking premium quality rice,

0:42:12.920 --> 0:42:14.600
<v Speaker 1>you know you can start with the don't have the

0:42:14.719 --> 0:42:17.799
<v Speaker 1>rice cooker. And of course you know that doesn't mean

0:42:17.880 --> 0:42:20.480
<v Speaker 1>that you can only cook rice in the Donabe and

0:42:21.160 --> 0:42:24.000
<v Speaker 1>any Donabe and you know, with the specific purposes can

0:42:24.120 --> 0:42:27.520
<v Speaker 1>be used for you know, other purposes. So it depends

0:42:27.600 --> 0:42:30.719
<v Speaker 1>that the Classics by Donada is to me like that

0:42:31.080 --> 0:42:34.359
<v Speaker 1>really the must have items you know in your life

0:42:34.440 --> 0:42:37.439
<v Speaker 1>and then makes your life much easier and more fun

0:42:37.600 --> 0:42:42.759
<v Speaker 1>and and more fulfilling definitely. And what is your go

0:42:43.000 --> 0:42:46.480
<v Speaker 1>to rice recipe when you're cooking in the Donab I

0:42:46.560 --> 0:42:51.359
<v Speaker 1>must say pretty rice. That's always to me the best.

0:42:51.600 --> 0:42:55.960
<v Speaker 1>And I could rise almost every single day and sometimes

0:42:56.000 --> 0:42:58.520
<v Speaker 1>twice a day, and I use this same don't have

0:42:58.600 --> 0:43:02.000
<v Speaker 1>a rice cooker for guests almost fifteen years. You know,

0:43:02.239 --> 0:43:05.880
<v Speaker 1>you can see the really shiny grains of rice, and

0:43:06.080 --> 0:43:09.920
<v Speaker 1>you smell the really natural, beautiful aroma, you know, like

0:43:10.200 --> 0:43:13.279
<v Speaker 1>this week aroma. So the plain right to me is

0:43:13.520 --> 0:43:18.000
<v Speaker 1>my you know go to. Well, I'm really really grateful

0:43:18.040 --> 0:43:21.359
<v Speaker 1>that you've spent the time schooling us on all things

0:43:21.440 --> 0:43:27.440
<v Speaker 1>Dona be and your Donabe cookbook is amazing must mustard

0:43:27.960 --> 0:43:31.719
<v Speaker 1>and for those of us in Los Angeles we can

0:43:31.840 --> 0:43:35.000
<v Speaker 1>visit you in person, and the rest of us will

0:43:35.080 --> 0:43:39.279
<v Speaker 1>have to order the classic online. Thank you so much

0:43:39.360 --> 0:43:42.800
<v Speaker 1>for joining us today on point of origin. Thank you

0:43:42.880 --> 0:43:48.440
<v Speaker 1>so must cleasure Okay, thanks to Wako. Have a good day,

0:43:48.719 --> 0:44:13.960
<v Speaker 1>chairs m h M. Hm m m m m m

0:44:14.200 --> 0:44:18.680
<v Speaker 1>m m m m m m m m m m

0:44:18.920 --> 0:44:23.680
<v Speaker 1>m m m m m m m m m m

0:44:25.600 --> 0:44:28.640
<v Speaker 1>and that's it for this episode. Point of Origin is

0:44:28.719 --> 0:44:31.600
<v Speaker 1>a podcast from My Heart Media and wet Stone Magazine

0:44:32.080 --> 0:44:36.680
<v Speaker 1>executive produced by Christopher Hasiotis and hosted by me Stephen Saderfield.

0:44:37.480 --> 0:44:42.000
<v Speaker 1>Special thanks to Cat Hong for editing, supervising producer Gabrielle Collins,

0:44:42.440 --> 0:44:45.879
<v Speaker 1>and a very special thanks to my business partner, wet

0:44:45.920 --> 0:44:49.840
<v Speaker 1>Stone co founder Melissa she who helped produce this podcast.

0:44:50.200 --> 0:44:53.280
<v Speaker 1>Thanks mel and thanks to all of you for supporting

0:44:53.320 --> 0:44:56.279
<v Speaker 1>wet Stone and listening to the Point of Origin podcast

0:44:56.920 --> 0:44:59.719
<v Speaker 1>for all of the latest on all things point of

0:44:59.840 --> 0:45:03.320
<v Speaker 1>Order gen. You can follow us on Instagram at Whetstone

0:45:03.400 --> 0:45:10.319
<v Speaker 1>Magazine or online at Whetstone Magazine dot com. We'll see

0:45:10.360 --> 0:45:17.759
<v Speaker 1>you next week at the Point of Origin. H h

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<v Speaker 1>h h