1 00:00:03,760 --> 00:00:11,760 Speaker 1: It's that time, time, time, luck and load. So Michael 2 00:00:11,960 --> 00:00:52,159 Speaker 1: very Show is on the air. Before I ask Ramone 3 00:00:52,840 --> 00:00:56,400 Speaker 1: to play the song, we will be cross fading too, Oh, 4 00:00:56,920 --> 00:01:00,600 Speaker 1: cross fading. I put the wrong in fast, I put 5 00:01:00,600 --> 00:01:05,080 Speaker 1: the emphasis on the wrongs, the lobel. I want you 6 00:01:05,120 --> 00:01:08,160 Speaker 1: to stop for a moment, because on this day, in 7 00:01:08,240 --> 00:01:13,440 Speaker 1: nineteen seventy three, the debut album of the greatest band 8 00:01:13,640 --> 00:01:18,560 Speaker 1: of all time, not just American, not just English speaking, 9 00:01:19,720 --> 00:01:29,080 Speaker 1: not just this millennium, Leonard Skinner released their album pronounced 10 00:01:29,319 --> 00:01:35,880 Speaker 1: Leonard Skinner. They're the best band. Yeah, it's not funny. 11 00:01:36,080 --> 00:01:39,200 Speaker 1: You already know who I see. You took me off 12 00:01:39,200 --> 00:01:47,319 Speaker 1: the track got me upset. So back to my point. Today. 13 00:01:47,600 --> 00:01:50,600 Speaker 1: In nineteen seventy three was the release of that album. 14 00:01:52,360 --> 00:01:56,040 Speaker 1: It had Give Me Three Steps, It had Simple Man, 15 00:01:57,320 --> 00:02:03,520 Speaker 1: it had free Bird, Hold On, I Feel Like William 16 00:02:03,560 --> 00:02:16,440 Speaker 1: Wallace and Braveheart Hold Hold. So this album has two, 17 00:02:16,560 --> 00:02:23,320 Speaker 1: undisputably two of the greatest ten songs in all of 18 00:02:23,360 --> 00:02:29,000 Speaker 1: American music history, no doubt about it, Simple Man, Free Bird. 19 00:02:29,919 --> 00:02:32,519 Speaker 1: If you send me an email disagreeing and you think 20 00:02:32,560 --> 00:02:37,480 Speaker 1: that's clever, you're embarrassing yourself. Don't do that. It's like, 21 00:02:37,600 --> 00:02:42,399 Speaker 1: I think to myself, forgive him father, for he knows 22 00:02:42,440 --> 00:02:44,519 Speaker 1: not what he does, you know, and they're so proud 23 00:02:44,520 --> 00:02:47,480 Speaker 1: to see me. Well, I like Paul McCartney. Yeah, well 24 00:02:47,520 --> 00:02:53,840 Speaker 1: he likes skinnered anyway. So when I say free Bird, 25 00:02:54,680 --> 00:03:01,160 Speaker 1: I know what you think. You think long guitar riff 26 00:03:01,360 --> 00:03:04,360 Speaker 1: at the end of the song, and most people do. 27 00:03:05,120 --> 00:03:11,320 Speaker 1: Most people say, gains rips that guitar, Rossington letter, Artemis Pyle. 28 00:03:12,080 --> 00:03:16,040 Speaker 1: You got vocals by Ronnie I mean it is, you 29 00:03:16,160 --> 00:03:19,200 Speaker 1: got Cassie singing background. Yeah, all of that is true, 30 00:03:19,280 --> 00:03:23,040 Speaker 1: every bit of that is true. However, the part of 31 00:03:23,080 --> 00:03:29,560 Speaker 1: that song that does not get its due that I 32 00:03:29,600 --> 00:03:34,320 Speaker 1: think makes the song special is not the ending. It's 33 00:03:34,400 --> 00:03:43,320 Speaker 1: not this incredible maestro performance exhibition display demonstration on the getfiddle. 34 00:03:43,920 --> 00:03:54,280 Speaker 1: It is the opening piano. And it's so subtle and 35 00:03:54,520 --> 00:04:02,200 Speaker 1: so smooth that you forget the most requested rock song 36 00:04:03,600 --> 00:04:09,400 Speaker 1: in all of rock history at a concert because of 37 00:04:09,440 --> 00:04:16,919 Speaker 1: the badass, long haired gemming out guitar is actually a 38 00:04:17,120 --> 00:04:28,880 Speaker 1: very smooth piano opening instead of a dusty hill bass line. 39 00:04:29,160 --> 00:04:34,919 Speaker 1: You've got the keyboard setting the tongue, and I'll bet 40 00:04:36,000 --> 00:04:40,000 Speaker 1: if you're honest, you never even notice that, because you're 41 00:04:40,040 --> 00:04:46,479 Speaker 1: waiting for the build up of the very lengthy guitar 42 00:04:46,640 --> 00:04:50,240 Speaker 1: solo at the end. So on this the day we 43 00:04:50,279 --> 00:04:57,080 Speaker 1: celebrate n eighteen seventy three, the release of pronounced Lynyrd Skynyrd, 44 00:04:58,720 --> 00:05:09,279 Speaker 1: I want you to listen a new to the opening piano. Really, 45 00:05:09,720 --> 00:05:12,680 Speaker 1: I think that's funny. That's funny. That's funny. Ha ha, 46 00:05:13,040 --> 00:05:19,800 Speaker 1: that's your upper decker. Okay, all right, okay they stopped. 47 00:05:22,839 --> 00:05:28,159 Speaker 1: The rest of the song goes downhill. I believe that. 48 00:05:29,279 --> 00:05:33,640 Speaker 1: I believe the greatness of that song is before Ronnie's vocals, 49 00:05:34,480 --> 00:05:39,680 Speaker 1: before the improvised guitar riff, because that's the era, right, 50 00:05:40,640 --> 00:05:45,520 Speaker 1: You've got Queen doing Bohemian Rhapsody, You've got Zeppelin, You've 51 00:05:45,520 --> 00:05:49,920 Speaker 1: got these long you got these long Hey, Jude's coming 52 00:05:49,960 --> 00:05:53,120 Speaker 1: out like that's the thing, and FM radio was embracing 53 00:05:53,760 --> 00:05:57,599 Speaker 1: the longer songs. I think the greatest part of that 54 00:05:57,680 --> 00:05:59,720 Speaker 1: song is the first twenty seconds. Okay, do that again. 55 00:06:02,520 --> 00:06:07,560 Speaker 1: What's incredible is what has already all happened by the 56 00:06:07,640 --> 00:06:14,840 Speaker 1: time Ronnie starts singing. You started with this bassline effect 57 00:06:15,160 --> 00:06:17,600 Speaker 1: by the piano. I wish I understood music theory. I 58 00:06:17,600 --> 00:06:21,280 Speaker 1: could use proper terminology, but you get my point. You 59 00:06:21,680 --> 00:06:25,560 Speaker 1: get that effect which begins to set the mood, and 60 00:06:25,680 --> 00:06:29,800 Speaker 1: you at first it stuns you, and then you go, 61 00:06:29,880 --> 00:06:32,240 Speaker 1: oh god, that's free bird coming right. But that that 62 00:06:32,400 --> 00:06:34,560 Speaker 1: sets the tone. We're about to y'all get serious. We're 63 00:06:34,560 --> 00:06:39,120 Speaker 1: about to go. And it's also a very slow, not ominous, 64 00:06:39,120 --> 00:06:42,599 Speaker 1: but heavy. This is this is gonna be heavy. And 65 00:06:42,640 --> 00:06:46,840 Speaker 1: then and then you build into the guitars coming in 66 00:06:46,960 --> 00:06:50,440 Speaker 1: one by one, the layers. By the time you get 67 00:06:50,440 --> 00:06:54,799 Speaker 1: to Ronnie, I mean you you've had a whole song already. 68 00:06:55,279 --> 00:06:58,920 Speaker 2: Time up veris show. 69 00:07:02,720 --> 00:07:05,640 Speaker 1: I not my intention to do music deconstruction today, and 70 00:07:05,680 --> 00:07:09,480 Speaker 1: I'm certainly no expert. I'm just a fan. I just 71 00:07:09,520 --> 00:07:14,440 Speaker 1: appreciate art in all its forms and how we communicate, 72 00:07:14,880 --> 00:07:18,520 Speaker 1: how we express ourselves. I think the songwriter is the 73 00:07:18,560 --> 00:07:25,360 Speaker 1: modern day poet, a real poet, Marlowe, Shakespeare and Baron 74 00:07:26,920 --> 00:07:31,840 Speaker 1: that the people John Dunn, the people who moved us 75 00:07:31,920 --> 00:07:35,080 Speaker 1: with words that allowed us to say things that we 76 00:07:35,240 --> 00:07:39,320 Speaker 1: felt in a way that maybe we could have never constructed. 77 00:07:40,880 --> 00:07:45,360 Speaker 1: So I'm just a fan. You don't have to tell 78 00:07:45,400 --> 00:07:47,840 Speaker 1: me you know more about this or that band. You 79 00:07:47,880 --> 00:07:51,840 Speaker 1: won't know more than skinnered about anybody in the world ramon, 80 00:07:52,200 --> 00:07:55,880 Speaker 1: but any other band in mine. So when I started 81 00:07:55,880 --> 00:08:00,560 Speaker 1: in radio, Pat Gray was on in the morning, followed 82 00:08:00,600 --> 00:08:06,320 Speaker 1: by from nine to eleven, Glenn Beck. And first they 83 00:08:06,320 --> 00:08:08,320 Speaker 1: took Glenn Back off and put me in his spot. 84 00:08:09,560 --> 00:08:12,000 Speaker 1: And less than thirty days later, Back got the big 85 00:08:12,080 --> 00:08:15,960 Speaker 1: gig on CNN that really launched him to the next level. 86 00:08:16,280 --> 00:08:20,840 Speaker 1: He was nationally syndicated, but it wasn't It wasn't as 87 00:08:20,840 --> 00:08:26,040 Speaker 1: big as Beck would become. And Glenn was his Houston 88 00:08:26,520 --> 00:08:29,760 Speaker 1: lead in, and then Beck had the syndicated show from 89 00:08:29,800 --> 00:08:33,080 Speaker 1: nine to eleven. They took Back off and put me on, 90 00:08:34,200 --> 00:08:37,800 Speaker 1: and the vice president of programming thought it would be 91 00:08:37,840 --> 00:08:40,679 Speaker 1: real cute. Eddie would never have done this. This was 92 00:08:40,800 --> 00:08:42,960 Speaker 1: another person. He thought it'd be real cute to have 93 00:08:43,080 --> 00:08:46,640 Speaker 1: me go in just after they announced it they're taking 94 00:08:46,679 --> 00:08:50,800 Speaker 1: Back off the air and sit down with Pat, and 95 00:08:50,840 --> 00:08:54,680 Speaker 1: Pat would interview me about taking this position, and that 96 00:08:54,800 --> 00:08:57,280 Speaker 1: was real funny to him. But it wasn't funny. It 97 00:08:57,320 --> 00:09:01,120 Speaker 1: was disrespectful to Pat because that Pat is the reason 98 00:09:02,720 --> 00:09:08,200 Speaker 1: Glenn is a Mormon. Pat evangelized witnessed to Glenn when 99 00:09:08,240 --> 00:09:11,160 Speaker 1: Glenn was suicidal. I'm not telling you anything that they 100 00:09:11,160 --> 00:09:15,600 Speaker 1: don't talk about. Glynn was not going to survive, and 101 00:09:15,760 --> 00:09:21,280 Speaker 1: Pat sat by his side and offered testimony and teaching 102 00:09:21,320 --> 00:09:25,280 Speaker 1: and coaching, and Glenn became a Mormon out of the deal. 103 00:09:26,760 --> 00:09:29,320 Speaker 1: That's how close they are and always have been. And 104 00:09:29,360 --> 00:09:32,200 Speaker 1: as you know, still are passed part of Glenn's network now. 105 00:09:32,559 --> 00:09:37,160 Speaker 1: And it came back around. So Beck, I replaced back, 106 00:09:38,160 --> 00:09:42,200 Speaker 1: replaced back, and then our show starts picking up steam 107 00:09:43,280 --> 00:09:47,959 Speaker 1: and we're getting amazing plaudits we never expected, and they 108 00:09:48,040 --> 00:09:51,800 Speaker 1: take Pat off and put me in his place. Well 109 00:09:51,840 --> 00:09:54,440 Speaker 1: that's weird because I would listen to Pat as I 110 00:09:54,480 --> 00:09:58,320 Speaker 1: was driving in every morning, and I never cared for 111 00:09:58,400 --> 00:10:02,200 Speaker 1: the band Bread. I didn't dislike him, but it didn't 112 00:10:02,280 --> 00:10:06,080 Speaker 1: matter to me. So I really grew to appreciate Bread, 113 00:10:06,200 --> 00:10:10,680 Speaker 1: which happens to be a Mormon band, because of Pat's 114 00:10:12,080 --> 00:10:16,320 Speaker 1: love of it, as well as the Bluebelt ice Cream song. 115 00:10:17,640 --> 00:10:23,320 Speaker 1: And so I began listening to Bread more and what 116 00:10:23,400 --> 00:10:28,439 Speaker 1: I thought was cheesy, watered down like Sister Wife kind 117 00:10:28,440 --> 00:10:34,160 Speaker 1: of music became much deeper. Bread had a huge hit 118 00:10:34,200 --> 00:10:36,880 Speaker 1: with the song baby I'm Gonna Want You. It's a 119 00:10:36,920 --> 00:10:38,800 Speaker 1: love song, Babe, I'm Gonna want you baby, I'm gonna 120 00:10:38,840 --> 00:10:41,520 Speaker 1: need you. You're the only one I care enough to 121 00:10:41,600 --> 00:10:45,280 Speaker 1: hurt about. Maybe I'm crazy, Maybe I just can't live 122 00:10:45,320 --> 00:10:48,520 Speaker 1: without You're loving an affection, give me direct. It's a 123 00:10:48,559 --> 00:10:53,000 Speaker 1: love song, right, So when you when you come back 124 00:10:53,120 --> 00:11:00,320 Speaker 1: to the song we just played, it's the next in 125 00:11:00,360 --> 00:11:04,400 Speaker 1: the line. Red's a hit machine. So you just assume 126 00:11:05,120 --> 00:11:09,640 Speaker 1: this is another love song, and it is a love song. 127 00:11:10,559 --> 00:11:14,400 Speaker 1: But David Gates, the lead singer, his father had died 128 00:11:14,400 --> 00:11:17,600 Speaker 1: in sixty three. Before his dad died, he sent his 129 00:11:17,640 --> 00:11:19,840 Speaker 1: mother an orchid, and he said he could barely afford 130 00:11:19,880 --> 00:11:24,559 Speaker 1: this orchid. But his father called and said, he rocked 131 00:11:24,559 --> 00:11:26,800 Speaker 1: your mom's world sending her this flower. This is the 132 00:11:26,840 --> 00:11:30,559 Speaker 1: most powerful thing in the world. You can have everything 133 00:11:30,679 --> 00:11:35,080 Speaker 1: she owns because you did this, this thing, this gesture. 134 00:11:36,040 --> 00:11:38,280 Speaker 1: So his dad dies in sixty three and never gets 135 00:11:38,320 --> 00:11:41,400 Speaker 1: to see how successful he becomes. And in seventy two 136 00:11:41,559 --> 00:11:45,079 Speaker 1: he writes, how often does this happen? He writes a 137 00:11:45,120 --> 00:11:50,320 Speaker 1: love song to his father, Woo, who does that? Right? 138 00:11:51,120 --> 00:11:53,640 Speaker 1: He writes a song about if he could just see 139 00:11:53,640 --> 00:12:01,280 Speaker 1: his father one more time? Oh, man, if I could 140 00:12:01,400 --> 00:12:05,600 Speaker 1: just see him one more time, But he couches it 141 00:12:05,600 --> 00:12:07,400 Speaker 1: in a way that sounds like a love song, so 142 00:12:07,400 --> 00:12:09,360 Speaker 1: that it'll become popular and people will listen to it 143 00:12:09,400 --> 00:12:12,040 Speaker 1: and people will buy it. It's a song to his dad. 144 00:12:12,320 --> 00:12:15,079 Speaker 1: If this song doesn't just blow your mind, I don't. 145 00:12:14,920 --> 00:12:32,880 Speaker 3: Know what will. Bill writes, Tzar, I took your advice. 146 00:12:32,960 --> 00:12:39,360 Speaker 1: Recently, my brother and I brother in law and I 147 00:12:39,440 --> 00:12:44,040 Speaker 1: gifted to our wives sisters a heritage film of their dad, 148 00:12:44,520 --> 00:12:50,760 Speaker 1: Jack c Age eighty nine of Houston. Yesterday we held 149 00:12:50,760 --> 00:12:53,800 Speaker 1: the premiere showing at Jack's home with a room full 150 00:12:53,800 --> 00:12:58,160 Speaker 1: of family. As the credits rolled, we clapped tears of 151 00:12:58,240 --> 00:13:02,080 Speaker 1: joy and smiles all around, including my father in law. 152 00:13:02,760 --> 00:13:06,800 Speaker 1: Chance in his team exceeded all expectations from the additional 153 00:13:06,840 --> 00:13:15,880 Speaker 1: research they did, photos, videos, additions, audio enhancements, music transitions, 154 00:13:15,920 --> 00:13:20,120 Speaker 1: so many little things all made the viewing a great 155 00:13:20,120 --> 00:13:24,640 Speaker 1: experience and not just something to watch. Plus the whole family, 156 00:13:24,760 --> 00:13:28,679 Speaker 1: the kids, the grandkids all now have this documentary as 157 00:13:28,679 --> 00:13:32,680 Speaker 1: told by their Papaul, Jack Forever. Thank you for the recommendation. 158 00:13:32,840 --> 00:13:36,720 Speaker 1: I am often My mother used to say, how do 159 00:13:36,800 --> 00:13:40,120 Speaker 1: you have the most amazing people around you? You are 160 00:13:40,200 --> 00:13:45,679 Speaker 1: so lucky. You've the most incredible people around you, your wife, 161 00:13:46,400 --> 00:13:53,360 Speaker 1: your colleagues because I seek out the best people and 162 00:13:53,400 --> 00:13:56,679 Speaker 1: I do not waste a moment on anyone who is 163 00:13:56,760 --> 00:14:01,239 Speaker 1: not incredible. You don't have to be the most beautiful, 164 00:14:01,320 --> 00:14:03,760 Speaker 1: you don't have to run the fastest, you don't have 165 00:14:03,840 --> 00:14:08,520 Speaker 1: to be the physically strongest, you don't have to score, 166 00:14:08,720 --> 00:14:10,960 Speaker 1: you don't have to be a MENSA member. In fact, 167 00:14:11,000 --> 00:14:17,840 Speaker 1: I prefer you not what Ramone almost figured that out. 168 00:14:19,000 --> 00:14:22,280 Speaker 1: People are not fungible, they're not robots. They're not plug 169 00:14:22,440 --> 00:14:26,800 Speaker 1: and play. One number two pencil goes out, grab another one. 170 00:14:27,200 --> 00:14:32,720 Speaker 1: They're exactly the same. Can't tell a difference people. People 171 00:14:32,840 --> 00:14:38,480 Speaker 1: are not exactly the same. One guy comes into work. 172 00:14:39,680 --> 00:14:42,280 Speaker 1: Let's say he's working the cash register at the restaurant. 173 00:14:42,680 --> 00:14:45,520 Speaker 1: He goes and takes a poop every ten minutes. Do 174 00:14:45,520 --> 00:14:48,080 Speaker 1: you ever go to a restaurant and they got one 175 00:14:48,120 --> 00:14:52,920 Speaker 1: head and it's locked, and you got a prairie dog, 176 00:14:53,440 --> 00:14:56,240 Speaker 1: and you're sitting there and you're like, so you do 177 00:14:56,320 --> 00:14:59,960 Speaker 1: that passive aggressive thing. You get real quiet, like you left, 178 00:15:00,720 --> 00:15:02,720 Speaker 1: and now you pretend you're another person and you go 179 00:15:02,760 --> 00:15:04,920 Speaker 1: to the door to open it and jiggle it because 180 00:15:04,920 --> 00:15:07,400 Speaker 1: you know that makes people uncomfortable, and you jiggle it 181 00:15:07,440 --> 00:15:10,160 Speaker 1: I'm in hare and you oh sorry, and then you 182 00:15:10,240 --> 00:15:14,960 Speaker 1: wait about thirty seconds and then you do the loud walk. 183 00:15:15,080 --> 00:15:17,320 Speaker 1: You come up and you kind of bump into the 184 00:15:17,360 --> 00:15:19,600 Speaker 1: door like it's a whole different person and I'm in here. 185 00:15:19,680 --> 00:15:22,120 Speaker 1: Oh yeah, okay, And you're thinking, at some point they're 186 00:15:22,120 --> 00:15:24,800 Speaker 1: gonna go priestly, I got to get out of here, right, 187 00:15:25,160 --> 00:15:31,720 Speaker 1: But when that person comes out, if it's been ten 188 00:15:31,760 --> 00:15:34,760 Speaker 1: minutes or more, and that's the only bathroom, one hundred percent, 189 00:15:34,840 --> 00:15:38,920 Speaker 1: that's an employee. That employee hides and you get to 190 00:15:39,000 --> 00:15:41,040 Speaker 1: hide in the toilet because nobody wants to call you 191 00:15:41,080 --> 00:15:45,000 Speaker 1: out for it. Oh, Mar, you're taking eight dumps today? 192 00:15:45,040 --> 00:15:48,440 Speaker 1: Are you doing an upper deck or what's going on? Dude? 193 00:15:48,680 --> 00:15:55,400 Speaker 1: I need you in the kitchen, not on the crapper. Well, 194 00:15:55,680 --> 00:15:59,000 Speaker 1: that's where they go to respond to emails or text message. 195 00:16:00,360 --> 00:16:04,280 Speaker 1: I had a bar and restaurant owner tell me a 196 00:16:04,280 --> 00:16:07,640 Speaker 1: little while back. He said, I used to love to 197 00:16:07,720 --> 00:16:12,440 Speaker 1: go to your place RCC because your staff were so attentive, 198 00:16:13,240 --> 00:16:16,760 Speaker 1: you were always smiling, they were always there, they anticipated 199 00:16:16,800 --> 00:16:20,040 Speaker 1: your needs. And ma'am, my employees, I can't keep them 200 00:16:20,080 --> 00:16:22,200 Speaker 1: off the phone. I mean I can't keep them off 201 00:16:22,200 --> 00:16:26,680 Speaker 1: their their cell phones, tax messaging. And it isn't that 202 00:16:26,720 --> 00:16:31,160 Speaker 1: the people I had were great. Your people are sorry. 203 00:16:31,240 --> 00:16:35,360 Speaker 1: It is you have to set expectations with people very clearly. 204 00:16:35,800 --> 00:16:39,440 Speaker 1: He is amazing to me how many people don't realize that. 205 00:16:39,800 --> 00:16:42,560 Speaker 1: I have watched so many people who are always hiring 206 00:16:42,600 --> 00:16:46,080 Speaker 1: and firing people, and every time they have a new 207 00:16:46,160 --> 00:16:53,160 Speaker 1: employee in some short order, they will say, oh, oh, Susie, 208 00:16:53,240 --> 00:16:55,360 Speaker 1: she's she's not working out, She's not even good at all. 209 00:16:55,560 --> 00:16:59,040 Speaker 1: What's wrong with her? She did? She did? She does this, 210 00:16:59,160 --> 00:17:02,760 Speaker 1: She shows up late, she does Okay? Does she know 211 00:17:02,840 --> 00:17:05,680 Speaker 1: what times she's supposed to? Arrie? She ought to? How 212 00:17:05,800 --> 00:17:09,760 Speaker 1: should she ort to? I mean people know, no, they 213 00:17:09,840 --> 00:17:10,280 Speaker 1: don't know. 214 00:17:10,760 --> 00:17:11,680 Speaker 4: That's just it. 215 00:17:12,520 --> 00:17:15,439 Speaker 1: I am an over communicator. I'm not the greatest boss 216 00:17:15,600 --> 00:17:18,120 Speaker 1: manager leader in the history of mankind. I know that. 217 00:17:18,800 --> 00:17:22,120 Speaker 1: But what I'm gonna do is study people who are 218 00:17:22,920 --> 00:17:25,160 Speaker 1: because what I'm trying to do is build a team 219 00:17:26,560 --> 00:17:30,640 Speaker 1: with purpose in life to perform a mission and enjoy 220 00:17:30,680 --> 00:17:33,600 Speaker 1: the process as we're going. And in order to do that, 221 00:17:34,600 --> 00:17:37,600 Speaker 1: you don't just fill out that forum show up here tomorrow. 222 00:17:37,720 --> 00:17:40,040 Speaker 1: Here's your keys, and here's the shirt, and that's the 223 00:17:40,080 --> 00:17:44,119 Speaker 1: time clock. And you cannot assume that someone knows anything. 224 00:17:45,080 --> 00:17:48,000 Speaker 1: My kids will always say, we know, we know. No, 225 00:17:48,240 --> 00:17:51,560 Speaker 1: let me explain that we already know. Why does it 226 00:17:51,600 --> 00:17:53,760 Speaker 1: bother you so much if I tell you something that 227 00:17:53,800 --> 00:17:56,800 Speaker 1: you already know? Because there may be something in the 228 00:17:56,880 --> 00:17:58,960 Speaker 1: ten step process I'm about to give you that you 229 00:17:59,040 --> 00:18:04,119 Speaker 1: know already. And invariably, right around about seven, they'll go, oh, 230 00:18:04,560 --> 00:18:06,520 Speaker 1: oh you have to park on the side and go 231 00:18:06,640 --> 00:18:11,840 Speaker 1: to the side door. Yes you do, Oh that I 232 00:18:12,040 --> 00:18:19,800 Speaker 1: didn't realize that. Okay, okay, yes, don't leave anything unset. 233 00:18:20,119 --> 00:18:26,320 Speaker 1: Set expectations very clearly, and constantly reinforce them. That's what 234 00:18:26,359 --> 00:18:30,240 Speaker 1: the military does, It's what coaches do. Can you imagine 235 00:18:30,280 --> 00:18:33,600 Speaker 1: you play for Nick Saban and you're a sophomore and 236 00:18:33,640 --> 00:18:36,280 Speaker 1: you win the championship and there you are, You're pouring 237 00:18:36,280 --> 00:18:38,840 Speaker 1: the bucket of gatorado on him. He's hugging you and 238 00:18:38,880 --> 00:18:41,760 Speaker 1: everybody's happy, and you know it's a matter of days 239 00:18:41,800 --> 00:18:44,560 Speaker 1: until he's chewing your ass again. And he has talked 240 00:18:44,600 --> 00:18:48,159 Speaker 1: about that process. I can't celebrate with my team the 241 00:18:48,200 --> 00:18:50,480 Speaker 1: way I would like to when we win a championship 242 00:18:51,000 --> 00:18:53,640 Speaker 1: because I know I got to chew their ass very 243 00:18:53,680 --> 00:18:58,680 Speaker 1: soon and So there, You've ascended the mountain, You've won 244 00:18:58,720 --> 00:19:02,199 Speaker 1: the championship. Now you're back. What do players want to do? 245 00:19:02,680 --> 00:19:07,800 Speaker 1: Show up fat and out of shape, gloat, brag, swagger. 246 00:19:09,119 --> 00:19:12,800 Speaker 1: But what got you that championship is busting your tail 247 00:19:13,320 --> 00:19:17,440 Speaker 1: with humility. I don't know how we got on that subject. 248 00:19:17,520 --> 00:19:19,879 Speaker 1: Oh I know, I do know. But the point of 249 00:19:19,920 --> 00:19:24,280 Speaker 1: that is, just like I said earlier, David Crook was 250 00:19:24,320 --> 00:19:26,399 Speaker 1: the worst Little League baseball coach. I ever saw. An 251 00:19:26,400 --> 00:19:28,560 Speaker 1: absolute monster of a man, and a lot of people 252 00:19:28,640 --> 00:19:30,840 Speaker 1: know that and never wanted to confront him because they 253 00:19:30,840 --> 00:19:33,639 Speaker 1: wanted their kids to be on All Stars. Absolute monster 254 00:19:33,720 --> 00:19:35,440 Speaker 1: of a human being. Turned out to be a monster 255 00:19:35,520 --> 00:19:39,399 Speaker 1: of a husband as well, and anyway, just just a 256 00:19:39,560 --> 00:19:44,639 Speaker 1: bad human being, David Crook. But then I had coaches. 257 00:19:45,359 --> 00:19:48,160 Speaker 1: My dad coached me as well, but I had coaches 258 00:19:48,240 --> 00:19:50,520 Speaker 1: in life. I still have coaches in life. Eddie Martinez 259 00:19:50,560 --> 00:19:52,439 Speaker 1: a coach, even though he's a friend, even though he's 260 00:19:52,480 --> 00:19:55,000 Speaker 1: my boss in many ways, and he knows how to 261 00:19:55,000 --> 00:19:57,840 Speaker 1: handle me without me flying off the handle. He'll say, hey, 262 00:19:57,840 --> 00:20:01,000 Speaker 1: you know you need to do this he You really 263 00:20:01,080 --> 00:20:04,080 Speaker 1: need to call that guy back he got his feelings hurt. 264 00:20:04,400 --> 00:20:06,440 Speaker 1: Or you really need to do this, and he does 265 00:20:06,480 --> 00:20:08,919 Speaker 1: it in a way like my mother would do, like 266 00:20:08,960 --> 00:20:11,160 Speaker 1: my wife does, like my kids do for that matter, 267 00:20:11,520 --> 00:20:13,480 Speaker 1: to know how to manage me, to know how to 268 00:20:13,560 --> 00:20:18,160 Speaker 1: get me to do what they want without me overruling them. 269 00:20:18,480 --> 00:20:21,159 Speaker 1: Trump does that with the media. Trump gets the media 270 00:20:21,200 --> 00:20:24,920 Speaker 1: to cover him in a way that they don't want 271 00:20:25,000 --> 00:20:27,640 Speaker 1: to cover him, but he gets them to cover him. 272 00:20:27,680 --> 00:20:30,000 Speaker 1: He gets them to tell you what he's doing. That's 273 00:20:30,000 --> 00:20:32,639 Speaker 1: how you know. You don't Trump doesn't call you every morning. 274 00:20:33,680 --> 00:20:36,120 Speaker 1: You know what Trump is up to because the very 275 00:20:36,200 --> 00:20:39,600 Speaker 1: media that hates him tells you, and he forces them 276 00:20:39,640 --> 00:20:44,560 Speaker 1: to tell you. So the point is, human beings are 277 00:20:44,600 --> 00:20:46,840 Speaker 1: everything in a company. I don't care what the company 278 00:20:46,920 --> 00:20:50,439 Speaker 1: is even AI. Human beings are everything. Human beings are 279 00:20:50,440 --> 00:20:54,080 Speaker 1: everything in your home. Human beings are everything in your life. 280 00:20:54,119 --> 00:20:56,919 Speaker 1: That's all. We arrive as human beings, we die as 281 00:20:56,960 --> 00:20:59,920 Speaker 1: human beings, and in betweens a bunch of junk plastic rooms. 282 00:21:00,080 --> 00:21:08,959 Speaker 1: Don't invest in the people around for this is just 283 00:21:09,000 --> 00:21:15,600 Speaker 1: gets better and better and better. Pinch myself. President Trump 284 00:21:15,760 --> 00:21:18,639 Speaker 1: as the head of the Kennedy Center, just announcing that 285 00:21:18,720 --> 00:21:23,879 Speaker 1: George Straight will be honored at the Kennedy Center I 286 00:21:23,960 --> 00:21:28,720 Speaker 1: as civilian honor you can receive. And I think about 287 00:21:28,800 --> 00:21:33,480 Speaker 1: I wasn't there seeing photos. I think about George Straight 288 00:21:33,560 --> 00:21:40,560 Speaker 1: being chosen by the Houston Livestalk showing Rodeo to cover 289 00:21:40,720 --> 00:21:42,720 Speaker 1: a missed date. Do you remember who missed the date? 290 00:21:43,320 --> 00:21:50,160 Speaker 1: Who very good to cover for a missed date? And 291 00:21:50,200 --> 00:21:55,720 Speaker 1: how that really launched me? Obviously, I think that was 292 00:21:55,760 --> 00:22:00,479 Speaker 1: the biggest effect on a person's career, what MTV did 293 00:22:00,720 --> 00:22:04,800 Speaker 1: for zz Top, the Houston Livestock Show on Rodeo did 294 00:22:04,880 --> 00:22:10,600 Speaker 1: for George Strait. And I think about this little bitty fellow, 295 00:22:10,600 --> 00:22:16,879 Speaker 1: little skinny, fair faced, fresh faced kill boy in his 296 00:22:16,960 --> 00:22:21,200 Speaker 1: boots and his jeans crease down the middle, and he's 297 00:22:21,200 --> 00:22:23,840 Speaker 1: reaching out there and shaking people's hands and he's happy 298 00:22:23,920 --> 00:22:27,880 Speaker 1: to be here. And that's George Straight, and now he's 299 00:22:27,920 --> 00:22:29,359 Speaker 1: going to be honored. Have you ever been to the 300 00:22:29,440 --> 00:22:34,880 Speaker 1: Kennedy Center? Nonehing. I went up because the kids were 301 00:22:34,880 --> 00:22:37,159 Speaker 1: interning in Congress this summer and spent some time, and 302 00:22:37,200 --> 00:22:39,280 Speaker 1: we went back to things that I had worked at 303 00:22:39,280 --> 00:22:41,119 Speaker 1: a law firm there, and I hadn't but I hadn't 304 00:22:41,240 --> 00:22:45,520 Speaker 1: spent any real time there in a while, so I 305 00:22:45,520 --> 00:22:48,080 Speaker 1: had to make multiple trips to d C and uh 306 00:22:48,359 --> 00:22:50,520 Speaker 1: so sometimes this summer I was doing my show from 307 00:22:50,680 --> 00:22:53,800 Speaker 1: my hotel room. Uh And it's good that you didn't notice. 308 00:22:53,840 --> 00:22:56,879 Speaker 1: It means our equipment is good. And don't try to 309 00:22:56,920 --> 00:23:00,240 Speaker 1: say you notice now that I told you. Anyway, we 310 00:23:00,320 --> 00:23:02,600 Speaker 1: went to a show at the Kennedy Center, and I 311 00:23:02,600 --> 00:23:05,119 Speaker 1: mean it's it's kind of a tired old building, to 312 00:23:05,119 --> 00:23:07,919 Speaker 1: be honest with you. But it the grandeur and the 313 00:23:07,960 --> 00:23:10,360 Speaker 1: fact that Trump understood, just like he's taking over the Olympics. 314 00:23:10,600 --> 00:23:13,000 Speaker 1: Why let the left have these things? Why not? So 315 00:23:13,280 --> 00:23:16,879 Speaker 1: George Strait will be honored, Gloria Gaynor will be honored. 316 00:23:17,080 --> 00:23:21,280 Speaker 1: Michael Crawford. I think he's actually an Englishman, but he's 317 00:23:21,320 --> 00:23:24,720 Speaker 1: famous for being the voice of the of the Phantom 318 00:23:24,720 --> 00:23:27,920 Speaker 1: and Phantom of the Opera. He's kind of the voice 319 00:23:28,240 --> 00:23:31,440 Speaker 1: that's a nod to the cultural or to the high culture, 320 00:23:31,520 --> 00:23:37,399 Speaker 1: to the to the fine to the uh performing arts theater. 321 00:23:40,680 --> 00:23:45,679 Speaker 1: And then who else Sylvester still own and last but 322 00:23:45,840 --> 00:23:55,480 Speaker 1: not least kiss Oh hell, yes. 323 00:23:56,840 --> 00:24:06,800 Speaker 4: Oh yes, this is not about their daddy. 324 00:24:08,000 --> 00:24:09,960 Speaker 1: And to think Eddie thinks what I really wanted to 325 00:24:10,000 --> 00:24:11,600 Speaker 1: be was a DJ, not a talk to your host. 326 00:24:11,600 --> 00:24:20,159 Speaker 1: I why even say that Oh, yeah, Trump's gonna do 327 00:24:20,240 --> 00:24:23,200 Speaker 1: his ymc a dance to this. Hell yes, America's back. 328 00:24:25,560 --> 00:24:29,240 Speaker 1: Oh he's gonna be a kiss, make up with platforms. 329 00:24:30,480 --> 00:24:36,600 Speaker 1: What will his be give it all? Oh, I got it, 330 00:24:36,920 --> 00:24:41,119 Speaker 1: I got it. He's all white like a pantamion. But 331 00:24:41,200 --> 00:24:43,639 Speaker 1: there's a bullet streak across where the bullet went across, 332 00:24:44,200 --> 00:24:54,720 Speaker 1: and his ear is black. Oh hell yes yes. Instead 333 00:24:54,720 --> 00:25:06,960 Speaker 1: of fireworks, Patriot missiles and massive Macy's Thanksgiving Day parade, 334 00:25:07,040 --> 00:25:13,200 Speaker 1: versions of Nancy Pelosi throwing eggs at him, and an 335 00:25:13,240 --> 00:25:18,359 Speaker 1: iron dome emerges and they shatter and crack like Paul 336 00:25:18,400 --> 00:25:22,520 Speaker 1: Pelosi's knee, and over to the side, Paul and Nancy 337 00:25:22,560 --> 00:25:29,240 Speaker 1: are both getting hammered, but in very different ways. Oh, 338 00:25:29,280 --> 00:25:32,800 Speaker 1: I love it. We're going to make it one. And 339 00:25:32,880 --> 00:25:36,080 Speaker 1: he's just doing that YMCA dance all around the stage 340 00:25:36,400 --> 00:25:46,320 Speaker 1: and the Liberals are wailing, just wailing, Keith Nash and 341 00:25:46,480 --> 00:25:59,320 Speaker 1: lamentations as they bow before us, and then stallone comes 342 00:25:59,359 --> 00:26:23,360 Speaker 1: out circa Rambo Yes, And then Gloria Gaynor comes out 343 00:26:24,400 --> 00:26:32,240 Speaker 1: looking like Thelma Houston circa nineteen seventy eight, and they 344 00:26:32,320 --> 00:26:37,080 Speaker 1: fade down kiss and they make a barbershop quartet behind them, 345 00:26:37,119 --> 00:26:39,960 Speaker 1: and she starts into I will survive, and everyone knows 346 00:26:40,600 --> 00:26:42,760 Speaker 1: this is a tribute to Donald Trump. 347 00:26:43,640 --> 00:26:44,240 Speaker 4: Donald J. 348 00:26:44,640 --> 00:26:48,840 Speaker 1: Trump was a breed. Now was did you find? Got 349 00:26:48,920 --> 00:26:53,080 Speaker 1: thinking of another? Without you find my side? But then 350 00:26:53,080 --> 00:26:56,480 Speaker 1: I spent summit a night thinking hw you dimmy. 351 00:26:56,240 --> 00:27:00,000 Speaker 4: Wrong, DoD was wrong, and I learned the people are. 352 00:27:00,600 --> 00:27:07,959 Speaker 1: It's like that last scene of officer and a gentleman. 353 00:27:04,800 --> 00:27:09,840 Speaker 4: I should a change that. 354 00:27:10,880 --> 00:27:14,040 Speaker 1: Way to go, Paul, but they're way to go in 355 00:27:14,119 --> 00:27:24,639 Speaker 1: Donald Trumps like, look at this thirty four convictions. And 356 00:27:24,680 --> 00:27:27,520 Speaker 1: then Stormy daniels over to the side her her dress 357 00:27:27,600 --> 00:27:31,359 Speaker 1: falls off and she is exposed in all her shame. 358 00:27:33,000 --> 00:27:35,399 Speaker 2: And Egene Carol is over there in her eyes have 359 00:27:35,520 --> 00:27:44,800 Speaker 2: turned blood red, and then she turns to stone like Medusa. 360 00:27:45,520 --> 00:27:47,520 Speaker 1: Well, I want to thank you all very much. This 361 00:27:47,800 --> 00:27:50,280 Speaker 1: is great. These are our friends. Have thousands of the 362 00:27:55,000 --> 00:27:57,600 Speaker 1: said said I won't fight for you, for your family 363 00:27:58,640 --> 00:28:02,160 Speaker 1: and your future. Every single day, I will be fighting 364 00:28:02,200 --> 00:28:05,359 Speaker 1: for you. So we're gonna make our country better than 365 00:28:05,440 --> 00:28:08,960 Speaker 1: on the screen has displayed a picture of Bill Clinton 366 00:28:09,520 --> 00:28:12,520 Speaker 1: in the blue dress and red high heels with his 367 00:28:16,400 --> 00:28:23,280 Speaker 1: f me look on his face like he's in bride's 368 00:28:23,280 --> 00:28:31,320 Speaker 1: heead revisited that hung in Epstein's New York home, and 369 00:28:33,000 --> 00:28:35,880 Speaker 1: Hillary just keeps fainting, but they put smelling salts under 370 00:28:35,880 --> 00:28:41,080 Speaker 1: her and say, no face the music, Hillary, you ain't 371 00:28:41,280 --> 00:28:50,080 Speaker 1: no ways time. That's just how I imagine that might not. 372 00:28:50,160 --> 00:28:51,440 Speaker 1: I don't know, that's not official