WEBVTT - Living Stonewall

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<v Speaker 1>Pushkin, But I was so happy to be fighting back

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<v Speaker 1>in the standing up for who I was. We were happy.

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<v Speaker 1>It probably was the happiest riot in the history of America.

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<v Speaker 1>For a minute, I just stood there. I just stood

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<v Speaker 1>and took it all in, and I knew something was

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<v Speaker 1>changing from Pushkin Industries. This is Deep Background, the show

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<v Speaker 1>where we explored the stories behind the stories in the news.

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<v Speaker 1>I'm Noah Feldman. Welcome to this week's episode, where we're

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<v Speaker 1>going to talk about the fiftieth anniversary of the Stonewall Uprising,

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<v Speaker 1>an iconic moment in the history of the rights of

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<v Speaker 1>gay and lesbian people in the United States. It's also

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<v Speaker 1>an opportunity for reflecting on the universe that existed at

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<v Speaker 1>the time of Stonewall, on government surveillance and oppression of

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<v Speaker 1>gay and lesbian and transgender people, and on the changes

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<v Speaker 1>that have been wrought over the last half century, both

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<v Speaker 1>the changes that have made things so much better for

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<v Speaker 1>many gay and lesbian people and the failures to change

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<v Speaker 1>that continue to affect many many people in various areas

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<v Speaker 1>of our lives. We'll start by hearing from Mark Seagull,

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<v Speaker 1>a Stonewall veteran from Philadelphia. When I was eighteen. In

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<v Speaker 1>the nineteen sixties, LGBT people were invisible. We weren't on TV,

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<v Speaker 1>we weren't on radio. We were there was no such

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<v Speaker 1>thing as a podcast. So growing up as an eighteen

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<v Speaker 1>year old in Philadelphia City at one point six million,

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<v Speaker 1>I literally thought I was the only gay person there. So,

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<v Speaker 1>since you knew, you couldn't ask people about who you were,

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<v Speaker 1>since it was something that was only talked about in

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<v Speaker 1>whispers about, the only place you could do that was

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<v Speaker 1>at the library, where you might, if you were lucky,

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<v Speaker 1>find five books, and each of those books might tell

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<v Speaker 1>you that you were immoral, illegal, and mentally incompetent. And

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<v Speaker 1>I didn't feel like that was me, and I wanted

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<v Speaker 1>to escape that phil Adelphia invisibility. So I went where

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<v Speaker 1>I thought there were other gay people at eighteen years old,

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<v Speaker 1>which was New York. And I moved to New York

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<v Speaker 1>on May tenth, nineteen sixty nine, a date which I

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<v Speaker 1>will always remember because to me, that representative freedom and

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<v Speaker 1>for the first day I could begin to be myself.

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<v Speaker 1>When you went to New York at that point, there

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<v Speaker 1>were no neon signs which said where there's a gay area,

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<v Speaker 1>because even in New York in nineteen sixty nine, it

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<v Speaker 1>was illegal to be gay, and gay people could not

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<v Speaker 1>legally congregate. Gay people could not go into a bar

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<v Speaker 1>and ask for a drink. A bar that served non

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<v Speaker 1>homosexuals would lose its liquor license. So one of the

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<v Speaker 1>few places you could do that in was an illegal

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<v Speaker 1>bar called the Stonewall. And in the Stonewall you could

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<v Speaker 1>be yourself. It was a dingy, illegal bar which served

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<v Speaker 1>water down drinks, but when you went inside, you could

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<v Speaker 1>be yourself. And that was the magic of Stonewall. On

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<v Speaker 1>June twenty eighth, nineteen sixty nine, the first day of

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<v Speaker 1>the Stonewall Rising, Mark had only been in New York

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<v Speaker 1>for about seven weeks. In New York at the time,

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<v Speaker 1>it was relatively a regular thing for the police to

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<v Speaker 1>come in and raid the Stonewall. I didn't know that

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<v Speaker 1>that night because for me eighteen, I had never been

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<v Speaker 1>in a ray before, and so when the police came in,

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<v Speaker 1>I was sort of shocked and terrified to be honest.

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<v Speaker 1>But what usually happened, I found out later, was they

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<v Speaker 1>would come in, take their corruption money and just leave.

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<v Speaker 1>But that night was unusual in the fact that they

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<v Speaker 1>barged him, threw people against the wall, roughed them up

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<v Speaker 1>a little, hurled every kind of insult you can imagine us,

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<v Speaker 1>which we've heard our entire lives. And then what shocked

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<v Speaker 1>me the most was they went to people who looked

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<v Speaker 1>like they were prosperous or successful and literally asked them

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<v Speaker 1>to take out their wallets and took the money from

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<v Speaker 1>those wallets and put it in their pockets. That I

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<v Speaker 1>think showed me how little they disregarded us, that we

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<v Speaker 1>meant nothing to them. This was the police stealing and

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<v Speaker 1>what are we to do? Call the police? They were

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<v Speaker 1>the police. And then slowly but surely they allowed us

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<v Speaker 1>to leave the bar by guarding us, and we didn't disperse.

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<v Speaker 1>And the police they got their corruption money, They did

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<v Speaker 1>what they wanted to do, and they were ready to leave.

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<v Speaker 1>Every time they opened that door, we wouldn't leave. We

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<v Speaker 1>eventually started throwing stones, cans, or what anything we could

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<v Speaker 1>find on the street at those doors, and the police

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<v Speaker 1>literally were afraid to open the door. They were imprisoned

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<v Speaker 1>inside stone wall. It is the first time that we

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<v Speaker 1>imprisoned our oppressors. That's the reason why it's called a riot,

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<v Speaker 1>and that's the reason why it's history is for the

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<v Speaker 1>first time, we fought back as a people. As for

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<v Speaker 1>me standing there, you know, I felt full of adrenaline.

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<v Speaker 1>While I was terrified inside the bar, Once I got

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<v Speaker 1>outside the bar, my attitude, mind, body all changed. It

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<v Speaker 1>became super charged, full of adrenaline and very joyous. But

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<v Speaker 1>I was so happy to be fighting back and the

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<v Speaker 1>standing up for who I was. And I'm sure everybody

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<v Speaker 1>who was there felt the same exact way. We were happy.

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<v Speaker 1>It probably was the happiest riot in the history of

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<v Speaker 1>American because we were fighting back for the first time.

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<v Speaker 1>There was just a scene of joy. I'm sure the

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<v Speaker 1>police didn't feel that way. I think they were terrified.

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<v Speaker 1>They had never seen anything like that. They'd always thought

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<v Speaker 1>they could do whatever they wanted to us. And this

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<v Speaker 1>went on for hours, and I literally at one point

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<v Speaker 1>was standing across the street watching the scene in front

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<v Speaker 1>of me, and I remember thinking that was gonna be

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<v Speaker 1>what I was gonna do with the rest of my life.

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<v Speaker 1>And at that time, there was no term called gay activist,

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<v Speaker 1>so I didn't know what the hell I was going

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<v Speaker 1>to be. I just knew that's what I was going

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<v Speaker 1>to do, and I also thought i'd be poor for

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<v Speaker 1>the rest of my life because getting paid to be

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<v Speaker 1>a professional gay activist. If there was no salary attached

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<v Speaker 1>to it, but it was my passion, then it's my

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<v Speaker 1>passion now. Mark Seagull went on to become the founder

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<v Speaker 1>and publisher of the Philadelphia Gay News and the president

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<v Speaker 1>of the National Gay Newspaper Guild. Another person whose life

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<v Speaker 1>was deeply affected by Stonewall is Joan Nessel. Joan is

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<v Speaker 1>a truly fascinating person. Born in nineteen forty, she protested

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<v Speaker 1>against the activities of the House An American Affairs Committee.

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<v Speaker 1>She became an activist, ultimately joining a wide range of

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<v Speaker 1>lesbian and gay rights groups. She became a writer, a professor.

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<v Speaker 1>She founded the Lesbian and Herstory Archives, and she has

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<v Speaker 1>continued to teach and think about questions of liberation and

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<v Speaker 1>the erotics of desire from the time of Stonewall very

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<v Speaker 1>much up to the present. She joined us all the

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<v Speaker 1>way from Australia. Hello, Hi, Joan, Hi, It's Noah Feldman.

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<v Speaker 1>How are you okay? It's an early dark morning here

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<v Speaker 1>in Melvern, Australia. So I hope I have a flow

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<v Speaker 1>of words. I'm sure you will. Thank you so much

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<v Speaker 1>for joining us. One of the reasons that we wanted

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<v Speaker 1>to have this conversation with you is that we're all

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<v Speaker 1>looking back fifty years later on the Stone Wall uprising

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<v Speaker 1>and trying to understand its context. It's meaning what it

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<v Speaker 1>meant to the people who were there in it. And

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<v Speaker 1>I wonder if you would start by helping us to

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<v Speaker 1>just set the stage for Greenwich Village in the late

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<v Speaker 1>nineteen sixties. As a lesbian person making your way there,

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<v Speaker 1>what was it like for you? Let me start ten

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<v Speaker 1>years earlier, because all these beginnings have befos. When I

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<v Speaker 1>was seventeen, I was just a desiring young woman looking

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<v Speaker 1>for the lesbian touch, and that's what drove me to

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<v Speaker 1>follow women who look like lesbians. We're talking nineteen fifty eight,

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<v Speaker 1>so in Greenwich Village, right down the streets to see

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<v Speaker 1>where they were going. It was this whole underworld that

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<v Speaker 1>I was desperate to be a part of. And you

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<v Speaker 1>were from the Bronx. So how did you know to

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<v Speaker 1>go down to Greenite Village. Davian cultures have a way

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<v Speaker 1>of finding who needs them, and the village was it

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<v Speaker 1>seems to me. As soon as I knew there was

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<v Speaker 1>another place outside of the Bronx, was known as a

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<v Speaker 1>place for queer people. And that I want to say

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<v Speaker 1>that it was a very real word. That two words

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<v Speaker 1>freak and queer, which is what end in my head

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<v Speaker 1>as I entered this world. So I walked into a place.

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<v Speaker 1>There was a place called the Sea Colony and it

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<v Speaker 1>became part of me for ten years. So yeah, the

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<v Speaker 1>Sea Connie was also in the West Village, just a

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<v Speaker 1>short walk from from where where the stonewall in is. Yes,

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<v Speaker 1>tell us about the Sea Connie. So all our bars

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<v Speaker 1>were policed and we were criminals a minute we entered

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<v Speaker 1>that those doors. So one way there was things called

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<v Speaker 1>the vice Squad, and the vice Squad patrolled queer i'll

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<v Speaker 1>use meeting places. And one way they did it was

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<v Speaker 1>there was a phenomena called the bathroom line. And what

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<v Speaker 1>this was There was a line for all these lesbian

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<v Speaker 1>women drinking a lot of beer, you know, to go

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<v Speaker 1>to the bathroom, as simple as that. But because we

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<v Speaker 1>were considered criminal, our bathroom habits had to be policed,

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<v Speaker 1>meaning only one woman at a time was allowed into

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<v Speaker 1>the bathroom and to control that behavior. Now, this is

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<v Speaker 1>all done from the bar owners cooperating with the Vice

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<v Speaker 1>squad police. So they could keep the bar open. There

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<v Speaker 1>was a butch woman that i've whose job it was

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<v Speaker 1>to give us our allotted amount of toilet paper. And

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<v Speaker 1>why I understand the why the one person why the

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<v Speaker 1>allotment of toilet paper, because that was the way to

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<v Speaker 1>control You couldn't get past her us to inform us

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<v Speaker 1>that our behavior was being watched and being controlled. So

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<v Speaker 1>it became part of our I called it a line act.

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<v Speaker 1>We flirted on that line. We knew it awaited all

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<v Speaker 1>of us. I had a double consciousness on that line,

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<v Speaker 1>and maybe many others did two that this was the

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<v Speaker 1>state and the state intruded on us. Is also part

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<v Speaker 1>of the Stonewall time was that we knew and we

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<v Speaker 1>dressed to go to the bar, that we had to

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<v Speaker 1>put on three pieces of women's clothing or we could

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<v Speaker 1>be arrested for transvestism. We couldn't. We weren't allowed to dance,

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<v Speaker 1>we would be arrested for indecent behavior. So the line

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<v Speaker 1>was part of it. It lived in my mind as

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<v Speaker 1>the powers of the state to control our bodies. So

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<v Speaker 1>part of the Stone Wall story is desire, and that

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<v Speaker 1>often does not get talked about. It's what propelled me

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<v Speaker 1>to take on the state. In those bars, every Saturday night,

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<v Speaker 1>the police, the same cop would come in. We were

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<v Speaker 1>allowed to dance in a small back room. The front

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<v Speaker 1>room was for straight people who wanted to come and

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<v Speaker 1>look at the queers, and they'd sit at tables. But

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<v Speaker 1>the back room was where we could dance women together,

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<v Speaker 1>and it had a red light, and that was our

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<v Speaker 1>wanting to sit down and not touch each other because

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<v Speaker 1>the police, the same cop was coming in for his payoffs,

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<v Speaker 1>and he'd come into the back room. He'd look us over.

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<v Speaker 1>He had a wad of bills in his hand, and

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<v Speaker 1>invariably he would pick some butchwoman who was with a

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<v Speaker 1>very attractive fam that would enrage them and humiliate her.

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<v Speaker 1>I witnessed one night when a butcheroman was thrown up

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<v Speaker 1>against the wall of the sea colony outside, and this

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<v Speaker 1>cop made her tack her pinstone to show her that

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<v Speaker 1>she wasn't really a man. You describe a very movingly

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<v Speaker 1>the dance of desire and then the constant surveillance of

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<v Speaker 1>the state, And you also spoke very convincingly about the

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<v Speaker 1>thought that this was going to break, that there would

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<v Speaker 1>be resistance. Can you describe to us what it was

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<v Speaker 1>like when you you were outside the Sea Colony, you

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<v Speaker 1>heard that something had happened the day before at Stonewall.

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<v Speaker 1>You you went down to Waverley Place, What did you see?

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<v Speaker 1>What was the scene? Like, Yes, I'm walking from my

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<v Speaker 1>um my tenement apartment apartment from the East Village to

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<v Speaker 1>the West Village to get to my bar the Sea Colony.

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<v Speaker 1>It's warm. I always remember the heat, like the heat

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<v Speaker 1>of the body, but this was the heat of us

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<v Speaker 1>the night. And as we approached um where Stonewall was,

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<v Speaker 1>and it was it's a big thoroughfare, everything changed. It

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<v Speaker 1>was like I've never been in a moment of of

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<v Speaker 1>of conflict, of you know, armed conflict, but that's what

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<v Speaker 1>it seemed like. There were flashing lights, and there were

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<v Speaker 1>um people felt like hundreds of people just running and

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<v Speaker 1>milling around, and there were shouts of resistance, and there

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<v Speaker 1>was energy and there, but there was also fear because

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<v Speaker 1>I wasn't quite sure what was happening. And for a minute,

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<v Speaker 1>I just stood there. I just stood and took it

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<v Speaker 1>all in and I knew something was changing. And what

0:13:31.356 --> 0:13:34.076
<v Speaker 1>I saw in the street that night, the second night

0:13:34.116 --> 0:13:38.916
<v Speaker 1>after Stonewall, was the power of a people's descent the

0:13:39.076 --> 0:13:46.076
<v Speaker 1>refusal to allow their bodies to be policed without respect

0:13:46.156 --> 0:13:51.516
<v Speaker 1>for their being, all their desire. And I keep emphasizing sexuality.

0:13:52.116 --> 0:13:55.156
<v Speaker 1>That was what drove me, as a seventeen year old

0:13:55.236 --> 0:13:59.796
<v Speaker 1>into a policed place, knowing that I was I could

0:13:59.996 --> 0:14:02.636
<v Speaker 1>be arrested any minute for doing a simple thing like

0:14:02.796 --> 0:14:08.476
<v Speaker 1>touching another woman. But I wanted to be where my body,

0:14:08.516 --> 0:14:14.516
<v Speaker 1>as any young person, could experience its own erotics. And

0:14:14.916 --> 0:14:20.596
<v Speaker 1>so that was a public face of a humiliated erotics.

0:14:20.676 --> 0:14:22.716
<v Speaker 1>I would say that was in the street that night.

0:14:22.796 --> 0:14:25.796
<v Speaker 1>And then also it was also the courage of those

0:14:25.876 --> 0:14:30.476
<v Speaker 1>who had the least doing the most. And this is

0:14:30.476 --> 0:14:33.316
<v Speaker 1>what struck me in my own boss because my bar

0:14:33.716 --> 0:14:36.036
<v Speaker 1>was a working class bar, and I say it became

0:14:36.036 --> 0:14:38.916
<v Speaker 1>our community. We go there every weekend, so we knew everybody,

0:14:38.916 --> 0:14:42.236
<v Speaker 1>and we probably it was the one place we all met.

0:14:42.316 --> 0:14:45.476
<v Speaker 1>So there were passing women, women who others thought were men,

0:14:45.516 --> 0:14:48.996
<v Speaker 1>who worked as taxi drivers, worked at stock clerks who

0:14:48.996 --> 0:14:52.556
<v Speaker 1>did the things at men usually kinds of jobs. There

0:14:52.596 --> 0:14:59.916
<v Speaker 1>were sex workers. It was a huge meeting place of pariahs.

0:15:00.236 --> 0:15:01.996
<v Speaker 1>Is the word, and that is the word that has

0:15:02.036 --> 0:15:07.196
<v Speaker 1>been haunting me both. You know, I'm a working class

0:15:07.276 --> 0:15:11.556
<v Speaker 1>girl who lived on ideas and Hannah Arrant's idea of

0:15:11.596 --> 0:15:15.716
<v Speaker 1>the pariet. I think that's part of what's happened at Stonewall.

0:15:15.756 --> 0:15:21.716
<v Speaker 1>It's when the pariats taking everything with pride that made

0:15:21.756 --> 0:15:27.716
<v Speaker 1>them and also what the society has judged, and doing

0:15:27.796 --> 0:15:32.796
<v Speaker 1>something different with that heritage. And there was an exuberance.

0:15:32.956 --> 0:15:37.996
<v Speaker 1>There's an exuberance once without nothing, you make love in

0:15:38.036 --> 0:15:41.036
<v Speaker 1>the face of the state. And do you think that

0:15:41.156 --> 0:15:43.916
<v Speaker 1>do you think that that that mode of resistance that

0:15:43.956 --> 0:15:48.676
<v Speaker 1>you're describing gave a certain strength or a certain beauty,

0:15:48.916 --> 0:15:52.196
<v Speaker 1>or a certain form of resistance that's actually difficult for

0:15:52.396 --> 0:15:57.236
<v Speaker 1>later generations to recapture or to reimagine, because you know,

0:15:57.276 --> 0:16:00.316
<v Speaker 1>for later generations there's of course still a homophobia, they're

0:16:00.356 --> 0:16:03.436
<v Speaker 1>still biased, they're still transphobia. None of those things has disappeared.

0:16:03.836 --> 0:16:07.596
<v Speaker 1>But typically, and certainly in Greenwich Village, but typically elsewhere

0:16:07.636 --> 0:16:10.716
<v Speaker 1>in the United States too, it's less likely that the

0:16:10.796 --> 0:16:14.276
<v Speaker 1>state would be the primary source of surveillance, less likely

0:16:14.316 --> 0:16:17.356
<v Speaker 1>that the state would be the primary source of force

0:16:17.436 --> 0:16:20.396
<v Speaker 1>or violence. So there's been in that degree something some

0:16:20.436 --> 0:16:24.316
<v Speaker 1>things have begun to change significantly. I speak a lot

0:16:24.396 --> 0:16:28.236
<v Speaker 1>with young people and they ask me the same question.

0:16:28.356 --> 0:16:31.116
<v Speaker 1>All they used to and they learned, and they say, oh,

0:16:31.196 --> 0:16:33.076
<v Speaker 1>I wish i'd come out when you did. It was

0:16:33.116 --> 0:16:36.596
<v Speaker 1>so you know, you had to. It was so exciting.

0:16:36.636 --> 0:16:39.596
<v Speaker 1>And I look at them, I say, don't you worry.

0:16:39.676 --> 0:16:45.316
<v Speaker 1>Your times will give you your stonewall. And that is happening.

0:16:46.876 --> 0:16:50.876
<v Speaker 1>My main concern is the rise of the fascistic right.

0:16:52.716 --> 0:16:56.676
<v Speaker 1>These privileges that we're given, all these so called recognitions,

0:16:56.756 --> 0:16:59.996
<v Speaker 1>one can be taken back very quickly, as Trump and

0:17:00.316 --> 0:17:06.836
<v Speaker 1>his ilk unraveled democratic institutions. But look look at the contrast.

0:17:07.196 --> 0:17:10.276
<v Speaker 1>I'm so in ninety fifty, yet I'm in a bar

0:17:10.396 --> 0:17:13.756
<v Speaker 1>where every part of me is policed. But I felt

0:17:13.796 --> 0:17:17.436
<v Speaker 1>so alive. I knew, I knew I wasn't going to

0:17:17.436 --> 0:17:20.716
<v Speaker 1>take that. I knew nothing they could offer me was

0:17:20.836 --> 0:17:27.356
<v Speaker 1>worth the culture we were creating under such dorists. And now,

0:17:27.676 --> 0:17:30.956
<v Speaker 1>in one of the most obscene political moments in American history,

0:17:31.516 --> 0:17:36.036
<v Speaker 1>queer people are being in a way celebrated. New York

0:17:36.316 --> 0:17:40.556
<v Speaker 1>is flowing with queer love, and that's wonderful in some ways.

0:17:40.556 --> 0:17:42.676
<v Speaker 1>And I see how it moves the young people, and

0:17:42.716 --> 0:17:46.916
<v Speaker 1>I see all of that, But the larger context, the

0:17:46.996 --> 0:17:49.796
<v Speaker 1>Force movement the shutting of doors to migrants. This is

0:17:49.836 --> 0:17:53.276
<v Speaker 1>all part of my queer self. Now, the pariah is

0:17:53.356 --> 0:17:57.316
<v Speaker 1>always aware of when the door is shut of who

0:17:57.436 --> 0:18:01.236
<v Speaker 1>becomes the new face of the unwanted. People will say, oh,

0:18:01.276 --> 0:18:03.436
<v Speaker 1>you must be so happy, You must be so happy

0:18:03.716 --> 0:18:05.916
<v Speaker 1>being a gay person. You know you don't have to

0:18:05.916 --> 0:18:08.756
<v Speaker 1>take your allotted amount of toilet pill. First of all,

0:18:08.756 --> 0:18:12.636
<v Speaker 1>there is still many who are metaphorically, and secondly, there

0:18:12.676 --> 0:18:19.396
<v Speaker 1>are new Humanity didn't doesn't end with a queer positioning

0:18:19.436 --> 0:18:23.636
<v Speaker 1>in one time, in one place. Often there are there

0:18:23.636 --> 0:18:26.436
<v Speaker 1>are what I hear are echoes or hints in your

0:18:27.116 --> 0:18:32.116
<v Speaker 1>In your analysis of you spoke of working class consciousness.

0:18:32.156 --> 0:18:36.516
<v Speaker 1>You spoke of identification across groups. And I wondered whether

0:18:36.796 --> 0:18:38.796
<v Speaker 1>at any of these times that we've spoken about you

0:18:38.916 --> 0:18:42.756
<v Speaker 1>self identified as a socialist or a Marxist store, And

0:18:43.276 --> 0:18:45.596
<v Speaker 1>I wonder how that, how do you think about the

0:18:45.636 --> 0:18:49.996
<v Speaker 1>interaction between that identity and your your other identities. Well,

0:18:50.076 --> 0:18:54.396
<v Speaker 1>they're all of a piece, are past or like a rope.

0:18:54.916 --> 0:19:00.116
<v Speaker 1>But I my beginning point, Well, the women who stood

0:19:00.196 --> 0:19:04.116
<v Speaker 1>beside me, and some were passing women, so they were

0:19:04.596 --> 0:19:09.676
<v Speaker 1>would be part of it, a trance community, some with

0:19:09.756 --> 0:19:14.396
<v Speaker 1>sex workers, and that's always been an important community to me.

0:19:16.556 --> 0:19:19.556
<v Speaker 1>It was for them. Everything I did, in a way

0:19:19.756 --> 0:19:24.956
<v Speaker 1>was for them. They touched my young woman's body. They

0:19:24.956 --> 0:19:27.596
<v Speaker 1>were the first who gave me that deep pleasure. And

0:19:27.756 --> 0:19:30.596
<v Speaker 1>but more than that, more than that, they gave me

0:19:31.156 --> 0:19:42.156
<v Speaker 1>a narrative of courage with bruises, with hardship, with economic deprivation.

0:19:44.156 --> 0:19:49.996
<v Speaker 1>But they tried so fullheartedly to create a life for themselves.

0:19:50.796 --> 0:19:53.476
<v Speaker 1>So I feel honored. I feel honored, and I feel

0:19:53.516 --> 0:19:56.676
<v Speaker 1>honored to know the young people now who are trying

0:19:56.716 --> 0:20:01.236
<v Speaker 1>to do the same in Trump America. Joan, thank you

0:20:01.956 --> 0:20:05.836
<v Speaker 1>so much for taking us to the Sea Colony and

0:20:06.116 --> 0:20:10.756
<v Speaker 1>to Stonewall, and to the entire world of people for

0:20:10.836 --> 0:20:14.796
<v Speaker 1>whom you've worked and in whose honor you've described what

0:20:15.156 --> 0:20:18.396
<v Speaker 1>you've been doing. Thank you. It's an extraordinary honor for

0:20:18.436 --> 0:20:20.276
<v Speaker 1>me to have the chance to talk to you, and

0:20:20.316 --> 0:20:22.516
<v Speaker 1>I'm so grateful to you for sharing your stories with us.

0:20:22.716 --> 0:20:27.156
<v Speaker 1>Oh I'm just sitting here pishing, But that's okay too.

0:20:28.556 --> 0:20:32.076
<v Speaker 1>That's a good part of life as well. You've you've

0:20:32.116 --> 0:20:49.516
<v Speaker 1>earned that. Thank you. Thank you for having me. It's

0:20:49.516 --> 0:20:52.676
<v Speaker 1>a privilege and fascinating to hear from people like Joan

0:20:52.756 --> 0:20:56.516
<v Speaker 1>Nessel and Mark Siegel, who both lived in such an

0:20:56.516 --> 0:21:00.396
<v Speaker 1>immediate and powerful way a series of crucial historical moments

0:21:01.196 --> 0:21:05.116
<v Speaker 1>a whole long, complicated period of historical evolution. It's made

0:21:05.116 --> 0:21:08.516
<v Speaker 1>me reflect on a lot of things. Among other things,

0:21:08.516 --> 0:21:11.516
<v Speaker 1>it makes me reflect on my extraordinary and lucky privilege

0:21:11.636 --> 0:21:14.436
<v Speaker 1>as a straight, white CIS gender man with his own

0:21:14.476 --> 0:21:17.716
<v Speaker 1>podcast embarrassingly enough, who gets to talk to people who

0:21:17.756 --> 0:21:21.476
<v Speaker 1>are fascinating, to people who have confronted real fundamental challenges,

0:21:21.756 --> 0:21:24.756
<v Speaker 1>the Begger, the imagination when they compare to anything that

0:21:24.796 --> 0:21:28.476
<v Speaker 1>I've encountered in my life. It also makes me think

0:21:28.716 --> 0:21:31.356
<v Speaker 1>going forward about how we should think about the legacy

0:21:31.396 --> 0:21:34.316
<v Speaker 1>of civil rights struggles like the gain lesbian rights struggle

0:21:34.316 --> 0:21:37.436
<v Speaker 1>that has followed Stonewall. Should we think of those struggles

0:21:37.436 --> 0:21:40.396
<v Speaker 1>as models of what our society can achieve. Should we

0:21:40.436 --> 0:21:43.356
<v Speaker 1>congratulate ourselves on what we've done and try to use

0:21:43.356 --> 0:21:46.636
<v Speaker 1>that self congratulation to extend new rights to other vulnerable

0:21:46.676 --> 0:21:50.076
<v Speaker 1>people like trans people. Well, that is part of it.

0:21:50.516 --> 0:21:53.436
<v Speaker 1>I think if we don't tell ourselves these stories of success,

0:21:53.796 --> 0:21:57.316
<v Speaker 1>we will give up trying, We will become pessimistic, we

0:21:57.396 --> 0:22:00.516
<v Speaker 1>won't make the effort the next time we need some

0:22:00.596 --> 0:22:03.956
<v Speaker 1>myths of great success in civil rights to take us forward.

0:22:04.716 --> 0:22:07.756
<v Speaker 1>At the same time, the great danger of that kind

0:22:07.796 --> 0:22:11.996
<v Speaker 1>of self satisfied self gratulation, especially from people like me

0:22:12.236 --> 0:22:15.196
<v Speaker 1>who come from privilege, is to say, look, how well

0:22:15.236 --> 0:22:17.996
<v Speaker 1>we've done. We have extended rights to lots of people.

0:22:18.836 --> 0:22:21.156
<v Speaker 1>That has the effect of allowing us to be blind

0:22:21.396 --> 0:22:25.356
<v Speaker 1>to continuing violations of rights, to ongoing forms of discrimination,

0:22:25.716 --> 0:22:29.596
<v Speaker 1>to structural discrimination that comes from the economy, not only

0:22:29.636 --> 0:22:32.916
<v Speaker 1>from the government but also from private sector entities, and

0:22:32.996 --> 0:22:36.756
<v Speaker 1>to forms of exclusion that sometimes just pass by the

0:22:36.756 --> 0:22:40.756
<v Speaker 1>consciousness of people who can get away with that, avoiding

0:22:40.956 --> 0:22:44.276
<v Speaker 1>the consciousness of people who in fact suffer. So we

0:22:44.316 --> 0:22:46.876
<v Speaker 1>need both. We need to pat ourselves on the back

0:22:46.996 --> 0:22:49.436
<v Speaker 1>just a little bit in order to have encouragement for

0:22:49.436 --> 0:22:52.076
<v Speaker 1>the future. But we also need to keep our eyes open.

0:22:52.556 --> 0:22:54.316
<v Speaker 1>We need to make sure that when the next civil

0:22:54.396 --> 0:22:57.956
<v Speaker 1>rights movement begins, as many have, that it doesn't take

0:22:58.036 --> 0:23:00.996
<v Speaker 1>fifty years for us to say, there you go, something

0:23:01.036 --> 0:23:05.156
<v Speaker 1>significant has been accomplished. Deep Background is brought to you

0:23:05.196 --> 0:23:08.836
<v Speaker 1>by Pushkin Industries. Our producer is Lydia Genecott, with engineering

0:23:08.836 --> 0:23:13.196
<v Speaker 1>by Jason Gambrel and Jason Rostkowski. Our showrunner is Sophie mckibbon.

0:23:13.436 --> 0:23:16.556
<v Speaker 1>Our theme music is composed by Luis Gera special thanks

0:23:16.556 --> 0:23:20.156
<v Speaker 1>to the Pushkin Brass, Malcolm Gladwell, Jacob Weisberg and Mia Lobel.

0:23:20.636 --> 0:23:22.916
<v Speaker 1>I'm Noah Feldman. You can follow me on Twitter at

0:23:22.916 --> 0:23:25.876
<v Speaker 1>Noah R. Feldman. This is deep background