WEBVTT - Detective Story

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<v Speaker 1>Welcome to Stuff to Blow your Mind. From how Stuff

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<v Speaker 1>Works dot com. It was a dark night in the

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<v Speaker 1>Naked City, which is probably ideal given all the nakedness.

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<v Speaker 1>But I wasn't concerned with a lack of clothing street

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<v Speaker 1>lighting in this room with troubless and needed answers about

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<v Speaker 1>the resident power of the detective story. So I went

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<v Speaker 1>to meet my man on forty two Street. What do

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<v Speaker 1>you got for me? I got some Raymond Chandler primo stuff,

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<v Speaker 1>the Big Sleep, the Long Goodbye. I'm thinking something a

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<v Speaker 1>work setting or publication date, because I've got some brother

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<v Speaker 1>cat feels some Gordian and I'm trying to understand the

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<v Speaker 1>roots of the thing. Well, why we love it? Why

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<v Speaker 1>we can't get enough? Okay, I have some homes around

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<v Speaker 1>here somewhere, how about pose the murders in the room Morgue.

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<v Speaker 1>We're talking eight forty one here, a killer ap real

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<v Speaker 1>primo stuff. But that doesn't explain why we love it? Well,

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<v Speaker 1>why didn't you just say something? I think I've got

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<v Speaker 1>the perfect thing for you right here. Hey, welcome to

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<v Speaker 1>Stuff to Blow your mind. My name is Robert lamb Hi,

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<v Speaker 1>I'm Christian Seger. I hope you enjoyed our little foray

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<v Speaker 1>into radio detective drama. There, because in this episode we

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<v Speaker 1>are of course going to discuss the power of detective fiction.

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<v Speaker 1>There's a little science in here, there's some culture or

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<v Speaker 1>some cultural resonance. Uh, we think you'll enjoy this journey,

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<v Speaker 1>this ride not unlike the journey, not unlike the ride

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<v Speaker 1>that a detective takes us on in a work of fiction. Yeah,

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<v Speaker 1>the research really panned out on this one. I like,

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<v Speaker 1>uh that there were so many different paths that researchers

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<v Speaker 1>have gone down looking at how detective stories affect our

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<v Speaker 1>culture and our human psychology and how we come to

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<v Speaker 1>them as well. Yeah, and it's one of those genres

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<v Speaker 1>that I feel like everybody just I can pretty much

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<v Speaker 1>say everybody has at least dipped a toe in this

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<v Speaker 1>if if it's a you know, straight up detective novel

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<v Speaker 1>that you've read or some show that you've watched on television,

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<v Speaker 1>and every one is familiar with the trope and probably

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<v Speaker 1>has enjoyed it at some point in their life. Yeah,

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<v Speaker 1>So let's like just dabble into this for a little bit.

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<v Speaker 1>So what's your big experience with detective fiction? Oh, I mean,

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<v Speaker 1>like my earliest experiences were watching Jeremy Brett as Sherlock

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<v Speaker 1>Holmes and like my my family would sit down in

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<v Speaker 1>ones that were on PBS. Yeah, we would watch when

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<v Speaker 1>we were living in Canada and as a kid, that

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<v Speaker 1>would come on and we would watch those and my

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<v Speaker 1>dad would would would take them. Uh, we had tapes

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<v Speaker 1>with like, you know, three different cases per VHS and

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<v Speaker 1>so yeah, that was like my my earliest entry into

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<v Speaker 1>this world of detectives for sure. Yeah, Holmes is definitely

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<v Speaker 1>like the gateway drug for detective stories. I remember when

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<v Speaker 1>I was gosh, like maybe between five and seven, my

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<v Speaker 1>grandfather gave me this leather bound copy of homes Stories

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<v Speaker 1>that he got from he had like a subscription to

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<v Speaker 1>Reader's Digest, and I still have that. That's the like,

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<v Speaker 1>those those are the home stories I read whenever I

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<v Speaker 1>turned back to that stuff is just big tone of

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<v Speaker 1>of detectives. Was this the one that had the kind

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<v Speaker 1>of if not the original type set, then something that

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<v Speaker 1>was orchestrated to look Yeah, and the paper was like

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<v Speaker 1>like a kind of old tattered ridge to the side

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<v Speaker 1>of the everything, so it felt like you're reading like

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<v Speaker 1>a nineteenth century book. Yeah. Cool, Yeah, I think I

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<v Speaker 1>think we had the same volume kicking around the house,

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<v Speaker 1>and of course a great thing about detective fiction is

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<v Speaker 1>it you keep coming back to it, right, because they're

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<v Speaker 1>just limitless variations on it. Like like even in the

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<v Speaker 1>past few years, I really I really enjoyed a book

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<v Speaker 1>from our Scott Baker called Disciple of the Dog, which

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<v Speaker 1>involved a uh, a detective by the name of Disciple

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<v Speaker 1>Manning who has perfect just photographic memory, but also of

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<v Speaker 1>course is plagued with different personal problems and he's like

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<v Speaker 1>going up against an end of the world cult. That

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<v Speaker 1>sounds like the perfect example for one of the research

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<v Speaker 1>studies we're going to touch on later. But yeah, I

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<v Speaker 1>you know, looking back on it, I realized that I

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<v Speaker 1>was more influenced I think by detective fiction in tell

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<v Speaker 1>vision and films, and I was by literature. I think

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<v Speaker 1>Holmes was obviously my big starting point, and then like

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<v Speaker 1>kind of detective type genre stuff within comics, especially Batman

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<v Speaker 1>in the whole, like detective comics idea of Batman being like,

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<v Speaker 1>you know, the ultimate detective. But um, for me, it

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<v Speaker 1>was definitely uh the Thomas Harris Hannibal Lecter type stuff,

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<v Speaker 1>specifically with Will Graham as the detective trying to solve

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<v Speaker 1>these primes. Red Dragon. Yeah, I love the movie Red Dragon.

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<v Speaker 1>I love Man Hunter. Uh. Um. And and the new

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<v Speaker 1>TV show as well has been something that I've been

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<v Speaker 1>really into, and then just recently I've gone back and

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<v Speaker 1>started rewatching that nineties TV show Millennium with Lance Hendrickson.

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<v Speaker 1>Oh yes, this is from the same guy did the

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<v Speaker 1>X File. Yeah, Chris Carter and um. You know, it's

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<v Speaker 1>basically the same premise as as a the Will Graham character.

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<v Speaker 1>You know, Lance Hendrickson plays this guy Frank Black who uh,

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<v Speaker 1>when he he's a profiler, when he comes across a

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<v Speaker 1>scene of a crime, he can see glimpses through the

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<v Speaker 1>killer's eyes and stuff like that. Yeah. So so very

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<v Speaker 1>similar to especially the the TV version of Will Ground

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<v Speaker 1>that we get with Hannibal. Yeah. Yeah, very much so.

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<v Speaker 1>In fact, I'd say that that the New TV show

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<v Speaker 1>probably pulls a little bit from Millennium, but it's a

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<v Speaker 1>whereas Millennium I think pulls a lot from Seven from

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<v Speaker 1>the movie Seven and Uh, and that movie is a

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<v Speaker 1>perfect example. That's another one that I loved when I

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<v Speaker 1>was Gosh, I think it came out like my freshman

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<v Speaker 1>year in college. But Um, that is, that's a movie

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<v Speaker 1>that really expresses that certain kind of detective drama that's

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<v Speaker 1>just nihilistic and this view of the world. And the

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<v Speaker 1>detectives themselves aren't particularly geniuses. I mean, we see Morgan

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<v Speaker 1>Freeman go to the library one time and read a

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<v Speaker 1>bunch of things about religion. But other than that, you know,

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<v Speaker 1>they're not like they're not like Sherlock Holmes solving this

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<v Speaker 1>stuff on the fly, you know. Of course, another great

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<v Speaker 1>example of detective fiction and film is is probably Blade Runner,

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<v Speaker 1>because that's one that I feel, especially on a visual level,

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<v Speaker 1>like really resonates with everyone, and it drew from you know,

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<v Speaker 1>sort of classic motifs as well as a new kind

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<v Speaker 1>of cyberpunk vibe. Yeah. Yeah, Blade Runner, like more than

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<v Speaker 1>I think a lot of things that are called noir nowadays,

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<v Speaker 1>incorporates the genre of noir into science fiction. Now. Obviously,

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<v Speaker 1>we could keep going just talking about like the various

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<v Speaker 1>detective stories that you and I have read and the

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<v Speaker 1>film variations, um, and as well as just all the

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<v Speaker 1>stuff that's out there and in the popular culture, because

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<v Speaker 1>it seems like every other TV show is some sort

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<v Speaker 1>of police procedural or some sort of detective story that's

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<v Speaker 1>going on. You could just name them one after another,

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<v Speaker 1>but at heart, like, what is the what are the

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<v Speaker 1>basics of the detective story. Yeah, there's something inherently comforting

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<v Speaker 1>about the detective story, whether it's on TV or you're

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<v Speaker 1>reading just like a pulpy paperback novel. But essentially, what

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<v Speaker 1>we're talking about here is crime fiction that centered around

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<v Speaker 1>a single investigation, which is almost always a murder. Right,

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<v Speaker 1>every every investigator, a police officer, is a homicide detective

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<v Speaker 1>in these because that's the most serious, right, that's the

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<v Speaker 1>most potent, life shattering, existential thing you could possibly look exactly.

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<v Speaker 1>They're not like usually going after an arsonist, although that's

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<v Speaker 1>pretty serious as well. You know, you're breaking the law.

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<v Speaker 1>You're also just like the law in a legal sense,

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<v Speaker 1>but also in a moral sense, you've committed a crime

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<v Speaker 1>and to God. Yeah, and there's a there's an aspect

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<v Speaker 1>to murder as well that plays into the aesthetics of

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<v Speaker 1>the detective drama that we'll get into later, but in particular,

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<v Speaker 1>you know, there's this idea that they are a professional

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<v Speaker 1>that's usually outside of the institutions of law somehow, you know,

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<v Speaker 1>like Sherlock Holmes for instance, was a private investigator. He didn't,

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<v Speaker 1>he wasn't a part of the police force, he didn't

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<v Speaker 1>work for Scotland Yard And and in a lot of

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<v Speaker 1>the examples that we were just talking about, all those

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<v Speaker 1>all those various characters Will Graham, Frank Black, uh Decker

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<v Speaker 1>from Blade Runner, they're all operating on their own, outside

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<v Speaker 1>of the system, even though there's somewhat connected to it. Yeah. Yeah,

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<v Speaker 1>like the so many of our detectives. There at least

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<v Speaker 1>if they are still on the force and still part

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<v Speaker 1>of beneficial system, then they're there. There may be a

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<v Speaker 1>little bit dirty, or at least they're damaged by what

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<v Speaker 1>they're having to deal with. Yeah. Absolutely, Which, Okay, one

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<v Speaker 1>last example here, which I think we should get into

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<v Speaker 1>a True Detective, which was huge last year when it

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<v Speaker 1>came out. I don't know about you, but I was

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<v Speaker 1>massively influenced by it. It's one of the best things

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<v Speaker 1>that I've ever seen, just completely television fiction. Yeah, and

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<v Speaker 1>uh and obviously, you know, without giving anything away, that

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<v Speaker 1>story is very much about guys who are part of

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<v Speaker 1>the police force but are just torn to shreds by

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<v Speaker 1>you know, the things that they see in the the

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<v Speaker 1>drama of this murder that they're trying to solve. It's

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<v Speaker 1>a serious of murders, that's right, And new season kicking

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<v Speaker 1>off I think this weekend. So yeah, cross your fingers.

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<v Speaker 1>I really hope that it's good too. Yeah, We've we've

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<v Speaker 1>had some The first trailer that came out was a

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<v Speaker 1>little uh, felt a little off uh. And then when

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<v Speaker 1>we learned that there wasn't going to be an occult

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<v Speaker 1>um theme in this one, that was also maybe a

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<v Speaker 1>little disappointing to some of us. But I think it's

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<v Speaker 1>in a lot of ways, it's going to be like, um,

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<v Speaker 1>the whatever, the follow up to Mad Max Fury Road

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<v Speaker 1>is right, like the criticism the praise has been so

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<v Speaker 1>high for that and and was so high for season

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<v Speaker 1>one of True Detective, that no matter what happens, people

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<v Speaker 1>are going to be critical of it and and find

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<v Speaker 1>a reason for to kind of shoot it down, you know.

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<v Speaker 1>But I'm hoping to have, you know, like we're talking

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<v Speaker 1>about here that just like the fun experience of a

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<v Speaker 1>detective ride, but also something that will statiate me sort

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<v Speaker 1>of intellectually. Yeah, and you know, he said there wasn't

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<v Speaker 1>gonna be anything occult in this particular season, but he

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<v Speaker 1>didn't see anything about aliens. So I'm holding out hope

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<v Speaker 1>that alien invasion in California is going to be the

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<v Speaker 1>subplot here that sounds to about halfway. It sounds like

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<v Speaker 1>a perfect use of Colin Farrell and Rachel McAdams um.

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<v Speaker 1>But indeed, the detective story oftentimes centers around murder. You

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<v Speaker 1>could you could even make a case that one of

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<v Speaker 1>the oldest, if not the oldest detective stories out there,

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<v Speaker 1>with its roots and in the Bible and pre biblical sources,

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<v Speaker 1>is that of kine Enabel, right, right, And we were

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<v Speaker 1>talking about this earlier and my reaction was really the

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<v Speaker 1>detective And to give your answer, I think it's intriguing. Yeah,

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<v Speaker 1>the the detective here is God, etective God on the scene.

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<v Speaker 1>And granted he doesn't even have a very hard case

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<v Speaker 1>because there's one suspect, period and they're what you know,

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<v Speaker 1>they're they're they're only a handful of people in the

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<v Speaker 1>world in this particular scenario. So God comes on the

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<v Speaker 1>scenes that a Caine who killed Abel, and then he

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<v Speaker 1>nails him for the crime. Right, Yeah, it's not it's

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<v Speaker 1>a it's a one and done who done it? Yeah,

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<v Speaker 1>and judges him dishes out punishment like everything is. We'll

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<v Speaker 1>discuss like there's a lot in the Cane enable uh

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<v Speaker 1>story that uh that is that is kind of that

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<v Speaker 1>distilled detective story. Yeah, and plays out over the centuries.

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<v Speaker 1>Is detective stories go on? But so I think like

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<v Speaker 1>the one that really kicked things off though, for like

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<v Speaker 1>the the current genre that we think of would be

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<v Speaker 1>Edgar Allen Poe's Murders of the Room Morgue are sorry

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<v Speaker 1>Murders in the Room Morgue, which we reference to the intro. Yeah,

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<v Speaker 1>that was one and uh and that one, that one

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<v Speaker 1>is often cited as being one of the really early

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<v Speaker 1>key detective stories that that that that really influences everything

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<v Speaker 1>to come there after. And there's this surge in the

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<v Speaker 1>mid to late nineteenth century with detective stories, right, I mean,

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<v Speaker 1>Poe really kicks it off, but that's when you get

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<v Speaker 1>you know, kind of Doyle and Sherlock Holmes and and

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<v Speaker 1>and and lots of others. Also early twentieth century as well,

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<v Speaker 1>with Agatha Christie, G. K. Chesterson, Uh what else? Oh,

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<v Speaker 1>I mean, yeah, the list goes on and on. Chandler

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<v Speaker 1>and Dashel Hammett, Yeah, the the the Philip Marlowe books,

0:11:55.440 --> 0:11:57.360
<v Speaker 1>which I read one of those and and really loved it,

0:11:57.400 --> 0:11:59.280
<v Speaker 1>and I keep meaning to pick up more because yeah,

0:11:59.400 --> 0:12:01.480
<v Speaker 1>I've read a lot Chandler's short stories, but I've never

0:12:01.520 --> 0:12:06.000
<v Speaker 1>read the Marlowe stuff. Yeah it's good. It's good. Um yeah,

0:12:06.000 --> 0:12:08.720
<v Speaker 1>and you you do see kind of I mean, certainly,

0:12:08.760 --> 0:12:12.040
<v Speaker 1>detective fiction is almost has a viral consistency because it

0:12:12.360 --> 0:12:14.320
<v Speaker 1>it spreads out. It starts as this kind of you know,

0:12:14.360 --> 0:12:16.960
<v Speaker 1>the classic Golden Age stuff, which is which is often

0:12:17.000 --> 0:12:20.920
<v Speaker 1>all about like a very intellectual individual using their intellect

0:12:21.040 --> 0:12:24.560
<v Speaker 1>to solve this crime. Uh, and then it, you know,

0:12:24.559 --> 0:12:27.320
<v Speaker 1>it spreads into different countries and in different cultures and

0:12:27.360 --> 0:12:31.679
<v Speaker 1>then into different sub genres, etcetera. Of course, the the

0:12:31.280 --> 0:12:34.559
<v Speaker 1>the the the hard boiled detective fiction becomes really big

0:12:34.559 --> 0:12:37.000
<v Speaker 1>in the United States, which is and it kind of

0:12:37.000 --> 0:12:39.680
<v Speaker 1>takes off as its own thing, and that's very different

0:12:39.800 --> 0:12:42.120
<v Speaker 1>from what we're thinking of as this sort of traditional

0:12:42.640 --> 0:12:46.680
<v Speaker 1>nineteenth century detective drama where hard boiled detectives or you know,

0:12:46.760 --> 0:12:49.000
<v Speaker 1>they've always got that self narration kind of like you know,

0:12:49.040 --> 0:12:51.840
<v Speaker 1>the gritty It was a dark and stormy night, and

0:12:52.240 --> 0:12:56.280
<v Speaker 1>everybody's corrupt, the all organizations are corrupt. And there's this

0:12:56.360 --> 0:12:59.760
<v Speaker 1>cycle of violence that the detective finds themselves trapped within

0:12:59.800 --> 0:13:01.959
<v Speaker 1>their almost like an anti hero, right yeah. And it's

0:13:02.000 --> 0:13:05.480
<v Speaker 1>it's less a matter of like one intellect against the problem.

0:13:05.559 --> 0:13:08.520
<v Speaker 1>It's it's like the detectives and the hard boiled fiction.

0:13:09.000 --> 0:13:12.040
<v Speaker 1>They tend to be as much gut and heart and

0:13:12.400 --> 0:13:16.720
<v Speaker 1>lust I guess too, as they tangle with various fin fatales. Right, yeah, exactly,

0:13:16.800 --> 0:13:20.240
<v Speaker 1>fim fatals spent out of that. We've also got, you know,

0:13:21.040 --> 0:13:22.719
<v Speaker 1>coming up on I don't know, I wonder when the

0:13:22.720 --> 0:13:27.320
<v Speaker 1>police procedural officially started. Do you think the seventies? Uh? Well,

0:13:27.360 --> 0:13:29.319
<v Speaker 1>I mean you probably earlier than that, right, because you

0:13:29.360 --> 0:13:32.000
<v Speaker 1>have like dragnet and stuff. Yeah, I guess right. Dragnet

0:13:32.120 --> 0:13:35.480
<v Speaker 1>was what late sixties? Yeah, I think so, okay, so yeah,

0:13:35.559 --> 0:13:38.320
<v Speaker 1>but police procedurals are everywhere now. I mean it's like

0:13:38.400 --> 0:13:40.400
<v Speaker 1>every time I don't have cable, but anytime I'm like

0:13:40.440 --> 0:13:42.400
<v Speaker 1>at a hotel or something and I flip through the channels,

0:13:42.400 --> 0:13:46.880
<v Speaker 1>it's like of TV is uh, shows with acronyms that

0:13:46.920 --> 0:13:50.920
<v Speaker 1>I don't understand that are about various detective solving crimes yea,

0:13:50.960 --> 0:13:53.480
<v Speaker 1>And those are I guess they're more almost a return

0:13:53.559 --> 0:13:56.880
<v Speaker 1>to the the intellectual detective in a sense, because here

0:13:56.960 --> 0:13:59.960
<v Speaker 1>is the you know, they have individuals, of course, individ

0:14:00.160 --> 0:14:01.800
<v Speaker 1>characters in the shows, but it seems to be more

0:14:01.840 --> 0:14:04.959
<v Speaker 1>about here is a system, and here's a science, and

0:14:05.000 --> 0:14:08.080
<v Speaker 1>the system and the science works, and it works in

0:14:08.080 --> 0:14:10.680
<v Speaker 1>a ways of course on TV that it doesn't actually

0:14:10.679 --> 0:14:13.080
<v Speaker 1>in real lite, right absolutely. Yeah. I had a big

0:14:13.080 --> 0:14:16.000
<v Speaker 1>wake up call with that when I served as former

0:14:16.080 --> 0:14:18.480
<v Speaker 1>on a jury duty and they had a forensic expert

0:14:18.520 --> 0:14:21.000
<v Speaker 1>coming and present to the jury as they often do

0:14:21.120 --> 0:14:24.400
<v Speaker 1>in cases, and it was nothing like like C S

0:14:24.440 --> 0:14:26.240
<v Speaker 1>I or any of those things, and even you know,

0:14:26.280 --> 0:14:29.800
<v Speaker 1>the expert themselves, so there wasn't a lot of uh

0:14:29.960 --> 0:14:32.520
<v Speaker 1>certainty with the science that they were performing. But that

0:14:32.600 --> 0:14:34.640
<v Speaker 1>that's a whole another episode, which I think it would

0:14:34.640 --> 0:14:38.520
<v Speaker 1>be fun to talk about. Forensic science is fascinating, but yeah,

0:14:38.720 --> 0:14:41.680
<v Speaker 1>I mean we're surrounded by police procedurals. I think serial

0:14:41.800 --> 0:14:43.680
<v Speaker 1>killer mysteries like we've been you know we were talking

0:14:43.680 --> 0:14:46.640
<v Speaker 1>about earlier, those are kind of my jam the millennial

0:14:46.760 --> 0:14:50.200
<v Speaker 1>type stuff for Hannibal Lecter, Like there's a there's a

0:14:50.240 --> 0:14:53.840
<v Speaker 1>popularity of that right now, probably since the nineties. I

0:14:53.840 --> 0:14:57.600
<v Speaker 1>would say, um, seven maybe kicked that off, although you know,

0:14:57.640 --> 0:14:59.960
<v Speaker 1>you could go back further that Thomas Harris stuff started

0:15:00.000 --> 0:15:03.000
<v Speaker 1>in the eighties, I think so, yeah, yeah, and then

0:15:03.120 --> 0:15:05.280
<v Speaker 1>uh yeah, there are a number of books that kind

0:15:05.280 --> 0:15:08.960
<v Speaker 1>of Another one is Falling Angel by William Hortsburg. I

0:15:09.000 --> 0:15:13.000
<v Speaker 1>don't know that one. Um. William Hortsburgh wrote the screenplay

0:15:13.040 --> 0:15:17.760
<v Speaker 1>to legend and then Falling Angels made into the fairly

0:15:17.840 --> 0:15:21.320
<v Speaker 1>lackluster in my opinion film Angel Heart with Mickey Rourke

0:15:21.440 --> 0:15:23.840
<v Speaker 1>and Robert de Niro. I have heard about Angel Hart,

0:15:23.880 --> 0:15:26.520
<v Speaker 1>but I've never seen it. Okay, yeah, the book the

0:15:26.520 --> 0:15:28.880
<v Speaker 1>books look pretty fun though, because it's very much this

0:15:29.040 --> 0:15:34.280
<v Speaker 1>uh this hard boiled detective story but with satanic elements. Okay,

0:15:34.640 --> 0:15:36.600
<v Speaker 1>sounds right at my alley. All Right, I'll check it out.

0:15:37.040 --> 0:15:39.320
<v Speaker 1>So forgive this. We're gonna continue to get a little

0:15:39.360 --> 0:15:43.680
<v Speaker 1>off topic talking about various examples of the detective genre here,

0:15:43.960 --> 0:15:49.400
<v Speaker 1>but to return to the mid eighteen hundreds, particularly to

0:15:49.480 --> 0:15:52.960
<v Speaker 1>the eighteen sixties, because that's when you really see the

0:15:53.000 --> 0:15:57.160
<v Speaker 1>boom happen like full force. Um. And there are a

0:15:57.240 --> 0:16:00.640
<v Speaker 1>number of interesting factors to take into accoun about the

0:16:00.640 --> 0:16:04.840
<v Speaker 1>eighteen sixties. UM. First of all, industrialization and the growth

0:16:04.840 --> 0:16:06.800
<v Speaker 1>of literacy. You have more people than ever that are

0:16:06.840 --> 0:16:09.640
<v Speaker 1>able to read. You have new machinery that's pumping out

0:16:09.640 --> 0:16:12.720
<v Speaker 1>more books than ever. They're sold in stalls that you're

0:16:12.760 --> 0:16:15.280
<v Speaker 1>you know, your local metro station, and you have a

0:16:15.320 --> 0:16:18.080
<v Speaker 1>growing population of readers who tend to go for more

0:16:18.120 --> 0:16:21.960
<v Speaker 1>sensational content, more entertaining content, rather than you know, upper

0:16:22.000 --> 0:16:24.400
<v Speaker 1>crust stuff. This is so we're talking books for the

0:16:24.400 --> 0:16:27.600
<v Speaker 1>middle class. Um, yeah, and I think that there's a

0:16:28.480 --> 0:16:31.360
<v Speaker 1>there's a connection there too. We're gonna talk about the

0:16:31.800 --> 0:16:34.480
<v Speaker 1>influence of religion on the detective story, and there's a

0:16:34.520 --> 0:16:40.360
<v Speaker 1>connection there's certainly between the emergence of literacy and the

0:16:40.360 --> 0:16:44.880
<v Speaker 1>lower classes and the availability of books too pretty much anybody,

0:16:45.600 --> 0:16:49.600
<v Speaker 1>and that the connection of sort of roles of religion

0:16:50.040 --> 0:16:55.000
<v Speaker 1>shifting away from the church into detective stories. Indeed, um,

0:16:55.040 --> 0:16:57.080
<v Speaker 1>you know, and granted at the time as well, you

0:16:57.200 --> 0:17:00.800
<v Speaker 1>actually had real detectives out there, you know, there were Um,

0:17:00.800 --> 0:17:03.760
<v Speaker 1>it was about this time that the Metropolitan Police in

0:17:03.800 --> 0:17:08.560
<v Speaker 1>London created its detective branch. Um it was two but

0:17:08.960 --> 0:17:12.359
<v Speaker 1>in the eighteen sixties there was one particular case in

0:17:12.440 --> 0:17:16.480
<v Speaker 1>which you had Jack Whicher of the Detective Branch making

0:17:16.480 --> 0:17:20.960
<v Speaker 1>headlines investigating a sensational child murder. That's a great, great name.

0:17:21.080 --> 0:17:24.520
<v Speaker 1>I mean, you couldn't make that, which Jack Witcher does.

0:17:24.920 --> 0:17:26.720
<v Speaker 1>Yeah you could. It sounds made up, but this is

0:17:26.720 --> 0:17:31.600
<v Speaker 1>the dude's name. Every time Jack Witcher gets his name. Yeah,

0:17:31.680 --> 0:17:34.280
<v Speaker 1>but yeah, I don't know if if he did. But yeah,

0:17:34.280 --> 0:17:36.560
<v Speaker 1>I'm not sure how the case actually turned out. I'm

0:17:36.600 --> 0:17:38.880
<v Speaker 1>curious to know. But but in a way it's I mean,

0:17:38.920 --> 0:17:40.800
<v Speaker 1>the key here was that it ended up in the headlines,

0:17:40.840 --> 0:17:43.520
<v Speaker 1>and so people were were fascinated by the story of

0:17:43.560 --> 0:17:46.040
<v Speaker 1>this real life detective. And we have all the crime

0:17:46.040 --> 0:17:49.640
<v Speaker 1>fiction popping up as well. And then, as you mentioned

0:17:49.680 --> 0:17:52.600
<v Speaker 1>on the religion angle, um, there's a strong case to

0:17:52.600 --> 0:17:55.240
<v Speaker 1>be made and it's made rather elegantly, I think by

0:17:55.480 --> 0:17:59.920
<v Speaker 1>crime writer Jason Webster in two thousand fifteen Ian mag

0:18:00.000 --> 0:18:04.120
<v Speaker 1>As an article titled Unholy Mystery, and essentially he argues

0:18:04.200 --> 0:18:07.160
<v Speaker 1>that the that the modern detective serves as a sort

0:18:07.200 --> 0:18:11.120
<v Speaker 1>of secular shaman um he or she is the priest,

0:18:11.600 --> 0:18:15.840
<v Speaker 1>the inter mediary between God and man, between truth and man. Uh.

0:18:15.920 --> 0:18:19.560
<v Speaker 1>That can no longer exist entirely within the religious world

0:18:19.760 --> 0:18:22.359
<v Speaker 1>because our world view continues to break free from the

0:18:22.400 --> 0:18:26.440
<v Speaker 1>shackles of religious thinking. I really like this idea. It's

0:18:26.480 --> 0:18:31.120
<v Speaker 1>something that I had been thinking about independently, not particularly

0:18:31.160 --> 0:18:34.480
<v Speaker 1>about detectives, but about storytelling in general, that that fiction,

0:18:34.560 --> 0:18:37.600
<v Speaker 1>modern day fiction especially sort of serves the same role

0:18:37.680 --> 0:18:39.840
<v Speaker 1>that a shaman or a priest used to serve in

0:18:40.200 --> 0:18:43.960
<v Speaker 1>a small kind of microcosm community like we used to

0:18:44.000 --> 0:18:47.680
<v Speaker 1>think of. And Uh, this this, this definitely plays out

0:18:47.680 --> 0:18:50.560
<v Speaker 1>in his uh, his thesis, I guess for this piece, right,

0:18:50.560 --> 0:18:53.920
<v Speaker 1>he talks about how detectives like shamans are the problem

0:18:54.000 --> 0:18:57.359
<v Speaker 1>solvers for their community. There's somebody who can restore order

0:18:57.480 --> 0:19:00.760
<v Speaker 1>when there's chaos. Uh. They give us answers. This is

0:19:00.760 --> 0:19:03.280
<v Speaker 1>a quote directly from his piece. They give us answers

0:19:03.280 --> 0:19:05.640
<v Speaker 1>to the most pressing and urgent questions, not only who

0:19:05.720 --> 0:19:08.520
<v Speaker 1>done it, but how and why and what the means

0:19:08.560 --> 0:19:12.000
<v Speaker 1>are and uh, and all of it's done through the journey, right,

0:19:12.040 --> 0:19:14.520
<v Speaker 1>which we which we brought up earlier. It's a it's

0:19:14.560 --> 0:19:17.560
<v Speaker 1>all about the journey. That's the that's the fun experience

0:19:17.600 --> 0:19:19.920
<v Speaker 1>of it. I would this is gonna be a weird connection,

0:19:19.920 --> 0:19:22.960
<v Speaker 1>but I'd liken it to watching a cooking show actually, like,

0:19:22.960 --> 0:19:27.520
<v Speaker 1>like there's pleasure in watching people bake a cake on TV.

0:19:28.040 --> 0:19:30.919
<v Speaker 1>They're going through all the steps putting the ingredients together

0:19:30.960 --> 0:19:33.280
<v Speaker 1>and the thing comes out right. And the detective story

0:19:33.359 --> 0:19:35.920
<v Speaker 1>is very similar, and that the detectives going through this

0:19:36.000 --> 0:19:39.359
<v Speaker 1>journey collecting this evidence, seeking out hints and clues, and

0:19:39.400 --> 0:19:42.520
<v Speaker 1>then getting the bad guy. Yeah, I mean, like the

0:19:42.520 --> 0:19:45.719
<v Speaker 1>best detective fiction often involves like all the pieces are

0:19:45.720 --> 0:19:48.000
<v Speaker 1>out there for us to see, you can't put it together.

0:19:48.160 --> 0:19:50.080
<v Speaker 1>In a way, We're looking at that table of ingredients

0:19:50.080 --> 0:19:52.280
<v Speaker 1>and saying, I can't imagine what this is possibly going

0:19:52.320 --> 0:19:55.199
<v Speaker 1>to turn into, and then the detective, the cook comes in,

0:19:55.600 --> 0:19:57.920
<v Speaker 1>turns into a cake and you're like, whoa, it was

0:19:57.960 --> 0:20:00.800
<v Speaker 1>there all along. I was essentially looking at a k exactly.

0:20:00.840 --> 0:20:02.960
<v Speaker 1>And those are the best kind, right, or at least

0:20:03.000 --> 0:20:06.040
<v Speaker 1>that's how I experience it. Like the best ones are

0:20:06.040 --> 0:20:08.600
<v Speaker 1>the ones where you you don't figure it out on

0:20:08.640 --> 0:20:11.200
<v Speaker 1>your own. It's not like a Scooby Doo episode. Scooby

0:20:11.200 --> 0:20:15.920
<v Speaker 1>Doo the hallmark of detective fiction for our generation, where

0:20:16.160 --> 0:20:18.680
<v Speaker 1>you know, pretty much from the first five minutes into

0:20:18.680 --> 0:20:21.960
<v Speaker 1>a Scooby Doo episode, you're like, okay, and it's the

0:20:22.280 --> 0:20:24.920
<v Speaker 1>you know, amusement park owner wearing a mask pretending to

0:20:24.960 --> 0:20:26.840
<v Speaker 1>be the real estate agent or something. I'm glad you

0:20:26.840 --> 0:20:29.000
<v Speaker 1>brought up Scooby Doo that because really, before I watched

0:20:29.000 --> 0:20:32.159
<v Speaker 1>Herlock Holmes, I was watching Scooby Doo. I was watching

0:20:32.160 --> 0:20:36.080
<v Speaker 1>these little mystery stories. Yeah, it's funny, Like I think

0:20:36.119 --> 0:20:37.760
<v Speaker 1>at the time, I never really thought of them as

0:20:37.840 --> 0:20:40.479
<v Speaker 1>detective stories, but they certainly are right there playing around

0:20:40.480 --> 0:20:44.359
<v Speaker 1>with that. And but that now the stuff that I

0:20:44.440 --> 0:20:46.680
<v Speaker 1>enjoy is true detective right, Like, remember when the first

0:20:46.680 --> 0:20:50.680
<v Speaker 1>season was playing and social media was going insane trying

0:20:50.720 --> 0:20:54.120
<v Speaker 1>to figure out who was responsible, what was going on, where,

0:20:54.160 --> 0:20:56.960
<v Speaker 1>where the story was going, you know, and and everyone

0:20:57.080 --> 0:21:01.200
<v Speaker 1>was wrong basically, uh, and that was satisfying in some way,

0:21:01.320 --> 0:21:04.479
<v Speaker 1>especially you know, there was a nice bow put on

0:21:04.520 --> 0:21:06.280
<v Speaker 1>it at the end. A lot of people really wanted

0:21:06.280 --> 0:21:08.440
<v Speaker 1>that Scooby Doo moment where the mask was ripped off,

0:21:08.440 --> 0:21:11.440
<v Speaker 1>but it wasn't really provided. Yeah, but let's talk a

0:21:11.480 --> 0:21:14.679
<v Speaker 1>little bit more about this shaman thing here. So the

0:21:14.760 --> 0:21:18.560
<v Speaker 1>industrialization part is definitely connected to this, I think. So

0:21:19.000 --> 0:21:23.000
<v Speaker 1>you've got literacy growing. People are more than ever able

0:21:23.040 --> 0:21:26.040
<v Speaker 1>to read. And the reason I should clarify and like

0:21:26.080 --> 0:21:30.040
<v Speaker 1>kind of connect the dots here so the church really

0:21:30.280 --> 0:21:31.520
<v Speaker 1>used to be the ones who are sort of in

0:21:31.600 --> 0:21:35.480
<v Speaker 1>control of literacy, right. They church, the clergy to people

0:21:35.520 --> 0:21:37.919
<v Speaker 1>who worked there, they were the ones who read. They

0:21:37.920 --> 0:21:41.119
<v Speaker 1>were the ones who could explain to you what was

0:21:41.280 --> 0:21:46.040
<v Speaker 1>within a book, which was subsequently explaining the world around you, right, Uh,

0:21:46.160 --> 0:21:50.560
<v Speaker 1>in connection with the religion at hand. Whereas the detective

0:21:50.600 --> 0:21:55.080
<v Speaker 1>novel becomes available, literacy is for everybody. You've got books everywhere.

0:21:55.880 --> 0:21:59.040
<v Speaker 1>I'm assuming these are like novellas, like pamphlet books to write,

0:21:59.080 --> 0:22:01.720
<v Speaker 1>like Murders of the Room or isn't that long? Yeah?

0:22:01.800 --> 0:22:04.520
<v Speaker 1>Or they're published they were coming out in publications. Yeah.

0:22:04.600 --> 0:22:08.160
<v Speaker 1>But it allows you the reader to sort of explore

0:22:08.200 --> 0:22:12.040
<v Speaker 1>the world around you vicariously through this detective who's you know,

0:22:12.160 --> 0:22:15.400
<v Speaker 1>leading you about and throughout these stories, the detectives are

0:22:15.640 --> 0:22:19.919
<v Speaker 1>very priestly, right. There's a lot of connections to religious figures,

0:22:19.960 --> 0:22:25.080
<v Speaker 1>whether they're shamans, monks, priests. Uh. It's interesting. They're almost

0:22:25.160 --> 0:22:28.280
<v Speaker 1>always monk like in their dedication to solving the crime. Right.

0:22:28.320 --> 0:22:32.240
<v Speaker 1>They're very singular in their focus, and there's no Uh,

0:22:32.280 --> 0:22:34.640
<v Speaker 1>they're not the hard boil detectives that were used to write.

0:22:34.640 --> 0:22:38.200
<v Speaker 1>They're not tempted by outside influences if a fem at

0:22:38.240 --> 0:22:44.040
<v Speaker 1>all came across, Uh, you know, Sherlock Holmes. This is

0:22:44.080 --> 0:22:48.679
<v Speaker 1>old Sherlock Holmes, not like Robert Downey junior Sherlock. Uh,

0:22:48.960 --> 0:22:52.359
<v Speaker 1>he would largely ignore them in favor of solving the crime. Right,

0:22:52.440 --> 0:22:55.800
<v Speaker 1>he wasn't interested in in anything beyond the dedication to

0:22:56.200 --> 0:22:58.399
<v Speaker 1>solving the mystery. Yeah, I mean, there there are a

0:22:58.400 --> 0:23:01.359
<v Speaker 1>lot of comparisons to be made between in Holmes and

0:23:01.720 --> 0:23:05.480
<v Speaker 1>a member of the clergy, right, because he's um, he's

0:23:05.640 --> 0:23:09.600
<v Speaker 1>likely celibate. Um. Right, I remember particularly, I remember a

0:23:09.640 --> 0:23:14.199
<v Speaker 1>line from the TV adaptation where Holmes talks about how

0:23:14.200 --> 0:23:16.960
<v Speaker 1>he's never loved anyone. Oh yeah, and it's when you

0:23:17.000 --> 0:23:19.440
<v Speaker 1>get this idea and it's a creature that it exists

0:23:19.440 --> 0:23:22.879
<v Speaker 1>outside of that. Yeah. Yeah. And there's something compelling about

0:23:22.880 --> 0:23:25.440
<v Speaker 1>that obviously to us that like the the urge and

0:23:25.560 --> 0:23:29.879
<v Speaker 1>necessities of the human body or not, something that he

0:23:29.960 --> 0:23:35.080
<v Speaker 1>succumbs to. Right, Whereas in like I recently reread the

0:23:35.160 --> 0:23:40.680
<v Speaker 1>Irene Adler story, what is that the Bohemian the title?

0:23:41.119 --> 0:23:43.679
<v Speaker 1>But yeah, a scandal in Bohemia, I think is what

0:23:43.720 --> 0:23:46.680
<v Speaker 1>it's called. And they recently did that on the Benedict

0:23:46.720 --> 0:23:51.840
<v Speaker 1>cumber Patch, uh BBC show version, and it was much

0:23:51.960 --> 0:23:55.120
<v Speaker 1>more titilating, you know, like I believe that he first

0:23:55.200 --> 0:23:58.000
<v Speaker 1>encounters Irene Adler and she's totally naked in a room

0:23:58.000 --> 0:24:00.080
<v Speaker 1>when he when he first meets her, you know, and

0:24:00.119 --> 0:24:03.920
<v Speaker 1>there's obviously this play on will they won't they kind

0:24:03.920 --> 0:24:06.639
<v Speaker 1>of stuff going on, and he's certainly not meant to

0:24:06.680 --> 0:24:10.680
<v Speaker 1>be celibate in that show. But uh, going back to this,

0:24:10.840 --> 0:24:15.320
<v Speaker 1>you know, resurgence of detective fiction in the nineteenth century,

0:24:15.640 --> 0:24:17.360
<v Speaker 1>that was that was off the table. It wasn't really

0:24:17.400 --> 0:24:20.159
<v Speaker 1>part of the concerns. Yeah, yeah, there's a there's certainly

0:24:20.320 --> 0:24:23.080
<v Speaker 1>a strong case to be made that that that Holmes

0:24:23.119 --> 0:24:26.479
<v Speaker 1>was essentially kind of a Franciscan friar who um uh.

0:24:26.520 --> 0:24:28.880
<v Speaker 1>You know, his natural habitat is a you know, mystical

0:24:28.920 --> 0:24:31.320
<v Speaker 1>retreat where he isolates himself for weeks, you know, just

0:24:31.359 --> 0:24:33.679
<v Speaker 1>you know, he's on the couch, not moving, just in

0:24:33.720 --> 0:24:37.240
<v Speaker 1>pure intellectual thought, almost as if in prayer. Uh, of

0:24:37.280 --> 0:24:40.479
<v Speaker 1>course he's in prayer to his his intellect um. And

0:24:40.520 --> 0:24:44.440
<v Speaker 1>of course um burto Echo picked up on this when

0:24:44.480 --> 0:24:48.639
<v Speaker 1>he recashed Herlock Holmes as brother William of Baskerville in

0:24:49.080 --> 0:24:52.320
<v Speaker 1>the Name of the Rose. Oh yeah, yeah, yeah, that's perfect.

0:24:52.400 --> 0:24:55.040
<v Speaker 1>I hadn't thought about that, Yeah, because he's like, that's

0:24:55.080 --> 0:24:58.560
<v Speaker 1>he's very on the note that, like, that's he's essentially

0:24:58.600 --> 0:25:01.880
<v Speaker 1>Sherlock Holmes, to the point that the first few pages

0:25:01.960 --> 0:25:04.960
<v Speaker 1>of of the novel like match up with a study

0:25:04.960 --> 0:25:08.000
<v Speaker 1>in scarlet, Like really, I didn't know that. Oh wow,

0:25:08.200 --> 0:25:09.640
<v Speaker 1>now it makes me kind of want to go back

0:25:09.680 --> 0:25:13.200
<v Speaker 1>and at least rewatched that movie. Was sean con replay

0:25:13.240 --> 0:25:17.320
<v Speaker 1>that character? Huh um? And then of course, you know

0:25:17.640 --> 0:25:21.479
<v Speaker 1>we mentioned G. K. Chesterson. I'm saying his name wrong, right,

0:25:21.560 --> 0:25:26.680
<v Speaker 1>Chesterton is Chesterton Chesterton? Yeah, I meanly know him from

0:25:26.960 --> 0:25:30.520
<v Speaker 1>the book The Man Who Was Thursday, but his father

0:25:30.600 --> 0:25:33.399
<v Speaker 1>Brown series was about a priest or maybe he was

0:25:33.400 --> 0:25:36.440
<v Speaker 1>a former priest I can't remember, who was also a detective.

0:25:36.600 --> 0:25:39.080
<v Speaker 1>And this is a big there's a whole line of these,

0:25:39.119 --> 0:25:41.160
<v Speaker 1>like like even in the States, like was it father down,

0:25:41.320 --> 0:25:44.480
<v Speaker 1>Father Downey, Father Down? Deep mysteries Like oh, I don't

0:25:44.480 --> 0:25:46.359
<v Speaker 1>know those ones. It was kind of you know, it

0:25:46.400 --> 0:25:48.760
<v Speaker 1>was kind of a murder she wrote just about the

0:25:48.800 --> 0:25:51.320
<v Speaker 1>same murder she wrote is sort of like a version

0:25:51.320 --> 0:25:55.560
<v Speaker 1>of this as well. I don't particularly remember Angela Lansbury

0:25:55.640 --> 0:25:59.280
<v Speaker 1>having anything but dedication for her writing and solving these mysteries.

0:25:59.320 --> 0:26:02.280
<v Speaker 1>It wasn't like had a lot of outside interests. But

0:26:02.400 --> 0:26:04.280
<v Speaker 1>I think there was maybe even a crossover. I'd have

0:26:04.320 --> 0:26:06.719
<v Speaker 1>to go back, but yeah, there was. There was at

0:26:06.800 --> 0:26:11.119
<v Speaker 1>least one US show that had a a priest solving crimes.

0:26:11.240 --> 0:26:14.200
<v Speaker 1>Of course, there are various examples of this in British television,

0:26:14.240 --> 0:26:18.600
<v Speaker 1>like It's I think an ongoing trope. Yeah. Um, now

0:26:18.600 --> 0:26:20.879
<v Speaker 1>we've talked about the church here, but but I do

0:26:20.920 --> 0:26:23.640
<v Speaker 1>want to return to the idea of the shaman itself

0:26:23.640 --> 0:26:26.280
<v Speaker 1>and the older sense of the word um, because there

0:26:26.280 --> 0:26:29.440
<v Speaker 1>are a lot of fantastic comparisons to be made here. Uh.

0:26:29.520 --> 0:26:32.320
<v Speaker 1>You know, you look to a shaman and a it's

0:26:32.359 --> 0:26:36.280
<v Speaker 1>particularly in an an older culture, right, as someone who

0:26:36.280 --> 0:26:39.280
<v Speaker 1>looks inward to the mysteries of the soul and human consciousness,

0:26:39.600 --> 0:26:42.400
<v Speaker 1>and they take us on a journey, sometimes a terrifying,

0:26:42.560 --> 0:26:46.200
<v Speaker 1>soul wrenching journey of discovery. They help you, they help

0:26:46.240 --> 0:26:50.320
<v Speaker 1>an outsider explore questions by bringing you into a sacred space,

0:26:50.800 --> 0:26:54.240
<v Speaker 1>by producing a tray of magical substances. Often they alter

0:26:54.359 --> 0:26:58.800
<v Speaker 1>your perception and experience of reality. And key here too.

0:26:58.880 --> 0:27:01.080
<v Speaker 1>The shaman is is very much an individual with a

0:27:01.119 --> 0:27:03.840
<v Speaker 1>foot into world, both the real world that we live

0:27:03.840 --> 0:27:06.720
<v Speaker 1>in every day and this other world, this spirit world,

0:27:06.760 --> 0:27:09.200
<v Speaker 1>this demon world, god world, whatever you want to make

0:27:09.200 --> 0:27:12.320
<v Speaker 1>of it. Yeah, and that's key to the detective story

0:27:12.359 --> 0:27:15.680
<v Speaker 1>as well, the living within two worlds. Right. That's why

0:27:15.720 --> 0:27:18.800
<v Speaker 1>these guys more often than not are not part of

0:27:19.720 --> 0:27:24.240
<v Speaker 1>law institutions of law because they in order to catch

0:27:24.280 --> 0:27:27.320
<v Speaker 1>the criminal, in order to solve the mystery, they have

0:27:27.520 --> 0:27:31.119
<v Speaker 1>to somewhat have that darkness in their heart right and

0:27:31.520 --> 0:27:34.560
<v Speaker 1>be able to travel the road that the criminal travels

0:27:34.560 --> 0:27:38.240
<v Speaker 1>as well and understand them. Yeah, indeed. Uh. And you

0:27:38.280 --> 0:27:40.280
<v Speaker 1>know there's also a case to be made, particularly with

0:27:40.359 --> 0:27:43.640
<v Speaker 1>Sherlock Holmes. Um. Sherlock Holmes sometimes takes a powerful drug

0:27:44.160 --> 0:27:47.439
<v Speaker 1>to help him answer the questions he secret. Yeah. And

0:27:47.520 --> 0:27:50.000
<v Speaker 1>in the case of did you ever read or see

0:27:50.000 --> 0:27:53.359
<v Speaker 1>an adaptation of The Devil's Foot, No, it's probably my

0:27:53.440 --> 0:27:58.080
<v Speaker 1>favorite home story because it involves a powerful african Um

0:27:58.800 --> 0:28:02.639
<v Speaker 1>substance uh one as the Devil's Foot When when when

0:28:02.680 --> 0:28:07.000
<v Speaker 1>it's just basically a shamanistic powder, but it's used in

0:28:07.520 --> 0:28:11.280
<v Speaker 1>to commit a crime where like one or two people

0:28:11.280 --> 0:28:14.080
<v Speaker 1>were murdered. I forget that body count. Uh, they just

0:28:14.160 --> 0:28:17.440
<v Speaker 1>killed dead byde and the rest are driven insane and uh.

0:28:17.480 --> 0:28:19.679
<v Speaker 1>And so Holmes ends up breathing in some of it

0:28:19.720 --> 0:28:22.639
<v Speaker 1>just to experiment with the substance and has like a

0:28:22.760 --> 0:28:28.000
<v Speaker 1>terrifying vision. So that sounds right up my alley. I'm

0:28:28.040 --> 0:28:31.760
<v Speaker 1>curious about that because right like, this is one of

0:28:31.800 --> 0:28:35.480
<v Speaker 1>those things about homes that is often disputed and people

0:28:35.520 --> 0:28:38.280
<v Speaker 1>go back and forth on I remember when the new show,

0:28:38.320 --> 0:28:42.040
<v Speaker 1>the BBC one that's popular right now, sorry airing, and

0:28:42.040 --> 0:28:44.040
<v Speaker 1>there was there were all the suggestions to him having

0:28:44.040 --> 0:28:47.640
<v Speaker 1>a drug problem. There are people complaining about it not

0:28:47.680 --> 0:28:50.720
<v Speaker 1>having a drug problem, about about him having and saying like, oh,

0:28:50.840 --> 0:28:52.920
<v Speaker 1>what is this. This isn't part of the Sherlock Holmes

0:28:52.920 --> 0:28:55.280
<v Speaker 1>that I know, And it's right there in the original texts,

0:28:55.400 --> 0:28:57.840
<v Speaker 1>you know. Yeah, I remember in the Jeremy Brett um

0:28:58.720 --> 0:29:01.400
<v Speaker 1>versions it was it was very very present. But then

0:29:01.520 --> 0:29:05.680
<v Speaker 1>I believe I remember correctly Brett made it a priority

0:29:05.760 --> 0:29:07.880
<v Speaker 1>to sort of to get homes off the drugs. So

0:29:07.920 --> 0:29:10.320
<v Speaker 1>like there's a scene where he buries his pipe and

0:29:10.360 --> 0:29:13.680
<v Speaker 1>all because he didn't he didn't want young kids to

0:29:13.760 --> 0:29:18.080
<v Speaker 1>watch ar like Holmes and inspired to partake, whereas, like

0:29:18.120 --> 0:29:19.600
<v Speaker 1>I think, in the new one he just wears like

0:29:19.600 --> 0:29:23.400
<v Speaker 1>a lot of nicotine patches or something that's right, which

0:29:23.440 --> 0:29:26.320
<v Speaker 1>is which is another interesting way of of tackling the

0:29:26.880 --> 0:29:30.160
<v Speaker 1>same issue. But I love this idea of the scientist

0:29:30.280 --> 0:29:32.920
<v Speaker 1>as shaman, particularly when you look at it coming out

0:29:33.000 --> 0:29:35.680
<v Speaker 1>of the eighteen sixties, right on the heels of the

0:29:35.760 --> 0:29:39.080
<v Speaker 1>eighteen fifty nine publication of Charles Darwin's On the Origin

0:29:39.080 --> 0:29:42.080
<v Speaker 1>of Species, which had a profound impact, just leaving a

0:29:42.160 --> 0:29:45.480
<v Speaker 1>kind of a cultural vacuum in its wake. Yeah, and

0:29:45.600 --> 0:29:47.240
<v Speaker 1>there's something that I would like to touch on here

0:29:47.240 --> 0:29:49.800
<v Speaker 1>as well, from another article that I researched for for

0:29:49.840 --> 0:29:53.560
<v Speaker 1>this episode. Uh. It was an article called Detective Fiction

0:29:53.560 --> 0:29:55.320
<v Speaker 1>in the Aesthetic of Crime, which is in the two

0:29:55.320 --> 0:30:00.560
<v Speaker 1>thousand fourteen issue of Raritan magazine and based really it's

0:30:00.600 --> 0:30:05.080
<v Speaker 1>a fairly simple premise, which was that detective stories came

0:30:05.160 --> 0:30:10.840
<v Speaker 1>out of this connection to Darwinism, uh, and that time's

0:30:10.920 --> 0:30:15.320
<v Speaker 1>obsession with medical knowledge and especially vivisection. Right, and we

0:30:15.320 --> 0:30:18.560
<v Speaker 1>get Jack the Ripper around that same time, the Elephant Man,

0:30:18.960 --> 0:30:22.320
<v Speaker 1>all these sort of like you know, learned men of

0:30:22.400 --> 0:30:27.000
<v Speaker 1>England examining the body and basically tearing it apart. And

0:30:27.040 --> 0:30:30.880
<v Speaker 1>there so, the author of this piece, J. S. Harpham

0:30:30.920 --> 0:30:35.600
<v Speaker 1>basically puts forward the idea that the aesthetic of murder,

0:30:35.880 --> 0:30:39.080
<v Speaker 1>the aesthetic of taking a body apart and killing somebody,

0:30:39.680 --> 0:30:43.360
<v Speaker 1>was prevalent within British society at the time. Uh and

0:30:43.360 --> 0:30:46.440
<v Speaker 1>and as such an influence the detective fiction. Uh it

0:30:46.800 --> 0:30:50.280
<v Speaker 1>made it so that there was almost a celebration, celebration

0:30:50.640 --> 0:30:53.360
<v Speaker 1>of murder as an art form. I mean when I

0:30:53.400 --> 0:30:56.200
<v Speaker 1>think about all of these different examples that we've just

0:30:56.240 --> 0:31:00.000
<v Speaker 1>been talking about, right, and all these detective fiction authors

0:31:00.200 --> 0:31:05.480
<v Speaker 1>coming up with these incredibly morbid ways for UM characters

0:31:05.480 --> 0:31:11.360
<v Speaker 1>to find bodies, right, like Unhannibal Man Alive. Like I

0:31:11.400 --> 0:31:13.360
<v Speaker 1>remember watching I think it was in the first season,

0:31:13.400 --> 0:31:14.920
<v Speaker 1>and I was like, I can't believe they're getting away

0:31:14.960 --> 0:31:17.280
<v Speaker 1>with this on network television. Not that I just liked it,

0:31:17.320 --> 0:31:19.000
<v Speaker 1>but like, I think there's a point where they find

0:31:19.000 --> 0:31:21.800
<v Speaker 1>a human totem pole and it's like twenty people all

0:31:21.840 --> 0:31:27.120
<v Speaker 1>like stacked on top of one another. Oh that's right, yeah, yeah,

0:31:27.240 --> 0:31:30.320
<v Speaker 1>nice connection to millennium there. And like I'm reading a

0:31:30.400 --> 0:31:33.400
<v Speaker 1>book by UM. I believe he's pronouncer named Lauren bukes

0:31:33.280 --> 0:31:36.400
<v Speaker 1>or bucas. It's called Broken Monsters. And this isn't a

0:31:36.480 --> 0:31:38.520
<v Speaker 1>spoiler for the book. It's like right in the first chapter,

0:31:38.640 --> 0:31:40.840
<v Speaker 1>but the premises that they find a body of a

0:31:40.880 --> 0:31:43.160
<v Speaker 1>boy that's cut in half and sewn to the body

0:31:43.160 --> 0:31:46.320
<v Speaker 1>of a deer. And you think about this stuff in

0:31:46.360 --> 0:31:50.360
<v Speaker 1>these grizzly circumstances that we dive into with this fiction,

0:31:50.400 --> 0:31:55.120
<v Speaker 1>and there is a celebration of murder of in this

0:31:55.200 --> 0:31:58.920
<v Speaker 1>weird artistic way. It's almost like the I mean, one

0:31:58.920 --> 0:32:00.560
<v Speaker 1>of the things that's coming out of this period of

0:32:00.600 --> 0:32:02.840
<v Speaker 1>time and continues to sort of, you know, be a

0:32:02.920 --> 0:32:05.600
<v Speaker 1>point of consideration for the money here. I think it's

0:32:05.760 --> 0:32:09.720
<v Speaker 1>like the basic biomechanical nature of the body and uh

0:32:10.120 --> 0:32:12.600
<v Speaker 1>and and it seems that, you know, when when you

0:32:12.640 --> 0:32:15.880
<v Speaker 1>have these villains and these pieces that are doing elaborate

0:32:15.920 --> 0:32:18.719
<v Speaker 1>things to take it apart and rearrange it, it's all

0:32:18.800 --> 0:32:22.200
<v Speaker 1>kind of a meditation on on that. You know, you know,

0:32:22.280 --> 0:32:25.760
<v Speaker 1>it just occurred to me. Mary Shelley and Frankenstein, similar

0:32:25.840 --> 0:32:28.560
<v Speaker 1>kind of thing they're going on, the taking the body apart,

0:32:28.560 --> 0:32:31.479
<v Speaker 1>putting it back together again and making it walk around.

0:32:32.120 --> 0:32:34.000
<v Speaker 1>I will say this about Hannibal. I remember when I

0:32:34.000 --> 0:32:36.640
<v Speaker 1>first started watching the TV show and and it became

0:32:36.680 --> 0:32:38.600
<v Speaker 1>clear that they were going to just go ahead and

0:32:38.680 --> 0:32:42.160
<v Speaker 1>roll out a new, just unrealistically complex murder every week.

0:32:42.440 --> 0:32:44.640
<v Speaker 1>I remember thinking, well, that's good. They've embraced it. They've

0:32:44.640 --> 0:32:47.320
<v Speaker 1>decided we were going to live in a universe. We're

0:32:47.320 --> 0:32:48.640
<v Speaker 1>just gonna go ahead and live in a universe. It's

0:32:48.640 --> 0:32:51.120
<v Speaker 1>a little different than the than the reality, and not

0:32:51.240 --> 0:32:54.280
<v Speaker 1>try and make the world of Hannibal conformed to it.

0:32:54.280 --> 0:32:56.000
<v Speaker 1>It is, Yeah, it is. One of the things that

0:32:56.040 --> 0:32:58.080
<v Speaker 1>I love about that show is that it's so over

0:32:58.120 --> 0:33:00.000
<v Speaker 1>the top. I keep thinking to myself when I'm watching

0:33:00.040 --> 0:33:03.440
<v Speaker 1>in it, like, why would anybody stay in the Baltimore

0:33:03.640 --> 0:33:06.480
<v Speaker 1>area with all the like every time you open the

0:33:06.520 --> 0:33:09.720
<v Speaker 1>newspaper it's like, oh, we found a human totem poll

0:33:09.760 --> 0:33:13.440
<v Speaker 1>of twenty people on the beach yesterday, and like every

0:33:13.480 --> 0:33:16.960
<v Speaker 1>week there's some totally bonkers serial killer running around. Yeah,

0:33:16.960 --> 0:33:19.080
<v Speaker 1>you would have that whole support groups just for people

0:33:19.120 --> 0:33:22.479
<v Speaker 1>who have themselves or have loved ones that have wound

0:33:22.520 --> 0:33:24.800
<v Speaker 1>up in some one of these scenarios. Yeah, yeah, I

0:33:24.800 --> 0:33:28.000
<v Speaker 1>mean it's grizzly, but like, getting back to the meat

0:33:28.040 --> 0:33:31.640
<v Speaker 1>of this, there's something about that that we like, right,

0:33:31.800 --> 0:33:34.760
<v Speaker 1>We like getting into no pun intended, the meat of

0:33:34.800 --> 0:33:38.600
<v Speaker 1>the story, going along the journey with the detective and

0:33:38.680 --> 0:33:42.240
<v Speaker 1>sort of learning how to understand the world from their

0:33:42.360 --> 0:33:44.720
<v Speaker 1>journey and from the evidence that they gather. Yeah, I

0:33:44.720 --> 0:33:46.400
<v Speaker 1>mean to go back to Canyon Abel. You know, you

0:33:46.440 --> 0:33:49.280
<v Speaker 1>need detective God to step in and say what's what.

0:33:49.360 --> 0:33:52.600
<v Speaker 1>But in an age when God has less way over

0:33:52.800 --> 0:33:55.160
<v Speaker 1>our world view in our daily life, you need somebody else.

0:33:55.520 --> 0:33:58.239
<v Speaker 1>And it's all about the drawing the line of morality, right,

0:33:58.520 --> 0:34:01.280
<v Speaker 1>That's what God was doing in the Canable story. That's

0:34:01.320 --> 0:34:03.600
<v Speaker 1>what we're finding out here, you know. Uh, in a

0:34:03.640 --> 0:34:05.640
<v Speaker 1>lot of these cases, like you were telling me about

0:34:05.800 --> 0:34:10.279
<v Speaker 1>some examples of Sherlock Holmes, when Holmes does not bring

0:34:10.320 --> 0:34:13.120
<v Speaker 1>the criminal in, uh, and and it lets them go

0:34:13.880 --> 0:34:18.239
<v Speaker 1>basically because Holmes has decided where the demarcation for morality

0:34:18.280 --> 0:34:21.320
<v Speaker 1>is and that you know, this, this or that criminal

0:34:21.400 --> 0:34:24.279
<v Speaker 1>don't need to be locked away. Uh. And you get

0:34:24.320 --> 0:34:26.279
<v Speaker 1>that as well. Obviously, you know we've we've touched on

0:34:26.320 --> 0:34:28.000
<v Speaker 1>it already that there's a there's a part of the

0:34:28.040 --> 0:34:30.799
<v Speaker 1>detective that has to be a criminal themselves, has to

0:34:30.840 --> 0:34:36.040
<v Speaker 1>sympathize and um, you know, depending on the circumstances. Sometimes

0:34:36.040 --> 0:34:38.719
<v Speaker 1>it works, sometimes it doesn't, Like, Oh, have you seen Luther?

0:34:39.480 --> 0:34:45.800
<v Speaker 1>I haven't yet. Yeah. Yeah. Another priestly character is that

0:34:46.040 --> 0:34:48.319
<v Speaker 1>names because we should probably hit on that before we

0:34:48.400 --> 0:34:52.200
<v Speaker 1>break that. You see so many, not all, but so

0:34:52.280 --> 0:34:57.040
<v Speaker 1>many detectives whose name whose last names, uh, generally have

0:34:57.280 --> 0:35:00.520
<v Speaker 1>something priestly in them, something to do with the clergy. Yeah,

0:35:00.880 --> 0:35:04.480
<v Speaker 1>in this case, Luther is in Martin Luther. Yeah, exactly.

0:35:04.640 --> 0:35:07.200
<v Speaker 1>And um, you know this is right from the very

0:35:07.239 --> 0:35:10.960
<v Speaker 1>first episode that there's a character that is a murderer

0:35:11.239 --> 0:35:13.600
<v Speaker 1>that he comes across and he can't exactly prove that

0:35:13.640 --> 0:35:16.120
<v Speaker 1>she's a murderer. And over the course of the series

0:35:16.160 --> 0:35:20.280
<v Speaker 1>they're sort of friends. She's sort of a fem fatale character,

0:35:20.360 --> 0:35:23.399
<v Speaker 1>but they're in there and an antagonist, but they're also

0:35:23.520 --> 0:35:25.920
<v Speaker 1>friendly with one another and help one another out. And

0:35:25.960 --> 0:35:28.600
<v Speaker 1>it's like he's decided that she's not the kind of

0:35:28.680 --> 0:35:33.279
<v Speaker 1>murderer that he needs to be pursuing. Is a fascinating

0:35:33.320 --> 0:35:35.480
<v Speaker 1>line that these characters draw in the sand for us.

0:35:36.160 --> 0:35:38.480
<v Speaker 1>There's a whole list of characters you could you could

0:35:38.560 --> 0:35:43.200
<v Speaker 1>run through that have priestly names, including Dr Priestley from

0:35:43.480 --> 0:35:46.480
<v Speaker 1>John Rhodes for forensics. He's a forensic scientist. In the

0:35:46.520 --> 0:35:52.320
<v Speaker 1>nine twenties fiction, there's Um John Creasy's commander George Gideon

0:35:52.440 --> 0:35:56.040
<v Speaker 1>as in the Bible. Yeah. Um. On TV Today, in

0:35:56.080 --> 0:36:00.320
<v Speaker 1>addition to John Luther, we have, of course Adrian Monk. Yeah, right, ones,

0:36:00.400 --> 0:36:03.000
<v Speaker 1>right on the head. What about I feel like I

0:36:03.040 --> 0:36:08.760
<v Speaker 1>remember reading Alex Crosses character James Patterson's Alex cross there's

0:36:08.760 --> 0:36:14.239
<v Speaker 1>Simon Templer, a k the st there's Um on the

0:36:14.280 --> 0:36:16.680
<v Speaker 1>TV show Castle. Of course, I think we have with

0:36:16.719 --> 0:36:18.520
<v Speaker 1>Frank Is it Frank Castle in the name of the character.

0:36:18.640 --> 0:36:22.680
<v Speaker 1>I've never watched that show. It's basically murder, she wrote, Right,

0:36:22.719 --> 0:36:24.839
<v Speaker 1>So I haven't watched it either, but I know there's

0:36:24.840 --> 0:36:27.200
<v Speaker 1>a character named Castle, and his name is just more

0:36:27.239 --> 0:36:29.120
<v Speaker 1>of an idea that if you have a detective, they

0:36:29.120 --> 0:36:30.960
<v Speaker 1>have to have something kind of cool in their name. Right,

0:36:31.400 --> 0:36:34.120
<v Speaker 1>But there is a Kate Beckett on there, so okay,

0:36:34.560 --> 0:36:37.319
<v Speaker 1>I can sort of chalk that up to it. Um. There,

0:36:37.400 --> 0:36:41.560
<v Speaker 1>I already mentioned our Scott Baker's disciple Manning. He conforms

0:36:41.640 --> 0:36:47.240
<v Speaker 1>to the trope Will Graham of Red Dragon. You could

0:36:47.239 --> 0:36:51.400
<v Speaker 1>make an earth case that there's Bill Billy Graham, essentially

0:36:51.480 --> 0:36:56.200
<v Speaker 1>Billy Graham Yeah, that before there you go. Yeah, his

0:36:56.719 --> 0:36:58.719
<v Speaker 1>writer whose rise to power was right around the time

0:36:58.760 --> 0:37:02.640
<v Speaker 1>that Thomas Harris was writing the novels. Yeah. Absolutely. Um,

0:37:02.920 --> 0:37:04.720
<v Speaker 1>I can't remember any of the names of the characters

0:37:04.719 --> 0:37:06.400
<v Speaker 1>from that Learned Bukes novels. But now I'm going to

0:37:06.480 --> 0:37:08.799
<v Speaker 1>think about this when I'm when I'm finishing up that book.

0:37:10.160 --> 0:37:11.960
<v Speaker 1>All right, Well, we're gonna take a quick break, and

0:37:12.000 --> 0:37:14.080
<v Speaker 1>when we come back, we're gonna talk about the detective

0:37:14.120 --> 0:37:17.960
<v Speaker 1>fiction a little more. We're gonna draw in uh scientific study,

0:37:18.440 --> 0:37:22.200
<v Speaker 1>some thoughts about how the human mind works and uh

0:37:22.200 --> 0:37:26.440
<v Speaker 1>and where the detective fiction stands uh in particularly in

0:37:26.520 --> 0:37:40.600
<v Speaker 1>twentieth century culture. Hey, we're back. We're talking about detective fiction.

0:37:40.680 --> 0:37:44.400
<v Speaker 1>The fictional detective as a seeker of truth, resolver of conflict,

0:37:44.400 --> 0:37:48.520
<v Speaker 1>and a signer of blame. A shaman, a priest, uh

0:37:49.080 --> 0:37:52.520
<v Speaker 1>A an individual that stands with one foot in our

0:37:52.560 --> 0:37:55.839
<v Speaker 1>world and one in another world, and they can help

0:37:55.960 --> 0:37:59.879
<v Speaker 1>us in theory, um, figure out the mysteries that played us.

0:38:00.360 --> 0:38:03.399
<v Speaker 1>And so we we teased before the break that we're

0:38:03.400 --> 0:38:08.040
<v Speaker 1>gonna touch on some some scientific studies about detective fiction,

0:38:08.360 --> 0:38:12.640
<v Speaker 1>and the first one is this interesting article from Psychology

0:38:12.640 --> 0:38:15.719
<v Speaker 1>Today written by a guy. It's a Christopher Badcock, I

0:38:15.760 --> 0:38:17.840
<v Speaker 1>believe is his name, and it's called the Genius of

0:38:17.880 --> 0:38:22.040
<v Speaker 1>Detective Fiction. And he has this theory that there's two

0:38:22.080 --> 0:38:26.799
<v Speaker 1>modes of cognition that are involved in our favorite detectives,

0:38:26.880 --> 0:38:30.239
<v Speaker 1>right in reading about our favorite detectives, and that sort

0:38:30.239 --> 0:38:32.520
<v Speaker 1>of make up these characters. Do you want to hit

0:38:32.520 --> 0:38:35.359
<v Speaker 1>on that? Yeah, yeah, he uh you know. Basically, he's

0:38:35.560 --> 0:38:38.439
<v Speaker 1>he's looking at two different ways in which our mind work.

0:38:38.760 --> 0:38:41.759
<v Speaker 1>One is he calls mentalism, and this is kind of

0:38:42.080 --> 0:38:46.640
<v Speaker 1>theory of mind folk psychology, uh uh. And then there's mechanism,

0:38:46.719 --> 0:38:50.080
<v Speaker 1>which is more theory of bodies and folk physics. And

0:38:50.120 --> 0:38:53.040
<v Speaker 1>the two big examples of the of this to look at,

0:38:53.080 --> 0:38:56.680
<v Speaker 1>the ones that the bad Cock drawls out here are

0:38:56.719 --> 0:38:58.919
<v Speaker 1>that you look at Sherlock Holmes, right, and there are

0:38:59.200 --> 0:39:03.279
<v Speaker 1>obviously no doable autistic tendencies in his character, his lack

0:39:03.320 --> 0:39:06.560
<v Speaker 1>of social interests interest, his his you know, the degree

0:39:06.560 --> 0:39:10.120
<v Speaker 1>of concentration that he brings to any given case, and

0:39:10.200 --> 0:39:13.520
<v Speaker 1>his eye for detail where a crime or a mystery

0:39:13.600 --> 0:39:16.560
<v Speaker 1>is concerned. And we do see this more and more,

0:39:16.600 --> 0:39:20.040
<v Speaker 1>I feel like in these in these modern uh uh

0:39:20.400 --> 0:39:24.680
<v Speaker 1>interpretations of Holmes, these modern explorations of because with this

0:39:24.960 --> 0:39:28.200
<v Speaker 1>increased knowledge of of of what autism is like, Yeah,

0:39:28.239 --> 0:39:31.120
<v Speaker 1>I think the Holmes is one of those characters that

0:39:31.200 --> 0:39:34.120
<v Speaker 1>is probably going to be revisited for centuries. And it

0:39:34.239 --> 0:39:37.000
<v Speaker 1>seems like every time we revisit the character, there's more

0:39:37.040 --> 0:39:41.319
<v Speaker 1>and more of the psychological understanding that we have through

0:39:41.400 --> 0:39:43.879
<v Speaker 1>science brought to the character. And there's I think there's

0:39:43.880 --> 0:39:45.880
<v Speaker 1>that infamous line in the new TV show where he

0:39:45.880 --> 0:39:47.960
<v Speaker 1>says something like I'm not a psychopath, I'm a highly

0:39:47.960 --> 0:39:52.719
<v Speaker 1>functioning sociopath. Uh, something along those lines. Uh, And that

0:39:52.880 --> 0:39:55.480
<v Speaker 1>touches on, you know that the second aspect here of

0:39:55.520 --> 0:39:58.400
<v Speaker 1>bad Cox's theory, which is that you've got the mechanistic

0:39:58.520 --> 0:40:02.319
<v Speaker 1>part but which he sort of likens to being autistic,

0:40:02.680 --> 0:40:06.360
<v Speaker 1>and then there's this mentalistic aspect, which he likens to

0:40:06.680 --> 0:40:10.480
<v Speaker 1>being on the spectrum of the psychotic disorder. Uh. And

0:40:10.560 --> 0:40:12.680
<v Speaker 1>he says that there's, you know, a play between the

0:40:12.719 --> 0:40:15.840
<v Speaker 1>two of being on the autistic spectrum and being on

0:40:15.880 --> 0:40:20.880
<v Speaker 1>the psychotic spectrum. And for detectives, they in particular detectives

0:40:20.920 --> 0:40:24.520
<v Speaker 1>play this out for us, right. Uh. In the general population,

0:40:24.960 --> 0:40:27.759
<v Speaker 1>there's this incredibly low rate of people who would have

0:40:27.960 --> 0:40:32.319
<v Speaker 1>that combination of mental factors, but we see them in

0:40:32.520 --> 0:40:36.480
<v Speaker 1>things like his these are bad Cocks examples John Nash

0:40:36.760 --> 0:40:42.200
<v Speaker 1>who just passed away last week. Yes, yeah, Isaac Newton,

0:40:42.239 --> 0:40:45.239
<v Speaker 1>and then his other example was Beethoven, that these are

0:40:45.719 --> 0:40:50.760
<v Speaker 1>examples of these sort of autistic slash psychotic characters that

0:40:50.760 --> 0:40:54.920
<v Speaker 1>that we fall for, and that the detective character plays

0:40:54.960 --> 0:40:58.160
<v Speaker 1>this out for us. You know, our actual cognition doesn't

0:40:58.200 --> 0:41:00.040
<v Speaker 1>have to go down this route, but you know, I

0:41:00.040 --> 0:41:03.759
<v Speaker 1>could imagine, I can easily imagine uh, fiction coming out

0:41:03.800 --> 0:41:06.000
<v Speaker 1>in the years to follow where all three of those

0:41:06.000 --> 0:41:10.239
<v Speaker 1>guys solve crimes. Yeah, oh yeah, absolutely, that's a really

0:41:10.239 --> 0:41:16.480
<v Speaker 1>good idea. Together they travel, Yeah, yeah, I mean the

0:41:17.120 --> 0:41:19.719
<v Speaker 1>cool thing about Badcock's paper is that, you know, you

0:41:19.840 --> 0:41:24.120
<v Speaker 1>really shows that there's there's the way the human mind works,

0:41:24.120 --> 0:41:26.719
<v Speaker 1>and then these two different extremes. Like that's where we

0:41:26.760 --> 0:41:30.320
<v Speaker 1>tend to position our detectives as as is stream modes

0:41:30.600 --> 0:41:33.160
<v Speaker 1>of human cognition. Yeah, and if they fall too far

0:41:33.200 --> 0:41:36.560
<v Speaker 1>to one side, they're not effective detectives. Right, So, like, uh,

0:41:36.719 --> 0:41:39.520
<v Speaker 1>take the Will Graham character for example, Like he's constantly

0:41:39.560 --> 0:41:42.879
<v Speaker 1>being pushed further towards the edge of psychotic and rather

0:41:42.960 --> 0:41:46.760
<v Speaker 1>than being somewhat in the middle between psychotic and autistic. Uh.

0:41:46.840 --> 0:41:48.920
<v Speaker 1>And that's when he you know, he's at his worst,

0:41:48.960 --> 0:41:52.480
<v Speaker 1>he's not able to catch the killer. Um. But on

0:41:52.520 --> 0:41:54.080
<v Speaker 1>the other end of it, I'm trying to think like

0:41:54.400 --> 0:41:56.799
<v Speaker 1>Holmes is probably the one that comes to mind as

0:41:56.880 --> 0:42:01.120
<v Speaker 1>being the one that leans heavily towards the autist stick side, right, Yeah,

0:42:01.200 --> 0:42:04.200
<v Speaker 1>I feel like he was the best example of that. Um.

0:42:04.200 --> 0:42:07.680
<v Speaker 1>And on the other end of the spectrum, Batcock brings

0:42:07.680 --> 0:42:12.480
<v Speaker 1>out Agatha Christie's Miss Marple example, but I've never read

0:42:12.680 --> 0:42:17.040
<v Speaker 1>Miss Marple. Yeah, I have not. I speak to that. Huh.

0:42:17.160 --> 0:42:19.600
<v Speaker 1>I'm trying to think of other examples here. Where would

0:42:19.800 --> 0:42:24.560
<v Speaker 1>Lebowski fall, because he has the same Yeah, that's true.

0:42:24.640 --> 0:42:27.440
<v Speaker 1>Lebowski is we're referring to the Cohen Brothers movie The

0:42:27.440 --> 0:42:32.479
<v Speaker 1>Big Lebowski. Uh yeah, Lebowski would be definitely more towards

0:42:32.520 --> 0:42:35.480
<v Speaker 1>the psychotic end, I think, right, He's he doesn't have

0:42:35.520 --> 0:42:40.640
<v Speaker 1>a particular focus or dedication to anything whatsoever. But he

0:42:40.719 --> 0:42:44.480
<v Speaker 1>does have a disregard for social conventions, does Yeah. And

0:42:44.480 --> 0:42:47.120
<v Speaker 1>and that's that's something you do see, isn't that? Isn't that?

0:42:47.120 --> 0:42:50.719
<v Speaker 1>The theory I've heard is that Lebowski is a like

0:42:50.800 --> 0:42:54.719
<v Speaker 1>scene for seeing adaptation of Chandler's The Big Sleet. You know,

0:42:54.760 --> 0:42:57.759
<v Speaker 1>I never really thought about it, supposedly. I think I've

0:42:57.800 --> 0:43:00.719
<v Speaker 1>heard that rumor somewhere. I'm sure one of listeners will

0:43:01.000 --> 0:43:03.400
<v Speaker 1>debunk that idea. But I remember somebody telling me that

0:43:03.440 --> 0:43:06.160
<v Speaker 1>one time. All right, Well, moving along to a little

0:43:06.200 --> 0:43:11.080
<v Speaker 1>more science. Um, this this next study comes down to

0:43:11.080 --> 0:43:14.560
<v Speaker 1>a basic question. Who doesn't love a good who done

0:43:14.560 --> 0:43:18.439
<v Speaker 1>it right? Well, in theory, nobody right, Like I would think,

0:43:18.600 --> 0:43:21.080
<v Speaker 1>like a great who done it? Like? That's that's what

0:43:21.120 --> 0:43:23.200
<v Speaker 1>you want in your detective story. You don't want to

0:43:23.840 --> 0:43:26.200
<v Speaker 1>call the ending like right from the beginning like that's

0:43:26.200 --> 0:43:28.520
<v Speaker 1>always the worst, right, especially if you're if you don't

0:43:28.560 --> 0:43:31.239
<v Speaker 1>see the ending coming and you're watching say detective show

0:43:31.239 --> 0:43:33.480
<v Speaker 1>with somebody who does you like, Oh, it's the wife

0:43:33.480 --> 0:43:36.240
<v Speaker 1>that killed him? Right? This is like the original spoilers

0:43:36.280 --> 0:43:39.520
<v Speaker 1>before the internet was really kicking around. Don't tell me

0:43:39.560 --> 0:43:41.239
<v Speaker 1>who it is. I you know, I haven't gotten to

0:43:41.280 --> 0:43:43.680
<v Speaker 1>the last page yet. There's those people who do like

0:43:43.760 --> 0:43:45.920
<v Speaker 1>to skip ahead, read the last page and then read

0:43:45.960 --> 0:43:47.600
<v Speaker 1>the rest of the book though, And I think this

0:43:47.719 --> 0:43:51.040
<v Speaker 1>study touches upon that, right. Yeah, indeed, this is a

0:43:51.120 --> 0:43:54.400
<v Speaker 1>two thousand six Ohio State University study that they conducted

0:43:54.400 --> 0:43:58.320
<v Speaker 1>in conjunction with the Hanover School of Music and Drama

0:43:58.400 --> 0:44:03.040
<v Speaker 1>in Germany. Um, and they looked at particularly, They're curious

0:44:03.040 --> 0:44:06.880
<v Speaker 1>to see how people with low self esteem reacted to

0:44:07.400 --> 0:44:11.759
<v Speaker 1>crime and detective stories that either confirmed their suspicions in

0:44:11.800 --> 0:44:15.560
<v Speaker 1>the end or threw them for a curve. Yeah. And

0:44:15.640 --> 0:44:18.399
<v Speaker 1>so this is essentially the methodology of the study, right.

0:44:18.560 --> 0:44:22.920
<v Speaker 1>There were eighty four German college students that were their subjects,

0:44:23.000 --> 0:44:28.720
<v Speaker 1>and they all took these personality assessments basically um self

0:44:28.719 --> 0:44:32.200
<v Speaker 1>reporting on what their self esteem levels were. Uh. And

0:44:32.239 --> 0:44:35.080
<v Speaker 1>then they were each assigned to read a short one

0:44:35.160 --> 0:44:39.480
<v Speaker 1>page mystery which was called Murder because of Lust or Greed,

0:44:40.200 --> 0:44:43.800
<v Speaker 1>which is a very very German title for a detective story.

0:44:44.400 --> 0:44:49.920
<v Speaker 1>I'm sure it sounds a lot sexier in German itself. Everything, yeah, um,

0:44:50.160 --> 0:44:54.200
<v Speaker 1>But the without getting into whatever the story was about, essentially,

0:44:54.200 --> 0:44:57.280
<v Speaker 1>these students were given three different versions of the story,

0:44:57.440 --> 0:44:59.680
<v Speaker 1>one in which the suspects are equally likely to have

0:44:59.680 --> 0:45:03.399
<v Speaker 1>commit of the crime. The second version hints that one

0:45:03.400 --> 0:45:05.680
<v Speaker 1>of the suspects was more likely than the other to

0:45:05.719 --> 0:45:09.400
<v Speaker 1>be the killer. And then the third one hinted that

0:45:09.520 --> 0:45:12.200
<v Speaker 1>one suspect was more likely to be the murderer. But

0:45:12.320 --> 0:45:15.239
<v Speaker 1>the end, the killer turns out to be done, Done

0:45:15.320 --> 0:45:18.160
<v Speaker 1>done somebody that you're not even aware of. Is the

0:45:18.160 --> 0:45:20.840
<v Speaker 1>Scooby Doo twist, right, somebody pulls a mask off. And

0:45:20.920 --> 0:45:25.200
<v Speaker 1>what they found was that of these self reporting students,

0:45:25.400 --> 0:45:29.839
<v Speaker 1>people with low self esteem rated the surprise ending as

0:45:30.120 --> 0:45:34.040
<v Speaker 1>less enjoyable than the confirmation ending, So they didn't like

0:45:34.280 --> 0:45:38.200
<v Speaker 1>the surprise if they had low self esteem, whereas the

0:45:38.239 --> 0:45:41.440
<v Speaker 1>people who reported that they had high self esteem reacted

0:45:41.480 --> 0:45:45.359
<v Speaker 1>the opposite way. They really liked the surprise and they

0:45:45.480 --> 0:45:48.040
<v Speaker 1>didn't like knowing ahead of time who committed the crime.

0:45:48.520 --> 0:45:50.799
<v Speaker 1>Uh yeah, this is a weird one to wrap my

0:45:50.800 --> 0:45:54.120
<v Speaker 1>head around, because I mean, I guess the best I

0:45:54.160 --> 0:45:56.200
<v Speaker 1>can imagine is like try and put myself in that that,

0:45:56.480 --> 0:45:59.279
<v Speaker 1>you know, in the mindset of someone who's like, had

0:45:59.320 --> 0:46:03.880
<v Speaker 1>a really add date work and you know, just everything is, uh,

0:46:04.000 --> 0:46:07.759
<v Speaker 1>everything's everything's a disaster, just one after the other all

0:46:07.840 --> 0:46:09.200
<v Speaker 1>day and then you get home and you read your

0:46:09.200 --> 0:46:12.879
<v Speaker 1>detective story. And maybe there's an argument to be made

0:46:12.920 --> 0:46:16.399
<v Speaker 1>that that this individual reads a detective story and if

0:46:16.440 --> 0:46:20.680
<v Speaker 1>and if he's able to guess the outcome correctly. He's like, well,

0:46:20.680 --> 0:46:25.840
<v Speaker 1>I got one, yeah, exactly. Finally something went right for me. Yeah, yeah, No,

0:46:25.960 --> 0:46:29.399
<v Speaker 1>I can understand that. But jeez, I mean, no matter

0:46:29.440 --> 0:46:31.880
<v Speaker 1>how bad my day gets. And I'm not saying that

0:46:31.920 --> 0:46:34.080
<v Speaker 1>this is an indicative of me having a particularly high

0:46:34.160 --> 0:46:37.000
<v Speaker 1>self esteem or anything like that, but I like the twist.

0:46:37.160 --> 0:46:41.319
<v Speaker 1>You know, I'm not advocating for an m Night Shamalan

0:46:41.440 --> 0:46:43.759
<v Speaker 1>twist to every single ending of the story. But I

0:46:43.840 --> 0:46:47.080
<v Speaker 1>like to be surprised. I like to not know where

0:46:47.120 --> 0:46:49.520
<v Speaker 1>the story is going. I think like, as somebody who

0:46:49.560 --> 0:46:53.400
<v Speaker 1>consumes a ton of fictional entertainment, you get to a

0:46:53.400 --> 0:46:56.319
<v Speaker 1>point where you you start recognizing the narrative beats, and

0:46:56.360 --> 0:46:59.279
<v Speaker 1>you know, a lot of times you often know where

0:46:59.320 --> 0:47:03.600
<v Speaker 1>it's going. Um, So it's always surprising. I mentioned your

0:47:03.640 --> 0:47:06.759
<v Speaker 1>detective earlier. It's always surprising when something leads to a

0:47:06.880 --> 0:47:08.960
<v Speaker 1>direction that you weren't expecting. You know, I'm glad that

0:47:09.000 --> 0:47:12.000
<v Speaker 1>you mentioned the beats. Um. It reminds me of an

0:47:12.040 --> 0:47:16.279
<v Speaker 1>example from Lucha Libre where someone someone brought up It

0:47:16.360 --> 0:47:19.360
<v Speaker 1>was a discussion about like big mask versus Mask. Luja

0:47:19.400 --> 0:47:22.640
<v Speaker 1>Libre matches in particular, and someone brought up was that

0:47:22.680 --> 0:47:24.360
<v Speaker 1>they said, well, you always know who's gonna win, like

0:47:24.440 --> 0:47:27.399
<v Speaker 1>because generally the good guy wins. Really yeah, the good

0:47:27.440 --> 0:47:30.080
<v Speaker 1>guy wins and the bad guy loses his mask. Um

0:47:30.719 --> 0:47:34.320
<v Speaker 1>and uh, anyway, someone is saying, well, there's no surprise

0:47:34.400 --> 0:47:36.920
<v Speaker 1>here because this is the story always in the same way.

0:47:37.160 --> 0:47:41.319
<v Speaker 1>And then um, someone countered by saying that it's there's

0:47:41.360 --> 0:47:44.320
<v Speaker 1>a mythic quality in that that when the story always

0:47:44.360 --> 0:47:48.560
<v Speaker 1>confirms conforms to a certain pattern and a certain mythic story,

0:47:48.960 --> 0:47:51.880
<v Speaker 1>then there's comfort in that because the story, every story

0:47:51.960 --> 0:47:54.719
<v Speaker 1>is important in in in the way that it confirmed

0:47:54.880 --> 0:47:59.120
<v Speaker 1>conforms to a pre existing narrative. Yeah, and I can

0:47:59.160 --> 0:48:02.200
<v Speaker 1>see the there's a pleasure to be had there as well,

0:48:02.280 --> 0:48:05.879
<v Speaker 1>right Uh. In in your example, like you get home

0:48:05.880 --> 0:48:07.880
<v Speaker 1>from work at the end of a terrible day and

0:48:07.960 --> 0:48:10.640
<v Speaker 1>maybe you don't need any more surprises. Maybe you just

0:48:10.760 --> 0:48:14.080
<v Speaker 1>want to have something familiar be there for you. It's

0:48:14.080 --> 0:48:19.319
<v Speaker 1>like a blanket. Yeah, but it's like a thunder sure, thundersure. Yeah.

0:48:19.480 --> 0:48:21.319
<v Speaker 1>But but then I mean again to your point, it's like,

0:48:21.600 --> 0:48:23.360
<v Speaker 1>even if I've had a bad day, I feel like

0:48:23.400 --> 0:48:25.560
<v Speaker 1>I would want the story to just suck me away

0:48:25.600 --> 0:48:28.000
<v Speaker 1>and take me into a place I can't they escape

0:48:28.040 --> 0:48:31.239
<v Speaker 1>as a mask. Yeah, but according to their study. Now,

0:48:31.880 --> 0:48:33.440
<v Speaker 1>I do have to say here that you know, when

0:48:33.440 --> 0:48:36.080
<v Speaker 1>I read this, I thought, well, the evidence here is

0:48:36.120 --> 0:48:38.239
<v Speaker 1>a little loosey goosey, and I'd like to see some

0:48:38.280 --> 0:48:41.080
<v Speaker 1>more research done here. I mean, in particular, they've got

0:48:41.080 --> 0:48:44.080
<v Speaker 1>this very subjective group of students that they're looking at.

0:48:44.120 --> 0:48:46.600
<v Speaker 1>They're all college students, they're all German, they're all of

0:48:46.600 --> 0:48:50.280
<v Speaker 1>a particular age, right, and um, they're all also self

0:48:50.320 --> 0:48:52.839
<v Speaker 1>reporting on their self esteem. So I think it would

0:48:52.840 --> 0:48:54.680
<v Speaker 1>be interesting to see a study where there was like

0:48:55.280 --> 0:48:58.600
<v Speaker 1>more of a quantitative psychological assessment going on here, and

0:48:58.680 --> 0:49:01.239
<v Speaker 1>then you compare that to their results of you know,

0:49:01.320 --> 0:49:04.520
<v Speaker 1>reading the story. But um, again, you know, this is

0:49:04.520 --> 0:49:10.200
<v Speaker 1>a very subjective world of research here. I agree. I agree. Now,

0:49:10.200 --> 0:49:13.440
<v Speaker 1>another role for the detective we thought we'd mentioned here

0:49:14.000 --> 0:49:18.080
<v Speaker 1>is that of a subcultural liaison. And this idea comes

0:49:18.120 --> 0:49:21.880
<v Speaker 1>to us from theory and practice of classical detective fiction

0:49:21.960 --> 0:49:28.080
<v Speaker 1>by Jerome Delamater and Ruth Pragazi of Hofstra University. I

0:49:28.080 --> 0:49:30.640
<v Speaker 1>would have to say neither of those last names particularly

0:49:30.640 --> 0:49:32.759
<v Speaker 1>good detective names. Yeah, I think I would have to

0:49:32.800 --> 0:49:35.360
<v Speaker 1>go back to bad Cock who mentioned earlier, yeah, that

0:49:35.440 --> 0:49:37.640
<v Speaker 1>he would be an excellent detective. He probably changed his

0:49:37.760 --> 0:49:41.960
<v Speaker 1>name just for that piece. Not very religious sounding though,

0:49:43.400 --> 0:49:47.280
<v Speaker 1>And what do we mean by subcultural liaison though? Well, um,

0:49:47.600 --> 0:49:49.920
<v Speaker 1>you know you think of any crime story, right, and

0:49:50.000 --> 0:49:53.239
<v Speaker 1>it involves like sword pass right and dark secrets, uh,

0:49:53.560 --> 0:49:56.640
<v Speaker 1>and some sort of convergence between the normal world and

0:49:56.719 --> 0:49:59.320
<v Speaker 1>some sort of a subworld. So you know, we already

0:49:59.320 --> 0:50:01.280
<v Speaker 1>talked about the sho and having one foot in ours

0:50:01.280 --> 0:50:03.480
<v Speaker 1>and one in you know, the realm of the spirits.

0:50:03.520 --> 0:50:05.479
<v Speaker 1>And the detective of course has one foot in ours

0:50:05.480 --> 0:50:08.520
<v Speaker 1>and one and uh at least in the criminal element, right,

0:50:08.520 --> 0:50:12.720
<v Speaker 1>and least through investigations conducted there, if not some portion

0:50:12.880 --> 0:50:17.920
<v Speaker 1>of his life existing there. So the detective often serves

0:50:17.960 --> 0:50:20.520
<v Speaker 1>as this, uh, this vehicle through which we get to

0:50:21.480 --> 0:50:26.000
<v Speaker 1>explore a subculture that we would otherwise just not be

0:50:26.080 --> 0:50:28.799
<v Speaker 1>privy to. Yeah, I mean when you think about it,

0:50:28.920 --> 0:50:34.319
<v Speaker 1>especially for I think a certain sect of people who

0:50:34.360 --> 0:50:39.640
<v Speaker 1>love detective stories, right, there's this m M vicarious like

0:50:40.200 --> 0:50:43.919
<v Speaker 1>toe dipping into the world of the criminal, right, it's

0:50:43.960 --> 0:50:47.440
<v Speaker 1>the safe way to do so. And um, I mean

0:50:47.440 --> 0:50:49.839
<v Speaker 1>I'll admit it myself, like I don't particularly have like

0:50:49.880 --> 0:50:54.040
<v Speaker 1>a dark criminal past. But I like watching shows where

0:50:54.680 --> 0:50:56.840
<v Speaker 1>I get like some sort of a hint at what

0:50:56.960 --> 0:50:59.600
<v Speaker 1>criminal activity is like in America, you know, even though

0:50:59.800 --> 0:51:02.719
<v Speaker 1>it's fictional and it's obviously like way off base, and

0:51:03.080 --> 0:51:05.440
<v Speaker 1>I'm thinking, like, the closest version of this is like

0:51:05.480 --> 0:51:08.880
<v Speaker 1>The Wire, Right, So if you're watching David Simon's The Wire,

0:51:09.239 --> 0:51:11.360
<v Speaker 1>and you're like, now, I have an understanding for drug

0:51:11.400 --> 0:51:15.560
<v Speaker 1>culture in Baltimore, and that's probably the closest you're going

0:51:15.600 --> 0:51:18.680
<v Speaker 1>to get to accuracy. And even that is, you know,

0:51:18.760 --> 0:51:21.759
<v Speaker 1>I believe, highly fictionalized. Yeah, but still to the you know,

0:51:22.120 --> 0:51:25.600
<v Speaker 1>to the average viewer, they suddenly know a little more

0:51:25.680 --> 0:51:27.920
<v Speaker 1>about the reality of that than they would have. In

0:51:27.960 --> 0:51:32.200
<v Speaker 1>particular that subculture of being African American in Baltimore and

0:51:32.440 --> 0:51:35.880
<v Speaker 1>living in a neighborhood that's immersed within the drug scene. Yeah,

0:51:35.920 --> 0:51:38.080
<v Speaker 1>now that which is not something that I in particular

0:51:38.320 --> 0:51:41.600
<v Speaker 1>have access to now, you know. Of course, that's not

0:51:41.680 --> 0:51:44.320
<v Speaker 1>to say that every detective story is going to really

0:51:45.200 --> 0:51:48.120
<v Speaker 1>give you an authentic feel for the subculture. Like, you know,

0:51:48.600 --> 0:51:52.279
<v Speaker 1>detective investigates a murder in a dungeon doesn't mean you're

0:51:52.280 --> 0:51:54.600
<v Speaker 1>going to end up with a better understanding of what

0:51:54.680 --> 0:51:57.040
<v Speaker 1>b D s M culture is all about. You're probably

0:51:57.080 --> 0:52:01.280
<v Speaker 1>gonna have a very skewed, uh idea very sensational idea

0:52:01.320 --> 0:52:03.239
<v Speaker 1>of what it consists of. That's probably part of the

0:52:03.280 --> 0:52:06.319
<v Speaker 1>safety though, too write, is that like it, it's just

0:52:06.560 --> 0:52:09.319
<v Speaker 1>far enough, it's arms reach away enough that it's not

0:52:09.840 --> 0:52:12.480
<v Speaker 1>you know, it's not entering into our own lives, but

0:52:12.520 --> 0:52:14.279
<v Speaker 1>it gives us it's back to the shawn again, it

0:52:14.280 --> 0:52:16.960
<v Speaker 1>gives us a broader understanding of the world. But then

0:52:17.000 --> 0:52:19.480
<v Speaker 1>I guess when you get used to your your shamanistic

0:52:19.520 --> 0:52:22.800
<v Speaker 1>detective taking you into these worlds, you maybe get a

0:52:22.840 --> 0:52:25.640
<v Speaker 1>little more comfortable each time. And so we end up

0:52:25.640 --> 0:52:28.840
<v Speaker 1>with this growing trend of the detective fiction allowing us

0:52:28.880 --> 0:52:32.440
<v Speaker 1>safe journeys into these varying worlds. Often uh times, you'll

0:52:32.480 --> 0:52:35.560
<v Speaker 1>also end up getting to take these journeys with a

0:52:35.560 --> 0:52:39.799
<v Speaker 1>little inside help from the the author of themselves. Um.

0:52:39.840 --> 0:52:43.239
<v Speaker 1>It's been pointed out that since detective fiction, even in

0:52:43.280 --> 0:52:47.480
<v Speaker 1>its early goings, was more about fun and entertainment, it

0:52:47.560 --> 0:52:51.239
<v Speaker 1>meant that writing detective fiction was was more open to

0:52:51.480 --> 0:52:55.759
<v Speaker 1>female writers. Yeah, right, And obviously Agatha Christie, you know,

0:52:55.840 --> 0:52:59.040
<v Speaker 1>at the beginning of the twentieth century having such a

0:52:59.080 --> 0:53:03.479
<v Speaker 1>surge of popularity was unusual. Huh. So now I'm thinking

0:53:03.520 --> 0:53:06.520
<v Speaker 1>about like these examples of detective fiction that we like

0:53:06.600 --> 0:53:08.359
<v Speaker 1>that we're you know, we were talking about earlier at

0:53:08.360 --> 0:53:10.800
<v Speaker 1>the top, and how they're sort of giving us access

0:53:10.840 --> 0:53:13.719
<v Speaker 1>to subcultures. I mean, so this, this Broken Monsters book

0:53:13.760 --> 0:53:17.320
<v Speaker 1>that I'm reading right now is very much about like, uh,

0:53:17.480 --> 0:53:20.680
<v Speaker 1>post industrial Detroit. It's set in the present day. It's

0:53:20.840 --> 0:53:24.239
<v Speaker 1>very heavily linked to social media, uh and the art

0:53:24.280 --> 0:53:27.000
<v Speaker 1>world of Detroit in particular, and so it's giving you

0:53:27.560 --> 0:53:31.319
<v Speaker 1>this access and view into this world of you know,

0:53:31.400 --> 0:53:36.080
<v Speaker 1>I I don't have any connection to that particular scene

0:53:36.160 --> 0:53:39.400
<v Speaker 1>at all. Uh So I guess I'm I'm living it

0:53:39.520 --> 0:53:43.520
<v Speaker 1>vicariously through the detective who's who's scurrying about the streets

0:53:43.520 --> 0:53:46.080
<v Speaker 1>of Detroit trying to solve this guy who's sewing people's

0:53:46.120 --> 0:53:48.680
<v Speaker 1>bodies to animals. Yeah, or even think of the first

0:53:48.880 --> 0:53:51.480
<v Speaker 1>season of True Detective, So much of that concerned some

0:53:51.760 --> 0:53:55.680
<v Speaker 1>very authentic feeling scenes of rural Louisiana like that was

0:53:55.719 --> 0:53:59.120
<v Speaker 1>It's far different from you know, movie Louisiana, like Hollywood

0:53:59.120 --> 0:54:01.480
<v Speaker 1>Louisi entity. You got stay on a true blood, right

0:54:02.120 --> 0:54:04.359
<v Speaker 1>or or any given a bit of fiction that takes

0:54:04.400 --> 0:54:07.120
<v Speaker 1>place in in Louisiana or New Orleans. That was one

0:54:07.160 --> 0:54:09.439
<v Speaker 1>of the things I loved about that show so much

0:54:09.560 --> 0:54:14.239
<v Speaker 1>was that Louisiana was a character in that show, and

0:54:14.320 --> 0:54:18.200
<v Speaker 1>it really made me think about the Southern Gothic genre

0:54:18.320 --> 0:54:21.520
<v Speaker 1>in a very different way than I ever have before. Uh.

0:54:21.520 --> 0:54:23.600
<v Speaker 1>And one of my favorite bits and all of True

0:54:23.640 --> 0:54:27.080
<v Speaker 1>Detective and this isn't a spoiler at all, is we're

0:54:27.120 --> 0:54:29.680
<v Speaker 1>set in the mid nineties. These detectives are trying to

0:54:29.680 --> 0:54:33.440
<v Speaker 1>figure out a murder and they pull over at a

0:54:33.560 --> 0:54:38.880
<v Speaker 1>roadside Vietnamese fast food place in Louisiana and just have

0:54:38.960 --> 0:54:41.680
<v Speaker 1>a quick snack. And there's no commentary on it whatsoever.

0:54:41.719 --> 0:54:45.640
<v Speaker 1>It's just there, and it's something you wouldn't expect, right,

0:54:45.920 --> 0:54:48.480
<v Speaker 1>You wouldn't think, like, oh, rural Louisiana is going to

0:54:48.560 --> 0:54:54.080
<v Speaker 1>just have these roadside Vietnamese places. But the author's familiarity

0:54:54.080 --> 0:54:56.440
<v Speaker 1>with that region obviously came through there and it was

0:54:56.920 --> 0:54:59.719
<v Speaker 1>a nice glimpse. Yeah. So with detective fiction, you you

0:55:00.000 --> 0:55:03.640
<v Speaker 1>and are kind of skirting sensationalistic displays, but you're also

0:55:04.440 --> 0:55:07.640
<v Speaker 1>getting this at least a little insight into other social classes,

0:55:07.680 --> 0:55:13.920
<v Speaker 1>economic divisions, lifestyle choices, sexual orientations, races, ethnicities, and when

0:55:13.960 --> 0:55:18.880
<v Speaker 1>you get into international um detective fiction too, that often

0:55:18.960 --> 0:55:21.280
<v Speaker 1>allows you to, you know, immerse yourself in a different

0:55:21.320 --> 0:55:25.080
<v Speaker 1>time and place. Well, certainly when you speak of time,

0:55:25.200 --> 0:55:28.560
<v Speaker 1>you know, any kind of historical detective stories, uh, such

0:55:28.600 --> 0:55:30.400
<v Speaker 1>as say the Gordion Honest books that take place in

0:55:30.440 --> 0:55:32.680
<v Speaker 1>ancient Rome, you get to explore these different times in

0:55:32.719 --> 0:55:35.640
<v Speaker 1>places and characters, but with the sort of the safe structure,

0:55:35.719 --> 0:55:39.040
<v Speaker 1>the kind of enclosing shark cage of the of the genre. Yeah,

0:55:39.400 --> 0:55:43.080
<v Speaker 1>you know. I mean this explains I think partially why

0:55:43.400 --> 0:55:49.960
<v Speaker 1>we as Americans love British Victorian era detective stories. Right,

0:55:50.040 --> 0:55:52.239
<v Speaker 1>There's something about that era that we keep coming back

0:55:52.280 --> 0:55:54.719
<v Speaker 1>to over and over and over again and again, Like

0:55:55.040 --> 0:55:57.239
<v Speaker 1>the detective story gives us the shark cage to kind

0:55:57.239 --> 0:56:00.799
<v Speaker 1>of immerse ourselves in there. I don't think anybody in

0:56:00.840 --> 0:56:03.719
<v Speaker 1>the present day would would be particularly thrilled with the

0:56:04.320 --> 0:56:07.800
<v Speaker 1>everyday amenities of that world, but you know that it's

0:56:08.680 --> 0:56:11.080
<v Speaker 1>it's attractive to look back to. Yeah, I mean, it

0:56:11.120 --> 0:56:13.560
<v Speaker 1>instantly gives you that that kind of comfort level. Like

0:56:13.600 --> 0:56:15.160
<v Speaker 1>if I were to say, hey, let's go see a

0:56:15.200 --> 0:56:19.520
<v Speaker 1>movie about ancient Babylon. Let's go see a detective story,

0:56:19.880 --> 0:56:23.279
<v Speaker 1>a detective movie set in ancient Babylon. Like instantly, I

0:56:23.520 --> 0:56:26.440
<v Speaker 1>have a little more idea of what I'm expecting with

0:56:26.520 --> 0:56:30.800
<v Speaker 1>the sort of cultural flavoring surrounding it. Yeah, absolutely, I

0:56:31.280 --> 0:56:33.920
<v Speaker 1>really like this idea. I'm going to be looking out

0:56:33.960 --> 0:56:38.240
<v Speaker 1>for this a lot more now. I'm thinking of, like, uh, um,

0:56:38.560 --> 0:56:42.560
<v Speaker 1>what is this movie that it's a West Craven movie

0:56:42.560 --> 0:56:44.160
<v Speaker 1>and I can't remember the title of it. You might

0:56:44.200 --> 0:56:47.040
<v Speaker 1>know it. It's about an Amish community where there's these

0:56:47.040 --> 0:56:50.960
<v Speaker 1>strange murders happening, and the X Files revisited it as well,

0:56:51.200 --> 0:56:53.680
<v Speaker 1>but there's a you know this detectives trying to solve

0:56:53.760 --> 0:56:56.000
<v Speaker 1>murders in an Amish community, and there's there's a sort

0:56:56.040 --> 0:56:58.759
<v Speaker 1>of supernatural bent to it as well. But it's very

0:56:58.840 --> 0:57:01.200
<v Speaker 1>much one of those like here's how the world of

0:57:01.280 --> 0:57:05.040
<v Speaker 1>the Amish work, you know, like an introduction to it

0:57:05.360 --> 0:57:07.920
<v Speaker 1>through the detective story. You know the tropes, you know

0:57:08.000 --> 0:57:11.000
<v Speaker 1>the beats of the detective story, but the setting is

0:57:11.800 --> 0:57:16.000
<v Speaker 1>something that we're unfamiliar with. So given the role of

0:57:16.040 --> 0:57:19.280
<v Speaker 1>the detective and fiction, and given the power of the

0:57:19.360 --> 0:57:21.760
<v Speaker 1>sub genre and the and the kind and the ultimately

0:57:21.800 --> 0:57:26.400
<v Speaker 1>the subversive nature of it. Uh, it's understandable to see

0:57:26.440 --> 0:57:28.800
<v Speaker 1>that it has it has been banned. There has been,

0:57:28.920 --> 0:57:34.040
<v Speaker 1>there have been governmental crackdowns on detective fiction in recent history. Yeah,

0:57:34.200 --> 0:57:36.960
<v Speaker 1>especially when you consider what we're talking about earlier, that

0:57:37.080 --> 0:57:41.880
<v Speaker 1>most detectives are somewhere on the side. They're outsiders of

0:57:41.960 --> 0:57:46.680
<v Speaker 1>institutional authority, right, and so it makes sense that governments

0:57:46.760 --> 0:57:51.120
<v Speaker 1>and institutional authority would would frown upon that right and

0:57:51.160 --> 0:57:54.400
<v Speaker 1>and want there to be more respect for their institutions,

0:57:54.440 --> 0:57:59.640
<v Speaker 1>for their laws, etcetera. Yeah, Stalin banned the detective story

0:58:00.200 --> 0:58:02.880
<v Speaker 1>and the restrictions remained in effect until after his death

0:58:02.880 --> 0:58:06.840
<v Speaker 1>in nineteen fifty three. Uh. Italy followed a similar pattern.

0:58:07.000 --> 0:58:11.600
<v Speaker 1>Um and uh. And this is interesting to the German approach. Um. So,

0:58:11.960 --> 0:58:15.720
<v Speaker 1>one of the most influential authors back in the the

0:58:15.800 --> 0:58:17.840
<v Speaker 1>nineteen twenties was the guy named by the name of

0:58:18.720 --> 0:58:23.160
<v Speaker 1>Eric Costner and h. When the Nazis came to power,

0:58:23.320 --> 0:58:26.040
<v Speaker 1>they burned all of his books, but they didn't ban

0:58:26.120 --> 0:58:30.200
<v Speaker 1>the detective genre outright. Instead, they they decided to sort

0:58:30.200 --> 0:58:33.000
<v Speaker 1>of fold it into their propaganda and they only allow

0:58:33.240 --> 0:58:38.840
<v Speaker 1>detective stories um that depicted honest and highly competent policemen

0:58:38.960 --> 0:58:42.919
<v Speaker 1>that were upholding the rule of law. Really, so I'm

0:58:42.920 --> 0:58:46.000
<v Speaker 1>just imagining, like, Okay, here's our Hollywood pitch. Right, we

0:58:46.080 --> 0:58:48.040
<v Speaker 1>walk into the meeting, there's this big long table of

0:58:48.040 --> 0:58:51.200
<v Speaker 1>Hollywood executives, and we go, Okay, it's a detective story.

0:58:51.520 --> 0:58:54.840
<v Speaker 1>But the detective is an s S officer, and they're like, Oh,

0:58:55.000 --> 0:58:57.400
<v Speaker 1>that's that's great. He's gonna be conflicted, and he's gonna

0:58:57.720 --> 0:59:00.040
<v Speaker 1>he's gonna be like a good German trapped in a

0:59:00.040 --> 0:59:03.720
<v Speaker 1>awful system. He said, no, no, he's just really good.

0:59:03.840 --> 0:59:08.720
<v Speaker 1>He's a flat out Nazi. Yeah. It doesn't sound very

0:59:08.720 --> 0:59:10.880
<v Speaker 1>interesting at the end of the day, but you know,

0:59:11.160 --> 0:59:13.360
<v Speaker 1>a lot of these stories that are designed to support

0:59:13.520 --> 0:59:17.080
<v Speaker 1>you know, authoritarian regimes are not either. Well, it kind

0:59:17.080 --> 0:59:20.680
<v Speaker 1>of brings us back to the forensic uh slant in

0:59:20.800 --> 0:59:24.960
<v Speaker 1>the sort of modern police procedurals right in your purest form. Again,

0:59:25.080 --> 0:59:29.680
<v Speaker 1>it's about a system and a science that works. Yeah, exactly,

0:59:29.720 --> 0:59:31.520
<v Speaker 1>and and a lot of those I mean, I have

0:59:31.600 --> 0:59:34.440
<v Speaker 1>to admit, like I'm not a huge fan of police procedurals.

0:59:34.440 --> 0:59:38.000
<v Speaker 1>I can understand that there's a quality of uh. It's

0:59:38.040 --> 0:59:39.920
<v Speaker 1>kind of like what we were talking about earlier that

0:59:39.920 --> 0:59:42.640
<v Speaker 1>that quality of familiarity right where you throw on an

0:59:42.640 --> 0:59:44.320
<v Speaker 1>episode of Law and Order and you're like, I know

0:59:44.360 --> 0:59:46.600
<v Speaker 1>how this is gonna go, right, Like the beats are

0:59:46.640 --> 0:59:49.439
<v Speaker 1>the same every episode, and and for the most part

0:59:49.720 --> 0:59:52.400
<v Speaker 1>you know where it's heading. It's a Law and Order

0:59:52.400 --> 0:59:54.880
<v Speaker 1>and Scooby Doo have a lot in common that way.

0:59:55.040 --> 0:59:57.920
<v Speaker 1>But but however, you know there is something to be

0:59:57.960 --> 1:00:00.919
<v Speaker 1>said here, like the characters in Law and Order buying large. Again,

1:00:00.920 --> 1:00:02.440
<v Speaker 1>I'm not a huge fan of the show, but from

1:00:02.440 --> 1:00:05.520
<v Speaker 1>my understanding, like their lawyers and police officers, right, and

1:00:05.520 --> 1:00:07.720
<v Speaker 1>they're working within the system to solve the crimes that

1:00:07.760 --> 1:00:10.520
<v Speaker 1>they solve. And then you know and shows such as

1:00:10.560 --> 1:00:13.680
<v Speaker 1>like C S I or jeez, what is it? N

1:00:13.840 --> 1:00:17.920
<v Speaker 1>C I S Is that the military one? Okay? Uh,

1:00:17.960 --> 1:00:22.320
<v Speaker 1>they're using science to solve these crimes within these institutions,

1:00:24.520 --> 1:00:26.560
<v Speaker 1>but we pretty much know where they're going, you know,

1:00:26.720 --> 1:00:28.120
<v Speaker 1>at the end of at the end of the day,

1:00:28.240 --> 1:00:29.880
<v Speaker 1>there aren't a lot of spins on it. I think

1:00:29.920 --> 1:00:31.760
<v Speaker 1>there was like one C. S I where like Quentin

1:00:31.760 --> 1:00:35.120
<v Speaker 1>Tarantino did a directed it and wrote it, I think,

1:00:35.200 --> 1:00:37.000
<v Speaker 1>and it was like one of the guys got buried

1:00:37.040 --> 1:00:40.880
<v Speaker 1>alive or something that was the twist. All right, Well,

1:00:40.880 --> 1:00:42.760
<v Speaker 1>there you have it. Um. You know, I just want

1:00:42.800 --> 1:00:46.640
<v Speaker 1>to close with a quick quote from literary critic Edmund Wilson. UM.

1:00:46.680 --> 1:00:48.400
<v Speaker 1>And this is from a PC that he wrote in

1:00:48.440 --> 1:00:50.600
<v Speaker 1>The New York Or in nineteen forty four, where he

1:00:50.640 --> 1:00:54.920
<v Speaker 1>was asking the same question, why do we love detective fiction? Um?

1:00:54.960 --> 1:00:58.560
<v Speaker 1>And he says the following. Yet the detective story has

1:00:58.640 --> 1:01:01.400
<v Speaker 1>kept its hold, and even in the two decades between

1:01:01.440 --> 1:01:03.960
<v Speaker 1>the Great War, has become more popular than ever before.

1:01:04.160 --> 1:01:06.240
<v Speaker 1>And there is I believe a deep reason for this.

1:01:06.680 --> 1:01:09.439
<v Speaker 1>The world during those years was written by an all

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<v Speaker 1>pervasive feeling of guilt and by a fear of impending disaster,

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<v Speaker 1>which it seemed hopeless to try to avert because it

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<v Speaker 1>never seemed conclusively possible to pin down the responsibility who

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<v Speaker 1>had committed the original crime and who was going to

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<v Speaker 1>commit the next one. That murder, which always in the novels,

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<v Speaker 1>occurs at an unexpected moment when the investigation is well underway,

1:01:30.240 --> 1:01:32.400
<v Speaker 1>which may happen as in one of the Nero Wolf

1:01:32.480 --> 1:01:36.160
<v Speaker 1>stories right in the Great Detective's office. Everybody is suspected

1:01:36.160 --> 1:01:38.760
<v Speaker 1>in turn, and the streets are full of lurking agents

1:01:38.800 --> 1:01:42.840
<v Speaker 1>whose allegiances we cannot know. Nobody seems guiltless, nobody seems safe,

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<v Speaker 1>and then suddenly the murderer is spotted and relief. He

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<v Speaker 1>is not, after all, a person like you or me.

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<v Speaker 1>He is a villain known to the trade as George Gruesome,

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<v Speaker 1>and he has been caught by an infallible power, the supercilious,

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<v Speaker 1>an omniscient detective who knows exactly how to fix the guilt.

1:02:01.720 --> 1:02:04.560
<v Speaker 1>All right, Hey, if you want to check out more

1:02:04.560 --> 1:02:06.680
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1:02:06.720 --> 1:02:08.440
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1:02:08.480 --> 1:02:11.480
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1:02:11.600 --> 1:02:14.520
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1:02:17.080 --> 1:02:20.280
<v Speaker 1>the detective genre, let us know about your favorite detective

1:02:20.320 --> 1:02:22.520
<v Speaker 1>stories how you think they fit into these ideas we've

1:02:22.560 --> 1:02:28.120
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1:02:28.320 --> 1:02:30.280
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