WEBVTT - Casey Jost and Kevin Devine Talk About Paris Hilton

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<v Speaker 1>Get your hands together and we're gonna start to party

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<v Speaker 1>and start.

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<v Speaker 2>I'm ready to party.

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<v Speaker 1>The Elvis DA Ran after party.

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<v Speaker 3>Hosts of the podcast give It a Chance, Casey Jose

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<v Speaker 3>and Kevin Debien a here, hey guys, this is why

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<v Speaker 3>we love your podcast. It's about music, and a lot

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<v Speaker 3>of the music it's about it's like music we detest.

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<v Speaker 2>And so whose idea was? It reminded us from last

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<v Speaker 2>time you were here, where did you come from? And

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<v Speaker 2>why are you doing this?

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<v Speaker 4>It was my idea, and I wanted to put some

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<v Speaker 4>positive into the world. So I would take these songs

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<v Speaker 4>that people you know, hate on paper and then give

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<v Speaker 4>it a chance.

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<v Speaker 5>Right, we need some.

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<v Speaker 4>Positivity, We need to to have an open mind in

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<v Speaker 4>this world. So we're like, let's listen to some of

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<v Speaker 4>these songs and then give it a chance.

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<v Speaker 6>Yeah. I think also part of it that balances it

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<v Speaker 6>is that they're like hugely successful songs, yeah that are

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<v Speaker 6>just kind of also I don't know, cheesy or eaten

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<v Speaker 6>to death or whatever, and so we're trying to find

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<v Speaker 6>like another thing in them.

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<v Speaker 4>And it happens like recently I put on Achy Breaky Heart,

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<v Speaker 4>which is like we're not like country guys, but we

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<v Speaker 4>like the roots of country and this is like very

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<v Speaker 4>pop country in like early nineties, and I thought I

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<v Speaker 4>was gonna hate it, and we ended up being like

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<v Speaker 4>finding so much positive in it, and it's really it's

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<v Speaker 4>really fun.

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<v Speaker 3>Well, you know, such as life. You know, you can

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<v Speaker 3>find a painting, you can find a play or a

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<v Speaker 3>TV show that you just don't get. Example, but if

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<v Speaker 3>you like sit with it for a second and like

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<v Speaker 3>think it through, Like where were they coming from when

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<v Speaker 3>they've created this art? Okay, it has meaning, it has

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<v Speaker 3>life now, so this is what you're doing. I think

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<v Speaker 3>last of you guys are here. We use a great

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<v Speaker 3>example because it's a big hated song on our show

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<v Speaker 3>Barbie Girl.

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<v Speaker 5>That's the best song ever. Yeah, I see it.

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<v Speaker 6>Subjective difference of opinions ever.

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<v Speaker 4>Well, something we do like to do is we call

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<v Speaker 4>it an anti chancy, and that means like we allow

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<v Speaker 4>ourselves to talk a little smack about it, find things

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<v Speaker 4>we don't like about it. And so in that genre,

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<v Speaker 4>I don't know what it was, it was all these

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<v Speaker 4>like Eastern European guys making it and they'd put themselves

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<v Speaker 4>on the tracks.

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<v Speaker 5>So instead of just having like a beautiful singer.

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<v Speaker 4>They'd also be like a little Barbie.

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<v Speaker 5>It's like they talk talk talk.

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<v Speaker 4>Yeah, Like they all had that one guy that was

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<v Speaker 4>like low voice producer that was like, I'm also going

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<v Speaker 4>to sing on the They have to justify their.

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<v Speaker 2>Existence and agociate that totally.

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<v Speaker 3>See, you find the art form is truly truly at

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<v Speaker 3>an A plus at that point.

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<v Speaker 7>I love when creators have to insert themselves into the project.

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<v Speaker 7>I think it's so funny.

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<v Speaker 5>Yeah, Mustard on a beat. Yeah, I actually girl like.

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<v Speaker 4>I mean that era was probably the original, like producer

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<v Speaker 4>tag like the first people to do that.

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<v Speaker 2>So this is what the podcast is all about.

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<v Speaker 3>Again, Casey Jose and Kevin Devine give it a chance

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<v Speaker 3>second season. Boom, it's now time for second season. You

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<v Speaker 3>lasted to an entire first serial.

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<v Speaker 4>We just kept going to like what number should we

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<v Speaker 4>like kind of stop at and we just were having

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<v Speaker 4>so much fun making these episodes that we were like,

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<v Speaker 4>all right, let's let's stop here and then do a

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<v Speaker 4>new season and think about what kind of songs we want.

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<v Speaker 4>And we have some really great songs coming up for

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<v Speaker 4>season two. I Mentionednikey Breaky Heart. Yeah, we've got a

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<v Speaker 4>lot and we like to do different genres. So we'll

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<v Speaker 4>do some dance or pop, we'll do some metal, we'll

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<v Speaker 4>do some country.

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<v Speaker 2>O this thing that's right, Oh.

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<v Speaker 6>Yeah, that's right.

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<v Speaker 5>Yeah yeah. I think it was Gooba Yeah yeah, yeah.

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<v Speaker 2>Okay, two White Boys not from the Hood.

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<v Speaker 5>No has its.

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<v Speaker 2>Street crad Okay, so so uh okay Tosh six go okay.

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<v Speaker 4>So what I liked about that chorus and it's sometimes

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<v Speaker 4>when things are so simple, it's it's art again. And

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<v Speaker 4>so he has that line that's are you dumb? Stupid

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<v Speaker 4>or dumb? And I just think that's so effective, and

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<v Speaker 4>I just think, like that's catchy, Like it's so simple,

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<v Speaker 4>and it's like it makes me laugh, and I think

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<v Speaker 4>he knows what he's doing. And so that self awareness

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<v Speaker 4>or that awareness is something that I give points to.

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<v Speaker 5>I give that a chance totally.

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<v Speaker 6>And he's also on a continuum. It's punk rock. It's

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<v Speaker 6>like so in your face, and that's like an evolutionary thing.

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<v Speaker 6>Every generation needs its own iteration of that. And this

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<v Speaker 6>is like colorful, bracing and like I'm a forty five

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<v Speaker 6>year old dude from Bayridge and Staten Island, as you said,

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<v Speaker 6>I'm not necessarily supposed to like get that right away.

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<v Speaker 6>But I get where it comes from, and I think,

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<v Speaker 6>you know, if I was a kid, i'd be like,

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<v Speaker 6>oh my god, this is intense, and well, maybe it's

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<v Speaker 6>best you're not from there.

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<v Speaker 2>That's also true, you're from a different from a different filter.

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<v Speaker 5>Yes, yeah.

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<v Speaker 4>I think about my dad and how like any like

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<v Speaker 4>any rap I would put on, whether it be like

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<v Speaker 4>will Smith as like tame as Possible or or a hotel,

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<v Speaker 4>I don't know, but he would go, oh, this is

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<v Speaker 4>rap crap right Like. I was always like this. So

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<v Speaker 4>I was like, Dad, give it a chance. And so

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<v Speaker 4>I'm trying to be a dad that gives it a chance.

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<v Speaker 6>Is your dad gonna come on the pod with us?

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<v Speaker 4>He will, Yeah, he'll, he'll, he'll, he'll drop some beats. Actually,

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<v Speaker 4>let me make a song for it.

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<v Speaker 6>We'll give him a chance.

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<v Speaker 2>So this is what the podcast is all about.

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<v Speaker 3>It's taking these songs that probably ignored by many because

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<v Speaker 3>they can't stand them, and talk about them. I mean, okay,

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<v Speaker 3>give me an example of what you would want on

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<v Speaker 3>the podcast.

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<v Speaker 5>Yeah, gone, okay.

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<v Speaker 7>So Creed in general makes me insane, and Creed has

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<v Speaker 7>had a comeback. Yeah, talk to me about Higher, because

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<v Speaker 7>that song used to make me want to do bad things.

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<v Speaker 6>Sure, it still does that.

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<v Speaker 5>We did, we did hold me Now.

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<v Speaker 4>It's funny though, when you listen to it with like

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<v Speaker 4>open years, because there's this thing.

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<v Speaker 6>That's there.

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<v Speaker 4>It is there, it is, And so we listen and

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<v Speaker 4>you find like a weird chord where you're like, wow,

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<v Speaker 4>that's like a jazzy chord in Creed. And so it's

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<v Speaker 4>funny when you when you when you come at it

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<v Speaker 4>something with open eyes and ears that you find things

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<v Speaker 4>you like and that song is really catching higher.

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<v Speaker 6>No, it's not.

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<v Speaker 5>It's amazing that the like gen Z is like find

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<v Speaker 5>refinding Creed. Right.

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<v Speaker 2>I like the sound of Creed.

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<v Speaker 5>Oh my god, wow, real.

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<v Speaker 4>Well, I like going into lyrics, right, And so we

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<v Speaker 4>do a lot of talk about O Town Liquid dreams.

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<v Speaker 5>Okay, we've never done that. You know you want to

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<v Speaker 5>drop a beat.

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<v Speaker 4>Yeah, O Town Liquid dreams because I think you know

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<v Speaker 4>what those liquid dreams are all about.

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<v Speaker 2>I never put two and two together.

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<v Speaker 5>I know that's the thing. It's it's it's really.

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<v Speaker 4>Again because yeah, because it's I dream about a girl

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<v Speaker 4>that's a mix of you know, Destiny's Child, just a

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<v Speaker 4>little bit Madonna's wild style, with Janet Jackson's or something

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<v Speaker 4>like that, right, and it's and he will they are

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<v Speaker 4>describing like the perfect woman and by using all these

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<v Speaker 4>contemporaries at the time and then dreaming about the way

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<v Speaker 4>they look liquid but.

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<v Speaker 6>That that's kind of also. I mean, listen, we've talked

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<v Speaker 6>about this a lot on the show too. Something you

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<v Speaker 6>hear that makes you think of the better version of

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<v Speaker 6>the thing you're listening to that comes up a lot.

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<v Speaker 6>Do you remember Salt and Pepper? There was in What

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<v Speaker 6>a Man they like listed all the like my man's

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<v Speaker 6>smooth like Barry and his voice, got bass, a body

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<v Speaker 6>like Arnold with a Denzel face anyway, and they got

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<v Speaker 6>they build their man for liquid dreams for them.

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<v Speaker 2>Well go so back to liquid dreams.

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<v Speaker 3>They're they're fantasizing, These boys are fantasizing about these women

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<v Speaker 3>who are much much older and now Stacy, they're much

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<v Speaker 3>much older. I mean, it's it's it's like drying up dreams.

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<v Speaker 3>This like dusty dust dream rusty, crusty.

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<v Speaker 2>Even this is one that that boggled my mind for years.

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<v Speaker 6>How was Into the Night by Benny mardonez ever a

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<v Speaker 6>smash hit?

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<v Speaker 3>Have you guys covered this yet not yet, she's just

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<v Speaker 3>sixteen years old.

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<v Speaker 2>Were alone. They said, he's absolute in the video.

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<v Speaker 6>He's literally with an underage girl, a six year old girl.

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<v Speaker 2>We got it. We got it. So you could go

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<v Speaker 2>on and on and you will. We you talked about

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<v Speaker 2>Benny Mardona's into the definitely, but.

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<v Speaker 6>We have talked about this subject before.

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<v Speaker 1>Yeah, it's cold outside.

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<v Speaker 2>Yeah, so there's a lot of predators in music.

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<v Speaker 5>Well it started with you. She was just seventeen, you

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<v Speaker 5>know what I mean.

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<v Speaker 4>Yeah, like it was that that era was always kind

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<v Speaker 4>of looking towards like younger, younger.

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<v Speaker 6>And not just that like you know, I feel like Winger.

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<v Speaker 6>They had a song called seventeen that was like a

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<v Speaker 6>huge top twenty sing We all forgot about Winger go

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<v Speaker 6>back to.

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<v Speaker 7>You seventeen when they wrote it.

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<v Speaker 6>No, they were like twenty eighth.

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<v Speaker 1>Do you guys ever do songs that don't have lyrics

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<v Speaker 1>like that dumb sandstorm stupid song.

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<v Speaker 2>Oh drude, yes, just crazy.

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<v Speaker 5>Yeah.

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<v Speaker 4>Well, we did a Beatles song that was like Revolution

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<v Speaker 4>number nine, which was like we were taking the Beatles

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<v Speaker 4>on and we were trying this like experimental one and

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<v Speaker 4>putting ourselves in that mindset.

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<v Speaker 5>But it's not a song that you want to just

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<v Speaker 5>throw on.

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<v Speaker 6>No, no, no no. I mean it's an interesting experiment, but

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<v Speaker 6>it's nine minutes of tape loops or whatever. But Animal

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<v Speaker 6>Collective we did too, which has like sort of nonsense

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<v Speaker 6>lyrics and spaces.

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<v Speaker 4>But yeah, we wanted to do one of these like

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<v Speaker 4>art like art forward bands that you know. To be honest,

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<v Speaker 4>I really like that band and they're like kind of

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<v Speaker 4>more under the radar. We don't want to just you know.

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<v Speaker 6>Like Rico Suave, and we don't want to just do hits.

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<v Speaker 4>We want to do songs that, like, you know, I

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<v Speaker 4>might have some niche following that we want to you know,

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<v Speaker 4>give some light to but also tear down a little

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<v Speaker 4>for you.

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<v Speaker 3>I got one for you, and I know that this

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<v Speaker 3>one over here. Gandhi is a big fan this one.

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<v Speaker 3>Creed stars are blind by Paris Hilton in the new

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<v Speaker 3>season of their podcast Give It a Chance. I know

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<v Speaker 3>it's featured.

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<v Speaker 4>Yes, I had wanted to do that one for a while,

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<v Speaker 4>and the problem was with that one for me was

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<v Speaker 4>I also like it. So sometimes it's like I want

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<v Speaker 4>to just put on the chopping block something that I

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<v Speaker 4>think maybe my taste you know, might not be that great,

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<v Speaker 4>So let me just try this and see what Kevin thinks.

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<v Speaker 4>Since I know the world, it's like sometimes we'll hate

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<v Speaker 4>on that song and you like it, Kevin or.

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<v Speaker 6>Not a positive. I felt like more positive than negative

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<v Speaker 6>on it. There was more in it than I thought

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<v Speaker 6>there was going to be. I'll say that I love

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<v Speaker 6>it was not like a contemptible. It wasn't like a

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<v Speaker 6>song you're like, oh I hate this. It was like, well,

0:10:14.480 --> 0:10:15.040
<v Speaker 6>except for you.

0:10:15.240 --> 0:10:17.200
<v Speaker 4>The only reason somebody might hate it is because they

0:10:17.240 --> 0:10:18.200
<v Speaker 4>found out Paris Hilton.

0:10:18.400 --> 0:10:21.000
<v Speaker 6>Well that's we talked a lot about that, of course,

0:10:21.080 --> 0:10:23.840
<v Speaker 6>like how that can obscure being able to hear the thing,

0:10:24.160 --> 0:10:27.520
<v Speaker 6>the associations with the person. You know, it's a song

0:10:27.679 --> 0:10:30.160
<v Speaker 6>totally or even further back it's high as high?

0:10:30.200 --> 0:10:35.319
<v Speaker 7>Or have you guys thought about doing a Christmas version

0:10:35.360 --> 0:10:35.680
<v Speaker 7>of this?

0:10:36.720 --> 0:10:38.800
<v Speaker 5>Yeah? We did a Christmas song? We did?

0:10:39.120 --> 0:10:42.120
<v Speaker 6>Didn't we do a Christmas song? Here? Did we did?

0:10:43.320 --> 0:10:46.679
<v Speaker 4>We did your like that song that you that like

0:10:47.000 --> 0:10:49.319
<v Speaker 4>it discussed the viral video song almost thing that you

0:10:49.440 --> 0:10:50.400
<v Speaker 4>did Christmas?

0:10:50.440 --> 0:10:55.240
<v Speaker 2>Shoot, we don't agree. That's just the worst song ever.

0:10:55.720 --> 0:10:57.000
<v Speaker 5>We did do a Christmas song?

0:10:57.520 --> 0:10:58.719
<v Speaker 6>Do they know it's Christmas time.

0:10:58.920 --> 0:11:01.800
<v Speaker 5>Yeah, we did about that one, okay, because.

0:11:01.840 --> 0:11:05.040
<v Speaker 2>When that came out they meant, well, yeah, and.

0:11:05.040 --> 0:11:07.280
<v Speaker 6>We did talk about that. We did talk about that.

0:11:07.400 --> 0:11:09.439
<v Speaker 5>And sometimes it's yucky, right, like it has.

0:11:09.320 --> 0:11:13.960
<v Speaker 6>Aged into kind of like you know White Savior. Yeah yeah, yeah,

0:11:14.000 --> 0:11:16.880
<v Speaker 6>like white rock Star person that's like we know what

0:11:17.000 --> 0:11:17.840
<v Speaker 6>to do with these.

0:11:18.080 --> 0:11:20.920
<v Speaker 5>I think want to save the world exactly.

0:11:21.400 --> 0:11:22.640
<v Speaker 6>It's a freaking child.

0:11:22.720 --> 0:11:24.360
<v Speaker 2>It's Russell brand I think.

0:11:25.640 --> 0:11:28.720
<v Speaker 4>I think I'll get all my mates and will save

0:11:29.440 --> 0:11:33.400
<v Speaker 4>the world with us. One song, right, and that what

0:11:33.520 --> 0:11:34.560
<v Speaker 4>was the one that came before it?

0:11:34.640 --> 0:11:34.800
<v Speaker 6>Right?

0:11:35.760 --> 0:11:36.280
<v Speaker 2>We are the world?

0:11:36.360 --> 0:11:38.040
<v Speaker 5>We are the world? And then remember I.

0:11:38.160 --> 0:11:40.560
<v Speaker 4>Remember the one that like recently, like was it in

0:11:40.600 --> 0:11:44.080
<v Speaker 4>COVID where like all those celebrities, you.

0:11:44.120 --> 0:11:46.560
<v Speaker 6>Know that what I will give us credit as a

0:11:46.559 --> 0:11:50.240
<v Speaker 6>species for some evolution that got like savage di minuty.

0:11:51.000 --> 0:11:55.160
<v Speaker 3>They were like, yeah, I'm something serious. But back to uh,

0:11:55.200 --> 0:11:58.199
<v Speaker 3>do the much Christmas? The entrants know they don't know

0:11:58.240 --> 0:12:00.000
<v Speaker 3>what Christmas and a lot of these countries they don't

0:12:00.080 --> 0:12:00.360
<v Speaker 3>really know.

0:12:00.840 --> 0:12:01.640
<v Speaker 5>I don't think they care.

0:12:02.360 --> 0:12:02.839
<v Speaker 2>They don't care.

0:12:03.080 --> 0:12:05.680
<v Speaker 6>Do they care it's Christmas? Christmas?

0:12:06.640 --> 0:12:06.840
<v Speaker 5>Care?

0:12:08.040 --> 0:12:11.640
<v Speaker 6>We did like we did, like Phil Collins drums on

0:12:11.720 --> 0:12:12.200
<v Speaker 6>the song.

0:12:12.120 --> 0:12:15.880
<v Speaker 5>Yea, we found some positive Yeah, yeah, turn around.

0:12:15.880 --> 0:12:17.520
<v Speaker 6>At one point we were like that was cool.

0:12:17.720 --> 0:12:19.680
<v Speaker 3>So these are the conversations you have with your friends,

0:12:19.760 --> 0:12:23.600
<v Speaker 3>especially maybe after hitting an edible sitting around just like

0:12:24.040 --> 0:12:26.679
<v Speaker 3>just like Casey and Kevin, do give it a chance.

0:12:26.760 --> 0:12:29.920
<v Speaker 3>It is second season out right, now is the whole

0:12:29.960 --> 0:12:30.559
<v Speaker 3>season out?

0:12:31.080 --> 0:12:33.160
<v Speaker 4>No, we're not dropping, We're not dropping at all. We're

0:12:33.160 --> 0:12:35.360
<v Speaker 4>doing one at a time. We're doing Yeah, maybe we'll

0:12:35.400 --> 0:12:37.040
<v Speaker 4>do the stranger things. We'll do four at a time

0:12:37.440 --> 0:12:38.079
<v Speaker 4>and make you.

0:12:38.040 --> 0:12:41.600
<v Speaker 5>Wait for more and then four now, yeah, we we have.

0:12:41.960 --> 0:12:44.199
<v Speaker 4>We were the holidays, get so busy, we're gonna drop

0:12:44.200 --> 0:12:45.880
<v Speaker 4>a few episodes, take a small little break, and then

0:12:45.960 --> 0:12:46.440
<v Speaker 4>drop some more.

0:12:46.480 --> 0:12:47.439
<v Speaker 5>So maybe we are doing that.

0:12:47.559 --> 0:12:49.800
<v Speaker 2>You're still having fun doing it obviously you're yeah.

0:12:49.920 --> 0:12:51.600
<v Speaker 5>Yeah, I was nervous. I was like, are we gonna

0:12:51.679 --> 0:12:51.960
<v Speaker 5>run out?

0:12:52.000 --> 0:12:54.800
<v Speaker 4>And I just keep finding not only songs, but just

0:12:55.360 --> 0:12:59.240
<v Speaker 4>different ways to even think about these songs. And you know,

0:12:59.280 --> 0:13:01.320
<v Speaker 4>with the pair Hilton, when we were kind of talking

0:13:01.360 --> 0:13:05.120
<v Speaker 4>about her career and the hate that someone like a

0:13:05.160 --> 0:13:07.440
<v Speaker 4>celebrity would get and you know, born into this like

0:13:07.600 --> 0:13:10.280
<v Speaker 4>rich family, and so it's fun to talk about just

0:13:10.320 --> 0:13:11.679
<v Speaker 4>the icon themselves and.

0:13:11.640 --> 0:13:14.959
<v Speaker 6>The stuff around the song sometimes is as interesting as

0:13:15.000 --> 0:13:18.160
<v Speaker 6>the song itself, either positive ort negative. You know, there's

0:13:18.240 --> 0:13:19.360
<v Speaker 6>lots of there's just.

0:13:19.280 --> 0:13:22.360
<v Speaker 2>Two guys sitting on talking you actually investigate you actually, well,

0:13:22.400 --> 0:13:24.120
<v Speaker 2>he's the research.

0:13:24.240 --> 0:13:26.400
<v Speaker 4>But you know that is a compliment that I've been

0:13:26.440 --> 0:13:28.480
<v Speaker 4>given from a friend who was like, I really like that.

0:13:28.559 --> 0:13:31.480
<v Speaker 4>Your podcast isn't just like two guys just talking. It's

0:13:31.600 --> 0:13:34.679
<v Speaker 4>it's got a thesis and it's got a statement. And

0:13:34.720 --> 0:13:37.080
<v Speaker 4>you follow this threat and of course we go on tangents.

0:13:37.520 --> 0:13:39.440
<v Speaker 4>We're gonna say, we're gonna I always I when I

0:13:39.480 --> 0:13:41.280
<v Speaker 4>described it originally to Kevin at what I want to do,

0:13:41.640 --> 0:13:43.280
<v Speaker 4>you know, I call it like a trampoline where it's

0:13:43.320 --> 0:13:45.720
<v Speaker 4>like we could always land back on the trampoline, which

0:13:45.760 --> 0:13:47.360
<v Speaker 4>is the show, and we could jump up and talk

0:13:47.360 --> 0:13:50.360
<v Speaker 4>about other things like within the world of Limp Biscuit

0:13:50.559 --> 0:13:52.600
<v Speaker 4>and like you know, new metal, but then come.

0:13:52.480 --> 0:13:55.240
<v Speaker 5>Back down to the song and it's it's it's fun totally.

0:13:55.280 --> 0:13:57.840
<v Speaker 6>And this might sound cheesy, but in truth, after we

0:13:58.000 --> 0:14:00.280
<v Speaker 6>every episode, one of us text the other and so

0:14:00.400 --> 0:14:00.959
<v Speaker 6>fun like.

0:14:00.960 --> 0:14:03.600
<v Speaker 1>It's still it's still you guys, do you still like

0:14:03.640 --> 0:14:04.000
<v Speaker 1>each other?

0:14:04.200 --> 0:14:04.400
<v Speaker 2>Love?

0:14:04.480 --> 0:14:05.160
<v Speaker 5>Okay?

0:14:05.280 --> 0:14:07.400
<v Speaker 3>Well, actually I love doing it. Because I tell you,

0:14:07.480 --> 0:14:10.240
<v Speaker 3>podcasts are not lucrative at all. So they show up

0:14:10.240 --> 0:14:11.760
<v Speaker 3>and they show up and they put them together.

0:14:12.360 --> 0:14:14.120
<v Speaker 7>In all of this, have you guys found a song

0:14:14.160 --> 0:14:15.559
<v Speaker 7>that you gave a chance and we're like, you know what,

0:14:15.720 --> 0:14:17.240
<v Speaker 7>that was not worth giving a chance?

0:14:17.320 --> 0:14:20.320
<v Speaker 6>Actually, oh, for sure, it's always worth giving it the chance.

0:14:20.400 --> 0:14:22.240
<v Speaker 6>But there's definitely ones that you're like, oh no, this

0:14:22.320 --> 0:14:24.400
<v Speaker 6>is just out and out dog, you know.

0:14:25.200 --> 0:14:27.160
<v Speaker 4>Yeah, yeah, I got to think of which ones, because

0:14:27.320 --> 0:14:30.840
<v Speaker 4>it's often that I actually leave thinking, oh that was

0:14:30.880 --> 0:14:31.480
<v Speaker 4>I like that.

0:14:31.480 --> 0:14:32.880
<v Speaker 5>That was a little bit better than I thought.

0:14:33.160 --> 0:14:35.760
<v Speaker 4>But I think you know, things like Metallica sane Anger

0:14:35.880 --> 0:14:37.920
<v Speaker 4>Oh yeah right, which is like.

0:14:37.880 --> 0:14:43.560
<v Speaker 5>I'm madly in anger with you, sing that one more time,

0:14:43.640 --> 0:14:46.560
<v Speaker 5>I'm madly in anger with you, Like in love. That's

0:14:46.600 --> 0:14:49.240
<v Speaker 5>a Metallica song. I was like, you know that's deep.

0:14:50.000 --> 0:14:51.720
<v Speaker 6>Is that also where he says that Reabe that's another

0:14:51.720 --> 0:14:54.280
<v Speaker 6>one on that record? I can't remember now. My lifestyle

0:14:54.360 --> 0:15:00.800
<v Speaker 6>informs my death style. This lyricist awesome more music like

0:15:00.840 --> 0:15:01.800
<v Speaker 6>that top Headfield.

0:15:02.040 --> 0:15:03.800
<v Speaker 5>It is you have a fight with Alex I want

0:15:03.840 --> 0:15:04.000
<v Speaker 5>you to.

0:15:04.000 --> 0:15:08.160
<v Speaker 3>Say maybe yeah, yeah, yeah, he would understand he's from

0:15:08.200 --> 0:15:08.800
<v Speaker 3>Staten Island.

0:15:08.880 --> 0:15:10.760
<v Speaker 2>Yeah, Yeah, give it a chance.

0:15:11.080 --> 0:15:13.400
<v Speaker 3>Host of the podcast Casey jose and Kevin Devine, thank

0:15:13.440 --> 0:15:15.960
<v Speaker 3>you for coming in and thanks for season two.

0:15:16.200 --> 0:15:19.360
<v Speaker 2>Yeo, thank you, thank you for the opportunity, Yes.

0:15:19.200 --> 0:15:19.920
<v Speaker 5>For having us.

0:15:19.920 --> 0:15:20.480
<v Speaker 6>It's awesome.

0:15:21.760 --> 0:15:24.720
<v Speaker 1>The Elvis Duran after Party