Speaker 1: I guess I've entered my actress era. This manager called me.
Speaker 1: He had asked my publicist who represents me, and she said,
Speaker 1: she doesn't really have an active agent. She's never really
Speaker 1: had an agent. She has different agencies that she has
Speaker 1: good relationships with that will send her opportunities and that
Speaker 1: make her money, and she makes them money, but she
Speaker 1: doesn't have an agent. And he said, well, let's not
Speaker 1: get sticky about it, but would you let me call
Speaker 1: her and possibly represent her? And Jill said sure, so
Speaker 1: we spoke on the phone. He was like, we don't
Speaker 1: need to have a contract, we need to get entangled
Speaker 1: with anything. Just let me, you know, work with you.
Speaker 1: I said sure, And the following week he called me
Speaker 1: and said, I have this acting opportunity. It's a movie
Speaker 1: for two weeks in Vancouver, and I was like, what
Speaker 1: the hell? And I said what my rate is, which
Speaker 1: was way less than what I get paid for other things.
Speaker 1: But I did a much lower rate because it was
Speaker 1: something new, and it was still at least double to
Speaker 1: triple with the trappings what they're used to paying. And
Speaker 1: I wasn't going to do it if I wasn't going
Speaker 1: to get paid because I don't like to resent anything.
Speaker 1: I don't like to get anything in life for less
Speaker 1: than what the value is, because then I'm going to
Speaker 1: be negative. Like if you hire, if you get paid
Speaker 1: less than what you deserve, you're going to resent the
Speaker 1: person taking that service from you. And you just got
Speaker 1: to set up the dynamics right. So anyway, I got
Speaker 1: paid what I deserve, but a lot less than what
Speaker 1: I normally would get paid. And everyone was slightly uncomfortable
Speaker 1: but also very happy, which is how every business deal
Speaker 1: should be done. And I happily went to Vancouver for
Speaker 1: two weeks, which I never do. I never leave for
Speaker 1: two weeks to go anywhere. I'm not going to Australia
Speaker 1: for two weeks, and I don't ever leave my doll.
Speaker 1: So I left for two weeks, left my daughter, left
Speaker 1: my comfort zone, went to do a movie Love Vancouver,
Speaker 1: Love Canada, have loved Canada in the past, Love Montreal,
Speaker 1: Love Vancouver. Love the outlier areas of Vancouver. The people
Speaker 1: said I wouldn't like because I think they thought it
Speaker 1: was like it's sort of near farmland, but there's also
Speaker 1: a lot of commerce and like malls and strip malls
Speaker 1: and food and things like that. And I don't think
Speaker 1: people really know me. I think everyone thinks I need
Speaker 1: to like be in Sant Tropez by air mez in
Speaker 1: my life, and it's the opposite of the case. So
Speaker 1: I decided to do a movie. And I kept laughing
Speaker 1: at myself, like what are we talking about? What am
Speaker 1: I doing a movie? Like I'm not an actress and
Speaker 1: I'm going to Vancouver to do a movie. And I
Speaker 1: say it every five minutes because I can't believe it's true.
Speaker 1: Like I'm laughing and I'm looking at the director and
Speaker 1: the producers and saying, like, what the hell were you
Speaker 1: guys thinking? Because it wasn't like I went to go
Speaker 1: do a movie and I have two lines. I'm like
Speaker 1: one of the stars of the movie, like full on,
Speaker 1: massive amounts of dialogue, pages and pages, and like emotion
Speaker 1: and like emotion. I don't want to tell you what
Speaker 1: it's about because I'll get in trouble, but like full
Speaker 1: fledged emotion, full fledged bulky dialogue and scenes and interaction.
Speaker 1: Oh my god. The memorization, the memorization of being an
Speaker 1: actress is not discussed nearly enough. In order to be
Speaker 1: a good actress, you must be a great memorizer and
Speaker 1: everybody has different ways that they do it. Someone and
Speaker 1: makeup told me that they know an actress or an
Speaker 1: actor that like remembers the first letter of each word
Speaker 1: of a scene. Other people know the whole thing and
Speaker 1: read it a million times and study it, and then
Speaker 1: they show up and they don't look at it again.
Speaker 1: If they look at it right before, they'll get messed up.
Speaker 1: I am the opposite. I need exactly only my scenes
Speaker 1: the day before, like the day before the big scene
Speaker 1: or the multiple scenes I need. It's how I write
Speaker 1: a book, I do it in little pieces, or how
Speaker 1: I learned to snowboard years ago. I don't get overwhelmed.
Speaker 1: I take on what I can. So, like if I
Speaker 1: have a scene tomorrow, I ask them if they can
Speaker 1: just deliver my pages only, like stapled, separately highlighted, so
Speaker 1: I know exactly my scene only. So let's say it's
Speaker 1: called scene one oh four. I tonight will read it
Speaker 1: three four times. The tomorrow morning, I'll get serious. Then
Speaker 1: in makeup, I'll get really serious. Then in the trailer
Speaker 1: before the scene, I'll get really serious. Like that's when
Speaker 1: you're just pacing and memorizing. And then on set, because
Speaker 1: it's a lot of hurry up and wait when you're
Speaker 1: waiting for them to light things. Then I've got the
Speaker 1: piece of paper in my pocket and I'm like pacing
Speaker 1: and really memorizing, and then bam, you get there and
Speaker 1: you know it cold and you can be emotional about
Speaker 1: it because you know it so and then I come
Speaker 1: back in the trailer and repeat the process all day.
Speaker 1: But it's so unweldy and so much dialogue and it's overwhelming,
Speaker 1: Like you're like, I have homework. It's full homework. So
Speaker 1: props to people that are actors because it takes so
Speaker 1: much memorization. But then it's so much waiting around. Like
Speaker 1: you'll leave your house at seven o'clock in the morning,
Speaker 1: you'll go to a trailer and it's a lot of
Speaker 1: interacting and transacting. Knock on the door, yes, can we come,
Speaker 1: have wardrobe come in? Knock on the door. Did you
Speaker 1: know what you want for lunch? Knock on the door.
Speaker 1: You're gonna be ready to go here, knock on the door.
Speaker 1: Like so I was like, can you guys just text me,
Speaker 1: cause it just felt like every second I was like
Speaker 1: yelling out yes, they couldn't hear me. You're outside a trailer.
Speaker 1: Door side notes, someone needs to invent a process for
Speaker 1: trailers where there's like an intercom or something because people
Speaker 1: can't hear each other. I've seen this a million times,
Speaker 1: and people are screaming at all times, so or it's
Speaker 1: someone knocking, and then the person has to come every
Speaker 1: time and get up and open the door. So that's
Speaker 1: a that's some inside actor content. And then you'll maybe
Speaker 1: be shooting that scene that you got there for seven
Speaker 1: o'clock at seven o'clock am, and you'll go do makeup
Speaker 1: at eight o'clock to nine o'clock, and then you may
Speaker 1: shoot that scene at two o'clock. So you've got to
Speaker 1: be bringing a book, reading, entertaining yourself. You're gonna get bored,
Speaker 1: you're gonna feel gross, you're gonna need like, you know,
Speaker 1: a change of clothes, like you're just gonna feel stale,
Speaker 1: and then you're gonna go out and you're gonna do
Speaker 1: a scene. It's gonna be cold, and you're gonna be
Speaker 1: waiting around. They set, they reset like you know a
Speaker 1: lot of repeat tedious. This thing that I'll tell you
Speaker 1: about later. I've loved I've loved the crew. They move fast.
Speaker 1: I did Royal pains years ago, and like that is
Speaker 1: a different way of shooting, Like we shoot this side,
Speaker 1: we shoot the other, shot side, we shoot the sideways,
Speaker 1: we shoot this person, that person. It's like, very tedious,
Speaker 1: this is what I'm doing. Which most times that I've
Speaker 1: been in a situation like this, it has not been
Speaker 1: like that. It's been like they just get it done.
Speaker 1: It's amazing. So I love the crew, I love the director.
Speaker 1: I didn't realize that this company had been trying to
Speaker 1: work with me for a long time, or wanted to
Speaker 1: work with me for a long time. But this agent
Speaker 1: that I mentioned or this manager just happened to call
Speaker 1: them or respond to them, because I don't know exactly
Speaker 1: how it went down, but that just shows you too,
Speaker 1: like you have to be teed up for success. I
Speaker 1: have never said, like for years, I haven't said I
Speaker 1: want to be an actress. I used to want to
Speaker 1: be an actress so badly, and so like, if you
Speaker 1: want something, you need to set yourself up for it.
Speaker 1: But the reason I decided to do it also, and
Speaker 1: I was a little nervous in the beginning, just for
Speaker 1: the experience, just going to a different country two weeks.
Speaker 1: It was weird. It was like eerie for me. Another
Speaker 1: reason I decided to do it was I didn't want
Speaker 1: to I don't like to look fate and look chance
Speaker 1: and look at gift Horse. When I was little, I
Speaker 1: wanted to be an actress so badly, and I'd know
Speaker 1: one in my house that would help me or take
Speaker 1: me to auditions or like nurture that whatsoever. So I
Speaker 1: just dreamed about it. I thought about it. I would
Speaker 1: look in the phone book and be like, how do
Speaker 1: I be an actress? Or were auditions? And I just
Speaker 1: felt exasperated. It was like this inside club that no
Speaker 1: one could get access to. And when I was older
Speaker 1: and I moved to LA and I graduated without my diploma,
Speaker 1: I just I just didn't even walk with the class.
Speaker 1: I just wanted to get to LA and be an actress.
Speaker 1: I didn't know how to do it, and I was
Speaker 1: sort of embarrassed, and like I didn't know how to say, like,
Speaker 1: I'm a hostess at La Scala, but I'm also an actress,
Speaker 1: and so like I was just wandering around and like
Speaker 1: there used to be these books where you'd try to
Speaker 1: find agents. You'd send them headshots. No one would call
Speaker 1: you back. Literally zero point zero people would call you back.
Speaker 1: You would go spend two hundred dollars get headshots. You
Speaker 1: couldn't afford it. They would look great. They would be
Speaker 1: like one was you holding a tennis racket or one's
Speaker 1: in a ponytail. I still have mine. I got a
Speaker 1: show them to you one time, and like you'd send
Speaker 1: them out, like it's almost like cold calling, and literally
Speaker 1: no one would call you back. You just it's so
Speaker 1: hard to even be an actor. But it's so hard
Speaker 1: to get out there and like get in the room
Speaker 1: to even try to act. And I wasn't even any good,
Speaker 1: I'm sure, and I knew the producers that say by
Speaker 1: the bell, and I got an audition to go in
Speaker 1: and read for the new show, the California episodes, but
Speaker 1: I sucked and I just like had no helper. I
Speaker 1: said to myself when thinking about this, don't be spoiled,
Speaker 1: like for years you wanted this and now you're older
Speaker 1: and it just walked in the door, and you're so
Speaker 1: grateful and you earned it because of the way you
Speaker 1: meaning Beth anding me. I've put myself out there and
Speaker 1: I'm on social media, and I've been on television and
Speaker 1: I've proven myself in many ways. And and yes, if
Speaker 1: they had sent an audition slides, I'm sure I would
Speaker 1: have or sides, I'm sure I would have audition for it.
Speaker 1: Auditioning is frightening, and it's insecure, makes you insecure, like
Speaker 1: it's just it's bulky and it's tedious, and it's never
Speaker 1: like the way it's going to really go the way
Speaker 1: that you're gonna do it that day, and it's just
Speaker 1: like strange. And now they all do self tape, so
Speaker 1: you was like putting a phone somewhere and following their
Speaker 1: instructions of what to wear and do you put makeup on?
Speaker 1: And are you supposed to look like natural you? And
Speaker 1: like you get in your head and it's just a
Speaker 1: nightmare and it's scary. So I didn't have to do that.
Speaker 1: I'm super grateful this company, you know, knows that I
Speaker 1: can do it. I cannot believe that they cast me
Speaker 1: in this without knowing if I could do it with
Speaker 1: all these lines. But that's show business, baby, and they
Speaker 1: just believed in the power and the magic. And I'm
Speaker 1: sure they believe that I'll bring viewers in which I
Speaker 1: hope many of you will watch to see this because
Speaker 1: I'm shook that it's like so legitimate and so like
Speaker 1: long of a role. I called actresses I knew. They
Speaker 1: were like, you've got to do this. So here I am,
Speaker 1: and I'm doing it and I'm excited and I think
Speaker 1: it's good and it's fun and it's exciting and it's
Speaker 1: a new chapter. So lo and behold. I'm in my
Speaker 1: trailer yesterday and some assistant whose name I didn't know,
Speaker 1: was like, Hey, we have this role in this massive
Speaker 1: movie with this massive producer and director that you've heard
Speaker 1: of and that you know of and that you would
Speaker 1: die to have on this podcast that you've pitched to
Speaker 1: be on this podcast. But this is such a megastar,
Speaker 1: like major, major, major, famous person in filmmaking and TV
Speaker 1: making and in humor wants you to read for a role.
Speaker 1: So you have to do a self tape and here
Speaker 1: are all the instructions. This is what you are supposed
Speaker 1: to be like, sound like, look like maybe where the
Speaker 1: background you're supposed to have? This is all the dialogue.
Speaker 1: It's five pages of dialogue. So now I'm studying my
Speaker 1: dialogue for my movie that I'm in, But now I'm
Speaker 1: auditioning for another movie. What the fuck. I call the manager.
Speaker 1: I was like, what is going on? Because now I'm
Speaker 1: on his radar, and so if you do want to
Speaker 1: do something, make sure you're on the radar. Like it's
Speaker 1: those people were never thinking of me. They're just moving
Speaker 1: papers through a desk. We got a fucking we're casting.
Speaker 1: We need whoever's teed up and ready to go, not
Speaker 1: like weirdo former reality star you know TikTok Instagram, famous
Speaker 1: people now that are in their fifties that might want
Speaker 1: to act in a movie. Like there have been millions
Speaker 1: of roles I've missed over the years because I didn't
Speaker 1: put myself in that arena. But it was not meant
Speaker 1: to be, and it's meant to be now. And so like, yes,
Speaker 1: I'm auditioning for another MO while I'm here, So I
Speaker 1: might just ask the other actors or the director to
Speaker 1: help me, like help me scotch tape this thing together
Speaker 1: in my trailer. Yes, I have a major trailer. It
Speaker 1: has a bathroom, it has a microwave, it has couches,
Speaker 1: Like they really like they spent the ranch on me
Speaker 1: to do it, but I'm giving them everything, like I'm
Speaker 1: I'm invested. I think they would say, I'm easy to
Speaker 1: work with, Like my rider, What did I want? I
Speaker 1: asked for braw potatoes probably twenty nine cents apiece, and
Speaker 1: kambucha and like ice coffee and creamer and some cashews.
Speaker 1: That's my whole entire rider. But my trailer is amazing,
Speaker 1: and like now my rider just got bigger. I'm gonna
Speaker 1: ask I need the director and the extras and the
Speaker 1: lighting crew and the producer to take, you know, to
Speaker 1: give the crew a hiatus day, because we have to
Speaker 1: practice for this other massive, massive movie, this blockbuster hit.
Speaker 1: Literally that I'm auditioning for. What the actual fuck. It's
Speaker 1: so confusing, it makes no sense. But I'm loving the adventure.
Speaker 1: And that's the thing too. I am the adventure. I
Speaker 1: am the place of yes. And while I can be
Speaker 1: bitchy and in a bad mood and no, I don't
Speaker 1: want to do that, and no, I'm not accepting that
Speaker 1: and know and no and no, my place of yes
Speaker 1: is Yes. I'm getting out a plane, I'm going to Vancouver.
Speaker 1: I'm starring in a movie for two weeks with tons
Speaker 1: of dialogue. And I'm leaving my daughter, which I never do. Yes,
Speaker 1: there's a script for a feature film that will be
Speaker 1: like in I pick like theaters with like ten dollars
Speaker 1: buckets of popcorn to buy and like snow caps. Am
Speaker 1: I auditioning for that? Absolutely? Am? I gonna fucking figure
Speaker 1: it out while I'm here and try to ask this
Speaker 1: director and anybody who will listen and help me. Go
Speaker 1: to the fucking lobby of the hotel that I'm also
Speaker 1: staying in because they're actors everywhere. Yes, I'm gonna ask
Speaker 1: them to help me to get this role, because that's
Speaker 1: what life is about. Who gives a shit how you
Speaker 1: get it, Just fucking get it. I'll deal with it
Speaker 1: on the day that I get there being great at
Speaker 1: I'll be great at it. If I get it, I'll
Speaker 1: be great at it. But guess what, I gotta get
Speaker 1: myself in there, so you know what, I'm gonna scotch
Speaker 1: tape together the audition tape and sends it in and
Speaker 1: set myself up for success. Don't half ascid, don't hodgepodge it,
Speaker 1: don't bullshit it like this is Hollywood, baby, fake it
Speaker 1: till you make it. I guess. Martha Stewart said, no.
Speaker 1: We at Martha Stewart living on nimdia. She told me
Speaker 1: on The Apprentice. We do not fake it till you
Speaker 1: make it. Well, fucking guess what As an actress, Bethany
Speaker 1: Frankel in Vancouver is faking it till she makes it.
Speaker 1: Not when I'm standing there doing the scene. That was
Speaker 1: all real, but my memorization process, my needing a potato,
Speaker 1: and the trailer, my memorizing multiple scripts at the same time,
Speaker 1: my being in Vancouver in the lobby with people asking me, oh,
Speaker 1: are you an actress? Of fucking course I am. Got
Speaker 1: through to customs in Vancouver, Hi, I need a workers permit.
Speaker 1: They said it was one hundred and fifty dollars. What
Speaker 1: the fuck are you an actress? Uh? I guess I
Speaker 1: am doing a movie for two weeks. Yes, I am
Speaker 1: a studying for a role. Bet your fucking titties. I
Speaker 1: am so now I I'm entering my actress era twenty
Speaker 1: twenty three, was entering my social media influencer era twenty
Speaker 1: twenty four. Bethany Frankel, at fifty three years old, is
Speaker 1: entering her actress era. What the actual fuck? Go with
Speaker 1: God and come from a place of yes, I am
Speaker 1: officially over the flexing and posing of luxury handbags more
Speaker 1: than anything else, because we watch reality TV and my
Speaker 1: best friend was saying to me that she was watching
Speaker 1: the Housewives and that the purses are placed on a
Speaker 1: pedestal like that it's like as important as the person,
Speaker 1: meaning you're just showing the flex and in some cases
Speaker 1: they give a underneath of how much the bag is
Speaker 1: and the luxury brands are winning. And I've been thinking
Speaker 1: about this for a really long time. Now. Please understand
Speaker 1: that I am a contradiction in terms because I have
Speaker 1: an outrageous handbag collection and I've always loved handbags, but
Speaker 1: that kind of makes me an expert, Like since I
Speaker 1: was thirteen years old, I've loved handbags, and there is
Speaker 1: a collectibility to certain ones. But anyone who says that
Speaker 1: their an investment is lying to themselves and to their
Speaker 1: husbands or wives or friends. Because if you buy a
Speaker 1: very expensive bag, and let's say it increases in value,
Speaker 1: if you had to sell it, it would have to
Speaker 1: be new inbox or excellent perfect condition, basically never worn
Speaker 1: or never taken out of your house, and then you'd
Speaker 1: have to use somebody or you'd have to use a
Speaker 1: resale site, and they're going to take like thirty percent
Speaker 1: so that bag would have to have increased in value
Speaker 1: thirty five percent, which is very very rare, like doesn't
Speaker 1: happen in order for you to get that money back.
Speaker 1: So while they'll say on social media that Chanel purses
Speaker 1: are thirty percent higher now than they were so many
Speaker 1: years ago, you would have to find a way to
Speaker 1: sell it, and you could sell it on eBay or something,
Speaker 1: but it's not as easy as it sounds, and it
Speaker 1: takes a really long time. So invest in real estate
Speaker 1: and the stock market. But I'm becoming really irritated with
Speaker 1: the flex, Like I see these big luxury brands and
Speaker 1: people going into the stores and flying across the country
Speaker 1: and opening up the boxes and I've done it myself
Speaker 1: and talking about it, and it's just kind of a
Speaker 1: vile flex. And I was recently in Canada and I
Speaker 1: went to this version of like a TJ. Marshall's, and
Speaker 1: I was looking at these bags that were so soft
Speaker 1: in leather and you know, very modern and like black
Speaker 1: on black hardware, and like I said, like leather and
Speaker 1: some of them looking just like the high end brands
Speaker 1: and almost knocking them off, and then some of them
Speaker 1: just having their own original, beautiful design, and I found
Speaker 1: myself saying, why do I keep these bags that have
Speaker 1: these like you know, they're heavy, they're uncomfortable, and I
Speaker 1: keep them in my closet almost as like a status
Speaker 1: symbol because I did buy them, and I think like
Speaker 1: I have to wear them now because I bought them,
Speaker 1: And it becomes this weird responsibility and you're not like
Speaker 1: treating them like just knock around, and then you're like
Speaker 1: a you know, a prisoner to these luxury items and
Speaker 1: it becomes really stupid. So in twenty twenty four, I'm
Speaker 1: entering my reduction I'm gonna say reduction of luxury handbags era.
Speaker 1: And I've always been that way with clothes and even shoes.
Speaker 1: I don't buy shoes. I have really nice shoes for
Speaker 1: years that I just keep, and I buy classic colors,
Speaker 1: like I think they're Sergio Rossi or there are other
Speaker 1: brands where I just buy every color. So I have
Speaker 1: a dress, I'd match it. But I'm not like tricked
Speaker 1: out with most shoes if there's an event. Sometimes, yeah,
Speaker 1: boots I really love and I have a weakness for,
Speaker 1: but by the same token, I have the same boots
Speaker 1: from years ago, and many of them most of them
Speaker 1: I've gotten on sale, so I do wear them forever
Speaker 1: and I do buy well, so there's got to be
Speaker 1: like a dance between it. But the sort of blatant
Speaker 1: flexing of luxury bags is making me sick. And you
Speaker 1: could almost have a home for what several of them costs.
Speaker 1: So I am rethinking the insecurity of having to flex
Speaker 1: the logo. There's a psychology to knowing that someone else
Speaker 1: has told you a logo or a label is okay.
Speaker 1: And there's definitely a show off And like I said,
Speaker 1: flex a superficial flex when someone's wearing like a giant
Speaker 1: brand name across their chest. And I'll always look at
Speaker 1: Pa and say, like, I wonder who makes that shirt,
Speaker 1: Like it's a Ballman or Balenciaga or Gucci, gigantic letters.
Speaker 1: And like I said to Luan years ago when she
Speaker 1: was wearing an Arimez belt and made fun of me
Speaker 1: for driving a skinny girl car, I said, well, you're
Speaker 1: wearing an Airmez belt and she said, yeah, well they're
Speaker 1: not paying me. It's like exactly, they're not paying you,
Speaker 1: So why are you in a billboard for a brand
Speaker 1: with the logo? And so I guess I'm just realizing. Also,
Speaker 1: I bought a bag at this store that had soft
Speaker 1: butter leather and it looked exactly like a Chanel bag
Speaker 1: with the weight of the chain and quilted, and it
Speaker 1: was thirty nine dollars and it was excellent quality. In fact,
Speaker 1: I've had Chanel bags that are not good quality. And
Speaker 1: what it told me was, that's how much they're ripping
Speaker 1: us off, because it costs the same to make this
Speaker 1: bag as it does a Chanel bag. A thirty nine
Speaker 1: dollars is being charged as a six to nine thousand
Speaker 1: dollars bag, not even exaggeration. The markup is assounding. They
Speaker 1: would die if we found out. And that's why they
Speaker 1: can make these knockoff bags for like forty dollars, because
Speaker 1: that's how much they actually cost to make. And Chanelle's
Speaker 1: doing massive volumes, so they get a volume discount, and
Speaker 1: that's how they have the flagship stores, and that's how
Speaker 1: they're a multi billion dollar company. So I don't know
Speaker 1: that I want to be fully part of that anymore.
Speaker 1: I don't want to pay their rent. I want to
Speaker 1: have a nice, functional, good looking piece, but not feel
Speaker 1: like a fucking schmuck, which is kind of where I've
Speaker 1: gotten with it. So more on this and I hope
Speaker 1: I really stick to it or really can show how
Speaker 1: amazing I can look without spending money. I did a
Speaker 1: review on a Bataga bag last year that was went viral,
Speaker 1: and it was a six thousand dollars bag that they
Speaker 1: were saying was the new IT bag, and Kylie Jenner
Speaker 1: said it was the new it bag, and it felt
Speaker 1: like people were being paid to say it was the
Speaker 1: new IT bag. And I bought it and it felt
Speaker 1: like a cheap, leather nothing bag. It wasn't substantial, it
Speaker 1: didn't feel soft. I was I went crazy. I was
Speaker 1: so frustrated by it was trash. And I found something
Speaker 1: at Winners in Canada, which is like their TJ Max,
Speaker 1: that was forty nine dollars that was better quality. And
Speaker 1: I know I will not tell you the amount of
Speaker 1: money I have in bags, or that I've spent on
Speaker 1: bags that has been gifted to me in bags by
Speaker 1: people I've been in relationships with. I won't even because
Speaker 1: it would be disgusting, But I will tell you that
Speaker 1: because of that, I know I intimately know the makings
Speaker 1: of a Chanel bag. Airmez does make elite bags there
Speaker 1: made very well, but Arimez will charge fifty thousand dollars
Speaker 1: for a bag, or twenty thousand or fifteen thousand dollars
Speaker 1: for a bag, so like it better fucking be nice.
Speaker 1: I mean, let's just say that'll last you for the
Speaker 1: rest of your life. But there are bags that you
Speaker 1: would get from TJ Max, Coach, Tory Birch or on
Speaker 1: the street that would last you for the rest of
Speaker 1: your life too, so that's a bit of a scam too.
Speaker 1: So anyway, let's talk more about this because I think
Speaker 1: it's an interesting discussion.