1 00:00:02,680 --> 00:00:05,520 Speaker 1: All right, it is way up with Angela Yee. I'm 2 00:00:05,559 --> 00:00:08,119 Speaker 1: Angela Yee, and Jasmine from that Jasmine brand dot Com 3 00:00:08,240 --> 00:00:11,680 Speaker 1: is here and Joey Badass is here in the building. 4 00:00:11,720 --> 00:00:13,680 Speaker 1: Thanks for having me. I ain't doing Angela here is 5 00:00:13,720 --> 00:00:16,200 Speaker 1: the definition of way up. I mean, think about it. 6 00:00:16,239 --> 00:00:17,840 Speaker 1: When you first put out your mixtape, you were in 7 00:00:17,960 --> 00:00:21,160 Speaker 1: high school. Still I was way down, yeah, but but 8 00:00:21,440 --> 00:00:23,600 Speaker 1: you was lit in high school. To be fair, this 9 00:00:23,680 --> 00:00:26,560 Speaker 1: is true. What was that experience like just being in 10 00:00:26,640 --> 00:00:28,600 Speaker 1: high school but being like a celebrity at such a 11 00:00:28,680 --> 00:00:33,440 Speaker 1: young age. Honestly, it was. It was something I was 12 00:00:33,479 --> 00:00:36,559 Speaker 1: having a hard time in justin two because I had 13 00:00:36,600 --> 00:00:39,440 Speaker 1: put out my first mixtape in the end of my 14 00:00:39,520 --> 00:00:42,760 Speaker 1: junior year, going into senior year. I went on tour 15 00:00:43,120 --> 00:00:46,080 Speaker 1: that summer for the first time, like Juicy Jay, which 16 00:00:46,120 --> 00:00:50,839 Speaker 1: was a whole thing in itself, right, like imagine, and 17 00:00:50,840 --> 00:00:52,919 Speaker 1: then that's when he had bands that make a good thing. 18 00:00:53,640 --> 00:00:55,600 Speaker 1: I've seen a lot of things that I feel like 19 00:00:55,760 --> 00:00:58,760 Speaker 1: maybe I shouldn't have seen at that point, but we're 20 00:00:58,800 --> 00:01:01,680 Speaker 1: here now. But when I went back to school that year, 21 00:01:02,080 --> 00:01:04,800 Speaker 1: it was, yeah, it was. It was weird. I'll be 22 00:01:04,840 --> 00:01:07,440 Speaker 1: sitting in class and like the freshman's are like taking 23 00:01:07,480 --> 00:01:11,120 Speaker 1: pictures of me from outside the class people being starstruck 24 00:01:11,200 --> 00:01:12,640 Speaker 1: in the whole way. So I came home on the 25 00:01:12,720 --> 00:01:15,720 Speaker 1: I was like, yeah, yes, it's oh, it's done with, 26 00:01:16,760 --> 00:01:18,920 Speaker 1: it's over. You gotta, you know, take me out of this, 27 00:01:19,000 --> 00:01:21,679 Speaker 1: put me an online school. And she did, and she did, 28 00:01:21,959 --> 00:01:24,920 Speaker 1: okay respectfully enough, Yeah all right. And you could never 29 00:01:24,959 --> 00:01:27,759 Speaker 1: have anticipated though back then, like being a junior going 30 00:01:27,800 --> 00:01:30,319 Speaker 1: into your senior year putting out a mixtape, just where 31 00:01:30,400 --> 00:01:33,880 Speaker 1: this would really take you in life. Well, I always 32 00:01:33,920 --> 00:01:36,920 Speaker 1: had a plan, I'll say that for sure, because you know, 33 00:01:37,120 --> 00:01:41,320 Speaker 1: in high school I wasn't theater student initially for like 34 00:01:41,360 --> 00:01:43,560 Speaker 1: the first two years until I got like kicked out 35 00:01:43,560 --> 00:01:47,240 Speaker 1: for poor tennis. But um, you know, I always wanted 36 00:01:47,280 --> 00:01:50,320 Speaker 1: to make music my whole life. But when when it 37 00:01:50,400 --> 00:01:52,440 Speaker 1: was coming to that point of going to high school 38 00:01:52,440 --> 00:01:54,920 Speaker 1: and even thinking about college, I'm like, okay, I gotta 39 00:01:55,040 --> 00:01:59,280 Speaker 1: like choose that specialized learning that's going to help me 40 00:01:59,280 --> 00:02:01,520 Speaker 1: advanced through life. And at that point, you know, there 41 00:02:01,560 --> 00:02:04,640 Speaker 1: wasn't any programs to be a rapper or like, you know, 42 00:02:04,680 --> 00:02:07,120 Speaker 1: to make hip hop music. So I picked the next thing, 43 00:02:07,200 --> 00:02:11,320 Speaker 1: which was acting. Um, but what I learned quickly was 44 00:02:11,560 --> 00:02:15,400 Speaker 1: how hard it was to make it as an actor, 45 00:02:15,520 --> 00:02:17,680 Speaker 1: especially coming out and coming up in New York City. 46 00:02:18,000 --> 00:02:20,600 Speaker 1: So I quickly decided, I'm like, Okay, I'm gonna just 47 00:02:20,639 --> 00:02:23,080 Speaker 1: stick with my musical dreams because I feel like I 48 00:02:23,160 --> 00:02:25,560 Speaker 1: really got a real chance and in the future, I'll 49 00:02:25,680 --> 00:02:28,440 Speaker 1: leverage my music career to get back into acting. You 50 00:02:28,480 --> 00:02:32,520 Speaker 1: think that music is easier than to get into well, 51 00:02:32,560 --> 00:02:37,120 Speaker 1: I thought for me personally, because music was something that 52 00:02:37,160 --> 00:02:39,680 Speaker 1: I was doing my whole life, and I knew that 53 00:02:39,720 --> 00:02:42,240 Speaker 1: I had a real talent for it, where acting was 54 00:02:42,320 --> 00:02:45,840 Speaker 1: something that was new, and like, you know, even my 55 00:02:45,919 --> 00:02:50,000 Speaker 1: class consisted of um it was two other black kids, right, 56 00:02:50,120 --> 00:02:53,639 Speaker 1: and these kids been doing it since they was in 57 00:02:53,760 --> 00:02:56,080 Speaker 1: like elementary school, Like this is like my it's like 58 00:02:56,120 --> 00:02:58,720 Speaker 1: my third day out here and try and catch up. 59 00:02:58,760 --> 00:03:00,200 Speaker 1: So I was just like, you know what, let me 60 00:03:00,280 --> 00:03:03,200 Speaker 1: just stay in my lane and I'll double back, you 61 00:03:03,240 --> 00:03:05,440 Speaker 1: know when the time it's right. When you started acting, 62 00:03:05,440 --> 00:03:09,000 Speaker 1: where you concerned about people being hesitant because you're a musician, 63 00:03:09,040 --> 00:03:10,720 Speaker 1: you're a rapper, Do you think people are gonna not 64 00:03:10,800 --> 00:03:13,960 Speaker 1: take you seriously? Oh no, not at all. Um, I 65 00:03:14,040 --> 00:03:16,520 Speaker 1: actually thought that that would help me you know, That's 66 00:03:16,520 --> 00:03:18,760 Speaker 1: how I looked at it, like I could have some leverage. 67 00:03:18,760 --> 00:03:21,600 Speaker 1: So when these people was like casting a role, They're like, Okay, 68 00:03:21,600 --> 00:03:25,800 Speaker 1: this is somebody who can bring viewers to whatever show, 69 00:03:26,040 --> 00:03:28,560 Speaker 1: to whatever movie. That's how I looked at it. You know. 70 00:03:28,720 --> 00:03:31,440 Speaker 1: My only like real hesitation when it came to act 71 00:03:31,480 --> 00:03:34,200 Speaker 1: in the film was early. I wanted to make sure 72 00:03:34,240 --> 00:03:36,920 Speaker 1: that I could never be like pigeonhole into a stereotypical 73 00:03:37,040 --> 00:03:40,440 Speaker 1: type of role. So I avoided a lot of roles, right, 74 00:03:40,640 --> 00:03:42,240 Speaker 1: you know what I'm saying in the beginning, because I 75 00:03:42,240 --> 00:03:44,000 Speaker 1: wanted to show people that I could really act. I 76 00:03:44,000 --> 00:03:46,240 Speaker 1: didn't want to be like a drug deal or street 77 00:03:46,280 --> 00:03:50,360 Speaker 1: cat or anything like a fucking crackhead or anything like that. 78 00:03:50,440 --> 00:03:58,320 Speaker 1: And yeah shit, yeah, I didn't want to It's all crazy, 79 00:03:58,360 --> 00:04:01,480 Speaker 1: you know. I didn't want to be by stint Um 80 00:04:01,520 --> 00:04:03,640 Speaker 1: at the beginning, and then that would just kind of 81 00:04:03,640 --> 00:04:05,520 Speaker 1: put me in a box for my whole acting career. 82 00:04:05,560 --> 00:04:11,120 Speaker 1: So I took like different roles like mister Robot or boomerang. Um. 83 00:04:11,400 --> 00:04:13,600 Speaker 1: Then you know, the Wu Tang started, Wu Tang was 84 00:04:13,600 --> 00:04:15,800 Speaker 1: even sutting. I hesitated on if I if I didn't 85 00:04:15,840 --> 00:04:18,400 Speaker 1: have such a good relationship with the Rizzar himself. I 86 00:04:18,400 --> 00:04:20,800 Speaker 1: would have never took that role, really, yeah, because it 87 00:04:20,839 --> 00:04:22,880 Speaker 1: was too close to what I do in real life. Well, 88 00:04:22,960 --> 00:04:25,120 Speaker 1: we do love you as Nique, though, I just gotta say, like, 89 00:04:25,160 --> 00:04:28,000 Speaker 1: and I know that that mattered that early on if 90 00:04:28,000 --> 00:04:30,640 Speaker 1: that was like your first role that was that was 91 00:04:30,680 --> 00:04:32,839 Speaker 1: like when I took on Nie. I feel like it 92 00:04:32,880 --> 00:04:36,240 Speaker 1: was perfect time. It's crazy because the month before the 93 00:04:36,279 --> 00:04:39,359 Speaker 1: audition came in, I literally wrote up this plan, this 94 00:04:39,480 --> 00:04:43,480 Speaker 1: manifestation plan. I'm like, okay, I want to land the role. 95 00:04:44,040 --> 00:04:45,800 Speaker 1: I don't know exactly what it looked like, but I 96 00:04:45,839 --> 00:04:50,599 Speaker 1: was like, I'm ready to shift into like I don't 97 00:04:50,640 --> 00:04:54,320 Speaker 1: know if it's action or its street, whatever it is. God, 98 00:04:54,640 --> 00:04:58,200 Speaker 1: I want this thing. And then the next month the 99 00:04:58,400 --> 00:05:01,760 Speaker 1: unique offer came in and it was like and by 100 00:05:01,800 --> 00:05:03,760 Speaker 1: the way, this just shows you how much girls like 101 00:05:03,880 --> 00:05:05,840 Speaker 1: that type of role, Like we like the bad guy 102 00:05:06,240 --> 00:05:09,440 Speaker 1: so typical. Yep, it's a shame. We're like, come on, 103 00:05:09,560 --> 00:05:14,200 Speaker 1: leave him alone. You said you did what is it 104 00:05:14,279 --> 00:05:17,719 Speaker 1: call a man of manifesto? What did you do with? 105 00:05:17,760 --> 00:05:19,360 Speaker 1: What did you write down? What you called it? Just 106 00:05:19,440 --> 00:05:23,680 Speaker 1: like a manifestation plan, Okay, And so at the end 107 00:05:23,680 --> 00:05:25,800 Speaker 1: of every year, you do that. Okay, in December you 108 00:05:25,839 --> 00:05:28,840 Speaker 1: do yeah, like the following and it seems to be 109 00:05:28,920 --> 00:05:31,440 Speaker 1: working out. Okay, oh yeah, do you go back to 110 00:05:31,440 --> 00:05:33,000 Speaker 1: what you look at it? Like, what do you Oh? Yeah, 111 00:05:33,040 --> 00:05:36,360 Speaker 1: for sure. I mean it's definitely has evolved for me 112 00:05:36,480 --> 00:05:39,960 Speaker 1: into like more of a mind map, because at first 113 00:05:40,000 --> 00:05:43,719 Speaker 1: it was just like, Okay, here's December of twenty nineteen, 114 00:05:44,240 --> 00:05:47,919 Speaker 1: here's my twenty twenty goals for the year, and that 115 00:05:48,120 --> 00:05:49,839 Speaker 1: was it. Right then I come back at the end 116 00:05:49,880 --> 00:05:51,800 Speaker 1: of the year, I'll check in halfway. I'm like, you know, 117 00:05:52,040 --> 00:05:55,400 Speaker 1: seeing my progress. But now I write my goals out 118 00:05:55,440 --> 00:05:58,480 Speaker 1: for the year, and then I also have like a 119 00:05:58,520 --> 00:06:01,720 Speaker 1: monthly plan for them. And what I'm saying because I 120 00:06:01,720 --> 00:06:03,640 Speaker 1: feel like a lot of the time we write goals, 121 00:06:03,640 --> 00:06:07,120 Speaker 1: you write these big sexy goals, but we don't really 122 00:06:07,160 --> 00:06:09,479 Speaker 1: have a plan on how we're going to achieve them. 123 00:06:09,560 --> 00:06:12,640 Speaker 1: We're just like, I want this right Hopefully one day 124 00:06:12,640 --> 00:06:14,599 Speaker 1: I just stumble upon it, you know what I'm saying. 125 00:06:14,600 --> 00:06:19,200 Speaker 1: So I call it like zooming in and zooming out. Okay, yeah, 126 00:06:19,279 --> 00:06:20,919 Speaker 1: you do that in your music too. I feel like 127 00:06:21,000 --> 00:06:24,000 Speaker 1: you've manifested a lot of things, even in your lyrics 128 00:06:24,000 --> 00:06:26,560 Speaker 1: that you wanted to happen for sure, for sure that 129 00:06:26,720 --> 00:06:28,480 Speaker 1: I have to use that technique. For sure. I might 130 00:06:28,480 --> 00:06:31,360 Speaker 1: talk about something saying I got something and I ain't 131 00:06:31,360 --> 00:06:33,160 Speaker 1: really got it yet, but I know I'm gonna get 132 00:06:33,160 --> 00:06:34,960 Speaker 1: it once I put it out to the world, you 133 00:06:35,000 --> 00:06:37,120 Speaker 1: know what I'm saying, Like, because you gotta think about it. Right, 134 00:06:37,440 --> 00:06:40,840 Speaker 1: If I say something like I gotta Bentley and it 135 00:06:40,920 --> 00:06:43,880 Speaker 1: hits the ears of a million people, it's like, yeah, 136 00:06:43,920 --> 00:06:47,320 Speaker 1: they're helping me manifest they believe me. You also get 137 00:06:47,360 --> 00:06:50,200 Speaker 1: more accountable when you speak things into the atmosphere and 138 00:06:50,240 --> 00:06:52,760 Speaker 1: people are listening. It kind of makes you more accountable 139 00:06:53,040 --> 00:06:54,960 Speaker 1: facts to make it happen, Like I gotta get this 140 00:06:55,000 --> 00:06:57,440 Speaker 1: for my mom, you know, me and Hope got to 141 00:06:57,480 --> 00:07:00,040 Speaker 1: have this. Yeah, Like well, you know, even with the 142 00:07:00,160 --> 00:07:02,120 Speaker 1: same goals like be careful what you wish for, you know, 143 00:07:02,200 --> 00:07:04,600 Speaker 1: Like I'm big on the power of the tongue, Okay, 144 00:07:04,680 --> 00:07:05,960 Speaker 1: you know what I'm saying, Like I don't even talk 145 00:07:05,960 --> 00:07:08,480 Speaker 1: about myself in a certain type of way, like I 146 00:07:08,520 --> 00:07:11,040 Speaker 1: don't I don't talk bad about myself like the most 147 00:07:11,040 --> 00:07:12,840 Speaker 1: I would say, and I gotta stop saying I like 148 00:07:12,880 --> 00:07:19,400 Speaker 1: I'm a boso that's the most negative thing. I would say, Yeah, 149 00:07:19,520 --> 00:07:22,880 Speaker 1: like I'm a bosom would I do that? But you know, 150 00:07:22,920 --> 00:07:26,400 Speaker 1: and then I think sometimes it's not a bozo. No, 151 00:07:26,480 --> 00:07:28,880 Speaker 1: actually I'm not. I'm smart and I'm making it happen. 152 00:07:29,240 --> 00:07:31,120 Speaker 1: I also said when you went on social media and 153 00:07:31,160 --> 00:07:33,000 Speaker 1: you said that you were ready to start doing some 154 00:07:33,440 --> 00:07:36,560 Speaker 1: features and then everybody started going crazy. So did you 155 00:07:36,640 --> 00:07:38,520 Speaker 1: knock out any of those features? Oh? Yeah, I've been 156 00:07:38,560 --> 00:07:41,720 Speaker 1: knocking out a lot of features lately. Um, you see 157 00:07:41,760 --> 00:07:44,480 Speaker 1: the things. I just got my home studio done, and 158 00:07:44,800 --> 00:07:48,200 Speaker 1: I just feel like now I'm at a mature place 159 00:07:48,240 --> 00:07:50,760 Speaker 1: in my career, Like I feel like growing up over 160 00:07:50,800 --> 00:07:54,560 Speaker 1: the last ten years, it was I was learning how 161 00:07:54,600 --> 00:07:56,560 Speaker 1: to navigate, you know what I'm saying, and I was 162 00:07:56,640 --> 00:07:59,920 Speaker 1: always constantly on the move. Now I actually have my 163 00:08:00,280 --> 00:08:05,360 Speaker 1: my hub and I have you know, stability and everything. 164 00:08:05,400 --> 00:08:07,080 Speaker 1: So I feel like I could just really see the 165 00:08:07,120 --> 00:08:10,480 Speaker 1: whole playing field and I'm able to just dish things 166 00:08:10,600 --> 00:08:13,320 Speaker 1: right back out when it comes to these different opportunities 167 00:08:13,320 --> 00:08:15,640 Speaker 1: and stuff like that. So yeah, I've definitely been on 168 00:08:15,640 --> 00:08:18,040 Speaker 1: the feature run and people could expect to hear me 169 00:08:18,120 --> 00:08:21,760 Speaker 1: on anybody you could tell us about. Yet I'll rather 170 00:08:21,840 --> 00:08:23,760 Speaker 1: than be surprised. You know, I don't want to spoil 171 00:08:23,800 --> 00:08:25,560 Speaker 1: it for the people that I did it. And then 172 00:08:25,600 --> 00:08:27,400 Speaker 1: they pulled them my versee off like you running your 173 00:08:27,400 --> 00:08:33,480 Speaker 1: mouth like yeah, actually you're right, ain't crazy. I mean 174 00:08:33,679 --> 00:08:35,800 Speaker 1: my latest feature was with Larry June or shout out 175 00:08:35,800 --> 00:08:39,000 Speaker 1: to the Homie Larry and Alchemist. They just dropped their 176 00:08:39,080 --> 00:08:42,000 Speaker 1: album together. And that's another thing that I really like 177 00:08:42,040 --> 00:08:45,000 Speaker 1: about you is that, even though you are still young, 178 00:08:45,480 --> 00:08:49,160 Speaker 1: you pay a lot of amys to like them. You know, 179 00:08:49,200 --> 00:08:51,480 Speaker 1: people that came before you in hip hop, and we 180 00:08:51,520 --> 00:08:54,439 Speaker 1: don't see that all the time, and it just shows me, like, 181 00:08:54,480 --> 00:08:57,960 Speaker 1: what was your household like growing up in music? Oh, 182 00:08:58,040 --> 00:09:01,960 Speaker 1: it was very musically like I'll just put a feel 183 00:09:02,040 --> 00:09:04,800 Speaker 1: like this, Like I used to see Ready to Die CD. 184 00:09:05,679 --> 00:09:09,360 Speaker 1: I see Lawn Hill, I see Macy Gray, I see 185 00:09:09,440 --> 00:09:15,840 Speaker 1: Indya Read Okay, I see Bob Marley, yellow Mine, Sizzler. 186 00:09:16,120 --> 00:09:18,560 Speaker 1: You know what I'm saying. It was Prince. Yeah, this 187 00:09:18,679 --> 00:09:21,680 Speaker 1: is some Brooklyn stuff right here. Yeah. So you know, 188 00:09:21,760 --> 00:09:24,280 Speaker 1: like my mom's side was saying Lucian, my dad's I 189 00:09:24,480 --> 00:09:26,760 Speaker 1: was Jamaican and then you know we grew up in Brooklyn, 190 00:09:26,880 --> 00:09:29,400 Speaker 1: so it was just a melting pot of all these 191 00:09:29,440 --> 00:09:32,880 Speaker 1: different flavors of music. Who was your first concert that 192 00:09:32,960 --> 00:09:35,320 Speaker 1: you went to? Oh, that's a good question. I think 193 00:09:35,320 --> 00:09:46,560 Speaker 1: it had that been a scream tour took damn you 194 00:09:46,679 --> 00:09:50,240 Speaker 1: exposing men? Know what I'm saying. There's a lot of 195 00:09:50,320 --> 00:09:55,119 Speaker 1: cougars on my body right now. Like that. That's hilarious 196 00:09:55,360 --> 00:09:57,840 Speaker 1: and so when And I think the other good thing 197 00:09:57,880 --> 00:09:59,600 Speaker 1: about your music besides the fact that I feel like 198 00:09:59,559 --> 00:10:02,280 Speaker 1: it pays homage to UM. You know, I hear like 199 00:10:02,400 --> 00:10:05,240 Speaker 1: chid called quests and like you said, Biggie, you know 200 00:10:05,360 --> 00:10:07,439 Speaker 1: big El You've spoken on how much you like big 201 00:10:07,480 --> 00:10:09,559 Speaker 1: El Nas people. A lot of people have said you're 202 00:10:09,600 --> 00:10:13,280 Speaker 1: reminiscent of like an illmatic type of NIS but also 203 00:10:13,360 --> 00:10:16,280 Speaker 1: social commentary, you know, which I think is important. And 204 00:10:16,320 --> 00:10:18,120 Speaker 1: there's a lot going on in the world right now. 205 00:10:18,160 --> 00:10:20,360 Speaker 1: How does that inspire you in your music? Just when 206 00:10:20,360 --> 00:10:23,800 Speaker 1: you pay attention to what's happening in politics, what's happening 207 00:10:23,800 --> 00:10:26,560 Speaker 1: with UM you know, all of these mass shootings. Sometimes 208 00:10:26,559 --> 00:10:28,439 Speaker 1: you watch the news and it can be really depressing, 209 00:10:28,760 --> 00:10:32,160 Speaker 1: right Um. You know this is I believe it isn't 210 00:10:32,160 --> 00:10:35,080 Speaker 1: need a Simon quote that, like you know, has always 211 00:10:35,120 --> 00:10:38,120 Speaker 1: resonated with me, and she said something along the lines 212 00:10:38,160 --> 00:10:42,280 Speaker 1: of that, like music should always reflect what's going on 213 00:10:43,000 --> 00:10:45,760 Speaker 1: in the times, like what's going on in each generation. 214 00:10:46,160 --> 00:10:47,959 Speaker 1: So you know, I try to take heed to that 215 00:10:48,160 --> 00:10:52,640 Speaker 1: as best as I can, you know, staying aware of 216 00:10:52,880 --> 00:10:59,360 Speaker 1: socio economic issues and socio political issues and stuff like that. 217 00:10:59,480 --> 00:11:03,360 Speaker 1: And you know, because I believe I'm from like that 218 00:11:03,760 --> 00:11:06,640 Speaker 1: older school mindset where like, you know, the rappers are 219 00:11:06,720 --> 00:11:09,960 Speaker 1: kind of like the neighborhood reporters and stuff like that. 220 00:11:10,040 --> 00:11:12,960 Speaker 1: So I definitely think that aspect is important. I think 221 00:11:13,040 --> 00:11:18,080 Speaker 1: as people with such huge platforms and such huge followings, 222 00:11:18,080 --> 00:11:22,080 Speaker 1: there's definitely a duty and a responsibility to feed the 223 00:11:22,120 --> 00:11:26,040 Speaker 1: minds of these people with positive things, or even to 224 00:11:26,160 --> 00:11:29,080 Speaker 1: bring awareness to these people with you know, stuff that 225 00:11:29,160 --> 00:11:30,800 Speaker 1: may be going on in the world that they might 226 00:11:30,840 --> 00:11:33,520 Speaker 1: not know about, and you know, spreading messages further, Like 227 00:11:33,720 --> 00:11:38,080 Speaker 1: I'll always stand for that. However, as a musician, you know, 228 00:11:38,240 --> 00:11:42,920 Speaker 1: I believe that music is an expression of art, you 229 00:11:42,960 --> 00:11:45,880 Speaker 1: know what I'm saying, And it's a it's a self expression. 230 00:11:46,360 --> 00:11:49,439 Speaker 1: So you know, I don't think that every artist needs 231 00:11:49,480 --> 00:11:52,080 Speaker 1: to be required to only talk about that stuff, but 232 00:11:52,200 --> 00:11:54,920 Speaker 1: you know, once in a while again and you know, 233 00:11:54,920 --> 00:11:57,760 Speaker 1: there's things like interviews as well, Like if you're say 234 00:11:57,800 --> 00:12:05,480 Speaker 1: you're R and B singing, you don't really now see right, 235 00:12:05,960 --> 00:12:08,120 Speaker 1: you know, but say you're R and B singers, like, 236 00:12:08,240 --> 00:12:10,880 Speaker 1: nobody's gonna expect you to necessarily be talking about what's 237 00:12:10,920 --> 00:12:12,480 Speaker 1: going on in the world. It's like, we want to 238 00:12:12,520 --> 00:12:17,640 Speaker 1: hear them that baby making music sometimes what's going on 239 00:12:17,800 --> 00:12:21,679 Speaker 1: exactly exactly, because if something touches you in a certain way, 240 00:12:21,800 --> 00:12:24,000 Speaker 1: you don't know how that affects other people, especially to 241 00:12:24,040 --> 00:12:27,080 Speaker 1: hear your favorite artists very true, you know, talk about it. 242 00:12:27,120 --> 00:12:29,959 Speaker 1: That's why I even feel like, um, you know, certain 243 00:12:30,040 --> 00:12:33,200 Speaker 1: songs and music and albums that you've done are things 244 00:12:33,240 --> 00:12:35,199 Speaker 1: that people can listen to and be like damn, because 245 00:12:35,440 --> 00:12:37,000 Speaker 1: I feel like we are a lot more aware now, 246 00:12:37,120 --> 00:12:40,280 Speaker 1: especially with social media and what's going on. I say 247 00:12:40,360 --> 00:12:44,640 Speaker 1: that exactly, you know, because while this is like the 248 00:12:44,800 --> 00:12:49,320 Speaker 1: information age, is also the misinformation Yeah, Like there's a 249 00:12:49,320 --> 00:12:52,280 Speaker 1: lot of shit that's just being pumped out on the 250 00:12:52,400 --> 00:12:57,440 Speaker 1: daily that has no real backing of facts, and people 251 00:12:57,480 --> 00:13:00,040 Speaker 1: are getting lazy and lazy of actually chasing down on 252 00:13:00,120 --> 00:13:02,120 Speaker 1: the facts. So it's like you read a headline and 253 00:13:02,120 --> 00:13:06,920 Speaker 1: it's like that's what it is, it's any very short 254 00:13:06,920 --> 00:13:09,120 Speaker 1: attention spans. So it's like the headline is the fact, 255 00:13:09,440 --> 00:13:12,079 Speaker 1: that's it. And how do short attention spans affect your 256 00:13:12,160 --> 00:13:14,200 Speaker 1: music too? Because they'll be like, oh, nobody wants to 257 00:13:14,240 --> 00:13:18,439 Speaker 1: listen to a song or an album that's like this length. Um, 258 00:13:18,559 --> 00:13:21,719 Speaker 1: I don't. I don't necessarily think that if it affects 259 00:13:21,920 --> 00:13:25,760 Speaker 1: my music like on a song by song basis. But 260 00:13:25,960 --> 00:13:29,079 Speaker 1: I have been taken more heed to that aspect and 261 00:13:29,280 --> 00:13:32,680 Speaker 1: just when it comes to content, like thinking about how 262 00:13:32,720 --> 00:13:35,240 Speaker 1: can I create more short form content? Because I feel 263 00:13:35,240 --> 00:13:38,680 Speaker 1: like there's nothing more frustrating than like having this grand 264 00:13:38,800 --> 00:13:44,400 Speaker 1: idea and spending Hello grands on it. Right, you know, 265 00:13:44,480 --> 00:13:49,160 Speaker 1: I'm just for it to not be consumed in the 266 00:13:49,520 --> 00:13:51,720 Speaker 1: in the way that matches up to what was put 267 00:13:51,760 --> 00:13:54,400 Speaker 1: into it, you know what I mean. So my thinking 268 00:13:54,520 --> 00:13:56,760 Speaker 1: is definitely shifted more into like, Okay, how can I 269 00:13:56,800 --> 00:14:00,000 Speaker 1: make more short form content? Yeah? These motherfucker's got me fucked? 270 00:14:01,040 --> 00:14:03,280 Speaker 1: And even like you definitely did a little something with 271 00:14:03,360 --> 00:14:05,400 Speaker 1: us when you put Saya in the video and everybody 272 00:14:05,480 --> 00:14:07,520 Speaker 1: was like, oh my god. First the pictures came out, 273 00:14:07,960 --> 00:14:09,400 Speaker 1: and then and I said that you said that you 274 00:14:09,559 --> 00:14:12,280 Speaker 1: you're single and you guys are friends. But it did 275 00:14:12,360 --> 00:14:14,680 Speaker 1: send everybody in a frenzy. It was great. I'm not 276 00:14:14,679 --> 00:14:18,520 Speaker 1: gonna way to manipulate them. Was that purposeful? It was 277 00:14:18,600 --> 00:14:22,320 Speaker 1: purposeful for sure. I mean not not initially. That wasn't 278 00:14:22,360 --> 00:14:24,480 Speaker 1: the idea, like, you know, when we shot the video 279 00:14:24,960 --> 00:14:27,800 Speaker 1: at first, but when it came to you know, the 280 00:14:27,840 --> 00:14:29,880 Speaker 1: team getting together, like okay, how are you going to 281 00:14:29,960 --> 00:14:35,360 Speaker 1: roll this out? I was like, you guys, hesitant at 282 00:14:35,400 --> 00:14:37,680 Speaker 1: all with the idea of let's make people think maybe 283 00:14:37,680 --> 00:14:40,760 Speaker 1: this is something or you're like cool and maybe it's something. 284 00:14:41,920 --> 00:14:44,840 Speaker 1: You know. I wasn't no hesitation, you know, because all 285 00:14:44,920 --> 00:14:47,240 Speaker 1: parties involved knew what was going on and knew what 286 00:14:47,240 --> 00:14:48,960 Speaker 1: the plan was. Was all on the same page, so 287 00:14:49,160 --> 00:14:50,600 Speaker 1: you know, it's kind of nice to do that. I 288 00:14:50,600 --> 00:14:52,400 Speaker 1: did that when I may man, now it's more excitement. 289 00:14:52,480 --> 00:14:55,520 Speaker 1: It was like, what's gonna happen? People gonna think I've 290 00:14:55,560 --> 00:14:59,240 Speaker 1: never people have never seen me in that space, They've 291 00:14:59,280 --> 00:15:03,000 Speaker 1: never seen me jumps the pose to somebody, you know, 292 00:15:03,400 --> 00:15:05,200 Speaker 1: like Danny and love Love. I was like, he was 293 00:15:05,280 --> 00:15:08,120 Speaker 1: just on breakfast clause. I'm talking about having two wives 294 00:15:08,120 --> 00:15:13,640 Speaker 1: and what happened me lip service is talking about two wives, 295 00:15:13,680 --> 00:15:15,840 Speaker 1: and like, here he is. And then I started thinking 296 00:15:15,880 --> 00:15:18,840 Speaker 1: like change in the year, and I was gonna say 297 00:15:18,840 --> 00:15:20,560 Speaker 1: that too, because listening to the music, I was like, 298 00:15:20,600 --> 00:15:24,800 Speaker 1: it sounds like he want to be with one woman. Now, yeah, 299 00:15:24,880 --> 00:15:27,720 Speaker 1: that's what it sounds like to you that what is 300 00:15:27,720 --> 00:15:30,120 Speaker 1: is that what she hears? Is that accurate? Do you 301 00:15:30,160 --> 00:15:31,600 Speaker 1: want to just see what one? Now? Are you still 302 00:15:31,600 --> 00:15:36,520 Speaker 1: on this? Listen? Like track? Sound and music is so subjective, 303 00:15:36,680 --> 00:15:38,920 Speaker 1: like you can get this from it. She could get 304 00:15:39,000 --> 00:15:41,360 Speaker 1: that from I say, whatever you get from it, like 305 00:15:41,640 --> 00:15:44,720 Speaker 1: take it as that's what it is. Because I also 306 00:15:44,800 --> 00:15:47,120 Speaker 1: when I listened to your lyrics, I'm like, well, clearly 307 00:15:47,120 --> 00:15:49,040 Speaker 1: he wrote this himself and this is a reflection of 308 00:15:49,080 --> 00:15:50,960 Speaker 1: how he really feels in real life. Like when you 309 00:15:51,000 --> 00:15:54,480 Speaker 1: hear a sound like falling, I'm like, somebody don't got him, yo, 310 00:15:54,640 --> 00:15:57,040 Speaker 1: So I'll reveal it for the first time here. I 311 00:15:57,040 --> 00:16:01,760 Speaker 1: actually made that song in twenty eighteen. Wow, wow, Yeah 312 00:16:01,800 --> 00:16:04,480 Speaker 1: I made that song? Was that five years five years ago? 313 00:16:05,240 --> 00:16:08,200 Speaker 1: Five years old? It's just that, like I never felt 314 00:16:08,240 --> 00:16:12,320 Speaker 1: confident enough or aligned enough to put that out where 315 00:16:12,360 --> 00:16:15,080 Speaker 1: people would accept it from me, you know what I'm saying. 316 00:16:15,080 --> 00:16:18,040 Speaker 1: But like I've I've really been experimenting with my music 317 00:16:18,120 --> 00:16:20,160 Speaker 1: for years, for a long time, and I feel like 318 00:16:20,280 --> 00:16:23,760 Speaker 1: now I'm at a new intersection or just had a 319 00:16:23,760 --> 00:16:27,200 Speaker 1: new error where one my confidence is up in to 320 00:16:27,880 --> 00:16:29,920 Speaker 1: the alignment. For a lot of these records, it is 321 00:16:29,960 --> 00:16:31,800 Speaker 1: like right on time. You know what I'm saying, which is, 322 00:16:32,720 --> 00:16:34,840 Speaker 1: I don't know, just just been a whole bunch of 323 00:16:35,880 --> 00:16:38,600 Speaker 1: female engagement, you know what I mean. With Joey on 324 00:16:38,640 --> 00:16:40,760 Speaker 1: the last couple of years, I'm like, okay, you know 325 00:16:40,800 --> 00:16:45,320 Speaker 1: what if yeah, well that was the first time thing. 326 00:16:45,480 --> 00:16:48,160 Speaker 1: If you pay attention, I've never done that. I've never 327 00:16:48,200 --> 00:16:51,640 Speaker 1: done that before this video. That was strategic and I'm 328 00:16:51,680 --> 00:16:54,760 Speaker 1: not taking my shirt off for nobody unless you know 329 00:16:54,960 --> 00:16:58,960 Speaker 1: it costs, because I'm definitely not one of these It 330 00:16:59,080 --> 00:17:01,280 Speaker 1: paid to take the time off a show, and you know, 331 00:17:01,320 --> 00:17:04,200 Speaker 1: that was something I did to just signify this new era. 332 00:17:04,400 --> 00:17:06,359 Speaker 1: But that's not something I'll be doing. I'm definitely not 333 00:17:06,359 --> 00:17:09,920 Speaker 1: one of them niggas who shirtless with the suit racket on. Like, nah, 334 00:17:10,200 --> 00:17:12,000 Speaker 1: you know what I'm saying. No, I mean, it was 335 00:17:12,080 --> 00:17:15,320 Speaker 1: me in the past, but it ain't me no more. Okay, No, 336 00:17:15,560 --> 00:17:17,800 Speaker 1: And that was interesting that you say that because, um, 337 00:17:18,720 --> 00:17:20,919 Speaker 1: you know, as I was listening to the music, I 338 00:17:20,960 --> 00:17:24,800 Speaker 1: also was thinking about how your fans have expectations of 339 00:17:24,840 --> 00:17:28,800 Speaker 1: you because they grew up, you know, nineteen ninety nine. Yeah, 340 00:17:29,600 --> 00:17:31,280 Speaker 1: and so for you to do this because even when 341 00:17:31,280 --> 00:17:34,320 Speaker 1: you did this song Devastated, which I do like that song, 342 00:17:34,640 --> 00:17:37,720 Speaker 1: it was a shift deviation, yeah, and people were like, 343 00:17:37,760 --> 00:17:39,560 Speaker 1: oh my god, what is he? You know, what is 344 00:17:39,560 --> 00:17:41,720 Speaker 1: he doing? Some people loved it, and some people have 345 00:17:42,440 --> 00:17:45,320 Speaker 1: kind of want you to stay in like a certain lane, 346 00:17:45,359 --> 00:17:47,800 Speaker 1: you know. So for you, like, how do you respond 347 00:17:47,840 --> 00:17:50,919 Speaker 1: because clearly they're your fans still, but you're also like, 348 00:17:50,920 --> 00:17:53,000 Speaker 1: you gotta let me grow, right, Yeah, I mean you 349 00:17:53,040 --> 00:17:56,439 Speaker 1: know that was pretty much that was my goal with 350 00:17:56,480 --> 00:17:59,119 Speaker 1: my last album two thousand, that I dropped in July. 351 00:18:00,119 --> 00:18:02,920 Speaker 1: You know, before that album, it was a five year 352 00:18:02,960 --> 00:18:06,000 Speaker 1: break hiatus. And in that five years, like I was 353 00:18:06,040 --> 00:18:08,159 Speaker 1: doing a lot of stuff like falling and you know, 354 00:18:08,520 --> 00:18:12,840 Speaker 1: this different experimentation with my voice, with my sound. But 355 00:18:13,119 --> 00:18:14,920 Speaker 1: you know, by the time I looked up, I was like, Damn, 356 00:18:14,960 --> 00:18:18,640 Speaker 1: five years went by. I can't just come hit them 357 00:18:18,640 --> 00:18:20,000 Speaker 1: with like you know what I'm saying. It's like the 358 00:18:20,040 --> 00:18:22,399 Speaker 1: way I look at it is the rap game like 359 00:18:22,440 --> 00:18:26,200 Speaker 1: the crack game. So here it is Joey Badass. Right, 360 00:18:26,280 --> 00:18:30,040 Speaker 1: here's my trap house. Here. My fans are like my clientele. 361 00:18:30,560 --> 00:18:32,879 Speaker 1: They're coming to my trap house because they know I 362 00:18:32,960 --> 00:18:40,920 Speaker 1: have crack. I haven't produced crack in five years, right, 363 00:18:40,960 --> 00:18:43,520 Speaker 1: and I got on these fiends still lined up around 364 00:18:43,680 --> 00:18:47,480 Speaker 1: blockers waiting for crack. But if I just come to 365 00:18:47,520 --> 00:18:49,920 Speaker 1: the door and I'm like, here's some crystal meths, right, 366 00:18:50,119 --> 00:18:53,199 Speaker 1: They're like, what the fuck is this? So you know, 367 00:18:53,240 --> 00:18:57,639 Speaker 1: with two thousand I hadn't This is true, but you 368 00:18:57,640 --> 00:19:00,240 Speaker 1: know I had to serve the clientele because you know what, 369 00:19:00,280 --> 00:19:02,760 Speaker 1: they would loyal. They waited for me, They kept me 370 00:19:02,800 --> 00:19:06,160 Speaker 1: above water. You know what I'm saying. They is why 371 00:19:06,200 --> 00:19:08,560 Speaker 1: I survive. You know what I'm saying, Like they come 372 00:19:08,600 --> 00:19:11,399 Speaker 1: to the shows everything, like even those five years and 373 00:19:11,480 --> 00:19:13,600 Speaker 1: no music, I never had a dull moment. So I 374 00:19:13,640 --> 00:19:15,800 Speaker 1: had to reward those people. I had to show those 375 00:19:15,840 --> 00:19:17,840 Speaker 1: people thank you. You know what I'm saying, that I 376 00:19:17,840 --> 00:19:20,640 Speaker 1: appreciate you and that I'm always gonna hold y'all down 377 00:19:20,720 --> 00:19:22,959 Speaker 1: with this product that y'all love. But now that they 378 00:19:23,000 --> 00:19:27,879 Speaker 1: got the crack, you know, enterprising, enterprising, you know what 379 00:19:27,920 --> 00:19:30,360 Speaker 1: I'm saying. It's like, look, I set my man, look 380 00:19:30,400 --> 00:19:33,719 Speaker 1: you run this track. I'm gonna go to Newark, New Jersey. 381 00:19:34,000 --> 00:19:36,280 Speaker 1: I'm gonna start seeing what's good with this other shit. 382 00:19:36,600 --> 00:19:44,200 Speaker 1: It was really that character. What's the craziest thing that, um, 383 00:19:44,240 --> 00:19:48,080 Speaker 1: you've experienced with a fan? Since we're talking about your fans, hmmm, 384 00:19:48,720 --> 00:19:51,119 Speaker 1: can you kids elaborate? Well, I don't know. I'm not 385 00:19:51,200 --> 00:19:54,800 Speaker 1: a like it's an interesting some interesting experience with a 386 00:19:54,840 --> 00:19:59,200 Speaker 1: fan or something crazy that fan did say the dawnest things? 387 00:19:59,480 --> 00:20:04,000 Speaker 1: The do you remember that show? I'll be looking at 388 00:20:04,119 --> 00:20:11,200 Speaker 1: fans sometimes. I don't know, Like, what's the craziest thing. 389 00:20:11,400 --> 00:20:15,200 Speaker 1: Many crazy things have happened, like from you know, fans 390 00:20:15,240 --> 00:20:18,320 Speaker 1: just wandering into my dressing room acting like they're working 391 00:20:18,560 --> 00:20:22,439 Speaker 1: for you know what, I'm saying, different type of stuff. 392 00:20:25,520 --> 00:20:28,480 Speaker 1: That time it was actually a guy like you with 393 00:20:28,560 --> 00:20:37,200 Speaker 1: Bro's I'm it's always something new. It's always something new. 394 00:20:37,200 --> 00:20:39,800 Speaker 1: Every time I go out, it's something there was something different. 395 00:20:40,160 --> 00:20:42,160 Speaker 1: So you are doing an R and B album, right, 396 00:20:43,600 --> 00:20:45,639 Speaker 1: So I wouldn't I wouldn't call it an R and 397 00:20:45,680 --> 00:20:48,960 Speaker 1: B album. I say it's like R and B influenced 398 00:20:49,160 --> 00:20:53,000 Speaker 1: and inspired you know what, I'm saying, it's definitely something 399 00:20:53,080 --> 00:20:57,600 Speaker 1: more out, something I describe more as like here's a 400 00:20:57,680 --> 00:21:00,800 Speaker 1: body of work where I'm over it up about my 401 00:21:00,880 --> 00:21:05,760 Speaker 1: relationships with women, you know, my dating experiences and my 402 00:21:05,880 --> 00:21:08,520 Speaker 1: love life. Okay, people want to hear that too, because 403 00:21:08,520 --> 00:21:11,159 Speaker 1: I feel like for so long, that's why when you 404 00:21:11,160 --> 00:21:12,960 Speaker 1: did lip service, that was like is he really gonna 405 00:21:13,000 --> 00:21:14,920 Speaker 1: do that? And you definitely came on there and brought 406 00:21:14,960 --> 00:21:17,480 Speaker 1: the heat. Do you have any regrets with the interview 407 00:21:17,520 --> 00:21:21,240 Speaker 1: because you said a lot and yeah, you know people 408 00:21:21,320 --> 00:21:24,280 Speaker 1: I always say I see people reference the time too. 409 00:21:24,320 --> 00:21:25,840 Speaker 1: But you know what I say all the time is like, 410 00:21:25,880 --> 00:21:28,720 Speaker 1: you know, as we're we're all humans, so you know, 411 00:21:29,160 --> 00:21:30,920 Speaker 1: and it's not even a set that I like, I'm 412 00:21:30,920 --> 00:21:34,080 Speaker 1: not recanning anything that I said, but you know, as 413 00:21:34,280 --> 00:21:37,720 Speaker 1: human beings, we grow and we evolve. So you know, 414 00:21:37,760 --> 00:21:39,840 Speaker 1: you might feel this way at this point in your life, 415 00:21:39,840 --> 00:21:41,400 Speaker 1: but that don't mean you're gonna feel that way forever, 416 00:21:41,640 --> 00:21:43,399 Speaker 1: right you know what I'm saying. So yeah, you know 417 00:21:43,440 --> 00:21:45,600 Speaker 1: that's exactly where I was, and I stand on everything 418 00:21:45,640 --> 00:21:47,280 Speaker 1: I said and at that time I was at that 419 00:21:47,359 --> 00:21:55,199 Speaker 1: time right here, now you stand on its because I 420 00:21:55,200 --> 00:21:57,119 Speaker 1: also because I don't think before that you would have 421 00:21:57,200 --> 00:21:59,719 Speaker 1: done that interview, you know, because I know I've been 422 00:21:59,760 --> 00:22:01,280 Speaker 1: liked trying to get you on there for a while 423 00:22:01,320 --> 00:22:05,040 Speaker 1: and it wasn't time for you. Yeah, I agree. I agree. 424 00:22:05,080 --> 00:22:07,360 Speaker 1: I wouldn't say I wouldn't have done it, but then 425 00:22:07,600 --> 00:22:09,560 Speaker 1: couldn't have been better? Yeah, you know what I mean. 426 00:22:09,640 --> 00:22:12,280 Speaker 1: And I'm big on alignment, you know what I'm saying, 427 00:22:12,280 --> 00:22:14,240 Speaker 1: Like even with this phone or song, like I've loved 428 00:22:14,240 --> 00:22:17,120 Speaker 1: this song for five years. Yeah that's crazy. I loved 429 00:22:17,119 --> 00:22:21,560 Speaker 1: it Like my iTunes, I probably played this song five 430 00:22:21,640 --> 00:22:24,080 Speaker 1: thousand times, you know what I'm saying. And now I 431 00:22:24,160 --> 00:22:26,680 Speaker 1: just feel like the time couldn't be anymore better. It's 432 00:22:26,720 --> 00:22:29,720 Speaker 1: like brand new to y'all, ears right, And it's almost 433 00:22:29,720 --> 00:22:31,720 Speaker 1: brand new to me too, for sharing it with the 434 00:22:31,760 --> 00:22:34,680 Speaker 1: world for the first time. And it's a very vulnerable 435 00:22:34,720 --> 00:22:36,159 Speaker 1: thing to do because it is a different look, and 436 00:22:36,200 --> 00:22:38,120 Speaker 1: I know sometimes that can be scary too, like how 437 00:22:38,160 --> 00:22:40,000 Speaker 1: are people are going to receive this? I was just 438 00:22:40,040 --> 00:22:42,240 Speaker 1: tired of being scared, you know what I'm saying. Like, 439 00:22:42,280 --> 00:22:44,640 Speaker 1: I'm like, Yo, it's now or never, Like if I'm 440 00:22:44,680 --> 00:22:47,600 Speaker 1: really gonna make shifts and changes and leaps and bounds, 441 00:22:47,680 --> 00:22:49,639 Speaker 1: or if I'm really gonna be about the things I 442 00:22:49,720 --> 00:22:52,439 Speaker 1: told about, if I'm gonna be a good role model, 443 00:22:52,480 --> 00:22:54,600 Speaker 1: like I gotta show these people that you gotta take 444 00:22:54,640 --> 00:22:56,399 Speaker 1: these risks. You know what I'm saying. I gotta be 445 00:22:56,480 --> 00:22:59,200 Speaker 1: wanting to stand on the risk. And you know, I've 446 00:22:59,200 --> 00:23:01,320 Speaker 1: taken risk before in the past that I feel like 447 00:23:01,560 --> 00:23:05,280 Speaker 1: weren't as successful. But I feel like there's no really, 448 00:23:05,320 --> 00:23:08,360 Speaker 1: no real such thing as failure because you only learned right, 449 00:23:08,560 --> 00:23:11,640 Speaker 1: you know. And I will say this like ghost Face, 450 00:23:12,080 --> 00:23:13,720 Speaker 1: you know, part of the reason why I love him 451 00:23:13,800 --> 00:23:16,359 Speaker 1: is because of his experimenting with the R and B 452 00:23:16,480 --> 00:23:18,600 Speaker 1: on the level that he did. You know, he did 453 00:23:18,640 --> 00:23:20,840 Speaker 1: like the was it the Wizard of Poetry album where 454 00:23:20,840 --> 00:23:23,239 Speaker 1: it was like all collabs and kind of like an 455 00:23:23,280 --> 00:23:24,800 Speaker 1: R and B album. So are you planning to do 456 00:23:24,840 --> 00:23:27,440 Speaker 1: a lot of collabs on there? Yes, planning to do 457 00:23:27,480 --> 00:23:30,760 Speaker 1: a lot of collabs already. I just sent the few 458 00:23:30,760 --> 00:23:34,840 Speaker 1: records out this week. Um supposed to have obsessions like 459 00:23:34,840 --> 00:23:36,360 Speaker 1: I don't want to I don't want to ruin those 460 00:23:36,359 --> 00:23:44,360 Speaker 1: surprises or or you know, well, manifestations then manifestations. Yeah, 461 00:23:44,400 --> 00:23:46,359 Speaker 1: one day I would love to make a song with scissor. 462 00:23:48,119 --> 00:23:50,600 Speaker 1: I could definitely see that happening, and I want to 463 00:23:50,640 --> 00:23:52,320 Speaker 1: go see her and tour here. When she came to 464 00:23:52,320 --> 00:23:55,199 Speaker 1: the Garden, that was one of the most amazing So 465 00:23:55,560 --> 00:23:58,920 Speaker 1: I missed it that I've ever seen, Like honestly, she 466 00:23:59,040 --> 00:24:01,600 Speaker 1: did such an amazing and her album if you could 467 00:24:01,600 --> 00:24:04,119 Speaker 1: see everybody in there, I mean it was crazy. So yes, 468 00:24:04,160 --> 00:24:06,480 Speaker 1: I'm She's somebody who I'm super proud of it because 469 00:24:06,520 --> 00:24:10,280 Speaker 1: I've known her since the very beginning of her career 470 00:24:10,720 --> 00:24:13,280 Speaker 1: and stuff like that, and to see her trajectory, it's 471 00:24:13,400 --> 00:24:16,680 Speaker 1: like it's unreal, you know what I mean. So I'm 472 00:24:16,680 --> 00:24:18,200 Speaker 1: super proud of her and all love to work with. 473 00:24:19,680 --> 00:24:22,680 Speaker 1: We like a manifestation. And how do you feel when 474 00:24:22,680 --> 00:24:24,880 Speaker 1: you come back? Like you said, Brooklyn is home for you. 475 00:24:24,880 --> 00:24:27,280 Speaker 1: You're from Brooklyn. It's the reason why you have this 476 00:24:27,359 --> 00:24:29,879 Speaker 1: style that you have. So how is it like when 477 00:24:29,920 --> 00:24:31,280 Speaker 1: you're out of town and then you come back and 478 00:24:31,280 --> 00:24:34,719 Speaker 1: you see how different it is too? At the same time, Um, 479 00:24:35,800 --> 00:24:37,560 Speaker 1: how is it yeah for you? Like do you ever 480 00:24:37,560 --> 00:24:39,560 Speaker 1: come back home? Well, it was already different when I 481 00:24:39,680 --> 00:24:42,000 Speaker 1: was there. It was like changing so much when I 482 00:24:42,040 --> 00:24:44,320 Speaker 1: was there, from like when I was growing up to Mike. 483 00:24:44,800 --> 00:24:49,480 Speaker 1: You know, when I was maturing into like a man, 484 00:24:50,119 --> 00:24:52,919 Speaker 1: it was already so much different. So it's like, I 485 00:24:52,960 --> 00:24:55,720 Speaker 1: don't know, it doesn't surprise me anymore, right, you know 486 00:24:55,760 --> 00:24:58,440 Speaker 1: what I'm saying. To see it changing or to see 487 00:24:59,000 --> 00:25:03,000 Speaker 1: more changes, I'm just like, there go the people to 488 00:25:03,040 --> 00:25:06,560 Speaker 1: see it. Best best guy Brownstone for like I just 489 00:25:06,600 --> 00:25:10,560 Speaker 1: saw the one that they shot crookling in that Brownstone 490 00:25:10,600 --> 00:25:12,880 Speaker 1: just so for four point one million dollars and best guy, 491 00:25:13,720 --> 00:25:15,520 Speaker 1: you know, And it's a damn shame because there ain't 492 00:25:15,560 --> 00:25:24,000 Speaker 1: no fucking parking spots. I'm like, oh, I can't believe 493 00:25:24,000 --> 00:25:29,680 Speaker 1: you do this every day parking spot you manifested guy 494 00:25:30,280 --> 00:25:32,400 Speaker 1: to be like, dear guy, please, when I get home, 495 00:25:32,480 --> 00:25:35,000 Speaker 1: let me find a parking spot not too far. Yeah, 496 00:25:35,320 --> 00:25:38,840 Speaker 1: I swear that I do that. And people don't understand too, 497 00:25:38,880 --> 00:25:40,960 Speaker 1: because if you're not from New York, they like, damn, 498 00:25:40,960 --> 00:25:42,400 Speaker 1: you pay this much and you don't have no where 499 00:25:42,400 --> 00:25:45,080 Speaker 1: to park. It's crazy. It's a crazy concept. Yeah. Yeah, 500 00:25:45,119 --> 00:25:47,000 Speaker 1: that's why you know, I had to take my talents 501 00:25:47,000 --> 00:25:50,919 Speaker 1: to Connecticut. And what about your family? Now, how do 502 00:25:50,960 --> 00:25:52,680 Speaker 1: they feel? Because I know, like you know, like you said, 503 00:25:52,720 --> 00:25:54,679 Speaker 1: from a young age, growing up listening to music in 504 00:25:54,720 --> 00:25:57,080 Speaker 1: the house, your mom having to take you out of school. 505 00:25:57,119 --> 00:26:00,560 Speaker 1: What does she think now about everything? Oh? I mean 506 00:26:00,840 --> 00:26:04,960 Speaker 1: she's proud, she did a good job. You know, she's 507 00:26:05,040 --> 00:26:08,000 Speaker 1: she's happy, she's stable. You know what I'm saying. Me 508 00:26:08,040 --> 00:26:10,760 Speaker 1: and my mom houses is like ten minutes from each other. 509 00:26:11,600 --> 00:26:14,439 Speaker 1: So yeah, it's really dope. You know, I got my 510 00:26:14,480 --> 00:26:17,360 Speaker 1: baby sister and my daughter. They're like the same They're 511 00:26:17,400 --> 00:26:20,240 Speaker 1: the same age, so you know they go to the 512 00:26:20,280 --> 00:26:23,760 Speaker 1: same school. Well that's crazy, your baby sister or your 513 00:26:23,840 --> 00:26:26,360 Speaker 1: daughter at the same age, so that's her aunt. Yeah. 514 00:26:26,400 --> 00:26:30,240 Speaker 1: But but but my daughter is actually five months older 515 00:26:31,280 --> 00:26:35,359 Speaker 1: that your dad's daughter or your mom's mom's daughter. Okay, yeah, okay, 516 00:26:35,480 --> 00:26:36,959 Speaker 1: Well we love to see it. Well, thank you so 517 00:26:37,040 --> 00:26:38,639 Speaker 1: much for coming through. Do we have a date for 518 00:26:38,680 --> 00:26:41,680 Speaker 1: the album or no date? No date as right now, 519 00:26:41,800 --> 00:26:46,120 Speaker 1: but we are planning the next single right now, so 520 00:26:46,880 --> 00:26:50,560 Speaker 1: in the meantime, enjoy Falling, you know, can we get 521 00:26:50,600 --> 00:26:53,879 Speaker 1: into it? Yeah? Can we do that? Yes, we absolutely can't. Please. 522 00:26:54,119 --> 00:26:57,320 Speaker 1: This is Joey Badass with Angela. Ye, and here's my 523 00:26:57,440 --> 00:27:00,800 Speaker 1: new single Falling, And make sure you're west and watch 524 00:27:00,880 --> 00:27:04,200 Speaker 1: the video. Probably fellas not with you? Uh, not with 525 00:27:04,320 --> 00:27:10,000 Speaker 1: your girl, he might take it. Or fellas, don't watch it, 526 00:27:10,040 --> 00:27:13,520 Speaker 1: don't watch just listen to the song Fellas yea. Or 527 00:27:13,560 --> 00:27:15,840 Speaker 1: it might inspire you to do some push ups. Yeah 528 00:27:17,400 --> 00:27:22,520 Speaker 1: all right, Joey badass Brooklyn Zone where y'all