WEBVTT - Episode 11: The Midnight Man

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<v Speaker 1>The Maniwauk Caves is intended for mature audiences. It contains

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<v Speaker 1>strong language and depictions of bullying, violence, and sexual assault

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<v Speaker 1>that some may find disturbing. Listener discretion is advised. Also,

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<v Speaker 1>this is an extremely immersive experience and headphones are recommended.

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<v Speaker 1>You're listening to The Maniwak Caves, a production of iHeartRadio,

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<v Speaker 1>Blumhouse Television, and Psycopia Pictures.

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<v Speaker 2>Alwayst.

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<v Speaker 3>Eleventh, I got a call from Dina this morning, said

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<v Speaker 3>LeBlanc was driving down wanted us to all meet in person.

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<v Speaker 3>It must be important if you dure now for Nashville.

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<v Speaker 4>Jill, how you holding up?

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<v Speaker 5>I don't fucking know anymore.

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<v Speaker 3>Honestly, the only thing I can do right now is

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<v Speaker 3>keep digging for answers to listen.

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<v Speaker 6>I'm so sorry about Tyler Wilson. I know you too,

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<v Speaker 6>were close back in the day.

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<v Speaker 5>I don't understand it. I guess you lost this shit.

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<v Speaker 5>I don't know. Or maybe he was the same one

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<v Speaker 5>and it's the rest of us that they're completely insane.

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<v Speaker 7>Either way, Tyler.

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<v Speaker 5>Knew something something we don't not yet.

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<v Speaker 6>Anyway, how about you, are you taking care of yourself?

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<v Speaker 4>What do you mean?

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<v Speaker 6>Do you have a psychiatrist.

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<v Speaker 8>Where'd you disappear too last night that you were win?

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<v Speaker 2>Hey?

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<v Speaker 5>Oh yeah, I'm sorry. I couldn't sleep so I wouldn't

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<v Speaker 5>get in my car. How's Jimmy? Good morning?

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<v Speaker 9>I thank you all for coming.

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<v Speaker 8>Well, what is it then?

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<v Speaker 9>I'm sorry. There's no easy way to tell you what.

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<v Speaker 9>They rejected our appeal.

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<v Speaker 6>Fucker's why, Dana hold on? I'm sorry, mister Leblant, But

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<v Speaker 6>did we miss the dead No?

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<v Speaker 9>No, Look, we made the deadline by the skin of

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<v Speaker 9>our teeth. But they still rejected the claim. Why lacking

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<v Speaker 9>in merit?

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<v Speaker 6>The fuck does that mean the testimony of the key

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<v Speaker 6>witness was coerced? They found new evidence the.

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<v Speaker 10>Next and all the suspicious shit with Tyler Shirley.

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<v Speaker 6>There's an error.

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<v Speaker 9>Look, we knew it was a long shot. That they

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<v Speaker 9>even read or applied to the brief as a goddamn miracle.

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<v Speaker 9>The State Supreme Court does not have to take the case,

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<v Speaker 9>and in this instance they simply let the appellate Court's

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<v Speaker 9>decisions stand. Okay, we anticipated this and we had to

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<v Speaker 9>do it to exhaust all possible appeals.

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<v Speaker 4>And the good news is that they.

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<v Speaker 9>Got back to us and read a short order Okay,

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<v Speaker 9>they could have sat on it until the last minute.

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<v Speaker 9>But as it stands now, we still have time to

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<v Speaker 9>ask for clemency. We can still make a request to

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<v Speaker 9>the governor for relief from the death sentence.

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<v Speaker 6>Do you know the governor?

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<v Speaker 8>I know somebody that knows the governor who Bobby Hadley.

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<v Speaker 6>That's right, there's a situation with mister Hadley and Dina,

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<v Speaker 6>a situation.

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<v Speaker 4>That's right.

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<v Speaker 6>He may be incentivized to make a personal appeal on

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<v Speaker 6>James Fincher's.

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<v Speaker 2>Behalf encouraging, and I for.

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<v Speaker 6>One am not giving up. Not if there is any

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<v Speaker 6>thread of a chance, we can ask the governor to

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<v Speaker 6>at least postpone the execution.

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<v Speaker 9>Or commute the sentence to life in prison.

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<v Speaker 6>Julian, where are you going now?

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<v Speaker 3>Every minute we sit here sixty seconds less of Finch's life.

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<v Speaker 7>What do we need? More proof, more evidence that it

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<v Speaker 7>wasn't Finch you murdered the Hadley brothers.

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<v Speaker 9>We need something more than circumstantial.

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<v Speaker 7>Did you find out where to tech to? Smith's car was.

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<v Speaker 6>Found waiting on a callback as we speak, Dina, Hey,

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<v Speaker 6>look at me.

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<v Speaker 2>I'm close.

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<v Speaker 5>I am so goddamn close. I can smell them. Don't

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<v Speaker 5>give up.

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<v Speaker 8>The moss seems tired with the clean inside tells these

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<v Speaker 8>tells these.

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<v Speaker 11>There was no piece of evidence that was never recounted

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<v Speaker 11>for five births found under Thomas Hadley's fingernails.

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<v Speaker 4>Red wolf.

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<v Speaker 11>Maybe Griff Washington's dog had a red collar on or something,

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<v Speaker 11>but if it did, the red collar was never found.

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<v Speaker 11>So where did the red wolf come from?

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<v Speaker 8>To the true to the.

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<v Speaker 4>Two boys are dead? These are good people. They just

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<v Speaker 4>want justice.

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<v Speaker 10>And I would think that you, of all people, would

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<v Speaker 10>be able to relate to that.

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<v Speaker 12>Solomon Sheriff, I.

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<v Speaker 4>Know what killed my boy.

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<v Speaker 8>Somebody's feeling how they know? We'll see the bird.

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<v Speaker 4>When you He couldn't exactly trust the sharer of soltis.

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<v Speaker 6>So whatever Solomon Smith knew, he took that intol with him.

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<v Speaker 4>Where was he last seen? Not sure.

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<v Speaker 6>That on his car though, about a decade ago, just

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<v Speaker 6>north of here. I think maybe I can dig up

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<v Speaker 6>the police report.

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<v Speaker 4>Did you find it?

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<v Speaker 13>Hello?

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<v Speaker 7>Did you find the interview?

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<v Speaker 8>Good timing?

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<v Speaker 13>You're ready to take a few questions like.

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<v Speaker 5>The interview, the interview with Detective Smith two thousand and seven,

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<v Speaker 5>It would have been late June or early July.

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<v Speaker 13>You mean the one where he tried to expose Sheriff

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<v Speaker 13>Hooper for targeting.

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<v Speaker 7>Jamis despite other leaders.

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<v Speaker 5>The one he gave before he vanished mysterious.

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<v Speaker 2>That would be the ones did you find it?

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<v Speaker 14>I did, and I digitized it right here on this

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<v Speaker 14>thumb drive.

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<v Speaker 7>WHOA, now, hold on, not just yet? Deal's deal huh.

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<v Speaker 5>First, let's get your interviewing hug this, lamp up your

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<v Speaker 5>ass and plug it in.

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<v Speaker 15>Okay, okay, okay, gee, maybe maybe a new buck board,

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<v Speaker 15>a piece and.

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<v Speaker 7>You or something.

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<v Speaker 4>Think about it.

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<v Speaker 12>Seasoned detectives understand they must take a step back and

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<v Speaker 12>look at the whole picture and exhaust all investigative avenue

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<v Speaker 12>used to present the best case they can to the

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<v Speaker 12>district attorney.

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<v Speaker 4>And didn't you do that with James Cincher? Absolutely not.

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<v Speaker 4>It was nearly impossible to narrow the focus to him.

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<v Speaker 2>When there are still other suspects on the board.

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<v Speaker 7>Other suspects.

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<v Speaker 4>Can you tell us who?

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<v Speaker 2>Off the record?

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<v Speaker 14>Okay, okay, fine, yeah, off the record. I'm still interested

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<v Speaker 14>in the boys who found the bodies. They were both

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<v Speaker 14>absent from school the same day the Hadley boys went missing.

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<v Speaker 9>Tyler Wilson and Julian Salis, but Sallace gave you information

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<v Speaker 9>that led to James Finzer.

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<v Speaker 14>He told Sheriff Hooper, and that boy was so scared

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<v Speaker 14>and sleep deprived and hungry, he would have told Hooper

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<v Speaker 14>that Fincher shot JFK if that's what Hooper wanted.

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<v Speaker 9>So are you suggesting that Solace was.

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<v Speaker 2>Coerced by by Hooper and his father?

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<v Speaker 14>His father, Paul Solace, is still a person of interest

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<v Speaker 14>in my book.

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<v Speaker 16>And you believe these are more likely suspects than James Fincher.

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<v Speaker 14>It doesn't matter what I believe, It matters what I know.

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<v Speaker 14>I know these are suspects of no alibi. Suspects were

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<v Speaker 14>a clear motive. That's not the only difference. What's the

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<v Speaker 14>other difference?

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<v Speaker 2>These suspects are white?

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<v Speaker 10>So now you're playing the race card.

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<v Speaker 15>Tell me the truth.

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<v Speaker 14>That's what this is really about.

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<v Speaker 7>Being with you.

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<v Speaker 14>Goddamn right, it is, and it should be for you too.

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<v Speaker 14>Why do you think I'm doing this interview? Where the

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<v Speaker 14>hell are you guys in all this? Where's the goddamn

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<v Speaker 14>investigative journalism? All you jokers do is report what Hooper

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<v Speaker 14>tells you as if it's the truth. You ain't the press,

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<v Speaker 14>your mouthpiece for the local authorities.

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<v Speaker 17>Well, that's offensive.

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<v Speaker 2>I've never gone to the press before. Never. I'm giving

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<v Speaker 2>you a massive window here. This is a national story.

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<v Speaker 12>This is a chance to redeem yourselves, an opportunity to

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<v Speaker 12>embrace a little journalistic integrity for a change, to do

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<v Speaker 12>your fucking job. So take it or leave it, because

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<v Speaker 12>I'm going to the Times next.

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<v Speaker 7>Jew I've got it you ready.

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<v Speaker 6>Yeah, Tomman's car was found at the bottom of Spounding

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<v Speaker 6>Gorge below Madison Road.

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<v Speaker 4>Matthewston, Yeah, right.

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<v Speaker 6>As mom mark of thirteen, a hunter founded apparently. Let's

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<v Speaker 6>see the reporters from October twenty tenth, about three years.

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<v Speaker 7>At the Smithson miss did you see Matheson?

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<v Speaker 6>Yeah, my Mark at thirteen. The car was rusted out,

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<v Speaker 6>maybe went off the side of the road. I mean

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<v Speaker 6>that kind of thing.

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<v Speaker 4>Happens every year on these wide mountain.

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<v Speaker 6>Roads, you know, but normally they find the driver too.

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<v Speaker 4>It was definitely registered to detect a Smith Matthison. Yester,

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<v Speaker 4>you didn't why that's where we lived, my dad.

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<v Speaker 5>I mean, I'm nur distant road right around the ben there,

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<v Speaker 5>just past my mark at thirteen.

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<v Speaker 7>It's Wednesday, still August eleventh. I think I'm driving up.

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<v Speaker 5>The Mountain uh Matthison Road, and I feel it again,

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<v Speaker 5>the pull, like I'm leaning over an endless abyss.

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<v Speaker 7>And the fog beat me here. But it doesn't matter.

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<v Speaker 7>I could drive this road blindfolded. I know it like

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<v Speaker 7>my own skin.

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<v Speaker 18>I'm trying to comprehend how it's possible, but I can't

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<v Speaker 18>deny this. Everything is pointing directly at it, at him.

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<v Speaker 1>My father.

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<v Speaker 5>In two thousand and seven, his life was in turmoil.

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<v Speaker 5>He had been grieving Mom's death for less than a year.

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<v Speaker 5>The hospital bills were crippling Jesus. He cursed our poverty

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<v Speaker 5>every day, and it was no secret in our house

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<v Speaker 5>that he despised Bobby Hadley. Then he sees me getting

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<v Speaker 5>tormented by Bobby Hadley's sons. They cornered me in the library,

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<v Speaker 5>beat me up, scissor my hair off, and later that

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<v Speaker 5>same week, my dad was fired, fired from his job

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<v Speaker 5>at the Hadley Dealership, a job he'd had my whole life.

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<v Speaker 5>My God, if anyone had a motive to kill, detect

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<v Speaker 5>to Smith. He was on my dad's trail, and Smith's

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<v Speaker 5>car was found at the bottom of the gorge.

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<v Speaker 7>Directly below our old house. Maybe it was just a coincidence,

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<v Speaker 7>maybe another devil's prank.

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<v Speaker 5>Or maybe my father just snapped. The world is a

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<v Speaker 5>dark and unjust place where the cowards and the cruel

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<v Speaker 5>ragin supreme, and so maybe he snapped.

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<v Speaker 2>And we're here.

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<v Speaker 5>The drive is overgrown.

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<v Speaker 16>It's uh, it's been a lot of years since anyone

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<v Speaker 16>probably came down this way.

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<v Speaker 5>But uh, this is that.

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<v Speaker 19>Wear here where m This is a ground zero for

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<v Speaker 19>my existence, this place.

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<v Speaker 16>Where I was born, where I grew up, where my

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<v Speaker 16>mother died, where my house stood before it was guarded

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<v Speaker 16>by fire. It burned almost to the ground as soon

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<v Speaker 16>as I left here.

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<v Speaker 5>Jesus, Oh, Jesus Christ. There was not much left, just

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<v Speaker 5>blackened and rotting remains of the house. I saw the

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<v Speaker 5>pictures after it first burned, a hollow shell, windows blown out,

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<v Speaker 5>like an empty, leering skull. Now it's caved in, brick ruins,

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<v Speaker 5>overtaken with Thignes and Kutzu. It's hard to explain what

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<v Speaker 5>I saw in that moment, more than a shadow, less

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<v Speaker 5>than a person, the gray man down by the southwest

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<v Speaker 5>corner of the house, behind the trees.

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<v Speaker 20>What what the fuck do you want?

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<v Speaker 7>He was most no reaction at all.

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<v Speaker 5>Why are you following me, just stood there in the shadows.

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<v Speaker 5>As I moved closer, he became obscure by this huge,

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<v Speaker 5>gnarled oak tree there, the same one that once held

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<v Speaker 5>a swing where my mother used to push me. It

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<v Speaker 5>was just a blink an instance. As I came around

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<v Speaker 5>the curved drive, he was gone. Any other time I'd

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<v Speaker 5>have excused it as a trick of the light. The

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<v Speaker 5>cloud gusts surged along the ridge of forty miles an hour,

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<v Speaker 5>strange movement everywhere, the mind playing its games.

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<v Speaker 21>But I knew better.

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<v Speaker 5>I walked to the oak tree. The rope of the

0:15:45.160 --> 0:15:47.760
<v Speaker 5>tire swing and long since broken, and the rubber tire

0:15:47.800 --> 0:15:52.480
<v Speaker 5>was almost completely buried under dirtant leaves. But there was

0:15:52.520 --> 0:15:55.040
<v Speaker 5>something else there lying on the ground.

0:15:55.280 --> 0:15:55.960
<v Speaker 8>Oh my god.

0:15:58.360 --> 0:15:59.160
<v Speaker 7>Then I saw it.

0:16:01.560 --> 0:16:06.960
<v Speaker 5>The scarf, my mom's red scarf. You gotta be fucking

0:16:07.040 --> 0:16:18.000
<v Speaker 5>kidding me. I could feel the gray man's eyes on me.

0:16:19.200 --> 0:16:21.680
<v Speaker 7>I scanned the woods, hoping he would turn his gray stare,

0:16:22.000 --> 0:16:23.520
<v Speaker 7>but he was nowhere to be found.

0:16:24.480 --> 0:16:27.440
<v Speaker 5>I circled the yard, then, tracing the shadows that stretched

0:16:27.480 --> 0:16:35.000
<v Speaker 5>into the woods, but he was gone. Instead, my eyes

0:16:35.040 --> 0:16:38.280
<v Speaker 5>fixed on a small, half rotten wooden door leading to

0:16:38.320 --> 0:16:41.040
<v Speaker 5>the cross space, under the buried ruins and the foundation

0:16:41.200 --> 0:16:43.240
<v Speaker 5>of the house that was still intact.

0:16:45.280 --> 0:16:45.920
<v Speaker 13>I crawled in.

0:16:47.960 --> 0:16:50.800
<v Speaker 5>It was pitch black. I turned on the flashlight on

0:16:50.840 --> 0:16:54.120
<v Speaker 5>my phone and raised it into the darkness, damp earth

0:16:54.160 --> 0:16:58.120
<v Speaker 5>covered in animals catting debris. The floor joists and hartwood

0:16:58.160 --> 0:17:01.000
<v Speaker 5>pond floorboards that withstood the fire, but they were rotten

0:17:01.040 --> 0:17:08.200
<v Speaker 5>and sagging downward, making a low space feel perilously tight.

0:17:09.200 --> 0:17:12.320
<v Speaker 5>Something scurried for the back end of the darkness, just

0:17:12.359 --> 0:17:15.040
<v Speaker 5>at a range of my flashlight. I panted across the

0:17:15.040 --> 0:17:19.080
<v Speaker 5>space until until something glinted in the darkness in a

0:17:19.160 --> 0:17:23.920
<v Speaker 5>far corner, just enough light to catch the eye. Damn it,

0:17:26.240 --> 0:17:31.720
<v Speaker 5>I could feel it. This place, just below where I'd

0:17:31.760 --> 0:17:32.560
<v Speaker 5>spent my youth.

0:17:36.040 --> 0:17:37.200
<v Speaker 7>It was a place of death.

0:17:39.720 --> 0:17:43.600
<v Speaker 5>The earth was black and wet and harbored, no life

0:17:43.800 --> 0:17:47.040
<v Speaker 5>except for a large growth of mushrooms there in the

0:17:47.080 --> 0:17:49.280
<v Speaker 5>furthest corner of the cross space, where the brick had

0:17:49.280 --> 0:17:52.720
<v Speaker 5>crumbled away, perhaps allow on some sunlight through in the daytime.

0:17:53.240 --> 0:17:56.400
<v Speaker 5>The earth around it was sunken in and the fungus

0:17:56.440 --> 0:18:02.199
<v Speaker 5>seemed to bloom from there. I crawled on my belly,

0:18:03.040 --> 0:18:07.720
<v Speaker 5>inch by painful inch. The dampness seeping into my bones.

0:18:07.680 --> 0:18:09.160
<v Speaker 7>And other worldly chill.

0:18:09.920 --> 0:18:12.040
<v Speaker 5>A strange breeze making its way through the cracks of

0:18:12.080 --> 0:18:14.560
<v Speaker 5>the broken house above reminded.

0:18:14.119 --> 0:18:17.040
<v Speaker 7>Me of the breath of the caves.

0:18:22.400 --> 0:18:25.880
<v Speaker 5>Then I saw what looked like a leather a container

0:18:25.960 --> 0:18:27.160
<v Speaker 5>jutting from the sunken earth.

0:18:29.320 --> 0:18:29.800
<v Speaker 21>I dug.

0:18:31.760 --> 0:18:34.600
<v Speaker 5>The soil was loose here in the sunken spot, not

0:18:34.760 --> 0:18:36.919
<v Speaker 5>tamped down by time like the rest of the ground

0:18:36.920 --> 0:18:42.920
<v Speaker 5>in the space, someone had dug here. The angle was

0:18:42.960 --> 0:18:46.800
<v Speaker 5>difficult lying down, My shoulders cramped and fingernails got caked

0:18:46.800 --> 0:18:47.200
<v Speaker 5>with earth.

0:18:47.400 --> 0:18:54.399
<v Speaker 7>But finally, yeah, something emerged. It was a holstered gun,

0:18:55.840 --> 0:18:57.280
<v Speaker 7>still attached to its owner.

0:18:59.280 --> 0:19:01.600
<v Speaker 5>It was at long before I uncovered the black cloth

0:19:01.640 --> 0:19:05.280
<v Speaker 5>of a suit coat, tattered and rotten, but still intact.

0:19:05.560 --> 0:19:07.879
<v Speaker 7>And it wasn't long after that that I unearthed the

0:19:07.920 --> 0:19:13.520
<v Speaker 7>bones ribs vertebrate.

0:19:14.840 --> 0:19:17.879
<v Speaker 5>I traced the coat sleeves to the scalpetal remains of

0:19:17.880 --> 0:19:25.080
<v Speaker 5>a hand. There I found a wristwatching a ring, Dad,

0:19:25.240 --> 0:19:30.680
<v Speaker 5>what did you do? Most importantly, I noticed there was

0:19:30.720 --> 0:19:37.240
<v Speaker 5>something bulging from the inside coat pocket, a small cassette player.

0:19:37.920 --> 0:19:40.560
<v Speaker 7>Mostly preserved in the silk.

0:19:40.320 --> 0:19:44.479
<v Speaker 5>Lining in folds of cloth. I crawled back out with

0:19:44.560 --> 0:19:45.720
<v Speaker 5>all the contents of the bag.

0:20:10.960 --> 0:20:11.760
<v Speaker 7>I set the red.

0:20:11.600 --> 0:20:15.680
<v Speaker 5>Scarf down on the passenger seat, I put the nine

0:20:15.680 --> 0:20:20.119
<v Speaker 5>millimeter pistol in the club box, and I carefully started

0:20:20.119 --> 0:20:20.960
<v Speaker 5>the cassette player.

0:20:22.880 --> 0:20:26.879
<v Speaker 4>Joe twenty fourth, two thousand and seven. They captured their monsters.

0:20:27.720 --> 0:20:32.199
<v Speaker 19>Dammit what.

0:20:42.280 --> 0:20:45.800
<v Speaker 22>Joe twenty fourth, two thousand and seven, they captured their mossia.

0:20:45.880 --> 0:20:50.760
<v Speaker 22>Yesterday James Fincher was arrested and charged with a double homicide.

0:20:50.920 --> 0:20:55.080
<v Speaker 22>And I'm still not satisfied. I drove back up Roots

0:20:55.080 --> 0:20:57.840
<v Speaker 22>seventeen to the caves to take the motion sense of cams.

0:20:57.880 --> 0:21:01.240
<v Speaker 4>This morning. They picked up a few visitors paying respect.

0:21:02.000 --> 0:21:04.320
<v Speaker 22>They left flowers and burned candles at the front of

0:21:04.359 --> 0:21:09.440
<v Speaker 22>the cave, but only one visitor looked familiar. The motion

0:21:09.640 --> 0:21:14.960
<v Speaker 22>sensor caught him moving through the shadows, no flashlight, and

0:21:15.000 --> 0:21:17.040
<v Speaker 22>the night vision is grainy. But he's a He's a

0:21:17.080 --> 0:21:24.320
<v Speaker 22>tall man, beard, baseball recover rolls, scarfed.

0:21:28.400 --> 0:21:29.600
<v Speaker 4>He didn't leave any flowers.

0:21:31.600 --> 0:21:38.040
<v Speaker 22>First time the camera picked him up was June sixteenth.

0:21:36.280 --> 0:21:38.879
<v Speaker 4>Saturday, midnight.

0:21:38.880 --> 0:21:42.560
<v Speaker 22>One month after the Hadley Boys went missing, same day

0:21:42.600 --> 0:21:46.280
<v Speaker 22>of the week, same time of day, and here he

0:21:46.400 --> 0:21:52.000
<v Speaker 22>is again. One week later, Saturday, June twenty third, midnight

0:21:53.680 --> 0:22:01.200
<v Speaker 22>and he ain't leaving no flowers. Someone's coming up the drive.

0:22:08.720 --> 0:22:16.880
<v Speaker 21>Hello, Sheriff, what could you possibly want? And you brought backup,

0:22:21.040 --> 0:22:22.320
<v Speaker 21>Sheriff Hooper.

0:22:23.920 --> 0:22:24.760
<v Speaker 2>To what do I.

0:22:24.680 --> 0:22:25.119
<v Speaker 4>Owe this on?

0:22:25.320 --> 0:22:26.800
<v Speaker 10>I'm just here to talk, Solomon.

0:22:27.200 --> 0:22:31.080
<v Speaker 2>Oh, we're on first name basis again. Now are we?

0:22:31.520 --> 0:22:32.199
<v Speaker 10>Can I come in?

0:22:34.400 --> 0:22:35.320
<v Speaker 2>You don't see why not?

0:22:36.560 --> 0:22:39.280
<v Speaker 10>I am here as a courtesy Detective Smith.

0:22:39.480 --> 0:22:40.840
<v Speaker 2>Uh huh?

0:22:41.000 --> 0:22:44.200
<v Speaker 10>Go on, Now, we do things a certain way here

0:22:44.240 --> 0:22:45.639
<v Speaker 10>in Pottsfield, Detective.

0:22:46.160 --> 0:22:47.399
<v Speaker 2>Yeah, I'm aware.

0:22:47.600 --> 0:22:50.919
<v Speaker 10>And you going to the press as a big fucking problem.

0:22:51.400 --> 0:22:53.960
<v Speaker 10>For one thing, it undermines our process.

0:22:54.000 --> 0:22:56.919
<v Speaker 14>It also pains your investigation in a certain light that

0:22:56.960 --> 0:23:00.359
<v Speaker 14>could endanger your ability to put an innocent boy on

0:23:00.480 --> 0:23:01.040
<v Speaker 14>death road.

0:23:01.119 --> 0:23:04.719
<v Speaker 10>Goddamn it, Solomon, I know to Solomon, all right, you

0:23:04.760 --> 0:23:06.800
<v Speaker 10>listen to me, Detective you are office.

0:23:06.920 --> 0:23:10.680
<v Speaker 23>You listen, your spinest motherfucker. You got a boy, a

0:23:11.080 --> 0:23:14.320
<v Speaker 23>boy locked up for a crime he didn't fucking commit,

0:23:14.440 --> 0:23:17.880
<v Speaker 23>says fucking you, And I will continue to investigate.

0:23:17.960 --> 0:23:21.639
<v Speaker 14>Hell you as a private citizen playing with fire boy.

0:23:22.040 --> 0:23:25.360
<v Speaker 24>Ah, there it is.

0:23:27.800 --> 0:23:28.280
<v Speaker 2>You see.

0:23:29.359 --> 0:23:32.200
<v Speaker 14>It doesn't take much to shake the demons and drive

0:23:32.240 --> 0:23:34.040
<v Speaker 14>them into the fire.

0:23:34.520 --> 0:23:35.440
<v Speaker 2>Did you say.

0:23:37.400 --> 0:23:40.240
<v Speaker 10>I think that it would be best.

0:23:41.720 --> 0:23:42.520
<v Speaker 4>If you move on.

0:23:44.520 --> 0:23:45.320
<v Speaker 10>Leave our town.

0:23:45.680 --> 0:23:46.320
<v Speaker 2>That a threat.

0:23:48.560 --> 0:23:54.880
<v Speaker 10>Let's just say, in Maniwauk County, things happen a certain way.

0:23:55.960 --> 0:23:58.399
<v Speaker 2>Like I said, I'm aware.

0:24:00.440 --> 0:24:06.640
<v Speaker 10>All right, Detective Smith, things happen here to people who

0:24:06.680 --> 0:24:11.160
<v Speaker 10>dig and try as I might, the best I can

0:24:11.200 --> 0:24:14.800
<v Speaker 10>do is to curtail those things.

0:24:17.640 --> 0:24:21.280
<v Speaker 2>What the hell are you saying, Kirby, that you can't

0:24:21.320 --> 0:24:22.840
<v Speaker 2>control the good old boy.

0:24:22.960 --> 0:24:34.320
<v Speaker 10>No, it's more than that. There's something about this place,

0:24:36.119 --> 0:24:39.679
<v Speaker 10>something in the fog. I could never put my finger

0:24:39.760 --> 0:24:42.840
<v Speaker 10>on it, even after a whole life spent here, and

0:24:42.880 --> 0:24:47.800
<v Speaker 10>god knows I have tried. And it's not just your

0:24:47.840 --> 0:24:52.880
<v Speaker 10>normal small town bigotry. I mean, now, obviously that's here too,

0:24:53.000 --> 0:25:02.800
<v Speaker 10>but there's something deeper. It's a rot. Beneath the rot,

0:25:06.080 --> 0:25:12.280
<v Speaker 10>people who try to suss it out, bad things happen.

0:25:15.400 --> 0:25:17.479
<v Speaker 2>Look, if you're going to threaten me, just do it.

0:25:17.680 --> 0:25:19.000
<v Speaker 4>That ain't it, Solomon.

0:25:22.200 --> 0:25:26.080
<v Speaker 10>Look I do respect you, Detective Smith, genuinely, I admire you.

0:25:27.480 --> 0:25:30.080
<v Speaker 10>And I don't know for sure about the Fencer kid,

0:25:30.400 --> 0:25:33.119
<v Speaker 10>but I do know for sure that he was involved

0:25:34.560 --> 0:25:37.240
<v Speaker 10>and all he'd have to do to throw us off

0:25:37.280 --> 0:25:42.160
<v Speaker 10>his scent would be to talk. That's it, and he won't.

0:25:42.640 --> 0:25:44.640
<v Speaker 2>And why do you think that is?

0:25:47.160 --> 0:25:50.040
<v Speaker 10>Well, I know what you're thinking, that he's scared of me.

0:25:51.119 --> 0:26:01.240
<v Speaker 10>But Detective, it's more he feels what I do. There's

0:26:01.240 --> 0:26:08.720
<v Speaker 10>something deeper here, something beyond his control and beyond mind.

0:26:10.960 --> 0:26:15.560
<v Speaker 10>All I can do is try to keep it in check.

0:26:18.640 --> 0:26:20.360
<v Speaker 2>That's some vague shit, Sheriff.

0:26:23.040 --> 0:26:30.200
<v Speaker 10>You haven't felt it, Yeah, yeah, you have.

0:26:33.800 --> 0:26:39.879
<v Speaker 14>Give me one more night, Detective, Sheriff, one more to

0:26:39.920 --> 0:26:41.280
<v Speaker 14>tie up a couple of loose ends.

0:26:41.280 --> 0:26:44.520
<v Speaker 2>We visit a few ideas. If I don't find what

0:26:44.600 --> 0:26:49.720
<v Speaker 2>I need, I'll be gone by dawn. Won't even say goodbye.

0:26:49.840 --> 0:26:51.360
<v Speaker 2>It'll be like I was never even here.

0:26:54.320 --> 0:26:55.200
<v Speaker 13>Where are you gonna go?

0:26:55.359 --> 0:26:57.000
<v Speaker 10>You got family somewhere.

0:26:59.600 --> 0:27:02.880
<v Speaker 14>They're all long gone. Only brother died a few years back.

0:27:04.080 --> 0:27:07.280
<v Speaker 14>Our next wife, who hates my guts.

0:27:06.280 --> 0:27:06.760
<v Speaker 10>Been there.

0:27:08.920 --> 0:27:09.640
<v Speaker 2>I'll bet.

0:27:15.480 --> 0:27:25.119
<v Speaker 21>All right, fine, fine, old billy voodoo bullshit.

0:27:27.000 --> 0:27:42.040
<v Speaker 25>Sorry, Kirby, but I ain't going nowhere. Saturday, June thirtieth,

0:27:42.240 --> 0:27:47.480
<v Speaker 25>two thousand and seven, seven twenty am, I'm heading Upstate

0:27:47.560 --> 0:27:56.560
<v Speaker 25>Route seventeen to the Griff Washington property. Richard Rydale couldn't

0:27:56.640 --> 0:28:00.960
<v Speaker 25>hide forever, even in a major metravelers like Atlanta a

0:28:01.080 --> 0:28:08.359
<v Speaker 25>concrete jungle. But this is a different environment, this backwater

0:28:08.600 --> 0:28:13.760
<v Speaker 25>delivering shithole. The population of all Man of Walk County

0:28:13.800 --> 0:28:15.800
<v Speaker 25>is less than three percent that of Atlanta.

0:28:19.640 --> 0:28:23.240
<v Speaker 13>But the method works the scale, just follow the patterns.

0:28:24.960 --> 0:28:28.439
<v Speaker 13>A killers returned eventually to the scene of the crime.

0:28:31.040 --> 0:28:34.720
<v Speaker 13>Got my tent, a good sleeping bag, all the food

0:28:34.800 --> 0:28:38.680
<v Speaker 13>I need. We're gonna live in a cave for a while,

0:28:40.320 --> 0:28:47.040
<v Speaker 13>called a stakeout. Radell returned to the scene of his

0:28:47.200 --> 0:28:50.920
<v Speaker 13>greatest night. I'm sure whoever killed those Hadley boys were

0:28:50.960 --> 0:28:56.160
<v Speaker 13>return again too, just like he did last Saturday and

0:28:56.240 --> 0:28:57.400
<v Speaker 13>the Saturday before that.

0:29:13.480 --> 0:29:17.400
<v Speaker 4>June thirtieth and eleven fifty two. Perm got ahead.

0:29:18.480 --> 0:29:21.160
<v Speaker 22>Hard to make him out, but he's down there at

0:29:21.200 --> 0:29:25.320
<v Speaker 22>the mouth of the caves. He looks about six one,

0:29:25.600 --> 0:29:30.880
<v Speaker 22>about two hundred and maybe ten coveralls, baseball.

0:29:30.400 --> 0:29:43.000
<v Speaker 4>Cap ride on time, motherfucker. Now what exactly the hell

0:29:43.040 --> 0:29:44.160
<v Speaker 4>are you doing here?

0:29:46.560 --> 0:29:50.480
<v Speaker 21>Wait a minute, Wait a.

0:29:50.520 --> 0:30:04.640
<v Speaker 4>Minute, he's on his knees praying. Nope, not a good look.

0:30:12.760 --> 0:30:18.480
<v Speaker 22>July first, one, eleven AM made my way back to

0:30:18.560 --> 0:30:25.240
<v Speaker 22>the road ahead of the subject. Mister Midnight Prayer found

0:30:25.240 --> 0:30:28.800
<v Speaker 22>his truck here talked in, turned about a few hundred

0:30:28.880 --> 0:30:34.240
<v Speaker 22>meters up the road and waited ret the corn got

0:30:34.280 --> 0:30:43.080
<v Speaker 22>his plates. Sunday, July first.

0:30:42.360 --> 0:30:43.760
<v Speaker 15>Nine am.

0:30:43.880 --> 0:30:47.120
<v Speaker 22>I couldn't risk following a midnight man on Route seventeen

0:30:47.320 --> 0:30:48.720
<v Speaker 22>or two am.

0:30:48.880 --> 0:30:51.040
<v Speaker 4>There's no way he wouldn't know he was being followed.

0:30:52.800 --> 0:30:53.480
<v Speaker 4>Ran the plates.

0:30:53.520 --> 0:30:58.640
<v Speaker 22>Though the truck is registered to one Paul Solace. I

0:30:58.720 --> 0:31:04.560
<v Speaker 22>ain't very interesting incidence, oh son. Julian happened to be

0:31:04.640 --> 0:31:08.440
<v Speaker 22>one of our first suspects, and Julian is the one

0:31:08.480 --> 0:31:13.360
<v Speaker 22>who found the bodies. And it was Julian who pointed

0:31:13.400 --> 0:31:18.800
<v Speaker 22>the finger at James Fincher. I guess I'm gonna need

0:31:18.840 --> 0:31:19.680
<v Speaker 22>to have a chat.

0:31:19.520 --> 0:31:30.880
<v Speaker 4>With old Paul. Hello, missus Sutlers catch Smith.

0:31:32.080 --> 0:31:34.800
<v Speaker 24>Sorry I didn't hear the door right away. I don't

0:31:34.840 --> 0:31:38.600
<v Speaker 24>get too many visitors. It's all good. Look I you

0:31:38.640 --> 0:31:41.760
<v Speaker 24>for more information. I'm afraid Julian has said everything he's know,

0:31:41.960 --> 0:31:42.400
<v Speaker 24>so no.

0:31:42.240 --> 0:31:44.520
<v Speaker 4>No, no, no, I just I just need to I

0:31:44.560 --> 0:31:50.239
<v Speaker 4>just need to use your phone, my phone, Yeah, I

0:31:50.280 --> 0:31:51.120
<v Speaker 4>need to call Triple A.

0:31:51.280 --> 0:31:53.120
<v Speaker 22>My car just blew a couple of tires on that

0:31:53.200 --> 0:31:54.920
<v Speaker 22>sharp curve down the road there.

0:31:56.680 --> 0:31:58.480
<v Speaker 24>Yeah, I care, what's got more than if.

0:31:58.400 --> 0:32:00.280
<v Speaker 15>You drivers a headache.

0:32:00.800 --> 0:32:11.760
<v Speaker 4>I'm sorry. Please come in this way. How's your boy.

0:32:13.320 --> 0:32:13.680
<v Speaker 15>Fine?

0:32:15.560 --> 0:32:21.640
<v Speaker 4>You there yesterday? Sem a vacation. I think he.

0:32:23.640 --> 0:32:25.920
<v Speaker 15>He needs to get away from all this. You know,

0:32:26.000 --> 0:32:28.920
<v Speaker 15>he's a starting college in a couple of months. It's

0:32:29.000 --> 0:32:34.360
<v Speaker 15>uh one of all these moving boxes. Where were you,

0:32:34.400 --> 0:32:35.120
<v Speaker 15>head of Detective?

0:32:36.720 --> 0:32:37.520
<v Speaker 2>Uh?

0:32:37.640 --> 0:32:43.920
<v Speaker 14>Now, I'm going away too, actually, way out of Pottsville moving.

0:32:44.440 --> 0:32:48.920
<v Speaker 15>Yeah, sorry to hear it. I'm just I guess your

0:32:48.920 --> 0:32:54.040
<v Speaker 15>work is done. What's up the prosecution guys? Now, Detective Smith,

0:32:54.080 --> 0:32:57.920
<v Speaker 15>we are all grateful the expertise you brought to the case.

0:32:58.920 --> 0:33:01.040
<v Speaker 15>I hope you feel good about the results of your efforts.

0:33:02.080 --> 0:33:05.520
<v Speaker 2>Well, it's been a complicated one, that's for certain.

0:33:07.320 --> 0:33:08.440
<v Speaker 15>Phone through here in the kitchen.

0:33:09.360 --> 0:33:09.640
<v Speaker 2>Thanks.

0:33:09.680 --> 0:33:11.520
<v Speaker 15>I'm just going to see a man about a horse

0:33:11.560 --> 0:33:13.800
<v Speaker 15>real quick. You want to coffee or something out yourself?

0:33:14.240 --> 0:33:14.640
<v Speaker 13>Yeah?

0:33:14.680 --> 0:33:15.040
<v Speaker 2>Thanks?

0:33:25.800 --> 0:33:41.760
<v Speaker 21>All right, Well I'll be goddamn christ scissors.

0:33:41.800 --> 0:33:42.560
<v Speaker 4>What you got there?

0:33:44.040 --> 0:33:44.440
<v Speaker 2>I don't know.

0:33:44.560 --> 0:33:47.480
<v Speaker 14>It looks like an old scarf just to afford it

0:33:47.520 --> 0:33:48.960
<v Speaker 14>here in this moving.

0:33:48.680 --> 0:33:52.920
<v Speaker 15>Bob, Please put that down. That's special to me.

0:33:54.840 --> 0:33:59.280
<v Speaker 2>Missus Solace. Do you know why we suspected your son, Julian?

0:34:00.720 --> 0:34:01.320
<v Speaker 4>No, I do not.

0:34:01.800 --> 0:34:06.360
<v Speaker 14>Simple First he was absent from Carter High on May eighteenth.

0:34:06.400 --> 0:34:10.440
<v Speaker 14>And see only four students were absent that day, Deacon

0:34:10.480 --> 0:34:13.040
<v Speaker 14>and Thomas Hadley. Of course, that was the day they

0:34:13.040 --> 0:34:16.920
<v Speaker 14>went missing. The other two were Tyler Wilson and Julian.

0:34:17.040 --> 0:34:20.840
<v Speaker 15>I told Hooper, Julian was with me that day. We

0:34:20.920 --> 0:34:24.080
<v Speaker 15>went to the cemetery that morning to pay her respects.

0:34:24.840 --> 0:34:26.719
<v Speaker 15>Julian's mother was later rest early that year.

0:34:26.880 --> 0:34:30.360
<v Speaker 2>Oh well, I'm sorry for your loss. The other reason

0:34:30.440 --> 0:34:31.120
<v Speaker 2>Julian was the.

0:34:31.120 --> 0:34:36.200
<v Speaker 14>Suspect was this year book picture here Tyler Wilson, James

0:34:36.200 --> 0:34:40.400
<v Speaker 14>Fincher and Julian. When I saw the scoff Julian's wearing

0:34:40.400 --> 0:34:44.239
<v Speaker 14>in this picture, it all made sense. This is the

0:34:44.280 --> 0:34:49.960
<v Speaker 14>same wool scarf here in my hand, I believe, And.

0:34:49.960 --> 0:34:52.800
<v Speaker 2>You see here where it's been stretched and torn.

0:34:52.840 --> 0:34:55.960
<v Speaker 14>Missus Sullis, I have a little hunched matches the fabric

0:34:56.040 --> 0:35:00.239
<v Speaker 14>found at the crime scene. Red wool fibers. It's like

0:35:00.239 --> 0:35:02.879
<v Speaker 14>the ones found under Thomas Hadley's fingernails.

0:35:02.920 --> 0:35:06.279
<v Speaker 15>That's my scarf the wife n did before she died.

0:35:07.920 --> 0:35:08.960
<v Speaker 15>Red was a favorite color.

0:35:09.120 --> 0:35:10.120
<v Speaker 2>And what about these.

0:35:10.120 --> 0:35:12.040
<v Speaker 14>When my wife's so and says, why would so and

0:35:12.040 --> 0:35:15.960
<v Speaker 14>scissors have blood? On them, mister Saulas, But I've been

0:35:15.960 --> 0:35:17.839
<v Speaker 14>doing this for a while. I know what it is

0:35:17.880 --> 0:35:20.760
<v Speaker 14>when I see it that there is dried blood.

0:35:24.560 --> 0:35:27.279
<v Speaker 15>Turn around, face of sink.

0:35:30.400 --> 0:35:34.280
<v Speaker 4>You gonna shoot me? Paul, Please turn around.

0:35:34.960 --> 0:35:35.160
<v Speaker 2>Look.

0:35:35.239 --> 0:35:38.200
<v Speaker 14>I know what it's like I do to have a

0:35:38.280 --> 0:35:41.280
<v Speaker 14>son who is bullied, daddy.

0:35:41.320 --> 0:35:43.040
<v Speaker 2>Why is everyone being mean to me?

0:35:43.320 --> 0:35:44.919
<v Speaker 14>That's what my boy asked me when he was only

0:35:44.960 --> 0:35:46.760
<v Speaker 14>five years old.

0:35:46.520 --> 0:35:50.560
<v Speaker 2>And it got worse if only I could have seen it.

0:35:52.520 --> 0:35:54.200
<v Speaker 14>By the time he was in high school, he was

0:35:54.239 --> 0:35:59.120
<v Speaker 14>completely isolated. I thought something was wrong with him. I

0:36:00.760 --> 0:36:05.200
<v Speaker 14>also bullied him, shamed him because I was disappointed that

0:36:05.239 --> 0:36:07.240
<v Speaker 14>he was so weak.

0:36:07.960 --> 0:36:10.600
<v Speaker 2>I thought he just needed to man up, thought he

0:36:10.680 --> 0:36:11.600
<v Speaker 2>needed tough love.

0:36:11.680 --> 0:36:14.359
<v Speaker 14>No matter how many times I screamed at him, you

0:36:14.520 --> 0:36:18.640
<v Speaker 14>are better than them, it only made him more isolated,

0:36:18.840 --> 0:36:21.839
<v Speaker 14>made him feel even more let down.

0:36:22.800 --> 0:36:26.800
<v Speaker 2>And the truth is he was a disappointment.

0:36:28.000 --> 0:36:30.920
<v Speaker 14>Fuck it, I'll say it, might as well say to

0:36:30.960 --> 0:36:32.600
<v Speaker 14>the man who's got a gunpointed at me.

0:36:32.680 --> 0:36:33.719
<v Speaker 2>And my boy knew it.

0:36:33.680 --> 0:36:40.479
<v Speaker 26>Too, knew I was I was disappointed at him, knew

0:36:40.520 --> 0:36:43.759
<v Speaker 26>I would never accept him for who he was, and

0:36:43.800 --> 0:36:48.839
<v Speaker 26>it only made him feel more unlovable. Sound familiar hmm,

0:36:50.640 --> 0:36:53.479
<v Speaker 26>Because my own son was bullied too, bullied so bad

0:36:53.560 --> 0:36:54.560
<v Speaker 26>he actually.

0:36:57.880 --> 0:37:02.280
<v Speaker 2>Took his own life.

0:37:02.920 --> 0:37:09.759
<v Speaker 27>So I understand as a father, it makes you want

0:37:09.800 --> 0:37:13.000
<v Speaker 27>to kill, don't it.

0:37:19.680 --> 0:37:24.839
<v Speaker 15>Just walk, turn around and walk the back door the house.

0:37:25.239 --> 0:37:32.040
<v Speaker 14>These nasty, spoiled fuckers dumber's dirt, giving your boy a regular.

0:37:31.800 --> 0:37:37.120
<v Speaker 2>Beatdown, and you were powerless to stop it. Couldn't do shit.

0:37:38.640 --> 0:37:45.200
<v Speaker 14>Until you could, until you had no choice. That's why

0:37:45.239 --> 0:37:48.520
<v Speaker 14>you got fired from the Hadley Dealership, ain't it. You

0:37:48.560 --> 0:37:51.600
<v Speaker 14>went to have a chat with Bobby Hadley, man the man,

0:37:52.200 --> 0:37:54.759
<v Speaker 14>to see about getting his boys to stop kicking the

0:37:54.880 --> 0:37:59.800
<v Speaker 14>shit out of your kid, Julian, but you lost your temper.

0:38:01.080 --> 0:38:04.040
<v Speaker 14>You threatened him and he canned your ass, didn't he

0:38:05.040 --> 0:38:08.840
<v Speaker 14>After twenty motherfucking years, and.

0:38:08.719 --> 0:38:09.879
<v Speaker 2>You ain't rich like him.

0:38:09.920 --> 0:38:12.680
<v Speaker 14>You got to work to pay for the way up

0:38:12.680 --> 0:38:14.640
<v Speaker 14>for your son so he don't end up just like you.

0:38:15.120 --> 0:38:16.880
<v Speaker 14>I'm a be able to pay for medical bills and

0:38:16.960 --> 0:38:19.800
<v Speaker 14>funeral costs after your wife died that horrible.

0:38:19.440 --> 0:38:25.080
<v Speaker 20>Slow death, leaving you with nothing nothing but your son,

0:38:25.239 --> 0:38:30.600
<v Speaker 20>Julian and this red wolf scarf. What God damn it, Nah,

0:38:32.600 --> 0:38:37.520
<v Speaker 20>I'm not gonna do it. I ain't going out back.

0:38:39.480 --> 0:38:43.359
<v Speaker 14>Shit, don't look at me like that. I'm standing here

0:38:43.440 --> 0:38:46.200
<v Speaker 14>holding evidence while you point a shotgun at me.

0:38:46.800 --> 0:38:47.560
<v Speaker 4>Man, I know.

0:38:47.480 --> 0:38:50.560
<v Speaker 14>Which way the wind is blowing, and I ain't going

0:38:50.640 --> 0:38:51.279
<v Speaker 14>out like that.

0:38:54.440 --> 0:39:01.000
<v Speaker 15>Damn you're smart, but you are one hair offer.

0:39:01.040 --> 0:39:01.160
<v Speaker 4>Ben.

0:39:02.480 --> 0:39:05.160
<v Speaker 15>I'm on the business side of this barrel and you

0:39:05.520 --> 0:39:06.720
<v Speaker 15>are still making demands.

0:39:06.760 --> 0:39:08.279
<v Speaker 2>Ye goddamn right.

0:39:10.040 --> 0:39:11.880
<v Speaker 14>If you're gonna kill me, I'm not gonna let you

0:39:11.920 --> 0:39:15.880
<v Speaker 14>do it outside. It's gonna be right here in the

0:39:15.920 --> 0:39:20.080
<v Speaker 14>middle of your home, where you'll have to scrub the

0:39:20.239 --> 0:39:23.520
<v Speaker 14>fucking cheap bass linoleum to get the blood and bones

0:39:23.560 --> 0:39:27.520
<v Speaker 14>and fragments out. Well, you'll have to use stain blocker

0:39:27.760 --> 0:39:32.600
<v Speaker 14>and plaster over pellet holes where you'll have to see

0:39:32.680 --> 0:39:36.280
<v Speaker 14>my ghosts every fucking morning when you pour your couple

0:39:36.320 --> 0:39:40.280
<v Speaker 14>of weak ass folders and eat your scrambled fucking eggs.

0:39:42.200 --> 0:39:47.840
<v Speaker 15>Please, dear, no, no, please, I don't want to have

0:39:48.000 --> 0:39:50.160
<v Speaker 15>you can't you have to, goddamn it.

0:39:51.320 --> 0:39:52.520
<v Speaker 13>This is the choice.

0:39:53.080 --> 0:39:55.440
<v Speaker 2>You are making, a choice you.

0:39:57.160 --> 0:39:57.359
<v Speaker 4>Now.

0:39:57.400 --> 0:39:59.840
<v Speaker 14>You can put the gun down and come quietly with

0:40:00.360 --> 0:40:02.160
<v Speaker 14>or you can shoot me dead in the middle of

0:40:02.160 --> 0:40:06.719
<v Speaker 14>this house, the one you bought with your wife, the

0:40:06.719 --> 0:40:09.480
<v Speaker 14>one you wake up nights for your boy, hoping he's

0:40:09.520 --> 0:40:12.960
<v Speaker 14>ever gonna come back at all. But I'm sure as

0:40:13.000 --> 0:40:15.120
<v Speaker 14>hell they ain't gonna be an accessory to my own

0:40:15.200 --> 0:40:17.400
<v Speaker 14>murder by making it easy on you.

0:40:21.200 --> 0:40:23.000
<v Speaker 4>So which is it?

0:40:23.120 --> 0:40:25.319
<v Speaker 7>Huh?

0:40:25.440 --> 0:40:26.200
<v Speaker 2>What's it gonna be?

0:40:26.360 --> 0:40:38.520
<v Speaker 17>Paul Hi, Paul Solace, you are under harress. You have

0:40:38.640 --> 0:40:39.480
<v Speaker 17>the right to.

0:40:39.520 --> 0:41:18.399
<v Speaker 8>Remain the ghosten Emir and the Hounds of Hell. Dan

0:41:18.560 --> 0:41:25.319
<v Speaker 8>send in your vinzend and.

0:41:26.920 --> 0:41:30.040
<v Speaker 28>The Man Walk Caves stars Jonathan Tucker as Julian Sallace,

0:41:30.560 --> 0:41:35.240
<v Speaker 28>Eddie Gatheggy as James Fincher, Clark Peters as Detective Solomon Smith,

0:41:35.719 --> 0:41:40.400
<v Speaker 28>Nick Cercy as Sheriff Kirby Hooper, Justin Welborn as Tyler Wilson,

0:41:40.800 --> 0:41:45.080
<v Speaker 28>Jill Jane Clements as Jill Campbell, Brad Carter as Doodlee Tappert,

0:41:45.640 --> 0:41:49.880
<v Speaker 28>Scott Poythrus as Reverend Perkins, Samantha Ashley as Dina Fincher,

0:41:50.560 --> 0:41:54.680
<v Speaker 28>Justin Matthew Smith as Paul Sawace, Tara Oaks as Laura Sawas,

0:41:55.280 --> 0:41:59.840
<v Speaker 28>Jonathan Horn as Deacon Hadley, Alden Karanovich as Thomas Hadley,

0:42:00.640 --> 0:42:04.759
<v Speaker 28>Mike w Anderson as Griff Washington, Body Walter Off as

0:42:04.840 --> 0:42:09.160
<v Speaker 28>Jimmy Fincher, Brian McClure as Ian Speaks, Larry Clark as

0:42:09.239 --> 0:42:13.520
<v Speaker 28>Bobby Hadley, Payden Fallis as Ed LeBlanc, Vic Palisis as

0:42:13.520 --> 0:42:17.799
<v Speaker 28>William Fowler, Nick Takosky as Richard Rydell, and Aileen Loy

0:42:18.120 --> 0:42:23.160
<v Speaker 28>as The Darkness, with additional performances by Clint McGowan, Dina Dill,

0:42:23.800 --> 0:42:30.240
<v Speaker 28>Edward Howard, Henry Foster Brown, Jamie Joseph, Juan Monsalvez, Christopher Curry,

0:42:30.680 --> 0:42:36.200
<v Speaker 28>Bailey Hineman, David Mitchell, and Bernard Sataro Clark. Created by

0:42:36.200 --> 0:42:40.000
<v Speaker 28>ConL Byrne and Dan Bush. Written by Dan Bush, Zoe

0:42:40.160 --> 0:42:44.520
<v Speaker 28>Cooper and Nicholas Dakosky, featuring our theme song Killer Inside,

0:42:44.800 --> 0:42:49.200
<v Speaker 28>written produced and performed by Lerea Lynn. Our executive producers

0:42:49.239 --> 0:42:54.040
<v Speaker 28>are Matt Frederick, Alexander Williams, Michael Monty, and Courtney du Frees.

0:42:54.680 --> 0:42:58.640
<v Speaker 28>Our executive producers at Blumhouse Television are Jeremy Gold, Chris

0:42:58.680 --> 0:43:03.839
<v Speaker 28>Dickey and Noah Fine. Produced by Dan Bush, music by

0:43:03.840 --> 0:43:08.680
<v Speaker 28>Ben Lovett, Additional music by Alexander Rodriguez, edited by Dan Bush,

0:43:08.960 --> 0:43:13.319
<v Speaker 28>Chris Childs, Stephen Perez and David Chen. Sound design by

0:43:13.320 --> 0:43:18.200
<v Speaker 28>Benjamin Malcolm. Additional sound design by Alexander Rodriguez. Dialogue editing

0:43:18.239 --> 0:43:21.880
<v Speaker 28>and sound mixing by Jant Campos. Recorded at Studio Awesome

0:43:21.880 --> 0:43:25.480
<v Speaker 28>in Los Angeles, Sound by Studio in Atlanta and Echo

0:43:25.520 --> 0:43:29.880
<v Speaker 28>Mountain in Ashville. Casting by Sunday Bowling, Kennedy and Meg Mormon.

0:43:30.000 --> 0:43:33.840
<v Speaker 28>Our dialect coach is Linda Bessesti, Assistant director, Michael Monty,

0:43:34.400 --> 0:43:39.000
<v Speaker 28>second assistant director, script supervisor and production coordinator Sarah Klein.

0:43:39.719 --> 0:43:43.800
<v Speaker 28>Supervising producer Josh Thain. Special thanks to Mary Ellen and

0:43:43.880 --> 0:43:48.359
<v Speaker 28>Jason Davis, Jonathan Dieter, and Joe Rickman. The Manowac Caves

0:43:48.440 --> 0:44:00.520
<v Speaker 28>is a production of iHeart Radio, Blumhouse Television, and Psycopia Pictures.

0:44:00.520 --> 0:44:03.800
<v Speaker 8>Superb said the Boy

0:44:23.719 --> 0:44:25.160
<v Speaker 13>Flying