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Speaker 1: Every day a week ago. Clicks up the Breakfast Club.

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Speaker 2: Y'all done morning. Everybody is the j en Vy, Jess, Hilarius,

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Speaker 2: Charlamagne and the Guy. We are the Breakfast Club.

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Speaker 3: Laurla Ros is here and also Nila is here as

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Speaker 3: we as we are introduced some legends, some icons to

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Speaker 3: this game.

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Speaker 2: Long Island's own Daylight Soul.

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Speaker 1: Welcome brothers.

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Speaker 3: My voice a little shaky, that's what y'll thank you, bro,

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Speaker 3: legendary man.

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Speaker 4: How y'all feeling man, first album in nine years?

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Speaker 1: Yeah, yeah, yeah, we're feeling good.

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Speaker 5: Bro.

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Speaker 1: We're feeling really good, man.

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Speaker 5: No questions. Still be part of the fabric?

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Speaker 1: Yeah, I always like to be a part of it.

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Speaker 2: You are part of it. Come on, man, we have

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Speaker 2: legendarys like this.

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Speaker 3: I like to start from the beginning for people that

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Speaker 3: don't know and introduce them to So how did Daylight

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Speaker 3: Soul come together?

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Speaker 1: Ah?

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Speaker 5: Man? We met in summer school.

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Speaker 1: Why are you saying that.

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Speaker 5: We was in summer school not doing too well that

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Speaker 5: year before? Right? And uh yeah, for some reason we

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Speaker 5: clicked in class and from there we would pretty much

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Speaker 5: end up at one another's crib after school and started

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Speaker 5: messing with the music. You know, Poss and Dave wasn't

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Speaker 5: really known as MC's in the neighborhood back then when

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Speaker 5: parties was happening. I was djaying around the neighborhood. Paul

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Speaker 5: was djaying around the neighborhood. Yeah, shoot my brother Prince Paul. Yeah.

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Speaker 5: And then things just started to click. We started to

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Speaker 5: realize we got something here and we just kept it going.

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Speaker 5: And when we finally met Paul, things started to really change.

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Speaker 3: At that time in Queens, it was it was hard

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Speaker 3: records at the time. Right, two guys went the other way.

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Speaker 3: So break that down of of why the difference, of

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Speaker 3: why the native tongue kind of stuck out.

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Speaker 6: It was just who we were, man, it's really all

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Speaker 6: to explain. We we we put together records based off

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Speaker 6: what was in our parents' cribs.

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Speaker 1: You know what I'm saying. Like we loved the Koogi.

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Speaker 6: Raps, the all that, we loved all of it, but

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Speaker 6: you know, it just what what what appeal to us.

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Speaker 6: Even Mace could come from a like a more street

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Speaker 6: background from Brooklyn. I came from the Bronx at a

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Speaker 6: really young age, but and moved to Long Island. But

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Speaker 6: we were just using stuff in our Crib.

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Speaker 1: We knew Biz. Biz showed us.

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Speaker 6: That you can make these dope records but have fun

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Speaker 6: and that that kind of just spoke to us. So

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Speaker 6: we just that this is what we did when we

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Speaker 6: was putting together records, and it just like was what

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Speaker 6: we wanted to present.

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Speaker 4: What was the hip hop community in Long Island?

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Speaker 7: Because you know, you got through Rocks and the public

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Speaker 7: Enemy Biz and the Daylight Soul Buster, you know what

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Speaker 7: I mean.

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Speaker 4: But what was the scene?

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Speaker 5: The scene was more backyard parties, vfw's.

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Speaker 1: Backyard, a lot of vfws.

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Speaker 5: And college parties, a lot of college parties, and that

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Speaker 5: was That's pretty much how we rocked. We had a

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Speaker 5: we had a spot called a dugout around our way,

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Speaker 5: and that's where everybody came and rocked. You know, you

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Speaker 5: never knew who was gonna pop in there. And then

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Speaker 5: all the local talent, you know, between DJ's and MC's

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Speaker 5: that was just trying to do that thing.

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Speaker 2: Roller skating to roller skating was bigger.

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Speaker 1: Was a very big thing.

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Speaker 5: Also.

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Speaker 4: Yeah, and y'all knew each other, like who all knew

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Speaker 4: each other?

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Speaker 1: What era was that we knew each other? You know,

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Speaker 1: we knew who E. P. M. D.

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Speaker 6: You know, we would see them here and there, Like

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Speaker 6: even Freddie Fox lived out around that way, so we

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Speaker 6: would see him beat your ass. Sure and his brother

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Speaker 6: the Supreme they called themselves a Supreme force. Me and

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Speaker 6: Dave at that time were still in high school working

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Speaker 6: in Burger King. We would see him whipping people all

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Speaker 6: up and down the moon.

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Speaker 5: You know.

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Speaker 2: You know what I wanted to know.

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Speaker 3: Do you feel like if day La Sol wasn't from

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Speaker 3: Long Island, day So would be a bigger group, because

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Speaker 3: I think Long Island is that one place. I always

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Speaker 3: feel like people just leaves Long Island out for some reason.

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Speaker 4: I don't know.

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Speaker 1: I mean.

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Speaker 5: With hip hop, there's generically there's the struggle, and people

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Speaker 5: don't realize this is a struggle out there amongst them

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Speaker 5: grass and trees.

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Speaker 2: Long Island was.

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Speaker 3: People don't see that side of when you get money,

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Speaker 3: you moved to Long Island, you made it, because that

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Speaker 3: was the thing, like when you get money, you moved

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Speaker 3: a Long Island.

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Speaker 2: But Long Island had some dirty dingy yea indeed crazy.

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Speaker 5: You know.

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Speaker 6: My my parents was from the South. You know, we

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Speaker 6: lived in the Bronx for a minute. I had two

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Speaker 6: older brothers by the time me and my younger brother

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Speaker 6: came around. They was like, yo, we got to get

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Speaker 6: out of here. So they did the same thing. They

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Speaker 6: moved us to Long Island. Respectfully, all the white people

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Speaker 6: ran away and we was there. But Yo, there was

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Speaker 6: some grimy parts of that place, you know. I mean

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Speaker 6: wine dance is like Baby Brooklyn.

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Speaker 1: That's what it was.

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Speaker 5: If you were from the boroughs that moved to Long Island. Yeah,

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Speaker 5: you had some challenges because them dudes was done gonna

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Speaker 5: definitely let you know you ain't who you think you

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Speaker 5: are from. We'll pop you with a shovel out here. Yeah.

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Speaker 7: And it's funny when people say things to me like yo,

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Speaker 7: and when I hear anything, would Daylight be a bigger group?

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Speaker 7: Because I grew up in South Carolina and people was

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Speaker 7: bumping Daylight Soul crazy was who I was from. People

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Speaker 7: did love Daylight Soul.

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Speaker 1: No doubt, you know.

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Speaker 6: I mean like, yeah, we were one of those groups

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Speaker 6: that were not only blessed to get this love that

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Speaker 6: was bubbling in New York, but we can find like yo,

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Speaker 6: in the South. They messed with us. That first song

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Speaker 6: we had called plug Tuning. It was a little slower,

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Speaker 6: so we had Houston really messing with it and then

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Speaker 6: let alone when all of a sudden they was like, yo,

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Speaker 6: y'all can go to London or we can go to Amstam.

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Speaker 6: So we were just kind of like running around the

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Speaker 6: world just off of this first album, and it was

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Speaker 6: it was like really a blessing, you know, what is the.

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Speaker 8: Origin behind and like plug one, plug two and just

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Speaker 8: that concept in general.

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Speaker 6: It was the listeners we had the song plug tuning,

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Speaker 6: and it was just a chance. So it's just like

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Speaker 6: how any rapper could jump into a verse, but like

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Speaker 6: yo yo yo one two and you just start saying

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Speaker 6: what you say.

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Speaker 1: That was just a chance.

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Speaker 6: We'd be like plug one, plug two. I wasn't supposed

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Speaker 6: to be pluged one. I was just the one saying it,

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Speaker 6: and Dave was saying plug two. So when we was

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Speaker 6: walking around in clubs, people were like, yo, you plugged one,

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Speaker 6: you plugged two, and then he just automatically.

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Speaker 1: Became a fall plug three. We didn't even make that

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Speaker 1: of for ourselves.

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Speaker 7: And it's also funny too when they say if you

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Speaker 7: do things, you'll find your tribe. I feel like y'all

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Speaker 7: found y'all tribe. Literally when it came to the Native.

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Speaker 6: Tongue indeed, because when we first came into it, it

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Speaker 6: was like being in a high school. You know, you've

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Speaker 6: already heard nice and smooth records and now they're hanging

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Speaker 6: with you. You already heard Audio two's records, and now

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Speaker 6: you're around them in light and so we all hanging around.

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Speaker 6: But when we met Jungle, it was like, yo, yeah,

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Speaker 6: sit at my table, let's do the beats on the

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Speaker 6: table us. And then they bring around Q Tip and

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Speaker 6: it's the same thing, and then Latifa comes hang out

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Speaker 6: with us. So yeah, it was just like this frequency

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Speaker 6: that we just all felt like, Yo, we should.

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Speaker 1: Really like be around each other and make records.

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Speaker 2: How was recording back then with all those people that

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Speaker 2: you just need? How was those studios?

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Speaker 5: Man? That was crazy? Yeah. I mean you just never

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Speaker 5: know who's gonna pop in the studio that day and

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Speaker 5: make a song, you know. I mean we hung out

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Speaker 5: a lot, so making a song was like second nature

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Speaker 5: because we were just together a lot. And then you know,

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Speaker 5: the Viber just wanting to play records and make records

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Speaker 5: and we were kids loving his thing. You know that's

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Speaker 5: now called hip hop, It wasn't when we were doing it.

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Speaker 5: It wasn't called hip hop yet, you know what I'm saying.

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Speaker 5: It's like, Yo, this this rap thing.

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Speaker 1: You know what I'm saying.

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Speaker 5: We're trying to do this to figure this out. And

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Speaker 5: when we got the opportunity for somebody to spend their

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Speaker 5: money on your dream, it was like, let's go and

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Speaker 5: we could sample records and yeah, it was like new

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Speaker 5: toys to play with.

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Speaker 2: When y'all sample records back then? Did y'all clear the records?

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Speaker 6: And y'all just well, we came out, we gave it

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Speaker 6: to the record comany to clear and if they chose

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Speaker 6: not to clear, right.

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Speaker 5: You know, we knew we needed to get permission. How

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Speaker 5: you go about getting permission we didn't know that, but

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Speaker 5: we knew it. The record company was supposed to do that.

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Speaker 2: You didn't do it for your records some something and.

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Speaker 7: Not.

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Speaker 1: So yeah, you know, I know y'all went.

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Speaker 9: Through everything with the lawsuit, with the clearing and not clearing,

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Speaker 9: and I kind of messed y' all.

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Speaker 3: Up with things.

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Speaker 10: So the digital Yeah, what was that journey like?

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Speaker 9: Because you got all this great feeling, all this great music,

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Speaker 9: and then the business kicks in and it's like, well, wait,

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Speaker 9: like we were kids, figuring this out. But now in

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Speaker 9: the adult business kicks in and it's making it where

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Speaker 9: you guys kind of disappear when the streaming aer.

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Speaker 1: Yeah we missed, we missed a download era. We missed

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Speaker 1: all that. That's crazy download error streaming era at the

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Speaker 1: top of it.

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Speaker 5: Yeah.

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Speaker 6: So, I mean, now we were putting out newer records

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Speaker 6: that weren't involved with our catalog that was on say

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Speaker 6: Tommy By the first six records. But we had good

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Speaker 6: people who was in control of this catalog at Warner Brothers,

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Speaker 6: you know, and they're trying to help us to get

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Speaker 6: it right and get these samples clear.

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Speaker 1: But you know how we're record companies.

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Speaker 6: Then a new regime comes in and everyone leaves and

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Speaker 6: now you got to start over again. And that's where

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Speaker 6: it really became an ordeal with it just took too long.

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Speaker 6: Leo Cohen was up there and he was our former manager,

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Speaker 6: help us out, but then he left and yeah, so.

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Speaker 5: And then Tom Sulverman tried to come back.

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Speaker 1: Yeah, and he got the catalog.

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Speaker 5: And that's when things started between us and him because

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Speaker 5: he offered a deal that wasn't really cool.

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Speaker 7: How does the label end up with a ten ninety split.

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Speaker 7: How did the label get ninety because I'm thinking like

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Speaker 7: back then, y'all didn't There was no screaming, so it's

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Speaker 7: not like y'all signed something like that.

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Speaker 2: I don't know.

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Speaker 6: Man, Usually us the artist, just like sometimes us the

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Speaker 6: people whatever were being introduced to, it's already been figured out.

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Speaker 1: They give it to you.

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Speaker 6: And I think it's the same way. It's like they

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Speaker 6: already know where they're going. They already know that this

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Speaker 6: streaming thing is coming before we even know it's coming.

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Speaker 6: And I just think it has a lot to do.

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Speaker 5: Back then, he was getting paid on like twelve or

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Speaker 5: maybe eighteen songs, you know, and it would be like

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Speaker 5: a twelve percent to eighteen percent royalty anyway, and then

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Speaker 5: that was kind of standard, you know. But what we

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Speaker 5: didn't know is those admin fees. It's what can make

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Speaker 5: it ten percent when you're paying that admin feel on

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Speaker 5: the back?

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Speaker 4: What administration?

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Speaker 5: Yeah, the administration fee?

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Speaker 1: That's crazy.

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Speaker 3: How does it feel when you see the younger generation

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Speaker 3: finding new daylight soul? So Nihla who was a young

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Speaker 3: og over here, we did this. We do this segment

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Speaker 3: called Past the Auks, and I think that first maybe

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Speaker 3: the first the second one she came in here and

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Speaker 3: she was like, I got a dayl Oat Soul record

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Speaker 3: were like day Soul new and she played a classic

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Speaker 3: but it just had joined the streaming it and she's

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Speaker 3: a native tongue.

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Speaker 4: Fits you played the Cabin in the Sky today.

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Speaker 2: So how does it feel when the young generation hears that,

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Speaker 2: because it's almost like a recreation.

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Speaker 1: It's beautiful, man, it's amazing.

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Speaker 6: Like even right before the catalog came out, Marvel had

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Speaker 6: came to us and like, Yo, we want to put

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Speaker 6: one of your older songs in the Spider Man movie.

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Speaker 1: Was like, Yo, that'd be amazing.

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Speaker 6: So it was a big thing where at the end

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Speaker 6: of the movie when the three Spider Man's come together,

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Speaker 6: they play threes, the magic number, and everyone pulls out

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Speaker 6: their phone, your young kids trying to exam it, and

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Speaker 6: they still couldn't find it because it wasn't up yet.

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Speaker 6: So it's just amazing, Like how even all of us

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Speaker 6: living in our homes and listening to like a gladys

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Speaker 6: Night record and you and your parents would be like,

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Speaker 6: what do you know about this? But you was around them,

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Speaker 6: You're hearing it and it speaks to you, and it's

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Speaker 6: just great to see something that we did in eighty

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Speaker 6: nine is speaking to someone right now the words for it.

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Speaker 7: If days started in twenty twenty five, what would native

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Speaker 7: tongues look like today?

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Speaker 4: Like who are the artists?

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Speaker 1: You call im? What we call family?

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Speaker 6: I mean I would immediately think, like you know, odd future,

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Speaker 6: them dudes Tyler to created those earl slasher and its

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Speaker 6: impact like those dudes of us, Like we would be

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Speaker 6: hanging around, running around, bugging out everything. Kendrick to Kendrick, indeed, indeed, indeed.

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Speaker 11: Well you see definitely yeh everyday man, I mean half

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Speaker 11: of the rappers that are out right now.

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Speaker 8: But I am curious about just like aesthetically the world

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Speaker 8: that you guys built, the bright colors, the flowers who

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Speaker 8: inspired that it.

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Speaker 1: Honestly, we were just doing music.

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Speaker 6: When it came time to promote the music, the record

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Speaker 6: label was like, look, man, everything y'all making, it's not

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Speaker 6: like what anyone else is doing. And it reminds us

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Speaker 6: of this era like Woodstock and Hippie. Would y'all be

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Speaker 6: down at you try these covers?

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Speaker 1: Mace wasn't really.

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Speaker 5: With it it.

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Speaker 6: Dylan appreciated, yeah, and so when we when you, as

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Speaker 6: he said, we appreciate the fact that when you put

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Speaker 6: this cover next to like n w A's cover or

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Speaker 6: Rock Him's cover, it stood out and it made someone

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Speaker 6: pick it up, and we started learning how people would

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Speaker 6: tell us like yo, like it was because of you.

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Speaker 1: I learned about Rock Him because I saw this cover.

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Speaker 1: It seemed like it was safe, and we saw listening

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Speaker 1: to it. But we got into hip hop and realized

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Speaker 1: all hip hop is what it is. Like, what's the

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Speaker 1: difference between hip hop and a gangster movie? It's like

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Speaker 1: it ain't really real.

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Speaker 3: You know what I'm saying so crazy, just because I'm

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Speaker 3: thinking back of the influence that you guys had. I

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Speaker 3: remember the back then, we didn't care about gold jewelry.

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Speaker 3: I wanted my African pendit and we wanted it from

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Speaker 3: Jamaica Avenue and had to look a certain way.

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Speaker 2: It had to be because the war.

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Speaker 7: You think about it, what I'm saying.

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Speaker 1: Confusing. You see some of my old pictures.

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Speaker 3: I didn't have cross clothes with the African like crazy,

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Speaker 3: It was crazy.

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Speaker 7: You think the industry ever fully understood how radical and

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Speaker 7: rebellious what y'all was doing actually was when first introduced.

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Speaker 1: So well, I don't know, I don't know if we

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Speaker 1: really understood it. I mean, honest, we were just because

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Speaker 1: just to even go back to what you were saying,

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Speaker 1: you don't get it, do not do not miss the

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Speaker 1: fact that we want to go changes. We want to

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Speaker 1: be like rock, We want to be like Eric B.

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Speaker 1: That's you know what I'm saying.

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Speaker 6: You know, we had the busy Bee compartment all with

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Speaker 6: me and Dave had our our chain on leve, you.

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Speaker 1: Know what I'm saying. But we we still just had

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Speaker 1: this way about us.

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Speaker 6: They're no different than how I would go see his

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Speaker 6: family in Brooklyn and like, yo, you could have someone

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Speaker 6: who stood out or like old Dirty Back that's his brother,

330
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Speaker 6: who was like a punk rocker from Brooklyn. Like you

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Speaker 6: just had these people who was just like different but

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Speaker 6: still from a circumstance of images that you still love.

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Speaker 6: I love Dapper dand I would have loved to have

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Speaker 6: a Dapper dance suit. I couldn't forward that, you know

335
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Speaker 6: what I'm saying. So hey, let me just stick to

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Speaker 6: this this pendent because it's easy to rock than a

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Speaker 6: gold chain.

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Speaker 2: You know how close were y'all to tribe?

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Speaker 3: Because I feel like Tribe had so much influence, got

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Speaker 3: so much from you guys, how close were.

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Speaker 6: Y'all to the those was our brother like you know,

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Speaker 6: and just for me, like Africa and Q Tip, like

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Speaker 6: we were like unseparable. At one point we was like

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Speaker 6: the three Stoochs running around like.

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Speaker 1: Love.

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Speaker 6: Those those brothers. We got on each other's nerves as

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Speaker 6: brothers should do. We loved each other and we love

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Speaker 6: each other to this day. Yeah you know, So I

349
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Speaker 6: mean hanging out with them, hanging out at Q Tip's house,

350
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Speaker 6: his mother's making us food, his oldest sister, his friends

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Speaker 6: with Sweet Tea, who's down with herbie love Bug, And

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Speaker 6: I'm like, yo, sweet Tea, and I'm in love with

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Speaker 6: sweet Tea and she's at his house. Like we always

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Speaker 6: hung out together and we just created music. And I

355
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Speaker 6: learned from them. They learned from us. Like Tip is

356
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Speaker 6: younger than us, but I called him like my little

357
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Speaker 6: big brother because he's so wise beyond his years.

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Speaker 5: You know.

359
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Speaker 4: You know, we had knife Window up here. Nine Winder

360
00:16:13,160 --> 00:16:14,119
Speaker 4: was talking about.

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Speaker 1: I saw the fronting on Daylight. You're saying how much

362
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Speaker 1: he loved I saw that, and.

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Speaker 4: So I said that.

364
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Speaker 1: I love the clip.

365
00:16:23,280 --> 00:16:26,440
Speaker 4: I want to hear the clip. Let me hear the clip.

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Speaker 4: Who break down q tip family.

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Speaker 12: Oh Man, so the q tip family tree. Q Tip

368
00:16:31,880 --> 00:16:35,000
Speaker 12: was one of the first ones to not sample funk

369
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Speaker 12: and soul only, right. Q Tip was one of the

370
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Speaker 12: ones like, oh, I'm a sample artist by name of

371
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Speaker 12: Kyle Jader and my man sample artist by the name

372
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Speaker 12: of Les McCann and Freddie Hubber because q Tip grew

373
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Speaker 12: up in the neighborhood of jazz musicians, got jazz exactly

374
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Speaker 12: and so that euphoric feel. Like I always say, Benita

375
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Speaker 12: apple Bum is like the tree of life for everything

376
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Speaker 12: after it. So if Benita apple Bum is not made,

377
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Speaker 12: we're not getting well first not first of all, with

378
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Speaker 12: our tribe. We're not getting out casts back right, they

379
00:17:09,160 --> 00:17:10,719
Speaker 12: said it. They said it all the you know, all

380
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Speaker 12: the time. We're not getting out casts. We're not getting

381
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Speaker 12: the roots. We're not getting Badu, we're not getting jail.

382
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Speaker 12: We're not getting a little Brother. We're not getting D'Angelo.

383
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Speaker 12: We're not getting this thing called neo. So we're not

384
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Speaker 12: getting we're not getting Kanye West. We're not getting anything

385
00:17:25,600 --> 00:17:27,760
Speaker 12: that feels you for it and feels good. We're not

386
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Speaker 12: getting that. Because chord changes wasn't in hip hop in

387
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Speaker 12: eighty nine, eighty eight we had we used to start

388
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Speaker 12: about Public Enemy.

389
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Speaker 1: It was just dad. You know what I'm saying, what

390
00:17:38,640 --> 00:17:39,480
Speaker 1: not living base is.

391
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Speaker 12: But q Tip when he sampled those chord changes and

392
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Speaker 12: all of that, that's what That's what made everybody turn

393
00:17:46,680 --> 00:17:49,240
Speaker 12: the corner. And we're still we owe a lot to

394
00:17:49,320 --> 00:17:51,399
Speaker 12: that dude for making that turn and making the music

395
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Speaker 12: that he did. We're making the music that Tribe did.

396
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Speaker 4: Why so why I agree with you? But damn, where

397
00:17:56,720 --> 00:17:57,880
Speaker 4: did Daylight come into play?

398
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Speaker 1: So Daylight?

399
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Speaker 12: So Daylight was of course Daylight was before that, and

400
00:18:02,040 --> 00:18:04,160
Speaker 12: Jungle Brothers before that. You know that, you know Native

401
00:18:04,200 --> 00:18:07,440
Speaker 12: Tongue's movie. Also Queen Latifa was in that box. You

402
00:18:07,480 --> 00:18:11,560
Speaker 12: know what I mean, Try was more. It was a

403
00:18:12,040 --> 00:18:15,639
Speaker 12: different thing from Daylight. Daylight was way left the center, right,

404
00:18:16,040 --> 00:18:17,680
Speaker 12: you know, I think.

405
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Speaker 3: And it's gonna sound crazy because the Daylight was from

406
00:18:19,960 --> 00:18:23,960
Speaker 3: Long Island and more screen. Tribe was more street because

407
00:18:24,000 --> 00:18:27,919
Speaker 3: remember Tribe is really dire from farmers from Queen. Now

408
00:18:27,960 --> 00:18:29,760
Speaker 3: you go up a little bit, that's ll Qj's area,

409
00:18:30,320 --> 00:18:32,320
Speaker 3: left a little bit, that's you know, fifty them.

410
00:18:32,359 --> 00:18:35,720
Speaker 2: So they were more streak than Daylight I was.

411
00:18:35,920 --> 00:18:39,119
Speaker 12: And you noticed it because when daylight daylight, and tribes

412
00:18:39,320 --> 00:18:40,960
Speaker 12: kind of dressed the same on their first on three

413
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Speaker 12: feet and people distinct if they trust the same. By

414
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Speaker 12: the time Tribe did low end theories, baseball jerseys and

415
00:18:46,600 --> 00:18:49,280
Speaker 12: hats bro like, they totally just changed everything.

416
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Speaker 4: But I don't feel like you get any of that

417
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Speaker 4: without three feet high and rising.

418
00:18:52,359 --> 00:18:53,040
Speaker 1: No you don't.

419
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Speaker 6: I mean, but I would say, like we were definitely

420
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Speaker 6: like mining and and we were like in kinship together

421
00:19:00,680 --> 00:19:03,879
Speaker 6: when it came to creativity, and like you have daylight

422
00:19:04,040 --> 00:19:07,360
Speaker 6: being daylight and you can have jive records, like yo, these.

423
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Speaker 1: Tommy Boy dudes they won with this.

424
00:19:09,000 --> 00:19:12,399
Speaker 6: They won with daylight, like let's let me find my daylight,

425
00:19:12,480 --> 00:19:16,240
Speaker 6: and like Tribe was theirs. But we even knew that

426
00:19:16,320 --> 00:19:19,680
Speaker 6: tribing Dayla. Tribe got this thing that like Tip was

427
00:19:19,720 --> 00:19:21,400
Speaker 6: coming up with stuff like I was like, Yo, how

428
00:19:21,480 --> 00:19:23,040
Speaker 6: is he doing this? How is he coming up with

429
00:19:23,160 --> 00:19:25,959
Speaker 6: on this? Yeah, it was crazy.

430
00:19:26,200 --> 00:19:28,440
Speaker 5: It was way deeper than where we were going. Yeah,

431
00:19:28,840 --> 00:19:31,320
Speaker 5: because we were actually messing with a whole lot more

432
00:19:31,480 --> 00:19:34,359
Speaker 5: pop culture of a different period. You know.

433
00:19:34,359 --> 00:19:37,239
Speaker 6: We would sample peg you know from Stilly Dayan and

434
00:19:37,280 --> 00:19:39,840
Speaker 6: make a record like Tip was just going elsewhere with it.

435
00:19:39,920 --> 00:19:41,200
Speaker 1: So I get it, man.

436
00:19:41,240 --> 00:19:44,680
Speaker 6: I understand where certain things and frequencies that Tip or

437
00:19:44,800 --> 00:19:48,399
Speaker 6: tribe was on that the brothers related to, but a

438
00:19:48,400 --> 00:19:50,439
Speaker 6: lot of the brothers related to us as well. And

439
00:19:50,480 --> 00:19:52,760
Speaker 6: even with Daylight So It's dead, our second album, we

440
00:19:52,880 --> 00:19:56,120
Speaker 6: left all that that psychedelic stuff to the side as well.

441
00:19:56,160 --> 00:19:58,520
Speaker 6: It just was so iconic people didn't want to let

442
00:19:58,560 --> 00:20:00,800
Speaker 6: it go. I mean, our second it was called Daylight,

443
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Speaker 6: So it's dead because we were saying we was getting

444
00:20:03,320 --> 00:20:07,320
Speaker 6: off killing off the image.

445
00:20:06,960 --> 00:20:10,119
Speaker 5: The image that was drowning the music. The daisy always

446
00:20:10,160 --> 00:20:12,840
Speaker 5: meant it was an acronym, it meant the sound, y'all

447
00:20:13,760 --> 00:20:19,479
Speaker 5: the as so it just, you know, the images just

448
00:20:19,760 --> 00:20:23,000
Speaker 5: took it elsewhere, obviously for the record company to try

449
00:20:23,040 --> 00:20:27,040
Speaker 5: to sell some records, and I cantfront on the art

450
00:20:27,080 --> 00:20:32,000
Speaker 5: department listening to the music and making this cover because

451
00:20:32,720 --> 00:20:36,240
Speaker 5: this is their interpretation, you know what I mean. So

452
00:20:36,800 --> 00:20:41,000
Speaker 5: over time I began to appreciate what the effect it

453
00:20:41,080 --> 00:20:42,640
Speaker 5: had on everyone, you know what I mean.

454
00:20:43,200 --> 00:20:45,120
Speaker 4: I still don't think you get you don't get tried

455
00:20:45,160 --> 00:20:45,800
Speaker 4: without Daylight.

456
00:20:45,840 --> 00:20:48,280
Speaker 7: So of course I understand the cut Tip family tree thing,

457
00:20:48,359 --> 00:20:50,680
Speaker 7: but Daylight to me sparked.

458
00:20:50,560 --> 00:20:54,560
Speaker 5: All of that well, you know, to speak to t

459
00:20:54,840 --> 00:20:58,240
Speaker 5: in Trib's defense, they had a lot of success. So

460
00:20:58,280 --> 00:21:01,320
Speaker 5: when you come to when we talk an industry standards,

461
00:21:01,320 --> 00:21:03,920
Speaker 5: they sold a lot of records. Man, you know, they

462
00:21:03,920 --> 00:21:06,880
Speaker 5: had some joints. Man. You know, I could say maybe

463
00:21:06,920 --> 00:21:12,800
Speaker 5: we had good albums, but they had good albums and joints. Yeah,

464
00:21:13,760 --> 00:21:14,280
Speaker 5: it was crazy.

465
00:21:14,440 --> 00:21:16,959
Speaker 3: I still think it's part of the Long Island thing

466
00:21:17,040 --> 00:21:19,840
Speaker 3: where people slept on a lot of Long Island artists,

467
00:21:19,880 --> 00:21:22,680
Speaker 3: whether it was rock Kim, I think Rock Kim is

468
00:21:22,680 --> 00:21:24,159
Speaker 3: a huge artist. I think Rock Kim would have been

469
00:21:24,160 --> 00:21:25,879
Speaker 3: bigger if he was from the Boroughs. I think the

470
00:21:25,920 --> 00:21:26,639
Speaker 3: same thing with E. P.

471
00:21:26,800 --> 00:21:26,960
Speaker 8: M D.

472
00:21:27,160 --> 00:21:28,000
Speaker 2: I think the same thing.

473
00:21:28,600 --> 00:21:30,439
Speaker 3: Well, Keith Murray was there, but I just think people

474
00:21:30,560 --> 00:21:33,920
Speaker 3: sleep on Long Island so much mentioned as the god

475
00:21:34,080 --> 00:21:37,120
Speaker 3: like number one on some people on some people's list,

476
00:21:37,160 --> 00:21:39,080
Speaker 3: but I think it would be even bigger if he

477
00:21:39,200 --> 00:21:40,119
Speaker 3: was from one of the barrels.

478
00:21:40,119 --> 00:21:42,959
Speaker 2: I just think people sleep on Long Island. That's what

479
00:21:42,960 --> 00:21:43,239
Speaker 2: I did.

480
00:21:45,160 --> 00:21:47,320
Speaker 10: Do I feel like rock was always mentioned as one

481
00:21:47,320 --> 00:21:48,080
Speaker 10: of the guys.

482
00:21:50,520 --> 00:21:53,480
Speaker 9: Generationally, Yes, I do not feel like I hear people

483
00:21:53,480 --> 00:21:56,119
Speaker 9: talking about it more now.

484
00:21:58,240 --> 00:22:00,240
Speaker 1: He was the one for even Kendrick to say, like

485
00:22:00,280 --> 00:22:01,800
Speaker 1: he those some music.

486
00:22:02,119 --> 00:22:03,960
Speaker 9: When I say that, When I say that, I guess

487
00:22:04,040 --> 00:22:06,960
Speaker 9: I mean like transcending outside like you said, like an

488
00:22:06,960 --> 00:22:09,280
Speaker 9: industry success. Like I feel like sometimes when we have

489
00:22:09,320 --> 00:22:11,720
Speaker 9: these conversations, it's like two different groups of people you

490
00:22:11,720 --> 00:22:13,520
Speaker 9: talking about. You got people that are heavily intertwined in

491
00:22:13,600 --> 00:22:15,520
Speaker 9: music and hip hop and culture, and then you have

492
00:22:15,720 --> 00:22:18,920
Speaker 9: everybody else that just like sees it from a celebrity aspect.

493
00:22:19,000 --> 00:22:21,880
Speaker 9: I feel like the world now is giving rock.

494
00:22:24,359 --> 00:22:24,560
Speaker 1: Yeah.

495
00:22:25,040 --> 00:22:27,840
Speaker 9: Remember I wasn't heard painting pol But you're different, You're

496
00:22:27,840 --> 00:22:29,720
Speaker 9: you're you sit here at the breakfast club, but like

497
00:22:29,760 --> 00:22:33,080
Speaker 9: a regular person who's just reading like a complex dot com,

498
00:22:33,119 --> 00:22:34,920
Speaker 9: a person who's on TikTok, a younger kid.

499
00:22:35,119 --> 00:22:36,159
Speaker 10: Now they're talking about the.

500
00:22:37,520 --> 00:22:40,399
Speaker 7: Way people rap, Like I remember it was because my

501
00:22:40,440 --> 00:22:42,199
Speaker 7: sisters was listening to like Salt and Pepple and you

502
00:22:42,200 --> 00:22:44,600
Speaker 7: know they was a kid in playing But you heard.

503
00:22:44,480 --> 00:22:46,880
Speaker 1: Ro Like what is that? Yeah?

504
00:22:47,119 --> 00:22:48,720
Speaker 8: I have two questions. I just want to get it

505
00:22:48,760 --> 00:22:50,359
Speaker 8: off my brain before I forget.

506
00:22:50,440 --> 00:22:50,640
Speaker 12: Well.

507
00:22:50,640 --> 00:22:52,280
Speaker 8: One's kind of like a comment, but have you ever

508
00:22:52,280 --> 00:22:54,440
Speaker 8: seen that clip of Alias and how she has a

509
00:22:54,440 --> 00:22:54,879
Speaker 8: crush on you?

510
00:22:55,000 --> 00:22:59,560
Speaker 1: Yes, my wife's seen it too.

511
00:22:59,640 --> 00:23:05,240
Speaker 10: She it is iconic though you got to play that every.

512
00:23:05,160 --> 00:23:08,520
Speaker 1: Night, you know what?

513
00:23:13,560 --> 00:23:15,840
Speaker 6: You know what what was crazy is that we we've

514
00:23:16,000 --> 00:23:19,400
Speaker 6: met her throughout the years and she was such a lovely,

515
00:23:19,640 --> 00:23:23,440
Speaker 6: beautiful soul and I'm one of the most amazing memories

516
00:23:23,480 --> 00:23:26,280
Speaker 6: of her is uh, we did like a Christmas party.

517
00:23:26,320 --> 00:23:26,840
Speaker 1: I want to say.

518
00:23:26,880 --> 00:23:30,320
Speaker 6: It was like Bet and her and Missy was at

519
00:23:30,359 --> 00:23:32,440
Speaker 6: the front of the stage while we're performing, They're trying

520
00:23:32,440 --> 00:23:33,880
Speaker 6: to pull and Untie a sneak beuse.

521
00:23:33,880 --> 00:23:35,359
Speaker 1: We're like, yo, what are you doing? Like she was

522
00:23:35,440 --> 00:23:39,840
Speaker 1: such a fun, fun, lovely queen. So I mean, like,

523
00:23:39,880 --> 00:23:41,040
Speaker 1: it's just amazing to hear that.

524
00:23:43,040 --> 00:23:45,520
Speaker 8: And my other question was, could you guys talk about

525
00:23:45,560 --> 00:23:48,040
Speaker 8: tribe And I know you guys did collaborate with Q

526
00:23:48,200 --> 00:23:50,800
Speaker 8: Tip on this. Did you guys produce kind of like

527
00:23:50,880 --> 00:23:54,080
Speaker 8: old times? Like was it like let's recreate the feeling

528
00:23:54,119 --> 00:23:55,320
Speaker 8: that we had back then.

529
00:23:55,320 --> 00:23:57,240
Speaker 1: Or no, we it's a feeling we are. We just

530
00:23:57,359 --> 00:23:59,639
Speaker 1: keep with each other. It's just like that.

531
00:23:59,720 --> 00:24:01,760
Speaker 6: If you you know, if Jay comes to do someone

532
00:24:01,760 --> 00:24:03,960
Speaker 6: in Memphis, it's just a synergy they got that You're

533
00:24:03,960 --> 00:24:06,240
Speaker 6: gonna be like, I hear it there and that's what

534
00:24:06,320 --> 00:24:08,600
Speaker 6: we are, Like me and him and Q Tip is

535
00:24:08,600 --> 00:24:12,240
Speaker 6: in a chat every other day being silly and bugging

536
00:24:12,240 --> 00:24:15,119
Speaker 6: out and sending records and like, nah, I got this

537
00:24:15,160 --> 00:24:15,840
Speaker 6: record for you.

538
00:24:16,320 --> 00:24:19,040
Speaker 1: No, no Tip, you gotta do this. So we always together.

539
00:24:19,640 --> 00:24:21,600
Speaker 6: Nix was killing it at that point. He wanted to

540
00:24:21,600 --> 00:24:23,600
Speaker 6: come to the studio and hear what we was doing.

541
00:24:23,680 --> 00:24:25,560
Speaker 6: He wasn't supposed to be on the record. He just

542
00:24:25,600 --> 00:24:28,080
Speaker 6: came through just to listen and he got caught up

543
00:24:28,119 --> 00:24:30,440
Speaker 6: on his one song I played and he's rhyming. I'm

544
00:24:30,440 --> 00:24:31,600
Speaker 6: like yo, and he was like, y'all, I want to

545
00:24:31,600 --> 00:24:34,080
Speaker 6: get on this, and that's how this happened.

546
00:24:34,960 --> 00:24:37,439
Speaker 10: Just go ahead in this group chat that you guys have.

547
00:24:37,680 --> 00:24:41,640
Speaker 8: Are you guys talking about like the headlines that are

548
00:24:41,680 --> 00:24:43,840
Speaker 8: coming out, like hip hop is dead, rap hasn't been

549
00:24:43,880 --> 00:24:46,119
Speaker 8: on Billboard, X, Y and Z Like, nah.

550
00:24:46,040 --> 00:24:48,880
Speaker 1: It's just music. We just send music.

551
00:24:49,960 --> 00:24:54,240
Speaker 6: Stupid, Yeah, because we wanted to know.

552
00:24:54,280 --> 00:24:56,280
Speaker 9: Were talking about that before y'all came in, about how

553
00:24:56,640 --> 00:24:58,920
Speaker 9: all those conversations be happening, But like there's so much

554
00:24:59,000 --> 00:25:01,800
Speaker 9: actually happening for real, but details are just like noise.

555
00:25:02,960 --> 00:25:03,120
Speaker 5: Yo.

556
00:25:03,320 --> 00:25:04,359
Speaker 1: We love music.

557
00:25:04,840 --> 00:25:07,879
Speaker 6: We have the right as all of us to have

558
00:25:07,920 --> 00:25:09,080
Speaker 6: our opinion about it.

559
00:25:09,400 --> 00:25:11,680
Speaker 1: And I mean all of you. Man, y'all are staples,

560
00:25:11,680 --> 00:25:13,119
Speaker 1: and you have the right to be like, yo, I

561
00:25:13,119 --> 00:25:16,439
Speaker 1: think this is not it and whatever. But we we we.

562
00:25:16,359 --> 00:25:20,760
Speaker 6: Had the benefit of coming out and having our gods

563
00:25:20,840 --> 00:25:23,119
Speaker 6: say to us like, look, Daylight, your show is whack.

564
00:25:23,880 --> 00:25:25,439
Speaker 1: You need to do this, you need to do that.

565
00:25:25,640 --> 00:25:26,680
Speaker 1: And they did it out of love.

566
00:25:27,400 --> 00:25:27,639
Speaker 5: You know.

567
00:25:27,680 --> 00:25:29,520
Speaker 6: We didn't have these platforms where they got to go

568
00:25:29,560 --> 00:25:31,920
Speaker 6: to like write on magazine and something and be like.

569
00:25:31,920 --> 00:25:34,359
Speaker 1: You know that day La soul. They got a horrible show.

570
00:25:34,680 --> 00:25:35,720
Speaker 1: So that's what I don't like.

571
00:25:35,760 --> 00:25:37,720
Speaker 6: I don't like coming up here and talking bad about

572
00:25:37,720 --> 00:25:39,680
Speaker 6: someone when I can turn around and talk to them

573
00:25:40,359 --> 00:25:43,040
Speaker 6: and out of love show them love and be like, yo, man,

574
00:25:43,240 --> 00:25:45,400
Speaker 6: I love what you're doing, but maybe you should try

575
00:25:45,440 --> 00:25:46,400
Speaker 6: to do this or do that.

576
00:25:46,600 --> 00:25:48,080
Speaker 1: And I think that's more what we need to be.

577
00:25:48,520 --> 00:25:52,760
Speaker 5: Criticism is constructive and not hurting nobody.

578
00:25:53,560 --> 00:25:57,159
Speaker 6: We all we all have feelings, we have egos and

579
00:25:57,640 --> 00:26:00,680
Speaker 6: you know, so I mean, like be more constructive.

580
00:26:00,720 --> 00:26:03,080
Speaker 7: As they said, was there ever a time where y'all

581
00:26:03,080 --> 00:26:05,560
Speaker 7: felt pressure to modernize your sound or y'all just operate

582
00:26:05,600 --> 00:26:06,360
Speaker 7: outside of that? Nah?

583
00:26:06,400 --> 00:26:09,040
Speaker 6: We always outside it. I mean, think about it. Seanamagne

584
00:26:09,040 --> 00:26:13,640
Speaker 6: we had us. You know, you had tried with Midnight Marauders,

585
00:26:14,240 --> 00:26:16,560
Speaker 6: you had Wu Tang with thirty six Chambers, and we

586
00:26:16,720 --> 00:26:21,040
Speaker 6: come with this calm record called Balloon Mind State. We

587
00:26:21,040 --> 00:26:23,520
Speaker 6: we always was just riding our own path, like we

588
00:26:23,560 --> 00:26:25,720
Speaker 6: loved all that we could do, all that we could

589
00:26:25,760 --> 00:26:27,960
Speaker 6: get up next to the illis do it in rhyme

590
00:26:27,960 --> 00:26:30,159
Speaker 6: the way we needed to rhyme. But that was the

591
00:26:30,320 --> 00:26:32,880
Speaker 6: journey at that point, you know what I'm saying. And

592
00:26:32,920 --> 00:26:36,440
Speaker 6: we unapology, you know, like we didn't apologize for any

593
00:26:36,480 --> 00:26:36,639
Speaker 6: of it.

594
00:26:36,760 --> 00:26:40,120
Speaker 5: We just did what we did, create an least successful album. Yeah,

595
00:26:40,119 --> 00:26:45,280
Speaker 5: you know, and fast forward to today, people go, yo,

596
00:26:45,520 --> 00:26:48,840
Speaker 5: Ballue Mindsteed, I get it now. Yeah, it was something

597
00:26:48,840 --> 00:26:52,000
Speaker 5: you had to grow into probably, you know. No. So

598
00:26:52,359 --> 00:26:55,919
Speaker 5: I mean, music just has a weird place where people

599
00:26:56,440 --> 00:26:59,320
Speaker 5: you may not get it now, but you'll get it later. Yeah.

600
00:26:59,320 --> 00:26:59,480
Speaker 5: You know.

601
00:27:00,040 --> 00:27:02,120
Speaker 3: I want to talk about the iconic song Buddy. Right

602
00:27:02,600 --> 00:27:04,399
Speaker 3: when it first came out, everybody thought it was a

603
00:27:04,440 --> 00:27:08,840
Speaker 3: sexual song when it first came out, right, So so

604
00:27:08,920 --> 00:27:10,560
Speaker 3: explain Buddy and how it came about because it was

605
00:27:10,560 --> 00:27:12,080
Speaker 3: band from a lot of places. Places didn't want.

606
00:27:11,960 --> 00:27:12,280
Speaker 1: To play it.

607
00:27:12,320 --> 00:27:14,439
Speaker 2: They talk this way about it so well where the

608
00:27:14,440 --> 00:27:15,160
Speaker 2: concept came from.

609
00:27:15,800 --> 00:27:19,400
Speaker 6: Jungle Brothers first had a song called Jimbrowski you know when,

610
00:27:19,680 --> 00:27:21,000
Speaker 6: and that was talking about you.

611
00:27:20,960 --> 00:27:23,320
Speaker 1: Know, the male's anatomy. And then we.

612
00:27:23,359 --> 00:27:26,480
Speaker 6: Came with a song called Jennifer and I was just

613
00:27:26,520 --> 00:27:29,760
Speaker 6: talking about a girl, and so we just were saying, like, yo,

614
00:27:29,840 --> 00:27:30,160
Speaker 6: if we.

615
00:27:30,160 --> 00:27:33,560
Speaker 5: Have Jimmy j they become buddies.

616
00:27:34,560 --> 00:27:36,760
Speaker 1: So, I mean that's really what it was in the

617
00:27:36,800 --> 00:27:40,640
Speaker 1: most playful sense, gotcha. You know. So definitely they also.

618
00:27:40,440 --> 00:27:44,160
Speaker 3: Want to know, well, all these collabs that Nike does, right,

619
00:27:44,240 --> 00:27:46,320
Speaker 3: because you see the Daylight Soul Dunks and the Daylight

620
00:27:46,359 --> 00:27:47,520
Speaker 3: Soul Kicks, do y'all get paid for that?

621
00:27:47,560 --> 00:27:48,879
Speaker 2: Do they get permission before they do it?

622
00:27:48,960 --> 00:27:53,480
Speaker 1: Or do they No, they definitely got permission the first run.

623
00:27:53,640 --> 00:27:54,720
Speaker 5: We didn't get paid, no.

624
00:27:54,760 --> 00:27:59,440
Speaker 6: Because that's how the first run with SB obviously that's

625
00:27:59,440 --> 00:28:01,840
Speaker 6: how it was. It was like a few a few

626
00:28:01,880 --> 00:28:04,960
Speaker 6: amount be put out twenty grands, yeah, and then they'll

627
00:28:04,960 --> 00:28:08,360
Speaker 6: just flood you with like a locker room of sneakers

628
00:28:08,480 --> 00:28:10,920
Speaker 6: here take that. But I mean the second time around,

629
00:28:10,920 --> 00:28:12,840
Speaker 6: when they released it, they gave us some money for it.

630
00:28:12,880 --> 00:28:14,720
Speaker 5: But you know, they say, you on the idea of

631
00:28:14,760 --> 00:28:17,200
Speaker 5: the limited edition and all of that, and.

632
00:28:16,960 --> 00:28:19,760
Speaker 2: It keeps the name alive when I watched when.

633
00:28:19,600 --> 00:28:23,880
Speaker 5: I used, and it's cool to do the first time around.

634
00:28:24,080 --> 00:28:27,280
Speaker 5: And when we're talking about repeating it, then we need.

635
00:28:27,080 --> 00:28:29,720
Speaker 4: To get some break, you know.

636
00:28:29,800 --> 00:28:32,520
Speaker 7: You know Daylight albums, man, they always feel like worlds

637
00:28:33,000 --> 00:28:35,280
Speaker 7: when you're creating. Now, when you created Cabins in the Sky,

638
00:28:35,520 --> 00:28:37,280
Speaker 7: what world are you building it?

639
00:28:37,320 --> 00:28:38,600
Speaker 4: What's the emotion that was driving?

640
00:28:39,120 --> 00:28:42,760
Speaker 6: The main thing is for our partner who's no longer here, Dave.

641
00:28:42,840 --> 00:28:46,560
Speaker 6: It was like, yeah, Cabin in the Sky was for him,

642
00:28:46,760 --> 00:28:50,040
Speaker 6: you know. I mean it's still the normal muscle memory

643
00:28:50,080 --> 00:28:54,160
Speaker 6: of trying to make a beautiful, great album that has

644
00:28:54,400 --> 00:28:58,320
Speaker 6: good lyrics, could sound good themes as Daylight has always done,

645
00:28:58,400 --> 00:29:01,120
Speaker 6: but it was him. And I jokingly say this, like

646
00:29:01,200 --> 00:29:04,680
Speaker 6: you know, and I hope I'm not you know, saying

647
00:29:04,720 --> 00:29:07,600
Speaker 6: stuff that people don't know. But it's this old movie

648
00:29:07,640 --> 00:29:11,400
Speaker 6: Outsiders Matt Dillon is the scene where like he's like

649
00:29:11,680 --> 00:29:13,480
Speaker 6: they about to have this big fight with that gang,

650
00:29:13,520 --> 00:29:15,200
Speaker 6: the Socials, and they'd be like, yo, we gotta do

651
00:29:15,240 --> 00:29:15,920
Speaker 6: this for Johnny.

652
00:29:16,000 --> 00:29:17,320
Speaker 1: Like that's how I feel like, we got to do

653
00:29:17,360 --> 00:29:17,960
Speaker 1: this for Dave.

654
00:29:18,200 --> 00:29:22,000
Speaker 6: Like it was really big that we represent him and

655
00:29:22,160 --> 00:29:26,400
Speaker 6: show to show his energy on this entire album. The

656
00:29:26,440 --> 00:29:29,120
Speaker 6: project is for him, you know, and for us, and

657
00:29:29,160 --> 00:29:31,239
Speaker 6: it's therapeutic for us to do for me.

658
00:29:31,400 --> 00:29:31,680
Speaker 1: You know.

659
00:29:31,880 --> 00:29:34,800
Speaker 6: Like the album is basically like we're doing this album

660
00:29:35,000 --> 00:29:37,320
Speaker 6: with him rhyming from heaven, you know what I'm saying, Like,

661
00:29:37,400 --> 00:29:38,160
Speaker 6: that's what this is.

662
00:29:38,200 --> 00:29:38,960
Speaker 1: Cabin in the Sky.

663
00:29:39,160 --> 00:29:41,000
Speaker 9: Has there been moments, you say, with therapeutic, has there

664
00:29:41,040 --> 00:29:42,320
Speaker 9: been moments where you guys had to kind of like

665
00:29:42,440 --> 00:29:45,680
Speaker 9: step away and just kind of deal with whatever feelings

666
00:29:45,880 --> 00:29:47,280
Speaker 9: were brought back up by getting.

667
00:29:47,040 --> 00:29:50,880
Speaker 5: Back in this I stepped right into it. You never

668
00:29:50,960 --> 00:29:53,320
Speaker 5: know when grief is gonna hit you. If I got

669
00:29:53,320 --> 00:29:55,080
Speaker 5: to cry in the moment, I crying the moment.

670
00:29:55,280 --> 00:29:55,480
Speaker 1: Yeah.

671
00:29:57,040 --> 00:30:01,280
Speaker 5: One of the biggest things is just now just handling

672
00:30:01,320 --> 00:30:06,440
Speaker 5: the responsibility of carrying my man's legacy. You know, we

673
00:30:06,520 --> 00:30:10,160
Speaker 5: got the blessing from his family, all the friends we

674
00:30:10,240 --> 00:30:12,280
Speaker 5: grew up with, you know what I mean. So at

675
00:30:12,280 --> 00:30:16,880
Speaker 5: this point, yeah, it's more of a responsibility to keep going,

676
00:30:17,600 --> 00:30:22,400
Speaker 5: and we had plans, so it's just carrying out the plan.

677
00:30:23,160 --> 00:30:25,720
Speaker 7: Really, how do you how do you honor Dave spirit

678
00:30:25,920 --> 00:30:29,560
Speaker 7: creatively without trying to imitate or recreate what he did.

679
00:30:29,960 --> 00:30:32,560
Speaker 1: Well, nothing that we used of him.

680
00:30:32,520 --> 00:30:36,400
Speaker 6: Was like like manipulating in a sense, Like whatever song

681
00:30:36,440 --> 00:30:38,840
Speaker 6: you hear Dave on that, that was a song that

682
00:30:38,880 --> 00:30:41,440
Speaker 6: he was on. We didn't grab his vocal and put

683
00:30:41,440 --> 00:30:44,200
Speaker 6: it on something that he wasn't his energy and what he.

684
00:30:44,160 --> 00:30:46,000
Speaker 1: Felt to write to, because that's how Dave was.

685
00:30:46,080 --> 00:30:48,600
Speaker 6: He he wrote in a moment like and if he

686
00:30:48,600 --> 00:30:49,920
Speaker 6: didn't like it, it was gone.

687
00:30:49,960 --> 00:30:51,520
Speaker 1: Like he didn't he didn't want to co sign it.

688
00:30:51,600 --> 00:30:54,640
Speaker 6: So it's music that he was actually on, and the

689
00:30:54,920 --> 00:30:58,200
Speaker 6: music on this album that he actually produced, so like

690
00:30:58,280 --> 00:31:01,800
Speaker 6: his intent, his energy is without the album and it's

691
00:31:01,960 --> 00:31:04,640
Speaker 6: organically him and it's authentically him.

692
00:31:04,720 --> 00:31:08,040
Speaker 5: Yeah, you know when you hear the album the sequence,

693
00:31:08,640 --> 00:31:11,400
Speaker 5: it sounds like he's working on the record from heaven. Yeah,

694
00:31:11,560 --> 00:31:12,600
Speaker 5: it really sounds like that.

695
00:31:13,400 --> 00:31:16,040
Speaker 7: When you step on stage now that is performing, you know,

696
00:31:16,120 --> 00:31:19,160
Speaker 7: the oldie catalog feel different emotionally.

697
00:31:18,960 --> 00:31:20,680
Speaker 1: It can. I mean it took a minute to get

698
00:31:20,760 --> 00:31:21,040
Speaker 1: used to.

699
00:31:21,360 --> 00:31:24,560
Speaker 6: Maybe those are moments where you know, I say something

700
00:31:24,920 --> 00:31:27,120
Speaker 6: Dave was supposed to come in and then I would

701
00:31:27,160 --> 00:31:29,640
Speaker 6: be ready to jump in ad lib mode and then

702
00:31:30,040 --> 00:31:32,240
Speaker 6: I'm saying something all of a sudden, I'm waiting for him,

703
00:31:32,320 --> 00:31:34,920
Speaker 6: jumping like, oh what am I doing? Like I gotta

704
00:31:35,000 --> 00:31:36,880
Speaker 6: jump in because I gotta say to rhym. So it

705
00:31:36,920 --> 00:31:39,360
Speaker 6: took us a moment to get that, but we got

706
00:31:39,360 --> 00:31:43,320
Speaker 6: a downpack because we stay moving, we stay always doing shows.

707
00:31:43,360 --> 00:31:45,440
Speaker 6: So yeah, it took a moment for us to get it,

708
00:31:45,480 --> 00:31:47,200
Speaker 6: but we already did with it.

709
00:31:47,440 --> 00:31:47,840
Speaker 1: Yeah.

710
00:31:48,560 --> 00:31:51,080
Speaker 7: What's something about Dave as a man not just an

711
00:31:51,200 --> 00:31:53,640
Speaker 7: artist that you want fans to remember forever?

712
00:31:56,520 --> 00:31:57,000
Speaker 5: Man?

713
00:31:57,680 --> 00:31:59,800
Speaker 1: Wow? A man?

714
00:32:00,200 --> 00:32:03,280
Speaker 5: Hey man? He lived the full life. Man. If any

715
00:32:04,440 --> 00:32:11,200
Speaker 5: body did it their way, he did definitely unapologetically his way.

716
00:32:11,560 --> 00:32:15,160
Speaker 5: You know, when I sit down with the Homi Zoom

717
00:32:15,560 --> 00:32:18,680
Speaker 5: and we talk about it, like the ones that aren't

718
00:32:18,720 --> 00:32:21,320
Speaker 5: a part of this music thing we grew up with,

719
00:32:21,400 --> 00:32:25,160
Speaker 5: and they're like, yo, man, just know that, yo man.

720
00:32:25,160 --> 00:32:28,400
Speaker 5: He did everything the way he wanted to do it,

721
00:32:28,840 --> 00:32:33,720
Speaker 5: you know. So don't don't don't don't fret. They've lived

722
00:32:33,720 --> 00:32:34,600
Speaker 5: a full life.

723
00:32:34,480 --> 00:32:35,600
Speaker 1: A full life.

724
00:32:35,720 --> 00:32:37,600
Speaker 6: Dave Chapelle kicked that to us as well, Like he

725
00:32:37,680 --> 00:32:39,680
Speaker 6: was like, yo, man, Dave lived a life that was

726
00:32:39,720 --> 00:32:42,200
Speaker 6: so dense because he lived like a damn like three

727
00:32:42,320 --> 00:32:45,240
Speaker 6: four lifetimes. What he got to see, who he got

728
00:32:45,280 --> 00:32:47,560
Speaker 6: to influence and help and.

729
00:32:47,520 --> 00:32:48,120
Speaker 1: It's the truth.

730
00:32:48,160 --> 00:32:50,640
Speaker 6: I mean, like he had a life that for him

731
00:32:50,720 --> 00:32:53,480
Speaker 6: to not we all have I would feel I know

732
00:32:53,560 --> 00:32:55,440
Speaker 6: I do. I have people that is no longer here,

733
00:32:56,200 --> 00:32:58,000
Speaker 6: and you kind of feel sad that they didn't get

734
00:32:58,000 --> 00:33:00,120
Speaker 6: to do certain things that they wanted to want to

735
00:33:00,120 --> 00:33:02,000
Speaker 6: to do, or they didn't get to make the mark

736
00:33:02,040 --> 00:33:05,600
Speaker 6: they wanted to make or change their ways. And Dave

737
00:33:05,720 --> 00:33:08,200
Speaker 6: lived an amazing life and did so much and involved

738
00:33:08,200 --> 00:33:10,760
Speaker 6: as a man, as a fall, he did so much.

739
00:33:11,360 --> 00:33:13,800
Speaker 2: Played in the league, right, did some play football in

740
00:33:13,800 --> 00:33:14,080
Speaker 2: the league?

741
00:33:14,120 --> 00:33:20,520
Speaker 5: I thought, yeah, But Dave had the bird's eye view, Yeah,

742
00:33:20,560 --> 00:33:23,600
Speaker 5: the whole thing, you know, where I can be on

743
00:33:23,640 --> 00:33:27,920
Speaker 5: the ground and in the street with it on the

744
00:33:27,960 --> 00:33:30,480
Speaker 5: where he got with it. And but Dave is up here,

745
00:33:31,240 --> 00:33:34,160
Speaker 5: you know, always kind of looking at things from a

746
00:33:34,200 --> 00:33:40,080
Speaker 5: real quirky perspective. He brought the real different edge of

747
00:33:40,360 --> 00:33:43,240
Speaker 5: who we are, like that real quirky edge.

748
00:33:43,800 --> 00:33:44,760
Speaker 4: You mentioned Dave Chapelle.

749
00:33:44,960 --> 00:33:46,800
Speaker 7: What was the connection between Chappelle and day Lock And

750
00:33:46,840 --> 00:33:48,520
Speaker 7: I know y'all did the show back in the day,

751
00:33:48,520 --> 00:33:51,640
Speaker 7: But the one time I think I met Dave was

752
00:33:51,680 --> 00:33:54,440
Speaker 7: at a Dave Chappelle show, But it was in South Carolina.

753
00:33:54,280 --> 00:33:58,959
Speaker 1: Ye maybe three years ago.

754
00:33:59,160 --> 00:34:03,240
Speaker 5: Yeah, yeah, yeah, families from Florence. Okay, yeah, I got family.

755
00:34:03,720 --> 00:34:04,480
Speaker 1: Yeah.

756
00:34:04,680 --> 00:34:07,400
Speaker 6: Now, we've known Dave Chappelle for for the longest time.

757
00:34:07,520 --> 00:34:11,280
Speaker 6: We did some show in Ohio a long time ago,

758
00:34:12,320 --> 00:34:14,600
Speaker 6: some college joint we did, and he was there. I

759
00:34:14,600 --> 00:34:17,480
Speaker 6: think his pops was a teacher there, and so he

760
00:34:17,600 --> 00:34:20,439
Speaker 6: was at the show and we became this cool ever

761
00:34:20,480 --> 00:34:23,479
Speaker 6: since this before Dave even really blew up. So we

762
00:34:23,480 --> 00:34:26,359
Speaker 6: was just always around Dave Chappelle. And so when he

763
00:34:26,680 --> 00:34:28,279
Speaker 6: got to where he was and wanted us on the

764
00:34:28,320 --> 00:34:30,319
Speaker 6: show and anything he needed is for we was there

765
00:34:30,360 --> 00:34:30,640
Speaker 6: for it.

766
00:34:30,800 --> 00:34:33,239
Speaker 7: You know, when you look at the landscape of hip

767
00:34:33,280 --> 00:34:37,040
Speaker 7: hop today, what piece of the original Daylight philosophy do

768
00:34:37,080 --> 00:34:38,600
Speaker 7: you feel the coaching needs the.

769
00:34:38,600 --> 00:34:39,560
Speaker 1: Most right now?

770
00:34:40,360 --> 00:34:44,000
Speaker 6: I mean balance, just for me, and I don't know

771
00:34:44,000 --> 00:34:45,879
Speaker 6: if I I don't know how I can really say that.

772
00:34:46,120 --> 00:34:49,879
Speaker 5: I feel like the balance is there. It's the platforms

773
00:34:49,920 --> 00:34:55,719
Speaker 5: that need to present the balance. But yeah, well, for

774
00:34:55,800 --> 00:34:59,600
Speaker 5: some time, you know, it starts to look like the

775
00:34:59,640 --> 00:35:03,440
Speaker 5: industry is only supporting one side of hip hop, and

776
00:35:03,920 --> 00:35:07,439
Speaker 5: it tends to come off to be a little genocidal,

777
00:35:08,480 --> 00:35:12,280
Speaker 5: you know, because we got way more variety in our culture.

778
00:35:13,080 --> 00:35:18,080
Speaker 5: You know here it is everybody's art is real, everybody's

779
00:35:18,120 --> 00:35:22,200
Speaker 5: story is real, but the industry can misconstrue the story

780
00:35:22,280 --> 00:35:26,520
Speaker 5: and tell a really glorify a story that people aren't

781
00:35:26,520 --> 00:35:31,120
Speaker 5: really glorifying. You know, they're just telling their story. Some

782
00:35:31,200 --> 00:35:33,319
Speaker 5: of it's from a fun perspective, but some of it's

783
00:35:33,320 --> 00:35:36,560
Speaker 5: from a very real perspective, letting you know, like, don't

784
00:35:36,600 --> 00:35:40,239
Speaker 5: do this. But there's a perception in marketing that don't

785
00:35:40,280 --> 00:35:45,760
Speaker 5: really lend to that. There's always just no real variety period.

786
00:35:46,160 --> 00:35:48,800
Speaker 5: You got one flavor all the time.

787
00:35:49,320 --> 00:35:52,839
Speaker 6: But you know, I pushed back on that a little

788
00:35:52,880 --> 00:35:56,640
Speaker 6: bit because I just feel like there's so My thing

789
00:35:56,719 --> 00:36:01,439
Speaker 6: is that there's just too much music what with us,

790
00:36:01,480 --> 00:36:03,560
Speaker 6: and we come from an era where you know, you

791
00:36:03,640 --> 00:36:06,479
Speaker 6: tried it in your crib, if people thought you was dope,

792
00:36:06,520 --> 00:36:08,799
Speaker 6: You worked, you maybe scrambled on the street, you made

793
00:36:08,800 --> 00:36:10,000
Speaker 6: your money, you went to the studio.

794
00:36:10,360 --> 00:36:13,560
Speaker 1: You can make music from your laptop. Zoom is up.

795
00:36:13,960 --> 00:36:16,680
Speaker 6: And I just think that so much music, and it's

796
00:36:16,840 --> 00:36:19,960
Speaker 6: good music out but there's so many places to get

797
00:36:20,000 --> 00:36:23,640
Speaker 6: it from that it's understandable that this one place only

798
00:36:23,680 --> 00:36:24,359
Speaker 6: does it this way.

799
00:36:24,440 --> 00:36:26,279
Speaker 1: But if you go to maybe SoundCloud. They do it

800
00:36:26,280 --> 00:36:27,120
Speaker 1: this way, but then if.

801
00:36:27,040 --> 00:36:31,600
Speaker 6: You go with the listener has to almost transition into

802
00:36:31,680 --> 00:36:34,840
Speaker 6: a person that can listen to music in different places.

803
00:36:35,200 --> 00:36:37,200
Speaker 1: And if they don't, they live in their own echo chamber,

804
00:36:37,719 --> 00:36:37,920
Speaker 1: you know.

805
00:36:38,440 --> 00:36:41,799
Speaker 8: But the echo chamber is just what's being programmed. Which

806
00:36:41,840 --> 00:36:46,000
Speaker 8: is the popular thing that you're saying, which could be yeah, yeah,

807
00:36:46,040 --> 00:36:49,640
Speaker 8: but is there anything that you guys experience firsthand that

808
00:36:49,760 --> 00:36:53,040
Speaker 8: you feel like the new generation of MC's or just

809
00:36:53,400 --> 00:36:55,600
Speaker 8: like hip hop fans in general should study.

810
00:36:57,520 --> 00:36:58,480
Speaker 1: Yo, you're going to learn it.

811
00:36:58,520 --> 00:37:01,160
Speaker 6: When you learn it, you can make anyone learn anything

812
00:37:01,160 --> 00:37:03,160
Speaker 6: they didn't want to learn. And that's why to say

813
00:37:03,200 --> 00:37:06,920
Speaker 6: that when when knowledge or whatever comes towards you, if

814
00:37:06,920 --> 00:37:09,479
Speaker 6: it's given to you in a humble way, you're listen.

815
00:37:09,520 --> 00:37:11,839
Speaker 6: When someone's trying to force something down your throat, you're

816
00:37:11,840 --> 00:37:14,279
Speaker 6: not going to eat it. So I mean, that's how

817
00:37:14,320 --> 00:37:18,759
Speaker 6: I always try to approach people. And I think young dudes, I.

818
00:37:18,719 --> 00:37:29,839
Speaker 4: Didn't want to at that was that was agreed. I'm

819
00:37:35,840 --> 00:37:38,719
Speaker 4: I didn't want to interrupt. I did not want to

820
00:37:38,719 --> 00:37:41,240
Speaker 4: interrupt the profile thought. But that was just very aggreevable.

821
00:37:41,280 --> 00:37:46,239
Speaker 1: It was my policies, gentlemen. No, no, no, I know

822
00:37:46,320 --> 00:37:47,640
Speaker 1: the jokes. I watched this every day.

823
00:37:48,040 --> 00:37:49,920
Speaker 3: Sorry, I'm sorry, but back to your point if you

824
00:37:49,960 --> 00:37:52,240
Speaker 3: can get back to it when.

825
00:37:54,800 --> 00:37:58,080
Speaker 1: I'm done on you.

826
00:37:57,880 --> 00:38:00,440
Speaker 4: But you know, somebody in the chat had a point.

827
00:38:00,440 --> 00:38:03,000
Speaker 7: They said that they feel like it's too much noise,

828
00:38:03,120 --> 00:38:04,160
Speaker 7: not enough true art.

829
00:38:04,480 --> 00:38:10,160
Speaker 5: Yeah, that is true because as a DJ, we always

830
00:38:10,200 --> 00:38:14,400
Speaker 5: want music. It's just what the Internet has become. We

831
00:38:14,520 --> 00:38:17,040
Speaker 5: got a lot of whack stuff because people are able

832
00:38:17,080 --> 00:38:18,080
Speaker 5: to just go ahead and put on.

833
00:38:18,200 --> 00:38:23,200
Speaker 1: We always had whack stuff, but through you know what

834
00:38:23,239 --> 00:38:26,040
Speaker 1: I'm saying, I think there is a lot of I

835
00:38:26,080 --> 00:38:27,640
Speaker 1: think there is a lot of noise because I think

836
00:38:27,680 --> 00:38:31,839
Speaker 1: we are artists that know and feel that we have

837
00:38:31,920 --> 00:38:34,480
Speaker 1: to say, yo, check out what I'm doing. Because it

838
00:38:34,520 --> 00:38:37,680
Speaker 1: goes back to what I'm saying, there's so many artists

839
00:38:37,680 --> 00:38:40,399
Speaker 1: that's putting out so much music. Why should I look

840
00:38:40,440 --> 00:38:40,640
Speaker 1: at you?

841
00:38:40,680 --> 00:38:42,319
Speaker 6: Well, maybe you should look at me, because not only

842
00:38:42,360 --> 00:38:44,600
Speaker 6: my music is good, but when I show you what

843
00:38:44,680 --> 00:38:46,359
Speaker 6: I'm doing in my house and how I'm bugging out

844
00:38:46,360 --> 00:38:48,960
Speaker 6: with my wife or my girlfriend or my boys. So

845
00:38:49,000 --> 00:38:52,320
Speaker 6: it's like a whole new thing. It's more than just music.

846
00:38:52,440 --> 00:38:56,040
Speaker 6: Music is almost disposable. It's the person that they're looking

847
00:38:56,080 --> 00:38:59,200
Speaker 6: at so. I mean, it's just like I watched your

848
00:38:59,200 --> 00:39:01,840
Speaker 6: show and I agree. I feel like yo yo j

849
00:39:02,040 --> 00:39:05,000
Speaker 6: I d like, where was his rollout? Like you want

850
00:39:05,040 --> 00:39:07,000
Speaker 6: to hear him, you want to see him because the

851
00:39:07,120 --> 00:39:10,400
Speaker 6: music was amazing. I needed to have now people seeing

852
00:39:10,400 --> 00:39:13,520
Speaker 6: what he's doing. And then everyone's talking about how clips

853
00:39:13,600 --> 00:39:15,839
Speaker 6: rollout was. But Clip was just doing what we come

854
00:39:15,880 --> 00:39:17,279
Speaker 6: from doing, which is just.

855
00:39:18,800 --> 00:39:20,600
Speaker 9: But you know what too, I think somewhat to the

856
00:39:20,600 --> 00:39:23,120
Speaker 9: fans have gotten so used to just being okay with

857
00:39:23,160 --> 00:39:25,600
Speaker 9: how things are now, because when he said that about Jed,

858
00:39:26,400 --> 00:39:28,440
Speaker 9: people were like, y'all crazy. There was a rollout, and

859
00:39:28,440 --> 00:39:30,720
Speaker 9: I was like, if you're in a certain world or audience,

860
00:39:30,719 --> 00:39:33,160
Speaker 9: you saw it, but as big as it should have been,

861
00:39:33,200 --> 00:39:35,880
Speaker 9: there wasn't. But so that might be a part of

862
00:39:35,920 --> 00:39:37,759
Speaker 9: like it's not even at the bars in hell. It's

863
00:39:37,800 --> 00:39:39,960
Speaker 9: just people have gotten used to this is all we get,

864
00:39:40,000 --> 00:39:42,600
Speaker 9: This is all we know. They're praising things that are normal,

865
00:39:43,000 --> 00:39:45,640
Speaker 9: and then when you do things that are under the norm,

866
00:39:45,760 --> 00:39:47,399
Speaker 9: it's like as.

867
00:39:47,280 --> 00:39:47,799
Speaker 2: Well though too.

868
00:39:47,800 --> 00:39:50,960
Speaker 3: The artist has to want it as much as anybody else. Right,

869
00:39:51,000 --> 00:39:53,399
Speaker 3: you don't see Clips coming from a place where they

870
00:39:53,480 --> 00:39:55,839
Speaker 3: had to do that, right, there was no Internet. They

871
00:39:55,880 --> 00:39:57,960
Speaker 3: had to go to every radio station, they had to

872
00:39:58,000 --> 00:40:00,440
Speaker 3: go to every mom and pop store, you had to

873
00:40:00,440 --> 00:40:02,319
Speaker 3: go to every college radio because it was that was

874
00:40:02,360 --> 00:40:04,960
Speaker 3: the only outlets. Like you look at Jid, who we

875
00:40:05,040 --> 00:40:07,400
Speaker 3: loved Jid, but he might not have wanted it as

876
00:40:07,440 --> 00:40:08,920
Speaker 3: much as clips. And it's harder to say that the

877
00:40:09,000 --> 00:40:11,040
Speaker 3: artist wanted when they're getting that much money so fast,

878
00:40:11,640 --> 00:40:12,040
Speaker 3: you know what I mean.

879
00:40:13,160 --> 00:40:18,600
Speaker 5: In his defense, you know, he's missed, probably missing that

880
00:40:18,600 --> 00:40:23,640
Speaker 5: that coaching element of artist development because of how it

881
00:40:23,800 --> 00:40:26,840
Speaker 5: changed so much and you could easily put your music

882
00:40:26,880 --> 00:40:31,479
Speaker 5: out from your house, so artist. You know, Jordan didn't

883
00:40:31,480 --> 00:40:35,320
Speaker 5: no win no game without Phil Jackson. Every great player

884
00:40:35,360 --> 00:40:37,799
Speaker 5: needed a coach. I feel like that's how it is

885
00:40:37,840 --> 00:40:42,640
Speaker 5: with artists. You know, look at the success of everybody

886
00:40:42,680 --> 00:40:46,000
Speaker 5: that was under Dre. Can we not deny that Dre

887
00:40:46,160 --> 00:40:49,880
Speaker 5: is a great coach. Yeah, because of the success and

888
00:40:49,920 --> 00:40:53,200
Speaker 5: there was artist development that went with all of that.

889
00:40:53,200 --> 00:40:55,520
Speaker 5: That Right now, we're looking at a lot of raw

890
00:40:55,640 --> 00:41:00,040
Speaker 5: talent that could use just some development, you know, and

891
00:41:00,080 --> 00:41:02,879
Speaker 5: it comes from the people who come before them. That's

892
00:41:02,920 --> 00:41:05,640
Speaker 5: where the criticism need to be a little more constructive

893
00:41:06,160 --> 00:41:08,719
Speaker 5: and not bashing, you know, and then when you got

894
00:41:08,719 --> 00:41:11,200
Speaker 5: somebody who making a lot of money, he going like,

895
00:41:11,239 --> 00:41:13,440
Speaker 5: how can you tell me the two?

896
00:41:15,440 --> 00:41:15,640
Speaker 1: Dude?

897
00:41:15,680 --> 00:41:18,480
Speaker 5: It's necessary when I'm getting it, you know what I mean.

898
00:41:18,760 --> 00:41:21,239
Speaker 7: It's just a word that has a negative stigma, but

899
00:41:21,320 --> 00:41:23,719
Speaker 7: you kind of need it. There should be some level

900
00:41:23,760 --> 00:41:27,239
Speaker 7: of gatekeeping. But the keep the keepers of the gate

901
00:41:27,560 --> 00:41:29,800
Speaker 7: have to be pure in their intentions and their motive.

902
00:41:29,880 --> 00:41:32,680
Speaker 7: They can't be influenced by you know, somebody paying them

903
00:41:32,719 --> 00:41:35,880
Speaker 7: to say otherwise, biased to certain regions.

904
00:41:35,880 --> 00:41:39,720
Speaker 4: It just got to be is this dope or not correct?

905
00:41:39,960 --> 00:41:41,600
Speaker 4: I think I think that's missing.

906
00:41:42,719 --> 00:41:46,600
Speaker 5: Really getting it. I really say to them, yoyo, I

907
00:41:46,680 --> 00:41:52,440
Speaker 5: mean you want to be fifty doing this? Yeah, but

908
00:41:53,040 --> 00:41:56,759
Speaker 5: I mean not could show you much about getting that

909
00:41:56,880 --> 00:41:59,879
Speaker 5: paper because the times have definitely changed. But I think

910
00:41:59,880 --> 00:42:04,040
Speaker 5: I have to show you something about longevity. But there's

911
00:42:04,040 --> 00:42:04,319
Speaker 5: a lot of.

912
00:42:04,360 --> 00:42:06,000
Speaker 2: Artists that say, I don't want to do radio.

913
00:42:07,239 --> 00:42:09,640
Speaker 3: A lot of this, I'm not doing a podcast, I'm

914
00:42:09,640 --> 00:42:11,839
Speaker 3: not doing like artists decide I'm not doing it because

915
00:42:11,840 --> 00:42:13,640
Speaker 3: they don't want to, you know what I mean, And

916
00:42:13,920 --> 00:42:14,839
Speaker 3: they get what they get.

917
00:42:14,840 --> 00:42:16,640
Speaker 2: But the artists that go all out.

918
00:42:16,520 --> 00:42:17,799
Speaker 3: And they do what they have to do, you see

919
00:42:17,800 --> 00:42:20,279
Speaker 3: it with the success, whether it's a CARDI B or

920
00:42:20,320 --> 00:42:22,960
Speaker 3: it is a eclipse like you see and you.

921
00:42:22,920 --> 00:42:24,000
Speaker 2: See, you can see the difference.

922
00:42:24,440 --> 00:42:24,760
Speaker 5: Man.

923
00:42:25,440 --> 00:42:29,280
Speaker 6: I just know that we definitely benefited as a group,

924
00:42:30,280 --> 00:42:32,279
Speaker 6: not only being able to come up to a place

925
00:42:32,320 --> 00:42:34,359
Speaker 6: we were born, New York and run around.

926
00:42:34,080 --> 00:42:35,160
Speaker 1: But we ran.

927
00:42:35,400 --> 00:42:39,200
Speaker 6: We run around to this day in the UK and

928
00:42:39,360 --> 00:42:41,480
Speaker 6: France and whatever.

929
00:42:41,160 --> 00:42:44,400
Speaker 1: You want to call it, Dubai and we did.

930
00:42:44,719 --> 00:42:47,520
Speaker 6: We do press like so we understand what it is

931
00:42:47,560 --> 00:42:50,600
Speaker 6: to touch someone and even have that person be like yo, man,

932
00:42:50,600 --> 00:42:52,200
Speaker 6: I ain't really mess with them, but you know what,

933
00:42:52,200 --> 00:42:52,919
Speaker 6: they're nice guys.

934
00:42:53,000 --> 00:42:53,920
Speaker 1: Let me, let me listen.

935
00:42:53,960 --> 00:42:57,560
Speaker 6: And the next thing you know, you've now planned a

936
00:42:57,640 --> 00:43:00,880
Speaker 6: seed for someone to appreciate what you do. And you know,

937
00:43:01,000 --> 00:43:03,120
Speaker 6: like you just said, if someone feel like they're getting

938
00:43:03,120 --> 00:43:06,520
Speaker 6: what they're getting, then why do all this? But you

939
00:43:06,600 --> 00:43:08,719
Speaker 6: just don't know who you will touch and that'll lend

940
00:43:08,760 --> 00:43:09,800
Speaker 6: to your longevity.

941
00:43:09,960 --> 00:43:12,120
Speaker 2: You know, you don't know when it stops. You don't

942
00:43:12,120 --> 00:43:12,680
Speaker 2: know when it stops.

943
00:43:12,680 --> 00:43:15,359
Speaker 3: Because I always say this, a lot of artists get

944
00:43:15,360 --> 00:43:17,319
Speaker 3: a benefit of the doubt because of who they are, right.

945
00:43:17,840 --> 00:43:19,520
Speaker 3: I always look at and I hate to bring us up.

946
00:43:19,520 --> 00:43:21,879
Speaker 3: I always look at fifty and jo Rule right when

947
00:43:21,960 --> 00:43:24,480
Speaker 3: Ja Ru came out and salute the Job. He never

948
00:43:24,520 --> 00:43:26,760
Speaker 3: did as much as he was supposed to because IRV

949
00:43:27,040 --> 00:43:29,360
Speaker 3: did everything for him. So when he got into the

950
00:43:29,400 --> 00:43:32,040
Speaker 3: beef with Jod, there was no personal relationship. Where fifty

951
00:43:32,080 --> 00:43:34,239
Speaker 3: got into the beef with Job, there was no personal relationship.

952
00:43:34,600 --> 00:43:34,759
Speaker 5: Now.

953
00:43:34,800 --> 00:43:37,520
Speaker 3: Fifty, on the other hand, went to every DJ's house,

954
00:43:37,760 --> 00:43:41,480
Speaker 3: went to every radio show, did the smaller DJs shows

955
00:43:41,520 --> 00:43:44,919
Speaker 3: the bigger DJ show. So you lean towards fifty cent

956
00:43:44,960 --> 00:43:47,719
Speaker 3: more because you know them more. I'm from Queens and

957
00:43:47,760 --> 00:43:50,280
Speaker 3: I didn't meet Joe until the Breakfast Club, which is crazy,

958
00:43:50,640 --> 00:43:53,680
Speaker 3: and we're from the same area. We joke about it

959
00:43:53,719 --> 00:43:55,759
Speaker 3: now and he understands it now, but that's part of it.

960
00:43:55,800 --> 00:43:57,920
Speaker 3: Like fifty did what he was supposed to do and

961
00:43:57,960 --> 00:43:59,879
Speaker 3: he still has those relationships with these DJs to today.

962
00:44:00,840 --> 00:44:03,279
Speaker 7: So y'all got a song on New I'm called the

963
00:44:03,320 --> 00:44:05,440
Speaker 7: Package and you say, trend set is no where to

964
00:44:05,480 --> 00:44:06,840
Speaker 7: bail from the trend they started.

965
00:44:06,960 --> 00:44:10,680
Speaker 6: Yeah, that mean it's what we did exactly from three

966
00:44:10,719 --> 00:44:13,839
Speaker 6: Fini Rising. We we we didn't try to make a trend,

967
00:44:13,840 --> 00:44:16,080
Speaker 6: but when it became a trend, that was cool. But

968
00:44:16,160 --> 00:44:18,239
Speaker 6: we was off to what we needed to do. On

969
00:44:18,280 --> 00:44:21,280
Speaker 6: the second album date, I saw it's dead. You start something,

970
00:44:21,680 --> 00:44:23,839
Speaker 6: but you don't started to make it for something for

971
00:44:23,880 --> 00:44:26,120
Speaker 6: everyone else to do, and if they latch onto it,

972
00:44:26,520 --> 00:44:28,520
Speaker 6: that's how the camaraderie, that's how the love for what

973
00:44:28,560 --> 00:44:30,920
Speaker 6: you presented. But we on to the next.

974
00:44:31,000 --> 00:44:33,720
Speaker 1: And that's how we've always been as as a group,

975
00:44:33,840 --> 00:44:36,080
Speaker 1: just always on to the next to try something else,

976
00:44:36,080 --> 00:44:38,560
Speaker 1: and it may work, it may not work. But we

977
00:44:38,600 --> 00:44:40,160
Speaker 1: always saw ourselves.

978
00:44:40,080 --> 00:44:42,719
Speaker 5: Knowing for a fact that we can't recreate what we

979
00:44:42,760 --> 00:44:43,280
Speaker 5: did before.

980
00:44:43,320 --> 00:44:44,479
Speaker 1: Yeah, like it was going to be.

981
00:44:46,120 --> 00:44:49,360
Speaker 5: Created no at all, you know I could There's no

982
00:44:49,400 --> 00:44:54,359
Speaker 5: way I could capture being fourteen, fifteen, sixteen when we

983
00:44:54,360 --> 00:44:56,520
Speaker 5: were actually coming up with those ideas.

984
00:44:57,000 --> 00:44:59,640
Speaker 1: Yeah, you know what I mean. Yeah, it's very important.

985
00:44:59,760 --> 00:45:02,360
Speaker 10: That's think about sixteen.

986
00:45:02,520 --> 00:45:06,200
Speaker 6: Yeah, like you sitting on ideas that once you get

987
00:45:06,239 --> 00:45:08,680
Speaker 6: on you can put all these ideas you've had all

988
00:45:08,719 --> 00:45:12,000
Speaker 6: that time into this one project. Now, once you put

989
00:45:12,000 --> 00:45:14,440
Speaker 6: out a project, you're running around on the road, you're

990
00:45:14,440 --> 00:45:16,799
Speaker 6: doing whatever, and now those experiences may be going to

991
00:45:16,840 --> 00:45:19,120
Speaker 6: the next project. So let alone, when you get to

992
00:45:19,120 --> 00:45:21,160
Speaker 6: this place where now you got to put up projects

993
00:45:21,200 --> 00:45:24,120
Speaker 6: every month, you may hear like the it's like it's

994
00:45:24,280 --> 00:45:26,640
Speaker 6: it's like redundant creativity.

995
00:45:26,680 --> 00:45:27,600
Speaker 1: It's like, what is this.

996
00:45:27,640 --> 00:45:30,279
Speaker 6: It's like you're not allowing yourself a chance to grow

997
00:45:30,320 --> 00:45:34,439
Speaker 6: and have different experiences. But definitely as trend setters, man,

998
00:45:34,680 --> 00:45:36,400
Speaker 6: you have to be able to know, like, all right,

999
00:45:36,400 --> 00:45:38,120
Speaker 6: it's time to put this to the side, let me

1000
00:45:38,200 --> 00:45:39,080
Speaker 6: go to someplace else.

1001
00:45:40,320 --> 00:45:41,279
Speaker 1: Well, we appreciate it.

1002
00:45:41,600 --> 00:45:44,359
Speaker 7: Last question, when history of books talk about day Las

1003
00:45:44,480 --> 00:45:47,160
Speaker 7: Soul fifty years from now, what's the sentence you hope

1004
00:45:47,280 --> 00:45:47,720
Speaker 7: is written?

1005
00:45:49,360 --> 00:45:52,759
Speaker 1: We like, we did it our way man, we had

1006
00:45:52,840 --> 00:45:53,440
Speaker 1: fun with it.

1007
00:45:53,880 --> 00:45:56,240
Speaker 5: And three black men who stuck together.

1008
00:45:57,360 --> 00:45:57,640
Speaker 1: Done.

1009
00:45:58,160 --> 00:46:01,279
Speaker 3: There you go, Thank you so much, Daylight Soul, Ladies,

1010
00:46:02,840 --> 00:46:04,799
Speaker 3: Cabins and the sky comes out on the twenty first.

1011
00:46:04,960 --> 00:46:07,239
Speaker 8: That loved y'all, by the way, Twitter yet and I

1012
00:46:07,280 --> 00:46:09,520
Speaker 8: tucked in ninth and he wanted to tell me.

1013
00:46:09,640 --> 00:46:10,960
Speaker 1: I mean, get out.

1014
00:46:14,000 --> 00:46:16,719
Speaker 8: He said, thank you for letting him be a part

1015
00:46:16,760 --> 00:46:17,399
Speaker 8: of your tree.

1016
00:46:18,520 --> 00:46:21,799
Speaker 5: Man. I love him, I love love brothers man, all

1017
00:46:21,840 --> 00:46:22,520
Speaker 5: of them for real.

1018
00:46:23,440 --> 00:46:27,480
Speaker 2: It's the Breakfast Club. It's stay like soul every day, up,

1019
00:46:27,520 --> 00:46:29,200
Speaker 2: waking ago, click your ass up.

1020
00:46:29,280 --> 00:46:31,680
Speaker 1: The Breakfast Club finished for y'all. Done,