WEBVTT - Wild Thing

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<v Speaker 1>It's nine with Jenny Garth and Tori Spelling. We're back. Hello,

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<v Speaker 1>o MG years hi. I took my hair back into

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<v Speaker 1>place because I'm so winstruct Oh no, Sanna Anna Winds

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<v Speaker 1>on this episode. Episode was everything. I really liked it.

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<v Speaker 1>First of all, I have so many questions about life

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<v Speaker 1>in general. What can we help you with? Mostly I

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<v Speaker 1>have questions about QBC, but I in the shower yesterday

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<v Speaker 1>I came up with the like Brenda question that is

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<v Speaker 1>has to be answered, the Brenda question, Brenda question. So

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<v Speaker 1>let's start in the same sentence you just said QVC

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<v Speaker 1>and Brenda like, literally, okay, how was QVC? I ordered

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<v Speaker 1>my blanket. I already got it, so nice of you,

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<v Speaker 1>of course, And I'm like really over the bar cart

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<v Speaker 1>and guys just for me to listening. I don't get

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<v Speaker 1>this for free. I used my real money, real money,

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<v Speaker 1>not fake money, not fake money. But I'm really thinking

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<v Speaker 1>about the bar cart. But here's my question. How easy

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<v Speaker 1>is it? Because the selling point for me was the foldability,

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<v Speaker 1>and then I can go under how easy is it

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<v Speaker 1>to set up and take down? It's so easy we

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<v Speaker 1>could do it because that guy made it. I watched

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<v Speaker 1>the video like that guy made it look really easy,

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<v Speaker 1>so it pops out. It's anyone it is. It's bark

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<v Speaker 1>carts for dummies, like anyone can do it. It folds

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<v Speaker 1>down flat of the pancake too. How do you get

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<v Speaker 1>it down those or like a nothing nothing, nothing's gonna

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<v Speaker 1>pull you take the trays off and then once those

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<v Speaker 1>are released, it goes down boom fault. Stick it under

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<v Speaker 1>your couch, put it in your car, take it somewhere,

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<v Speaker 1>frank it. The pink blanket is epic. Uh the I

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<v Speaker 1>love it. The oversized this is amazing. First panics because

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<v Speaker 1>I couldn't find the tag because I wanted to make

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<v Speaker 1>sure it was machine washable because some of them are

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<v Speaker 1>dry clean only and that would be kind of a

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<v Speaker 1>pain in the ass. Who would make a blanket that

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<v Speaker 1>you have to dry clean? Let me just say that, Yeah,

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<v Speaker 1>I have many dry clean only blankets. Jen is obsessed

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<v Speaker 1>with washing. She's a guru, guru of anything cleaning. That

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<v Speaker 1>was her first thing. She was like, it has to

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<v Speaker 1>be machine washable because I will use it. And since

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<v Speaker 1>she and my daughter Stella taught me how to wash,

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<v Speaker 1>I was like I went along. I'm like, good, great, great,

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<v Speaker 1>let's do it. I've become obsessed with watching watching um

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<v Speaker 1>TikTok's about cleaning, you guys, about folding clothes and cleaning,

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<v Speaker 1>and I feel like I'm at an unhealthy place with this,

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<v Speaker 1>with cleaning or TikTok. Did you see the lady with

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<v Speaker 1>the rabbit holes her bridge? No, you guys, there's a

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<v Speaker 1>lighty going on viral on tick right now. Who has

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<v Speaker 1>like a curated inside of a refrigerator? She has flowers

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<v Speaker 1>like not like like flowers and a picture frame? Oh,

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<v Speaker 1>I got up, But who has the room for that?

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<v Speaker 1>Like I can barely fit my food in my friend

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<v Speaker 1>with kids like this? Yeah, okay, jen Um, I feel

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<v Speaker 1>like when it comes to cleaning, you are the guru.

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<v Speaker 1>I feel like you should do TikTok space. I really

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<v Speaker 1>feel like, Okay, I might have missed my calling because

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<v Speaker 1>I spent the last three days redoing our closets and

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<v Speaker 1>I've never had more fun. Literally, I haven't had more

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<v Speaker 1>fun in the last like six months. Did you see

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<v Speaker 1>Cortney Cox doing her books? You're gonna want to watch

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<v Speaker 1>that one. Wait wait, wait, what was your most selling item?

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<v Speaker 1>What was the most popular item? I don't know, Wait,

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<v Speaker 1>have to tell you something else. In that closet. Okay,

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<v Speaker 1>you know our trunk. I have the gold trunk. Put

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<v Speaker 1>the gold trunk in the closet for the hamper. That's

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<v Speaker 1>where we're putting our dirty clues. It's so fun. That's

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<v Speaker 1>a good one. Yeah, we're gonna need some TikTok's how

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<v Speaker 1>we like to We like to show that our products

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<v Speaker 1>are so multi multifunctional. You can use them for so

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<v Speaker 1>many different things. I think, said Brandy said the jars,

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<v Speaker 1>the Pope carry jars. Unshocked. It wasn't the class. The

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<v Speaker 1>price was excellent too. We're glad you liked it, Amy Sugarman.

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<v Speaker 1>I was everything still available, So it was into the Ottoman.

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<v Speaker 1>But I think I'm gonna go for the bar card.

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<v Speaker 1>Would you call I love that Ottoman? I love the Ottomans.

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<v Speaker 1>Someone saying gold trunk. Was there a gold trunk? There is? Yeah,

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<v Speaker 1>there is. That's the one. She says that she used

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<v Speaker 1>for a hamper. But it's storage. Plus it can be

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<v Speaker 1>a side table like no, no, it's it's like pebbled

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<v Speaker 1>leather or patent leathers. The gold one, it's hard. The

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<v Speaker 1>gold one we mimicked, not mimicked. Inspired by a vintage

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<v Speaker 1>literally a metal trunk that was so heavy and gorgeous though,

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<v Speaker 1>that people would use as a sign table, and we

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<v Speaker 1>wanted to do that, but make it, you know, something

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<v Speaker 1>that was easy to move and you could store stuff

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<v Speaker 1>in it. Family friendly. Oh it's everything. I don't wait.

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<v Speaker 1>Does it come in green? Also? Yes? Oh wow, I

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<v Speaker 1>did not? And off white. That's pebbled leather. Not to

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<v Speaker 1>start talking about our but I'm tired of talking about it.

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<v Speaker 1>What show? It's okay this week? Should I save my

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<v Speaker 1>Brenda question? Or should I ask it? Now? It is

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<v Speaker 1>really serious? You should save it. We should dive in

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<v Speaker 1>and when we hit on Brenda, there's not much Brenda

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<v Speaker 1>to talk. I know. This brings me to my question.

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<v Speaker 1>It's season four, episode fourteen, Winstruck air December Synopsis. The

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<v Speaker 1>Santa Anna Winds are rolling in and making everybody crazy.

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<v Speaker 1>Donna is finally thinking about doing the deed makes it

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<v Speaker 1>sound so unromantic. Kelly and Dillon are feeling the love,

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<v Speaker 1>and Brandon sticks up for Steve when he realizes he

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<v Speaker 1>was set up. Directed by Gilbert Chilton, written by Larry

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<v Speaker 1>Mullen and Richard Golance. H Now it makes sense because

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<v Speaker 1>I felt very a lot of masculine energy in this

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<v Speaker 1>masculine toxicity. Maybe perhaps because uh that whole opening, and

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<v Speaker 1>then it was in the later two of Howard Stern.

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<v Speaker 1>Uh what, I was so confused and so grossed out.

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<v Speaker 1>What Yeah, Okay, I didn't like it. I I got

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<v Speaker 1>I loved this episode that part hated. Uh. So I

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<v Speaker 1>meant to fact check this because I know Amy does

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<v Speaker 1>her dates and facts checks, and I didn't do it.

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<v Speaker 1>But so at the time, Howard Stern was obviously huge,

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<v Speaker 1>and I want to say I started doing the Howard

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<v Speaker 1>Stern Show and became like it was a thing with

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<v Speaker 1>him and I and I feel like maybe this overlap

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<v Speaker 1>time wise, and that's why they thought of putting him

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<v Speaker 1>in something with me, because he was always like obsessed

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<v Speaker 1>with like my personal life and like what was going on,

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<v Speaker 1>and this fit right into it. And I'm thinking maybe

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<v Speaker 1>they offered it to him, but that didn't work out,

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<v Speaker 1>and then they had Mr Pitts the landlord be Howard Stern.

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<v Speaker 1>But I think there's an overlap here, and that's the

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<v Speaker 1>reasoning I still hated it. How do we check about

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<v Speaker 1>I can check it well. I can tell you that

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<v Speaker 1>Howard Stern was he was on radio road radio. We

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<v Speaker 1>all used to do his show, and we got in

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<v Speaker 1>New York and had something to promote, we would go

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<v Speaker 1>in the Howard Stern his show because Randy probably protected you.

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<v Speaker 1>And from eighties six to two thou before he switched

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<v Speaker 1>to satellite, so this would be when he was in

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<v Speaker 1>his harime. So this is the first time on my

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<v Speaker 1>behalflet you know, we were young and publicity trained, and

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<v Speaker 1>they kept us like, here's what you say, and here's

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<v Speaker 1>what you don't say, and keep it short and nothing

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<v Speaker 1>personal out there. And this is the one time that

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<v Speaker 1>they're like, well, Howard Stern, though, is so big that

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<v Speaker 1>it's worth it. But you gotta know going into it,

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<v Speaker 1>everything's off the table. He's going to ask you anything

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<v Speaker 1>and everything, and you've got to be prepared. And I

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<v Speaker 1>remember being like eighteen going to New York and I

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<v Speaker 1>remember my manager and publicists were like, you should do this,

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<v Speaker 1>and I asked my dad and he was like, you

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<v Speaker 1>should do this, but just know he's going to ask

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<v Speaker 1>about everything. And it was also on e remember you

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<v Speaker 1>would like you could watch like thirty minutes of it

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<v Speaker 1>on e yes. I never got publicity training. I've rewind

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<v Speaker 1>rewind to the part where you said they trained us

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<v Speaker 1>had a dupe. I never got that. Remember they must

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<v Speaker 1>have said, like remember like when you hear the question,

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<v Speaker 1>don't give them too much, just answer what's in that question?

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<v Speaker 1>And Fox didn't do it. No, like personal publicists, Like, oh,

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<v Speaker 1>maybe that's why. When did you first get a personal publicist? Remember? Like,

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<v Speaker 1>was it I think when I did my first TV

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<v Speaker 1>movie and I went to New York to do publicity

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<v Speaker 1>because nine o two, No, No, it wasn't for that.

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<v Speaker 1>We were just left to fend for ourselves the Cheerleader movie. Hm,

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<v Speaker 1>I felt like when, um, okay, it was it just me?

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<v Speaker 1>Or when first of all, you were adorable Donna in

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<v Speaker 1>this whole episode. I loved everything about it. You look

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<v Speaker 1>so natural, so comfortable, so easy. Just oh, I loved it,

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<v Speaker 1>loved it, loved it. And that's not because I love you,

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<v Speaker 1>because I really loved it, but that there was a

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<v Speaker 1>point in I think it was the first scene with

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<v Speaker 1>you and David in the bedroom after the dream you

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<v Speaker 1>I thought you were me. I felt like I thought

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<v Speaker 1>you looks we look so much so similar in those scenes.

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<v Speaker 1>It was freaking me out. I was like that, like

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<v Speaker 1>the hair brushing scene no before that, before the bed

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<v Speaker 1>when she wakes up next to David after the dream

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<v Speaker 1>was so I just loved it all. I love said that. Remember,

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<v Speaker 1>like a year ago, you were like, are we becoming

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<v Speaker 1>There was some like something where you thought we looked

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<v Speaker 1>a tiny bit like each other. And I think friends

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<v Speaker 1>and sisters, like there's something innately that comes out at

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<v Speaker 1>certain times that you don't really look like each other,

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<v Speaker 1>but it's like a feeling because you're so close feeling it.

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<v Speaker 1>Let's start talking about the Don and David thing, because uh,

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<v Speaker 1>it was so good. I don't understand, though, how is

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<v Speaker 1>this normal? Like that your whole group of friends goes

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<v Speaker 1>to celebrate your anniversary. That was so weird. I thought

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<v Speaker 1>that they go to your anniversary dinner. I don't think so,

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<v Speaker 1>but I think they just wanted a group scene, you

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<v Speaker 1>know how once in a while be like, hey, I

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<v Speaker 1>remember that, Like I have a vivid memory of filming

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<v Speaker 1>that scene and then going home afterwards. Where was that film?

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<v Speaker 1>Do you remember? I was going I don't remember. I

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<v Speaker 1>wanted to know. Why would you ask me that I

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<v Speaker 1>don't know? Because some somebody should be able to find

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<v Speaker 1>out if they look because there's like a whole locations

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<v Speaker 1>thing on the Internet. That's how I found all the

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<v Speaker 1>San Francisco ones. Do you think it's normal for a

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<v Speaker 1>friend group to also know if you yeah, yeah, guarantee.

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<v Speaker 1>They didn't want Mr Pitts to play Howard Stern. They

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<v Speaker 1>wanted Howard Stern. I mean, I would assume that was

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<v Speaker 1>the part that I didn't love. Mr Pitt's playing Howard.

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<v Speaker 1>It was weird. Why do that if you can't have

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<v Speaker 1>Howard Stern? And why give him dialogue when he looks

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<v Speaker 1>at Donna and says is everything real here? And he's

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<v Speaker 1>like asking you if your body is? Because that's what

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<v Speaker 1>Howard Stern actually did in real life. Oh my god,

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<v Speaker 1>I know, which was hard for someone so young, like

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<v Speaker 1>but it did you guys watch the Pamela Anderson documentary?

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<v Speaker 1>But I heard it so good. Did you watch it?

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<v Speaker 1>It's so good, but it's so sad. I heard her

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<v Speaker 1>son kind of produced it with her. I wanted to

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<v Speaker 1>watch it the other night and my kids go, who's

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<v Speaker 1>Pamela Anderson? And I was like, oh my god. I

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<v Speaker 1>had to explain. Remember how we were big in the

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<v Speaker 1>nineties for a teen drama. She was big in the

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<v Speaker 1>nineties as like the biggest sex symbol around. And then

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<v Speaker 1>I said remember babe watch and they were like the

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<v Speaker 1>movie was zac Efron and I was like, oh man,

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<v Speaker 1>that's like what happens right, That's like the person on

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<v Speaker 1>TikTok that called it n S Y n C. I

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<v Speaker 1>don't I like that tomato dress. I love that tomato dress.

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<v Speaker 1>What was the reason behind picking the tomato dress for that?

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<v Speaker 1>Was there some sub text there? M there must have

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<v Speaker 1>been ripe tomatoes. Oh, she's right for the picking. Time

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<v Speaker 1>to let it go, the blessing to do the wild thing?

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<v Speaker 1>What the heck do you love? Do you love French tulips?

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<v Speaker 1>And I did not know that there were French tulips.

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<v Speaker 1>Oh yeah, yeah, French French versus like a regular tulip.

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<v Speaker 1>They're just a little more sassy. Again with the being

0:14:03.480 --> 0:14:07.720
<v Speaker 1>ahead of the time with the fires, yeah in the newspaper. Yeah,

0:14:07.840 --> 0:14:10.560
<v Speaker 1>and then well that's what happens when the San Santa

0:14:10.600 --> 0:14:15.000
<v Speaker 1>Anna's below here in southern California, there's always a wildfire,

0:14:15.280 --> 0:14:19.880
<v Speaker 1>even bigger problem now, but must have been a big

0:14:19.920 --> 0:14:24.320
<v Speaker 1>deal then. Yeah. I think it's definitely gotten worse. But

0:14:25.400 --> 0:14:27.360
<v Speaker 1>it was so windy though in that scene outside the

0:14:27.400 --> 0:14:32.120
<v Speaker 1>Chinese restaurant. Oh yeah, Kelly and Brenda's hair was flying

0:14:32.320 --> 0:14:35.120
<v Speaker 1>all around everywhere, and then you'd cut to the boys,

0:14:35.440 --> 0:14:39.520
<v Speaker 1>nothing moving, like, not a hair out of place. All

0:14:39.600 --> 0:14:42.000
<v Speaker 1>that pa made you think the wind was real? Was

0:14:42.040 --> 0:14:46.960
<v Speaker 1>the wind real? No? Are you sure that looked like

0:14:47.000 --> 0:14:49.720
<v Speaker 1>real wind? But I'm sure it's the coins. I guess

0:14:49.800 --> 0:14:51.680
<v Speaker 1>it could have been. Wait, can I say, reading about

0:14:51.680 --> 0:14:53.720
<v Speaker 1>that scene since you just talked about it before, I

0:14:53.760 --> 0:14:58.680
<v Speaker 1>forget the one like outside, Yeah, when they're throwing the wish.

0:14:59.600 --> 0:15:01.720
<v Speaker 1>I'm sorry? Is it just me that noticed this? I

0:15:01.720 --> 0:15:04.000
<v Speaker 1>thought it was a little weird. Where Donna and David

0:15:04.000 --> 0:15:06.960
<v Speaker 1>are leaving and she goes in to kiss her best

0:15:07.000 --> 0:15:10.000
<v Speaker 1>friends and Brandon leans right in to get a kiss.

0:15:10.760 --> 0:15:15.280
<v Speaker 1>He's like back there waiting, So Kelly, Brenda and I

0:15:15.280 --> 0:15:18.280
<v Speaker 1>see Brandon. So she went in and kissed him. But

0:15:18.320 --> 0:15:20.360
<v Speaker 1>I was like, why would he be leaning in for

0:15:20.400 --> 0:15:26.040
<v Speaker 1>a kiss you? I didn't really know. It didn't make

0:15:26.080 --> 0:15:27.760
<v Speaker 1>me feel weird. I don't know. I would have kiss

0:15:27.760 --> 0:15:29.440
<v Speaker 1>Brandon on the cheek, like we never do that. That

0:15:29.440 --> 0:15:32.800
<v Speaker 1>would have annoired like a hug. And we go back

0:15:32.800 --> 0:15:35.440
<v Speaker 1>because we're jumping around a little bit. So I'm going

0:15:35.520 --> 0:15:39.360
<v Speaker 1>to say a line to you, and I want to

0:15:39.360 --> 0:15:41.520
<v Speaker 1>know what your thoughts. So this is when he brings

0:15:41.520 --> 0:15:45.000
<v Speaker 1>in the tulips. It's the two year anniversary, and I

0:15:45.040 --> 0:15:49.040
<v Speaker 1>believe someone says, I love of you, and I didn't

0:15:49.080 --> 0:15:52.200
<v Speaker 1>care what anyone else thought. This is Tor saying this

0:15:52.360 --> 0:15:58.040
<v Speaker 1>to David. I'm sorry, Donna sayings to David mean yeah,

0:15:58.200 --> 0:16:01.520
<v Speaker 1>like not to love you. Yeah, even though you're a

0:16:01.520 --> 0:16:06.000
<v Speaker 1>big dork, I loved you. Mean, but I assume that's

0:16:06.040 --> 0:16:08.600
<v Speaker 1>like a constant thing that they've all talked about, like

0:16:09.280 --> 0:16:13.600
<v Speaker 1>David wasn't cool, wasn't popular, but now he yeah, I

0:16:13.640 --> 0:16:18.000
<v Speaker 1>get it. I feel like the dialogue in this episode,

0:16:19.000 --> 0:16:21.920
<v Speaker 1>I mean no offense, but I mean this is probably

0:16:21.920 --> 0:16:25.000
<v Speaker 1>offensive to the writers, but I can't help but tell

0:16:25.040 --> 0:16:29.760
<v Speaker 1>the truth. I think it was not great. I felt

0:16:30.320 --> 0:16:33.640
<v Speaker 1>like the dialogue between Donna and David was weird, and

0:16:33.680 --> 0:16:36.440
<v Speaker 1>I also felt like the dialogue between Kelly and Dylan

0:16:36.560 --> 0:16:43.160
<v Speaker 1>was awful. Literally, you're watching it, and I was watching

0:16:43.200 --> 0:16:46.680
<v Speaker 1>with my husband and he was like, what, people don't

0:16:46.720 --> 0:16:50.400
<v Speaker 1>talk like that. I think I made a note saying

0:16:51.000 --> 0:16:54.760
<v Speaker 1>this writing is a little It was, but you overlook

0:16:54.800 --> 0:16:57.160
<v Speaker 1>it because you're just so excited to watch them all together,

0:16:57.440 --> 0:16:59.360
<v Speaker 1>you know, like I was so excited to see Dylan

0:16:59.400 --> 0:17:01.720
<v Speaker 1>and Kelly to get there that I just yeah, you're right,

0:17:01.800 --> 0:17:04.080
<v Speaker 1>And I was thinking, like it was this The lure

0:17:04.359 --> 0:17:09.359
<v Speaker 1>of this show was this was the writing occasional, really

0:17:10.440 --> 0:17:14.280
<v Speaker 1>on the nose kind of sappy writing. It wasn't all

0:17:14.320 --> 0:17:17.040
<v Speaker 1>the time, but there was times when the when the

0:17:17.080 --> 0:17:20.320
<v Speaker 1>writing just really struck a chord. Was that Do people

0:17:20.359 --> 0:17:23.879
<v Speaker 1>love that about the show? I think maybe because we

0:17:23.920 --> 0:17:28.000
<v Speaker 1>all love this episode, we're all saying we love this episode.

0:17:28.440 --> 0:17:31.760
<v Speaker 1>I don't think writing the dialogue though, it was because

0:17:31.760 --> 0:17:35.200
<v Speaker 1>of the it was because the wind, it was because

0:17:35.200 --> 0:17:39.320
<v Speaker 1>of the format, it was because it was about something interesting.

0:17:40.880 --> 0:17:43.600
<v Speaker 1>But how would you love an episode but hate the writing.

0:17:43.600 --> 0:17:45.879
<v Speaker 1>There's no way. So it's sort of like maybe the

0:17:45.960 --> 0:17:52.560
<v Speaker 1>cheesiness is great, Like people love cheese. We all love cheese, right,

0:17:52.760 --> 0:17:56.479
<v Speaker 1>but I have to interject, like Jen, even like you

0:17:56.480 --> 0:18:00.200
<v Speaker 1>don't like sappy stuff, like overly saturated stuff, but there's

0:18:00.240 --> 0:18:04.000
<v Speaker 1>still lines like that resonate that you do like. So

0:18:04.040 --> 0:18:06.719
<v Speaker 1>I think it the writing is off here and you

0:18:06.760 --> 0:18:09.960
<v Speaker 1>tolerate it because because we do like sappy stuff, and

0:18:10.000 --> 0:18:12.360
<v Speaker 1>we're willing to say like, oh, it's sappy. Like even

0:18:12.359 --> 0:18:14.359
<v Speaker 1>when you watch the Notebook, you're like, oh that line,

0:18:14.359 --> 0:18:17.119
<v Speaker 1>but you like love it. But this one was just

0:18:17.240 --> 0:18:21.680
<v Speaker 1>extremely not okay. It just felt weird at times. Well,

0:18:21.720 --> 0:18:23.520
<v Speaker 1>what does this line mean? If you were dumber you

0:18:23.520 --> 0:18:26.320
<v Speaker 1>would require fertilizer? How is my favorite? But I had

0:18:26.400 --> 0:18:28.880
<v Speaker 1>to I really overthink that one. What does that mean?

0:18:28.960 --> 0:18:33.119
<v Speaker 1>You're plants? The plants aren't done? It don't The plants

0:18:33.160 --> 0:18:36.240
<v Speaker 1>are dumb. Plants are dumb? Are you're as good as

0:18:36.880 --> 0:18:40.520
<v Speaker 1>I thought? You're dead? You would be dead? Oh? I

0:18:40.560 --> 0:18:43.840
<v Speaker 1>thought it was eiser like your six ft under wo.

0:18:44.240 --> 0:18:45.919
<v Speaker 1>I thought it was a commentary on plants that they

0:18:45.960 --> 0:18:53.359
<v Speaker 1>don't speak and would you take away, which is really insulting. Yeah,

0:18:53.400 --> 0:18:59.560
<v Speaker 1>it's not okay. Now I actually wrote one thing here. OMG,

0:18:59.720 --> 0:19:05.639
<v Speaker 1>they sound dumb, so there must have. I'm surprised that

0:19:05.720 --> 0:19:09.240
<v Speaker 1>like Jason wouldn't say like, I'm not saying that line. Yeah.

0:19:09.240 --> 0:19:12.359
<v Speaker 1>He had some weird dialogue too, with a teacher with

0:19:12.400 --> 0:19:20.920
<v Speaker 1>a professor with with Maryanne. Sorry, uh, we go back

0:19:20.960 --> 0:19:23.159
<v Speaker 1>to the hair. Go back to the hair, same character

0:19:23.200 --> 0:19:26.040
<v Speaker 1>in different episode, different season. I'm trying to keep us

0:19:26.040 --> 0:19:28.679
<v Speaker 1>in order, go back to the hairbrushing. Okay, well, it

0:19:28.800 --> 0:19:32.280
<v Speaker 1>seemed like Kelly Kelly was doing her hair. So Jenny,

0:19:32.440 --> 0:19:34.760
<v Speaker 1>did they tell you, like, okay, go in and do

0:19:34.920 --> 0:19:39.600
<v Speaker 1>your hair, because you actually were doing it, And you know,

0:19:39.640 --> 0:19:42.840
<v Speaker 1>I gave myself a little little twist twist up do there.

0:19:43.880 --> 0:19:48.920
<v Speaker 1>I was actually impressed with my herd. It was I

0:19:48.920 --> 0:19:50.560
<v Speaker 1>don't think it was hard for me then because I

0:19:50.600 --> 0:19:54.359
<v Speaker 1>had such thick hair. And but I just literally made

0:19:54.359 --> 0:19:56.320
<v Speaker 1>a video of me trying to put my hair up

0:19:56.400 --> 0:20:00.080
<v Speaker 1>like that because I saw a tutorial on TikTok, so

0:20:00.119 --> 0:20:02.760
<v Speaker 1>I was trying to do it and it took me

0:20:02.800 --> 0:20:04.760
<v Speaker 1>like eight tries and I lost a lot of hair.

0:20:05.600 --> 0:20:08.160
<v Speaker 1>So this is super hard for your TikTok. But I've

0:20:08.160 --> 0:20:10.720
<v Speaker 1>seen this done before. Somebody is going to have to

0:20:10.760 --> 0:20:14.119
<v Speaker 1>help you. You do a split screen and you have

0:20:14.400 --> 0:20:18.760
<v Speaker 1>that scene where Kelly's doing her hair, and then you

0:20:18.840 --> 0:20:22.400
<v Speaker 1>recreate it now and try to do the exact that's

0:20:22.440 --> 0:20:26.840
<v Speaker 1>a good idea. You'll get a lot. But I gotta

0:20:26.880 --> 0:20:30.920
<v Speaker 1>do that. I love this so much. Remember Jen, when

0:20:30.960 --> 0:20:35.120
<v Speaker 1>you didn't like TikTok. I still don't really like TikTok,

0:20:35.119 --> 0:20:38.120
<v Speaker 1>and I feel like everybody's going to go to reals, real, real,

0:20:38.200 --> 0:20:42.040
<v Speaker 1>real soon. But reals is my preference. See that's very smart.

0:20:42.119 --> 0:20:44.960
<v Speaker 1>See she's so text like savvy. Not the same she

0:20:45.119 --> 0:20:48.840
<v Speaker 1>she originally thought that TikTok was for old people, but

0:20:49.040 --> 0:20:51.280
<v Speaker 1>her mind has been changing out because it was for

0:20:51.359 --> 0:20:55.919
<v Speaker 1>young people. She didn't do it. Sorry, I'm old, So

0:20:55.960 --> 0:20:59.800
<v Speaker 1>I got that wrong scene. How about everybody asking Brandon

0:21:00.080 --> 0:21:03.400
<v Speaker 1>was Emily Valentine. They had to in case you didn't

0:21:03.400 --> 0:21:06.920
<v Speaker 1>watch the week before she's gone. They really wanted to. Look.

0:21:07.760 --> 0:21:12.320
<v Speaker 1>I wonder, is he gonna stay like faithful to her

0:21:13.840 --> 0:21:17.080
<v Speaker 1>and wait for her to come back? No, she's We

0:21:17.080 --> 0:21:18.679
<v Speaker 1>don't even know if that's what he said he was

0:21:18.680 --> 0:21:23.600
<v Speaker 1>going to do, right. We were worried that they wouldn't

0:21:23.600 --> 0:21:25.840
<v Speaker 1>mention it at all. So they did succeed and mention it,

0:21:25.920 --> 0:21:28.600
<v Speaker 1>so that wasn't completely gone. But yeah, no, and they

0:21:28.640 --> 0:21:31.960
<v Speaker 1>definitely sold back to the fight and Thanksgiving sold back.

0:21:32.000 --> 0:21:34.280
<v Speaker 1>I don't know if that's a saying no, but we

0:21:34.359 --> 0:21:39.040
<v Speaker 1>know what you meant. All I know was Brandon all

0:21:39.040 --> 0:21:41.959
<v Speaker 1>of a sudden was hot to me, Like I was like,

0:21:42.200 --> 0:21:45.159
<v Speaker 1>he's hot, And then I thought, I wonder when the

0:21:45.240 --> 0:21:49.040
<v Speaker 1>Kelly Brandon stuff is going to come, because he's you're

0:21:49.040 --> 0:21:53.080
<v Speaker 1>ready for it I'm ready for it. I agree, But

0:21:53.160 --> 0:21:56.320
<v Speaker 1>I love Dylan and Kelly in this episode a lot same.

0:21:57.520 --> 0:22:00.600
<v Speaker 1>They said they've gotten over the Thanksgiving. Did you notice

0:22:00.600 --> 0:22:05.400
<v Speaker 1>that Brenda says Thanksgiving? It was weird. I didn't see that.

0:22:05.840 --> 0:22:09.480
<v Speaker 1>Isn't that what it is? Thanksgiving? She goes Thanksgiving? It

0:22:09.600 --> 0:22:11.840
<v Speaker 1>was like, just play it back. I'm not being mean.

0:22:12.040 --> 0:22:15.600
<v Speaker 1>I'm just playing back. Yes, I was just saying, like

0:22:15.680 --> 0:22:18.160
<v Speaker 1>Dylan was being a big baby. Did you guys feel

0:22:18.160 --> 0:22:21.520
<v Speaker 1>that way when he got out of bed? Dylan when

0:22:21.600 --> 0:22:23.440
<v Speaker 1>he was like he did he wanted to hang out

0:22:23.440 --> 0:22:26.920
<v Speaker 1>with her and she had other plans that the car wash.

0:22:26.960 --> 0:22:29.720
<v Speaker 1>I didn't want her to be around John Sears. He

0:22:29.800 --> 0:22:34.840
<v Speaker 1>wanted to go to Joshua Tree Tree, which I was like,

0:22:34.960 --> 0:22:36.760
<v Speaker 1>is that going to happen? I'm excited to see that.

0:22:37.480 --> 0:22:45.280
<v Speaker 1>I know I wanted the car wash. Should we talk

0:22:45.280 --> 0:22:47.560
<v Speaker 1>about did though? Why why are you guys always eating

0:22:47.560 --> 0:22:54.320
<v Speaker 1>strawberries though? Isn't that another? Like? I literally agree, I

0:22:54.359 --> 0:22:57.119
<v Speaker 1>was wondering, and there's sort of he spit something out

0:22:57.200 --> 0:23:00.520
<v Speaker 1>and they kept it in. Did you guys see that? Oh?

0:23:00.600 --> 0:23:03.680
<v Speaker 1>Like a like he had a bad strawberry and he

0:23:03.760 --> 0:23:05.359
<v Speaker 1>just spit it out and it kept it in some

0:23:05.520 --> 0:23:08.280
<v Speaker 1>so messy love watching eating scenes with them where she

0:23:08.359 --> 0:23:10.120
<v Speaker 1>has to feed him or something, because I know, I'm

0:23:10.160 --> 0:23:13.119
<v Speaker 1>just waiting for her just smash something in his face

0:23:13.400 --> 0:23:15.640
<v Speaker 1>or do something that's not written in there, and they'll

0:23:15.640 --> 0:23:18.560
<v Speaker 1>both laugh and crack up, and I'm just waiting for it.

0:23:19.880 --> 0:23:25.840
<v Speaker 1>You guys kept Dylan's betting is like hideous? Hideous? Yeah?

0:23:26.119 --> 0:23:28.400
<v Speaker 1>Was that nineties? Like the two of them there, how

0:23:28.400 --> 0:23:34.359
<v Speaker 1>are you looking at betting? Like? Wow? Um please, we

0:23:34.440 --> 0:23:37.240
<v Speaker 1>need to go backwards to the to the restaurant and

0:23:37.400 --> 0:23:39.359
<v Speaker 1>Brandon talks about when he was at the dim Sum

0:23:39.480 --> 0:23:43.200
<v Speaker 1>and they add in bed to the fortune cookie and

0:23:43.240 --> 0:23:46.200
<v Speaker 1>then we had to go around the whole table with

0:23:46.320 --> 0:23:51.480
<v Speaker 1>everyone's fortune Was that already a thing or was or

0:23:51.520 --> 0:23:57.160
<v Speaker 1>did you guys invent that? I don't know, Yeah, for sure.

0:23:57.560 --> 0:24:01.600
<v Speaker 1>All I could think about though, are are male co stars?

0:24:01.640 --> 0:24:05.960
<v Speaker 1>And what the rehearsals must have been, like what they

0:24:05.960 --> 0:24:09.119
<v Speaker 1>were really saying that when they called action they didn't

0:24:09.160 --> 0:24:13.080
<v Speaker 1>say I can only imagine back then in the nineties.

0:24:13.640 --> 0:24:17.000
<v Speaker 1>Oh yeah, And Stewart got a little mentioned in this episode.

0:24:17.080 --> 0:24:19.040
<v Speaker 1>He sort of vanished, but he got a little bit

0:24:19.040 --> 0:24:22.359
<v Speaker 1>of a shout out. Stewart do you remember when kids

0:24:22.520 --> 0:24:26.560
<v Speaker 1>when Brenda was like, I don't know, ask who was

0:24:27.080 --> 0:24:30.480
<v Speaker 1>Stewart asked Stewart how it was in bed? Like it

0:24:30.600 --> 0:24:34.360
<v Speaker 1>was so crumpy, uncomfortable, I said, I wrote, I roll

0:24:34.600 --> 0:24:37.800
<v Speaker 1>the whole in bed made me gag a little bit. Also,

0:24:38.040 --> 0:24:42.520
<v Speaker 1>why would you ever ever go back to your high

0:24:42.520 --> 0:24:48.200
<v Speaker 1>school dance as a college kid? Right? They don't even

0:24:48.240 --> 0:24:52.600
<v Speaker 1>like you? In number one? And weird? Who wanted to

0:24:52.640 --> 0:24:59.600
<v Speaker 1>do that? Oh? She likes? But was it because she

0:24:59.720 --> 0:25:01.560
<v Speaker 1>felt like that's where her and David first had a

0:25:01.640 --> 0:25:03.399
<v Speaker 1>kiss at the day at a dance at school in

0:25:03.480 --> 0:25:05.560
<v Speaker 1>high school and taking it back since their two years

0:25:05.600 --> 0:25:07.120
<v Speaker 1>and at first I am I on the right track

0:25:07.160 --> 0:25:12.240
<v Speaker 1>here now yes, yes, emotionally connected, not like she's like yes.

0:25:12.359 --> 0:25:14.080
<v Speaker 1>But first of all, they don't let you in. You

0:25:14.160 --> 0:25:17.560
<v Speaker 1>can just showed up. Now do you think they're just

0:25:17.640 --> 0:25:20.439
<v Speaker 1>letting randos into a high school dance because you can

0:25:20.520 --> 0:25:23.840
<v Speaker 1>go back and visit your high school they welcome that, Yeah,

0:25:23.840 --> 0:25:25.600
<v Speaker 1>but not at a high school dance and you didn't

0:25:25.600 --> 0:25:27.719
<v Speaker 1>just come in you think college kids? Second of all,

0:25:27.760 --> 0:25:32.439
<v Speaker 1>why would you want to? It's just so weird? Yeah?

0:25:32.720 --> 0:25:36.879
<v Speaker 1>Do you know what else was weird? Yeah, Donna's phone

0:25:41.280 --> 0:25:44.480
<v Speaker 1>then anyone else like that, I'm like, how do I

0:25:44.560 --> 0:25:48.160
<v Speaker 1>get that? How do I find those? Such a nineties

0:25:48.840 --> 0:25:55.480
<v Speaker 1>corded the lips remember the Lips phone? What was that?

0:25:55.800 --> 0:26:00.560
<v Speaker 1>And I don't know, let's find it. We need to

0:26:00.600 --> 0:26:04.680
<v Speaker 1>know the restaurant they went to with the wishes well outside,

0:26:05.119 --> 0:26:06.840
<v Speaker 1>we need to know how do we buy that phone?

0:26:07.400 --> 0:26:09.040
<v Speaker 1>And we need to know where do they get those

0:26:09.160 --> 0:26:12.920
<v Speaker 1>ugly curtains at the keghouse because I've never seen uglier curtains.

0:26:13.000 --> 0:26:17.280
<v Speaker 1>That's how I feel about Dylan sheets. But I can

0:26:17.359 --> 0:26:20.639
<v Speaker 1>see with the curtains. But I loved that kiss. So

0:26:20.720 --> 0:26:23.040
<v Speaker 1>when everyone leaves and Dylan's going to give Kelly a

0:26:23.119 --> 0:26:29.119
<v Speaker 1>ride home like that was hot by Delicious, Like, oh yeah,

0:26:29.520 --> 0:26:32.040
<v Speaker 1>that was awkward when my husband was watching that with me,

0:26:33.680 --> 0:26:36.720
<v Speaker 1>Sorry babe, he wasn't there. Do you think you would

0:26:36.720 --> 0:26:39.199
<v Speaker 1>be like a little bit like that's pretty cute? What

0:26:39.240 --> 0:26:41.560
<v Speaker 1>do you mean? What what I'm gonna get all ripped up?

0:26:41.920 --> 0:26:44.560
<v Speaker 1>I don't know, just like hot because I get like

0:26:44.680 --> 0:26:51.959
<v Speaker 1>that guy's a hottie. Yeah, it's good memories, it's good memory. Sorry,

0:26:52.080 --> 0:26:54.680
<v Speaker 1>tell your husband. I'm sorry I asked that. But seriously,

0:26:56.200 --> 0:26:59.320
<v Speaker 1>seriously about Andreas. Now, I know we talk a lot

0:26:59.359 --> 0:27:04.840
<v Speaker 1>about poor Andrea's wardrobe, but like with the Peter Pan

0:27:05.000 --> 0:27:08.160
<v Speaker 1>collar and the bad jacket, I don't I don't understand

0:27:08.280 --> 0:27:12.800
<v Speaker 1>if they're trying to hide a baby bump, why are

0:27:12.840 --> 0:27:15.639
<v Speaker 1>they Why is she wearing things that like point right

0:27:15.680 --> 0:27:19.959
<v Speaker 1>to it? I totally agree, I just I feel guilty.

0:27:20.119 --> 0:27:22.440
<v Speaker 1>I'm going to say that we didn't step in then,

0:27:22.600 --> 0:27:25.119
<v Speaker 1>because you know, like we step in now like b

0:27:25.320 --> 0:27:27.960
<v Speaker 1>hnin two. No, were we stepped in and guided her

0:27:27.960 --> 0:27:29.880
<v Speaker 1>because she's always like I need help help me, guide

0:27:29.920 --> 0:27:35.040
<v Speaker 1>me fashion wise. We we failed her. But there's a

0:27:35.200 --> 0:27:42.199
<v Speaker 1>tired person, a paid stylist. Fashion understood, but still like

0:27:42.320 --> 0:27:44.119
<v Speaker 1>she needs some friends to be like say no to

0:27:44.160 --> 0:27:47.919
<v Speaker 1>the stylist. But that it was I felt like that

0:27:47.960 --> 0:27:52.320
<v Speaker 1>outfit really made the kiss more awkward. I felt like

0:27:52.359 --> 0:27:55.959
<v Speaker 1>it inhibited her. It just makes no sense, like well,

0:27:56.680 --> 0:28:01.199
<v Speaker 1>contributing contributes to ultimately the demands of Andrea's character on

0:28:01.240 --> 0:28:06.399
<v Speaker 1>the show, and staying longer look older than the whole reason. Yeah,

0:28:06.640 --> 0:28:09.719
<v Speaker 1>so yeah, it sucks on all fronts. It's weird, like

0:28:09.880 --> 0:28:13.879
<v Speaker 1>is somebody with somebody out to get her? No? I

0:28:14.040 --> 0:28:16.199
<v Speaker 1>literally wrote this outfit. She went on to get her

0:28:16.200 --> 0:28:18.840
<v Speaker 1>own talk show. She was fine, yeah, oh I forgot

0:28:18.880 --> 0:28:34.879
<v Speaker 1>about that. Are you ready for my serious question? I

0:28:34.920 --> 0:28:36.240
<v Speaker 1>know we have a lot to cover, but we're gonna

0:28:36.280 --> 0:28:40.320
<v Speaker 1>talk because now what no, so this way go ahead.

0:28:40.880 --> 0:28:44.840
<v Speaker 1>It's just a real debate, a real debate. Okay, it's

0:28:44.880 --> 0:28:46.960
<v Speaker 1>serious and people are gonna like weigh in because you're

0:28:46.960 --> 0:28:53.840
<v Speaker 1>talking about Gabrielle leaving, which is coming okay, and this

0:28:53.920 --> 0:28:58.080
<v Speaker 1>is not this is a curious question, not any kind

0:28:58.120 --> 0:29:02.360
<v Speaker 1>of like come yellow me for the people that are

0:29:02.480 --> 0:29:06.440
<v Speaker 1>Team Brenda. What I've been thinking about is this show

0:29:06.560 --> 0:29:12.120
<v Speaker 1>was on for ten years, right, Brenda chairman was only

0:29:12.240 --> 0:29:17.440
<v Speaker 1>in it for four Is it hard to be team

0:29:17.480 --> 0:29:22.680
<v Speaker 1>Brenda when she leaves? Like Brenda? They're right? Like I

0:29:22.800 --> 0:29:30.520
<v Speaker 1>had so much more relationship with Kelly, Donna, Steve. Maybe

0:29:30.520 --> 0:29:33.520
<v Speaker 1>those Team Brenda people stopped watching this show and she left?

0:29:34.600 --> 0:29:36.800
<v Speaker 1>Or is it because that was like it was the

0:29:36.880 --> 0:29:40.520
<v Speaker 1>most iconic. I know when people say when I say

0:29:40.600 --> 0:29:44.560
<v Speaker 1>the biggest because they say iconic, Yeah, they say I

0:29:44.600 --> 0:29:47.480
<v Speaker 1>say it too much or something like everything but kind

0:29:48.160 --> 0:29:51.440
<v Speaker 1>And now I'm thinking about Andrea whereas Okay, so you

0:29:51.480 --> 0:29:53.400
<v Speaker 1>know how you guys always talk about the core group,

0:29:53.560 --> 0:29:57.959
<v Speaker 1>the core group. Some of the newcomers were on for

0:29:58.120 --> 0:30:02.160
<v Speaker 1>longer than the core group, bore a group, original group,

0:30:02.200 --> 0:30:05.000
<v Speaker 1>how about that? O G. Yeah, but when you think

0:30:05.000 --> 0:30:10.640
<v Speaker 1>of not to anyone listening, okay, you you don't immediately

0:30:10.680 --> 0:30:18.320
<v Speaker 1>think of Lindsay or Tiffany or cause grow like you

0:30:18.400 --> 0:30:22.760
<v Speaker 1>think of the core group. Why. I think Tiffany might

0:30:22.760 --> 0:30:26.480
<v Speaker 1>be debatable because she was came in the fifth fifth

0:30:26.480 --> 0:30:30.520
<v Speaker 1>season and was technically there longer than Brenda. So we're

0:30:30.520 --> 0:30:37.120
<v Speaker 1>talking about Valerie, she might be considered the no on

0:30:37.200 --> 0:30:39.840
<v Speaker 1>that one. The rest I agree. I don't even think

0:30:39.840 --> 0:30:43.840
<v Speaker 1>of Tiffany ever when I think of ninety, but she

0:30:44.080 --> 0:30:47.240
<v Speaker 1>was on it for longer, longest. Literally perplexed me in

0:30:47.240 --> 0:30:49.280
<v Speaker 1>the shower, at the entire shower. I was like, I

0:30:49.320 --> 0:30:52.760
<v Speaker 1>mean maybe other people do, but I definitely agree with you,

0:30:52.800 --> 0:30:57.240
<v Speaker 1>Like I think of the Twins and then Donna, David,

0:30:57.400 --> 0:31:05.760
<v Speaker 1>Steve and Andrea same, I tell you I forgot the

0:31:05.800 --> 0:31:08.520
<v Speaker 1>core O. You're right, You're right. That's why I said

0:31:08.560 --> 0:31:12.840
<v Speaker 1>it's debatable in people's minds, Like, but and is that

0:31:12.920 --> 0:31:18.880
<v Speaker 1>because it was so big with the core group. I

0:31:18.880 --> 0:31:21.040
<v Speaker 1>think that's when it hit was Yeah, that was when

0:31:21.040 --> 0:31:24.360
<v Speaker 1>it first made its impression on people with those beach episodes,

0:31:25.760 --> 0:31:30.320
<v Speaker 1>and that was the group. It just really was like

0:31:30.800 --> 0:31:34.720
<v Speaker 1>refuddled me because people are very passionate about Brenda right

0:31:35.120 --> 0:31:37.160
<v Speaker 1>but love or they love or they love her. Well,

0:31:37.200 --> 0:31:39.360
<v Speaker 1>I want I can't wait to hear from those people

0:31:41.560 --> 0:31:45.800
<v Speaker 1>what happens after after But you're right, Gen, you said impression,

0:31:45.840 --> 0:31:48.880
<v Speaker 1>but it's like making an imprint. It made an imprint

0:31:48.960 --> 0:31:55.040
<v Speaker 1>on their lives in that Mark was that group. Yeah,

0:31:56.600 --> 0:32:00.160
<v Speaker 1>that's my story and I'm sticking to it anyway to do,

0:32:00.760 --> 0:32:07.120
<v Speaker 1>but underwear, I just want to bring it back. I

0:32:07.480 --> 0:32:10.840
<v Speaker 1>thought you might like that. He looked real, even the

0:32:10.880 --> 0:32:17.960
<v Speaker 1>skin toned everywhere all his body skin was very tanned

0:32:18.240 --> 0:32:25.920
<v Speaker 1>looking looking hairless. Yeah, I'm gonna stop talking now. It's

0:32:25.960 --> 0:32:31.760
<v Speaker 1>so funny because mm hmm. I didn't have any feelings.

0:32:32.640 --> 0:32:37.920
<v Speaker 1>Wait what when you saw him and and you guys were, oh,

0:32:37.960 --> 0:32:41.840
<v Speaker 1>you didn't, And I wondered because when you're saying him

0:32:41.920 --> 0:32:44.440
<v Speaker 1>right now, I'm like, it's like looking at someone else

0:32:44.520 --> 0:32:48.160
<v Speaker 1>like we're talking about and I was like, what's going on?

0:32:48.880 --> 0:32:51.920
<v Speaker 1>That's my guy, that's my one of my one of

0:32:51.920 --> 0:32:55.680
<v Speaker 1>my first loves. I think about fourth season where I

0:32:55.720 --> 0:32:59.640
<v Speaker 1>was personally with him and it wasn't a thing then.

0:32:59.760 --> 0:33:01.920
<v Speaker 1>I'm we always kind of came back to each other

0:33:02.040 --> 0:33:04.600
<v Speaker 1>once in a blue moon over the ten years, but

0:33:04.720 --> 0:33:08.320
<v Speaker 1>it wasn't that first love that, like everything I wasn't

0:33:08.320 --> 0:33:10.960
<v Speaker 1>first the fourth season. By then, I've moved on to

0:33:11.000 --> 0:33:14.560
<v Speaker 1>other boys in my life was gone. So when I'm

0:33:14.560 --> 0:33:18.840
<v Speaker 1>looking at him now, that's what Yeah, isn't that weird?

0:33:19.440 --> 0:33:23.520
<v Speaker 1>Was it your fake sneezing that was not necessarily your

0:33:23.520 --> 0:33:29.360
<v Speaker 1>best acting work? That's how she sneeded? No, I see,

0:33:29.360 --> 0:33:34.960
<v Speaker 1>it's like a beast, you know that, and nobody sneezes

0:33:35.040 --> 0:33:37.720
<v Speaker 1>that much. Wait, I know I'm jumping ahead, but I

0:33:37.760 --> 0:33:40.440
<v Speaker 1>almost have to say it here the worst line in

0:33:40.480 --> 0:33:44.719
<v Speaker 1>the whole episode. I'm not going to take my anti

0:33:44.880 --> 0:33:49.000
<v Speaker 1>hiss to mean tonight, so I take it every night,

0:33:49.160 --> 0:33:53.840
<v Speaker 1>Like yeah, but you guys, you know what it made

0:33:53.840 --> 0:33:57.200
<v Speaker 1>me think of? Like I wasn't thinking it then when

0:33:57.400 --> 0:33:59.720
<v Speaker 1>you know we were young and teenagers in filming this,

0:34:00.280 --> 0:34:03.200
<v Speaker 1>But as a forty nine year old woman, having been

0:34:03.240 --> 0:34:06.920
<v Speaker 1>through a lot of relationships and married for seventeen years,

0:34:07.280 --> 0:34:10.080
<v Speaker 1>I was like, wow, that's so that's what women do.

0:34:10.280 --> 0:34:14.640
<v Speaker 1>Like there's not that she didn't intentionally, but there's always gosh,

0:34:14.640 --> 0:34:16.280
<v Speaker 1>we've been together for a while. You're like, oh, about

0:34:16.320 --> 0:34:18.479
<v Speaker 1>my head hurts or something. And the men are like, oh,

0:34:18.600 --> 0:34:21.200
<v Speaker 1>she doesn't want to have sex tonight, but you're like no,

0:34:21.200 --> 0:34:23.880
<v Speaker 1>but it's real. But what's the subtext? And I was

0:34:23.880 --> 0:34:28.520
<v Speaker 1>like even in teens, like they've been together two years,

0:34:28.560 --> 0:34:30.680
<v Speaker 1>it was like a comment like, uh, they haven't even

0:34:30.719 --> 0:34:34.160
<v Speaker 1>done it yet, but it's still like old people, old

0:34:34.200 --> 0:34:39.160
<v Speaker 1>married couple. There's their door in their underwear though, Like

0:34:39.239 --> 0:34:42.240
<v Speaker 1>even if the door's ringing right, and maybe you don't

0:34:42.280 --> 0:34:44.560
<v Speaker 1>know that it's doctor and Mrs Martin, but like even

0:34:44.560 --> 0:34:47.640
<v Speaker 1>if it's a pizza, are you really doing in those underwear?

0:34:47.719 --> 0:34:57.040
<v Speaker 1>Lations that's rude and yeah, creepy. I liked it. Wait,

0:34:57.719 --> 0:35:05.720
<v Speaker 1>speaking of creepy Dan a creepy. It's so gross. Shut

0:35:05.760 --> 0:35:11.440
<v Speaker 1>the door and go away from Rockery, like that creepy.

0:35:11.440 --> 0:35:15.279
<v Speaker 1>They were having their awkward, ugly outfit kiss and she

0:35:15.360 --> 0:35:18.319
<v Speaker 1>turned her out of there. He was so I was

0:35:18.360 --> 0:35:20.960
<v Speaker 1>like that hairless poofy though, so he's going out with

0:35:21.600 --> 0:35:26.120
<v Speaker 1>some dignity. It's such a racist a hole. Is this

0:35:26.200 --> 0:35:30.759
<v Speaker 1>his last episode? Hopefully? Wait, one more thing we should

0:35:30.800 --> 0:35:33.160
<v Speaker 1>talk about is when Steve goes to goes to the

0:35:33.160 --> 0:35:36.640
<v Speaker 1>car wash. He revs up into the car wash and

0:35:36.640 --> 0:35:39.560
<v Speaker 1>he comes out hot, like he's like it takes a

0:35:39.600 --> 0:35:43.719
<v Speaker 1>bucket and like dunks it, double dunks it on brook.

0:35:44.920 --> 0:35:51.920
<v Speaker 1>What's that character's name, the girl she's in every episode? Yeah,

0:35:52.320 --> 0:35:57.960
<v Speaker 1>on her head, leslie lelie head. But what I felt like,

0:35:58.000 --> 0:36:01.200
<v Speaker 1>all that probably hurt her. And in when they when

0:36:01.200 --> 0:36:05.319
<v Speaker 1>they don't let him play on the playground, it was

0:36:05.640 --> 0:36:08.160
<v Speaker 1>as if I was watching an eight year old boy

0:36:08.520 --> 0:36:10.720
<v Speaker 1>and he like turns and stomps off with a little

0:36:10.719 --> 0:36:17.520
<v Speaker 1>fanny pack flapping it does in real life, so fanny pack,

0:36:18.080 --> 0:36:22.279
<v Speaker 1>all of it. So and he felt bad from him,

0:36:22.320 --> 0:36:26.360
<v Speaker 1>but you're also embarrassed. And then and then when he

0:36:26.400 --> 0:36:29.000
<v Speaker 1>goes to the kighouse later and he's dressed all in

0:36:29.000 --> 0:36:36.359
<v Speaker 1>black because he means business now, like I couldn't that's storyline.

0:36:36.760 --> 0:36:39.759
<v Speaker 1>It really annoys me. When he calls Brandon Brando, I

0:36:39.760 --> 0:36:43.560
<v Speaker 1>don't know why Too wrote it down such a little

0:36:44.440 --> 0:36:49.600
<v Speaker 1>bratty friend. Like he's like wants Brandon to go solve

0:36:49.800 --> 0:36:54.080
<v Speaker 1>his problem. Like number one, dude, you broke into this

0:36:54.200 --> 0:36:57.080
<v Speaker 1>dude's office. You're gonna steal this thing, Like you didn't

0:36:57.120 --> 0:36:59.600
<v Speaker 1>learn anything from the whole key fiasco and then you're

0:37:00.360 --> 0:37:04.160
<v Speaker 1>mad when you're brandy. Thing to do with it, it's

0:37:04.200 --> 0:37:07.600
<v Speaker 1>that you were really red, and it's just like, what

0:37:07.760 --> 0:37:10.120
<v Speaker 1>the hell I mean, it's pretty on brand with his

0:37:10.920 --> 0:37:15.400
<v Speaker 1>personal I'm just saying that what he does like Steve, No,

0:37:16.560 --> 0:37:24.160
<v Speaker 1>he Steve is a big baby. He's a big rich baby. Yeah,

0:37:24.239 --> 0:37:28.720
<v Speaker 1>he's been coddled his whole life by his overbearing mom.

0:37:29.120 --> 0:37:32.319
<v Speaker 1>Although he's like baby New Year? What was that the

0:37:32.360 --> 0:37:35.200
<v Speaker 1>Rudolf about the claymation? You know what I'm talking about?

0:37:35.840 --> 0:37:37.919
<v Speaker 1>Oh my god, I just aged myself and even more.

0:37:38.000 --> 0:37:40.440
<v Speaker 1>And the fact that you guys pull up a picture

0:37:40.600 --> 0:37:47.600
<v Speaker 1>right now, a baby New Year and the claymation Rudolph Snowman.

0:37:51.200 --> 0:37:54.800
<v Speaker 1>Wait while they're looking on it. I have a few notes.

0:37:54.920 --> 0:37:59.239
<v Speaker 1>Number one, the crickets were extraordinarily loud at the at

0:37:59.280 --> 0:38:03.040
<v Speaker 1>the rest straw on. I was like, how even hearing that?

0:38:03.520 --> 0:38:06.000
<v Speaker 1>Oh we found out the restaurant. Oh what was it?

0:38:07.520 --> 0:38:10.680
<v Speaker 1>Wishing Well? The wishing Well in West Plaza of New

0:38:10.760 --> 0:38:15.480
<v Speaker 1>Chinatown and it's behind the Shang Shangri Law restaurant LA.

0:38:17.520 --> 0:38:19.480
<v Speaker 1>I don't remember filming that far away. That would have

0:38:19.520 --> 0:38:21.480
<v Speaker 1>been a big drive to drive home to Westwood that night,

0:38:21.520 --> 0:38:25.719
<v Speaker 1>and I don't remember you lived in Westwood. Yeah, well,

0:38:25.760 --> 0:38:27.239
<v Speaker 1>how old was I I don't know. I don't know.

0:38:27.280 --> 0:38:28.680
<v Speaker 1>If I know, I might still have been at the

0:38:28.680 --> 0:38:35.799
<v Speaker 1>manor at this point. Mhm, the manner. I wish you

0:38:35.760 --> 0:38:38.200
<v Speaker 1>were filming downtown, Jen, because if we were downtown, we

0:38:38.480 --> 0:38:42.000
<v Speaker 1>would have gone shopping. No, we didn't know, We didn't.

0:38:42.000 --> 0:38:44.680
<v Speaker 1>I remember that night. We didn't fear off, we didn't

0:38:44.680 --> 0:38:50.320
<v Speaker 1>do anything in between. Restaurant doesn't seem like it's around you, guys.

0:38:51.120 --> 0:38:54.600
<v Speaker 1>I don't think we actually filmed there, are you sure? Oh? Wait?

0:38:55.680 --> 0:38:58.440
<v Speaker 1>Just inside Central Plaza near the West Gates. It's one

0:38:58.440 --> 0:39:01.680
<v Speaker 1>of the oldest landmarks in New Chinatown, the wishing well.

0:39:04.000 --> 0:39:09.120
<v Speaker 1>Do you remember eating food? Is this the well? Look? Yeah,

0:39:09.160 --> 0:39:11.560
<v Speaker 1>that's what it looked like. Okay, we must have been there.

0:39:13.080 --> 0:39:14.960
<v Speaker 1>I don't think they could recreate that. I wonder if

0:39:14.960 --> 0:39:18.920
<v Speaker 1>it's still there. We didn't go shopping, gen, No, I

0:39:18.960 --> 0:39:21.400
<v Speaker 1>don't know. Well, maybe it was like sight or something.

0:39:21.520 --> 0:39:26.479
<v Speaker 1>It was when you get the reveal from Lucinda that

0:39:26.680 --> 0:39:31.120
<v Speaker 1>Steve's been set up, were you like, oh no, I

0:39:31.520 --> 0:39:40.080
<v Speaker 1>didn't care. I mean all VI he was set up

0:39:40.760 --> 0:39:44.600
<v Speaker 1>right by John sears like everybody knows what's going to happen.

0:39:45.640 --> 0:40:02.200
<v Speaker 1>Such a cherk is a douchebag. Wait, so here's my

0:40:02.280 --> 0:40:07.640
<v Speaker 1>question with the whole with the Martins and Donna and

0:40:07.719 --> 0:40:14.200
<v Speaker 1>the doing it? Who's right, who's wrong? Who's where? Do we?

0:40:14.280 --> 0:40:17.440
<v Speaker 1>Where do we land on all that? Not that you're

0:40:17.480 --> 0:40:23.440
<v Speaker 1>not there? Do you like that? I'm so sorry because

0:40:23.480 --> 0:40:26.680
<v Speaker 1>you said a big baby so I was featuring Steve

0:40:26.680 --> 0:40:32.959
<v Speaker 1>Sanders as a baby stopping. Oh my god, you guys,

0:40:33.000 --> 0:40:35.960
<v Speaker 1>if anyone thinks I'm insulting, like Iron doesn't have big ears,

0:40:36.200 --> 0:40:38.600
<v Speaker 1>but it's just the blonde hair on a big baby.

0:40:39.360 --> 0:40:46.400
<v Speaker 1>The wouldn't have Sorry, Okay, good call, good call. Okay,

0:40:47.120 --> 0:40:49.320
<v Speaker 1>what are you were you talking about? Like the do

0:40:49.600 --> 0:40:53.440
<v Speaker 1>the doing it of it? All this? Should the Martins

0:40:53.480 --> 0:40:57.200
<v Speaker 1>be pissed? But then they actually sort of handled it

0:40:57.400 --> 0:41:01.560
<v Speaker 1>so well? Did? I was? Okild her? Is Donna right

0:41:01.960 --> 0:41:04.279
<v Speaker 1>not to do it? Now? Like just kind of where

0:41:04.320 --> 0:41:09.200
<v Speaker 1>do we land on all that? All that? Yeah? I

0:41:09.200 --> 0:41:12.000
<v Speaker 1>mean I don't want her to do it at this point. Yeah,

0:41:12.000 --> 0:41:14.520
<v Speaker 1>I sort of don't either. I want her to hold

0:41:14.600 --> 0:41:18.360
<v Speaker 1>out until she's married, honestly, like I wanted to be

0:41:18.480 --> 0:41:21.000
<v Speaker 1>like that, but I might be disappointed if you end

0:41:21.080 --> 0:41:25.080
<v Speaker 1>up doing it. Oh man, Okay, well don't watch season eight,

0:41:25.120 --> 0:41:28.960
<v Speaker 1>then I guess season eight. Uh, but listen, there's some

0:41:29.080 --> 0:41:31.560
<v Speaker 1>wait I'm forgetting which scene it is. That they're sitting

0:41:31.640 --> 0:41:36.160
<v Speaker 1>in the apartment where they where she said she apologized

0:41:36.200 --> 0:41:37.960
<v Speaker 1>that he's put up with so much. Oh, when she

0:41:38.000 --> 0:41:41.040
<v Speaker 1>said tonight might be the night, and you put up

0:41:41.080 --> 0:41:44.919
<v Speaker 1>with very sex. But when she says to him, I'm

0:41:44.960 --> 0:41:48.759
<v Speaker 1>not saying it verbatim, but the intent was thank you,

0:41:48.760 --> 0:41:52.880
<v Speaker 1>you put up for like so much. But there was

0:41:52.920 --> 0:41:55.360
<v Speaker 1>something like with so much For me, it alluded to

0:41:55.440 --> 0:41:58.960
<v Speaker 1>more than like at least I felt this way as

0:41:59.000 --> 0:42:02.080
<v Speaker 1>a female money girl, more than just like waiting on

0:42:02.120 --> 0:42:04.319
<v Speaker 1>the sex, Like he's put up with a lot, Like

0:42:04.400 --> 0:42:06.319
<v Speaker 1>she's dealt with all this, Like he hasn't been that

0:42:06.400 --> 0:42:09.799
<v Speaker 1>great to her. Yeah, what why are you thanking him?

0:42:09.840 --> 0:42:13.120
<v Speaker 1>So I'm thanking him and it made me feel like

0:42:13.200 --> 0:42:16.280
<v Speaker 1>how I felt is that young girl in bad relationships

0:42:17.239 --> 0:42:23.080
<v Speaker 1>off the show, like apologizing, Yeah, apologizing for myself when

0:42:23.280 --> 0:42:25.560
<v Speaker 1>I there's no need, there's no need, I can do

0:42:25.600 --> 0:42:31.440
<v Speaker 1>whatever I want. It's my body, and like thanking him.

0:42:31.840 --> 0:42:35.200
<v Speaker 1>I was so upset by that, and so I felt

0:42:35.239 --> 0:42:38.160
<v Speaker 1>it was irresponsible in the writing, well, she says, you

0:42:38.239 --> 0:42:41.680
<v Speaker 1>must really love me, like because you put up with

0:42:41.920 --> 0:42:46.319
<v Speaker 1>waiting so long. Yeah, I didn't feel it. Yeah there

0:42:46.400 --> 0:42:48.560
<v Speaker 1>was no gesture, she didn't apologize, but I felt like

0:42:48.600 --> 0:42:51.799
<v Speaker 1>she was apologized touch and yeah, no, I agree. I

0:42:51.920 --> 0:42:56.319
<v Speaker 1>didn't like it. Thank you because I'm nothing without you.

0:42:56.480 --> 0:43:00.600
<v Speaker 1>Thank you. Thank you for keeping in your ants and

0:43:00.600 --> 0:43:07.319
<v Speaker 1>not cheating on me yet like, uh, he was the

0:43:07.400 --> 0:43:11.440
<v Speaker 1>dork and she like, like genuinely liked him for him

0:43:11.600 --> 0:43:14.000
<v Speaker 1>and made him cool and have all these cool friends

0:43:14.040 --> 0:43:16.120
<v Speaker 1>and if it wasn't for me, he would have no friends.

0:43:17.239 --> 0:43:22.200
<v Speaker 1>That's right. Yeah, what about that? What about you thanking

0:43:22.320 --> 0:43:26.319
<v Speaker 1>me for existing? This is the part where I was like,

0:43:26.360 --> 0:43:29.040
<v Speaker 1>who wrote this? Because I also, I mean, nothing we

0:43:29.120 --> 0:43:32.440
<v Speaker 1>ever could do could be wrong. I sort of like

0:43:32.880 --> 0:43:35.840
<v Speaker 1>the sentiment there. I get what they were sort of trying,

0:43:35.880 --> 0:43:39.200
<v Speaker 1>but maybe that was just like it wasn't handled in

0:43:39.200 --> 0:43:43.719
<v Speaker 1>an appropriate way because it's still like I get that

0:43:43.760 --> 0:43:46.000
<v Speaker 1>she's like, Okay, you waited, and I love you for

0:43:46.040 --> 0:43:48.960
<v Speaker 1>waiting for me and being patient, But I wish it

0:43:49.000 --> 0:43:51.640
<v Speaker 1>had been a little more like female like self empowering

0:43:51.920 --> 0:43:55.000
<v Speaker 1>to love herself that But on the other hand, like

0:43:55.280 --> 0:43:58.880
<v Speaker 1>I love myself for not being convinced I should do

0:43:58.920 --> 0:44:01.840
<v Speaker 1>this and waiting, you know, I I don't know. I

0:44:01.840 --> 0:44:04.000
<v Speaker 1>feel like Jen, if that was a line today, like

0:44:04.120 --> 0:44:06.120
<v Speaker 1>you and I would both be like, wait, is there

0:44:06.120 --> 0:44:08.160
<v Speaker 1>a different way of saying this? We don't feel good

0:44:08.200 --> 0:44:11.920
<v Speaker 1>about this line? How would you write it today? What

0:44:12.000 --> 0:44:17.319
<v Speaker 1>would it be? You would acknowledge probably his frustration first, right,

0:44:18.719 --> 0:44:27.320
<v Speaker 1>lead with a positive and and say thank you for respecting. Yeah,

0:44:27.719 --> 0:44:32.560
<v Speaker 1>respect would have been Yeah. I was kind of missing

0:44:32.600 --> 0:44:37.719
<v Speaker 1>like You've been a great partner. We're in this together.

0:44:39.000 --> 0:44:41.680
<v Speaker 1>I don't know. For me, it felt so like you

0:44:41.719 --> 0:44:43.719
<v Speaker 1>eate in and I've been really a pain in your

0:44:43.760 --> 0:44:51.000
<v Speaker 1>ass and now I'm going to do this for you. Um?

0:44:51.120 --> 0:44:52.799
<v Speaker 1>I mean, is there some part of them that wanted

0:44:52.840 --> 0:44:54.719
<v Speaker 1>to write it that way so people like, no, don't

0:44:54.719 --> 0:44:57.600
<v Speaker 1>do it with them then? And then they don't. No,

0:44:57.719 --> 0:45:00.839
<v Speaker 1>I don't want to like it with them now. I don't,

0:45:01.520 --> 0:45:03.799
<v Speaker 1>especially if you you just said he cheats on you.

0:45:04.000 --> 0:45:06.720
<v Speaker 1>I am not going to be a fan of his longer.

0:45:09.719 --> 0:45:11.719
<v Speaker 1>I think he does with a girl in a limousine

0:45:11.719 --> 0:45:15.320
<v Speaker 1>because you've talked about it before. I want Donna to

0:45:15.440 --> 0:45:19.480
<v Speaker 1>do it. When Donna wants to do it. I wanted

0:45:19.560 --> 0:45:25.919
<v Speaker 1>to wait until she's married. I just feel like looking back,

0:45:25.960 --> 0:45:28.400
<v Speaker 1>you don't want to look back and feel like I

0:45:28.440 --> 0:45:30.799
<v Speaker 1>did it because I felt talked into it. Like if

0:45:30.840 --> 0:45:33.200
<v Speaker 1>she's ready, great, she should do it. That's my opinion,

0:45:33.600 --> 0:45:38.440
<v Speaker 1>But it seems like right now, if she's initially not ready,

0:45:38.480 --> 0:45:41.000
<v Speaker 1>that's her gut instinct. Go with your gut, because you

0:45:41.040 --> 0:45:44.600
<v Speaker 1>can never take that first time back. And if you've

0:45:44.600 --> 0:45:47.680
<v Speaker 1>waited this long two years with someone you're madly in

0:45:47.760 --> 0:45:51.160
<v Speaker 1>love with and he's in love with you, like, get

0:45:51.160 --> 0:45:52.759
<v Speaker 1>to the point where even if it's like a week

0:45:52.880 --> 0:45:55.840
<v Speaker 1>later in a month, like something you just like mentally

0:45:55.920 --> 0:46:02.399
<v Speaker 1>prepared for and emotionally I don't know. M hm yea. Yeah,

0:46:02.400 --> 0:46:04.520
<v Speaker 1>And she is going to stick to her guns and

0:46:04.640 --> 0:46:07.960
<v Speaker 1>she's gonna get screwed over because of it. But that's life,

0:46:08.040 --> 0:46:11.000
<v Speaker 1>and I guess that'll be part of our journey. Yeah,

0:46:11.120 --> 0:46:13.960
<v Speaker 1>it'll make Donna's stronger. I haven't gotten there yet, so

0:46:14.000 --> 0:46:16.520
<v Speaker 1>let's stop talking about it. You know, he's irritating me.

0:46:18.840 --> 0:46:24.080
<v Speaker 1>Lucinda never Lucinda and the Professor, like Lucinda had the

0:46:24.120 --> 0:46:28.040
<v Speaker 1>opportunity to be such a powerful character that we like

0:46:28.120 --> 0:46:33.000
<v Speaker 1>her first, you know what's irritating me is the professor glasses.

0:46:33.880 --> 0:46:39.880
<v Speaker 1>First of all, the feeling glied round like glass. This

0:46:39.960 --> 0:46:43.080
<v Speaker 1>is literally why he did I actually, I don't want

0:46:43.120 --> 0:46:46.879
<v Speaker 1>to say I can't stand the professor. And here's why

0:46:47.160 --> 0:46:51.200
<v Speaker 1>he acknowledges. He says, when my wife wants something, she

0:46:51.320 --> 0:46:55.399
<v Speaker 1>comes on hard or whatever. Okay, so you're acknowledging her

0:46:55.560 --> 0:47:00.960
<v Speaker 1>your wife is so inappropriate to a student, right, But

0:47:01.080 --> 0:47:05.160
<v Speaker 1>then you're mad at Brandon Like I almost was like,

0:47:05.280 --> 0:47:08.279
<v Speaker 1>how dare you? I literally wrote, he sucks. The professor

0:47:08.800 --> 0:47:13.920
<v Speaker 1>sucks Brandon, that guy sucks. Yeah. I was like, wow,

0:47:13.960 --> 0:47:17.719
<v Speaker 1>Brandon has a set of cojones to stand up to

0:47:17.760 --> 0:47:19.160
<v Speaker 1>him like that the way he did. But I was

0:47:19.200 --> 0:47:23.560
<v Speaker 1>so glad he did. It's like so inappropriate. That landed

0:47:23.600 --> 0:47:26.600
<v Speaker 1>on me so bad. Like, Okay, you asked, you know

0:47:26.719 --> 0:47:31.319
<v Speaker 1>your wife like does this? Uh well let's start there.

0:47:31.480 --> 0:47:34.759
<v Speaker 1>How about that's the problem. Why don't fix that? Right?

0:47:34.960 --> 0:47:37.840
<v Speaker 1>And Brandon didn't even do it, But that's beside the point.

0:47:38.160 --> 0:47:41.600
<v Speaker 1>You're why you acknowledge that your wife does this? Is

0:47:41.640 --> 0:47:46.319
<v Speaker 1>she continuing on in the show? Ah? Why she is right?

0:47:47.520 --> 0:47:49.439
<v Speaker 1>We're not done with them, I don't think yet. Her

0:47:49.640 --> 0:47:54.040
<v Speaker 1>outfits are amazing and she's so sweet, but she's I

0:47:54.080 --> 0:48:01.120
<v Speaker 1>don't like her character, no terrible. I feel like what

0:48:01.360 --> 0:48:05.880
<v Speaker 1>she is with multiple people on this show? Am I wrong?

0:48:07.680 --> 0:48:14.040
<v Speaker 1>I am blanking exactly her like trajectory? But wait, she okay?

0:48:14.640 --> 0:48:18.799
<v Speaker 1>I mean I'm glad she outed the Kagers for being

0:48:19.200 --> 0:48:22.919
<v Speaker 1>jerks and and that it was a setup, because she's

0:48:22.960 --> 0:48:26.960
<v Speaker 1>the one that tells Brandon he knew this, this we knew.

0:48:28.320 --> 0:48:30.239
<v Speaker 1>I feel like this show is about to get to

0:48:30.280 --> 0:48:32.359
<v Speaker 1>the point where I'm going to be yelling at the TV.

0:48:33.040 --> 0:48:35.640
<v Speaker 1>It's gonna get juicy. And that's good. You want to

0:48:35.640 --> 0:48:38.560
<v Speaker 1>be yelling at the TV. Wait, can we before we

0:48:38.560 --> 0:48:42.080
<v Speaker 1>wrap this up? Can we talk about DeShawn for a second? Hot?

0:48:43.200 --> 0:48:46.640
<v Speaker 1>He's so hot, except I was really annoyed at the

0:48:46.640 --> 0:48:49.080
<v Speaker 1>one scene where he, like the whole time had his

0:48:49.239 --> 0:48:52.680
<v Speaker 1>arm up with the book, like where he's like, he

0:48:52.680 --> 0:48:55.239
<v Speaker 1>gave you a grade. This is about money. Oh, this

0:48:55.280 --> 0:48:59.000
<v Speaker 1>isn't about race. This is oh, it's not about white black,

0:48:59.080 --> 0:49:02.239
<v Speaker 1>it's about green m h. But he was like, what

0:49:02.400 --> 0:49:05.200
<v Speaker 1>was it like his arm position, it was the entire scene.

0:49:05.239 --> 0:49:07.839
<v Speaker 1>It was distracted. I just wanted to look at his face.

0:49:07.880 --> 0:49:10.400
<v Speaker 1>He's hot. Yeah, I was like, he's gonna put his

0:49:10.480 --> 0:49:12.839
<v Speaker 1>arm down or hold his book back or whatever he's doing.

0:49:13.160 --> 0:49:15.800
<v Speaker 1>They're like that shoulder you know when your shoulder locks

0:49:15.800 --> 0:49:19.800
<v Speaker 1>in a position, and he just like frozen shoulder syndrome.

0:49:19.840 --> 0:49:23.560
<v Speaker 1>He had that. There's a lot of bad news bears

0:49:23.600 --> 0:49:27.360
<v Speaker 1>going around Lucinda. The professor John Sears was like a

0:49:28.120 --> 0:49:32.480
<v Speaker 1>baseball Seawan. They're all just they have to have and

0:49:33.080 --> 0:49:36.600
<v Speaker 1>this for all the protagonists that they have, there's so many,

0:49:37.080 --> 0:49:40.919
<v Speaker 1>because that's the thing about this show is the main

0:49:41.000 --> 0:49:45.160
<v Speaker 1>group of protagonists, the people you root for. They will

0:49:45.200 --> 0:49:49.000
<v Speaker 1>never let them be so bad that you don't like

0:49:49.120 --> 0:49:53.320
<v Speaker 1>them anymore, right, right, They're always some way to redeed

0:49:53.320 --> 0:49:56.360
<v Speaker 1>in them. Step with Ray Pruett, they blew it on

0:49:56.400 --> 0:50:01.799
<v Speaker 1>that one. He was not. I think that they saw

0:50:01.880 --> 0:50:04.719
<v Speaker 1>him more as an antagonist. Such a weird move though,

0:50:04.719 --> 0:50:08.080
<v Speaker 1>because Jamie Walters could have been like he could get

0:50:08.080 --> 0:50:10.560
<v Speaker 1>a number one song on the radio. He made another

0:50:10.719 --> 0:50:14.000
<v Speaker 1>number one song on the show. Like I had such

0:50:14.040 --> 0:50:17.799
<v Speaker 1>a crush on him and Cameron Bancroft, both of them,

0:50:17.840 --> 0:50:20.280
<v Speaker 1>when did they come in up? You don't remember Cameron

0:50:20.280 --> 0:50:22.960
<v Speaker 1>Bancroft five season five? I believe Hey, what season are

0:50:23.000 --> 0:50:24.960
<v Speaker 1>we on you guys? I believe is Donna going to

0:50:25.080 --> 0:50:27.560
<v Speaker 1>date to Sean? No? Don't you just go to a

0:50:27.640 --> 0:50:30.920
<v Speaker 1>dance with him? Okay, but there's something like you might

0:50:31.080 --> 0:50:35.279
<v Speaker 1>dance with him after there's some date because in my

0:50:35.320 --> 0:50:38.040
<v Speaker 1>mind I remember seeing and we filmed it at the

0:50:38.040 --> 0:50:45.880
<v Speaker 1>beach apartment and David did this already happen? Anyone? I

0:50:46.160 --> 0:50:51.600
<v Speaker 1>know what you're talking about. Maybe Donna Martin date on

0:50:51.719 --> 0:50:56.120
<v Speaker 1>our tell is it Alexa or alexis? Uh? I can't say.

0:50:56.520 --> 0:50:59.440
<v Speaker 1>Maybe that's why mine doesn't. Wait now, did you intentionally

0:50:59.440 --> 0:51:02.840
<v Speaker 1>gloss over my mention of Cameron Bankron? No, because we

0:51:02.880 --> 0:51:04.799
<v Speaker 1>haven't gotten to that doesn't like when we go so

0:51:04.840 --> 0:51:09.759
<v Speaker 1>far ahead, I'm being mindful of my best friend. Please please, please, Amy,

0:51:09.840 --> 0:51:14.640
<v Speaker 1>I'm sorry. Pardon me? Well, yeah, code, Oh wait, let's

0:51:14.719 --> 0:51:17.680
<v Speaker 1>grade it. Let's grade it. So I'm gonna grade it.

0:51:18.080 --> 0:51:21.160
<v Speaker 1>I was like two things. Hold, I don't want to

0:51:21.239 --> 0:51:23.800
<v Speaker 1>change the rules. I'm gonna grade the overall episode. But

0:51:24.480 --> 0:51:31.080
<v Speaker 1>I dislike the professor the most, the most. I dislike

0:51:31.160 --> 0:51:33.480
<v Speaker 1>him more than I disliked John Sears, I think more

0:51:33.520 --> 0:51:39.080
<v Speaker 1>than you like disliked Howard Stern. That was just dumb. Yeah,

0:51:40.960 --> 0:51:43.560
<v Speaker 1>I'm telling you it was related back to the guy

0:51:43.680 --> 0:51:46.360
<v Speaker 1>and two men wrote this episode. They thought it was funny.

0:51:46.520 --> 0:51:51.480
<v Speaker 1>They probably to Howard Stern for those real like this

0:51:51.680 --> 0:51:53.920
<v Speaker 1>was all like there. How about when they say the

0:51:54.080 --> 0:51:57.040
<v Speaker 1>wild thing? Could you not say sex? They say so

0:51:57.239 --> 0:52:06.120
<v Speaker 1>many like what is it called? Like it's sex that

0:52:07.360 --> 0:52:11.160
<v Speaker 1>Why don't you just say the real thing? Right? I

0:52:11.160 --> 0:52:13.560
<v Speaker 1>feel I'm very confused about what great to give this,

0:52:13.800 --> 0:52:17.000
<v Speaker 1>like what I feel like it? You start off, you

0:52:17.120 --> 0:52:19.279
<v Speaker 1>change your mind that you're breaking it down, like there's

0:52:19.280 --> 0:52:23.279
<v Speaker 1>so many parts about it that I hated. Yeah, like

0:52:23.360 --> 0:52:25.160
<v Speaker 1>I want to give the parts that I like one

0:52:25.239 --> 0:52:28.640
<v Speaker 1>score and the parts that I did another score. Amy,

0:52:28.719 --> 0:52:31.359
<v Speaker 1>you can change the rules and Amy went before you went,

0:52:31.719 --> 0:52:35.680
<v Speaker 1>and I went, I'm blocking it. You can't see it.

0:52:36.000 --> 0:52:38.919
<v Speaker 1>This is not happening. Okay, tell me when you're ready.

0:52:39.520 --> 0:52:43.720
<v Speaker 1>I'm ready. Okay, Okay, give weight. I give the parts

0:52:43.800 --> 0:52:47.600
<v Speaker 1>that I liked, right, Oh good, it's a good score

0:52:47.880 --> 0:52:53.480
<v Speaker 1>parts that I didn't like? Good? Good? But isn't the

0:52:53.640 --> 0:52:56.359
<v Speaker 1>sum greater than that? I don't know. I don't see.

0:52:57.080 --> 0:53:00.440
<v Speaker 1>But what are you doing? Like Dancing with the Stars,

0:53:01.080 --> 0:53:05.160
<v Speaker 1>you have to take everything into accountability and the account

0:53:05.520 --> 0:53:08.720
<v Speaker 1>for it. And then put it overall. It's an overall score,

0:53:10.040 --> 0:53:13.680
<v Speaker 1>it would from a nine to like a seven. I

0:53:13.760 --> 0:53:18.000
<v Speaker 1>don't mind hating things. My things like me up. So

0:53:18.080 --> 0:53:20.080
<v Speaker 1>it's like I gave it an eight and a half

0:53:20.200 --> 0:53:23.360
<v Speaker 1>because I love it and I love to hate it,

0:53:25.680 --> 0:53:29.399
<v Speaker 1>which is yeah, I like that, which means the show

0:53:29.480 --> 0:53:33.960
<v Speaker 1>is doing a good job. Yeah, this is good. Well,

0:53:34.160 --> 0:53:36.520
<v Speaker 1>I feel like we broke the ship out of this episode.

0:53:36.520 --> 0:53:39.960
<v Speaker 1>You guys. I'm gonna say, that's a couple more pennies

0:53:39.960 --> 0:53:43.319
<v Speaker 1>and go get myself that bar card. Oh girl, you're

0:53:43.320 --> 0:53:46.160
<v Speaker 1>gonna love it. It's so good. I feel like I

0:53:46.239 --> 0:53:48.839
<v Speaker 1>can use it outside in the summer. Pull it out,

0:53:48.960 --> 0:53:51.759
<v Speaker 1>wheel it out. Yeah, super easy. And it's a very

0:53:51.880 --> 0:53:55.239
<v Speaker 1>very lightweight. Great wheels and locks and the trays I

0:53:55.320 --> 0:53:58.360
<v Speaker 1>feel like I could use separately if I needed to. Yes,

0:53:58.760 --> 0:54:01.600
<v Speaker 1>maybe you have the Yeah, they have the things on

0:54:01.680 --> 0:54:05.680
<v Speaker 1>the bottom that you still use them. You can, you

0:54:05.800 --> 0:54:09.800
<v Speaker 1>can still use them. Uh, next week, you guys, Episode fifteen.

0:54:10.040 --> 0:54:13.960
<v Speaker 1>Somewhere in the world, it's Christmas. Oh my god, it's Christmas.

0:54:14.800 --> 0:54:18.640
<v Speaker 1>Not another holiday episode, you guys? Really sorry? Good? That

0:54:18.680 --> 0:54:21.680
<v Speaker 1>means it's Tama's birthday. I wonder if everyone will forget

0:54:21.719 --> 0:54:25.440
<v Speaker 1>as usual. Great episode. You did a great job. Is

0:54:25.480 --> 0:54:30.960
<v Speaker 1>Kelly's birthday? I Love you? When is Kelly's birthday, Alexa?

0:54:31.200 --> 0:54:39.520
<v Speaker 1>When is Kelly Taylor's birthday? Alexis Alexis, Alexis