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Speaker 1: I Am all In. Oh, Let's kiss you.

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Speaker 2: I Am all In with Scott Patterson, an iHeartRadio podcast.

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Speaker 1: All Right, Hey, everybody, Scott Patterson one on one interview

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Speaker 1: I Am all In podcast I Heart Radio one eleven Productions.

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Speaker 1: We are talking today to Mitch silpa who played Terrence

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Speaker 1: for two episodes in two thousand and three and two

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Speaker 1: thousand and four. He was Paris's life coach. She first

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Speaker 1: appeared season four episode two, Laurelized First Date, The Laurelized

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Speaker 1: First Date, Yale, and his last appearance was season five,

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Speaker 1: episode ten. But not as cute as Pushkin, Terrence's Paris

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Speaker 1: Galer's life coach of the summer four Paris begins Yale,

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Speaker 1: she strives to be a better person with the help

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Speaker 1: of Terrence. Terrence is a very zen and personality and

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Speaker 1: is able to calm paar Us down using very strange techniques.

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Speaker 1: In reality, Terrence comes off as a very nosy person

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Speaker 1: who wants to control every aspect of her decision making process.

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Speaker 1: He intrudes upon her relationship with Doyle as well as

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Speaker 1: her everyday activities, and drives Paris' roommates crazy. Mitch Silpah

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Speaker 1: is an American writer actor and director who starred in

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Speaker 1: NBC's The Rerun Show, and He has appearances this show

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Speaker 1: such as Brothers, Sisters, Curb Your Enthusiasm, Desperate Housewives, Gilmore,

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Speaker 1: Girls On with Her, One on One, Kitchen Confidential, Reno,

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Speaker 1: nine to One One, Joey, and Two Broke Girls. For

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Speaker 1: the On the big screen, he made appearances as the

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Speaker 1: notable character Steve in the twenty eleven comedy film Bridesmaids.

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Speaker 1: He also appeared in Spy, The Heat, The Way Out,

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Speaker 1: Happy Time, Murders, Welcome to Me, Unforgettable, and The Boss.

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Speaker 1: He created, wrote, and produced with Jim Cashman, the Fox

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Speaker 1: pilot Amy's Brother, starring Michael Uri and Annie Mamulo. Silpa

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Speaker 1: Sorry Silpa also has been nominated for a Writer's Guild

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Speaker 1: of America Award for his work on Saturday Night Live.

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Speaker 1: Mitch also is known for his impersonation of magician David

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Speaker 1: Blaine in the famous six part YouTube series David Blaine

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Speaker 1: Street Magic two thousand and six. The series was vastly

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Speaker 1: popular for the first video had over forty one million views,

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Speaker 1: with the next two getting around sixteen million. Let's talk

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Speaker 1: to Mitch Silpa. Hey, Mitch, how you doing? How you doing.

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Speaker 1: Good to meet you.

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Speaker 2: Good to meet you too.

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Speaker 1: Well, thanks for coming on. We appreciate the time, of course.

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Speaker 1: How'd you get your start in this career?

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Speaker 2: Oh god, I god, that's a really great question.

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Speaker 3: Like I always wanted to be an actor, but like

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Speaker 3: I didn't start like studying like until my twenties, and

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Speaker 3: then I went to I went, you know, I went

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Speaker 3: to an acting class in Hollywood, and then I went

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Speaker 3: to grad school at UCLA and got my MFA and

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Speaker 3: theater and then, you know, for like seven years after

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Speaker 3: my graduations, I worked at a hotel and did like

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Speaker 3: little plays, and then I found the Groundlings oh in

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Speaker 3: LA and started taking classes there and kind of worked

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Speaker 3: my way up there, and then I made it into

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Speaker 3: the main company and then that kind of opened up

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Speaker 3: a lot of doors from me.

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Speaker 1: Oh sure. So if the people listening don't know what

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Speaker 1: Groundlings is, it's it's an extremely sophisticated improv group. And

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Speaker 1: what they did and Melissa McCarthy comes out of the

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Speaker 1: ground Rings, and a lot of our great comedic actors

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Speaker 1: and a lot of the great comedic roles that you

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Speaker 1: see in film in the last twenty thirty years came

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Speaker 1: out of Groundings or Second City brilliant, brilliant comedic actors

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Speaker 1: who are steeped in improv. There's steeped in writing their

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Speaker 1: own characters and creating their own characters. And Groundlings as

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Speaker 1: a really in depth and rigorous program.

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Speaker 2: Yeah, it's intense.

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Speaker 1: It's very very intense, and anybody that does well there

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Speaker 1: and comes out of there. And I remember as a

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Speaker 1: cast we went to see Melissa in her Groundlings performance

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Speaker 1: one night.

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Speaker 3: I wonder if you came, because Melissa and I were

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Speaker 3: in it at the same time, and we were actually

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Speaker 3: before you get into the main company, you have to

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Speaker 3: go up through all their levels, but right before the

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Speaker 3: main company is a Sunday company, and she was like

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Speaker 3: six months ahead of me, and so she was she

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Speaker 3: got in the main company six months before me and

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Speaker 3: then but we were in a lot of main shows together,

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Speaker 3: and she was actually got Gilmore Girls while we were

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Speaker 3: in Sunday Company. She was like one of the first

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Speaker 3: people that are like, oh my god, she's on a

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Speaker 3: TV show, like Melissa's on a TV show.

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Speaker 1: But yeah, so yeah, I think I do think it

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Speaker 1: was a Sunday actually, and it was. We had a

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Speaker 1: wonderful time. We laughed, so hard our stops. It was.

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Speaker 1: It was such a special performance that she gave. She

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Speaker 1: did three or four different characters. It was just absolutely brilliant.

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Speaker 3: Yeah, Melissa was always somebody who was just kind of

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Speaker 3: on fire on stage.

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Speaker 1: Like she's just like great, she's uncommonly gifted. Yeah, she

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Speaker 1: really is. Just she can do anything. It's just weird.

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Speaker 1: It's kind of like.

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Speaker 3: And she's such a good actress too. I mean, right,

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Speaker 3: yeah that movie. Can you ever forgive me?

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Speaker 2: She was so good in that.

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Speaker 1: Yeah, she could win multiple Oscars, just in dramatic category. Yeah, no,

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Speaker 1: one of the I always said, because people would always

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Speaker 1: ask me, who do you think is going to be

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Speaker 1: the breakout are of Gilmour, And I always said Melissa

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Speaker 1: because of her ability to well, she was just she

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Speaker 1: just had this, you know, this warmth and she was

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Speaker 1: just great with everybody and this just awesome talent. And

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Speaker 1: once I saw on the groundlings, I went, I don't

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Speaker 1: know that I've I mean, she's as gifted as anybody

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Speaker 1: I've ever seen in the history of film. Like, she's

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Speaker 1: absolutely amazing. It's no accident that she's had the career

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Speaker 1: that she's had. It was inevitable, so so tell us

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Speaker 1: about the opportunities that opened up for you during Groundlings

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Speaker 1: or after Groundlings. How did it help.

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Speaker 2: Well, the Groundings was well in a lot of ways.

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Speaker 3: It's like it's just like personally, like as you mentioned,

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Speaker 3: the training there is so rigorous and I learned so

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Speaker 3: much because I mean, improv kind of helps you with

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Speaker 3: like everything, I mean, even like life stuff. It helps

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Speaker 3: you have nothing else to like listen, you know, or

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Speaker 3: make positive choices.

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Speaker 2: I mean those are like you know, improv rules.

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Speaker 3: But so I grew a lot from that, and also

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Speaker 3: the opportunity to write for myself and produce my own material,

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Speaker 3: like you know, helped me figure out that.

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Speaker 2: Oh I also love writing.

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Speaker 3: And my writing partner and I who came from the Groundings,

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Speaker 3: we had sold to shows after we you know, became

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Speaker 3: alumni and we're just you know, the training at the

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Speaker 3: Grounding is you know, just having to having the limited

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Speaker 3: amount of time to write and produce sketches and put

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Speaker 3: it up that week and not keep anything too precious

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Speaker 3: and just having to do it teaches you a lot

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Speaker 3: to just do it because I mean, if you're writing,

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Speaker 3: you can you can overthink something and then you know,

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Speaker 3: become paralyzed and not write anything. So just a lesson

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Speaker 3: of like just do it, just crank it out and

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Speaker 3: do it, and if it sucks, that's fine.

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Speaker 2: I mean you really learn.

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Speaker 3: At first it hurts a lot when you put up

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Speaker 3: a sketch and it tanks, or an improv just tanks.

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Speaker 3: But then you get used to that and it's like, yeah,

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Speaker 3: most things don't work, you know, like and then you

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Speaker 3: you're just trying to find a few gems that do.

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Speaker 3: And that's a you know, a big lesson. And then

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Speaker 3: and just being seen there opened up, like me getting

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Speaker 3: jobs and the people I worked with, I mean, because

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Speaker 3: like when Kristin Wig, who also came up with me,

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Speaker 3: you know, when she eventually got Saturday Night Live and

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Speaker 3: she blew up and then she got to do Bride'smaids.

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Speaker 3: She i mean offered me a part in that movie,

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Speaker 3: which was the flight attendant in that movie.

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Speaker 2: And that was the first time I had ever been.

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Speaker 3: Offered anything in anything, and I could I'm like, I'm

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Speaker 3: being offered.

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Speaker 2: But it also that came from her.

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Speaker 3: But Paul fig and jud Appatol had known a little

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Speaker 3: bit of my work because of the Groundlings and because

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Speaker 3: of like a video that Mikey Day and Michael Nton

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Speaker 3: and I did that were these David Blaine parodies that

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Speaker 3: they were aware of. So when when my name came up,

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Speaker 3: they're like, oh, yeah, that guy, we can let him do.

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Speaker 2: The flight attendant.

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Speaker 3: But from my point of view, it was like, I

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Speaker 3: can't believe I'm being offered something.

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Speaker 2: I don't have to audition for this.

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Speaker 1: By the way, after I'm done here, I'm going to

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Speaker 1: go look at those YouTube videos. So you in personal

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Speaker 1: da Blain thing.

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Speaker 3: Yeah, it happened like right when YouTube was starting, and Mikey,

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Speaker 3: Mikey and Day and Michael Naughton wrote these sketches and

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Speaker 3: cast me as David Blaine.

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Speaker 2: We did it on stage. He goes, hey, you want

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Speaker 2: to shoot this in the back alley and put it

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Speaker 2: on this new thing called YouTube, and then it just.

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Speaker 1: Like blew up. That's fantastic. H So let's talk a

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Speaker 1: little bit about Gilmore. How did how did you get

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Speaker 1: to roll Terrence?

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Speaker 3: I auditioned and it was like I hadn't had an

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Speaker 3: I mean, everybody at the kind of the groundling say

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Speaker 3: it felt like had gotten an audition, and I was like,

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Speaker 3: I'm not getting an audition for Gilmore.

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Speaker 2: Girls, and then I finally.

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Speaker 3: Got one and I love the show and it was

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Speaker 3: for Terrence the part that I got, and I was

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Speaker 3: like really nervous, and I just wanted to do a

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Speaker 3: good job and I didn't want to like have it

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Speaker 3: get back to Melissa and like, I got a lovel

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Speaker 3: and I I remember I walked in, I did it,

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Speaker 3: and I just remember people laughed and then I got it,

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Speaker 3: and I still remember when I got it.

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Speaker 2: I was like, oh my god, I got it, and

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Speaker 2: uh my agent.

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Speaker 3: Goes, oh yeah, casting has a note They're like, don't

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Speaker 3: go too big. I'm like, oh did I go. I'm

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Speaker 3: like okay, I'm like, did I go too big? But

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Speaker 3: they're like, yeah, no, just it's it's a very grounded show.

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Speaker 3: But you know, they liked that you did a character,

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Speaker 3: but don't go too big. So I'm like, all right,

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Speaker 3: don't go too big. But I mean that was basically it.

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Speaker 3: I auditioned and I got it, and uh, you know,

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Speaker 3: and I knew that Lauren and Alexis had seen the

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Speaker 3: Groundling shows and you know, so I knew that they

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Speaker 3: kind of knew me. So it's still nervous, but it

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Speaker 3: was everyone was lovely, like it was such a lovely set.

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Speaker 1: Mm hmm. Yeah. You could do your best work there.

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Speaker 1: You feel very supportive, very lots of notes, lots of help.

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Speaker 1: You know, you can't take anything personally. They're just you know,

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Speaker 1: they're just trying to have the best show they possibly can.

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Speaker 3: Absolutely, And it was also I knew going into it

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Speaker 3: just from Melissa that how we couldn't change like a

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Speaker 3: word of dialogue, like it's not the it's a you know,

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Speaker 3: like so I knew.

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Speaker 2: And luckily I had no speeches like everybody else did.

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Speaker 2: I just had like lines, so it wasn't as hard.

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Speaker 1: What do you remember about your scenes with Paris with Liza,

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Speaker 1: Oh my god.

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Speaker 3: First of all, I mean I never knew her before.

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Speaker 3: I thought she was delightful, Like I just thought she

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Speaker 3: was so funny and great and just very sweet. My

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Speaker 3: biggest memory is, and I was thinking about this, was

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Speaker 3: I did two episodes. In the second episode I did,

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Speaker 3: there was a scene with Paris with Paris and Rory

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Speaker 3: and Alexis had it either a cold or something was

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Speaker 3: going on. She lost her voice during the scene, like

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Speaker 3: during rehearsing it, and we had to like go home

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Speaker 3: and come and then they needed me to come back

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Speaker 3: the following week to shoot it, and I just remember, oh,

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Speaker 3: I got extra money.

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Speaker 2: They have to pay me to come back.

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Speaker 3: So that was a memory, Like I remember she lost

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Speaker 3: her voice, but yeah, no, I I think that Liza

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Speaker 3: was just she's just so lovely, like really fun and

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Speaker 3: like funny.

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Speaker 1: Yeah, those are fun scenes. Those are really fun scenes.

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Speaker 1: Great concept to a life coach at that age. That's

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Speaker 1: that's fantastic. So you've been in.

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Speaker 2: And also a terrible life coach. Like things I'm saying

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Speaker 2: are like so bad.

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Speaker 1: So you've been in several Melissa McCarthy projects, The Heat Spy, Bridesmaid's,

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Speaker 1: The Boss tell us about that.

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Speaker 2: Yeah, she and Ben also produced.

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Speaker 3: We're one of the producers on a pilot that my

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Speaker 3: friend Jim Cashman and I wrote for our first pilot.

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Speaker 2: They wrote that.

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Speaker 3: We sold to Warner Brothers and Fox bought it and

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Speaker 3: we got it made. But they were they were producers

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Speaker 3: on that show too, So we've worked with them anyway.

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Speaker 3: I mean they're they're friends, you know. Uh yeah, work

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Speaker 3: with them many times.

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Speaker 2: Well, sorry, you had.

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Speaker 1: A question there, no no, what happened to God's Favorite Idiot?

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Speaker 1: Is it still on? Is it? Is it still in production.

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Speaker 2: No, I I don't know. I mean I had nothing

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Speaker 2: to do with that too, but it did airr and.

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Speaker 1: It was great. It was just it was fantastic.

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Speaker 3: I don't know if it was just was it just

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Speaker 3: I mean it was just the one season or is

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Speaker 3: it coming back for I don't I really don't.

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Speaker 2: Have any information about it. Find out what you I'll try,

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Speaker 2: I'll get back to you.

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Speaker 1: I gotta know we want more of those episodes.

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Speaker 2: Sure.

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Speaker 1: So what's been your favorite movie that you that you

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Speaker 1: worked on with them? Melissa?

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Speaker 3: Oh god, uh, well, like Bride's Maids was so much fun.

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Speaker 3: But also Spy was a blast too because I got

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Speaker 3: to go to Amsterdam for like three weeks and work

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Speaker 3: maybe four fun days. But it was that was so

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Speaker 3: much fun because Melissa and I got to have a

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Speaker 3: fight scene and like I got to like float like

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Speaker 3: when they you know, they put you.

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Speaker 2: On wires, and that was it was a blast.

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Speaker 3: And it was also Paul figue Is. I've been in

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Speaker 3: three of his movies.

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Speaker 2: He's just like an angel man. He's such a gentleman and.

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Speaker 3: Like a joy to work for everywhere, and it's always

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Speaker 3: funny to have a fight scene with Melissa.

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Speaker 1: Oh yeah, I mean, tell us what that's like going

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Speaker 1: through the rehearsal process with her, you guys, tell us

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Speaker 1: about it, tell.

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Speaker 4: Us about it.

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Speaker 3: Well, it was not. It was surprisingly not a ton

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Speaker 3: of choreography. It was it was literally I don't even

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Speaker 3: remember us having that much like fight choreography.

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Speaker 2: We were just like battling each other, like shaking each other.

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Speaker 3: I mean, there's so much trust between us and the

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Speaker 3: plane shaking. It was just things were flying and she'd

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Speaker 3: get pushed down. It was not like a ton of

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Speaker 3: fight choreography. I think I had more of lessons about

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Speaker 3: how to hold the gun than I did.

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Speaker 2: Like, our heart.

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Speaker 3: Scene was pretty loose. It wasn't really I mean, we

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Speaker 3: could have easily gotten heart, but we didn't. We knew

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Speaker 3: each other so well that it just felt like silly fun.

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Speaker 1: Right right. All right, So they a lot of people

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Speaker 1: recognize you as a flight attendant and Bridesmaids Steve or

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Speaker 1: Stove or Stove as Christian Week calls you in the

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Speaker 1: movie Bridesmaids. Uh, tell us what it was like filming

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Speaker 1: that scene with Kristen Week.

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Speaker 3: Well, it was like it was I worked three days

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Speaker 3: in that movie and just to step on that set

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Speaker 3: felt like I mean that airplane scene was filled with.

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Speaker 2: So many groundlings.

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Speaker 3: It was like Kristen and Melissa and Ben Falcone and

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Speaker 3: Wendy McClinton Covey and Maya Rudolph and I mean in

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Speaker 3: Annie Mamelo, who wrote the movie, is that.

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Speaker 2: We're all groundings. So it really it didn't.

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Speaker 3: It felt like someone like wrote a growling sketch, but

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Speaker 3: someone gave us like a huge budget and they're like

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Speaker 3: Annie and Christen are like, we wrote this air this

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Speaker 3: airplane sketch, and you're the flight attendant.

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Speaker 2: But it was a blast.

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Speaker 3: It was like we got to shoot the scene. We

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Speaker 3: would do the scene like scripted the first take, and

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Speaker 3: then after that it was, you know, we would do

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Speaker 3: the scene, but it was so we could say whatever.

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Speaker 3: There was one take. I remember Paul figue led us.

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Speaker 3: What felt like he let us go on for like

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Speaker 3: nine or ten minutes. It was such a long time

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Speaker 3: until I think I broke but and I don't even

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Speaker 3: remember if anything it got in that the scene, but

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Speaker 3: it was it was just so much fun and you know,

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Speaker 3: and like you know, that movie was just a joy.

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Speaker 1: How many takes did you do of that scene? Because

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Speaker 1: the comedy in there was incredible.

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Speaker 2: Well, I mean there's different.

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Speaker 3: I don't know how many now because it's been a while,

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Speaker 3: but you know, and it's all broken up. And I

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Speaker 3: learned that shooting on this the airplane that we shot on,

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Speaker 3: it was a real airplane that they dismantled. And the

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Speaker 3: trivia is it was the same airplane that was that

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Speaker 3: was airplane that they used on airplane And so when

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Speaker 3: we were shooting that scene, it's one of my favorite

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Speaker 3: comedies of all time. And I told Kristen when we

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Speaker 3: were shooting, I go, you know, that means this movie

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Speaker 3: is going to be a huge like as a joke,

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Speaker 3: and then it.

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Speaker 2: Really did turn out. But yeah, I learned that shooting

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Speaker 2: on an airplane, said, it's not easy because when you turn.

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Speaker 3: The camera around, you they literally have to take the

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Speaker 3: chairs out and like then put them back in. It

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Speaker 3: takes a long time to turn the camera around. But yeah,

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Speaker 3: I mean, I don't remember how many takes. I do

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Speaker 3: remember there was one take I think I picked I know,

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Speaker 3: I remember I picked Kristin up. I actually picked her

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Speaker 3: up and put her back to her pet her backer's seat.

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Speaker 3: And when I was driving home that night, I'm like

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Speaker 3: I literally just picked up the star of the movie

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Speaker 3: and even think about it.

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Speaker 2: But uh, yeah it was.

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Speaker 1: Were you able to give little suggestions that that popped

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Speaker 1: into your mind your comment?

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Speaker 3: No, I was too nervous to do that, but they'd

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Speaker 3: let me.

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Speaker 2: Say pretty much whatever.

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Speaker 3: And Kristen was always like saying something different every time

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Speaker 3: she would exit, Like I do remember the take that

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Speaker 3: got in when she said the line about its civil

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Speaker 3: rights it's the nineties.

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Speaker 2: That was like the first time she said.

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Speaker 3: That, and I thought that was just like, what what

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Speaker 3: here in the wrong decade?

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Speaker 2: I think I said, like like, oh, that got in.

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Speaker 2: But it was just a joy. I mean like it

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Speaker 2: was like making a movie with friends.

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Speaker 1: Oh man, that that just sounds.

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Speaker 2: Like a dream situation.

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Speaker 1: Yeah, but good on Paul fig for forgetting all of

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Speaker 1: those Groundlings people together. You know, that's that's actually kind

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Speaker 1: of a Ellian idea. You go to see the Groundlings

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Speaker 1: and you know, I'm gonna cast all these people. Yeah.

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Speaker 2: Yeah, it was very cool.

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Speaker 3: And there's and the movie itself is like peppered with

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Speaker 3: a lot of it throughout the Groundlings throughout the movie too.

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Speaker 3: So it's also Kristin really like, you know, her first

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Speaker 3: big movie and she's like, you know, populating it with

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Speaker 3: a lot of the people she came up with it.

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Speaker 2: It was very cool of her too.

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Speaker 1: Yeah, that's great, all right. So we touched on this

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Speaker 1: a little earlier about the David Blaine YouTube videos that

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Speaker 1: you did. Street Magic has over forty one million views

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Speaker 1: on YouTube.

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Speaker 2: Crazy.

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Speaker 1: How did the idea for these videos come about?

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Speaker 3: Well, it was I'd love to take credit for it,

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Speaker 3: but I mean I could take a credit for one

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Speaker 3: thing in it. But it was mikey Day and Michael

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Speaker 3: Naughton wrote the sketch and you know, for a main

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Speaker 3: show at the Growndings, and we I think Wednesday nights

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Speaker 3: are pitch nights when we're writing new sketches. And they

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Speaker 3: wrote the sketch and they're like, we wrote the sketch

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Speaker 3: and we want you to play David Blaine. And I

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Speaker 3: knew nothing about him and care just remember him saying

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Speaker 3: he's just really chill. And then we did it and

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Speaker 3: put it up and then I'm like, was that okay?

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Speaker 3: He goes, yeah, that's perfect. And then that uh Friday,

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Speaker 3: the show, the scene got in and we did it

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Speaker 3: in front of an audience and this Tim Brennan, who's

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Speaker 3: in the Grounding. There was a cameraman on stage who

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Speaker 3: would get my reactions, but they're the only thing I'll.

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Speaker 2: Take credit for that sketch. Was when they're freaking out

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Speaker 2: over I turned to this.

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Speaker 3: This is a long time they were freaking out, So

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Speaker 3: I turned and looked at the guy who was holding

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Speaker 3: the camera and just started like making these like intense

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Speaker 3: faces and.

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Speaker 2: Then that got laughs. So then that now became part

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Speaker 2: of the sketch.

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Speaker 3: And now that's all on the videos with me, just

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Speaker 3: like I'll do the magic and then just like look

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Speaker 3: at the camera and just like.

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Speaker 2: That magician sort of like douchebag thing that they do.

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Speaker 2: Like isn't that cool?

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Speaker 1: Right? All right? So I know what I'm doing with

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Speaker 1: the rest of my afternoon. Ye watch us. So what

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Speaker 1: are you working on now? Tell us about what you're doing.

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Speaker 3: Well, I my friend Drew DROGHI and I who also

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Speaker 3: met the Groundlings. We do a two person show that

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Speaker 3: we've done a few times at a theater called the

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Speaker 3: Dynasty Typewriter in LA and we're going to we're doing

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Speaker 3: it in New York on I wrote the Sunday, June eighteenth,

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Speaker 3: at seven o'clock at a place called the Green Room

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Speaker 3: forty two and it's almost full, so it's very cool.

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Speaker 2: But it's a show.

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Speaker 3: It's called It's Mitch and Drew and we've never felt younger.

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Speaker 3: But it's like an hour sketch, very all very like queer.

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Speaker 2: Sketches.

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Speaker 3: Perfect for Pride Month that's coming up. And also I

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Speaker 3: recur on a show that's called All Rise that is

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Speaker 3: start on CBS, got canceled now it's on own and

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Speaker 3: they had a third season, so the second half of

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Speaker 3: season three is coming back, but I don't know when.

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Speaker 1: Excellent you're busy guy.

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Speaker 2: Yeah, well right now, nothing other than that.

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Speaker 1: Because of the strike, you know, uh yeah, SAgs get

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Speaker 1: in a real power position right now, aren't they to

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Speaker 1: get what they want? Because if they if SAG goes

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Speaker 1: on strike, the whole business shuts down. You know. It's

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Speaker 1: it's been decades since SAG's had this much power.

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Speaker 2: Very interesting.

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Speaker 1: Yeah, I hope it works out too, But I think

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Speaker 1: SAG's in a very good position to get what they want.

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Speaker 2: Fingers Cross and Riders killed, I hope.

439
00:23:26,520 --> 00:23:33,760
Speaker 1: Too, Yes, for sure. Okay, so we're gonna do a

440
00:23:33,760 --> 00:23:36,960
Speaker 1: little thing called rapid Fire. Doesn't mean you have to

441
00:23:36,960 --> 00:23:40,359
Speaker 1: go to real fast because I think we're all recovered

442
00:23:40,400 --> 00:23:42,800
Speaker 1: from being on Gilmore set having you go fast, fast,

443
00:23:42,800 --> 00:23:44,760
Speaker 1: fast Fast for the only note you get fast, go fast?

444
00:23:44,760 --> 00:23:49,160
Speaker 1: Can you go faster? Uh? How do you like your coffee?

445
00:23:50,840 --> 00:23:53,240
Speaker 2: Black? Just black and hot?

446
00:23:53,720 --> 00:23:58,960
Speaker 1: Gotcha? Are you team Logan, Team Jass or team Dean?

447
00:24:00,720 --> 00:24:03,919
Speaker 2: Oh? I don't none?

448
00:24:07,840 --> 00:24:08,280
Speaker 4: Is that fair?

449
00:24:08,400 --> 00:24:09,120
Speaker 2: Can I say none?

450
00:24:09,200 --> 00:24:11,679
Speaker 1: You can say no? I can't think you were the first.

451
00:24:11,720 --> 00:24:14,000
Speaker 1: This is the most unique answer on this question. I

452
00:24:14,080 --> 00:24:17,960
Speaker 1: love it. Is there a boyfriend a coupling for Rory

453
00:24:18,080 --> 00:24:19,400
Speaker 1: that you find appropriate?

454
00:24:19,800 --> 00:24:22,000
Speaker 2: I don't terrible that.

455
00:24:22,080 --> 00:24:24,160
Speaker 1: I don't know and I don't know. No, I don't

456
00:24:24,160 --> 00:24:24,960
Speaker 1: want you to agonize it.

457
00:24:24,960 --> 00:24:26,840
Speaker 2: We're gonna come back parents my character.

458
00:24:27,080 --> 00:24:30,560
Speaker 1: Okay, that's the twist.

459
00:24:30,600 --> 00:24:32,200
Speaker 2: You know, we never knew they actually dated.

460
00:24:32,520 --> 00:24:37,320
Speaker 1: Why didn't we go there? Who's your favorite Gilmore Girls couple?

461
00:24:37,840 --> 00:24:41,280
Speaker 1: Luke and laurelied Zaane, Zaye and Lack. I always say

462
00:24:41,320 --> 00:24:44,480
Speaker 1: that Laurele, I thank you. See you don't even let

463
00:24:44,520 --> 00:24:45,560
Speaker 1: me get it.

464
00:24:45,600 --> 00:24:48,440
Speaker 2: There's nothing that thank you.

465
00:24:49,359 --> 00:24:52,120
Speaker 1: I just went through a whole spiel. You don't need

466
00:24:52,160 --> 00:24:54,719
Speaker 1: to on the on the podcast about I'm sick of

467
00:24:54,760 --> 00:24:57,400
Speaker 1: being lumped in with Christopher. What team are you Team

468
00:24:57,480 --> 00:25:00,000
Speaker 1: Luke or Team Christopher? I was like, it's not a competition.

469
00:25:00,480 --> 00:25:02,280
Speaker 1: What's wrong with you? Why am I being lumped in

470
00:25:02,600 --> 00:25:03,000
Speaker 1: your team?

471
00:25:03,240 --> 00:25:03,600
Speaker 2: Laurel?

472
00:25:03,640 --> 00:25:06,360
Speaker 1: I are your team Nicole? I mean nobody asked that questions? Anyway,

473
00:25:06,920 --> 00:25:11,040
Speaker 1: here we go. I'm on a rant again. What would

474
00:25:11,080 --> 00:25:13,399
Speaker 1: you order at Luke's diner?

475
00:25:15,119 --> 00:25:16,439
Speaker 4: Oh?

476
00:25:17,760 --> 00:25:19,360
Speaker 2: The first thing that came to my mind? I don't

477
00:25:19,400 --> 00:25:21,400
Speaker 2: even know if he had it at Patty Mountain.

478
00:25:22,400 --> 00:25:23,280
Speaker 1: Yeah, that's easy.

479
00:25:23,640 --> 00:25:26,000
Speaker 2: Or a girl cheese, I like, always love a girl

480
00:25:26,040 --> 00:25:26,800
Speaker 2: cheese at a diner.

481
00:25:27,080 --> 00:25:27,639
Speaker 1: Luke has that?

482
00:25:28,600 --> 00:25:29,560
Speaker 2: Did you have fried chicken?

483
00:25:30,400 --> 00:25:32,639
Speaker 1: I think he? Of course he did, Okay, and it

484
00:25:32,680 --> 00:25:33,440
Speaker 1: was fantastic.

485
00:25:33,680 --> 00:25:34,439
Speaker 2: I bet it was.

486
00:25:34,960 --> 00:25:36,680
Speaker 1: Look, You're welcome anytime, don't worry.

487
00:25:36,760 --> 00:25:37,119
Speaker 4: Thank you?

488
00:25:37,760 --> 00:25:40,639
Speaker 1: Jackson or tailor for town selectmen?

489
00:25:43,080 --> 00:25:46,280
Speaker 2: Um Jackson?

490
00:25:48,000 --> 00:25:51,240
Speaker 1: Would you rather listen to hep Alien or The Troubadour's

491
00:25:51,359 --> 00:25:52,240
Speaker 1: cover songs?

492
00:25:54,800 --> 00:25:57,440
Speaker 2: The Troubadour's cover songs?

493
00:25:58,280 --> 00:26:02,720
Speaker 1: Harvard or Yale? Yale?

494
00:26:03,200 --> 00:26:04,080
Speaker 2: Because I you know why?

495
00:26:04,840 --> 00:26:08,119
Speaker 3: When I auditioned for grad schools, they did not take me,

496
00:26:08,200 --> 00:26:09,680
Speaker 3: but I remember they were very nice.

497
00:26:14,160 --> 00:26:18,080
Speaker 1: What's Rory's bigger mistake? Crashing the car her boyfriend built

498
00:26:18,080 --> 00:26:21,440
Speaker 1: for her or sleeping with her ex who is married?

499
00:26:22,440 --> 00:26:26,880
Speaker 2: Oh, sleeping with their ex is married? Big mistake, mistake?

500
00:26:27,000 --> 00:26:30,840
Speaker 1: Who from Gilmore? Would you not want to be stuck

501
00:26:31,000 --> 00:26:32,560
Speaker 1: on a desert island with?

502
00:26:34,760 --> 00:26:39,520
Speaker 3: Probably Oh I'm blake and uh Lorelei's mother.

503
00:26:43,400 --> 00:26:48,480
Speaker 1: Okay, yeah makes sense. Something that might be a lot.

504
00:26:48,200 --> 00:26:49,560
Speaker 2: That might be a lot.

505
00:26:49,800 --> 00:26:55,600
Speaker 1: Yeah, I'm thinking, you know, she could be advantageous in

506
00:26:55,760 --> 00:26:57,440
Speaker 1: several scenarios though.

507
00:26:57,400 --> 00:27:00,320
Speaker 2: That's absolutely true, you know what I mean? An Actually

508
00:27:00,440 --> 00:27:02,640
Speaker 2: she could be a good conversationalist too.

509
00:27:02,920 --> 00:27:06,960
Speaker 1: Yeah she could be Yeah, uh, she'd be a little pedantic,

510
00:27:07,000 --> 00:27:12,520
Speaker 1: but you know, yeah, uh something in your life. You

511
00:27:12,680 --> 00:27:14,840
Speaker 1: are all in on.

512
00:27:17,000 --> 00:27:17,639
Speaker 4: My dog.

513
00:27:18,600 --> 00:27:19,520
Speaker 1: Tell us about your dog.

514
00:27:20,440 --> 00:27:22,520
Speaker 2: Oh, my dog's awesome. His name is Arthur.

515
00:27:23,240 --> 00:27:26,639
Speaker 3: He is a I thought he was mostly a terrier mix,

516
00:27:26,760 --> 00:27:29,280
Speaker 3: but he I found out after getting tested he's mostly Chiuala,

517
00:27:29,320 --> 00:27:30,200
Speaker 3: which I had no idea.

518
00:27:31,280 --> 00:27:32,560
Speaker 2: He had him over.

519
00:27:32,400 --> 00:27:36,680
Speaker 3: Ten years and he's super sweet, barely makes a noise

520
00:27:36,840 --> 00:27:37,880
Speaker 3: and is very smart.

521
00:27:38,560 --> 00:27:39,080
Speaker 2: He's great.

522
00:27:39,400 --> 00:27:43,760
Speaker 1: That's that's fantastic. It's been a pleasure, Mitch, pleasure. We

523
00:27:43,800 --> 00:27:46,680
Speaker 1: know you have a heart out. You're a busy guy,

524
00:27:48,040 --> 00:27:49,719
Speaker 1: but thanks for talking to us. It was it was

525
00:27:49,800 --> 00:27:52,840
Speaker 1: my pleasures guy, and I hope you come back. We

526
00:27:52,880 --> 00:27:55,440
Speaker 1: have probably more to discuss.

527
00:27:55,880 --> 00:27:59,440
Speaker 2: Uh just two episodes, yeah, did we Yeah?

528
00:27:59,480 --> 00:28:02,520
Speaker 1: Well, my wen, we'll just have to discuss the other

529
00:28:02,600 --> 00:28:05,760
Speaker 1: episode right in minute detail.

530
00:28:06,560 --> 00:28:07,879
Speaker 2: We'll go very slow.

531
00:28:10,119 --> 00:28:10,920
Speaker 1: Thank you, my friend.

532
00:28:11,359 --> 00:28:12,040
Speaker 2: Thank you very much.

533
00:28:12,040 --> 00:28:14,920
Speaker 1: Scott, all the best and take care of good luck

534
00:28:14,960 --> 00:28:18,640
Speaker 1: with everything and go see go see Mitches show yes

535
00:28:18,880 --> 00:28:20,879
Speaker 1: June eighteenth, New York City.

536
00:28:21,240 --> 00:28:24,280
Speaker 2: The Green Room forty two, whatever their website is.

537
00:28:24,680 --> 00:28:28,160
Speaker 1: Tickets are going fast, so you gotta make your move now,

538
00:28:28,359 --> 00:28:32,280
Speaker 1: all right, all right, my friends, all the best, All right, take.

539
00:28:32,160 --> 00:28:55,720
Speaker 4: Care you too.

540
00:29:03,120 --> 00:29:06,240
Speaker 1: Hey everybody, and don't forget follow us on Instagram at

541
00:29:06,440 --> 00:29:10,400
Speaker 1: I Am all In podcast and email us at Gilmore

542
00:29:10,600 --> 00:29:14,560
Speaker 1: at iHeartRadio dot com. Oh you're Gilmore fans. If you're

543
00:29:14,560 --> 00:29:16,440
Speaker 1: looking for the best cup of coffee in the world,

544
00:29:16,480 --> 00:29:20,440
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545
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546
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