WEBVTT - The Corpse of Inês de Castro

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<v Speaker 1>Welcome to Noble Blood, a production of I Heart Radio

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<v Speaker 1>and Grim and Mild from Aaron Mankey listener discretion advised. Hey,

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<v Speaker 1>this is Danish Schwartz. Before we begin, just a quick

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<v Speaker 1>reminder that I wrote a book that's coming out in February.

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<v Speaker 1>It's called Immortality, a Love Story, and it's the sequel

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<v Speaker 1>to the book I wrote called Anatomy, a love story

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<v Speaker 1>all about a young woman who wants to be a

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<v Speaker 1>surgeon in the early eighteen hundreds in Scotland, and a

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<v Speaker 1>lot of characters actually that I've covered on this podcast

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<v Speaker 1>appear in Immortality. So if you like this podcast, please preorder.

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<v Speaker 1>It makes a huge amount of difference and I would

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<v Speaker 1>really appreciate it. If you also want to support the

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<v Speaker 1>show in other ways, we have a Patreon and March available.

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<v Speaker 1>Those links are in the bio, but the best support

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<v Speaker 1>is just that you're listening to the show, So thank

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<v Speaker 1>you so much. Before we get started this week, I

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<v Speaker 1>just want to give a quick content warning for some

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<v Speaker 1>listeners who might be sensitive. This episode has um, particularly

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<v Speaker 1>gruce Um, Blood and Gore in detail, and so some

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<v Speaker 1>listener discretion is advised. On a night in the year

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<v Speaker 1>thirteen sixty King Pedro the First of Portugal sat down

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<v Speaker 1>in his castle's dining hall in sent o m for

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<v Speaker 1>what he expected to be an especially satisfying meal. Servants

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<v Speaker 1>walked in with platters piled high with assorted meats, while

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<v Speaker 1>bottles of wine were being brought forth for the king's approval.

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<v Speaker 1>Though despite the extravagant spread, it quickly became apparent to

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<v Speaker 1>all in the room that the king didn't have much

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<v Speaker 1>interest in the feast laid out before him. Between the

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<v Speaker 1>softly taken footsteps of servers and the muted clatter of

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<v Speaker 1>cutlery against serving dishes, the air that was hanging in

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<v Speaker 1>the dining hall that evening was charged with a layer

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<v Speaker 1>of antis A patient Those in the room attempted to

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<v Speaker 1>maintain the facade of normalcy, but at the center of

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<v Speaker 1>it all, the king sat motionless, his vacant gaze unmoving

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<v Speaker 1>as plate after plate of untouched food arrived in front

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<v Speaker 1>of him. Perhaps the king wasn't looking at his plate

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<v Speaker 1>so much as he was staring at the knife next

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<v Speaker 1>to it, watching the metal glint invitingly in the flickers

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<v Speaker 1>of candlelight around the room. Or maybe he was distracted

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<v Speaker 1>by the empty chair next to him the space that

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<v Speaker 1>had once upon a time been reserved for his queen,

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<v Speaker 1>his beloved, and as de Castro, the woman who continued

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<v Speaker 1>to hold his heart, even if he could only see

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<v Speaker 1>her in the negative spaces that, even five years after

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<v Speaker 1>her death persist did inexorably like an opened wound. Whatever

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<v Speaker 1>was holding the King's attention during that dinner, the audible

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<v Speaker 1>trail of footsteps echoing from beyond the dining hall quickly

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<v Speaker 1>shifted his focus back into the present, His eyes locked

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<v Speaker 1>onto the door with newfound excitement, just as the entry

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<v Speaker 1>gave way and his guards at long last brought in

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<v Speaker 1>the final two dinner guests that the king had been

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<v Speaker 1>waiting for that evening, though really King Pedro had been

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<v Speaker 1>waiting for these two men for the better part of

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<v Speaker 1>five years. The two guests in question were Alvaro Gonzales

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<v Speaker 1>and Pero Coilo, two of the men responsible for the

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<v Speaker 1>brutal murder of the King's beloved and as to Castro

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<v Speaker 1>in thirteen fifty five. After years of searching, King Pedro

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<v Speaker 1>had finally managed to track two of the assas essence down,

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<v Speaker 1>bringing them back to Portugal to stand trial for their crimes.

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<v Speaker 1>Of course, the main perpetrator in his love's murder was

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<v Speaker 1>Pedro's own father, King Alfonso the Fourth, but considering that

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<v Speaker 1>the late king had died in thirteen fifty seven, there

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<v Speaker 1>was little more Pedro could do to punish his father

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<v Speaker 1>from this side of the earthly plane. Gonsalves and Quelo, however,

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<v Speaker 1>were still very much alive in offense that King Pedro

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<v Speaker 1>sought to rectify personally. There was little struggle from the

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<v Speaker 1>men as the armed guards marched them into the hall.

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<v Speaker 1>After all, upon their return to Portugal, a trial had

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<v Speaker 1>swiftly concluded that both men were guilty of murder. Their

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<v Speaker 1>fates had been sealed from that moment, their deaths assured.

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<v Speaker 1>All that was left was to face their sentence, though

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<v Speaker 1>I imagine their sense of res all all but crumbled

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<v Speaker 1>upon hearing their king's plans for them. That evening, as

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<v Speaker 1>the men were held helplessly at the King's mercy, Pedro

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<v Speaker 1>looked down at the killers with the same cold stare

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<v Speaker 1>they had likely given his beloved Inez before repeatedly running

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<v Speaker 1>their swords through her chest. The vacant expression that the

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<v Speaker 1>king had held at the beginning of the meal was

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<v Speaker 1>long gone. Vengeance was now clearly burning through all other

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<v Speaker 1>thoughts behind his eyes. For the murder of his wife,

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<v Speaker 1>Pedro's punishment was as simple as it was brutal. The

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<v Speaker 1>men were to have their hearts cut out of their chests.

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<v Speaker 1>For a moment. No one moved two, stunned by the

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<v Speaker 1>king's decree to see it put into action. For only

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<v Speaker 1>a moment, though then the guards descended upon the men,

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<v Speaker 1>and the room could do nothing but watch on in

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<v Speaker 1>horror as the stones on the dining room floor were

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<v Speaker 1>painted in crimson, the walls echoing an endless echo of

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<v Speaker 1>the criminal's blood curdling screams. When the bodies were finally

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<v Speaker 1>relieved of their now unbeating hearts, the hall likewise fell silent.

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<v Speaker 1>The only sound was then the scrape of knife on

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<v Speaker 1>plait as King Petrow finally dug into the dinner in

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<v Speaker 1>front of him. If Pedro noticed a change in the air,

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<v Speaker 1>he did not let on. But then again, maybe he

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<v Speaker 1>had found comfort in the grotesque display of violence he

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<v Speaker 1>had enacted. His in nas may have been gone, but

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<v Speaker 1>at least now he wasn't the only man to know

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<v Speaker 1>how it felt to live without a heart in his chest.

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<v Speaker 1>I'm Dana Schwartz and this is noble blood. Outside of Portugal,

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<v Speaker 1>the infamous love story of Pedro the First and an

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<v Speaker 1>esde Castro rarely finds its way into popular discourse. With

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<v Speaker 1>so few primary sources on the subject, let alone English

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<v Speaker 1>translations of scholarship available for public consumption, it makes sense

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<v Speaker 1>that the tale of these two ill fated lovers remains

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<v Speaker 1>outside of Portugal relatively unknown, but within Portugal itself, the

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<v Speaker 1>legend of their love story and the ties they have

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<v Speaker 1>to Portugal's medieval history makes them household names. To better

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<v Speaker 1>understand the context during which their story takes place, I

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<v Speaker 1>want to give you a very brief summary of what

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<v Speaker 1>was happening in Portugal, or more accurately, the Kingdom of

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<v Speaker 1>Portugal in the fourteenth century. During this time, the Iberian Peninsula,

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<v Speaker 1>or what we today typically think of as Spain and Portugal,

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<v Speaker 1>was comprised of four kingdoms, which for the sake of

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<v Speaker 1>time I won't go into too deeply, except for the

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<v Speaker 1>two which relate to that of our lovers, the Crown

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<v Speaker 1>of Castile and the Kingdom of Portugal. By thirteen forty,

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<v Speaker 1>the two kingdoms could only be described as having a

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<v Speaker 1>begrudgingly tolerable relationship Back in thirty eight, King Alfonso the

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<v Speaker 1>fourth of Portugal had sent his daughter Maria of Portugal

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<v Speaker 1>to be married to the King of Castile, which, rather

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<v Speaker 1>than unifying their kingdoms as one might hope a marriage,

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<v Speaker 1>would only serve to create a larger rift between them.

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<v Speaker 1>This was largely due to Alfonso the Fourth receiving reports

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<v Speaker 1>that his daughter was being mistreated by the King of Castile, who,

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<v Speaker 1>quite after their union, began to pretty immediately take up

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<v Speaker 1>with a mistress. In retaliation, Alfonso the Fourth arranged for

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<v Speaker 1>his son Pedro the First of Portugal to marry a

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<v Speaker 1>Castilian noble woman named Costanza Manuel. For those curious as

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<v Speaker 1>to why this specific union would be considered a retaliation,

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<v Speaker 1>Costanza was, funnily enough, the King of Castile's first wife.

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<v Speaker 1>Costanza's father had arranged her marriage with the Castilian king

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<v Speaker 1>when she was just nine years old, which meant that

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<v Speaker 1>when the previously mentioned daughter of Alfonso the Fourth of

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<v Speaker 1>Portugal was presented as another possible wife for him, the

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<v Speaker 1>king promptly annulled their unconsummated marriage so he could wed

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<v Speaker 1>Maria of Portugal instead. So really, in other words, Costanza

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<v Speaker 1>was the jilted first wife of the King of Castile,

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<v Speaker 1>who then chose Alfonso's daughter instead. It's a little complicated,

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<v Speaker 1>but I think you the basic picture. Cut to a

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<v Speaker 1>few years later, and the King of Castile is suddenly

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<v Speaker 1>faced with the consequences of his actions in the form

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<v Speaker 1>of his current and former father in law's deciding to

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<v Speaker 1>unite their collective hatred of him with the strategic marriage

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<v Speaker 1>between his own ex wife, Constanta Manuel and the future

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<v Speaker 1>King of Portugal, Pedro the First. Now, I'm going to

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<v Speaker 1>fast forward a bit because the ensuing war and ultimate

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<v Speaker 1>peace treaty don't exactly serve the story in any significant way.

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<v Speaker 1>But from this web of marriages and political ally ship,

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<v Speaker 1>I think the two most important points to take away

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<v Speaker 1>from this are one, regardless of treatise, tensions between the

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<v Speaker 1>Crown of Castile and the Kingdom of Portugal, we're fraying

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<v Speaker 1>dangerously thin. And two, in thirteen forty, Alfonso's son Pedro

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<v Speaker 1>would marry Costanza Manuel, which is where our story truly begins,

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<v Speaker 1>because when Constanza arrived in Portugal, she did so with

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<v Speaker 1>her lady in waiting, a Galician noblewoman by the name

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<v Speaker 1>of Inez de Castro. Now, unfortunately for poor Costanza neither

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<v Speaker 1>her first nor second marriage were destined to be fairytale romances.

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<v Speaker 1>In fact, almost as soon as she arrived at court

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<v Speaker 1>with Annez and how Pedro all but cast her aside

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<v Speaker 1>in favor of her lady in waiting. He of course

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<v Speaker 1>still performed his marital duties so as to secure himself

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<v Speaker 1>an heir to the Portuguese throne. But that was about

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<v Speaker 1>the extent of Pedro and his wife's relationship. As you

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<v Speaker 1>can probably imagine, poor Costanza was less than thrilled with

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<v Speaker 1>this development. Yes, she was set to become the future

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<v Speaker 1>Queen of Portugal and her son would one day become king,

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<v Speaker 1>but she played this game once before. One annulment later,

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<v Speaker 1>and Costanza knew all too well how precarious her seemingly

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<v Speaker 1>cemented place in court really was. So in an effort

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<v Speaker 1>to keep Annez from continuing her affair with Pedro, in

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<v Speaker 1>thirteen forty four, Costanza made a strategic decision and named

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<v Speaker 1>Inez her newborn child's godmother. Now this may seem counterintuitive,

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<v Speaker 1>doesn't it make Annez and her husband even closer, But

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<v Speaker 1>in the context of medieval Portuguese and Catholic traditions, naming

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<v Speaker 1>someone a godparent to their child essentially made them family,

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<v Speaker 1>which meant that in one move, Costanza changed Pedro and

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<v Speaker 1>and As his relationship from an extramarital affair to scandalous

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<v Speaker 1>lye incestuous. It was a simple and effective solution that

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<v Speaker 1>could have even worked had her son not tragically passed

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<v Speaker 1>away just eight days after he was born. As it was,

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<v Speaker 1>her son's death brought further suspicion upon Inez by the

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<v Speaker 1>Portuguese court. King Alfonso the Fourth was not blind to

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<v Speaker 1>what was happening between his son and his wife's lady

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<v Speaker 1>in waiting, and though he had been unhappy with his

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<v Speaker 1>son's choice and mistress, he had initially dismissed the affair,

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<v Speaker 1>hoping it was simply lust and it was clouding his

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<v Speaker 1>son's judgment only temporarily. However, after the death of Costanza's

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<v Speaker 1>firstborn son, the son to which Anez had been made godmother,

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<v Speaker 1>the son keeping Pedro and Anez a part, Alfonso was

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<v Speaker 1>now powerless to stop the rumors that began to stir

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<v Speaker 1>at court. How had the child died, hadn't poor Constanza

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<v Speaker 1>named that Harlot the godmother wasn't at all a bit

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<v Speaker 1>too convenient? For years, King Alfonso had allowed Pedro to

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<v Speaker 1>carry on with Anez, but as the rumor mill continued

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<v Speaker 1>to speculate, the king decided it was finally time to

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<v Speaker 1>take action, and he banned and As from court. And

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<v Speaker 1>that should have been it, at least it would have

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<v Speaker 1>been if their affair had simply been driven by lust.

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<v Speaker 1>But when Annez was driven away from court, the strength

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<v Speaker 1>of her and Pedro's love, if anything, became more apparent.

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<v Speaker 1>In some versions of their story, While Annez was away,

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<v Speaker 1>Pedro wrote to her through small messages, which he sent

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<v Speaker 1>through a channel of water that went between their two residences.

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<v Speaker 1>To Alfonso's dismay, the distance between the two did nothing

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<v Speaker 1>to diminish their devotion to one another, a fact that

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<v Speaker 1>became all too apparent when in thirteen forty nine, Constanza

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<v Speaker 1>Manuel died at just thirty three years old from complications

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<v Speaker 1>following the birth of her fourth child. As the country

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<v Speaker 1>mourned the loss of their Infanta or princess, King Alfonso

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<v Speaker 1>really should not have been that surprised to find that

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<v Speaker 1>his son had almost immediately left court to find Inez,

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<v Speaker 1>without any marital obligations now barring him from seeing her,

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<v Speaker 1>Pedro and Inez were finally free to be together, and

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<v Speaker 1>together they were. They weren't married. Their relationship would never

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<v Speaker 1>be accepted by King Alfonso, but Pedro and Inez would

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<v Speaker 1>go on to have three healthy children. They were happy together,

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<v Speaker 1>at least until thirteen fifty four, when they're happily ever

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<v Speaker 1>after came to an abrupt and brutal end when it

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<v Speaker 1>came to his son. King Alfonso the Fourth of Portugal

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<v Speaker 1>was running out of options for years following Costanza's death,

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<v Speaker 1>Alfonso attempted to find another suitable marriage for his son,

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<v Speaker 1>but Pedro refused to hear a word of it. Meanwhile,

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<v Speaker 1>Alfonso's royal advisers reported back rumors that had been floating

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<v Speaker 1>around court. People couldn't help but compare the sickly and

0:16:01.960 --> 0:16:06.280
<v Speaker 1>weak son Ferdinand, that Pedro had had with his wife Costanza,

0:16:06.680 --> 0:16:11.080
<v Speaker 1>a legitimate son, with the three strong and healthy but

0:16:11.280 --> 0:16:16.480
<v Speaker 1>illegitimate children that Pedro had with Annez. Equally troubling were

0:16:16.520 --> 0:16:21.440
<v Speaker 1>the rumors that Inez's Castilian brothers were spending considerable time

0:16:21.560 --> 0:16:25.280
<v Speaker 1>in the Prince's ear, tempting him to intercede on their

0:16:25.320 --> 0:16:31.400
<v Speaker 1>behalf in Castilian Civil War. Surely, Anez was poisoning Pedro

0:16:31.600 --> 0:16:35.880
<v Speaker 1>with these thoughts biasing the prince in favor of Castile.

0:16:36.920 --> 0:16:41.120
<v Speaker 1>Up until this point, King Alfonso had at best tolerated

0:16:41.120 --> 0:16:43.960
<v Speaker 1>and as his presence in his son's life. But with

0:16:44.040 --> 0:16:48.080
<v Speaker 1>threats to the Portuguese line of succession coming into question,

0:16:48.720 --> 0:16:52.480
<v Speaker 1>plus the ever growing potential for an all out civil

0:16:52.480 --> 0:16:56.000
<v Speaker 1>war that could possibly end with the Kingdom of Portugal

0:16:56.080 --> 0:16:59.440
<v Speaker 1>in the hands of the Castilian crown, Alfonso could no

0:16:59.520 --> 0:17:02.640
<v Speaker 1>longer a forward to ignore this young woman who had

0:17:02.680 --> 0:17:07.199
<v Speaker 1>stolen his son's heart, and so, at the urging of

0:17:07.240 --> 0:17:11.840
<v Speaker 1>his royal advisers, King Alfonso, along with a traveling party

0:17:11.920 --> 0:17:16.560
<v Speaker 1>that included both Alvaro Gonzales and Paroquelo, made their way

0:17:16.600 --> 0:17:21.320
<v Speaker 1>to Combra to carry out the assassination of Annez de Castro.

0:17:23.920 --> 0:17:28.480
<v Speaker 1>It's impossible to say exactly how events unfolded in Coimbra

0:17:28.600 --> 0:17:33.560
<v Speaker 1>that day. Later, dramatization of Ineza's death would imply that

0:17:33.640 --> 0:17:37.960
<v Speaker 1>in As sat at King Alfonso's feet begging for her life.

0:17:38.520 --> 0:17:41.240
<v Speaker 1>Some would say the king began to sympathize with her

0:17:41.520 --> 0:17:44.160
<v Speaker 1>as one of her children was in the room with them,

0:17:44.160 --> 0:17:48.280
<v Speaker 1>watching on in terror, helpless to stop what would inevitably

0:17:48.400 --> 0:17:52.400
<v Speaker 1>come to pass. For no matter if an As sat

0:17:52.480 --> 0:17:55.879
<v Speaker 1>at the king's feet, nor if she pleaded for her life,

0:17:56.440 --> 0:18:00.119
<v Speaker 1>the end result remained the same. In the fame Is

0:18:00.200 --> 0:18:05.280
<v Speaker 1>Portuguese epic poem, Ois Lucida's author Louise vas Jacomas wrote

0:18:05.359 --> 0:18:09.240
<v Speaker 1>of her death quote, Thus, Annez, while her eyes to

0:18:09.320 --> 0:18:13.200
<v Speaker 1>have an appeal, resigned her bosom to the murdering steel,

0:18:13.800 --> 0:18:18.680
<v Speaker 1>that snowy neck was stained with, spouting gore another sword.

0:18:18.880 --> 0:18:23.400
<v Speaker 1>Her lovely bosom tore so from her cheeks. The roses

0:18:23.520 --> 0:18:28.600
<v Speaker 1>died away and pale in death. The beauteous Annez lay.

0:18:29.880 --> 0:18:35.040
<v Speaker 1>On January seven, fifty five, Ines de Castro, mother of

0:18:35.200 --> 0:18:39.000
<v Speaker 1>three and the great love of Pedro of Portugal's life,

0:18:39.400 --> 0:18:42.240
<v Speaker 1>was stabbed to death by the order of Pedro's father,

0:18:42.760 --> 0:18:46.480
<v Speaker 1>King Alfonso the Fourth. The king may not have swung

0:18:46.560 --> 0:18:49.520
<v Speaker 1>the blade that took an As his life, but when

0:18:49.600 --> 0:18:53.760
<v Speaker 1>news of his father's betrayal finally reached Pedro, none of

0:18:53.800 --> 0:18:57.520
<v Speaker 1>that mattered. All that mattered was that his anst was gone,

0:18:57.920 --> 0:19:00.840
<v Speaker 1>that she had been brutally taken from the earth at

0:19:00.880 --> 0:19:03.880
<v Speaker 1>the hands of his own father, and he was going

0:19:03.920 --> 0:19:07.480
<v Speaker 1>to make him pay. If Alfonso had hoped, and as

0:19:07.520 --> 0:19:11.280
<v Speaker 1>his absence would quell Pedro's desire to begin a civil war,

0:19:12.000 --> 0:19:16.480
<v Speaker 1>he was sorely mistaken. Within days of her death, Pedro

0:19:16.600 --> 0:19:19.320
<v Speaker 1>had summoned an army to go to war against his

0:19:19.359 --> 0:19:23.120
<v Speaker 1>own father. It was only at the urging of the

0:19:23.160 --> 0:19:28.119
<v Speaker 1>only existing neutral party between them, Pedro's mother and Alfonso's wife,

0:19:28.280 --> 0:19:31.520
<v Speaker 1>Queen Beatrice, that the two men were able to stop

0:19:31.560 --> 0:19:35.560
<v Speaker 1>the fighting. At the queen's behest, father and son signed

0:19:35.560 --> 0:19:38.840
<v Speaker 1>a treaty of peace between them. But if this episode's

0:19:38.880 --> 0:19:43.080
<v Speaker 1>introduction was anything to go by, I'm guessing you already

0:19:43.160 --> 0:19:46.480
<v Speaker 1>know that the piece was just about the last thing

0:19:46.600 --> 0:19:50.680
<v Speaker 1>on Pedro's mind. It wouldn't be until two years later,

0:19:50.920 --> 0:19:55.400
<v Speaker 1>in thirteen fifty seven, when Alfonso died and Pedro ascended

0:19:55.440 --> 0:19:58.800
<v Speaker 1>to the Portuguese throne, that the young king could begin

0:19:58.960 --> 0:20:02.800
<v Speaker 1>to enact his re venge and at long last find

0:20:02.880 --> 0:20:07.600
<v Speaker 1>the justice he longed for. For Aness. His first order

0:20:07.680 --> 0:20:11.640
<v Speaker 1>of business tracking down the men responsible for her murder.

0:20:12.040 --> 0:20:15.240
<v Speaker 1>While his men searched far and wide for any trace

0:20:15.320 --> 0:20:19.320
<v Speaker 1>of the assassins, The now King Pedro the First enacted

0:20:19.359 --> 0:20:23.800
<v Speaker 1>the second order of business he had, commissioning the creation

0:20:23.920 --> 0:20:28.439
<v Speaker 1>of two tombs, one for himself and one for his

0:20:28.560 --> 0:20:33.320
<v Speaker 1>beloved Inez. After her death, Ines had been buried in Coimbra.

0:20:33.520 --> 0:20:37.600
<v Speaker 1>The location of her remains likely chosen out of convenience

0:20:37.840 --> 0:20:43.160
<v Speaker 1>rather than geographical significance. But then again, Inez and Pedro

0:20:43.720 --> 0:20:47.720
<v Speaker 1>technically had no official ties to one another. They had

0:20:47.760 --> 0:20:50.640
<v Speaker 1>three children together, but in the eyes of the Catholic

0:20:50.760 --> 0:20:55.200
<v Speaker 1>Church and by extension, Portugal as a whole, and as

0:20:55.240 --> 0:21:01.960
<v Speaker 1>to Castro, technically meant nothing, which was exactly In thirteen sixty,

0:21:02.080 --> 0:21:05.320
<v Speaker 1>Pedro would announce to the world a secret that would

0:21:05.920 --> 0:21:11.520
<v Speaker 1>irrevocably alter the course of Portuguese history. A few months

0:21:11.600 --> 0:21:15.040
<v Speaker 1>after he ordered the death of and As his assassins,

0:21:15.040 --> 0:21:18.840
<v Speaker 1>with the hollow ache no doubt still lingering in his chest,

0:21:19.440 --> 0:21:23.320
<v Speaker 1>Pedro revealed that seven years earlier, he and and Az

0:21:23.440 --> 0:21:27.840
<v Speaker 1>were married in a secret ceremony, meaning not only had

0:21:27.880 --> 0:21:30.760
<v Speaker 1>his father killed the woman he loved, but the king

0:21:30.880 --> 0:21:35.240
<v Speaker 1>had also murdered what would have been Portugal's future queen.

0:21:36.200 --> 0:21:41.919
<v Speaker 1>For centuries, the validity of Pedro's secret marriage claims have

0:21:42.080 --> 0:21:45.880
<v Speaker 1>been subject to debate. After all, if you're a king

0:21:45.960 --> 0:21:48.000
<v Speaker 1>and you get married in a forest and no one's

0:21:48.000 --> 0:21:50.520
<v Speaker 1>around to witness it, does it still hold up in

0:21:50.560 --> 0:21:54.359
<v Speaker 1>the eyes of the Catholic Church. Some chroniclers from the

0:21:54.400 --> 0:21:59.320
<v Speaker 1>time contested the union's legitimacy, but ultimately their doubt would

0:21:59.359 --> 0:22:03.040
<v Speaker 1>be a foot note in the history books, especially when

0:22:03.080 --> 0:22:08.240
<v Speaker 1>the true intentions behind the now king's posthumous wedding announcements

0:22:08.400 --> 0:22:12.960
<v Speaker 1>were revealed and the now widowed king had his late

0:22:13.040 --> 0:22:17.399
<v Speaker 1>wife exhumed from her grave on Combrian soil. With his

0:22:17.480 --> 0:22:23.720
<v Speaker 1>wife's killers now brutally dead and his healthy children's legitimacy secured,

0:22:24.440 --> 0:22:28.359
<v Speaker 1>King Pedro set out to complete his final act of

0:22:28.400 --> 0:22:32.520
<v Speaker 1>revenge against his father. Now there comes a point in

0:22:32.640 --> 0:22:37.440
<v Speaker 1>stories like this that the mythos surrounding the facts often

0:22:37.480 --> 0:22:42.280
<v Speaker 1>begin to outshine the reality of the events themselves. Sometimes

0:22:42.320 --> 0:22:47.320
<v Speaker 1>a lack incredible sources inspires others to make up histories

0:22:47.359 --> 0:22:51.480
<v Speaker 1>of their own. Some stories that, while not exactly factual,

0:22:51.760 --> 0:22:55.679
<v Speaker 1>no doubt, make for a great story. In the case

0:22:55.840 --> 0:23:01.280
<v Speaker 1>of Pedro exhuming his wife's corpse, some say that upon

0:23:01.480 --> 0:23:05.080
<v Speaker 1>his ascension to the throne, the king was so maddened

0:23:05.200 --> 0:23:08.760
<v Speaker 1>in his all consuming grief that he ordered his men

0:23:08.880 --> 0:23:12.760
<v Speaker 1>to disenter Inez so that they could prop up her

0:23:12.800 --> 0:23:17.960
<v Speaker 1>body on the throne beside him as his queen. They

0:23:18.000 --> 0:23:21.679
<v Speaker 1>say that Pedro had her dressed in the finest robes

0:23:22.000 --> 0:23:26.040
<v Speaker 1>and laid a crown upon her head, demanding members of

0:23:26.119 --> 0:23:30.320
<v Speaker 1>his court approached the throne so they could kiss what

0:23:30.480 --> 0:23:34.200
<v Speaker 1>was left of in iss weathered hand as a way

0:23:34.240 --> 0:23:38.679
<v Speaker 1>to pay homage to their would be queen. And to

0:23:38.800 --> 0:23:43.399
<v Speaker 1>be fair, this maccab display of fealty is rather on

0:23:43.640 --> 0:23:47.600
<v Speaker 1>brand for King Pedro. This is the man, after all,

0:23:47.680 --> 0:23:51.600
<v Speaker 1>who murdered his wife's killers by cutting out their hearts.

0:23:52.280 --> 0:23:56.840
<v Speaker 1>But in reality, and as his disinterment likely, had little

0:23:56.880 --> 0:23:59.480
<v Speaker 1>to do with forcing members of the court to bow

0:23:59.680 --> 0:24:04.199
<v Speaker 1>at his late wife's ornately dressed corpse, and more to

0:24:04.280 --> 0:24:07.760
<v Speaker 1>do with the two tombs Pedro had commissioned as soon

0:24:07.800 --> 0:24:10.680
<v Speaker 1>as he had ascended to the throne, for in the end,

0:24:10.840 --> 0:24:15.320
<v Speaker 1>Pedro's final act of defiance against his father, as well

0:24:15.359 --> 0:24:18.240
<v Speaker 1>as his final act of love for his late wife,

0:24:18.960 --> 0:24:23.120
<v Speaker 1>lay within the twin tombs he planned to share with

0:24:23.200 --> 0:24:28.840
<v Speaker 1>his beloved Today, if you walked into the Cistercian Abbey

0:24:28.840 --> 0:24:32.560
<v Speaker 1>of Alcobasa, you would be immediately taken in by the

0:24:32.640 --> 0:24:39.280
<v Speaker 1>incredible display of Gothic Cistercian architecture. Impossibly high, rib vaulted

0:24:39.359 --> 0:24:43.320
<v Speaker 1>ceilings would greet you as you passed through the monastery's doors.

0:24:43.520 --> 0:24:48.440
<v Speaker 1>They're intimidating heights, subconsciously leading you down the nave toward

0:24:48.520 --> 0:24:52.080
<v Speaker 1>the main chapel at the structure's end. And if you

0:24:52.119 --> 0:24:55.200
<v Speaker 1>were a tourist, after finding your way to the end

0:24:55.280 --> 0:24:59.160
<v Speaker 1>of the monastery's pews, you would most likely notice the

0:24:59.200 --> 0:25:03.640
<v Speaker 1>crowds acting, not gathering to view the main chapel under

0:25:03.680 --> 0:25:07.919
<v Speaker 1>a halo of skylights, but gathering in two corners of

0:25:07.960 --> 0:25:12.720
<v Speaker 1>the transept on either side of you. Upon closer inspection,

0:25:13.160 --> 0:25:18.440
<v Speaker 1>you would notice the onlookers gathered around two intricately carved

0:25:18.760 --> 0:25:23.040
<v Speaker 1>white stone tombs, the chamber to the right holding the

0:25:23.080 --> 0:25:26.720
<v Speaker 1>tomb of King Pedro, the first of Portugal, and to

0:25:26.800 --> 0:25:31.640
<v Speaker 1>the left, mirroring it perfectly just steps away from her husband,

0:25:32.320 --> 0:25:37.280
<v Speaker 1>his wife Inez de Castro, in direct defiance of his father,

0:25:37.840 --> 0:25:41.520
<v Speaker 1>Pedro's final declaration of love for an Az was not

0:25:41.680 --> 0:25:45.159
<v Speaker 1>made in hate or violence, but in a gesture that

0:25:45.359 --> 0:25:49.520
<v Speaker 1>married his grief with his hope for the future. By

0:25:49.560 --> 0:25:54.320
<v Speaker 1>claiming Anaz as his wife, Pedro finally had sufficient grounds

0:25:54.600 --> 0:25:57.840
<v Speaker 1>to exhume her body and give her the burial she

0:25:58.080 --> 0:26:03.240
<v Speaker 1>rightly deserved the areal of a queen. When the elaborate

0:26:03.240 --> 0:26:07.000
<v Speaker 1>tombs he had commissioned were finished some time between thirteen

0:26:07.080 --> 0:26:10.960
<v Speaker 1>sixty one and thirteen sixty three. Pedro had and As

0:26:11.000 --> 0:26:14.760
<v Speaker 1>his remains disinterred and brought all the way from Coimbra

0:26:15.080 --> 0:26:20.639
<v Speaker 1>to Alcabasa, a nearly seventy mile journey from there, and

0:26:20.720 --> 0:26:24.040
<v Speaker 1>as his body was put inside of one of the

0:26:24.040 --> 0:26:28.560
<v Speaker 1>two intricately carved tombs and placed in the abbey where

0:26:28.600 --> 0:26:32.399
<v Speaker 1>she awaited the day the other matching tomb would carry

0:26:32.440 --> 0:26:35.200
<v Speaker 1>the body of her beloved and the two of them

0:26:35.240 --> 0:26:39.639
<v Speaker 1>would be together once more. But even with the inherent

0:26:39.880 --> 0:26:44.159
<v Speaker 1>romance of matching tombs aside, what Pedro did for and

0:26:44.320 --> 0:26:47.920
<v Speaker 1>Ez goes far beyond just securing a place for their

0:26:47.960 --> 0:26:52.040
<v Speaker 1>bodies to finally be together, To briefly bring you back

0:26:52.080 --> 0:26:55.760
<v Speaker 1>to the main chapel in Alcabasa for a moment. The

0:26:55.880 --> 0:26:59.840
<v Speaker 1>intricate images carved into an ASA's tomb are beautiful, yes,

0:27:00.359 --> 0:27:04.320
<v Speaker 1>but they serve a specific purpose as well. Scenes from

0:27:04.359 --> 0:27:07.639
<v Speaker 1>the life and death of Christ are carved into the

0:27:07.720 --> 0:27:12.840
<v Speaker 1>side of her tomb in unspoken analogy between the two figures,

0:27:12.880 --> 0:27:16.119
<v Speaker 1>being presented like an offering to the viewer. Both the

0:27:16.280 --> 0:27:20.720
<v Speaker 1>castro and the Portuguese coat of arms adorn her final

0:27:20.840 --> 0:27:24.520
<v Speaker 1>resting place. But the greatest gift Pedro gave an as

0:27:24.520 --> 0:27:29.400
<v Speaker 1>his legacy is perhaps the simplest addition to the otherwise

0:27:29.720 --> 0:27:34.479
<v Speaker 1>incredibly intricate sculpture work. On the lid of her tomb,

0:27:34.960 --> 0:27:38.320
<v Speaker 1>a stone likeness of Annez herself is laid out on

0:27:38.440 --> 0:27:42.200
<v Speaker 1>top of the very vessel which contains her earthly remains.

0:27:42.720 --> 0:27:46.280
<v Speaker 1>What stands out about her stone counterpart is not her

0:27:46.880 --> 0:27:51.359
<v Speaker 1>serene expression, nor the items placed in her hands, but

0:27:51.520 --> 0:27:56.480
<v Speaker 1>the crown placed atop her head. When Pedro revealed his

0:27:56.560 --> 0:27:59.440
<v Speaker 1>secret marriage with an As to the world, he knew

0:27:59.480 --> 0:28:02.160
<v Speaker 1>there would be skeptics who would never see her as

0:28:02.200 --> 0:28:06.520
<v Speaker 1>their queen. But in this one detail, Pedro all but

0:28:06.680 --> 0:28:12.160
<v Speaker 1>wrote her legacy in stone for generations to come. As

0:28:12.280 --> 0:28:17.000
<v Speaker 1>long as stone anyone who came to the Alcabasa would

0:28:17.080 --> 0:28:22.320
<v Speaker 1>see his truth. It was in Nez, not Costanza, who

0:28:22.440 --> 0:28:25.280
<v Speaker 1>was his wife. It was in Nez who was his

0:28:25.359 --> 0:28:30.800
<v Speaker 1>queen even in death. And though their individual tombs hold

0:28:31.040 --> 0:28:36.320
<v Speaker 1>differing images, both are inscribed with the same words that

0:28:36.440 --> 0:28:42.080
<v Speaker 1>echo across the stone floors where they lay together, words

0:28:42.160 --> 0:28:46.560
<v Speaker 1>that translate from the Portuguese to mean until the end

0:28:46.720 --> 0:28:58.880
<v Speaker 1>of the world. That's the tragic love story of Pedro,

0:28:59.040 --> 0:29:02.360
<v Speaker 1>the first of Portugue and in Nasda Castro. But stick

0:29:02.400 --> 0:29:05.800
<v Speaker 1>around to hear how their love story has evolved over

0:29:05.840 --> 0:29:19.120
<v Speaker 1>the centuries. Although the tale of Pedro and Andez has

0:29:19.240 --> 0:29:23.480
<v Speaker 1>largely evaded English speaking audiences in pop culture, I think

0:29:23.560 --> 0:29:27.200
<v Speaker 1>it's worth it to analyze why their story, and particularly

0:29:27.360 --> 0:29:31.280
<v Speaker 1>in Nez's presence as a tragic figure, has persisted in

0:29:31.400 --> 0:29:35.920
<v Speaker 1>cultural iconography in Portugal and Western Europe. Of course, the

0:29:35.960 --> 0:29:39.080
<v Speaker 1>story itself has everything you could ever want in a

0:29:39.120 --> 0:29:44.520
<v Speaker 1>tragic love story slash episode of noble blood, romance, betrayal, vengeance,

0:29:44.640 --> 0:29:47.840
<v Speaker 1>his and her tombs, to say nothing of the macabre

0:29:47.880 --> 0:29:51.760
<v Speaker 1>idea of a disinterred corpse sitting on a throne. But

0:29:51.920 --> 0:29:55.960
<v Speaker 1>in all seriousness, what I find most interesting about most

0:29:56.040 --> 0:29:59.880
<v Speaker 1>interpretations of Pedro and and AS's love story is the

0:30:00.040 --> 0:30:02.880
<v Speaker 1>inherent lack of an Ez that they all seem to share.

0:30:03.680 --> 0:30:06.680
<v Speaker 1>What I mean by that is, when conducting research for

0:30:06.720 --> 0:30:11.160
<v Speaker 1>this episode, I found little to no information on who

0:30:11.200 --> 0:30:14.280
<v Speaker 1>and Asta Castro was as a person, only how she

0:30:14.440 --> 0:30:19.120
<v Speaker 1>related to Pedro's story. Other than the physical manifestation of

0:30:19.160 --> 0:30:22.480
<v Speaker 1>their love in their three living children, any love the

0:30:22.480 --> 0:30:27.320
<v Speaker 1>couple shared is expressed through Pedro's grief and rage, not

0:30:27.480 --> 0:30:31.400
<v Speaker 1>through any sort of interaction between the two, which does

0:30:31.520 --> 0:30:34.800
<v Speaker 1>make sense since the majority of their story takes place

0:30:35.080 --> 0:30:39.080
<v Speaker 1>after she dies. But that's another thing, isn't it. The

0:30:39.200 --> 0:30:42.480
<v Speaker 1>love story of Pedro an Andez is not so much

0:30:42.520 --> 0:30:46.440
<v Speaker 1>about their love as it is about her death. Any

0:30:46.560 --> 0:30:49.760
<v Speaker 1>characterizations that are given to her are on the whole

0:30:49.880 --> 0:30:53.840
<v Speaker 1>that she was pious and self sacrificing, but there's little

0:30:53.880 --> 0:30:56.680
<v Speaker 1>to no evidence that she was either of those things,

0:30:57.280 --> 0:31:00.440
<v Speaker 1>unless you assigned them as reactions she may have had

0:31:00.480 --> 0:31:04.320
<v Speaker 1>to the acts of violence taken against her. It's a

0:31:04.440 --> 0:31:07.320
<v Speaker 1>sad truth that and As his presence in her own

0:31:07.360 --> 0:31:10.920
<v Speaker 1>story mattered more when she was a corpse than when

0:31:10.960 --> 0:31:14.200
<v Speaker 1>she was alive. But then again, it's not like treating

0:31:14.200 --> 0:31:17.400
<v Speaker 1>women as blank slates in which to project a man.

0:31:17.560 --> 0:31:21.320
<v Speaker 1>Story is something we haven't seen before. But who knows,

0:31:21.760 --> 0:31:25.719
<v Speaker 1>maybe after seven hundred years, someone will finally given as

0:31:25.800 --> 0:31:44.720
<v Speaker 1>to cast the chance to tell her own story. Noble

0:31:44.720 --> 0:31:47.720
<v Speaker 1>Blood is a production of I Heart Radio and Grim

0:31:47.720 --> 0:31:51.160
<v Speaker 1>and Mild from Aaron Manky. Noble Blood is hosted by

0:31:51.200 --> 0:31:55.800
<v Speaker 1>me Danish Words. Additional writing and researching done by Hannah Johnston.

0:31:56.120 --> 0:32:00.640
<v Speaker 1>Hannah's Wick, Mirra Hayward, Courtney Sunder and Laurie Goodman. The

0:32:00.680 --> 0:32:04.840
<v Speaker 1>show is produced by rema Il Kali, with supervising producer

0:32:05.080 --> 0:32:09.600
<v Speaker 1>Josh Thayne and executive producers Aaron Manky, Alex Williams, and

0:32:09.680 --> 0:32:13.600
<v Speaker 1>Matt Frederick. For more podcasts from I Heart Radio, visit

0:32:13.640 --> 0:32:17.040
<v Speaker 1>the I heart Radio app, Apple Podcasts, or wherever you

0:32:17.120 --> 0:32:18.320
<v Speaker 1>listen to your favorite shows.