WEBVTT - Season 08 Episode 27: Let's Dance

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<v Speaker 1>In the middle of July fifteen eighteen, the eastern French

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<v Speaker 1>city of Strasbourg was in the grip of a heat wave.

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<v Speaker 1>It had been going on for weeks, and the population

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<v Speaker 1>had adapted accordingly. Residents changed their daily routines to avoid

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<v Speaker 1>the hottest parts of the day, going out to run

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<v Speaker 1>errands at dawn or at dusk, and staying in the

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<v Speaker 1>shade for the rest of the time. On the fourteenth

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<v Speaker 1>of July, as it approached midday, the baking sun inching

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<v Speaker 1>ever higher into the sky, the streets were mostly empty.

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<v Speaker 1>The only people out in the sweltering heat were those

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<v Speaker 1>who didn't have a choice, the farmers and laborers who

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<v Speaker 1>had to be outside come rain or shine. In a

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<v Speaker 1>quiet cobble street, the echoes of a distant church bell

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<v Speaker 1>could be heard striking noon. Just then, a door open

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<v Speaker 1>and a young woman appeared in the door frame, her

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<v Speaker 1>face fixed in an odd, vacant expression. When she stepped

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<v Speaker 1>out onto the street, it was as if she was

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<v Speaker 1>being called to something. She didn't even stop to close

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<v Speaker 1>the front door before heading off briskly towards the town's

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<v Speaker 1>central square. Nobody in the square looked twice at the

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<v Speaker 1>young woman when she first arrived, but then something strange

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<v Speaker 1>began to happen. The woman started to dance on the spot,

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<v Speaker 1>her body twisting and twirling in time to some imaginary

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<v Speaker 1>soundtrack that only she could hear. She seemed utterly oblivious

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<v Speaker 1>to the sun beating down on her and to the

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<v Speaker 1>curious glances of passers by who stopped to stare. At first,

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<v Speaker 1>people were amused. This must be some kind of performance,

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<v Speaker 1>they thought, although the lack of music struck them as strange.

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<v Speaker 1>A few people dropped coins into a pile next to her,

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<v Speaker 1>assuming that she was a busker, but before long began

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<v Speaker 1>to notice some unsettling details. Despite the strange chigs she

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<v Speaker 1>was dancing, the look on the young woman's face was

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<v Speaker 1>anything but merry. Her features were contorted into a strange grimace,

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<v Speaker 1>as if she was in terrible pain. As the temperature

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<v Speaker 1>climbed above thirty degrees celsius, sweat began to pour down

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<v Speaker 1>her face and arms, but the woman refused to stop.

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<v Speaker 1>After more than an hour of continuous dancing, she was

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<v Speaker 1>still going. People began to exchange nervous glances. Then a

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<v Speaker 1>city worker approached the woman and tried to get her

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<v Speaker 1>to pause, offering her water. She ignored him completely, and

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<v Speaker 1>when he put his hands on her shoulders, her dancing

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<v Speaker 1>became even more frenetic. She flung her arms wildly at him,

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<v Speaker 1>forcing him to beat a hasty retreat. All afternoon she

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<v Speaker 1>continued non stop, her legs and arms flailing about, hopping

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<v Speaker 1>from one foot to the next. By the ear evening,

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<v Speaker 1>every inch of the young woman's exposed skin was sunburnt,

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<v Speaker 1>her face bright red, and her matted hair drenched in sweat.

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<v Speaker 1>By now a sizeable crowd had gathered to watch this

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<v Speaker 1>bizarre spectacle underneath the setting sun. It was now obvious

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<v Speaker 1>that this was no street performance. There was something terribly

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<v Speaker 1>wrong with this woman, and nobody seemed to know how

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<v Speaker 1>to help her. Her name was Frau Trofia, and soon

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<v Speaker 1>she would not be the only one you're listening to Unexplained,

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<v Speaker 1>and I'm Richard McLean Smith. By the morning of July fifteenth,

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<v Speaker 1>Frau Trofia had been dancing NonStop for close to twenty hours.

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<v Speaker 1>She hadn't stopped to sleep, to eat, or even to

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<v Speaker 1>rest for a moment. Word had spread all over the

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<v Speaker 1>city and that the doctor was called to make sense

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<v Speaker 1>of what was happening. When the doctor arrived, he found

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<v Speaker 1>an even more bizarre scene than he'd expected. There was

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<v Speaker 1>still a crowd gathered around Frautrofia, but now they weren't

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<v Speaker 1>all just onlookers. At some point in the previous few hours,

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<v Speaker 1>two others had begun dancing too, their faces locked into

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<v Speaker 1>the same rictus grimace, their bodies contorting into the same

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<v Speaker 1>strange jig, incredibly like an especially outlandish m night Shire

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<v Speaker 1>Marlin plot. Whatever this was appeared to be contagious. At first,

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<v Speaker 1>it looked like they were mocking Frautrofia, but their dancing

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<v Speaker 1>went on for too long to be a joke, and

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<v Speaker 1>for the rest of the day, the trio kept up

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<v Speaker 1>their wild moods, ignoring all efforts to make them stop. Finally,

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<v Speaker 1>shortly before five pm that evening, Frautropia collapsed to the ground.

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<v Speaker 1>It seemed exhaustion had finally got the best of her,

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<v Speaker 1>and everybody around her breathed a sigh of relief. Whatever

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<v Speaker 1>this strange fever was, it must be breaking, they thought.

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<v Speaker 1>But then Frau Trothia's legs and arms began to twitch weakly,

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<v Speaker 1>and soon they were wriggling again. Fearing she was dying.

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<v Speaker 1>One onlooker rushed forward to give her some water. No

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<v Speaker 1>sooner had frow Trothia managed a few small SIPs, She

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<v Speaker 1>steadily got back to her feet, and the dance began

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<v Speaker 1>once again, more manically than ever. This time, the horrified

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<v Speaker 1>crowd could only watch on as blood from her feet

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<v Speaker 1>began to seep through the straps of her sandals, creating

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<v Speaker 1>streaks of bloody footprints on the stony ground. It was

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<v Speaker 1>as if she was no longer in control of her

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<v Speaker 1>own body, compelled to keep moving by some hidden, all

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<v Speaker 1>powerful puppet master, as if her mind had been given

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<v Speaker 1>over to the King of the fairies. Soon after, concerned

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<v Speaker 1>city officials appeared on the scene and forced the crowd

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<v Speaker 1>to disperse. Terrified that more citizens might suddenly catch the

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<v Speaker 1>dancing fever, they cordoned off the square in a desperate

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<v Speaker 1>effort to prevent anyone else from being able to see

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<v Speaker 1>the dancers, but it was too late. Over the course

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<v Speaker 1>of the next few days, dozens more people across Strasbourg

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<v Speaker 1>began spontaneously dancing. When their alarmed relatives and friends tried

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<v Speaker 1>to intervene more reason with them, the victims were completely unresponsive,

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<v Speaker 1>locked in the same bizarre trance as Frautrophia. Doctors ordered

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<v Speaker 1>friends and family to physically restrain the afflicted just so

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<v Speaker 1>they could examine them, but it was impossible to even

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<v Speaker 1>get close to them, and in any event, the examinations

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<v Speaker 1>when they could conduct them, proved pointless. The physicians were

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<v Speaker 1>completely baffled with things threatening to get out of hand.

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<v Speaker 1>Officials implored the doctors to come up with a theory

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<v Speaker 1>as to what was happening. Though they had no concrete proof,

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<v Speaker 1>it seemed reasonable to assume that the frantic flailing of

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<v Speaker 1>the victims arms and legs had a medical explanation. With

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<v Speaker 1>this in mind, the doctors suggested that the victims simply

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<v Speaker 1>be left alone to effectively dance the sickness out of

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<v Speaker 1>their systems. It was a dubious idea, but it was

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<v Speaker 1>the only one they had. Officials began putting plans together

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<v Speaker 1>to manage the ever growing number of inflicted, believing the

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<v Speaker 1>disease would be best dealt with outside. Specific areas of

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<v Speaker 1>the city became designated as dancing zones, such as the

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<v Speaker 1>open air grain market, the guild hall, and a local

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<v Speaker 1>fair ground. Officials also took the extraordinary decision to try

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<v Speaker 1>and make everything seem as normal as possible, hoping that

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<v Speaker 1>whatever this strange virus was, it would be less effectively

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<v Speaker 1>transmitted if it was harder to discern. To that end,

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<v Speaker 1>the areas were completely cleared out so stages could be

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<v Speaker 1>erected for the afflicted to dance on, and musicians were

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<v Speaker 1>even hired to accompany them. What resulted, however, was a

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<v Speaker 1>grimm tableau, like a hyernomous bosh painting come to life.

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<v Speaker 1>The dancing zones became scenes of surreal, nightmarish chaos. The

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<v Speaker 1>afflicted jerked and twisted endlessly under the baking sun, their

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<v Speaker 1>faces aching with distress. They groaned and cried out in pain.

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<v Speaker 1>Some screamed out for God to save them, but the

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<v Speaker 1>ones who were silent were the more disturbing to watch.

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<v Speaker 1>They looked terrified, as though stuck in a nightmare they

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<v Speaker 1>couldn't wake up from. All the while, groups of perfectly

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<v Speaker 1>healthy musicians accompanied them with a muddled chorus of drum

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<v Speaker 1>beats and pipes. As an ever growing crowd of horrified

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<v Speaker 1>townspeople turned up to stare. It was, as one eyewitness

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<v Speaker 1>described it, as though the dancers created the impression of

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<v Speaker 1>people attempting to keep their legs and feet from burning,

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<v Speaker 1>as if they were poised above a fire. City officials

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<v Speaker 1>also hired professional dancers to perform alongside the victims to

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<v Speaker 1>try and keep them dancing or prop them up when

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<v Speaker 1>they grew too exhausted to stand, convinced that would help

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<v Speaker 1>eradicate the virus. Over the next few weeks, more and

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<v Speaker 1>more victims followed in frou Trophia's footsteps. First, they were

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<v Speaker 1>seized by the uncontrollable urge to die, which they did

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<v Speaker 1>non stop for a period of hours or days, and

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<v Speaker 1>depending on their age and physical condition, they would inevitably

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<v Speaker 1>dance themselves into exhaustion. After six days of almost non

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<v Speaker 1>stop dancing, Frautrophia finally collapsed into unconsciousness and her limbs

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<v Speaker 1>stopped moving. The following day, another dancer keeled over and died.

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<v Speaker 1>The cause was a massive heart attack brought on by

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<v Speaker 1>the sheer physical toll of the dancing. And still more

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<v Speaker 1>people continued to join the throng of tormented dancers, and

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<v Speaker 1>those who hadn't yet been affected were in their own

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<v Speaker 1>grip of terror, petrified at the thought that they would

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<v Speaker 1>be next. By now, the medical consensus was that the

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<v Speaker 1>dancing was being caused by overheated blood on the brain.

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<v Speaker 1>Due to the heat, weve, but rumblings had begun suggesting

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<v Speaker 1>that perhaps there was a much darker explanation. By the

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<v Speaker 1>end of that summer of fifteen eighteen, some four hundred

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<v Speaker 1>people had fallen victim to the dancing plague of Strasbourg.

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<v Speaker 1>Dozens had danced themselves to death, and though the physicians

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<v Speaker 1>were stumped as to what was happening, for the town's

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<v Speaker 1>religious leaders, the explanation was becoming increasingly clear. Back in

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<v Speaker 1>two hundred ninety CE, the Roman emperor of the day

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<v Speaker 1>was Diocletian, but his empire was crumbling as a new

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<v Speaker 1>god had begun to challenge the old powers. That year,

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<v Speaker 1>in the shadowed corners of Sicily, a boy named Vitus

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<v Speaker 1>was born into a prestigious Roman pagan family at the

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<v Speaker 1>age of seven. Vitus is said to have been convinced

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<v Speaker 1>to become a follower of Jesus by the family nurse,

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<v Speaker 1>who also baptized him Secretly. His father, Hylas, a local senator,

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<v Speaker 1>was quick to notice a change in his son. He

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<v Speaker 1>refused to bow before the household gods. He murmured quietly

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<v Speaker 1>to himself when they sat down to eat, and whenever

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<v Speaker 1>they went for a walk, Hilas would catch his son

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<v Speaker 1>gazing wistfully up to the sky. In three hundred three

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<v Speaker 1>c E, Emperor Diocletian issued an edict against Christians, who

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<v Speaker 1>were steadily growing in number. The edict demanded that all

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<v Speaker 1>Christians renounce their faith or faith severe punishment. Terrified of

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<v Speaker 1>what it might mean for his son, Hilas insisted that

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<v Speaker 1>Vitus comply, But as the story goes, the boy refused,

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<v Speaker 1>even when Hylas resorted to beating and imprisoning him. In fact,

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<v Speaker 1>each punishment seemed only to strengthen Vitus's conviction. Then strange

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<v Speaker 1>things began to happen. Hylas's arm would seemingly become temporarily

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<v Speaker 1>paralyzed whenever he raised it to strike the boy. Then,

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<v Speaker 1>a magistrate sent to interrogate Fightus on behalf of the

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<v Speaker 1>emperor died unexpectedly. One morning, while out walking in a

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<v Speaker 1>market with his nurse, Fitus found himself drawn to a

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<v Speaker 1>blind beggar. The young boy placed his small hands on

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<v Speaker 1>the blind man's face, and the man gasped, blinking rapidly,

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<v Speaker 1>when he felt a sudden flood of light rush into

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<v Speaker 1>his eyes. It's a miracle, he said, I can see. Meanwhile,

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<v Speaker 1>at the Emperor's palace in Nicomedia, in what is present

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<v Speaker 1>day Turkey, Diocletian's son was in the grip of something terrifying.

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<v Speaker 1>He writhed about in his bed in a horrifying seizure,

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<v Speaker 1>as foam flecked his lips. The emperor's advisers stood over

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<v Speaker 1>the boy and gave their ominous assessment. There was no

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<v Speaker 1>doubt about it. The Emperor's son was possessed by a demon.

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<v Speaker 1>So when the Emperor learned of a peculiar boy in

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<v Speaker 1>Sicily who was said to have extraordinary healing powers, he

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<v Speaker 1>sent for him immediately. As the legend goes, it took

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<v Speaker 1>Vitus only a matter of minutes to cure the emperor's

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<v Speaker 1>son and bring an end to his and his father's torture,

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<v Speaker 1>but it would come at a great cost. Though grateful

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<v Speaker 1>for Vitas's help, Diocletian was unwavering in his edict against Christians.

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<v Speaker 1>When he demanded that Vitus renounce his faith once again,

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<v Speaker 1>the young boy steadfastly refused. Vitus was swiftly imprisoned and

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<v Speaker 1>then beheaded by five hundred CE, Vitus was being widely

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<v Speaker 1>recognized as a saint. Then, sometime in the fourteenth century,

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<v Speaker 1>in the Rhine Valley in Germany, some farmers began suffering

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<v Speaker 1>from a mysterious affliction characterized by uncontrollable dancing and twitching.

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<v Speaker 1>But when they began praying to Saint Vitus, the affliction stopped.

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<v Speaker 1>And with this association came its dark inversion. If Saint

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<v Speaker 1>Vitus could stop the dance, could he not also start it?

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<v Speaker 1>As the religious leaders of Strasbourg looked about their town,

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<v Speaker 1>the explanation for the dancing plague, as it would come

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<v Speaker 1>to be known, was simple. It wasn't just the dancers

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<v Speaker 1>that were sick. It was all of them. The entire

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<v Speaker 1>society sick with the sin of debauchery, and now Saint

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<v Speaker 1>Vitus was punishing them for it. With nothing to lose,

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<v Speaker 1>the city council embraced the theory and swiftly ordered the

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<v Speaker 1>dancers to be confined to their homes out of public view.

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<v Speaker 1>Once this was done, they went on a mission to

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<v Speaker 1>rid Strasbourg of any activity that could be considered sinful.

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<v Speaker 1>They imprisoned sex workers and gamblers, and banned known drunkards

0:16:07.640 --> 0:16:11.720
<v Speaker 1>from taverns in their efforts to purify the city. When

0:16:11.760 --> 0:16:15.240
<v Speaker 1>this failed to do anything, a period of enforced penance

0:16:15.320 --> 0:16:19.320
<v Speaker 1>was initiated, during which all forms of music and dancing

0:16:19.560 --> 0:16:23.520
<v Speaker 1>were banned in public. All present victims of the dancing

0:16:23.560 --> 0:16:26.560
<v Speaker 1>plague were rounded up and taken to stay at the

0:16:26.600 --> 0:16:30.800
<v Speaker 1>shrine of Saint Vitus on a mountaintop just outside the city.

0:16:32.280 --> 0:16:35.840
<v Speaker 1>One by one, they arrived, hopping and jerking at the

0:16:35.920 --> 0:16:42.040
<v Speaker 1>hillside shrine, their feet blistered and bleeding. Each was sanctified

0:16:42.080 --> 0:16:45.160
<v Speaker 1>with holy oil and water, and given a cross to

0:16:45.200 --> 0:16:48.440
<v Speaker 1>wear around their necks and a pair of red shoes

0:16:48.800 --> 0:16:54.040
<v Speaker 1>gently placed on their ravaged feet. Then, every day, beside

0:16:54.080 --> 0:16:57.880
<v Speaker 1>a wooden figure of Saint Vitus, the local priest conducted

0:16:57.920 --> 0:17:01.960
<v Speaker 1>a mass exorcism, crying out to Saint Vitus to relent

0:17:02.080 --> 0:17:08.880
<v Speaker 1>with his punishment and grant absolution. Then something extraordinary happened.

0:17:09.760 --> 0:17:14.560
<v Speaker 1>The victims began to recover. They regained the ability to

0:17:14.600 --> 0:17:18.760
<v Speaker 1>control their movements, and although they were still sometimes gripped

0:17:18.800 --> 0:17:22.159
<v Speaker 1>by the sudden urge to dance, the episodes lasted for

0:17:22.240 --> 0:17:26.480
<v Speaker 1>minutes rather than days. Finally, by the end of September

0:17:26.720 --> 0:17:31.400
<v Speaker 1>fifteen eighteen, the dancing plague including for Frau Trofia, who

0:17:31.400 --> 0:17:35.639
<v Speaker 1>had survived. The whole ordeal was all but over. In

0:17:35.720 --> 0:17:38.560
<v Speaker 1>the five centuries that have passed, there has never been

0:17:38.560 --> 0:17:42.119
<v Speaker 1>a conclusive explanation for what happened, but there's been no

0:17:42.160 --> 0:17:46.320
<v Speaker 1>shortage of theories. Some have tried to explain it away

0:17:46.600 --> 0:17:51.040
<v Speaker 1>as a purely sociological phenomenon. The dancers were members of

0:17:51.080 --> 0:17:55.200
<v Speaker 1>a religious cult. Some suggested enacting some kind of ritual,

0:17:55.760 --> 0:17:59.320
<v Speaker 1>but this doesn't tally with any of the eye witness accounts.

0:18:00.119 --> 0:18:03.920
<v Speaker 1>The afflicted seemed distressed and desperate, and were clearly dancing

0:18:03.960 --> 0:18:06.840
<v Speaker 1>against their will to the point where their feet bled

0:18:06.960 --> 0:18:11.000
<v Speaker 1>and their bodies collapsed. No cult could sustain that kind

0:18:11.000 --> 0:18:15.600
<v Speaker 1>of power. Another possibility is that the victims were all

0:18:15.640 --> 0:18:20.000
<v Speaker 1>poisoned by some kind of toxin. Ergot is a type

0:18:20.000 --> 0:18:23.560
<v Speaker 1>of toxic fungus that grows on damp rye, which grew

0:18:23.640 --> 0:18:28.720
<v Speaker 1>plentifully in the field surrounding Strasbourg. Eating at once isn't

0:18:28.720 --> 0:18:32.760
<v Speaker 1>a problem, but long term poisoning can cause hallucinations and

0:18:32.840 --> 0:18:37.720
<v Speaker 1>muscle spasms. If the city's bread supply was contaminated by ergot,

0:18:38.160 --> 0:18:42.879
<v Speaker 1>this might have caused widespread poisoning, but this theory doesn't

0:18:42.880 --> 0:18:47.720
<v Speaker 1>really hold water either. Hallucinations and spasms don't tally with

0:18:47.800 --> 0:19:02.399
<v Speaker 1>an insatiable urge to dance. In order to really understand

0:19:02.440 --> 0:19:06.399
<v Speaker 1>what happened during the Dancing plague, it's important to understand

0:19:06.480 --> 0:19:10.560
<v Speaker 1>what was happening in Strasbourg before it started. The early

0:19:10.600 --> 0:19:13.639
<v Speaker 1>fifteen hundreds had been a terrible time for the city.

0:19:14.440 --> 0:19:18.520
<v Speaker 1>Multiple harvest failures had caused wheat prices to soar, leaving

0:19:18.560 --> 0:19:22.119
<v Speaker 1>many people on the brink of starvation. A number of

0:19:22.240 --> 0:19:25.960
<v Speaker 1>terrifying new diseases had also begun to spread widely during

0:19:26.000 --> 0:19:32.840
<v Speaker 1>this period, including syphilis and the bubonic plague. Homeless shelters, hospitals,

0:19:32.840 --> 0:19:36.560
<v Speaker 1>and orphanages were besieged, and the streets were full of

0:19:36.640 --> 0:19:42.240
<v Speaker 1>people begging for food. In short, people were desperate, grief stricken,

0:19:42.640 --> 0:19:45.080
<v Speaker 1>and struggling to see any light at the end of

0:19:45.119 --> 0:19:50.560
<v Speaker 1>the tunnel. One moralizing book written by city chancellor Sebastian

0:19:50.640 --> 0:19:55.960
<v Speaker 1>Brandt about twenty years before, titled Das Narrenschiff The Ship

0:19:56.000 --> 0:19:59.879
<v Speaker 1>of Falls, also seemed to have seeped into the public imagination.

0:20:00.880 --> 0:20:04.200
<v Speaker 1>In it, he wrote that dance and sin are one

0:20:04.240 --> 0:20:09.439
<v Speaker 1>in kind. All of this created the ideal conditions for

0:20:09.520 --> 0:20:14.480
<v Speaker 1>a mass psychogenic illness, more commonly known as mass hysteria,

0:20:15.240 --> 0:20:18.800
<v Speaker 1>a situation that occurs when there's a rapid onset of

0:20:18.880 --> 0:20:24.800
<v Speaker 1>similar or identical symptoms among members of a group. Importantly,

0:20:25.160 --> 0:20:29.040
<v Speaker 1>mass psychogenic illness only occurs in the context of some

0:20:29.240 --> 0:20:33.600
<v Speaker 1>plausible threat, which provokes anxiety and panic within the group.

0:20:34.600 --> 0:20:37.679
<v Speaker 1>The existence of this threat is what makes the spread

0:20:37.720 --> 0:20:42.119
<v Speaker 1>of mass hysteria possible. Just as being sleep deprived or

0:20:42.200 --> 0:20:45.920
<v Speaker 1>malnourished can suppress your immune system and make you more

0:20:45.960 --> 0:20:51.040
<v Speaker 1>susceptible to getting ill, feeling constantly anxious and threatened can

0:20:51.080 --> 0:20:55.720
<v Speaker 1>make you more psychologically suggestible. In the case of the

0:20:55.760 --> 0:21:01.040
<v Speaker 1>people of Strasbourg, they'd lived under constant threat from famine, disease,

0:21:01.640 --> 0:21:05.800
<v Speaker 1>and social upheaval for years. Even for the lucky ones,

0:21:06.119 --> 0:21:08.920
<v Speaker 1>those who still had a roof over their heads, enough

0:21:08.960 --> 0:21:11.720
<v Speaker 1>food on the table, and whose loved ones were all

0:21:11.760 --> 0:21:15.720
<v Speaker 1>still alive, daily life was still fraught and filled with

0:21:15.880 --> 0:21:21.800
<v Speaker 1>reminders of just how bad things could get under these conditions.

0:21:22.119 --> 0:21:27.640
<v Speaker 1>It's possible that Frau Trophia essentially became patient zero. Her bizarre,

0:21:27.920 --> 0:21:32.240
<v Speaker 1>uncontrollable dancing spread like the symptoms of a physical illness

0:21:32.400 --> 0:21:38.440
<v Speaker 1>among the unsettled residents. Of Strasbourg, resulting in the dancing plague.

0:21:38.640 --> 0:21:42.919
<v Speaker 1>But mass hysteria is only half the story. The idea

0:21:43.000 --> 0:21:46.440
<v Speaker 1>of a dancing plague in itself didn't come from nowhere,

0:21:47.000 --> 0:21:50.800
<v Speaker 1>but from a very specific superstition that had existed in

0:21:50.840 --> 0:22:01.639
<v Speaker 1>Europe for centuries. The vast majority of people in sixteenth

0:22:01.680 --> 0:22:05.359
<v Speaker 1>century Europe were strongly religious, believing not only in a

0:22:05.440 --> 0:22:09.040
<v Speaker 1>Christian God, but also in a variety of related saints

0:22:09.040 --> 0:22:13.320
<v Speaker 1>and deities. One of these was the aforementioned Saint Vitus,

0:22:13.600 --> 0:22:17.199
<v Speaker 1>who became known as the Saint of entertainment and dance,

0:22:17.600 --> 0:22:22.240
<v Speaker 1>who legend said, punished sinners by cursing them to dance relentlessly.

0:22:23.400 --> 0:22:26.960
<v Speaker 1>This superstition is so widely known that it even inspired

0:22:27.040 --> 0:22:32.080
<v Speaker 1>medical terminology as an auto immune condition called Sydonym's corrier,

0:22:32.440 --> 0:22:37.000
<v Speaker 1>involving frantic and uncontrollable jerking movements in the hands and feet.

0:22:37.800 --> 0:22:41.760
<v Speaker 1>The alternative name for this affliction is Saint Vitus's dance.

0:22:43.320 --> 0:22:47.520
<v Speaker 1>Surrounded by distress and misfortune, the people of Strasbourg had

0:22:47.560 --> 0:22:50.520
<v Speaker 1>every reason to believe that God and all of his

0:22:50.640 --> 0:22:53.919
<v Speaker 1>saints were angry with them, so it wasn't much of

0:22:53.960 --> 0:22:57.080
<v Speaker 1>a leap for a few people to also start believing

0:22:57.240 --> 0:23:01.600
<v Speaker 1>that Saint Vitus had cursed them personally. If this is

0:23:01.640 --> 0:23:05.560
<v Speaker 1>indeed what happened, then the city council couldn't possibly have

0:23:05.680 --> 0:23:10.639
<v Speaker 1>chosen a worse response. By erecting stages in multiple spaces

0:23:10.960 --> 0:23:14.600
<v Speaker 1>and encouraging the afflicted to continue dancing as crowds of

0:23:14.600 --> 0:23:19.760
<v Speaker 1>spectators watched on, they ensured maximum exposure to the emotional virus.

0:23:20.880 --> 0:23:26.119
<v Speaker 1>In effect, these public dancing zones were daily psychological super

0:23:26.160 --> 0:23:30.240
<v Speaker 1>spreader events. Even if people were going out of their

0:23:30.280 --> 0:23:34.040
<v Speaker 1>way to avoid seeing the dancers, it was almost impossible.

0:23:34.560 --> 0:23:36.879
<v Speaker 1>They were in the most public areas of the city,

0:23:37.280 --> 0:23:40.879
<v Speaker 1>from the Guildhall to the grain Market, and because the

0:23:40.920 --> 0:23:45.720
<v Speaker 1>afflicted were so inescapable, so visible, the townspeople had no

0:23:45.840 --> 0:23:49.200
<v Speaker 1>choice but to reflect on the possibility that they could

0:23:49.200 --> 0:23:53.240
<v Speaker 1>be next. This fear would have been especially pronounced for

0:23:53.320 --> 0:23:57.360
<v Speaker 1>anybody who was naturally anxious or prone to self recrimination.

0:23:58.400 --> 0:24:01.640
<v Speaker 1>Of course, the authorities were only following the medical advice

0:24:01.680 --> 0:24:05.719
<v Speaker 1>they'd been given. This was two centuries before the emergence

0:24:05.720 --> 0:24:10.440
<v Speaker 1>of psychiatry, and doctors unfortunately had no concept of social

0:24:10.480 --> 0:24:15.800
<v Speaker 1>contagion or collective trauma when they recommended that the victims

0:24:15.880 --> 0:24:19.520
<v Speaker 1>be encouraged to dance until they were satiated. They were

0:24:19.520 --> 0:24:23.240
<v Speaker 1>thinking only about the effect on the individual, not on

0:24:23.320 --> 0:24:28.000
<v Speaker 1>society as a whole. There have been no other recorded

0:24:28.040 --> 0:24:31.679
<v Speaker 1>incidents of a dancing plague since that strange summer of

0:24:31.760 --> 0:24:37.040
<v Speaker 1>fifteen eighteen, but mass psychogenic illness is now broadly accepted phenomenon.

0:24:37.680 --> 0:24:41.200
<v Speaker 1>It's been widely recorded in other forms, from mass spouts

0:24:41.200 --> 0:24:46.680
<v Speaker 1>of illness to supposed multiple demonic possessions, and even epidemics

0:24:46.680 --> 0:24:51.000
<v Speaker 1>of uncontrollable laughter. Has once occurred in East Africa in

0:24:51.040 --> 0:24:56.560
<v Speaker 1>the nineteen sixties. The psychological contagion theory is the closest

0:24:56.640 --> 0:24:59.840
<v Speaker 1>will likely ever get to an explanation of what happened

0:25:00.119 --> 0:25:04.960
<v Speaker 1>for now, The dancing plague at Strasbourg was a bizarre

0:25:05.080 --> 0:25:14.919
<v Speaker 1>and haunting occurrence that remains to this day unexplained. This

0:25:15.080 --> 0:25:19.200
<v Speaker 1>episode was written by Emma Dibden and Richard McLain Smith.

0:25:22.040 --> 0:25:24.639
<v Speaker 1>Thank you, as ever for listening to the show. Please

0:25:24.680 --> 0:25:27.280
<v Speaker 1>subscribe and rate it if you haven't already done so.

0:25:27.920 --> 0:25:30.560
<v Speaker 1>You can also now find us on TikTok at TikTok

0:25:30.640 --> 0:25:34.679
<v Speaker 1>dot com. Forward slash at Unexplained podcast. Unexplained as an

0:25:34.680 --> 0:25:39.800
<v Speaker 1>AV Club Productions podcast created by Richard McClain smith. All

0:25:39.840 --> 0:25:43.200
<v Speaker 1>other elements of the podcast, including the music, are also

0:25:43.240 --> 0:25:47.679
<v Speaker 1>produced by me Richard McClain smith. Unexplained. The book and

0:25:47.720 --> 0:25:52.040
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0:26:03.440 --> 0:26:06.600
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0:26:06.920 --> 0:26:09.359
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<v Speaker 1>Podcast d.

0:28:05.600 --> 0:30:28.520
<v Speaker 2>A, then then then then on the