WEBVTT - The Evil Owl vs Kung Fu Kenny: Will Drake do 2 much?

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<v Speaker 1>But all right, job.

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<v Speaker 2>All across the USC Compton, Watts Bay to LA come

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<v Speaker 2>on to California day from Owley to Valley.

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<v Speaker 3>We represent that Keller County.

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<v Speaker 2>So if you're keeping it real on your side of

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<v Speaker 2>your town, you tune into Gainst the Chronicles Coronic Goals.

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<v Speaker 1>We gonna tell you how we goals.

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<v Speaker 3>If I lie, my notes will girl like Pinocchio.

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<v Speaker 2>We're gonna tell you the truth and nothing but the truths.

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<v Speaker 1>The chronic goals. This is not your average shows.

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<v Speaker 2>You're now tuned into the rail MC ain't big changs

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<v Speaker 2>and big spiels the streets.

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<v Speaker 1>Hello, Welcome to the Gainst the Chronicles podcast, the production

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<v Speaker 1>of iHeart Radio and Black Effect podcast Network. Make sure

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<v Speaker 1>you download the iHeart app and subscribe to Against the Chronicles.

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<v Speaker 1>For my Apple users, hit the Purple Michael your front screen.

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<v Speaker 1>Subscribed Against the Chronicle was the leaving five star rating

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<v Speaker 1>and comment. We like to welcome every one to another

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<v Speaker 1>episode the Gangst the Chronicles podcast, where Gangst the rep lives.

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<v Speaker 1>It's your boy Big Steel with Jell. Y'all know when

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<v Speaker 1>y'all here that jail. It's the one and only n

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<v Speaker 1>C eight. Hey, what's popping with you, dog.

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<v Speaker 4>You starting to show off already. I'm straight, my nigga.

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<v Speaker 4>Every dance could just moving the ground, moving around a lot.

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<v Speaker 1>You said, you start to show off already.

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<v Speaker 4>Yeah, man, I with that ship, man with that ship,

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<v Speaker 4>with the one and only bullshit. Man, let's just go

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<v Speaker 4>with the Gangster Chronicles.

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<v Speaker 1>Man, he is the one to know that, the one

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<v Speaker 1>and only incomfortable motherfucking eight.

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<v Speaker 4>Still, you're gonna make me stop coming. Man, you better

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<v Speaker 4>stop that ship.

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<v Speaker 1>Man.

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<v Speaker 4>We gonna stay with the regular ship, the Gangster Chronicles.

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<v Speaker 4>I ain't the one and only ship. I'm just me.

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<v Speaker 4>I ain't no I kind, I ain't no, no, no,

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<v Speaker 4>none of that.

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<v Speaker 1>Man.

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<v Speaker 4>I'm just I'm just a nigga sitting here.

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<v Speaker 1>One more. You made you, We're gonna make We're gonna

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<v Speaker 1>keep it going. Here we go. Right now, we like

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<v Speaker 1>to welcome every one to another episode of Against These

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<v Speaker 1>podcast your boy, big Shill.

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<v Speaker 4>Yeah, we're gonna do the one and only Big Steel

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<v Speaker 4>in this bitch Madliboo's most wared motherfucking Yeah. Well, we

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<v Speaker 4>giving you all the juice now, man, you icon of podcasting.

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<v Speaker 4>You understand that's what they called my nigga this weekend

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<v Speaker 4>when we was out of town. They was like the

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<v Speaker 4>icon out all.

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<v Speaker 1>Right, just normal dude that don't figure some stuff out.

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<v Speaker 4>They was like, ship nigga, you you original? You a

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<v Speaker 4>rigid you know when you originate some shit, they want

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<v Speaker 4>to put that old ghit. They don't never get the

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<v Speaker 4>mother fucking money though. I don't want to be the

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<v Speaker 4>nigga that's the originator or nothing. Hey, but you know

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<v Speaker 4>what the talk of the time when he was right now, Dog,

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<v Speaker 4>this Kendrick and this Drake record, Dog, I don't heard

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<v Speaker 4>everybody in them. Mama don't have an opinion on it.

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<v Speaker 4>Did you get to hear the record?

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<v Speaker 1>No, man, I haven't listened to it. It's one of

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<v Speaker 1>them things bro to where when I first heard it,

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<v Speaker 1>I had to go back and give it another list.

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<v Speaker 1>And it's tight. He's saying a lot of stuff in there. Yeah,

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<v Speaker 1>you know, he's a real detailed type of cat. So

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<v Speaker 1>it's really detailed, and it's a lot of stuff that

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<v Speaker 1>you could mess around or pass right over if you're

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<v Speaker 1>not paying attention.

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<v Speaker 4>It's not nobody doing the AI verse, you know. Ain't

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<v Speaker 4>nobody doing the AI verse?

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<v Speaker 1>You did? All this stuff really came with three different

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<v Speaker 1>beat changes, it was hard. I called the Homie Man.

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<v Speaker 1>We got the Homeboy Ken crooking here. You know, I

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<v Speaker 1>wanted to have you gonna hear because you know me

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<v Speaker 1>and you talk a lot off record, Crook, So I

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<v Speaker 1>wanted to get your take on this stuff too.

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<v Speaker 3>You know, well, yeah, it's good.

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<v Speaker 1>Yeah, man. So I saw everybody had an opinion. I

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<v Speaker 1>saw my man Gilly, who we just met this weekend

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<v Speaker 1>for the first time. He came out and said that

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<v Speaker 1>the record was corny. And for the record, everybody is

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<v Speaker 1>entitled to have their own opinion. That man is entitled

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<v Speaker 1>to have his opinion. But if I had a record

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<v Speaker 1>called the Chicken Man, I wouldn't have shit to say.

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<v Speaker 1>If I had a record in my if I had

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<v Speaker 1>a record in my vault called the Chicken Man, I

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<v Speaker 1>would just stay neutral. Dog who has a record called

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<v Speaker 1>the Chicken Man. Gilly got a record called Chicken Man.

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<v Speaker 4>So you want to poke at you want to poke

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<v Speaker 4>on Gilly right now, that's what you want.

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<v Speaker 1>I'm not doing that, actually, Gilly, you know I like

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<v Speaker 1>what they're doing. We ain't got no podcast beef. He

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<v Speaker 1>got a right to have his opinion. But I'm just saying, though,

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<v Speaker 1>if I had a record called I don't know how

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<v Speaker 1>much corny corny you can get. The Chicken Man, Uh,

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<v Speaker 1>the chicken Man in reference to what though drugs.

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<v Speaker 4>I guess, yeah, so that's the chicken man. Mac Tin

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<v Speaker 4>called himself the Chicken Hawk.

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<v Speaker 1>But mac Tin will running around no videos with no

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<v Speaker 1>chicken wings in his pocket, and shit, why are you

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<v Speaker 1>poking that gift? While you know he got a right

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<v Speaker 1>to have his opinion.

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<v Speaker 4>I mean, I haven't listened to the song. It's dope uh,

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<v Speaker 4>dope in in in the opinions of hudo because some

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<v Speaker 4>dudes who are hip hop, they're gonna feel like you know,

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<v Speaker 4>Kendrick's one of those those rappers who's not the average rapper.

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<v Speaker 4>A lot of dudes are looking for a hip hop song.

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<v Speaker 4>Like I said, sometimes when when when you're getting outside

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<v Speaker 4>of the realm of music and you want to become

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<v Speaker 4>I mean.

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<v Speaker 1>Shit, it's a lot to process.

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<v Speaker 4>It's yeah, like I don't know, I may be listening

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<v Speaker 4>to maybe thirty seconds of it. Like I said, Kendrick

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<v Speaker 4>is one of those dudes. You feel me hear what

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<v Speaker 4>as you have said?

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<v Speaker 1>Listen because he'll say some stuff like the line he

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<v Speaker 1>said about Jay Prince and them when we said our park,

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<v Speaker 1>his son said, the mixture running the family with our park.

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<v Speaker 1>His son. I was just like, man, this dude is

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<v Speaker 1>a rapping motherfucker, And I think, quick, you know, you're

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<v Speaker 1>one of those guys man that really paying a lot

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<v Speaker 1>of attention to your lyrical detail, right right. Do you

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<v Speaker 1>think that's being lost on the cult or somewhere people

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<v Speaker 1>actually going back and listening to stuff before they pass

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<v Speaker 1>judgment on it.

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<v Speaker 5>Yeah, And everybody want to jump in on an algorithm.

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<v Speaker 5>You know, it's the conversation, it's hot, it's the topic

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<v Speaker 5>of the day, So they listen to it real quick,

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<v Speaker 5>and then they turn the camera on, you feel me.

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<v Speaker 3>They don't really sit with the record.

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<v Speaker 5>They don't really dissect what he's talking about, you know

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<v Speaker 5>what I mean. They just they just listen and then boom,

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<v Speaker 5>turn the camera on to start talking.

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<v Speaker 3>So they can try.

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<v Speaker 5>To capitalize off of the algorithm and what everybody talking

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<v Speaker 5>about be one of the first ones with some you

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<v Speaker 5>know content out there, you feel me. So, yeah, that's

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<v Speaker 5>from from the listener's perspective, Yeah, and then from the artists.

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<v Speaker 5>You know, Kendrick is one of them dudes who's still

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<v Speaker 5>being rewarded for having a sharp pin. You feel me

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<v Speaker 5>like it's a lot of artists who feel like they

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<v Speaker 5>wasting their time trying to improve their craft because they

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<v Speaker 5>see a lot of whack. Kendrick is one of them

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<v Speaker 5>dudes who's still being rewarded on a high level for

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<v Speaker 5>having creativity, for caring about his skill set. You know

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<v Speaker 5>what I'm saying. He's still getting those accolades, you know

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<v Speaker 5>what I mean. So I think we need his presence,

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<v Speaker 5>you know, and Cam's other people on this level, you know,

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<v Speaker 5>doing that too, But we need Kendrick, you know what

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<v Speaker 5>I mean, because the next generation is watching just like

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<v Speaker 5>I was watching. I was watching Everybody. I was watching

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<v Speaker 5>Big Daddy Kane. I was watching Rock Cam. I was

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<v Speaker 5>watching Coolgi Rap, I was watching Ice T the DC.

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<v Speaker 5>I was watching Public Enemy, nwa Q, Scarface.

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<v Speaker 3>You watching. When you're young and you start.

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<v Speaker 5>To open that, you crack open that motherfucking notebook and

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<v Speaker 5>you pick up that pen, and you've been influenced by

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<v Speaker 5>everything you've been hearing. So the next generation, if everything

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<v Speaker 5>they're hearing is weak and it's whack, then they gonna

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<v Speaker 5>think that's the thing to do.

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<v Speaker 1>Yeah, Because I really try not that man. Hip hop

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<v Speaker 1>is such an opinion based sport, right, so I'm careful nothing.

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<v Speaker 1>You know, I'm always cautious in disregard to somebody else's

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<v Speaker 1>opinion because at the end of the day, that's all.

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<v Speaker 1>It was somebody's opinion. Man. But dope, it's dope, and

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<v Speaker 1>whack has always been whack. And I do think that

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<v Speaker 1>people are not really sitting back and listening to stuff,

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<v Speaker 1>and no more I think they listening to the first

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<v Speaker 1>off is the beat jamming is the hook ketschi and

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<v Speaker 1>they don't care what somebody saying on the record. It

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<v Speaker 1>seemed like you could be on there going google guy, guy.

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<v Speaker 1>But if the beat is jamming, it's almost like it's

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<v Speaker 1>gone because for a minute, you know, when you it

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<v Speaker 1>was getting so auto tuned heavy for a minute to

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<v Speaker 1>where it was like, man, if you throw the auto

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<v Speaker 1>tune on there and just going there hummer melody and

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<v Speaker 1>got a cracking beak, you can mess around. Have a

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<v Speaker 1>platinum record.

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<v Speaker 3>Absolutely.

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<v Speaker 5>And it's a young kid named Denzel, Denzel Curry, you

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<v Speaker 5>know what I'm saying, who's making great music for his generation.

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<v Speaker 5>And he tweeted something he said it took two of

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<v Speaker 5>the biggest artists in the world to beef for the

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<v Speaker 5>people to care about lyricism again. So you're right, everybody

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<v Speaker 5>listening just to the beach, the hooks, whatever they could

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<v Speaker 5>turn up to. You know, they they looking for a

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<v Speaker 5>vibe instead of you know, any kind of information or

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<v Speaker 5>any kind of you know, stories or whatever.

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<v Speaker 3>They're looking for a vibe. But this right here, these

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<v Speaker 3>two heavyweights going at it.

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<v Speaker 5>Is making them listen to what people are what them

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<v Speaker 5>two artists are saying now, they listening to the lyrics

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<v Speaker 5>right now, you know what I'm saying. And they having

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<v Speaker 5>a big open debate online on all social media platforms

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<v Speaker 5>about who was saying the dopest ship and that right there,

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<v Speaker 5>that little energy, that spirit.

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<v Speaker 3>That's where I'm cut from. I'm cut from that cloth of.

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<v Speaker 5>Who's saying what you know what I mean, Whose style

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<v Speaker 5>is hard, Who's saying some hard ship?

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<v Speaker 1>You know what I mean?

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<v Speaker 5>Like, that's the energy that you know, our arrows brought up.

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<v Speaker 5>It's real dope that some of that is present right now?

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<v Speaker 3>Feel me?

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<v Speaker 1>Yeah? I think so eight. When you first came in

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<v Speaker 1>the gang man like you know, during that era, you

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<v Speaker 1>really had to be able to rap, right, It wasn't

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<v Speaker 1>really no room for the for what I like to

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<v Speaker 1>call the publicity stunts. The swag rapping wasn't quite out

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<v Speaker 1>check you know the word ket can just get off

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<v Speaker 1>with a swagger and just get that off and become

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<v Speaker 1>a full complete artist. You actually had to be able

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<v Speaker 1>to rap. Where do you think shit kind of start

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<v Speaker 1>falling off at?

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<v Speaker 4>Oh shit, man hip hop, just man rap, just hip

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<v Speaker 4>hop rap, whatever you want to call it, whatever you

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<v Speaker 4>consider yourself in whatever category. A lot of shit, to me,

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<v Speaker 4>rap started falling off when companies started getting scared of

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<v Speaker 4>the truth.

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<v Speaker 1>In our music.

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<v Speaker 4>You know, because we would tell our truths about you know,

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<v Speaker 4>situations where we're in and thus, you know, violence portrayed

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<v Speaker 4>in our music. A lot of people start wanting to

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<v Speaker 4>stray away from our music. Thus you had a lot

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<v Speaker 4>of you know, let's glamorize you know, money and and fame,

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<v Speaker 4>and let's glamorize who got the biggest chains. And you

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<v Speaker 4>know that's when to me, when raps started not caring

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<v Speaker 4>about lyricism, and let's just face it, some of some

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<v Speaker 4>of that just flies over motherfucker's head. You know a

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<v Speaker 4>lot of people want to hear one two three ABC

0:12:42.800 --> 0:12:45.880
<v Speaker 4>when you pride yourself in lyrics and try to come

0:12:45.960 --> 0:12:52.160
<v Speaker 4>up with something that's unfadable. A lot of people tend

0:12:52.240 --> 0:12:55.959
<v Speaker 4>to want to call that, you know, whack or or

0:12:56.679 --> 0:13:00.000
<v Speaker 4>because they don't understand. We've had a lot of gifted lyricism,

0:13:00.640 --> 0:13:03.640
<v Speaker 4>you know, come from times where people just didn't understand

0:13:04.040 --> 0:13:08.959
<v Speaker 4>the music. You get me, motherfucker, rather hear an ice

0:13:09.000 --> 0:13:12.280
<v Speaker 4>cube than a black thought from the roots, you get me.

0:13:14.320 --> 0:13:19.000
<v Speaker 4>And not that cube was any better or whatever.

0:13:19.080 --> 0:13:19.800
<v Speaker 1>It's just that.

0:13:20.280 --> 0:13:27.240
<v Speaker 4>Being having real pride in your lyrics, you know, didn't

0:13:27.320 --> 0:13:30.000
<v Speaker 4>fathom everybody. A lot of niggas just wanted to hear

0:13:30.040 --> 0:13:33.640
<v Speaker 4>a simple beating, a simple ABC you feel me. So

0:13:34.559 --> 0:13:38.520
<v Speaker 4>to me, that's when music started turning. When motherfuckers didn't

0:13:38.559 --> 0:13:43.040
<v Speaker 4>give a damn about what we were rapping about or

0:13:43.080 --> 0:13:47.000
<v Speaker 4>the truthness in our or music. You know, let's just

0:13:47.120 --> 0:13:50.839
<v Speaker 4>rap about you know, corny shit and how big your

0:13:50.920 --> 0:13:54.920
<v Speaker 4>chain is and what kind of motherfucking name brand shoes

0:13:55.040 --> 0:13:57.120
<v Speaker 4>or pants you got on you feel me.

0:13:57.480 --> 0:14:01.240
<v Speaker 1>It was easy to get caught up, man because personally, man,

0:14:01.280 --> 0:14:04.040
<v Speaker 1>I had a situation right and uh, I think when

0:14:04.040 --> 0:14:06.839
<v Speaker 1>you get those deals, you follow the money. You kind

0:14:06.840 --> 0:14:09.320
<v Speaker 1>of talk about management. Everybody else just go along with

0:14:09.320 --> 0:14:12.559
<v Speaker 1>the program. So I was called myself doing a lot

0:14:12.559 --> 0:14:16.120
<v Speaker 1>of whisk proper popular, and uh, I ain't gonna lie.

0:14:16.160 --> 0:14:18.040
<v Speaker 1>It took me all around the world, but I didn't

0:14:18.040 --> 0:14:20.840
<v Speaker 1>feel good about it. Mm hm, you feel what I'm saying.

0:14:20.840 --> 0:14:22.680
<v Speaker 1>I didn't like it. Can't listen to it now. I

0:14:22.720 --> 0:14:25.640
<v Speaker 1>think it's garbage. I thought it was trash because and

0:14:25.720 --> 0:14:27.680
<v Speaker 1>I think that a lot of these cats go look

0:14:27.760 --> 0:14:29.760
<v Speaker 1>back down the line when they career kind of don

0:14:29.880 --> 0:14:32.680
<v Speaker 1>weighing down to be like, man, am I really proud

0:14:32.720 --> 0:14:33.960
<v Speaker 1>of what I put out there? I don't care how

0:14:34.080 --> 0:14:35.040
<v Speaker 1>much money you made of it.

0:14:36.120 --> 0:14:42.160
<v Speaker 4>You gotta you really gotta, you really gotta add that

0:14:42.200 --> 0:14:46.320
<v Speaker 4>to a lot of the music that's going on today,

0:14:47.160 --> 0:14:50.640
<v Speaker 4>you know, a lot of the simple shit and a

0:14:50.680 --> 0:14:53.840
<v Speaker 4>lot of the vulgar shit that go around. You feel me,

0:14:54.240 --> 0:14:56.720
<v Speaker 4>And not just with the females, with the dudes too,

0:14:57.120 --> 0:15:00.640
<v Speaker 4>with the braggadocious and the you know, the the rapping

0:15:00.800 --> 0:15:06.600
<v Speaker 4>and whatever. Gotta think what motherfucker gonna feel about themselves

0:15:06.640 --> 0:15:09.560
<v Speaker 4>twenty years from now, you give me, when they get

0:15:09.600 --> 0:15:14.320
<v Speaker 4>a little more mature, Are they gonna be pride for

0:15:15.040 --> 0:15:18.120
<v Speaker 4>about the music they put out? Or you know, like

0:15:18.160 --> 0:15:20.520
<v Speaker 4>a Motherfucker's a lot of niggas just want to check

0:15:20.680 --> 0:15:21.800
<v Speaker 4>you feel me shit, And.

0:15:21.800 --> 0:15:23.560
<v Speaker 1>The ain't nothing wrong with that either, man. But I

0:15:23.600 --> 0:15:28.440
<v Speaker 1>think music is so personal, you know, and I see

0:15:28.440 --> 0:15:30.280
<v Speaker 1>a lot of stuff that cats doing the day, and

0:15:30.320 --> 0:15:33.360
<v Speaker 1>I honestly can't say that. You know, maybe ten fifteen

0:15:33.440 --> 0:15:36.200
<v Speaker 1>years from now, they won't look back and have some regrets,

0:15:36.360 --> 0:15:38.440
<v Speaker 1>you know, but if they taking care of their family, hey,

0:15:38.880 --> 0:15:40.480
<v Speaker 1>like you said, some people just want to get a

0:15:40.600 --> 0:15:45.280
<v Speaker 1>check a crook. Yeah, you know what, I think the

0:15:45.320 --> 0:15:49.200
<v Speaker 1>biggest thing with this record too, You almost gotta be

0:15:49.280 --> 0:15:51.040
<v Speaker 1>in it. You have to be in it. You can't

0:15:51.040 --> 0:15:53.960
<v Speaker 1>be a dumb motherfucker be a Kendrick Lamar fan. You

0:15:54.000 --> 0:15:56.440
<v Speaker 1>can't be a dumb motherfucker be a Crooked I fan.

0:15:56.920 --> 0:15:59.040
<v Speaker 1>You can't be a dumb motherfucker and be just a

0:15:59.040 --> 0:16:02.160
<v Speaker 1>fan of anybody. Got some kind of lyrical depth today stuff?

0:16:04.040 --> 0:16:05.520
<v Speaker 3>Yeah? Yeah.

0:16:05.560 --> 0:16:07.600
<v Speaker 5>And but you know what though, that made for a

0:16:07.640 --> 0:16:11.200
<v Speaker 5>cool ass fan base, because I'll begin to Twitter all

0:16:11.240 --> 0:16:13.880
<v Speaker 5>the time, you know, with my rap conversations on Twitter

0:16:13.920 --> 0:16:16.480
<v Speaker 5>and all that X whatever it's called now, And you know,

0:16:17.960 --> 0:16:21.680
<v Speaker 5>you go through some people's fan bases, man, and they're

0:16:21.760 --> 0:16:22.640
<v Speaker 5>just as stupid as the.

0:16:22.680 --> 0:16:24.000
<v Speaker 3>Rapper they love you feel me.

0:16:24.720 --> 0:16:29.160
<v Speaker 5>And it's like when you really about your art, you

0:16:29.360 --> 0:16:32.080
<v Speaker 5>just attract a different type of fan. And it's kind

0:16:32.080 --> 0:16:35.480
<v Speaker 5>of cool, you know what I mean, because we have

0:16:35.720 --> 0:16:41.440
<v Speaker 5>respectful conversations. We don't be disrespecting each other on social

0:16:41.480 --> 0:16:45.240
<v Speaker 5>media like motherfucker Twitter warriors and keyboard warriors and shit.

0:16:45.840 --> 0:16:47.960
<v Speaker 5>You know, you just talking about this hip hop shit

0:16:48.000 --> 0:16:51.840
<v Speaker 5>that we love. That's it, and that's that energy attracts

0:16:51.840 --> 0:16:52.440
<v Speaker 5>that energy.

0:16:52.480 --> 0:16:58.920
<v Speaker 3>So you're right. You know, Kendrick Man his fans, he.

0:16:59.000 --> 0:17:02.440
<v Speaker 5>Got a wive wide ranger fans, you know what I mean, Like.

0:17:04.200 --> 0:17:05.960
<v Speaker 3>He coming out of Compton Man.

0:17:06.680 --> 0:17:11.520
<v Speaker 1>And yeah, when you know what do his stuff spread?

0:17:11.760 --> 0:17:14.520
<v Speaker 3>Like do the fashion shows and shit like and.

0:17:14.680 --> 0:17:17.720
<v Speaker 1>Yeah, you said the fashion shows and shit like he had.

0:17:17.600 --> 0:17:21.399
<v Speaker 5>The fashion show in Italy spitting you feel me, Like

0:17:21.880 --> 0:17:23.639
<v Speaker 5>that's crazy, you know what I'm saying.

0:17:23.800 --> 0:17:26.359
<v Speaker 3>That his pen took him there to that height.

0:17:27.359 --> 0:17:30.120
<v Speaker 1>Yeah, so you know it's funny about the clothes though,

0:17:30.119 --> 0:17:32.840
<v Speaker 1>because I saw Doc he had some shit on. It

0:17:32.840 --> 0:17:35.200
<v Speaker 1>looked like like he was in one of the monk

0:17:35.280 --> 0:17:37.080
<v Speaker 1>uniforms or some shit like that, Like he was in

0:17:37.119 --> 0:17:39.280
<v Speaker 1>a priest and the priest robe with something.

0:17:40.280 --> 0:17:43.600
<v Speaker 5>Hey, nigga might have been conjuring up some real shit, nigga,

0:17:43.680 --> 0:17:45.879
<v Speaker 5>some sholing temple shit on these niggas.

0:17:45.920 --> 0:17:46.600
<v Speaker 3>You know what I'm saying.

0:17:46.640 --> 0:17:50.960
<v Speaker 5>But really, though, bro, it's like, as a person from

0:17:50.960 --> 0:17:54.520
<v Speaker 5>my era, I started early. I jumped in the studio

0:17:54.600 --> 0:17:56.520
<v Speaker 5>my first time. My mom's put me in a studio

0:17:56.520 --> 0:17:59.040
<v Speaker 5>and her twin sister rest in peace, my honte when

0:17:59.080 --> 0:17:59.920
<v Speaker 5>I was eight years old.

0:18:00.080 --> 0:18:00.199
<v Speaker 1>Bro.

0:18:00.680 --> 0:18:04.240
<v Speaker 5>So I've been dead ass seriously about hip hop since

0:18:04.400 --> 0:18:07.159
<v Speaker 5>since a kid, and I paid attention to everything that

0:18:07.240 --> 0:18:09.800
<v Speaker 5>was going on. So I've seen a lot of errors,

0:18:10.040 --> 0:18:14.240
<v Speaker 5>you feel me, and I'm super open. I'm open to

0:18:14.480 --> 0:18:19.080
<v Speaker 5>experiencing hip hop on a new level in twenty twenty four.

0:18:19.640 --> 0:18:23.119
<v Speaker 5>I don't look for the young generation to do everything

0:18:23.280 --> 0:18:24.600
<v Speaker 5>that the ogs did.

0:18:24.760 --> 0:18:25.240
<v Speaker 3>I don't.

0:18:25.720 --> 0:18:28.080
<v Speaker 5>They got their own life, they got their own energy,

0:18:28.080 --> 0:18:30.800
<v Speaker 5>they got their own minds, and they want to create

0:18:30.840 --> 0:18:33.240
<v Speaker 5>what they want to create. So I'm very open. But

0:18:33.320 --> 0:18:35.199
<v Speaker 5>a lot of people in my age group they not

0:18:36.000 --> 0:18:39.080
<v Speaker 5>I see. They want Drake to make a Nas type

0:18:39.119 --> 0:18:41.119
<v Speaker 5>Eat the record, and they want Kendrick to make a

0:18:41.240 --> 0:18:44.919
<v Speaker 5>hit Him Up Tupac record, But that's not them, you

0:18:44.960 --> 0:18:48.959
<v Speaker 5>feel me. Drake is making a record that fits his brand,

0:18:49.080 --> 0:18:52.240
<v Speaker 5>and Kendrick is making the same kind of record that he.

0:18:52.320 --> 0:18:54.840
<v Speaker 3>Always made with his artistry. You know what I'm saying.

0:18:55.000 --> 0:18:58.359
<v Speaker 5>And I feel like we gotta stop wanting all these

0:18:59.040 --> 0:19:03.480
<v Speaker 5>younger generation cats to be somebody from the past that

0:19:03.560 --> 0:19:06.520
<v Speaker 5>they not, you feel me, because that ain't giving them

0:19:06.520 --> 0:19:09.480
<v Speaker 5>a chance to express theirself how they want to express theirself.

0:19:09.560 --> 0:19:12.960
<v Speaker 3>Do so, I just I just listen with a.

0:19:13.040 --> 0:19:15.760
<v Speaker 5>Open with an open mind, man, And and you know,

0:19:15.800 --> 0:19:17.480
<v Speaker 5>and I understand that things change.

0:19:17.520 --> 0:19:19.520
<v Speaker 3>You feel me from the from the clothes.

0:19:19.920 --> 0:19:22.880
<v Speaker 5>To everything, dad, because Nigga, I don't wear the same

0:19:22.920 --> 0:19:24.320
<v Speaker 5>shit I was when I was twenty.

0:19:25.280 --> 0:19:27.879
<v Speaker 1>You feel me, Yeah, I don't wear the stuff. And

0:19:27.960 --> 0:19:29.919
<v Speaker 1>when I do try to step out eighty ten, my

0:19:29.960 --> 0:19:31.560
<v Speaker 1>ass up so bad. I don't even want to wear

0:19:31.640 --> 0:19:34.360
<v Speaker 1>nothing new. I'm just stick to certain jeans and shit.

0:19:35.960 --> 0:19:41.360
<v Speaker 1>I mean, it's it's nothing about advancing I guess it's

0:19:41.400 --> 0:19:48.240
<v Speaker 1>nothing about advancing your broadening your horizons. I just feel

0:19:48.280 --> 0:19:56.040
<v Speaker 1>like in certain situations, you know, trying to keep some

0:19:56.240 --> 0:20:02.240
<v Speaker 1>authenticity is in favor of depending on the era you

0:20:02.400 --> 0:20:06.080
<v Speaker 1>came from. You know, my fans ain't gonna want to

0:20:06.119 --> 0:20:09.000
<v Speaker 1>see me in leather pants. And the polka dot shirt

0:20:09.080 --> 0:20:12.160
<v Speaker 1>and shit like that, because I'm gonna lose more fans

0:20:12.200 --> 0:20:16.680
<v Speaker 1>than I gain. In fact, it's it's just like you said,

0:20:16.720 --> 0:20:20.800
<v Speaker 1>it's it's different eras. And even though Kendrick is you know,

0:20:20.880 --> 0:20:24.919
<v Speaker 1>he's from Compton and he grew up around gang bangers

0:20:24.960 --> 0:20:30.200
<v Speaker 1>and the element and the situations, you know, like you said,

0:20:30.320 --> 0:20:35.159
<v Speaker 1>his his artistic is expression is is wearing you know,

0:20:35.440 --> 0:20:40.680
<v Speaker 1>platinum crowns on his head, you know, thorn crowns, and

0:20:40.680 --> 0:20:44.280
<v Speaker 1>and you know, being in fashion shows. And you know

0:20:44.640 --> 0:20:47.600
<v Speaker 1>that's just where some that's just where the element of

0:20:48.480 --> 0:20:51.040
<v Speaker 1>what of what you.

0:20:51.200 --> 0:20:54.040
<v Speaker 4>Choose to be called as an artist.

0:20:53.600 --> 0:20:54.680
<v Speaker 1>You get me.

0:20:55.960 --> 0:21:02.440
<v Speaker 4>Artistry is all kind of expressions, and he's always been

0:21:02.480 --> 0:21:08.720
<v Speaker 4>the type who wanted to express outside of being that

0:21:08.920 --> 0:21:12.080
<v Speaker 4>element you give me. Yeah, I saw niggas gang banging

0:21:12.160 --> 0:21:15.159
<v Speaker 4>when I grew up around gang bangers. I saw the

0:21:15.320 --> 0:21:18.719
<v Speaker 4>dry buys and the niggas claiming hoods and all of that.

0:21:19.280 --> 0:21:26.320
<v Speaker 4>But I dare to be different, you get me. So, yeah,

0:21:26.440 --> 0:21:29.239
<v Speaker 4>I don't think anything is wrong with that. And just

0:21:29.320 --> 0:21:37.560
<v Speaker 4>like you said, some people, some people fall victim to

0:21:37.640 --> 0:21:42.359
<v Speaker 4>the fact of but he's from Compton, you get me.

0:21:44.160 --> 0:21:49.119
<v Speaker 4>And on a worldwide scale. When you mentioned Compton, you

0:21:49.280 --> 0:21:55.359
<v Speaker 4>think of the MC eights, the Easies, the dre's the

0:21:55.520 --> 0:22:03.439
<v Speaker 4>element of what Compton is, you know, So some people

0:22:05.359 --> 0:22:09.600
<v Speaker 4>tend to uh get stuck on that. You get me

0:22:10.240 --> 0:22:16.959
<v Speaker 4>because me as a fan from overseas somewhere, when I

0:22:17.000 --> 0:22:21.800
<v Speaker 4>hear Compton, I'm thinking of, oh, you know what I'm saying, Compton,

0:22:22.440 --> 0:22:25.960
<v Speaker 4>that's the land of the killers in n w A.

0:22:26.240 --> 0:22:32.560
<v Speaker 4>And Compton's most warning. So you you have the mindset,

0:22:32.760 --> 0:22:35.879
<v Speaker 4>the mind state at a particular set, you know what

0:22:35.920 --> 0:22:39.040
<v Speaker 4>I'm saying, Like when I hear Compton, I'm supposed to

0:22:39.080 --> 0:22:41.480
<v Speaker 4>see this. So just like you said, you see a

0:22:41.520 --> 0:22:47.480
<v Speaker 4>lot of people, they're they're split as far as the

0:22:47.560 --> 0:22:53.440
<v Speaker 4>records are concerned, you know, because like you said, they

0:22:53.480 --> 0:22:57.000
<v Speaker 4>want to hear some I want to hear motherfucking h

0:22:57.280 --> 0:23:00.159
<v Speaker 4>m c A and DJ Quick type of shit. I

0:23:00.200 --> 0:23:02.800
<v Speaker 4>want to hear jay Z and Niles type of shit,

0:23:03.320 --> 0:23:07.000
<v Speaker 4>and you Niggas is talking about all kinds of other,

0:23:07.280 --> 0:23:10.720
<v Speaker 4>you know, shit that I can't get into. So to

0:23:10.840 --> 0:23:15.159
<v Speaker 4>each his own. And you know, true fans and people

0:23:15.160 --> 0:23:18.840
<v Speaker 4>who are lyrical or you know, not to say I'm

0:23:18.880 --> 0:23:22.119
<v Speaker 4>not lyrical on myself because you know, I can understand

0:23:22.200 --> 0:23:24.679
<v Speaker 4>the record. I can listen to it and hear the

0:23:24.760 --> 0:23:27.960
<v Speaker 4>metaphors and you know, all of that, and that's what

0:23:28.040 --> 0:23:33.440
<v Speaker 4>some people pride themselves on. You get me, you know what?

0:23:33.640 --> 0:23:37.000
<v Speaker 4>Do the thing I don't like. I guess dude is

0:23:37.000 --> 0:23:39.879
<v Speaker 4>coming out with his response record, and I guess he

0:23:39.960 --> 0:23:42.120
<v Speaker 4>wuld be going at DUT's wife. I don't know that's

0:23:42.119 --> 0:23:44.560
<v Speaker 4>what I'm hearing, because you know I heard, you know,

0:23:44.600 --> 0:23:47.480
<v Speaker 4>I think Birdman said that Drake got three more records

0:23:47.520 --> 0:23:47.960
<v Speaker 4>ready or.

0:23:47.880 --> 0:23:50.879
<v Speaker 1>Something like that. So I don't know. Man, I'm cool

0:23:50.960 --> 0:23:53.760
<v Speaker 1>with all the competition that, but when you get to

0:23:53.800 --> 0:23:57.159
<v Speaker 1>talk about people's wives and kids and stuff, man, I

0:23:57.240 --> 0:23:59.440
<v Speaker 1>think somebody can get beat the fuck up for real.

0:24:03.480 --> 0:24:07.000
<v Speaker 4>I said, you going from the realm of just dissing

0:24:07.200 --> 0:24:10.880
<v Speaker 4>to now do you really want to beef? Because you know,

0:24:10.960 --> 0:24:15.200
<v Speaker 4>like I said, but they are two artists who pride

0:24:15.240 --> 0:24:22.280
<v Speaker 4>themselves on being able to dig personally into your life,

0:24:22.400 --> 0:24:29.879
<v Speaker 4>into your career and whatever embarrassment is everything. I guess

0:24:30.000 --> 0:24:33.000
<v Speaker 4>as far as you know fucking, I'm just gonna make

0:24:33.040 --> 0:24:35.520
<v Speaker 4>some music and it's gonna be on point.

0:24:36.760 --> 0:24:36.879
<v Speaker 3>Now.

0:24:36.920 --> 0:24:38.520
<v Speaker 1>I want to go and you know.

0:24:38.800 --> 0:24:44.520
<v Speaker 4>Search Court Records and divorce records and paternity records and

0:24:45.040 --> 0:24:46.600
<v Speaker 4>seeing if you got f's.

0:24:46.480 --> 0:24:48.320
<v Speaker 1>In school and shit like that.

0:24:48.640 --> 0:24:54.040
<v Speaker 4>You know, it goes to a different realm of dissing because,

0:24:54.080 --> 0:24:58.480
<v Speaker 4>like I said, now it goes to the element of beefing.

0:24:58.640 --> 0:25:03.120
<v Speaker 1>And how how hard do you take that? You feel? Me? Yeah,

0:25:03.160 --> 0:25:06.040
<v Speaker 1>because I don't know. Man. If I hear a regular

0:25:06.080 --> 0:25:08.120
<v Speaker 1>the dude going in on my wife, man, it's gonna

0:25:08.119 --> 0:25:10.000
<v Speaker 1>make me feel a certain kind of way. Trucks.

0:25:11.440 --> 0:25:14.439
<v Speaker 5>Yeah, And a lot of people don't get that because

0:25:14.480 --> 0:25:16.919
<v Speaker 5>a lot of the comments and all that they egging

0:25:17.000 --> 0:25:17.240
<v Speaker 5>it on.

0:25:17.359 --> 0:25:20.119
<v Speaker 3>They yeah, they want them to get personal, and it

0:25:20.200 --> 0:25:23.320
<v Speaker 3>ain't personal or nothing, you know what I'm saying.

0:25:23.359 --> 0:25:25.400
<v Speaker 5>They want it, they want it, But as soon as

0:25:25.400 --> 0:25:28.639
<v Speaker 5>it turned into beef and it's spill over into the streets,

0:25:29.000 --> 0:25:31.399
<v Speaker 5>then hear the same people like, oh, they need to

0:25:31.480 --> 0:25:33.960
<v Speaker 5>chill and just keep it on wax. So, you know,

0:25:34.840 --> 0:25:36.600
<v Speaker 5>I don't think a lot of the people in the

0:25:36.640 --> 0:25:40.520
<v Speaker 5>comments sections understand that. Just because you don't view Kendrick

0:25:41.080 --> 0:25:44.639
<v Speaker 5>or Drake and a certain light, you gotta know they

0:25:45.000 --> 0:25:51.120
<v Speaker 5>they very powerful, paid individuals, and it could be somebody

0:25:51.119 --> 0:25:55.439
<v Speaker 5>and they entourage that's straight off the curves that's really

0:25:55.480 --> 0:25:59.480
<v Speaker 5>with it, and Mike feel like I need to set

0:25:59.520 --> 0:26:03.280
<v Speaker 5>it off if I run into anybody from the other side.

0:26:03.840 --> 0:26:06.520
<v Speaker 3>And then now we got.

0:26:06.400 --> 0:26:09.520
<v Speaker 5>A beef going on some street ship or on some

0:26:09.560 --> 0:26:14.879
<v Speaker 5>physical violence shit, and we're gonna look back at the records,

0:26:15.400 --> 0:26:18.959
<v Speaker 5>you know what I mean, And and it's gonna be

0:26:19.040 --> 0:26:23.520
<v Speaker 5>judged by the words, because words are the first weapons

0:26:23.520 --> 0:26:24.000
<v Speaker 5>in war.

0:26:24.160 --> 0:26:27.240
<v Speaker 3>Half the time, you feel me, and then it turns

0:26:27.280 --> 0:26:31.760
<v Speaker 3>into the other thing. So it's really you, right eight,

0:26:32.040 --> 0:26:36.800
<v Speaker 3>You're definitely right. My brother is leaving the realm of.

0:26:36.880 --> 0:26:41.840
<v Speaker 5>Who is the hardest MC, and it's going into a

0:26:41.880 --> 0:26:45.080
<v Speaker 5>whole nother dimension, you know what I'm saying. When they

0:26:45.119 --> 0:26:48.040
<v Speaker 5>get too into digging of this and digging of that,

0:26:48.280 --> 0:26:50.520
<v Speaker 5>I mean, that takes the fun out of it for

0:26:50.680 --> 0:26:51.080
<v Speaker 5>me too.

0:26:51.280 --> 0:26:52.840
<v Speaker 3>When they come to even.

0:26:52.680 --> 0:26:56.720
<v Speaker 5>Certain battle rap, it's like YO talking about a bunch

0:26:56.760 --> 0:27:00.879
<v Speaker 5>of unnecessary shit, like you like, you know, no shots

0:27:00.880 --> 0:27:03.200
<v Speaker 5>to the shave room, but it's a shave room rat.

0:27:03.320 --> 0:27:07.399
<v Speaker 3>And feel me, it's like, I ain't really with all that.

0:27:07.720 --> 0:27:11.440
<v Speaker 5>You know, we was just talk to verbally dismantled fools,

0:27:11.440 --> 0:27:13.679
<v Speaker 5>you know what I mean. And you could come with

0:27:13.760 --> 0:27:17.240
<v Speaker 5>the hardest lyrics the bars and everything and still lose

0:27:17.320 --> 0:27:20.480
<v Speaker 5>the battle in the court of public opinion because this

0:27:20.560 --> 0:27:24.359
<v Speaker 5>man said he know your wife sleeping with your cousin

0:27:24.880 --> 0:27:26.400
<v Speaker 5>and you know what I'm saying, and he come out

0:27:26.440 --> 0:27:28.159
<v Speaker 5>with the Instagram post proving it.

0:27:29.240 --> 0:27:32.719
<v Speaker 3>So it's just crazy, man, It's it's wild.

0:27:36.600 --> 0:27:38.840
<v Speaker 1>Yeah, Old Boy seemed like the type of dude that

0:27:38.880 --> 0:27:41.480
<v Speaker 1>he used his resources to go dig up shit on people.

0:27:42.280 --> 0:27:45.879
<v Speaker 4>Oh yeah, I'm I'm I'm I'm shit. I'm basically in

0:27:45.960 --> 0:27:49.359
<v Speaker 4>a situation to where nigga, I can go hire me

0:27:49.480 --> 0:27:53.320
<v Speaker 4>some private investigators, Like if I'm going to court or

0:27:53.320 --> 0:27:56.560
<v Speaker 4>some shit, I'm gonna go pay somebody, some a couple

0:27:56.560 --> 0:27:59.280
<v Speaker 4>of thousand to go dig up some man. You can

0:27:59.320 --> 0:28:01.359
<v Speaker 4>go as far back is when a nigga used to

0:28:01.359 --> 0:28:04.199
<v Speaker 4>pee in the bed. You feel me. I want to

0:28:04.240 --> 0:28:06.120
<v Speaker 4>know if a nigga used to pee in the bed

0:28:06.240 --> 0:28:08.600
<v Speaker 4>when he was a kid, and shit like that, and

0:28:09.200 --> 0:28:13.560
<v Speaker 4>nigga nigga, you know, they want to expose a lot

0:28:13.600 --> 0:28:18.919
<v Speaker 4>of personal motherfucking issues, and to me, it takes it,

0:28:18.920 --> 0:28:21.240
<v Speaker 4>It takes it away from the realm of dissing to

0:28:21.359 --> 0:28:25.800
<v Speaker 4>where you basically ready to you know, you ready to

0:28:25.800 --> 0:28:32.399
<v Speaker 4>get hands on involved because now you are, or you

0:28:32.440 --> 0:28:36.639
<v Speaker 4>are digging into personal situations and shit, you know, like

0:28:36.680 --> 0:28:41.040
<v Speaker 4>you said, talking about people's families or moms or pops

0:28:41.200 --> 0:28:46.240
<v Speaker 4>or living situations growing up. You know how you used

0:28:46.320 --> 0:28:48.760
<v Speaker 4>to be as a kid and your mom didn't have

0:28:48.880 --> 0:28:51.960
<v Speaker 4>this or your dad didn't have that. You know, I

0:28:52.440 --> 0:28:55.760
<v Speaker 4>consider that you're getting into the realm of beefing. You know,

0:28:56.120 --> 0:28:59.360
<v Speaker 4>I'm aa turn it from yeah, nigga, I'm the hottest

0:28:59.400 --> 0:29:02.440
<v Speaker 4>motherfucker on the microphone, and nigga you or this and that,

0:29:02.880 --> 0:29:05.400
<v Speaker 4>and I'm gonna turn it into nigga, you was a

0:29:05.440 --> 0:29:08.719
<v Speaker 4>poor motherfucker on fold stamps and y'all used to sleep

0:29:08.760 --> 0:29:11.240
<v Speaker 4>all in the same room as a kid and shit

0:29:11.480 --> 0:29:14.560
<v Speaker 4>like that. Now, like I said, now you're trying to

0:29:14.600 --> 0:29:18.000
<v Speaker 4>get into a situation to where it's unpredictable.

0:29:18.120 --> 0:29:22.640
<v Speaker 1>Now, yeah, you don't know where you can go?

0:29:23.440 --> 0:29:26.800
<v Speaker 5>Yeah, nah, I just I'm just like, man, that was

0:29:26.840 --> 0:29:28.560
<v Speaker 5>a bar, you know what I'm saying.

0:29:29.320 --> 0:29:32.000
<v Speaker 1>Yeah, because like you see it, and it's always the

0:29:32.280 --> 0:29:36.120
<v Speaker 1>it's always the homies, it's always the entourage. Let's face it,

0:29:36.120 --> 0:29:38.400
<v Speaker 1>ain't nobody who ever kicks Drake out of bounds. Ain't

0:29:38.440 --> 0:29:41.280
<v Speaker 1>nobody who ever kicks Kendrick gout of bounds. But you

0:29:41.400 --> 0:29:44.280
<v Speaker 1>will see they entourage about town if they're in the

0:29:44.320 --> 0:29:46.480
<v Speaker 1>same city or whatever, and that's when the stuff kick off.

0:29:48.680 --> 0:29:49.880
<v Speaker 3>Yeah.

0:29:49.920 --> 0:29:52.600
<v Speaker 5>Absolutely, And that's the whole thing, you know what I mean.

0:29:52.720 --> 0:29:56.080
<v Speaker 5>So we don't have to worry about that when it

0:29:56.160 --> 0:29:58.760
<v Speaker 5>comes to country music and R and B and jazz

0:29:58.800 --> 0:30:00.800
<v Speaker 5>and rock and roll, you know, I mean, hip hop

0:30:00.800 --> 0:30:01.760
<v Speaker 5>has always had.

0:30:01.600 --> 0:30:03.400
<v Speaker 3>That element, you feel me.

0:30:03.960 --> 0:30:08.760
<v Speaker 5>And you know they said the rap cells was down

0:30:08.840 --> 0:30:14.040
<v Speaker 5>thirty seven and country music was soaring, and all of

0:30:14.080 --> 0:30:18.360
<v Speaker 5>a sudden, you know, these beefs breakout and Chris Brown

0:30:18.480 --> 0:30:22.760
<v Speaker 5>is rapping against the Migos and Drake and Kendrick and

0:30:23.120 --> 0:30:27.719
<v Speaker 5>j Cole and now all this rock em soccer excitement

0:30:27.840 --> 0:30:30.720
<v Speaker 5>is back, you know what I'm saying. But it's like, damn,

0:30:31.480 --> 0:30:34.000
<v Speaker 5>we can only bring our shit back with beef.

0:30:34.600 --> 0:30:36.440
<v Speaker 1>That what I'm saying. We gotta do some niggative shit

0:30:36.520 --> 0:30:44.720
<v Speaker 1>to bring hip hop back. That's crazy, ain't it. That's crazy.

0:30:45.320 --> 0:30:48.320
<v Speaker 1>Beef is leading to the renaissance of hip hop coming back.

0:30:50.280 --> 0:30:58.160
<v Speaker 4>I remember it seemed like that's been that's been the

0:30:58.200 --> 0:31:02.959
<v Speaker 4>forefront of what's going on in music the last couple

0:31:02.960 --> 0:31:10.600
<v Speaker 4>of years. Uh, And like I hate to talk about

0:31:10.640 --> 0:31:14.560
<v Speaker 4>shit like that because you know, I come from an

0:31:14.600 --> 0:31:18.880
<v Speaker 4>era where you know, we had disc records and niggas

0:31:18.880 --> 0:31:22.840
<v Speaker 4>had beef and and you know, we too were at

0:31:22.880 --> 0:31:26.360
<v Speaker 4>a point where we were uncontrollable when it came to

0:31:26.440 --> 0:31:32.680
<v Speaker 4>our attitudes and our mind state with music. But it

0:31:32.800 --> 0:31:39.280
<v Speaker 4>also led down a negative path in hip hop. You know,

0:31:40.120 --> 0:31:42.600
<v Speaker 4>it kind of put a lot of West Coast artists

0:31:42.680 --> 0:31:46.239
<v Speaker 4>on Paul's when the record companies were scared to, uh,

0:31:46.840 --> 0:31:47.800
<v Speaker 4>fuck with us.

0:31:47.880 --> 0:31:48.440
<v Speaker 1>You get me.

0:31:51.680 --> 0:31:57.280
<v Speaker 4>It seems like, you know, like you said, uh, it

0:31:57.320 --> 0:32:00.800
<v Speaker 4>seemed like every rapper that started coming out figured like

0:32:03.240 --> 0:32:08.360
<v Speaker 4>the foundation for my existence is gonna be beefing with

0:32:08.440 --> 0:32:11.080
<v Speaker 4>a motherfucker. I don't give a fuck if it's a

0:32:11.160 --> 0:32:17.880
<v Speaker 4>nigga from three counties away or fucking five states away.

0:32:18.400 --> 0:32:20.680
<v Speaker 4>I'm just gonna wake up this morning and say, all

0:32:20.680 --> 0:32:24.440
<v Speaker 4>this nigga whacking. Yeah, fuck this nigga. You get me.

0:32:24.840 --> 0:32:27.640
<v Speaker 4>Look at all the beefing and all them and all

0:32:27.680 --> 0:32:28.320
<v Speaker 4>the you know.

0:32:30.200 --> 0:32:32.440
<v Speaker 1>Was it. Did we have as.

0:32:32.400 --> 0:32:37.280
<v Speaker 4>Much murdering and killing when we was rapping and shit like? Like,

0:32:37.400 --> 0:32:40.880
<v Speaker 4>I know niggas had their issues and shit, but I

0:32:40.920 --> 0:32:44.400
<v Speaker 4>don't know if we had as much killing and deaths

0:32:44.440 --> 0:32:47.800
<v Speaker 4>of hip hop niggas. When you know what I'm saying,

0:32:48.320 --> 0:32:50.880
<v Speaker 4>because if you look for the last maybe what the

0:32:51.000 --> 0:32:55.280
<v Speaker 4>last five years, niggas was dropping when it came to

0:32:55.360 --> 0:32:55.719
<v Speaker 4>hip hop.

0:32:55.800 --> 0:32:57.400
<v Speaker 1>Tell you what it is is a couple of things.

0:32:57.400 --> 0:33:01.479
<v Speaker 1>Eight we w wasn't on drugs. We was on some

0:33:01.520 --> 0:33:03.880
<v Speaker 1>weed and some Tennessee or whatever like that. But these

0:33:03.960 --> 0:33:07.240
<v Speaker 1>catch is taking heroin now, dog, these catches on heroin,

0:33:07.320 --> 0:33:09.200
<v Speaker 1>all those pills and you know, all this stuff. They

0:33:09.200 --> 0:33:09.479
<v Speaker 1>don't hear.

0:33:09.760 --> 0:33:12.160
<v Speaker 4>I get a lot of drug heavy because like you said,

0:33:12.200 --> 0:33:15.720
<v Speaker 4>we we advocated for weed and drinking a forty ounce

0:33:16.120 --> 0:33:19.160
<v Speaker 4>you know what I'm saying, maybe sipping on some motherfucking

0:33:19.240 --> 0:33:25.320
<v Speaker 4>hen and See or some shit, but you know that

0:33:24.720 --> 0:33:29.000
<v Speaker 4>that Uh, the mind state today is fucking you cann

0:33:29.040 --> 0:33:32.120
<v Speaker 4>Do you some wean? You can do you some motherfucks

0:33:32.120 --> 0:33:37.080
<v Speaker 4>all heroin and heroin. You know, sniff you a couple

0:33:37.120 --> 0:33:41.240
<v Speaker 4>of this, pop you a couple of that. Everything is fine.

0:33:42.800 --> 0:33:43.160
<v Speaker 1>Again.

0:33:44.040 --> 0:33:49.080
<v Speaker 4>We had we had dishes and beefs in our era

0:33:50.320 --> 0:33:55.040
<v Speaker 4>of hip hop minds was you know, late eighties to

0:33:55.720 --> 0:34:00.400
<v Speaker 4>you know, the beginning of the two thousands. Did we

0:34:00.520 --> 0:34:04.640
<v Speaker 4>have so much killing you getting me all the Chicago dudes.

0:34:04.680 --> 0:34:07.440
<v Speaker 1>It was dropping and all the other rappers and you

0:34:07.520 --> 0:34:09.640
<v Speaker 1>know all of what this and you know what it

0:34:09.840 --> 0:34:13.880
<v Speaker 1>is too. This internet is a motherfucker dog. Social media

0:34:13.960 --> 0:34:16.840
<v Speaker 1>people is you know, dropping bodies live on camera and

0:34:17.320 --> 0:34:19.640
<v Speaker 1>all kinds of crazy stuff. You seen cats get wet

0:34:19.719 --> 0:34:21.839
<v Speaker 1>up in their car while they on the live dog.

0:34:22.160 --> 0:34:24.520
<v Speaker 1>You know, they called anybody out there liking niggas lacking.

0:34:24.600 --> 0:34:28.279
<v Speaker 1>They letting cats have it broad they like you did.

0:34:28.800 --> 0:34:31.239
<v Speaker 1>That's what them drugs, man, They so brazen because of

0:34:31.280 --> 0:34:33.000
<v Speaker 1>them drugs. Bro, I'm telling you, I.

0:34:33.000 --> 0:34:36.080
<v Speaker 4>Don't think I never seen you know, like I said,

0:34:36.120 --> 0:34:39.960
<v Speaker 4>we had a treacherous with the neighborhoods and the banging

0:34:40.120 --> 0:34:43.160
<v Speaker 4>and the cripping and blood. But as far as hip

0:34:43.200 --> 0:34:47.120
<v Speaker 4>hop is concerned, you know a lot of motherfuckers who

0:34:47.800 --> 0:34:51.319
<v Speaker 4>claim to be grabbing the microphone or putting themselves in

0:34:51.400 --> 0:34:56.520
<v Speaker 4>the in in that situation was coming up, you know,

0:34:56.719 --> 0:34:59.760
<v Speaker 4>niggas was getting hit like shit like we on the street.

0:34:59.800 --> 0:35:02.200
<v Speaker 1>Corn. Well, you know what it is, man, Like I said,

0:35:02.200 --> 0:35:05.319
<v Speaker 1>it's the combination of the drugs and you like in

0:35:05.360 --> 0:35:09.160
<v Speaker 1>front of it's like you own twenty four to seven

0:35:09.680 --> 0:35:12.239
<v Speaker 1>people got their phones with him. They going live so

0:35:12.280 --> 0:35:15.960
<v Speaker 1>it's like a motherfucker's gonna really try to prove his

0:35:16.120 --> 0:35:17.880
<v Speaker 1>manhood to the rest of this world. He don't want

0:35:17.920 --> 0:35:19.719
<v Speaker 1>to look like he oh, you feel what I'm saying,

0:35:20.120 --> 0:35:21.759
<v Speaker 1>So he go take it to a place to where

0:35:21.760 --> 0:35:23.719
<v Speaker 1>he probably don't have to go. We didn't have all

0:35:23.719 --> 0:35:24.719
<v Speaker 1>that pressure back then.

0:35:26.040 --> 0:35:29.840
<v Speaker 3>Yeah, the motherfucking social media got crazy.

0:35:29.920 --> 0:35:33.240
<v Speaker 5>I remember one year. I don't know if it's around

0:35:33.280 --> 0:35:37.160
<v Speaker 5>COVID or something, but they said two hundred independent rappers

0:35:37.200 --> 0:35:38.719
<v Speaker 5>got killed exactly.

0:35:39.120 --> 0:35:45.400
<v Speaker 4>Like if you go, if you go check right now

0:35:47.200 --> 0:35:50.280
<v Speaker 4>and go back to like I don't know, maybe five

0:35:50.440 --> 0:35:54.520
<v Speaker 4>to eight, five to seven years ago, you will see

0:35:54.560 --> 0:35:59.120
<v Speaker 4>a gang of just wrapped you like niggas is still

0:35:59.160 --> 0:36:04.680
<v Speaker 4>affiliated with the streets. I'm sure you know, but it's

0:36:04.840 --> 0:36:13.200
<v Speaker 4>crazy to see how many so called up and coming

0:36:13.360 --> 0:36:18.400
<v Speaker 4>hip hop rappers who was just getting smoked like like

0:36:19.120 --> 0:36:21.640
<v Speaker 4>not no, you know, we got the pop thing and

0:36:21.680 --> 0:36:24.319
<v Speaker 4>we got the biggie thing. You know, but that was

0:36:24.360 --> 0:36:26.560
<v Speaker 4>on We already know what that was about.

0:36:26.640 --> 0:36:27.200
<v Speaker 1>You get me.

0:36:27.640 --> 0:36:30.680
<v Speaker 4>You look up right now, it's thirty month fucking little

0:36:30.760 --> 0:36:34.400
<v Speaker 4>hip hop dudes that like you ain't even like, damn,

0:36:34.680 --> 0:36:38.120
<v Speaker 4>this dude not shot. This dude got killed this dude

0:36:38.160 --> 0:36:41.680
<v Speaker 4>got killed. This dude got killed. And that's what it's

0:36:41.719 --> 0:36:46.239
<v Speaker 4>fucked up for us, because you know, now it's like

0:36:46.560 --> 0:36:51.560
<v Speaker 4>it's not even you gotta be certified, so to speak.

0:36:51.680 --> 0:36:55.040
<v Speaker 4>You know, in our days, nigga, you didn't have a record, nigga,

0:36:55.120 --> 0:36:57.719
<v Speaker 4>you wasn't no, you wasn't on, You wasn't no hip

0:36:57.719 --> 0:37:01.200
<v Speaker 4>hop dude, you get me. You know, if you was

0:37:01.239 --> 0:37:04.319
<v Speaker 4>in the studio putting out records, that's what you know,

0:37:04.480 --> 0:37:10.359
<v Speaker 4>determined your status. Shit nowadays, motherfucker, I put out two

0:37:10.480 --> 0:37:13.319
<v Speaker 4>knixtapes and I'm you know, I'm certified.

0:37:13.600 --> 0:37:16.880
<v Speaker 1>You feel me. And then so a lot of those

0:37:17.520 --> 0:37:18.440
<v Speaker 1>you know, up and.

0:37:18.480 --> 0:37:23.160
<v Speaker 4>Coming rappers or rappers in their own communities or sections

0:37:23.280 --> 0:37:26.960
<v Speaker 4>or whatever, a lot of niggas is getting popped because

0:37:27.840 --> 0:37:31.440
<v Speaker 4>you still got them mother fucking neighborhood ties to the streets,

0:37:31.760 --> 0:37:34.120
<v Speaker 4>and beefing seemed like.

0:37:36.320 --> 0:37:38.680
<v Speaker 1>Beefing seemed like the way.

0:37:38.880 --> 0:37:47.200
<v Speaker 4>To uh well, be stain yourself, beef moving needle bullshit exactly.

0:37:47.360 --> 0:37:50.719
<v Speaker 4>So today you just a regular motherfucking rapper, you know,

0:37:50.840 --> 0:37:53.360
<v Speaker 4>trying to put our shit. Next thing, you know, you

0:37:53.480 --> 0:37:56.000
<v Speaker 4>go out shoot a couple of niggas or pop out

0:37:56.120 --> 0:37:57.120
<v Speaker 4>or get the arguing with.

0:37:57.080 --> 0:37:58.200
<v Speaker 1>A nigga on the internet.

0:37:58.640 --> 0:38:01.120
<v Speaker 4>Now, nigga, you the popular a rapper and shit and

0:38:01.120 --> 0:38:02.319
<v Speaker 4>you might not make it.

0:38:02.400 --> 0:38:04.640
<v Speaker 1>You feel me? That's for real, dog, you know what,

0:38:04.719 --> 0:38:06.560
<v Speaker 1>I was gonna have both of y'all. How many years

0:38:06.600 --> 0:38:09.000
<v Speaker 1>ago did get Richie do try and come out like

0:38:09.040 --> 0:38:14.080
<v Speaker 1>twenty years ago? Probably to me that I think when

0:38:14.120 --> 0:38:17.839
<v Speaker 1>people saw that fifty had so much commotion around him,

0:38:18.160 --> 0:38:20.280
<v Speaker 1>it's like he came in the game with the beef

0:38:20.280 --> 0:38:22.880
<v Speaker 1>with joh Ru, who was the most popular category. Time

0:38:23.360 --> 0:38:26.239
<v Speaker 1>he got stabbed in the studio, he got shot, and

0:38:26.280 --> 0:38:28.319
<v Speaker 1>it's like he came out like the monster. You feel

0:38:28.360 --> 0:38:31.880
<v Speaker 1>what I'm saying. It was almost like he became with

0:38:32.000 --> 0:38:34.680
<v Speaker 1>Tupac would have been had he you feel what I'm saying,

0:38:34.840 --> 0:38:37.200
<v Speaker 1>it was that same little negative or he just had

0:38:37.200 --> 0:38:40.879
<v Speaker 1>bullshit with everybody. He had the ship where he had

0:38:40.920 --> 0:38:43.080
<v Speaker 1>ship with almost every rapper. It was to the point

0:38:43.120 --> 0:38:47.800
<v Speaker 1>to where niggas was almost scared to say something about him.

0:38:47.840 --> 0:38:49.560
<v Speaker 1>And I think these kids saw that, and that's what

0:38:49.600 --> 0:38:51.640
<v Speaker 1>they'd been raised off. A dog. I think this whole

0:38:51.680 --> 0:38:54.160
<v Speaker 1>generation been raised off conflict.

0:38:55.600 --> 0:38:56.520
<v Speaker 3>That's the whole thing.

0:38:56.760 --> 0:39:00.239
<v Speaker 5>And I think that it's a deeper problem know what

0:39:00.280 --> 0:39:06.000
<v Speaker 5>I'm saying. Number one, I wish niggas would have had

0:39:06.080 --> 0:39:12.120
<v Speaker 5>conflict resolution classes and elementary though just learn how to

0:39:12.280 --> 0:39:15.440
<v Speaker 5>not take everything from zero to one hundred, you know

0:39:15.520 --> 0:39:21.200
<v Speaker 5>what I'm saying. That's one two. The drug get the

0:39:21.320 --> 0:39:24.919
<v Speaker 5>drugs mixed with the addiction to attention, like you said,

0:39:25.080 --> 0:39:28.400
<v Speaker 5>the social media shit, it's crazy. I mean the niggas

0:39:28.440 --> 0:39:32.279
<v Speaker 5>was niggas was killing niggas, go to the nigga graveyard

0:39:32.560 --> 0:39:35.399
<v Speaker 5>and film a rap video, you know what I mean,

0:39:35.600 --> 0:39:38.200
<v Speaker 5>dancing on the nigga grave. You know what I'm saying,

0:39:38.719 --> 0:39:44.840
<v Speaker 5>Like it's just got crazy, and you know, they started

0:39:44.840 --> 0:39:47.799
<v Speaker 5>locking niggas up and it was a new Niggas was

0:39:47.840 --> 0:39:51.520
<v Speaker 5>having number one hits getting locked up for the crazy

0:39:51.600 --> 0:39:56.960
<v Speaker 5>crazy shit in fucking in fucking jail for and then

0:39:57.680 --> 0:40:00.280
<v Speaker 5>to top it off, the label exact some of them,

0:40:00.400 --> 0:40:03.600
<v Speaker 5>not all, but some of them was like, oh yeah,

0:40:03.880 --> 0:40:05.719
<v Speaker 5>them the kind of niggas we want to sign and

0:40:05.760 --> 0:40:10.000
<v Speaker 5>for budgets behind and they was searching for niggas because

0:40:10.040 --> 0:40:10.560
<v Speaker 5>I don't have.

0:40:11.040 --> 0:40:14.479
<v Speaker 3>A couple labels. Hit me and ask me you ain't

0:40:14.480 --> 0:40:15.600
<v Speaker 3>got no little homies.

0:40:15.600 --> 0:40:19.560
<v Speaker 5>That's acting crazy in Long Beach right now that we

0:40:19.600 --> 0:40:22.799
<v Speaker 5>could you know what I'm saying, put on like they

0:40:22.960 --> 0:40:26.520
<v Speaker 5>looking for artists that got beef, the young niggas who

0:40:27.160 --> 0:40:31.040
<v Speaker 5>you know, took nines and shit all on the Instagram.

0:40:31.520 --> 0:40:32.600
<v Speaker 3>They looking for that.

0:40:33.640 --> 0:40:36.680
<v Speaker 5>So and then the executives, I'm like, okay, so I

0:40:36.760 --> 0:40:39.480
<v Speaker 5>get you that do y'all go to they listening parties.

0:40:39.480 --> 0:40:44.120
<v Speaker 3>Hell now, so the execs know that this person might.

0:40:44.000 --> 0:40:47.240
<v Speaker 5>Get killed before the album come out, I'm not gonna

0:40:47.280 --> 0:40:49.800
<v Speaker 5>go hang out with this dude that is listening party.

0:40:50.320 --> 0:40:52.319
<v Speaker 5>I'm gonna put him in a type of contract to

0:40:52.360 --> 0:40:55.120
<v Speaker 5>where if he do die, I'm to get the insurance

0:40:55.160 --> 0:40:59.560
<v Speaker 5>off of you. Then I'm gonna have all rights to

0:40:59.719 --> 0:41:02.840
<v Speaker 5>his likeness and image, even on some digital shits in

0:41:02.920 --> 0:41:05.200
<v Speaker 5>case I gotta send a hologram or this nigga up

0:41:05.239 --> 0:41:06.080
<v Speaker 5>to Coachella.

0:41:06.840 --> 0:41:10.240
<v Speaker 3>Like it's really deep, you know what I'm saying.

0:41:10.480 --> 0:41:15.600
<v Speaker 5>It's deep, And I feel like in our era, we

0:41:15.719 --> 0:41:17.560
<v Speaker 5>still had a lot of people of the.

0:41:17.560 --> 0:41:19.640
<v Speaker 3>Culture sitting in them big offices.

0:41:20.040 --> 0:41:22.960
<v Speaker 5>We had rust with Simmons, and you know what I'm saying,

0:41:23.440 --> 0:41:28.320
<v Speaker 5>we had different people who were still part of this culture,

0:41:28.440 --> 0:41:32.000
<v Speaker 5>loved the culture, came up in the culture, signing artists.

0:41:32.520 --> 0:41:36.279
<v Speaker 3>You know, now, it's all about the laptop. That's the

0:41:36.360 --> 0:41:36.759
<v Speaker 3>an r.

0:41:36.880 --> 0:41:38.839
<v Speaker 5>Let me look at your SoundCloud, let me look at

0:41:38.840 --> 0:41:41.920
<v Speaker 5>your followers, let me look at your streams. All right,

0:41:42.000 --> 0:41:44.560
<v Speaker 5>you and some kind of beef on social media, all right, cool,

0:41:44.600 --> 0:41:45.640
<v Speaker 5>come on in and get a deal.

0:41:47.120 --> 0:41:49.799
<v Speaker 1>Yeah, that's what they want now. Man. It's almost like

0:41:51.560 --> 0:41:55.360
<v Speaker 1>record companies, man, and just media and period. Man is

0:41:55.400 --> 0:41:59.319
<v Speaker 1>really profit enough of black misery and pain or in conflict.

0:42:00.120 --> 0:42:02.279
<v Speaker 1>This stuff just goes so much further. And then when

0:42:02.320 --> 0:42:05.879
<v Speaker 1>you find out that most of these major corporations they

0:42:05.920 --> 0:42:09.000
<v Speaker 1>have ownership in the Spotify and stuff like that, and

0:42:09.600 --> 0:42:13.439
<v Speaker 1>they also got a lot of money invested in these prisons. Right,

0:42:15.200 --> 0:42:17.200
<v Speaker 1>so if they can grow up and think about it

0:42:17.280 --> 0:42:19.120
<v Speaker 1>like this, they gonna make money from here on out

0:42:19.160 --> 0:42:22.719
<v Speaker 1>to the year three thousand. Because if they can get

0:42:22.840 --> 0:42:25.720
<v Speaker 1>if they can keep generation the niggas stuck on dope,

0:42:26.640 --> 0:42:29.640
<v Speaker 1>killing each other and just acting crazy, and that's the

0:42:29.680 --> 0:42:34.160
<v Speaker 1>popular thing they ain't doing up keeping the hold. They

0:42:34.280 --> 0:42:35.520
<v Speaker 1>just got a nice fresh supply.

0:42:36.840 --> 0:42:37.600
<v Speaker 3>Yeah, they win it.

0:42:37.840 --> 0:42:40.359
<v Speaker 5>But then you got the flip side where you got

0:42:40.400 --> 0:42:45.160
<v Speaker 5>young niggas like Lord Russell who figured out how to

0:42:45.239 --> 0:42:49.520
<v Speaker 5>do it independently, how to work social media.

0:42:49.239 --> 0:42:50.200
<v Speaker 3>To his advantage.

0:42:50.800 --> 0:42:54.400
<v Speaker 5>How to drop records about just having fun in the

0:42:54.480 --> 0:42:57.000
<v Speaker 5>Bay Area and get people to like it.

0:42:57.480 --> 0:43:00.000
<v Speaker 3>How to get his audience in.

0:43:00.160 --> 0:43:05.120
<v Speaker 5>Gauged to the point where now rappers that sell millions

0:43:05.120 --> 0:43:08.080
<v Speaker 5>of records, it's hitting him up and asking him, yo,

0:43:08.200 --> 0:43:10.760
<v Speaker 5>let me get down with you because he got a wave.

0:43:12.000 --> 0:43:16.439
<v Speaker 5>And you know that part needs to be highlighted too,

0:43:16.560 --> 0:43:19.920
<v Speaker 5>because it's a lot of young people following him and

0:43:19.960 --> 0:43:22.239
<v Speaker 5>they don't want to be the next statistic.

0:43:22.320 --> 0:43:24.160
<v Speaker 3>They want to be an artist.

0:43:24.520 --> 0:43:28.839
<v Speaker 5>Rap take care of they and l Russell is a

0:43:28.880 --> 0:43:33.120
<v Speaker 5>good example of what a young person could do right now,

0:43:33.400 --> 0:43:36.320
<v Speaker 5>and it's off.

0:43:37.800 --> 0:43:40.960
<v Speaker 1>Is the perfect example. But these little niggas don't want

0:43:40.960 --> 0:43:44.279
<v Speaker 1>to be l Russell right now. Man, It's like not but.

0:43:44.320 --> 0:43:48.200
<v Speaker 5>You still you looking at these little niggas that that's

0:43:48.239 --> 0:43:52.600
<v Speaker 5>that's already if you remove rap, they already.

0:43:52.239 --> 0:43:54.360
<v Speaker 3>They're still gonna be on the streets. You know what

0:43:54.360 --> 0:43:54.800
<v Speaker 3>I'm saying.

0:43:56.880 --> 0:44:00.799
<v Speaker 5>That's that's not every young niggas. Some young niggas is

0:44:00.840 --> 0:44:04.279
<v Speaker 5>going to school playing ball. It's you know, it's some

0:44:04.320 --> 0:44:06.320
<v Speaker 5>young niggas out there that got they act together.

0:44:06.440 --> 0:44:10.360
<v Speaker 3>Them the niggas who want to be like Larrussell. You

0:44:10.280 --> 0:44:11.040
<v Speaker 3>you know what I'm saying.

0:44:11.320 --> 0:44:13.919
<v Speaker 5>And then you got the other niggas. It don't matter

0:44:13.960 --> 0:44:16.279
<v Speaker 5>about Rap. They was gonna be with the ship no

0:44:16.280 --> 0:44:19.040
<v Speaker 5>matter what. All Rap did was helped them get some.

0:44:19.040 --> 0:44:21.640
<v Speaker 1>Attention the shit, you know.

0:44:22.040 --> 0:44:25.240
<v Speaker 4>And that's the situation with that is, like you said,

0:44:25.680 --> 0:44:27.799
<v Speaker 4>there was a lot of young dude, there's a y'all

0:44:27.800 --> 0:44:32.239
<v Speaker 4>of young men who are still born in this poverty,

0:44:32.800 --> 0:44:37.120
<v Speaker 4>in these in these sections. And there's a lot of

0:44:37.160 --> 0:44:43.480
<v Speaker 4>these young men who don't have an aspiration to be

0:44:43.880 --> 0:44:49.400
<v Speaker 4>a Larussell. You feel me because of Nigga. Ain't nobody

0:44:49.480 --> 0:44:52.839
<v Speaker 4>in my neighborhood growing up trying to be a Larussell.

0:44:53.239 --> 0:44:56.200
<v Speaker 1>They trying to be a trag new Park. You get me.

0:44:56.719 --> 0:45:02.640
<v Speaker 4>So that's where it always turns, Like I said, you

0:45:02.640 --> 0:45:07.040
<v Speaker 4>you it all. I don't know what, like I would say,

0:45:08.480 --> 0:45:14.719
<v Speaker 4>product of my environment, right, there's a lot of.

0:45:15.120 --> 0:45:17.400
<v Speaker 1>Dudes who are who.

0:45:17.040 --> 0:45:21.680
<v Speaker 4>Are led astray from having the mind state of oh,

0:45:21.719 --> 0:45:24.200
<v Speaker 4>I don't have to be no banger or I don't

0:45:24.239 --> 0:45:26.400
<v Speaker 4>have to wound why I'm gonna be sports.

0:45:28.000 --> 0:45:29.680
<v Speaker 1>It's kind of hard, you get me.

0:45:30.000 --> 0:45:33.600
<v Speaker 4>My son turned and he had a choice of not

0:45:33.719 --> 0:45:37.880
<v Speaker 4>to become a Larussell or MC eight or whatever, because

0:45:38.280 --> 0:45:41.640
<v Speaker 4>he had other choices. He grew up in the area

0:45:43.239 --> 0:45:48.239
<v Speaker 4>excuse me, where he wasn't faced with. You know, I'm

0:45:48.239 --> 0:45:52.200
<v Speaker 4>not going to the local elementary or junior high school,

0:45:52.520 --> 0:45:57.360
<v Speaker 4>you know, in in in Compton, I'm going to elementary

0:45:57.520 --> 0:46:02.000
<v Speaker 4>and in fucking h mirror, yetta, you get me. Uh,

0:46:02.880 --> 0:46:06.480
<v Speaker 4>there is no exposures. There might be a few wannabes,

0:46:06.920 --> 0:46:10.400
<v Speaker 4>you get me. It might be a few wannabes, But

0:46:10.680 --> 0:46:14.719
<v Speaker 4>as far as you know, walking home from school and

0:46:15.120 --> 0:46:19.279
<v Speaker 4>every fucking every fucking pole or empty house is hit

0:46:19.400 --> 0:46:23.000
<v Speaker 4>up with the neighborhood or or when I get off

0:46:23.040 --> 0:46:26.919
<v Speaker 4>the bus, the school bus, I'm walking through a through

0:46:26.960 --> 0:46:30.840
<v Speaker 4>an area where it's ten niggas on the block already

0:46:30.960 --> 0:46:34.880
<v Speaker 4>right now, niggas is influencing me because they know me,

0:46:35.160 --> 0:46:37.759
<v Speaker 4>you feel me. I live right down the street. So

0:46:37.800 --> 0:46:39.839
<v Speaker 4>it's gonna be some of that. Hey, my nigga, come

0:46:39.880 --> 0:46:43.200
<v Speaker 4>hang on, Well, what's up? WoT you want that influence?

0:46:43.640 --> 0:46:47.760
<v Speaker 4>So a lot of the rappers are already, like you said,

0:46:48.200 --> 0:46:54.239
<v Speaker 4>they already influenced or affiliated just by association of where

0:46:54.280 --> 0:46:57.920
<v Speaker 4>I'm staying. So now all these niggas who go in

0:46:58.239 --> 0:47:01.080
<v Speaker 4>at home and going nigga ride, they kitchen with a

0:47:01.160 --> 0:47:05.080
<v Speaker 4>computer and a motherfucker go with shit, nigga, let's become

0:47:05.160 --> 0:47:08.120
<v Speaker 4>the crew and let's start rapping. But now all they

0:47:08.200 --> 0:47:11.600
<v Speaker 4>raps want to be you know, beefing or fuck your

0:47:11.719 --> 0:47:14.960
<v Speaker 4>neighborhood or or who is this nigga? What does this

0:47:15.040 --> 0:47:18.040
<v Speaker 4>nigga say he from? Or he a rapper from from

0:47:18.080 --> 0:47:22.279
<v Speaker 4>that section. That's automatic beef. You get me. It ain't

0:47:22.320 --> 0:47:25.960
<v Speaker 4>even own no motherfucking record. Shit, it's just automatic beef

0:47:26.000 --> 0:47:29.520
<v Speaker 4>because that nigga's a rapper from that section. So you

0:47:29.640 --> 0:47:33.759
<v Speaker 4>got fucked up choices that. And then when, like I said,

0:47:33.800 --> 0:47:35.879
<v Speaker 4>when you see a lot of niggas who still want

0:47:35.880 --> 0:47:40.640
<v Speaker 4>to be gang affiliated because they feel like I got

0:47:40.680 --> 0:47:45.120
<v Speaker 4>to you feel me, they don't have that mind stay up. Well,

0:47:45.160 --> 0:47:47.600
<v Speaker 4>I really don't have to do that shit, you get me.

0:47:47.840 --> 0:47:54.600
<v Speaker 1>I know, I heard a little cat say one day,

0:47:54.640 --> 0:47:56.359
<v Speaker 1>and this really tripped me. I heard a little dude

0:47:56.480 --> 0:48:02.440
<v Speaker 1>tell me one day, man, I want a dialect mean,

0:48:02.560 --> 0:48:04.320
<v Speaker 1>I said, what do you mean you want to doubt? Listen?

0:48:04.320 --> 0:48:06.960
<v Speaker 1>He said, Man, I want to go out. He said,

0:48:06.960 --> 0:48:08.800
<v Speaker 1>I want to go out like gigga.

0:48:08.840 --> 0:48:13.480
<v Speaker 4>It was, it was, it was, It was a rite

0:48:13.520 --> 0:48:17.879
<v Speaker 4>of passage back in my time to you know, get

0:48:17.960 --> 0:48:21.920
<v Speaker 4>arrested and go to places like ya or or you know,

0:48:22.080 --> 0:48:23.680
<v Speaker 4>wayside or whatever.

0:48:24.120 --> 0:48:25.840
<v Speaker 1>That was right of passage if you was.

0:48:25.840 --> 0:48:29.360
<v Speaker 4>A motherfucking young hood nigga, Nigga, you finish, go do

0:48:29.480 --> 0:48:32.040
<v Speaker 4>some time, Nigga, they finish sing you the Ya.

0:48:32.280 --> 0:48:32.560
<v Speaker 1>Nigga.

0:48:32.600 --> 0:48:36.160
<v Speaker 4>You come home like the motherfucking super gang banger you getting.

0:48:37.000 --> 0:48:40.520
<v Speaker 4>That's the respect you get. And some of us like

0:48:40.719 --> 0:48:44.600
<v Speaker 4>just life talking to the HOMEI rich, Yeah, Nigga, Shit, Nigga,

0:48:44.600 --> 0:48:47.680
<v Speaker 4>I thought like nigg I thought that was everything, nigga

0:48:48.000 --> 0:48:50.600
<v Speaker 4>to get arrested and then go do some time and

0:48:50.640 --> 0:48:53.120
<v Speaker 4>then be up in the county and shit like nigga

0:48:53.120 --> 0:48:53.840
<v Speaker 4>where you from?

0:48:54.120 --> 0:48:55.440
<v Speaker 1>Telling nigga where you from?

0:48:55.520 --> 0:48:59.120
<v Speaker 4>And ship now niggas nigga, nigga we official, So man,

0:48:59.239 --> 0:49:02.120
<v Speaker 4>that was everything. As some mothersfuckers knowing is dumb as

0:49:02.120 --> 0:49:06.480
<v Speaker 4>fuck you in jail, But that that was your connection, nigga.

0:49:06.560 --> 0:49:09.640
<v Speaker 1>And it's crazy, man, because these little kids today, Man,

0:49:09.719 --> 0:49:12.759
<v Speaker 1>I swear to God forever. The Russell what's the other

0:49:12.800 --> 0:49:17.040
<v Speaker 1>brother's name with the dreads, Man, it's out there. It's

0:49:17.080 --> 0:49:19.600
<v Speaker 1>a couple of positive cash that's moving, man. But I'm

0:49:19.600 --> 0:49:22.160
<v Speaker 1>gonna tell you that the main draw is the beef. Man.

0:49:22.239 --> 0:49:24.319
<v Speaker 1>Look at it, now, Look at this, look look at

0:49:24.320 --> 0:49:27.640
<v Speaker 1>the whole shit with social media. Now, man, we've allowed

0:49:27.680 --> 0:49:30.279
<v Speaker 1>motherfuckers that don't have no place in the culture to

0:49:30.320 --> 0:49:32.840
<v Speaker 1>come in and be real taste makers up in his bigs.

0:49:32.960 --> 0:49:34.719
<v Speaker 1>They just don't came up in hip hop and kicked

0:49:34.719 --> 0:49:37.279
<v Speaker 1>their feet up on the table everything else and their

0:49:37.360 --> 0:49:40.280
<v Speaker 1>opinion matter. They'll say some shit and have three thousand

0:49:40.320 --> 0:49:43.279
<v Speaker 1>of the motherfuckers retweeting that shit. And these motherfuckers don't

0:49:43.320 --> 0:49:44.800
<v Speaker 1>know the first thing about hip hop.

0:49:46.760 --> 0:49:49.560
<v Speaker 5>Yeah, and then and then it's like we forget who

0:49:49.600 --> 0:49:53.239
<v Speaker 5>to be gangster own because it's like, all right, why

0:49:53.680 --> 0:49:55.640
<v Speaker 5>they get to come inside the house and hip hop,

0:49:55.920 --> 0:49:59.600
<v Speaker 5>kick their feet up, make all the money and disrespect everybody.

0:50:00.160 --> 0:50:02.160
<v Speaker 1>And keep more shit going in a little bit. Man,

0:50:02.440 --> 0:50:04.919
<v Speaker 1>if you look at the climate that's going on our dog,

0:50:05.640 --> 0:50:08.520
<v Speaker 1>it's like, dudes don't replace women as the number one

0:50:08.560 --> 0:50:12.480
<v Speaker 1>gossip columnists. Every podcast out there is on some gosp.

0:50:12.280 --> 0:50:16.280
<v Speaker 3>And shit, yeah, mossap Man, gossip.

0:50:16.239 --> 0:50:19.200
<v Speaker 1>Man, gossip Man. And I don't know if you get

0:50:19.320 --> 0:50:22.399
<v Speaker 1>much worse than that. And it's some shit out there,

0:50:22.400 --> 0:50:25.279
<v Speaker 1>crook that can get, They can really get motherfuckers hurt.

0:50:26.160 --> 0:50:30.120
<v Speaker 5>Yeah, dog, this camera on this phone, who this a

0:50:30.200 --> 0:50:31.080
<v Speaker 5>motherfucker boy?

0:50:31.640 --> 0:50:32.320
<v Speaker 4>You know what I'm.

0:50:32.120 --> 0:50:34.960
<v Speaker 1>Saying it is, And I think that's the thing today, man.

0:50:35.040 --> 0:50:38.040
<v Speaker 1>I just think these kids got so much more shit to,

0:50:38.680 --> 0:50:42.520
<v Speaker 1>so many more distractions, so many more ways to get eliminated, man,

0:50:43.280 --> 0:50:45.880
<v Speaker 1>and they just I'm gonna tell you, this shit is addictive.

0:50:45.960 --> 0:50:49.279
<v Speaker 1>I've seen grown ass men going this motherfucking lite like

0:50:49.400 --> 0:50:52.120
<v Speaker 1>Boldfaced Live just to get some clicks and views, like like.

0:50:52.560 --> 0:50:56.960
<v Speaker 5>Of course, yeah, niggas used to come in the barbershop line,

0:50:57.239 --> 0:51:01.000
<v Speaker 5>get some pretention the motherfucker YouTube doing it.

0:51:02.480 --> 0:51:04.440
<v Speaker 1>And I think just one person, it's a whole lot

0:51:04.480 --> 0:51:08.239
<v Speaker 1>of people, man, And it's like beef is driving everything out. Man.

0:51:08.280 --> 0:51:11.120
<v Speaker 1>You know, the title's gotta be more slationious and everything else.

0:51:11.400 --> 0:51:14.080
<v Speaker 1>So I guess at the end of the day, Drake

0:51:14.200 --> 0:51:16.600
<v Speaker 1>and Kendrick go both benefit from this shit, man, a

0:51:16.640 --> 0:51:19.920
<v Speaker 1>great deal, because shit, Kendry, don't put this shit up

0:51:19.920 --> 0:51:22.200
<v Speaker 1>on streaming site, so already you don't have this, Like

0:51:22.280 --> 0:51:24.040
<v Speaker 1>I think he had like five million views in the

0:51:24.040 --> 0:51:25.200
<v Speaker 1>first hour or some shit.

0:51:25.120 --> 0:51:28.360
<v Speaker 3>Like that, number one on Apple right now.

0:51:29.719 --> 0:51:34.799
<v Speaker 4>I mean, people just like I said, people unfortunate. We

0:51:34.920 --> 0:51:39.000
<v Speaker 4>as black people too. We love some shit, love some

0:51:39.080 --> 0:51:43.320
<v Speaker 4>bullsh some shit. We love to see some bitches duking

0:51:43.400 --> 0:51:47.879
<v Speaker 4>it out. We love to see some niggas shooting at

0:51:47.880 --> 0:51:50.640
<v Speaker 4>each other or beefing or talking shit to each other.

0:51:51.200 --> 0:51:54.319
<v Speaker 4>We love to see another the next motherfucker, you know,

0:51:55.480 --> 0:52:01.040
<v Speaker 4>put the next motherfucker down. It's like it feeds some motherfucker.

0:52:01.160 --> 0:52:04.120
<v Speaker 4>You get me, like, man, I can't wait to see

0:52:04.160 --> 0:52:07.439
<v Speaker 4>a motherfucker kick So and Soul's ass, or I can't

0:52:07.520 --> 0:52:09.759
<v Speaker 4>wait to see what's so and so got to say

0:52:09.800 --> 0:52:11.160
<v Speaker 4>about motherfucking or.

0:52:11.520 --> 0:52:13.080
<v Speaker 1>Just like we couldn't wait for this shit.

0:52:13.680 --> 0:52:17.239
<v Speaker 4>Man, I can't wait to see what Drake say about Kendrick.

0:52:17.680 --> 0:52:20.160
<v Speaker 4>Now it's like I can't wait to see what Kendrick

0:52:20.239 --> 0:52:27.640
<v Speaker 4>say about Drake. And unfortunately, you know, it's it's gloves off.

0:52:27.920 --> 0:52:30.600
<v Speaker 1>You say something. He's saying something about the homies, old

0:52:30.680 --> 0:52:32.359
<v Speaker 1>lady to us, gloves off.

0:52:33.080 --> 0:52:37.160
<v Speaker 4>It's gloves off though, because now at the end of

0:52:37.200 --> 0:52:40.239
<v Speaker 4>the day, it's still all about numbers. I don't give

0:52:40.239 --> 0:52:45.640
<v Speaker 4>a fuck you get in this day and age, it's

0:52:45.640 --> 0:52:48.640
<v Speaker 4>all about numbers right now. How many more can I

0:52:48.760 --> 0:52:50.200
<v Speaker 4>stream than you?

0:52:50.200 --> 0:52:50.960
<v Speaker 1>You get me.

0:52:51.280 --> 0:52:53.719
<v Speaker 4>It's gotten to the point to where you, like you said,

0:52:53.800 --> 0:52:58.600
<v Speaker 4>you would think that you would have the respect of

0:52:58.960 --> 0:53:01.520
<v Speaker 4>like you know, well, I ain't gonna say nothing about

0:53:01.560 --> 0:53:04.479
<v Speaker 4>your mama or your kids, you know. I think that's

0:53:04.600 --> 0:53:07.719
<v Speaker 4>kind of the you know what we had as far

0:53:07.760 --> 0:53:11.480
<v Speaker 4>as the cold, but there is no cold today. When

0:53:11.480 --> 0:53:18.360
<v Speaker 4>it comes to the value of a stream, you get me, shit, nigga,

0:53:18.360 --> 0:53:22.000
<v Speaker 4>if this motherfucker finna give me ten million more streams

0:53:22.080 --> 0:53:24.799
<v Speaker 4>than hey, I'm gonna talk about your kids, I'm gonna

0:53:24.800 --> 0:53:28.040
<v Speaker 4>talk about your mama, your girlfriends. I'm gonna talk about

0:53:28.080 --> 0:53:30.440
<v Speaker 4>it all because people is waiting to listen it, they

0:53:30.560 --> 0:53:31.160
<v Speaker 4>waiting to hear.

0:53:31.440 --> 0:53:33.520
<v Speaker 1>Well, man, I'm gonna tell you this, and this is

0:53:33.560 --> 0:53:36.640
<v Speaker 1>what people don't know. I was talking to the homie

0:53:36.680 --> 0:53:39.920
<v Speaker 1>top Dog last night, you know, dude, though you know

0:53:40.239 --> 0:53:43.640
<v Speaker 1>here Tde and you know, me and him was just talking. Man.

0:53:43.680 --> 0:53:46.120
<v Speaker 1>We didn't talk talk very little about this shit. But

0:53:46.880 --> 0:53:48.839
<v Speaker 1>one thing that he did say is that Kate out

0:53:48.920 --> 0:53:51.879
<v Speaker 1>is his family and he don't appreciate cats using his name.

0:53:53.120 --> 0:53:55.279
<v Speaker 1>You feel what I mean to even in senorate, any

0:53:55.360 --> 0:53:58.959
<v Speaker 1>kind of disrespect, you know, right, So so he wasn't

0:53:58.960 --> 0:53:59.400
<v Speaker 1>cool with that.

0:54:00.239 --> 0:54:03.440
<v Speaker 4>Well that's what dude's gonna do. Like I said, uh,

0:54:03.600 --> 0:54:07.719
<v Speaker 4>nothing is off the table. You feel nothing, Nothing is

0:54:07.760 --> 0:54:10.520
<v Speaker 4>off the table. I don't give a fuck. And then,

0:54:10.719 --> 0:54:14.720
<v Speaker 4>like you said, a lot of a lot of situations,

0:54:16.200 --> 0:54:21.800
<v Speaker 4>money brings uh uh courage, you get me. Money brings

0:54:21.880 --> 0:54:27.360
<v Speaker 4>that motherfucking that that green courage, that that that blue face,

0:54:27.480 --> 0:54:31.400
<v Speaker 4>or that green dollar. Might a motherfucker feel invincible, So

0:54:32.280 --> 0:54:35.719
<v Speaker 4>find the exactly. But that's a lot of people, you know,

0:54:35.960 --> 0:54:37.840
<v Speaker 4>a lot of people who sit on a stack of

0:54:37.880 --> 0:54:41.080
<v Speaker 4>money or feel they're untouchable because you know, I got

0:54:41.080 --> 0:54:46.000
<v Speaker 4>a billion dollars, nigga, you can't touch me. So nothing

0:54:46.080 --> 0:54:49.000
<v Speaker 4>is off the table for some dudes. Uh, That's what

0:54:49.080 --> 0:54:55.400
<v Speaker 4>I said. Everything is is, it's everything. When a motherfucker

0:54:55.480 --> 0:55:00.359
<v Speaker 4>respects you, you feel me, loyalty takes you nowhere. Man,

0:55:01.760 --> 0:55:07.000
<v Speaker 4>respect half motherfucker's not trying you really as they know

0:55:07.120 --> 0:55:11.440
<v Speaker 4>what you're about at this point. Like I said, at

0:55:11.480 --> 0:55:13.960
<v Speaker 4>the end of the day, it's all about the numbers.

0:55:14.440 --> 0:55:18.400
<v Speaker 4>It's all about the dollar sign and the numbers. Because

0:55:18.480 --> 0:55:21.680
<v Speaker 4>niggas feel like they can say whatever you're giving me,

0:55:21.800 --> 0:55:24.160
<v Speaker 4>I'm gonna say whatever for a laugh or a joke

0:55:24.360 --> 0:55:25.200
<v Speaker 4>or a download.

0:55:27.160 --> 0:55:31.000
<v Speaker 3>Absolutely I want to know this. I want to know

0:55:33.360 --> 0:55:41.400
<v Speaker 3>do we need more great records? Are we lacking great

0:55:41.600 --> 0:55:43.719
<v Speaker 3>records that can do.

0:55:43.800 --> 0:55:47.040
<v Speaker 5>As much streams as a disc record, that could get

0:55:47.040 --> 0:55:51.359
<v Speaker 5>as much attention as much love? Are we lacking those

0:55:51.480 --> 0:55:58.000
<v Speaker 5>great records? Like could could those great records kind of shifted?

0:55:58.960 --> 0:56:00.920
<v Speaker 3>Disfing and beefing ain't nowhere? We know that.

0:56:01.400 --> 0:56:05.920
<v Speaker 5>But I'm just saying, like, more great records coming from artists,

0:56:05.960 --> 0:56:11.240
<v Speaker 5>I mean global fucking great ass records like shit Niggas

0:56:11.239 --> 0:56:16.920
<v Speaker 5>straight up minutes. That motherfucker is a great fucking classic record,

0:56:17.360 --> 0:56:23.040
<v Speaker 5>dear Mama, great fucking classic record. If some of these

0:56:23.080 --> 0:56:25.960
<v Speaker 5>guys that are going at it with each other, if

0:56:26.000 --> 0:56:31.320
<v Speaker 5>they start concentrating on making great classic records, will that

0:56:31.680 --> 0:56:35.839
<v Speaker 5>shit the game somewhat?

0:56:37.480 --> 0:56:40.720
<v Speaker 1>You know what? I think, Krook, That's an interesting question,

0:56:41.239 --> 0:56:44.920
<v Speaker 1>and I've asked myself that before. I just think that

0:56:44.960 --> 0:56:47.959
<v Speaker 1>we in the ara man to where people to get

0:56:48.000 --> 0:56:52.720
<v Speaker 1>somebody's attention is so difficult nowadays that you almost gotta

0:56:52.760 --> 0:56:55.839
<v Speaker 1>be some doing some bullshit. It's like every corner you

0:56:55.880 --> 0:56:58.960
<v Speaker 1>go around, somebody got something going on. Right. If you

0:56:59.040 --> 0:57:02.399
<v Speaker 1>walk outside and you can see somebody fighting fighting, ain't

0:57:02.400 --> 0:57:04.400
<v Speaker 1>gonna be as shocking as it normally would because you

0:57:04.440 --> 0:57:06.799
<v Speaker 1>see it every day, right so, I think dudes is

0:57:06.880 --> 0:57:09.439
<v Speaker 1>just going over the top right now. I think they're

0:57:09.440 --> 0:57:13.600
<v Speaker 1>doing it because they almost have to. That's what I

0:57:13.600 --> 0:57:14.120
<v Speaker 1>don't think.

0:57:14.280 --> 0:57:20.280
<v Speaker 4>I don't think motherfuckers are influenced by making great records.

0:57:20.560 --> 0:57:23.280
<v Speaker 4>The females want to tell you they got the best pussy,

0:57:23.320 --> 0:57:24.960
<v Speaker 4>and the niggas want to tell you they got the

0:57:25.000 --> 0:57:30.200
<v Speaker 4>biggest wallets. Nobody wants to concentrate on just making good music.

0:57:30.720 --> 0:57:34.480
<v Speaker 4>If you get me, the females are all one. The

0:57:34.600 --> 0:57:37.120
<v Speaker 4>females want to let you know, Hey, nigga, I got

0:57:37.160 --> 0:57:41.240
<v Speaker 4>the best pussy, And then the niggas want to go, hey, nigga.

0:57:41.000 --> 0:57:42.480
<v Speaker 1>I got the biggest wallet.

0:57:42.880 --> 0:57:46.920
<v Speaker 4>Look at my Look at my motherfucking chinchilla covered G

0:57:47.160 --> 0:57:48.080
<v Speaker 4>five nigga.

0:57:48.200 --> 0:57:49.720
<v Speaker 1>You get me, you feel me?

0:57:51.240 --> 0:57:54.800
<v Speaker 4>And every bitch is comparing themselves and compete of who

0:57:54.840 --> 0:57:57.480
<v Speaker 4>got the best puss. Nough bitch, my pussy is the

0:57:57.760 --> 0:58:00.960
<v Speaker 4>no bitch, I got the best pussy over he's real, bitch,

0:58:01.080 --> 0:58:03.640
<v Speaker 4>I got the best pussy. You feel me, because that's

0:58:03.680 --> 0:58:05.720
<v Speaker 4>all the records really are sustained about.

0:58:05.960 --> 0:58:08.200
<v Speaker 1>You give me, what was you gonna say?

0:58:08.240 --> 0:58:12.000
<v Speaker 5>Crook well shit, they got it. They got something else

0:58:12.040 --> 0:58:14.880
<v Speaker 5>to worry about the minute, Like.

0:58:16.240 --> 0:58:19.320
<v Speaker 4>All they care about right now is niggas is like, nigger,

0:58:19.520 --> 0:58:22.680
<v Speaker 4>look at this big ass wallet I got. Nigga about

0:58:22.680 --> 0:58:25.600
<v Speaker 4>Wiley's so big I had to break that motherfucker head

0:58:25.640 --> 0:58:26.520
<v Speaker 4>on the toe truck.

0:58:26.560 --> 0:58:29.240
<v Speaker 1>Nigga about wallet is so big, man, I'm gonna tell you,

0:58:29.280 --> 0:58:31.200
<v Speaker 1>and I ain't gonna say his name because he wanted

0:58:31.200 --> 0:58:35.120
<v Speaker 1>the homies. He told me straight up, he said, well,

0:58:35.720 --> 0:58:37.680
<v Speaker 1>Hendrick can't win as better because he ain't got as

0:58:37.760 --> 0:58:40.960
<v Speaker 1>much money as Drake. It's all about the wilet And

0:58:41.040 --> 0:58:43.480
<v Speaker 1>I said, dogs, So you really just judging all this

0:58:43.600 --> 0:58:44.160
<v Speaker 1>based on.

0:58:44.280 --> 0:58:47.520
<v Speaker 4>Yeah, because it's gonna turn It's not even gonna be

0:58:47.720 --> 0:58:52.200
<v Speaker 4>about the lyrics. It's gonna be about who's the flossiest,

0:58:52.560 --> 0:58:56.400
<v Speaker 4>and everybody you know that. You know, mister Man is flossy.

0:58:56.880 --> 0:59:00.640
<v Speaker 4>You know, Kendrick not too flassy. Mister Man is flossy.

0:59:00.960 --> 0:59:05.240
<v Speaker 4>So at the end of the day, people are more fascinated.

0:59:06.760 --> 0:59:11.160
<v Speaker 4>People are more fascinated with your motherfucking pocket change. You

0:59:11.320 --> 0:59:14.160
<v Speaker 4>get me, don't They don't give a fucking you know,

0:59:14.480 --> 0:59:16.920
<v Speaker 4>Oh man, this nigga put out one of the dopest

0:59:17.080 --> 0:59:21.000
<v Speaker 4>records of No niggas are more fascinated with how much

0:59:21.160 --> 0:59:25.880
<v Speaker 4>money your motherfucker got. And you know that's the that's

0:59:25.920 --> 0:59:29.880
<v Speaker 4>that's the that's what motherfucker's impressed is off of. You know,

0:59:29.920 --> 0:59:33.880
<v Speaker 4>they're impressed off of the pocketbook, not the lyrical skills.

0:59:33.920 --> 0:59:40.400
<v Speaker 4>They're impressed off the pocketbook. Wow, yep. And guess what.

0:59:41.320 --> 0:59:43.560
<v Speaker 5>Guess what's gonna wipe their ass out in a minute,

0:59:43.960 --> 0:59:45.200
<v Speaker 5>Ai nigga.

0:59:46.000 --> 0:59:50.040
<v Speaker 1>Hell ya, it's coming, bro, Well it's here. What fuck

0:59:50.120 --> 0:59:50.920
<v Speaker 1>you think? Kids?

0:59:51.400 --> 0:59:56.120
<v Speaker 4>Pressed because a motherfucker can rap good? No motherfucker impressed

0:59:56.160 --> 0:59:57.560
<v Speaker 4>because the motherfuckering nigga.

0:59:57.600 --> 1:00:01.800
<v Speaker 1>This nigga rich, he's rich.

1:00:03.080 --> 1:00:07.760
<v Speaker 4>Kendrick, don't portray that even though he got bread, my nigga,

1:00:07.800 --> 1:00:10.600
<v Speaker 4>don't portray the you get me. Yeah, he not flos,

1:00:10.640 --> 1:00:15.000
<v Speaker 4>he not you know, he not onto Rodge rolled up.

1:00:15.200 --> 1:00:20.360
<v Speaker 4>You know, you know, all the pieces on and you

1:00:20.400 --> 1:00:22.880
<v Speaker 4>know in the middle of the club, you know, with

1:00:23.000 --> 1:00:26.960
<v Speaker 4>a hundred thousand and ones and you know, like you

1:00:27.560 --> 1:00:31.200
<v Speaker 4>I'm I'm gonna rent out of baseball stadium to take

1:00:31.240 --> 1:00:35.560
<v Speaker 4>a bitch to dinner and shit like that. He not

1:00:35.680 --> 1:00:39.520
<v Speaker 4>doing all that money. But money impresses a lot of motherfuckers.

1:00:39.600 --> 1:00:41.440
<v Speaker 1>Yeah. Yeah, the hommy told me that though though he

1:00:41.480 --> 1:00:44.520
<v Speaker 1>said with dat, he said he ain't got the bridge,

1:00:44.640 --> 1:00:46.840
<v Speaker 1>rake gut, he said, Drake get a million dollars a show.

1:00:47.040 --> 1:00:48.000
<v Speaker 1>He can't compete with that.

1:00:48.560 --> 1:00:50.920
<v Speaker 4>Like I said, some people are impressed with the money,

1:00:51.320 --> 1:00:55.480
<v Speaker 4>and some people are impressed with just true the true artists,

1:00:56.040 --> 1:00:56.760
<v Speaker 4>the true.

1:00:56.640 --> 1:00:59.360
<v Speaker 1>Artists that the motherfucker is. You get me.

1:01:00.800 --> 1:01:07.000
<v Speaker 4>When those evils don't infatuate you know, motherfucker like, oh man,

1:01:07.080 --> 1:01:10.360
<v Speaker 4>I gotta go have my own plane, or I gotta

1:01:10.440 --> 1:01:14.840
<v Speaker 4>have thirty thousand platinum watches and I gotta have a

1:01:14.920 --> 1:01:18.360
<v Speaker 4>watch worth two million dollars and shit like that. You know,

1:01:19.080 --> 1:01:22.959
<v Speaker 4>you're impressing motherfuckers that will never be able to have shit. Yeah,

1:01:23.000 --> 1:01:25.919
<v Speaker 4>for real, Why you gotta impress a motherfucker that will

1:01:26.000 --> 1:01:28.880
<v Speaker 4>never be able to have the shit? Yeah, that's great,

1:01:29.080 --> 1:01:34.800
<v Speaker 4>just as normal and motherfuckers will be satisfied. But you know, hey, crook, Yeah,

1:01:34.920 --> 1:01:35.880
<v Speaker 4>let me ask you this, bro.

1:01:36.400 --> 1:01:38.880
<v Speaker 1>You being one of them dudes man that you know,

1:01:38.920 --> 1:01:42.080
<v Speaker 1>put a lot into his lyricism, have you ever had

1:01:42.120 --> 1:01:43.640
<v Speaker 1>one of those labels tell you that you need to

1:01:43.720 --> 1:01:44.600
<v Speaker 1>dumb your shit down?

1:01:44.600 --> 1:01:51.440
<v Speaker 3>So absolutely, But you know what I'm saying, like.

1:01:54.000 --> 1:01:56.400
<v Speaker 5>I had it all broke, i'd have been on three

1:01:56.480 --> 1:01:59.720
<v Speaker 5>or four major labels. So I done dealt with all

1:02:00.200 --> 1:02:03.600
<v Speaker 5>all of that type of shit. Motherfucker come in and say, well, hey,

1:02:04.880 --> 1:02:07.680
<v Speaker 5>maybe you should make a song like this, you know,

1:02:07.760 --> 1:02:11.400
<v Speaker 5>and play whatever the latest dumb down hit is. You

1:02:11.440 --> 1:02:14.480
<v Speaker 5>know what I'm saying, I done have niggas tell me

1:02:15.080 --> 1:02:19.400
<v Speaker 5>that they did the research and if you say the

1:02:19.520 --> 1:02:24.080
<v Speaker 5>same word at least forty five times on the record.

1:02:24.880 --> 1:02:27.240
<v Speaker 3>That it's more likely to hit.

1:02:28.920 --> 1:02:32.680
<v Speaker 5>And try to make all the formulas that they can make,

1:02:33.600 --> 1:02:36.120
<v Speaker 5>and you know that's what they do.

1:02:36.680 --> 1:02:40.120
<v Speaker 3>And uh, you know, I.

1:02:40.160 --> 1:02:42.960
<v Speaker 5>Done brought them some things that I thought was crazy,

1:02:44.120 --> 1:02:46.960
<v Speaker 5>and it was like, nah, that's you gotta go talk

1:02:47.000 --> 1:02:49.720
<v Speaker 5>about some bitches in the clubs, some big boty bitches,

1:02:49.760 --> 1:02:52.640
<v Speaker 5>and we need to hear you talking about popping bottles

1:02:52.680 --> 1:02:55.480
<v Speaker 5>and you know, all that type of shit. And I'm like,

1:02:55.600 --> 1:02:59.480
<v Speaker 5>you know, I can use my imagination and do that,

1:02:59.560 --> 1:03:00.720
<v Speaker 5>But when I was young, I'm.

1:03:00.560 --> 1:03:03.280
<v Speaker 3>Like, Nigga, I'm not living like that. So I'm rapping

1:03:03.320 --> 1:03:05.880
<v Speaker 3>about what I'm living because that's what I seen.

1:03:06.440 --> 1:03:08.720
<v Speaker 5>The niggas who are hung they posters up on my

1:03:08.800 --> 1:03:12.640
<v Speaker 5>little fucking wall in my shackle. That's what they was doing.

1:03:12.960 --> 1:03:16.440
<v Speaker 5>So but yeah, you got an RS. They used to

1:03:16.480 --> 1:03:18.160
<v Speaker 5>do that, you know what I'm saying. So I had

1:03:18.200 --> 1:03:21.200
<v Speaker 5>to carve my own lane, you know what I'm saying.

1:03:21.440 --> 1:03:23.400
<v Speaker 5>I had to say, all right, since I'm not gonna

1:03:23.400 --> 1:03:26.240
<v Speaker 5>play by their rules, i gotta get off of their

1:03:26.320 --> 1:03:27.840
<v Speaker 5>motherfucking game board.

1:03:28.160 --> 1:03:31.400
<v Speaker 3>And go independent, and I gotta go and.

1:03:31.360 --> 1:03:34.480
<v Speaker 5>Create my own community that's gonna support the art I

1:03:34.560 --> 1:03:38.479
<v Speaker 5>want to put out because I'm not playing the game.

1:03:39.280 --> 1:03:40.200
<v Speaker 3>I tried it too.

1:03:40.480 --> 1:03:43.880
<v Speaker 5>I had a couple joints, one with a con on

1:03:43.960 --> 1:03:44.920
<v Speaker 5>it when he was hot.

1:03:45.280 --> 1:03:46.440
<v Speaker 3>I had another joint.

1:03:47.320 --> 1:03:50.680
<v Speaker 5>Then motherfuckers wanted like two hundred and fifty to break

1:03:50.720 --> 1:03:51.240
<v Speaker 5>the record.

1:03:51.600 --> 1:03:56.280
<v Speaker 1>Yeah, couse money to break the motherfucking records, a million dollars.

1:03:56.840 --> 1:04:00.720
<v Speaker 3>So I'm like, yo, you know what, I'm just doing

1:04:00.760 --> 1:04:01.360
<v Speaker 3>my own way.

1:04:01.480 --> 1:04:04.360
<v Speaker 5>I always been that way though, you feel me like

1:04:04.520 --> 1:04:07.120
<v Speaker 5>I always I'm never.

1:04:06.960 --> 1:04:09.959
<v Speaker 3>Scared to turn turn the corner on what everybody else

1:04:10.040 --> 1:04:12.560
<v Speaker 3>doing and do my own shit. That's what I had

1:04:12.560 --> 1:04:12.880
<v Speaker 3>to do.

1:04:13.640 --> 1:04:17.560
<v Speaker 5>And you know, now, that's basically where the game is

1:04:17.600 --> 1:04:19.760
<v Speaker 5>at for independent artists now. The shit that I was

1:04:19.800 --> 1:04:23.120
<v Speaker 5>doing ten fifteen years ago. That's what everybody is doing

1:04:23.120 --> 1:04:26.360
<v Speaker 5>now to survive. They got social media platforms, They building

1:04:26.400 --> 1:04:27.760
<v Speaker 5>their own communities up.

1:04:27.920 --> 1:04:30.640
<v Speaker 3>They selling their own communities directly to the consumer.

1:04:31.080 --> 1:04:36.160
<v Speaker 5>CDs, motherfucking vinyls, motherfucking T shirts and hoodies and hats

1:04:36.200 --> 1:04:38.640
<v Speaker 5>and all that shit. See, I've been doing that. That's

1:04:38.680 --> 1:04:42.680
<v Speaker 5>how I stayed here this long, you feel me. But

1:04:43.720 --> 1:04:47.000
<v Speaker 5>now that streaming is only paying zero zero zero point

1:04:47.040 --> 1:04:50.240
<v Speaker 5>three cents on a dollar, now, a lot of people

1:04:50.240 --> 1:04:53.240
<v Speaker 5>are saying, damn, I need to be doing this. You

1:04:53.320 --> 1:04:56.120
<v Speaker 5>know this, so they taking up that business model. But

1:04:56.600 --> 1:05:01.200
<v Speaker 5>business models change. Used to be cassettes, then it became CDs,

1:05:01.320 --> 1:05:02.320
<v Speaker 5>and it became streams.

1:05:02.360 --> 1:05:03.760
<v Speaker 3>It's about to become something else.

1:05:04.280 --> 1:05:06.360
<v Speaker 5>So I just think that on an artist, they need

1:05:06.400 --> 1:05:10.040
<v Speaker 5>to get ready for what's coming because it's about to change.

1:05:10.080 --> 1:05:10.200
<v Speaker 1>Bro.

1:05:10.360 --> 1:05:12.240
<v Speaker 3>It ain't gonna matter what kind of rap you make it.

1:05:12.240 --> 1:05:14.880
<v Speaker 5>I don't care if you're lyrical, I don't care if

1:05:14.880 --> 1:05:17.840
<v Speaker 5>you're not. You feel me is about to change again,

1:05:17.920 --> 1:05:19.320
<v Speaker 5>and I hope niggas is ready.

1:05:20.160 --> 1:05:23.160
<v Speaker 1>Yeah, well, man, I appreciate you coming on here, manic

1:05:23.200 --> 1:05:24.560
<v Speaker 1>shopping up with us to night. Man.

1:05:25.520 --> 1:05:29.080
<v Speaker 5>Hey man, you know anytime, man, you know what I'm

1:05:29.080 --> 1:05:31.800
<v Speaker 5>saying I'm going to gainst the chronicles. Man, it's King Crooked,

1:05:32.000 --> 1:05:33.520
<v Speaker 5>east Side Long Beach hip Hop.

1:05:33.800 --> 1:05:39.040
<v Speaker 1>You feel me certified certified. You heard me? All right

1:05:39.120 --> 1:05:40.280
<v Speaker 1>then dog, I'm money.

1:05:41.920 --> 1:05:44.280
<v Speaker 3>All right, My brothers, y'all be safe. Piece and blessing

1:05:44.360 --> 1:05:46.040
<v Speaker 3>to y'all and the family one love.

1:05:48.880 --> 1:05:50.000
<v Speaker 1>Well it was King Crooked.

1:05:50.040 --> 1:05:50.240
<v Speaker 3>Man.

1:05:50.320 --> 1:05:53.040
<v Speaker 1>Yeah, I really hope this shit don't go to a

1:05:53.080 --> 1:05:57.240
<v Speaker 1>place dog to go beyond rap because it hasn't fair

1:05:57.400 --> 1:05:59.040
<v Speaker 1>too well with other communities.

1:05:59.080 --> 1:06:05.320
<v Speaker 4>Man when it came to just funking with the West. Nah,

1:06:05.560 --> 1:06:14.280
<v Speaker 4>Like I said, I don't, I don't particularly uh speak

1:06:14.400 --> 1:06:20.920
<v Speaker 4>on people's or whatever they call themselves doing. You know,

1:06:21.000 --> 1:06:26.880
<v Speaker 4>if it's dissing or it's beefing, whatever it is, that's

1:06:27.000 --> 1:06:31.720
<v Speaker 4>just anywhere man. You know, when pride is involved, you know,

1:06:32.480 --> 1:06:34.720
<v Speaker 4>and then you got people on the side, you know,

1:06:34.840 --> 1:06:37.760
<v Speaker 4>you know, you don't know what can happen. So m hm,

1:06:38.560 --> 1:06:40.960
<v Speaker 4>you know, you just gotta be careful when it comes

1:06:41.000 --> 1:06:47.120
<v Speaker 4>to disagreements and hip hop as far as artists is concerned,

1:06:47.160 --> 1:06:57.880
<v Speaker 4>because we've seen a lot of negativity generated from dudes

1:06:58.000 --> 1:07:02.520
<v Speaker 4>beefing and hip hop and just gives us a bad

1:07:02.680 --> 1:07:08.760
<v Speaker 4>name on just trying to create, you know, music and

1:07:08.960 --> 1:07:15.760
<v Speaker 4>just have a voice for our type of lifestyle.

1:07:16.120 --> 1:07:16.720
<v Speaker 3>You get me.

1:07:18.680 --> 1:07:23.320
<v Speaker 4>A lot of us use this platform to speak to

1:07:23.360 --> 1:07:27.640
<v Speaker 4>the masses of people to explain of where we come

1:07:27.720 --> 1:07:30.280
<v Speaker 4>from and the walks of life we've been through.

1:07:31.000 --> 1:07:32.320
<v Speaker 1>And it just it's just, you.

1:07:32.240 --> 1:07:38.280
<v Speaker 4>Know, it turns into negativity because you know, niggas pride

1:07:38.360 --> 1:07:41.920
<v Speaker 4>get involved, and some niggas want to stick their chest

1:07:41.960 --> 1:07:43.760
<v Speaker 4>out and show how tough they are.

1:07:46.840 --> 1:07:47.600
<v Speaker 1>Unfortunate.

1:07:47.800 --> 1:07:51.760
<v Speaker 4>You know, football teams beef, but the end of the game,

1:07:51.840 --> 1:07:53.440
<v Speaker 4>they don't be out there scrapping.

1:07:53.600 --> 1:07:54.400
<v Speaker 1>Most of the time.

1:07:55.160 --> 1:07:58.840
<v Speaker 4>You might got one or two personal issues, but you know,

1:08:00.800 --> 1:08:03.479
<v Speaker 4>usually you can shake them. Mother Usually you can shake

1:08:03.480 --> 1:08:05.560
<v Speaker 4>a motherfucker hand after competition.

1:08:06.000 --> 1:08:07.720
<v Speaker 1>You get me like that.

1:08:07.840 --> 1:08:10.400
<v Speaker 4>Even in a boxing match, you can beat each other's

1:08:10.440 --> 1:08:14.400
<v Speaker 4>asses for ten to twelve rounds and then once that

1:08:14.600 --> 1:08:19.320
<v Speaker 4>being bean go uh, you usually can congratulate a nigga,

1:08:19.400 --> 1:08:24.320
<v Speaker 4>hug it up, shake it up. You know whatever. Hip

1:08:24.320 --> 1:08:29.599
<v Speaker 4>hop is different. Like I said, a lot of niggas

1:08:29.600 --> 1:08:35.639
<v Speaker 4>are street affiliated, even the dudes who call themselves you know,

1:08:36.640 --> 1:08:39.920
<v Speaker 4>not those type of artists. You give me, yeah, and

1:08:39.960 --> 1:08:42.320
<v Speaker 4>it seemed like you know a lot of artists now

1:08:42.320 --> 1:08:45.720
<v Speaker 4>who gang banging? Who wants to claim gangs and you

1:08:45.760 --> 1:08:51.000
<v Speaker 4>know want stuff, wants to affiliate themselves with gangs. N

1:08:51.080 --> 1:08:54.240
<v Speaker 4>I said that singers included ain't just hip hop dudes.

1:08:54.280 --> 1:08:59.439
<v Speaker 1>You get me, This.

1:08:59.600 --> 1:09:04.600
<v Speaker 4>Life dollars is fascinating to a lot of motherfuckers.

1:09:04.600 --> 1:09:04.800
<v Speaker 1>Man.

1:09:05.439 --> 1:09:08.320
<v Speaker 4>Putting that red or blue rag in your back pocket, man,

1:09:08.360 --> 1:09:11.000
<v Speaker 4>it's fascinating motherfuckers.

1:09:11.000 --> 1:09:11.240
<v Speaker 1>Man.

1:09:11.320 --> 1:09:14.120
<v Speaker 4>And you know, a nigga come from the other side

1:09:14.120 --> 1:09:17.920
<v Speaker 4>of the motherfucking planet and he wants to be affiliated

1:09:17.960 --> 1:09:19.160
<v Speaker 4>with this lifestyle.

1:09:19.320 --> 1:09:22.240
<v Speaker 1>Man, it's just until he see it's a full time job.

1:09:22.800 --> 1:09:26.880
<v Speaker 4>So you know, I'll just watch yourselves man out there,

1:09:27.080 --> 1:09:30.240
<v Speaker 4>Like I said, Uh, it's a different it's a different

1:09:30.360 --> 1:09:33.960
<v Speaker 4>day or different Uh, it's a different time when it comes.

1:09:34.000 --> 1:09:39.240
<v Speaker 4>Like I said, sports motherfuckers, you got other motherfucker all

1:09:39.320 --> 1:09:43.920
<v Speaker 4>kind of different different entities that motherfuckers do. And at

1:09:43.960 --> 1:09:46.080
<v Speaker 4>the end of the day, you know, that's just what

1:09:46.120 --> 1:09:48.719
<v Speaker 4>it is. You know, you have a nice day or whatever.

1:09:51.439 --> 1:09:55.000
<v Speaker 4>We have ties to the streets, man, with this hip

1:09:55.040 --> 1:09:57.559
<v Speaker 4>hop shit, and a lot of niggas still want to

1:09:57.960 --> 1:10:02.679
<v Speaker 4>you know, feel like, uh, their association to the streets

1:10:02.800 --> 1:10:05.800
<v Speaker 4>is everything, man, So I don't give a fuck. If

1:10:05.840 --> 1:10:09.840
<v Speaker 4>I'm if I'm crooning a bitch or serenading a bitch,

1:10:10.040 --> 1:10:12.479
<v Speaker 4>I'm gonna turn around the mall nigga telling nigga this

1:10:12.560 --> 1:10:14.640
<v Speaker 4>is so and so, and this is this nigga. I

1:10:15.520 --> 1:10:17.760
<v Speaker 4>clang crip of blood and we gonna get it on,

1:10:18.120 --> 1:10:21.080
<v Speaker 4>you know. Yeah, y'all just gotta be careful out there.

1:10:21.160 --> 1:10:21.400
<v Speaker 1>Man.

1:10:21.600 --> 1:10:26.679
<v Speaker 4>You you there's nothing to play with when it's beef.

1:10:26.720 --> 1:10:28.920
<v Speaker 4>And you know when you when you can when it

1:10:29.000 --> 1:10:29.840
<v Speaker 4>can turn left.

1:10:30.160 --> 1:10:34.160
<v Speaker 1>Y'all had a homeboy, man, whose son? What's going around

1:10:34.640 --> 1:10:37.840
<v Speaker 1>spray painting? You know, catch names straight payton catch He

1:10:37.960 --> 1:10:40.599
<v Speaker 1>was marking cat's hoods up. Man. They killed that boy.

1:10:41.439 --> 1:10:44.040
<v Speaker 4>Yeah, it's it's it's treacherous man. So y'all just be

1:10:44.160 --> 1:10:47.960
<v Speaker 4>careful with what y'all doing, man, and that sitting on

1:10:48.000 --> 1:10:50.559
<v Speaker 4>that note, man, Y'll make sure. May y'all subscribe to

1:10:50.600 --> 1:10:54.120
<v Speaker 4>the channel, man, you know, hit that subscribe button, leave

1:10:54.160 --> 1:10:55.599
<v Speaker 4>a comment, and we out of here.

1:10:56.200 --> 1:10:56.320
<v Speaker 3>Ye.

1:10:57.560 --> 1:11:00.559
<v Speaker 1>Well, that concludes another episode of Against the Chronicles podcast.

1:11:00.640 --> 1:11:02.920
<v Speaker 1>Be sure to download the iHeart app and subscribe to

1:11:02.960 --> 1:11:06.160
<v Speaker 1>The Gangster Chronicles podcast For Apple users, find a purple

1:11:06.240 --> 1:11:08.240
<v Speaker 1>mica on the front of your screen. Subscribe to the show,

1:11:08.360 --> 1:11:11.200
<v Speaker 1>leave a comment and rating. Executive producers for The gangst

1:11:11.320 --> 1:11:14.280
<v Speaker 1>Chronicles podcasts of Norman Steel Aaron m c a Tyler.

1:11:14.600 --> 1:11:17.240
<v Speaker 1>Our visual media director is Brian Wyatt, and our audio

1:11:17.320 --> 1:11:20.240
<v Speaker 1>editors Tellor Hayes. The Gangster Chronicles is a production of

1:11:20.280 --> 1:11:23.840
<v Speaker 1>iHeartMedia Network and The Black Effect Podcast Network. For more

1:11:23.880 --> 1:11:27.080
<v Speaker 1>podcasts from iHeart Radio, visit the iHeart Radio app Apple

1:11:27.120 --> 1:11:29.320
<v Speaker 1>Podcasts Wherever you're listening to your podcasts