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Speaker 1: The Maniwauk Caves is intended for mature audiences. It contains

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Speaker 1: strong language and depictions of bullying, violence, and sexual assault

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Speaker 1: that some may find disturbing. Listener discretion is advised. Also,

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Speaker 1: this is an extremely immersive experience and headphones are recommended.

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Speaker 1: You're listening to The Maniwak Caves, a production of iHeartRadio,

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Speaker 1: Blumhouse Television, and Psycopia Pictures.

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Speaker 2: Alwayst.

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Speaker 3: Eleventh, I got a call from Dina this morning, said

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Speaker 3: LeBlanc was driving down wanted us to all meet in person.

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Speaker 3: It must be important if you dure now for Nashville.

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Speaker 4: Jill, how you holding up?

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Speaker 5: I don't fucking know anymore.

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Speaker 3: Honestly, the only thing I can do right now is

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Speaker 3: keep digging for answers to listen.

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Speaker 6: I'm so sorry about Tyler Wilson. I know you too,

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Speaker 6: were close back in the day.

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Speaker 5: I don't understand it. I guess you lost this shit.

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Speaker 5: I don't know. Or maybe he was the same one

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Speaker 5: and it's the rest of us that they're completely insane.

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Speaker 7: Either way, Tyler.

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Speaker 5: Knew something something we don't not yet.

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Speaker 6: Anyway, how about you, are you taking care of yourself?

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Speaker 4: What do you mean?

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Speaker 6: Do you have a psychiatrist.

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Speaker 8: Where'd you disappear too last night that you were win?

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Speaker 2: Hey?

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Speaker 5: Oh yeah, I'm sorry. I couldn't sleep so I wouldn't

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Speaker 5: get in my car. How's Jimmy? Good morning?

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Speaker 9: I thank you all for coming.

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Speaker 8: Well, what is it then?

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Speaker 9: I'm sorry. There's no easy way to tell you what.

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Speaker 9: They rejected our appeal.

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Speaker 6: Fucker's why, Dana hold on? I'm sorry, mister Leblant, But

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Speaker 6: did we miss the dead No?

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Speaker 9: No, Look, we made the deadline by the skin of

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Speaker 9: our teeth. But they still rejected the claim. Why lacking

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Speaker 9: in merit?

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Speaker 6: The fuck does that mean the testimony of the key

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Speaker 6: witness was coerced? They found new evidence the.

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Speaker 10: Next and all the suspicious shit with Tyler Shirley.

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Speaker 6: There's an error.

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Speaker 9: Look, we knew it was a long shot. That they

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Speaker 9: even read or applied to the brief as a goddamn miracle.

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Speaker 9: The State Supreme Court does not have to take the case,

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Speaker 9: and in this instance they simply let the appellate Court's

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Speaker 9: decisions stand. Okay, we anticipated this and we had to

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Speaker 9: do it to exhaust all possible appeals.

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Speaker 4: And the good news is that they.

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Speaker 9: Got back to us and read a short order Okay,

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Speaker 9: they could have sat on it until the last minute.

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Speaker 9: But as it stands now, we still have time to

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Speaker 9: ask for clemency. We can still make a request to

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Speaker 9: the governor for relief from the death sentence.

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Speaker 6: Do you know the governor?

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Speaker 8: I know somebody that knows the governor who Bobby Hadley.

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Speaker 6: That's right, there's a situation with mister Hadley and Dina,

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Speaker 6: a situation.

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Speaker 4: That's right.

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Speaker 6: He may be incentivized to make a personal appeal on

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Speaker 6: James Fincher's.

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Speaker 2: Behalf encouraging, and I for.

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Speaker 6: One am not giving up. Not if there is any

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Speaker 6: thread of a chance, we can ask the governor to

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Speaker 6: at least postpone the execution.

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Speaker 9: Or commute the sentence to life in prison.

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Speaker 6: Julian, where are you going now?

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Speaker 3: Every minute we sit here sixty seconds less of Finch's life.

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Speaker 7: What do we need? More proof, more evidence that it

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Speaker 7: wasn't Finch you murdered the Hadley brothers.

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Speaker 9: We need something more than circumstantial.

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Speaker 7: Did you find out where to tech to? Smith's car was.

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Speaker 6: Found waiting on a callback as we speak, Dina, Hey,

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Speaker 6: look at me.

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Speaker 2: I'm close.

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Speaker 5: I am so goddamn close. I can smell them. Don't

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Speaker 5: give up.

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Speaker 8: The moss seems tired with the clean inside tells these

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Speaker 8: tells these.

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Speaker 11: There was no piece of evidence that was never recounted

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Speaker 11: for five births found under Thomas Hadley's fingernails.

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Speaker 4: Red wolf.

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Speaker 11: Maybe Griff Washington's dog had a red collar on or something,

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Speaker 11: but if it did, the red collar was never found.

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Speaker 11: So where did the red wolf come from?

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Speaker 8: To the true to the.

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Speaker 4: Two boys are dead? These are good people. They just

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Speaker 4: want justice.

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Speaker 10: And I would think that you, of all people, would

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Speaker 10: be able to relate to that.

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Speaker 12: Solomon Sheriff, I.

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Speaker 4: Know what killed my boy.

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Speaker 8: Somebody's feeling how they know? We'll see the bird.

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Speaker 4: When you He couldn't exactly trust the sharer of soltis.

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Speaker 6: So whatever Solomon Smith knew, he took that intol with him.

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Speaker 4: Where was he last seen? Not sure.

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Speaker 6: That on his car though, about a decade ago, just

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Speaker 6: north of here. I think maybe I can dig up

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Speaker 6: the police report.

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Speaker 4: Did you find it?

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Speaker 13: Hello?

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Speaker 7: Did you find the interview?

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Speaker 8: Good timing?

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Speaker 13: You're ready to take a few questions like.

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Speaker 5: The interview, the interview with Detective Smith two thousand and seven,

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Speaker 5: It would have been late June or early July.

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Speaker 13: You mean the one where he tried to expose Sheriff

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Speaker 13: Hooper for targeting.

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Speaker 7: Jamis despite other leaders.

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Speaker 5: The one he gave before he vanished mysterious.

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Speaker 2: That would be the ones did you find it?

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Speaker 14: I did, and I digitized it right here on this

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Speaker 14: thumb drive.

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Speaker 7: WHOA, now, hold on, not just yet? Deal's deal huh.

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Speaker 5: First, let's get your interviewing hug this, lamp up your

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Speaker 5: ass and plug it in.

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Speaker 15: Okay, okay, okay, gee, maybe maybe a new buck board,

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Speaker 15: a piece and.

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Speaker 7: You or something.

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Speaker 4: Think about it.

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Speaker 12: Seasoned detectives understand they must take a step back and

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Speaker 12: look at the whole picture and exhaust all investigative avenue

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Speaker 12: used to present the best case they can to the

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Speaker 12: district attorney.

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Speaker 4: And didn't you do that with James Cincher? Absolutely not.

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Speaker 4: It was nearly impossible to narrow the focus to him.

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Speaker 2: When there are still other suspects on the board.

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Speaker 7: Other suspects.

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Speaker 4: Can you tell us who?

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Speaker 2: Off the record?

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Speaker 14: Okay, okay, fine, yeah, off the record. I'm still interested

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Speaker 14: in the boys who found the bodies. They were both

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Speaker 14: absent from school the same day the Hadley boys went missing.

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Speaker 9: Tyler Wilson and Julian Salis, but Sallace gave you information

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Speaker 9: that led to James Finzer.

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Speaker 14: He told Sheriff Hooper, and that boy was so scared

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Speaker 14: and sleep deprived and hungry, he would have told Hooper

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Speaker 14: that Fincher shot JFK if that's what Hooper wanted.

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Speaker 9: So are you suggesting that Solace was.

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Speaker 2: Coerced by by Hooper and his father?

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Speaker 14: His father, Paul Solace, is still a person of interest

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Speaker 14: in my book.

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Speaker 16: And you believe these are more likely suspects than James Fincher.

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Speaker 14: It doesn't matter what I believe, It matters what I know.

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Speaker 14: I know these are suspects of no alibi. Suspects were

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Speaker 14: a clear motive. That's not the only difference. What's the

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Speaker 14: other difference?

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Speaker 2: These suspects are white?

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Speaker 10: So now you're playing the race card.

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Speaker 15: Tell me the truth.

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Speaker 14: That's what this is really about.

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Speaker 7: Being with you.

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Speaker 14: Goddamn right, it is, and it should be for you too.

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Speaker 14: Why do you think I'm doing this interview? Where the

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Speaker 14: hell are you guys in all this? Where's the goddamn

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Speaker 14: investigative journalism? All you jokers do is report what Hooper

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Speaker 14: tells you as if it's the truth. You ain't the press,

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Speaker 14: your mouthpiece for the local authorities.

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Speaker 17: Well, that's offensive.

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Speaker 2: I've never gone to the press before. Never. I'm giving

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Speaker 2: you a massive window here. This is a national story.

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Speaker 12: This is a chance to redeem yourselves, an opportunity to

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Speaker 12: embrace a little journalistic integrity for a change, to do

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Speaker 12: your fucking job. So take it or leave it, because

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Speaker 12: I'm going to the Times next.

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Speaker 7: Jew I've got it you ready.

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Speaker 6: Yeah, Tomman's car was found at the bottom of Spounding

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Speaker 6: Gorge below Madison Road.

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Speaker 4: Matthewston, Yeah, right.

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Speaker 6: As mom mark of thirteen, a hunter founded apparently. Let's

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Speaker 6: see the reporters from October twenty tenth, about three years.

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Speaker 7: At the Smithson miss did you see Matheson?

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Speaker 6: Yeah, my Mark at thirteen. The car was rusted out,

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Speaker 6: maybe went off the side of the road. I mean

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Speaker 6: that kind of thing.

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Speaker 4: Happens every year on these wide mountain.

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Speaker 6: Roads, you know, but normally they find the driver too.

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Speaker 4: It was definitely registered to detect a Smith Matthison. Yester,

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Speaker 4: you didn't why that's where we lived, my dad.

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Speaker 5: I mean, I'm nur distant road right around the ben there,

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Speaker 5: just past my mark at thirteen.

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Speaker 7: It's Wednesday, still August eleventh. I think I'm driving up.

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Speaker 5: The Mountain uh Matthison Road, and I feel it again,

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Speaker 5: the pull, like I'm leaning over an endless abyss.

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Speaker 7: And the fog beat me here. But it doesn't matter.

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Speaker 7: I could drive this road blindfolded. I know it like

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Speaker 7: my own skin.

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Speaker 18: I'm trying to comprehend how it's possible, but I can't

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Speaker 18: deny this. Everything is pointing directly at it, at him.

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Speaker 1: My father.

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Speaker 5: In two thousand and seven, his life was in turmoil.

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Speaker 5: He had been grieving Mom's death for less than a year.

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Speaker 5: The hospital bills were crippling Jesus. He cursed our poverty

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Speaker 5: every day, and it was no secret in our house

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Speaker 5: that he despised Bobby Hadley. Then he sees me getting

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Speaker 5: tormented by Bobby Hadley's sons. They cornered me in the library,

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Speaker 5: beat me up, scissor my hair off, and later that

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Speaker 5: same week, my dad was fired, fired from his job

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Speaker 5: at the Hadley Dealership, a job he'd had my whole life.

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Speaker 5: My God, if anyone had a motive to kill, detect

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Speaker 5: to Smith. He was on my dad's trail, and Smith's

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Speaker 5: car was found at the bottom of the gorge.

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Speaker 7: Directly below our old house. Maybe it was just a coincidence,

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Speaker 7: maybe another devil's prank.

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Speaker 5: Or maybe my father just snapped. The world is a

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Speaker 5: dark and unjust place where the cowards and the cruel

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Speaker 5: ragin supreme, and so maybe he snapped.

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Speaker 2: And we're here.

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Speaker 5: The drive is overgrown.

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Speaker 16: It's uh, it's been a lot of years since anyone

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Speaker 16: probably came down this way.

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Speaker 5: But uh, this is that.

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Speaker 19: Wear here where m This is a ground zero for

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Speaker 19: my existence, this place.

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Speaker 16: Where I was born, where I grew up, where my

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Speaker 16: mother died, where my house stood before it was guarded

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Speaker 16: by fire. It burned almost to the ground as soon

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Speaker 16: as I left here.

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Speaker 5: Jesus, Oh, Jesus Christ. There was not much left, just

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Speaker 5: blackened and rotting remains of the house. I saw the

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Speaker 5: pictures after it first burned, a hollow shell, windows blown out,

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Speaker 5: like an empty, leering skull. Now it's caved in, brick ruins,

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Speaker 5: overtaken with Thignes and Kutzu. It's hard to explain what

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Speaker 5: I saw in that moment, more than a shadow, less

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Speaker 5: than a person, the gray man down by the southwest

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Speaker 5: corner of the house, behind the trees.

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Speaker 20: What what the fuck do you want?

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00:14:59,360 --> 00:15:02,440
Speaker 7: He was most no reaction at all.

228
00:15:02,560 --> 00:15:06,600
Speaker 5: Why are you following me, just stood there in the shadows.

229
00:15:08,080 --> 00:15:11,120
Speaker 5: As I moved closer, he became obscure by this huge,

230
00:15:11,520 --> 00:15:14,880
Speaker 5: gnarled oak tree there, the same one that once held

231
00:15:14,880 --> 00:15:19,200
Speaker 5: a swing where my mother used to push me. It

232
00:15:19,240 --> 00:15:23,520
Speaker 5: was just a blink an instance. As I came around

233
00:15:23,560 --> 00:15:27,960
Speaker 5: the curved drive, he was gone. Any other time I'd

234
00:15:27,960 --> 00:15:30,640
Speaker 5: have excused it as a trick of the light. The

235
00:15:30,720 --> 00:15:33,480
Speaker 5: cloud gusts surged along the ridge of forty miles an hour,

236
00:15:33,840 --> 00:15:38,080
Speaker 5: strange movement everywhere, the mind playing its games.

237
00:15:39,880 --> 00:15:40,760
Speaker 21: But I knew better.

238
00:15:42,440 --> 00:15:45,080
Speaker 5: I walked to the oak tree. The rope of the

239
00:15:45,160 --> 00:15:47,760
Speaker 5: tire swing and long since broken, and the rubber tire

240
00:15:47,800 --> 00:15:52,480
Speaker 5: was almost completely buried under dirtant leaves. But there was

241
00:15:52,520 --> 00:15:55,040
Speaker 5: something else there lying on the ground.

242
00:15:55,280 --> 00:15:55,960
Speaker 8: Oh my god.

243
00:15:58,360 --> 00:15:59,160
Speaker 7: Then I saw it.

244
00:16:01,560 --> 00:16:06,960
Speaker 5: The scarf, my mom's red scarf. You gotta be fucking

245
00:16:07,040 --> 00:16:18,000
Speaker 5: kidding me. I could feel the gray man's eyes on me.

246
00:16:19,200 --> 00:16:21,680
Speaker 7: I scanned the woods, hoping he would turn his gray stare,

247
00:16:22,000 --> 00:16:23,520
Speaker 7: but he was nowhere to be found.

248
00:16:24,480 --> 00:16:27,440
Speaker 5: I circled the yard, then, tracing the shadows that stretched

249
00:16:27,480 --> 00:16:35,000
Speaker 5: into the woods, but he was gone. Instead, my eyes

250
00:16:35,040 --> 00:16:38,280
Speaker 5: fixed on a small, half rotten wooden door leading to

251
00:16:38,320 --> 00:16:41,040
Speaker 5: the cross space, under the buried ruins and the foundation

252
00:16:41,200 --> 00:16:43,240
Speaker 5: of the house that was still intact.

253
00:16:45,280 --> 00:16:45,920
Speaker 13: I crawled in.

254
00:16:47,960 --> 00:16:50,800
Speaker 5: It was pitch black. I turned on the flashlight on

255
00:16:50,840 --> 00:16:54,120
Speaker 5: my phone and raised it into the darkness, damp earth

256
00:16:54,160 --> 00:16:58,120
Speaker 5: covered in animals catting debris. The floor joists and hartwood

257
00:16:58,160 --> 00:17:01,000
Speaker 5: pond floorboards that withstood the fire, but they were rotten

258
00:17:01,040 --> 00:17:08,200
Speaker 5: and sagging downward, making a low space feel perilously tight.

259
00:17:09,200 --> 00:17:12,320
Speaker 5: Something scurried for the back end of the darkness, just

260
00:17:12,359 --> 00:17:15,040
Speaker 5: at a range of my flashlight. I panted across the

261
00:17:15,040 --> 00:17:19,080
Speaker 5: space until until something glinted in the darkness in a

262
00:17:19,160 --> 00:17:23,920
Speaker 5: far corner, just enough light to catch the eye. Damn it,

263
00:17:26,240 --> 00:17:31,720
Speaker 5: I could feel it. This place, just below where I'd

264
00:17:31,760 --> 00:17:32,560
Speaker 5: spent my youth.

265
00:17:36,040 --> 00:17:37,200
Speaker 7: It was a place of death.

266
00:17:39,720 --> 00:17:43,600
Speaker 5: The earth was black and wet and harbored, no life

267
00:17:43,800 --> 00:17:47,040
Speaker 5: except for a large growth of mushrooms there in the

268
00:17:47,080 --> 00:17:49,280
Speaker 5: furthest corner of the cross space, where the brick had

269
00:17:49,280 --> 00:17:52,720
Speaker 5: crumbled away, perhaps allow on some sunlight through in the daytime.

270
00:17:53,240 --> 00:17:56,400
Speaker 5: The earth around it was sunken in and the fungus

271
00:17:56,440 --> 00:18:02,199
Speaker 5: seemed to bloom from there. I crawled on my belly,

272
00:18:03,040 --> 00:18:07,720
Speaker 5: inch by painful inch. The dampness seeping into my bones.

273
00:18:07,680 --> 00:18:09,160
Speaker 7: And other worldly chill.

274
00:18:09,920 --> 00:18:12,040
Speaker 5: A strange breeze making its way through the cracks of

275
00:18:12,080 --> 00:18:14,560
Speaker 5: the broken house above reminded.

276
00:18:14,119 --> 00:18:17,040
Speaker 7: Me of the breath of the caves.

277
00:18:22,400 --> 00:18:25,880
Speaker 5: Then I saw what looked like a leather a container

278
00:18:25,960 --> 00:18:27,160
Speaker 5: jutting from the sunken earth.

279
00:18:29,320 --> 00:18:29,800
Speaker 21: I dug.

280
00:18:31,760 --> 00:18:34,600
Speaker 5: The soil was loose here in the sunken spot, not

281
00:18:34,760 --> 00:18:36,919
Speaker 5: tamped down by time like the rest of the ground

282
00:18:36,920 --> 00:18:42,920
Speaker 5: in the space, someone had dug here. The angle was

283
00:18:42,960 --> 00:18:46,800
Speaker 5: difficult lying down, My shoulders cramped and fingernails got caked

284
00:18:46,800 --> 00:18:47,200
Speaker 5: with earth.

285
00:18:47,400 --> 00:18:54,399
Speaker 7: But finally, yeah, something emerged. It was a holstered gun,

286
00:18:55,840 --> 00:18:57,280
Speaker 7: still attached to its owner.

287
00:18:59,280 --> 00:19:01,600
Speaker 5: It was at long before I uncovered the black cloth

288
00:19:01,640 --> 00:19:05,280
Speaker 5: of a suit coat, tattered and rotten, but still intact.

289
00:19:05,560 --> 00:19:07,879
Speaker 7: And it wasn't long after that that I unearthed the

290
00:19:07,920 --> 00:19:13,520
Speaker 7: bones ribs vertebrate.

291
00:19:14,840 --> 00:19:17,879
Speaker 5: I traced the coat sleeves to the scalpetal remains of

292
00:19:17,880 --> 00:19:25,080
Speaker 5: a hand. There I found a wristwatching a ring, Dad,

293
00:19:25,240 --> 00:19:30,680
Speaker 5: what did you do? Most importantly, I noticed there was

294
00:19:30,720 --> 00:19:37,240
Speaker 5: something bulging from the inside coat pocket, a small cassette player.

295
00:19:37,920 --> 00:19:40,560
Speaker 7: Mostly preserved in the silk.

296
00:19:40,320 --> 00:19:44,479
Speaker 5: Lining in folds of cloth. I crawled back out with

297
00:19:44,560 --> 00:19:45,720
Speaker 5: all the contents of the bag.

298
00:20:10,960 --> 00:20:11,760
Speaker 7: I set the red.

299
00:20:11,600 --> 00:20:15,680
Speaker 5: Scarf down on the passenger seat, I put the nine

300
00:20:15,680 --> 00:20:20,119
Speaker 5: millimeter pistol in the club box, and I carefully started

301
00:20:20,119 --> 00:20:20,960
Speaker 5: the cassette player.

302
00:20:22,880 --> 00:20:26,879
Speaker 4: Joe twenty fourth, two thousand and seven. They captured their monsters.

303
00:20:27,720 --> 00:20:32,199
Speaker 19: Dammit what.

304
00:20:42,280 --> 00:20:45,800
Speaker 22: Joe twenty fourth, two thousand and seven, they captured their mossia.

305
00:20:45,880 --> 00:20:50,760
Speaker 22: Yesterday James Fincher was arrested and charged with a double homicide.

306
00:20:50,920 --> 00:20:55,080
Speaker 22: And I'm still not satisfied. I drove back up Roots

307
00:20:55,080 --> 00:20:57,840
Speaker 22: seventeen to the caves to take the motion sense of cams.

308
00:20:57,880 --> 00:21:01,240
Speaker 4: This morning. They picked up a few visitors paying respect.

309
00:21:02,000 --> 00:21:04,320
Speaker 22: They left flowers and burned candles at the front of

310
00:21:04,359 --> 00:21:09,440
Speaker 22: the cave, but only one visitor looked familiar. The motion

311
00:21:09,640 --> 00:21:14,960
Speaker 22: sensor caught him moving through the shadows, no flashlight, and

312
00:21:15,000 --> 00:21:17,040
Speaker 22: the night vision is grainy. But he's a He's a

313
00:21:17,080 --> 00:21:24,320
Speaker 22: tall man, beard, baseball recover rolls, scarfed.

314
00:21:28,400 --> 00:21:29,600
Speaker 4: He didn't leave any flowers.

315
00:21:31,600 --> 00:21:38,040
Speaker 22: First time the camera picked him up was June sixteenth.

316
00:21:36,280 --> 00:21:38,879
Speaker 4: Saturday, midnight.

317
00:21:38,880 --> 00:21:42,560
Speaker 22: One month after the Hadley Boys went missing, same day

318
00:21:42,600 --> 00:21:46,280
Speaker 22: of the week, same time of day, and here he

319
00:21:46,400 --> 00:21:52,000
Speaker 22: is again. One week later, Saturday, June twenty third, midnight

320
00:21:53,680 --> 00:22:01,200
Speaker 22: and he ain't leaving no flowers. Someone's coming up the drive.

321
00:22:08,720 --> 00:22:16,880
Speaker 21: Hello, Sheriff, what could you possibly want? And you brought backup,

322
00:22:21,040 --> 00:22:22,320
Speaker 21: Sheriff Hooper.

323
00:22:23,920 --> 00:22:24,760
Speaker 2: To what do I.

324
00:22:24,680 --> 00:22:25,119
Speaker 4: Owe this on?

325
00:22:25,320 --> 00:22:26,800
Speaker 10: I'm just here to talk, Solomon.

326
00:22:27,200 --> 00:22:31,080
Speaker 2: Oh, we're on first name basis again. Now are we?

327
00:22:31,520 --> 00:22:32,199
Speaker 10: Can I come in?

328
00:22:34,400 --> 00:22:35,320
Speaker 2: You don't see why not?

329
00:22:36,560 --> 00:22:39,280
Speaker 10: I am here as a courtesy Detective Smith.

330
00:22:39,480 --> 00:22:40,840
Speaker 2: Uh huh?

331
00:22:41,000 --> 00:22:44,200
Speaker 10: Go on, Now, we do things a certain way here

332
00:22:44,240 --> 00:22:45,639
Speaker 10: in Pottsfield, Detective.

333
00:22:46,160 --> 00:22:47,399
Speaker 2: Yeah, I'm aware.

334
00:22:47,600 --> 00:22:50,919
Speaker 10: And you going to the press as a big fucking problem.

335
00:22:51,400 --> 00:22:53,960
Speaker 10: For one thing, it undermines our process.

336
00:22:54,000 --> 00:22:56,919
Speaker 14: It also pains your investigation in a certain light that

337
00:22:56,960 --> 00:23:00,359
Speaker 14: could endanger your ability to put an innocent boy on

338
00:23:00,480 --> 00:23:01,040
Speaker 14: death road.

339
00:23:01,119 --> 00:23:04,719
Speaker 10: Goddamn it, Solomon, I know to Solomon, all right, you

340
00:23:04,760 --> 00:23:06,800
Speaker 10: listen to me, Detective you are office.

341
00:23:06,920 --> 00:23:10,680
Speaker 23: You listen, your spinest motherfucker. You got a boy, a

342
00:23:11,080 --> 00:23:14,320
Speaker 23: boy locked up for a crime he didn't fucking commit,

343
00:23:14,440 --> 00:23:17,880
Speaker 23: says fucking you, And I will continue to investigate.

344
00:23:17,960 --> 00:23:21,639
Speaker 14: Hell you as a private citizen playing with fire boy.

345
00:23:22,040 --> 00:23:25,360
Speaker 24: Ah, there it is.

346
00:23:27,800 --> 00:23:28,280
Speaker 2: You see.

347
00:23:29,359 --> 00:23:32,200
Speaker 14: It doesn't take much to shake the demons and drive

348
00:23:32,240 --> 00:23:34,040
Speaker 14: them into the fire.

349
00:23:34,520 --> 00:23:35,440
Speaker 2: Did you say.

350
00:23:37,400 --> 00:23:40,240
Speaker 10: I think that it would be best.

351
00:23:41,720 --> 00:23:42,520
Speaker 4: If you move on.

352
00:23:44,520 --> 00:23:45,320
Speaker 10: Leave our town.

353
00:23:45,680 --> 00:23:46,320
Speaker 2: That a threat.

354
00:23:48,560 --> 00:23:54,880
Speaker 10: Let's just say, in Maniwauk County, things happen a certain way.

355
00:23:55,960 --> 00:23:58,399
Speaker 2: Like I said, I'm aware.

356
00:24:00,440 --> 00:24:06,640
Speaker 10: All right, Detective Smith, things happen here to people who

357
00:24:06,680 --> 00:24:11,160
Speaker 10: dig and try as I might, the best I can

358
00:24:11,200 --> 00:24:14,800
Speaker 10: do is to curtail those things.

359
00:24:17,640 --> 00:24:21,280
Speaker 2: What the hell are you saying, Kirby, that you can't

360
00:24:21,320 --> 00:24:22,840
Speaker 2: control the good old boy.

361
00:24:22,960 --> 00:24:34,320
Speaker 10: No, it's more than that. There's something about this place,

362
00:24:36,119 --> 00:24:39,679
Speaker 10: something in the fog. I could never put my finger

363
00:24:39,760 --> 00:24:42,840
Speaker 10: on it, even after a whole life spent here, and

364
00:24:42,880 --> 00:24:47,800
Speaker 10: god knows I have tried. And it's not just your

365
00:24:47,840 --> 00:24:52,880
Speaker 10: normal small town bigotry. I mean, now, obviously that's here too,

366
00:24:53,000 --> 00:25:02,800
Speaker 10: but there's something deeper. It's a rot. Beneath the rot,

367
00:25:06,080 --> 00:25:12,280
Speaker 10: people who try to suss it out, bad things happen.

368
00:25:15,400 --> 00:25:17,479
Speaker 2: Look, if you're going to threaten me, just do it.

369
00:25:17,680 --> 00:25:19,000
Speaker 4: That ain't it, Solomon.

370
00:25:22,200 --> 00:25:26,080
Speaker 10: Look I do respect you, Detective Smith, genuinely, I admire you.

371
00:25:27,480 --> 00:25:30,080
Speaker 10: And I don't know for sure about the Fencer kid,

372
00:25:30,400 --> 00:25:33,119
Speaker 10: but I do know for sure that he was involved

373
00:25:34,560 --> 00:25:37,240
Speaker 10: and all he'd have to do to throw us off

374
00:25:37,280 --> 00:25:42,160
Speaker 10: his scent would be to talk. That's it, and he won't.

375
00:25:42,640 --> 00:25:44,640
Speaker 2: And why do you think that is?

376
00:25:47,160 --> 00:25:50,040
Speaker 10: Well, I know what you're thinking, that he's scared of me.

377
00:25:51,119 --> 00:26:01,240
Speaker 10: But Detective, it's more he feels what I do. There's

378
00:26:01,240 --> 00:26:08,720
Speaker 10: something deeper here, something beyond his control and beyond mind.

379
00:26:10,960 --> 00:26:15,560
Speaker 10: All I can do is try to keep it in check.

380
00:26:18,640 --> 00:26:20,360
Speaker 2: That's some vague shit, Sheriff.

381
00:26:23,040 --> 00:26:30,200
Speaker 10: You haven't felt it, Yeah, yeah, you have.

382
00:26:33,800 --> 00:26:39,879
Speaker 14: Give me one more night, Detective, Sheriff, one more to

383
00:26:39,920 --> 00:26:41,280
Speaker 14: tie up a couple of loose ends.

384
00:26:41,280 --> 00:26:44,520
Speaker 2: We visit a few ideas. If I don't find what

385
00:26:44,600 --> 00:26:49,720
Speaker 2: I need, I'll be gone by dawn. Won't even say goodbye.

386
00:26:49,840 --> 00:26:51,360
Speaker 2: It'll be like I was never even here.

387
00:26:54,320 --> 00:26:55,200
Speaker 13: Where are you gonna go?

388
00:26:55,359 --> 00:26:57,000
Speaker 10: You got family somewhere.

389
00:26:59,600 --> 00:27:02,880
Speaker 14: They're all long gone. Only brother died a few years back.

390
00:27:04,080 --> 00:27:07,280
Speaker 14: Our next wife, who hates my guts.

391
00:27:06,280 --> 00:27:06,760
Speaker 10: Been there.

392
00:27:08,920 --> 00:27:09,640
Speaker 2: I'll bet.

393
00:27:15,480 --> 00:27:25,119
Speaker 21: All right, fine, fine, old billy voodoo bullshit.

394
00:27:27,000 --> 00:27:42,040
Speaker 25: Sorry, Kirby, but I ain't going nowhere. Saturday, June thirtieth,

395
00:27:42,240 --> 00:27:47,480
Speaker 25: two thousand and seven, seven twenty am, I'm heading Upstate

396
00:27:47,560 --> 00:27:56,560
Speaker 25: Route seventeen to the Griff Washington property. Richard Rydale couldn't

397
00:27:56,640 --> 00:28:00,960
Speaker 25: hide forever, even in a major metravelers like Atlanta a

398
00:28:01,080 --> 00:28:08,359
Speaker 25: concrete jungle. But this is a different environment, this backwater

399
00:28:08,600 --> 00:28:13,760
Speaker 25: delivering shithole. The population of all Man of Walk County

400
00:28:13,800 --> 00:28:15,800
Speaker 25: is less than three percent that of Atlanta.

401
00:28:19,640 --> 00:28:23,240
Speaker 13: But the method works the scale, just follow the patterns.

402
00:28:24,960 --> 00:28:28,439
Speaker 13: A killers returned eventually to the scene of the crime.

403
00:28:31,040 --> 00:28:34,720
Speaker 13: Got my tent, a good sleeping bag, all the food

404
00:28:34,800 --> 00:28:38,680
Speaker 13: I need. We're gonna live in a cave for a while,

405
00:28:40,320 --> 00:28:47,040
Speaker 13: called a stakeout. Radell returned to the scene of his

406
00:28:47,200 --> 00:28:50,920
Speaker 13: greatest night. I'm sure whoever killed those Hadley boys were

407
00:28:50,960 --> 00:28:56,160
Speaker 13: return again too, just like he did last Saturday and

408
00:28:56,240 --> 00:28:57,400
Speaker 13: the Saturday before that.

409
00:29:13,480 --> 00:29:17,400
Speaker 4: June thirtieth and eleven fifty two. Perm got ahead.

410
00:29:18,480 --> 00:29:21,160
Speaker 22: Hard to make him out, but he's down there at

411
00:29:21,200 --> 00:29:25,320
Speaker 22: the mouth of the caves. He looks about six one,

412
00:29:25,600 --> 00:29:30,880
Speaker 22: about two hundred and maybe ten coveralls, baseball.

413
00:29:30,400 --> 00:29:43,000
Speaker 4: Cap ride on time, motherfucker. Now what exactly the hell

414
00:29:43,040 --> 00:29:44,160
Speaker 4: are you doing here?

415
00:29:46,560 --> 00:29:50,480
Speaker 21: Wait a minute, Wait a.

416
00:29:50,520 --> 00:30:04,640
Speaker 4: Minute, he's on his knees praying. Nope, not a good look.

417
00:30:12,760 --> 00:30:18,480
Speaker 22: July first, one, eleven AM made my way back to

418
00:30:18,560 --> 00:30:25,240
Speaker 22: the road ahead of the subject. Mister Midnight Prayer found

419
00:30:25,240 --> 00:30:28,800
Speaker 22: his truck here talked in, turned about a few hundred

420
00:30:28,880 --> 00:30:34,240
Speaker 22: meters up the road and waited ret the corn got

421
00:30:34,280 --> 00:30:43,080
Speaker 22: his plates. Sunday, July first.

422
00:30:42,360 --> 00:30:43,760
Speaker 15: Nine am.

423
00:30:43,880 --> 00:30:47,120
Speaker 22: I couldn't risk following a midnight man on Route seventeen

424
00:30:47,320 --> 00:30:48,720
Speaker 22: or two am.

425
00:30:48,880 --> 00:30:51,040
Speaker 4: There's no way he wouldn't know he was being followed.

426
00:30:52,800 --> 00:30:53,480
Speaker 4: Ran the plates.

427
00:30:53,520 --> 00:30:58,640
Speaker 22: Though the truck is registered to one Paul Solace. I

428
00:30:58,720 --> 00:31:04,560
Speaker 22: ain't very interesting incidence, oh son. Julian happened to be

429
00:31:04,640 --> 00:31:08,440
Speaker 22: one of our first suspects, and Julian is the one

430
00:31:08,480 --> 00:31:13,360
Speaker 22: who found the bodies. And it was Julian who pointed

431
00:31:13,400 --> 00:31:18,800
Speaker 22: the finger at James Fincher. I guess I'm gonna need

432
00:31:18,840 --> 00:31:19,680
Speaker 22: to have a chat.

433
00:31:19,520 --> 00:31:30,880
Speaker 4: With old Paul. Hello, missus Sutlers catch Smith.

434
00:31:32,080 --> 00:31:34,800
Speaker 24: Sorry I didn't hear the door right away. I don't

435
00:31:34,840 --> 00:31:38,600
Speaker 24: get too many visitors. It's all good. Look I you

436
00:31:38,640 --> 00:31:41,760
Speaker 24: for more information. I'm afraid Julian has said everything he's know,

437
00:31:41,960 --> 00:31:42,400
Speaker 24: so no.

438
00:31:42,240 --> 00:31:44,520
Speaker 4: No, no, no, I just I just need to I

439
00:31:44,560 --> 00:31:50,239
Speaker 4: just need to use your phone, my phone, Yeah, I

440
00:31:50,280 --> 00:31:51,120
Speaker 4: need to call Triple A.

441
00:31:51,280 --> 00:31:53,120
Speaker 22: My car just blew a couple of tires on that

442
00:31:53,200 --> 00:31:54,920
Speaker 22: sharp curve down the road there.

443
00:31:56,680 --> 00:31:58,480
Speaker 24: Yeah, I care, what's got more than if.

444
00:31:58,400 --> 00:32:00,280
Speaker 15: You drivers a headache.

445
00:32:00,800 --> 00:32:11,760
Speaker 4: I'm sorry. Please come in this way. How's your boy.

446
00:32:13,320 --> 00:32:13,680
Speaker 15: Fine?

447
00:32:15,560 --> 00:32:21,640
Speaker 4: You there yesterday? Sem a vacation. I think he.

448
00:32:23,640 --> 00:32:25,920
Speaker 15: He needs to get away from all this. You know,

449
00:32:26,000 --> 00:32:28,920
Speaker 15: he's a starting college in a couple of months. It's

450
00:32:29,000 --> 00:32:34,360
Speaker 15: uh one of all these moving boxes. Where were you,

451
00:32:34,400 --> 00:32:35,120
Speaker 15: head of Detective?

452
00:32:36,720 --> 00:32:37,520
Speaker 2: Uh?

453
00:32:37,640 --> 00:32:43,920
Speaker 14: Now, I'm going away too, actually, way out of Pottsville moving.

454
00:32:44,440 --> 00:32:48,920
Speaker 15: Yeah, sorry to hear it. I'm just I guess your

455
00:32:48,920 --> 00:32:54,040
Speaker 15: work is done. What's up the prosecution guys? Now, Detective Smith,

456
00:32:54,080 --> 00:32:57,920
Speaker 15: we are all grateful the expertise you brought to the case.

457
00:32:58,920 --> 00:33:01,040
Speaker 15: I hope you feel good about the results of your efforts.

458
00:33:02,080 --> 00:33:05,520
Speaker 2: Well, it's been a complicated one, that's for certain.

459
00:33:07,320 --> 00:33:08,440
Speaker 15: Phone through here in the kitchen.

460
00:33:09,360 --> 00:33:09,640
Speaker 2: Thanks.

461
00:33:09,680 --> 00:33:11,520
Speaker 15: I'm just going to see a man about a horse

462
00:33:11,560 --> 00:33:13,800
Speaker 15: real quick. You want to coffee or something out yourself?

463
00:33:14,240 --> 00:33:14,640
Speaker 13: Yeah?

464
00:33:14,680 --> 00:33:15,040
Speaker 2: Thanks?

465
00:33:25,800 --> 00:33:41,760
Speaker 21: All right, Well I'll be goddamn christ scissors.

466
00:33:41,800 --> 00:33:42,560
Speaker 4: What you got there?

467
00:33:44,040 --> 00:33:44,440
Speaker 2: I don't know.

468
00:33:44,560 --> 00:33:47,480
Speaker 14: It looks like an old scarf just to afford it

469
00:33:47,520 --> 00:33:48,960
Speaker 14: here in this moving.

470
00:33:48,680 --> 00:33:52,920
Speaker 15: Bob, Please put that down. That's special to me.

471
00:33:54,840 --> 00:33:59,280
Speaker 2: Missus Solace. Do you know why we suspected your son, Julian?

472
00:34:00,720 --> 00:34:01,320
Speaker 4: No, I do not.

473
00:34:01,800 --> 00:34:06,360
Speaker 14: Simple First he was absent from Carter High on May eighteenth.

474
00:34:06,400 --> 00:34:10,440
Speaker 14: And see only four students were absent that day, Deacon

475
00:34:10,480 --> 00:34:13,040
Speaker 14: and Thomas Hadley. Of course, that was the day they

476
00:34:13,040 --> 00:34:16,920
Speaker 14: went missing. The other two were Tyler Wilson and Julian.

477
00:34:17,040 --> 00:34:20,840
Speaker 15: I told Hooper, Julian was with me that day. We

478
00:34:20,920 --> 00:34:24,080
Speaker 15: went to the cemetery that morning to pay her respects.

479
00:34:24,840 --> 00:34:26,719
Speaker 15: Julian's mother was later rest early that year.

480
00:34:26,880 --> 00:34:30,360
Speaker 2: Oh well, I'm sorry for your loss. The other reason

481
00:34:30,440 --> 00:34:31,120
Speaker 2: Julian was the.

482
00:34:31,120 --> 00:34:36,200
Speaker 14: Suspect was this year book picture here Tyler Wilson, James

483
00:34:36,200 --> 00:34:40,400
Speaker 14: Fincher and Julian. When I saw the scoff Julian's wearing

484
00:34:40,400 --> 00:34:44,239
Speaker 14: in this picture, it all made sense. This is the

485
00:34:44,280 --> 00:34:49,960
Speaker 14: same wool scarf here in my hand, I believe, And.

486
00:34:49,960 --> 00:34:52,800
Speaker 2: You see here where it's been stretched and torn.

487
00:34:52,840 --> 00:34:55,960
Speaker 14: Missus Sullis, I have a little hunched matches the fabric

488
00:34:56,040 --> 00:35:00,239
Speaker 14: found at the crime scene. Red wool fibers. It's like

489
00:35:00,239 --> 00:35:02,879
Speaker 14: the ones found under Thomas Hadley's fingernails.

490
00:35:02,920 --> 00:35:06,279
Speaker 15: That's my scarf the wife n did before she died.

491
00:35:07,920 --> 00:35:08,960
Speaker 15: Red was a favorite color.

492
00:35:09,120 --> 00:35:10,120
Speaker 2: And what about these.

493
00:35:10,120 --> 00:35:12,040
Speaker 14: When my wife's so and says, why would so and

494
00:35:12,040 --> 00:35:15,960
Speaker 14: scissors have blood? On them, mister Saulas, But I've been

495
00:35:15,960 --> 00:35:17,839
Speaker 14: doing this for a while. I know what it is

496
00:35:17,880 --> 00:35:20,760
Speaker 14: when I see it that there is dried blood.

497
00:35:24,560 --> 00:35:27,279
Speaker 15: Turn around, face of sink.

498
00:35:30,400 --> 00:35:34,280
Speaker 4: You gonna shoot me? Paul, Please turn around.

499
00:35:34,960 --> 00:35:35,160
Speaker 2: Look.

500
00:35:35,239 --> 00:35:38,200
Speaker 14: I know what it's like I do to have a

501
00:35:38,280 --> 00:35:41,280
Speaker 14: son who is bullied, daddy.

502
00:35:41,320 --> 00:35:43,040
Speaker 2: Why is everyone being mean to me?

503
00:35:43,320 --> 00:35:44,919
Speaker 14: That's what my boy asked me when he was only

504
00:35:44,960 --> 00:35:46,760
Speaker 14: five years old.

505
00:35:46,520 --> 00:35:50,560
Speaker 2: And it got worse if only I could have seen it.

506
00:35:52,520 --> 00:35:54,200
Speaker 14: By the time he was in high school, he was

507
00:35:54,239 --> 00:35:59,120
Speaker 14: completely isolated. I thought something was wrong with him. I

508
00:36:00,760 --> 00:36:05,200
Speaker 14: also bullied him, shamed him because I was disappointed that

509
00:36:05,239 --> 00:36:07,240
Speaker 14: he was so weak.

510
00:36:07,960 --> 00:36:10,600
Speaker 2: I thought he just needed to man up, thought he

511
00:36:10,680 --> 00:36:11,600
Speaker 2: needed tough love.

512
00:36:11,680 --> 00:36:14,359
Speaker 14: No matter how many times I screamed at him, you

513
00:36:14,520 --> 00:36:18,640
Speaker 14: are better than them, it only made him more isolated,

514
00:36:18,840 --> 00:36:21,839
Speaker 14: made him feel even more let down.

515
00:36:22,800 --> 00:36:26,800
Speaker 2: And the truth is he was a disappointment.

516
00:36:28,000 --> 00:36:30,920
Speaker 14: Fuck it, I'll say it, might as well say to

517
00:36:30,960 --> 00:36:32,600
Speaker 14: the man who's got a gunpointed at me.

518
00:36:32,680 --> 00:36:33,719
Speaker 2: And my boy knew it.

519
00:36:33,680 --> 00:36:40,479
Speaker 26: Too, knew I was I was disappointed at him, knew

520
00:36:40,520 --> 00:36:43,759
Speaker 26: I would never accept him for who he was, and

521
00:36:43,800 --> 00:36:48,839
Speaker 26: it only made him feel more unlovable. Sound familiar hmm,

522
00:36:50,640 --> 00:36:53,479
Speaker 26: Because my own son was bullied too, bullied so bad

523
00:36:53,560 --> 00:36:54,560
Speaker 26: he actually.

524
00:36:57,880 --> 00:37:02,280
Speaker 2: Took his own life.

525
00:37:02,920 --> 00:37:09,759
Speaker 27: So I understand as a father, it makes you want

526
00:37:09,800 --> 00:37:13,000
Speaker 27: to kill, don't it.

527
00:37:19,680 --> 00:37:24,839
Speaker 15: Just walk, turn around and walk the back door the house.

528
00:37:25,239 --> 00:37:32,040
Speaker 14: These nasty, spoiled fuckers dumber's dirt, giving your boy a regular.

529
00:37:31,800 --> 00:37:37,120
Speaker 2: Beatdown, and you were powerless to stop it. Couldn't do shit.

530
00:37:38,640 --> 00:37:45,200
Speaker 14: Until you could, until you had no choice. That's why

531
00:37:45,239 --> 00:37:48,520
Speaker 14: you got fired from the Hadley Dealership, ain't it. You

532
00:37:48,560 --> 00:37:51,600
Speaker 14: went to have a chat with Bobby Hadley, man the man,

533
00:37:52,200 --> 00:37:54,759
Speaker 14: to see about getting his boys to stop kicking the

534
00:37:54,880 --> 00:37:59,800
Speaker 14: shit out of your kid, Julian, but you lost your temper.

535
00:38:01,080 --> 00:38:04,040
Speaker 14: You threatened him and he canned your ass, didn't he

536
00:38:05,040 --> 00:38:08,840
Speaker 14: After twenty motherfucking years, and.

537
00:38:08,719 --> 00:38:09,879
Speaker 2: You ain't rich like him.

538
00:38:09,920 --> 00:38:12,680
Speaker 14: You got to work to pay for the way up

539
00:38:12,680 --> 00:38:14,640
Speaker 14: for your son so he don't end up just like you.

540
00:38:15,120 --> 00:38:16,880
Speaker 14: I'm a be able to pay for medical bills and

541
00:38:16,960 --> 00:38:19,800
Speaker 14: funeral costs after your wife died that horrible.

542
00:38:19,440 --> 00:38:25,080
Speaker 20: Slow death, leaving you with nothing nothing but your son,

543
00:38:25,239 --> 00:38:30,600
Speaker 20: Julian and this red wolf scarf. What God damn it, Nah,

544
00:38:32,600 --> 00:38:37,520
Speaker 20: I'm not gonna do it. I ain't going out back.

545
00:38:39,480 --> 00:38:43,359
Speaker 14: Shit, don't look at me like that. I'm standing here

546
00:38:43,440 --> 00:38:46,200
Speaker 14: holding evidence while you point a shotgun at me.

547
00:38:46,800 --> 00:38:47,560
Speaker 4: Man, I know.

548
00:38:47,480 --> 00:38:50,560
Speaker 14: Which way the wind is blowing, and I ain't going

549
00:38:50,640 --> 00:38:51,279
Speaker 14: out like that.

550
00:38:54,440 --> 00:39:01,000
Speaker 15: Damn you're smart, but you are one hair offer.

551
00:39:01,040 --> 00:39:01,160
Speaker 4: Ben.

552
00:39:02,480 --> 00:39:05,160
Speaker 15: I'm on the business side of this barrel and you

553
00:39:05,520 --> 00:39:06,720
Speaker 15: are still making demands.

554
00:39:06,760 --> 00:39:08,279
Speaker 2: Ye goddamn right.

555
00:39:10,040 --> 00:39:11,880
Speaker 14: If you're gonna kill me, I'm not gonna let you

556
00:39:11,920 --> 00:39:15,880
Speaker 14: do it outside. It's gonna be right here in the

557
00:39:15,920 --> 00:39:20,080
Speaker 14: middle of your home, where you'll have to scrub the

558
00:39:20,239 --> 00:39:23,520
Speaker 14: fucking cheap bass linoleum to get the blood and bones

559
00:39:23,560 --> 00:39:27,520
Speaker 14: and fragments out. Well, you'll have to use stain blocker

560
00:39:27,760 --> 00:39:32,600
Speaker 14: and plaster over pellet holes where you'll have to see

561
00:39:32,680 --> 00:39:36,280
Speaker 14: my ghosts every fucking morning when you pour your couple

562
00:39:36,320 --> 00:39:40,280
Speaker 14: of weak ass folders and eat your scrambled fucking eggs.

563
00:39:42,200 --> 00:39:47,840
Speaker 15: Please, dear, no, no, please, I don't want to have

564
00:39:48,000 --> 00:39:50,160
Speaker 15: you can't you have to, goddamn it.

565
00:39:51,320 --> 00:39:52,520
Speaker 13: This is the choice.

566
00:39:53,080 --> 00:39:55,440
Speaker 2: You are making, a choice you.

567
00:39:57,160 --> 00:39:57,359
Speaker 4: Now.

568
00:39:57,400 --> 00:39:59,840
Speaker 14: You can put the gun down and come quietly with

569
00:40:00,360 --> 00:40:02,160
Speaker 14: or you can shoot me dead in the middle of

570
00:40:02,160 --> 00:40:06,719
Speaker 14: this house, the one you bought with your wife, the

571
00:40:06,719 --> 00:40:09,480
Speaker 14: one you wake up nights for your boy, hoping he's

572
00:40:09,520 --> 00:40:12,960
Speaker 14: ever gonna come back at all. But I'm sure as

573
00:40:13,000 --> 00:40:15,120
Speaker 14: hell they ain't gonna be an accessory to my own

574
00:40:15,200 --> 00:40:17,400
Speaker 14: murder by making it easy on you.

575
00:40:21,200 --> 00:40:23,000
Speaker 4: So which is it?

576
00:40:23,120 --> 00:40:25,319
Speaker 7: Huh?

577
00:40:25,440 --> 00:40:26,200
Speaker 2: What's it gonna be?

578
00:40:26,360 --> 00:40:38,520
Speaker 17: Paul Hi, Paul Solace, you are under harress. You have

579
00:40:38,640 --> 00:40:39,480
Speaker 17: the right to.

580
00:40:39,520 --> 00:41:18,399
Speaker 8: Remain the ghosten Emir and the Hounds of Hell. Dan

581
00:41:18,560 --> 00:41:25,319
Speaker 8: send in your vinzend and.

582
00:41:26,920 --> 00:41:30,040
Speaker 28: The Man Walk Caves stars Jonathan Tucker as Julian Sallace,

583
00:41:30,560 --> 00:41:35,240
Speaker 28: Eddie Gatheggy as James Fincher, Clark Peters as Detective Solomon Smith,

584
00:41:35,719 --> 00:41:40,400
Speaker 28: Nick Cercy as Sheriff Kirby Hooper, Justin Welborn as Tyler Wilson,

585
00:41:40,800 --> 00:41:45,080
Speaker 28: Jill Jane Clements as Jill Campbell, Brad Carter as Doodlee Tappert,

586
00:41:45,640 --> 00:41:49,880
Speaker 28: Scott Poythrus as Reverend Perkins, Samantha Ashley as Dina Fincher,

587
00:41:50,560 --> 00:41:54,680
Speaker 28: Justin Matthew Smith as Paul Sawace, Tara Oaks as Laura Sawas,

588
00:41:55,280 --> 00:41:59,840
Speaker 28: Jonathan Horn as Deacon Hadley, Alden Karanovich as Thomas Hadley,

589
00:42:00,640 --> 00:42:04,759
Speaker 28: Mike w Anderson as Griff Washington, Body Walter Off as

590
00:42:04,840 --> 00:42:09,160
Speaker 28: Jimmy Fincher, Brian McClure as Ian Speaks, Larry Clark as

591
00:42:09,239 --> 00:42:13,520
Speaker 28: Bobby Hadley, Payden Fallis as Ed LeBlanc, Vic Palisis as

592
00:42:13,520 --> 00:42:17,799
Speaker 28: William Fowler, Nick Takosky as Richard Rydell, and Aileen Loy

593
00:42:18,120 --> 00:42:23,160
Speaker 28: as The Darkness, with additional performances by Clint McGowan, Dina Dill,

594
00:42:23,800 --> 00:42:30,240
Speaker 28: Edward Howard, Henry Foster Brown, Jamie Joseph, Juan Monsalvez, Christopher Curry,

595
00:42:30,680 --> 00:42:36,200
Speaker 28: Bailey Hineman, David Mitchell, and Bernard Sataro Clark. Created by

596
00:42:36,200 --> 00:42:40,000
Speaker 28: ConL Byrne and Dan Bush. Written by Dan Bush, Zoe

597
00:42:40,160 --> 00:42:44,520
Speaker 28: Cooper and Nicholas Dakosky, featuring our theme song Killer Inside,

598
00:42:44,800 --> 00:42:49,200
Speaker 28: written produced and performed by Lerea Lynn. Our executive producers

599
00:42:49,239 --> 00:42:54,040
Speaker 28: are Matt Frederick, Alexander Williams, Michael Monty, and Courtney du Frees.

600
00:42:54,680 --> 00:42:58,640
Speaker 28: Our executive producers at Blumhouse Television are Jeremy Gold, Chris

601
00:42:58,680 --> 00:43:03,839
Speaker 28: Dickey and Noah Fine. Produced by Dan Bush, music by

602
00:43:03,840 --> 00:43:08,680
Speaker 28: Ben Lovett, Additional music by Alexander Rodriguez, edited by Dan Bush,

603
00:43:08,960 --> 00:43:13,319
Speaker 28: Chris Childs, Stephen Perez and David Chen. Sound design by

604
00:43:13,320 --> 00:43:18,200
Speaker 28: Benjamin Malcolm. Additional sound design by Alexander Rodriguez. Dialogue editing

605
00:43:18,239 --> 00:43:21,880
Speaker 28: and sound mixing by Jant Campos. Recorded at Studio Awesome

606
00:43:21,880 --> 00:43:25,480
Speaker 28: in Los Angeles, Sound by Studio in Atlanta and Echo

607
00:43:25,520 --> 00:43:29,880
Speaker 28: Mountain in Ashville. Casting by Sunday Bowling, Kennedy and Meg Mormon.

608
00:43:30,000 --> 00:43:33,840
Speaker 28: Our dialect coach is Linda Bessesti, Assistant director, Michael Monty,

609
00:43:34,400 --> 00:43:39,000
Speaker 28: second assistant director, script supervisor and production coordinator Sarah Klein.

610
00:43:39,719 --> 00:43:43,800
Speaker 28: Supervising producer Josh Thain. Special thanks to Mary Ellen and

611
00:43:43,880 --> 00:43:48,359
Speaker 28: Jason Davis, Jonathan Dieter, and Joe Rickman. The Manowac Caves

612
00:43:48,440 --> 00:44:00,520
Speaker 28: is a production of iHeart Radio, Blumhouse Television, and Psycopia Pictures.

613
00:44:00,520 --> 00:44:03,800
Speaker 8: Superb said the Boy

614
00:44:23,719 --> 00:44:25,160
Speaker 13: Flying