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Speaker 1: Good morning, usc yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo Yo. Let me cod piece to the plane in

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Speaker 1: this Thursday gets Thursday and our guest host, Luke Nella's

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Speaker 1: back back was happening in lou nell good morning, it's

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Speaker 1: all good, good morning. So let's good morning everybody. How

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Speaker 1: does everybody feel? How's everybody's energy? Nell got a hall

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Speaker 1: of New York City hat on. You was all around

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Speaker 1: Hallom last night. Yeah, yesterday, I wasn't in the streets.

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Speaker 1: I had this. Oh yeah this. I didn't just go

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Speaker 1: get this. Oh you said you wanted soul food yesterday,

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Speaker 1: so you know in New York I didn't end up

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Speaker 1: getting that and get into some booshe place where you go.

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Speaker 1: No matter of fact, gonna shot him out of the

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Speaker 1: b bosh black. No, that wasn't black, Okay, don't shot him.

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Speaker 1: It was just the hotel, right, I feel you. They

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Speaker 1: were just close to the hotel. It's how you feeling?

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Speaker 1: You good? This is I know this is early in

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Speaker 1: the morning. Yeah, I just had a long, long day, yes,

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Speaker 1: said you know, I left her. I went did the

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Speaker 1: sherry chepi right the shery to shout out cherry. And

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Speaker 1: then after that I have to go back to the

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Speaker 1: hotel and we had company that day. It was a

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Speaker 1: long night. And then today after I leave here, just

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Speaker 1: go back and pick up my bags and go straight

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Speaker 1: to Texas. Texas Allington improv tonight, two shows tomorrow, two

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Speaker 1: shows on Saturday, Sunday to Vegas to Sunday, do money

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Speaker 1: and then I can go. Go ahead, you gotta show

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Speaker 1: that night. I know it's gonna be. You gotta take

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Speaker 1: a napdoor. When you get to a certain age, there's

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Speaker 1: a part of the day where you have to at

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Speaker 1: least get two three hours to sleep up to be

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Speaker 1: up at night. I can't make myself go to sleep.

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Speaker 1: I have to fall asleep. Okay, but um that's where

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Speaker 1: the edibles come in. There you go, no, for real,

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Speaker 1: that ain't a good boy? Five five five milligrams? Have

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Speaker 1: you sleeping for the night? Yeah, that's it. I could.

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Speaker 1: I could make myself go to sleep. I come myself,

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Speaker 1: but I can fall asleep. You know. I make myself

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Speaker 1: go to sleep and take a nap. During the day,

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Speaker 1: you have to disconnect. You gotta put your phone away,

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Speaker 1: you gotta tell your wife. And I'm gonna be in

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Speaker 1: the room. I'm going out for about an hour or two.

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Speaker 1: And you got to just lay on that couch in

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Speaker 1: that room and just go. But I can't sleep in

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Speaker 1: silence because I can't turn my mind off. I have

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Speaker 1: to turn on some like low low jails good or

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Speaker 1: low low Kip. You know something. You gotta try meditation. Now,

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Speaker 1: you got to try meditation. I can't turn my mind

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Speaker 1: off to meditate. I promise you. I used to think

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Speaker 1: the same thing. Get you hooked up with some meditation,

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Speaker 1: get you the calm after star turn my lord, your

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Speaker 1: mind's not even on. I go, it's not really on.

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Speaker 1: I'm always on. It's really not. It's really not. It's

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Speaker 1: really is. It's really not this. But we have a

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Speaker 1: big announcement today, man, Yes we do. We have a

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Speaker 1: big announcement. Oh my god, I'm here for the big

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Speaker 1: announce for the big announcement. It's after it's gonna be.

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Speaker 1: I want to do it. We should do it after donkey,

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Speaker 1: after donkey, after donkey, because I want to open up it.

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Speaker 1: Why can't we do it every donkey? I think it

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Speaker 1: goes out before Donkey. Now we should do it before Donkey.

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Speaker 1: I think it's already emotion na for all listeners. We

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Speaker 1: should do it after Donkey. And it's a big black

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Speaker 1: announcement too. It might be the biggest blackest announcement in

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Speaker 1: the history of the break It definitely need to be

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Speaker 1: done when I'm here. It's big and it's black, okay, Jesus, yes,

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Speaker 1: you know if I say it's black as black, you're

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Speaker 1: scaring some people. All the people that are scared don't

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Speaker 1: need to be here with us. Then all right, all right,

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Speaker 1: how about that word, the word black says you. I

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Speaker 1: don't want you here with it? Back with my parents

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Speaker 1: and this dysfunctional marriage and two guys. All right, well,

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Speaker 1: DJ Drama will be joining us. DJ Drama got an

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Speaker 1: album that comes out this Friday and name of the

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Speaker 1: albums I'm really like that. So we're gonna be ginck

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Speaker 1: into with Drama. And then we got front page news next,

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Speaker 1: so don't move. It's to Breakfast Club. Good morning, Owning everybody.

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Speaker 1: It's DJ Envy, Charlomine the guy. We are the Breakfast Club.

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Speaker 1: Let's getting some front page news now, Lounell, I'll guests

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Speaker 1: hop since here we have Tesla's figure out on the line,

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Speaker 1: whisper out what's happening? Club family and Queen Lou Now, yes, ma'am,

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Speaker 1: and for all you baseball fans, today is opening Day,

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Speaker 1: so I know there's a lot of people that's excited

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Speaker 1: about Opening Day. I know the Yankees play today. I

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Speaker 1: know the Mets play away, So shout out to all

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Speaker 1: the base Dodgers. Girl, might South you are back on

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Speaker 1: steroid yet? No? Okay, well I'll watching to get back

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Speaker 1: on steroid. No man, now, Taz, I asked you yesterday

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Speaker 1: about the Sault Rightful band. I think it happened in

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Speaker 1: two thousand and four. You said you would have some

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Speaker 1: updates for us today. Yes, I did you ask that question,

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Speaker 1: DJ Nvy, and I wanted to go back and dig

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Speaker 1: a little bit more into it to make sure that

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Speaker 1: we're giving our listeners accurate information. So the timing of

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Speaker 1: answering that question is right on time, because actually, yesterday

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Speaker 1: Representative Jamal Bowman and Representative Thomas Macy got into a

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Speaker 1: shouting match over gun violence. So before I get into

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Speaker 1: answering your question, let's listen to their exchange. Freaking cowards

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Speaker 1: they're gutless. We're not here. I'm talking about gun down

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Speaker 1: teachers to carry terry guns. You think we all guns things.

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Speaker 1: Look at the theater. You're carrying the water for the

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Speaker 1: gun lobby nine year old children and luciens that armed teachers.

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Speaker 1: Have you ever worked in the school. Have you ever

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Speaker 1: worked in the school. Have you ever worked in the school.

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Speaker 1: I worked in the school for twenty years. I was

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Speaker 1: I was staying time. He can't given answer, just no

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Speaker 1: question one would they passing the station dropping a clue

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Speaker 1: for Congressman Bowman. Congressman Bowman is acting how I wanted

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Speaker 1: President Biden to actual some passion, get angry, called out

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Speaker 1: the Republicans who are in bed with these gun lobbyists.

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Speaker 1: That's what I wanted President Biden to do. Y. Yeah,

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Speaker 1: he absolutely went knock if you're buck so just to

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Speaker 1: and so to give some more insight on the gun

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Speaker 1: of weapons VAN that dj NVY asked about. On yesterday,

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Speaker 1: President Bill Clinton signed the Public Safety and Recreational Firearms

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Speaker 1: Used Protection Act. It was commonly called the Federal Assault

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Speaker 1: Weapons VAN, which was a part of the Violent Crime

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Speaker 1: Control and Law Enforcement Act of nineteen ninety four. Now

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Speaker 1: the band was a law for about a decade, expiring

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Speaker 1: in two thousand and four, as DJ Envy mentioned on yesterday,

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Speaker 1: and it included prohibiting the manufacturer or sale for civilian

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Speaker 1: use of certain semi audit weapons. Now, the act also

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Speaker 1: banned magazines that could accommodate ten rounds or more. You

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Speaker 1: would also ask Envy if it reduced any of the crime,

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Speaker 1: and the answer for that has been debated, but the

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Speaker 1: National Institute of Justice of Justice indicated that there was

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Speaker 1: a draw by seventeen percent in the least six cities

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Speaker 1: of gun crimes involving automatic weapons. And it's also important

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Speaker 1: to note that this when they came up with this policy,

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Speaker 1: it was a result of a mass school shooting in

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Speaker 1: nineteen eighty nine in Stockton, California. And so once that

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Speaker 1: shooting happened, it five children were murdered, twenty eight were injured,

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Speaker 1: and the shooter at that time was armed with a

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Speaker 1: a K S rifle, a semi automatic version of the

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Speaker 1: AK forty seven. So for those that think school shootings

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Speaker 1: just started, that's not the case. And when that happened

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Speaker 1: in nineteen eighty nine, it's what made them do this

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Speaker 1: assault band and unfortunately it just expired and they were

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Speaker 1: never able to get the votes to put it back

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Speaker 1: into place. And you know what I was saying, you know,

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Speaker 1: Congressman Bowman, they were going back and forth. I guess

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Speaker 1: the other guy said that teacher, should you be allowed

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Speaker 1: to carry guns? Right? And then like I'm I'm not

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Speaker 1: saying that it should be mandatory for teachers to have

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Speaker 1: to carry guns. What I'm saying is, since clearly no

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Speaker 1: legislation is going to be passed, and since clearly President

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Speaker 1: Biden says he can't do anything without Congress, and those

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Speaker 1: Republican senators aren't going to be moved to do anything

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Speaker 1: because you know, they're in bed with the gun lobbyists.

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Speaker 1: I'm saying, if you're already a gun owner, if you

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Speaker 1: have a gun in your house, if you already carry,

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Speaker 1: if you train and you want to bring your gun

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Speaker 1: into school as a teacher, you should be able to

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Speaker 1: have that option. That's what I'm saying, right, and I'm saying,

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Speaker 1: and just again for clarity, more than one thing can

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Speaker 1: happen at the same time. So again, training armed guards,

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Speaker 1: I believe you should be at every door and on

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Speaker 1: the outside. There was also a report that having armed

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Speaker 1: guards just on the inside is not enough. You need

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Speaker 1: people on the outside that are actually patrolling in addition

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Speaker 1: to being trained, like dj Aby was talking about and

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Speaker 1: you were talking about. And I also support bulletproof windows,

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Speaker 1: and not just because she shot out the first The

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Speaker 1: shooter shot out the window of the doors coming in.

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Speaker 1: But what people don't understand. As a substitute teacher, they

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Speaker 1: train us to lock the doors. But there's a glass

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Speaker 1: on every door, so people could just shoot that window out,

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Speaker 1: put their hand through, and unlock the door. So I've

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Speaker 1: always talked about, how do we you know, what about

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Speaker 1: bulletproof glass, what can be some other things that can

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Speaker 1: happen besides just locked because that's really just what the

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Speaker 1: protocol is. Now, locked the door, but what happens if

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Speaker 1: you shoot through the door? Crazy living in a world

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Speaker 1: like this. But let me ask you a question. How

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Speaker 1: was Bill Clinton able to get that bill passed so

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Speaker 1: fast and get it through Congress? And it seems like

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Speaker 1: in the last ten years nobody can elected officials in

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Speaker 1: Congress who also agreed with that. And also it was

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Speaker 1: a part of remember when Democrats were shown they were

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Speaker 1: tough on crime. Now you know, I could really unpack

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Speaker 1: that so when it was about tough on crime, and

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Speaker 1: you know the ninety four crime bill, this was an

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Speaker 1: attachment to that that they looted in that. So the

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Speaker 1: main thing was about locking folks up, and so they

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Speaker 1: were able to, you know, make it an attachment and

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Speaker 1: they barely got it passed. By the way. We could

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Speaker 1: have a whole segment on that alone, but it was

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Speaker 1: attached to a larger issue, which was tough on crime.

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Speaker 1: You know, it's so crazy history gonna repeat it though,

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Speaker 1: especially coming up with because you know, next year both

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Speaker 1: parties are gonna be the tough on crime parties. So

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Speaker 1: it's gonna be some type of tough on crime bill

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Speaker 1: that maybe maybe commentations gunn reform possibly would be attached

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Speaker 1: to that. I could see maybe then voting that in

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Speaker 1: I doubt it because it's like what you said, the monthing.

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Speaker 1: Ya know, they'll be tough about crime, but it won't

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Speaker 1: be but it won't have to do with these assaults.

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Speaker 1: Not too much money. Now, Well, thank you, Tess, We

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Speaker 1: appreciate you. We'll see you next hour. Absolutely all right,

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Speaker 1: get it off your chest. Eight hundred five eight five

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Speaker 1: one oh five one. If you need to vent, hit

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Speaker 1: this up right, now phone lines or wide open again

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Speaker 1: eight hundred five eight five one oh five one. It's

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Speaker 1: the breakfast club. Good morning, the breakfast Club. Be somebody

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Speaker 1: in Congress that loose one their kids and what they're

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Speaker 1: gonna say. Man, I think about that all the time.

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Speaker 1: I'm like, Yo, do these people have young kids or

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Speaker 1: young grandkids? Like where did their kids go to school?

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Speaker 1: That they're not concerned about this issue, you know what

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Speaker 1: I mean? I mean, it's not even just cool, by

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Speaker 1: the way, we're talking about mass shootings. These mass shootings

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Speaker 1: happen all the time, not just in schools, you know

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Speaker 1: what I mean. Well, you know even with the gun laws,

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Speaker 1: Like it intrigues me with the gun laws because they

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Speaker 1: change so much and they don't tell people how they change,

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Speaker 1: like it just it's very intrigued. Like when even when

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Speaker 1: you hear about the certain devices that they sell on

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Speaker 1: line that can make a semi automatic fully automatic. Yeah,

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Speaker 1: but how they can still listen, how the people can

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Speaker 1: still buy it or silence is how people can still

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Speaker 1: buy it, but it's illegal. Even point bullets and ghost

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Speaker 1: cards all those things that people can still purchase and

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Speaker 1: buy and get, but it's supposed to be so illegal.

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Speaker 1: And these things are a really affected our community. Hello,

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Speaker 1: who's this till you getting off your chests? Man? First

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Speaker 1: of all, one said to talk the greatness on the phone.

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Speaker 1: I've been listening to y'all for the last two years. Man.

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Speaker 1: It's just for it is different things, different knowledge on

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Speaker 1: gil people man, And what I want to get off

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Speaker 1: my de is uh why people here. We just need

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Speaker 1: to make sure we tell them how we feel, no

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Speaker 1: matter what the situation is, because you don't never know

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Speaker 1: where somebody gonna get somethings gonna come up. Yeah, and

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Speaker 1: you're not gonna get that opportunity to let them know.

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Speaker 1: We need to do that. It's Charlemain man, a man,

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Speaker 1: all the knowledge yet the people on the radio and

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Speaker 1: J and I've been any man. It's one. We thank

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Speaker 1: thank you, brother, We appreciate you. Get it off your chests.

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Speaker 1: Eight hundred five A five one oh five one. If

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Speaker 1: you need to vent hit us up now. It's the

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Speaker 1: Breakfast Club. Good morning, the Breakfast Club. This is your

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Speaker 1: time to get it off your chest. Eight hundred five

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Speaker 1: A five one oh five one. You want to hear

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Speaker 1: from you on the Breakfast Club? All, I just get

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Speaker 1: it off your chests. I just want to send a

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Speaker 1: shout out to somebody that that helped me out recently. Uh,

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Speaker 1: if you're looking for a passport, and I know the

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Speaker 1: passport offers sometimes has three to six months the lays

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Speaker 1: and three six three to six month wait times, Uh,

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Speaker 1: write down this instagram. It's Fly Fly three six five travels,

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Speaker 1: Fly three six five Travels. It's a black owned company

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Speaker 1: and this woman was able to get me an appointment

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Speaker 1: with in a day. So if you ever if you

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Speaker 1: have to go to a passport, maybe your passport expired,

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Speaker 1: maybe you need a passport. Like I said, week time

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Speaker 1: is three to six months, so if you need a

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Speaker 1: passport now, I don't have anything to do with this company.

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Speaker 1: I found her, I paid her, and she got my

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Speaker 1: passports immediately, So I just want to shout her out

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Speaker 1: and put my people onto it again. It's at Fly

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Speaker 1: three to six five Travels, all right, if you need

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Speaker 1: a passport, she got it done quickly, and I just

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Speaker 1: want to say thank you to her because and it

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Speaker 1: wasn't that expensive. Everybody was charging of super califragilistic xpialidocious

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Speaker 1: money and she wasn't like that black owned To make

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Speaker 1: sure you go support her if you do need your passport.

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Speaker 1: So I just want to say, appreciate to that young lady. Yeah,

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Speaker 1: very important. She got me through word Hello, who's this? Hey?

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Speaker 1: What's up? Brother? Get it off your chest, man. I

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Speaker 1: just wanted to say I am very fair to you.

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Speaker 1: Get her and oh just um the tragedy we had

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Speaker 1: we had yesterday last week in Nashville. First, I want

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Speaker 1: to say, y'all need to focus on these white carries

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Speaker 1: and call them for what they are for hurting these babies.

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Speaker 1: Dunker man like people need to really just like regenerate

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Speaker 1: old and think about it every single day. Bro, and

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Speaker 1: everybody showing I'm a big fan. I thank you, brother,

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Speaker 1: well you, good morning, thank you. I haven't thought about

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Speaker 1: the too. What's that? I was like, it's not just

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Speaker 1: the guns. It's something wrong and broken with these young

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Speaker 1: white boys, absolutely because they're the ones that are doing

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Speaker 1: all this. And you know, I don't know if it's

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Speaker 1: related to the insensitivities that happened with playing these video

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Speaker 1: games and squeeze on guns and blowing people's heads off

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Speaker 1: and setting them pop back together and not being able

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Speaker 1: to differentiate between reality and fantasy. But something's wrong with

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Speaker 1: these young white boys that they've sitting around plotting to

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Speaker 1: go off the school. I think it's not even a

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Speaker 1: different uh dynamic. I think it's social media too. I

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Speaker 1: think the fact that a lot of these these young

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Speaker 1: boys are hurt, you know, I mean, I think social

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Speaker 1: media is making it worse for bullying. It's making it

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Speaker 1: worse for like even like you say, memory, back in

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Speaker 1: the day, you get bullied or something happened to you.

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Speaker 1: The next day, it was over because nobody knew about

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Speaker 1: it was just in that little circle. It was just

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Speaker 1: in your school. But now you got millions and thousands

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Speaker 1: of NULLI exactly, even even though the statistics show that

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Speaker 1: I'm sure it's a it's a gender thing. But you know,

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Speaker 1: let's just keep in mind. The person this week was

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Speaker 1: a biological woman, transgender, you know what I mean. So

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Speaker 1: it's just about people who are But she wasn't pain.

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Speaker 1: She was hurt. We saw that when with the text

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Speaker 1: messages she sent her friend. So yes, there is uh

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Speaker 1: something wrong with these individuals. But that's why we need

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Speaker 1: more mental health services. Community woman, biological man, man woman

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Speaker 1: woman just to email, No, it was about a lot

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Speaker 1: of positive I would check that, okay, I would check it.

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Speaker 1: I'm not sure about that. I'm still gonna round with

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Speaker 1: the broken white boy thing because even if this transgender

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Speaker 1: person did this, that's one out of one hundred and

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Speaker 1: twenty eight school shootings you've had. No, I agree. I

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Speaker 1: just agree with you that I agree that these people

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Speaker 1: are just broken period. Though, Like when I saw the

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Speaker 1: texts her friend, young white boys, Yes, I agree, but

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Speaker 1: I think it's a lot of broken people out here, pitted.

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Speaker 1: But the school shooters are young white boys, mash. Most

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Speaker 1: mass shooters are young white man. Yet no all of them.

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Speaker 1: I don't know if it's all of them. The other

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Speaker 1: one was was wasn't one of the Asian man in

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Speaker 1: California a couple of months ago shooter for school? Though?

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Speaker 1: About the school shooting, yeah, I don't know. The satistics. Hello,

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Speaker 1: who's this? What up? Lenny? Lenny was up? Getting off

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Speaker 1: your chest? All right? First of the morning morning. The

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00:17:00,480 --> 00:17:04,199
Speaker 1: food service industry is trash. Can't go anywhere and get

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Speaker 1: a thief to fail. The lobby for cloth and they

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Speaker 1: didn't want to serve truck drivers stuff like that. I

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Speaker 1: didn't know that he don't want to serve trunk drivers.

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Speaker 1: That's where some of the best food is Oh, no, man,

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Speaker 1: he go to these fast food restaurants and that all

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00:17:20,280 --> 00:17:24,200
Speaker 1: were drive only. I can't find the drive through. Oh.

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Speaker 1: I used to hate that, you know when when when

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Speaker 1: I was a kid going to school right and and

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00:17:30,119 --> 00:17:31,520
Speaker 1: they used to do that all the time. But I

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00:17:31,600 --> 00:17:33,120
Speaker 1: was the same name. Like as a kid, we didn't

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Speaker 1: have cars, so there was no drive to and they

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Speaker 1: wouldn't let you inside. But we would try to walk

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Speaker 1: around McDonald's. Back in the day, I walk around white

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Speaker 1: Castle and they wouldn't let you walk around, but they

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Speaker 1: wouldn't let nobody inside. It was stupid as hell. But

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Speaker 1: I feel for y'all exactly. It sucks a man's terrible

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Speaker 1: damn it. Man, Well, sorry for you. Brother talked to wait,

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Speaker 1: but bro, you in your truck now, yes, come on,

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Speaker 1: blow that off for me, brother. Yeah, there you go.

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Speaker 1: There you go, get it off your chest. Eight hundred

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Speaker 1: five eight five one h five one. No, you ever

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Speaker 1: did that when you on no highway and you see

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Speaker 1: the truck drivers and you may definitely blew a truckhood

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Speaker 1: before they say blow a truck, make the blow the horn. What.

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00:18:12,000 --> 00:18:15,399
Speaker 1: I've never blown a trucker except for when I was

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Speaker 1: dating a trucker, and I haven't had sex in the

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Speaker 1: the big right because I got the sleep up compartment.

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Speaker 1: And um, I have flash truckers before and then there

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00:18:28,760 --> 00:18:30,520
Speaker 1: and then they hunk the horn like that. You don't

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00:18:30,560 --> 00:18:35,680
Speaker 1: have to flash move, gotta do it. That told me wrong,

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Speaker 1: Jesus Christy, they told me wrong. Get it off your chests.

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Speaker 1: Eight hundred five chest one five one. When we come back,

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Speaker 1: sold you boy, he apologizes to New Jersey. We'll play

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00:18:47,800 --> 00:18:49,440
Speaker 1: when we come back. It's the breakfast Club the morning,

363
00:18:49,840 --> 00:18:56,399
Speaker 1: the breakfast club owning. Everybody is TJ NV Scharlomagne the guy.

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Speaker 1: We are the breakfast Club. We got our guest host,

365
00:18:58,200 --> 00:19:01,760
Speaker 1: Lunell joining us. Seeing men. Now let's get to the rumors.

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Speaker 1: Let's talk sold you boy from my hat name or

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00:19:06,520 --> 00:19:10,679
Speaker 1: you gossiping or you chatting the rumor report? I mean,

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Speaker 1: I guess we're on the breakfast club. This is were

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00:19:12,119 --> 00:19:15,360
Speaker 1: the tea spells right right on the breakfast Club. Now,

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00:19:15,600 --> 00:19:19,200
Speaker 1: Soldier Boy made a comment about New Jersey. Do we

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Speaker 1: have that comment? The original comment? He name suck y'all

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Speaker 1: think gonna never make it out the hood, gonna die broke.

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Speaker 1: I wouldn't have dinner with y'all a's and fifted holes anyway.

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Speaker 1: I would not have dinner with no broke ass to

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Speaker 1: New Jersey anyway. Damn, I would not have dinner with

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00:19:38,000 --> 00:19:41,040
Speaker 1: no crackhead ass look at holes anyway. Y'all could not

377
00:19:41,160 --> 00:19:43,720
Speaker 1: be in the same room with me. Y'all gonna die

378
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Speaker 1: in the hood. Y'all gonna die broke. Y'all gonna never

379
00:19:46,640 --> 00:19:49,359
Speaker 1: touch a million dollars, right, gonna never touch thirty million.

380
00:19:49,760 --> 00:19:51,600
Speaker 1: The first of all, you don't let pass to soldier,

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Speaker 1: get on that pulpit and then try to run path

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00:19:54,160 --> 00:19:56,399
Speaker 1: sold you off the pulpit. Now, well, well you know,

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00:19:56,520 --> 00:19:58,760
Speaker 1: I guess so old your boy thought about it and

384
00:19:58,880 --> 00:20:01,080
Speaker 1: then call back. Any got back on Live and wanted

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00:20:01,080 --> 00:20:03,920
Speaker 1: to apologize to New Jersey. There's a lot of amazing

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00:20:04,000 --> 00:20:05,640
Speaker 1: things in New Jersey. I live in New Jersey. Shaw

387
00:20:05,680 --> 00:20:07,440
Speaker 1: who lives in New Jersey. I love Jersey. So he

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00:20:07,560 --> 00:20:10,760
Speaker 1: called back, He went back on Live, and he apologized

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00:20:10,840 --> 00:20:13,800
Speaker 1: to New Jersey, which I think was very honorable. Honorable.

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00:20:14,160 --> 00:20:16,359
Speaker 1: Right now to shout out to all my fans in

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Speaker 1: New Jersey, I feel like yesterday I over reacted on

392
00:20:20,200 --> 00:20:22,840
Speaker 1: the video. I ain't even watched the video. I just

393
00:20:23,000 --> 00:20:25,840
Speaker 1: seen the caption that this was put in, and I

394
00:20:25,960 --> 00:20:28,159
Speaker 1: went live and went off. See like I'm trying to

395
00:20:28,200 --> 00:20:31,480
Speaker 1: be nice. He's my true band for New Jersey, New Jersey.

396
00:20:31,520 --> 00:20:34,080
Speaker 1: We will come up blow what I'm saying. Man suck

397
00:20:34,200 --> 00:20:37,760
Speaker 1: my oh y'all fans doble x sal and no jumping

398
00:20:38,119 --> 00:20:43,560
Speaker 1: world star yall. I ain't squashing sucking. We don't want

399
00:20:43,600 --> 00:20:47,680
Speaker 1: to come to New Jersey anyway, y'all. Broke Lunell. I

400
00:20:47,800 --> 00:20:53,360
Speaker 1: don't particularly care for mister boy the boy Boy. Well

401
00:20:53,440 --> 00:20:56,239
Speaker 1: you don't like young soul ja he just I mean,

402
00:20:56,720 --> 00:20:58,800
Speaker 1: I don't have to like me, give a damn about me,

403
00:20:58,880 --> 00:21:02,680
Speaker 1: I'm sure. Yeah, Um, it's just not any kind of

404
00:21:03,480 --> 00:21:09,480
Speaker 1: example of an artist that I would support or a person. Yeah,

405
00:21:09,680 --> 00:21:14,560
Speaker 1: he's he's a loose cannon and um he's too much

406
00:21:14,680 --> 00:21:18,840
Speaker 1: for anything about it. He's actually a good kid. He's

407
00:21:18,840 --> 00:21:22,680
Speaker 1: a good kid. The Soldier Boy is very intelligent, generational.

408
00:21:23,200 --> 00:21:26,000
Speaker 1: Yeah you know he knows because I wouldn't care if

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00:21:26,040 --> 00:21:28,600
Speaker 1: I've never heard that his name again. But I want

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00:21:28,920 --> 00:21:34,040
Speaker 1: people in New Jersey to use that as more. Okay,

411
00:21:34,280 --> 00:21:36,400
Speaker 1: they don't have nothing to prove the damn the Soldier Boy,

412
00:21:36,560 --> 00:21:41,639
Speaker 1: dang it, but The funny thing is like when I

413
00:21:41,760 --> 00:21:44,320
Speaker 1: hear that, I really feel like when I first heard

414
00:21:44,440 --> 00:21:47,280
Speaker 1: no scrubs by TLC, or when I heard get up,

415
00:21:47,320 --> 00:21:49,560
Speaker 1: get out and get something by Outcasts, I'm like, I'm

416
00:21:49,600 --> 00:21:51,879
Speaker 1: gonna go make something to myself. I'm not gonna let

417
00:21:52,200 --> 00:21:58,280
Speaker 1: this name city, the city, the state, right, my bad,

418
00:21:58,760 --> 00:22:01,439
Speaker 1: the state can't because I'm certain about what the heck soldier,

419
00:22:01,480 --> 00:22:04,639
Speaker 1: But you're absolutely right. But if that did bother you

420
00:22:04,720 --> 00:22:06,840
Speaker 1: in any way, and you from Jersey, just use it

421
00:22:06,880 --> 00:22:09,560
Speaker 1: as motivation to prove them wrong. Absolutely no, fine, sold

422
00:22:09,680 --> 00:22:13,479
Speaker 1: you what and put your foot in this behind now

423
00:22:13,560 --> 00:22:15,840
Speaker 1: that ain't on the list, and not to say that

424
00:22:15,960 --> 00:22:20,080
Speaker 1: might happen to Yeah. Go and then now they're gonna say,

425
00:22:20,119 --> 00:22:23,320
Speaker 1: told you where that fat old lady on talking about

426
00:22:23,359 --> 00:22:28,200
Speaker 1: you and did. Now now we got to talk about

427
00:22:28,240 --> 00:22:34,399
Speaker 1: a sad story. Um that was said true Jesus Christ.

428
00:22:35,240 --> 00:22:38,399
Speaker 1: Now shout to one of my attorneys. His name is Steven.

429
00:22:38,520 --> 00:22:40,920
Speaker 1: Did he called me about this case a couple of

430
00:22:41,000 --> 00:22:43,960
Speaker 1: days ago. Uh, he's a dopeaturnit. If you haven't need attorney,

431
00:22:43,960 --> 00:22:45,920
Speaker 1: anything ever happened to you and you need some protection

432
00:22:46,040 --> 00:22:48,240
Speaker 1: from back, and he will make sure that he protects you,

433
00:22:48,320 --> 00:22:49,840
Speaker 1: back to you and get you the money that you need.

434
00:22:50,000 --> 00:22:52,600
Speaker 1: I got some boys that protect you and back you too,

435
00:22:52,880 --> 00:22:58,400
Speaker 1: legally legally, Okay, never mind, Then boys gonna need Steve

436
00:22:58,480 --> 00:23:03,399
Speaker 1: if you keep sending them on so um floor rider.

437
00:23:03,560 --> 00:23:06,480
Speaker 1: A six year old son is in ICU after falling

438
00:23:06,600 --> 00:23:10,720
Speaker 1: from a five story windows. Now what they're saying that

439
00:23:11,000 --> 00:23:13,480
Speaker 1: happened is when I spoke to him. So I say allegedly,

440
00:23:13,520 --> 00:23:14,840
Speaker 1: because you know, I was in and out when he

441
00:23:14,920 --> 00:23:18,959
Speaker 1: was telling me. The mother of the young boy, her

442
00:23:19,040 --> 00:23:23,000
Speaker 1: name is Alexis Uh. They live in New Jersey, Jersey City,

443
00:23:23,080 --> 00:23:24,920
Speaker 1: and the building that they were living in, I guess

444
00:23:25,000 --> 00:23:27,200
Speaker 1: wanted she wanted bars on the window because she said

445
00:23:27,200 --> 00:23:29,240
Speaker 1: her son runs around and he's young and they need

446
00:23:29,280 --> 00:23:31,720
Speaker 1: bars on the window. So they went to install the bars.

447
00:23:31,760 --> 00:23:34,200
Speaker 1: I'll say allegedly because I know I don't know the

448
00:23:34,280 --> 00:23:37,600
Speaker 1: full story. He went to install the bars. But the window,

449
00:23:37,800 --> 00:23:40,399
Speaker 1: let's say it was a two foot window and the

450
00:23:40,560 --> 00:23:43,520
Speaker 1: bar was only one foot, so we're still room for

451
00:23:43,600 --> 00:23:45,720
Speaker 1: the young boy to fall out. It was the fifth

452
00:23:45,800 --> 00:23:50,120
Speaker 1: floor and the boy fell out. Uh. So the guards

453
00:23:50,160 --> 00:23:52,520
Speaker 1: weren't put on right. It wasn't the right guards, And

454
00:23:52,920 --> 00:23:55,960
Speaker 1: thank god that the young boy did not die. He

455
00:23:56,080 --> 00:24:01,159
Speaker 1: suffered a shattered pelvis, fractures, problems with his liver, internal bleeding,

456
00:24:01,240 --> 00:24:05,600
Speaker 1: and collapse lungs. So now alive, he is alive, Thank God,

457
00:24:05,720 --> 00:24:07,840
Speaker 1: thank God. Usually when you hear that the child uti

458
00:24:07,960 --> 00:24:09,480
Speaker 1: doesn't make it. So there was like this grace of

459
00:24:09,560 --> 00:24:12,240
Speaker 1: God that he found He felt five stories hit the

460
00:24:12,320 --> 00:24:17,280
Speaker 1: pavement and did not die. Ye, but he's pretty banged

461
00:24:17,359 --> 00:24:19,720
Speaker 1: up now. So now they are filing a lawsuit with

462
00:24:19,800 --> 00:24:22,879
Speaker 1: the Jersey City's building management to make sure that this

463
00:24:22,960 --> 00:24:25,399
Speaker 1: doesn't happen to anybody else out there. Again, I mean,

464
00:24:25,440 --> 00:24:28,000
Speaker 1: that's an easy call. If they didn't have the proper

465
00:24:28,200 --> 00:24:30,000
Speaker 1: measurements in the window, right, if it's supposed to be

466
00:24:30,040 --> 00:24:31,359
Speaker 1: two feet and it was only one from I'll say

467
00:24:31,359 --> 00:24:34,600
Speaker 1: allegedly because this is the story I heard. I'm not

468
00:24:34,640 --> 00:24:36,400
Speaker 1: sure the details of the case, but the boy fell

469
00:24:36,400 --> 00:24:39,360
Speaker 1: out the window and obviously those guards weren't put on right. Well.

470
00:24:39,400 --> 00:24:41,960
Speaker 1: I lived in a studio department for many years before

471
00:24:42,000 --> 00:24:44,439
Speaker 1: I got my house. My daughter losened to the studio.

472
00:24:44,720 --> 00:24:47,639
Speaker 1: Now and when I when I and we don't have

473
00:24:47,840 --> 00:24:50,040
Speaker 1: didn't have a central air in the studio. I like

474
00:24:50,119 --> 00:24:51,760
Speaker 1: to see the windows of and when I knew my

475
00:24:51,840 --> 00:24:54,119
Speaker 1: daughter was gonna come up from college under there, I

476
00:24:54,200 --> 00:24:58,359
Speaker 1: put bars on that building myself. You know, I asked

477
00:24:58,440 --> 00:25:01,560
Speaker 1: him could I do it? They said, so you hired

478
00:25:01,640 --> 00:25:05,200
Speaker 1: somebody to do it. Dot, I'm sure did because the

479
00:25:05,480 --> 00:25:07,600
Speaker 1: night stalker that used to be in LA you should

480
00:25:07,600 --> 00:25:10,800
Speaker 1: just slip the screen and come in and rape you.

481
00:25:11,080 --> 00:25:12,760
Speaker 1: And I knew my daughter was gonna be in there,

482
00:25:13,000 --> 00:25:15,240
Speaker 1: and I couldn't wait for the building to do it,

483
00:25:15,520 --> 00:25:18,600
Speaker 1: so I put the bars under the three windows myself. Yikes,

484
00:25:18,640 --> 00:25:20,679
Speaker 1: what is the night stalker? I never heard that story. Hey,

485
00:25:20,800 --> 00:25:23,760
Speaker 1: yes you have Chad. He was He was a serial

486
00:25:23,880 --> 00:25:29,320
Speaker 1: killer in LA. Yeah, you know, I guess it's regional. Yeah,

487
00:25:29,440 --> 00:25:32,520
Speaker 1: I'm sure. Well, yeah that's what happened. So not to

488
00:25:32,640 --> 00:25:34,320
Speaker 1: say that that's what they should do, but you could

489
00:25:34,359 --> 00:25:36,359
Speaker 1: have done that. You can put them on there yourself,

490
00:25:36,600 --> 00:25:39,760
Speaker 1: yeahead of waiting prize that you know a building like

491
00:25:39,920 --> 00:25:42,399
Speaker 1: that didn't follow the right protocol and make sure that

492
00:25:42,440 --> 00:25:45,159
Speaker 1: that child was safe for you. You know, I just

493
00:25:45,200 --> 00:25:49,000
Speaker 1: prayed that young man has a speedy recovery. Definitely sending

494
00:25:49,000 --> 00:25:50,600
Speaker 1: the name healing energy, and I hope that you know,

495
00:25:50,680 --> 00:25:54,399
Speaker 1: they get compensated. Absolutely know if the building did actually

496
00:25:54,480 --> 00:25:56,919
Speaker 1: did do something wrong. Yeah. Well wait a minute now,

497
00:25:57,000 --> 00:25:59,640
Speaker 1: so you said, okay, if there's a flow riders, baby

498
00:25:59,720 --> 00:26:03,320
Speaker 1: mom and she probably lived in a nice building, would

499
00:26:03,320 --> 00:26:06,080
Speaker 1: assume what they need bars far anyway for the kid

500
00:26:06,240 --> 00:26:08,320
Speaker 1: don't fall out. Well, you're gonna put bars on every

501
00:26:08,320 --> 00:26:10,760
Speaker 1: building it is Jersey. Do you need me to play

502
00:26:10,840 --> 00:26:13,440
Speaker 1: soldier boy against Well, it's not that type of bars.

503
00:26:13,480 --> 00:26:16,199
Speaker 1: It's not the bars, protection bars. It's it's the thing

504
00:26:16,280 --> 00:26:17,680
Speaker 1: that they put on the windows so the kid can't

505
00:26:17,720 --> 00:26:24,160
Speaker 1: fall out. It's not protection bars about it's not protection bars.

506
00:26:24,200 --> 00:26:27,280
Speaker 1: But in the hood they put the protection bars. No, no, no.

507
00:26:27,400 --> 00:26:29,919
Speaker 1: On apartment buildings, they put these things in the windows. Um,

508
00:26:30,280 --> 00:26:31,679
Speaker 1: so the kids can't fall out. I used to say

509
00:26:31,720 --> 00:26:33,480
Speaker 1: at my grandmother's house in Stari City and they would

510
00:26:33,480 --> 00:26:35,000
Speaker 1: put these things so you can't push out, so the

511
00:26:35,080 --> 00:26:36,800
Speaker 1: kids can't lean on it and fall out. The kids

512
00:26:36,840 --> 00:26:39,160
Speaker 1: can't open the window and fall out. So there's these

513
00:26:39,200 --> 00:26:41,679
Speaker 1: like children protection bars that they put on these these

514
00:26:42,800 --> 00:26:45,720
Speaker 1: falling out I know how to keep it full o. No, no, no,

515
00:26:45,880 --> 00:26:47,320
Speaker 1: not that type of not those it's a fix story.

516
00:26:47,320 --> 00:26:49,119
Speaker 1: You don't're gonna climb up five stories. You getting building.

517
00:26:49,119 --> 00:26:51,880
Speaker 1: You'll be surprised. You'd be surprised, Spider, especially if there's

518
00:26:51,880 --> 00:26:55,800
Speaker 1: fires kid. Right. All right, well that is your rumor report.

519
00:26:55,840 --> 00:26:57,560
Speaker 1: When we come back. We got Front Page News and

520
00:26:57,680 --> 00:26:59,720
Speaker 1: DJ Drama will be joining us next hour, so don't

521
00:26:59,720 --> 00:27:02,760
Speaker 1: move its Breakfast Club go morning, So Breakfast Club, your

522
00:27:02,840 --> 00:27:06,399
Speaker 1: mornings will never be the same. Check out the new

523
00:27:06,480 --> 00:27:10,240
Speaker 1: movie Spinning Goal, the true story behind Casablanca Records, the

524
00:27:10,320 --> 00:27:13,520
Speaker 1: most successful independent record label ever. They gave us artists

525
00:27:13,520 --> 00:27:16,800
Speaker 1: like Gladys Night, Bill Withers, and Kiss. It's the greatest

526
00:27:16,840 --> 00:27:20,080
Speaker 1: story never told with an unbelievable soundtrack. See it in theater.

527
00:27:20,160 --> 00:27:25,360
Speaker 1: Spinning Goal, March thirty first, Jane and Charlemagne the Guy.

528
00:27:25,440 --> 00:27:27,760
Speaker 1: We are the Breakfast Club. We have our special guest

529
00:27:27,800 --> 00:27:31,200
Speaker 1: Hostlo now with us, and it's time for some front

530
00:27:31,240 --> 00:27:35,159
Speaker 1: page news z Bill Martin and Breakfast Club family and

531
00:27:35,280 --> 00:27:38,800
Speaker 1: Queen Nil in the building. Now let's jump right into it.

532
00:27:39,119 --> 00:27:41,919
Speaker 1: What's going on with these LA undercover police officers? Now?

533
00:27:41,920 --> 00:27:44,639
Speaker 1: It seems like they were their names were posted online

534
00:27:44,680 --> 00:27:47,280
Speaker 1: and pictures or something like that. Yes, I wanted to

535
00:27:47,440 --> 00:27:48,880
Speaker 1: I've been wanting to talk about this for a couple

536
00:27:48,920 --> 00:27:50,720
Speaker 1: of days because I want to know where the Breakfast

537
00:27:50,760 --> 00:27:54,160
Speaker 1: club family how they feel about this. So the Los

538
00:27:54,240 --> 00:27:59,200
Speaker 1: Angeles a police chief and the department's Constitutional Policing director

539
00:27:59,320 --> 00:28:03,160
Speaker 1: are under investigation after the names and photographs of undercover

540
00:28:03,359 --> 00:28:07,320
Speaker 1: officers were released to a watchdog watchdog group that posted

541
00:28:07,359 --> 00:28:12,040
Speaker 1: them online. Now, the watchdog group Stop LAPD Spying Coalition

542
00:28:12,400 --> 00:28:16,359
Speaker 1: posted more than nine thousand, three hundred officers information and

543
00:28:16,560 --> 00:28:21,000
Speaker 1: photographs last Friday in a searchable online database. Now, the

544
00:28:21,080 --> 00:28:24,760
Speaker 1: coalition believes that the database should be used for countersurveillance.

545
00:28:25,359 --> 00:28:28,000
Speaker 1: They say that you should use it to identify officers

546
00:28:28,040 --> 00:28:30,920
Speaker 1: who are causing harm in your community. And they want

547
00:28:31,000 --> 00:28:33,760
Speaker 1: further to say that police have vast information about all

548
00:28:33,800 --> 00:28:37,359
Speaker 1: of us at their fingertips, but yet they move in secrecy. Now,

549
00:28:37,440 --> 00:28:40,360
Speaker 1: the problem with the release is that it also included

550
00:28:40,480 --> 00:28:45,000
Speaker 1: undercover officers. So the LA PD Chief Michael Moore, offered

551
00:28:45,040 --> 00:28:48,600
Speaker 1: his deep apologies to the undercover officers because they were

552
00:28:48,640 --> 00:28:51,840
Speaker 1: not given advanced notice of the disclosure. So I wanted

553
00:28:51,880 --> 00:28:54,280
Speaker 1: the family to tap in on the comments and let

554
00:28:54,360 --> 00:28:58,840
Speaker 1: me know, do you think we should have police under countersurveillance?

555
00:28:58,880 --> 00:29:04,040
Speaker 1: What do you guys think? Yes? Yeah, But I mean

556
00:29:04,160 --> 00:29:07,160
Speaker 1: even the undercover officers. Yeah, but I don't know what

557
00:29:07,240 --> 00:29:08,840
Speaker 1: it's going to do because I mean, you have police

558
00:29:08,880 --> 00:29:12,360
Speaker 1: officers wearing cameras, body cameras now and they still you know,

559
00:29:12,520 --> 00:29:14,840
Speaker 1: boling people. Yeah, they turn them off, So I mean,

560
00:29:14,960 --> 00:29:16,600
Speaker 1: like what is that going to do just because they're

561
00:29:16,640 --> 00:29:20,440
Speaker 1: under surveillance. We need more snitches, I do feel. I mean,

562
00:29:20,560 --> 00:29:21,840
Speaker 1: I think you have to be careful when it comes

563
00:29:21,840 --> 00:29:23,960
Speaker 1: to undercover police because you definitely don't want the information

564
00:29:24,000 --> 00:29:27,200
Speaker 1: out there. My dad was undercover police officer and then

565
00:29:27,320 --> 00:29:29,880
Speaker 1: he uh, before he retired, he started working in a

566
00:29:30,240 --> 00:29:32,200
Speaker 1: turn of affairs And if you don't know what the

567
00:29:32,240 --> 00:29:35,440
Speaker 1: turn of affairs is, they are the bureau to follow cops.

568
00:29:35,480 --> 00:29:37,640
Speaker 1: So he would have to drive around and follow undercovers

569
00:29:37,680 --> 00:29:39,320
Speaker 1: and he would have to drive around and follow police

570
00:29:39,320 --> 00:29:41,120
Speaker 1: officers to see if they were doing dirty things. And

571
00:29:41,560 --> 00:29:44,080
Speaker 1: you know, he would make a case on those dirty cops. Um,

572
00:29:44,280 --> 00:29:47,240
Speaker 1: but I would say that, you know, that stuff should

573
00:29:47,240 --> 00:29:49,520
Speaker 1: be protected, like my dad's stuff was protected, you know

574
00:29:49,520 --> 00:29:51,320
Speaker 1: what I mean, and nobody would know he was police

575
00:29:51,320 --> 00:29:52,680
Speaker 1: officer less or less I said it, but you know

576
00:29:52,720 --> 00:29:55,760
Speaker 1: he's retired now. But um, yeah, I think those bureaus

577
00:29:56,000 --> 00:29:58,479
Speaker 1: definitely need to follow those undercover cops to make sure

578
00:29:58,480 --> 00:30:00,680
Speaker 1: they're doing the right then, so the FI surveillance a

579
00:30:00,720 --> 00:30:03,840
Speaker 1: little more tax because maybe I'm thinking surveillance you're wrong

580
00:30:03,920 --> 00:30:06,760
Speaker 1: with Yeah, well, just keeping track of who is who.

581
00:30:07,160 --> 00:30:09,320
Speaker 1: And one of the things that we're constantly talking about,

582
00:30:09,680 --> 00:30:11,520
Speaker 1: especially when we talk about the George Floyd Justice and

583
00:30:11,560 --> 00:30:14,680
Speaker 1: Police and Act on the federal level is having databases

584
00:30:15,080 --> 00:30:17,120
Speaker 1: that actually keep up with cops, keep up you know,

585
00:30:17,200 --> 00:30:19,560
Speaker 1: what incidents, keep up with things that they're doing. So

586
00:30:19,760 --> 00:30:22,000
Speaker 1: some type of tracking. And so since that's not happening

587
00:30:22,040 --> 00:30:23,960
Speaker 1: on the federal level, sometimes it does happen on the

588
00:30:24,080 --> 00:30:27,280
Speaker 1: state or the local. Some cities, like for example, in Houston,

589
00:30:27,840 --> 00:30:30,640
Speaker 1: they've implemented, you know, a public database that at least

590
00:30:30,720 --> 00:30:33,840
Speaker 1: keeps up with, you know, cops prior convictions or things

591
00:30:33,920 --> 00:30:35,720
Speaker 1: that you may need to know about a police officer.

592
00:30:35,840 --> 00:30:38,520
Speaker 1: So this is just something that's saying, hey, if police,

593
00:30:38,840 --> 00:30:41,400
Speaker 1: if they are aware that the public knows who they

594
00:30:41,440 --> 00:30:43,200
Speaker 1: are and what they do, would be able to say, hey,

595
00:30:43,280 --> 00:30:45,120
Speaker 1: that's a good cop for a bad cop, you know,

596
00:30:45,280 --> 00:30:48,600
Speaker 1: will that help deter some of the police brutality. And

597
00:30:48,680 --> 00:30:50,840
Speaker 1: so there's been some apps out there actually made by

598
00:30:50,920 --> 00:30:53,920
Speaker 1: some independent folks that have put apps together that kind

599
00:30:53,920 --> 00:30:56,000
Speaker 1: of keeps up with community, you know, police, and so

600
00:30:56,160 --> 00:30:57,920
Speaker 1: you have a little bit more information about them. So

601
00:30:58,280 --> 00:31:02,360
Speaker 1: it's a deterrent on on a larger issue of police brutality. Yeah,

602
00:31:02,520 --> 00:31:04,719
Speaker 1: I think everybody's resumeation followed them. But it's not going

603
00:31:04,760 --> 00:31:06,880
Speaker 1: to change nothing because that devil Derek Chauvin who you

604
00:31:06,960 --> 00:31:09,440
Speaker 1: just mentioned that wasn't George Floyd, wasn't his first incident

605
00:31:09,560 --> 00:31:11,960
Speaker 1: at all, you know, So it's not going to I

606
00:31:11,960 --> 00:31:13,320
Speaker 1: don't think it's going to deter them. The only thing

607
00:31:13,320 --> 00:31:15,200
Speaker 1: that's going to deter them then being held accountable for

608
00:31:15,240 --> 00:31:17,600
Speaker 1: their actions. So they we can have a record of

609
00:31:17,640 --> 00:31:19,080
Speaker 1: all the dirt that they did, but if they're not

610
00:31:19,120 --> 00:31:21,360
Speaker 1: being held accountable for those actions, what did it matter? Yeah,

611
00:31:21,400 --> 00:31:23,360
Speaker 1: now I agree with Charlomn. Just not accountable as far

612
00:31:23,440 --> 00:31:26,280
Speaker 1: as jail, but also accountable where they lose their benefits,

613
00:31:26,360 --> 00:31:29,600
Speaker 1: lose their retirement and then possibly can get sued from

614
00:31:29,640 --> 00:31:31,440
Speaker 1: the person that they hurt or killed. You gotta get

615
00:31:31,480 --> 00:31:33,120
Speaker 1: rid of qualified immunity for that. You gotta get rid

616
00:31:33,120 --> 00:31:35,200
Speaker 1: of qualified with me. Right, But again, it's just like

617
00:31:35,280 --> 00:31:37,520
Speaker 1: we talk about what gun control, it's a stop sign.

618
00:31:37,640 --> 00:31:39,920
Speaker 1: It's still one of many things. So it's not that

619
00:31:40,120 --> 00:31:42,640
Speaker 1: it will stop it and deter completely. All of those

620
00:31:42,680 --> 00:31:44,680
Speaker 1: things need to be in place, but it is one

621
00:31:44,760 --> 00:31:47,520
Speaker 1: of many things. If you know you're being watched, typically

622
00:31:47,880 --> 00:31:50,440
Speaker 1: you know you may kind of watch how you but

623
00:31:50,480 --> 00:31:52,640
Speaker 1: like to your point, Charlomagne, they have stuff on bodycam

624
00:31:52,720 --> 00:31:54,320
Speaker 1: and they still do what they do. But this is

625
00:31:54,360 --> 00:31:57,320
Speaker 1: just one of many things that that can help deter,

626
00:31:57,760 --> 00:32:00,680
Speaker 1: not just bodycamra These people are getting filmed, just like

627
00:32:02,080 --> 00:32:05,720
Speaker 1: now we saw George Floyd, we saw Eric Garner. We've

628
00:32:05,760 --> 00:32:07,320
Speaker 1: seen all of these things, you know what I mean,

629
00:32:07,400 --> 00:32:10,360
Speaker 1: and haven't changed nothing. You know, I'm very careful with absolutely,

630
00:32:10,520 --> 00:32:12,120
Speaker 1: because I do want to say that there has been

631
00:32:12,760 --> 00:32:15,800
Speaker 1: more officers arrested than ever before in the history since

632
00:32:15,880 --> 00:32:18,400
Speaker 1: Trayvon Martin. Not not enough, but more that have been

633
00:32:18,480 --> 00:32:20,640
Speaker 1: charged and arrested, and certainly more that have ever went

634
00:32:20,720 --> 00:32:22,840
Speaker 1: to jail. So I want to be careful when I

635
00:32:22,920 --> 00:32:26,000
Speaker 1: say nothing, but it has been some slight and you know,

636
00:32:26,080 --> 00:32:29,880
Speaker 1: some slight change, and over one hundred cities have implemented

637
00:32:30,000 --> 00:32:32,440
Speaker 1: some level of police reform on the state and local

638
00:32:32,560 --> 00:32:35,360
Speaker 1: level since treyvon Martin. So there's been a little bit

639
00:32:35,400 --> 00:32:37,240
Speaker 1: of change, but not enough, and certainly not enough on

640
00:32:37,280 --> 00:32:39,440
Speaker 1: the federal level. Got you, I'm force of aveilanced, though

641
00:32:39,440 --> 00:32:42,880
Speaker 1: I'm definitely not against it at all. I would love

642
00:32:43,000 --> 00:32:46,720
Speaker 1: to be hired to do that. No, bye way, you

643
00:32:46,760 --> 00:32:48,680
Speaker 1: do look like an undercover cop this morning. I'm not

644
00:32:48,760 --> 00:32:52,680
Speaker 1: gonna lie. You look so undercover. You got a Harlem

645
00:32:52,800 --> 00:32:56,240
Speaker 1: hat on with a nip hussel, marathon hoodie change, a

646
00:32:56,400 --> 00:33:02,200
Speaker 1: printage change, and some savage jacks fantis. We wasn't looking

647
00:33:02,200 --> 00:33:07,760
Speaker 1: at them. Well I did at first. It was like

648
00:33:07,800 --> 00:33:11,520
Speaker 1: what you were rocking today? She told me. Now, let's

649
00:33:11,520 --> 00:33:15,120
Speaker 1: talk about parts. What's going on with Rosa Parks in Florida? Yeah?

650
00:33:15,200 --> 00:33:17,760
Speaker 1: I can't with this one, guys. In an effort to

651
00:33:17,880 --> 00:33:21,880
Speaker 1: comply with Florida's Stop Woke Act, a text book publisher

652
00:33:22,000 --> 00:33:25,920
Speaker 1: found in over forty thousand Florida schools removed references about

653
00:33:25,960 --> 00:33:29,280
Speaker 1: the race of civil rights icon rolls of Parts Now.

654
00:33:29,440 --> 00:33:32,160
Speaker 1: The original version of the lesson for the first graders,

655
00:33:32,720 --> 00:33:35,200
Speaker 1: the publisher wrote that Parks was told to move from

656
00:33:35,240 --> 00:33:37,320
Speaker 1: her seat because of the color of her skin, but

657
00:33:37,480 --> 00:33:40,160
Speaker 1: in the second version of the Parks lesson and when

658
00:33:40,200 --> 00:33:42,880
Speaker 1: she they declined to mention her race was involved at all.

659
00:33:43,520 --> 00:33:45,280
Speaker 1: They said that she was told to move to a

660
00:33:45,360 --> 00:33:48,640
Speaker 1: different seat. She did not. She did what she believed

661
00:33:48,840 --> 00:33:51,520
Speaker 1: was right. I can't. I mean, they literally just took

662
00:33:51,560 --> 00:33:54,360
Speaker 1: out the color part. So, in a separate instance, the

663
00:33:54,760 --> 00:33:57,920
Speaker 1: same publisher also did a lesson for fourth graders on

664
00:33:58,000 --> 00:34:00,680
Speaker 1: the Civil War, but failed to a clue that black

665
00:34:00,720 --> 00:34:03,800
Speaker 1: people were being discriminated against because of black codes, so

666
00:34:04,000 --> 00:34:07,160
Speaker 1: they revised it to say the Civil War lesson instead

667
00:34:07,280 --> 00:34:10,759
Speaker 1: opted for using words like certain groups. Now. The New

668
00:34:10,880 --> 00:34:14,000
Speaker 1: York Times put this on blasts and made it a story,

669
00:34:14,120 --> 00:34:16,759
Speaker 1: and as a result, the Florida Department of Education indicated

670
00:34:16,840 --> 00:34:19,480
Speaker 1: that it would be impossible to teach about the significance

671
00:34:19,520 --> 00:34:22,640
Speaker 1: of rolls of parts without including her race, and they

672
00:34:22,719 --> 00:34:24,719
Speaker 1: said that if they were to do that, it would

673
00:34:24,760 --> 00:34:27,600
Speaker 1: not be adhering to Florida law. So the moral to

674
00:34:27,680 --> 00:34:30,839
Speaker 1: the story is pay attention to what is being taught

675
00:34:30,880 --> 00:34:33,439
Speaker 1: to our children, particularly in Florida with this Stop Walke Act,

676
00:34:33,960 --> 00:34:36,160
Speaker 1: because these are the little things that they're changing that

677
00:34:36,239 --> 00:34:38,919
Speaker 1: you may not pay attention to. And contrary to popul

678
00:34:38,920 --> 00:34:42,400
Speaker 1: to believe, woke actually means being alert to racial prejudice

679
00:34:42,440 --> 00:34:46,080
Speaker 1: and discrimination. So stay walk, pay attention to what is

680
00:34:46,160 --> 00:34:48,759
Speaker 1: happening in our school system. I'm not gonna lie. I

681
00:34:48,880 --> 00:34:50,600
Speaker 1: want to read the roles of park story that don't

682
00:34:50,600 --> 00:34:52,080
Speaker 1: got nothing to do with race. I need to know

683
00:34:52,160 --> 00:34:53,400
Speaker 1: how they got her on the back of the bus.

684
00:34:53,480 --> 00:34:55,399
Speaker 1: I needed to know what what did the story they're

685
00:34:55,440 --> 00:34:56,800
Speaker 1: gonna tell us that made her sitting the back of

686
00:34:56,840 --> 00:35:01,080
Speaker 1: the You know it's the day they've changed the book.

687
00:35:01,360 --> 00:35:04,479
Speaker 1: They you know who who is doing this? White white

688
00:35:04,480 --> 00:35:06,759
Speaker 1: elected officials. Okay, then why don't we say that that's

689
00:35:06,840 --> 00:35:14,320
Speaker 1: right calling my name? I'm with you and absolutely and

690
00:35:14,480 --> 00:35:16,600
Speaker 1: before I get out of here, we don't have enough

691
00:35:16,640 --> 00:35:19,920
Speaker 1: time to cover. But speaking of Florida, Florida NAACP has

692
00:35:19,960 --> 00:35:23,359
Speaker 1: issued a travel advisory telling black people not to come

693
00:35:23,440 --> 00:35:25,560
Speaker 1: to Florida. So tonight on the Straight Shot and I

694
00:35:25,719 --> 00:35:28,920
Speaker 1: Chaser podcast, I did a two hour podcast explaining what

695
00:35:29,160 --> 00:35:32,399
Speaker 1: that travel advisory means and some challenges that I put

696
00:35:32,440 --> 00:35:34,719
Speaker 1: out there for the Florida NAACP on what they can

697
00:35:34,760 --> 00:35:37,160
Speaker 1: do now to have to help black folks that are

698
00:35:37,239 --> 00:35:41,719
Speaker 1: living under this these stock wolf acts and history being

699
00:35:41,760 --> 00:35:45,080
Speaker 1: removed in Florida and so forth. All Right, well, thank

700
00:35:45,120 --> 00:35:48,359
Speaker 1: you so much, task and we'll see you tomorrow, absolutely

701
00:35:48,560 --> 00:35:52,480
Speaker 1: all right. I had to stay styling and points like

702
00:35:52,640 --> 00:35:56,279
Speaker 1: this because the racism boils up my throat and wants

703
00:35:56,320 --> 00:35:59,920
Speaker 1: to come to fade out my mouth. I just say,

704
00:36:00,200 --> 00:36:03,759
Speaker 1: white folks, it's not just this that's just happened. It

705
00:36:03,840 --> 00:36:07,320
Speaker 1: with the books. You know, they erased our history period

706
00:36:07,840 --> 00:36:11,759
Speaker 1: at what all these racist statues that's all over And

707
00:36:11,960 --> 00:36:14,240
Speaker 1: if you you know, know anything about the boat moors

708
00:36:14,320 --> 00:36:19,480
Speaker 1: and I can contributions to you know, cowboys and and

709
00:36:19,680 --> 00:36:23,800
Speaker 1: civil rights and everything like that that they have always

710
00:36:23,920 --> 00:36:28,040
Speaker 1: this has been going on. Yeah, and they want to

711
00:36:28,120 --> 00:36:31,680
Speaker 1: rewrite everything. And you know the Indians will tell you that.

712
00:36:32,040 --> 00:36:35,040
Speaker 1: And I'm just time. I'm I'm tired of There's nothing

713
00:36:35,120 --> 00:36:37,080
Speaker 1: wrong with shying you sick and tired of white supremacy.

714
00:36:37,200 --> 00:36:41,959
Speaker 1: There's nothing wrong Team white supremacy raised his white people

715
00:36:42,000 --> 00:36:44,560
Speaker 1: that said it. And you truckers can hear me loud,

716
00:36:44,719 --> 00:36:49,279
Speaker 1: hunk your horn, uh now now hunking now? All right, okay, fine,

717
00:36:49,320 --> 00:36:54,719
Speaker 1: I'm tapping out flash nobody. That's why. All right, when

718
00:36:54,719 --> 00:36:57,400
Speaker 1: we come back, DJ Drama will be joining us. His

719
00:36:57,520 --> 00:37:00,919
Speaker 1: album is out tomorrow, So don't move. Breakfast Local Morning,

720
00:37:01,760 --> 00:37:08,440
Speaker 1: the Breakfast Club holding everybody. It's dj n V, Charlemagne

721
00:37:08,480 --> 00:37:10,920
Speaker 1: the God, we all the Breakfast club, we have a

722
00:37:11,080 --> 00:37:13,240
Speaker 1: Nala hanging out with us, and we got my Homie

723
00:37:13,560 --> 00:37:18,600
Speaker 1: d J Drama album. I really like that. Yeah, why

724
00:37:20,360 --> 00:37:22,640
Speaker 1: so many successful artists you could just sit on your

725
00:37:22,680 --> 00:37:25,400
Speaker 1: ass and do nothing. Why would you want to do that? Right?

726
00:37:25,560 --> 00:37:28,160
Speaker 1: You know? I love this Like you know, I'm for

727
00:37:28,280 --> 00:37:30,320
Speaker 1: the culture, just like the title. I'm really like that,

728
00:37:30,480 --> 00:37:32,440
Speaker 1: so you know what I mean. I felt like the

729
00:37:32,520 --> 00:37:35,560
Speaker 1: opportunity presenting itself. I was in a new gear, you

730
00:37:35,640 --> 00:37:37,520
Speaker 1: know what I mean ever since, Like I feel like

731
00:37:37,600 --> 00:37:40,640
Speaker 1: the Tyler calling if you get lost sparked to Uh.

732
00:37:40,960 --> 00:37:43,640
Speaker 1: I felt reinvigorated, absolutely, you know what I mean. I

733
00:37:43,760 --> 00:37:46,239
Speaker 1: ran with it and uh put this I'm together great

734
00:37:46,280 --> 00:37:48,839
Speaker 1: intro to with with Tyler. Thank you, thank you, because

735
00:37:48,840 --> 00:37:51,120
Speaker 1: it's just bars, it's just Tyler wrapping his ass off. Yeah,

736
00:37:51,160 --> 00:37:52,839
Speaker 1: now that's what I wanted. I went to him like, Yo,

737
00:37:53,200 --> 00:37:54,840
Speaker 1: it's only right for you to start it off, you

738
00:37:54,880 --> 00:37:56,399
Speaker 1: know what I'm saying. So you know I gave him

739
00:37:56,400 --> 00:37:58,799
Speaker 1: a cannon beat. He actually was like, Yo, let's let's

740
00:37:58,960 --> 00:38:00,759
Speaker 1: you know, let me take the drums out and just

741
00:38:01,080 --> 00:38:03,360
Speaker 1: go crazy. So you know, when you you say Tyler

742
00:38:03,480 --> 00:38:06,520
Speaker 1: helped revitalize you. I don't I don't want to say

743
00:38:06,560 --> 00:38:09,600
Speaker 1: revitalize your career. That don't even sound right revitalized my career.

744
00:38:09,680 --> 00:38:12,840
Speaker 1: But I think he kind of, you know, uh, in

745
00:38:12,920 --> 00:38:15,680
Speaker 1: a sense revitalize gangster grills, like you know what I mean,

746
00:38:15,800 --> 00:38:18,719
Speaker 1: just as far as like what was going on with mixtapes,

747
00:38:18,800 --> 00:38:21,960
Speaker 1: and you know, obviously it was a Grammy Award winning project,

748
00:38:22,080 --> 00:38:24,080
Speaker 1: so you know, I think the drama got to Grammy

749
00:38:24,080 --> 00:38:26,759
Speaker 1: for that. By the way, yea, thank you. I appreciate that.

750
00:38:27,080 --> 00:38:29,160
Speaker 1: Um So, yeah, he just like he brought some life

751
00:38:29,200 --> 00:38:30,960
Speaker 1: back to it, or we brought some life back to it.

752
00:38:31,360 --> 00:38:33,759
Speaker 1: You think with your mixtapes, is it's not like it's

753
00:38:33,760 --> 00:38:35,800
Speaker 1: the music is there when it's got to be about

754
00:38:35,800 --> 00:38:38,480
Speaker 1: the moment too, Like when you think about where Wayne was, Yeah,

755
00:38:38,719 --> 00:38:40,320
Speaker 1: you think about what happened with the Tyler thing, Like

756
00:38:40,440 --> 00:38:42,120
Speaker 1: is it about the moment? I think I think the

757
00:38:42,200 --> 00:38:44,759
Speaker 1: moment's important for sure, you know, but I think the

758
00:38:44,920 --> 00:38:48,120
Speaker 1: music also like lends to the moment as well. Definitely,

759
00:38:48,160 --> 00:38:49,920
Speaker 1: everything is about creating a moment with it, you know

760
00:38:49,960 --> 00:38:52,160
Speaker 1: what I mean. Like even with where I'm at right

761
00:38:52,200 --> 00:38:55,400
Speaker 1: now with this project, or even with the Juice recreations,

762
00:38:55,440 --> 00:38:57,600
Speaker 1: Like it was about like making a moment, you know

763
00:38:57,600 --> 00:39:00,640
Speaker 1: what I mean. The Juice clips do they correlate with

764
00:39:00,680 --> 00:39:02,640
Speaker 1: the album at or is it just fun promo you

765
00:39:02,640 --> 00:39:04,799
Speaker 1: wanted to do. Yeah, it was just a concept I had,

766
00:39:04,920 --> 00:39:07,960
Speaker 1: you know, like people who know me or through my years,

767
00:39:07,960 --> 00:39:09,759
Speaker 1: I've always talked about how much of Juice was the

768
00:39:09,840 --> 00:39:12,719
Speaker 1: inspiration for me to be a DJ. So you know, um,

769
00:39:13,000 --> 00:39:15,200
Speaker 1: we came up with the concept. I actually called Jim

770
00:39:15,280 --> 00:39:17,200
Speaker 1: Jones like, yo, I got this idea, you know what

771
00:39:17,239 --> 00:39:19,279
Speaker 1: I'm saying, And Jim was like, you know. I was like, yo,

772
00:39:19,320 --> 00:39:21,120
Speaker 1: you're still directing videos and he was like, you know,

773
00:39:21,680 --> 00:39:23,920
Speaker 1: here and there not really, but I ran a by him.

774
00:39:23,920 --> 00:39:26,120
Speaker 1: He was like, oh that's crazy. I ran into Omar

775
00:39:26,200 --> 00:39:28,640
Speaker 1: Epps sometime in New York. I ran an idea by him,

776
00:39:28,680 --> 00:39:30,560
Speaker 1: and then it just it just started building and I

777
00:39:30,680 --> 00:39:32,279
Speaker 1: was like, damn, what if what if I could really

778
00:39:32,400 --> 00:39:34,920
Speaker 1: get like Rheim and Steel, Like, Yo, what if I

779
00:39:35,000 --> 00:39:37,719
Speaker 1: could really see if Latifa would do it? And then

780
00:39:37,800 --> 00:39:41,359
Speaker 1: came together? Incredible? How did you get Latifa? Was like, um,

781
00:39:41,760 --> 00:39:44,120
Speaker 1: I actually reached out the shot, Kim shout the shot Kim,

782
00:39:44,680 --> 00:39:47,360
Speaker 1: and I ran the idea by him, and you know,

783
00:39:47,520 --> 00:39:50,480
Speaker 1: he ran it by Latifa and she actually, you know,

784
00:39:50,800 --> 00:39:53,759
Speaker 1: she had some interest. He was like, Yo, she's definitely interested. Um.

785
00:39:53,880 --> 00:39:56,640
Speaker 1: You know, obviously she was shooting and you know, her

786
00:39:56,680 --> 00:39:59,400
Speaker 1: schedule was insane. And then we ran into each other

787
00:39:59,520 --> 00:40:02,840
Speaker 1: at the end um uh Grammys, you know, for the

788
00:40:03,120 --> 00:40:05,640
Speaker 1: fiftieth Celebration of Hip Hop. I was part of that performance,

789
00:40:05,840 --> 00:40:08,200
Speaker 1: and we're at rehearsal and you know I saw her

790
00:40:08,280 --> 00:40:10,200
Speaker 1: during rehearsal. I was like, yo, shot him, talk to you.

791
00:40:10,280 --> 00:40:12,400
Speaker 1: She was like, yeah, I'm down. You know. I explained

792
00:40:12,440 --> 00:40:14,440
Speaker 1: our idea to her and then literally we shot it

793
00:40:14,560 --> 00:40:17,920
Speaker 1: like we we shot her part uh first and that

794
00:40:18,040 --> 00:40:22,200
Speaker 1: was like two days after the Grammys. We shot it

795
00:40:22,280 --> 00:40:24,279
Speaker 1: all in New York. It's amazing how many lands there

796
00:40:24,280 --> 00:40:26,360
Speaker 1: are the Jews, right, because you know that part inspired

797
00:40:26,440 --> 00:40:28,919
Speaker 1: you to DJ part. It's really a movie about mental

798
00:40:29,040 --> 00:40:31,960
Speaker 1: health and gun violence, you know, everything else, but clearly

799
00:40:32,000 --> 00:40:34,080
Speaker 1: with the DJ part that inspired you. Yeah, I mean

800
00:40:34,200 --> 00:40:36,719
Speaker 1: that was the backdrop of the movie, was you know,

801
00:40:36,880 --> 00:40:40,040
Speaker 1: Omar's character being a DJ. Like you said, the movie

802
00:40:40,160 --> 00:40:43,160
Speaker 1: is a lot more complex than that, but it's you know,

803
00:40:43,760 --> 00:40:46,480
Speaker 1: it really inspired a generation of DJ's. You know what

804
00:40:46,520 --> 00:40:48,480
Speaker 1: I'm saying, like there's a there's a bunch of us

805
00:40:48,520 --> 00:40:51,040
Speaker 1: out there, or I still get messages that people say like, yo,

806
00:40:51,160 --> 00:40:52,560
Speaker 1: it's because the Jews that I wanted to be a

807
00:40:52,640 --> 00:40:55,239
Speaker 1: DJ so like to be able to pay homage and like,

808
00:40:55,719 --> 00:40:58,160
Speaker 1: you know, just you know how it is, like I

809
00:40:58,320 --> 00:41:01,239
Speaker 1: still get those moments, but I'm like, yeah, I'm living

810
00:41:01,280 --> 00:41:03,759
Speaker 1: on my childhood dreams, Like I'm shooting videos with Queen

811
00:41:03,840 --> 00:41:06,120
Speaker 1: lad Teeth and omar apps Like who would have thunk? Yeah,

812
00:41:06,120 --> 00:41:08,319
Speaker 1: you'd be You'd be a Rotamans in a remaker juice

813
00:41:09,400 --> 00:41:16,640
Speaker 1: you you know the Bishop, you know my Bishop reenactment.

814
00:41:17,080 --> 00:41:20,799
Speaker 1: It's kind of solid. It's kind of solid, don't ask

815
00:41:20,880 --> 00:41:22,960
Speaker 1: you know, do you ever feel like all the things

816
00:41:23,000 --> 00:41:25,440
Speaker 1: that you accomplish you don't get the accolades, not just

817
00:41:25,600 --> 00:41:28,040
Speaker 1: as a DJ, right, as a DJ you get the accolades,

818
00:41:28,080 --> 00:41:30,640
Speaker 1: of course, but as a label owner and what you

819
00:41:30,760 --> 00:41:33,160
Speaker 1: provided for the industry. Like they talk about all these

820
00:41:33,160 --> 00:41:34,759
Speaker 1: different labels, but a lot of times I think they

821
00:41:34,840 --> 00:41:38,160
Speaker 1: forget the things that you did with Withoozi and and

822
00:41:38,520 --> 00:41:41,279
Speaker 1: Harlow and and the production that your team has put out.

823
00:41:41,880 --> 00:41:43,960
Speaker 1: You know, do you ever feel like, you know, sometimes

824
00:41:44,040 --> 00:41:46,680
Speaker 1: they don't necessarily you get that respect. I think our

825
00:41:46,760 --> 00:41:48,960
Speaker 1: name could be brought up more than it is, you know,

826
00:41:49,120 --> 00:41:52,200
Speaker 1: definitely from a labeled perspective and the success that we've

827
00:41:52,239 --> 00:41:55,360
Speaker 1: had a generation now with with Verton and Harlow. But

828
00:41:55,960 --> 00:41:58,800
Speaker 1: you know, I mean like I definitely also felt like

829
00:41:58,840 --> 00:42:02,040
Speaker 1: I'm getting my flower and you know, you know, a

830
00:42:02,120 --> 00:42:04,160
Speaker 1: lot of things have been going amazing for me. So

831
00:42:04,200 --> 00:42:05,560
Speaker 1: I don't want to just sit here and say, like

832
00:42:06,200 --> 00:42:09,640
Speaker 1: my name doesn't come up in conversation, but for sure absolutely,

833
00:42:09,719 --> 00:42:12,279
Speaker 1: Like you know, I think like if we really lay

834
00:42:12,320 --> 00:42:15,160
Speaker 1: it out on the table and really just sit my

835
00:42:15,280 --> 00:42:17,320
Speaker 1: resume down and look at the things I've done and

836
00:42:17,360 --> 00:42:20,719
Speaker 1: accomplished as starting as a mixtape DJ and too where

837
00:42:20,760 --> 00:42:23,160
Speaker 1: I am right now, it's like, okay, come on, don't

838
00:42:23,200 --> 00:42:25,640
Speaker 1: play with me. Like hence the title, like, you know,

839
00:42:25,719 --> 00:42:28,200
Speaker 1: I'm really like that. What it was the title break

840
00:42:28,239 --> 00:42:30,719
Speaker 1: down the title though it's amazing that you still have

841
00:42:30,800 --> 00:42:33,200
Speaker 1: to tell people yeah and and and it's not you

842
00:42:33,320 --> 00:42:36,120
Speaker 1: know it kind of it was inspired by a line

843
00:42:36,320 --> 00:42:38,719
Speaker 1: in uh, one of the records on the album Um

844
00:42:38,920 --> 00:42:42,359
Speaker 1: Forever Um Jim said, Jim Jones says, you know, I'm

845
00:42:42,400 --> 00:42:44,839
Speaker 1: really like that and I just you know, I ad

846
00:42:45,000 --> 00:42:46,600
Speaker 1: lived in when he said it, and it just it

847
00:42:46,760 --> 00:42:49,600
Speaker 1: was kind of fitting, you know. And it's like, you know,

848
00:42:49,719 --> 00:42:51,440
Speaker 1: there's a part of me, I guess, even like how

849
00:42:51,600 --> 00:42:54,560
Speaker 1: MV says, like you know where where I guess there

850
00:42:54,800 --> 00:42:58,680
Speaker 1: there is somewhat of this like underdog position that I'm

851
00:42:58,719 --> 00:43:01,360
Speaker 1: in at times, which I love because you know, I

852
00:43:01,480 --> 00:43:03,759
Speaker 1: love putting in that work. But it's like, yo, like

853
00:43:04,560 --> 00:43:10,000
Speaker 1: I've been doing this two decades, like continuously giving incredible moments,

854
00:43:10,520 --> 00:43:13,840
Speaker 1: and and you know, so many gems to the culture,

855
00:43:14,000 --> 00:43:16,120
Speaker 1: like you know, and and and we really look at

856
00:43:16,200 --> 00:43:18,920
Speaker 1: my catalog and look at my resume, like I run

857
00:43:19,040 --> 00:43:21,600
Speaker 1: the gamut of hip hop from you know here to

858
00:43:21,719 --> 00:43:24,480
Speaker 1: hear like everyone under the Sun. I saw you having

859
00:43:24,520 --> 00:43:28,960
Speaker 1: the conversation with Jinks about raps next Big three, right,

860
00:43:29,080 --> 00:43:31,800
Speaker 1: and you think that generation now has two of the

861
00:43:31,880 --> 00:43:35,600
Speaker 1: Big three? Yeah? Potentially potentially, Yeah, absolutely. Who would you say,

862
00:43:35,760 --> 00:43:37,480
Speaker 1: like say the names of who you think the three are?

863
00:43:38,280 --> 00:43:41,399
Speaker 1: And Jack and who else besides like, oh, it could

864
00:43:41,400 --> 00:43:42,960
Speaker 1: be a lot of people. I don't know. That's not

865
00:43:43,080 --> 00:43:44,719
Speaker 1: for me to say. Hopefully I'm about to find him.

866
00:43:45,239 --> 00:43:48,120
Speaker 1: We'll even have another like Big three. Oh yeah, for sure,

867
00:43:48,160 --> 00:43:51,920
Speaker 1: I don't know if it's possible, drum how not we

868
00:43:52,120 --> 00:43:54,239
Speaker 1: say that? But then like we look at where we

869
00:43:54,320 --> 00:43:59,919
Speaker 1: are with like like after uh Nah's big and power

870
00:44:00,120 --> 00:44:02,400
Speaker 1: and it's like you would you would think or you know,

871
00:44:03,160 --> 00:44:06,080
Speaker 1: the whole generation, and then like where with Kendrick Drake

872
00:44:06,120 --> 00:44:08,400
Speaker 1: and Cole like and Wayne Tip Geezy. We skipped in

873
00:44:08,480 --> 00:44:10,480
Speaker 1: Wayne Tip Geezy like, I mean, we could do this

874
00:44:10,560 --> 00:44:14,440
Speaker 1: for day. I hate when this happens because then and

875
00:44:14,560 --> 00:44:16,640
Speaker 1: somebody and then I really can't do it for day.

876
00:44:16,680 --> 00:44:20,040
Speaker 1: There's always a three. It was Big Jay and Nas okay,

877
00:44:20,160 --> 00:44:24,960
Speaker 1: then it was Tip Geez and that thing. For some reason,

878
00:44:25,040 --> 00:44:27,359
Speaker 1: Pop was always like the outline. I don't know why, yeah,

879
00:44:27,400 --> 00:44:30,279
Speaker 1: but he was always like the outline. Yeah. Starting naming

880
00:44:30,320 --> 00:44:32,520
Speaker 1: these names, I'm not getting myself in this pickle, but

881
00:44:33,960 --> 00:44:36,960
Speaker 1: I'm sure there's gonna be another Big three. Yeah. I

882
00:44:37,040 --> 00:44:38,680
Speaker 1: just feel like the game has changed so much, just

883
00:44:38,800 --> 00:44:41,080
Speaker 1: even the way superstars are set up to be. It's like,

884
00:44:41,480 --> 00:44:43,160
Speaker 1: I don't even know what maxing superstars no more. To

885
00:44:43,200 --> 00:44:44,840
Speaker 1: be honest with you, well, I mean, but yeah, but

886
00:44:45,080 --> 00:44:46,839
Speaker 1: at the end of the day, a superstar is still

887
00:44:46,920 --> 00:44:49,239
Speaker 1: somebody who, like you know, if we if we look

888
00:44:49,280 --> 00:44:51,440
Speaker 1: at the majority of these people. It's still as somebody

889
00:44:51,840 --> 00:44:54,920
Speaker 1: you know that has a certain lyrical content and the

890
00:44:55,040 --> 00:44:58,400
Speaker 1: ability like that to an elite level. And then you

891
00:44:58,480 --> 00:45:03,120
Speaker 1: know people who may like quality albums like that still matters,

892
00:45:03,239 --> 00:45:06,000
Speaker 1: like you know, it still can happen, for sure, it might,

893
00:45:06,200 --> 00:45:08,360
Speaker 1: it might take some time, but it's gonna happen. We

894
00:45:08,440 --> 00:45:10,920
Speaker 1: got more with DJ Drama when we come back, don't move.

895
00:45:10,960 --> 00:45:14,399
Speaker 1: It's the Breakfast Club the Morning Morning. Everybody is DJ Envy,

896
00:45:14,560 --> 00:45:17,040
Speaker 1: Charlemagne the guy. We are the Breakfast Club. Now let's

897
00:45:17,040 --> 00:45:19,040
Speaker 1: stop through for a little bit and Leanell is our

898
00:45:19,080 --> 00:45:21,640
Speaker 1: guest Souls and DJ Dramma is here. His album comes

899
00:45:21,680 --> 00:45:24,200
Speaker 1: out tomorrow. Charlemagne, Like, that's all oozy on something this week.

900
00:45:24,239 --> 00:45:26,600
Speaker 1: Well it might have been falling, you know. I was like,

901
00:45:26,960 --> 00:45:29,719
Speaker 1: he looks like a star. Yeah, here's a star he is.

902
00:45:29,920 --> 00:45:31,879
Speaker 1: I know what I'm saying. You don't see that right

903
00:45:31,960 --> 00:45:36,000
Speaker 1: as much anymore. Yeah's rap with the executive hat. Are

904
00:45:36,040 --> 00:45:39,040
Speaker 1: you looking for lyrics and music or is it one

905
00:45:39,040 --> 00:45:41,000
Speaker 1: of these TikTok trends because a lot of these labels

906
00:45:41,040 --> 00:45:44,239
Speaker 1: are signing the TikTok artists. Yeah, no, that's not our thing,

907
00:45:44,640 --> 00:45:47,400
Speaker 1: Like we we like to We like artists that we

908
00:45:47,640 --> 00:45:50,640
Speaker 1: think are like cultural artists that want to be one

909
00:45:50,680 --> 00:45:52,880
Speaker 1: of the greats and like one of the best. You know,

910
00:45:53,040 --> 00:45:56,719
Speaker 1: so you know obviously that talent and that ability. You know,

911
00:45:56,800 --> 00:46:00,240
Speaker 1: we look that conviction very early on. You know, it's

912
00:46:00,360 --> 00:46:04,480
Speaker 1: very we don't follow the trends, you know, so records aren't,

913
00:46:04,840 --> 00:46:07,880
Speaker 1: but we chase of like what's popping on TikTok, and

914
00:46:07,960 --> 00:46:09,920
Speaker 1: then we go after and like you know, even if

915
00:46:09,960 --> 00:46:12,400
Speaker 1: you look at the those careers like of Jack Lucy,

916
00:46:12,480 --> 00:46:15,120
Speaker 1: like you know, we were there very early on, you

917
00:46:15,160 --> 00:46:17,919
Speaker 1: know what I'm saying, and was part of the real

918
00:46:18,040 --> 00:46:20,279
Speaker 1: like the real build. But even with that or you

919
00:46:20,400 --> 00:46:22,680
Speaker 1: talk about generation nine people not putting him in the conversation,

920
00:46:22,800 --> 00:46:25,600
Speaker 1: isn't because sometimes the artists don't wave the flag enough

921
00:46:25,880 --> 00:46:27,239
Speaker 1: that could be a part of it. You know, a

922
00:46:27,320 --> 00:46:29,800
Speaker 1: lot of the flag waving is done by myself and

923
00:46:30,440 --> 00:46:33,200
Speaker 1: Cannon and Lake, you know, so that that's that's an

924
00:46:33,239 --> 00:46:37,160
Speaker 1: important key. Should you buy him a chain? They all

925
00:46:37,200 --> 00:46:39,279
Speaker 1: have chains? They don't I don't ever see I see

926
00:46:39,600 --> 00:46:41,399
Speaker 1: with the Rockefeller to join them. Yeah I do too.

927
00:46:45,520 --> 00:46:50,080
Speaker 1: You don't say nothing about that like at this point now, Yeah,

928
00:46:50,640 --> 00:46:52,400
Speaker 1: I mean, he's gonna do what he wants to do

929
00:46:52,800 --> 00:46:55,279
Speaker 1: as he should. Look, that's the chain he wants to wear.

930
00:46:55,440 --> 00:46:58,120
Speaker 1: More power to him. You know, I know the role

931
00:46:58,200 --> 00:47:01,480
Speaker 1: we played. Yeah, you got two of my favorite new

932
00:47:01,520 --> 00:47:03,480
Speaker 1: youngers on the project. You got sim been l Russell

933
00:47:03,560 --> 00:47:05,520
Speaker 1: and one of my favorite records there, the record with

934
00:47:05,600 --> 00:47:08,879
Speaker 1: Larrussell and Sidehi. Yeah, but we made you grab l Russell. Um.

935
00:47:10,160 --> 00:47:15,000
Speaker 1: You know, like we just at Generation now like shopped

936
00:47:15,000 --> 00:47:18,440
Speaker 1: in my A and our staff Willie Joe of Royce, tc.

937
00:47:18,880 --> 00:47:21,000
Speaker 1: You know, and Kennon of Blake of course, like we

938
00:47:21,160 --> 00:47:23,560
Speaker 1: just sit around and have rap conversations like you know,

939
00:47:23,640 --> 00:47:26,200
Speaker 1: we'll be dope like yo, the Russell's hard like, so

940
00:47:26,480 --> 00:47:29,000
Speaker 1: you know we went in. Um, I had I found

941
00:47:29,040 --> 00:47:31,360
Speaker 1: that record. I can't believe we made it. And I

942
00:47:31,440 --> 00:47:33,000
Speaker 1: had knew early on that I wanted to be an

943
00:47:33,000 --> 00:47:35,480
Speaker 1: outro and you know, they actually presented the idea to

944
00:47:35,480 --> 00:47:37,239
Speaker 1: put the Russell on and I was like, yeah, that's fire.

945
00:47:37,800 --> 00:47:40,720
Speaker 1: So you know, um size one of my favorite lyricists.

946
00:47:41,360 --> 00:47:43,680
Speaker 1: And it's just you know, I wanted, you know, to me,

947
00:47:43,840 --> 00:47:46,800
Speaker 1: it's not always about just like the A listers or

948
00:47:46,920 --> 00:47:49,560
Speaker 1: per se, like just about making good records, and like

949
00:47:49,680 --> 00:47:52,440
Speaker 1: I've always wondered, what's been important in my career has

950
00:47:52,440 --> 00:47:55,759
Speaker 1: been able to introduce new voices as well, and respectfully,

951
00:47:55,800 --> 00:47:58,040
Speaker 1: not just saying that a little Russell doesn't already have

952
00:47:58,440 --> 00:48:01,120
Speaker 1: a solid fan base, but you know, putting him on

953
00:48:01,200 --> 00:48:04,319
Speaker 1: a project, mixing it with Wayne and Ate and little

954
00:48:04,360 --> 00:48:06,759
Speaker 1: Baby and things like that, like the Russell's fired the

955
00:48:06,840 --> 00:48:10,080
Speaker 1: different stamp. Yeah, and you can tell he rolls to

956
00:48:10,160 --> 00:48:13,680
Speaker 1: the occasion, not absolutely. You know. I love how you

957
00:48:13,800 --> 00:48:17,160
Speaker 1: know how people were mad at you U when you

958
00:48:17,239 --> 00:48:20,239
Speaker 1: said that I want to rock. Yeah, was bigger than

959
00:48:20,360 --> 00:48:22,640
Speaker 1: Dreams and Nightmare than New Phila Anthem. Yeah, it wore

960
00:48:22,719 --> 00:48:25,239
Speaker 1: mad at you about that. Were I don't understand. Why

961
00:48:26,360 --> 00:48:29,040
Speaker 1: is your artist stop it. I appreciate, I appreciate. I'm

962
00:48:29,080 --> 00:48:31,320
Speaker 1: gonna say his artist is less than another artist. You

963
00:48:31,400 --> 00:48:33,960
Speaker 1: gotta still, asked me, asked me who winning the verses

964
00:48:34,280 --> 00:48:37,200
Speaker 1: fifty and Nas asked me, right now, I'm gonna say

965
00:48:37,320 --> 00:48:39,560
Speaker 1: fifty because that's my guy. Like that, I get it.

966
00:48:39,600 --> 00:48:42,640
Speaker 1: I understand Nas. You're guy too, y'all saw queen, I'm

967
00:48:42,680 --> 00:48:46,839
Speaker 1: probably even said fifty. N You said, like, I gotta

968
00:48:46,880 --> 00:48:50,080
Speaker 1: be honest, as if there wasn't like there wasn't still

969
00:48:50,200 --> 00:48:53,279
Speaker 1: some honesty in that. And I think again, the thing

970
00:48:53,400 --> 00:48:56,040
Speaker 1: people keep leaving out is I said this year. That

971
00:48:56,200 --> 00:49:00,160
Speaker 1: was the key. That's what I'm saying. Nobody heard that.

972
00:49:00,480 --> 00:49:04,200
Speaker 1: Nobody heard I said, Yo, for this year, it is

973
00:49:04,280 --> 00:49:06,160
Speaker 1: the anthem. You know. Yeah, I thought you just said

974
00:49:06,160 --> 00:49:11,759
Speaker 1: it was bigger than Dreams A nightmare. Thank you that

975
00:49:11,840 --> 00:49:14,480
Speaker 1: we're clearing itself on the Breakfast Club. Like, yeah, I

976
00:49:14,520 --> 00:49:16,759
Speaker 1: said this year, and they ran with it because I

977
00:49:16,800 --> 00:49:17,920
Speaker 1: was just like Dreams, the name has been out for

978
00:49:18,000 --> 00:49:21,160
Speaker 1: a decade. You can't compare. Yeah, you can't compare that

979
00:49:21,520 --> 00:49:24,120
Speaker 1: at all, you know, Like, but for this moment, like

980
00:49:24,360 --> 00:49:27,200
Speaker 1: for this time in the last like six months, like

981
00:49:27,480 --> 00:49:30,000
Speaker 1: I just want to rock as it. Yeah, it's definitely.

982
00:49:30,160 --> 00:49:33,040
Speaker 1: It's definitely double platinum right now. Yeah, And what's your

983
00:49:33,040 --> 00:49:34,560
Speaker 1: relationship with it? Was? I know one time it was

984
00:49:34,640 --> 00:49:36,839
Speaker 1: rock at one time, but I see got together more off. Yeah,

985
00:49:36,880 --> 00:49:39,680
Speaker 1: now I's good. Um Cannon has been up here like

986
00:49:40,280 --> 00:49:43,239
Speaker 1: religiously working on the pink tape with Vert. We're in

987
00:49:43,320 --> 00:49:47,239
Speaker 1: a good space, you know, he's doing this thing. You know. Um,

988
00:49:48,120 --> 00:49:49,960
Speaker 1: we we've we've been patched it up. You know what

989
00:49:49,960 --> 00:49:53,480
Speaker 1: I'm saying everything is everything is closure. So the Nipsey

990
00:49:53,520 --> 00:49:55,879
Speaker 1: feature on I'm really like that. Yeah, was that something

991
00:49:55,960 --> 00:49:59,200
Speaker 1: left over from Crenshaw? Like what you get? So, um,

992
00:49:59,440 --> 00:50:02,720
Speaker 1: nip rest in peace? You know when he came to Atlanta,

993
00:50:02,800 --> 00:50:04,719
Speaker 1: or used to come to Atlanta, he did a lot

994
00:50:04,760 --> 00:50:08,160
Speaker 1: of work at Main Street Studios at our spot, and

995
00:50:08,440 --> 00:50:11,239
Speaker 1: uh it was it was, um, it was a verse

996
00:50:11,360 --> 00:50:14,000
Speaker 1: that you know he had recorded at the studio that

997
00:50:14,080 --> 00:50:16,880
Speaker 1: we had had. Oh okay, okay, yeah you got more

998
00:50:17,000 --> 00:50:23,080
Speaker 1: laying around or you do realize Crens y'a all the

999
00:50:23,080 --> 00:50:26,280
Speaker 1: top five gangster grills, whether people realize, whether people recognize

1000
00:50:26,280 --> 00:50:27,839
Speaker 1: it as a gangster grill? Yeah, I don't know why

1001
00:50:27,840 --> 00:50:30,680
Speaker 1: they wouldn't. I think the fact that they're because that's

1002
00:50:30,760 --> 00:50:33,560
Speaker 1: one of the tapes that exists without me on it.

1003
00:50:33,760 --> 00:50:36,799
Speaker 1: So like if you go to streamings, you don't hear

1004
00:50:36,880 --> 00:50:40,040
Speaker 1: the gangster version like you hear the version without me

1005
00:50:40,120 --> 00:50:42,960
Speaker 1: on it. But I don't disagree with you, Like I

1006
00:50:43,080 --> 00:50:44,840
Speaker 1: had this argument with beat Out all the time. He

1007
00:50:44,880 --> 00:50:47,200
Speaker 1: doesn't categorize it as a gangster girl. I'm like, bro,

1008
00:50:47,360 --> 00:50:50,200
Speaker 1: you're tripping, So what's your top five gangster girl? Top five?

1009
00:50:50,400 --> 00:50:54,839
Speaker 1: Is okay? So all right, we go TRAPI Die, dedication?

1010
00:50:55,320 --> 00:50:58,040
Speaker 1: Which one that which is a dedication too? Okay, call

1011
00:50:58,120 --> 00:51:01,040
Speaker 1: Me if you get lost Pharrell in my mind the

1012
00:51:01,120 --> 00:51:04,840
Speaker 1: prequel really definitely. Oh yeah, the Farrel tape. I know

1013
00:51:04,920 --> 00:51:07,600
Speaker 1: it was a great tape. I'm just saying the top five, Yeah, absolutely,

1014
00:51:07,840 --> 00:51:12,680
Speaker 1: and then the fifth one who uh, I say, Gucci

1015
00:51:12,800 --> 00:51:17,640
Speaker 1: the movie. Yeah, well Farrell, because that tape inspired a

1016
00:51:17,719 --> 00:51:19,680
Speaker 1: generation like there would be no call Me if you

1017
00:51:19,760 --> 00:51:23,600
Speaker 1: get Lost if there was no Farrell Gangster else the

1018
00:51:23,640 --> 00:51:26,920
Speaker 1: same way like you know, people feel or like come

1019
00:51:27,000 --> 00:51:28,800
Speaker 1: up to me about like the g Z and the

1020
00:51:28,880 --> 00:51:31,520
Speaker 1: Wine tapes. There's a generation that comes up to me

1021
00:51:31,640 --> 00:51:34,640
Speaker 1: about how influential that Farrell tape was to them. Thinking

1022
00:51:34,680 --> 00:51:37,000
Speaker 1: of your conversation would be dot. I know he was

1023
00:51:37,040 --> 00:51:39,880
Speaker 1: talking about how there was like a down period for you,

1024
00:51:40,360 --> 00:51:43,080
Speaker 1: and I know, Charloman, you always mentioned like rap is

1025
00:51:43,120 --> 00:51:45,359
Speaker 1: no longer a young man's sport, and I just wanted

1026
00:51:45,400 --> 00:51:47,239
Speaker 1: to see, like how you feel about that you're talking

1027
00:51:47,239 --> 00:51:51,600
Speaker 1: about when Elliott was saying that I'm like I fell

1028
00:51:51,680 --> 00:51:53,839
Speaker 1: off or something like, Bro, you know what, I hate

1029
00:51:53,840 --> 00:51:55,480
Speaker 1: that when people don't see you, when you just think

1030
00:51:55,520 --> 00:51:58,800
Speaker 1: that you're get enough. Yeah, yeah, damn it. Elliot Wilson

1031
00:51:58,880 --> 00:52:02,240
Speaker 1: said that the Oozy and Jack are on it's crazy,

1032
00:52:02,640 --> 00:52:06,440
Speaker 1: but I think, you know, I do think that hip

1033
00:52:06,520 --> 00:52:09,439
Speaker 1: hop is definitely a young man's sport in a way

1034
00:52:09,560 --> 00:52:12,680
Speaker 1: like I don't think so I'm hold on. I think that,

1035
00:52:13,000 --> 00:52:16,160
Speaker 1: you know, the youth and the youth culture is still

1036
00:52:16,280 --> 00:52:19,160
Speaker 1: very important. But being where we are in fifty years,

1037
00:52:19,440 --> 00:52:23,240
Speaker 1: you know, the generation that we may be the elder

1038
00:52:23,320 --> 00:52:26,640
Speaker 1: statesman in a sense, like you can still thrive and

1039
00:52:26,800 --> 00:52:29,839
Speaker 1: have an incredible career and come in a game at

1040
00:52:29,920 --> 00:52:32,960
Speaker 1: a at an older age than once you know you

1041
00:52:33,040 --> 00:52:37,200
Speaker 1: once were able to. And so many artists and people

1042
00:52:37,400 --> 00:52:40,839
Speaker 1: examples that have shown this. So you know, I think

1043
00:52:40,880 --> 00:52:43,680
Speaker 1: there's I think we're at a time when like everyone

1044
00:52:44,200 --> 00:52:46,440
Speaker 1: can can live and survive or it's not like, oh,

1045
00:52:46,520 --> 00:52:49,160
Speaker 1: if you're an artist over twenty five or thirty, like

1046
00:52:49,320 --> 00:52:52,839
Speaker 1: you can't exist. Everyone can go exist. Now, I think

1047
00:52:52,840 --> 00:52:55,040
Speaker 1: that should be the goal, Like everybody can have a moment.

1048
00:52:55,160 --> 00:52:57,000
Speaker 1: That's why that's why every day in my respect grows

1049
00:52:57,040 --> 00:53:00,440
Speaker 1: both for the Drakes, the Kendricks, the Coals to futures

1050
00:53:00,600 --> 00:53:03,839
Speaker 1: right because they've been in a decade plus and still thriving. Absolutely,

1051
00:53:04,040 --> 00:53:06,040
Speaker 1: I mean, I couldn't agree more. And I mean, I

1052
00:53:06,120 --> 00:53:07,840
Speaker 1: think that's the goal. Like when you think about it,

1053
00:53:07,960 --> 00:53:11,479
Speaker 1: like you know, just those guys you mentioned or even

1054
00:53:11,640 --> 00:53:13,640
Speaker 1: you know the one the ones that came before, like

1055
00:53:14,440 --> 00:53:17,720
Speaker 1: everybody doesn't you know, ten years in hip hop is along.

1056
00:53:17,920 --> 00:53:20,279
Speaker 1: If you make it to ten years, like kudos, you

1057
00:53:20,320 --> 00:53:22,920
Speaker 1: know what I'm saying, Like, that's that's an incredible run.

1058
00:53:23,080 --> 00:53:25,560
Speaker 1: And so if you go past ten years and you

1059
00:53:25,680 --> 00:53:30,600
Speaker 1: still matter, like you know, the percentage dwindles and diminishes

1060
00:53:30,640 --> 00:53:32,839
Speaker 1: as as time goes on, Like if we really want

1061
00:53:32,880 --> 00:53:35,880
Speaker 1: to do the knowledge, like two three years is what

1062
00:53:36,000 --> 00:53:38,600
Speaker 1: most people get. So when you come up on ten years,

1063
00:53:38,719 --> 00:53:41,399
Speaker 1: twenty years and plus like and then you be able

1064
00:53:41,440 --> 00:53:44,480
Speaker 1: to reinvent yourself and go in different directions and you know,

1065
00:53:44,640 --> 00:53:47,719
Speaker 1: do television and you know other other ventures like with

1066
00:53:47,880 --> 00:53:51,319
Speaker 1: your brand, Like you know, that's that's the amazing part

1067
00:53:51,320 --> 00:53:54,080
Speaker 1: about it. And we've had so many examples of that.

1068
00:53:54,400 --> 00:53:56,640
Speaker 1: I wouldn't move. We got moved with DJ Drama When

1069
00:53:56,680 --> 00:54:00,439
Speaker 1: we come back, it's the breast wanting. Everybody is DJ Envy,

1070
00:54:00,600 --> 00:54:03,000
Speaker 1: Charlemagne the guy, we are the Breakfast Club and DJ

1071
00:54:03,239 --> 00:54:05,600
Speaker 1: Dramma is here. His album comes out tomorrow we think

1072
00:54:05,640 --> 00:54:08,040
Speaker 1: about the DJ game, right, we look at it. I'm

1073
00:54:08,080 --> 00:54:10,560
Speaker 1: sure some of the DJ's that inspired you, whether it

1074
00:54:10,680 --> 00:54:13,480
Speaker 1: was the Kick Capri, the Flexus, the Greg Streets right,

1075
00:54:13,520 --> 00:54:15,920
Speaker 1: and then there was an era of the me you

1076
00:54:16,120 --> 00:54:21,440
Speaker 1: clues in case Slaves and after yeah, yeah, yeah, yea,

1077
00:54:21,440 --> 00:54:23,080
Speaker 1: after us and then it was you know whatever. So

1078
00:54:23,120 --> 00:54:25,279
Speaker 1: what do you think of the generation now? As DJ said,

1079
00:54:25,280 --> 00:54:28,160
Speaker 1: what do they need to do to be that strong?

1080
00:54:28,520 --> 00:54:34,080
Speaker 1: M That's a great question. Um. I think they just

1081
00:54:34,239 --> 00:54:38,640
Speaker 1: need to kind of like find a niche um and

1082
00:54:39,000 --> 00:54:43,480
Speaker 1: create movements and and you know, like study what we've done,

1083
00:54:43,800 --> 00:54:48,800
Speaker 1: study you know, well who's who's come before you, and

1084
00:54:49,200 --> 00:54:51,000
Speaker 1: just really get to a point where, like I think

1085
00:54:51,040 --> 00:54:53,600
Speaker 1: branding is very important and creating a brand, and I

1086
00:54:53,680 --> 00:54:56,680
Speaker 1: think sometimes what I noticed about DJ sometimes or have

1087
00:54:57,040 --> 00:54:59,879
Speaker 1: in times, is they try to do things a little

1088
00:55:00,080 --> 00:55:04,040
Speaker 1: too early, you know, like a project or a record

1089
00:55:04,200 --> 00:55:06,759
Speaker 1: where they haven't so much like built their name or

1090
00:55:06,800 --> 00:55:08,719
Speaker 1: their brand yet, you know what I mean. But um,

1091
00:55:09,600 --> 00:55:12,920
Speaker 1: you know, I still think there's the means and use

1092
00:55:12,960 --> 00:55:15,680
Speaker 1: of tomorrow out there, you know about to what DS

1093
00:55:15,680 --> 00:55:17,200
Speaker 1: are you looking? I say, I hate the goat conversation.

1094
00:55:17,239 --> 00:55:19,919
Speaker 1: I hate when people say that they'd a goat. Yeah,

1095
00:55:19,960 --> 00:55:22,680
Speaker 1: And the problem with that is is on the DJ side, Yeah,

1096
00:55:22,800 --> 00:55:32,120
Speaker 1: Oka is the goat mixtape DJ when you greatest for

1097
00:55:32,239 --> 00:55:35,320
Speaker 1: what he does, you know, for the things that he's established.

1098
00:55:35,840 --> 00:55:37,359
Speaker 1: I think Flex is a goat for what he did

1099
00:55:37,400 --> 00:55:39,640
Speaker 1: on on radio. Absolutely. I think Clue was a goat

1100
00:55:39,680 --> 00:55:41,439
Speaker 1: for for the things that he did. You're a goat

1101
00:55:41,480 --> 00:55:43,040
Speaker 1: for the things that you've done. But so when I

1102
00:55:43,120 --> 00:55:46,040
Speaker 1: hear a younger DJ talk goat it, it feels like

1103
00:55:46,160 --> 00:55:48,800
Speaker 1: they haven't put in the necessary work. I kill that

1104
00:55:49,160 --> 00:55:51,439
Speaker 1: or the time, and I think it's it's a little

1105
00:55:51,520 --> 00:55:55,160
Speaker 1: fatty got you I do. I do hear that a lot. Yeah,

1106
00:55:55,200 --> 00:55:57,600
Speaker 1: that's interesting as you say that, So, I mean, I

1107
00:55:57,719 --> 00:56:01,640
Speaker 1: guess first I would say, I mean you would you

1108
00:56:01,680 --> 00:56:04,080
Speaker 1: would want someone to feel that way, or you would

1109
00:56:04,160 --> 00:56:06,120
Speaker 1: you would want to feel that way about yourself. I

1110
00:56:06,200 --> 00:56:11,120
Speaker 1: mean early on saying your goal is a that's a

1111
00:56:11,960 --> 00:56:14,360
Speaker 1: you know, you gotta have a lot of guts to

1112
00:56:14,440 --> 00:56:16,640
Speaker 1: do that. But I also remember earlier on my career,

1113
00:56:16,800 --> 00:56:20,560
Speaker 1: like calling myself the king of Is on early mixtapes,

1114
00:56:20,560 --> 00:56:23,000
Speaker 1: even before Gangster g Els, and I was nowhere close

1115
00:56:23,080 --> 00:56:25,680
Speaker 1: to the king of you know, So you know, I

1116
00:56:25,800 --> 00:56:28,719
Speaker 1: believe in manifestation and you know, putting things down into

1117
00:56:28,760 --> 00:56:31,960
Speaker 1: the universe. But um, you know, to me, it doesn't

1118
00:56:31,960 --> 00:56:35,480
Speaker 1: bother me. Like if if they pay homage, I respect that,

1119
00:56:35,640 --> 00:56:37,360
Speaker 1: you know, if you're gonna call yourself that you know

1120
00:56:37,719 --> 00:56:39,840
Speaker 1: at least be out there, you know, showing love to

1121
00:56:40,280 --> 00:56:44,359
Speaker 1: the real goats, the ones us that have really done

1122
00:56:44,400 --> 00:56:46,520
Speaker 1: it and got into where we are. I feel like

1123
00:56:46,560 --> 00:56:48,520
Speaker 1: the word goat is kind of just played out in

1124
00:56:48,600 --> 00:56:51,000
Speaker 1: general though, like everybody gets called goal. I don't even

1125
00:56:51,040 --> 00:56:53,799
Speaker 1: think that's really like it could be a lot of goats. Yeah,

1126
00:56:54,480 --> 00:56:58,400
Speaker 1: the problems of all time mark. I feel like if

1127
00:56:58,440 --> 00:57:00,560
Speaker 1: you hit the ten year mark, then you're golden and

1128
00:57:00,719 --> 00:57:03,360
Speaker 1: gold It doesn't mean like the best, you're just like

1129
00:57:03,760 --> 00:57:05,680
Speaker 1: you've reached your best level of you because you know,

1130
00:57:05,719 --> 00:57:08,960
Speaker 1: people forget about that acronym, the time part. If you

1131
00:57:09,120 --> 00:57:10,799
Speaker 1: just got in the game and you ain't got no time,

1132
00:57:10,840 --> 00:57:13,880
Speaker 1: you gotta goat. You're the greatest of all times in

1133
00:57:13,960 --> 00:57:17,440
Speaker 1: the time to be considered a goat. But to your

1134
00:57:17,520 --> 00:57:19,720
Speaker 1: point of like you were saying on your early tapes,

1135
00:57:19,760 --> 00:57:21,440
Speaker 1: like you was the king before using the king that

1136
00:57:21,480 --> 00:57:23,840
Speaker 1: I feel like today it's a lot of like faking

1137
00:57:23,840 --> 00:57:26,600
Speaker 1: it till you make it? Are y'all mad at that?

1138
00:57:27,320 --> 00:57:29,160
Speaker 1: Hey man, we're gonna see who's here in the next

1139
00:57:29,200 --> 00:57:33,640
Speaker 1: five teen years, right, We're gonna see who really stood

1140
00:57:33,680 --> 00:57:37,440
Speaker 1: the test of time. Let's let's play. Do you think

1141
00:57:37,520 --> 00:57:46,800
Speaker 1: the classic gangster grilled projects overshadow your albums? Um? Yes, Yeah,

1142
00:57:46,840 --> 00:57:49,520
Speaker 1: it's tough. Absolutely, And I try to listen to your

1143
00:57:49,560 --> 00:57:52,200
Speaker 1: albums with a different ear. Yeah, you can't, and I can't.

1144
00:57:52,320 --> 00:57:56,240
Speaker 1: You can't, like I'm always comparing it to other drama

1145
00:57:56,320 --> 00:57:58,240
Speaker 1: projects here, I don't even look at it even though

1146
00:57:58,240 --> 00:57:59,920
Speaker 1: it's an album, right, I'm just comparing it to the

1147
00:58:00,080 --> 00:58:02,680
Speaker 1: gangster grills, like this is another drama project. Yeah, I'm

1148
00:58:02,680 --> 00:58:04,440
Speaker 1: not mad at that, though. I Mean, they're all my

1149
00:58:04,520 --> 00:58:07,520
Speaker 1: bodies of work, So I respect that you never wanted

1150
00:58:07,560 --> 00:58:10,240
Speaker 1: to stay with that for the albums. Again, you never

1151
00:58:10,320 --> 00:58:12,840
Speaker 1: wanted to call the albums continue on that name and

1152
00:58:12,960 --> 00:58:15,800
Speaker 1: keep going because it's such like Charlemagne said, it's like,

1153
00:58:15,920 --> 00:58:19,000
Speaker 1: what just all make the albums. Gainst the Girls did well?

1154
00:58:19,000 --> 00:58:20,880
Speaker 1: I didn't. No, I did like two albums that were

1155
00:58:20,960 --> 00:58:23,200
Speaker 1: actually called Gainst the Girls the albums, and then I

1156
00:58:23,320 --> 00:58:25,640
Speaker 1: changed it, and then I did quality street music, and

1157
00:58:25,760 --> 00:58:27,280
Speaker 1: I did two of those, and then I have I'm

1158
00:58:27,320 --> 00:58:31,000
Speaker 1: really like that. Um And but the mixtapes, like you know,

1159
00:58:31,080 --> 00:58:34,680
Speaker 1: they're again when I do them, they're centered around one artist,

1160
00:58:34,880 --> 00:58:36,400
Speaker 1: you know what I'm saying. So like when I do

1161
00:58:36,640 --> 00:58:39,760
Speaker 1: my album, it's in a different format in a sense,

1162
00:58:39,880 --> 00:58:45,160
Speaker 1: but like, um, I don't for instance, like the same

1163
00:58:45,280 --> 00:58:47,479
Speaker 1: day my album out is out right now. I'm also

1164
00:58:47,600 --> 00:58:50,000
Speaker 1: on Tide of the Creators Call Me If you Get Lost,

1165
00:58:50,080 --> 00:58:52,440
Speaker 1: the Luxe the Estate Sale. So I got two projects

1166
00:58:52,480 --> 00:58:57,000
Speaker 1: out like and one is like in a form of

1167
00:58:57,240 --> 00:59:00,320
Speaker 1: you know, various artists on my project. No other is

1168
00:59:00,360 --> 00:59:02,800
Speaker 1: me talking my talk on Tyler's but hey, I'm here

1169
00:59:02,840 --> 00:59:04,520
Speaker 1: for all of it. Man, are you still doing the

1170
00:59:04,560 --> 00:59:08,440
Speaker 1: day Heard Daylight Soul Gas? Yeah? Um uh talked to

1171
00:59:08,520 --> 00:59:11,840
Speaker 1: Pass So it's definitely still in the works. Did y'all

1172
00:59:11,840 --> 00:59:15,200
Speaker 1: record before Day Pass? We did, and we um we

1173
00:59:15,360 --> 00:59:18,840
Speaker 1: spoke about it on numerous occasions and you know, recipes

1174
00:59:18,880 --> 00:59:23,520
Speaker 1: to Dave Um So we didn't do any recording, but

1175
00:59:23,640 --> 00:59:26,080
Speaker 1: we definitely like had it in the works, and you know,

1176
00:59:26,480 --> 00:59:28,760
Speaker 1: I have been talking about it for like over a

1177
00:59:28,880 --> 00:59:30,960
Speaker 1: year really and you know, knowing that they were coming

1178
00:59:31,000 --> 00:59:33,320
Speaker 1: to streaming platforms and it was something we were gonna

1179
00:59:33,360 --> 00:59:36,160
Speaker 1: like start to work on, and you know, I still

1180
00:59:36,320 --> 00:59:39,320
Speaker 1: still hopefully we do get to that project. But my

1181
00:59:39,400 --> 00:59:41,840
Speaker 1: last question this is for more like younger DJs, right

1182
00:59:42,040 --> 00:59:44,880
Speaker 1: like number one, do you feel mixtapes are still relevant

1183
00:59:44,920 --> 00:59:47,680
Speaker 1: to success in hip hop? Doesn't have to be in

1184
00:59:47,720 --> 00:59:49,880
Speaker 1: an album for him? And if it was, the mixtape

1185
00:59:49,880 --> 00:59:52,600
Speaker 1: was even that that phrase mixtape? Is it changed? It

1186
00:59:52,720 --> 00:59:56,280
Speaker 1: played out? What would what would a playlist against the

1187
00:59:56,320 --> 00:59:58,840
Speaker 1: girls playlist look like? Like? How do you do the drops?

1188
00:59:58,880 --> 01:00:00,360
Speaker 1: How do you do the voice over? What would that

1189
01:00:00,480 --> 01:00:03,920
Speaker 1: look like like? Uh So, like if it wasn't in

1190
01:00:04,040 --> 01:00:06,720
Speaker 1: mixtape format and it was like a playlist, yeah, um,

1191
01:00:07,960 --> 01:00:09,880
Speaker 1: you know, it would have to be something creative like

1192
01:00:10,000 --> 01:00:12,480
Speaker 1: that that would have that feel, you know, where you

1193
01:00:12,560 --> 01:00:16,560
Speaker 1: could I could incorporate myself into the playlist and like

1194
01:00:16,960 --> 01:00:19,120
Speaker 1: add the bells and the whistles and make it feel

1195
01:00:19,200 --> 01:00:22,280
Speaker 1: like a tape but in a playlist format. But I

1196
01:00:22,400 --> 01:00:25,560
Speaker 1: think mixtape still matter. I think that, you know, I've

1197
01:00:25,720 --> 01:00:30,240
Speaker 1: just recently shown and been a part of them mattering again.

1198
01:00:30,400 --> 01:00:32,360
Speaker 1: You know, I think I think the feel of a

1199
01:00:32,440 --> 01:00:35,480
Speaker 1: mixtape had been gone for a while because that word

1200
01:00:35,600 --> 01:00:39,000
Speaker 1: had had gotten just like boxed up with what an EP,

1201
01:00:39,320 --> 01:00:41,440
Speaker 1: what an album was, and people just using it. But

1202
01:00:41,640 --> 01:00:44,280
Speaker 1: like just with my recent run, like I did fifteen

1203
01:00:44,320 --> 01:00:47,920
Speaker 1: mixtapes last year, you know what I'm saying, from Cold

1204
01:00:48,160 --> 01:00:54,040
Speaker 1: to um Gez to NBA Young Boy to um Simba

1205
01:00:55,040 --> 01:00:59,400
Speaker 1: um um Gee Perico just recently Jay Stone, French Jim.

1206
01:00:59,480 --> 01:01:02,000
Speaker 1: I could go on for days, but I gave it

1207
01:01:02,160 --> 01:01:05,440
Speaker 1: that mixtape feel you know that have been missing. So

1208
01:01:05,960 --> 01:01:08,680
Speaker 1: now we're going up on streaming platforms where I'm running

1209
01:01:08,680 --> 01:01:11,680
Speaker 1: the music back, I'm talking how it was, and you

1210
01:01:11,760 --> 01:01:15,400
Speaker 1: know gives it. It makes it that nostalgia of what

1211
01:01:15,520 --> 01:01:18,600
Speaker 1: a mixtape was. All right, Well, we appreciate you for

1212
01:01:18,680 --> 01:01:21,880
Speaker 1: joining us. I really like that. Appreciate the generation now

1213
01:01:22,160 --> 01:01:23,760
Speaker 1: and Drama. I need the kid to for the crib

1214
01:01:23,800 --> 01:01:25,440
Speaker 1: because I need a couple of cars again for the costume.

1215
01:01:25,520 --> 01:01:28,160
Speaker 1: Not a problem, okay, always heard that, all right? Now

1216
01:01:28,280 --> 01:01:31,360
Speaker 1: said it's DJ Drama. Yeah, it's the Breakfast Club, Good Morning.

1217
01:01:31,400 --> 01:01:33,560
Speaker 1: Anytimes you have to tell somebody that Lunell bitch better

1218
01:01:33,640 --> 01:01:37,480
Speaker 1: have my money over the years, a few times, a

1219
01:01:37,560 --> 01:01:39,440
Speaker 1: few times, Well we are the breakfast Club, Good morning.

1220
01:01:39,520 --> 01:01:41,840
Speaker 1: Lunelle is our guest host. Let's get to the rum

1221
01:01:41,880 --> 01:01:46,920
Speaker 1: as I talk Ice Spice thro my hat or you've

1222
01:01:47,000 --> 01:01:51,000
Speaker 1: gossiping or chatting is the rumor report? I mean, I

1223
01:01:51,040 --> 01:01:52,360
Speaker 1: guess we're on the breakfast club. This is where the

1224
01:01:52,400 --> 01:01:55,560
Speaker 1: tea spells, right right on the breakfast club. Now, Ice

1225
01:01:55,640 --> 01:01:58,680
Speaker 1: Spice was robbed, and the person that robbed to actually

1226
01:01:58,800 --> 01:02:03,360
Speaker 1: put footage of him whole thing, the chain. H Listen, man,

1227
01:02:03,440 --> 01:02:06,240
Speaker 1: we got Ice Spice chain. Man stop playing, man, pull up.

1228
01:02:06,480 --> 01:02:08,920
Speaker 1: I know we yet, man, come to the blood, come

1229
01:02:08,960 --> 01:02:15,600
Speaker 1: get you look. Yes, but the chain that he was

1230
01:02:15,640 --> 01:02:17,120
Speaker 1: holding up was one of those fake chains that you

1231
01:02:17,160 --> 01:02:18,840
Speaker 1: could get out the mall. It just says queen that

1232
01:02:18,880 --> 01:02:21,200
Speaker 1: everybody has one. So it was a TikTok hoax. They

1233
01:02:21,240 --> 01:02:23,480
Speaker 1: did it to get some followers and some likes to TikTok.

1234
01:02:23,800 --> 01:02:27,080
Speaker 1: They really didn't. Still, uh, Ice Spices chain, And I

1235
01:02:27,120 --> 01:02:28,600
Speaker 1: think you should still get a little bit of prison

1236
01:02:28,640 --> 01:02:31,480
Speaker 1: time for impersonating the crime. Impersonating the criminals, even if

1237
01:02:31,480 --> 01:02:35,160
Speaker 1: you're holding the fake chain a little bit prison county no, no,

1238
01:02:35,320 --> 01:02:37,840
Speaker 1: I think should get a little bit of time all

1239
01:02:37,920 --> 01:02:40,200
Speaker 1: of a prison, maybe county, maybe county for six months.

1240
01:02:40,200 --> 01:02:42,960
Speaker 1: It was a fake chain. He was thirty days impersonating

1241
01:02:42,960 --> 01:02:44,760
Speaker 1: the crime. I think because what you do is you

1242
01:02:44,920 --> 01:02:47,880
Speaker 1: encourage real criminals to do stuff like that when you

1243
01:02:47,960 --> 01:02:52,120
Speaker 1: get online. No, no, I got you gotta sit down

1244
01:02:52,120 --> 01:02:54,040
Speaker 1: for maybe a week. Then there's something like they gotta

1245
01:02:54,040 --> 01:02:57,080
Speaker 1: be some I've gotta be some consequences to these actions.

1246
01:02:57,200 --> 01:02:58,680
Speaker 1: But you can't just get online and say, yo, I

1247
01:02:58,680 --> 01:03:01,320
Speaker 1: took somebody's chain, you know what I mean that. I

1248
01:03:01,400 --> 01:03:02,840
Speaker 1: feel like that would cause a lot of a lot

1249
01:03:02,920 --> 01:03:05,000
Speaker 1: more problems and encourage a lot more of that behavior.

1250
01:03:05,000 --> 01:03:06,480
Speaker 1: So they should get some a little bit of a

1251
01:03:06,480 --> 01:03:10,600
Speaker 1: little jab for that. Yeah, and I spy says she

1252
01:03:10,720 --> 01:03:12,280
Speaker 1: never even owned a piece that. You know, it's the

1253
01:03:12,560 --> 01:03:14,720
Speaker 1: piece of says queen, Like you see all the kids

1254
01:03:14,760 --> 01:03:16,200
Speaker 1: wearing this his queens. You can get it from them

1255
01:03:16,240 --> 01:03:20,920
Speaker 1: all anyway. Right now, Tory Lanes, his lawyer files an

1256
01:03:20,920 --> 01:03:24,720
Speaker 1: appeal in the shooting conviction. They're saying that they're trying

1257
01:03:24,840 --> 01:03:28,480
Speaker 1: to appeal now this is allegedly because they showed a

1258
01:03:28,560 --> 01:03:31,560
Speaker 1: picture of him in court and on his chest or

1259
01:03:31,840 --> 01:03:33,600
Speaker 1: on his lower chest, I should say that isn't a

1260
01:03:33,640 --> 01:03:36,560
Speaker 1: picture of a gun. And because of the picture of

1261
01:03:36,600 --> 01:03:39,880
Speaker 1: a gun, they're saying that maybe the jurors swayed away

1262
01:03:40,000 --> 01:03:41,920
Speaker 1: because they've seen a picture of him holding the gun.

1263
01:03:42,280 --> 01:03:44,919
Speaker 1: This is all alleged, So this is why they're saying

1264
01:03:45,000 --> 01:03:47,160
Speaker 1: that they're trying to find a file an appeal. I

1265
01:03:47,200 --> 01:03:49,280
Speaker 1: don't think it had nothing to do with that. I

1266
01:03:49,800 --> 01:03:52,280
Speaker 1: don't think the jurors was moved by that tattoo in

1267
01:03:52,280 --> 01:03:53,440
Speaker 1: any way shape or for him to come to the

1268
01:03:53,480 --> 01:03:55,480
Speaker 1: conclusion that they came to doing a lot more other

1269
01:03:55,520 --> 01:03:58,280
Speaker 1: overwhelming evidence other than that tattoo. But you know when

1270
01:03:58,400 --> 01:04:00,680
Speaker 1: when when you're trying to find a following the pill,

1271
01:04:00,720 --> 01:04:03,560
Speaker 1: you're looking for any little reason to, you know, the

1272
01:04:03,640 --> 01:04:05,480
Speaker 1: judge to say that maybe it was a problem to

1273
01:04:05,560 --> 01:04:08,680
Speaker 1: try to retry it. So now also Megan the Stallion,

1274
01:04:08,800 --> 01:04:12,920
Speaker 1: she's getting a warm Houston welcome from Carl Crawford. Now

1275
01:04:12,960 --> 01:04:14,520
Speaker 1: you know who called crowfort is he's the one that

1276
01:04:14,600 --> 01:04:16,920
Speaker 1: owns the company that she signed to, fifteen or one

1277
01:04:17,000 --> 01:04:20,040
Speaker 1: Certified Entertainment, And now he's doing a welcome the Queen

1278
01:04:20,080 --> 01:04:21,840
Speaker 1: of how He's Megan a Stallion back to the city

1279
01:04:21,960 --> 01:04:24,200
Speaker 1: of Houston. She's going to be performing at the NCAA

1280
01:04:24,320 --> 01:04:27,120
Speaker 1: Marsh Madness Music Festival. And it's kind of weird because

1281
01:04:27,160 --> 01:04:28,680
Speaker 1: you know they've been going through their ups and downs

1282
01:04:28,720 --> 01:04:31,240
Speaker 1: and he's been very vocal about not getting along with

1283
01:04:31,480 --> 01:04:33,960
Speaker 1: her or rock Nation, but it seems like he's trying

1284
01:04:34,000 --> 01:04:36,400
Speaker 1: to put things to the side and you know, smooth

1285
01:04:36,480 --> 01:04:39,120
Speaker 1: things out. I don't know how she's gonna take towards that,

1286
01:04:39,320 --> 01:04:42,439
Speaker 1: but we will definitely see. Do you accept that apology? Lune?

1287
01:04:43,280 --> 01:04:47,800
Speaker 1: Maybe if he had a bag connected to it? Okay,

1288
01:04:48,920 --> 01:04:56,000
Speaker 1: would you probably not? I mean ask me, would you?

1289
01:04:56,320 --> 01:04:59,840
Speaker 1: Oh no, yeah, no, I'm not that he'll jet now,

1290
01:04:59,840 --> 01:05:01,200
Speaker 1: I'm not that heals. I mean they were. They were

1291
01:05:01,280 --> 01:05:04,320
Speaker 1: back and forth for a long time on internet, and

1292
01:05:04,640 --> 01:05:06,400
Speaker 1: now we now we can't be friends. No, I don't.

1293
01:05:06,400 --> 01:05:08,600
Speaker 1: I don't be friends. I'm gonna do I'm gonna do

1294
01:05:08,680 --> 01:05:11,040
Speaker 1: my recording contract, and when this contract is over, I'm

1295
01:05:11,040 --> 01:05:12,720
Speaker 1: gonna move on, and hopefully you move on as well.

1296
01:05:12,800 --> 01:05:16,520
Speaker 1: But things went too far, you know. But but it's

1297
01:05:16,560 --> 01:05:20,320
Speaker 1: not that she would be accepting his apology, but you

1298
01:05:20,520 --> 01:05:22,680
Speaker 1: sometimes you have to just move along to get along,

1299
01:05:22,760 --> 01:05:24,960
Speaker 1: you know what I'm saying that, And and maybe just

1300
01:05:25,160 --> 01:05:28,520
Speaker 1: for a while, just play the game, you know, and fine,

1301
01:05:28,600 --> 01:05:31,920
Speaker 1: and then when the obligations are done, they're on the commission. Yeah,

1302
01:05:31,920 --> 01:05:33,760
Speaker 1: And I don't know what we're the beef started or

1303
01:05:33,840 --> 01:05:36,280
Speaker 1: why you know it was so much back and forth.

1304
01:05:36,360 --> 01:05:39,720
Speaker 1: But nah, once the business is public, there's nothing more

1305
01:05:39,760 --> 01:05:41,800
Speaker 1: to talk. I like you, and you hold a grudge.

1306
01:05:41,880 --> 01:05:44,400
Speaker 1: I do. I do. I like a old grudge holder,

1307
01:05:45,240 --> 01:05:48,320
Speaker 1: old grudge, old brudge holder. All right, well that is

1308
01:05:48,400 --> 01:05:53,080
Speaker 1: your rumor report now, Charlene. Yes, man, we need to

1309
01:05:53,120 --> 01:05:55,760
Speaker 1: give Donkey to day this morning to the Republicans to

1310
01:05:55,880 --> 01:05:58,360
Speaker 1: refuse the past common sense gun reform. And I gotta

1311
01:05:58,360 --> 01:06:01,360
Speaker 1: give President Joe Biden some smoke too for just being

1312
01:06:01,680 --> 01:06:03,800
Speaker 1: cowardly on that as well. But we'll discuss, all right.

1313
01:06:03,840 --> 01:06:06,240
Speaker 1: And then we got a huge announce huge after being

1314
01:06:06,320 --> 01:06:10,040
Speaker 1: black announcement right after Donkey today, A big black announcement. Yes,

1315
01:06:10,120 --> 01:06:12,960
Speaker 1: that is all right. I already know what it is

1316
01:06:13,000 --> 01:06:16,919
Speaker 1: and we'll get to it. Next to Breakfast the Breakfast Club.

1317
01:06:17,040 --> 01:06:21,360
Speaker 1: Your mornings will never be the same. Affronation, the world's

1318
01:06:21,400 --> 01:06:24,040
Speaker 1: biggest afro Beats Festival takes place in Miami at Long

1319
01:06:24,120 --> 01:06:26,439
Speaker 1: Depot Park on May twenty seventh and May twenty eighth,

1320
01:06:26,480 --> 01:06:29,720
Speaker 1: with Burna Boy, whiz Kid and more. For more information,

1321
01:06:30,040 --> 01:06:34,280
Speaker 1: visit USA dot Afronation dot com. This is a miracle.

1322
01:06:36,720 --> 01:06:39,440
Speaker 1: There is no question that there are problems in this

1323
01:06:39,600 --> 01:06:45,320
Speaker 1: country between police and community. Yes, you are a donkey

1324
01:06:45,760 --> 01:06:47,840
Speaker 1: to the latest on that police killing of a black man.

1325
01:06:47,920 --> 01:06:50,880
Speaker 1: Now a new developments in the deadly spawshooting rampage. It

1326
01:06:50,960 --> 01:06:52,240
Speaker 1: was a really bad day for him and this is

1327
01:06:52,280 --> 01:06:55,040
Speaker 1: what he did, and so we are in a state

1328
01:06:55,160 --> 01:06:59,200
Speaker 1: of emergency. Okay, White supremacivet violence is it always have

1329
01:06:59,360 --> 01:07:02,240
Speaker 1: been the number one threat to oscide. But I'm also

1330
01:07:02,440 --> 01:07:06,760
Speaker 1: very proud that my wife was white the practice club. Bitch.

1331
01:07:07,920 --> 01:07:11,560
Speaker 1: Please tell me why was I your donkey of the day? Well,

1332
01:07:11,720 --> 01:07:13,960
Speaker 1: donkey today for Thursday in March thirty, if goes to

1333
01:07:14,000 --> 01:07:16,760
Speaker 1: President Joe Biden, as well as the Republicans in Congress,

1334
01:07:16,920 --> 01:07:19,000
Speaker 1: who have said in regards to gun violence, they have

1335
01:07:19,160 --> 01:07:21,360
Speaker 1: done all that they are willing to do. If you

1336
01:07:21,440 --> 01:07:23,320
Speaker 1: haven't heard, there was a mass shooting this week at

1337
01:07:23,320 --> 01:07:26,440
Speaker 1: a Christian elementary school in Nashville that basically a lot

1338
01:07:26,440 --> 01:07:29,040
Speaker 1: of folks in Washington are just shrugging their shoulders. That. Okay,

1339
01:07:29,080 --> 01:07:30,800
Speaker 1: I told you earlier this week that when you hear

1340
01:07:30,880 --> 01:07:33,600
Speaker 1: politicians say this is not who we are as a country,

1341
01:07:33,760 --> 01:07:36,680
Speaker 1: scream out ye lie like a horse on the side

1342
01:07:36,720 --> 01:07:39,400
Speaker 1: of the road or whatever. The hell jamakers be saying, okay,

1343
01:07:39,440 --> 01:07:42,240
Speaker 1: when somebody's lyne a. Mass shootings are the American way,

1344
01:07:42,320 --> 01:07:44,120
Speaker 1: all right. It's part of our culture, all right. Guns

1345
01:07:44,160 --> 01:07:46,160
Speaker 1: are a part of our culture. Violence is our culture.

1346
01:07:46,200 --> 01:07:48,840
Speaker 1: And all these old white men at Washington have accepted it,

1347
01:07:48,880 --> 01:07:52,240
Speaker 1: all right. This is Republican Tim Burkett of Tennessee. He

1348
01:07:52,360 --> 01:07:54,240
Speaker 1: was on the steps of the Capitol just hours after

1349
01:07:54,320 --> 01:07:56,440
Speaker 1: the shooting that killed three children and three adults in

1350
01:07:56,520 --> 01:07:59,160
Speaker 1: his home state. And this is what he's saying. Three

1351
01:08:00,240 --> 01:08:02,520
Speaker 1: little kids slops cirta lives and i'd like three adults.

1352
01:08:02,560 --> 01:08:05,960
Speaker 1: I'm alive and I'm goin to shoar. Of course I've

1353
01:08:06,000 --> 01:08:09,240
Speaker 1: lost their life too. So it's a horrible, horrible situation,

1354
01:08:09,640 --> 01:08:13,120
Speaker 1: and we're not gonna fix it. Criminals are gonna be criminals.

1355
01:08:13,160 --> 01:08:14,880
Speaker 1: And now they found the Second ord War fought in

1356
01:08:14,880 --> 01:08:17,400
Speaker 1: the Pacific about the Japanese. And he told me, said, buddy,

1357
01:08:17,960 --> 01:08:20,680
Speaker 1: he said, if somebody wants to take you out and

1358
01:08:20,800 --> 01:08:22,760
Speaker 1: doesn't mind listening to their life, there's not a whole

1359
01:08:22,800 --> 01:08:25,000
Speaker 1: heckroo loot you can do about it. We're not going

1360
01:08:25,080 --> 01:08:27,080
Speaker 1: to fix it. Criminals are going to be criminals. Yes,

1361
01:08:27,160 --> 01:08:29,040
Speaker 1: Criminals are going to be criminals, but you make it

1362
01:08:29,160 --> 01:08:30,920
Speaker 1: easier for them to commit the kind of carnage they

1363
01:08:30,960 --> 01:08:33,120
Speaker 1: commit when you don't do things like pass common since

1364
01:08:33,160 --> 01:08:36,639
Speaker 1: gun reform, okay, legislation that can expand Brady background checks

1365
01:08:36,720 --> 01:08:39,559
Speaker 1: and ban assault weapons. Where the hell do these people's

1366
01:08:39,640 --> 01:08:41,800
Speaker 1: kids go to school that they are not terrified like

1367
01:08:41,920 --> 01:08:43,560
Speaker 1: the rest of us, because I want my kids to

1368
01:08:43,600 --> 01:08:45,559
Speaker 1: go there too. And it's not just about the kids.

1369
01:08:45,640 --> 01:08:47,479
Speaker 1: It could be you. All right, what if somebody just

1370
01:08:47,680 --> 01:08:49,720
Speaker 1: rolled up to the steps of the Capitol while you

1371
01:08:49,800 --> 01:08:51,960
Speaker 1: was talking, Tim Burkett and just opened fire with an

1372
01:08:52,000 --> 01:08:54,960
Speaker 1: A off fifteen. I bet you if you live to

1373
01:08:55,040 --> 01:08:56,760
Speaker 1: talk about it, you would want them to pass common

1374
01:08:56,840 --> 01:08:59,759
Speaker 1: since gun reform immediately. You know, people don't care about

1375
01:08:59,760 --> 01:09:02,400
Speaker 1: any thing until it impacts them. I ain't. And then

1376
01:09:02,479 --> 01:09:05,000
Speaker 1: President Biden said this week there is nothing else he

1377
01:09:05,120 --> 01:09:08,800
Speaker 1: can do without Congress. Let's listen. I have gone the

1378
01:09:08,840 --> 01:09:12,000
Speaker 1: fourth standard, my Executive of the Guard drew on my

1379
01:09:12,120 --> 01:09:16,800
Speaker 1: own anthing about gunning. The Congress has to ask the

1380
01:09:16,960 --> 01:09:20,560
Speaker 1: majority of American people think having a fault weapons to

1381
01:09:20,800 --> 01:09:25,360
Speaker 1: regard the actuators, we're a dextra and I think the

1382
01:09:25,560 --> 01:09:28,400
Speaker 1: Congress to the passion and Fallen Ball, I can't do

1383
01:09:28,560 --> 01:09:33,519
Speaker 1: anything accept maasing the Congress the actuason, President Biden. That

1384
01:09:33,600 --> 01:09:38,280
Speaker 1: was unbelievably honest and pathetic. Okay, it's absolutely pathetic for

1385
01:09:38,360 --> 01:09:41,040
Speaker 1: a sitting president to just concede and say I'm powerless

1386
01:09:41,280 --> 01:09:44,280
Speaker 1: without Congress. Is he right? Yes? What how about call

1387
01:09:44,360 --> 01:09:47,000
Speaker 1: out the senators by name who won't pass common sense

1388
01:09:47,040 --> 01:09:50,200
Speaker 1: gun reform because they are in the pockets of gun lobbyists.

1389
01:09:50,240 --> 01:09:52,280
Speaker 1: Call them out. Let people know the senators who have

1390
01:09:52,360 --> 01:09:54,720
Speaker 1: benefited the most from NRA money. Let people know whose

1391
01:09:54,720 --> 01:09:58,040
Speaker 1: political campaigns have benefited from NRA dollars. Let people see

1392
01:09:58,040 --> 01:10:01,120
Speaker 1: the correlation between senators who opposed gun safety legislation and

1393
01:10:01,160 --> 01:10:04,880
Speaker 1: whose political campaigns have also benefited from NRA money. All right,

1394
01:10:04,920 --> 01:10:07,040
Speaker 1: There's literally a website you can go to that showed

1395
01:10:07,080 --> 01:10:09,920
Speaker 1: you which senators have benefited the most from NRA money. Okay,

1396
01:10:10,000 --> 01:10:13,679
Speaker 1: Mitt Romney, Richard Burr, Roy Blunt, Tom Tills, Marco Rubio.

1397
01:10:13,720 --> 01:10:15,320
Speaker 1: It's like forty eight of them, guys. But you can

1398
01:10:15,360 --> 01:10:16,760
Speaker 1: go to this site and it shows how much the

1399
01:10:16,920 --> 01:10:20,240
Speaker 1: NRA spent on their campaigns and how many gun deaths

1400
01:10:20,280 --> 01:10:22,599
Speaker 1: have happened in their states. Okay, I would much rather

1401
01:10:22,760 --> 01:10:25,559
Speaker 1: see President Biden calling them out instead of just throwing

1402
01:10:25,600 --> 01:10:27,640
Speaker 1: his hands up and saying, all I can do is

1403
01:10:27,720 --> 01:10:29,840
Speaker 1: beg them to do something. I have to plead to

1404
01:10:29,920 --> 01:10:32,200
Speaker 1: them to do something. It's nothing I can do without them.

1405
01:10:32,439 --> 01:10:34,840
Speaker 1: Of course, you can't do anything without them, but at

1406
01:10:34,880 --> 01:10:38,080
Speaker 1: least call them out by name. Bill Cassidy, Tom Cotton,

1407
01:10:38,160 --> 01:10:41,000
Speaker 1: Pat Toomy, Ted Crew Steve Danes all received money from

1408
01:10:41,000 --> 01:10:43,720
Speaker 1: the NRA for their campaigns to not call him out.

1409
01:10:43,960 --> 01:10:46,840
Speaker 1: After another mass shooting and not just another mass shooting,

1410
01:10:46,880 --> 01:10:50,679
Speaker 1: another mass shooting of kids is gutless, all right. CNN

1411
01:10:50,760 --> 01:10:53,040
Speaker 1: reported that mass shootings have gone up every year since

1412
01:10:53,080 --> 01:10:55,240
Speaker 1: twenty thirteen. And twenty thirteen it was two hundred and

1413
01:10:55,320 --> 01:10:57,719
Speaker 1: fifty six. In twenty twenty two it was six hundred

1414
01:10:57,760 --> 01:11:00,000
Speaker 1: and forty six. And guess what in twenty twenty three,

1415
01:11:00,320 --> 01:11:02,800
Speaker 1: the gun violence Archive is counted one hundred and thirty

1416
01:11:02,840 --> 01:11:06,559
Speaker 1: mass shootings. Okay, but all our elected officials, including our president,

1417
01:11:06,600 --> 01:11:09,519
Speaker 1: can do is nothing, all right? At the least get

1418
01:11:09,600 --> 01:11:14,520
Speaker 1: angry like Congressman Jamal Bowman was yesterday. Let's listen, freaking cowards,

1419
01:11:14,760 --> 01:11:18,440
Speaker 1: they're gutless. We're not here talking. I'm talking about gunown

1420
01:11:19,880 --> 01:11:26,120
Speaker 1: teachers to carry terry guns. Well, look at the theater.

1421
01:11:26,360 --> 01:11:29,479
Speaker 1: You're carrying the water for the gun lobby. Nine year

1422
01:11:29,560 --> 01:11:33,880
Speaker 1: old children, just eluens armed teachers. Have you ever worked

1423
01:11:33,920 --> 01:11:36,920
Speaker 1: in the school. Have you ever worked in the school.

1424
01:11:37,720 --> 01:11:40,120
Speaker 1: Have you ever worked in the school? I ever worked

1425
01:11:40,160 --> 01:11:49,639
Speaker 1: in the school for twenty years. I was probably include

1426
01:11:49,640 --> 01:11:53,479
Speaker 1: box for Jamal Bowman bi rate. You know, show some passion.

1427
01:11:53,520 --> 01:11:55,799
Speaker 1: I'm telling you right now, all you elect elected officials,

1428
01:11:55,880 --> 01:11:58,880
Speaker 1: eventually it will impact you, all your Republicans in Congress

1429
01:11:58,960 --> 01:12:01,840
Speaker 1: doing nothing about this. Literally like driving a car with

1430
01:12:01,960 --> 01:12:04,679
Speaker 1: no break pass all right, when you drive without break pads,

1431
01:12:04,720 --> 01:12:06,639
Speaker 1: you are putting you and everybody else on the road

1432
01:12:06,680 --> 01:12:09,680
Speaker 1: at risk and eventually you're gonna crash. Okay, this is

1433
01:12:09,720 --> 01:12:12,200
Speaker 1: what will happen Eventually, the all the elected officials who

1434
01:12:12,240 --> 01:12:14,600
Speaker 1: don't want to move on common sense gun reform, you

1435
01:12:14,600 --> 01:12:19,400
Speaker 1: will eventually be cannibalized by the same monster you're feeding. Okay,

1436
01:12:19,960 --> 01:12:22,320
Speaker 1: God told me to tell you that. Please let remy

1437
01:12:22,360 --> 01:12:24,679
Speaker 1: Mark give the Republicans to refuse the past common sense

1438
01:12:24,720 --> 01:12:27,559
Speaker 1: gun reform and President Joe Biden for not calling him

1439
01:12:27,600 --> 01:12:30,960
Speaker 1: out by name the biggest he hall he ha, he ha,

1440
01:12:31,600 --> 01:12:36,519
Speaker 1: You stupid motherfu are you dumb? Can we wooshi? All right,

1441
01:12:36,600 --> 01:12:38,720
Speaker 1: let's thank you for that donkey to day. So we

1442
01:12:38,760 --> 01:12:41,960
Speaker 1: said we had a big black announcement. Lunell got excited.

1443
01:12:42,000 --> 01:12:45,040
Speaker 1: What's the big black announcement? Drum roll? One time, big

1444
01:12:45,240 --> 01:12:48,840
Speaker 1: black announcement. Now you know, the Breakfast Club has been

1445
01:12:48,880 --> 01:12:51,479
Speaker 1: on this radio for thirteen years. Stick to the script

1446
01:12:51,520 --> 01:12:53,840
Speaker 1: you want to do that? Where's the script? I didn't

1447
01:12:53,840 --> 01:12:56,240
Speaker 1: get a script to say your name? I know my name,

1448
01:12:56,360 --> 01:12:59,800
Speaker 1: DJ MV. It's your intro, bro, my intro? Yes, all right,

1449
01:13:00,880 --> 01:13:02,599
Speaker 1: what up y'all? It's DJ Envy and I go by

1450
01:13:02,640 --> 01:13:04,080
Speaker 1: the name is Charlomagne Goga. We are the world the

1451
01:13:04,120 --> 01:13:06,479
Speaker 1: most dangerous morning to show, the Breakfast Club. Thirteen years

1452
01:13:06,560 --> 01:13:09,240
Speaker 1: we've been on this radio, okay, and we appreciate all

1453
01:13:09,280 --> 01:13:11,240
Speaker 1: our listeners out there. That's right. We did a little

1454
01:13:11,280 --> 01:13:13,320
Speaker 1: stint on TV with Revolts. Shout to Revolte. We did

1455
01:13:13,400 --> 01:13:15,240
Speaker 1: revote for a couple of years, right, yes, we did,

1456
01:13:15,400 --> 01:13:18,320
Speaker 1: and that ended. Yes, and then after that we were

1457
01:13:18,920 --> 01:13:21,320
Speaker 1: looking for a place to broadcast our morning home that

1458
01:13:21,360 --> 01:13:23,720
Speaker 1: we felt fit us. And you know, being that this

1459
01:13:23,880 --> 01:13:26,000
Speaker 1: is like this is Breakfast Club two point though, yes,

1460
01:13:26,120 --> 01:13:29,840
Speaker 1: because this show has grown and evolved, correct, Right, it's

1461
01:13:29,880 --> 01:13:33,920
Speaker 1: only right that the evolution is televised. Right, Absolutely, evolution

1462
01:13:34,000 --> 01:13:36,559
Speaker 1: will be televised. So are you saying that The Breakfast

1463
01:13:36,640 --> 01:13:40,639
Speaker 1: Club each and every morning will be televised on television again, Yes,

1464
01:13:40,760 --> 01:13:43,439
Speaker 1: we will, and it will be in all the cable

1465
01:13:43,479 --> 01:13:47,240
Speaker 1: networks all across the world, all across the country, nine

1466
01:13:47,320 --> 01:13:52,840
Speaker 1: am every single morning, Monday through Friday. You can listen

1467
01:13:52,920 --> 01:13:56,120
Speaker 1: to The Breakfast Club on our new home Sayce again,

1468
01:13:56,360 --> 01:14:04,080
Speaker 1: Science Science on b every morning. You can watch The

1469
01:14:04,160 --> 01:14:08,800
Speaker 1: Breakfast Club on b ET Black Entertainment Television start in

1470
01:14:08,880 --> 01:14:12,519
Speaker 1: April seventeenth at nine am Eastern Monday through Friday. Okay,

1471
01:14:12,920 --> 01:14:16,240
Speaker 1: that's right. So everything you see from our interviews, the artist,

1472
01:14:16,360 --> 01:14:21,479
Speaker 1: the Donkey of the Deaths, everybody will be on b ET.

1473
01:14:21,760 --> 01:14:23,800
Speaker 1: So if you're in a place where your radio doesn't work,

1474
01:14:23,880 --> 01:14:25,920
Speaker 1: or maybe getting the kids together, you can turn on

1475
01:14:26,000 --> 01:14:28,680
Speaker 1: the TV and watching my handsome face and shot me.

1476
01:14:31,520 --> 01:14:34,680
Speaker 1: Never forget Mars Chestnutt gets confused for me. Don't you

1477
01:14:34,800 --> 01:14:39,320
Speaker 1: ever that only happened one time? Happen one time. Don't

1478
01:14:39,320 --> 01:14:45,680
Speaker 1: you ever disrespect us like that? Like Maliko. Okay, as

1479
01:14:45,680 --> 01:14:49,960
Speaker 1: soon as you say Malie all right, but turn it

1480
01:14:50,000 --> 01:14:54,200
Speaker 1: back up. But that's right. Starting April seventeenth, nine am,

1481
01:14:54,880 --> 01:14:57,120
Speaker 1: the Breakfast Club will be on b ET. So shout

1482
01:14:57,120 --> 01:14:59,960
Speaker 1: out to be Et family, Shout to I heeartmedia family,

1483
01:15:00,000 --> 01:15:01,320
Speaker 1: shout out to some of the people at BT. I

1484
01:15:01,360 --> 01:15:04,000
Speaker 1: mean for this hard. It's only right, right because you know,

1485
01:15:04,080 --> 01:15:06,599
Speaker 1: when you think about cultural institutions, when you think about

1486
01:15:06,640 --> 01:15:09,760
Speaker 1: black cultural institutions, you think of Rap City, correct, right,

1487
01:15:09,800 --> 01:15:12,400
Speaker 1: you think of one or of course, feel like the

1488
01:15:12,439 --> 01:15:15,439
Speaker 1: Breakfast Club being on BT is just carrying on that

1489
01:15:15,720 --> 01:15:18,560
Speaker 1: tradition absolutely, you know. And we can't wait till you

1490
01:15:18,680 --> 01:15:22,320
Speaker 1: guys see us agatting that starts April seventeenth, Monday, April seventeenth,

1491
01:15:22,320 --> 01:15:24,760
Speaker 1: you could catch us live each and every morning on

1492
01:15:24,960 --> 01:15:33,400
Speaker 1: b ET. Now, gradually, I'm gonna tell you something else.

1493
01:15:33,520 --> 01:15:35,120
Speaker 1: I feel like it's only right to open up the

1494
01:15:35,120 --> 01:15:37,120
Speaker 1: phone to the listeners right now because it's because of

1495
01:15:37,120 --> 01:15:39,760
Speaker 1: the listeners that you know, we get put in these

1496
01:15:39,840 --> 01:15:42,479
Speaker 1: great positions. I would love to know what listeners think

1497
01:15:42,520 --> 01:15:45,320
Speaker 1: about us being on BT. Shout out to our family BT,

1498
01:15:45,479 --> 01:15:47,080
Speaker 1: all all the people that made this happen to Shout

1499
01:15:47,080 --> 01:15:53,960
Speaker 1: to kne Salute to Tiff Well, Tim's Connie, Tasha, Tasha Man.

1500
01:15:53,960 --> 01:15:55,639
Speaker 1: I don't know all the people, maybe like thirty people.

1501
01:15:56,040 --> 01:15:59,320
Speaker 1: That's because I didn't know I start. I think of

1502
01:15:59,360 --> 01:16:02,360
Speaker 1: you do you even start that? Bro? I know my people.

1503
01:16:02,479 --> 01:16:09,200
Speaker 1: I know who I know over here. I said, we said.

1504
01:16:09,560 --> 01:16:11,280
Speaker 1: That's all I said. We got but Slu to everybody,

1505
01:16:11,400 --> 01:16:13,720
Speaker 1: to Bat staff and everybody that's gonna be recording and

1506
01:16:13,800 --> 01:16:16,479
Speaker 1: making the show special. That's right. We appreciate you guys. Lu.

1507
01:16:16,760 --> 01:16:18,320
Speaker 1: What do you think about us being on BT. I

1508
01:16:18,400 --> 01:16:21,360
Speaker 1: think that's fantastic because you do want to sometimes move

1509
01:16:21,400 --> 01:16:24,200
Speaker 1: around the house and just have the TV on, be

1510
01:16:24,240 --> 01:16:26,880
Speaker 1: able to listen, look in, and I think that's a

1511
01:16:27,000 --> 01:16:28,800
Speaker 1: great thing. Okay, Now, I just want to tell you

1512
01:16:28,840 --> 01:16:30,519
Speaker 1: I'm glad you made Din knock room with me here.

1513
01:16:30,720 --> 01:16:33,599
Speaker 1: It beat me on very. I just want to tell

1514
01:16:33,600 --> 01:16:35,519
Speaker 1: you that doesn't mean Charlemagne and I are gonna dress

1515
01:16:35,640 --> 01:16:37,639
Speaker 1: nice every day. We're still gonna come in. We're still

1516
01:16:37,640 --> 01:16:40,679
Speaker 1: gonna come in, buddies. We don't have bad consent. Throwing

1517
01:16:40,720 --> 01:16:42,640
Speaker 1: a hat. The only thing you'll hear changes you'll hear

1518
01:16:42,680 --> 01:16:44,840
Speaker 1: from Bat shot outs every day. Absolutely mean a lot,

1519
01:16:44,920 --> 01:16:46,559
Speaker 1: a lot, now a lot. Yeah, So we are on BT.

1520
01:16:46,760 --> 01:16:48,599
Speaker 1: I got every bad. Now that you're gonna be on TV,

1521
01:16:48,720 --> 01:16:51,320
Speaker 1: we're gonna have you back one, you know, thank you?

1522
01:16:51,640 --> 01:16:53,320
Speaker 1: All right, well over, let's open up the phone lines.

1523
01:16:53,360 --> 01:16:55,280
Speaker 1: Eight hundred five, eight five, one oh five. When the

1524
01:16:55,320 --> 01:16:57,320
Speaker 1: Breakfast Club is head in the b ET each and

1525
01:16:57,400 --> 01:16:59,040
Speaker 1: every morning, how do you feel about that? You think

1526
01:16:59,080 --> 01:17:00,519
Speaker 1: it's dope, you think it's great for the coaching, What

1527
01:17:00,560 --> 01:17:03,519
Speaker 1: are your thoughts? Call us up right now again b

1528
01:17:03,800 --> 01:17:07,720
Speaker 1: ET starting April seventeen, when you'll get to see Charlemagne

1529
01:17:07,760 --> 01:17:11,000
Speaker 1: and myself, our guest holds, our interviews, our artists, the

1530
01:17:11,080 --> 01:17:14,200
Speaker 1: donkeys of the day, our topics, and so much more.

1531
01:17:14,680 --> 01:17:18,120
Speaker 1: So we're so super duper excited about that. And uh yeah,

1532
01:17:18,160 --> 01:17:26,320
Speaker 1: we'll take your phone calls, and we'll take your calls

1533
01:17:26,360 --> 01:17:29,280
Speaker 1: when we come back. It's the Breakfast Cold. We'll talk

1534
01:17:29,280 --> 01:17:31,559
Speaker 1: about that later. But because we're gonna be all entwined

1535
01:17:31,600 --> 01:17:33,680
Speaker 1: in BT too, So the Breakfast Club is gonna be

1536
01:17:33,840 --> 01:17:37,200
Speaker 1: entwined and absolutely so some of the stuff that you

1537
01:17:37,280 --> 01:17:39,400
Speaker 1: see BT doing we're gonna be a part of. We're

1538
01:17:39,400 --> 01:17:42,280
Speaker 1: super duper excited about. Oh I can't wait, let's go.

1539
01:17:42,320 --> 01:17:51,200
Speaker 1: It's the breakast Club of morning. Congratulations. The Breakfast Club

1540
01:17:55,439 --> 01:17:57,160
Speaker 1: I am. Well, I'm on my way to work. I

1541
01:17:57,280 --> 01:17:59,800
Speaker 1: listened to y'all every day. So when y'all saying this,

1542
01:18:00,240 --> 01:18:03,080
Speaker 1: I'm in the car freeman like. It's such a good

1543
01:18:03,160 --> 01:18:05,599
Speaker 1: mood for the culture. So I'm so proud of y'all.

1544
01:18:05,920 --> 01:18:07,280
Speaker 1: So when you where do you work at? Can you

1545
01:18:07,320 --> 01:18:09,439
Speaker 1: turn on the TV's at work? Um? Well I can

1546
01:18:09,520 --> 01:18:12,400
Speaker 1: probably m I usually watch it on the computer. Okay,

1547
01:18:12,760 --> 01:18:15,560
Speaker 1: So I got work at the same time, and you know,

1548
01:18:15,840 --> 01:18:18,240
Speaker 1: listen to y'all. Well, tell everybody at work to turn

1549
01:18:18,360 --> 01:18:20,840
Speaker 1: a BT on at nine am, and y'all can all

1550
01:18:20,880 --> 01:18:23,040
Speaker 1: watch the Breakfast Club at nine am on your computers

1551
01:18:23,080 --> 01:18:25,800
Speaker 1: together as a family. Don't tell everybody working you matter all.

1552
01:18:25,880 --> 01:18:31,160
Speaker 1: Y'all gonna be an unemployment line, right. Proud of y'all. Well,

1553
01:18:31,200 --> 01:18:34,880
Speaker 1: thank you, Jessica. Hello, who's my name is? Roe? Hey?

1554
01:18:34,960 --> 01:18:38,200
Speaker 1: Good morning, good morning, trial a good morning the day,

1555
01:18:38,360 --> 01:18:41,360
Speaker 1: very good morning. Now, Hey, good morning, good morning. I

1556
01:18:41,479 --> 01:18:43,280
Speaker 1: just wanted to make this quick cause I'm not being

1557
01:18:43,320 --> 01:18:45,559
Speaker 1: a farmer, but I am so happy for you guys.

1558
01:18:45,880 --> 01:18:48,280
Speaker 1: Thank you, thank you so much. Make sure you tune

1559
01:18:48,320 --> 01:18:50,880
Speaker 1: in every month, every every day, Monday through Friday, nine

1560
01:18:50,880 --> 01:18:53,720
Speaker 1: am on BT starting a from seventeenth to breakfast club.

1561
01:18:53,880 --> 01:18:55,519
Speaker 1: I do. I gotta listen on the radio, but I

1562
01:18:55,920 --> 01:18:59,320
Speaker 1: recording hard. Thank you so much, Mama, y, thank you,

1563
01:18:59,439 --> 01:19:02,640
Speaker 1: y'all have a good justin. What's up good Martin? How

1564
01:19:02,680 --> 01:19:05,160
Speaker 1: you guys doing? Man? How are you feeling? Good? Good man?

1565
01:19:05,479 --> 01:19:09,479
Speaker 1: I said, warn of you start the maine U No, hey,

1566
01:19:10,400 --> 01:19:13,840
Speaker 1: congratulations mane years and to tig achievement that I've been

1567
01:19:13,880 --> 01:19:16,280
Speaker 1: listening to you guys. It's been we're in our thirteenth year, sir,

1568
01:19:16,439 --> 01:19:19,960
Speaker 1: but you know thirteen year thirty yes, yes, um. And

1569
01:19:20,040 --> 01:19:21,799
Speaker 1: for you guys to be order going on TV, it's amazing,

1570
01:19:22,280 --> 01:19:25,040
Speaker 1: I guess trying amazing that stop um doing any fut

1571
01:19:25,080 --> 01:19:27,800
Speaker 1: mold so I don't think the fee so a lot

1572
01:19:27,840 --> 01:19:31,000
Speaker 1: of nothing stop said button molds will not stop nothing

1573
01:19:31,040 --> 01:19:33,400
Speaker 1: stop stop here, sir? Who know you want me to

1574
01:19:33,439 --> 01:19:37,559
Speaker 1: stop the button molds? Never? Hey, I heard uh DJM

1575
01:19:37,640 --> 01:19:39,240
Speaker 1: he got that in front of his house. You know

1576
01:19:39,320 --> 01:19:40,760
Speaker 1: when he walked out, he ring of rubbed like he's

1577
01:19:40,760 --> 01:19:42,600
Speaker 1: walking on the follow every morning. That's a fact. That

1578
01:19:42,800 --> 01:19:44,559
Speaker 1: was a good look. You know where we might put

1579
01:19:44,600 --> 01:19:47,240
Speaker 1: the button mole outside the door so or an artist coming,

1580
01:19:47,280 --> 01:19:50,200
Speaker 1: they gotta rub it for luck. Oh my god, there

1581
01:19:50,240 --> 01:19:52,519
Speaker 1: you go to the table or the ball. I think

1582
01:19:52,560 --> 01:19:55,120
Speaker 1: that uh a little bit too much. What's that new

1583
01:19:55,200 --> 01:19:58,080
Speaker 1: song my my vagina pick and my booty hole brown

1584
01:19:58,160 --> 01:20:01,639
Speaker 1: or something like that. I have no idea what you're

1585
01:20:01,680 --> 01:20:07,559
Speaker 1: talking about. Okay that I was born in the nineteen hundreds.

1586
01:20:07,560 --> 01:20:09,160
Speaker 1: I ain't got time for that. Flue to that person

1587
01:20:09,240 --> 01:20:13,960
Speaker 1: or whoever that is. Hello, who's this? Hello? Good morning? Hello? Hello,

1588
01:20:15,320 --> 01:20:19,439
Speaker 1: this is Astley. We can't hear you. Hello. Can you

1589
01:20:19,520 --> 01:20:21,320
Speaker 1: hear me? Now? No, we can't hear you. That's we

1590
01:20:21,400 --> 01:20:24,960
Speaker 1: can Why are you playing? I can't hear myself at

1591
01:20:25,960 --> 01:20:29,200
Speaker 1: How are you? Good morning? More to Astley? Good morning.

1592
01:20:29,439 --> 01:20:31,920
Speaker 1: I just wanted to say congratulations to you guys, and

1593
01:20:32,000 --> 01:20:34,400
Speaker 1: I hope you do not get a new cold because

1594
01:20:34,439 --> 01:20:36,920
Speaker 1: I love like different people coming up there every week.

1595
01:20:37,520 --> 01:20:41,479
Speaker 1: And we like the rotating guest holes too. You know,

1596
01:20:41,680 --> 01:20:44,120
Speaker 1: we enjoyed it. I don't think you guys should get

1597
01:20:44,160 --> 01:20:46,479
Speaker 1: like another permanent person. It's like it just gets like

1598
01:20:46,640 --> 01:20:56,920
Speaker 1: step mom box damn. Okay, we got a bad connection. Girl,

1599
01:20:57,000 --> 01:21:01,880
Speaker 1: bad girl. She said she liked the rotating guest so

1600
01:21:02,080 --> 01:21:03,880
Speaker 1: she just don't know if she wants somebody. Why do

1601
01:21:03,920 --> 01:21:05,519
Speaker 1: you hang up on that way. I didn't know. I

1602
01:21:05,760 --> 01:21:07,720
Speaker 1: have no power to hang up on nobody. Don't play

1603
01:21:07,760 --> 01:21:10,080
Speaker 1: me like that. I disagree with that though. What's that?

1604
01:21:10,439 --> 01:21:13,679
Speaker 1: And I think eventually, you know, eventually, somebody permanent after eventually,

1605
01:21:13,760 --> 01:21:15,360
Speaker 1: but I think, you know, for a while, you know,

1606
01:21:15,400 --> 01:21:17,479
Speaker 1: we still got a lot of people that that schedule

1607
01:21:17,520 --> 01:21:19,519
Speaker 1: to come up here, and we're super excited about that.

1608
01:21:19,720 --> 01:21:23,720
Speaker 1: I saw your little chart, who's your favorite? It said,

1609
01:21:23,760 --> 01:21:29,560
Speaker 1: who's your favorite? Yeah, who's your favorite so far? Now me,

1610
01:21:32,080 --> 01:21:34,200
Speaker 1: you won't be able to tell about today, but yeah,

1611
01:21:34,280 --> 01:21:38,280
Speaker 1: a good day yet to day? Yeah, great, that's having

1612
01:21:38,280 --> 01:21:40,360
Speaker 1: a great day to day. Now. I'm glad to be

1613
01:21:40,560 --> 01:21:42,960
Speaker 1: here and we're happy to have you here, you know.

1614
01:21:43,000 --> 01:21:44,840
Speaker 1: But we should tell them a little bit about the

1615
01:21:44,960 --> 01:21:48,000
Speaker 1: show that will be on DT. It's gonna be at

1616
01:21:48,120 --> 01:21:50,400
Speaker 1: nine am, right, So it's gonna be the best of

1617
01:21:50,920 --> 01:21:53,240
Speaker 1: stuff that from that morning, correct, you know what I mean?

1618
01:21:53,360 --> 01:21:55,280
Speaker 1: So the interviews that we have on that morning and

1619
01:21:55,439 --> 01:21:57,519
Speaker 1: Donkey of the day from that morning, our guest co

1620
01:21:57,680 --> 01:22:00,400
Speaker 1: hosts from that morning, the topic from that morning, that's

1621
01:22:00,400 --> 01:22:03,360
Speaker 1: what we'll be airing at nine am every day on

1622
01:22:03,520 --> 01:22:05,519
Speaker 1: BT right, So you'll probably get, like you said, the

1623
01:22:05,600 --> 01:22:08,720
Speaker 1: artist interviews, you'd probably get the donkey whatever topic we've

1624
01:22:08,760 --> 01:22:10,720
Speaker 1: been talking about, so you'll get it before anybody else.

1625
01:22:10,720 --> 01:22:12,519
Speaker 1: You get it before hits to YouTube, and it'll be

1626
01:22:12,640 --> 01:22:14,559
Speaker 1: pretty dope and you can't wait to see you guys

1627
01:22:14,640 --> 01:22:16,559
Speaker 1: and and do something, because it's not just that we're

1628
01:22:16,560 --> 01:22:18,599
Speaker 1: gonna be doing some a lot of stuff with BEET,

1629
01:22:19,000 --> 01:22:20,880
Speaker 1: which I think it's gonna be really really great as well.

1630
01:22:21,000 --> 01:22:23,360
Speaker 1: Allegedly that's gonna, I mean, that's what we've been talking

1631
01:22:23,400 --> 01:22:29,240
Speaker 1: about happen. I hope. So if the Breakface Club hosted

1632
01:22:29,479 --> 01:22:32,240
Speaker 1: the BT Awards, the pre show, Yeah, let's do the

1633
01:22:32,280 --> 01:22:34,720
Speaker 1: pre show, maybe give out some awards. I agree with that.

1634
01:22:35,160 --> 01:22:36,439
Speaker 1: I'd rather do the pre show. I want to leave.

1635
01:22:36,439 --> 01:22:37,519
Speaker 1: I don't want to stay. I for the war, but

1636
01:22:37,760 --> 01:22:39,920
Speaker 1: I want to say time. I'd like to do the

1637
01:22:39,960 --> 01:22:42,880
Speaker 1: pre show that I think it's an hour long and

1638
01:22:43,040 --> 01:22:44,880
Speaker 1: I will show you up. I do have a little

1639
01:22:46,960 --> 01:22:48,960
Speaker 1: tell us tell us the bet I have a b

1640
01:22:49,120 --> 01:22:54,160
Speaker 1: E team. Is that with Comic View having been such

1641
01:22:54,200 --> 01:22:59,479
Speaker 1: a staple at BEET for so many years and literally

1642
01:22:59,600 --> 01:23:02,080
Speaker 1: kept the show on the air for so many years,

1643
01:23:02,640 --> 01:23:05,479
Speaker 1: they don't invite any of the past hosts to come

1644
01:23:05,560 --> 01:23:09,080
Speaker 1: on to present an awards. They don't have a comedy

1645
01:23:09,200 --> 01:23:11,960
Speaker 1: award show. They don't have anything for us to do.

1646
01:23:12,560 --> 01:23:15,280
Speaker 1: I never get to attend. I don't get to present

1647
01:23:15,360 --> 01:23:18,560
Speaker 1: any war. Laura Hayes should be there. They don't do

1648
01:23:18,640 --> 01:23:22,640
Speaker 1: anything from Ronaldo Ray when Renaldo Wow. I think that

1649
01:23:22,720 --> 01:23:25,680
Speaker 1: they really host slided the comics that helped build the

1650
01:23:25,720 --> 01:23:28,960
Speaker 1: brand of the station. Sorry, b Et, but that's how

1651
01:23:29,000 --> 01:23:30,960
Speaker 1: I feel. You know, I agree with you. They should

1652
01:23:30,960 --> 01:23:33,439
Speaker 1: bring BT comic you back. Actually, they should bring b

1653
01:23:33,520 --> 01:23:36,759
Speaker 1: ET Comic Con. If you're listening, it's a great idea.

1654
01:23:36,920 --> 01:23:40,519
Speaker 1: It's a fantast They should definitely at least do a retrospective. Yeah,

1655
01:23:40,520 --> 01:23:44,479
Speaker 1: and and flashback coming documentary. That's right, Yeah, you're right. Okay,

1656
01:23:44,720 --> 01:23:46,400
Speaker 1: you're right. Okay. So that's how I had to say.

1657
01:23:46,439 --> 01:23:50,479
Speaker 1: We can not look forward to meal to nothing, right,

1658
01:23:51,600 --> 01:23:53,479
Speaker 1: I said what I'm said, But we're taking your course.

1659
01:23:53,520 --> 01:23:55,600
Speaker 1: Eight hundred and fifty five one h five. When the

1660
01:23:55,640 --> 01:23:58,720
Speaker 1: Breakfast Club will be on b ET start in April seventeenth.

1661
01:23:59,200 --> 01:24:01,160
Speaker 1: What are your thoughts talk about this the Breakfast Club?

1662
01:24:01,200 --> 01:24:04,880
Speaker 1: Good morning, Hey, everybody's m Charlemagne the guy. We are

1663
01:24:04,960 --> 01:24:09,320
Speaker 1: the Breakfast Club now, um, Lunella's our guest host. I am.

1664
01:24:10,160 --> 01:24:11,680
Speaker 1: Now when we start the show, we don't say we

1665
01:24:11,720 --> 01:24:13,560
Speaker 1: wouldn't say good morning, you say yo, yeah yo. We

1666
01:24:13,600 --> 01:24:15,400
Speaker 1: don't say good morning BT, or do we say the morning.

1667
01:24:15,640 --> 01:24:17,960
Speaker 1: We will still say good morning USA. And I think

1668
01:24:17,960 --> 01:24:21,160
Speaker 1: we should acknowledge BT every morning since we're gonna be

1669
01:24:21,200 --> 01:24:23,240
Speaker 1: on that Monday through Friday at nine am. And that

1670
01:24:23,320 --> 01:24:25,400
Speaker 1: keeps up from having to do like you know, you

1671
01:24:25,479 --> 01:24:28,320
Speaker 1: know how they do like the silly promos and like

1672
01:24:28,520 --> 01:24:30,720
Speaker 1: you know, yeah, this is the breakfast club on BT.

1673
01:24:30,840 --> 01:24:33,320
Speaker 1: It's like no, it's all encompassing. So it's all let's

1674
01:24:33,320 --> 01:24:36,720
Speaker 1: just y'all get more money for that a little bit, yeah,

1675
01:24:36,960 --> 01:24:41,400
Speaker 1: a little bit, yeah, little bit? Yeah. Hello, something to

1676
01:24:41,439 --> 01:24:46,160
Speaker 1: donate to charity? Okay, I have a cher It's true,

1677
01:24:48,880 --> 01:24:52,240
Speaker 1: it's good. We are right. Hello's this? Oh my god,

1678
01:24:52,800 --> 01:24:58,599
Speaker 1: oh my god? You didn't Hey Ja, damn wed girl.

1679
01:24:58,680 --> 01:25:03,880
Speaker 1: I'm just so excited. I been trying to call you forever. Yes,

1680
01:25:04,960 --> 01:25:11,360
Speaker 1: we all be et e j We all be et Yeah. Yes,

1681
01:25:11,760 --> 01:25:14,240
Speaker 1: Monday through Friday, nine am. Tune in where you're gonna be,

1682
01:25:14,280 --> 01:25:17,800
Speaker 1: where you be Wednesday? Every Wednesday. I will be there,

1683
01:25:18,720 --> 01:25:21,920
Speaker 1: So Wednesday, why not Monday, Tuesday, Thursday, Friday, or that's

1684
01:25:21,920 --> 01:25:24,720
Speaker 1: your off day. That's all days. I'm gonna be every

1685
01:25:24,800 --> 01:25:27,240
Speaker 1: Wednesday and nine am. Now, Jay, let me ask you

1686
01:25:27,240 --> 01:25:30,200
Speaker 1: a real question besides Lou Now, who is your guest

1687
01:25:30,439 --> 01:25:32,960
Speaker 1: co host? Your favorite guest co host? I would have

1688
01:25:33,080 --> 01:25:36,760
Speaker 1: to say ray J because he is the funniest. He

1689
01:25:36,880 --> 01:25:40,920
Speaker 1: has zero zero comments. I'm telling you right now, RAYJ

1690
01:25:41,040 --> 01:25:43,360
Speaker 1: is the most unserious person that you could have said.

1691
01:25:43,439 --> 01:25:47,240
Speaker 1: I can't I can't take I like you for a

1692
01:25:47,280 --> 01:25:48,960
Speaker 1: four week. I'd have to take pills for a full week.

1693
01:25:49,040 --> 01:25:52,240
Speaker 1: I love like a day. I could take ray J two. Yes,

1694
01:25:52,360 --> 01:25:54,800
Speaker 1: before five days, I was driving we even dripping me crazy.

1695
01:25:54,880 --> 01:25:58,559
Speaker 1: I love, I love ray Jay. Though I can tell

1696
01:25:58,600 --> 01:26:02,519
Speaker 1: you right now, Rayj, it will be guess Coles will

1697
01:26:02,600 --> 01:26:07,519
Speaker 1: not be perfect. He might might have J ray J

1698
01:26:07,720 --> 01:26:10,360
Speaker 1: podcast another radio show, but you would not be the

1699
01:26:10,400 --> 01:26:12,360
Speaker 1: permanent co host here. Yeah. I came in one day.

1700
01:26:12,400 --> 01:26:13,880
Speaker 1: He had a shirt off. I came in one day

1701
01:26:13,920 --> 01:26:17,400
Speaker 1: at the shoot. I was like, RAYJ, be talking to

1702
01:26:17,439 --> 01:26:20,639
Speaker 1: circles sometimes, be confusing me. Sometimes I think I should

1703
01:26:20,640 --> 01:26:22,960
Speaker 1: be y'all co home. Okay, I do a break right now.

1704
01:26:23,080 --> 01:26:30,400
Speaker 1: Gufft girl, that's what radio in sound exactly what it is.

1705
01:26:31,280 --> 01:26:37,120
Speaker 1: A nice gave her a shot. Definitely gave a shot.

1706
01:26:37,240 --> 01:26:41,760
Speaker 1: Sam Good morning, Hi, good morning. Hi. This is Samantha

1707
01:26:41,920 --> 01:26:46,880
Speaker 1: from Boston. I'm just calling the second congratulations going to

1708
01:26:46,960 --> 01:26:50,360
Speaker 1: be et um. I couldn't wait till y'all the TV,

1709
01:26:50,920 --> 01:26:55,599
Speaker 1: So congratulations R very much. Monday through Friday nine AM.

1710
01:26:55,880 --> 01:26:58,560
Speaker 1: Tuned in to bt oh, I gotta record it on

1711
01:26:58,680 --> 01:27:01,240
Speaker 1: my calendar. I'm waiting and I'm saying, I gotta ask

1712
01:27:01,280 --> 01:27:04,639
Speaker 1: you besides Lunell, who's your favorite uh guest co host?

1713
01:27:05,960 --> 01:27:11,000
Speaker 1: Uh Jess hilarious? Oh my god, good sister Jesse. Okay,

1714
01:27:11,160 --> 01:27:14,640
Speaker 1: thank you say yeah, oh yeah. And if you don't know,

1715
01:27:14,720 --> 01:27:17,000
Speaker 1: we did like a bracket, like a morning show bracket,

1716
01:27:17,080 --> 01:27:18,840
Speaker 1: like you know how they do the basketball brackets. We

1717
01:27:18,920 --> 01:27:21,000
Speaker 1: did the morning show bracket and we're gonna be moving

1718
01:27:21,040 --> 01:27:23,160
Speaker 1: people left and right. And you know what you guys

1719
01:27:23,240 --> 01:27:25,920
Speaker 1: feel was great and not great. So definitely click on

1720
01:27:26,000 --> 01:27:28,200
Speaker 1: on to the Breakfast Club page that's at Breakfast Club

1721
01:27:28,240 --> 01:27:30,840
Speaker 1: AM and follow that bracket. Hello, who's this yo? This

1722
01:27:30,960 --> 01:27:34,080
Speaker 1: Sunny Sunny? What's up? Bro? How y'all doing? Man? It's

1723
01:27:34,200 --> 01:27:37,280
Speaker 1: nice talk to y'all. Good morning, nice talking to me too.

1724
01:27:37,320 --> 01:27:39,400
Speaker 1: You see me doing b ET Star in April seventeen.

1725
01:27:39,439 --> 01:27:43,559
Speaker 1: What's your thoughts brother, man, big moves, Uh. I want

1726
01:27:43,600 --> 01:27:47,559
Speaker 1: to congratulate y'all. I really feel like like it's taking

1727
01:27:47,600 --> 01:27:49,439
Speaker 1: me back to the one or six and Park Vis

1728
01:27:49,439 --> 01:27:52,360
Speaker 1: because you know that's that's like my error. So I

1729
01:27:52,479 --> 01:27:55,920
Speaker 1: feel like out of this something big gonna happen. Like

1730
01:27:56,360 --> 01:27:58,400
Speaker 1: it feels like I'm going on another journey, you know

1731
01:27:58,439 --> 01:28:00,880
Speaker 1: what I mean, with the with the culture. You see

1732
01:28:01,000 --> 01:28:03,720
Speaker 1: me like, y'all, big big players in this man, and

1733
01:28:03,840 --> 01:28:06,519
Speaker 1: I feel like like big moves man, I just want

1734
01:28:06,520 --> 01:28:09,200
Speaker 1: to congratulate you, right, Thank you brother. I feel that too. Man.

1735
01:28:09,360 --> 01:28:12,040
Speaker 1: You know BT has been the home of black cultural institutions.

1736
01:28:12,120 --> 01:28:14,800
Speaker 1: You know what I'm saying, rap City, you know one

1737
01:28:14,960 --> 01:28:18,320
Speaker 1: or six in part remember Planet Group, Comic View, like

1738
01:28:18,479 --> 01:28:22,360
Speaker 1: Luna Ell said, Cedar's World like after BT after Dark,

1739
01:28:22,479 --> 01:28:24,600
Speaker 1: you know what I mean, BT uncut cut, you know

1740
01:28:24,640 --> 01:28:26,760
Speaker 1: what I'm saying, Like BET News when they used to

1741
01:28:26,840 --> 01:28:30,280
Speaker 1: have Ed Gordon and m Jackie Reid and all of them.

1742
01:28:30,320 --> 01:28:31,600
Speaker 1: What's the college thing when they used to go to

1743
01:28:31,640 --> 01:28:34,920
Speaker 1: the HBC college that's back now. But I mean there's

1744
01:28:34,920 --> 01:28:37,200
Speaker 1: been so many you know, black cultural institutions that have

1745
01:28:37,280 --> 01:28:39,760
Speaker 1: come from BT. So I feel like Breakfast Club being

1746
01:28:39,840 --> 01:28:42,479
Speaker 1: the black cultural institution that we are and have been

1747
01:28:42,520 --> 01:28:44,840
Speaker 1: over the past decade, It's only right. This partnership just

1748
01:28:44,960 --> 01:28:50,960
Speaker 1: makes too much sense. Yeah, you know what we all,

1749
01:28:51,080 --> 01:28:52,920
Speaker 1: you know, we're excited about that because not only are

1750
01:28:52,920 --> 01:28:55,320
Speaker 1: we going to do you know, celebrity news and have celebrities,

1751
01:28:55,600 --> 01:28:57,880
Speaker 1: you know, Charlemagne will be able to talk about mental health,

1752
01:28:57,920 --> 01:29:01,120
Speaker 1: I'll be able to talk about you know, financial freedom

1753
01:29:01,240 --> 01:29:03,839
Speaker 1: and generation of wealth, and we'll have your favorite celebrities

1754
01:29:03,920 --> 01:29:05,719
Speaker 1: up there, and we'll be talking about things that really

1755
01:29:06,080 --> 01:29:08,880
Speaker 1: you know, a focus on our community, whether it's gun laws,

1756
01:29:08,920 --> 01:29:11,320
Speaker 1: whether it's you know, Charlemagne now talking about colonoscopi's and

1757
01:29:11,320 --> 01:29:13,479
Speaker 1: getting make sure we get checked as black men and

1758
01:29:13,560 --> 01:29:15,400
Speaker 1: women that get checked for mammograms and all that. We're

1759
01:29:15,400 --> 01:29:17,320
Speaker 1: gonna be talking about everything. So there's been a lot

1760
01:29:17,360 --> 01:29:19,120
Speaker 1: of fun and a lot of seriousness. We're doing what

1761
01:29:19,240 --> 01:29:21,200
Speaker 1: we do. The beauty of it is BT is just

1762
01:29:21,360 --> 01:29:23,519
Speaker 1: magnifying the platform even more, you know what I mean.

1763
01:29:23,560 --> 01:29:26,160
Speaker 1: Breakfast Club is already in ninety plus markets across the country.

1764
01:29:26,160 --> 01:29:28,680
Speaker 1: One hundred thirty three markets are No. One hundred and

1765
01:29:28,680 --> 01:29:31,720
Speaker 1: thirt three stations. Old stations were ninety one markets, right yeah,

1766
01:29:31,920 --> 01:29:34,799
Speaker 1: and so um you know we we we're on that platform.

1767
01:29:34,880 --> 01:29:37,479
Speaker 1: And it's just like now BT is just magnifying that

1768
01:29:38,000 --> 01:29:39,800
Speaker 1: correct even more, you know what I mean. So it's

1769
01:29:39,800 --> 01:29:41,880
Speaker 1: like the messages we're already putting out there, this is

1770
01:29:41,920 --> 01:29:44,200
Speaker 1: just another platform to magnifying even more, and we thank

1771
01:29:44,240 --> 01:29:49,759
Speaker 1: God for it all. That's right, dre up, dre queensland

1772
01:29:52,720 --> 01:29:55,160
Speaker 1: Um hype about y'all on BT. I ain't have a

1773
01:29:55,240 --> 01:29:58,760
Speaker 1: reason to watch BT in a long long time at life,

1774
01:29:58,760 --> 01:30:01,320
Speaker 1: so it's one of those sill days. But now I

1775
01:30:01,439 --> 01:30:03,639
Speaker 1: finally got the reason put BG back on the TV.

1776
01:30:03,720 --> 01:30:06,320
Speaker 1: Thanks for y'all. So okay, I'm really explained about this

1777
01:30:06,400 --> 01:30:10,040
Speaker 1: and level for y'all. I'm thank you, brother. We appreciate that, man,

1778
01:30:10,840 --> 01:30:13,800
Speaker 1: Thank you, yes, sir? All right, brother, every day Man,

1779
01:30:13,920 --> 01:30:16,640
Speaker 1: Monday through Friday, nine am. The Breakfast Club on B

1780
01:30:16,880 --> 01:30:19,640
Speaker 1: Team Man start in April seventeenth. I cannot wait. I

1781
01:30:19,720 --> 01:30:22,080
Speaker 1: have a Ray J story. Oh don't tell us, tell us,

1782
01:30:22,120 --> 01:30:23,599
Speaker 1: Oh no, no, don't tell us. Now tell us when

1783
01:30:23,600 --> 01:30:25,439
Speaker 1: we come back. Okay, because we got a rumor report

1784
01:30:25,479 --> 01:30:27,680
Speaker 1: coming back and the rumor report. We're gonna tell us this.

1785
01:30:27,680 --> 01:30:29,400
Speaker 1: You gonna tell us this RAJ story? How good is it?

1786
01:30:29,800 --> 01:30:32,200
Speaker 1: It's not that good. I don't believe. I don't believe

1787
01:30:32,280 --> 01:30:36,560
Speaker 1: you be volunteering now, got a ray J story? We

1788
01:30:36,600 --> 01:30:38,280
Speaker 1: got more rumors to don't move. It's to breakfast club.

1789
01:30:38,320 --> 01:30:51,920
Speaker 1: Good morning, congratulations the Breakfast Club years ago. And I

1790
01:30:52,040 --> 01:30:54,920
Speaker 1: must say that little ray J he got something in

1791
01:30:55,040 --> 01:30:57,559
Speaker 1: his eyes. And when he looked at you, if you're

1792
01:30:57,600 --> 01:31:00,880
Speaker 1: a woman like me, he you have some kind of

1793
01:31:01,000 --> 01:31:03,560
Speaker 1: quality in his eye that makes you just want to

1794
01:31:03,680 --> 01:31:07,240
Speaker 1: like pull your clothes off. Did he hit? No, he

1795
01:31:07,320 --> 01:31:11,120
Speaker 1: didn't hit. Okay, but he could. He still care? Does

1796
01:31:11,200 --> 01:31:13,880
Speaker 1: he know that? No, you don't care. If this story

1797
01:31:13,920 --> 01:31:16,680
Speaker 1: didn't you know, if it didn't end in y'all having sex. Lunell, Well,

1798
01:31:16,720 --> 01:31:19,400
Speaker 1: it's not, Oh okay, it's never over. Told us over?

1799
01:31:19,720 --> 01:31:22,960
Speaker 1: Oh you mean, I mean it's not over yet. I

1800
01:31:23,200 --> 01:31:26,880
Speaker 1: had sex with them yet I'm in Vegas every weekend.

1801
01:31:26,960 --> 01:31:30,280
Speaker 1: Anything pop off. He does live in Vegas, he does, basically,

1802
01:31:30,520 --> 01:31:33,960
Speaker 1: Lunell just solicited for JA to hit. That's right. He's back.

1803
01:31:34,000 --> 01:31:38,519
Speaker 1: He's married now, he's not buried. Well, I tell you,

1804
01:31:38,720 --> 01:31:42,360
Speaker 1: I guess like that ain't the most stable relationship in

1805
01:31:42,479 --> 01:31:45,400
Speaker 1: the world. Oh God, black men don't cheat? Know, well,

1806
01:31:45,479 --> 01:31:49,120
Speaker 1: where did that come from? Black men not cheating? No? Okay, no,

1807
01:31:49,360 --> 01:31:52,439
Speaker 1: say a lot of black men don't cheat. Say most

1808
01:31:52,479 --> 01:31:54,920
Speaker 1: black men don't cheat. Nope, say something black men don't.

1809
01:31:55,520 --> 01:31:57,880
Speaker 1: It has been documented that black man cheat. No, black

1810
01:31:57,960 --> 01:32:01,840
Speaker 1: men don't cheat. It means that, yeah, it means by

1811
01:32:02,000 --> 01:32:04,920
Speaker 1: that black boys when you grow up, black men don't cheat. Correct.

1812
01:32:05,840 --> 01:32:08,000
Speaker 1: And also it's a statement, right, It's like saying black

1813
01:32:08,040 --> 01:32:10,360
Speaker 1: men don't cheat. Yeah, but it's a lie no, because

1814
01:32:10,360 --> 01:32:12,519
Speaker 1: I'm telling black men. Don't you know, I'm a woman.

1815
01:32:12,560 --> 01:32:16,559
Speaker 1: I know it's a lot black men don't cheat. Black

1816
01:32:16,600 --> 01:32:19,400
Speaker 1: men cheat, but black No, black men comma don't cheat.

1817
01:32:19,479 --> 01:32:21,960
Speaker 1: No black men do. No, I'm encouraging black men to

1818
01:32:22,080 --> 01:32:25,559
Speaker 1: not say that. We encourage black man black man cheat

1819
01:32:25,600 --> 01:32:28,559
Speaker 1: like an MS. I can't even say it. Jesus Christ.

1820
01:32:28,680 --> 01:32:33,400
Speaker 1: What oh right? Okay? Eve? You know even from Real Housewives,

1821
01:32:33,479 --> 01:32:37,759
Speaker 1: Well my girl, well she announced that she's filling divorced

1822
01:32:37,800 --> 01:32:40,400
Speaker 1: with her husband, but he said he is ready to

1823
01:32:40,600 --> 01:32:44,960
Speaker 1: fight to save their el. He says, I'm not going

1824
01:32:45,040 --> 01:32:47,320
Speaker 1: to lose my wife. I'm going to fight for her

1825
01:32:47,400 --> 01:32:51,640
Speaker 1: with every fiber in my big I love her, and

1826
01:32:51,680 --> 01:32:53,519
Speaker 1: I plan to show how much I love her, and

1827
01:32:53,600 --> 01:32:55,280
Speaker 1: that I love is strong enough to get to the

1828
01:32:55,360 --> 01:32:57,639
Speaker 1: other side. I respect. I'm not going to lose my wife.

1829
01:32:57,680 --> 01:33:00,639
Speaker 1: I'm going to love it. Dude. That's what you got

1830
01:33:00,680 --> 01:33:04,400
Speaker 1: to do, Sterling, because they seemed very happy, you know,

1831
01:33:04,520 --> 01:33:06,439
Speaker 1: but you never know what happ't want to close the doors.

1832
01:33:06,720 --> 01:33:08,800
Speaker 1: And if he says he's willing to do everything, that

1833
01:33:08,920 --> 01:33:11,960
Speaker 1: maybe he was slacking on doing something. And then when you,

1834
01:33:12,120 --> 01:33:15,400
Speaker 1: like I said yesterday, when when when you play a

1835
01:33:15,439 --> 01:33:18,840
Speaker 1: boss every day, it's hard to come home and not

1836
01:33:19,080 --> 01:33:21,000
Speaker 1: be that same boss. Not what you said. What you

1837
01:33:21,080 --> 01:33:23,960
Speaker 1: said was evil, plays a pimp and that her husband

1838
01:33:24,160 --> 01:33:25,800
Speaker 1: she'd have fell in line and been one of her holes.

1839
01:33:25,840 --> 01:33:28,280
Speaker 1: That's what you said, not what I said the tape

1840
01:33:28,320 --> 01:33:32,360
Speaker 1: don't do me. Not what I said. I said that

1841
01:33:32,479 --> 01:33:36,720
Speaker 1: she has a very pimpish role on that show, and

1842
01:33:36,880 --> 01:33:40,240
Speaker 1: that maybe sometimes you can't always release the character that

1843
01:33:40,400 --> 01:33:42,960
Speaker 1: you play when you come home. And maybe she'd been

1844
01:33:43,040 --> 01:33:45,800
Speaker 1: bossing people around him and slapping people around on the

1845
01:33:45,880 --> 01:33:48,439
Speaker 1: show and she'd come home and had to be all passive,

1846
01:33:48,479 --> 01:33:51,040
Speaker 1: regressive and stuff, and maybe it didn't work like that.

1847
01:33:51,320 --> 01:33:53,000
Speaker 1: So are you saying that her husband should have let

1848
01:33:53,240 --> 01:33:55,320
Speaker 1: her beat on him at home? Now, anybody said that

1849
01:33:55,360 --> 01:33:58,240
Speaker 1: she'd be on him. You just said that. I didn't

1850
01:33:58,280 --> 01:34:03,599
Speaker 1: say that. You did. I did not. Shot Look, you've

1851
01:34:03,640 --> 01:34:05,360
Speaker 1: been wanting to hit this date for two days. Just

1852
01:34:05,479 --> 01:34:07,799
Speaker 1: say it. I give you one, but I got plenty.

1853
01:34:08,080 --> 01:34:10,200
Speaker 1: But no, I just think that I would like to

1854
01:34:10,280 --> 01:34:14,120
Speaker 1: see them stick together. They got great kids. And you know,

1855
01:34:14,160 --> 01:34:15,880
Speaker 1: I didn't look like I had a beautiful wife. But

1856
01:34:15,960 --> 01:34:18,680
Speaker 1: now if you look at them, even very bohemian, you

1857
01:34:18,760 --> 01:34:22,720
Speaker 1: know she didn't went into this, you know, drag like that.

1858
01:34:23,439 --> 01:34:28,440
Speaker 1: I can't wait for y'all to see this on BC. Bohemian,

1859
01:34:29,080 --> 01:34:33,160
Speaker 1: very bohemian and he very he very you know, polished

1860
01:34:33,240 --> 01:34:36,600
Speaker 1: up and stuff like that. And so even you know

1861
01:34:36,720 --> 01:34:40,759
Speaker 1: from Inglewood sh about that life. Okay, I love even

1862
01:34:41,000 --> 01:34:47,280
Speaker 1: the diva Okay bohemian, a socially unconventional person, especially when right, okay,

1863
01:34:47,560 --> 01:34:49,640
Speaker 1: you didn't know what abouthemian man? I did, But I

1864
01:34:49,760 --> 01:34:51,800
Speaker 1: was throwing out all these big words all the time.

1865
01:34:51,920 --> 01:34:54,360
Speaker 1: Shot a man, we don't know what botheman? I did

1866
01:34:54,439 --> 01:34:57,280
Speaker 1: that woke up. Now, y'all don't welcome both cocaine back

1867
01:34:58,360 --> 01:35:01,360
Speaker 1: and it was not cocaine as weird, but I thought Bohemian.

1868
01:35:01,520 --> 01:35:03,320
Speaker 1: I thought it was somebody from like Bahamas or something.

1869
01:35:03,360 --> 01:35:08,479
Speaker 1: Didn't you think that, No, that's boheman or you just

1870
01:35:08,680 --> 01:35:10,479
Speaker 1: you just don't care about Hampton. You just you just

1871
01:35:10,720 --> 01:35:13,479
Speaker 1: are determined to make Hampton University look bad every day

1872
01:35:13,520 --> 01:35:16,160
Speaker 1: in your life. I said, I didn't know. If I

1873
01:35:16,200 --> 01:35:18,360
Speaker 1: didn't know, I would really be questioning Hampton. Bro I'm

1874
01:35:18,360 --> 01:35:21,240
Speaker 1: not gonna you watch your mouth. How many times do

1875
01:35:21,280 --> 01:35:23,920
Speaker 1: you want to punch? They just tell me every day,

1876
01:35:24,880 --> 01:35:28,040
Speaker 1: numerous times a day. Y'all lived like dysfunctional married relationship

1877
01:35:28,080 --> 01:35:30,120
Speaker 1: and that's what the people need to see on be

1878
01:35:30,720 --> 01:35:42,240
Speaker 1: Deep And I was one, No, this isn't see it too.

1879
01:35:42,280 --> 01:35:43,559
Speaker 1: But you put it under your time? How you're gonna

1880
01:35:43,560 --> 01:35:44,560
Speaker 1: make fun of me when you have to google You

1881
01:35:44,640 --> 01:35:47,679
Speaker 1: didn't know what it meant. He's still on that, but amen,

1882
01:35:49,080 --> 01:35:50,360
Speaker 1: you gonna make fun of me, but he had to

1883
01:35:50,400 --> 01:35:53,439
Speaker 1: google it. Let me try some of that stuck out

1884
01:35:53,479 --> 01:35:59,640
Speaker 1: of my tongue passing the drugs around? Exactly what that is?

1885
01:35:59,640 --> 01:36:02,360
Speaker 1: Your room report? Exactly what we come back. I'm on

1886
01:36:02,439 --> 01:36:04,599
Speaker 1: the breakfast, y'all. I just want to shout you guys

1887
01:36:04,640 --> 01:36:10,280
Speaker 1: out for my shows. As they passed these drugs around.

1888
01:36:10,320 --> 01:36:12,040
Speaker 1: I don't want to be part of it. Matter fact,

1889
01:36:12,160 --> 01:36:14,040
Speaker 1: put some on your time, I'm switching. No, you're putting

1890
01:36:14,040 --> 01:36:17,200
Speaker 1: on the mor tongue. That's because of your wife. Hold

1891
01:36:17,200 --> 01:36:23,840
Speaker 1: on nothing of how much you do half half. I

1892
01:36:23,920 --> 01:36:26,320
Speaker 1: have a flavor. I don't know what its like. Now

1893
01:36:26,360 --> 01:36:28,519
Speaker 1: about to pass we about, Oh my goodness, getting on

1894
01:36:28,560 --> 01:36:30,679
Speaker 1: the flame. She will be good. Oh goodness, I ain't

1895
01:36:30,720 --> 01:36:39,120
Speaker 1: flying the blame. I'm in fair clad glad. Alright, what'pposed

1896
01:36:39,120 --> 01:36:40,559
Speaker 1: to do to me? We're gonna see in a second

1897
01:36:40,680 --> 01:36:43,080
Speaker 1: the same thing to be doing now? They made me?

1898
01:36:43,160 --> 01:36:48,120
Speaker 1: Will to take my clothes off? No, well, it's the

1899
01:36:48,160 --> 01:36:51,599
Speaker 1: breakfast club. Good morning. We'll be back the breakfast Club.

1900
01:36:51,720 --> 01:36:55,479
Speaker 1: Your mornings will never be the same. Check out the

1901
01:36:55,520 --> 01:36:59,280
Speaker 1: new movie Spinning Gold, the true story behind Casablanca Records,

1902
01:36:59,439 --> 01:37:02,400
Speaker 1: the most sucessful independent record label ever. They gave us

1903
01:37:02,400 --> 01:37:05,080
Speaker 1: all this like Gladys Night, but with us and kiss.

1904
01:37:05,439 --> 01:37:08,400
Speaker 1: It's the greatest story never told, with an unbelievable soundtrack.

1905
01:37:08,680 --> 01:37:11,400
Speaker 1: See it in theater. Spinning Goal martch thirty First Morning.

1906
01:37:11,439 --> 01:37:14,599
Speaker 1: Everybody is the Eja Envy Charlomagne, the guy we are

1907
01:37:14,640 --> 01:37:16,720
Speaker 1: the Breakfast Club. Lue Nella's here now, lou nell You've

1908
01:37:16,720 --> 01:37:18,320
Speaker 1: got a lot going on. This is your last day

1909
01:37:18,400 --> 01:37:21,719
Speaker 1: to tell everybody what you got going on. Well today

1910
01:37:23,080 --> 01:37:26,200
Speaker 1: and about a little bit. You can see me on

1911
01:37:26,320 --> 01:37:30,000
Speaker 1: the Sherry Shepherds Show MP Shout out the Sherry shepherd

1912
01:37:30,520 --> 01:37:33,280
Speaker 1: Then I'll be having on a plane of flying to Arlington,

1913
01:37:33,400 --> 01:37:38,760
Speaker 1: Texas to perform at the Arlington Improv to night Tomorrow night,

1914
01:37:38,840 --> 01:37:43,120
Speaker 1: two shows, Saturday night two shows, Sunday morning before Kanye

1915
01:37:43,280 --> 01:37:45,840
Speaker 1: Sunday Service. I'm gonna be out of Texas and go

1916
01:37:45,960 --> 01:37:48,519
Speaker 1: back to Vegas, where I'll be at the Jimmy Kimmel

1917
01:37:48,600 --> 01:37:52,720
Speaker 1: Comedy Club on Sunday and Monday. My residency out there

1918
01:37:52,760 --> 01:37:56,800
Speaker 1: will be there every Sunday and Monday indefinitely. And then

1919
01:37:56,840 --> 01:37:58,800
Speaker 1: I get to go home and see my daughter and

1920
01:37:58,880 --> 01:38:01,639
Speaker 1: we do it all over again in my Netflix special

1921
01:38:02,120 --> 01:38:04,479
Speaker 1: produced by Dave Chappelle. I haven't picked the name for

1922
01:38:04,560 --> 01:38:09,200
Speaker 1: it yet. Now been slated to film in Oakland, California,

1923
01:38:09,600 --> 01:38:12,800
Speaker 1: probably at Yoshi's in Jack Lennon Square. I think it's

1924
01:38:12,800 --> 01:38:14,800
Speaker 1: gonna be I thought it was in April, yes, head said,

1925
01:38:14,800 --> 01:38:17,360
Speaker 1: but it's really gonna be in oh Dot May June.

1926
01:38:17,680 --> 01:38:19,679
Speaker 1: Gonna be in June. I wanted it to be tomorrow,

1927
01:38:19,760 --> 01:38:22,320
Speaker 1: but hey, I'm gonna do whatever Dave says. And you

1928
01:38:22,400 --> 01:38:25,320
Speaker 1: can follow me on Instagram at Lunelle at l U

1929
01:38:25,560 --> 01:38:28,400
Speaker 1: E N E l L. Don't forget to subscribe to

1930
01:38:28,560 --> 01:38:32,360
Speaker 1: my only fans Lunelle Official. Hey y'all, make sure y'all

1931
01:38:32,400 --> 01:38:33,680
Speaker 1: go catch lun Now. I'm gonna us to come to

1932
01:38:33,720 --> 01:38:35,280
Speaker 1: the table of the special. I'm gonna come see you

1933
01:38:35,320 --> 01:38:38,200
Speaker 1: in Vegas. I'm gonna hold you too, that world and

1934
01:38:38,560 --> 01:38:40,559
Speaker 1: me when you and wife decided to have your while

1935
01:38:40,640 --> 01:38:42,280
Speaker 1: we can put them six kids on our own for

1936
01:38:42,360 --> 01:38:44,120
Speaker 1: the weekend. No, no, no, we all we're gonna head

1937
01:38:44,120 --> 01:38:46,639
Speaker 1: out the figures. I think around anniversary time we're gonna

1938
01:38:46,640 --> 01:38:48,519
Speaker 1: go out there. We're gonna see We're gonna come see you.

1939
01:38:48,560 --> 01:38:51,519
Speaker 1: We're gonna go see us, and then um, we're gonna

1940
01:38:51,520 --> 01:38:55,799
Speaker 1: make a weekend out of it. Show last two weekends

1941
01:38:55,840 --> 01:38:59,080
Speaker 1: ago it was amazing though. We went on a Wednesday. Actually,

1942
01:38:59,360 --> 01:39:02,280
Speaker 1: and you know, don't forget my my days Sunday and Monday.

1943
01:39:02,320 --> 01:39:05,000
Speaker 1: So if you'll have to fly back to here on Sunday,

1944
01:39:05,040 --> 01:39:07,080
Speaker 1: you're gonna miss me. No, no, no, you make it

1945
01:39:07,120 --> 01:39:09,599
Speaker 1: a three day week. Yeah, I could broadcast with Vegas.

1946
01:39:09,600 --> 01:39:11,000
Speaker 1: We got a station out in Vegas that I can

1947
01:39:11,040 --> 01:39:13,800
Speaker 1: go there and broadcast. All right, yeah, so we'll we're

1948
01:39:13,800 --> 01:39:16,160
Speaker 1: gonna head out there. I wanted to go during May,

1949
01:39:16,280 --> 01:39:18,840
Speaker 1: which is our anniversary, but he's not performing in May.

1950
01:39:18,960 --> 01:39:21,479
Speaker 1: He's a performan. I think in June coming in Bruno's

1951
01:39:21,479 --> 01:39:24,320
Speaker 1: share the same stage actually and alternating and out. Just

1952
01:39:24,439 --> 01:39:26,640
Speaker 1: once again before I get out of here, congratulations on

1953
01:39:26,720 --> 01:39:29,000
Speaker 1: a big, big move. I think that's the you know,

1954
01:39:29,120 --> 01:39:32,280
Speaker 1: a great thing. You deserve to be seen. We like

1955
01:39:32,400 --> 01:39:35,360
Speaker 1: to look at y'all, even Charlotte Maine a little stone

1956
01:39:35,400 --> 01:39:40,160
Speaker 1: face and that's definitely no. It's Mali yeba. And you're

1957
01:39:40,160 --> 01:39:42,800
Speaker 1: a little dry around the edges of them lips. So there,

1958
01:39:43,600 --> 01:39:46,120
Speaker 1: so um yeah, that's what's up with me. That's when

1959
01:39:46,200 --> 01:39:48,120
Speaker 1: some of you guys, I've had a great two days.

1960
01:39:48,520 --> 01:39:52,799
Speaker 1: When you're coming back whenever y'all want me to, okay, okay,

1961
01:39:53,040 --> 01:39:56,160
Speaker 1: all right, all right, thank you, easy breezy. And when

1962
01:39:56,200 --> 01:39:58,240
Speaker 1: we come back, we got the positive notice to Breakfast Club.

1963
01:39:58,280 --> 01:40:01,480
Speaker 1: Good morning morning. Everybody is Steve j n V. Charlemagne

1964
01:40:01,520 --> 01:40:03,400
Speaker 1: the guy. We are the Breakfast Club again, we just

1965
01:40:03,439 --> 01:40:06,479
Speaker 1: want to shout out to our Beet. We partner would

1966
01:40:06,479 --> 01:40:09,960
Speaker 1: be ET v H one and be ET Plus the

1967
01:40:10,000 --> 01:40:13,360
Speaker 1: Breakfast Club will be on everyday starting Monday, April seventeen,

1968
01:40:13,439 --> 01:40:15,000
Speaker 1: so not only can you listen to us, you could

1969
01:40:15,000 --> 01:40:18,040
Speaker 1: actually see us on BEET as well in VH one.

1970
01:40:18,120 --> 01:40:20,920
Speaker 1: So shout out partners at b ET. We appreciate you, guys,

1971
01:40:21,000 --> 01:40:22,800
Speaker 1: and thanks for believing that's right. And I want to

1972
01:40:22,840 --> 01:40:24,479
Speaker 1: tell y'all make sure to go get your tickets for

1973
01:40:24,560 --> 01:40:27,960
Speaker 1: the first ever Black Effect Podcast Festival, happening Saturday, April

1974
01:40:28,000 --> 01:40:30,920
Speaker 1: twenty second in Atlanta at Pulman Yard. Some of your

1975
01:40:30,960 --> 01:40:33,519
Speaker 1: favorite podcasts gonna be on that stage, Live eighty five

1976
01:40:33,600 --> 01:40:38,000
Speaker 1: South Show, Reasonably Shady, Big Facts Podcast Horrible Decisions is

1977
01:40:38,040 --> 01:40:40,439
Speaker 1: hosted by me and the good Sister Jess Hilarious. So

1978
01:40:40,560 --> 01:40:42,840
Speaker 1: go get your tickets at event bright dot com right

1979
01:40:42,920 --> 01:40:47,080
Speaker 1: now and go to Black Effect dot com for more information. Okay, okay,

1980
01:40:47,200 --> 01:40:50,880
Speaker 1: not a positive notice. Simply this happiness cannot be traveled to.

1981
01:40:51,320 --> 01:40:54,400
Speaker 1: It can't be on earned Warner Consumed happiness is the

1982
01:40:54,479 --> 01:40:58,360
Speaker 1: spiritual experience of living every minute with love, grace, and

1983
01:40:58,560 --> 01:41:02,960
Speaker 1: gratitude and play base medicine yes, did you know that

1984
01:41:03,080 --> 01:41:07,120
Speaker 1: cocaine is playing base? It's vegan, it is, yeah, put

1985
01:41:07,160 --> 01:41:11,599
Speaker 1: that cut on it. I don't know. I haven't messed

1986
01:41:11,640 --> 01:41:17,800
Speaker 1: around in years. I would never That's good. You're gonna

1987
01:41:17,800 --> 01:41:19,639
Speaker 1: look at me and tell her. I'm not into cocaine.

1988
01:41:19,960 --> 01:41:25,600
Speaker 1: I like butcher, I like pork. Here it sounds like me.

1989
01:41:26,000 --> 01:41:30,360
Speaker 1: Good disgracious. It's the Breakfast local boarding Breakfast club. You

1990
01:41:30,400 --> 01:41:31,559
Speaker 1: don't finished with, y'all. Dunb