WEBVTT - Little White Lie

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<v Speaker 1>Family Secrets is a production of I Heart Radio. Lacey

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<v Speaker 1>Schwartz was born into a Jewish family who lived in Woodstock,

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<v Speaker 1>New York. Her twenty sixteen documentary, Little White Lye, begins

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<v Speaker 1>with glimpses of home movies Lacy as a young child

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<v Speaker 1>surrounded by her family. This is in the late nineteen seventies.

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<v Speaker 1>Her mom is fair with big blue eyes. Her dad

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<v Speaker 1>is dark haired, intense looking, brooding. Actually, her parents look

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<v Speaker 1>kind of cool, hippieish, like a young James Taylor and

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<v Speaker 1>Carly Simon, which is appropriate since this is Woodstock. And

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<v Speaker 1>then there's Lacy. What the viewer notices instantly is that

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<v Speaker 1>the child is black, but no one in her family

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<v Speaker 1>seems to notice or take in this fact. I can't

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<v Speaker 1>stress how obvious it would be to anyone looking at

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<v Speaker 1>this family that there is no way little Lacy, a

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<v Speaker 1>beautiful girl, was caramel skin, dark eyes, kinky hair, and

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<v Speaker 1>decidedly African American features, is the daughter of her two

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<v Speaker 1>very white parents. I mean, maybe she's the daughter of

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<v Speaker 1>one of them, but both out of the question. Except

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<v Speaker 1>this is a story in which what people wish to

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<v Speaker 1>believe will themselves to believe, becomes what they actually do

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<v Speaker 1>believe the story of a family who raises their only

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<v Speaker 1>child to believe that she is something other than who

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<v Speaker 1>she is. I'm Danny Shapiro, and this is family secrets,

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<v Speaker 1>secrets that are kept from us, secrets we keep from others,

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<v Speaker 1>and secrets we keep from ourselves. So did you have

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<v Speaker 1>any sense at all growing up that something didn't quite

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<v Speaker 1>make sense? Absolutely? I mean I solely because the way

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<v Speaker 1>I loved from the time I was very very um.

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<v Speaker 1>I either have memories of being questioned about the way

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<v Speaker 1>I love and why I looked the way I did

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<v Speaker 1>because I did seemed to like fit in with my

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<v Speaker 1>family and surrounding and I looked different than other people,

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<v Speaker 1>And it also became almost like a little bit of

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<v Speaker 1>family lore that you know, the first vacation, at least

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<v Speaker 1>I was aware that we went on as a family

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<v Speaker 1>and we went to Puerto Rico, and as an infant,

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<v Speaker 1>you know, people thought I was Puerto Rican. So it

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<v Speaker 1>was always very clear that people thought I looked different

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<v Speaker 1>from my parents. I know something about growing up with

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<v Speaker 1>a profound disconnect between who I was told I was

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<v Speaker 1>and the truth that stared back at me in the

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<v Speaker 1>mirror every day. A couple of years ago. As nothing

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<v Speaker 1>more than a whim, I spit into a plastic file

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<v Speaker 1>and sent a d n A sample to one of

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<v Speaker 1>those genetic testing companies. When I got my results, I

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<v Speaker 1>found out that my dad wasn't my dad. Half of

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<v Speaker 1>my family tree was locked off at the roots. The

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<v Speaker 1>person I thought I was was not the person I

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<v Speaker 1>actually was, at least not biologically. At a time when

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<v Speaker 1>I was in the midst of my freak out, a

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<v Speaker 1>friend told me about Lacey's film. I watched mesmerized as

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<v Speaker 1>a beaming black girl held the Torah on her bot mitzvah,

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<v Speaker 1>her parents proudly looking on as she read from the

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<v Speaker 1>Hagada at the pass Over table with her family, as

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<v Speaker 1>she laughed as a toddler on her mother's lap. My

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<v Speaker 1>family knew who they were, and they defined who I was,

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<v Speaker 1>the adult, Lacey narrates. I was raised in an Orthodox

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<v Speaker 1>Jewish family on my father's side. It was a lineage

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<v Speaker 1>that stretched back into the shettles of Lithuania and Poland.

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<v Speaker 1>My cousins all look unmistakably Jewish. In fact, some of

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<v Speaker 1>them wear the black hats and long beards of Hassad's.

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<v Speaker 1>I grew up in a Kosher home, spoke fluent Hebrew,

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<v Speaker 1>and attended a yeshiva at Jewish day school. And every

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<v Speaker 1>day of my life I was told that I didn't

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<v Speaker 1>look Jewish. I was very fair and blue eyed. But

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<v Speaker 1>it wasn't just that I didn't look Jewish. It was

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<v Speaker 1>that I did look like something else, like I came

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<v Speaker 1>from another part of the world altogether. But in my family,

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<v Speaker 1>we laughed off this strange genetic twist of fate that

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<v Speaker 1>had me looking like Swiss miss wandering over from the

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<v Speaker 1>Alps and into the dusty shuttle. It was a source

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<v Speaker 1>of amusement and hilarity. I mean, when I was three

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<v Speaker 1>years old, I was the child in the Kodak Christmas poster. Literally,

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<v Speaker 1>I was the little girl wishing the entire world a

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<v Speaker 1>merry Christmas. As the end credits rolled in Lacy's film,

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<v Speaker 1>I turned to my husband Michael, so I said, the

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<v Speaker 1>level of denial in her family was really extreme, not

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<v Speaker 1>like what happened in mine. Michael paused and looked at me. Yeah, no,

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<v Speaker 1>pretty much the same, he said. There's all different kinds

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<v Speaker 1>the secrets of families kind of, but a lot of

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<v Speaker 1>times it's because people's existence. They're like stigmatized. People don't

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<v Speaker 1>want to talk about having affair, they don't want to

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<v Speaker 1>talk about being inter at all, they don't want to

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<v Speaker 1>talk about the fact that maybe they are partning before

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<v Speaker 1>our marriage. There's all different kinds of things that people

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<v Speaker 1>lie about, absolutely, and we're also living in a moment

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<v Speaker 1>in time where a lot of those lies or very

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<v Speaker 1>closely kept secrets are tumbling out because of the combination

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<v Speaker 1>of the Internet and DNA testing, where people find out

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<v Speaker 1>all sorts of things that were meant to be kept

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<v Speaker 1>secrets to the grave. Yeah. No, absolutely mean. I have

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<v Speaker 1>a bunch of friends through through genetic testing, the kind

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<v Speaker 1>of over the kind of generic testing, has found out

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<v Speaker 1>that they are not their parents child. There was within

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<v Speaker 1>my family a kind of the story that was told

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<v Speaker 1>was that my father had a dark skinned Sicilian grandfather

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<v Speaker 1>who I had never met, had passed away about her

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<v Speaker 1>Warren by looking at family photos, that was who I

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<v Speaker 1>looked like. It was darker as features and c around,

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<v Speaker 1>and that it was kind of its idea like re

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<v Speaker 1>set of gene And that was a story that was

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<v Speaker 1>repeated and kind of was passed on and would come

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<v Speaker 1>up at various moments, so I would say that, you know,

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<v Speaker 1>for me and becau's really worth knowing that, in in terms

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<v Speaker 1>of my own time, I was denial that my denial

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<v Speaker 1>was very much learned, you know, it was something that

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<v Speaker 1>was passed on to me. Lazie grows up in a

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<v Speaker 1>self described bubble in Woodstock. Despite its fame, it's a

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<v Speaker 1>small town, mostly white. No one really challenges her or

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<v Speaker 1>her parents about what is glaringly obvious. But then, as

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<v Speaker 1>bubbles do, hers begins to Expand we're going to take

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<v Speaker 1>a quick break. We'll be back in a moment. When

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<v Speaker 1>Lazy enters middle school and then high school, she's bussed

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<v Speaker 1>to a much larger town, and it's then that she

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<v Speaker 1>begins to get the questions and deep down to question herself.

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<v Speaker 1>There's a moment in your film, if I were call

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<v Speaker 1>it correctly, where there's a sense that the African American

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<v Speaker 1>kids in that school are looking at you like you're

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<v Speaker 1>one of us, Like what's up that this isn't making

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<v Speaker 1>you know, like we we recognize you exactly. Part of

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<v Speaker 1>that was understanding how you know, I had come to

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<v Speaker 1>convince myself to believe that I would still I kind

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<v Speaker 1>of push back a rationalize against it, but I would

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<v Speaker 1>say that probably around high school is when kind of stuff,

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<v Speaker 1>or maybe even middle school was when I realized that

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<v Speaker 1>you dine you the truth but wasn't willing to admit it.

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<v Speaker 1>And I think I went through most of my adolescens

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<v Speaker 1>in that phase. The phase Lacy is talking about here

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<v Speaker 1>has been coined by the psychoanalyst Christopher Bolas as the

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<v Speaker 1>unthought known, what we know deep down but cannot bring

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<v Speaker 1>ourselves to think. Sometimes we spend our whole lives in

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<v Speaker 1>the unthought known, and sometimes life intervenes and we're confronted

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<v Speaker 1>with knowledge that we can no longer bury from ourselves.

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<v Speaker 1>When Lazy is sixteen, her parents, who had been having issues,

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<v Speaker 1>split up. This fissure in the foundation of her family

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<v Speaker 1>is the first step in a fissure inside of Lacey.

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<v Speaker 1>She can't articulate it, but she knows that something doesn't

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<v Speaker 1>make sense. The fall of her senior year, when she

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<v Speaker 1>applies to colleges, she leaves the box that would identify

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<v Speaker 1>her ethnicity unchecked. Back in those days, I don't think

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<v Speaker 1>college is still do this. Lacey would have sent a

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<v Speaker 1>photograph along with her application. So Lacey is admitted to

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<v Speaker 1>Georgetown as a black student. Do you remember anything about

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<v Speaker 1>that moment? Was that a conscious choice? Was that a

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<v Speaker 1>moment of I really just don't even know what to

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<v Speaker 1>put here? Or you tell me, like you know, it

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<v Speaker 1>almost feels like a challenge, like you tell me who

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<v Speaker 1>who am? I? And I've spent to a fair amount

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<v Speaker 1>of time analyzing this and discussing it with the people

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<v Speaker 1>that were close to me. But I think in retrospect

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<v Speaker 1>that what I was, even if it was, as you said,

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<v Speaker 1>the the unknown truth or what was that you said,

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<v Speaker 1>what was that crazy? The unsought known, the unsought known?

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<v Speaker 1>And that was really so my parents went around was

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<v Speaker 1>six team a junior year in high school, right, So

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<v Speaker 1>I was sending in my applications more or less that

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<v Speaker 1>summer fall afterwards. At that point I was really my

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<v Speaker 1>bubble was popped, and so I think seeped down at

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<v Speaker 1>that point. I didn't know the truth, but I was

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<v Speaker 1>very much prioritizing the issues I was dealing with my life.

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<v Speaker 1>But at the same time, largely around I wish with

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<v Speaker 1>one person, a guy that I was dating at that time,

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<v Speaker 1>who had already gone off to college, who he himself

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<v Speaker 1>was also bi racial black and had come from the

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<v Speaker 1>same sound as me and was just saying, like, yo,

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<v Speaker 1>it's one thing that you think walking around in this

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<v Speaker 1>relatively small community that we grew up in and saying

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<v Speaker 1>that you're white or you know, identifying as such. But

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<v Speaker 1>you know, when you go out into the bigger world,

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<v Speaker 1>like people are going to laugh at you, like it

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<v Speaker 1>doesn't add up. And so I was conscious enough to

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<v Speaker 1>know at that point that there were things that weren't

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<v Speaker 1>adding up, But I wasn't prepared to really do the

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<v Speaker 1>deep dive at that point under my you know, but

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<v Speaker 1>still the time my parents root, I wasn't in the

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<v Speaker 1>proximity of my parents ready to do that diving a

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<v Speaker 1>cigarette like, well, then who am I if I am

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<v Speaker 1>not the daughter of both of my parents. Lacy goes

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<v Speaker 1>off to college and begins to try on her new identity,

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<v Speaker 1>living in what she describes as a racial closet. She

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<v Speaker 1>doesn't say a word to her mother, she doesn't say

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<v Speaker 1>a word to her father. It isn't until she's been

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<v Speaker 1>away from home for her entire freshman year that she

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<v Speaker 1>broaches the subject with her mother for the first time.

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<v Speaker 1>So I went to my mother and was life with

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<v Speaker 1>then I wanted as a truth, like why do I

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<v Speaker 1>the way I did, and my mother, as she tends to,

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<v Speaker 1>kind of comes in haunt and took a whisle me

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<v Speaker 1>pushing her for her to finally kind of sit down

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<v Speaker 1>and really have the conversation about what occurred around me

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<v Speaker 1>being conceived and how likely it was that my father

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<v Speaker 1>was not my biological boma. So by the time I

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<v Speaker 1>found out and really fundamentally again, it was more a

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<v Speaker 1>confirmation process than it was a revelatory process, because by

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<v Speaker 1>the time I went to my mother and stop to her,

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<v Speaker 1>I was ready just to have the imformation firm so

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<v Speaker 1>I could confirm my own identity and be able to

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<v Speaker 1>figure out who I was. Lacy's mother does not want

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<v Speaker 1>to talk about it. At first, she denies it, but

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<v Speaker 1>eventually she tells Lazy the truth her mom had had

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<v Speaker 1>a long affair was an African American man named Rodney,

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<v Speaker 1>a friend of the family that Lacy has known growing

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<v Speaker 1>up and who Lacy resembles to such a point that

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<v Speaker 1>friends have pointed it out, and so kind of at

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<v Speaker 1>that point she shared the information and shared what is

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<v Speaker 1>basically outline it. It's not that she had had a

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<v Speaker 1>relationship with my biological father, and there was a very

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<v Speaker 1>good chance that I was to his child, and for me,

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<v Speaker 1>I mean again, based on the side that I really

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<v Speaker 1>physically looked fairly somewhere at him, it seemed pretty obvious

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<v Speaker 1>what the truth was. Once Lazy has the truth of

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<v Speaker 1>her identity confirmed, you'd think she'd pay her dad a

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<v Speaker 1>visit go talk to him. Lazy's mom tells her that

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<v Speaker 1>the two of them have never discussed it. My parents

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<v Speaker 1>never talked about the truth to this day. They haven't

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<v Speaker 1>actually really pull out had a conversation about the truth

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<v Speaker 1>for a long time, obviously because my mother. But now

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<v Speaker 1>at this point, my father guys made it clear to

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<v Speaker 1>her that he doesn't want to sit down and talk

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<v Speaker 1>it out, that he just doesn't want to talk to

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<v Speaker 1>her about it. And they had never had a moment

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<v Speaker 1>with each other when you were born or in your childhood.

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<v Speaker 1>There wasn't that when when he moved out, like when

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<v Speaker 1>they were pretty much in the processive him moving out.

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<v Speaker 1>One one moment he said, you know, I know, Lazy

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<v Speaker 1>not my biological child, and the point her, you know,

0:13:03.760 --> 0:13:05.840
<v Speaker 1>she cried and cried and said I'm sorry, I'm sorry,

0:13:05.880 --> 0:13:08.120
<v Speaker 1>But they didn't actually have a competition like that was

0:13:08.160 --> 0:13:13.320
<v Speaker 1>the expect of the competition. How long after the hemming

0:13:13.360 --> 0:13:16.080
<v Speaker 1>and hawing with your mother and then finally her admitting

0:13:16.080 --> 0:13:18.760
<v Speaker 1>to you that it was possible. How long before you

0:13:18.840 --> 0:13:22.800
<v Speaker 1>then ended up speaking with your father about it? A decade?

0:13:24.240 --> 0:13:37.000
<v Speaker 1>A decade? We're going to pause for a moment. You know,

0:13:37.160 --> 0:13:39.720
<v Speaker 1>Sometimes I wonder what I would have done if I

0:13:39.760 --> 0:13:41.600
<v Speaker 1>had found out the truth about me and my dad

0:13:41.679 --> 0:13:45.360
<v Speaker 1>while he was still alive. Now it's easy for me

0:13:45.440 --> 0:13:47.480
<v Speaker 1>to wish I could talk to him, to wish I

0:13:47.480 --> 0:13:50.440
<v Speaker 1>could ask him what he suspected or whether he flat

0:13:50.440 --> 0:13:53.640
<v Speaker 1>out new and if he did know whether it mattered.

0:13:54.600 --> 0:13:57.079
<v Speaker 1>But would I have been able to sit my father down,

0:13:57.640 --> 0:14:00.240
<v Speaker 1>look him in the eye and have that moment into

0:14:00.320 --> 0:14:05.679
<v Speaker 1>saying I am not your biological daughter. For me, I

0:14:05.720 --> 0:14:09.400
<v Speaker 1>think it was really about living for a long time

0:14:09.720 --> 0:14:14.000
<v Speaker 1>in fear that if I spoke the truth about my race,

0:14:14.120 --> 0:14:17.840
<v Speaker 1>which was directly linked to my fraternity, that I would

0:14:17.840 --> 0:14:21.600
<v Speaker 1>be at risk of losing my father, And so I

0:14:21.640 --> 0:14:23.360
<v Speaker 1>always telling my father was my father, and I was

0:14:23.440 --> 0:14:26.440
<v Speaker 1>scared of losing him, And it took me a while

0:14:27.240 --> 0:14:32.480
<v Speaker 1>to come to accept that I actually only now realized

0:14:32.520 --> 0:14:35.000
<v Speaker 1>that I probably was never really at risk of losing him,

0:14:35.600 --> 0:14:39.320
<v Speaker 1>But I actually had to accept that I had to

0:14:39.320 --> 0:14:43.200
<v Speaker 1>be willing to move forward regardless of the potential of

0:14:43.240 --> 0:14:47.080
<v Speaker 1>losing him, because I couldn't live my life under these

0:14:47.120 --> 0:14:49.920
<v Speaker 1>secrets and be able to move for with my life

0:14:49.960 --> 0:14:53.680
<v Speaker 1>in a healthy manner. And then after I was came

0:14:53.720 --> 0:14:57.640
<v Speaker 1>to that realization and acceptance and actually didn't move forward,

0:14:58.360 --> 0:15:00.960
<v Speaker 1>I came to realize that when I kind of sent

0:15:01.040 --> 0:15:04.080
<v Speaker 1>my own boundaries and owned my own truth, that in fact,

0:15:04.480 --> 0:15:08.400
<v Speaker 1>my father was fundamentally still going to be there. Like

0:15:08.560 --> 0:15:10.400
<v Speaker 1>I literally thought there one or two things was going

0:15:10.440 --> 0:15:12.760
<v Speaker 1>to happen. Either he and I were going to totally

0:15:12.800 --> 0:15:15.760
<v Speaker 1>like sit down and working all out beyond the same page,

0:15:16.240 --> 0:15:17.640
<v Speaker 1>or we were going to have nothing to do with

0:15:17.680 --> 0:15:20.440
<v Speaker 1>each other. And I didn't realize that there was a

0:15:20.520 --> 0:15:22.920
<v Speaker 1>middle ground between those two, that we could actually have

0:15:23.480 --> 0:15:26.600
<v Speaker 1>live our own separate realities but still being in each

0:15:26.600 --> 0:15:30.440
<v Speaker 1>other's lives, which is what exact happened. And it also

0:15:30.520 --> 0:15:33.680
<v Speaker 1>took me a while to really accept the fact that

0:15:33.880 --> 0:15:36.160
<v Speaker 1>nobody except for me was going to actually bring up

0:15:36.200 --> 0:15:39.640
<v Speaker 1>these conversations that in and of itself was something I

0:15:39.680 --> 0:15:41.800
<v Speaker 1>had to come to terms with. It's like why won't

0:15:41.920 --> 0:15:44.280
<v Speaker 1>they whether it was like send the family and my father,

0:15:44.360 --> 0:15:47.240
<v Speaker 1>why don't think forward was having the conversation but realizing that,

0:15:47.560 --> 0:15:50.120
<v Speaker 1>you know, this is my life and I couldn't be

0:15:50.160 --> 0:15:52.120
<v Speaker 1>a victim within my own life, and so if this

0:15:52.240 --> 0:15:53.920
<v Speaker 1>was something I needed to do, I needed to take

0:15:53.960 --> 0:15:59.240
<v Speaker 1>responsibility and do it. The discovery of such a massive

0:15:59.280 --> 0:16:02.400
<v Speaker 1>secret that was always hiding in plain sight is one thing.

0:16:03.440 --> 0:16:07.720
<v Speaker 1>The work of metabolizing it is another. It isn't easy

0:16:07.760 --> 0:16:10.840
<v Speaker 1>to digest a new truth about yourself that changes the

0:16:10.960 --> 0:16:14.920
<v Speaker 1>very nature of your identity, and in Lacey's case, this

0:16:15.000 --> 0:16:18.120
<v Speaker 1>is complicated by the fact that there's a politicized racial

0:16:18.160 --> 0:16:22.400
<v Speaker 1>identification going on. She has to reconcile being black with

0:16:22.480 --> 0:16:25.560
<v Speaker 1>a lifetime of believing she was white. She has to

0:16:25.600 --> 0:16:27.880
<v Speaker 1>come to an understanding of what it means to be

0:16:27.960 --> 0:16:32.120
<v Speaker 1>both black and Jewish. If you think about it, identity

0:16:32.200 --> 0:16:34.840
<v Speaker 1>is usually something that we're born with and grow into,

0:16:35.520 --> 0:16:39.680
<v Speaker 1>but what about when it isn't so. Lacey embarks on

0:16:39.760 --> 0:16:43.560
<v Speaker 1>making her documentary first thinking that she's going to explore

0:16:43.640 --> 0:16:48.400
<v Speaker 1>dual identity, what she calls two iconic identities, being black

0:16:48.640 --> 0:16:52.360
<v Speaker 1>and being Jewish, But as she begins working on the film,

0:16:52.400 --> 0:16:55.360
<v Speaker 1>she realizes that while it's a good idea. She doesn't

0:16:55.400 --> 0:16:59.160
<v Speaker 1>quite know what the story is until she realizes that

0:16:59.360 --> 0:17:03.680
<v Speaker 1>she and her family is the story. And one of

0:17:03.680 --> 0:17:06.000
<v Speaker 1>the things I think is most interesting about this is

0:17:06.040 --> 0:17:10.240
<v Speaker 1>that the art form Lazy chooses film is a visual, clear,

0:17:10.359 --> 0:17:13.320
<v Speaker 1>direct medium, one in which Lacey would be pointing the

0:17:13.359 --> 0:17:17.000
<v Speaker 1>camera at her parents who never ever wanted to talk

0:17:17.040 --> 0:17:21.560
<v Speaker 1>about this, and essentially pushed them to talk. Like, you

0:17:21.600 --> 0:17:23.520
<v Speaker 1>didn't make an opera out of it. You make a

0:17:23.520 --> 0:17:25.120
<v Speaker 1>book out of it. You to make a play out

0:17:25.119 --> 0:17:27.119
<v Speaker 1>of it, or a poem out of it, or a

0:17:27.160 --> 0:17:30.560
<v Speaker 1>podcast out of it. You made a film. It's like,

0:17:31.119 --> 0:17:32.840
<v Speaker 1>in a way, what it feels like to me is

0:17:32.880 --> 0:17:35.399
<v Speaker 1>you were saying, I'm going to pin this down as

0:17:35.480 --> 0:17:38.040
<v Speaker 1>much as it can be pinned down, because it wasn't

0:17:38.080 --> 0:17:42.159
<v Speaker 1>pinned down for all of those years. It really is

0:17:42.160 --> 0:17:44.959
<v Speaker 1>like a coming out product. You know. I had literally

0:17:45.160 --> 0:17:47.639
<v Speaker 1>lived in regi Ploset where it was out and about

0:17:47.680 --> 0:17:50.399
<v Speaker 1>in my world and kind of you know, identifying a

0:17:50.400 --> 0:17:52.080
<v Speaker 1>certain way that I would come home and I with

0:17:52.200 --> 0:17:54.320
<v Speaker 1>whitewash and my existence and I would tell France, you know,

0:17:54.400 --> 0:17:57.879
<v Speaker 1>remember my we don't talk about me being black at

0:17:57.880 --> 0:18:01.760
<v Speaker 1>home from the just I had to live it and

0:18:01.800 --> 0:18:05.840
<v Speaker 1>therefore capturing the living of it. Just made sense to

0:18:05.920 --> 0:18:08.720
<v Speaker 1>me just to go through it and just hold myself

0:18:08.760 --> 0:18:12.000
<v Speaker 1>accountable to really not only living through it, but then

0:18:12.080 --> 0:18:15.160
<v Speaker 1>actually going back and processing it. And this just felt

0:18:15.200 --> 0:18:17.359
<v Speaker 1>like the way that made the most soundsels I was

0:18:17.400 --> 0:18:21.040
<v Speaker 1>really living out experience, and doing a documentary was really

0:18:21.080 --> 0:18:23.719
<v Speaker 1>capturing what was happening in real time at that moment.

0:18:23.960 --> 0:18:27.520
<v Speaker 1>Right Also, it gives you permission and forces you in

0:18:27.560 --> 0:18:31.240
<v Speaker 1>a certain way to ask the tough questions to go there,

0:18:31.560 --> 0:18:34.080
<v Speaker 1>to keep your mother in the chair, to have that conversation,

0:18:34.200 --> 0:18:36.720
<v Speaker 1>to have that conversation with your father um which no

0:18:36.760 --> 0:18:39.560
<v Speaker 1>other art form would afford you. Until I uncovered my

0:18:39.560 --> 0:18:42.240
<v Speaker 1>family's secrets, I was never going to learn to live

0:18:42.280 --> 0:18:44.679
<v Speaker 1>with my joy identity being black and Jewish, and I

0:18:44.720 --> 0:18:47.359
<v Speaker 1>was never going to be able to internally integrate my

0:18:47.480 --> 0:18:50.600
<v Speaker 1>identities until I was willing to go through the process

0:18:50.680 --> 0:18:57.240
<v Speaker 1>of moving past my family secrets. I suppose that it's

0:18:57.280 --> 0:19:00.720
<v Speaker 1>core this is a story about the extraordinary a capacity

0:19:00.760 --> 0:19:03.440
<v Speaker 1>that we human beings have to believe what we want

0:19:03.480 --> 0:19:07.080
<v Speaker 1>to believe, to bury our own secrets, even from ourselves,

0:19:07.800 --> 0:19:10.760
<v Speaker 1>and at the same time the capacity we also have

0:19:11.200 --> 0:19:14.919
<v Speaker 1>to shed those secrets to move past them and become

0:19:15.240 --> 0:19:21.119
<v Speaker 1>holy ourselves. You now have five year old twins, is

0:19:21.119 --> 0:19:24.920
<v Speaker 1>that right? So in your family life, how does being

0:19:24.960 --> 0:19:28.240
<v Speaker 1>black and Jewish play into the way that you think

0:19:28.280 --> 0:19:32.040
<v Speaker 1>about raising your kids and dual identity and is this

0:19:32.200 --> 0:19:34.280
<v Speaker 1>kind of an ongoing story in a way for you

0:19:34.440 --> 0:19:37.960
<v Speaker 1>part of what you think about as a mom as

0:19:38.040 --> 0:19:40.119
<v Speaker 1>having kids of your own now totally, I mean, I

0:19:40.160 --> 0:19:42.680
<v Speaker 1>think I'm infertan ways. I think I'm very typical, which

0:19:42.720 --> 0:19:45.399
<v Speaker 1>is that like identified with the Jewish, I've always practiced

0:19:45.480 --> 0:19:48.520
<v Speaker 1>in my own way my whole life. But now I'm

0:19:48.560 --> 0:19:50.720
<v Speaker 1>figuring out what that means in my family and my husband,

0:19:50.760 --> 0:19:53.680
<v Speaker 1>who was raised in Baptist Church. We are raising the

0:19:53.840 --> 0:19:56.240
<v Speaker 1>kids Jewish, but we're figuring out what that means, you know,

0:19:56.280 --> 0:19:58.480
<v Speaker 1>my husband is not Jewish. But also to know who

0:19:58.480 --> 0:20:00.040
<v Speaker 1>they are on every piece of it. I mean, I

0:20:00.040 --> 0:20:02.679
<v Speaker 1>think that for us the thing that helps us that

0:20:02.720 --> 0:20:05.639
<v Speaker 1>our world are not divided in that space. Like my

0:20:05.760 --> 0:20:08.200
<v Speaker 1>in law is even expressed, you know interest in coming

0:20:08.240 --> 0:20:10.760
<v Speaker 1>to synagogue. We have a church with them on some

0:20:10.840 --> 0:20:12.919
<v Speaker 1>of the big holidays. I think that you know, we

0:20:13.040 --> 0:20:15.199
<v Speaker 1>wanted to know who they are completely and totally, but

0:20:15.240 --> 0:20:17.560
<v Speaker 1>we're still figuring it out. I mean, I think everybody

0:20:17.640 --> 0:20:25.920
<v Speaker 1>is figuring out. Previously, when I wasn't like kind of

0:20:25.960 --> 0:20:28.159
<v Speaker 1>speaking my truth and owning and and I hadn't had

0:20:28.160 --> 0:20:30.440
<v Speaker 1>the conversation with my family, I lived with a lot

0:20:30.480 --> 0:20:33.560
<v Speaker 1>of anxiety about things being revealed. And you can see

0:20:33.840 --> 0:20:36.439
<v Speaker 1>some of those moments within the film and the tension

0:20:36.520 --> 0:20:38.840
<v Speaker 1>that I was living with and I don't live with

0:20:38.880 --> 0:20:42.400
<v Speaker 1>them anymore. That is actually gone from my life, that

0:20:42.400 --> 0:20:45.080
<v Speaker 1>that anxiety has been relieved, And so there are a

0:20:45.240 --> 0:20:47.879
<v Speaker 1>very physical difference in terms of how I lived my

0:20:47.960 --> 0:20:50.320
<v Speaker 1>life now and how I was putting it before, Like

0:20:50.440 --> 0:20:55.600
<v Speaker 1>the apprehension and anxiety around this secret being will be

0:20:55.640 --> 0:20:59.680
<v Speaker 1>able to talk about our reference is now gone, and

0:20:59.760 --> 0:21:11.720
<v Speaker 1>I feel that physical difference. I'd like to thank my

0:21:11.800 --> 0:21:14.959
<v Speaker 1>guest Lacey Schwartz for sharing her story with us today.

0:21:15.560 --> 0:21:18.399
<v Speaker 1>You can find out more about her documentary at Little

0:21:18.480 --> 0:21:23.000
<v Speaker 1>White Lie. The film dot com. Family Secrets is an

0:21:23.000 --> 0:21:26.720
<v Speaker 1>I Heart Media production. Dylan Fagan is a supervising producer,

0:21:27.200 --> 0:21:30.520
<v Speaker 1>Andrew Howard and Tristan McNeil are the audio engineers, and

0:21:30.600 --> 0:21:34.200
<v Speaker 1>Julie Douglas is the executive producer. If you have a

0:21:34.240 --> 0:21:36.560
<v Speaker 1>family Secret, you'd like to share. You can get in

0:21:36.640 --> 0:21:39.960
<v Speaker 1>touch with us at listener mail at Family Secrets Podcast

0:21:40.080 --> 0:21:43.400
<v Speaker 1>dot com, and you can also find us on Instagram

0:21:43.440 --> 0:21:47.720
<v Speaker 1>at Danny Writer, and Facebook at Family Secrets Pod and

0:21:47.760 --> 0:21:51.760
<v Speaker 1>Twitter at fam Secrets Pod. That's FAMI Secret Spot. For

0:21:51.880 --> 0:22:00.840
<v Speaker 1>more about my book, Inheritance, visit Danny Shapiro dot com