1 00:00:00,200 --> 00:00:03,440 Speaker 1: Now here's a highlight from Coast to Coast AM on 2 00:00:03,560 --> 00:00:08,440 Speaker 1: iHeart Radio, and we are back with Natalie Zette, writer, actor, photographer, musician, 3 00:00:08,520 --> 00:00:10,799 Speaker 1: and the author of now Let's get this right, Flower 4 00:00:10,880 --> 00:00:14,160 Speaker 1: in the River, a family Tale finally told the website 5 00:00:14,560 --> 00:00:17,119 Speaker 1: Flower in the River dot com. And I was just 6 00:00:17,160 --> 00:00:20,880 Speaker 1: on the website looking at the photographs of your great 7 00:00:20,920 --> 00:00:25,200 Speaker 1: aunt Martha, who was one of eight hundred and forty 8 00:00:25,200 --> 00:00:31,479 Speaker 1: four souls lost aboard the Eastman, this river steamer. I 9 00:00:31,480 --> 00:00:35,159 Speaker 1: guess that was that turned over dock side on the 10 00:00:35,200 --> 00:00:40,040 Speaker 1: Chicago River and just nineteen years old, a beautiful young lady. 11 00:00:40,680 --> 00:00:44,879 Speaker 1: And also you've got the death certificate there, which is 12 00:00:45,080 --> 00:00:50,800 Speaker 1: rubber stamped cause of death, drowned. Just kind of reinforces, 13 00:00:50,840 --> 00:00:52,519 Speaker 1: you know, the extent of this tragedy, that there were 14 00:00:52,560 --> 00:00:56,080 Speaker 1: so many lives lost they actually resorted to rubber stamping 15 00:00:56,120 --> 00:01:01,000 Speaker 1: the cause of death. So, Natalie, you when you travel 16 00:01:01,040 --> 00:01:04,080 Speaker 1: to Chicago to try and uh, you know, find out 17 00:01:04,120 --> 00:01:08,080 Speaker 1: about the Eastman, the Eastland tragedy, and about your your 18 00:01:08,160 --> 00:01:15,080 Speaker 1: great aunt Martha, what what happened? That's that's the point, Richard, 19 00:01:15,080 --> 00:01:17,400 Speaker 1: where things switched from a research project, Like if you 20 00:01:17,480 --> 00:01:19,600 Speaker 1: have the research project that I did for the newspaper 21 00:01:19,680 --> 00:01:24,800 Speaker 1: to something different and um so as mentioned the trip 22 00:01:24,880 --> 00:01:28,840 Speaker 1: from the Twin Cities, Jeffrey drives to Chicago's about six 23 00:01:28,920 --> 00:01:32,080 Speaker 1: seven hours, and I didn't really feel like I wanted 24 00:01:32,120 --> 00:01:34,200 Speaker 1: to go down there. And for my thirty first trip 25 00:01:34,200 --> 00:01:37,960 Speaker 1: to Chicago for this research journey was to look at 26 00:01:38,000 --> 00:01:41,720 Speaker 1: the cemetery to find the grave, and so I stayed 27 00:01:41,760 --> 00:01:44,759 Speaker 1: in a hotel halfway um it was a halfway mark 28 00:01:44,800 --> 00:01:46,680 Speaker 1: and I wanted to do some more writing. And while 29 00:01:46,680 --> 00:01:50,720 Speaker 1: I was in this hotel and Lacrosse, Wisconsin, things started happening. 30 00:01:50,720 --> 00:01:54,919 Speaker 1: In the hotel. I began feeling uneasy. I began feeling 31 00:01:54,920 --> 00:01:57,680 Speaker 1: like I wasn't alone and I was alone, and I 32 00:01:57,760 --> 00:02:01,920 Speaker 1: just began to sense a presence. And again it was 33 00:02:01,960 --> 00:02:04,880 Speaker 1: after my dad had died. I really was in that state, 34 00:02:04,920 --> 00:02:07,880 Speaker 1: at deep grief state at that point. So I thought, 35 00:02:08,440 --> 00:02:10,480 Speaker 1: maybe this is what this is. But I thought, I 36 00:02:10,520 --> 00:02:13,960 Speaker 1: don't think I'm imagining this. I think I'm with somebody here, 37 00:02:13,960 --> 00:02:16,799 Speaker 1: and I thought this is weird. And as the night 38 00:02:16,840 --> 00:02:18,959 Speaker 1: went on, I was getting ready to get to sleep 39 00:02:19,000 --> 00:02:20,400 Speaker 1: because I thought I had to get up early and 40 00:02:20,440 --> 00:02:24,320 Speaker 1: I wanted to hit the cemetery early there was this 41 00:02:24,600 --> 00:02:27,320 Speaker 1: humming or buzz in the hotel, and I kept getting 42 00:02:27,320 --> 00:02:30,600 Speaker 1: louder and louder and louder, and it didn't sound electrical, 43 00:02:31,280 --> 00:02:32,919 Speaker 1: and it was just one of those things where it 44 00:02:32,960 --> 00:02:36,120 Speaker 1: was pervasive. It was inside me, outside of me. I 45 00:02:36,160 --> 00:02:38,840 Speaker 1: was frightened, but not scared in the way that you're 46 00:02:38,840 --> 00:02:41,200 Speaker 1: scared for your life. But I thought, what is this? 47 00:02:42,000 --> 00:02:45,040 Speaker 1: And then and I turned out the light. I thought, oh, 48 00:02:45,120 --> 00:02:47,480 Speaker 1: just close your eyes, maybe I'll all go away. When 49 00:02:47,480 --> 00:02:49,680 Speaker 1: I opened my eyes just to look what was happening 50 00:02:49,680 --> 00:02:52,000 Speaker 1: in the dark, it was like shapes were happening, and 51 00:02:52,040 --> 00:02:56,040 Speaker 1: I thought, oh, my gosh. I thought, either I'm really 52 00:02:56,080 --> 00:02:57,959 Speaker 1: losing it here or something is really going on. But 53 00:02:58,040 --> 00:03:00,880 Speaker 1: I thought, no, just go to sleep. And the next 54 00:03:00,960 --> 00:03:02,600 Speaker 1: day it was like it was all over. I was 55 00:03:02,639 --> 00:03:04,840 Speaker 1: really tired, and I headed to the cemetery. Then I 56 00:03:04,880 --> 00:03:08,400 Speaker 1: realized when I got to the cemetery. That cemetery where 57 00:03:08,440 --> 00:03:12,040 Speaker 1: my great aunt Martha's buried. It's called Bethania Cemetery in Justice. 58 00:03:12,080 --> 00:03:15,760 Speaker 1: It's next to everyone's grave with paranormal place in Chicago 59 00:03:15,840 --> 00:03:20,960 Speaker 1: Resurrection Cemetery. It's huge. People know a resurrection, they usually 60 00:03:20,960 --> 00:03:23,480 Speaker 1: don't know Bathaniel and I didn't know where her grave was, 61 00:03:23,639 --> 00:03:26,200 Speaker 1: and I parked the car and it was Labor Day weekend, 62 00:03:26,240 --> 00:03:29,440 Speaker 1: and I thought she and I felt like a fool 63 00:03:29,440 --> 00:03:31,680 Speaker 1: coming down all that way and that kind of crescendo 64 00:03:31,840 --> 00:03:34,000 Speaker 1: high that I had in the hotel room, it's like, 65 00:03:34,000 --> 00:03:37,040 Speaker 1: oh my biama into something. It just crashed. And then 66 00:03:37,480 --> 00:03:39,640 Speaker 1: there's a way I think where when he had these 67 00:03:40,040 --> 00:03:44,040 Speaker 1: we started to have these supernatural paranormal experiences. We immediately 68 00:03:44,080 --> 00:03:48,360 Speaker 1: gaslight ourselves that can happen this whatever, and it's like yeah, yeah. 69 00:03:48,400 --> 00:03:50,360 Speaker 1: So I was kind of like, you know, beating myself up, 70 00:03:50,400 --> 00:03:52,600 Speaker 1: and then all of a sudden, I just thought, that's 71 00:03:52,640 --> 00:03:54,120 Speaker 1: just we're going to find this grave. And I was 72 00:03:54,240 --> 00:03:56,960 Speaker 1: looking for forty five minutes, couldn't see it. I asked 73 00:03:56,960 --> 00:03:59,640 Speaker 1: the caretaker if he might have known where this was. 74 00:03:59,720 --> 00:04:02,200 Speaker 1: He and know. I went walking back to the car 75 00:04:02,200 --> 00:04:05,800 Speaker 1: and I tripped and the I didn't fall, but I 76 00:04:05,920 --> 00:04:08,320 Speaker 1: was kind of questioned a direction back to my car, 77 00:04:08,720 --> 00:04:10,560 Speaker 1: but I didn't realize and I didn't see it the 78 00:04:10,560 --> 00:04:13,680 Speaker 1: first time. Is I parked nearly in front of the headstone. 79 00:04:14,240 --> 00:04:18,560 Speaker 1: Oh dear lord. Yeah, now that one. That one was 80 00:04:18,600 --> 00:04:20,760 Speaker 1: one of those where I was already tired, insane. By 81 00:04:20,800 --> 00:04:22,720 Speaker 1: that point, it was really hot. It was like lace 82 00:04:23,200 --> 00:04:25,839 Speaker 1: early September rather than it was hot. And I thought, 83 00:04:25,839 --> 00:04:28,960 Speaker 1: oh my gosh. And the headstone, her headstone on the 84 00:04:28,960 --> 00:04:32,640 Speaker 1: one side is her name, and it's in German. On 85 00:04:32,680 --> 00:04:35,880 Speaker 1: the eastland it says in English rest in peace, Martha 86 00:04:35,920 --> 00:04:39,400 Speaker 1: Feiffer eighteen ninety five to nineteen fifteen. And then beneath 87 00:04:39,400 --> 00:04:41,920 Speaker 1: that it is her baby sister, who died nineteen oh 88 00:04:41,960 --> 00:04:44,840 Speaker 1: five of what was called black diphtheria. On the other 89 00:04:44,880 --> 00:04:48,120 Speaker 1: side of my great great grandparents, my great grandparents started graves. 90 00:04:48,640 --> 00:04:50,600 Speaker 1: I get all those great screwed up sometimes, but so 91 00:04:50,680 --> 00:04:52,960 Speaker 1: her parents are on the other side. I didn't even 92 00:04:52,960 --> 00:04:55,760 Speaker 1: know they were there. And so when I stood in 93 00:04:55,760 --> 00:04:58,039 Speaker 1: front of it, I my niece kind of buckled. Not 94 00:04:58,200 --> 00:05:00,360 Speaker 1: I didn't collapse claps in a sort of dr addict, 95 00:05:00,760 --> 00:05:03,240 Speaker 1: you know, type of you throw yourself on the couch, 96 00:05:03,279 --> 00:05:05,839 Speaker 1: but I did collapse, and it was like, oh my gosh. 97 00:05:05,880 --> 00:05:09,400 Speaker 1: And it was that point I came apart and I thought, 98 00:05:10,080 --> 00:05:12,400 Speaker 1: what is this? And then when I closed my eyes, 99 00:05:12,600 --> 00:05:15,520 Speaker 1: it was as if I was almost transported into a 100 00:05:15,560 --> 00:05:18,440 Speaker 1: living room where they all were. Even though I've only 101 00:05:18,560 --> 00:05:22,279 Speaker 1: seen photos and I really it sounds like it should 102 00:05:22,279 --> 00:05:25,920 Speaker 1: be comforting. It was really disturbing, and I thought, am 103 00:05:25,920 --> 00:05:28,960 Speaker 1: I And it was the loss of control. So if 104 00:05:28,960 --> 00:05:31,720 Speaker 1: you've ever had that happened, it's it's kind of one 105 00:05:31,720 --> 00:05:32,960 Speaker 1: of those things where you kind of have to go 106 00:05:33,080 --> 00:05:35,240 Speaker 1: with it. I thought, I don't know what this is, 107 00:05:35,279 --> 00:05:37,200 Speaker 1: but for once, I'm not going to shut it down. 108 00:05:37,200 --> 00:05:40,400 Speaker 1: So I just started writing immediately, and I wasn't thinking 109 00:05:40,440 --> 00:05:42,080 Speaker 1: of a book. I was just thinking, I've got to 110 00:05:42,080 --> 00:05:44,400 Speaker 1: write this stuff down because I will go back to 111 00:05:44,440 --> 00:05:46,960 Speaker 1: Saint Paul and write that article and talk myself out 112 00:05:46,960 --> 00:05:50,520 Speaker 1: of this. I thought, no, this happened, okay, So tell 113 00:05:50,560 --> 00:05:58,239 Speaker 1: when you were transported into it? Was it the house 114 00:05:58,279 --> 00:06:00,760 Speaker 1: that you grew up in or where were you transported? 115 00:06:00,880 --> 00:06:03,000 Speaker 1: You think I'd never been inside the house. I mean 116 00:06:03,000 --> 00:06:05,760 Speaker 1: i've been outside that house. That's another story altogether. I've 117 00:06:05,800 --> 00:06:08,479 Speaker 1: been outside that house, but I've never been inside of it. 118 00:06:08,520 --> 00:06:10,479 Speaker 1: But I could see it. I could literally see the 119 00:06:10,960 --> 00:06:13,359 Speaker 1: like one of those old freight oriental rugs and just 120 00:06:13,400 --> 00:06:16,200 Speaker 1: sort of this old furniture that I I mean, I've 121 00:06:16,279 --> 00:06:18,480 Speaker 1: never seen photos or anything, but I could just see it. 122 00:06:18,480 --> 00:06:21,840 Speaker 1: I could smell the musty air. And everything else, and 123 00:06:21,920 --> 00:06:25,200 Speaker 1: it was so it was like a nanosecond. It didn't 124 00:06:25,240 --> 00:06:27,800 Speaker 1: last very long, but it's like, oh my gosh. So 125 00:06:27,839 --> 00:06:30,560 Speaker 1: I thought I didn't think of the language, the language 126 00:06:30,560 --> 00:06:32,320 Speaker 1: that we used to describe these kinds of things. You 127 00:06:32,440 --> 00:06:34,920 Speaker 1: opened a portal, but I thought I certainly opened a door, 128 00:06:35,640 --> 00:06:38,600 Speaker 1: and I thought, maybe this is still going on somewhere, 129 00:06:39,480 --> 00:06:42,159 Speaker 1: and I'm certainly on sacred ground, because not just Chea 130 00:06:42,320 --> 00:06:45,880 Speaker 1: and my great grandparents are there, but other relatives are 131 00:06:45,920 --> 00:06:48,760 Speaker 1: scattered throughout that cemetery. And I thought, I'm on holy 132 00:06:48,800 --> 00:06:51,400 Speaker 1: ground here, and I'm not really even though I had 133 00:06:51,440 --> 00:06:53,640 Speaker 1: that theology degree. You don't take that too seriously. I'm 134 00:06:53,640 --> 00:06:56,599 Speaker 1: really not religious religious because I looked at the stuff 135 00:06:56,600 --> 00:06:59,360 Speaker 1: and I studied it, and it was one of those 136 00:06:59,400 --> 00:07:01,520 Speaker 1: things where I, oh my gosh, this truly was. It 137 00:07:01,600 --> 00:07:05,359 Speaker 1: was breast taking. It was was onspiring, and it was 138 00:07:05,440 --> 00:07:08,160 Speaker 1: kind of an interesting not like the how you described 139 00:07:08,360 --> 00:07:11,120 Speaker 1: the bobble baby a bear cub. I can't stop thinking 140 00:07:11,160 --> 00:07:14,480 Speaker 1: about that little over animal. But but it wasn't like that. 141 00:07:14,560 --> 00:07:16,120 Speaker 1: It was kind of like, oh my gosh, I was 142 00:07:16,160 --> 00:07:20,960 Speaker 1: lifted up out of myself, ordinary ceased to exist and 143 00:07:21,480 --> 00:07:25,200 Speaker 1: tightened to wear and continue, Yes, well, I'm on the 144 00:07:25,200 --> 00:07:28,680 Speaker 1: website again and I'm looking at a photograph of the 145 00:07:29,440 --> 00:07:33,120 Speaker 1: fighter home I guess on West twenty third Street in Chicago. 146 00:07:35,360 --> 00:07:38,080 Speaker 1: I don't know if that does that how still exist? Yes, 147 00:07:38,120 --> 00:07:40,040 Speaker 1: it does. It's as far as I know, it's still there. 148 00:07:40,080 --> 00:07:42,320 Speaker 1: And that was the one. On a later trip, I 149 00:07:42,360 --> 00:07:44,120 Speaker 1: went with a friend of mine who was who's a 150 00:07:44,200 --> 00:07:47,640 Speaker 1: native Chicago one. That's it. I'm sorry, that's another story. 151 00:07:47,680 --> 00:07:53,800 Speaker 1: I'll turn off that thing there. Um that so so, 152 00:07:53,880 --> 00:07:56,440 Speaker 1: this woman i'd known for years. We went to college 153 00:07:56,480 --> 00:07:58,160 Speaker 1: together and I'd known her for years, and she offered 154 00:07:58,200 --> 00:08:01,960 Speaker 1: to take me around, Um, take me around and just too, 155 00:08:02,000 --> 00:08:04,600 Speaker 1: I'm sorry, away from the noise here. She offered to 156 00:08:04,600 --> 00:08:06,600 Speaker 1: take me to Chicago. We went to the house and 157 00:08:06,640 --> 00:08:08,880 Speaker 1: we were taking photo she was taking photographs. I was 158 00:08:08,880 --> 00:08:11,440 Speaker 1: just looking at it and whatever, and she's very much 159 00:08:11,480 --> 00:08:15,040 Speaker 1: a skeptical person, like very die hard whatever. I got 160 00:08:15,080 --> 00:08:17,480 Speaker 1: in the car after she did the photos and we 161 00:08:17,480 --> 00:08:19,680 Speaker 1: were talking and I didn't tell her when I was 162 00:08:19,760 --> 00:08:23,040 Speaker 1: standing there that I was feeling like fingertips caressing my arms, 163 00:08:23,120 --> 00:08:25,360 Speaker 1: and once again I thought, just don't talk about this, 164 00:08:25,800 --> 00:08:27,640 Speaker 1: and she looked at me. She glared at me, and 165 00:08:27,680 --> 00:08:30,880 Speaker 1: she said, what was that? And I said what she said? 166 00:08:30,920 --> 00:08:34,200 Speaker 1: It was like someone was touching me. And I said, 167 00:08:34,320 --> 00:08:36,679 Speaker 1: I can't account my relatives. I said, I don't know 168 00:08:36,720 --> 00:08:40,520 Speaker 1: what they do. You've felt it too, And she even 169 00:08:40,559 --> 00:08:42,600 Speaker 1: called me a couple of weeks ago and she said, 170 00:08:42,679 --> 00:08:44,320 Speaker 1: you know, she said, you remember that. I said, how 171 00:08:44,320 --> 00:08:46,839 Speaker 1: could I forget that? It's in the book. And that 172 00:08:47,000 --> 00:08:50,240 Speaker 1: was the other strange thing our relationship. This woman who 173 00:08:50,280 --> 00:08:52,480 Speaker 1: was a native Chicago when her dad was a Chicago cop. 174 00:08:53,400 --> 00:08:55,920 Speaker 1: She too did a DNA test and we are second cousins, 175 00:08:55,920 --> 00:08:57,480 Speaker 1: and I had known her all my life. So there's 176 00:08:57,520 --> 00:09:02,720 Speaker 1: a lot of weird things, intersections, coincidences that have happened 177 00:09:02,880 --> 00:09:04,840 Speaker 1: ever since I started messing with this book. It's like 178 00:09:04,840 --> 00:09:10,120 Speaker 1: a book of shadows. It's like, now, what, so are 179 00:09:10,200 --> 00:09:13,800 Speaker 1: you thinking then that it was it was your great 180 00:09:13,800 --> 00:09:17,920 Speaker 1: aunt Martha, maybe leading you, nudging you in the right direction, 181 00:09:18,000 --> 00:09:21,840 Speaker 1: and so forth. Yeah, I do. I experienced it. I 182 00:09:21,840 --> 00:09:23,880 Speaker 1: can't say I believe it, but I experienced something that 183 00:09:24,040 --> 00:09:28,600 Speaker 1: surely looked like it. And I stopped fighting it a 184 00:09:28,600 --> 00:09:31,080 Speaker 1: long time ago. And I have to say that the 185 00:09:31,120 --> 00:09:33,720 Speaker 1: more I relaxed into it and just said let's just 186 00:09:33,800 --> 00:09:38,520 Speaker 1: pretend this is the case or and then just see 187 00:09:38,559 --> 00:09:42,280 Speaker 1: what happens. The more I stopped censoring myself, the more 188 00:09:42,320 --> 00:09:45,960 Speaker 1: I stopped gaslighting myself. That's when the frequency of the 189 00:09:46,000 --> 00:09:50,440 Speaker 1: coincidences started kicking in. And I was paying attention I could. 190 00:09:50,679 --> 00:09:52,560 Speaker 1: I mean, I was going really fast, I was writing, 191 00:09:52,559 --> 00:09:54,679 Speaker 1: doing all these things, but I was also slowing down 192 00:09:55,480 --> 00:09:58,920 Speaker 1: and I thought, what does this actually mean? And all 193 00:09:58,920 --> 00:10:01,240 Speaker 1: the things that we take granted in life, I was 194 00:10:01,280 --> 00:10:04,920 Speaker 1: stepping away from and saying, is this really true? Could 195 00:10:04,920 --> 00:10:08,880 Speaker 1: this be happening? And I thought, why not? All the 196 00:10:08,920 --> 00:10:11,440 Speaker 1: things that we're in culture to believe about life after 197 00:10:11,600 --> 00:10:15,640 Speaker 1: death or visitations, and they come from odd places. Either 198 00:10:15,640 --> 00:10:18,480 Speaker 1: people are so you know, dug in and believe these 199 00:10:18,520 --> 00:10:21,640 Speaker 1: things without experiencing them, that they make a dogma out 200 00:10:21,640 --> 00:10:23,600 Speaker 1: of that, or they're so on the other side, the 201 00:10:23,640 --> 00:10:25,840 Speaker 1: skeptic side, that it's just like that could never be, 202 00:10:25,880 --> 00:10:27,920 Speaker 1: and it's like you want to bet of course they can't. 203 00:10:28,000 --> 00:10:31,280 Speaker 1: But but what's interesting about this, Richard, is that she 204 00:10:31,360 --> 00:10:35,160 Speaker 1: came to me, and I was not a believer, and 205 00:10:35,880 --> 00:10:38,040 Speaker 1: but as I paid attention to her, she seemed to 206 00:10:38,080 --> 00:10:41,000 Speaker 1: return the favor. And the more attention I paid. I thought, 207 00:10:41,000 --> 00:10:43,480 Speaker 1: I'll write this article about you because I feel really 208 00:10:43,520 --> 00:10:46,760 Speaker 1: guilty that you know you're dad, I'm alive. I said, 209 00:10:46,760 --> 00:10:48,880 Speaker 1: I gotta do something for you. And it was almost 210 00:10:48,920 --> 00:10:52,000 Speaker 1: like there was this red partee or something going back 211 00:10:52,000 --> 00:10:55,040 Speaker 1: and forth where and I never have heard an odd 212 00:10:55,040 --> 00:10:58,360 Speaker 1: audible voice. I don't of her or anybody else, I 213 00:10:58,400 --> 00:11:01,080 Speaker 1: don't think, but I certain would feel a leading to 214 00:11:01,120 --> 00:11:03,280 Speaker 1: go to this place or look at this book or whatever, 215 00:11:03,320 --> 00:11:06,640 Speaker 1: and there would be a message or a song something 216 00:11:06,640 --> 00:11:09,880 Speaker 1: that's I mean, oh, I love I love the interconnection 217 00:11:09,960 --> 00:11:14,160 Speaker 1: between music and you know, synchronicity. To give me an 218 00:11:14,160 --> 00:11:18,360 Speaker 1: example where there was maybe Martha nudged you in the 219 00:11:18,400 --> 00:11:21,960 Speaker 1: direction of a song or something that helped tell the story. 220 00:11:22,720 --> 00:11:24,960 Speaker 1: Oh sure, I was. I mean, last I couldn't put 221 00:11:25,000 --> 00:11:26,800 Speaker 1: it in the book because of all the copyright stuff. 222 00:11:26,800 --> 00:11:28,840 Speaker 1: You can't really put the lyrics of a song. But 223 00:11:28,880 --> 00:11:32,520 Speaker 1: I was upset about the Titanic goofy. I got over since. 224 00:11:32,559 --> 00:11:34,280 Speaker 1: But when it came out again right when I was 225 00:11:34,320 --> 00:11:37,000 Speaker 1: researching this, it's like here we go again, you know, 226 00:11:37,040 --> 00:11:38,920 Speaker 1: once again. And I was like, you know, kind of 227 00:11:39,000 --> 00:11:43,000 Speaker 1: kis see about it. And then but Selene, in other words, sorry, 228 00:11:43,000 --> 00:11:47,520 Speaker 1: in other words, the Titanic overshadowing the Eastland disaster. Yeah, yeah, 229 00:11:47,600 --> 00:11:49,800 Speaker 1: and again and then that CD and it's like anytime 230 00:11:49,800 --> 00:11:51,800 Speaker 1: I turned the radio on, there she was singing that song. 231 00:11:51,960 --> 00:11:54,559 Speaker 1: It's like just there to taunt me. And but there 232 00:11:54,640 --> 00:11:57,560 Speaker 1: was something. There was another song from that album, and 233 00:11:57,559 --> 00:11:59,679 Speaker 1: I think newer versions don't have it. It's called to 234 00:11:59,840 --> 00:12:02,640 Speaker 1: Love of You More and it starts off, you know, 235 00:12:02,640 --> 00:12:06,000 Speaker 1: I'm Eastern European, so the violins, and it's just very moody, 236 00:12:06,600 --> 00:12:09,400 Speaker 1: and but the phrases believe in me, and I will 237 00:12:09,480 --> 00:12:12,280 Speaker 1: let you see all these things you your heart needs 238 00:12:12,320 --> 00:12:14,760 Speaker 1: to know. It kept going over and over and over, 239 00:12:14,880 --> 00:12:16,959 Speaker 1: believe in me, believe in me. And I thought, I'm 240 00:12:16,960 --> 00:12:18,719 Speaker 1: not much of a believer, but I'm going to take 241 00:12:18,720 --> 00:12:22,520 Speaker 1: a chance here. And sometimes it's almost too emotional for 242 00:12:22,559 --> 00:12:25,360 Speaker 1: me to play it all the time. And I do 243 00:12:25,480 --> 00:12:29,160 Speaker 1: have to say this too, This happened. She was a 244 00:12:29,200 --> 00:12:32,400 Speaker 1: real person and everything you know associated with it, even 245 00:12:32,440 --> 00:12:35,000 Speaker 1: though I wasn't there every time I go in. And 246 00:12:35,160 --> 00:12:37,679 Speaker 1: you know, I wrote the book as my mother was dying, 247 00:12:37,720 --> 00:12:39,920 Speaker 1: when I was putting the finishing touches on it, and 248 00:12:39,960 --> 00:12:43,040 Speaker 1: I got it out late December because I rushed it. 249 00:12:43,080 --> 00:12:45,400 Speaker 1: Actually I didn't even finish my last edit, so there's 250 00:12:45,400 --> 00:12:48,560 Speaker 1: some periods missing in the book. Sorry guys, but but 251 00:12:48,600 --> 00:12:50,080 Speaker 1: I had to get it out there because my mother 252 00:12:50,160 --> 00:12:52,400 Speaker 1: had to hold it before she departed this life, because 253 00:12:52,400 --> 00:12:54,840 Speaker 1: it was her history and I had to get that 254 00:12:54,880 --> 00:12:57,800 Speaker 1: back to her. But that was part of all this 255 00:12:57,800 --> 00:13:00,560 Speaker 1: this emotion that was going on with this thing. But 256 00:13:02,120 --> 00:13:06,400 Speaker 1: so I think that my other measure the music. For sure, 257 00:13:06,400 --> 00:13:08,400 Speaker 1: there's so many songs. I always have a soundtrack to 258 00:13:08,559 --> 00:13:12,160 Speaker 1: any kind of writing project, but there's also what has 259 00:13:12,200 --> 00:13:15,960 Speaker 1: this experience done to me? And it rattled me to 260 00:13:16,120 --> 00:13:18,679 Speaker 1: my core, but it also brought forth, I think, a 261 00:13:18,720 --> 00:13:22,920 Speaker 1: better version of me, a more empastic version, a more 262 00:13:23,000 --> 00:13:28,080 Speaker 1: open version, and more understanding version, and one that is 263 00:13:28,480 --> 00:13:31,520 Speaker 1: I think it's it's easier for me to be and 264 00:13:31,679 --> 00:13:34,000 Speaker 1: people come to me and tell me these they're horrible stories, 265 00:13:34,200 --> 00:13:36,680 Speaker 1: not because they know about the Eastland, but because there's 266 00:13:36,679 --> 00:13:38,880 Speaker 1: an openness that I have. It's like, yeah, I'll walk 267 00:13:38,880 --> 00:13:41,080 Speaker 1: with you. I don't have any answers, I really don't, 268 00:13:42,600 --> 00:13:44,640 Speaker 1: but I will listen to you the way I listen 269 00:13:44,720 --> 00:13:48,360 Speaker 1: to my great aunt. And I feel that when I 270 00:13:48,360 --> 00:13:51,120 Speaker 1: look at that book It's like some of the sections 271 00:13:51,120 --> 00:13:54,040 Speaker 1: are like, my god, I'm not that smart. I'm really 272 00:13:54,040 --> 00:13:57,560 Speaker 1: not anything. But there are parts where these insights came 273 00:13:57,640 --> 00:14:00,319 Speaker 1: forth because I was willing to be there but also 274 00:14:00,400 --> 00:14:04,679 Speaker 1: get out of the way. There's a paradox in other words, 275 00:14:05,120 --> 00:14:07,559 Speaker 1: what Martha perhaps. I know you don't like use the 276 00:14:07,640 --> 00:14:11,160 Speaker 1: term channeling, but do you think Martha was communicating some 277 00:14:11,240 --> 00:14:14,439 Speaker 1: of those passages in the book. I think so, because 278 00:14:14,480 --> 00:14:16,040 Speaker 1: I think, you know, for the first part, the book 279 00:14:16,120 --> 00:14:21,080 Speaker 1: is all about eighteen hundreds to you know, like early 280 00:14:21,160 --> 00:14:24,320 Speaker 1: nineteen fifties. I mean, I wasn't really around or most 281 00:14:24,200 --> 00:14:26,720 Speaker 1: of that time, and I thought I had to Really 282 00:14:26,760 --> 00:14:29,080 Speaker 1: I didn't. I'm not quite sure how I came up 283 00:14:29,120 --> 00:14:31,960 Speaker 1: with that, but part of it was listening to my 284 00:14:32,160 --> 00:14:35,440 Speaker 1: mother's sister's stories about what she remembered. She didn't know Martha. 285 00:14:35,480 --> 00:14:38,000 Speaker 1: Martha was dead by the time she was born, but 286 00:14:38,120 --> 00:14:41,080 Speaker 1: she heard stories. And then, as writers do, we start 287 00:14:41,120 --> 00:14:44,040 Speaker 1: to put things together and then they come together and 288 00:14:44,120 --> 00:14:46,320 Speaker 1: we break them apart and they come together. But I 289 00:14:46,320 --> 00:14:49,600 Speaker 1: think she helped me. I've never written anything quite like 290 00:14:49,640 --> 00:14:53,560 Speaker 1: this that almost seemed like it wasn't that it was effortless. 291 00:14:54,000 --> 00:14:56,480 Speaker 1: It was very painful to put this thing together. And 292 00:14:56,520 --> 00:14:58,040 Speaker 1: I had to say every time I look at that 293 00:14:58,080 --> 00:14:59,680 Speaker 1: book and been out and I'm reading the book out 294 00:14:59,760 --> 00:15:02,600 Speaker 1: lot as I do the audio, it is a traumatic 295 00:15:02,920 --> 00:15:05,720 Speaker 1: event for me as well to be experienced that, And 296 00:15:05,800 --> 00:15:08,120 Speaker 1: sometimes I'll just burst into tears and I have to 297 00:15:08,160 --> 00:15:12,440 Speaker 1: stop recording because it's like the gravity of it hit me. 298 00:15:12,520 --> 00:15:14,480 Speaker 1: What it did to this family, what it did to 299 00:15:14,560 --> 00:15:18,160 Speaker 1: my family, what all families, those who went through nine 300 00:15:18,200 --> 00:15:21,080 Speaker 1: to eleven, those who've gone through the recent tragedies, but 301 00:15:21,240 --> 00:15:25,960 Speaker 1: we've all gone through and how we survive anyway, And 302 00:15:26,480 --> 00:15:30,040 Speaker 1: so there's all these things that happened simultaneously. But is 303 00:15:30,080 --> 00:15:34,040 Speaker 1: she leading? Oh yeah. Absolutely. Listen to more Coast to 304 00:15:34,080 --> 00:15:37,920 Speaker 1: Coast AM every weeknight at one am Eastern and go 305 00:15:38,000 --> 00:15:40,240 Speaker 1: to Coast to Coast am dot com for more