1
00:00:11,080 --> 00:00:13,640
Speaker 1: Boom, Have no fear. The Iron rep Reports Stereo podcast

2
00:00:13,720 --> 00:00:16,360
Speaker 1: is here. Higey have no fear. The Iron Repports Stereo

3
00:00:16,440 --> 00:00:21,000
Speaker 1: podcast is here. But today's banging, brand new Iron Reports

4
00:00:21,000 --> 00:00:25,440
Speaker 1: Stereo podcast, The Young Shooter Deuce Pacino Deuce Collins is

5
00:00:25,520 --> 00:00:28,480
Speaker 1: with me and you do not want to miss Iron

6
00:00:28,560 --> 00:00:32,720
Speaker 1: reviewing a sick fuck documentary called b as High that

7
00:00:32,880 --> 00:00:37,640
Speaker 1: is infuriating to watch the shooters talking about rewatching Quentin

8
00:00:37,720 --> 00:00:41,360
Speaker 1: Tarantino films. I'm sharing some unheard memories of working with

9
00:00:41,400 --> 00:00:45,200
Speaker 1: the gorgeous Uma Thurman on Beautiful Girls, the iconic movie

10
00:00:45,200 --> 00:00:47,680
Speaker 1: Beautiful Girls, and so much more, and a hard hitting,

11
00:00:48,360 --> 00:00:52,879
Speaker 1: museum quality MoMA. This should be in the moment. This

12
00:00:52,960 --> 00:00:55,840
Speaker 1: is a museum quality Iron Rapports Stereo podcast coming up

13
00:00:55,880 --> 00:00:58,800
Speaker 1: right now. Miles Jordan aka the Bleach Brothers aka the

14
00:00:58,880 --> 00:01:02,440
Speaker 1: Dust Brothers. Start this puppy for something real nice. Start

15
00:01:02,480 --> 00:01:04,720
Speaker 1: this puppy over something real down, but most up, only

16
00:01:04,959 --> 00:01:07,920
Speaker 1: start this puppy over for something real funky. This is

17
00:01:07,959 --> 00:01:34,560
Speaker 1: the Iron Rapperport Stereo podcast. Let's fucking go. Have no

18
00:01:34,600 --> 00:01:38,440
Speaker 1: fear of the Iron Rapport stereo podcasts here. Have no fear.

19
00:01:38,520 --> 00:01:42,319
Speaker 1: The I Am Rapaport Stereo podcast is Intosa in the

20
00:01:42,360 --> 00:01:46,199
Speaker 1: Place to be. Boom, Welcome, Welcome to the Iron Dome

21
00:01:46,240 --> 00:01:51,240
Speaker 1: of Disruption. Welcome to the Zigny Zone of Disruption. Name

22
00:01:51,320 --> 00:01:54,320
Speaker 1: is Michael rappaport Ak, the Gringo Man Dingo Ak, the

23
00:01:54,400 --> 00:01:59,000
Speaker 1: inflamed Ashkenazi. Now I'm rocking with the very very best,

24
00:01:59,040 --> 00:02:04,360
Speaker 1: the I Am RAP Stereo podcast in the house, rocking

25
00:02:04,480 --> 00:02:13,240
Speaker 1: and rolling. You heard him sniff. Let's just jump right

26
00:02:13,280 --> 00:02:13,720
Speaker 1: into it.

27
00:02:13,960 --> 00:02:14,600
Speaker 2: Boom.

28
00:02:15,480 --> 00:02:19,800
Speaker 1: Deuce Colins, Deuce Pacino, Deuce Cuddles is with us today.

29
00:02:19,840 --> 00:02:24,880
Speaker 1: What a surprise? Want a surprise? What an honor to

30
00:02:25,000 --> 00:02:31,280
Speaker 1: have Deuce Pacino aka Deuce Collins aka Dean Collins aka

31
00:02:31,680 --> 00:02:37,360
Speaker 1: the Young Shooter with us today. How are you, Dean?

32
00:02:38,560 --> 00:02:42,720
Speaker 2: Yes, brother, feeling good? Man, feeling good. I feel like

33
00:02:42,760 --> 00:02:45,920
Speaker 2: it's been I mean, it feels like it's been months.

34
00:02:45,919 --> 00:02:47,720
Speaker 2: But I mean I was on this podcast probably like

35
00:02:47,720 --> 00:02:49,800
Speaker 2: two weeks ago, but it feels for some reason, like

36
00:02:50,000 --> 00:02:52,560
Speaker 2: a really long time. Well, you look, you look like

37
00:02:52,840 --> 00:02:55,359
Speaker 2: you look like you've had a rough a rough night.

38
00:02:55,480 --> 00:02:58,720
Speaker 2: I know, we don't start. Don't start the podcast like that.

39
00:02:58,960 --> 00:03:02,720
Speaker 2: I don't look there's no roughness about me. I look fine.

40
00:03:02,760 --> 00:03:05,359
Speaker 2: I think you make me feel like I don't look good.

41
00:03:05,440 --> 00:03:07,680
Speaker 2: You make me feel like I'm looking rough. I wish

42
00:03:07,680 --> 00:03:09,560
Speaker 2: we had live feed of how I am.

43
00:03:09,680 --> 00:03:13,959
Speaker 1: We got live feed, my friend, we got live where

44
00:03:14,000 --> 00:03:16,560
Speaker 1: this is gonna go? Yeah, yeah, yeah, yeah, we're putting

45
00:03:16,560 --> 00:03:18,920
Speaker 1: this up. I didn't realize that because I would have.

46
00:03:18,960 --> 00:03:19,280
Speaker 1: I would have.

47
00:03:19,480 --> 00:03:21,040
Speaker 2: I'm not saying I look rough, but I you know,

48
00:03:21,080 --> 00:03:23,760
Speaker 2: I would have put some moisturizer on. Maybe maybe would

49
00:03:23,800 --> 00:03:25,760
Speaker 2: have done something different to my hair. But I don't

50
00:03:25,760 --> 00:03:28,600
Speaker 2: look rough. You look rough. It looks like you might

51
00:03:28,639 --> 00:03:31,239
Speaker 2: have had a kind of a crazy night as well.

52
00:03:31,400 --> 00:03:35,160
Speaker 1: But I'm feeling good. Feel I feel good, real saint,

53
00:03:35,120 --> 00:03:38,560
Speaker 1: excuse me, feel real good, real safe, real Say you

54
00:03:38,640 --> 00:03:40,320
Speaker 1: look like you went twelve rounds.

55
00:03:40,560 --> 00:03:44,480
Speaker 2: Humm, no, no, but you know that's okay. We could

56
00:03:44,520 --> 00:03:46,960
Speaker 2: agree to disagree on that. And uh, I haven't seen

57
00:03:47,000 --> 00:03:48,440
Speaker 2: you on on a live feed in a couple of

58
00:03:48,480 --> 00:03:52,720
Speaker 2: weeks either. Have you been eating pretty well lately? You

59
00:03:52,760 --> 00:03:55,720
Speaker 2: look like you've been eating pretty well. I just meant

60
00:03:55,720 --> 00:03:56,440
Speaker 2: like you look healthy.

61
00:03:56,560 --> 00:03:59,840
Speaker 1: That's not gonna fucking stay in that that ship.

62
00:04:00,080 --> 00:04:02,080
Speaker 2: I'm not trying to talking about right there.

63
00:04:02,760 --> 00:04:05,080
Speaker 1: I look good, motherfucker. What are you talking about?

64
00:04:05,480 --> 00:04:08,120
Speaker 2: I'm just I'm saying, you look like you've been eating good,

65
00:04:08,120 --> 00:04:11,360
Speaker 2: which is a good thing, because in previous months it

66
00:04:11,360 --> 00:04:12,880
Speaker 2: looked like you needed to put on some weight and

67
00:04:13,040 --> 00:04:15,280
Speaker 2: it looks like you finally got that weight up.

68
00:04:15,320 --> 00:04:18,919
Speaker 1: And suck you. Fuck you, man, fuck you.

69
00:04:20,160 --> 00:04:22,279
Speaker 2: It's okay, but what else is going on? Man?

70
00:04:22,680 --> 00:04:24,840
Speaker 1: See, this is why when people go, oh, you need

71
00:04:24,920 --> 00:04:26,960
Speaker 1: to be nice to him, A lot of times people

72
00:04:27,000 --> 00:04:28,760
Speaker 1: say that you need, you should be nice to him.

73
00:04:29,240 --> 00:04:33,320
Speaker 1: And I'm glad we caught that. I'm glad we caught

74
00:04:33,360 --> 00:04:37,080
Speaker 1: that because no, no, I don't need to be nice

75
00:04:37,080 --> 00:04:39,240
Speaker 1: to him. I don't need to be nice to him.

76
00:04:39,440 --> 00:04:43,719
Speaker 1: He's a motherfucker, is what he is. He's a little motherfucker.

77
00:04:44,440 --> 00:04:47,240
Speaker 1: Nobody needs to be nice to this guy. This guy

78
00:04:47,560 --> 00:04:50,560
Speaker 1: is like little smiley motherfuckers. What that is?

79
00:04:50,680 --> 00:04:53,000
Speaker 2: Fucked man? Okay, you came out the gate swinging. I

80
00:04:53,480 --> 00:04:56,080
Speaker 2: had a good attitude, and I just I don't appreciate it.

81
00:04:56,120 --> 00:05:02,440
Speaker 2: So I'm just saying you look fatter, not fat. That's

82
00:05:02,480 --> 00:05:04,599
Speaker 2: the wrong word. Not fatter. I didn't mean fat.

83
00:05:04,600 --> 00:05:04,960
Speaker 1: I didn't.

84
00:05:05,000 --> 00:05:07,280
Speaker 2: That's the wrong word. I didn't. I didn't mean fatter.

85
00:05:07,800 --> 00:05:09,960
Speaker 1: You said it. You keep saying it, You keep using

86
00:05:09,960 --> 00:05:11,920
Speaker 1: that word, and you ain't talking about like fat like

87
00:05:12,520 --> 00:05:13,679
Speaker 1: p a pH fad.

88
00:05:13,760 --> 00:05:16,599
Speaker 2: That's what I meant you, yo. I'm trying to bring

89
00:05:16,640 --> 00:05:18,000
Speaker 2: that back, is what I was trying to do, because

90
00:05:18,000 --> 00:05:19,800
Speaker 2: a lot of people haven't been using that lately. So

91
00:05:21,080 --> 00:05:21,880
Speaker 2: but let's just move on.

92
00:05:21,960 --> 00:05:23,880
Speaker 1: How's your fucking hair? Man?

93
00:05:24,240 --> 00:05:24,480
Speaker 2: My hair?

94
00:05:24,520 --> 00:05:26,800
Speaker 1: We're doing a pin. You look like you were doing

95
00:05:26,839 --> 00:05:28,960
Speaker 1: like a tumbling class. So did you take a tumbling

96
00:05:28,960 --> 00:05:29,680
Speaker 1: class before?

97
00:05:30,760 --> 00:05:33,080
Speaker 2: Sure? You're you're right. I could have done something different.

98
00:05:33,240 --> 00:05:34,840
Speaker 2: I just woke up. It's a three hour it's a

99
00:05:34,880 --> 00:05:37,880
Speaker 2: three hour fucking time difference. There, you're enjoying it.

100
00:05:38,040 --> 00:05:42,280
Speaker 1: Only knew how early it actually was. I mean, how

101
00:05:42,360 --> 00:05:48,080
Speaker 1: how the day has started the day like? Anyway, Sorry

102
00:05:48,120 --> 00:05:51,120
Speaker 1: to get off on that rocky start, that's okay, not you,

103
00:05:51,279 --> 00:05:53,479
Speaker 1: not you. I wasn't saying to you. I was talking

104
00:05:53,480 --> 00:05:55,360
Speaker 1: to the fans when I said, sorry to get off

105
00:05:55,360 --> 00:05:58,320
Speaker 1: on such a rocky start. That was for the fans.

106
00:05:58,400 --> 00:06:01,200
Speaker 1: That wasn't for you. That was not for you.

107
00:06:02,600 --> 00:06:06,159
Speaker 2: Okay, I won't I won't take it for me. I

108
00:06:06,160 --> 00:06:12,480
Speaker 2: guess you're still on strike, right, You're you're on strike.

109
00:06:13,560 --> 00:06:17,680
Speaker 1: The actors are on strike, the writers are on strike.

110
00:06:17,680 --> 00:06:21,400
Speaker 1: Today's day fifty of the strike. It's day one hundred

111
00:06:21,440 --> 00:06:28,159
Speaker 1: and something of the Writer's Strike. And I don't know, man.

112
00:06:28,160 --> 00:06:34,640
Speaker 1: I was on a SAG meeting yesterday and I don't

113
00:06:34,680 --> 00:06:38,760
Speaker 1: have anything fantastic to report. Let's just put it that way, right,

114
00:06:38,920 --> 00:06:42,200
Speaker 1: which sucks. I'm on strike, but I am on tour.

115
00:06:42,880 --> 00:06:45,360
Speaker 1: I'm on strike, but I am on tour. I am

116
00:06:45,480 --> 00:06:48,280
Speaker 1: doing stand up comedy and I will be in Salt

117
00:06:48,360 --> 00:06:50,159
Speaker 1: Lake City, if you could believe it or not. I

118
00:06:50,200 --> 00:06:54,960
Speaker 1: will be in Salt Lake City next week, the seventh,

119
00:06:55,120 --> 00:06:57,720
Speaker 1: the eighth, and the ninth, the seventh, eighth, and ninth

120
00:06:57,760 --> 00:07:01,680
Speaker 1: of September, and then I will be in Stanford, Connecticut

121
00:07:01,680 --> 00:07:06,080
Speaker 1: the fourteenth, fifteenth, and sixteenth, and then the twenty first,

122
00:07:06,080 --> 00:07:08,520
Speaker 1: twenty second, twenty third, I'll be in San Diego at

123
00:07:08,520 --> 00:07:12,600
Speaker 1: American Comedy Club, and then the following week I will

124
00:07:12,640 --> 00:07:17,080
Speaker 1: be in Pittsburgh four weekends. It's September. But Salt Lake City,

125
00:07:17,600 --> 00:07:21,240
Speaker 1: Uh here, I come salt and a lot of people like,

126
00:07:21,280 --> 00:07:24,680
Speaker 1: you're going to Utah. I'm like, yeah, I'm going to Utah, motherfucker.

127
00:07:25,120 --> 00:07:27,400
Speaker 1: And it's gonna be great shows because I know there's

128
00:07:27,480 --> 00:07:30,400
Speaker 1: great people in Utah and we're gonna have a good

129
00:07:30,400 --> 00:07:33,840
Speaker 1: time and all tickets all information is available at Michael

130
00:07:33,920 --> 00:07:38,920
Speaker 1: Rappaport Comedy dot com. Are you coming to Utah? No?

131
00:07:39,000 --> 00:07:40,760
Speaker 2: You know, you know I'm not coming to Utah this

132
00:07:40,800 --> 00:07:44,080
Speaker 2: time around, fucking asshole. You. I'm just I'm not. I'm

133
00:07:44,120 --> 00:07:47,120
Speaker 2: not coming this time and it's it's short notice for me,

134
00:07:47,240 --> 00:07:48,360
Speaker 2: but it isn't short.

135
00:07:48,360 --> 00:07:50,360
Speaker 1: It's short notice that you're you're putting it out of

136
00:07:50,360 --> 00:07:52,880
Speaker 1: here on the podcast. We've been talking about you coming

137
00:07:52,920 --> 00:07:55,120
Speaker 1: to Salt Lake City for fucking weeks.

138
00:07:55,560 --> 00:07:58,000
Speaker 2: Man, we haven't talking about me coming to Salt Lake

139
00:07:58,000 --> 00:07:59,680
Speaker 2: City for weeks. I'm coming to the next one. I'm

140
00:07:59,680 --> 00:08:01,800
Speaker 2: coming to San Diego. When you're coming out here to

141
00:08:01,840 --> 00:08:04,960
Speaker 2: the West Coast. I'm coming to San Diego. That's fine,

142
00:08:05,000 --> 00:08:06,400
Speaker 2: you know, I don't you know, I don't want to

143
00:08:06,440 --> 00:08:08,720
Speaker 2: go to Salt Lake City to be rid. It' kind

144
00:08:08,760 --> 00:08:11,640
Speaker 2: a problem with Salt Lake City because I'm expecting great.

145
00:08:11,360 --> 00:08:13,360
Speaker 1: Shows in Salt Lake City. I love the people of

146
00:08:13,400 --> 00:08:15,840
Speaker 1: Salt Lake City. I love the Real Housewives of Salt

147
00:08:15,880 --> 00:08:19,360
Speaker 1: Lake City. Excellent show. And I don't want to get

148
00:08:19,400 --> 00:08:21,880
Speaker 1: to anybody too excited. But some of the Real Housewives

149
00:08:21,920 --> 00:08:24,760
Speaker 1: of Salt Lake City, may or may not be at

150
00:08:24,760 --> 00:08:28,040
Speaker 1: my shows the seventh, eighth, and ninth at Wise Guy's

151
00:08:28,120 --> 00:08:33,360
Speaker 1: Comedy in Utah. I'm not confirming. I am not confirming anything,

152
00:08:33,800 --> 00:08:37,120
Speaker 1: but do not be surprised if boom, you see a

153
00:08:37,200 --> 00:08:40,560
Speaker 1: real housewife of Salt Lake City in the flesh, and

154
00:08:40,559 --> 00:08:43,640
Speaker 1: anybody that's ever seen a real housewife of anywhere or

155
00:08:43,640 --> 00:08:47,920
Speaker 1: in the flesh. It's like seeing Mickey Mouse or like

156
00:08:48,040 --> 00:08:51,840
Speaker 1: Barney or something that makes people happy. Whatever, Man, the

157
00:08:51,880 --> 00:08:56,160
Speaker 1: fucking Easter Bunny, Santa Claus. When you see them in

158
00:08:56,200 --> 00:08:59,880
Speaker 1: real life, it's like, oh shit, So I'm not show

159
00:09:00,520 --> 00:09:03,200
Speaker 1: she was? Was she a part of Salt Lake City? Genshaw?

160
00:09:03,559 --> 00:09:04,840
Speaker 1: Genshaw's in prison.

161
00:09:05,080 --> 00:09:06,800
Speaker 2: She's not getting out of prison to come to the show.

162
00:09:07,480 --> 00:09:10,240
Speaker 1: She will not be at my show. Genshaw will not

163
00:09:10,400 --> 00:09:13,800
Speaker 1: be at the the next round of shows in Salt

164
00:09:13,840 --> 00:09:18,640
Speaker 1: Lake City, unfortunately. But if anybody could somehow kind.

165
00:09:18,440 --> 00:09:21,000
Speaker 2: Of deal with the guards over there.

166
00:09:21,800 --> 00:09:23,840
Speaker 1: The guards, if the guards want to come, or if

167
00:09:23,880 --> 00:09:27,480
Speaker 1: you want to zoom it in there. Although Genshaw did

168
00:09:27,480 --> 00:09:30,720
Speaker 1: the crime and she's doing the time, she did give

169
00:09:31,160 --> 00:09:35,839
Speaker 1: me and the fans season after season of joy. That's

170
00:09:35,880 --> 00:09:40,120
Speaker 1: all I'm gonna say, stop fucking with your hair, Dean.

171
00:09:40,240 --> 00:09:41,880
Speaker 2: Well, now you got mean my head about it, so

172
00:09:41,920 --> 00:09:43,920
Speaker 2: I'm not trying to mess with your hair.

173
00:09:43,960 --> 00:09:46,480
Speaker 1: I know some of the people can't see you, but

174
00:09:46,640 --> 00:09:49,120
Speaker 1: don't do it. Don't stop fucking with your hair. It

175
00:09:49,200 --> 00:09:51,040
Speaker 1: is what it is. It's not gonna get any better

176
00:09:51,080 --> 00:09:53,040
Speaker 1: by you diggle and daggling with it.

177
00:09:53,240 --> 00:09:57,520
Speaker 2: All right, same with you. But anyway, motherfuck?

178
00:09:57,559 --> 00:09:59,480
Speaker 1: Are you so? Motherfucker?

179
00:09:59,720 --> 00:10:01,080
Speaker 2: What else? What else is new?

180
00:10:01,679 --> 00:10:02,719
Speaker 1: Little motherfucker?

181
00:10:03,640 --> 00:10:05,280
Speaker 2: What else is new with you? Because I haven't talked

182
00:10:05,280 --> 00:10:06,000
Speaker 2: to you in a little bit.

183
00:10:06,640 --> 00:10:13,800
Speaker 1: And well, I saw a documentary called BS High, which

184
00:10:13,920 --> 00:10:19,000
Speaker 1: I believe stance are bullshit high, which was this guy.

185
00:10:19,960 --> 00:10:21,920
Speaker 1: See most of the time when we have like the

186
00:10:22,000 --> 00:10:26,319
Speaker 1: sick fuck documentaries, it's like, you know people that are

187
00:10:26,440 --> 00:10:29,480
Speaker 1: murderers and stuff and that that that one hundred percent

188
00:10:30,960 --> 00:10:35,840
Speaker 1: is valid. There's a documentary. It's on HBO or HBO

189
00:10:35,960 --> 00:10:38,320
Speaker 1: Max or just Max. I don't know why they. Why

190
00:10:38,320 --> 00:10:42,320
Speaker 1: would change the name of h HBO's like Pepsi or

191
00:10:42,440 --> 00:10:45,280
Speaker 1: Nike or Adidas.

192
00:10:46,160 --> 00:10:49,080
Speaker 2: Why would you change your name from HBO to Max?

193
00:10:49,840 --> 00:10:51,880
Speaker 2: And it had one of the sickest intros with the

194
00:10:51,920 --> 00:10:54,600
Speaker 2: static TV. You always think of Curb Your Enthusiasm and

195
00:10:54,600 --> 00:10:57,240
Speaker 2: the Sopranos, And I don't know why they did that.

196
00:10:58,679 --> 00:11:02,959
Speaker 1: It's it's like toothpaste, like it's right. It's such a

197
00:11:03,000 --> 00:11:08,679
Speaker 1: brand that they've developed for forty years, forty plus fifty years.

198
00:11:08,800 --> 00:11:12,240
Speaker 1: It's gotta be fifty something years, probably forty something years,

199
00:11:12,840 --> 00:11:18,160
Speaker 1: HBO and they change it to Max. Nonetheless, this documentary

200
00:11:18,200 --> 00:11:21,280
Speaker 1: called BS High, which I believe stands for Bullshit High,

201
00:11:22,320 --> 00:11:29,000
Speaker 1: was so frustrating and so infuriating. And the main person,

202
00:11:29,080 --> 00:11:32,319
Speaker 1: who's the antagonist, and I guess the protagonist because he's

203
00:11:32,360 --> 00:11:38,240
Speaker 1: the whole thing, is such a piece of shit, scam artist,

204
00:11:38,520 --> 00:11:43,120
Speaker 1: double talking, watch your wallet, fucking don't give him your

205
00:11:43,200 --> 00:11:45,680
Speaker 1: phone number, don't give him your social Security number. Don't

206
00:11:45,679 --> 00:11:49,320
Speaker 1: tell this motherfucker where you live. He's such a piece

207
00:11:49,360 --> 00:11:56,199
Speaker 1: of shit, This guy who created this fake high school

208
00:11:56,240 --> 00:11:59,240
Speaker 1: football team, because he created a fake high school in

209
00:11:59,280 --> 00:12:04,040
Speaker 1: the state of Ohia, and the story got a lot

210
00:12:04,040 --> 00:12:10,280
Speaker 1: of publicity because his fake high school football team somehow,

211
00:12:10,400 --> 00:12:14,960
Speaker 1: someway we still haven't figured out, made its way to

212
00:12:15,320 --> 00:12:18,760
Speaker 1: ESPN to play against a prep school called IMG. IMG

213
00:12:18,960 --> 00:12:24,720
Speaker 1: is kind of like the UCLA or Michigan or the

214
00:12:24,840 --> 00:12:29,480
Speaker 1: USC of high school football. It's like the great high

215
00:12:29,480 --> 00:12:32,120
Speaker 1: school football program. They have all sorts of sports. There's

216
00:12:32,120 --> 00:12:34,040
Speaker 1: a lot of money involved. Blah blah blah blah blah

217
00:12:34,040 --> 00:12:37,280
Speaker 1: blah blah blah. This guy created a fake football team

218
00:12:37,800 --> 00:12:41,960
Speaker 1: with fake a fake high school, with a bunch of

219
00:12:41,960 --> 00:12:46,679
Speaker 1: fake high school students who were so taken advantage of,

220
00:12:46,800 --> 00:12:52,200
Speaker 1: so lied to, so betrayed by this double talking, fucking

221
00:12:53,520 --> 00:13:01,880
Speaker 1: con man, fucking literal like fucking nefarious, lick dick talking

222
00:13:02,080 --> 00:13:06,320
Speaker 1: piece of shit. And they made this documentary about him

223
00:13:07,160 --> 00:13:11,440
Speaker 1: and the school and the kids and the betrayal, and

224
00:13:11,480 --> 00:13:15,199
Speaker 1: it was so frustrating to watch because at the end

225
00:13:15,200 --> 00:13:17,160
Speaker 1: of it, and I don't want to give any spoiler alerts,

226
00:13:17,200 --> 00:13:19,680
Speaker 1: but I will, this piece of shit doesn't get what

227
00:13:19,760 --> 00:13:24,520
Speaker 1: he deserves. He hasn't gotten it as of the making

228
00:13:24,559 --> 00:13:28,559
Speaker 1: of the documentary. And this motherfucker was acting like he

229
00:13:28,760 --> 00:13:32,640
Speaker 1: was celebrated, like he doesn't understand that him being in

230
00:13:32,679 --> 00:13:34,920
Speaker 1: the documentary shows what kind of a.

231
00:13:34,840 --> 00:13:38,959
Speaker 2: Piece of shit he really is, which is he's talking

232
00:13:39,000 --> 00:13:39,280
Speaker 2: in it.

233
00:13:39,960 --> 00:13:42,360
Speaker 1: He's talking to the camera like I'm talking to the camera.

234
00:13:42,400 --> 00:13:46,640
Speaker 1: He's lit he participated in the documentary. So he sort

235
00:13:46,679 --> 00:13:50,600
Speaker 1: of snitched on himself, and he's such a I hate

236
00:13:50,600 --> 00:13:53,760
Speaker 1: this word because it's so overused in by your is

237
00:13:53,760 --> 00:13:54,720
Speaker 1: it are you gen X?

238
00:13:55,160 --> 00:13:58,400
Speaker 2: No, I'm jen I'm millennial or I'm a millennial?

239
00:13:58,840 --> 00:14:03,640
Speaker 1: Well you gen X millennials, they over use this word narcissist. Yeah,

240
00:14:03,679 --> 00:14:09,200
Speaker 1: And he's such a fucking narcissist, con man, bullshit, double

241
00:14:09,320 --> 00:14:13,720
Speaker 1: talking motherfucker. And you're just say, he's so frustrating to watch,

242
00:14:13,800 --> 00:14:16,800
Speaker 1: and you just hope at the end you see him

243
00:14:16,800 --> 00:14:21,760
Speaker 1: in handcuffs. And at one point they dug up everything,

244
00:14:21,800 --> 00:14:25,200
Speaker 1: the researchers on this, They got him on everything, and

245
00:14:25,360 --> 00:14:27,440
Speaker 1: at one point you thought he was gonna go to

246
00:14:27,520 --> 00:14:30,720
Speaker 1: jail because there were some accusations or charges of him

247
00:14:30,760 --> 00:14:34,760
Speaker 1: beating up a woman, beating up his girlfriend. And he's

248
00:14:34,840 --> 00:14:38,520
Speaker 1: just such a fucking con man, fucking I mean, taking

249
00:14:38,560 --> 00:14:42,440
Speaker 1: money from hotels, taking money from you know, churches, taking

250
00:14:42,440 --> 00:14:47,600
Speaker 1: money from the players, making them sign loans PPP loans,

251
00:14:47,640 --> 00:14:50,960
Speaker 1: and I just he's just a fucking piece as shit.

252
00:14:51,080 --> 00:14:53,560
Speaker 1: And the only time he shows any remorse is in

253
00:14:53,600 --> 00:14:57,960
Speaker 1: regards to himself, which is why like your generation millennials, Yeah,

254
00:14:58,040 --> 00:14:59,240
Speaker 1: what are you gen X? No?

255
00:14:59,720 --> 00:15:00,800
Speaker 2: I think you're gen X?

256
00:15:00,880 --> 00:15:03,000
Speaker 1: Are your baby I mean, I'm not a fucking gen X.

257
00:15:03,440 --> 00:15:05,960
Speaker 1: We don't have something for my my you do? You

258
00:15:06,040 --> 00:15:10,800
Speaker 1: definitely do. I think what we have for me? You're

259
00:15:10,880 --> 00:15:13,280
Speaker 1: you're baby boomer. I'm millennial. And then there's I'm not

260
00:15:13,320 --> 00:15:17,400
Speaker 1: a fucking baby boomer. I'm not a boomer. I'm not

261
00:15:17,480 --> 00:15:19,880
Speaker 1: a baby boomer and gen X you're gen X.

262
00:15:20,080 --> 00:15:22,360
Speaker 2: Okay, then I guess I'm jen Was this guy? Was

263
00:15:22,400 --> 00:15:24,720
Speaker 2: this guy a football player or was he just no,

264
00:15:24,800 --> 00:15:27,600
Speaker 2: he never was a football player. He had dreams of

265
00:15:27,680 --> 00:15:31,760
Speaker 2: being a like a GM of a football team, and

266
00:15:32,320 --> 00:15:35,479
Speaker 2: now he showed himself to be the piece of shit.

267
00:15:35,520 --> 00:15:43,080
Speaker 1: Con man, slick dick, fucking smiling, bullshit artist. Mean, his

268
00:15:43,240 --> 00:15:46,479
Speaker 1: real nastiness comes out at one point in the documentary

269
00:15:46,520 --> 00:15:49,760
Speaker 1: when he refers to his football players as little n Wards.

270
00:15:49,800 --> 00:15:52,480
Speaker 1: He goes these little motherfucking Haywards and You're just like,

271
00:15:52,600 --> 00:15:56,480
Speaker 1: there you are, Yeah, there you are, and he just

272
00:15:57,160 --> 00:15:59,240
Speaker 1: he kind of reminded me a little bit of the

273
00:15:59,320 --> 00:16:03,440
Speaker 1: Denzel Whyton character and training day and you're just hoping,

274
00:16:03,600 --> 00:16:06,320
Speaker 1: like the end of the documentary is him in handcuffs

275
00:16:06,920 --> 00:16:10,880
Speaker 1: and like prison people are gonna find out, like, oh,

276
00:16:10,880 --> 00:16:15,200
Speaker 1: he took advantage of kids albeit they were young adults

277
00:16:15,240 --> 00:16:19,080
Speaker 1: seventeen eighteen, nineteen twenty year old kids, and he also

278
00:16:19,160 --> 00:16:21,360
Speaker 1: was accused of beating a woman. You just hope, like

279
00:16:21,560 --> 00:16:24,200
Speaker 1: this guy's gonna go to jail and fucking have all

280
00:16:24,240 --> 00:16:27,240
Speaker 1: sorts of consequences. And as of the end of the documentary,

281
00:16:27,280 --> 00:16:29,280
Speaker 1: the only thing I'm gonna say is is you don't

282
00:16:29,280 --> 00:16:32,400
Speaker 1: get that, and that's why it's so infuriating to watch.

283
00:16:32,440 --> 00:16:35,680
Speaker 1: But it has nothing to do with football, Like that's

284
00:16:35,760 --> 00:16:39,920
Speaker 1: just the scam. I highly recommend it on HBO, which

285
00:16:40,000 --> 00:16:45,680
Speaker 1: used to be max Bs High. But you're gonna walk

286
00:16:45,720 --> 00:16:47,840
Speaker 1: away being fucking angry.

287
00:16:47,520 --> 00:16:49,280
Speaker 2: Yeah, because I now I know the outcome and I

288
00:16:49,320 --> 00:16:52,120
Speaker 2: know that he probably I mean maybe he did prison time,

289
00:16:52,160 --> 00:16:54,120
Speaker 2: maybe he didn't, but it doesn't sound like anything happened

290
00:16:54,120 --> 00:16:54,440
Speaker 2: to him.

291
00:16:54,480 --> 00:16:56,960
Speaker 1: So so you're not gonna watch it after I gave

292
00:16:57,000 --> 00:16:58,120
Speaker 1: that strong recommendation.

293
00:16:58,360 --> 00:17:00,440
Speaker 2: No, I'm just saying it's a that's frustrated to know

294
00:17:00,480 --> 00:17:01,440
Speaker 2: that going into it.

295
00:17:01,480 --> 00:17:04,320
Speaker 1: But are you gonna watch it or not?

296
00:17:04,400 --> 00:17:06,199
Speaker 2: I just yeah, yeah, I mean he just gave us

297
00:17:06,240 --> 00:17:08,240
Speaker 2: the whole review of it. I mean, I'll watch it

298
00:17:08,280 --> 00:17:11,720
Speaker 2: for sure, I'll definitely watch it. You're not doing me

299
00:17:12,880 --> 00:17:14,359
Speaker 2: or anybody else any favors.

300
00:17:14,680 --> 00:17:16,879
Speaker 1: The thing is is that it's a lack of respect, because,

301
00:17:16,880 --> 00:17:20,439
Speaker 1: to be honest with you, when you give a recommendation,

302
00:17:20,560 --> 00:17:22,879
Speaker 1: I go, well, Dean, I'll even tell my wife. I go, well,

303
00:17:22,920 --> 00:17:25,240
Speaker 1: Deane said is good, and I go his track record

304
00:17:25,280 --> 00:17:29,520
Speaker 1: is pretty solid. I am giving a recommend Excuse me,

305
00:17:30,560 --> 00:17:33,800
Speaker 1: I'm giving a recommendation and you're like fucking hoity toitying.

306
00:17:34,359 --> 00:17:37,520
Speaker 2: No, I'm saying, that's frustrating to know that nothing happens

307
00:17:37,520 --> 00:17:39,880
Speaker 2: to this fucking guy. I know I'm gonna watch it.

308
00:17:40,160 --> 00:17:42,200
Speaker 2: I'm definitely gonna watch it because I've heard about it too,

309
00:17:42,240 --> 00:17:44,679
Speaker 2: and I know that I'm gonna be frustrated knowing that

310
00:17:44,720 --> 00:17:48,359
Speaker 2: the guy has zero consequences happened and he's laughing around

311
00:17:48,400 --> 00:17:50,600
Speaker 2: in the documentary. I've seen the clips that you posted too.

312
00:17:50,960 --> 00:17:52,520
Speaker 2: I'm gonna watch it. It seems like there's a lot of

313
00:17:52,560 --> 00:17:54,920
Speaker 2: scam artist documentaries going on. Because then there was that

314
00:17:55,000 --> 00:17:58,040
Speaker 2: other documentary that you recommended which I watched, which was

315
00:17:58,880 --> 00:18:01,320
Speaker 2: The Telemarketers, which was also.

316
00:18:01,119 --> 00:18:03,800
Speaker 1: One too on Max formally known as HBO. Did you

317
00:18:03,800 --> 00:18:04,560
Speaker 1: finish that?

318
00:18:04,560 --> 00:18:07,680
Speaker 2: That was also really interesting? I mean, like the subject

319
00:18:07,720 --> 00:18:11,600
Speaker 2: matter of them being telemarketers isn't the most entertaining thing

320
00:18:11,640 --> 00:18:15,080
Speaker 2: in the world. But the characters in that documentary are

321
00:18:15,240 --> 00:18:18,159
Speaker 2: so wild, and what happens at that call center is

322
00:18:18,160 --> 00:18:21,359
Speaker 2: so crazy. I mean, they got like convicted felons and

323
00:18:21,400 --> 00:18:24,399
Speaker 2: criminals and drug addicts and all sorts of people working there.

324
00:18:24,440 --> 00:18:25,439
Speaker 2: They're like, it's one big gar.

325
00:18:25,720 --> 00:18:27,680
Speaker 1: Sorry, I'm sorry. Is there any way you could put

326
00:18:27,720 --> 00:18:31,119
Speaker 1: that cat in a cage? No, don't that, that's your

327
00:18:31,200 --> 00:18:34,280
Speaker 1: cat's just meander through the shot. He lives here, this

328
00:18:34,359 --> 00:18:36,760
Speaker 1: is his house. What do you mean he's his food's

329
00:18:36,760 --> 00:18:37,120
Speaker 1: over there.

330
00:18:37,200 --> 00:18:40,760
Speaker 2: But he's in the backgrounds. If you weren't hurting anybody, you.

331
00:18:40,760 --> 00:18:42,600
Speaker 1: Don't have a cage or like like a box you

332
00:18:42,600 --> 00:18:43,119
Speaker 1: could put it in.

333
00:18:43,160 --> 00:18:45,320
Speaker 2: Now, I'm not putting him in a box. Don't say that.

334
00:18:45,480 --> 00:18:48,160
Speaker 2: Don't say that. You're You're across the fucking world over there.

335
00:18:48,359 --> 00:18:52,600
Speaker 2: I'm here. He's not bothering you. It's fine, don't don't

336
00:18:52,600 --> 00:18:53,840
Speaker 2: pay attention to him.

337
00:18:54,280 --> 00:18:58,119
Speaker 1: Is also also, you know, it's a podcast, so the

338
00:18:58,119 --> 00:19:01,480
Speaker 1: majority of the Iron wrap Port stereo pot cast fans

339
00:19:01,560 --> 00:19:04,920
Speaker 1: are listening and they can't see and trust me, if

340
00:19:04,920 --> 00:19:08,960
Speaker 1: they could see you, they wouldn't. It's not like you're surprised.

341
00:19:09,280 --> 00:19:12,359
Speaker 1: Maybe you get a light, you have a light light.

342
00:19:12,400 --> 00:19:15,160
Speaker 2: Getting fucking punch from every ag. I mean, since we've started,

343
00:19:15,200 --> 00:19:18,160
Speaker 2: I'm getting fucking left hooks, right hooks, uppercuts. I mean,

344
00:19:18,160 --> 00:19:20,520
Speaker 2: what the fuck I mean, I am trying. I came

345
00:19:20,560 --> 00:19:23,520
Speaker 2: in here with a good attitude. I woke up. I

346
00:19:23,560 --> 00:19:26,040
Speaker 2: woke up for it, which I'm happy to do because

347
00:19:26,040 --> 00:19:27,960
Speaker 2: it's it is an honor. It's always an honor sitting

348
00:19:28,000 --> 00:19:30,360
Speaker 2: in the seat and getting on the microphone and being

349
00:19:30,359 --> 00:19:33,320
Speaker 2: a part of this podcast. But I mean, listen, and

350
00:19:33,400 --> 00:19:35,520
Speaker 2: you know what, to be the bigger person, I take

351
00:19:35,560 --> 00:19:38,800
Speaker 2: it back. You have not gotten fatter. You just hurt

352
00:19:38,800 --> 00:19:41,000
Speaker 2: my feelings and so I had to try and jab

353
00:19:41,040 --> 00:19:42,919
Speaker 2: you with something that I knew would hurt you. And

354
00:19:43,000 --> 00:19:45,800
Speaker 2: that was not the right approach. And this is me

355
00:19:45,880 --> 00:19:48,080
Speaker 2: being a bigger person saying, you know what, it sucks

356
00:19:48,119 --> 00:19:50,080
Speaker 2: because I do think that you you do look good

357
00:19:50,280 --> 00:19:51,920
Speaker 2: and you'd have a nice glow about you, and I

358
00:19:51,920 --> 00:19:53,920
Speaker 2: think that's because you've been out out out at the beach.

359
00:19:53,960 --> 00:19:56,280
Speaker 2: We've seen your stories of you sitting by the sand,

360
00:19:56,800 --> 00:19:59,320
Speaker 2: and but I mean, goddamn, also.

361
00:19:59,119 --> 00:20:02,080
Speaker 1: With wait wait wait wait wait wait, wait time Sorry

362
00:20:02,440 --> 00:20:06,320
Speaker 1: sorry to interrupt you. Are you saying that I have

363
00:20:06,440 --> 00:20:07,159
Speaker 1: put on weight.

364
00:20:07,040 --> 00:20:09,600
Speaker 2: Around you haven't. I'm saying you haven't put on the phone.

365
00:20:09,600 --> 00:20:12,400
Speaker 2: So you said that I put on weight to hurt me. Yeah,

366
00:20:12,400 --> 00:20:16,879
Speaker 2: I try, because you hurt me, because you hurt.

367
00:20:16,359 --> 00:20:18,280
Speaker 1: Because I said Number one, you look like shit.

368
00:20:18,840 --> 00:20:19,640
Speaker 2: Number right.

369
00:20:20,320 --> 00:20:22,479
Speaker 1: One of the reasons why you look like shit is

370
00:20:22,520 --> 00:20:25,480
Speaker 1: because you look like you've been doing a tumbling class.

371
00:20:25,560 --> 00:20:27,879
Speaker 1: Your hair is all fucked up, the way if I

372
00:20:27,880 --> 00:20:30,240
Speaker 1: had a hat. Lights. You don't use lights when we're

373
00:20:30,240 --> 00:20:32,760
Speaker 1: doing the podcast. That's true. I say, can you at

374
00:20:32,880 --> 00:20:35,000
Speaker 1: least put your cat and a fucking put them in

375
00:20:35,040 --> 00:20:35,840
Speaker 1: a closet.

376
00:20:35,560 --> 00:20:37,399
Speaker 2: Not putting them in a fucking closet and not putting

377
00:20:37,400 --> 00:20:39,159
Speaker 2: them in a cage or a box or a cannel

378
00:20:39,240 --> 00:20:42,920
Speaker 2: or any of that. Ship that's not happening. But I'm

379
00:20:42,920 --> 00:20:44,520
Speaker 2: just gonna go ahead and say I take it back,

380
00:20:44,880 --> 00:20:49,879
Speaker 2: and and I do like walk back that you got fatter, fat, fatter,

381
00:20:50,400 --> 00:20:53,120
Speaker 2: fatter than what. No, I'm not saying that you ever

382
00:20:53,200 --> 00:20:56,720
Speaker 2: fat before, but you're not. You didn't get fatter. Okay,

383
00:20:56,760 --> 00:20:58,960
Speaker 2: that's the point is you didn't get fatter. I do

384
00:20:59,200 --> 00:21:01,439
Speaker 2: enjoy the this worries of you on the beach. Do

385
00:21:01,520 --> 00:21:03,280
Speaker 2: I think that you can get a chair or something

386
00:21:03,320 --> 00:21:03,840
Speaker 2: at the beach?

387
00:21:04,119 --> 00:21:04,920
Speaker 1: I'm on a chair.

388
00:21:05,280 --> 00:21:07,959
Speaker 2: It looks there's something off about those photos. It's like

389
00:21:08,080 --> 00:21:11,480
Speaker 2: you're like level with the fucking there's no water.

390
00:21:11,560 --> 00:21:15,080
Speaker 1: My man, my man, my man, my man, my super

391
00:21:15,160 --> 00:21:19,600
Speaker 1: tight experience. I go out there with a chair, I

392
00:21:19,640 --> 00:21:24,119
Speaker 1: go out there with an aural palmer, and I am

393
00:21:24,119 --> 00:21:27,600
Speaker 1: in blevin. Yeah, so you're not gonna tell me about

394
00:21:27,720 --> 00:21:29,640
Speaker 1: getting a chair. I use a chair. You're not gonna

395
00:21:29,640 --> 00:21:32,280
Speaker 1: tell me about my photos. You're not gonna tell me

396
00:21:32,280 --> 00:21:36,720
Speaker 1: about anything about that. Motherfucker is what you're not gonna do.

397
00:21:36,800 --> 00:21:38,960
Speaker 1: I'm trying to help you, motherfucker. I'm trying to help

398
00:21:39,040 --> 00:21:41,000
Speaker 1: you take a better picture. I'm trying to help you

399
00:21:41,280 --> 00:21:43,760
Speaker 1: get a better chair. I just think that we can

400
00:21:43,800 --> 00:21:46,399
Speaker 1: maybe maybe I'll amazon you a different chair. I just

401
00:21:46,400 --> 00:21:49,200
Speaker 1: think that there could be something better going on there.

402
00:21:49,280 --> 00:21:50,760
Speaker 1: I mean, you're there all the time. I think that

403
00:21:50,800 --> 00:21:54,720
Speaker 1: we can make some slight changes. We can make slight

404
00:21:54,840 --> 00:21:57,520
Speaker 1: changes to the fact that you're doing this podcast with

405
00:21:57,640 --> 00:21:58,240
Speaker 1: no lighting.

406
00:21:58,560 --> 00:22:01,040
Speaker 2: Agreed percent agree.

407
00:22:02,520 --> 00:22:19,600
Speaker 1: Podcast. Okay, you know why you set me off. I'm

408
00:22:19,600 --> 00:22:22,120
Speaker 1: gonna tell everybody why you said it. Because off air,

409
00:22:22,320 --> 00:22:25,000
Speaker 1: before we started the podcast, you go, how long is

410
00:22:25,000 --> 00:22:26,160
Speaker 1: this gonna be? No?

411
00:22:26,200 --> 00:22:29,720
Speaker 2: I didn't say that. I didn't say.

412
00:22:29,720 --> 00:22:31,240
Speaker 1: They don't have it recorded, so I can't.

413
00:22:31,320 --> 00:22:34,439
Speaker 2: Hey, that said to me, that is that's not true.

414
00:22:34,840 --> 00:22:37,399
Speaker 1: You said to me before we started, how long is

415
00:22:37,440 --> 00:22:38,680
Speaker 1: this gonna be? No?

416
00:22:38,760 --> 00:22:40,720
Speaker 2: I didn't mean. I didn't I know. I didn't say

417
00:22:40,720 --> 00:22:42,800
Speaker 2: how long is this gonna be? I was just wondering, Oh,

418
00:22:42,840 --> 00:22:44,680
Speaker 2: I just needed to prepare myself if we were doing

419
00:22:44,680 --> 00:22:46,879
Speaker 2: a forty five minute show or we were doing an

420
00:22:46,960 --> 00:22:49,760
Speaker 2: hour show, because I have Sparklet's water coming and I

421
00:22:49,800 --> 00:22:52,040
Speaker 2: just gotta let the water people in. But it wasn't

422
00:22:52,080 --> 00:22:53,960
Speaker 2: like a, oh, how long is this going to be?

423
00:22:54,000 --> 00:22:57,000
Speaker 2: Like I'm not enjoying being here. No, it's I just

424
00:22:57,080 --> 00:22:59,280
Speaker 2: I just have someone calling to buzz them in. But

425
00:22:59,400 --> 00:23:01,000
Speaker 2: that's why didn't want bring that up on the air.

426
00:23:01,800 --> 00:23:05,120
Speaker 1: Can't exactly got a water guy. And yesterday I called you,

427
00:23:05,200 --> 00:23:08,600
Speaker 1: like I can't answer the phone. I have the would

428
00:23:08,640 --> 00:23:09,639
Speaker 1: you have the idea?

429
00:23:09,840 --> 00:23:14,560
Speaker 2: Dude? I have flying cockroaches in my house. It is

430
00:23:14,640 --> 00:23:17,080
Speaker 2: so hot out. I have so many fucking bugs. I

431
00:23:17,119 --> 00:23:20,000
Speaker 2: have maintenance people coming to try and fucking to hose

432
00:23:20,040 --> 00:23:22,280
Speaker 2: down the spider webs. It is like a jungle in

433
00:23:22,320 --> 00:23:25,359
Speaker 2: my apartment. I am so I couldn't answer you in

434
00:23:25,400 --> 00:23:26,800
Speaker 2: that moment because I have.

435
00:23:26,760 --> 00:23:28,840
Speaker 1: The maintenance people in there. I can't answer, and I'm like,

436
00:23:29,000 --> 00:23:30,080
Speaker 1: you're not doing the work.

437
00:23:30,400 --> 00:23:31,840
Speaker 2: No, not doing the work. That's why I had the

438
00:23:31,840 --> 00:23:33,760
Speaker 2: fucking maintenance people in here. I need someone to hose

439
00:23:33,800 --> 00:23:34,639
Speaker 2: down my windows.

440
00:23:35,560 --> 00:23:38,199
Speaker 1: Okay, I want to move on, man, I want to

441
00:23:38,240 --> 00:23:39,679
Speaker 1: move on. But I just wanted to let you know.

442
00:23:39,720 --> 00:23:42,600
Speaker 1: The reason why things got a little awry is because

443
00:23:42,640 --> 00:23:46,240
Speaker 1: you started off the podcast off air by saying to me,

444
00:23:46,680 --> 00:23:48,880
Speaker 1: how long is this gonna be? Like you had some

445
00:23:49,160 --> 00:23:51,879
Speaker 1: fucking shit to do or some shit to go to,

446
00:23:52,640 --> 00:23:57,080
Speaker 1: or like, don't keep me that long. I go ahead,

447
00:23:58,440 --> 00:24:00,480
Speaker 1: go ahead.

448
00:24:00,480 --> 00:24:02,560
Speaker 2: I don't have anything to say. I just wanted to

449
00:24:02,560 --> 00:24:04,280
Speaker 2: make sure that I could buzz the person and when

450
00:24:04,320 --> 00:24:06,080
Speaker 2: they get here, that's it. That's all.

451
00:24:06,080 --> 00:24:06,280
Speaker 1: I have.

452
00:24:06,400 --> 00:24:08,040
Speaker 2: Nowhere to be do I look like I have somewhere

453
00:24:08,040 --> 00:24:10,520
Speaker 2: to be right now, old me, I look.

454
00:24:10,400 --> 00:24:13,280
Speaker 1: Like you have nowhere to go, but just you might

455
00:24:13,320 --> 00:24:15,840
Speaker 1: have things to do, but based on the look of things,

456
00:24:16,560 --> 00:24:20,040
Speaker 1: you look like you ain't going fucking anywhere anytime soon.

457
00:24:20,240 --> 00:24:24,040
Speaker 1: And you know what, I wouldn't. You're in La Okay people.

458
00:24:24,280 --> 00:24:28,040
Speaker 1: You know, there's all sorts of paparazzi. There's famous people

459
00:24:28,119 --> 00:24:30,600
Speaker 1: right right, this break is right out in the corner.

460
00:24:31,000 --> 00:24:33,400
Speaker 1: You motherfucker should not leave your house. I don't care. Yah,

461
00:24:33,480 --> 00:24:35,719
Speaker 1: matter of fact, I don't care if you're in La Florida, Idaho,

462
00:24:35,880 --> 00:24:41,040
Speaker 1: North Dakota. Fucking get yourself some keels, blue astringent, take

463
00:24:41,080 --> 00:24:44,919
Speaker 1: a shower, a hot one, get yourself some shampoo and

464
00:24:44,960 --> 00:24:46,960
Speaker 1: some condition before you go out of the house looking

465
00:24:47,000 --> 00:24:49,560
Speaker 1: like that. You look like shit. My man, I love

466
00:24:49,640 --> 00:24:50,320
Speaker 1: and respect.

467
00:24:50,760 --> 00:24:52,520
Speaker 2: I got a whole bunch of shit I could be saying,

468
00:24:52,520 --> 00:24:55,800
Speaker 2: but I'm just I'm gonna I'm not gonna say it. Okay,

469
00:24:55,920 --> 00:24:58,520
Speaker 2: this isn't fucking celebrity death match over here, all right,

470
00:24:58,760 --> 00:25:01,080
Speaker 2: I'm not saying shit to you. So that's fine. We

471
00:25:01,160 --> 00:25:03,720
Speaker 2: did go out. We actually did go out. We left

472
00:25:03,720 --> 00:25:07,760
Speaker 2: the house about a week ago. I mean we've left

473
00:25:07,880 --> 00:25:11,080
Speaker 2: before that, we've left before that. But we left to

474
00:25:11,119 --> 00:25:15,800
Speaker 2: go to the Sinespia Hollywood Forever screening of Kill Bill

475
00:25:15,920 --> 00:25:20,440
Speaker 2: Volume one and two at the Cemetery, which was fucking sick,

476
00:25:20,680 --> 00:25:22,280
Speaker 2: which you would have really liked. I don't know. If

477
00:25:22,280 --> 00:25:24,920
Speaker 2: you've been to that Hollywood Forever Cemetery to introduce any

478
00:25:24,960 --> 00:25:27,679
Speaker 2: of your movies out there. But that is a cool experience.

479
00:25:28,680 --> 00:25:31,640
Speaker 1: Oh you mean where they show the films in the cemetery.

480
00:25:31,800 --> 00:25:36,800
Speaker 2: They show the films in the cemetery, and just thinking

481
00:25:36,960 --> 00:25:39,960
Speaker 2: about all the shit you just said to me, but

482
00:25:40,960 --> 00:25:43,119
Speaker 2: they Yeah, they showed the films in the cemetery. And

483
00:25:43,119 --> 00:25:45,000
Speaker 2: I went with a group of people. We saw Kill

484
00:25:45,080 --> 00:25:48,480
Speaker 2: Bill volume one and two. It's like an all night thing.

485
00:25:48,600 --> 00:25:50,639
Speaker 2: It was so cool, but it also feels like major

486
00:25:50,720 --> 00:25:53,880
Speaker 2: disrespect that You're like, you're sitting in a cemetery next

487
00:25:53,880 --> 00:25:56,680
Speaker 2: to all these graves, and I mean people are drinking

488
00:25:56,760 --> 00:25:59,280
Speaker 2: and people are smoking and there's a smoking section. It's

489
00:25:59,280 --> 00:26:03,440
Speaker 2: like people are like getting drunken and taking like a piss,

490
00:26:04,160 --> 00:26:07,000
Speaker 2: like near someone's fucking tombstone. I mean, like that's going

491
00:26:07,040 --> 00:26:09,720
Speaker 2: on at the Hollywood Forever Cemetery. I'm just thinking, God,

492
00:26:09,760 --> 00:26:11,719
Speaker 2: that would really suck to be buried there. And then

493
00:26:11,800 --> 00:26:14,880
Speaker 2: like one hundred years later, it's like a fucking party, but.

494
00:26:16,400 --> 00:26:19,240
Speaker 1: People are pissing on like they're in the porta potties.

495
00:26:19,640 --> 00:26:21,560
Speaker 2: There are porta potties, but then there's drunk people that

496
00:26:21,600 --> 00:26:23,240
Speaker 2: are like, oh, I can't find a porta potty, and

497
00:26:23,240 --> 00:26:27,080
Speaker 2: they're just like, that's fucking rude. I know it's wrong.

498
00:26:27,359 --> 00:26:30,680
Speaker 2: It feels a little wrong, but you saw people pissing,

499
00:26:31,520 --> 00:26:34,159
Speaker 2: Like I just I saw I saw someone who was

500
00:26:34,200 --> 00:26:36,040
Speaker 2: waiting for a porta potty and there was a long

501
00:26:36,080 --> 00:26:39,360
Speaker 2: line and he went to not like a tombstone, but like, what,

502
00:26:39,359 --> 00:26:42,440
Speaker 2: what's a mausoleum? Yeah, like like a mausoleum. Like he

503
00:26:42,520 --> 00:26:44,760
Speaker 2: went to like go hide in the mausoleum. And he

504
00:26:44,920 --> 00:26:46,879
Speaker 2: was definitely so fucked up.

505
00:26:46,920 --> 00:26:50,320
Speaker 1: And I'll bet you was some gen zer millennial piece

506
00:26:50,359 --> 00:26:53,639
Speaker 1: of shit who probably is like some fucking you know

507
00:26:53,960 --> 00:26:56,359
Speaker 1: has all these you know, this right and that right

508
00:26:56,440 --> 00:26:59,320
Speaker 1: and this rights and and he pisses in people's mausoleum.

509
00:26:59,560 --> 00:27:02,600
Speaker 1: You should said something to him or reported him. Someone

510
00:27:02,800 --> 00:27:03,800
Speaker 1: fucking fucked up.

511
00:27:03,960 --> 00:27:05,600
Speaker 2: I know someone looked at him and he kind of

512
00:27:05,640 --> 00:27:07,960
Speaker 2: turned around like I don't think he was he was

513
00:27:08,000 --> 00:27:10,159
Speaker 2: about too, and then he decided to like move, But

514
00:27:10,320 --> 00:27:11,840
Speaker 2: I was just thinking about him. I'm like, oh, this

515
00:27:11,960 --> 00:27:14,439
Speaker 2: is so disrespectful. But at the same time, it is

516
00:27:14,520 --> 00:27:16,560
Speaker 2: a very cool venue. And I've been there so many

517
00:27:16,560 --> 00:27:18,440
Speaker 2: times to see so many different screenings. But if you're

518
00:27:18,440 --> 00:27:21,280
Speaker 2: in La you gotta go to sinespia A Hollywood Forever

519
00:27:21,320 --> 00:27:24,680
Speaker 2: Cemetery and check like they did Poultrgeist last weekend, which

520
00:27:24,720 --> 00:27:26,960
Speaker 2: I really wanted to go to. But Kill Bill Volume

521
00:27:27,000 --> 00:27:29,000
Speaker 2: one and two sick, and then that got me on

522
00:27:29,000 --> 00:27:31,960
Speaker 2: the Quentin turn. I mean, I've seen all Quinton's movies,

523
00:27:32,000 --> 00:27:34,480
Speaker 2: but that got me on the fucking Quinton train. And

524
00:27:34,840 --> 00:27:39,000
Speaker 2: watching in Glorious Bastards again, Wow, which which had how

525
00:27:39,000 --> 00:27:41,320
Speaker 2: did kill Bill in volume one and volume two?

526
00:27:41,359 --> 00:27:44,280
Speaker 1: And in Glorious when you're watching them all the way through,

527
00:27:44,640 --> 00:27:45,760
Speaker 1: how did they all hold up?

528
00:27:45,800 --> 00:27:49,200
Speaker 2: Like? How? I mean, kill Bill is so fucking sick?

529
00:27:49,400 --> 00:27:53,200
Speaker 2: And Uma Thurman, I mean you worked with the legendary

530
00:27:53,320 --> 00:27:57,520
Speaker 2: Uma Thurman in Beautiful Girls and I was tripping off

531
00:27:57,520 --> 00:28:01,040
Speaker 2: of her like, well could you feel? I mean, obviously

532
00:28:01,080 --> 00:28:04,240
Speaker 2: it was like way after pulp fiction. No, it wasn't.

533
00:28:04,320 --> 00:28:06,520
Speaker 1: It wasn't that much after pulp fiction. It was like,

534
00:28:06,560 --> 00:28:08,760
Speaker 1: I think, I don't know what year we did. What

535
00:28:09,160 --> 00:28:10,480
Speaker 1: year did pulp Fiction come out?

536
00:28:10,840 --> 00:28:15,240
Speaker 2: Fact check that pulp Fiction was ninety four, and what

537
00:28:15,400 --> 00:28:18,760
Speaker 2: year did Beautiful Girls come out? And Beautiful Girls was

538
00:28:19,640 --> 00:28:21,800
Speaker 2: ninety Oh yeah, you're right, ninety six.

539
00:28:22,400 --> 00:28:25,240
Speaker 1: Let me tell you something. Everybody was tripping off of

540
00:28:25,359 --> 00:28:28,399
Speaker 1: Uma Thurman. Everybody was bugging off of her because of

541
00:28:28,720 --> 00:28:31,240
Speaker 1: number one, she's Uma Thurman. But number two, she was

542
00:28:31,280 --> 00:28:36,639
Speaker 1: coming off of pulp fiction, and I had scenes with her,

543
00:28:36,680 --> 00:28:38,360
Speaker 1: and I had scenes with her like I'm trying to, like,

544
00:28:38,680 --> 00:28:40,520
Speaker 1: you know, pick her up, and I'm dancing with her.

545
00:28:41,400 --> 00:28:45,960
Speaker 1: And Uma Thurman in real life is like a fucking gorgeous,

546
00:28:46,160 --> 00:28:52,400
Speaker 1: beautiful giraffe. She's like some kind of exotic, gorgeous, like

547
00:28:52,520 --> 00:28:55,520
Speaker 1: maybe giraffe. I mean, because she's so tall, her hands

548
00:28:55,520 --> 00:28:59,400
Speaker 1: are big, her feet are big. She's dropped dead stunning.

549
00:28:59,800 --> 00:29:03,200
Speaker 1: She he's like six feet tall, beautiful. I mean, she

550
00:29:03,280 --> 00:29:08,160
Speaker 1: got these fucking big ass eyes, big ass lips, long arms,

551
00:29:08,760 --> 00:29:14,360
Speaker 1: and just the fact that she's just a beautiful person. Physically,

552
00:29:14,800 --> 00:29:17,960
Speaker 1: she's funny, she's self effacing. But she was just coming

553
00:29:18,000 --> 00:29:23,200
Speaker 1: off of pulp fiction. Everybody in the cast was tripping,

554
00:29:23,200 --> 00:29:26,600
Speaker 1: everybody in the crew was tripping. I was tripping out

555
00:29:27,200 --> 00:29:30,240
Speaker 1: doing those scenes with her. I was nervous, I was excited.

556
00:29:30,680 --> 00:29:34,200
Speaker 1: I was amped up, and I was amped up doing

557
00:29:34,240 --> 00:29:37,280
Speaker 1: that entire movie. I was amped up working with Matt Dylan.

558
00:29:37,400 --> 00:29:39,600
Speaker 1: I was amped up working with Martha Plimpton. I was

559
00:29:39,640 --> 00:29:41,880
Speaker 1: amped up working with Timothy Hunting. I was amped up.

560
00:29:42,160 --> 00:29:42,360
Speaker 2: You know.

561
00:29:42,440 --> 00:29:45,600
Speaker 1: I never had scenes with Rosie O'Donnell, but she was there.

562
00:29:45,880 --> 00:29:50,360
Speaker 1: My man Max Perlick. I'm forgetting Natalie Portman was she

563
00:29:50,520 --> 00:29:52,760
Speaker 1: was just coming off of the professional and me and

564
00:29:52,800 --> 00:29:55,000
Speaker 1: her were like BONDI even though she was young, she's

565
00:29:55,040 --> 00:29:57,480
Speaker 1: always like been like, you know, had a like a

566
00:29:57,600 --> 00:30:00,000
Speaker 1: sort of you know, like she seemed like an older person,

567
00:30:00,560 --> 00:30:04,480
Speaker 1: the late great Ted Demi. We had fun making that movie.

568
00:30:04,560 --> 00:30:06,600
Speaker 1: We had a great I had a That's one of

569
00:30:06,600 --> 00:30:09,040
Speaker 1: the best experiences I ever had make in a movie

570
00:30:09,400 --> 00:30:13,520
Speaker 1: was the actual shooting of that movie at the actual

571
00:30:14,040 --> 00:30:17,720
Speaker 1: time in Minnesota and the whole experience. But those scenes

572
00:30:17,760 --> 00:30:20,480
Speaker 1: I had with Uma Thurman, I was tripping the fuck

573
00:30:20,720 --> 00:30:23,960
Speaker 1: out because I was like, holy shit, I am with

574
00:30:24,040 --> 00:30:28,520
Speaker 1: a fucking movie star who I love, who I respect,

575
00:30:28,800 --> 00:30:31,920
Speaker 1: who's gorgeous, who's cool, and I have scenes with her

576
00:30:31,920 --> 00:30:34,280
Speaker 1: where I'm like, you know, doing my thing with her,

577
00:30:34,320 --> 00:30:37,200
Speaker 1: and it was it was fucking sick. Working with Uma

578
00:30:37,240 --> 00:30:40,600
Speaker 1: Thurman on Beautiful Girls. It was sick. It was exciting,

579
00:30:40,920 --> 00:30:42,440
Speaker 1: it was everything you would want it to be.

580
00:30:43,320 --> 00:30:44,840
Speaker 2: That's what I wanted to know. I was like, I

581
00:30:44,920 --> 00:30:47,520
Speaker 2: was wondering if you could feel that like star power

582
00:30:47,560 --> 00:30:50,240
Speaker 2: and charisma and charm around her, all of it, with her,

583
00:30:50,720 --> 00:30:51,320
Speaker 2: all of it.

584
00:30:52,120 --> 00:30:54,560
Speaker 1: You're trying to keep your fucking cool, all of it.

585
00:30:55,080 --> 00:30:58,280
Speaker 1: I was bugging off Uma Thurming, like I was tripping

586
00:30:58,360 --> 00:31:01,080
Speaker 1: off of her way more than I let on. One

587
00:31:01,120 --> 00:31:05,120
Speaker 1: of the more tripping off of an actor experiences that

588
00:31:05,160 --> 00:31:07,640
Speaker 1: I've had. Of course, you know, tripping off of people

589
00:31:07,680 --> 00:31:11,600
Speaker 1: like de Niro, Christopher Walking in Stallone, but Uma Thurman

590
00:31:11,720 --> 00:31:14,440
Speaker 1: working with her, especially at that time, especially at the

591
00:31:14,480 --> 00:31:18,280
Speaker 1: age I was at, and especially post pulp Fiction, which

592
00:31:18,360 --> 00:31:22,440
Speaker 1: was such a big pop culture film. Like I don't

593
00:31:22,440 --> 00:31:28,720
Speaker 1: know if if you could really understand because movies have changed,

594
00:31:29,200 --> 00:31:32,040
Speaker 1: and the importance and the excitement of a movie, and

595
00:31:32,080 --> 00:31:35,040
Speaker 1: the importance in the excitement of a Quentin Tarantino movie

596
00:31:35,080 --> 00:31:38,680
Speaker 1: at that time. That was his was that his second

597
00:31:38,720 --> 00:31:42,440
Speaker 1: film was it Reservoir Dogs and then Pulp Fiction.

598
00:31:44,200 --> 00:31:47,440
Speaker 2: Let me see actually because I was yeah, Reservoir Dogs

599
00:31:47,520 --> 00:31:49,080
Speaker 2: was ninety two, so it.

600
00:31:49,160 --> 00:31:53,200
Speaker 1: Was Reservoir Dogs. He had written True Romance, he had

601
00:31:53,240 --> 00:31:58,560
Speaker 1: written Natural Born Killers, and the excitement the hype on

602
00:31:58,720 --> 00:32:03,480
Speaker 1: pulp fiction, and I mean, you know, I remember reading

603
00:32:03,520 --> 00:32:05,800
Speaker 1: that script. I auditioned to be in Paul fiction. I

604
00:32:05,840 --> 00:32:10,400
Speaker 1: auditioned to be one of the what kind of burger

605
00:32:10,480 --> 00:32:13,640
Speaker 1: is it? Motherfucker? I said, blah blah blah blah blah.

606
00:32:13,640 --> 00:32:15,479
Speaker 1: I had audition for one of those parts.

607
00:32:15,640 --> 00:32:16,440
Speaker 2: That's crazy.

608
00:32:16,640 --> 00:32:19,360
Speaker 1: And you know, with Quentin Tarantino, obviously I didn't get it.

609
00:32:19,720 --> 00:32:23,160
Speaker 1: But reading that script, it was so fucking good. And

610
00:32:23,200 --> 00:32:25,960
Speaker 1: then when you heard like, oh, Bruce Willis, and then

611
00:32:25,960 --> 00:32:29,120
Speaker 1: you heard like John Tivolta, And I remember being in

612
00:32:29,160 --> 00:32:34,040
Speaker 1: Hollywood getting my haircut on Librea and seeing them film

613
00:32:35,000 --> 00:32:36,959
Speaker 1: they were gonna shoot one of the scenes where they

614
00:32:37,000 --> 00:32:38,920
Speaker 1: were in the car, and I remember going across the

615
00:32:38,960 --> 00:32:41,480
Speaker 1: street saying what's up to Quentin Tarantino quickly because I

616
00:32:41,520 --> 00:32:44,240
Speaker 1: had met him at the Sundance Film Festival in ninety two,

617
00:32:45,560 --> 00:32:49,080
Speaker 1: and seeing John Tivolta in the wig, seeing Samuel Jackson

618
00:32:49,120 --> 00:32:51,440
Speaker 1: in the wig, seeing them in their sads fucking s

619
00:32:52,280 --> 00:32:55,080
Speaker 1: and you know, just I can remember like seeing that shit,

620
00:32:55,200 --> 00:32:58,200
Speaker 1: but just having read the script and the excitement of

621
00:32:58,240 --> 00:33:01,560
Speaker 1: it and what it turned out to be was so

622
00:33:01,720 --> 00:33:06,640
Speaker 1: goddamn good and so unique and so original. And I

623
00:33:06,680 --> 00:33:09,160
Speaker 1: remember going to see the movie with Kevin Corgan, my man,

624
00:33:09,200 --> 00:33:11,840
Speaker 1: Pauli Schultz, and a few other people in New York

625
00:33:11,840 --> 00:33:13,760
Speaker 1: City at the movie theater on Third Avenue and I

626
00:33:13,760 --> 00:33:16,360
Speaker 1: think sixtieth Street of fifty ninth Street, and it lived

627
00:33:16,400 --> 00:33:19,479
Speaker 1: up to all the expectations. And then having the honor

628
00:33:19,520 --> 00:33:22,400
Speaker 1: of being in Beautiful Girls, and the excitement of working

629
00:33:22,440 --> 00:33:25,800
Speaker 1: with Matt Dillon, who I fucking was grew up loving Matt.

630
00:33:25,840 --> 00:33:28,600
Speaker 1: Fuck Matt Dillon was that fucking dude. Of course he's

631
00:33:28,600 --> 00:33:32,200
Speaker 1: made it to my Stickman Hall of Fame easily, first

632
00:33:32,520 --> 00:33:34,840
Speaker 1: ballot Hall of Famer and the Stickman Hall of Fame,

633
00:33:35,320 --> 00:33:39,320
Speaker 1: and first, I mean, just such a fucking iconic star.

634
00:33:40,440 --> 00:33:42,640
Speaker 1: And to be with all those people. It was such

635
00:33:42,640 --> 00:33:45,160
Speaker 1: a great time. But it was every single thing that

636
00:33:45,200 --> 00:33:47,880
Speaker 1: you you would hope it to be, the onset experience

637
00:33:48,080 --> 00:33:51,400
Speaker 1: and the offset experience. Filming in Minnesota was a dope

638
00:33:51,440 --> 00:33:52,120
Speaker 1: fucking time.

639
00:33:53,040 --> 00:33:57,200
Speaker 2: You did you know after reading pull fiction, like everybody

640
00:33:57,240 --> 00:34:00,640
Speaker 2: right were you like, this is gonna be a huge

641
00:34:00,880 --> 00:34:01,360
Speaker 2: You knew it.

642
00:34:01,320 --> 00:34:03,040
Speaker 1: Was going to be a huge movie. Obviously, you didn't

643
00:34:03,040 --> 00:34:05,680
Speaker 1: know it was gonna be like you can never expect

644
00:34:05,720 --> 00:34:09,560
Speaker 1: something to be as huge as that. Yeah, and as

645
00:34:09,800 --> 00:34:13,640
Speaker 1: iconic as that, but you knew the script was dope

646
00:34:14,120 --> 00:34:15,919
Speaker 1: and everybody. You know, again, this was at the time

647
00:34:15,920 --> 00:34:18,440
Speaker 1: there was no email, so you had the physical copy

648
00:34:18,440 --> 00:34:21,000
Speaker 1: of the script and you know, like you remember like

649
00:34:21,400 --> 00:34:23,920
Speaker 1: you'd let your friend read it, and you know like, oh,

650
00:34:23,960 --> 00:34:25,880
Speaker 1: I read it, and you know, I auditioned for this,

651
00:34:26,040 --> 00:34:28,560
Speaker 1: and oh I met the casting director for that, and

652
00:34:29,040 --> 00:34:31,360
Speaker 1: you know, like it was exciting. Man, it was exciting,

653
00:34:31,360 --> 00:34:33,400
Speaker 1: and it was just a face to face audition. There

654
00:34:33,440 --> 00:34:37,200
Speaker 1: was no zoom auditions. There was no videotape auditions. Like

655
00:34:37,239 --> 00:34:39,319
Speaker 1: you either read for the casting director, you read for

656
00:34:39,400 --> 00:34:42,799
Speaker 1: Lawrence Bender one of his producers, or you know, in

657
00:34:42,840 --> 00:34:45,520
Speaker 1: my case, I got to read for Quentin Tarantino. And

658
00:34:46,040 --> 00:34:47,959
Speaker 1: you know, that's one of those things where you where

659
00:34:47,960 --> 00:34:50,279
Speaker 1: you read and you're disappointed that you don't get it,

660
00:34:50,280 --> 00:34:51,920
Speaker 1: but you're like just the fact that you got to

661
00:34:52,000 --> 00:34:55,000
Speaker 1: be in there at that time, at twenty four to

662
00:34:55,080 --> 00:34:58,160
Speaker 1: twenty five years old, after coming off of Reservoir Dogs

663
00:34:58,200 --> 00:35:01,799
Speaker 1: and reading that script and hearing like, you know, John

664
00:35:01,840 --> 00:35:04,400
Speaker 1: Travolta is gonna be that, Samuel Jackson's gonna be in it,

665
00:35:04,480 --> 00:35:07,000
Speaker 1: and you know, Bruce Willis is gonna be in like

666
00:35:07,040 --> 00:35:09,040
Speaker 1: to go to Red just to read for him was

667
00:35:09,080 --> 00:35:13,400
Speaker 1: fucking good enough. It was fucking sick. And then that

668
00:35:13,520 --> 00:35:15,319
Speaker 1: movie turned out to me everything in a bag of

669
00:35:15,360 --> 00:35:19,520
Speaker 1: fucking chips. It's fucking stupid. That movie is so goddamn good.

670
00:35:20,120 --> 00:35:22,759
Speaker 1: And to have that same energy a year later to

671
00:35:22,800 --> 00:35:28,080
Speaker 1: get cast and Beautiful Girls with Uma, two years later

672
00:35:28,120 --> 00:35:32,600
Speaker 1: with Uma Thurman, who destroyed Paul Fiction, it was sick.

673
00:35:32,800 --> 00:35:35,600
Speaker 1: It was a sick, fucking dope, exciting time to be.

674
00:35:36,239 --> 00:35:37,240
Speaker 1: You know a young actor.

675
00:35:37,760 --> 00:35:40,120
Speaker 2: Well, I've seen Quinton doing a lot of podcasts. I've

676
00:35:40,120 --> 00:35:42,680
Speaker 2: seen him doing podcasts with Bill Maher. I've seen him.

677
00:35:42,880 --> 00:35:44,560
Speaker 2: I feel like I've seen him kind of doing the

678
00:35:44,560 --> 00:35:46,640
Speaker 2: circuit a little bit. I don't know why we haven't

679
00:35:46,640 --> 00:35:49,200
Speaker 2: talked about it, but to me, that'd be like a

680
00:35:49,239 --> 00:35:53,080
Speaker 2: top five, top three of like you should work on

681
00:35:53,120 --> 00:35:57,879
Speaker 2: getting fucking Quentin Tarantino on your podcast. That would be sick, yo,

682
00:35:58,080 --> 00:36:00,960
Speaker 2: I have to get Quentin Tarantino because it's like, dude,

683
00:36:01,040 --> 00:36:03,800
Speaker 2: he wrote True Romance. I mean, you have the connection

684
00:36:03,880 --> 00:36:06,680
Speaker 2: with him already, but that would be I got it done.

685
00:36:07,080 --> 00:36:09,120
Speaker 1: I missed the window. The last time he came out

686
00:36:09,120 --> 00:36:11,880
Speaker 1: for his book, he did a couple of other podcasts,

687
00:36:12,120 --> 00:36:15,200
Speaker 1: and he's always great because you're really only as good

688
00:36:15,280 --> 00:36:17,520
Speaker 1: as your guest, except for in the case of you.

689
00:36:18,160 --> 00:36:21,359
Speaker 1: But Quentin Tarantino is such a great guest because all

690
00:36:21,400 --> 00:36:23,520
Speaker 1: you gotta do is just you just got to throw

691
00:36:23,560 --> 00:36:25,640
Speaker 1: them the ball and you're gonna get five minutes of

692
00:36:25,680 --> 00:36:29,880
Speaker 1: gold because he's so passionate, so excited, so knowledgeable, so

693
00:36:30,160 --> 00:36:33,279
Speaker 1: enthusiastic about film, popcorn, whatever the fuck he's talking about.

694
00:36:33,320 --> 00:36:37,680
Speaker 1: He could be talking about some yeah, and he's just

695
00:36:37,719 --> 00:36:41,600
Speaker 1: excited about it, and he's just so you know, informed

696
00:36:41,640 --> 00:36:46,000
Speaker 1: and brilliant. He's fucking brilliant. Quentin Tarantino is fucking truly brilliant,

697
00:36:46,239 --> 00:36:48,200
Speaker 1: So we have to get him on the Iron Wrappaport

698
00:36:48,239 --> 00:36:51,480
Speaker 1: Stereo podcast podcast.

699
00:37:05,520 --> 00:37:08,560
Speaker 2: What stuck out to you about watching a Glorious Bastards

700
00:37:09,360 --> 00:37:13,520
Speaker 2: and Gloria's Bastards is like, it's I really think it's

701
00:37:13,560 --> 00:37:17,440
Speaker 2: like a top two of for me for any Quentin

702
00:37:17,440 --> 00:37:21,080
Speaker 2: Tarantino movie. I love that movie. I love everything about

703
00:37:21,080 --> 00:37:25,200
Speaker 2: that movie. The opening scene is iconic, there are long scenes,

704
00:37:25,680 --> 00:37:30,640
Speaker 2: the acting is so so good. Christoph Waltz is captivating

705
00:37:31,040 --> 00:37:35,040
Speaker 2: as Hans Landa with the pipe and the milk, and

706
00:37:35,480 --> 00:37:37,440
Speaker 2: I just think that that movie is, like all of

707
00:37:37,440 --> 00:37:41,319
Speaker 2: his movies, is perfectly executed. And I remember when that

708
00:37:41,400 --> 00:37:43,920
Speaker 2: came out in two thousand and nine, I was nineteen.

709
00:37:44,880 --> 00:37:47,040
Speaker 2: I remember seeing a trailer for it and seeing Brad

710
00:37:47,080 --> 00:37:49,600
Speaker 2: Pitt doing a aldo rain and everything, and I was like,

711
00:37:49,640 --> 00:37:51,560
Speaker 2: I don't know, I don't know if this is gonna

712
00:37:51,600 --> 00:37:53,799
Speaker 2: be like that great. It didn't look that great to

713
00:37:53,840 --> 00:37:56,360
Speaker 2: me from at least from the trailer. And then I

714
00:37:56,400 --> 00:37:59,080
Speaker 2: went to go see it with Logan and we saw

715
00:37:59,120 --> 00:38:02,759
Speaker 2: it in theaters and that opening scene when he's trying

716
00:38:02,760 --> 00:38:05,560
Speaker 2: to find out if the guys is hiding Jews under

717
00:38:05,960 --> 00:38:08,960
Speaker 2: the floorboards and all that shit and Shashana escaping and

718
00:38:09,520 --> 00:38:11,799
Speaker 2: that scene and all the tension that it built and

719
00:38:11,840 --> 00:38:14,799
Speaker 2: the ups and downs of that movie. And I saw

720
00:38:14,840 --> 00:38:19,640
Speaker 2: that movie nine times in theaters almost That movie's almost

721
00:38:19,800 --> 00:38:22,920
Speaker 2: three hours long. And I never seen a movie that

722
00:38:23,040 --> 00:38:25,800
Speaker 2: many times in theaters. Me and Logan saw that movie

723
00:38:26,120 --> 00:38:29,160
Speaker 2: nine times in theaters. You guys went together nine times

724
00:38:29,480 --> 00:38:33,080
Speaker 2: nine times. I'm not bullshiting either, shit like we were

725
00:38:33,120 --> 00:38:36,880
Speaker 2: like jaw dropping. I mean, it was just jaw dropping

726
00:38:36,920 --> 00:38:39,480
Speaker 2: that movie. I mean it's and it still holds up,

727
00:38:39,880 --> 00:38:42,000
Speaker 2: and it's crazy to think that was two thousand and nine,

728
00:38:42,040 --> 00:38:44,560
Speaker 2: It's like, that's a fucking long time ago at this point,

729
00:38:44,560 --> 00:38:46,520
Speaker 2: that's like, what almost fifteen fucking years ago.

730
00:38:46,880 --> 00:38:47,280
Speaker 1: Damn.

731
00:38:47,560 --> 00:38:50,640
Speaker 2: I mean it's you know, but in glorious Passards is

732
00:38:50,760 --> 00:38:56,479
Speaker 2: just so it's perfect, and him tackling that subject matter,

733
00:38:56,520 --> 00:38:59,800
Speaker 2: it's like what better person to do it than Quin Tarantino.

734
00:39:00,000 --> 00:39:02,080
Speaker 2: And then you know, everybody else try to copy that

735
00:39:02,200 --> 00:39:05,480
Speaker 2: kind of you know, with the Jews and the Nazis

736
00:39:05,520 --> 00:39:07,880
Speaker 2: and fighting back and the revenge, and it's just no

737
00:39:08,320 --> 00:39:09,719
Speaker 2: one doesn't like Quinn Tarantino.

738
00:39:09,920 --> 00:39:13,759
Speaker 1: Yo. There has been so many after Reservoir Dogs came

739
00:39:13,760 --> 00:39:15,839
Speaker 1: out and Pulp Ficture came out, there were so many

740
00:39:15,880 --> 00:39:20,319
Speaker 1: scripts that were being either trying to get made or

741
00:39:20,480 --> 00:39:24,960
Speaker 1: actually made that we're all trying to attempt to do

742
00:39:25,080 --> 00:39:29,560
Speaker 1: what he did, and none of them came close because

743
00:39:29,600 --> 00:39:35,839
Speaker 1: you cannot capture the originality, the uniqueness, the imagination, the

744
00:39:35,880 --> 00:39:42,440
Speaker 1: sort of education that Quentin Tarantino has. He's unfucking believable.

745
00:39:42,560 --> 00:39:46,560
Speaker 1: He's so goddamn fucking prolific and so goddamn good, and

746
00:39:46,560 --> 00:39:50,239
Speaker 1: it's a fucking treasure of what he's done artistically, like

747
00:39:50,280 --> 00:39:54,120
Speaker 1: a goddamn van Goh like a Picasso, like a fucking

748
00:39:54,239 --> 00:39:57,520
Speaker 1: John Coltrane, of Miles Davis, a John Lennon, whatever you

749
00:39:57,520 --> 00:40:00,600
Speaker 1: want to call it. Like he's that level of artists,

750
00:40:00,640 --> 00:40:05,640
Speaker 1: like oneversation to arts the arts is big and as

751
00:40:05,640 --> 00:40:07,520
Speaker 1: impactful as anybody else's.

752
00:40:07,800 --> 00:40:09,759
Speaker 2: I mean, I just can't. I can't name a movie

753
00:40:09,800 --> 00:40:12,560
Speaker 2: where I'm like, h that Quentin Tarantino movie was like

754
00:40:12,640 --> 00:40:16,360
Speaker 2: it was okay, I mean to me, like one of

755
00:40:16,360 --> 00:40:20,640
Speaker 2: my least favorites of his, surprisingly which everyone loves, but

756
00:40:20,920 --> 00:40:23,560
Speaker 2: again it's like it's an incredible movie, but just as

757
00:40:23,560 --> 00:40:26,239
Speaker 2: far as his catalog goes, it's not. It's not one

758
00:40:26,239 --> 00:40:28,280
Speaker 2: of my favorites. But once upon a time in Hollywood,

759
00:40:28,320 --> 00:40:30,279
Speaker 2: it's not one of my favorite movies. But I know

760
00:40:30,320 --> 00:40:33,320
Speaker 2: people love it. But I'm like, I think his movie

761
00:40:33,360 --> 00:40:36,560
Speaker 2: death Proof that he did for with Grindhouse, when that

762
00:40:36,719 --> 00:40:40,480
Speaker 2: with Robert Rodriguez directed that the first half Grindhouse, and

763
00:40:40,520 --> 00:40:43,600
Speaker 2: then he did death Proof after that's an underrated movie

764
00:40:43,600 --> 00:40:46,200
Speaker 2: with Kurt Russell is like the bad guy stunt driver

765
00:40:46,360 --> 00:40:49,000
Speaker 2: who's like kidnapping all these women and then they take

766
00:40:49,120 --> 00:40:52,880
Speaker 2: revenge against him. That's an underrated movie. But anyway, fucking

767
00:40:52,960 --> 00:40:53,640
Speaker 2: movie tarantine.

768
00:40:53,719 --> 00:40:56,399
Speaker 1: They watch Once upon a Time in how many times

769
00:40:56,400 --> 00:40:56,960
Speaker 1: have you seen that?

770
00:40:57,040 --> 00:40:59,040
Speaker 2: I've seen it like twice, but I saw in theaters

771
00:40:59,040 --> 00:41:00,960
Speaker 2: and I saw it and I've seen it outside of theaters,

772
00:41:00,960 --> 00:41:02,359
Speaker 2: but maybe I need to rewatch it.

773
00:41:02,760 --> 00:41:05,480
Speaker 1: They were all so good in that. Leonarda was fucking

774
00:41:05,600 --> 00:41:07,400
Speaker 1: great in that he was he was great in that,

775
00:41:07,520 --> 00:41:10,040
Speaker 1: he was funny, he was fucking good. They were all

776
00:41:10,080 --> 00:41:13,279
Speaker 1: good in it. Brad Pitt, they they were the fucking

777
00:41:13,360 --> 00:41:16,719
Speaker 1: Quinn Tarantino. Man, that shit is full proof. Man, you're

778
00:41:16,719 --> 00:41:19,479
Speaker 1: gonna destroy it if you're in a Quentin Tarantino because

779
00:41:19,480 --> 00:41:23,760
Speaker 1: he's gonna cast the right people. The writing's fucking great.

780
00:41:24,560 --> 00:41:28,840
Speaker 1: Everything what he does is he's an epic. He everything

781
00:41:28,880 --> 00:41:32,600
Speaker 1: he does epic. He's just incredible. He's so dope.

782
00:41:33,200 --> 00:41:35,480
Speaker 2: Yeah, you should rewatch I mean, rewatch Kill Bill two.

783
00:41:35,560 --> 00:41:39,200
Speaker 2: I mean that's that's soundtrack and everything. I'm just like,

784
00:41:39,440 --> 00:41:41,920
Speaker 2: fuck man, Quintin's so good. But you should do a podcast.

785
00:41:42,120 --> 00:41:44,040
Speaker 2: I would like to hear you do a podcast or

786
00:41:44,080 --> 00:41:48,560
Speaker 2: start doing podcasts where you're breaking down. You don't have

787
00:41:48,600 --> 00:41:51,080
Speaker 2: to do every movie of yours, but it would be

788
00:41:51,120 --> 00:41:53,839
Speaker 2: cool to see you do podcasts where you go from

789
00:41:53,880 --> 00:41:57,080
Speaker 2: like the beginning of your career towards, not the end

790
00:41:57,080 --> 00:42:01,120
Speaker 2: of your career, because it's still going. But that's what

791
00:42:01,160 --> 00:42:01,520
Speaker 2: I'm saying.

792
00:42:01,520 --> 00:42:03,399
Speaker 1: Like what you're saying, but watch your fucking mouth.

793
00:42:03,520 --> 00:42:05,040
Speaker 2: No I did. I did watch it. I'm not saying

794
00:42:05,160 --> 00:42:07,000
Speaker 2: no because you said to the end of your career,

795
00:42:07,080 --> 00:42:10,040
Speaker 2: Like no, until to present day, to present day.

796
00:42:10,120 --> 00:42:12,279
Speaker 1: That's a better word, because I don't like the end. Shit.

797
00:42:12,520 --> 00:42:14,200
Speaker 2: That's why I corrected myself. I say, it's not the

798
00:42:14,280 --> 00:42:16,480
Speaker 2: end of your correct yourself. I actually correct No, I

799
00:42:16,520 --> 00:42:18,879
Speaker 2: actually corrected it. I said, because it's still going, because

800
00:42:18,920 --> 00:42:22,000
Speaker 2: you know, only Murders and Atypical and Life and Beth

801
00:42:22,239 --> 00:42:24,760
Speaker 2: and we're still doing these things and we're on strike,

802
00:42:25,239 --> 00:42:27,440
Speaker 2: so we're not doing anything right now, which is fine.

803
00:42:27,800 --> 00:42:30,240
Speaker 2: But it would be cool to see you break down

804
00:42:30,400 --> 00:42:33,319
Speaker 2: like two movies, like your favorites that you've done, and

805
00:42:33,600 --> 00:42:35,920
Speaker 2: like like Beautiful Girls that you just did, and just

806
00:42:35,920 --> 00:42:38,400
Speaker 2: do a deep dive on the acting and your experience

807
00:42:38,440 --> 00:42:40,760
Speaker 2: on it, because I'm sure the fans and the listeners

808
00:42:40,800 --> 00:42:42,200
Speaker 2: would fucking love to hear that.

809
00:42:42,400 --> 00:42:45,120
Speaker 1: It would be cool to do a Beautiful Girls podcast

810
00:42:45,160 --> 00:42:46,919
Speaker 1: with all those guys, because we.

811
00:42:46,880 --> 00:42:49,640
Speaker 2: Had not even with everybody just you're just even just

812
00:42:49,760 --> 00:42:54,520
Speaker 2: your experience, just you talking about your filmography and breaking

813
00:42:54,560 --> 00:42:58,080
Speaker 2: down like an hour of one movie and all just

814
00:42:58,239 --> 00:43:00,239
Speaker 2: the cool things that went on during the I'm because

815
00:43:00,239 --> 00:43:01,359
Speaker 2: I would geek out on that too.

816
00:43:01,840 --> 00:43:03,200
Speaker 1: Yeah, I would do that. I would do that.

817
00:43:03,200 --> 00:43:03,600
Speaker 2: I don't know.

818
00:43:04,360 --> 00:43:07,040
Speaker 1: All right, well, listen anything else.

819
00:43:07,120 --> 00:43:10,040
Speaker 2: I'm already going. I'm like, I got another hour in

820
00:43:10,040 --> 00:43:11,600
Speaker 2: the tank. If you want to do another hour, it's

821
00:43:11,719 --> 00:43:13,359
Speaker 2: like you're always trying to like rushing out. I don't

822
00:43:13,360 --> 00:43:17,080
Speaker 2: want to do another hour, motherfucker. Because you said, you

823
00:43:17,120 --> 00:43:19,399
Speaker 2: said there's a Sparklets guy coming, you.

824
00:43:19,400 --> 00:43:19,920
Speaker 1: Buzzed him in.

825
00:43:20,000 --> 00:43:21,480
Speaker 2: You didn't even know. I already buzzed him in. I

826
00:43:21,520 --> 00:43:23,960
Speaker 2: heard him like fucking struggling up my stairs carrying the

827
00:43:23,960 --> 00:43:24,840
Speaker 2: goddamn coolers.

828
00:43:25,200 --> 00:43:26,399
Speaker 1: Well, why don't you go help him.

829
00:43:26,560 --> 00:43:28,160
Speaker 2: I'm not fucking going out there and help him. That's

830
00:43:28,160 --> 00:43:29,440
Speaker 2: his job. I pay for it. I pay like a

831
00:43:29,440 --> 00:43:31,279
Speaker 2: fucking twenty dollars delivery feed. It's nuts.

832
00:43:31,800 --> 00:43:34,160
Speaker 1: Well you can use the exercise that.

833
00:43:34,160 --> 00:43:35,799
Speaker 2: That's true too. I need to get back in the

834
00:43:35,800 --> 00:43:36,400
Speaker 2: fucking gym.

835
00:43:36,440 --> 00:43:42,280
Speaker 1: But anything else going on, bro uh, not too much.

836
00:43:42,600 --> 00:43:45,239
Speaker 2: LA is definitely pretty sketchy. I mean we don't have

837
00:43:45,280 --> 00:43:47,040
Speaker 2: to deep dive into that, but like, there have been

838
00:43:47,080 --> 00:43:48,719
Speaker 2: two occasions where I felt like I was gonna get

839
00:43:48,800 --> 00:43:53,400
Speaker 2: mugged out here and give me one Outside of my apartment.

840
00:43:54,280 --> 00:43:56,000
Speaker 2: I was going out there, like two in the morning

841
00:43:56,000 --> 00:43:58,520
Speaker 2: to get something from my car, and as I was going,

842
00:43:58,560 --> 00:44:01,120
Speaker 2: I saw somebody standing with them on. This was two

843
00:44:01,120 --> 00:44:03,359
Speaker 2: in the morning, like dressed in all black, had a

844
00:44:03,400 --> 00:44:07,920
Speaker 2: mask on, and was standing on the sidewalk just looking

845
00:44:08,200 --> 00:44:11,000
Speaker 2: at the building next to mine. And he was staring

846
00:44:11,040 --> 00:44:12,719
Speaker 2: at the building next to mine on the outside. And

847
00:44:12,760 --> 00:44:14,200
Speaker 2: I got and I was, you know, I'm always very

848
00:44:14,200 --> 00:44:16,880
Speaker 2: aware of my surroundings. I got really sketched out, and

849
00:44:16,920 --> 00:44:18,759
Speaker 2: then he looked over at me because I'm the only

850
00:44:18,800 --> 00:44:22,040
Speaker 2: person outside. And I ended up going to the car

851
00:44:22,400 --> 00:44:25,640
Speaker 2: and he started walking towards my building where the car was,

852
00:44:26,080 --> 00:44:28,520
Speaker 2: and I quickly got whatever I had in my car,

853
00:44:29,040 --> 00:44:31,719
Speaker 2: walked up to my stairs of my building, and we

854
00:44:31,840 --> 00:44:34,839
Speaker 2: like we crossed each other. Like I was in my head,

855
00:44:34,880 --> 00:44:37,200
Speaker 2: I'm like, I'm something might happen to me, and I'll

856
00:44:37,200 --> 00:44:38,799
Speaker 2: tell you why I felt like something was gonna happen

857
00:44:38,840 --> 00:44:41,360
Speaker 2: to me. I ended up going and I typed in

858
00:44:41,400 --> 00:44:44,200
Speaker 2: the key code. The key combination to my apartment building,

859
00:44:44,239 --> 00:44:45,480
Speaker 2: and I got in and I got buzzed in, and

860
00:44:45,800 --> 00:44:48,440
Speaker 2: I noticed he was standing outside my building just looking

861
00:44:48,520 --> 00:44:50,680
Speaker 2: up at it. I got really sketched out. But I

862
00:44:50,680 --> 00:44:52,880
Speaker 2: don't know. If I told you this, I'll make it

863
00:44:52,880 --> 00:44:53,400
Speaker 2: really quick.

864
00:44:53,760 --> 00:44:55,600
Speaker 1: No, but a keep going. This is good.

865
00:44:55,719 --> 00:44:58,080
Speaker 2: A couple of weeks ago, I got you know, because

866
00:44:58,120 --> 00:44:59,800
Speaker 2: I that's what I mean. Like when I'm buzzing the

867
00:44:59,840 --> 00:45:03,520
Speaker 2: water guy in, you know, the gate calls my cell phone,

868
00:45:03,560 --> 00:45:06,080
Speaker 2: I'm able to buzz people in. I got a call

869
00:45:06,200 --> 00:45:10,640
Speaker 2: at like three thirty in the morning one night, about

870
00:45:10,680 --> 00:45:13,480
Speaker 2: a week ago, three thirty in the morning from the

871
00:45:13,520 --> 00:45:15,680
Speaker 2: front gate, and I'm like, what the fuck is going on?

872
00:45:15,760 --> 00:45:18,440
Speaker 2: And I answered it like I was dead asleep and

873
00:45:18,520 --> 00:45:20,520
Speaker 2: I answered it and I was like hello, and this

874
00:45:20,560 --> 00:45:21,200
Speaker 2: guy was like.

875
00:45:21,320 --> 00:45:22,520
Speaker 1: Help help let me in.

876
00:45:22,560 --> 00:45:25,080
Speaker 2: I'm getting mugged. I'm getting mugged. Let me in the building,

877
00:45:25,120 --> 00:45:27,320
Speaker 2: Let me in. The call the police, Call the police,

878
00:45:27,400 --> 00:45:29,799
Speaker 2: And I know I'm not going to just let anyone in,

879
00:45:30,000 --> 00:45:32,040
Speaker 2: like you don't know if someone's like trying to get

880
00:45:32,040 --> 00:45:34,719
Speaker 2: into your building. I was asleep. I didn't know what

881
00:45:34,760 --> 00:45:37,560
Speaker 2: the fuck was going on, so I just hung up.

882
00:45:38,040 --> 00:45:41,280
Speaker 2: It didn't sound was like, I'm not fucking like buzzing

883
00:45:41,280 --> 00:45:43,359
Speaker 2: some dude in at the front gate at like three

884
00:45:43,480 --> 00:45:45,600
Speaker 2: thirty in the morning. So I hung up. But then

885
00:45:45,640 --> 00:45:48,960
Speaker 2: I was I was at the pool at my building

886
00:45:49,120 --> 00:45:51,080
Speaker 2: and a couple of the neighbors were here and they

887
00:45:51,080 --> 00:45:53,480
Speaker 2: were like, oh my god, did you guys hear about

888
00:45:53,680 --> 00:45:55,200
Speaker 2: He came over me. He's like, did you hear about

889
00:45:55,200 --> 00:45:57,200
Speaker 2: that guy? They got mugged outside of our building? And

890
00:45:57,239 --> 00:45:59,919
Speaker 2: I was like what and and it started clicking because

891
00:45:59,920 --> 00:46:02,279
Speaker 2: I forgot about it, and they started clicking and they're like, yeah,

892
00:46:02,320 --> 00:46:06,240
Speaker 2: there's a pool of blood outside of the apartment building.

893
00:46:06,320 --> 00:46:09,920
Speaker 2: Some guy was like walking on the sidewalk and some

894
00:46:10,120 --> 00:46:12,439
Speaker 2: dude mugged him and beat the shit out of him

895
00:46:12,719 --> 00:46:15,600
Speaker 2: and like fucking serious, literally left him in like a

896
00:46:15,600 --> 00:46:18,839
Speaker 2: pool of blood in this guy and he buzzed them

897
00:46:18,880 --> 00:46:20,759
Speaker 2: and they let him in or something, and someone like

898
00:46:20,800 --> 00:46:22,880
Speaker 2: helped him. I felt like the biggest asshole because I

899
00:46:22,880 --> 00:46:25,759
Speaker 2: thought it was a fucking scam, But apparently some dude

900
00:46:25,800 --> 00:46:28,960
Speaker 2: got the shit kicked out of him some random person

901
00:46:29,680 --> 00:46:31,840
Speaker 2: and got ram and there was like a pool of

902
00:46:31,840 --> 00:46:34,840
Speaker 2: blood outside of my apartment building. And I thought about that.

903
00:46:34,920 --> 00:46:38,120
Speaker 2: I was like, shit, that dude tried fucking buzzing my apartment,

904
00:46:38,320 --> 00:46:40,320
Speaker 2: and I remember how frantic he was on the phone.

905
00:46:40,360 --> 00:46:42,719
Speaker 2: But I felt guilty about that. But at the same time,

906
00:46:42,719 --> 00:46:45,120
Speaker 2: it's like, you don't know, you can't just let anyone

907
00:46:45,200 --> 00:46:46,680
Speaker 2: into your fucking apartment building.

908
00:46:47,040 --> 00:46:49,680
Speaker 1: That's that's fucked up. Man. That that was a fuck

909
00:46:49,760 --> 00:46:52,719
Speaker 1: You can't just let anybody in. But fuck man, that

910
00:46:52,840 --> 00:46:55,880
Speaker 1: is that's fucked up. And so did you see the

911
00:46:55,920 --> 00:46:59,840
Speaker 1: footage of of the guy in It's somewhere in Texas.

912
00:46:59,840 --> 00:47:03,040
Speaker 1: This these two fucking assholes, they're trying to break into

913
00:47:03,080 --> 00:47:06,600
Speaker 1: his door. They're kicking it and kicking it. Oh I saw, Oh,

914
00:47:06,640 --> 00:47:08,880
Speaker 1: I saw that. And they're kicking it, and then the

915
00:47:08,920 --> 00:47:11,279
Speaker 1: other and then the other guy starts kicking it and

916
00:47:11,360 --> 00:47:14,440
Speaker 1: kicking it and kicking it. And the fucking owner of

917
00:47:14,480 --> 00:47:16,919
Speaker 1: the person in the apartment started showing the fly door.

918
00:47:17,600 --> 00:47:22,040
Speaker 1: Build this guy a fucking statue, build him a sph

919
00:47:22,800 --> 00:47:27,760
Speaker 1: that's what you get, you fucking assholes. Brother fuckers. You

920
00:47:27,760 --> 00:47:30,279
Speaker 1: you're kicking it, trying to kick his fucking door down,

921
00:47:30,600 --> 00:47:32,520
Speaker 1: And they had a gunshy would have got shot right

922
00:47:32,560 --> 00:47:34,160
Speaker 1: in the fucking ass, right in the keyster.

923
00:47:34,960 --> 00:47:37,279
Speaker 2: That would have been honestly, they deserve that ship the

924
00:47:37,280 --> 00:47:39,040
Speaker 2: way that they were trying to break into. That fucking dude,

925
00:47:39,280 --> 00:47:41,320
Speaker 2: leave people alone. I mean, the guy was a fucking

926
00:47:41,360 --> 00:47:45,480
Speaker 2: asshole whatever, But there was some dude I went to

927
00:47:45,520 --> 00:47:46,799
Speaker 2: right A two nights ago.

928
00:47:47,800 --> 00:47:49,200
Speaker 1: Oh well that is whatever good.

929
00:47:49,719 --> 00:47:53,480
Speaker 2: Right AID is never good. Right right AD's never good.

930
00:47:53,480 --> 00:47:55,040
Speaker 2: The last time it was a right AD during the

931
00:47:55,120 --> 00:47:58,600
Speaker 2: day isn't good. Writing during the night ain't good CBS

932
00:47:58,880 --> 00:48:01,360
Speaker 2: all that shit. You gotta go in there.

933
00:48:01,600 --> 00:48:03,840
Speaker 1: Like ready for for anything to happen.

934
00:48:03,840 --> 00:48:06,560
Speaker 2: No, that's true literally, because I was there about a

935
00:48:06,560 --> 00:48:09,080
Speaker 2: week ago and there were two people I was I

936
00:48:09,120 --> 00:48:11,440
Speaker 2: was getting like a birthday card for somebody who was

937
00:48:11,480 --> 00:48:15,160
Speaker 2: like twelve thirty pm in the daytime. There were kids

938
00:48:15,200 --> 00:48:17,640
Speaker 2: around all that stuff, and then two people with ski

939
00:48:17,840 --> 00:48:21,160
Speaker 2: masks walk into the Right AID and they're dressed in

940
00:48:21,239 --> 00:48:23,760
Speaker 2: all black, they have backpacks and they have full blown

941
00:48:23,840 --> 00:48:26,920
Speaker 2: ski masks on, and they're like walking pretty quickly, and

942
00:48:26,960 --> 00:48:29,400
Speaker 2: the person's like the lady who was working there, The

943
00:48:29,440 --> 00:48:32,439
Speaker 2: manager's like, yeah, you can't wear that shit, Like take

944
00:48:32,440 --> 00:48:35,640
Speaker 2: those fucking sche masks off. They're like, you're discriminating against us.

945
00:48:35,680 --> 00:48:37,560
Speaker 2: We're allowed to wear our ski masks. In here and

946
00:48:37,600 --> 00:48:39,560
Speaker 2: she's like no, get the fuck out of the store,

947
00:48:39,760 --> 00:48:41,920
Speaker 2: like you can't come in here with fucking sche masks,

948
00:48:41,920 --> 00:48:44,359
Speaker 2: like you look crazy. I was there. I was there

949
00:48:44,440 --> 00:48:46,120
Speaker 2: last night and some dude. I was walking to my

950
00:48:46,160 --> 00:48:49,040
Speaker 2: car and this guy starts walking quickly over to my window.

951
00:48:49,080 --> 00:48:51,359
Speaker 2: I'm like fuck, now what I get in the car.

952
00:48:51,400 --> 00:48:53,160
Speaker 2: I lock the door and he's right up in my

953
00:48:53,200 --> 00:48:55,080
Speaker 2: window and he's banging on the window and he's like

954
00:48:55,200 --> 00:48:57,200
Speaker 2: roll it down, and I was like fuck. I rolled

955
00:48:57,200 --> 00:48:59,160
Speaker 2: it down like a crack. And I was like what's up?

956
00:48:59,200 --> 00:49:01,520
Speaker 2: And he's like come whin. He's like, I need some

957
00:49:01,560 --> 00:49:03,359
Speaker 2: of your money to uh to go get some food

958
00:49:03,360 --> 00:49:05,560
Speaker 2: in there. And I was like nope. He was at

959
00:49:05,640 --> 00:49:09,239
Speaker 2: my fucking window like raced over to me. There's been

960
00:49:09,280 --> 00:49:10,799
Speaker 2: some weird thing? Did I tell you? And I went

961
00:49:10,880 --> 00:49:13,319
Speaker 2: to Target. I also went to Target a few days

962
00:49:13,320 --> 00:49:17,000
Speaker 2: ago and I walked past the electronics section and some fat,

963
00:49:17,520 --> 00:49:21,840
Speaker 2: like white, like white trash looking dude is by the electronics.

964
00:49:21,840 --> 00:49:23,439
Speaker 2: He goes hey, man, like, do you have a couple

965
00:49:23,520 --> 00:49:25,640
Speaker 2: bucks to spare? I'm trying to get the video. He

966
00:49:25,719 --> 00:49:29,279
Speaker 2: got no bucks? How dare you? How dare you ask

967
00:49:29,400 --> 00:49:32,640
Speaker 2: for bucks? But like it used to be, Yo, can

968
00:49:32,680 --> 00:49:34,720
Speaker 2: you give me anything? You give the motherfucker a nickel.

969
00:49:35,000 --> 00:49:39,280
Speaker 1: These motherfuckers are asking for like specific, specific amounts of money.

970
00:49:39,520 --> 00:49:41,600
Speaker 2: That's that's what I mean. He was, but he goes,

971
00:49:41,640 --> 00:49:43,120
Speaker 2: he goes I don't even know if he said a

972
00:49:43,160 --> 00:49:45,120
Speaker 2: few bucks. He goes, hey, man, can you help me,

973
00:49:45,160 --> 00:49:47,919
Speaker 2: I'm trying to get the new iPhone? And I can really,

974
00:49:48,560 --> 00:49:50,560
Speaker 2: I literally I thought I'm trying to get the new

975
00:49:50,600 --> 00:49:53,640
Speaker 2: iPhone too, mother too. I thought it was a joke

976
00:49:53,680 --> 00:49:55,759
Speaker 2: and the guy looked like totally normal, and I was

977
00:49:55,800 --> 00:49:58,319
Speaker 2: like no. And a week later I went back with

978
00:49:58,360 --> 00:50:00,680
Speaker 2: my girlfriend and we're at the self check out. We're

979
00:50:00,719 --> 00:50:04,279
Speaker 2: at the self checkout section, like buying our shit, and

980
00:50:04,320 --> 00:50:06,720
Speaker 2: that same exact dude who asked me for the iPhone

981
00:50:06,719 --> 00:50:09,279
Speaker 2: is there a week later, and he's got clothes with

982
00:50:09,360 --> 00:50:12,400
Speaker 2: him and he goes over to my girlfriend's self checkout

983
00:50:12,719 --> 00:50:15,919
Speaker 2: station and he's like trying to scan the clothes onto

984
00:50:15,960 --> 00:50:17,759
Speaker 2: her self check and HE'SAI. He's like, do you mind

985
00:50:17,760 --> 00:50:20,439
Speaker 2: if you add this to your self checkout? And she's

986
00:50:20,480 --> 00:50:22,600
Speaker 2: like no, what are you doing? And I was like,

987
00:50:22,680 --> 00:50:25,000
Speaker 2: that's the same dude who tried to fucking ask me

988
00:50:25,040 --> 00:50:26,760
Speaker 2: for money to buy him an iPhone. Like this guy's

989
00:50:26,800 --> 00:50:27,920
Speaker 2: just hanging out at Target.

990
00:50:28,400 --> 00:50:34,920
Speaker 1: Let me tell you something, this bullshit, this fucking crime shit.

991
00:50:35,040 --> 00:50:37,320
Speaker 1: Did I tell you that somebody threw a fucking shoe

992
00:50:37,320 --> 00:50:38,040
Speaker 1: at my wife?

993
00:50:38,680 --> 00:50:41,719
Speaker 2: That I heard? That is insane?

994
00:50:41,880 --> 00:50:44,360
Speaker 1: Yo, I don't think I mentioned this on the podcast. No,

995
00:50:45,239 --> 00:50:48,040
Speaker 1: My wife was on sixty third in Madison. For those

996
00:50:48,080 --> 00:50:49,880
Speaker 1: of you who don't know New York, sixty third in

997
00:50:49,920 --> 00:50:55,040
Speaker 1: Madison is called the Upper east Side. Everybody knows Madison Avenue,

998
00:50:55,200 --> 00:50:57,240
Speaker 1: even if you've never been there, you know that Madison

999
00:50:57,280 --> 00:51:01,360
Speaker 1: Avenue is supposed to we be the elite of the elite.

1000
00:51:02,120 --> 00:51:08,320
Speaker 1: This cocksucker, this homeless guy, white dude. She was walking

1001
00:51:08,360 --> 00:51:11,760
Speaker 1: past him, he made eye contact with her, started screaming

1002
00:51:11,800 --> 00:51:15,080
Speaker 1: at her. My wife. Now, my wife is not like me.

1003
00:51:15,200 --> 00:51:20,719
Speaker 1: She's got a joyous, light, sunny disposition. That's why she's

1004
00:51:20,760 --> 00:51:24,960
Speaker 1: with me. Is for another discussion. But this cocksucker on

1005
00:51:25,040 --> 00:51:29,680
Speaker 1: sixty thirty Madison started screaming at my wife. She walked

1006
00:51:29,719 --> 00:51:34,200
Speaker 1: past him. Motherfucker took his sneaker off, threw it at

1007
00:51:34,239 --> 00:51:37,160
Speaker 1: my wife, hit her in the fucking leg, told her

1008
00:51:37,200 --> 00:51:40,520
Speaker 1: to go back to Africa and eat a chicken bone.

1009
00:51:41,200 --> 00:51:42,440
Speaker 2: That is so fucked up.

1010
00:51:42,920 --> 00:51:45,560
Speaker 1: He said to eat a chicken you know, a chicken leg,

1011
00:51:46,280 --> 00:51:48,600
Speaker 1: and threw his fuck and nobody helped. This is in

1012
00:51:48,640 --> 00:51:51,320
Speaker 1: the middle of the day on sixty thirty Madison. White

1013
00:51:51,320 --> 00:51:54,320
Speaker 1: people didn't help her, Black people didn't help her. Nobody

1014
00:51:54,360 --> 00:51:57,160
Speaker 1: did shit. Nobody looked at her, Nobody looked at the guy.

1015
00:51:57,239 --> 00:52:00,279
Speaker 1: Nobody did shit. If I had been with this cock

1016
00:52:00,560 --> 00:52:03,080
Speaker 1: I did take one of those big New York garbage cans.

1017
00:52:03,160 --> 00:52:05,800
Speaker 1: I'd empty the trash and I had put this fucking

1018
00:52:05,800 --> 00:52:09,320
Speaker 1: garbage can on this cocksucker. She said she's seen them before.

1019
00:52:10,040 --> 00:52:12,920
Speaker 1: But somebody threw a fucking shoe at my wife and

1020
00:52:13,239 --> 00:52:15,200
Speaker 1: told her to go eat a chicken wing and go

1021
00:52:15,280 --> 00:52:17,080
Speaker 1: back to Africa. That ain't funny.

1022
00:52:17,480 --> 00:52:18,000
Speaker 2: That's funny.

1023
00:52:18,040 --> 00:52:20,279
Speaker 1: Nobody else say funny. Them coming up to you in

1024
00:52:20,320 --> 00:52:24,240
Speaker 1: the parking lots and all this fucking bullshit, this crime,

1025
00:52:24,719 --> 00:52:27,799
Speaker 1: and people going into stores and people walking down the

1026
00:52:27,800 --> 00:52:30,680
Speaker 1: streets with masks when you know, you know, you don't

1027
00:52:30,680 --> 00:52:32,600
Speaker 1: give a fuck about COVID. You got the mask on

1028
00:52:32,680 --> 00:52:34,480
Speaker 1: going into CBS and writings.

1029
00:52:34,600 --> 00:52:37,640
Speaker 2: I'm talking ski mask. I'm talking ski masks, not not

1030
00:52:37,880 --> 00:52:41,120
Speaker 2: COVID mask. None of that shit is just scaring people. Yeah,

1031
00:52:41,280 --> 00:52:44,520
Speaker 2: none of it's because we know what you're doing. Motherfucker.

1032
00:52:45,440 --> 00:52:49,799
Speaker 1: You ain't walking into the target and the CBS and

1033
00:52:49,840 --> 00:52:52,600
Speaker 1: the Right Aid and putting your mask on because it's

1034
00:52:52,640 --> 00:52:55,640
Speaker 1: cold out. That's when you take the mask off, is

1035
00:52:55,680 --> 00:52:58,120
Speaker 1: when you go in there, unless you're on some This

1036
00:52:58,160 --> 00:53:00,959
Speaker 1: is a stick up, unless you're wart some dog afternoon shit.

1037
00:53:01,320 --> 00:53:03,560
Speaker 1: And they need to fix this shit because it ain't cool,

1038
00:53:03,920 --> 00:53:07,040
Speaker 1: it ain't dope, it ain't fucking fun. It's not about

1039
00:53:07,080 --> 00:53:11,239
Speaker 1: people's situation. The only people that are the situation is

1040
00:53:11,239 --> 00:53:13,560
Speaker 1: that they're taking advantage situation that you could do it

1041
00:53:13,600 --> 00:53:16,399
Speaker 1: and not go to fucking jail. That's the situation that's

1042
00:53:16,440 --> 00:53:17,520
Speaker 1: being taken advantage of.

1043
00:53:17,680 --> 00:53:18,560
Speaker 2: It's true.

1044
00:53:19,160 --> 00:53:21,560
Speaker 1: And I know people go, oh, that's your right wing

1045
00:53:21,600 --> 00:53:23,840
Speaker 1: and your left wing, and this is because of Biden.

1046
00:53:24,000 --> 00:53:26,440
Speaker 1: Has nothing to do with fucking Biden. It's the states

1047
00:53:26,440 --> 00:53:29,160
Speaker 1: and the cities, and you know what, the fucking mayors

1048
00:53:29,200 --> 00:53:31,040
Speaker 1: of all these cities, I hope you don't get re

1049
00:53:31,080 --> 00:53:34,560
Speaker 1: elected until you fix this shit. San Francisco's a piss hole.

1050
00:53:35,120 --> 00:53:38,839
Speaker 1: San Francisco's a piss hole. LA's a fucking piss hoole.

1051
00:53:39,239 --> 00:53:43,359
Speaker 1: No disrespect and New York City is getting funky. New

1052
00:53:43,400 --> 00:53:46,520
Speaker 1: York City's always funky, But when you're throwing shoes at people,

1053
00:53:47,800 --> 00:53:51,239
Speaker 1: namely my wife on sixty third in Madison, I got

1054
00:53:51,239 --> 00:53:54,400
Speaker 1: a fucking problem.

1055
00:53:53,320 --> 00:53:55,200
Speaker 2: And you weren't there to protect her. Well, I don't

1056
00:53:55,200 --> 00:53:59,960
Speaker 2: know what that says about you, but because you weren't

1057
00:54:00,080 --> 00:54:02,239
Speaker 2: there when she got a shoot thrown at her, and

1058
00:54:02,320 --> 00:54:05,920
Speaker 2: that's your duty as a husband to protect your wife.

1059
00:54:06,000 --> 00:54:08,160
Speaker 2: I know if I was there, I would have protected

1060
00:54:08,239 --> 00:54:11,560
Speaker 2: your wife. I would have protected your wife, like, no problem,

1061
00:54:11,840 --> 00:54:13,680
Speaker 2: Like that would have been like, excuse me, you don't

1062
00:54:13,760 --> 00:54:16,440
Speaker 2: do that to one of my best friend's wives. And

1063
00:54:16,560 --> 00:54:19,160
Speaker 2: this is the consequence now, because you weren't fucking there,

1064
00:54:19,200 --> 00:54:20,759
Speaker 2: God knows where you were. You were probably sitting on

1065
00:54:20,800 --> 00:54:23,080
Speaker 2: that fucking beach in your goddamn lawn chair with your

1066
00:54:23,120 --> 00:54:27,400
Speaker 2: Arnold palmer while your wife is getting fucking harassed. I

1067
00:54:27,440 --> 00:54:32,800
Speaker 2: would have protected her, all right. Where were you? What

1068
00:54:33,000 --> 00:54:35,040
Speaker 2: that's the that's the better question is where the fuck

1069
00:54:35,120 --> 00:54:38,320
Speaker 2: were you when your wife was getting fucking Rachel slur's

1070
00:54:38,760 --> 00:54:42,279
Speaker 2: thrown at her? Where were you where thrown at her?

1071
00:54:42,400 --> 00:54:46,600
Speaker 2: Right physically and verbally assaulted? And and god, you're you're

1072
00:54:46,680 --> 00:54:47,520
Speaker 2: nowhere to be found.

1073
00:54:48,880 --> 00:54:53,760
Speaker 1: I know, asshole. Anyway, We're done. This was an excellent

1074
00:54:53,880 --> 00:54:56,640
Speaker 1: This is another great poscast, and this is why people go,

1075
00:54:57,040 --> 00:54:59,960
Speaker 1: we love the Shooter. Well, some people go, we don't

1076
00:55:00,160 --> 00:55:02,120
Speaker 1: love the shooter, but the majority of people say we

1077
00:55:02,200 --> 00:55:02,800
Speaker 1: love the Shooter.

1078
00:55:03,040 --> 00:55:04,960
Speaker 2: It started rocky. I think we got I think we

1079
00:55:05,080 --> 00:55:07,520
Speaker 2: got back. I think we got back on the on

1080
00:55:07,600 --> 00:55:08,240
Speaker 2: the right foot.

1081
00:55:08,400 --> 00:55:14,800
Speaker 1: So well, came Saw disrupted, came Saw disrupted, Miles, Jiorniki,

1082
00:55:14,840 --> 00:55:16,759
Speaker 1: the Bleach Brothers. Take us out of here with something

1083
00:55:16,800 --> 00:55:18,879
Speaker 1: real nice. Take us out of here with something real loud,

1084
00:55:18,920 --> 00:55:22,440
Speaker 1: but most importantly and this gorgeous museum quality iron wrap

1085
00:55:22,520 --> 00:55:25,560
Speaker 1: port stereo podcast with something real funky,