1 00:00:05,160 --> 00:00:07,760 Speaker 1: Hey, this is Anny and Samantha. I'm welcome to Stephane. 2 00:00:07,840 --> 00:00:19,160 Speaker 1: Never told you protection of I Heart Radio. And today 3 00:00:19,360 --> 00:00:22,720 Speaker 1: it is time for a second in the month of May, 4 00:00:23,640 --> 00:00:26,600 Speaker 1: feminist movie Friday. Well, the last one is a feminist 5 00:00:26,640 --> 00:00:28,280 Speaker 1: movie Wednesday. This one might be too, but I think 6 00:00:28,320 --> 00:00:35,320 Speaker 1: it's a Friday feminist movie. Feminist movie Day. Yes, Yes, 7 00:00:35,479 --> 00:00:38,440 Speaker 1: And this one I'm really really excited to talk about. 8 00:00:39,280 --> 00:00:42,360 Speaker 1: It was a suggestion of yours and you have some 9 00:00:42,520 --> 00:00:46,960 Speaker 1: really fond memories of it, right, I do. So. Obviously 10 00:00:47,240 --> 00:00:51,720 Speaker 1: we had to do something for Asian Pacific American Heritage Month. 11 00:00:52,159 --> 00:00:56,320 Speaker 1: It needed to be done. You're welcome, um. And even 12 00:00:56,360 --> 00:00:59,120 Speaker 1: though it's not in the US, this is one of 13 00:00:59,160 --> 00:01:02,080 Speaker 1: the first bill I think I really watched where I 14 00:01:02,160 --> 00:01:05,679 Speaker 1: was like, oh, look, an Asian character that is being 15 00:01:05,720 --> 00:01:10,080 Speaker 1: seen as human and not just the sidekick or the 16 00:01:10,200 --> 00:01:13,920 Speaker 1: comic relief and actually seen as the it girl, the 17 00:01:13,959 --> 00:01:17,280 Speaker 1: actual girl who gets the main guy. Oh my god. 18 00:01:17,720 --> 00:01:21,399 Speaker 1: And also highlights one of the big actress is since 19 00:01:21,440 --> 00:01:26,240 Speaker 1: then Kira Knightley. Yes, Ben did like Beckham and when 20 00:01:26,280 --> 00:01:28,720 Speaker 1: we were originally trying to find a movie, because I 21 00:01:28,760 --> 00:01:30,000 Speaker 1: was like, we need to we need to do this, 22 00:01:30,120 --> 00:01:33,240 Speaker 1: we already, we already did Joint Luck Club as a book, 23 00:01:33,400 --> 00:01:34,959 Speaker 1: So do we need to do the film? I don't know, 24 00:01:34,959 --> 00:01:37,759 Speaker 1: blah blah blah. And then I mentioned this movie and 25 00:01:37,800 --> 00:01:39,800 Speaker 1: you said, oh, yeah, I've never seen it, in which 26 00:01:39,840 --> 00:01:41,760 Speaker 1: I was like, Okay, yeah, that's it. We're watching this 27 00:01:42,400 --> 00:01:46,480 Speaker 1: immediately because I was one of my favorite films. So 28 00:01:46,520 --> 00:01:49,400 Speaker 1: this was two years after I graduated high school, three 29 00:01:49,480 --> 00:01:54,120 Speaker 1: years and I just loved everything about Somewhat wholesome. Uh. 30 00:01:54,160 --> 00:01:59,000 Speaker 1: It was a big movie directed by an Indian director 31 00:01:59,320 --> 00:02:03,240 Speaker 1: who also had one of my favorite Bollywood films, Bride 32 00:02:03,320 --> 00:02:06,560 Speaker 1: and Prejudice, and y'all, if you've never seen it, I 33 00:02:06,640 --> 00:02:10,720 Speaker 1: remember watching this in college and loving every bit of it. 34 00:02:10,800 --> 00:02:13,520 Speaker 1: As cheesy as it can get, but delightful as it 35 00:02:13,560 --> 00:02:16,200 Speaker 1: can get because it's Bollywood, and if you don't know 36 00:02:16,240 --> 00:02:20,680 Speaker 1: what Bollywood is, it's delightful. It is amazing, it is colorful, 37 00:02:20,800 --> 00:02:25,440 Speaker 1: it is bright. It makes you feel nice. Yeah. Of 38 00:02:25,480 --> 00:02:27,200 Speaker 1: course we're not going to talk about any of the 39 00:02:27,200 --> 00:02:30,400 Speaker 1: politics of it, all of Bollywood industry, but in itself 40 00:02:30,680 --> 00:02:33,800 Speaker 1: it was highly celebrated and loved, and the fact that 41 00:02:33,840 --> 00:02:37,480 Speaker 1: it had some international reigns during that time, it was awesome. 42 00:02:37,639 --> 00:02:40,760 Speaker 1: So bend it like Beckham is one of my favorite movies. 43 00:02:41,080 --> 00:02:44,200 Speaker 1: I used to watch it all the time. As in fact, 44 00:02:44,800 --> 00:02:49,320 Speaker 1: I found my DVD for this and watched it. I 45 00:02:49,360 --> 00:02:52,320 Speaker 1: watched about myself in my room. I was very just delighted, 46 00:02:52,320 --> 00:02:54,200 Speaker 1: almost psychology and be like if you need to borrow 47 00:02:54,200 --> 00:03:01,040 Speaker 1: my davy because I loved everything about it. I loved 48 00:03:01,200 --> 00:03:03,959 Speaker 1: like again, like I said, the heroine in this movie 49 00:03:04,360 --> 00:03:08,840 Speaker 1: is an Indian woman who is phenomenal and gets the boy, 50 00:03:08,919 --> 00:03:11,040 Speaker 1: even though we really didn't need the boy. But still 51 00:03:11,560 --> 00:03:14,960 Speaker 1: for a person who had always seen rom coms and 52 00:03:15,000 --> 00:03:17,400 Speaker 1: it was always the white girl and the handsome man, 53 00:03:18,080 --> 00:03:20,960 Speaker 1: to see this even though she and I are not 54 00:03:21,040 --> 00:03:23,000 Speaker 1: of the same ethnicity, you know, none of that. Were 55 00:03:23,080 --> 00:03:24,760 Speaker 1: not from the same country, none of that. But it 56 00:03:24,880 --> 00:03:29,600 Speaker 1: still felt representative because I was starved for representation. But 57 00:03:29,639 --> 00:03:32,200 Speaker 1: this was close and it made me feel all the 58 00:03:32,200 --> 00:03:34,400 Speaker 1: good fields. Also, I really loved soccer, so it was 59 00:03:34,480 --> 00:03:41,640 Speaker 1: even better. Oh nice. Yeah, So I remember when this 60 00:03:41,720 --> 00:03:45,520 Speaker 1: came out, I wanted to see it. I remember, I'm 61 00:03:45,560 --> 00:03:51,320 Speaker 1: a big person. I will rely on like word of mouth. 62 00:03:52,200 --> 00:03:54,760 Speaker 1: Uh so there's some movies I'm just gonna see or 63 00:03:54,880 --> 00:03:56,400 Speaker 1: that I'm interested to see but a lot of times 64 00:03:56,440 --> 00:03:58,680 Speaker 1: it will be like, hey, maybe, but if some people 65 00:03:58,720 --> 00:04:01,400 Speaker 1: I trust are like, oh, you've got to go, then 66 00:04:01,440 --> 00:04:04,240 Speaker 1: I want to go, and that this movie was one 67 00:04:04,280 --> 00:04:08,040 Speaker 1: of those. And I also loved soccer, which, by the way, 68 00:04:08,480 --> 00:04:10,560 Speaker 1: I'm gonna once we get into the plot, we're gonna 69 00:04:10,560 --> 00:04:14,680 Speaker 1: switch to sag football. Um. But yeah, I also love soccer, 70 00:04:14,720 --> 00:04:18,240 Speaker 1: and my friends did and my brothers did. And I 71 00:04:18,320 --> 00:04:22,640 Speaker 1: remember that. I remember the trailer really well and watching 72 00:04:22,680 --> 00:04:25,800 Speaker 1: it and be like, oh, because they weren't they weren't 73 00:04:25,839 --> 00:04:30,960 Speaker 1: sexualizing the players. Uh. And they were really talented, like 74 00:04:31,000 --> 00:04:34,320 Speaker 1: they were really good. Uh. So I remember watching it 75 00:04:34,440 --> 00:04:38,400 Speaker 1: and wanting to see it, But at the time, I 76 00:04:38,480 --> 00:04:44,640 Speaker 1: believe there was no theater. Hear me. It was a 77 00:04:44,680 --> 00:04:47,040 Speaker 1: struggle to get to the movie theater. It was like 78 00:04:47,360 --> 00:04:51,360 Speaker 1: a push to get my parents to do it, and 79 00:04:51,480 --> 00:04:54,320 Speaker 1: for whatever reason, it has never happened. But I I'm 80 00:04:54,400 --> 00:04:56,360 Speaker 1: glad to have watched it. I watched it last night 81 00:04:57,040 --> 00:05:00,960 Speaker 1: and I almost texted you about the opening graphics because 82 00:05:00,960 --> 00:05:05,960 Speaker 1: it's very two thousand and two. Oh yes, somewhere all 83 00:05:06,040 --> 00:05:11,479 Speaker 1: the phones and the posters and everything about Yes, yes, 84 00:05:11,880 --> 00:05:14,919 Speaker 1: I think I saw some butterfly clips a lot of 85 00:05:14,960 --> 00:05:20,320 Speaker 1: butterfly clips. I loved it. I was like, oh yeah, yes, 86 00:05:20,480 --> 00:05:22,760 Speaker 1: and I really really enjoyed it too. I thought it 87 00:05:22,839 --> 00:05:27,159 Speaker 1: was I thought it held up really well, and it was. 88 00:05:27,200 --> 00:05:33,279 Speaker 1: It was very it was a fun, joyous movie that 89 00:05:33,440 --> 00:05:35,200 Speaker 1: it was like. It had a lot of drama, but 90 00:05:35,279 --> 00:05:38,400 Speaker 1: overall things kind of worked out and that was nice. 91 00:05:38,440 --> 00:05:40,280 Speaker 1: It was a happy ending, which is what I need 92 00:05:40,279 --> 00:05:43,800 Speaker 1: in life right now, Okay, and need happy endings. And 93 00:05:43,839 --> 00:05:46,480 Speaker 1: it was actually soon after I believe that the Spice 94 00:05:46,520 --> 00:05:49,560 Speaker 1: girls broke up in this film. I want to say 95 00:05:49,600 --> 00:05:51,480 Speaker 1: that's the truth. Maybe it's not. It was definitely late 96 00:05:51,520 --> 00:05:55,839 Speaker 1: because hey day, it was so like you have mel 97 00:05:56,680 --> 00:05:59,839 Speaker 1: a sporty Spice. You'll have you'll hear her soundtrack in there. 98 00:06:00,200 --> 00:06:05,280 Speaker 1: Oh really it's her song? Yeah, yeah, that's her. I 99 00:06:05,320 --> 00:06:09,480 Speaker 1: think singles debut, so sporty Spice. I think it's all right. 100 00:06:09,880 --> 00:06:12,520 Speaker 1: She has some checks in there. Yeah, I got I 101 00:06:12,560 --> 00:06:15,000 Speaker 1: got some fun facts. Okay, oh why can't wait? I 102 00:06:15,080 --> 00:06:18,000 Speaker 1: have some fun facts too. I'll be interested if you 103 00:06:18,200 --> 00:06:21,040 Speaker 1: if you know the same fun backs as me, probably 104 00:06:21,640 --> 00:06:26,440 Speaker 1: probably let's get into it and see. All right, So 105 00:06:26,839 --> 00:06:30,400 Speaker 1: the plot Mennet light Beckham is a two thousand two 106 00:06:30,440 --> 00:06:34,840 Speaker 1: sports comedy movie, written, produced, and directed by Grinder Shata. 107 00:06:35,279 --> 00:06:40,839 Speaker 1: It stars Parminder Nagra as Jess Mender, Jess car Brahma, 108 00:06:40,920 --> 00:06:45,320 Speaker 1: Here Nightley as Juliet, Jules Paxson, Archie Punjabi as Pinky 109 00:06:45,400 --> 00:06:50,240 Speaker 1: car Bambra, and Jonathan Rice Myers as Joe. The title 110 00:06:50,600 --> 00:06:55,839 Speaker 1: refers to how football slash soccer player David Beckham was 111 00:06:55,880 --> 00:06:57,920 Speaker 1: known for getting past a line of defenders on the 112 00:06:57,920 --> 00:07:00,240 Speaker 1: field with a free kick that curved the ball. There's 113 00:07:00,240 --> 00:07:02,760 Speaker 1: actually really fascinating science behind us, but that's a different 114 00:07:02,760 --> 00:07:07,600 Speaker 1: podcast though. Shada also spoke about the bending and how 115 00:07:07,600 --> 00:07:10,240 Speaker 1: it referred to how women have to move to succeed 116 00:07:10,280 --> 00:07:13,640 Speaker 1: in a male dominated industry. And here's a quote. We 117 00:07:13,680 --> 00:07:16,280 Speaker 1: can see the goal, but we too, like David Beckham, 118 00:07:16,400 --> 00:07:18,160 Speaker 1: need to approach it in such a way where we 119 00:07:18,200 --> 00:07:20,800 Speaker 1: twist and turn and bend our way into it. My 120 00:07:20,880 --> 00:07:22,880 Speaker 1: film is about bending the rules to get what you 121 00:07:22,920 --> 00:07:27,520 Speaker 1: want instead of breaking the rules. And funny enough to me, 122 00:07:28,360 --> 00:07:31,200 Speaker 1: it was almost called move it like Mia as in 123 00:07:31,360 --> 00:07:36,040 Speaker 1: Mia Ham, because studio execs, We're afraid Americans wouldn't know 124 00:07:36,040 --> 00:07:39,840 Speaker 1: who David Beckham was. But Shadow was like, nope, no, 125 00:07:40,120 --> 00:07:43,400 Speaker 1: we're not doing that, and actually a black player named 126 00:07:43,400 --> 00:07:46,960 Speaker 1: Ian Wright was the inspiration for this whole idea. It was. 127 00:07:47,120 --> 00:07:49,920 Speaker 1: This movie was a critical and financial success and it 128 00:07:50,040 --> 00:07:53,320 Speaker 1: accomplished a lot of first first Western movie to be 129 00:07:53,400 --> 00:07:57,000 Speaker 1: publicly shown and later broadcasted in North Korea for instance, 130 00:07:57,440 --> 00:08:00,520 Speaker 1: and Shadow was the first British Asian woman to ever 131 00:08:00,560 --> 00:08:04,240 Speaker 1: direct a feature film, and she wanted it to be 132 00:08:04,360 --> 00:08:09,560 Speaker 1: a look at the evolving idea of Britishness in it 133 00:08:09,640 --> 00:08:12,680 Speaker 1: was adapted into a West End musical as well, right, 134 00:08:13,160 --> 00:08:14,720 Speaker 1: I think she actually had a hand in that as well. 135 00:08:14,800 --> 00:08:17,600 Speaker 1: The director. Yeah, I love that because I remember it 136 00:08:17,680 --> 00:08:21,000 Speaker 1: being such a big deal that this British Asian woman 137 00:08:21,240 --> 00:08:25,960 Speaker 1: did this huge film that was internationally successful, because we 138 00:08:26,040 --> 00:08:28,880 Speaker 1: know it's hard, it's hard for any director in general, 139 00:08:28,920 --> 00:08:32,240 Speaker 1: but then a person of color coming through with combining 140 00:08:32,520 --> 00:08:35,200 Speaker 1: Indian culture with British culture and not just being British 141 00:08:35,240 --> 00:08:38,720 Speaker 1: forward is amazing. Um, And I remember that being the 142 00:08:38,840 --> 00:08:42,680 Speaker 1: big chunk of success and surprise that it was a success, 143 00:08:43,120 --> 00:08:47,199 Speaker 1: and I loved it. So the plot follows Jess, who 144 00:08:47,240 --> 00:08:49,960 Speaker 1: is the daughter of Indian Seeks living in London and 145 00:08:50,080 --> 00:08:53,839 Speaker 1: just loves football. So the beginning scene, as we see 146 00:08:53,880 --> 00:08:57,360 Speaker 1: her imagining playing with Beckham is quite a fun scene. 147 00:08:57,800 --> 00:09:01,920 Speaker 1: The cut the uh editing of that is quite funny 148 00:09:02,200 --> 00:09:04,880 Speaker 1: and has Actually those are real broadcasters if you have 149 00:09:05,679 --> 00:09:08,559 Speaker 1: watched the movie, that were for sports commentators for English 150 00:09:08,559 --> 00:09:10,959 Speaker 1: football at that point in time, so to have them 151 00:09:11,480 --> 00:09:16,079 Speaker 1: come on was a big deal too. Nonetheless, but she yes, 152 00:09:16,160 --> 00:09:19,080 Speaker 1: she loves football, but her parents don't approve of our 153 00:09:19,120 --> 00:09:23,080 Speaker 1: playing because she is a girl. However, just sometimes plays 154 00:09:23,080 --> 00:09:25,640 Speaker 1: football with the boys in the park, including her friend Tony, 155 00:09:25,679 --> 00:09:28,280 Speaker 1: who is very encouraging by the way that we find 156 00:09:28,320 --> 00:09:30,920 Speaker 1: out later as they closeted gay man is really sweet 157 00:09:30,960 --> 00:09:33,839 Speaker 1: how they accept each other. But the part of her 158 00:09:33,880 --> 00:09:36,600 Speaker 1: actually playing football she kind of hides from her parents. 159 00:09:36,600 --> 00:09:38,360 Speaker 1: They allow it, they kind of let it slide, but 160 00:09:38,360 --> 00:09:40,560 Speaker 1: they're hoping she'll grow out of it, so she doesn't 161 00:09:40,600 --> 00:09:44,120 Speaker 1: tell them, but because they're really focused on the fact 162 00:09:44,200 --> 00:09:47,240 Speaker 1: that their oldest daughter, her sister Pinky, is about to 163 00:09:47,280 --> 00:09:50,600 Speaker 1: get married, which is a point of pride at this point. 164 00:09:51,320 --> 00:09:54,720 Speaker 1: So one day Justice skills at football draws the attention 165 00:09:54,840 --> 00:09:58,200 Speaker 1: of Jewels Kara Knightley, who was a member of a 166 00:09:58,240 --> 00:10:02,640 Speaker 1: local amateur women's football team called the Hounslow Harriers. They 167 00:10:02,640 --> 00:10:04,920 Speaker 1: are not they were not a real team. The two 168 00:10:04,880 --> 00:10:07,839 Speaker 1: have become friends and Jules convinces just to try out 169 00:10:07,880 --> 00:10:10,040 Speaker 1: for the team, saying, yeah, you'll do great. I've watched 170 00:10:10,080 --> 00:10:12,560 Speaker 1: you for a little bit and you were awesome. The 171 00:10:12,600 --> 00:10:15,680 Speaker 1: team is led by a young Irish fellow named Joe, 172 00:10:15,760 --> 00:10:19,880 Speaker 1: whose professional football aspirations were cut short due to his injuries. 173 00:10:20,800 --> 00:10:23,880 Speaker 1: After she's accepted on the team, you know, he starts 174 00:10:23,880 --> 00:10:25,880 Speaker 1: off with like, oh no, who was his amateur too? 175 00:10:25,920 --> 00:10:30,360 Speaker 1: Okay okay. Jess pretends to get a part time job 176 00:10:30,760 --> 00:10:33,000 Speaker 1: to get around her parents rule that she couldn't play 177 00:10:33,040 --> 00:10:34,880 Speaker 1: after she tries to tell them she wants to play. 178 00:10:35,120 --> 00:10:38,240 Speaker 1: So Joe discovers her deception and goes to her father 179 00:10:38,320 --> 00:10:40,600 Speaker 1: to convince him because she got caught and so she's like, no, 180 00:10:40,640 --> 00:10:43,160 Speaker 1: I can't go. He tries to go let them know, Hey, 181 00:10:43,200 --> 00:10:46,160 Speaker 1: I'm cool. Everything's great, she can play, but the parents 182 00:10:46,200 --> 00:10:50,120 Speaker 1: are like na bron her father telling Joe he doesn't 183 00:10:50,160 --> 00:10:53,439 Speaker 1: want Jess to experience the anti Indian attitudes he encountered 184 00:10:53,440 --> 00:10:55,800 Speaker 1: when he was excluded from a cricket club. And it's 185 00:10:55,800 --> 00:10:59,920 Speaker 1: a really sad tale. Yeah, but not to meet the 186 00:11:00,000 --> 00:11:03,160 Speaker 1: herd and with Pinky's help. Jess plays a match in 187 00:11:03,200 --> 00:11:05,960 Speaker 1: Germany where the Harriers lose after Jess doesn't make a 188 00:11:05,960 --> 00:11:09,360 Speaker 1: penalty kick. Later that night, they go out clubbing um 189 00:11:09,400 --> 00:11:12,520 Speaker 1: and Jules walks in on Jess and Joe about to kiss, 190 00:11:13,160 --> 00:11:17,520 Speaker 1: and it hurts their relationship because Jules is attracted to 191 00:11:17,640 --> 00:11:22,440 Speaker 1: Joe too. At the same time, Jess's parents find out 192 00:11:22,440 --> 00:11:24,800 Speaker 1: that she attended the match through an article in the paper. 193 00:11:26,559 --> 00:11:28,920 Speaker 1: Once they're back home, Jess goes to Jules to try 194 00:11:28,960 --> 00:11:31,560 Speaker 1: to mend their friendship, but jules mother overhears some of 195 00:11:31,600 --> 00:11:35,280 Speaker 1: their conversation and leaves them to be in a lesbian relationship. 196 00:11:36,280 --> 00:11:39,240 Speaker 1: Jess's father goes to one of her games without telling 197 00:11:39,240 --> 00:11:41,040 Speaker 1: her and sees one of the players in the opposing 198 00:11:41,040 --> 00:11:43,720 Speaker 1: team use a racial slur against her, and then he 199 00:11:43,760 --> 00:11:47,760 Speaker 1: also sees how Joe comforts her after Um. This is 200 00:11:47,800 --> 00:11:49,720 Speaker 1: a lot. A lot happens in this film. There's a 201 00:11:49,720 --> 00:11:51,760 Speaker 1: lot of drama as in fact, I don't think we's 202 00:11:51,760 --> 00:11:54,000 Speaker 1: talked about it. But Jules's mother is also very opposed 203 00:11:54,000 --> 00:11:57,680 Speaker 1: to her being in football because it's too butch and manly. 204 00:11:57,720 --> 00:12:02,280 Speaker 1: As she says talking about sporty Spice doesn't have a 205 00:12:02,400 --> 00:12:04,600 Speaker 1: fella she's the only one that doesn't have a fella, 206 00:12:04,720 --> 00:12:07,440 Speaker 1: and she says and even tries to get her to 207 00:12:07,440 --> 00:12:11,719 Speaker 1: buy sexy clothing less such as lingerie, And so her 208 00:12:11,840 --> 00:12:14,200 Speaker 1: nightmare is that she would not be with a man 209 00:12:14,280 --> 00:12:16,439 Speaker 1: at all. Oh my god, right, and we're going to 210 00:12:16,559 --> 00:12:18,760 Speaker 1: talk about that for sure. She was definitely a character. 211 00:12:18,880 --> 00:12:22,040 Speaker 1: Was like, oh wow, you just set that out out, 212 00:12:22,120 --> 00:12:27,840 Speaker 1: did you? Okay? And then for more drama, it turns 213 00:12:27,880 --> 00:12:31,400 Speaker 1: out that Pinky's wedding is the same day as the 214 00:12:31,480 --> 00:12:34,680 Speaker 1: championship match that was going to be attended by an 215 00:12:34,720 --> 00:12:39,480 Speaker 1: American Talent scout. Jess is noticeably upset at the wedding, 216 00:12:40,080 --> 00:12:42,760 Speaker 1: and her father finally urges her to go to the 217 00:12:42,760 --> 00:12:45,840 Speaker 1: game so she can be happy for her sister's wedding day. 218 00:12:46,240 --> 00:12:49,720 Speaker 1: So Jess high tails it over to the game, changing 219 00:12:49,800 --> 00:12:51,760 Speaker 1: clothes and back of the car, which I was like, yo, 220 00:12:52,200 --> 00:12:55,480 Speaker 1: I've been there. At first, the Harriers are behind, but 221 00:12:55,520 --> 00:12:58,320 Speaker 1: they come back and win thanks to a free kick 222 00:12:58,520 --> 00:13:02,800 Speaker 1: from Jess. After the game, the talent scout offers both 223 00:13:02,920 --> 00:13:07,640 Speaker 1: Jess and Jewels sports scholarships for California's Santa Clara University, 224 00:13:08,200 --> 00:13:11,679 Speaker 1: and so they're ecstatic of course, Um and they hug 225 00:13:11,760 --> 00:13:14,640 Speaker 1: and they kiss, and jules mom sees this and she's 226 00:13:14,679 --> 00:13:19,959 Speaker 1: only further convinced that they must be in a romantic relationship. 227 00:13:20,880 --> 00:13:24,400 Speaker 1: She drives Jewels to meet Jess at the wedding, but 228 00:13:24,440 --> 00:13:27,079 Speaker 1: then accuses Jess of being a lesbian and a hypocrite 229 00:13:27,520 --> 00:13:30,040 Speaker 1: and an angry Jewels kind of steps into career things 230 00:13:30,120 --> 00:13:32,880 Speaker 1: up and pulls her way and they drive away quite angrily. 231 00:13:48,920 --> 00:13:51,040 Speaker 1: One of the big things in the key plots is 232 00:13:51,760 --> 00:13:54,280 Speaker 1: because she was seen with jewels and they were hugging, 233 00:13:54,400 --> 00:13:58,000 Speaker 1: Jess was seen with jewels. The in laws feature in 234 00:13:58,080 --> 00:14:01,360 Speaker 1: laws of her sister see that backs then only assumed 235 00:14:01,440 --> 00:14:04,600 Speaker 1: that that she was kissing on a boy short hair, jewels, 236 00:14:04,600 --> 00:14:08,040 Speaker 1: you know, and calls off the wedding because she feels 237 00:14:08,040 --> 00:14:10,319 Speaker 1: that this is a disgrace and dishonor to the family 238 00:14:10,600 --> 00:14:14,200 Speaker 1: and essentially just as the cause of breaking apart a 239 00:14:14,240 --> 00:14:17,520 Speaker 1: marriage which was a love match which they talked about 240 00:14:17,520 --> 00:14:21,480 Speaker 1: and explain on how that Pinky chose her husband and 241 00:14:21,520 --> 00:14:23,640 Speaker 1: it was a love match and not necessarily an arrangement, 242 00:14:24,320 --> 00:14:26,680 Speaker 1: and so it was bad. So this is why she 243 00:14:26,720 --> 00:14:28,480 Speaker 1: was like, I gotta I can't go, I can't go, 244 00:14:29,080 --> 00:14:31,840 Speaker 1: I can't do this because I just bought so much 245 00:14:31,960 --> 00:14:35,120 Speaker 1: hurt and dishonor to my entire family. It was bad 246 00:14:35,760 --> 00:14:37,720 Speaker 1: um and talks about a lot of the cultural ideas 247 00:14:37,800 --> 00:14:41,760 Speaker 1: behind it. And then her father steps up and it's like, 248 00:14:41,760 --> 00:14:43,760 Speaker 1: I can't see you and have me let me help. 249 00:14:44,440 --> 00:14:47,560 Speaker 1: So the wedding day goes on. Just can't find it 250 00:14:47,560 --> 00:14:50,240 Speaker 1: in herself to tell her parents after she arrives back 251 00:14:50,280 --> 00:14:54,440 Speaker 1: to the wedding after this victorious win about the scholarships, 252 00:14:54,760 --> 00:14:57,320 Speaker 1: worried her parents won't let her go to the US. 253 00:14:57,480 --> 00:14:59,840 Speaker 1: Now again, there's a lot of things that she really 254 00:15:00,320 --> 00:15:03,400 Speaker 1: pushed her family into doing, and she's kind of a 255 00:15:03,440 --> 00:15:05,720 Speaker 1: golden child, not that Pinky's not loved and that's seen 256 00:15:05,760 --> 00:15:07,680 Speaker 1: as a golden child, but they kind of rested that 257 00:15:07,720 --> 00:15:10,120 Speaker 1: she would be the successful one of the family, that 258 00:15:10,200 --> 00:15:12,720 Speaker 1: Pinky would pull push on into the traditions of being 259 00:15:12,720 --> 00:15:16,560 Speaker 1: married and happily bringing in children all that while Jess 260 00:15:16,560 --> 00:15:18,720 Speaker 1: would go on be a doctor at one point, that's 261 00:15:18,760 --> 00:15:21,640 Speaker 1: what they said. So really hinging a lot on her. 262 00:15:22,960 --> 00:15:25,840 Speaker 1: But to help her out, her friend Tony, who just 263 00:15:25,920 --> 00:15:27,880 Speaker 1: had already mentioned maybe they should just get married, you know, 264 00:15:28,000 --> 00:15:31,479 Speaker 1: why not, tells jes as parents that they are engaged 265 00:15:31,600 --> 00:15:34,440 Speaker 1: with the condition she goes to college at any school 266 00:15:34,480 --> 00:15:38,240 Speaker 1: she wants, and of course everybody's elated. Oh my god, yes, absolutely, 267 00:15:38,920 --> 00:15:41,600 Speaker 1: and then Jess confesses because she can't handle lying to 268 00:15:41,680 --> 00:15:45,000 Speaker 1: them anymore, including the fact that her dad let her 269 00:15:45,040 --> 00:15:47,960 Speaker 1: go so and then her father has to tell well, 270 00:15:48,040 --> 00:15:50,400 Speaker 1: he didn't want her to be unhappy, and then also 271 00:15:50,520 --> 00:15:52,160 Speaker 1: he didn't want her to go through what he had 272 00:15:52,200 --> 00:15:54,400 Speaker 1: gone through. That he was the one he who lost 273 00:15:54,440 --> 00:15:57,560 Speaker 1: out after giving up crickets, something that he loved so much. 274 00:15:57,720 --> 00:16:02,200 Speaker 1: It didn't punish the racist people push him, and that uh, 275 00:16:02,240 --> 00:16:04,960 Speaker 1: he was giving her his blessing to continue to play, 276 00:16:05,000 --> 00:16:07,040 Speaker 1: and that she was brilliant, which he has made me 277 00:16:07,080 --> 00:16:10,640 Speaker 1: want to say brilliant and later all the time, sorry 278 00:16:10,680 --> 00:16:13,760 Speaker 1: to the English listeners for my bad accident. It really 279 00:16:13,760 --> 00:16:15,600 Speaker 1: makes me want to do it though, because I love 280 00:16:15,640 --> 00:16:17,800 Speaker 1: it so much, But it did make me say that 281 00:16:17,840 --> 00:16:20,960 Speaker 1: a lot. But we move on, and just goes running 282 00:16:20,960 --> 00:16:23,560 Speaker 1: to Joe in the middle of the football field, letting 283 00:16:23,640 --> 00:16:26,520 Speaker 1: him know that yes, she's been accepted and being able 284 00:16:26,600 --> 00:16:30,080 Speaker 1: to go, and it's a wonderful embrace and they almost 285 00:16:30,120 --> 00:16:32,720 Speaker 1: kiss until he's and then she's like, no, I can't. 286 00:16:32,800 --> 00:16:34,920 Speaker 1: I can't do this. I can't push my parents because 287 00:16:34,920 --> 00:16:37,240 Speaker 1: there's no way. So they have a word, an Indian 288 00:16:37,240 --> 00:16:39,160 Speaker 1: word for white people. I don't know what it is. 289 00:16:39,160 --> 00:16:40,960 Speaker 1: I'm not gonna say it because I feel like it 290 00:16:41,080 --> 00:16:44,120 Speaker 1: might sound offensive coming from me, So I'm not gonna um, 291 00:16:44,160 --> 00:16:46,800 Speaker 1: which they are not accepting. There's that they couldn't wear 292 00:16:46,920 --> 00:16:49,240 Speaker 1: white people like all theously need to be an Indian person. 293 00:16:49,360 --> 00:16:51,840 Speaker 1: She's like, I've pretty pushed pretty hard against my parents. 294 00:16:51,880 --> 00:16:53,680 Speaker 1: I think this is one more thing they can't do. 295 00:16:54,600 --> 00:16:56,400 Speaker 1: And so he she was like, you know, we'll we'll, 296 00:16:56,440 --> 00:16:59,240 Speaker 1: we'll talk about it later and decide not to do this. 297 00:17:01,320 --> 00:17:07,680 Speaker 1: But you know, but it can't know. So we cut 298 00:17:07,720 --> 00:17:09,679 Speaker 1: to the airport and I feel like the airport is 299 00:17:09,720 --> 00:17:13,959 Speaker 1: such an always always that's true. I think it may 300 00:17:14,000 --> 00:17:16,360 Speaker 1: be one of the English things or like, I don't know, 301 00:17:16,680 --> 00:17:18,960 Speaker 1: I know, you'll have to tell me. Maybe it's the 302 00:17:19,000 --> 00:17:22,040 Speaker 1: whole of UK, y'all let me know, because I love 303 00:17:22,080 --> 00:17:25,679 Speaker 1: actually is the same way with the airport. So I 304 00:17:25,720 --> 00:17:28,159 Speaker 1: don't know. Is it dramatic is it more dramatic to 305 00:17:28,240 --> 00:17:30,720 Speaker 1: be fair, No, that's kind of just a whole trope, 306 00:17:31,080 --> 00:17:33,119 Speaker 1: the whole airport. So that's not just the English as 307 00:17:33,160 --> 00:17:40,040 Speaker 1: everyone doing the whole dramatic goodbye dramatic romance. Yes, yes, oh, 308 00:17:41,119 --> 00:17:43,840 Speaker 1: I got a fan fiction going right now. It's doing 309 00:17:43,880 --> 00:17:50,040 Speaker 1: it well. Cut to the airport with Tess and Jewels 310 00:17:50,119 --> 00:17:55,200 Speaker 1: preparing to depart for California. Santa Clara, I'm so sorry, 311 00:17:55,200 --> 00:17:57,360 Speaker 1: I'm going to play. Can I please cut that out? 312 00:18:02,400 --> 00:18:06,080 Speaker 1: Both of their families are there to to tell them goodbye, 313 00:18:06,440 --> 00:18:10,439 Speaker 1: and then Joe arrives. What and he tells Jess he 314 00:18:10,520 --> 00:18:13,679 Speaker 1: loves her? Uh, And they decide, you know what, we're 315 00:18:13,680 --> 00:18:17,840 Speaker 1: going to figure out this relationship when Jess returns. Before 316 00:18:18,800 --> 00:18:23,760 Speaker 1: they leave, Jules and Jess. Uh, everybody sees David and 317 00:18:23,840 --> 00:18:26,800 Speaker 1: Victoria Beckham and they believe it to be a sign. 318 00:18:28,080 --> 00:18:30,640 Speaker 1: While Jess is gone, Pinky gets pregnant and their father 319 00:18:30,680 --> 00:18:35,280 Speaker 1: gets back into cricket with Joe. Um. Yeah, and then 320 00:18:35,320 --> 00:18:39,400 Speaker 1: I guess Jules as parents are back together. They would 321 00:18:39,440 --> 00:18:44,280 Speaker 1: never part. Oh, I thought they were divorced. No where 322 00:18:44,280 --> 00:18:47,840 Speaker 1: did I get that idea. Maybe their relationship was just 323 00:18:47,920 --> 00:18:52,639 Speaker 1: real bad, they were just art. It was the stereotypical 324 00:18:52,840 --> 00:18:55,840 Speaker 1: fathers supporting his daughter for sports and hoping to make 325 00:18:55,840 --> 00:18:57,960 Speaker 1: her less interested in boys. An't hard trying to get 326 00:18:57,960 --> 00:19:00,800 Speaker 1: two boys and being mad that just making her a 327 00:19:00,800 --> 00:19:03,840 Speaker 1: little more masculine because she likes sports. I guess. Yeah, 328 00:19:03,880 --> 00:19:06,159 Speaker 1: which again, we're going to talk about that because I 329 00:19:06,160 --> 00:19:07,879 Speaker 1: think we have both have a lot to say about that. 330 00:19:08,320 --> 00:19:11,359 Speaker 1: I did want to add sadly, one year after this 331 00:19:11,400 --> 00:19:16,159 Speaker 1: movie came out, the Women's United Soccer Association folded um, right, 332 00:19:16,240 --> 00:19:17,960 Speaker 1: which is the thing they talk about at the end, 333 00:19:18,320 --> 00:19:22,000 Speaker 1: like there's just such a big thing and like they 334 00:19:22,000 --> 00:19:24,960 Speaker 1: had a whole little montage clip of different women soccer 335 00:19:25,000 --> 00:19:27,480 Speaker 1: players around the world and celebrating that and want to 336 00:19:27,520 --> 00:19:30,399 Speaker 1: become that and seeing that as a possibility and yeah 337 00:19:30,600 --> 00:19:36,720 Speaker 1: and yeah, yeah, I mean interesting is not necessarily where 338 00:19:36,720 --> 00:19:40,920 Speaker 1: I want to use. But we're still talking about the 339 00:19:40,960 --> 00:19:43,399 Speaker 1: women's national team here in the United States getting right 340 00:19:43,520 --> 00:19:49,439 Speaker 1: equal pay and how they should get more coverage because 341 00:19:49,600 --> 00:19:51,840 Speaker 1: they win more than men. There's not even more, but 342 00:19:51,920 --> 00:19:55,240 Speaker 1: more than they're getting now, they should get equal all 343 00:19:55,320 --> 00:19:59,600 Speaker 1: these battles that are still going on. Um, But that 344 00:19:59,800 --> 00:20:03,000 Speaker 1: was is that was something that kind of gave me 345 00:20:03,080 --> 00:20:05,440 Speaker 1: pause at the end, where I was like, oh, wow, yeah, 346 00:20:05,680 --> 00:20:08,080 Speaker 1: we have we have made progress, but a lot more 347 00:20:08,200 --> 00:20:10,680 Speaker 1: to be done to be fair like two thousand two 348 00:20:11,160 --> 00:20:13,800 Speaker 1: was the beginning of a lot of change for me 349 00:20:14,400 --> 00:20:17,560 Speaker 1: as an individual, growing in my beliefs and understanding and 350 00:20:17,800 --> 00:20:20,320 Speaker 1: having hoped that women were more and this is kind 351 00:20:20,320 --> 00:20:24,520 Speaker 1: of one more of those moments of like. Unfortunately, for 352 00:20:24,600 --> 00:20:27,119 Speaker 1: everything that has happened in the past five years, it 353 00:20:27,119 --> 00:20:29,600 Speaker 1: feels like a lot of step back, but during that time, 354 00:20:29,600 --> 00:20:31,679 Speaker 1: it felt like a slow step forward. So for me 355 00:20:31,800 --> 00:20:34,199 Speaker 1: coming into age and having a steak like not that 356 00:20:34,240 --> 00:20:35,919 Speaker 1: I didn't have a stake before, but being able to 357 00:20:35,960 --> 00:20:37,960 Speaker 1: have a voice in it as a twenty something year 358 00:20:37,960 --> 00:20:40,040 Speaker 1: old as when I was under the roof of my 359 00:20:40,080 --> 00:20:43,000 Speaker 1: parents and didn't have as much of a voice, it 360 00:20:43,160 --> 00:20:45,920 Speaker 1: was definitely a point of change for me. Yeah, And 361 00:20:45,960 --> 00:20:50,600 Speaker 1: I think one of the fun facts I kept running 362 00:20:50,600 --> 00:20:53,720 Speaker 1: across was this is still to this day the top 363 00:20:53,800 --> 00:20:59,920 Speaker 1: grossing football in terms of that. The non American used 364 00:20:59,920 --> 00:21:01,280 Speaker 1: the word because I think we're the only ones to 365 00:21:01,359 --> 00:21:04,560 Speaker 1: do that movie in the United States and they thought 366 00:21:04,560 --> 00:21:07,600 Speaker 1: it wouldn't do well here at all because at the 367 00:21:07,640 --> 00:21:09,560 Speaker 1: time we didn't really watch it, we didn't really care 368 00:21:09,560 --> 00:21:13,240 Speaker 1: about it. Um but my I know I mentioned this 369 00:21:13,280 --> 00:21:17,399 Speaker 1: in the past episode, but my college roommate who we 370 00:21:17,440 --> 00:21:19,560 Speaker 1: actually we grew up together and we played soccer together. 371 00:21:20,240 --> 00:21:22,160 Speaker 1: She had a picture of me and Ham on her 372 00:21:22,160 --> 00:21:25,560 Speaker 1: wall in college. Uh, and we would watch the games 373 00:21:25,560 --> 00:21:30,720 Speaker 1: together and I just remember feeling so look at how 374 00:21:30,880 --> 00:21:34,880 Speaker 1: amazing they are and and for her to have that 375 00:21:35,080 --> 00:21:37,600 Speaker 1: and to be to put a poster up on her 376 00:21:37,600 --> 00:21:41,800 Speaker 1: wall that she would look at like, that's I remember. 377 00:21:41,840 --> 00:21:45,760 Speaker 1: So I distinctly remember me and him even before the movie, 378 00:21:46,160 --> 00:21:48,159 Speaker 1: as well as the fact that David Beckham's name was 379 00:21:48,240 --> 00:21:51,399 Speaker 1: huge at that point and really crossed like again across 380 00:21:51,440 --> 00:21:54,960 Speaker 1: the internationally if he came down to a record. Wise, 381 00:21:55,080 --> 00:21:58,119 Speaker 1: I don't think he was that great in comparison to 382 00:21:58,200 --> 00:22:01,600 Speaker 1: other footballers, but he was big enough that it made 383 00:22:01,760 --> 00:22:05,439 Speaker 1: this impression. Me and Ham the same way. UM, and 384 00:22:05,480 --> 00:22:07,639 Speaker 1: we get to see so many things and we have 385 00:22:07,680 --> 00:22:09,639 Speaker 1: a wave an influx of when people are interested in 386 00:22:09,680 --> 00:22:11,920 Speaker 1: when people aren't. UM typically has something to do with 387 00:22:11,960 --> 00:22:15,920 Speaker 1: the World Cup whatever. But yeah, it brought out a lot. 388 00:22:16,000 --> 00:22:18,120 Speaker 1: It brought in such a big theme and it's hysterical 389 00:22:18,160 --> 00:22:20,560 Speaker 1: on top of that because the director had no idea, 390 00:22:21,320 --> 00:22:23,479 Speaker 1: no idea how soccer and football worked and was like, 391 00:22:23,560 --> 00:22:26,760 Speaker 1: you know what, but this is this metaphor is so good. 392 00:22:27,040 --> 00:22:28,840 Speaker 1: It's so good, and it was. It was a very 393 00:22:28,840 --> 00:22:31,680 Speaker 1: catchy for the UK at the point where she was like, 394 00:22:31,760 --> 00:22:34,359 Speaker 1: let's just go ahead and do it, that she took 395 00:22:34,359 --> 00:22:38,600 Speaker 1: this giant risk and it paid off. Yeah, I love 396 00:22:38,640 --> 00:22:41,520 Speaker 1: that part two. I love that part two. And it's 397 00:22:41,560 --> 00:22:45,520 Speaker 1: so funny because like, I've played sports, but I don't 398 00:22:45,880 --> 00:22:47,720 Speaker 1: get super into them, but I find like I was 399 00:22:47,800 --> 00:22:55,199 Speaker 1: super into watching this movie and like you gotta win there. 400 00:22:55,240 --> 00:22:58,320 Speaker 1: There is a lot of intersectionality in this movie, and 401 00:22:58,440 --> 00:23:03,359 Speaker 1: you can find several academic papers written about it, um 402 00:23:03,440 --> 00:23:06,520 Speaker 1: and essays written about it, which is really interesting. But 403 00:23:06,560 --> 00:23:10,200 Speaker 1: we'll go over a few key themes, and I think 404 00:23:10,280 --> 00:23:14,280 Speaker 1: one of the big ones was obviously racism, particularly and 405 00:23:14,400 --> 00:23:17,560 Speaker 1: because as she said, she wanted to identify like, you know, 406 00:23:17,600 --> 00:23:22,480 Speaker 1: evolving Britishness and what that looked like. And this is 407 00:23:22,520 --> 00:23:27,400 Speaker 1: the first immigration, first generation immigration story, So there were 408 00:23:27,400 --> 00:23:31,080 Speaker 1: a lot and we've discussed uh in in past episodes 409 00:23:31,119 --> 00:23:33,639 Speaker 1: like Turning Red, we talked about in Conto a little bit. 410 00:23:33,680 --> 00:23:36,679 Speaker 1: We talked about oh we haven't but we saw everything 411 00:23:36,680 --> 00:23:39,240 Speaker 1: everywhere all at once, um, and so we're kind of 412 00:23:39,240 --> 00:23:41,440 Speaker 1: seeing this play out a lot, and it's interesting to me. 413 00:23:41,840 --> 00:23:44,399 Speaker 1: You know to see it from two thousand two, but 414 00:23:44,680 --> 00:23:50,960 Speaker 1: that is different in kind of for US Americans, the 415 00:23:50,960 --> 00:23:54,480 Speaker 1: Britishness aspect of it, but also this is the first 416 00:23:54,560 --> 00:23:56,840 Speaker 1: generation immigrant story as opposed to what we've been seeing 417 00:23:56,880 --> 00:23:59,879 Speaker 1: a lot lately is kind of a third right, second, 418 00:24:00,119 --> 00:24:03,920 Speaker 1: third right um story. Yeah, and this is fascinating. I 419 00:24:03,960 --> 00:24:06,800 Speaker 1: think it's beyond that we go, we go into seeing 420 00:24:07,119 --> 00:24:10,000 Speaker 1: discrimination in a different way for the U s. It's 421 00:24:10,000 --> 00:24:16,040 Speaker 1: a whole different layer of um racism for the British 422 00:24:16,320 --> 00:24:18,960 Speaker 1: narrative here, and I'm talking about in England, and I 423 00:24:19,000 --> 00:24:21,800 Speaker 1: know it's wider and broader the UK, But for what 424 00:24:21,920 --> 00:24:24,359 Speaker 1: the movie was, it was addressing that because I know 425 00:24:24,440 --> 00:24:30,320 Speaker 1: that conversation about Indians within UH England has been really contentious. Um. 426 00:24:30,359 --> 00:24:32,000 Speaker 1: I remember I was told when I went to visit 427 00:24:32,040 --> 00:24:35,359 Speaker 1: US there like this is the racism, here's this And 428 00:24:35,400 --> 00:24:38,400 Speaker 1: it was a little different but seemingly same lines. Because 429 00:24:38,440 --> 00:24:42,000 Speaker 1: ignorance is ignorance, and racism is racism, and prejudices, prejudice 430 00:24:42,280 --> 00:24:45,359 Speaker 1: and power plays come into effect into both of these 431 00:24:45,640 --> 00:24:49,040 Speaker 1: and trying to become acclimated but at the same time 432 00:24:49,119 --> 00:24:51,640 Speaker 1: keeping your identity was a big portion of this movie, 433 00:24:51,640 --> 00:24:54,320 Speaker 1: which I did really appreciate all. Again, That's one of 434 00:24:54,359 --> 00:24:57,000 Speaker 1: the things about the identity portion. It's like, Okay, being 435 00:24:57,040 --> 00:24:59,280 Speaker 1: a first generation coming in, really want to be a 436 00:24:59,280 --> 00:25:01,879 Speaker 1: part of this culture, loving parts of this culture, but 437 00:25:01,960 --> 00:25:04,800 Speaker 1: also loving my culture and my family's culture and the 438 00:25:04,800 --> 00:25:07,720 Speaker 1: generations before. How do I merge these together and respect 439 00:25:07,760 --> 00:25:13,080 Speaker 1: them together? Right right, right right? And to have the 440 00:25:13,200 --> 00:25:15,920 Speaker 1: moment where she the racial slur, like her father has 441 00:25:16,000 --> 00:25:19,199 Speaker 1: that memory, for her to have it and to have 442 00:25:19,280 --> 00:25:23,440 Speaker 1: it be weaponized against her, it's basically like, you don't 443 00:25:23,440 --> 00:25:26,680 Speaker 1: belong here, and whereas that constantly you know, you're being othered. 444 00:25:27,000 --> 00:25:31,840 Speaker 1: You're not British, but she is at least, you know, 445 00:25:32,880 --> 00:25:39,119 Speaker 1: And that's kind of seeing that generational difference but still 446 00:25:39,119 --> 00:25:45,399 Speaker 1: experiencing the same racism was it was one of the 447 00:25:45,480 --> 00:25:48,800 Speaker 1: key hearts of the movie, right, and I think they 448 00:25:48,840 --> 00:25:51,879 Speaker 1: handled it and talked about it really well. Again, like 449 00:25:51,920 --> 00:25:55,720 Speaker 1: I said before, us viewers kind of with over our 450 00:25:55,720 --> 00:25:59,720 Speaker 1: heads because we we we have discrimination against obviously uh 451 00:25:59,720 --> 00:26:04,280 Speaker 1: and rations in general, but those were very specific to 452 00:26:05,440 --> 00:26:07,919 Speaker 1: like the terms and such was very specific to the 453 00:26:08,040 --> 00:26:10,000 Speaker 1: UK at that point in time, So for me it 454 00:26:10,080 --> 00:26:11,920 Speaker 1: kind of went over my head. But at the same time, 455 00:26:12,160 --> 00:26:15,040 Speaker 1: that hurt that the other that being discriminated against not 456 00:26:15,080 --> 00:26:18,760 Speaker 1: only by a coach, but by a referee seemingly and 457 00:26:18,800 --> 00:26:22,359 Speaker 1: by players, and being accepted to be that way that resonates. 458 00:26:24,640 --> 00:26:27,439 Speaker 1: And then also we're gonna talk about kind of the 459 00:26:27,440 --> 00:26:30,320 Speaker 1: family relationships in a minute, but there was, as you mentioned, 460 00:26:30,400 --> 00:26:34,600 Speaker 1: kind of these expectations placed on Jess from her family 461 00:26:34,640 --> 00:26:38,280 Speaker 1: about like helping her mother, doing chores, getting grades, being 462 00:26:38,280 --> 00:26:43,959 Speaker 1: obedient and pleasant, and through that lens from other people 463 00:26:44,840 --> 00:26:50,800 Speaker 1: just experienced some racism where people were like, so that's weird, 464 00:26:50,960 --> 00:26:55,560 Speaker 1: like what are you doing. So it was very like 465 00:26:55,680 --> 00:26:58,000 Speaker 1: for a movie that could, if you wanted, you could 466 00:26:58,000 --> 00:27:01,960 Speaker 1: describe it simply as like a feel good sports comedy movie, 467 00:27:02,359 --> 00:27:05,480 Speaker 1: had a lot of nuance in it around these kinds 468 00:27:05,520 --> 00:27:10,040 Speaker 1: of things. And then I did find an essay about 469 00:27:10,880 --> 00:27:15,720 Speaker 1: colorism uh in this and it was really really interesting 470 00:27:15,800 --> 00:27:18,640 Speaker 1: and I would recommend looking up again. There's so many 471 00:27:18,720 --> 00:27:22,560 Speaker 1: essays about well, you know, one of the things that 472 00:27:22,600 --> 00:27:25,439 Speaker 1: we do and are very talented at without knowing is 473 00:27:25,440 --> 00:27:29,680 Speaker 1: coming up on anniversary dates. Because this year it celebrates 474 00:27:29,720 --> 00:27:33,200 Speaker 1: twenty years since it was released. It's been twenty years, 475 00:27:34,600 --> 00:27:36,439 Speaker 1: so I was like, oh my god, how did we 476 00:27:36,480 --> 00:27:39,520 Speaker 1: do this again? Because there's articles about where are they now? 477 00:27:39,880 --> 00:27:41,960 Speaker 1: What did this mean and the impact of this movie, 478 00:27:42,000 --> 00:27:44,280 Speaker 1: and I was like, perfect timing is more usual. So therefore, 479 00:27:44,320 --> 00:27:46,520 Speaker 1: there are a lot of good essays and were discussions 480 00:27:46,560 --> 00:27:50,879 Speaker 1: about this movie because of that. Yes, every now and 481 00:27:50,880 --> 00:27:58,320 Speaker 1: then Samantha accident rates. Yeah, I'll take it, I will 482 00:27:58,359 --> 00:28:03,240 Speaker 1: take it. But yeah, I would recommend looking at that essay. 483 00:28:03,280 --> 00:28:06,280 Speaker 1: I just wanted to mention it, um because I thought 484 00:28:06,320 --> 00:28:09,800 Speaker 1: it was really interesting, but I think that the essay 485 00:28:10,000 --> 00:28:12,720 Speaker 1: would do it better justice because they are coming from 486 00:28:13,520 --> 00:28:18,960 Speaker 1: personal experience. UM. I also wanted to talk about queer 487 00:28:19,040 --> 00:28:23,120 Speaker 1: relationships because we did mention quite a few and this 488 00:28:23,200 --> 00:28:29,280 Speaker 1: was something I didn't necessarily pick up on. But there 489 00:28:29,400 --> 00:28:32,199 Speaker 1: is a big like why couldn't Jewels and Jess have 490 00:28:32,280 --> 00:28:37,200 Speaker 1: been together? Uh push and Chatta later admitted she quote 491 00:28:37,280 --> 00:28:40,320 Speaker 1: chickened out on depicting a relationship between Jewels and Jess 492 00:28:40,400 --> 00:28:43,440 Speaker 1: due to fear of backlash from Indian audiences. So that's 493 00:28:43,440 --> 00:28:47,240 Speaker 1: what she she said. And there's so many essays about 494 00:28:47,280 --> 00:28:49,840 Speaker 1: this too, and there were a lot of people that 495 00:28:49,880 --> 00:28:52,480 Speaker 1: are like, well, bisexuality is a thing or polyamory is 496 00:28:52,520 --> 00:28:56,520 Speaker 1: a thing, you know, not necessarily mean like they can't 497 00:28:56,560 --> 00:28:59,280 Speaker 1: be in a relationship later, or they couldn't all be 498 00:28:59,320 --> 00:29:02,320 Speaker 1: in a relationship Joe, Jules and Jess uh. And I know, 499 00:29:02,520 --> 00:29:03,880 Speaker 1: I know, I know, before you get angry in in 500 00:29:03,920 --> 00:29:07,560 Speaker 1: the email. It's different to like think about it versus 501 00:29:07,640 --> 00:29:11,480 Speaker 1: actually see it, uh and have it confirmed. But I 502 00:29:11,520 --> 00:29:13,080 Speaker 1: did think that was a good point to make because 503 00:29:13,120 --> 00:29:17,960 Speaker 1: I feel like bisexuality, especially often gets sort of completely dismissed. Right, 504 00:29:18,000 --> 00:29:20,720 Speaker 1: she could still be queer. Yeah. Also another part of 505 00:29:20,720 --> 00:29:23,240 Speaker 1: this conversation is there was a bit of an anti 506 00:29:23,520 --> 00:29:25,200 Speaker 1: like there was a little bit of homophobia in this 507 00:29:25,280 --> 00:29:27,440 Speaker 1: whole context, and I was like, oh, that part doesn't 508 00:29:27,440 --> 00:29:30,040 Speaker 1: age too great because of the languages do sometimes and 509 00:29:30,040 --> 00:29:32,840 Speaker 1: then like the mother and all of that, Jules's mother 510 00:29:32,920 --> 00:29:36,480 Speaker 1: being ridiculous over the top um, all of those things 511 00:29:37,080 --> 00:29:38,800 Speaker 1: do have that at the moment of like, oh this 512 00:29:38,880 --> 00:29:40,960 Speaker 1: is kind of cringe e. But it was two thousand 513 00:29:41,040 --> 00:29:43,760 Speaker 1: two and not necessarily that it had to be defied. 514 00:29:44,240 --> 00:29:49,760 Speaker 1: Jules had a relationship with quote unquote relationship with the coach, However, 515 00:29:49,840 --> 00:29:51,800 Speaker 1: her focus was not on any of that. Her focus 516 00:29:51,840 --> 00:29:53,920 Speaker 1: was never on that. So I don't think it has 517 00:29:53,960 --> 00:29:56,800 Speaker 1: like that to me takes away from what was happening 518 00:29:56,840 --> 00:30:01,280 Speaker 1: with her trying to find happiness. Point like, did I 519 00:30:01,280 --> 00:30:03,680 Speaker 1: think I think they did the typical throw in a 520 00:30:03,800 --> 00:30:06,680 Speaker 1: roll romance because you know, you got to for the ladies. 521 00:30:07,080 --> 00:30:11,000 Speaker 1: I'm saying that like sarcastically all, but that's essentially what 522 00:30:11,040 --> 00:30:13,000 Speaker 1: was happening. I feel like that was like a throwaway 523 00:30:13,000 --> 00:30:15,000 Speaker 1: part of the plot. It was about her finding her 524 00:30:15,040 --> 00:30:17,480 Speaker 1: love and doing something that she loved, which included football, 525 00:30:17,520 --> 00:30:19,239 Speaker 1: going away from her family, and standing up to her 526 00:30:19,280 --> 00:30:23,320 Speaker 1: family point blank. And instead of focusing on a relationship 527 00:30:23,440 --> 00:30:25,880 Speaker 1: or a romance, a doomed romance or like a stary 528 00:30:25,880 --> 00:30:30,040 Speaker 1: eyed romance that was you know, rebellious, they focused on 529 00:30:30,120 --> 00:30:32,840 Speaker 1: something else. And I appreciated that for a person who 530 00:30:32,880 --> 00:30:35,880 Speaker 1: was always like all these movies about founding boys, it 531 00:30:36,000 --> 00:30:38,400 Speaker 1: wasn't that was just a side okay, why not? And 532 00:30:38,440 --> 00:30:42,000 Speaker 1: so any type of relationship, to me was unnecessary. I 533 00:30:42,080 --> 00:30:45,280 Speaker 1: kind of appreciate it. I did appreciate that Jules did 534 00:30:45,320 --> 00:30:47,800 Speaker 1: not find Typically in these movies, you'll see that she's 535 00:30:47,840 --> 00:30:49,760 Speaker 1: she gets the secondary character to character, you know, the 536 00:30:49,760 --> 00:30:52,400 Speaker 1: side to gets the secondary character. They didn't need that. 537 00:30:52,760 --> 00:30:56,719 Speaker 1: Moving on the fact that her friend Tony you know, 538 00:30:56,760 --> 00:30:59,040 Speaker 1: comes out as gay. I feel like it was really 539 00:30:59,040 --> 00:31:01,080 Speaker 1: a push of like we needed to learn to accept 540 00:31:01,080 --> 00:31:03,600 Speaker 1: and see what this looks like. That was more of 541 00:31:03,600 --> 00:31:07,160 Speaker 1: the stance on the sexuality. I think then, more than 542 00:31:07,200 --> 00:31:11,000 Speaker 1: the relationships. That makes sense, right, I agree, I mean 543 00:31:11,040 --> 00:31:14,880 Speaker 1: I think the relationship definitely felt secondary. It felt like, 544 00:31:14,960 --> 00:31:17,240 Speaker 1: you know, she wanted this football. I feel like that 545 00:31:17,320 --> 00:31:19,600 Speaker 1: was for the audience, like here you go, here you go, 546 00:31:19,640 --> 00:31:23,560 Speaker 1: but this is not what we wanted. The writer necessary. Yeah, 547 00:31:23,680 --> 00:31:27,920 Speaker 1: I mean, but as you said, it was nice to see, like, Okay, 548 00:31:28,440 --> 00:31:30,280 Speaker 1: there was that added plus was like, oh it wasn't 549 00:31:30,280 --> 00:31:32,720 Speaker 1: the white girl who got it cool, that makes me 550 00:31:32,760 --> 00:31:35,280 Speaker 1: feel like but yeah, the overall was like it was 551 00:31:35,320 --> 00:31:38,000 Speaker 1: more about her, this is about her taking her stand 552 00:31:38,600 --> 00:31:41,920 Speaker 1: point Blake, But I also was able to show like, yes, 553 00:31:42,160 --> 00:31:43,719 Speaker 1: as a woman, as a white woman, she still had 554 00:31:43,720 --> 00:31:45,880 Speaker 1: to struggle to make her way to be known, like 555 00:31:45,960 --> 00:31:48,360 Speaker 1: to push into like getting that acceptance as well. It 556 00:31:48,440 --> 00:31:51,160 Speaker 1: was easier for her than just obviously, but you know 557 00:31:51,280 --> 00:31:53,920 Speaker 1: that was like we all struggle a little bit type 558 00:31:53,920 --> 00:31:56,880 Speaker 1: of conversation. But yeah, I think it was interesting that 559 00:31:57,360 --> 00:31:59,520 Speaker 1: people talk about that and I don't. I'm like, yeah, 560 00:31:59,520 --> 00:32:03,560 Speaker 1: why not why not, But I mean, like I think 561 00:32:03,600 --> 00:32:06,200 Speaker 1: I read that after I had watched it, and I 562 00:32:06,240 --> 00:32:10,160 Speaker 1: was like, oh, yeah, yeah, I can definitely see it. 563 00:32:10,440 --> 00:32:15,280 Speaker 1: Um Kira Knightley famously I said, yes, she wished she 564 00:32:15,440 --> 00:32:18,840 Speaker 1: was on board. I did. I saw a lot of 565 00:32:18,920 --> 00:32:23,320 Speaker 1: articles about Tony being like the gay best friend, but 566 00:32:23,360 --> 00:32:25,400 Speaker 1: also that he was actually he was more fleshed out 567 00:32:25,400 --> 00:32:27,680 Speaker 1: than that character normally is and then at the time 568 00:32:27,800 --> 00:32:31,280 Speaker 1: was still pretty rare to get that representation at all. 569 00:32:31,480 --> 00:32:32,960 Speaker 1: Well to me, like, yes, he could have been the 570 00:32:33,000 --> 00:32:35,440 Speaker 1: gay best friend, but I think we see the gay 571 00:32:35,440 --> 00:32:37,880 Speaker 1: best friend as being a caricature of the gay person. 572 00:32:37,880 --> 00:32:40,920 Speaker 1: And that's why it's so ridiculous that they become the 573 00:32:41,040 --> 00:32:43,480 Speaker 1: jester of the movie. Same thing for people of color 574 00:32:43,480 --> 00:32:45,720 Speaker 1: and marginalized people of color, that they become the jester, 575 00:32:46,200 --> 00:32:49,920 Speaker 1: the kicking bag, the punching bag, the clown in the background, 576 00:32:50,000 --> 00:32:52,480 Speaker 1: and that's what happens, and he's not. He is the 577 00:32:52,520 --> 00:32:54,959 Speaker 1: supportive friend who was really like the ones that like 578 00:32:55,040 --> 00:32:56,680 Speaker 1: you need to push through your dreams because he I 579 00:32:56,760 --> 00:32:59,280 Speaker 1: have a feeling would want that for himself as he's 580 00:32:59,280 --> 00:33:01,240 Speaker 1: finding a lot of his life, like that's kind of 581 00:33:01,280 --> 00:33:04,760 Speaker 1: that same level, like just accepting, you know, like trying 582 00:33:04,800 --> 00:33:08,000 Speaker 1: to help someone who you have. When you struggle yourself, 583 00:33:08,040 --> 00:33:10,200 Speaker 1: you want someone else to get that, somebody to be 584 00:33:10,280 --> 00:33:28,560 Speaker 1: able to be happy. Yeah. Yeah, I got a good friendship. Yeah. 585 00:33:29,640 --> 00:33:33,120 Speaker 1: There's also the stereotype that women's soccer players are all gay. 586 00:33:33,160 --> 00:33:35,800 Speaker 1: But I would also add, given what you said about 587 00:33:35,840 --> 00:33:41,360 Speaker 1: sporty spies, just like sporty women, right, and particularly like 588 00:33:41,480 --> 00:33:49,240 Speaker 1: I guess male dominated sports are gay right or something, well, 589 00:33:49,280 --> 00:33:51,320 Speaker 1: you know, like if not, they're gonna be overall sexualized. 590 00:33:51,360 --> 00:33:54,160 Speaker 1: So the friends of Tony's, the dudes Indian guys who 591 00:33:54,160 --> 00:33:57,760 Speaker 1: are coming to watch sports with Tony, watch justin with Tony. 592 00:33:58,280 --> 00:34:01,520 Speaker 1: Like the first thing comments is talking about the black 593 00:34:01,560 --> 00:34:05,480 Speaker 1: player Mel, who is like look at her rack, which 594 00:34:05,520 --> 00:34:07,480 Speaker 1: is really discussing it. Then and then they're like he's 595 00:34:07,520 --> 00:34:09,319 Speaker 1: like he stops, and he goes can you not see 596 00:34:09,320 --> 00:34:12,359 Speaker 1: them as footballers? They're like start busting up laughing. They 597 00:34:12,400 --> 00:34:15,000 Speaker 1: became kind of the joke, which I appreciated. It flips 598 00:34:15,000 --> 00:34:17,000 Speaker 1: his head of like you're the idiots. Here we go, 599 00:34:17,640 --> 00:34:22,000 Speaker 1: um bt dubs. The player, the woman who plays Mel 600 00:34:22,520 --> 00:34:25,120 Speaker 1: is one of the late singers of all things who 601 00:34:25,120 --> 00:34:27,120 Speaker 1: happens to be one of my favorite girl bands from 602 00:34:27,200 --> 00:34:31,520 Speaker 1: the UK after Spice Girls, You Walk Ume, Yes the Fun. 603 00:34:34,239 --> 00:34:36,440 Speaker 1: Actually didn't know this until this year. I was like, 604 00:34:37,040 --> 00:34:39,840 Speaker 1: the hell was her? I love the whole thing. So 605 00:34:39,880 --> 00:34:42,959 Speaker 1: I still have that in my play nice I would 606 00:34:42,960 --> 00:34:46,000 Speaker 1: have to look that up. Yeah, I didn't get connected. 607 00:34:46,040 --> 00:34:48,120 Speaker 1: I told the story before. The boys would give his 608 00:34:48,719 --> 00:34:51,399 Speaker 1: state names based on how bigger Boops was and how 609 00:34:51,440 --> 00:34:54,680 Speaker 1: mountainous the state was. And it's hard to focus on 610 00:34:54,800 --> 00:34:58,239 Speaker 1: a sports when that's what you're hearing from the sidelines, 611 00:34:58,960 --> 00:35:03,600 Speaker 1: especially when you're young and insecure. Right. Uh, there's also 612 00:35:03,800 --> 00:35:08,879 Speaker 1: like Jules mom, We're going to talk about more because 613 00:35:08,880 --> 00:35:11,600 Speaker 1: she did say a lot of really problematic stuff purposefully, 614 00:35:11,719 --> 00:35:17,400 Speaker 1: Like she was like caricature. Yeah, she definitely, like I 615 00:35:17,520 --> 00:35:21,000 Speaker 1: used the word accused of being a lesbian on purpose. 616 00:35:21,000 --> 00:35:23,840 Speaker 1: She did it as like this is bad, this is 617 00:35:24,080 --> 00:35:28,520 Speaker 1: real bad. Right, So there was that aspect as well. Um, 618 00:35:28,600 --> 00:35:30,960 Speaker 1: And then one of the big themes and this is 619 00:35:31,000 --> 00:35:33,879 Speaker 1: also friendships and friendships between women, which we talked about 620 00:35:33,920 --> 00:35:36,160 Speaker 1: all the time. We've seen the praises of I saw 621 00:35:36,200 --> 00:35:42,280 Speaker 1: a lot of people specifically mentioned the differing body types, 622 00:35:42,320 --> 00:35:45,200 Speaker 1: but also that they changed in the dressing room and 623 00:35:45,360 --> 00:35:48,600 Speaker 1: this team and didn't seem to have like they weren't 624 00:35:48,600 --> 00:35:51,040 Speaker 1: insecure about it, right. I wondered if you noticed the 625 00:35:51,080 --> 00:35:53,520 Speaker 1: part about the tampon and she pulls it out and 626 00:35:53,600 --> 00:35:55,879 Speaker 1: say the painters and decorators are in. I guess that's 627 00:35:55,880 --> 00:35:59,440 Speaker 1: a UK saying because I've never heard that right, But 628 00:35:59,600 --> 00:36:01,680 Speaker 1: I was like, oh my god, we're talking about table. 629 00:36:01,840 --> 00:36:03,840 Speaker 1: This is two thousand to someone actually pulled out a 630 00:36:03,840 --> 00:36:07,000 Speaker 1: tampon in a movie. That's amazing. And to talk about 631 00:36:07,000 --> 00:36:10,160 Speaker 1: it like that she actually had her period what and 632 00:36:10,239 --> 00:36:14,839 Speaker 1: that she was still playing sports? What I did notice it? 633 00:36:15,400 --> 00:36:18,840 Speaker 1: Did you this that I did? I did? And it 634 00:36:18,920 --> 00:36:22,120 Speaker 1: was still shocking, and I'm still upset that it was shocking. 635 00:36:23,640 --> 00:36:26,960 Speaker 1: I didn't. I didn't like that bypassed me as a kid. 636 00:36:27,000 --> 00:36:29,400 Speaker 1: I don't know if I was like, huh, okay, moving on, 637 00:36:29,760 --> 00:36:32,960 Speaker 1: or like didn't realize the significance in that. I really 638 00:36:32,960 --> 00:36:35,040 Speaker 1: love that they left that in. I do say the 639 00:36:35,080 --> 00:36:38,359 Speaker 1: part of the problematic portions are the pinky and hurt 640 00:36:38,360 --> 00:36:40,640 Speaker 1: little friends, and I'm putting them in air quotes because 641 00:36:40,640 --> 00:36:44,680 Speaker 1: they're all very competitive of each other. I feel like 642 00:36:45,080 --> 00:36:47,400 Speaker 1: it's definitely a stereotype to put in there when the 643 00:36:47,440 --> 00:36:50,440 Speaker 1: girls like not being married and who's doing this and 644 00:36:50,480 --> 00:36:54,840 Speaker 1: who's hotter than what. It was interesting to have that 645 00:36:55,080 --> 00:36:58,680 Speaker 1: in there, the slut shaming, all of that, but it 646 00:36:58,800 --> 00:37:03,239 Speaker 1: is reminiscent of a nineteen eighties nine nineties rom com 647 00:37:03,320 --> 00:37:06,160 Speaker 1: to to have that in there. But we do get 648 00:37:06,160 --> 00:37:08,319 Speaker 1: to see the good friendships in the team and how 649 00:37:08,360 --> 00:37:10,520 Speaker 1: they truly support each other. I do love that in 650 00:37:10,600 --> 00:37:13,640 Speaker 1: the sister relationship. As fighting as they can be and 651 00:37:13,680 --> 00:37:16,680 Speaker 1: as different as they are, they really do support each other. 652 00:37:17,400 --> 00:37:21,239 Speaker 1: They do, they do. And there is the aspect of 653 00:37:21,320 --> 00:37:24,200 Speaker 1: like Jess and Jules getting a fight over Joe, which 654 00:37:24,239 --> 00:37:26,600 Speaker 1: is sort of that competing over a guy thing. I 655 00:37:26,640 --> 00:37:29,799 Speaker 1: do think. I think part of the issue is we've 656 00:37:29,800 --> 00:37:32,840 Speaker 1: been like pitted against each other for so long, but 657 00:37:32,880 --> 00:37:37,120 Speaker 1: I think this one is different. Like we see that 658 00:37:37,160 --> 00:37:39,000 Speaker 1: all the time, so that's already kind of a problem, 659 00:37:39,000 --> 00:37:42,960 Speaker 1: but this is different in that like, maybe I'm reading 660 00:37:42,960 --> 00:37:46,680 Speaker 1: this wrong, but Jess didn't seem to pick up on 661 00:37:46,920 --> 00:37:49,480 Speaker 1: like either thing with Jules are with you. It sort 662 00:37:49,520 --> 00:37:53,799 Speaker 1: of seemed like, oh, I might be interested in this guy, 663 00:37:53,960 --> 00:37:58,520 Speaker 1: and then they did make up, um eventually. I think 664 00:37:58,560 --> 00:38:01,600 Speaker 1: it's I think it's fair to say that we do 665 00:38:01,719 --> 00:38:05,000 Speaker 1: have those fights and there are jealousies that happened. I 666 00:38:05,000 --> 00:38:08,360 Speaker 1: think that's I could tell you a high school story 667 00:38:08,400 --> 00:38:11,919 Speaker 1: which was similar to that. But both of those things 668 00:38:11,960 --> 00:38:15,000 Speaker 1: to say is Joe was never interested in jewels, and 669 00:38:15,040 --> 00:38:18,920 Speaker 1: that was very obvious. A B. They went past it 670 00:38:18,960 --> 00:38:21,360 Speaker 1: because they realized that wasn't the big deal in their lives. 671 00:38:21,440 --> 00:38:23,360 Speaker 1: That's not what they cared about the most. And I 672 00:38:23,360 --> 00:38:25,640 Speaker 1: appreciate that from both ends. It's kind of like, yeah, 673 00:38:25,640 --> 00:38:28,759 Speaker 1: we have crushes. Oh no, this is a misunderstanding. Oh, 674 00:38:28,760 --> 00:38:30,960 Speaker 1: but we were on the bigger things. I really love 675 00:38:31,040 --> 00:38:33,960 Speaker 1: that move on. Yeah, and you you know, you chose. 676 00:38:34,080 --> 00:38:37,200 Speaker 1: They chose their friendship over that, Like they didn't let 677 00:38:37,239 --> 00:38:40,840 Speaker 1: it blow up because they realize, like this is bigger 678 00:38:41,440 --> 00:38:44,640 Speaker 1: and this hopefully will stick around. So yeah, I did 679 00:38:44,719 --> 00:38:48,600 Speaker 1: appreciate that. Um. And then also yes, there was family 680 00:38:48,680 --> 00:38:52,440 Speaker 1: was a big part of this, particularly the mother daughter relationship, 681 00:38:52,520 --> 00:38:54,720 Speaker 1: also the mother father. But I just find this interesting 682 00:38:54,719 --> 00:38:56,319 Speaker 1: with the mother daughter thing because I think we're seeing 683 00:38:56,320 --> 00:39:00,000 Speaker 1: a lot of stuff right now, which again twenty years later, 684 00:39:00,920 --> 00:39:05,080 Speaker 1: where we are seeing these things of definitely like the 685 00:39:05,800 --> 00:39:10,040 Speaker 1: patriarchal thing is still there, kind of the like women 686 00:39:10,120 --> 00:39:14,920 Speaker 1: hurting other women and not maybe realizing that they are 687 00:39:15,880 --> 00:39:18,440 Speaker 1: um because of the systems that they were raised in 688 00:39:18,520 --> 00:39:22,560 Speaker 1: and because of the expectations that were placed on them, uh, 689 00:39:22,560 --> 00:39:25,719 Speaker 1: and all of these things. So I just thought that 690 00:39:25,800 --> 00:39:30,640 Speaker 1: was that was something that huh there it is. Yeah, 691 00:39:31,120 --> 00:39:34,600 Speaker 1: his mother daughter relationship is so complicated and these things. 692 00:39:34,640 --> 00:39:37,520 Speaker 1: It is well when you think about the generational things 693 00:39:37,600 --> 00:39:41,319 Speaker 1: and what the expectations were for women as it goes on, 694 00:39:42,520 --> 00:39:45,879 Speaker 1: if you look at what is happening generationally, they're being 695 00:39:45,880 --> 00:39:48,640 Speaker 1: more lenient as it comes, but it's still really difficult, 696 00:39:49,080 --> 00:39:54,040 Speaker 1: and that leniency still doesn't meet the standard of modern society. 697 00:39:54,200 --> 00:39:57,680 Speaker 1: So as she states that at the time I was 698 00:39:57,800 --> 00:40:01,120 Speaker 1: your age, I was already married king full Indian dinner, 699 00:40:01,320 --> 00:40:03,320 Speaker 1: she actually says that, and at this point she's like, 700 00:40:03,360 --> 00:40:06,520 Speaker 1: you're gonna learn some dishes. So she's waited this long 701 00:40:06,800 --> 00:40:08,920 Speaker 1: to put this place on her because she did want 702 00:40:08,920 --> 00:40:10,920 Speaker 1: to allow her to have that life. But she was 703 00:40:10,960 --> 00:40:13,480 Speaker 1: scared for her because if she doesn't follow into these traditions, 704 00:40:13,640 --> 00:40:16,080 Speaker 1: that means she's going to be an outcast. And it 705 00:40:16,120 --> 00:40:18,920 Speaker 1: doesn't affect just her, affect the entirety of a family, 706 00:40:19,400 --> 00:40:22,279 Speaker 1: including the sister, including them be like they're talking about 707 00:40:22,320 --> 00:40:25,359 Speaker 1: the model wearing short short skirts and being kicked out 708 00:40:25,360 --> 00:40:27,799 Speaker 1: of temple, like those are the things that we don't 709 00:40:27,840 --> 00:40:31,600 Speaker 1: talk about as much like the mother, as concerning and 710 00:40:31,640 --> 00:40:34,839 Speaker 1: as judgmental, as as as heavy as it feels, they 711 00:40:34,880 --> 00:40:37,840 Speaker 1: really are thinking this is the betterment for their child 712 00:40:38,640 --> 00:40:42,239 Speaker 1: as well, because they don't have the opportunity to be like, 713 00:40:42,719 --> 00:40:46,120 Speaker 1: we don't have to do that as where men can. Yeah, no, 714 00:40:46,239 --> 00:40:49,120 Speaker 1: I agree, And I think there's definitely a fear aspect 715 00:40:49,160 --> 00:40:54,520 Speaker 1: of getting outcast or being judged or whatever it is. 716 00:40:54,560 --> 00:40:56,560 Speaker 1: So I think it's kind of it might not look 717 00:40:57,200 --> 00:41:00,799 Speaker 1: but I often think it's like a protective and if 718 00:41:00,880 --> 00:41:03,719 Speaker 1: motherhood is the basis of who you are as a 719 00:41:03,760 --> 00:41:07,440 Speaker 1: person and you fail at that, you know, a father 720 00:41:07,520 --> 00:41:10,759 Speaker 1: doesn't have that same They have the legacy of the family, sure, 721 00:41:10,800 --> 00:41:12,440 Speaker 1: but they're the providers and all of that. So it's 722 00:41:12,480 --> 00:41:14,839 Speaker 1: kind of the outward scope. And then but a mother 723 00:41:15,080 --> 00:41:17,560 Speaker 1: that is literally like if you can't keep your children 724 00:41:17,960 --> 00:41:20,719 Speaker 1: to follow through and maintain, then you have failed your 725 00:41:20,800 --> 00:41:26,560 Speaker 1: one job at least in this cultural idea. In this moment, 726 00:41:26,600 --> 00:41:28,879 Speaker 1: and she Uh, the director talks about how she had 727 00:41:29,200 --> 00:41:32,200 Speaker 1: taken her own experience with our family and her mother 728 00:41:32,360 --> 00:41:36,120 Speaker 1: specifically was the inspiration to this mother who was straight. 729 00:41:36,320 --> 00:41:40,200 Speaker 1: By the way, in the lineup of the elderly Indian 730 00:41:40,200 --> 00:41:43,759 Speaker 1: women and the sister and the wedding party, her mother 731 00:41:43,840 --> 00:41:48,760 Speaker 1: isn't that actual mother is in there? Cool? Another fun 732 00:41:48,840 --> 00:41:56,960 Speaker 1: fact packed. Uh And then yes, finally we wanted to 733 00:41:56,960 --> 00:42:01,840 Speaker 1: talk about sports and women and sexism because there's just 734 00:42:01,880 --> 00:42:04,520 Speaker 1: like tiny little pieces throughout where I kept picking up 735 00:42:04,520 --> 00:42:07,439 Speaker 1: on like yp okay, there's that. So there's a whole 736 00:42:07,440 --> 00:42:12,360 Speaker 1: conversation about just showing her bare legs um and shorts 737 00:42:12,400 --> 00:42:15,840 Speaker 1: and how that would not be appropriate. Um, there's several 738 00:42:15,880 --> 00:42:20,319 Speaker 1: instances when you already mentioned of the players being sexualized 739 00:42:20,400 --> 00:42:24,080 Speaker 1: that is actually agres Leg is actually scarred from childhood. 740 00:42:24,320 --> 00:42:28,000 Speaker 1: That is real. And when she auditioned. Before she auditioned, 741 00:42:28,040 --> 00:42:30,160 Speaker 1: she actually sent an email her talent agents at the 742 00:42:30,160 --> 00:42:32,399 Speaker 1: email to the director just like just so you know, 743 00:42:32,960 --> 00:42:36,279 Speaker 1: we know there's a scene there's a giant scar And 744 00:42:36,320 --> 00:42:39,080 Speaker 1: because of that, the director actually wrote that end for 745 00:42:39,200 --> 00:42:41,200 Speaker 1: her that was not a part of the original movie. 746 00:42:41,320 --> 00:42:43,480 Speaker 1: And I love that so much because it was such 747 00:42:43,480 --> 00:42:49,640 Speaker 1: an acceptance. Why didn't directors do that more often? What 748 00:42:49,760 --> 00:42:54,800 Speaker 1: could it be? Yeah? Yeah, And her. I mean, even 749 00:42:54,840 --> 00:42:57,200 Speaker 1: without the scars, I feel like a lot of us 750 00:42:57,480 --> 00:42:59,759 Speaker 1: when we were younger, a lot of those women had 751 00:42:59,800 --> 00:43:03,320 Speaker 1: that moment of like embarrassment or shame around her legs, 752 00:43:03,560 --> 00:43:05,479 Speaker 1: and then you've got the added thing of the scar. 753 00:43:06,440 --> 00:43:10,799 Speaker 1: There was also taking of measurements, a lot of talk 754 00:43:10,880 --> 00:43:16,439 Speaker 1: about boobs, mangoes, do see juicy mangoes. I'm not gonna lie. 755 00:43:17,120 --> 00:43:18,799 Speaker 1: That's the line that my friends and I was saying 756 00:43:18,800 --> 00:43:22,960 Speaker 1: to each other. I'm an out of context too. It 757 00:43:23,000 --> 00:43:25,439 Speaker 1: didn't make sense, but I still love it. Yeah. Yeah. 758 00:43:26,400 --> 00:43:30,000 Speaker 1: There is a scene where Jewels and her mother are 759 00:43:30,120 --> 00:43:33,920 Speaker 1: shopping and Jewels is like looking at sports bras and 760 00:43:33,960 --> 00:43:37,560 Speaker 1: her mom is like, no, you need this, Jill bro 761 00:43:37,800 --> 00:43:40,359 Speaker 1: like you need all these other things. And I had 762 00:43:40,440 --> 00:43:44,720 Speaker 1: this no, well I did when I got older, painful, 763 00:43:45,200 --> 00:43:48,040 Speaker 1: Yeah they are. I was. I was actually really I 764 00:43:48,120 --> 00:43:49,440 Speaker 1: was kind of like this where I was just like 765 00:43:49,440 --> 00:43:53,040 Speaker 1: I just wanted sport, right, I don't need anything else. 766 00:43:53,160 --> 00:43:56,160 Speaker 1: I'm nervous um and I had kind of I went 767 00:43:56,160 --> 00:43:59,840 Speaker 1: through puberty early, so I had pretty big breast pretty early, 768 00:44:00,560 --> 00:44:03,239 Speaker 1: so I was very self conscious and I did not 769 00:44:03,320 --> 00:44:06,680 Speaker 1: want bra like I was nine years old, I didn't 770 00:44:06,680 --> 00:44:13,960 Speaker 1: want to go, I just sports, bra, leave me alone, right. Um. 771 00:44:14,160 --> 00:44:18,160 Speaker 1: But this also because kier and Nightley's character Jewels, there 772 00:44:18,239 --> 00:44:22,319 Speaker 1: was that scene she had the short hair, which kept 773 00:44:22,360 --> 00:44:25,960 Speaker 1: coming up as not being feminine enough, I suppose, And 774 00:44:26,000 --> 00:44:29,440 Speaker 1: then I believe her mom said to her dad at 775 00:44:29,480 --> 00:44:31,360 Speaker 1: one point, You've got a daughter, not a son, so 776 00:44:31,480 --> 00:44:35,200 Speaker 1: essentially saying like this very gendering of the sports and 777 00:44:35,239 --> 00:44:39,680 Speaker 1: the clothes and the hair, that yeah, this is not correct, 778 00:44:39,880 --> 00:44:43,359 Speaker 1: this is wrong. She should be more feminine. I did 779 00:44:43,400 --> 00:44:46,520 Speaker 1: find this interesting. I found a whole essay about how 780 00:44:46,680 --> 00:44:50,680 Speaker 1: Jess like I'm starting with that glorious day dream that 781 00:44:50,760 --> 00:44:54,400 Speaker 1: we see. Uh, it's not that she wants to be 782 00:44:54,560 --> 00:44:56,600 Speaker 1: with Beckham, but she has a crush on him. She 783 00:44:56,640 --> 00:45:00,799 Speaker 1: wants to be him. She it's a very professional, like 784 00:45:01,480 --> 00:45:06,520 Speaker 1: she's imagining being as skilled and talented as he is. Yeah, 785 00:45:06,600 --> 00:45:08,719 Speaker 1: well we also see it in the conversation he has. 786 00:45:08,760 --> 00:45:11,560 Speaker 1: She was like I played today, I was brilliant. Like 787 00:45:11,560 --> 00:45:13,880 Speaker 1: she's talking to him as a as a co player, 788 00:45:13,880 --> 00:45:17,279 Speaker 1: as a teammate, um, as if someone who could have 789 00:45:17,320 --> 00:45:19,880 Speaker 1: coached her and taught her along the ways are the 790 00:45:19,960 --> 00:45:22,399 Speaker 1: fun fact that was David Beckham Because for the longest time, 791 00:45:22,440 --> 00:45:24,200 Speaker 1: the way they had it filmed, I thought it would 792 00:45:24,239 --> 00:45:28,240 Speaker 1: just lookalike, but it was David Beckham on the film, 793 00:45:28,239 --> 00:45:29,759 Speaker 1: and he he said he would do it. And he 794 00:45:29,840 --> 00:45:32,200 Speaker 1: was actually very supportive of the title and everything because 795 00:45:32,239 --> 00:45:34,160 Speaker 1: at that point in time he was a huge proponent 796 00:45:34,280 --> 00:45:36,759 Speaker 1: of having women in soccer and women in sports and 797 00:45:36,800 --> 00:45:39,000 Speaker 1: talking about that that was necessary and he was glad 798 00:45:39,000 --> 00:45:40,640 Speaker 1: to see more of it and wanted his name to 799 00:45:40,640 --> 00:45:42,319 Speaker 1: be a part of it. That could be a whole 800 00:45:42,360 --> 00:45:44,640 Speaker 1: kind of a different, other other level, but you're just 801 00:45:44,760 --> 00:45:46,759 Speaker 1: being able to support and show that he has He 802 00:45:46,800 --> 00:45:50,640 Speaker 1: was supporting it, So I loved that too. That's awesome 803 00:45:51,760 --> 00:45:56,239 Speaker 1: is a very fun fact. Yeah, but I do love that. 804 00:45:57,040 --> 00:46:00,799 Speaker 1: I love that aspect of it because we recently did 805 00:46:00,800 --> 00:46:03,920 Speaker 1: an episode. I'm not immune. I've had my celebrity crushes, 806 00:46:03,920 --> 00:46:05,440 Speaker 1: but I like that this was not a crush. It 807 00:46:05,560 --> 00:46:08,239 Speaker 1: was right. I want to be as good it was 808 00:46:08,280 --> 00:46:13,960 Speaker 1: Tony's question, Ah, yes you are. I also read a 809 00:46:14,000 --> 00:46:16,359 Speaker 1: lot of essays about how powerful it was for people 810 00:46:16,400 --> 00:46:19,640 Speaker 1: at the time who hadn't seen something like this to 811 00:46:19,880 --> 00:46:23,480 Speaker 1: see kind of this camaraderie on the team, people women 812 00:46:23,560 --> 00:46:26,479 Speaker 1: playing and competing with other women, but still kind of 813 00:46:26,520 --> 00:46:29,800 Speaker 1: maintaining those friendships. And also how for Jess that was 814 00:46:29,840 --> 00:46:31,520 Speaker 1: a new thing because she'd been playing with these boys 815 00:46:31,520 --> 00:46:34,200 Speaker 1: in the park and they did have these comments. Um, 816 00:46:34,239 --> 00:46:36,920 Speaker 1: but when she started playing with them, it was a 817 00:46:36,920 --> 00:46:38,760 Speaker 1: different experience for her and it was a new experience 818 00:46:38,760 --> 00:46:42,720 Speaker 1: for her as well, so and she got confidence. Yes, 819 00:46:43,239 --> 00:46:46,560 Speaker 1: I loved it. I did too. I did too. Uh. 820 00:46:46,600 --> 00:46:52,160 Speaker 1: And then there was more like sports specific, but there 821 00:46:52,160 --> 00:46:56,080 Speaker 1: were kind of those comments around low turnout for the 822 00:46:56,120 --> 00:46:59,080 Speaker 1: women's teams and how like they're never gonna get anybody 823 00:46:59,080 --> 00:47:02,560 Speaker 1: to show up, is biased refereeing and all these are 824 00:47:02,600 --> 00:47:07,799 Speaker 1: all things that yeah, we're still talking about has progressed, 825 00:47:08,600 --> 00:47:12,360 Speaker 1: but still conversations that are happening. But they have to 826 00:47:12,360 --> 00:47:18,440 Speaker 1: approve themselves more and more exactly exactly. But Yeah, I 827 00:47:18,480 --> 00:47:22,080 Speaker 1: loved it. I'm glad we picked it. I'm glad you 828 00:47:22,160 --> 00:47:25,799 Speaker 1: loved it. It was important that you liked it. That'd 829 00:47:25,880 --> 00:47:29,000 Speaker 1: be the end of our friendship's no, No, I did. 830 00:47:29,040 --> 00:47:34,320 Speaker 1: I really enjoyed it. Yeah, So thanks for the suggestions, 831 00:47:34,360 --> 00:47:38,640 Speaker 1: Samantha and listeners. If you have any suggestions, we would 832 00:47:38,640 --> 00:47:41,279 Speaker 1: love to hear them. Our email is Stephanie and mom 833 00:47:41,280 --> 00:47:43,040 Speaker 1: stuff and I hurt me dot com. You can find 834 00:47:43,080 --> 00:47:45,240 Speaker 1: us on Twitter at mom Stuff Podcast or an Instagram 835 00:47:45,239 --> 00:47:47,200 Speaker 1: and Stuff I've Never told you. Thanks as always to 836 00:47:47,239 --> 00:47:49,840 Speaker 1: our super producer Christina. If you haven't watched that, Christina, 837 00:47:49,880 --> 00:47:53,200 Speaker 1: you need to go watch it. I know yes, but 838 00:47:53,280 --> 00:47:57,280 Speaker 1: it is a requirement. And thanks to you for listening 839 00:47:57,640 --> 00:48:00,120 Speaker 1: Stuff under inspection by our radio. For more podcast to 840 00:48:00,160 --> 00:48:02,240 Speaker 1: my Heart Radio, visit the ihar radio app Apple podcast, 841 00:48:02,320 --> 00:48:14,920 Speaker 1: where you listen to your favorite shows. H