1 00:00:00,960 --> 00:00:04,760 Speaker 1: Look man, oh, I see you? Why why? And look 2 00:00:04,800 --> 00:00:12,719 Speaker 1: over there? How is that culture? Yes? Goodness, Lost Culture 3 00:00:13,320 --> 00:00:16,400 Speaker 1: calling If it isn't my favorite little Ninny, if it 4 00:00:16,520 --> 00:00:19,840 Speaker 1: isn't my favorite little Nanna. By the way, can I 5 00:00:19,880 --> 00:00:23,279 Speaker 1: just say that we really stumbled little Nancy boy, We 6 00:00:23,400 --> 00:00:27,240 Speaker 1: stumbled on a really cool new sort of entertainment format. 7 00:00:27,280 --> 00:00:30,200 Speaker 1: I think you and I which is which is the 8 00:00:30,240 --> 00:00:33,639 Speaker 1: Honesty Zone on Instagram Live are weekly Honesty Zone. It's 9 00:00:33,640 --> 00:00:37,599 Speaker 1: not weekly, it's sort of irregularly scheduled um sort of 10 00:00:37,640 --> 00:00:40,960 Speaker 1: schedules permitting as Mountain unet. This is the pot when 11 00:00:41,080 --> 00:00:43,280 Speaker 1: I say that it's weekly, and then we have to 12 00:00:43,360 --> 00:00:45,720 Speaker 1: like try to like do that every week and really 13 00:00:45,760 --> 00:00:48,960 Speaker 1: can't fulfill that. And I don't know any legions of 14 00:00:49,040 --> 00:00:51,800 Speaker 1: fans called the readers, called the readers. I think we 15 00:00:51,800 --> 00:00:54,320 Speaker 1: can make it monthly. But basically it's called the Honesty 16 00:00:54,440 --> 00:00:56,800 Speaker 1: Zone and is not affiliated with Lost Culture ustas. But well, 17 00:00:56,840 --> 00:00:59,560 Speaker 1: we will use this platform to promote it. But it's 18 00:00:59,560 --> 00:01:03,040 Speaker 1: an Instagram Live show where it's a competition between mount 19 00:01:03,080 --> 00:01:08,160 Speaker 1: and Knights see who earns the most honesty song. Legendary 20 00:01:08,240 --> 00:01:12,800 Speaker 1: Legend Stars, Legendary Legends, Honesty Stars. We have Trixie Mattel. 21 00:01:12,959 --> 00:01:16,480 Speaker 1: Trixie Mattel is finally putting out like fun like rock 22 00:01:16,600 --> 00:01:19,000 Speaker 1: music that could have been out of the Freaky Friday movie. 23 00:01:19,240 --> 00:01:21,520 Speaker 1: I am loving It's never been more fountains of Wayne 24 00:01:21,560 --> 00:01:24,760 Speaker 1: to it sounds of Wayne. Oh my god, No, we 25 00:01:24,840 --> 00:01:30,080 Speaker 1: love fountains of Lane every jud I know we talked 26 00:01:30,080 --> 00:01:32,679 Speaker 1: about this on the last episode, your last iconic episode. 27 00:01:32,760 --> 00:01:35,720 Speaker 1: Now before we sort of like where all the piss 28 00:01:35,720 --> 00:01:39,080 Speaker 1: streams cross them just becomes a piss moment, because we're 29 00:01:39,120 --> 00:01:41,240 Speaker 1: going to just say that our guest today is a 30 00:01:41,280 --> 00:01:45,320 Speaker 1: returning guest, is a pop culture icon singer, songwriter, drag 31 00:01:45,440 --> 00:01:48,760 Speaker 1: race winner UM and that's topical. I'll tell you that 32 00:01:49,280 --> 00:01:52,240 Speaker 1: UM and, among other things, has a new shot on 33 00:01:54,120 --> 00:01:57,840 Speaker 1: Delight and it's called The Trixie Motel, and it documents 34 00:01:57,880 --> 00:01:59,960 Speaker 1: and chronicles really, and I think we need to be 35 00:02:00,080 --> 00:02:02,440 Speaker 1: using the word chronicles more in the culture, just to 36 00:02:02,480 --> 00:02:07,640 Speaker 1: be honestly chronicles the step four months the Trixie Motel, 37 00:02:07,960 --> 00:02:10,079 Speaker 1: it's really I I loved it. We we got to 38 00:02:10,120 --> 00:02:12,320 Speaker 1: talk to our guest about this. I really enjoyed this 39 00:02:12,440 --> 00:02:16,320 Speaker 1: whole fucking show. You better believe I watched the whole thing. 40 00:02:16,840 --> 00:02:19,600 Speaker 1: I watched it down here. Shed a tear at Danny 41 00:02:19,600 --> 00:02:22,360 Speaker 1: and Phillips wedding. Not for nothing that I thought it 42 00:02:22,360 --> 00:02:23,959 Speaker 1: was beautiful. I'm allowed to talk to you guys still 43 00:02:23,960 --> 00:02:32,520 Speaker 1: pretend from the road, you know. I gotta say I 44 00:02:32,560 --> 00:02:34,440 Speaker 1: stopped you guys to come back on because I just 45 00:02:34,480 --> 00:02:36,399 Speaker 1: I love I mean, I love you guys so much. 46 00:02:36,520 --> 00:02:41,760 Speaker 1: I love you want to discovery. Plus it's exactly what happened. 47 00:02:41,880 --> 00:02:43,640 Speaker 1: But you know what, whenever I have something to promote, 48 00:02:43,680 --> 00:02:45,880 Speaker 1: I have like a shortlist of things I actually like 49 00:02:46,080 --> 00:02:47,839 Speaker 1: that people I actually know, And that's when I reached 50 00:02:47,880 --> 00:02:49,720 Speaker 1: out to first, because let the publicist do their thing. 51 00:02:49,720 --> 00:02:51,640 Speaker 1: But I'm like, I'm my own publicist. I know people 52 00:02:51,680 --> 00:02:54,480 Speaker 1: too exactly. You know. Let me connect with the girls 53 00:02:54,480 --> 00:02:57,600 Speaker 1: because we haven't seen you since our Italian feast, since Rouse, 54 00:02:57,639 --> 00:03:00,919 Speaker 1: since we went to Rouse that wedding. Oh that's right, 55 00:03:01,360 --> 00:03:03,400 Speaker 1: you know, so much has happened. When was that was 56 00:03:03,480 --> 00:03:05,320 Speaker 1: right before I left for to March. That was March. 57 00:03:05,639 --> 00:03:08,000 Speaker 1: Yeah you what you love for toward the next day, Yeah, 58 00:03:08,000 --> 00:03:09,840 Speaker 1: the night I think I do believe you left right 59 00:03:09,840 --> 00:03:12,120 Speaker 1: after that. I left right after I left dinner to go. 60 00:03:12,360 --> 00:03:14,080 Speaker 1: That was fun and magical though, and you know what, 61 00:03:14,160 --> 00:03:16,320 Speaker 1: I love inviting people to restaurants that are close to 62 00:03:16,360 --> 00:03:20,040 Speaker 1: my house, regardless of the quality. And it's my favorite place. 63 00:03:20,120 --> 00:03:23,799 Speaker 1: And it's a flock away, you know what I mean? 64 00:03:24,000 --> 00:03:27,480 Speaker 1: Is this a free promo right now? Is it Rio's 65 00:03:28,000 --> 00:03:31,320 Speaker 1: I don't know. Is there anybody Italian who can help us? 66 00:03:31,440 --> 00:03:39,160 Speaker 1: Who's Italian? It's Mateo Lane is making a huge comeback 67 00:03:39,160 --> 00:03:41,880 Speaker 1: in my algorithm, Like all my YouTube ship is saying, 68 00:03:42,240 --> 00:03:44,440 Speaker 1: here's a Mateo Lane video because because he's he's he's 69 00:03:44,520 --> 00:03:47,320 Speaker 1: he's full on doing channel content and he's so good 70 00:03:47,360 --> 00:03:50,960 Speaker 1: at it. He's doing cooking tutorials and I god, we 71 00:03:51,040 --> 00:03:54,320 Speaker 1: love Mateo Lane in this child don't so funny? You 72 00:03:54,360 --> 00:03:55,640 Speaker 1: know what he and I were just talking about. This 73 00:03:55,680 --> 00:03:56,880 Speaker 1: is like a side note. We were just he and 74 00:03:56,920 --> 00:03:58,520 Speaker 1: I just did just for last two nights ago and 75 00:03:58,560 --> 00:04:00,840 Speaker 1: we were like, we were like we you still want 76 00:04:00,840 --> 00:04:03,440 Speaker 1: to be like I'm gay but I appeal to everyone, 77 00:04:03,520 --> 00:04:05,000 Speaker 1: or like I'm the gay guy who can perform in 78 00:04:05,040 --> 00:04:07,560 Speaker 1: any room. And now I'm like, no, no way. If 79 00:04:07,600 --> 00:04:09,720 Speaker 1: I don't make jokes that only gave people laugh at, 80 00:04:09,800 --> 00:04:14,000 Speaker 1: I'm quitting. Yeah, I want I want it to fall 81 00:04:14,040 --> 00:04:16,480 Speaker 1: on deaf ears. I want strap to straight people to 82 00:04:16,480 --> 00:04:20,280 Speaker 1: feel excluded by the content. I mean, I always say, like, 83 00:04:20,560 --> 00:04:22,640 Speaker 1: whenever I'm doing a show, I always do pold the 84 00:04:22,680 --> 00:04:24,560 Speaker 1: crowd and I say, who's straight here? And then some 85 00:04:24,600 --> 00:04:26,680 Speaker 1: of them even make noise, which I then sort of 86 00:04:26,680 --> 00:04:28,520 Speaker 1: like unpack, like look at you all, you straight people 87 00:04:28,600 --> 00:04:31,000 Speaker 1: cheering for yourselves? And then I say, just kidding, just kidding. 88 00:04:31,240 --> 00:04:33,680 Speaker 1: I don't want anyone to be here and feel uncomfortable 89 00:04:33,760 --> 00:04:36,120 Speaker 1: just because something is wrong with them, you know what 90 00:04:36,160 --> 00:04:39,120 Speaker 1: I mean. People they have this disease, it's affliction that 91 00:04:39,200 --> 00:04:41,479 Speaker 1: is being straight, and I just but I don't want 92 00:04:41,480 --> 00:04:43,839 Speaker 1: at my show them to feel bad about that. But 93 00:04:43,839 --> 00:04:45,440 Speaker 1: I don't care if they get the jokes. It's not 94 00:04:45,560 --> 00:04:47,880 Speaker 1: for you, right, you see the straight girls get lost, 95 00:04:47,880 --> 00:04:50,040 Speaker 1: and I'm like, sorry, you don't know about poppers. Sorry 96 00:04:50,040 --> 00:04:51,919 Speaker 1: they haven't done a mini challenge on drag Race on 97 00:04:51,920 --> 00:04:54,520 Speaker 1: the subject yet. But I don't sound irresponsible. It's not 98 00:04:54,600 --> 00:04:57,920 Speaker 1: responsible to ducate you. But straight girls have from poppers though, 99 00:04:58,320 --> 00:05:03,159 Speaker 1: yes they have, Yes they have, yes, What what do 100 00:05:03,160 --> 00:05:06,760 Speaker 1: you guys think is going on psychologically spiritually with people 101 00:05:06,800 --> 00:05:09,920 Speaker 1: who do poppers? In the middle of a night out 102 00:05:09,960 --> 00:05:14,440 Speaker 1: at a club, I do it um, I do it okay, 103 00:05:14,480 --> 00:05:19,960 Speaker 1: and I guess we've done together. Tricks what I was 104 00:05:20,000 --> 00:05:23,120 Speaker 1: teaching the other night and somebody reached over the decks 105 00:05:23,360 --> 00:05:25,320 Speaker 1: and was like and I was like, are you on 106 00:05:25,520 --> 00:05:28,680 Speaker 1: crack coke? Because I get out of here like I think, 107 00:05:28,720 --> 00:05:32,680 Speaker 1: I don't know. No, it's great because there are songs 108 00:05:32,720 --> 00:05:37,800 Speaker 1: that are popper songs. You know this trick che Charlie, 109 00:05:37,960 --> 00:05:41,279 Speaker 1: Any anything by Charlie, anything by Charlie, A good Puss, 110 00:05:41,360 --> 00:05:44,120 Speaker 1: Good Posts by Cobra. Yeah, yes, honey, do you know 111 00:05:44,120 --> 00:05:46,200 Speaker 1: what I mean? Like? These are these are popper songs? 112 00:05:46,400 --> 00:05:49,320 Speaker 1: I mean not for nothing, can't be anything you get 113 00:05:49,320 --> 00:05:51,040 Speaker 1: excited about. I was at the Tricks the other night 114 00:05:51,040 --> 00:05:52,559 Speaker 1: and they played sleep at Night, and I was ready 115 00:05:52,560 --> 00:05:54,440 Speaker 1: to pop the poperas how do you sleep the nut? 116 00:05:54,720 --> 00:05:57,640 Speaker 1: I wanted the popperas popped when when the second verse 117 00:05:57,680 --> 00:05:59,920 Speaker 1: of not ready to make nice Baby pop the popper, 118 00:06:00,240 --> 00:06:02,520 Speaker 1: I'm saying, when you find out what happens to Earle, 119 00:06:02,920 --> 00:06:07,200 Speaker 1: I'm fucking flying high. I'm so ran flying ya. That's 120 00:06:07,200 --> 00:06:10,160 Speaker 1: a slippery slope. It could be like oh o'riley's and 121 00:06:10,200 --> 00:06:16,680 Speaker 1: you're like, oh fuck you d alright, yeah, yeah, yeah, 122 00:06:16,920 --> 00:06:20,960 Speaker 1: and mama's got white like funk at the paper. You know, 123 00:06:21,040 --> 00:06:26,800 Speaker 1: it could be anything. Stanley, Yeah, I want to to 124 00:06:26,800 --> 00:06:29,600 Speaker 1: Stanley Steamer is so bad. Anytime you listen to a 125 00:06:29,720 --> 00:06:32,200 Speaker 1: radio station, it's like one else six point one b 126 00:06:32,640 --> 00:06:35,320 Speaker 1: l I or in your car going through your fucking 127 00:06:35,640 --> 00:06:40,000 Speaker 1: like dude cabinets like open box. Not even that you 128 00:06:40,080 --> 00:06:43,200 Speaker 1: have a wet rag like that movie with Um with 129 00:06:43,240 --> 00:06:46,640 Speaker 1: a guy in the club snipping the rag. But you 130 00:06:46,640 --> 00:06:50,599 Speaker 1: know what, al Pacino already plays the hustler. No, he 131 00:06:50,640 --> 00:06:54,480 Speaker 1: plays like a gay hustler who like is murdering people. Right, 132 00:06:54,520 --> 00:06:57,480 Speaker 1: I don't know al Paccino played a gay hustler who's 133 00:06:57,600 --> 00:07:01,280 Speaker 1: murdering people. I think so, I don't look at that's 134 00:07:01,279 --> 00:07:03,640 Speaker 1: the title of that gay hustler who murders people? Is 135 00:07:03,640 --> 00:07:06,920 Speaker 1: the title of your second app That's what you are? 136 00:07:08,800 --> 00:07:12,760 Speaker 1: Queer film, it's cruising. But you know plays Burns, a 137 00:07:12,840 --> 00:07:15,480 Speaker 1: detective trying to solve a series of homosexual murders. He 138 00:07:15,520 --> 00:07:19,240 Speaker 1: goes under convert pretending to be a gay sn m person. 139 00:07:20,160 --> 00:07:22,960 Speaker 1: I love that where he's like dancing at a club 140 00:07:23,000 --> 00:07:28,800 Speaker 1: sniffing a rack, like, oh my god, yeah he's goody 141 00:07:30,080 --> 00:07:35,160 Speaker 1: he's That's that that is the word for what we 142 00:07:35,240 --> 00:07:37,080 Speaker 1: do in the club, the gays. We get together and 143 00:07:37,120 --> 00:07:44,120 Speaker 1: bring gooning back, gooning and baiting and bading, you know what, 144 00:07:44,200 --> 00:07:45,640 Speaker 1: you know what I'm word that. I was talking to 145 00:07:45,640 --> 00:07:48,440 Speaker 1: Mary Beth Burrone and she wants to bring back geeks 146 00:07:48,480 --> 00:07:52,560 Speaker 1: as an insult, like you're fucking geek, Like, yeah, I 147 00:07:52,680 --> 00:07:54,600 Speaker 1: love that. People have been way too proud of that 148 00:07:54,640 --> 00:07:57,640 Speaker 1: for too long. Yeah, well it's nerds now now. Like 149 00:07:57,800 --> 00:07:59,920 Speaker 1: nerds people are like I'm a nerd and like there's 150 00:07:59,920 --> 00:08:02,760 Speaker 1: a pride fullness about it, which like great, good for you. 151 00:08:02,800 --> 00:08:04,720 Speaker 1: But geeks is like, there's no way you make that 152 00:08:04,760 --> 00:08:07,480 Speaker 1: seem cool. No, That's what sucks about the internet is 153 00:08:07,520 --> 00:08:10,800 Speaker 1: anyone can have a community now and feel empowered. Anyone 154 00:08:10,880 --> 00:08:13,880 Speaker 1: can get online and find an online community and feel empowered. 155 00:08:13,920 --> 00:08:16,360 Speaker 1: So you have these geeks and these nerds getting together 156 00:08:16,400 --> 00:08:18,880 Speaker 1: and their geek and nerd communities, and suddenly they're walking 157 00:08:18,880 --> 00:08:20,680 Speaker 1: into school with their heads held high, and I think 158 00:08:20,680 --> 00:08:23,520 Speaker 1: it's disgusting. And what I have to say to them, geeks, 159 00:08:23,560 --> 00:08:26,800 Speaker 1: you're fucking geeks? Why also, only hot cool people who 160 00:08:26,880 --> 00:08:30,520 Speaker 1: like exploit one avenue of their personality that might be 161 00:08:30,560 --> 00:08:33,200 Speaker 1: slightly geeky and they're like, I'm such a dark yeah 162 00:08:33,920 --> 00:08:37,520 Speaker 1: fucking nerd. It's Pokemon for these gay guys gay and 163 00:08:37,600 --> 00:08:39,800 Speaker 1: the first thing they go to is Pokemon. And I 164 00:08:39,840 --> 00:08:42,840 Speaker 1: say that as a Pokemon fan for life, but like, yeah, 165 00:08:42,840 --> 00:08:45,480 Speaker 1: who's also one of the coolest people in America? Bowen, 166 00:08:45,640 --> 00:08:48,320 Speaker 1: thank you. Well that's the thing. But unless you have 167 00:08:48,360 --> 00:08:51,240 Speaker 1: a Twitch channel where you live open Pokemon cards eight 168 00:08:51,240 --> 00:08:52,800 Speaker 1: hours a day, you are not a nerd, you know, 169 00:08:52,800 --> 00:08:55,680 Speaker 1: I mean, show me, show me the real receipts, show 170 00:08:55,679 --> 00:08:57,559 Speaker 1: me the squirrel tattoo on your face, bit, show me 171 00:08:57,600 --> 00:09:01,240 Speaker 1: the reality. Wow, Okay, why out? But is there have 172 00:09:01,360 --> 00:09:03,439 Speaker 1: you done that before? Like is there one thing about 173 00:09:03,440 --> 00:09:05,160 Speaker 1: you that you have like for you? Is it? Like, well, 174 00:09:05,200 --> 00:09:07,160 Speaker 1: I like folk music? Did you ever use that as 175 00:09:07,160 --> 00:09:10,120 Speaker 1: like a geek nerd card? No one thinks liking folk 176 00:09:10,240 --> 00:09:12,760 Speaker 1: music is cool. People who do folk music don't think 177 00:09:12,760 --> 00:09:16,120 Speaker 1: it's It's a little like musical theater where people, even 178 00:09:16,120 --> 00:09:19,440 Speaker 1: people who do it, are like, isn't it m yea. 179 00:09:19,920 --> 00:09:21,960 Speaker 1: And also a lot of people who do electronic music 180 00:09:22,000 --> 00:09:25,319 Speaker 1: and stuff E. D M. They it's like start they 181 00:09:25,360 --> 00:09:27,600 Speaker 1: started in real instruments, folky ship and then at some 182 00:09:27,640 --> 00:09:30,960 Speaker 1: point of flips, which like they turn focus their past 183 00:09:31,040 --> 00:09:34,400 Speaker 1: and their beginning, and then they turned to d M music. 184 00:09:34,600 --> 00:09:38,600 Speaker 1: Like Maggie Rogers. Yeah, I remember reading an interview about 185 00:09:38,600 --> 00:09:40,800 Speaker 1: Moby like saying that he like went to a gay 186 00:09:40,800 --> 00:09:43,000 Speaker 1: club and heard like house music for the first time, 187 00:09:43,040 --> 00:09:47,080 Speaker 1: and his complete like desire and music changed. He was like, 188 00:09:47,120 --> 00:09:49,600 Speaker 1: I want to do. I think that's a real thing 189 00:09:49,600 --> 00:09:52,200 Speaker 1: about Maggie Rodgers too, Like she went to school because 190 00:09:52,200 --> 00:09:53,880 Speaker 1: she went to the Clid Davis School at n y U, 191 00:09:53,960 --> 00:09:55,840 Speaker 1: which is like very very tough to get into, Like 192 00:09:55,880 --> 00:09:58,480 Speaker 1: they genuinely try to prepare people to become like recording 193 00:09:58,520 --> 00:10:01,840 Speaker 1: superstars and like big producers. And she was like a 194 00:10:01,880 --> 00:10:04,800 Speaker 1: folk artist period, and then being in the city, I 195 00:10:04,800 --> 00:10:07,000 Speaker 1: think she was exposed to like club music, and that's 196 00:10:07,000 --> 00:10:09,480 Speaker 1: when she did her thing and had her like iconic 197 00:10:09,520 --> 00:10:14,079 Speaker 1: YouTube clip with Farrell where he she was playing her 198 00:10:14,160 --> 00:10:15,959 Speaker 1: song for him and he was like, who the fuck 199 00:10:16,080 --> 00:10:19,880 Speaker 1: is this girl? And then she became Mr totally yeah, 200 00:10:19,880 --> 00:10:21,400 Speaker 1: folk music, I mean I don't have anything like that. 201 00:10:21,400 --> 00:10:25,240 Speaker 1: I mean drag well, I mean drag drag wasn't very 202 00:10:25,280 --> 00:10:27,480 Speaker 1: it wasn't very cool until recently. So I mean there 203 00:10:27,520 --> 00:10:29,240 Speaker 1: was a depresident does drag, you know what I mean? 204 00:10:29,400 --> 00:10:35,560 Speaker 1: That's like everyone does, everyone does drag. Everyone. It's oh, 205 00:10:35,640 --> 00:10:38,199 Speaker 1: it's definitely Barbie's because people are like, I love Barbie, 206 00:10:38,240 --> 00:10:40,000 Speaker 1: and I'm like, but where were you in nineteen sixty 207 00:10:40,080 --> 00:10:41,920 Speaker 1: two with fashion? You know what I mean? Like, because 208 00:10:41,960 --> 00:10:44,480 Speaker 1: I really know when fashion Queen Barbie hit the scene, 209 00:10:46,080 --> 00:10:51,040 Speaker 1: Fashion Queen Barbie. Yes on the show Yes with James Yes. 210 00:10:51,400 --> 00:10:53,840 Speaker 1: The way I'm gonna go to Like it's like when 211 00:10:53,880 --> 00:10:56,120 Speaker 1: nerds go to superhero movies and they hate it no 212 00:10:56,160 --> 00:10:59,440 Speaker 1: matter what. That's gonna be me with with the Barbie movie, 213 00:10:59,440 --> 00:11:03,360 Speaker 1: I'm gonna be like, are you excited and thrilled? I'm 214 00:11:03,480 --> 00:11:06,920 Speaker 1: excited and thrilled because I love anything about something I love. 215 00:11:07,280 --> 00:11:10,000 Speaker 1: No one hates the Sims more than Sims stands. No 216 00:11:10,000 --> 00:11:12,760 Speaker 1: one hates drag race more than drag race dance, No 217 00:11:12,800 --> 00:11:16,560 Speaker 1: one writes Stephen King adaptation. So I don't participate in 218 00:11:17,320 --> 00:11:20,000 Speaker 1: loving something and therefore hating it. I think that's psycho 219 00:11:20,480 --> 00:11:22,760 Speaker 1: And you know what, that's that's really important, And that's 220 00:11:22,760 --> 00:11:25,440 Speaker 1: actually something about stand culture that I'm like, if you 221 00:11:25,480 --> 00:11:27,680 Speaker 1: were a real stand And I'm just gonna bravely say 222 00:11:27,679 --> 00:11:32,080 Speaker 1: this right now Okay, a real tailor stand would want 223 00:11:32,160 --> 00:11:34,080 Speaker 1: her to not fly in that private jet as much 224 00:11:34,120 --> 00:11:37,360 Speaker 1: as she does. A real tailor Stan would be like, 225 00:11:37,640 --> 00:11:41,080 Speaker 1: reduced the emissions, mama. And some of these stand Twitter 226 00:11:41,120 --> 00:11:46,080 Speaker 1: threads are like it's so funny. It's so funny to 227 00:11:46,080 --> 00:11:50,720 Speaker 1: watch like a threat of teller supporting the environment. Taylor's 228 00:11:50,760 --> 00:11:54,440 Speaker 1: lyrics are said to say things about trees. Taylor album 229 00:11:54,480 --> 00:11:56,600 Speaker 1: Folklore and two thousand and twenty and it was very 230 00:11:56,640 --> 00:11:58,839 Speaker 1: much taking place in the woods, which is the environment. 231 00:11:59,080 --> 00:12:02,680 Speaker 1: It's like ease, which is trees. Actually, so she never 232 00:12:02,679 --> 00:12:04,719 Speaker 1: got on the plane ever in her life. And I'm 233 00:12:04,760 --> 00:12:07,840 Speaker 1: just like, guys, it's okay to stand someone and I 234 00:12:07,840 --> 00:12:10,199 Speaker 1: think this is important and also hold them to account. 235 00:12:10,240 --> 00:12:13,000 Speaker 1: It's like when you're being a friend and you see 236 00:12:13,040 --> 00:12:16,880 Speaker 1: that your friend is in trouble, a real friend says something. Period. 237 00:12:17,080 --> 00:12:20,760 Speaker 1: It's also okay to like someone's art and not personally 238 00:12:20,840 --> 00:12:25,440 Speaker 1: co sign on every moral decision they've ever made. Like 239 00:12:25,600 --> 00:12:28,160 Speaker 1: the way now we require people we stand to have 240 00:12:28,200 --> 00:12:31,720 Speaker 1: the same beliefs. We even we even require corporations to 241 00:12:31,760 --> 00:12:34,760 Speaker 1: have values. We we we require clean x during the 242 00:12:34,800 --> 00:12:36,960 Speaker 1: month of June to show us that they like gay 243 00:12:36,960 --> 00:12:41,960 Speaker 1: people or it doesn't matter to me. If Coca Cola 244 00:12:42,280 --> 00:12:45,880 Speaker 1: says they like gay people, that's not a person. That's 245 00:12:45,880 --> 00:12:48,400 Speaker 1: not even like, what are we talking about. It's actually 246 00:12:48,400 --> 00:12:51,520 Speaker 1: a real culture number four, Coca Cola Cola, that's not 247 00:12:51,640 --> 00:12:55,920 Speaker 1: the person. Yeah, every Prime month, it's like we're ready 248 00:12:55,960 --> 00:13:00,320 Speaker 1: to show that. You know, Nike, Nike is fierce. I'm like, 249 00:13:00,360 --> 00:13:06,520 Speaker 1: it's a shoe, Mary, and it's a flat so it's 250 00:13:06,600 --> 00:13:09,319 Speaker 1: not even a hell. We're going back to the Barbie thing. 251 00:13:09,360 --> 00:13:11,520 Speaker 1: I love. I think you did. You did have a 252 00:13:11,600 --> 00:13:14,800 Speaker 1: quote or something about Margot Robbie that I loved because 253 00:13:14,880 --> 00:13:17,080 Speaker 1: you were like when I think of Margart Robbie, I 254 00:13:17,120 --> 00:13:23,720 Speaker 1: think relatable. That's my grandma, that's my I know, I know, 255 00:13:24,040 --> 00:13:28,040 Speaker 1: you know I did. I did get called in of course, 256 00:13:28,120 --> 00:13:30,440 Speaker 1: and you know she and I, well, she and I 257 00:13:30,440 --> 00:13:31,920 Speaker 1: get seen in a lot of the same rooms, do 258 00:13:31,960 --> 00:13:35,440 Speaker 1: you know what I mean? Always for the Barbie type, 259 00:13:35,440 --> 00:13:38,200 Speaker 1: it's either going to be Margot that you were not 260 00:13:38,240 --> 00:13:40,920 Speaker 1: asked to be in the movie though trick state everybody 261 00:13:40,960 --> 00:13:44,360 Speaker 1: and their mother, isn't it her tomorrow? Weaving? You know 262 00:13:44,360 --> 00:13:46,440 Speaker 1: what I mean? Like Naomi Watts for some time, like 263 00:13:46,480 --> 00:13:51,920 Speaker 1: we'd all be it's like, hey, Weaving, Tomorrow Weaving, she 264 00:13:52,920 --> 00:13:55,000 Speaker 1: just shot up in bed and it's like, huh someone 265 00:13:57,240 --> 00:13:59,280 Speaker 1: and ears are burning. Oh I hope she is. I 266 00:13:59,280 --> 00:14:02,160 Speaker 1: love you Smorrow. So yeah, but I didn't get asked 267 00:14:02,200 --> 00:14:03,439 Speaker 1: me in the movie. But I will say, and I 268 00:14:03,880 --> 00:14:07,160 Speaker 1: believe in predicting the future. When times come time to 269 00:14:07,160 --> 00:14:08,920 Speaker 1: promote that movie, you know this Hord is going to 270 00:14:09,000 --> 00:14:10,560 Speaker 1: get a call. You know, I'm gonna go do some 271 00:14:10,640 --> 00:14:13,520 Speaker 1: red carpet where I have to be like, you know, 272 00:14:13,559 --> 00:14:15,680 Speaker 1: what was it like putting on a blond wig? You know, 273 00:14:15,800 --> 00:14:18,120 Speaker 1: like of course, and I'll do it, and I'll do it. 274 00:14:18,240 --> 00:14:19,760 Speaker 1: Your rate has to be so no, but you have 275 00:14:19,800 --> 00:14:21,600 Speaker 1: to do it for so much money. But I'm gonna 276 00:14:21,640 --> 00:14:23,520 Speaker 1: tell you, because I'm a person to wig, the opening 277 00:14:23,520 --> 00:14:26,040 Speaker 1: call will be it's a great opportunity for you. We 278 00:14:26,080 --> 00:14:28,560 Speaker 1: don't have budget at this time, but we do need 279 00:14:28,600 --> 00:14:32,400 Speaker 1: you to fly yourself to North Korea and need to 280 00:14:33,000 --> 00:14:38,080 Speaker 1: interview Margot Robbie while jumping out of a plane. And 281 00:14:38,160 --> 00:14:43,240 Speaker 1: it's opportunity and please look absolutely fabulous that's what you 282 00:14:43,240 --> 00:14:45,320 Speaker 1: want to say. And we do need to submit for 283 00:14:45,840 --> 00:14:49,480 Speaker 1: offits for approval three months in advance. It's it's literally 284 00:14:49,480 --> 00:14:51,880 Speaker 1: going to be that. I mean, it's crazy, but good 285 00:14:51,920 --> 00:14:54,560 Speaker 1: for them. Good for them. Can I ask, where was 286 00:14:54,640 --> 00:14:56,880 Speaker 1: that your decision to be Well, you were epeeing on 287 00:14:56,880 --> 00:14:58,280 Speaker 1: the show, but where is that your decision to be 288 00:14:58,320 --> 00:15:00,800 Speaker 1: in drag for most of Tricksy Motel. Yes, I wanted 289 00:15:00,840 --> 00:15:03,880 Speaker 1: to be in drag all the time originally, unfortunately, because 290 00:15:03,920 --> 00:15:06,320 Speaker 1: originally Dave and I conceived the show. We created it 291 00:15:06,320 --> 00:15:10,080 Speaker 1: and conceived it like we were watching like My Life 292 00:15:10,080 --> 00:15:14,720 Speaker 1: on the Delist, the Simple Life, The Comeback, and Brady Renovation. 293 00:15:15,120 --> 00:15:17,600 Speaker 1: So like there's the reno element with the camp element, 294 00:15:18,040 --> 00:15:20,000 Speaker 1: and then there's parts in the show where we're kind 295 00:15:20,040 --> 00:15:24,440 Speaker 1: of playing reality show like it's a little bit my 296 00:15:24,640 --> 00:15:27,760 Speaker 1: favorite parts of the of the fucking show where when 297 00:15:27,800 --> 00:15:30,000 Speaker 1: you guys were pretending to be on a reality show? 298 00:15:30,800 --> 00:15:33,200 Speaker 1: Are I mean, yes, there's a part in the last episode. 299 00:15:33,200 --> 00:15:36,120 Speaker 1: It opens with me um Emily Hampshire from Ship's Creek 300 00:15:36,280 --> 00:15:39,720 Speaker 1: checking in and we do like an improv comedy scene 301 00:15:39,720 --> 00:15:42,240 Speaker 1: basically where I trick her into working at the motel 302 00:15:42,280 --> 00:15:44,560 Speaker 1: and it's like, well, I'm the person in a wig 303 00:15:45,040 --> 00:15:48,280 Speaker 1: and pretending to be real is my reality and drag 304 00:15:48,400 --> 00:15:52,280 Speaker 1: so we can sort of do reality TV skit as 305 00:15:52,360 --> 00:15:54,640 Speaker 1: reality TV because it is real. I mean, we did 306 00:15:54,680 --> 00:15:56,880 Speaker 1: spend two million dollars on a building that we had 307 00:15:56,920 --> 00:15:58,760 Speaker 1: to renovate that was all real, so we already had 308 00:15:58,840 --> 00:16:01,760 Speaker 1: enough reality, you know. But we love doing like the 309 00:16:02,040 --> 00:16:03,240 Speaker 1: I mean, I just love being a drag as much 310 00:16:03,240 --> 00:16:06,080 Speaker 1: as could. Unfortunately, with Palm Springs and it's renovations, I 311 00:16:06,120 --> 00:16:08,720 Speaker 1: can't exactly sit there and do manual labor and drag. 312 00:16:09,160 --> 00:16:12,440 Speaker 1: You know, it's too much or whatever. But like, ye 313 00:16:12,520 --> 00:16:13,720 Speaker 1: and I did a lot of it. I mean, if 314 00:16:13,760 --> 00:16:16,200 Speaker 1: you watch like the time lap sections, it'll be like 315 00:16:16,200 --> 00:16:18,520 Speaker 1: the sun going down and you'll see me in a 316 00:16:18,600 --> 00:16:21,680 Speaker 1: room painting a mural for hours, like running around fast motion. 317 00:16:22,280 --> 00:16:25,200 Speaker 1: So it's not like we did the It was also 318 00:16:25,240 --> 00:16:27,360 Speaker 1: like a balancing act. Because I said this affectionately to 319 00:16:27,400 --> 00:16:29,200 Speaker 1: the friends at Discovery Plus, they said, well, I'm not 320 00:16:29,280 --> 00:16:33,120 Speaker 1: like other rental talent. I have a career, like I 321 00:16:33,160 --> 00:16:36,440 Speaker 1: have a job, so like, in addition to renovating this, 322 00:16:36,640 --> 00:16:39,040 Speaker 1: I have I have to go the stobody gigs and 323 00:16:39,080 --> 00:16:41,600 Speaker 1: the makeup company and like, so half the show probably 324 00:16:41,600 --> 00:16:43,800 Speaker 1: has to be following me to my other jobs because 325 00:16:43,800 --> 00:16:45,480 Speaker 1: I'm not just like pretending to paint and then they 326 00:16:45,560 --> 00:16:47,280 Speaker 1: all cut and I go sit on a beam big 327 00:16:47,360 --> 00:16:50,480 Speaker 1: chair for two days, you know, the actual thing, and 328 00:16:50,640 --> 00:16:53,480 Speaker 1: it's our real building, our real business. So like we 329 00:16:53,480 --> 00:16:55,760 Speaker 1: we had to spend half million dollars on just rent. 330 00:16:55,760 --> 00:16:58,480 Speaker 1: I mean there's a myth that renovation television they give 331 00:16:58,520 --> 00:16:59,960 Speaker 1: you a bunch of money and do everything for free. 332 00:17:00,480 --> 00:17:03,720 Speaker 1: That is not true. It was your own budget. That 333 00:17:03,760 --> 00:17:06,000 Speaker 1: was your own money. Yes, I mean they do things 334 00:17:06,000 --> 00:17:08,440 Speaker 1: like trade outs, like for example, let's say you're reading 335 00:17:08,480 --> 00:17:10,720 Speaker 1: your kitchen and Black and Decker wants to give you 336 00:17:10,720 --> 00:17:13,320 Speaker 1: a free fridge and stuff right right right, and that's great, 337 00:17:13,440 --> 00:17:15,320 Speaker 1: or done Edwards wants to donate the paint for your 338 00:17:15,320 --> 00:17:18,480 Speaker 1: living room. Like they definitely definitely can get items more 339 00:17:18,520 --> 00:17:21,000 Speaker 1: than you get a giant wire transfer to use as 340 00:17:21,000 --> 00:17:26,840 Speaker 1: you please. Like that's at least a Vanderpump actually gifts. Yes, Well, 341 00:17:26,840 --> 00:17:28,000 Speaker 1: when I pitched you to her, I was like, you know, 342 00:17:28,080 --> 00:17:30,160 Speaker 1: we're all gonna do Like it's gonna be a little 343 00:17:30,160 --> 00:17:33,679 Speaker 1: bit Turxy's famous friends forced into manual labor. I mean 344 00:17:33,720 --> 00:17:35,560 Speaker 1: that's kind of the energy, right, you have like the 345 00:17:35,640 --> 00:17:37,560 Speaker 1: coule buyer showing up in full hair and makeup and 346 00:17:37,720 --> 00:17:39,280 Speaker 1: She's like, so, what are we doing? And I said, 347 00:17:39,359 --> 00:17:42,960 Speaker 1: here's a brush and she's like, oh, we're like horrible pack. 348 00:17:43,000 --> 00:17:46,320 Speaker 1: I'm like, here's a hammer. We're really doing this. But 349 00:17:46,400 --> 00:17:48,600 Speaker 1: Vanderpump was like, I'm not doing that. She was like, 350 00:17:48,920 --> 00:17:53,320 Speaker 1: I'll do She's like, I'll buy you something. I said, yeah, 351 00:17:53,720 --> 00:17:56,040 Speaker 1: But she's not. You know, she's very involved in her businesses, 352 00:17:56,119 --> 00:17:58,719 Speaker 1: but she's I don't think I'm gonna get her on 353 00:17:58,760 --> 00:18:00,800 Speaker 1: the on her hands and knees, ling up, you know, 354 00:18:00,920 --> 00:18:04,919 Speaker 1: tongue and group. She laid every bricket, sir though she 355 00:18:05,080 --> 00:18:09,159 Speaker 1: that was every depict sir completely. I mean, she is 356 00:18:09,320 --> 00:18:11,919 Speaker 1: very self sufficient though. I mean, she's arguably the richest 357 00:18:11,960 --> 00:18:13,840 Speaker 1: most famous person we had on the on the show, 358 00:18:14,480 --> 00:18:16,960 Speaker 1: and she's the only one who drives himself, insists on 359 00:18:17,000 --> 00:18:19,399 Speaker 1: doing their own hair and makeup and didn't require that really, 360 00:18:20,840 --> 00:18:23,520 Speaker 1: And then you have I've learned through producing now that 361 00:18:23,880 --> 00:18:27,760 Speaker 1: the newest, youngest celebrities are the most insane with their demands, 362 00:18:28,119 --> 00:18:31,359 Speaker 1: and the oldest, most established celebrities are like, I'll drive myself. 363 00:18:31,400 --> 00:18:32,960 Speaker 1: It's fine, I don't need here to make up. You 364 00:18:33,000 --> 00:18:34,480 Speaker 1: want to know what it is? I bet that they're 365 00:18:34,600 --> 00:18:37,080 Speaker 1: the novelty of getting all that ship is just over 366 00:18:37,080 --> 00:18:38,600 Speaker 1: for them because it just means they have to talk 367 00:18:38,600 --> 00:18:41,879 Speaker 1: to more people. And she's like, because you do realize 368 00:18:41,920 --> 00:18:45,080 Speaker 1: like when they do, like like when it is really involved, 369 00:18:45,119 --> 00:18:46,800 Speaker 1: like these new people who are like not used to 370 00:18:46,800 --> 00:18:49,760 Speaker 1: being driven places and have hair and makeup and like 371 00:18:49,960 --> 00:18:52,120 Speaker 1: the snacks of it all and the being handled, it's 372 00:18:52,160 --> 00:18:55,920 Speaker 1: like exciting for them. Well at Leasta Vanderbums like, yeah, no, 373 00:18:56,359 --> 00:18:58,080 Speaker 1: I don't want to talk to anyone. I'm coming, we're 374 00:18:58,080 --> 00:19:00,520 Speaker 1: shopping and I'm out. Yeah. She also because I was 375 00:19:00,560 --> 00:19:02,879 Speaker 1: producing the show, and she also knows like it's all 376 00:19:02,920 --> 00:19:04,679 Speaker 1: my own money and my own budget, so she was like, 377 00:19:04,720 --> 00:19:07,080 Speaker 1: whatever saved you the most money, whatever's easiest, you know, 378 00:19:07,200 --> 00:19:18,000 Speaker 1: that's awesome. I specifically love the parts that were like 379 00:19:18,040 --> 00:19:20,679 Speaker 1: playing reality you and David specifically where it was like, 380 00:19:21,080 --> 00:19:23,000 Speaker 1: you know, you would like get the news that the 381 00:19:23,040 --> 00:19:26,040 Speaker 1: permits or the licenses weren't working out in the way 382 00:19:26,200 --> 00:19:27,760 Speaker 1: that they were supposed to, and then it would cut 383 00:19:27,760 --> 00:19:29,480 Speaker 1: away to you guys in the confessional, and then you 384 00:19:29,480 --> 00:19:32,119 Speaker 1: would turn to David and be like, David, he didn't 385 00:19:32,160 --> 00:19:34,040 Speaker 1: tell me that the liquor licenses had to be signed 386 00:19:34,040 --> 00:19:35,880 Speaker 1: in blood or what you know, like whatever or whatever 387 00:19:35,880 --> 00:19:38,240 Speaker 1: the hell it was like. It was kind, it was 388 00:19:38,280 --> 00:19:40,239 Speaker 1: just very it was very cute. And I don't mean 389 00:19:40,240 --> 00:19:41,760 Speaker 1: that in a patronizing way, but I was just like, oh, 390 00:19:41,800 --> 00:19:45,240 Speaker 1: this is so, this is a lovely viewing experience. Well, 391 00:19:45,320 --> 00:19:46,880 Speaker 1: David didn't even want to be on this. I mean, 392 00:19:47,000 --> 00:19:49,200 Speaker 1: David's a producer. He never wanted to be on camera. 393 00:19:49,240 --> 00:19:50,959 Speaker 1: He never wanted to be on the show. Originally, when 394 00:19:51,000 --> 00:19:52,240 Speaker 1: I pitched the show, it was kind of me and 395 00:19:52,240 --> 00:19:55,160 Speaker 1: my assistant a little bit like the comeback. But then 396 00:19:55,320 --> 00:19:58,439 Speaker 1: because it's you know, renovation is sort of family based, 397 00:19:58,560 --> 00:20:03,400 Speaker 1: right your home, your business is about your personal stakes. Yes, 398 00:20:03,680 --> 00:20:06,080 Speaker 1: So then they're like, well, your partners producing the show 399 00:20:06,080 --> 00:20:08,600 Speaker 1: really owns half the business, really is in it with you, 400 00:20:08,640 --> 00:20:10,200 Speaker 1: And they're like, well, he needs to be on it. 401 00:20:10,440 --> 00:20:12,879 Speaker 1: So then I turned to David, who's nervous, sweaty and 402 00:20:12,960 --> 00:20:15,280 Speaker 1: camera shy, and be like, you have you know, it's 403 00:20:15,320 --> 00:20:17,199 Speaker 1: like you have to be on this show. Now. It's 404 00:20:17,200 --> 00:20:19,080 Speaker 1: funny that I have so many friends who would shoot 405 00:20:19,080 --> 00:20:21,880 Speaker 1: someone to be on television, and then David, who earnestly 406 00:20:21,920 --> 00:20:26,399 Speaker 1: doesn't want to be Starting with everything, it's so funny. 407 00:20:26,440 --> 00:20:29,240 Speaker 1: He like him in interviews just never know when fame 408 00:20:29,280 --> 00:20:31,680 Speaker 1: is going to come. He's really funny. He just wanted 409 00:20:31,720 --> 00:20:34,880 Speaker 1: to make the show, and watching him be forced into 410 00:20:34,920 --> 00:20:37,520 Speaker 1: being in it is really funny to me because he 411 00:20:37,560 --> 00:20:39,359 Speaker 1: doesn't want to be on it. I also, like, I 412 00:20:39,400 --> 00:20:43,240 Speaker 1: don't think I understood in the beginning that like this 413 00:20:43,359 --> 00:20:45,919 Speaker 1: was an like I understood it as an actual When 414 00:20:45,960 --> 00:20:47,840 Speaker 1: the show was first announced, I was like, Oh, that 415 00:20:47,880 --> 00:20:50,239 Speaker 1: won't be something you can actually stay in. And then 416 00:20:50,280 --> 00:20:52,840 Speaker 1: it's like, absolutely something you can actually stay in. And 417 00:20:52,840 --> 00:20:54,879 Speaker 1: you know, I was on the website yesterday looking at 418 00:20:54,960 --> 00:21:01,320 Speaker 1: rates and I'm like, roast me. No girl, No, first 419 00:21:01,320 --> 00:21:05,000 Speaker 1: of all, I'm not I'm not dragging. I'm saying I'm 420 00:21:05,040 --> 00:21:08,359 Speaker 1: getting a gay army together and I'm taking over the 421 00:21:08,400 --> 00:21:10,680 Speaker 1: Trixie Motel. I think it's going to happen in November. 422 00:21:11,160 --> 00:21:13,760 Speaker 1: You should. We've only been opening it like a couple 423 00:21:13,760 --> 00:21:16,159 Speaker 1: of months in advance because we're really trying to prioritize 424 00:21:16,200 --> 00:21:18,000 Speaker 1: people who want to rent like the whole thing for 425 00:21:18,040 --> 00:21:20,119 Speaker 1: their friends for the weekend. I think that that's a 426 00:21:20,280 --> 00:21:22,560 Speaker 1: hard thing because it is so fun and I have 427 00:21:22,600 --> 00:21:25,159 Speaker 1: to just say, like I was sitting here drinking my 428 00:21:25,200 --> 00:21:29,199 Speaker 1: weed seltzer, fucking basking in it. It is so gorgeous 429 00:21:29,200 --> 00:21:32,320 Speaker 1: to look at it. It's just like every single room 430 00:21:32,520 --> 00:21:35,360 Speaker 1: like it is so fun, and I honestly was having 431 00:21:35,400 --> 00:21:37,720 Speaker 1: a really hard time picking a favorite. I do think 432 00:21:37,800 --> 00:21:42,560 Speaker 1: that like there is something to the Malibu Barbara room. 433 00:21:42,880 --> 00:21:46,359 Speaker 1: I just I really really respond to that because I 434 00:21:46,400 --> 00:21:49,359 Speaker 1: feel like I can't book the oh Honeymoon Sweet for myself, 435 00:21:49,480 --> 00:21:51,880 Speaker 1: but everyone, you gotta go on the website Trixi Motel, 436 00:21:52,080 --> 00:21:54,119 Speaker 1: and honestly, this would be a really fun thing to 437 00:21:54,119 --> 00:21:55,879 Speaker 1: do with all your friends. But look at all the pictures. 438 00:21:55,920 --> 00:21:58,040 Speaker 1: Obviously watch the show, but like you can see on 439 00:21:58,080 --> 00:21:59,800 Speaker 1: the whole website. The website, by the way, is a 440 00:22:00,040 --> 00:22:04,600 Speaker 1: mzing like really well laid out, very very like just 441 00:22:04,920 --> 00:22:06,800 Speaker 1: you're so good at all this, but like it was 442 00:22:06,880 --> 00:22:09,560 Speaker 1: really fun to like engage with it while I was 443 00:22:09,600 --> 00:22:12,360 Speaker 1: watching because I was getting excited about a Palm Springs getaway. 444 00:22:12,600 --> 00:22:15,240 Speaker 1: And my question for you is can you play music outside? 445 00:22:15,640 --> 00:22:19,800 Speaker 1: Because it's a commercial space, you can't fuck wow, So 446 00:22:19,840 --> 00:22:21,720 Speaker 1: if nobody knows, I'm sure you guys have talked about it, 447 00:22:21,720 --> 00:22:24,840 Speaker 1: because you guys visit PS you and at Rental, you 448 00:22:24,840 --> 00:22:31,399 Speaker 1: you guys real as got kicked the iPhone in the 449 00:22:31,440 --> 00:22:36,560 Speaker 1: middle of outside. Yes, my friend Krishliker was dressed as 450 00:22:36,560 --> 00:22:39,160 Speaker 1: a cat and he had to go to the door 451 00:22:39,480 --> 00:22:44,080 Speaker 1: and field the leasting person saying, not only are you 452 00:22:44,119 --> 00:22:45,440 Speaker 1: not allowed to do this, but you all have to 453 00:22:45,520 --> 00:22:48,199 Speaker 1: leave within the hour, pack up your ship now, no 454 00:22:48,320 --> 00:22:53,000 Speaker 1: second chances. It was. It was really crazy. And if 455 00:22:53,080 --> 00:22:55,480 Speaker 1: you are going to Palm Springs and you think, oh, 456 00:22:55,520 --> 00:22:58,400 Speaker 1: won't happened to us, listen to my voice, the voice 457 00:22:58,400 --> 00:23:02,240 Speaker 1: of truth. It will have been to you. Honey, you 458 00:23:02,280 --> 00:23:05,320 Speaker 1: are in danger. Girl. We will be offering a lot 459 00:23:05,320 --> 00:23:07,280 Speaker 1: of well. First of all, we have like the disneyland 460 00:23:07,359 --> 00:23:10,200 Speaker 1: Rocks thing where music plays from somehow nowhere. We have that. 461 00:23:10,760 --> 00:23:13,399 Speaker 1: In addition to that, we have a lobby that you 462 00:23:13,400 --> 00:23:15,280 Speaker 1: could throw You can put a disco ball up in 463 00:23:15,280 --> 00:23:17,000 Speaker 1: there and throw a dance party inside if you want, 464 00:23:17,000 --> 00:23:20,440 Speaker 1: like more of a vibe. We also have things like um, 465 00:23:20,520 --> 00:23:22,679 Speaker 1: a movie theater screen that you can put up by 466 00:23:22,680 --> 00:23:24,600 Speaker 1: the pool with the projector so you can put on 467 00:23:24,640 --> 00:23:26,480 Speaker 1: a movie of choice and swim and drink and watch 468 00:23:26,480 --> 00:23:28,959 Speaker 1: your favorite movie with your friends. David and I used 469 00:23:28,960 --> 00:23:30,680 Speaker 1: to go to Palm Springs and are options for either 470 00:23:30,760 --> 00:23:33,840 Speaker 1: stay in a soulless Airbnb that's clearly a rental owned 471 00:23:33,880 --> 00:23:36,120 Speaker 1: by rich bags where I can get literally kicked out 472 00:23:36,119 --> 00:23:39,320 Speaker 1: from my phone ringing too loud, or stay in a 473 00:23:39,520 --> 00:23:43,480 Speaker 1: rotted boutique motel that was gutted, or the or the 474 00:23:43,480 --> 00:23:46,240 Speaker 1: margar Yta bill, which is fine, but like the flip 475 00:23:46,240 --> 00:23:47,920 Speaker 1: flop is a stiletto. With the Margarada bill, that's a 476 00:23:47,920 --> 00:23:57,280 Speaker 1: I'm gonna say so, that's the flip flop. And honestly 477 00:23:57,280 --> 00:23:59,600 Speaker 1: we love Palm Springs and we love that they came 478 00:23:59,640 --> 00:24:03,080 Speaker 1: in there are in their sixties, living their twenties, and 479 00:24:03,119 --> 00:24:06,520 Speaker 1: it's it's timeless. Everybody is soun damage like an old 480 00:24:06,560 --> 00:24:09,280 Speaker 1: leather bag, but presenting the spirit of a sixteen year 481 00:24:09,280 --> 00:24:12,959 Speaker 1: old girl. And we honestly like we wanted to contribute 482 00:24:13,000 --> 00:24:17,040 Speaker 1: something that we felt like was like glaringly missing. And 483 00:24:17,119 --> 00:24:20,480 Speaker 1: nobody's more sixties in California than Trixie, so it was like, 484 00:24:20,720 --> 00:24:24,960 Speaker 1: this is it's perfect. We were looking at um, we're 485 00:24:24,960 --> 00:24:27,600 Speaker 1: on Zillo, and I was looking at domestic like listings 486 00:24:27,600 --> 00:24:29,359 Speaker 1: because I thought I'd just get a pink place and 487 00:24:29,359 --> 00:24:31,080 Speaker 1: make it a house that's pink, and I put you know, 488 00:24:31,520 --> 00:24:34,000 Speaker 1: and that motel showed up. Because it was zoned as condos, 489 00:24:34,040 --> 00:24:37,000 Speaker 1: we didn't even look at other commercial properties. So it 490 00:24:37,040 --> 00:24:39,480 Speaker 1: was like it was like fate, like the universe presented 491 00:24:39,480 --> 00:24:42,119 Speaker 1: me with a seven room pink motel and I was like, 492 00:24:43,200 --> 00:24:44,679 Speaker 1: it's a long shot. We just gotta look at it. 493 00:24:44,680 --> 00:24:46,600 Speaker 1: I was like, let's just look at it. And so 494 00:24:46,680 --> 00:24:48,600 Speaker 1: then you know, David went without me and looked. He 495 00:24:48,640 --> 00:24:51,600 Speaker 1: was like, He's like, this place has like a magic. 496 00:24:51,880 --> 00:24:54,080 Speaker 1: He was like, we have to do this. I mean, 497 00:24:54,840 --> 00:24:56,040 Speaker 1: you know, we've done a lot of weird things with 498 00:24:56,080 --> 00:24:59,399 Speaker 1: Trixie over the years, like you know, the makeup company 499 00:24:59,480 --> 00:25:01,800 Speaker 1: or O hims and stuff, but a motel was really 500 00:25:02,320 --> 00:25:04,840 Speaker 1: a hard left. But once we started, I was like, 501 00:25:05,240 --> 00:25:10,720 Speaker 1: this feels exactly trixy, Like it all makes sense, it all, yeah, 502 00:25:10,720 --> 00:25:13,200 Speaker 1: because Tricksie is sort of the in addition to being 503 00:25:13,240 --> 00:25:15,840 Speaker 1: blonde in California and sixties, she's sort of at her 504 00:25:15,880 --> 00:25:20,760 Speaker 1: heart like an earnest capitalist, you know, in a fantasy, 505 00:25:20,840 --> 00:25:23,000 Speaker 1: but she's a little bit Mickey Mouse where it's like 506 00:25:23,400 --> 00:25:26,040 Speaker 1: it's earnest and it's also trying to sell you something. 507 00:25:26,080 --> 00:25:28,680 Speaker 1: And but also with Paul Springs, again, I love Palm 508 00:25:28,760 --> 00:25:31,080 Speaker 1: Springs and it was a rock and a hard place 509 00:25:31,119 --> 00:25:32,720 Speaker 1: between the rental I didn't want to stay in or 510 00:25:32,720 --> 00:25:34,280 Speaker 1: motel I don't want to stay and it was like, well, 511 00:25:34,320 --> 00:25:37,200 Speaker 1: let's make something that is really going to gag the 512 00:25:37,320 --> 00:25:40,440 Speaker 1: children and I every room my face, even though I 513 00:25:40,520 --> 00:25:42,040 Speaker 1: knew what the designs were, and a lot of them 514 00:25:42,080 --> 00:25:46,160 Speaker 1: I participated in making them, walking into them furnished. Every time. 515 00:25:46,600 --> 00:25:49,119 Speaker 1: I was like, we are about to snap on all 516 00:25:49,160 --> 00:25:53,640 Speaker 1: these homes. And there's there's something inherently vacation about Trixie too, 517 00:25:53,720 --> 00:25:57,360 Speaker 1: like tricky, Like what in fact, wasn't one of your 518 00:25:57,440 --> 00:25:59,840 Speaker 1: intro looks? Like as if she was, she wasn't you 519 00:26:00,000 --> 00:26:05,760 Speaker 1: weren't where? Yeah, Like it was giving like I'm here 520 00:26:05,800 --> 00:26:08,360 Speaker 1: for vacation, Like it really is like one of those 521 00:26:08,359 --> 00:26:11,239 Speaker 1: things that it seems like you stumbled into because not 522 00:26:11,359 --> 00:26:13,919 Speaker 1: only were all the opportunities there, but also it is 523 00:26:13,960 --> 00:26:16,280 Speaker 1: one of those things where it's just like pretty perfect 524 00:26:16,320 --> 00:26:19,320 Speaker 1: branding wise. Yeah. I mean, even the character of Barbies 525 00:26:19,320 --> 00:26:21,639 Speaker 1: from a fictional small town in Wisconsin and moves to 526 00:26:21,720 --> 00:26:24,920 Speaker 1: California like Malibi to pursue their dreams. So like even 527 00:26:24,960 --> 00:26:28,440 Speaker 1: that to me was like, Okay, that's actually from small 528 00:26:28,480 --> 00:26:31,440 Speaker 1: town Wisconsin and there's something about Trixie. Even though I'd 529 00:26:31,480 --> 00:26:33,600 Speaker 1: never really Bend Upon Springs, by the time I started 530 00:26:33,680 --> 00:26:36,760 Speaker 1: going there, it was like I went, I found the 531 00:26:36,840 --> 00:26:41,160 Speaker 1: characters like home. It was like because everything sixties there, right, 532 00:26:41,520 --> 00:26:47,560 Speaker 1: and so it feels like every room what your audio 533 00:26:48,240 --> 00:26:49,920 Speaker 1: was well for a second and you were going m 534 00:26:50,200 --> 00:26:54,440 Speaker 1: m and it went like this, it went like m M. 535 00:26:55,600 --> 00:27:02,800 Speaker 1: That's when you were laughing. Can capture to roll it 536 00:27:02,880 --> 00:27:10,800 Speaker 1: now play it now? YEA. But I also like, um, 537 00:27:10,840 --> 00:27:14,080 Speaker 1: there's something it's it's also the paradox of being earnestly 538 00:27:14,200 --> 00:27:17,680 Speaker 1: capitalist like Trixie, but Trixi is still a queer small business. 539 00:27:17,720 --> 00:27:22,479 Speaker 1: So like it. It's not evil now, it's like I 540 00:27:22,520 --> 00:27:26,240 Speaker 1: can give you something really cunty. And also part of 541 00:27:26,280 --> 00:27:29,400 Speaker 1: the threads of drag is money. Someone comes out and drag, 542 00:27:29,480 --> 00:27:32,320 Speaker 1: you give the money. It's part of the exchange. Is 543 00:27:33,240 --> 00:27:37,240 Speaker 1: part of the art of drag is yeah. And then 544 00:27:37,240 --> 00:27:39,679 Speaker 1: even like you know, we the motels and Palm Springs 545 00:27:39,680 --> 00:27:43,240 Speaker 1: are priced. It's a vacation town in California. The motels 546 00:27:43,280 --> 00:27:45,240 Speaker 1: for what they're priced, I just always felt like they 547 00:27:45,240 --> 00:27:47,520 Speaker 1: weren't giving and so I was like, let's do something 548 00:27:47,760 --> 00:27:51,240 Speaker 1: at this Palm Springs price point that actually is giving, 549 00:27:52,400 --> 00:27:55,240 Speaker 1: not to mention every room is giving different, Like you 550 00:27:55,280 --> 00:27:58,640 Speaker 1: are to get Malibu Barba is totally different than Atomic Bombshell. 551 00:27:59,240 --> 00:28:02,959 Speaker 1: Atomic Bombshell is my favorite really there. Yeah, the colors 552 00:28:03,000 --> 00:28:07,920 Speaker 1: are gorgeous an Atomic Bombshell. They're all really good. Malibu Barbara. 553 00:28:07,920 --> 00:28:09,879 Speaker 1: I will say that I didn't anticipate that being a 554 00:28:09,880 --> 00:28:12,440 Speaker 1: lot of people's favorites, but that was people's life. They 555 00:28:12,640 --> 00:28:15,399 Speaker 1: love it. And then Atomic Bombshell we knew just because 556 00:28:15,400 --> 00:28:17,080 Speaker 1: it was kind of boyish in a way. We were like, 557 00:28:17,160 --> 00:28:21,320 Speaker 1: people are gonna love this. Yeah, yeah, is it genuinely 558 00:28:21,400 --> 00:28:23,879 Speaker 1: close to Hunters and like all those places, Like is 559 00:28:23,880 --> 00:28:27,720 Speaker 1: it like maybe maybe five minutes up the street? Yeah? Yeah, 560 00:28:27,960 --> 00:28:30,200 Speaker 1: you get to town and you take a right right there. 561 00:28:31,560 --> 00:28:33,359 Speaker 1: It was listed as a condo, but then did you 562 00:28:33,359 --> 00:28:35,600 Speaker 1: have to like go through rezoning ship for it to 563 00:28:35,600 --> 00:28:37,960 Speaker 1: be like a commercial thing or no, No, it's listed 564 00:28:37,960 --> 00:28:40,320 Speaker 1: as both. And if you watch the show, you'll notice 565 00:28:40,320 --> 00:28:42,200 Speaker 1: a lot of our trials and tribulations have to do 566 00:28:42,280 --> 00:28:46,280 Speaker 1: with permitting I mean a nightmare. Yeah. The mayor Palm 567 00:28:46,320 --> 00:28:49,480 Speaker 1: Springs told me in an episode she said she was 568 00:28:49,840 --> 00:28:52,240 Speaker 1: she's a former mayor. She was the first queer female mayor, 569 00:28:52,280 --> 00:28:54,800 Speaker 1: I think in California, and she said, Palm Springs is 570 00:28:54,840 --> 00:28:56,680 Speaker 1: like no place else and we want to keep it 571 00:28:56,720 --> 00:28:58,840 Speaker 1: that way, which is why they are rigid. If you 572 00:28:58,880 --> 00:29:00,560 Speaker 1: want to paint your front door and pump Springs, you 573 00:29:00,600 --> 00:29:04,240 Speaker 1: need approval, the exact stade, everything. And when we painted 574 00:29:04,280 --> 00:29:05,800 Speaker 1: the motel, the city said they didn't like it and 575 00:29:05,800 --> 00:29:08,080 Speaker 1: they were gonna start finding us every month. And I said, 576 00:29:08,120 --> 00:29:10,320 Speaker 1: well how, I said, how much is the fine? I 577 00:29:10,360 --> 00:29:12,520 Speaker 1: don't care if it drains us like a swamp. I'm 578 00:29:12,560 --> 00:29:14,760 Speaker 1: not changing the color of this motel. Is it currently 579 00:29:14,840 --> 00:29:17,960 Speaker 1: draining you like a swamp? You know? They changed their mind, 580 00:29:18,000 --> 00:29:20,440 Speaker 1: I think, but like, but there's a lot of things 581 00:29:20,480 --> 00:29:23,400 Speaker 1: like for example, we removed one of the um We 582 00:29:23,480 --> 00:29:25,240 Speaker 1: removed one of the drains in the in the pool 583 00:29:25,320 --> 00:29:27,280 Speaker 1: and then found out that was code. So one day 584 00:29:27,320 --> 00:29:29,800 Speaker 1: we woke up to a sign that said, like your 585 00:29:29,840 --> 00:29:31,480 Speaker 1: in violation of the city's Then we had to drain 586 00:29:31,560 --> 00:29:34,600 Speaker 1: the pool put in another drain. Little things you never 587 00:29:34,640 --> 00:29:36,920 Speaker 1: think of. Our original idea was to put my eyes 588 00:29:36,960 --> 00:29:38,360 Speaker 1: in a mirror on the bottom of the pool, but 589 00:29:38,400 --> 00:29:40,520 Speaker 1: it's a safety hazard because it can obstruct the view 590 00:29:40,520 --> 00:29:49,200 Speaker 1: of someone drowning, well strict honestly the music thing I 591 00:29:49,240 --> 00:29:52,120 Speaker 1: was genuinely thinking about because I was like, if this 592 00:29:52,200 --> 00:29:54,520 Speaker 1: has to be a silent thing like that, would that 593 00:29:54,520 --> 00:29:56,080 Speaker 1: that I think we heard about the factory, we'll have 594 00:29:56,160 --> 00:29:59,520 Speaker 1: disneyland rocks, and I'm that we're calling them disneyland rocks 595 00:29:59,520 --> 00:30:01,720 Speaker 1: really making very happy, and the fact that they're on 596 00:30:01,800 --> 00:30:04,800 Speaker 1: premises is is made. It's made well. I don't think 597 00:30:04,800 --> 00:30:07,240 Speaker 1: you can go wild, like we can't do thump with thumpa. 598 00:30:07,320 --> 00:30:09,200 Speaker 1: But like some of my dreams of the motel is 599 00:30:09,240 --> 00:30:12,520 Speaker 1: to do appearances that not tell anyone. So it's particularly 600 00:30:13,320 --> 00:30:15,880 Speaker 1: my dream is to like at nine am on a Sunday, 601 00:30:16,680 --> 00:30:19,360 Speaker 1: bring my turntables out there and start deejaying and just 602 00:30:19,440 --> 00:30:24,000 Speaker 1: have people like come out, come out, or like Dolly 603 00:30:24,040 --> 00:30:26,480 Speaker 1: showing up to Dollywood. Yeah, like me and a maid 604 00:30:26,560 --> 00:30:29,120 Speaker 1: outfit just cleaning rooms at day. I want people to 605 00:30:29,200 --> 00:30:32,840 Speaker 1: be gagged like this person is really here. Because one 606 00:30:32,840 --> 00:30:35,239 Speaker 1: thing we didn't have to inflate making the show was 607 00:30:35,360 --> 00:30:37,960 Speaker 1: the stakes. This is our real money, This is a 608 00:30:38,000 --> 00:30:40,600 Speaker 1: real business. Not to mention doing business with your partner 609 00:30:41,160 --> 00:30:44,000 Speaker 1: introduces a lot of stress, introduces a lot of you 610 00:30:44,040 --> 00:30:47,080 Speaker 1: really start to see the things you love about each 611 00:30:47,080 --> 00:30:50,320 Speaker 1: other turn into the things you really start to the cracks. 612 00:30:51,000 --> 00:30:53,440 Speaker 1: You see the cracks starting to show, and is go 613 00:30:53,600 --> 00:30:56,400 Speaker 1: time on your relationship. That's why I always say couples 614 00:30:56,400 --> 00:30:59,280 Speaker 1: should go on reality television to face the ultimate test. 615 00:31:00,400 --> 00:31:03,160 Speaker 1: I've worked in hospitality, like through gay bars and stuff. 616 00:31:03,200 --> 00:31:06,840 Speaker 1: I've been a delivery driver, a dishwasher, a server, a 617 00:31:06,920 --> 00:31:10,680 Speaker 1: shot girl, and applying that like pre drag race working, 618 00:31:10,720 --> 00:31:15,000 Speaker 1: and nobody mentions that pre drag race we are bar employees. 619 00:31:15,360 --> 00:31:19,000 Speaker 1: We all work in hospitality. In post drag race. I've 620 00:31:19,000 --> 00:31:20,680 Speaker 1: been to every gay bar on the planet. I've stayed 621 00:31:20,720 --> 00:31:23,720 Speaker 1: in every motel and hotel in every city. So what 622 00:31:23,840 --> 00:31:26,360 Speaker 1: better way to apply all that knowledge than to open 623 00:31:26,440 --> 00:31:30,000 Speaker 1: like basically like a mini queer Dollywood and be like, 624 00:31:30,320 --> 00:31:33,080 Speaker 1: I'm gonna avenge all the wrongs I've ever been wrong 625 00:31:33,880 --> 00:31:36,840 Speaker 1: in places by making it fierce, and of course, treat 626 00:31:36,880 --> 00:31:39,640 Speaker 1: your employees like the ship you were treated. Really just 627 00:31:39,760 --> 00:31:43,280 Speaker 1: drag them, yes what okay? This? It is hard to 628 00:31:43,360 --> 00:31:45,920 Speaker 1: hire in Palm Springs. It's it's a town of the 629 00:31:46,080 --> 00:31:49,320 Speaker 1: people on people on vacation, people who are retired, and 630 00:31:49,440 --> 00:31:51,760 Speaker 1: there's quite a fierce drug problem in the Pump Springs, 631 00:31:52,400 --> 00:31:56,480 Speaker 1: So it's not not everyone's resume is screaming out hire me. Yeah, 632 00:31:56,520 --> 00:31:59,040 Speaker 1: their resume is just screaming because they're inside your house screaming, 633 00:31:59,360 --> 00:32:02,440 Speaker 1: you know, you know, and the break ins, and I 634 00:32:02,480 --> 00:32:05,040 Speaker 1: mean Palm Springs is stunning to look at, but it 635 00:32:05,120 --> 00:32:08,920 Speaker 1: has its own social problems. I mean, California itself, in 636 00:32:08,960 --> 00:32:12,480 Speaker 1: many areas, is a living, breathing human rights violation in 637 00:32:12,520 --> 00:32:16,320 Speaker 1: Palm Springs is is not immune to that. So even 638 00:32:16,440 --> 00:32:19,080 Speaker 1: hiring the right people, you know, it's almost like we 639 00:32:19,080 --> 00:32:21,760 Speaker 1: finished the renovation and we wrapped the series and it 640 00:32:21,800 --> 00:32:24,120 Speaker 1: was like, oh am, Dave and I are standing there 641 00:32:24,160 --> 00:32:28,479 Speaker 1: in this literal palace where everything is perfect, and then 642 00:32:28,520 --> 00:32:31,320 Speaker 1: we're like, we have to open this now to let 643 00:32:31,320 --> 00:32:35,560 Speaker 1: people walk around in here. All my gay friends being 644 00:32:35,560 --> 00:32:37,400 Speaker 1: like the way I'm going to come to your motel 645 00:32:37,480 --> 00:32:41,160 Speaker 1: and fucking get plugged. I'm like, everybody's like threatening to 646 00:32:41,280 --> 00:32:44,280 Speaker 1: defile the motel. Everyone's like the way I'm getting fisted 647 00:32:44,280 --> 00:32:47,200 Speaker 1: in the like I'm like, okay, laid down a tarp 648 00:32:47,920 --> 00:32:51,720 Speaker 1: or people are like friends they're going to steal and 649 00:32:51,760 --> 00:32:55,959 Speaker 1: I'm like, no, Iggy is who in the series. She 650 00:32:55,960 --> 00:32:58,320 Speaker 1: she was a former motel cleaner, and she comes into 651 00:32:58,320 --> 00:33:01,920 Speaker 1: you can really make a bed that was hospital corners. 652 00:33:01,920 --> 00:33:05,000 Speaker 1: She has the hospital quarters down. Yes, And that's the 653 00:33:05,000 --> 00:33:07,880 Speaker 1: thing about anybody in entertainment. We all have some hospitality 654 00:33:08,080 --> 00:33:10,560 Speaker 1: bones in us, right, because we all have done. And 655 00:33:10,600 --> 00:33:13,360 Speaker 1: it was interesting watching Iggy, who is kind of a living, 656 00:33:13,400 --> 00:33:17,720 Speaker 1: breathing Betty Boop or Angeline or something, watching her come 657 00:33:17,720 --> 00:33:22,520 Speaker 1: in with this real world knowledge and she's just like, Oh, 658 00:33:22,640 --> 00:33:25,160 Speaker 1: everything in your room, it's gonna get stolen. If it's 659 00:33:25,200 --> 00:33:27,160 Speaker 1: not getting stolen, it's getting come on it. I'm like, 660 00:33:27,240 --> 00:33:31,040 Speaker 1: holy shit. She's like, my biggest thing is have doubles 661 00:33:31,040 --> 00:33:32,960 Speaker 1: of everything, and I'm like, everything, and here's one of 662 00:33:33,000 --> 00:33:36,000 Speaker 1: a kind. Yeah, there's no doubles. You supposed to call 663 00:33:36,080 --> 00:33:38,480 Speaker 1: Jonathan Adler and say, can you send me another four 664 00:33:38,520 --> 00:33:42,000 Speaker 1: thousand dollar dresser please. Once you stay in a hotel, 665 00:33:42,240 --> 00:33:45,840 Speaker 1: you realize how much come is all over everything, because 666 00:33:45,960 --> 00:33:48,280 Speaker 1: when you're in the hotel room, you're the one producing 667 00:33:48,320 --> 00:33:50,720 Speaker 1: to come. And I can never come more than when 668 00:33:50,720 --> 00:33:52,560 Speaker 1: I'm in a hotel room. It's just sort of the 669 00:33:52,560 --> 00:33:55,160 Speaker 1: truth of my life. And so to think that when 670 00:33:55,160 --> 00:33:58,000 Speaker 1: I'm checking into a place and hasn't been absolutely desecrated 671 00:33:58,000 --> 00:34:00,400 Speaker 1: by the pig that was in there before me. Is 672 00:34:00,440 --> 00:34:03,480 Speaker 1: just it's just not the truth and not just my 673 00:34:03,600 --> 00:34:07,440 Speaker 1: comb And also like I'm you know, people go to 674 00:34:07,480 --> 00:34:09,920 Speaker 1: hotels and wipe their asses with towels, do you you know 675 00:34:09,920 --> 00:34:13,480 Speaker 1: what I mean? Like people hotels are in a way, 676 00:34:13,840 --> 00:34:16,319 Speaker 1: they're inviting you to do things that you weren't do 677 00:34:16,360 --> 00:34:18,239 Speaker 1: in your own home. Yeah, because you don't have to 678 00:34:18,239 --> 00:34:21,120 Speaker 1: deal with that after yes, And I hope that because 679 00:34:21,160 --> 00:34:23,520 Speaker 1: I mean at this place you're basically sleeping in an 680 00:34:23,600 --> 00:34:26,520 Speaker 1: art installation. I hope that we discourage people for being 681 00:34:26,560 --> 00:34:31,840 Speaker 1: too gross. Um, but you never know, you never know. 682 00:34:31,960 --> 00:34:33,759 Speaker 1: It wasn't Iggy the one on the show who is 683 00:34:33,840 --> 00:34:38,960 Speaker 1: like people behave anonymously in these hotel rooms or in 684 00:34:38,960 --> 00:34:41,920 Speaker 1: any hotel room because because they feel like they can. 685 00:34:41,920 --> 00:34:44,360 Speaker 1: And that's why that that just like brings out every 686 00:34:44,440 --> 00:34:48,359 Speaker 1: dark instinct in your in your mind absolutely. I mean 687 00:34:48,440 --> 00:34:50,720 Speaker 1: it's like when you get and drag you become another person. 688 00:34:51,440 --> 00:34:55,320 Speaker 1: When you did a hotel, it's weird because you're giving 689 00:34:55,360 --> 00:34:58,960 Speaker 1: them your first and last name and your credit card 690 00:34:58,960 --> 00:35:02,239 Speaker 1: on file. Why would that encourage you to act foolish 691 00:35:02,280 --> 00:35:04,960 Speaker 1: and break things? And that feces on things. I don't know, 692 00:35:05,360 --> 00:35:07,920 Speaker 1: you're not not not to mention. They have a way 693 00:35:07,920 --> 00:35:09,920 Speaker 1: to financially charge you for your long doing so I 694 00:35:09,960 --> 00:35:13,319 Speaker 1: don't know why we go so yellow hotels. The other day, 695 00:35:13,360 --> 00:35:15,479 Speaker 1: I was in a hotel in Chicago, and I swear 696 00:35:15,520 --> 00:35:18,120 Speaker 1: to god, it was pristine. It was like a nice hotel. 697 00:35:18,560 --> 00:35:21,040 Speaker 1: I won't say where or what it was for, but 698 00:35:21,600 --> 00:35:25,480 Speaker 1: it's pristine. And I look over and on the shower 699 00:35:25,560 --> 00:35:29,000 Speaker 1: wall is just a clump of hair, like from one 700 00:35:29,000 --> 00:35:31,480 Speaker 1: of those like scary movie. It was like insidious. It 701 00:35:31,520 --> 00:35:34,440 Speaker 1: was like a clump of hair just like hanging on 702 00:35:34,480 --> 00:35:38,600 Speaker 1: the wall, like like very much like a long haired 703 00:35:38,719 --> 00:35:41,600 Speaker 1: woman was in the shower and like I don't know 704 00:35:41,640 --> 00:35:43,960 Speaker 1: how this happened with her hair, but it was clumped 705 00:35:44,000 --> 00:35:46,480 Speaker 1: on the wall, and it was just so shocking because 706 00:35:46,520 --> 00:35:51,160 Speaker 1: everything else was an iggy azalea folded corner. Everything else 707 00:35:51,320 --> 00:35:57,000 Speaker 1: was was like truly lickerty motherfucking split, And there was 708 00:35:57,200 --> 00:36:00,640 Speaker 1: a chunk of hair on the wall and I was 709 00:36:00,680 --> 00:36:02,920 Speaker 1: just looking at it like and I just stood in 710 00:36:02,960 --> 00:36:05,239 Speaker 1: the shower and looked at it long enough where I 711 00:36:05,280 --> 00:36:07,600 Speaker 1: was like, can I shower with this next to me? 712 00:36:07,719 --> 00:36:09,359 Speaker 1: Or am I gonna have to not shower right now 713 00:36:09,360 --> 00:36:11,480 Speaker 1: to call someone up and explain what this is and 714 00:36:11,520 --> 00:36:14,000 Speaker 1: get this taken care of. Ultimately, I did stand in 715 00:36:14,040 --> 00:36:17,120 Speaker 1: the shower next to the chunk, but I was not 716 00:36:17,239 --> 00:36:20,399 Speaker 1: happy about it, and I actually never reported it. Well 717 00:36:20,400 --> 00:36:23,799 Speaker 1: you know, it wasn't me, you know, but also I 718 00:36:23,840 --> 00:36:27,040 Speaker 1: mean it could mean, it could be anyone. But listen 719 00:36:27,239 --> 00:36:30,720 Speaker 1: with people with long hair have about as much understanding 720 00:36:30,840 --> 00:36:33,719 Speaker 1: of how crazy and gross their hair is as smokers 721 00:36:33,719 --> 00:36:37,560 Speaker 1: do of how much they smell like smoke. Smokers are like, 722 00:36:37,600 --> 00:36:41,960 Speaker 1: oh I had a mint. I'm like, okay, so now 723 00:36:42,000 --> 00:36:44,759 Speaker 1: you smell like someone shoved a tic tac in the 724 00:36:44,840 --> 00:36:48,120 Speaker 1: end of a burning cigarette. Like you smell this you 725 00:36:48,239 --> 00:36:50,960 Speaker 1: Still when I worked at the mac counter, I remember 726 00:36:50,960 --> 00:36:53,719 Speaker 1: my stency manager. She would, um, I just I've never 727 00:36:53,760 --> 00:36:56,120 Speaker 1: really understood smoking, and I guess when I was younger, 728 00:36:56,160 --> 00:36:57,640 Speaker 1: I didn't really know. You don't never know if you're 729 00:36:57,640 --> 00:36:59,840 Speaker 1: talking to a smoker when you say something, right, So 730 00:37:00,280 --> 00:37:02,200 Speaker 1: I remember she was like, do you smoke at the interview? 731 00:37:02,239 --> 00:37:06,640 Speaker 1: And I said no, like I said it like yeah. 732 00:37:06,680 --> 00:37:08,799 Speaker 1: I was like no, and she was like, well some 733 00:37:08,880 --> 00:37:12,200 Speaker 1: of us do, so just like you know, And I 734 00:37:12,200 --> 00:37:14,120 Speaker 1: remember she was. She was one of those smokers, like 735 00:37:14,160 --> 00:37:17,520 Speaker 1: every hour, right, every hour, And I feel sort of 736 00:37:17,600 --> 00:37:19,920 Speaker 1: up and down about the ethics of smoking at work, 737 00:37:19,960 --> 00:37:22,040 Speaker 1: and like, if I want to go kick rocks outside 738 00:37:22,040 --> 00:37:23,839 Speaker 1: once an hour, I should be sucking out to too, right. 739 00:37:24,200 --> 00:37:27,840 Speaker 1: But if you are doing someone to makeup, you're touching 740 00:37:27,840 --> 00:37:31,319 Speaker 1: their face. You're touching their face, and you're like, well 741 00:37:31,440 --> 00:37:37,040 Speaker 1: it a minute, Mary, Mary, your hands, your hands, it's 742 00:37:37,080 --> 00:37:41,359 Speaker 1: hammer time, bitch, Like wash that hair, um, come back 743 00:37:41,400 --> 00:37:44,319 Speaker 1: in a towel. It went. It's one of the things 744 00:37:44,320 --> 00:37:46,839 Speaker 1: about cigarettes used as a lead is a lingering thing 745 00:37:46,840 --> 00:37:48,560 Speaker 1: that no one can say that it does have an 746 00:37:48,560 --> 00:37:51,719 Speaker 1: odor at least. And now I work with Katya, so like, 747 00:37:51,760 --> 00:37:53,200 Speaker 1: you know, I've seen fire and right as far as 748 00:37:53,239 --> 00:37:56,000 Speaker 1: smoking at least is the only one I know who 749 00:37:56,040 --> 00:37:59,320 Speaker 1: like is a smoker. And she's like, yeah, the smell. 750 00:37:59,560 --> 00:38:02,680 Speaker 1: She's like, I know, it's hor you know it's you 751 00:38:02,680 --> 00:38:05,320 Speaker 1: have to read it. Get it doesn't It doesn't help, sure, 752 00:38:05,400 --> 00:38:09,360 Speaker 1: but acknowledging it does not solve the problem. Sorry. Yeah, 753 00:38:09,480 --> 00:38:11,239 Speaker 1: I'm just happy with her that smoking is the most 754 00:38:11,239 --> 00:38:13,879 Speaker 1: self If she if that's her biggest self destruction that day, 755 00:38:13,920 --> 00:38:16,719 Speaker 1: I'm like, yeah, yeah, I got on. I got on 756 00:38:17,120 --> 00:38:22,240 Speaker 1: about his cigarette smoking, but then he does not anymore. 757 00:38:21,800 --> 00:38:24,399 Speaker 1: I'm so sorry for just monologuing about that in front 758 00:38:24,400 --> 00:38:25,880 Speaker 1: of you. Do you see what I mean? Trust me, 759 00:38:26,080 --> 00:38:29,040 Speaker 1: But identifying as a smoker also like means that you 760 00:38:29,120 --> 00:38:32,360 Speaker 1: just have to take it like a champ. Whenever someone 761 00:38:32,440 --> 00:38:34,560 Speaker 1: like goes into a diet tribe about how bad smoking 762 00:38:34,560 --> 00:38:37,240 Speaker 1: it is, because we know you know that it's awful. 763 00:38:37,680 --> 00:38:39,960 Speaker 1: I also drink, and it's like, well, you can't be 764 00:38:40,000 --> 00:38:42,920 Speaker 1: in illusions about that either, right, like drinking right right? 765 00:38:43,520 --> 00:38:45,120 Speaker 1: If if you got drunk the night before, you definitely 766 00:38:45,120 --> 00:38:47,440 Speaker 1: don't smell good the next morning. Both that takes you 767 00:38:47,480 --> 00:38:49,919 Speaker 1: back to college. Remember this one kid, Like we would 768 00:38:49,920 --> 00:38:51,600 Speaker 1: go to ballet like eight thirty in the morning on 769 00:38:51,600 --> 00:38:54,760 Speaker 1: a Friday, and people would smell like Thursday, thirsty Thursday, 770 00:38:54,920 --> 00:38:58,920 Speaker 1: and you would smell like the beer coming out of 771 00:38:58,920 --> 00:39:02,400 Speaker 1: their pores. And you're like, I've been that person. I 772 00:39:02,800 --> 00:39:05,160 Speaker 1: was that person when I was younger. And that's because 773 00:39:05,160 --> 00:39:07,200 Speaker 1: it's like it's like and that's why I like always 774 00:39:07,200 --> 00:39:09,200 Speaker 1: like check myself after I do get on. But one 775 00:39:09,200 --> 00:39:11,720 Speaker 1: about a smoking because then when we were in the pines, 776 00:39:11,840 --> 00:39:15,000 Speaker 1: like like this last time I was pretty much smoking 777 00:39:15,000 --> 00:39:19,200 Speaker 1: cigarettes all day every day, like, and I find I 778 00:39:19,239 --> 00:39:21,919 Speaker 1: don't know about that, but when you do smoke a lot, 779 00:39:22,239 --> 00:39:26,160 Speaker 1: when you're smoking, like you there is like when you're smoking, 780 00:39:26,160 --> 00:39:28,200 Speaker 1: you're helping a lot. And so that week, that week, 781 00:39:28,239 --> 00:39:30,000 Speaker 1: I don't know why I filed it away in my 782 00:39:30,080 --> 00:39:32,120 Speaker 1: brain like this is gonna be my cigarette week. And 783 00:39:32,160 --> 00:39:34,759 Speaker 1: I literally have not since and don't have a desire to. 784 00:39:35,200 --> 00:39:39,520 Speaker 1: But I will say like I understood for a second 785 00:39:39,880 --> 00:39:42,960 Speaker 1: the thing of needing to literally blow off steam. And 786 00:39:43,160 --> 00:39:46,720 Speaker 1: the only time I got into a little altercation with someone, 787 00:39:47,160 --> 00:39:50,040 Speaker 1: I was smoking a cigarette. And I think, honestly, that's 788 00:39:50,160 --> 00:39:51,880 Speaker 1: enough for me to be like, no, it makes you 789 00:39:51,960 --> 00:39:53,880 Speaker 1: like one of those bitches who sits there and smokes 790 00:39:53,920 --> 00:39:57,640 Speaker 1: and fights like you can't smoke cigarettes. There's something about 791 00:39:57,680 --> 00:39:59,640 Speaker 1: like the glamor and attitude of it for me that 792 00:39:59,680 --> 00:40:02,120 Speaker 1: I literal really started in with our friend James Scully 793 00:40:02,360 --> 00:40:04,520 Speaker 1: on something he said I like to pop off at 794 00:40:04,600 --> 00:40:07,040 Speaker 1: him and he was like, are we doing housewives right now? 795 00:40:07,040 --> 00:40:09,160 Speaker 1: And I was like, I literally stopped myself immediately. I 796 00:40:09,200 --> 00:40:11,120 Speaker 1: was like, yeah, I don't know what. I think. It's 797 00:40:11,160 --> 00:40:14,560 Speaker 1: the cigarette. I'm so sorry, Oh my god, Like two 798 00:40:14,640 --> 00:40:17,239 Speaker 1: puffs in your like three to one. I just think 799 00:40:17,280 --> 00:40:21,080 Speaker 1: it's funny. I just think it's funny. Is like the 800 00:40:21,120 --> 00:40:25,120 Speaker 1: most toxic anything? Like well, I literally said to him 801 00:40:25,160 --> 00:40:27,120 Speaker 1: the line I said was and it was a Housewives 802 00:40:27,160 --> 00:40:29,400 Speaker 1: line was it was everything was going fine until you 803 00:40:29,440 --> 00:40:34,319 Speaker 1: said that stupid ship. And he was like, oh, are 804 00:40:34,360 --> 00:40:35,960 Speaker 1: we doing Housewives? And I was like, oh my god, 805 00:40:35,960 --> 00:40:39,480 Speaker 1: I'm so sorry. Now, oh my god. It was like 806 00:40:39,520 --> 00:40:43,200 Speaker 1: a refer madness, but like anti smoking, like that for 807 00:40:43,280 --> 00:40:46,440 Speaker 1: anti smoking, like somebody snapping, and it's almost like the 808 00:40:46,800 --> 00:40:51,560 Speaker 1: you become a real diva when you're hungry commercial bit, Yeah, 809 00:40:51,719 --> 00:40:54,399 Speaker 1: like you having two puffs of a cigarette and then 810 00:40:54,560 --> 00:40:58,600 Speaker 1: like a Housewives like like throwing wine glass and smashing it. 811 00:41:01,360 --> 00:41:12,000 Speaker 1: I mean, I haven't been keeping up with the program. 812 00:41:12,000 --> 00:41:13,800 Speaker 1: I don't know if I'm allowed to It has about 813 00:41:13,800 --> 00:41:17,400 Speaker 1: the Bravo pilot I did. No, I don't know if 814 00:41:17,400 --> 00:41:20,000 Speaker 1: I'm allowed to say this, but I'm just gonna say it. 815 00:41:20,400 --> 00:41:23,520 Speaker 1: So during COVID, I had the pleasure of being part 816 00:41:23,520 --> 00:41:25,600 Speaker 1: of a pilot that was supposed to be a show 817 00:41:25,760 --> 00:41:29,200 Speaker 1: that was going to have housewives and different franchises um 818 00:41:29,239 --> 00:41:31,800 Speaker 1: competing and food and drinks sort of nailed its style 819 00:41:31,880 --> 00:41:36,400 Speaker 1: challenges against each other different franchises, being like today you 820 00:41:36,440 --> 00:41:39,760 Speaker 1: have to cook this food, you have to make this drink, 821 00:41:40,040 --> 00:41:42,160 Speaker 1: and you have to set the table, and then judges 822 00:41:42,239 --> 00:41:47,160 Speaker 1: will like decide who was the ultimate housewife and I 823 00:41:47,160 --> 00:41:49,400 Speaker 1: didn't have everything Elsewives, And that's when I started texting 824 00:41:49,400 --> 00:41:50,920 Speaker 1: you math that. I was like, I'm watching Housewives for 825 00:41:50,960 --> 00:41:53,680 Speaker 1: the first time. Um, so then I had to binge 826 00:41:53,680 --> 00:41:55,080 Speaker 1: a bunch of it. And that's how I even found 827 00:41:55,080 --> 00:41:57,080 Speaker 1: out who Lisa was, because I didn't when I met her. 828 00:41:57,120 --> 00:41:58,719 Speaker 1: I did never see it. I remember when you were 829 00:41:58,719 --> 00:42:01,160 Speaker 1: watching the early seasons Everly Hills and you were you 830 00:42:01,200 --> 00:42:03,880 Speaker 1: were sort of falling in love with Lisa as you 831 00:42:03,880 --> 00:42:05,560 Speaker 1: were working with her in real life, and it seems 832 00:42:05,560 --> 00:42:08,000 Speaker 1: like that actually is a warm, good relationship, which makes 833 00:42:08,000 --> 00:42:12,120 Speaker 1: me like l VP more oh lvps, real bitch friend. 834 00:42:12,120 --> 00:42:14,960 Speaker 1: I haven't, and you know, she's a drag queen entirely, 835 00:42:15,000 --> 00:42:17,040 Speaker 1: but it was weird knowing her and then reading her 836 00:42:17,080 --> 00:42:20,279 Speaker 1: origin story at the same time. It was like, yeah, exactly, 837 00:42:20,800 --> 00:42:23,520 Speaker 1: but if you're saying, oh, there, I hope it sees 838 00:42:23,560 --> 00:42:25,040 Speaker 1: the light of day and I hope to get in trouble. 839 00:42:25,440 --> 00:42:30,279 Speaker 1: But there was an housewife, Karen Huger from Potomac, and 840 00:42:30,480 --> 00:42:31,960 Speaker 1: we got to do an episode with her, and you 841 00:42:31,960 --> 00:42:33,879 Speaker 1: don't think we'll ever see the light of day. Um, 842 00:42:34,040 --> 00:42:37,839 Speaker 1: let's just say allegedly this allegedly happened. What happened, And 843 00:42:38,080 --> 00:42:42,239 Speaker 1: let's say allegedly she had to cook food and uh 844 00:42:42,360 --> 00:42:45,240 Speaker 1: started her kitchen on fire during the episode. Oh my god, 845 00:42:45,320 --> 00:42:49,480 Speaker 1: that Karen. That needs to be on television because that 846 00:42:49,640 --> 00:42:52,640 Speaker 1: is And now I'm thinking, now I'm thinking what she 847 00:42:52,760 --> 00:42:54,360 Speaker 1: looks like in my mind trying to put out a 848 00:42:54,360 --> 00:42:57,680 Speaker 1: fire in the kitchen. And it's TV. It's Frasier the show. 849 00:42:57,960 --> 00:42:59,759 Speaker 1: And that's how funny it is. It's as funny as 850 00:43:00,040 --> 00:43:02,879 Speaker 1: sure well it's I think that in housewives world there's 851 00:43:02,920 --> 00:43:06,080 Speaker 1: no happy media. There's the women who cooking is their 852 00:43:06,280 --> 00:43:09,480 Speaker 1: art almost and there's the women who are like, I 853 00:43:09,520 --> 00:43:13,320 Speaker 1: can't turn the stove on. It's no medium, it's no media, 854 00:43:13,960 --> 00:43:17,520 Speaker 1: you know. And I guess, especially through the business creating 855 00:43:17,560 --> 00:43:20,520 Speaker 1: the motel business, that's something Banner Pope is a really 856 00:43:20,560 --> 00:43:23,480 Speaker 1: good resource on because she, you know, does the men 857 00:43:23,560 --> 00:43:27,840 Speaker 1: use at her restaurants like does the drink menuse a 858 00:43:28,400 --> 00:43:30,359 Speaker 1: it's a bar, it's going to be a bar for 859 00:43:30,400 --> 00:43:32,640 Speaker 1: the guests, and then we will work out some sort 860 00:43:32,680 --> 00:43:36,359 Speaker 1: of like food from other places program, because I mean, 861 00:43:36,400 --> 00:43:37,800 Speaker 1: if you want, you know, you have to have the 862 00:43:37,840 --> 00:43:41,000 Speaker 1: square footage. Palm Springs is small. Are property small? You 863 00:43:41,040 --> 00:43:44,359 Speaker 1: can't even build new structures from the curb. I had 864 00:43:44,400 --> 00:43:48,640 Speaker 1: to learn all the rules of Palm Springs. WHOA, I 865 00:43:48,680 --> 00:43:50,840 Speaker 1: love Palm Springs. Where do you guys like to go 866 00:43:50,880 --> 00:43:54,680 Speaker 1: when you're there? I mean, see bone hasn't gone as 867 00:43:54,760 --> 00:43:57,319 Speaker 1: much as I've got my favorite bar there as quads. 868 00:43:57,360 --> 00:44:00,360 Speaker 1: I love quads. I love screaming along to musical theater. 869 00:44:00,480 --> 00:44:02,919 Speaker 1: I took you there right bow. Yeah, it was fun. 870 00:44:03,280 --> 00:44:05,279 Speaker 1: And this is why I also like what is it 871 00:44:05,280 --> 00:44:09,040 Speaker 1: show tune Sundays in the Pines? Like I love anything 872 00:44:09,080 --> 00:44:13,600 Speaker 1: where faggots can get together and scream these these stupid songs, 873 00:44:13,640 --> 00:44:16,239 Speaker 1: Like I want to see a bunch of faggots like 874 00:44:16,600 --> 00:44:21,279 Speaker 1: scream along to somewhere that scream exactly, you know what 875 00:44:21,280 --> 00:44:22,759 Speaker 1: I mean. And then when it gets a little too 876 00:44:22,760 --> 00:44:26,560 Speaker 1: weird and everyone's like huh, Like I love those moments 877 00:44:26,600 --> 00:44:28,759 Speaker 1: where it's like this, it's it's not even like all 878 00:44:28,800 --> 00:44:31,560 Speaker 1: that jazz. It's class from Chicago, you know, what I mean. 879 00:44:31,600 --> 00:44:35,279 Speaker 1: It's like it's the seasides, and I love it. I 880 00:44:35,320 --> 00:44:37,239 Speaker 1: love it when it gets weird at those things. I 881 00:44:37,280 --> 00:44:39,319 Speaker 1: love a show tune in a bar I do or 882 00:44:39,360 --> 00:44:41,520 Speaker 1: like they put on the Jennifer Hudson. I'm telling you 883 00:44:41,520 --> 00:44:43,520 Speaker 1: I'm not going, and some fag it's like it's sho 884 00:44:43,680 --> 00:44:48,719 Speaker 1: about the Jennifer you know, yeah, yeah, yeah, there There 885 00:44:48,880 --> 00:44:51,319 Speaker 1: is nothing like somewhere that's green coming on and every 886 00:44:51,320 --> 00:44:56,080 Speaker 1: bunch of loud fags and like crying and then going 887 00:44:56,120 --> 00:44:57,960 Speaker 1: back to like second cock at the bar, like good, 888 00:44:58,320 --> 00:45:00,879 Speaker 1: like did I hear row next time? And you're like, okay, 889 00:45:00,880 --> 00:45:03,160 Speaker 1: now we're here. Whoa a little I kind of have 890 00:45:03,200 --> 00:45:06,920 Speaker 1: turned on musical theater and but um Little Shop of 891 00:45:06,960 --> 00:45:09,360 Speaker 1: Horrors is my all time favorite, and it loves it 892 00:45:09,600 --> 00:45:11,560 Speaker 1: gives what it needs to give. I don't know if 893 00:45:11,600 --> 00:45:13,799 Speaker 1: you guys have ever read the libretto of that. It 894 00:45:14,040 --> 00:45:17,640 Speaker 1: reads like surgery. Like she says this line. She takes 895 00:45:17,680 --> 00:45:20,000 Speaker 1: two steps and then turns and says this line. Which 896 00:45:20,040 --> 00:45:22,759 Speaker 1: is why every performance of it, in production of it, 897 00:45:22,760 --> 00:45:25,200 Speaker 1: no matter with the scale, is base level good because 898 00:45:25,200 --> 00:45:28,719 Speaker 1: the music and its storytelling is good, so it's not 899 00:45:28,800 --> 00:45:31,880 Speaker 1: relying on a star or a big budget it's just 900 00:45:31,960 --> 00:45:34,359 Speaker 1: a good story with good music, with good jokes. It's 901 00:45:34,360 --> 00:45:37,520 Speaker 1: Howard Ashman. It's like it's so good, like the writing is. 902 00:45:38,040 --> 00:45:40,000 Speaker 1: Then you realize it is Howard Ashman and you're like, oh, 903 00:45:40,040 --> 00:45:43,560 Speaker 1: of course this is genius Tricksie Conrad Rick Amora from 904 00:45:43,560 --> 00:45:47,239 Speaker 1: the movie like did um the off Broadway um one 905 00:45:47,280 --> 00:45:50,240 Speaker 1: that's on now and it's over. But he was stunning, 906 00:45:50,280 --> 00:45:51,960 Speaker 1: And that was the last time I've seen it. But 907 00:45:52,280 --> 00:45:54,560 Speaker 1: it really is good every time. I will say it 908 00:45:55,080 --> 00:45:58,200 Speaker 1: does get a little too fucking weird for me in 909 00:45:58,280 --> 00:46:00,560 Speaker 1: terms of the plot, like an act too, I'm sort 910 00:46:00,560 --> 00:46:04,120 Speaker 1: of just like get crazy crazy. I mean Act one though, 911 00:46:04,239 --> 00:46:07,719 Speaker 1: is like perfect, but Act two story wise for me, 912 00:46:07,920 --> 00:46:11,920 Speaker 1: like it gets weird, but that music is truly you 913 00:46:11,960 --> 00:46:14,719 Speaker 1: saw it's unbelievable. And I remember, not to be a nerd, 914 00:46:14,760 --> 00:46:16,600 Speaker 1: but I wrote when I was in college during musical 915 00:46:16,640 --> 00:46:18,200 Speaker 1: theater history, I had to do like a big, big 916 00:46:18,239 --> 00:46:19,879 Speaker 1: deg dive on a musical and of course I picked 917 00:46:19,920 --> 00:46:23,520 Speaker 1: that one. And like I remember watching a video interview 918 00:46:23,560 --> 00:46:26,960 Speaker 1: of Ellen Green saying that like she was thinking she 919 00:46:27,080 --> 00:46:28,600 Speaker 1: kind of got the role, and she was pretty sure 920 00:46:28,600 --> 00:46:30,080 Speaker 1: she got it, and they were kind of like creating 921 00:46:30,120 --> 00:46:32,919 Speaker 1: the role and kind of casting her. But she said 922 00:46:32,920 --> 00:46:36,640 Speaker 1: the first time, she's saying somewhere that's green her Alan 923 00:46:36,920 --> 00:46:42,160 Speaker 1: and Howard sat and cried afterwards because I think that 924 00:46:42,280 --> 00:46:45,239 Speaker 1: she knew and they knew, like they just created like 925 00:46:45,400 --> 00:46:50,120 Speaker 1: a mask, because she created it as much as they did, 926 00:46:50,400 --> 00:46:53,000 Speaker 1: you know. And of course, and you guys know a 927 00:46:53,000 --> 00:46:55,760 Speaker 1: few years ago, she's just doing it with um Toby, 928 00:46:56,480 --> 00:47:01,400 Speaker 1: not Jake Dylan Hall, I mean fucking icon dude, and 929 00:47:01,440 --> 00:47:04,000 Speaker 1: like playing a character like that that's basically like a 930 00:47:04,040 --> 00:47:09,279 Speaker 1: Betty Boop inflation, but rooted and like real real, like 931 00:47:09,320 --> 00:47:11,560 Speaker 1: it's real. I remember it's so annoying, but I hate 932 00:47:11,600 --> 00:47:13,160 Speaker 1: musical theater. But when I was in college, I remember 933 00:47:13,160 --> 00:47:17,279 Speaker 1: they were like, you're playing things real and unrealistic scenarios 934 00:47:18,120 --> 00:47:23,120 Speaker 1: and like horrors is exactly that it's real for them. Yeah. Oh, 935 00:47:23,160 --> 00:47:25,840 Speaker 1: I recently watched Watchman for the first time, the series, 936 00:47:25,960 --> 00:47:28,600 Speaker 1: and it's like that too, where it's like inflated situations 937 00:47:28,600 --> 00:47:32,479 Speaker 1: but they played like real. Yeah. Matt still hasn't watched, 938 00:47:32,520 --> 00:47:34,840 Speaker 1: and I've been imploring Matt to watch it for years. 939 00:47:34,840 --> 00:47:37,680 Speaker 1: At this point, It's isn't Jeane smart? That was like 940 00:47:37,800 --> 00:47:39,440 Speaker 1: the first moment for you where I was like Regine 941 00:47:39,440 --> 00:47:41,520 Speaker 1: Smart was making this comeback, and I was like, funk, 942 00:47:41,600 --> 00:47:44,400 Speaker 1: I've missed Jean Smart so much. She is so damn 943 00:47:44,480 --> 00:47:48,399 Speaker 1: good in Nut Show and Regina Kang obviously, but yeah, 944 00:47:48,440 --> 00:47:50,840 Speaker 1: I mean this isn't you, but GAY mean in general, 945 00:47:50,960 --> 00:47:52,719 Speaker 1: we love a woman when she's brand new and young, 946 00:47:52,920 --> 00:47:56,080 Speaker 1: and we love her old, right yeah, yeah, yeah, yeah yeah. 947 00:47:56,400 --> 00:47:58,480 Speaker 1: People a couple of years ago were like, I fucking 948 00:47:58,520 --> 00:48:02,080 Speaker 1: always love Laura during I'm like, for two decades you didn't, Yeah, 949 00:48:02,080 --> 00:48:04,920 Speaker 1: where were you? Where were you during the dark days? 950 00:48:05,120 --> 00:48:09,480 Speaker 1: Where were you during distant times where the Hollywood wouldn't 951 00:48:09,480 --> 00:48:12,840 Speaker 1: even answer the phone for Laura when you're sixty, you 952 00:48:12,880 --> 00:48:16,120 Speaker 1: know what I mean? Like you better be twenty and 953 00:48:16,200 --> 00:48:23,759 Speaker 1: wet or a death store. It's actually quite queer, I 954 00:48:23,800 --> 00:48:27,960 Speaker 1: would say to um stand someone in their middle career, 955 00:48:28,040 --> 00:48:31,760 Speaker 1: middle era, like I am newly obsessed with Melanie Lynskey, 956 00:48:31,840 --> 00:48:34,200 Speaker 1: Melanie Lynsky, and now that I'm watching Yellow Jackets finally 957 00:48:34,200 --> 00:48:37,320 Speaker 1: I'm like, Wow, I'm upset. I will watch every single 958 00:48:37,360 --> 00:48:40,080 Speaker 1: interview you do. I will listen to that crazy Kiwi accent. 959 00:48:40,360 --> 00:48:43,439 Speaker 1: She's so damn good. I love her she's so much 960 00:48:43,719 --> 00:48:46,640 Speaker 1: genuinely one of the best actresses working. I mean that 961 00:48:46,800 --> 00:48:51,319 Speaker 1: she she can do anything, and she has and that's 962 00:48:51,360 --> 00:48:53,680 Speaker 1: what I love about like an actress like that popping 963 00:48:53,719 --> 00:48:57,879 Speaker 1: off is just that, like thank God, Like that's why 964 00:48:57,960 --> 00:48:59,799 Speaker 1: you stick with it? Is this so that you can 965 00:49:00,320 --> 00:49:02,480 Speaker 1: one day look back like she could literally get like 966 00:49:02,680 --> 00:49:05,200 Speaker 1: lifetime and she even award honestly with everything that she's 967 00:49:05,239 --> 00:49:09,560 Speaker 1: done under the radar and now the ar. I hope 968 00:49:09,600 --> 00:49:12,959 Speaker 1: she wins the Emmy. Like I know, people I love 969 00:49:13,040 --> 00:49:15,960 Speaker 1: like so many other of those I guess nominees, but 970 00:49:16,000 --> 00:49:18,839 Speaker 1: like come on, give it up. Yeah, I mean it's like, 971 00:49:18,960 --> 00:49:22,239 Speaker 1: um people like like means you're like, wow, she's in, 972 00:49:22,280 --> 00:49:26,880 Speaker 1: but I'm a cheerleader, or like she's in Come Obama. 973 00:49:26,960 --> 00:49:30,400 Speaker 1: She said, she's been in everything. Yeah, I mean, have 974 00:49:30,560 --> 00:49:33,120 Speaker 1: you guys ever seen Heavenly Creatures, which was her movie 975 00:49:33,120 --> 00:49:35,160 Speaker 1: that she was in with Kate Winslet when she was 976 00:49:35,520 --> 00:49:39,520 Speaker 1: like they were teenagers and basically it's Peter Jackson and 977 00:49:39,560 --> 00:49:42,600 Speaker 1: they play these like girls who are best friends in 978 00:49:42,640 --> 00:49:45,240 Speaker 1: New Zealand and they're like they end up like killing 979 00:49:46,000 --> 00:49:50,399 Speaker 1: their parents. It's it's there's like they kill somebody. Um, 980 00:49:50,640 --> 00:49:52,000 Speaker 1: I haven't seen it in a really a long time, 981 00:49:52,040 --> 00:49:54,680 Speaker 1: but it's like very intense and it's Melanie Lynsky and 982 00:49:54,760 --> 00:49:57,360 Speaker 1: Kate Winslett, and I remember there was like an interview 983 00:49:57,400 --> 00:50:00,160 Speaker 1: at some point that was like heavenly creature. This was 984 00:50:00,160 --> 00:50:02,600 Speaker 1: an incredible experience. But it was really hard to see 985 00:50:02,600 --> 00:50:05,279 Speaker 1: her then become Kate Winslet and I was still like, 986 00:50:05,680 --> 00:50:08,760 Speaker 1: you know, doing my thing and like you know that movie, 987 00:50:08,800 --> 00:50:11,160 Speaker 1: like they were equally acclaimed, like and it was just 988 00:50:11,239 --> 00:50:13,440 Speaker 1: like that moment when you realize, like, oh, I'm a 989 00:50:13,520 --> 00:50:16,879 Speaker 1: character actress. I'm not this leading lady. Like it's going 990 00:50:16,960 --> 00:50:19,720 Speaker 1: to be the hard yards for me and the years 991 00:50:19,760 --> 00:50:21,960 Speaker 1: for me. And to see her now like get this 992 00:50:22,160 --> 00:50:24,800 Speaker 1: moment is like, yes, thank God, there's gonna be a 993 00:50:24,880 --> 00:50:28,239 Speaker 1: couple of years where I'm updating my own Wikipedia, you know. 994 00:50:28,719 --> 00:50:30,160 Speaker 1: But you know I always think that, not to bring 995 00:50:30,160 --> 00:50:32,440 Speaker 1: it back to I mean, I worshiped her. I always 996 00:50:32,480 --> 00:50:36,279 Speaker 1: think of RuPaul because she basically, and this is said 997 00:50:36,280 --> 00:50:38,680 Speaker 1: with love, she was like this huge, massive star right 998 00:50:38,880 --> 00:50:44,440 Speaker 1: icon and then for like a decade, not entertainment, not 999 00:50:44,480 --> 00:50:48,520 Speaker 1: doing anything, punchline almost yeah, and then she showed up 1000 00:50:48,719 --> 00:50:51,560 Speaker 1: and she basically told a whole generation of people in 1001 00:50:51,600 --> 00:50:53,319 Speaker 1: case she forgot I am the most famous drig queen 1002 00:50:53,360 --> 00:50:56,360 Speaker 1: of all time, and the newest generation said yes you 1003 00:50:56,400 --> 00:51:00,239 Speaker 1: are when really like this is a complete comp meant 1004 00:51:00,239 --> 00:51:02,799 Speaker 1: and I hope nobody you know you You could have 1005 00:51:02,800 --> 00:51:04,920 Speaker 1: said RuPaul at one time, you could have said it 1006 00:51:05,000 --> 00:51:06,799 Speaker 1: was like a cultural flash. Really it's like a one 1007 00:51:06,840 --> 00:51:11,600 Speaker 1: hit wonder. But same with Michelle. Like Michelle was in Seduction, 1008 00:51:11,640 --> 00:51:13,439 Speaker 1: which I read her book before I did quit the universe. 1009 00:51:13,440 --> 00:51:15,040 Speaker 1: I read her book because I don't know Michelle that well, 1010 00:51:15,080 --> 00:51:17,040 Speaker 1: and I said, I gotta go home with something. She's 1011 00:51:17,040 --> 00:51:18,719 Speaker 1: best friends with all these drag queens and I don't 1012 00:51:18,760 --> 00:51:20,160 Speaker 1: even know, we don't have that kind of friendship, and 1013 00:51:20,200 --> 00:51:21,840 Speaker 1: I gotta have something to talk to her about. So 1014 00:51:22,120 --> 00:51:25,480 Speaker 1: I'm gonna read her book. Um. And like she's in Seduction, 1015 00:51:25,760 --> 00:51:28,719 Speaker 1: which toured for like two years, major hits, giant festivals, 1016 00:51:28,760 --> 00:51:31,160 Speaker 1: and she's in such a bad contract with this girl 1017 00:51:31,200 --> 00:51:33,839 Speaker 1: group that she she literally tours for two years and 1018 00:51:34,040 --> 00:51:38,359 Speaker 1: leaves with nothing, no money, nothing, she's owner Masters, and 1019 00:51:38,400 --> 00:51:41,239 Speaker 1: then she has like a slow build through radio and 1020 00:51:41,280 --> 00:51:43,520 Speaker 1: now she's a huge, massive star again. And I always 1021 00:51:43,560 --> 00:51:45,600 Speaker 1: think of them as like, um, when I used to 1022 00:51:45,640 --> 00:51:47,799 Speaker 1: listen to the What's the t the RuPaul podcast, they 1023 00:51:47,800 --> 00:51:50,160 Speaker 1: would talk about how an entertainment you have to mentally 1024 00:51:50,160 --> 00:51:52,960 Speaker 1: be ready for ebbs and flows because it's the only 1025 00:51:52,960 --> 00:51:55,799 Speaker 1: way to be resilient. I mean, but you also can't 1026 00:51:55,800 --> 00:51:58,160 Speaker 1: sit there and wonder, am I in the apex of 1027 00:51:58,200 --> 00:52:00,720 Speaker 1: my career? Am I in the beginning? Am I currently 1028 00:52:00,719 --> 00:52:04,040 Speaker 1: in the end of it? Because that's not helpful. And 1029 00:52:04,080 --> 00:52:06,640 Speaker 1: I think somebody like Mellie Lynskey, they probably just at 1030 00:52:06,680 --> 00:52:08,239 Speaker 1: the time we're like, well, I'm gonna do my best 1031 00:52:08,280 --> 00:52:10,440 Speaker 1: work and just try to do my best pok and 1032 00:52:10,480 --> 00:52:13,320 Speaker 1: who knows, you know, she had been Yellow Jackets, we 1033 00:52:13,360 --> 00:52:15,279 Speaker 1: would have been like, why hasn't she act anymore? Even 1034 00:52:15,280 --> 00:52:19,239 Speaker 1: if she was currently acting, you know, totally totally um 1035 00:52:19,280 --> 00:52:23,640 Speaker 1: speaking of her, Paul, have you publicly made any statements 1036 00:52:23,680 --> 00:52:27,200 Speaker 1: about UM this season or the winner? At least I 1037 00:52:27,320 --> 00:52:30,120 Speaker 1: just found out yesterday, you know. I mean, everybody knows this. 1038 00:52:30,160 --> 00:52:31,920 Speaker 1: If I'm not doing pit Stop, I don't watch drivers. 1039 00:52:32,120 --> 00:52:34,480 Speaker 1: Everybody knows this, so I don't feel bad saying it. 1040 00:52:34,719 --> 00:52:37,880 Speaker 1: And I couldn't do pit Stop because of Trixie motel 1041 00:52:37,960 --> 00:52:40,399 Speaker 1: and scheduling. They're basically like you would have to watch 1042 00:52:40,480 --> 00:52:42,799 Speaker 1: the whole season in like two days, and he's like, 1043 00:52:42,880 --> 00:52:50,600 Speaker 1: there's no way you are thing. I pride myself on 1044 00:52:51,320 --> 00:52:55,399 Speaker 1: elevating the pit Stop. I must watch post and I'm 1045 00:52:55,400 --> 00:52:58,600 Speaker 1: just gonna say whatever. But I love them both though, 1046 00:52:58,719 --> 00:53:01,680 Speaker 1: and um, I love doing the pit Stop. I'll say 1047 00:53:01,760 --> 00:53:03,920 Speaker 1: this that everybody can drag me. I'm obsessed with all 1048 00:53:03,920 --> 00:53:07,920 Speaker 1: those winners. They are all amazing. When it comes to Jinks, 1049 00:53:08,040 --> 00:53:13,320 Speaker 1: we are comparing Superman too a room full of Batman's. 1050 00:53:13,360 --> 00:53:18,640 Speaker 1: Everybody's amazing, but Jinks is unbelievable and as far as 1051 00:53:18,920 --> 00:53:23,759 Speaker 1: talent potent talent, she's as funny as anyone, as anyone. 1052 00:53:23,960 --> 00:53:27,719 Speaker 1: She can sing her face off, like you can lose 1053 00:53:27,760 --> 00:53:31,360 Speaker 1: to Jinks lose and be like I gave age, but 1054 00:53:31,440 --> 00:53:34,920 Speaker 1: I gave you know. Yeah. But even though okay, and 1055 00:53:34,960 --> 00:53:37,600 Speaker 1: even if you didn't watch the season, like Trickie, she 1056 00:53:37,760 --> 00:53:41,239 Speaker 1: was like clearly the front runner the whole time, and 1057 00:53:41,360 --> 00:53:44,640 Speaker 1: yet she was still this compelling reality TV character that 1058 00:53:44,640 --> 00:53:46,480 Speaker 1: you would watch and she would be like very endearing 1059 00:53:46,480 --> 00:53:48,239 Speaker 1: in the workroom, be like I don't know what I'm doing, 1060 00:53:48,360 --> 00:53:52,279 Speaker 1: Like she was very relatable even in her stature, Like 1061 00:53:52,360 --> 00:53:55,760 Speaker 1: it was so interesting and I loved it the whole time. Anyway, 1062 00:53:55,400 --> 00:53:58,759 Speaker 1: we're very happy that she won. No, I gotta watch it. 1063 00:53:58,880 --> 00:54:01,399 Speaker 1: I gotta watch it because it's really good. It's really good. 1064 00:54:01,800 --> 00:54:03,959 Speaker 1: She really does a great job. And the thing too, 1065 00:54:04,120 --> 00:54:06,799 Speaker 1: like there's of course going to be controversy whenever it's 1066 00:54:06,840 --> 00:54:09,520 Speaker 1: like the winner gets named, especially when everyone's this good 1067 00:54:09,560 --> 00:54:11,800 Speaker 1: and like it's a lip sync that determines the result. 1068 00:54:11,920 --> 00:54:14,440 Speaker 1: But like a lot of people have been on like 1069 00:54:14,440 --> 00:54:17,480 Speaker 1: like like sort of upset about the fact that we 1070 00:54:17,560 --> 00:54:20,439 Speaker 1: are deciding the winner with these lip syncs if they're 1071 00:54:20,480 --> 00:54:22,960 Speaker 1: not going to quote unquote matter. And I'm like at 1072 00:54:23,000 --> 00:54:25,759 Speaker 1: that point, I'm like, Wow, this fan base really goes 1073 00:54:25,800 --> 00:54:28,520 Speaker 1: in on the rules for All Stars. I'm like, yeah, 1074 00:54:28,760 --> 00:54:31,480 Speaker 1: this is a drag show and it's all stars RuPaul Dragons, 1075 00:54:31,520 --> 00:54:34,960 Speaker 1: where all you're gonna have fun. Like the people online 1076 00:54:35,000 --> 00:54:37,880 Speaker 1: like dictating it, like it's like like calling flag on 1077 00:54:37,920 --> 00:54:40,720 Speaker 1: the play. It is so funny to me because it's drag. 1078 00:54:41,800 --> 00:54:45,080 Speaker 1: It's like everyone gets a chance to shine, someone get money, 1079 00:54:45,080 --> 00:54:47,399 Speaker 1: They all get paid to be on the show. I mean, 1080 00:54:47,440 --> 00:54:48,920 Speaker 1: I don't have to tell you guys that I understand 1081 00:54:48,920 --> 00:54:50,560 Speaker 1: what it's like for the audience to get mad when 1082 00:54:50,600 --> 00:54:55,080 Speaker 1: you win based on the rules. Like So it's also 1083 00:54:55,120 --> 00:54:57,440 Speaker 1: funny because it's it's a room full of people who 1084 00:54:57,480 --> 00:55:00,040 Speaker 1: have won. These people don't even care if they in 1085 00:55:00,120 --> 00:55:01,799 Speaker 1: that much. I mean, let's be hones. These people have 1086 00:55:01,840 --> 00:55:05,719 Speaker 1: all one. These people have all proved that and this 1087 00:55:05,800 --> 00:55:07,880 Speaker 1: is also maybe shady. These people have all proved that 1088 00:55:08,040 --> 00:55:11,319 Speaker 1: have winning also doesn't guarantee you a massive career. So 1089 00:55:11,560 --> 00:55:13,520 Speaker 1: some of them have proved that winning is sort of 1090 00:55:13,960 --> 00:55:17,280 Speaker 1: it just happened, and that's it. It's all of them individually. 1091 00:55:17,280 --> 00:55:18,640 Speaker 1: I've talked to all of them individually, and all of 1092 00:55:18,640 --> 00:55:21,680 Speaker 1: them said I had the best time and probably they 1093 00:55:22,080 --> 00:55:24,360 Speaker 1: should all be. And everybody's saying this is the best season. 1094 00:55:24,400 --> 00:55:28,040 Speaker 1: It's like the ultimate season. I just would you do 1095 00:55:28,320 --> 00:55:30,239 Speaker 1: all winners if they did it again? If they ask 1096 00:55:30,440 --> 00:55:32,840 Speaker 1: no ever, not a gun to my head, just because 1097 00:55:32,880 --> 00:55:36,080 Speaker 1: you really don't want to compete period at all. And 1098 00:55:36,080 --> 00:55:38,239 Speaker 1: I'm also like not good at I mean, part of 1099 00:55:38,280 --> 00:55:41,400 Speaker 1: being a star is knowing if you can't do fancakes, 1100 00:55:41,480 --> 00:55:43,240 Speaker 1: don't raise your hand and say, let me do my fancake, 1101 00:55:44,160 --> 00:55:46,640 Speaker 1: you know what I mean, Like I would not do well. 1102 00:55:46,719 --> 00:55:49,640 Speaker 1: And some of those people are just flat out like 1103 00:55:50,160 --> 00:55:54,759 Speaker 1: better drag queens than most people. I'm gonna doing tricksie, 1104 00:55:54,800 --> 00:55:56,520 Speaker 1: I'm not going to do in drag race, you know, 1105 00:55:56,600 --> 00:55:59,000 Speaker 1: And I mean maybe it's cowardly, but I don't want 1106 00:55:59,000 --> 00:56:02,000 Speaker 1: to do it because it's the school and I wouldn't do. Well, no, 1107 00:56:02,640 --> 00:56:04,359 Speaker 1: you don't need it. I mean like it has not 1108 00:56:04,480 --> 00:56:06,839 Speaker 1: limited you. It has not limited you know, and like 1109 00:56:07,400 --> 00:56:09,680 Speaker 1: needing it. Honestly, watching the girls say they had so 1110 00:56:09,760 --> 00:56:11,839 Speaker 1: much fun, that makes me want to do it because 1111 00:56:11,840 --> 00:56:13,600 Speaker 1: it's almost like, well, I want to go to summer camp, 1112 00:56:13,760 --> 00:56:15,480 Speaker 1: like yeah, and I want to go of course, like 1113 00:56:15,520 --> 00:56:17,439 Speaker 1: it's a fun opportunity and you do get to look 1114 00:56:17,480 --> 00:56:20,800 Speaker 1: incredible and show yourself doing talent when it's an area 1115 00:56:20,880 --> 00:56:22,919 Speaker 1: that you really want to flex in. But ultimately it's 1116 00:56:22,960 --> 00:56:25,560 Speaker 1: like even, well, I guess the thing is like they 1117 00:56:25,640 --> 00:56:27,400 Speaker 1: must have said something to them because you have to 1118 00:56:27,440 --> 00:56:30,160 Speaker 1: imagine that other queens do feel similarly to you, which 1119 00:56:30,239 --> 00:56:32,360 Speaker 1: is like, well if I come back, like, are you 1120 00:56:32,400 --> 00:56:35,440 Speaker 1: gonna make me looking stupid? Because that's what a reality 1121 00:56:35,440 --> 00:56:37,120 Speaker 1: show is, and like you do it to the all 1122 00:56:37,160 --> 00:56:39,960 Speaker 1: Stars all the time, like am I gonna come and 1123 00:56:40,000 --> 00:56:42,440 Speaker 1: show one look? So they had to come and say 1124 00:56:42,480 --> 00:56:45,400 Speaker 1: like you will be in every episode we will I 1125 00:56:45,560 --> 00:56:49,480 Speaker 1: imagine they did approach you. They did well. They said, hey, uh, 1126 00:56:49,640 --> 00:56:50,759 Speaker 1: and then you tell me not to tell me once. 1127 00:56:50,800 --> 00:56:52,160 Speaker 1: I'm just gonna say it. They said, hey, we're doing 1128 00:56:52,160 --> 00:56:53,800 Speaker 1: we are doing it all winners, and we know you 1129 00:56:53,800 --> 00:56:56,160 Speaker 1: don't really want to do it, but you're in the 1130 00:56:56,160 --> 00:56:58,279 Speaker 1: family and we don't want you to feel excluded. Like 1131 00:56:58,600 --> 00:57:00,200 Speaker 1: if you want to do it, We're just want to 1132 00:57:00,280 --> 00:57:02,480 Speaker 1: extend the invitation. You know you're gonna say no. And 1133 00:57:02,480 --> 00:57:04,120 Speaker 1: I said, yeah, I'm gonna say no. But I said, 1134 00:57:04,120 --> 00:57:06,319 Speaker 1: thank you so much for inviting me. You know, because 1135 00:57:06,360 --> 00:57:07,759 Speaker 1: when I want to do something, I always do a 1136 00:57:07,800 --> 00:57:10,640 Speaker 1: celebrity drag race the holidays. Like when I want to 1137 00:57:10,640 --> 00:57:12,200 Speaker 1: do it, I always do it. But I just didn't 1138 00:57:12,200 --> 00:57:13,960 Speaker 1: want to do it. I said, I appreciate you guys 1139 00:57:14,000 --> 00:57:16,680 Speaker 1: asking because you know I love doing and like I 1140 00:57:16,720 --> 00:57:22,480 Speaker 1: consider myself a WOW employee full time. Anyway, girl, I mean, 1141 00:57:22,520 --> 00:57:25,360 Speaker 1: I love dragons and I turned up the world of Wonder. 1142 00:57:25,520 --> 00:57:27,800 Speaker 1: I think they've just I mean they don't they don't 1143 00:57:27,800 --> 00:57:31,200 Speaker 1: give themselves flowers, but they really changed the world. I 1144 00:57:31,200 --> 00:57:33,760 Speaker 1: mean they changed the world. I wouldn't have anything if 1145 00:57:33,760 --> 00:57:36,120 Speaker 1: they wouldn't have basically created an industry for me to 1146 00:57:36,120 --> 00:57:40,240 Speaker 1: participate in. You know. The other thing is, uh, in 1147 00:57:40,320 --> 00:57:43,600 Speaker 1: reality television, you can't tell people. There's no standard claus right, 1148 00:57:43,680 --> 00:57:46,760 Speaker 1: So even if even if they didn't tell anyone, we're 1149 00:57:46,760 --> 00:57:50,240 Speaker 1: gonna make everyone look talented. Yeah, drag race. If this, 1150 00:57:50,360 --> 00:57:53,280 Speaker 1: if this, if the American Idol said these winners are 1151 00:57:53,320 --> 00:57:55,920 Speaker 1: the best singers in the world, there's no way you 1152 00:57:55,960 --> 00:57:57,720 Speaker 1: would come back and you would ever make any of 1153 00:57:57,720 --> 00:58:01,600 Speaker 1: you look incompetent because then you're only more of the show. 1154 00:58:02,400 --> 00:58:05,360 Speaker 1: So even if you flop, you're gonna flop relatively, but 1155 00:58:05,360 --> 00:58:07,560 Speaker 1: you're not gonna flop like, Wow, you should have never won, 1156 00:58:07,840 --> 00:58:10,440 Speaker 1: you know what I mean? That's that's not what you 1157 00:58:10,480 --> 00:58:13,640 Speaker 1: should have never won. That should have said that's everyone 1158 00:58:13,960 --> 00:58:15,720 Speaker 1: if you didn't win, I guess what we have said 1159 00:58:15,760 --> 00:58:18,680 Speaker 1: you was Wow. We're really rethinking a lot, and it's 1160 00:58:18,720 --> 00:58:20,600 Speaker 1: it's also sort of a study. What I like about 1161 00:58:20,600 --> 00:58:22,160 Speaker 1: it isn't again I haven't watched it. What I like 1162 00:58:22,240 --> 00:58:25,120 Speaker 1: about it is it's a little bit Hunger Games quarter Quell. 1163 00:58:25,280 --> 00:58:28,200 Speaker 1: It's a little bit um Yeah it is. Yeah, where 1164 00:58:28,280 --> 00:58:30,600 Speaker 1: it's people who are the best at their own thing 1165 00:58:30,760 --> 00:58:33,680 Speaker 1: and we're throwing them into hypotheticals and just for fun, 1166 00:58:34,120 --> 00:58:37,760 Speaker 1: we're going to compare and contrast. But nobody's better or 1167 00:58:37,800 --> 00:58:40,160 Speaker 1: worse than anyone. So does that not convince you to 1168 00:58:40,160 --> 00:58:42,360 Speaker 1: go back? Then? No? I mean it's you, guys. Drag 1169 00:58:42,440 --> 00:58:44,680 Speaker 1: race is really hard. Nobody talks about it. Of course, 1170 00:58:44,720 --> 00:58:49,960 Speaker 1: it's really physically mentally hard. And I operate best in 1171 00:58:50,000 --> 00:58:52,160 Speaker 1: an environment where I do whatever I want and nobody 1172 00:58:52,200 --> 00:58:54,840 Speaker 1: evaluates me. And drag race is doing what you're told 1173 00:58:54,880 --> 00:58:59,200 Speaker 1: and having it evaluated. It's also like literally giving up 1174 00:58:59,280 --> 00:59:05,680 Speaker 1: your phone for a long time like that. Well, but beriod, 1175 00:59:05,680 --> 00:59:08,440 Speaker 1: the way you connect and communicate with other people, like 1176 00:59:08,520 --> 00:59:10,760 Speaker 1: and the way that the fact that that's like such 1177 00:59:10,800 --> 00:59:12,720 Speaker 1: a part of it, they take it from you. The 1178 00:59:12,720 --> 00:59:15,280 Speaker 1: fact that you can't know what the news is. You 1179 00:59:15,760 --> 00:59:18,880 Speaker 1: can't know top news, you can't know that President Biden 1180 00:59:19,120 --> 00:59:23,480 Speaker 1: has contracted COVID. Yeah, I mean, you know, it's it's 1181 00:59:23,680 --> 00:59:26,000 Speaker 1: you don't get to read the trades. You get to 1182 00:59:26,000 --> 00:59:28,160 Speaker 1: read the trades, you don't know You're not gonna know 1183 00:59:28,200 --> 00:59:31,120 Speaker 1: what happens with Emma Watson next. Yeah, and not to 1184 00:59:31,160 --> 00:59:34,280 Speaker 1: be ghost too, but it's also um money. I mean, 1185 00:59:34,320 --> 00:59:36,760 Speaker 1: like even All Stars three, when I wont even winning. 1186 00:59:37,080 --> 00:59:39,240 Speaker 1: I think I lost money doing it because of the 1187 00:59:39,840 --> 00:59:43,880 Speaker 1: cancel and a two million dollar investment in the show. 1188 00:59:43,920 --> 00:59:45,560 Speaker 1: I was like, well, this makes that one hundred thousand 1189 00:59:45,600 --> 00:59:49,520 Speaker 1: dollars seem like chumper change. Yeah, it's hard, and you know, 1190 00:59:49,560 --> 00:59:51,440 Speaker 1: part of what makes Drag Race good is that the 1191 00:59:51,480 --> 00:59:55,520 Speaker 1: contestants are expected to basically imagine if you were cast 1192 00:59:55,520 --> 00:59:57,760 Speaker 1: in the Superhero movie and it was your job to 1193 00:59:57,960 --> 01:00:03,080 Speaker 1: bring the costume and especially with them, right, So it's 1194 01:00:03,080 --> 01:00:07,760 Speaker 1: actually it's actually any of those queens really, I mean, 1195 01:00:07,840 --> 01:00:09,720 Speaker 1: those any of those drag queens could wipe the floor 1196 01:00:09,760 --> 01:00:11,800 Speaker 1: with me. That I'm fine with. I'm fine with not 1197 01:00:11,880 --> 01:00:14,919 Speaker 1: doing as well as other people. But the work, you guys, 1198 01:00:14,960 --> 01:00:18,400 Speaker 1: I have nightmares the preparation process of getting me Cortina. 1199 01:00:18,400 --> 01:00:21,040 Speaker 1: I don't even aspire to doing that good of dry 1200 01:00:21,320 --> 01:00:23,760 Speaker 1: the runways this season. I would always watch the runways 1201 01:00:23,760 --> 01:00:26,000 Speaker 1: and I'd be like, yeah, I wouldn't even know who 1202 01:00:26,040 --> 01:00:30,680 Speaker 1: to call for me, right right, It's truly wild. Preparation 1203 01:00:30,760 --> 01:00:33,120 Speaker 1: is like the most stressful part is the most stressful 1204 01:00:33,200 --> 01:00:38,200 Speaker 1: part period preparation for for anything, absolutely, like the anticipation 1205 01:00:38,320 --> 01:00:41,479 Speaker 1: and oh god, I hate rehearsing, Like are you guys 1206 01:00:41,480 --> 01:00:47,960 Speaker 1: rehearsals queens, absolutely not yes, And now I literally have 1207 01:00:48,040 --> 01:00:50,760 Speaker 1: to go to a rehearsal after this, and I'm really 1208 01:00:50,800 --> 01:00:54,360 Speaker 1: so scared. I hate rehearsal. Scared, honestly, Like I always like, 1209 01:00:54,400 --> 01:00:57,440 Speaker 1: I'm rehearsing on Tuesday for something and it takes up 1210 01:00:58,760 --> 01:01:02,040 Speaker 1: of my brain right now for scaring to even rehearse um. 1211 01:01:02,520 --> 01:01:04,800 Speaker 1: But once you do it, I'm always grateful and I 1212 01:01:04,840 --> 01:01:09,120 Speaker 1: do sometimes enjoy the process, but it's getting there, and like, yeah, 1213 01:01:09,160 --> 01:01:12,200 Speaker 1: the mental like gymnastics, I believe in like going on, 1214 01:01:12,360 --> 01:01:13,760 Speaker 1: going in off book and all that. I believe in 1215 01:01:13,760 --> 01:01:16,400 Speaker 1: knowing your ship, but I don't believe in pounding it 1216 01:01:16,520 --> 01:01:18,920 Speaker 1: until you hate it and then because you guys just 1217 01:01:18,960 --> 01:01:22,520 Speaker 1: stand up right, Yeah, not really, but yeah kind of. 1218 01:01:22,800 --> 01:01:26,320 Speaker 1: Sometimes you go in two under rehearsed, but because you're 1219 01:01:26,320 --> 01:01:29,840 Speaker 1: on that, like Razor Tanya Harding Blade, you actually perform 1220 01:01:29,920 --> 01:01:32,200 Speaker 1: better because you're like a little bit hysterics that you're 1221 01:01:32,240 --> 01:01:36,000 Speaker 1: not prepared. Right. So, I don't know. I don't think 1222 01:01:36,000 --> 01:01:38,040 Speaker 1: it's bogus when people say I do my best work 1223 01:01:38,520 --> 01:01:41,520 Speaker 1: last minute, I'm like, no, that's not true, mother, But 1224 01:01:41,880 --> 01:01:45,720 Speaker 1: you know, I don't know. I don't know You've just procrastinated, 1225 01:01:45,760 --> 01:01:47,640 Speaker 1: that's all like that, like that that's what that means. 1226 01:01:47,800 --> 01:01:49,160 Speaker 1: And someone says that you do their best for a 1227 01:01:49,160 --> 01:01:51,439 Speaker 1: class minute. Yeah, and it's also it's like a humble brag. 1228 01:01:51,480 --> 01:01:53,680 Speaker 1: It's like, yeah, I don't need to put in the time, 1229 01:01:55,320 --> 01:01:59,080 Speaker 1: okay girl. Yeah, especially with stand up, it's like there's 1230 01:01:59,120 --> 01:02:01,680 Speaker 1: something in the address to Lena having a trust ball 1231 01:02:01,720 --> 01:02:04,440 Speaker 1: that does make you perform a little better. M And 1232 01:02:04,440 --> 01:02:06,640 Speaker 1: there's something and knowing your ship that makes you perform better. 1233 01:02:06,680 --> 01:02:10,040 Speaker 1: It's the balance, right. I always feel like it's just 1234 01:02:10,200 --> 01:02:13,600 Speaker 1: great to know how like when I've been out there, 1235 01:02:13,800 --> 01:02:15,560 Speaker 1: I've been trying to get out there again and it's 1236 01:02:15,600 --> 01:02:18,000 Speaker 1: just like you really have to keep up your skills, 1237 01:02:18,000 --> 01:02:20,400 Speaker 1: like learning how to communicate with an audience. And that's 1238 01:02:20,440 --> 01:02:23,440 Speaker 1: the only thing that's like, you know, the pandemic like 1239 01:02:23,520 --> 01:02:26,560 Speaker 1: sort of like that is something that you miss, like 1240 01:02:26,600 --> 01:02:29,240 Speaker 1: just that thing as a performer of just knowing like 1241 01:02:29,840 --> 01:02:32,280 Speaker 1: I I have this down enough and like I'm still 1242 01:02:32,280 --> 01:02:35,800 Speaker 1: speaking the same language as the audience, but I'm feeling 1243 01:02:35,800 --> 01:02:38,800 Speaker 1: like it's still spontaneous and natural. Yes, but it is. 1244 01:02:39,360 --> 01:02:42,439 Speaker 1: You do need the reps for that, but that's not rehearsal, honey, 1245 01:02:42,480 --> 01:02:45,240 Speaker 1: And honestly, if like that, that's you get something out 1246 01:02:45,240 --> 01:02:47,800 Speaker 1: of that. Were preparing to rehearses, just preparing to like 1247 01:02:48,080 --> 01:02:51,360 Speaker 1: stand in front of one other musician and be like, Okay, hello, 1248 01:02:52,800 --> 01:02:55,400 Speaker 1: there's that thing too have like needing the musical director 1249 01:02:55,480 --> 01:02:58,000 Speaker 1: or whoever it is, like the director of whoever it is, 1250 01:02:58,240 --> 01:03:00,080 Speaker 1: like your people you're going to be working with, Like 1251 01:03:00,080 --> 01:03:02,400 Speaker 1: what are they going to bring? Yeah, I'm sure you 1252 01:03:02,400 --> 01:03:04,720 Speaker 1: guys feel this any anything live and especially us you know, 1253 01:03:04,800 --> 01:03:06,880 Speaker 1: I can't imagine, but like, you trust yourself to go 1254 01:03:06,960 --> 01:03:09,360 Speaker 1: out there. You know the material, and you trust yourself 1255 01:03:09,400 --> 01:03:12,040 Speaker 1: to go out there blind. So whatever happens in the middle, 1256 01:03:12,120 --> 01:03:14,360 Speaker 1: you're like, why do I scare myself so much? I 1257 01:03:14,400 --> 01:03:17,640 Speaker 1: trust myself to go out there and deal with it. So, yeah, 1258 01:03:18,160 --> 01:03:20,680 Speaker 1: doesn't know, it's it's it's that ideally, by the time 1259 01:03:20,880 --> 01:03:23,320 Speaker 1: it's Saturday, you are on that razor's edge and you've 1260 01:03:23,360 --> 01:03:26,919 Speaker 1: prepared just enough for it to feel somewhat spontaneous and new, 1261 01:03:27,000 --> 01:03:29,439 Speaker 1: and it's not. It's it's still the novelty is still there. 1262 01:03:29,600 --> 01:03:31,560 Speaker 1: But I will say I just I got I got 1263 01:03:31,640 --> 01:03:34,600 Speaker 1: chills just thinking about it now. The moment that you 1264 01:03:34,640 --> 01:03:38,720 Speaker 1: were in the chair on Weekend Update before you get 1265 01:03:38,720 --> 01:03:43,160 Speaker 1: pushed out the scariest feeling I've ever felt in my life. 1266 01:03:43,160 --> 01:03:45,920 Speaker 1: And it's it never gets easier, it's only it's only 1267 01:03:46,000 --> 01:03:50,080 Speaker 1: the most terrifying sensation. Oh, I hate it so much, 1268 01:03:50,160 --> 01:03:52,280 Speaker 1: and yet it's like part of the joy of it. Yeah, 1269 01:03:52,320 --> 01:03:53,800 Speaker 1: it also has to be the fact that you're literally 1270 01:03:53,840 --> 01:03:55,560 Speaker 1: getting pushed. Is that a little bit of it, Like 1271 01:03:55,600 --> 01:04:00,160 Speaker 1: that they're gonna thrust you out there, and like and 1272 01:04:00,200 --> 01:04:01,520 Speaker 1: you have and you have, you have a marked to hit. 1273 01:04:01,520 --> 01:04:03,080 Speaker 1: You have a marked hit on the desk. There's tape 1274 01:04:03,080 --> 01:04:04,960 Speaker 1: like you have a marked to hit at the desk 1275 01:04:05,240 --> 01:04:07,640 Speaker 1: and you have to catch yourself. I do love the 1276 01:04:07,680 --> 01:04:10,120 Speaker 1: make end Update slide. I love that little thing when 1277 01:04:10,160 --> 01:04:12,360 Speaker 1: someone comes out and might have to find themselves like 1278 01:04:12,400 --> 01:04:14,680 Speaker 1: and also I love when a performer can incorporate it, 1279 01:04:14,720 --> 01:04:18,240 Speaker 1: like when when Cecily as the late the Late Ivana 1280 01:04:18,320 --> 01:04:21,080 Speaker 1: Trump comes out and she's like, ah and she's like 1281 01:04:21,120 --> 01:04:24,360 Speaker 1: a little drunk, like she incorporates the weekend Update slide 1282 01:04:24,440 --> 01:04:27,320 Speaker 1: and Dirk character. And I know you guys probably trying 1283 01:04:27,320 --> 01:04:29,760 Speaker 1: to make it seem like it's not much travel. To me, 1284 01:04:29,960 --> 01:04:33,920 Speaker 1: it looks like that chair sliding ten feet. It's like 1285 01:04:34,480 --> 01:04:40,880 Speaker 1: next and you see this person who travel you know, 1286 01:04:40,880 --> 01:04:42,480 Speaker 1: also she's talking to my friend about this. We're talking 1287 01:04:42,480 --> 01:04:45,720 Speaker 1: about um like DJA or whatever. I feel like I 1288 01:04:45,840 --> 01:04:48,200 Speaker 1: used to think I can't wait to do the show 1289 01:04:48,440 --> 01:04:51,400 Speaker 1: and then find out if it's a good show afterward, 1290 01:04:51,480 --> 01:04:55,240 Speaker 1: Like decide afterward if I didn't where it's like insane, 1291 01:04:55,920 --> 01:04:58,080 Speaker 1: you decide what kind of show it is before it 1292 01:04:58,120 --> 01:05:02,720 Speaker 1: even starts. Yeah, like really yeah, I can't say it's 1293 01:05:02,720 --> 01:05:05,080 Speaker 1: gonna be great and then it is great. You don't 1294 01:05:05,080 --> 01:05:09,000 Speaker 1: find out. I'm I'm writing this down. I mean it is. 1295 01:05:09,400 --> 01:05:12,120 Speaker 1: I mean that that that what I try to remind 1296 01:05:12,160 --> 01:05:15,800 Speaker 1: myself of is like when you do gole up there, 1297 01:05:15,840 --> 01:05:17,840 Speaker 1: it's going to be a moment in time and it's 1298 01:05:17,840 --> 01:05:19,640 Speaker 1: gonna go how it's gonna go, and then you're gonna 1299 01:05:19,720 --> 01:05:21,840 Speaker 1: keep living your life and literally no one's going to 1300 01:05:21,920 --> 01:05:24,800 Speaker 1: think about it except for you, if you even let yourself. 1301 01:05:25,000 --> 01:05:27,040 Speaker 1: So just go out there and enjoy the moment, let 1302 01:05:27,080 --> 01:05:31,680 Speaker 1: it be, and then like understand that you know, it's 1303 01:05:31,720 --> 01:05:33,680 Speaker 1: not that big of a deal, like it's not that deep. 1304 01:05:34,200 --> 01:05:37,200 Speaker 1: But that also varies. And I think it means to 1305 01:05:37,240 --> 01:05:39,120 Speaker 1: pray for like a good performance or a good show, 1306 01:05:39,200 --> 01:05:41,520 Speaker 1: sort of like you hope the weather is good, like 1307 01:05:41,600 --> 01:05:43,880 Speaker 1: I hope tonight's good. How are they out there? Are 1308 01:05:43,920 --> 01:05:45,840 Speaker 1: they feeling it? And then I would ask the performance 1309 01:05:45,880 --> 01:05:49,040 Speaker 1: in front of me how they are honestly, not to 1310 01:05:49,040 --> 01:05:53,000 Speaker 1: be psychotic. I just think recently, I'm like how they 1311 01:05:53,040 --> 01:05:56,160 Speaker 1: are before I got up There has nothing to do 1312 01:05:56,240 --> 01:05:59,240 Speaker 1: with you, Like I decide what kind of show they 1313 01:05:59,240 --> 01:06:00,880 Speaker 1: are about to have, which is why late at night 1314 01:06:00,880 --> 01:06:02,320 Speaker 1: when you blame the audience and late at night when 1315 01:06:02,320 --> 01:06:07,240 Speaker 1: you're in bed you're like it was me. I especially 1316 01:06:07,280 --> 01:06:09,000 Speaker 1: in comedy, because you have to come out there shooting 1317 01:06:09,080 --> 01:06:12,720 Speaker 1: lasers and tell them exactly what's happening, you know, And 1318 01:06:12,720 --> 01:06:14,680 Speaker 1: it's almost like freeing to be like, wow, I can 1319 01:06:14,800 --> 01:06:16,480 Speaker 1: decide that I'm gonna have a good show. I don't 1320 01:06:16,520 --> 01:06:19,360 Speaker 1: have to hope it's good. And also a way that 1321 01:06:19,400 --> 01:06:22,400 Speaker 1: you can like feel the way that you can agree 1322 01:06:22,440 --> 01:06:25,440 Speaker 1: to make that decision and not have it be about 1323 01:06:25,880 --> 01:06:30,439 Speaker 1: like you, which is that like, if you are having fun, 1324 01:06:30,640 --> 01:06:33,080 Speaker 1: they're going to have fun, so you may as well, 1325 01:06:33,120 --> 01:06:36,120 Speaker 1: because that's literally the hack. You could go out there 1326 01:06:36,160 --> 01:06:38,640 Speaker 1: and be not great, but if you were having fun 1327 01:06:38,720 --> 01:06:41,080 Speaker 1: doing it and enjoying doing it. People are at least 1328 01:06:41,120 --> 01:06:43,000 Speaker 1: going to be like, well, we were glad to see them, 1329 01:06:43,200 --> 01:06:45,080 Speaker 1: you know what I mean, Like like afterwards, they're not 1330 01:06:45,120 --> 01:06:47,000 Speaker 1: going to be like, what a waste of our time 1331 01:06:47,040 --> 01:06:49,040 Speaker 1: because you came out here, didn't know your stuff and 1332 01:06:49,240 --> 01:06:51,800 Speaker 1: we're bad energy. Like at least bring the good energy. 1333 01:06:52,160 --> 01:06:54,720 Speaker 1: And then most of the time you can fool them 1334 01:06:54,920 --> 01:06:58,240 Speaker 1: if your ship was you know, a B plus that time. Yeah, 1335 01:06:58,280 --> 01:07:01,480 Speaker 1: and on top of that, if you do everything you 1336 01:07:01,560 --> 01:07:04,120 Speaker 1: meant to do out there but you don't have fun, 1337 01:07:04,880 --> 01:07:08,200 Speaker 1: there's a glass ceiling of how good it can really be. Yeah, 1338 01:07:08,800 --> 01:07:09,920 Speaker 1: And I guess I mean I don't have to tell 1339 01:07:09,920 --> 01:07:11,320 Speaker 1: you guys this, but I guess it's like for me, 1340 01:07:11,760 --> 01:07:13,640 Speaker 1: it's how many years I've been performing and I feel 1341 01:07:13,680 --> 01:07:17,080 Speaker 1: like I'm just now realizing, like good shows don't happen 1342 01:07:17,120 --> 01:07:19,560 Speaker 1: to us, Like look we we we make the show 1343 01:07:19,600 --> 01:07:22,560 Speaker 1: good before we decide that before we go out there. 1344 01:07:23,840 --> 01:07:26,600 Speaker 1: And that's the key. You know what, When I quit 1345 01:07:26,720 --> 01:07:30,440 Speaker 1: drag and motels, the way, I'm going to be the 1346 01:07:30,480 --> 01:07:36,120 Speaker 1: Tony Robbins like tricksy and like, yes, if I get 1347 01:07:36,160 --> 01:07:38,480 Speaker 1: to again, which I would love to do another full summer, 1348 01:07:39,600 --> 01:07:43,560 Speaker 1: I would love to do a headset wind pants, like 1349 01:07:44,040 --> 01:07:47,160 Speaker 1: Tony Robbins, like the Secret of You, like the Secret 1350 01:07:47,200 --> 01:07:49,920 Speaker 1: of Success. That should be your next special. Honestly, you 1351 01:07:50,040 --> 01:07:53,080 Speaker 1: doing a Tony Robbins thing. Should that would be so 1352 01:07:53,160 --> 01:07:56,400 Speaker 1: funny like power points and almost like but I'm weirdly 1353 01:07:56,440 --> 01:08:00,040 Speaker 1: selling time shares at the same time. I love it, 1354 01:08:00,240 --> 01:08:03,560 Speaker 1: you know it should Like the best part is it's 1355 01:08:03,600 --> 01:08:05,760 Speaker 1: all in you. You don't need anything. But then as 1356 01:08:05,800 --> 01:08:09,960 Speaker 1: it goes, I'm like introducing items you do need. Of course, 1357 01:08:10,320 --> 01:08:13,320 Speaker 1: you know there's something to do the Tony Robins thing, 1358 01:08:13,320 --> 01:08:15,720 Speaker 1: but also like there should be like a comedy version 1359 01:08:15,720 --> 01:08:18,840 Speaker 1: of like a Bernie Brown talk, a Bernie Brown muture 1360 01:08:18,920 --> 01:08:21,679 Speaker 1: that like vulnerability or something. But it's it's purely comedic 1361 01:08:21,760 --> 01:08:25,519 Speaker 1: and like fucked up and stupid. Like someone is standing 1362 01:08:25,560 --> 01:08:27,720 Speaker 1: there and they've been through it, you know what I mean, 1363 01:08:27,760 --> 01:08:30,760 Speaker 1: Like they're looking at you and this is what I 1364 01:08:30,760 --> 01:08:33,360 Speaker 1: want to share with you. And then it's like that's 1365 01:08:33,439 --> 01:08:36,400 Speaker 1: slow paced. That is so funny. I love that it's slow. 1366 01:08:36,439 --> 01:08:38,160 Speaker 1: I've always wanted to do it, and I've always been 1367 01:08:38,160 --> 01:08:40,120 Speaker 1: waiting for the right time. But I think also like 1368 01:08:41,120 --> 01:08:43,840 Speaker 1: sort of like it's like wind pants and like a 1369 01:08:43,880 --> 01:08:47,719 Speaker 1: scrunch sort of like sort of like the cut co knives, 1370 01:08:47,760 --> 01:08:49,799 Speaker 1: like why are you afraid of your own success? Energy? 1371 01:08:51,520 --> 01:08:53,760 Speaker 1: You know, and it's sort of like roasting to like 1372 01:08:54,040 --> 01:08:55,880 Speaker 1: look at this woman in the front row. She might 1373 01:08:55,920 --> 01:08:59,120 Speaker 1: not be pretty, you know, she might not be bright. 1374 01:08:59,560 --> 01:09:02,479 Speaker 1: You know. It's it's a formal thing. You cut the 1375 01:09:02,520 --> 01:09:05,400 Speaker 1: audience down. I guess I'm saying I want to be 1376 01:09:05,439 --> 01:09:08,840 Speaker 1: a scientist. Yeah, thank you for admitting that. Here. We're 1377 01:09:08,880 --> 01:09:11,400 Speaker 1: a huge side taipe podcast. Last Culture is a side 1378 01:09:11,400 --> 01:09:23,120 Speaker 1: tipe pod. I think it's time. I think it's time 1379 01:09:23,160 --> 01:09:24,760 Speaker 1: to move on to I don't think so honey. This 1380 01:09:24,800 --> 01:09:28,080 Speaker 1: is our one minute segment where we take sometimes a 1381 01:09:28,120 --> 01:09:30,599 Speaker 1: lot of time to rail against something in culture. Matthew 1382 01:09:30,640 --> 01:09:33,479 Speaker 1: has something I do, I do, I do, I do, 1383 01:09:33,880 --> 01:09:36,320 Speaker 1: I don't. And the thing is this is this is 1384 01:09:36,360 --> 01:09:37,719 Speaker 1: gonna be a little off the cuff, but I feel 1385 01:09:37,720 --> 01:09:40,160 Speaker 1: like I need to say it. Okay, Oh I love that. 1386 01:09:40,160 --> 01:09:42,960 Speaker 1: That's that's sometimes that's the best Matt Rodgers. I don't 1387 01:09:42,960 --> 01:09:45,599 Speaker 1: think so many time starts now, Okay, I don't think 1388 01:09:45,640 --> 01:09:47,760 Speaker 1: so honey, that I have an itch. I think it's 1389 01:09:47,800 --> 01:09:51,519 Speaker 1: monkey POGs. Now. This occupies so much space in my 1390 01:09:51,560 --> 01:09:54,080 Speaker 1: brain of if literally right at just now on my neck, 1391 01:09:54,120 --> 01:09:55,679 Speaker 1: I have a little bit of an itch that means 1392 01:09:55,680 --> 01:09:57,920 Speaker 1: for the next at least two hours, I will fix 1393 01:09:57,960 --> 01:10:00,960 Speaker 1: it on having monkey pocks, isn't it. It's really it's 1394 01:10:01,000 --> 01:10:04,519 Speaker 1: now become a thing where it's attacking our skin and 1395 01:10:04,560 --> 01:10:06,400 Speaker 1: that doesn't sit right with me. I mean, this is 1396 01:10:06,400 --> 01:10:10,519 Speaker 1: something I'm getting, um the vas for I hope the 1397 01:10:10,560 --> 01:10:13,439 Speaker 1: second shot this week. Um, I somehow looked into the 1398 01:10:13,479 --> 01:10:17,720 Speaker 1: first shot early and I feel crazy about it. Like 1399 01:10:17,920 --> 01:10:20,559 Speaker 1: but literally, I was out with other gay men sharing 1400 01:10:20,640 --> 01:10:22,360 Speaker 1: gay breath. I know, I said I was gonna swear 1401 01:10:22,360 --> 01:10:23,760 Speaker 1: off gay men for us to the summer, but I 1402 01:10:23,800 --> 01:10:26,840 Speaker 1: was around others last night and there was that little 1403 01:10:26,920 --> 01:10:30,240 Speaker 1: of that little tiny itch in your head. You're thinking 1404 01:10:30,280 --> 01:10:33,000 Speaker 1: it's monkey poks And aren't we all afflicted right now 1405 01:10:33,040 --> 01:10:36,080 Speaker 1: with this sort of now it's come into our mental 1406 01:10:36,160 --> 01:10:39,080 Speaker 1: space like The Alien and Nope, a movie I didn't 1407 01:10:39,080 --> 01:10:41,479 Speaker 1: get to see this week, but read up on in 1408 01:10:41,479 --> 01:10:43,200 Speaker 1: case you wanted to talk about it. But I don't 1409 01:10:43,240 --> 01:10:46,000 Speaker 1: think so, honey, the skin thing and that's one minute 1410 01:10:46,080 --> 01:10:48,960 Speaker 1: comparing monkey pops to the Alien, and no spoiler alert, 1411 01:10:49,439 --> 01:10:51,840 Speaker 1: it's out there trying to get us. Now, that's what 1412 01:10:51,920 --> 01:10:53,800 Speaker 1: I call monkey poks, Like that should be a CD. 1413 01:10:54,439 --> 01:10:57,320 Speaker 1: Although all the songs that were popular at this time. 1414 01:10:57,800 --> 01:11:01,439 Speaker 1: It's the renaissance album and not to be damaged, but 1415 01:11:01,439 --> 01:11:04,280 Speaker 1: the people I keep seeing having it are really really hot, 1416 01:11:04,320 --> 01:11:05,840 Speaker 1: and so part of me is like until it comes 1417 01:11:05,840 --> 01:11:08,200 Speaker 1: to the fours and the fives, like I'm cool. I 1418 01:11:08,280 --> 01:11:10,639 Speaker 1: mean until these people, as hot as they are, even 1419 01:11:10,680 --> 01:11:12,680 Speaker 1: people with open lesions on their face are not sucking me. 1420 01:11:12,800 --> 01:11:14,960 Speaker 1: So like I think I'm cool for a while. It's 1421 01:11:15,560 --> 01:11:17,719 Speaker 1: so funny to see like a hottie with a little 1422 01:11:17,720 --> 01:11:20,040 Speaker 1: monkey POGs, like Hi, I'm the face of this disease, 1423 01:11:20,080 --> 01:11:22,599 Speaker 1: and it's like one little like a Ricke Glysia small. 1424 01:11:22,680 --> 01:11:25,600 Speaker 1: They're sounding the alarm the loudest because the scarring is 1425 01:11:25,640 --> 01:11:28,880 Speaker 1: going to affect the rest of their lives exactly, And 1426 01:11:28,960 --> 01:11:32,679 Speaker 1: I get I get a scar and I'll look the same. Yeah, 1427 01:11:32,760 --> 01:11:34,880 Speaker 1: for some of us, it could be punching up, you 1428 01:11:34,880 --> 01:11:37,160 Speaker 1: know what I mean, Like, yes, finally there'll be some 1429 01:11:37,240 --> 01:11:39,479 Speaker 1: metro phone. You have to protect your face because that 1430 01:11:39,520 --> 01:11:42,639 Speaker 1: retinal is popping. I was on the Live with with 1431 01:11:42,720 --> 01:11:44,920 Speaker 1: Bone on the other day, and your skin has never 1432 01:11:45,080 --> 01:11:47,880 Speaker 1: looked better. Diva, Thanks Diva. Oh but you if you 1433 01:11:47,960 --> 01:11:49,559 Speaker 1: got your first shot. I mean the second shot is 1434 01:11:49,640 --> 01:11:53,360 Speaker 1: just to like prolonged the immunity, but it's just as effect. 1435 01:11:53,360 --> 01:11:56,600 Speaker 1: It's not changing the efficacy necessarily. I'm feeling okay, I 1436 01:11:56,640 --> 01:11:59,200 Speaker 1: got railed last night, so you know what I mean, 1437 01:11:59,280 --> 01:12:03,800 Speaker 1: Like I'm not thinking about it, like too deep. But 1438 01:12:04,040 --> 01:12:06,280 Speaker 1: but but I'm concerned. And every time I do have 1439 01:12:06,280 --> 01:12:08,040 Speaker 1: a little it, I'm like, oh, well I shouldn't have 1440 01:12:08,120 --> 01:12:10,120 Speaker 1: I'm talked to that person or left the home he 1441 01:12:10,400 --> 01:12:12,200 Speaker 1: did he fuck? You're scratching your neck? Did he fuck 1442 01:12:12,240 --> 01:12:16,200 Speaker 1: your neck area? Like that man fucked my neck bowing 1443 01:12:16,960 --> 01:12:19,599 Speaker 1: He came over here and fucked my neck. People need 1444 01:12:19,640 --> 01:12:21,840 Speaker 1: to start talking about it. You put a cock right 1445 01:12:21,840 --> 01:12:25,400 Speaker 1: here at the back of your neck. Wood on and 1446 01:12:25,400 --> 01:12:29,200 Speaker 1: and worth it deeva and nomberone. Sucking people's like skin 1447 01:12:29,280 --> 01:12:33,120 Speaker 1: folds was considered safer sex anymore. The frauding of it all, 1448 01:12:33,120 --> 01:12:36,479 Speaker 1: it's like not even you're not even you can't even. 1449 01:12:37,280 --> 01:12:42,360 Speaker 1: Frauding is the highest risk practice. Damn. There you go. 1450 01:12:43,640 --> 01:12:46,519 Speaker 1: I think I think you're okay, I'm okay, it's time 1451 01:12:46,560 --> 01:12:49,840 Speaker 1: for the Diva dolls. I don't think so Honey Boone 1452 01:12:50,000 --> 01:12:56,000 Speaker 1: Yang one of America's forefront young female stars. She is 1453 01:12:56,040 --> 01:12:59,840 Speaker 1: an Emmy nominee. She is shining right Rattinala is doing her. 1454 01:13:00,000 --> 01:13:02,400 Speaker 1: Oh well, she's actually on a film set right now. 1455 01:13:03,040 --> 01:13:07,200 Speaker 1: She is live from from a film set, and it's 1456 01:13:07,200 --> 01:13:10,360 Speaker 1: time for her. I don't think so, Honey, and your 1457 01:13:10,360 --> 01:13:14,240 Speaker 1: time starts now. I don't think some Honey advertising things 1458 01:13:14,240 --> 01:13:18,439 Speaker 1: as flushable wipes. I just found out about fat burgs. 1459 01:13:18,560 --> 01:13:21,360 Speaker 1: Do you do y'all know about fat bergs. It is 1460 01:13:21,439 --> 01:13:25,439 Speaker 1: these clumps of fat that are in the sewers that 1461 01:13:25,520 --> 01:13:29,320 Speaker 1: are basically like clumps of paper and like flushable wipes. 1462 01:13:29,600 --> 01:13:32,960 Speaker 1: It's almost all flushable wipes that are blocking the sewers. 1463 01:13:33,280 --> 01:13:36,680 Speaker 1: They are literally google it and I'm so sorry, but 1464 01:13:36,720 --> 01:13:38,599 Speaker 1: you have to google this so that you never once 1465 01:13:38,800 --> 01:13:42,240 Speaker 1: and again flush anything down the toilet that's not toilet paper. 1466 01:13:42,600 --> 01:13:46,200 Speaker 1: Fat bergs are all flushable wipes, and they are destroyed that. 1467 01:13:46,240 --> 01:13:49,920 Speaker 1: I don't have anything besides that, besides this warning to 1468 01:13:49,960 --> 01:13:53,519 Speaker 1: tell everybody you cannot flush these things down the toilet. 1469 01:13:53,800 --> 01:13:56,960 Speaker 1: It's like saying if um. It's like saying, you know, 1470 01:13:57,320 --> 01:14:01,720 Speaker 1: monkey dick, if if of monkeypos it's it's it's it's 1471 01:14:02,200 --> 01:14:05,520 Speaker 1: you cannot do it. It is actually destroying the infrastructure 1472 01:14:05,840 --> 01:14:09,880 Speaker 1: that makes society function. If the sewers go, then everything goes. 1473 01:14:10,360 --> 01:14:14,320 Speaker 1: That's key. That's the truth. And that's one minute. The 1474 01:14:14,320 --> 01:14:20,439 Speaker 1: fact that conversation just said, if the sewers go, everything goes. 1475 01:14:20,800 --> 01:14:23,640 Speaker 1: The fact that's where we're at as the country. I 1476 01:14:23,800 --> 01:14:26,800 Speaker 1: have to say, you have shook me to my core 1477 01:14:26,920 --> 01:14:28,720 Speaker 1: and I don't know if I'm willing to give up 1478 01:14:28,760 --> 01:14:30,559 Speaker 1: the fleshable wives. And I think this is my Taylor 1479 01:14:30,640 --> 01:14:33,559 Speaker 1: Swift Cors moment. Wait do you have it? Wait? Do 1480 01:14:33,600 --> 01:14:39,280 Speaker 1: you have a tushy? Um? No, Mama, I don't. Okay, 1481 01:14:38,680 --> 01:14:41,800 Speaker 1: get a sponsorhip for this podcast. Get a tushy. You 1482 01:14:41,840 --> 01:14:43,439 Speaker 1: will never have to buy toilet paper again. You don't 1483 01:14:43,439 --> 01:14:45,760 Speaker 1: even have to touch your own asshole. I love it. 1484 01:14:45,800 --> 01:14:47,800 Speaker 1: I want to though. That's when I feel the most 1485 01:14:47,840 --> 01:14:49,599 Speaker 1: like I want to finger myself to like right after 1486 01:14:49,640 --> 01:14:53,599 Speaker 1: I should because you're like, oh, like vacancy. You know, 1487 01:14:54,920 --> 01:15:01,800 Speaker 1: I know I'm safe here, vacancy. All right, Well, this 1488 01:15:01,800 --> 01:15:05,120 Speaker 1: this is tricks, Mattels. I don't think so, honey, tricks. 1489 01:15:05,520 --> 01:15:08,880 Speaker 1: Are you ready? Yeah? Your time starts now. I don't 1490 01:15:08,880 --> 01:15:13,880 Speaker 1: think so, honey. Signatures. Why are we pretending like my 1491 01:15:14,000 --> 01:15:18,360 Speaker 1: signature is some seal that no one could duplicate. Oh, well, 1492 01:15:18,400 --> 01:15:21,480 Speaker 1: he signed it, so it's authenticated. We all know the alphabet. 1493 01:15:22,479 --> 01:15:26,080 Speaker 1: We all have the same four names, unless you're even 1494 01:15:26,240 --> 01:15:27,800 Speaker 1: even if I don't I know how to spell bowen. 1495 01:15:29,000 --> 01:15:32,200 Speaker 1: Why are we pretending? This isn't Laura Ingles Wilder, This 1496 01:15:32,280 --> 01:15:36,040 Speaker 1: isn't Benjamin Franklin. This isn't the deflation the fact that 1497 01:15:36,080 --> 01:15:38,519 Speaker 1: we think a signature writing your name is something you 1498 01:15:38,600 --> 01:15:43,240 Speaker 1: learned in kindergarten, is a binding legal gesture. What are 1499 01:15:43,320 --> 01:15:47,040 Speaker 1: we talking about? Like? How is that? Well I signed it, 1500 01:15:47,160 --> 01:15:50,080 Speaker 1: so I really meant it. What if someone else signed it? 1501 01:15:50,120 --> 01:15:52,240 Speaker 1: We all can write each other's names. We all can 1502 01:15:52,240 --> 01:15:55,559 Speaker 1: write anyone's It would be like if we all had 1503 01:15:55,600 --> 01:15:57,920 Speaker 1: the same fucking bank account number. Like what are we 1504 01:15:58,000 --> 01:16:01,000 Speaker 1: talking about? Give me like a prick, Give me a 1505 01:16:01,000 --> 01:16:03,400 Speaker 1: little micro chip in the hand, like if your dog 1506 01:16:03,439 --> 01:16:05,360 Speaker 1: gets lost as a chip, give me a chip. Give 1507 01:16:05,360 --> 01:16:09,240 Speaker 1: me chips And that's one minute. You know, thank you? Sometimes, 1508 01:16:09,240 --> 01:16:11,880 Speaker 1: don't you think go to a restaurant and the way 1509 01:16:11,920 --> 01:16:14,559 Speaker 1: that I'll sign my name, anyone could have done it 1510 01:16:14,640 --> 01:16:16,320 Speaker 1: the way that I signed my name on those checks. 1511 01:16:16,479 --> 01:16:19,240 Speaker 1: Sometimes I just simply to this, you're gonna just you're 1512 01:16:19,280 --> 01:16:21,360 Speaker 1: gonna be really freaked out. I'll just take the pen 1513 01:16:21,479 --> 01:16:24,680 Speaker 1: and sort of do that. I mean, I'll just I'll 1514 01:16:24,760 --> 01:16:28,439 Speaker 1: draw a line and they'll accept it. She's right, America 1515 01:16:28,520 --> 01:16:33,120 Speaker 1: has a problems. America has a problem. America has a problem. 1516 01:16:33,160 --> 01:16:35,120 Speaker 1: But Tricksy, it seems like maybe you're speaking from a 1517 01:16:35,160 --> 01:16:37,760 Speaker 1: place of shame about your own signature, Like maybe you 1518 01:16:37,800 --> 01:16:40,960 Speaker 1: don't like the way it looks you have a flop signature. No, well, 1519 01:16:41,000 --> 01:16:42,479 Speaker 1: the kicker is I always want to be famous. I 1520 01:16:42,520 --> 01:16:44,760 Speaker 1: used to spend my youth especial I'd write my name 1521 01:16:44,800 --> 01:16:47,519 Speaker 1: a hundred times a day, and then ultimately I got 1522 01:16:47,520 --> 01:16:51,760 Speaker 1: famous for different names. So that I want you to sign, 1523 01:16:51,920 --> 01:16:55,280 Speaker 1: you should start signing Steph Brian Fircus. Once in a while, 1524 01:16:55,520 --> 01:16:58,080 Speaker 1: I'll have a brain catty and and she'll go, I 1525 01:16:58,200 --> 01:17:00,240 Speaker 1: just signed the name Brian. I go, I guess, run 1526 01:17:00,280 --> 01:17:05,120 Speaker 1: with it. Like name checks and stuff, you must write 1527 01:17:05,160 --> 01:17:07,840 Speaker 1: your real name. I mean, Brian Fergus is probably a 1528 01:17:07,920 --> 01:17:09,920 Speaker 1: name that gets used all the time and we just 1529 01:17:09,960 --> 01:17:12,719 Speaker 1: don't know. It's a great name. Nobody has my name 1530 01:17:12,800 --> 01:17:15,080 Speaker 1: and it is nice for that reason like, my partner's 1531 01:17:15,160 --> 01:17:17,160 Speaker 1: name is David Silver, which I there's probably a billion 1532 01:17:17,560 --> 01:17:20,760 Speaker 1: Matt Rogers here. Yeah, yeah, So I just think they 1533 01:17:21,120 --> 01:17:24,400 Speaker 1: are bogus. I'm always like, why is this proving it's me? 1534 01:17:25,360 --> 01:17:28,080 Speaker 1: What is that? What is that? I don't know, I 1535 01:17:28,080 --> 01:17:30,160 Speaker 1: don't know, but um, you know, it's the only way 1536 01:17:30,240 --> 01:17:32,760 Speaker 1: we could have verified identities back in the day, like 1537 01:17:32,800 --> 01:17:34,640 Speaker 1: as of twenty years ago, and now that we're in 1538 01:17:34,680 --> 01:17:38,400 Speaker 1: this brave new world, it feels like it's irrelevant. Oh 1539 01:17:38,400 --> 01:17:40,880 Speaker 1: but by the way you're saying gesture made me think 1540 01:17:40,920 --> 01:17:44,000 Speaker 1: of that florist guy who was on Trixi Motel and 1541 01:17:44,800 --> 01:17:47,720 Speaker 1: the hottest guy Cobra Lily, the hottest guy I've ever 1542 01:17:47,760 --> 01:17:50,960 Speaker 1: seen in my life. Crazy. So his name is Jake. 1543 01:17:51,080 --> 01:17:53,320 Speaker 1: Follow him on the internet at Cobra Lily. His flowers 1544 01:17:53,320 --> 01:17:56,320 Speaker 1: are beautiful and he is fucking gorgeous. It's always the 1545 01:17:56,360 --> 01:17:59,680 Speaker 1: florists and the jewelers that are the hottest gay men 1546 01:18:00,080 --> 01:18:02,160 Speaker 1: in the world, in any country. And you go, what 1547 01:18:02,320 --> 01:18:05,040 Speaker 1: is up with this jewelry and flowers. It's like the 1548 01:18:05,120 --> 01:18:09,360 Speaker 1: dainty pretty things that attract like the hottest people. It's crazy, 1549 01:18:09,479 --> 01:18:13,600 Speaker 1: crazy and so and sober people and sober people, and 1550 01:18:13,640 --> 01:18:17,720 Speaker 1: they're different about him. He's like, oh he's sober. I'm like, oh, 1551 01:18:17,760 --> 01:18:21,120 Speaker 1: that's why he's like hot and nice. Okay, Like it 1552 01:18:21,160 --> 01:18:28,760 Speaker 1: seems calm, hot, nice, functional, sober. Interesting sober people are 1553 01:18:28,800 --> 01:18:32,519 Speaker 1: definitely insane and I think they'll admit it. They'll admit it, right, 1554 01:18:33,040 --> 01:18:36,040 Speaker 1: you heard it here first. Well, um, this was yet 1555 01:18:36,080 --> 01:18:40,800 Speaker 1: again another fucking blockbuster the series Trixie Motel. All the 1556 01:18:40,880 --> 01:18:44,760 Speaker 1: episodes are streamable now and you can stay at the 1557 01:18:44,800 --> 01:18:47,960 Speaker 1: goddamn hotel. And when I tell you, I mean it's 1558 01:18:48,280 --> 01:18:52,160 Speaker 1: I'm look, I'm looking at novembercause if you guys actually 1559 01:18:52,160 --> 01:18:54,080 Speaker 1: want to come, can you tell us when? And we 1560 01:18:54,120 --> 01:18:57,000 Speaker 1: could probably work out some kind of like block off 1561 01:18:57,000 --> 01:18:58,599 Speaker 1: the days for you so you can get the space 1562 01:18:58,640 --> 01:19:05,639 Speaker 1: for yourself and your friends. You. Well, we'll be in touch, okay, 1563 01:19:05,960 --> 01:19:10,400 Speaker 1: from right from Raios to here to all over the world. 1564 01:19:10,520 --> 01:19:13,559 Speaker 1: Than congratulations on your continued success. People love your pod 1565 01:19:13,640 --> 01:19:17,719 Speaker 1: and you just keep it so fun. Icon. Well, thanks 1566 01:19:17,720 --> 01:19:23,439 Speaker 1: for coming back. It is it is. We end every 1567 01:19:23,479 --> 01:19:30,880 Speaker 1: single episode Yang with the song I was waiting to 1568 01:19:30,920 --> 01:19:39,160 Speaker 1: see if you're you're the yes, I'm sure no us, 1569 01:19:39,720 --> 01:19:54,720 Speaker 1: don't even try to again. Why was that in your 1570 01:19:54,720 --> 01:19:57,439 Speaker 1: head because true. Because there are a couple of songs 1571 01:19:57,479 --> 01:20:02,479 Speaker 1: on the album on the that are giving Freaky Friday, 1572 01:20:02,880 --> 01:20:07,200 Speaker 1: and that's sounds amazing. It's an amazing soundtrack, no fucking 1573 01:20:07,240 --> 01:20:11,800 Speaker 1: skips on that one. And streaming the Blond albums and 1574 01:20:11,840 --> 01:20:16,000 Speaker 1: stream the Bond and Pink albums. Swear to God, Swear 1575 01:20:16,040 --> 01:20:20,479 Speaker 1: to God, Oh my God, bye. Uh we love you.