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Speaker 1: Writer, do you have you must have an update for us.

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Speaker 1: You have returned from the crew.

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Speaker 2: You're live from the crew. I survived the crews and

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Speaker 2: did you Did you thrive or just survive? I just survived? Okay,

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Speaker 2: fair enough? When we will never do it again? Okay,

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Speaker 2: anybody will strive.

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Speaker 1: Via text, you had said you had been recognized by

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Speaker 1: a group of teachers, and then the next day you

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Speaker 1: felt like word was spreading. How did that end up?

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Speaker 2: Okay? So what I realized, like the main PTSD is

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Speaker 2: UH is crowds, like just having I mean, basically, when

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Speaker 2: you're on a cruise, you have like four city blocks

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Speaker 2: all travel together. You know, it's like a city. So

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Speaker 2: every room you go into is filled with people because

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Speaker 2: there's only so many restaurants and bars right areas where

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Speaker 2: people can be pool And so I just had to

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Speaker 2: get comfortable with the idea because in my mind it

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Speaker 2: was like, you know, the whole first day, I just

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Speaker 2: was wearing a hat and keeping my head down. My

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Speaker 2: heart was racing. I was like terrified, and then I

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Speaker 2: just realized, like, these are grown ups for the most part,

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Speaker 2: and the kids don't know who I am, and it's fine,

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Speaker 2: And yeah, the first night, these teachers came over while

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Speaker 2: we were eating dinner and like interrupted our dinner and

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Speaker 2: made a big scene and took the photos. And I

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Speaker 2: was like, oh god, here it goes, here, it goes

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Speaker 2: It's going to keep happening. But then, yeah, people are cool,

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Speaker 2: Like everyone was fine, the teachers are great. It was

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Speaker 2: all yeah, everybody was like right, and then the word

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Speaker 2: kind of spread. It was like, oh, rider Strong's on board.

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Speaker 2: So some people would like kind of nod to me

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Speaker 2: or say something, but everyone kind of kept their cool

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Speaker 2: and it was it was fine. But then, you know,

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Speaker 2: I was on a cruise for seven days, so that's

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Speaker 2: just like it's just like being It's it's sort of

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Speaker 2: like Vegas, which is like really fun for about twenty

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Speaker 2: four hours. Yeah, and then I'm like, okay, that's about

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Speaker 2: And luckily, you know, we were going to Alaska, so

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Speaker 2: we got off the boat and we got to do

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Speaker 2: amazing hikes. I took a train ride. We didn't we

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Speaker 2: were supposed to go dog sledding and take a helicopter ride,

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Speaker 2: but it was raining so that got canceled, which is

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Speaker 2: a bummer because other people got to do it another

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Speaker 2: day in our group and said it was the greatest

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Speaker 2: part of the trip.

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Speaker 1: But yeah, you get to do it.

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Speaker 2: It was raining, so the weather it just wouldn't allow us.

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Speaker 2: They had to cancel it because we right, but then.

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Speaker 1: Other people got to do it another day day.

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Speaker 2: It would clear it up on the day that they

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Speaker 2: had it reserved. So you know, we lost our slot.

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Speaker 2: We were booked to do a train ride that day,

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Speaker 2: so we didn't get you know, so it just didn't

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Speaker 2: work out. But but yeah, but so for the most part,

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Speaker 2: I was just on the boat and you know, I gambled,

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Speaker 2: played roulette, which was fun.

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Speaker 3: You find yourself on your cabin at all with just

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Speaker 3: listening to the counting crows, curled into a ball.

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Speaker 2: No, no, but I did read. I did read, which

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Speaker 2: was nice, you know, because it was like they had

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Speaker 2: a kids center so we were able to like get

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Speaker 2: away from Indy for some time and he made friends

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Speaker 2: and at one point, you know, he was he was

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Speaker 2: he would go to the kids center, he would hang

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Speaker 2: out with all these kids and make friends, and then

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Speaker 2: we wouldn't be able to make plans to see them

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Speaker 2: outside of that. So Alex and I were like, well,

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Speaker 2: let's tell all the kids that we'll host a board

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Speaker 2: game day and so we told like he said, INDI,

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Speaker 2: just tell your friends to meet us at twelve o'clock

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Speaker 2: tomorrow in the library.

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Speaker 4: And they did.

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Speaker 2: And so we got to know his new friends and

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Speaker 2: their parents, and we played board games and we taught

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Speaker 2: them charades and it was so fun and that sort

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Speaker 2: of like we should have done that earlier. We ended

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Speaker 2: up doing that like day five. If we had done

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Speaker 2: that like day two, it would have been smart because then,

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Speaker 2: like you know, then we started meeting people and India

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Speaker 2: had its friends, and he started getting independent because of course,

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Speaker 2: you know, there's nowhere you can go, so you kind

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Speaker 2: of like go. And also you have these medallions that

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Speaker 2: you like wear on your wrist or keep in your pocket,

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Speaker 2: and you can track each other so you can always

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Speaker 2: find like where everybody is on the boat. And it's like, yeah,

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Speaker 2: it's it's very like minority Report ish. You're kind of

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Speaker 2: like where you know, where you are in the boat,

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Speaker 2: what you're what you're ordering. It's all like tracking you constantly.

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Speaker 2: So as great as a parent, because we could be

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Speaker 2: like where's Indy like, and you'd be like, oh, he's

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Speaker 2: cool with it, you know.

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Speaker 3: Do you This is where Sue and I always go

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Speaker 3: because I've never done a cruise, never been anywhere close it.

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Speaker 3: Do you feel the boat moving, like, can you feel

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Speaker 3: the rocking of the ocean?

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Speaker 2: Yeah? I mean, well, okay, so we were relatively calmlic

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Speaker 2: I remember when we did the cruise. I don't know

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Speaker 2: if it was the year you went, Danielle, but there

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Speaker 2: was one year where was really rocking and I got

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Speaker 2: super sick. This time it was pretty calm, but no,

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Speaker 2: it's just that trippy feeling, like you almost feel like

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Speaker 2: you're on drugs because you like take a step and

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Speaker 2: like the floor will suddenly like be higher than you expect,

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Speaker 2: you know. So it's just like this unsettling like always

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Speaker 2: in the back, always on, some part of your inner

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Speaker 2: ear is telling you like the world is moving a

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Speaker 2: little bit, and you're like all right, But you get

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Speaker 2: used to it and then you just sort of understand

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Speaker 2: that that's just going to keep happening, that feeling is

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Speaker 2: going to keep coming and then yeah, but I mean

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Speaker 2: I definitely have when we were on the cruise one

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Speaker 2: of those years, it was like super rocky and I

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Speaker 2: got sick. At this time, it was fine, it was

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Speaker 2: like pretty smooth, Yeah, but no, it's just it's just unsettling.

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Speaker 2: You just have to get used to it. You're like, oh,

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Speaker 2: we're moving constantly. And then it was beautiful. I mean,

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Speaker 2: Alaska's insane, right, It's like and then when you will

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Speaker 2: look at the map and you see like we you know,

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Speaker 2: you get out. We did like a zodiac ride where

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Speaker 2: you take a little boat into you know, on the

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Speaker 2: ocean and putting around and seeing bald eagles and all that,

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Speaker 2: and it's like it feels so huge. It's like, you know,

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Speaker 2: I mean, I love wilderness. I'm always in the wilderness,

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Speaker 2: but like Alaska's primeval, you know, it's just so gigantic

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Speaker 2: and intimidating. And then we look at a map and

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Speaker 2: you're like, oh, we were only in this little part

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Speaker 2: of the state, like the bottom part of the state.

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Speaker 2: It's so huge. There's so much there. I mean, I

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Speaker 2: could spend the rest of my life going to Alaska.

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Speaker 2: I love it so much.

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Speaker 1: Well, we took the kids to Mexico and on the

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Speaker 1: plane out there, I said, what are you guys most

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Speaker 1: looking forward to? And Adler said.

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Speaker 2: Coming home there? You God, I love that kid.

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Speaker 1: And on the plane ride home after we had spent

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Speaker 1: what I thought was a very fun five days together

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Speaker 1: in Mexico, I said, Adler, of all the things we did,

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Speaker 1: a pirate ship, we swam with dolphins, you got to

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Speaker 1: go in the ocean. What was your favorite part? And

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Speaker 1: he said going home?

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Speaker 2: Yep, it never changed. I love it. I love that

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Speaker 2: so much.

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Speaker 3: And then I was in Colorado doing the scariest thing

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Speaker 3: I've ever done in my life, and I'm amazed to

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Speaker 3: be alive.

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Speaker 2: So I was do you do? Oh, I did not

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Speaker 2: tell you the story of driving to the Denver Airport.

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Speaker 1: No, that's the scariest thing you've ever done.

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Speaker 3: On the Independence Pass at five o'clock in the morning,

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Speaker 3: having no idea what that is.

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Speaker 2: Yep, scariest thing I ever did in my way?

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Speaker 1: Oh, what does that explain it? Oh?

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Speaker 2: The Independence Passes?

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Speaker 3: Apparently it was just the top go button that I

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Speaker 3: hit on my map Quest thing, whatever the hell that

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Speaker 3: thing's called. And you've got a two hour drive to

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Speaker 3: Denver whatever it was two and a half hours.

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Speaker 2: Okay, great, But they didn't tell me.

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Speaker 3: They took me through the mountain Squirrely Pass with no.

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Speaker 2: No guardrails, no barriers at all. And it wasn't a

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Speaker 2: million dollar highway was it, because no, we think it's

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Speaker 2: called Independence Pass. Yeah, we had to drive a million

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Speaker 2: dollar highway which is between your Way and Silverton. We

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Speaker 2: did it twice and it's the same thing.

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Speaker 3: It's it's terrifying. I had no idea what to expect.

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Speaker 3: It was first thing in morning I got there. I

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Speaker 3: find because Sue was leaving a different time and I

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Speaker 3: called her. I was like, I just just know I

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Speaker 3: love you. It was the most And she said, oh,

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Speaker 3: I had a friend who moved to Colorado to follow

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Speaker 3: a woman there and a year later she died on

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Speaker 3: that pass.

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Speaker 1: Oh.

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Speaker 3: I was like, oh my god, and like, yeah, I'm

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Speaker 3: in a rented jeep that I did. It was the

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Speaker 3: whole thing was terrifying. So we all had three great trips.

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Speaker 3: There you go, terrifying.

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Speaker 1: And we were the favorite part of his trip was

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Speaker 1: coming up home.

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Speaker 3: Actually, the favorite part of my trip was the seat

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Speaker 3: I got on Jet Blue. I got the Jet Blue

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Speaker 3: suite flying home. It's all I thought about the entire

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Speaker 3: time was that that live flat bed.

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Speaker 2: It was awesome. So coming home but in a nice seat.

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Speaker 2: But in a nice seat. I think you love a cruise.

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Speaker 2: Will A cruise is kind of your dream it's like

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Speaker 2: it's it's like having a luxury hotel that you never

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Speaker 2: have to leave.

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Speaker 3: Yeah, I'm just worried about the rocking. Like we think

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Speaker 3: a nice luxury riverboat cruise, which is you know, because

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Speaker 3: you're on the river, it's like a lot and it's

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Speaker 3: a lot smaller. We're thinking, like a European one of

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Speaker 3: those might be something to do, but we don't.

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Speaker 2: Yeah, I don't know. I don't know what I have

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Speaker 2: to see.

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Speaker 1: Welcome to Pod Meets World.

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Speaker 2: I'm Danielle Fischel, I'm right strong, and I'm Wilfordell.

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Speaker 1: Before we jump into today's recap, we want to send

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Speaker 1: our love to the friends and family of Boy Meets

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Speaker 1: World writer and co executive producer Bob Tishler. Bob passed

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Speaker 1: away on July twenty second. He was just under eighty

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Speaker 1: years old, and he had just come up on the

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Speaker 1: podcast because he worked with us through from seasons five

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Speaker 1: through seven. And I know we all really liked Bob.

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Speaker 1: Do you guys have memories of Bob or anything you'd

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Speaker 1: like to say?

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Speaker 2: No, he was the best man. He was and it

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Speaker 2: was so cool to hear. I feel like we've heard

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Speaker 2: from several writers now that he was such a calming

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Speaker 2: voice in the room, which is, you know, something we

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Speaker 2: never got to see, but we just knew that he

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Speaker 2: was like a quieter kind. He would just yeah, he

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Speaker 2: was so smart and funny, but he never had ego,

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Speaker 2: do you know what I mean? That's what I loved

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Speaker 2: about Bob is like he apparently has a storied career

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Speaker 2: and had all the success, but he never he never

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Speaker 2: flaunted it. He never like he was just so calm

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Speaker 2: and such a fun nice guy. I'm so sad.

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Speaker 3: We yeah, I wish we could have reconnected Bob. Bob

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Speaker 3: was also one of those guys who he loved to

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Speaker 3: talk TV. So I remember one of my specific memories

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Speaker 3: of Bob is there's a again you know me. He

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Speaker 3: loved to bring it back to Mash. There is a

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Speaker 3: name that's at the end of almost every Mash episode.

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Speaker 3: That's Stanford Tishlar. So I remember being such a weird

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Speaker 3: name that when he signed on to Boy, I went

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Speaker 3: up to him and I was like, hey, I'm a

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Speaker 3: big Mash fan and he's like, no, oh God.

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Speaker 2: That name's on every episode.

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Speaker 3: Note we're not related at all, But then it just

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Speaker 3: launched us into talking about TV. And so while he

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Speaker 3: was he was the Bobs, Bob Young Bob, Tishlar, these quiet, reserved,

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Speaker 3: incredibly talented people that I think were kind of the

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Speaker 3: anchors of the room at the time.

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Speaker 2: Yes were.

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Speaker 3: It just goes to show how many different personalities it

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Speaker 3: takes to make something beautiful.

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Speaker 2: And he was a great He was truly a great guy.

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Speaker 3: And it was horrible to hear that he had passed,

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Speaker 3: and I so wish we had the just it makes

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Speaker 3: me want to get like, get in touch with everybody

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Speaker 3: right away because you never know when you're not going

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Speaker 3: to have the chance to see them again. And it

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Speaker 3: sucks we're not going to have him on the podcast

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Speaker 3: because we've talked about it a bunch of times and

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Speaker 3: would love to have just sat down and spoken with

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Speaker 3: him again.

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Speaker 1: I know he was such a humble guy, but he

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Speaker 1: was a legend in the world of comedy, most notably

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Speaker 1: as the head writer of Saturday Night Live for four seasons.

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Speaker 1: He was a close friend of John Belushi and actually

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Speaker 1: produced four Blues Brothers albums, including Briefcase Full of Blues,

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Speaker 1: which reached number one on the Billboard two hundred. He

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Speaker 1: also produced albums for Lily Tomlin Billy Crystal, and The

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Speaker 1: National Lampoon. In adition to Boy Meets World, Bob also

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Speaker 1: worked on an Eddie Murphy produced sitcom called What's Alan

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Speaker 1: Watching and Empty Nest. She was quite a talented man

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Speaker 1: who brought so many laughs to so many people. So

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Speaker 1: rest in peace and much love to Bob Tishler. And

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Speaker 1: now we're jumping into our season five episode seven, I

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Speaker 1: Love You Donna Karen, Part one. It originally aired November fourteenth,

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Speaker 1: nineteen ninety seven. The synopsis Sean is forced to reconsider

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Speaker 1: his own two week rule when it comes to relationships

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Speaker 1: when he believes he may have found a suitable match

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Speaker 1: in the form of a lost purse now.

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Speaker 2: Pers episode per episode. PARS episode episode.

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Speaker 1: Directed by David Kendall, is our first f season five

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Speaker 1: episode away from Alan myersid I don't think I saw that.

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Speaker 1: I didn't notice it, but I noticed it, if you

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Speaker 1: know what I mean. So funny, I didn't notice the credit,

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Speaker 1: but I noticed it in the episode. This episode was

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Speaker 1: written by Ellen Idolson and Rob Lotterstein. This first episode

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Speaker 1: for this writing team. Ellen wrote on shows like The

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Speaker 1: Nanny dream On and Ellen, and actually appeared on four

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Speaker 1: episodes of Will and Grace as Will's secretary Ellen, and

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Speaker 1: she unfortunately passed in two thousand and three at just

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Speaker 1: forty two years old. So before I jump into the

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Speaker 1: guest stars, do you guys want to say your overall thoughts?

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Speaker 2: I'll jump in. I loved it, jump in.

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Speaker 4: I loved it.

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Speaker 2: It was a great episode all the way around.

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Speaker 3: I was so happy it made me feel good about

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Speaker 3: season five about the show again. I loved our performances.

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Speaker 3: I loved the story. I loved everything about it. I

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Speaker 3: was so happy with this episode.

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Speaker 1: Yeah, couldn't agree more. I have no complaints.

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Speaker 2: I thought it wasn't terribly funny, like you know, there

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Speaker 2: were there could have been, like I mean, the story

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Speaker 2: is funny, but I like, I mean, you know, of course,

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Speaker 2: I'm just like Seawana is getting into emo mode. But

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Speaker 2: the writing is solid. I thought the direction was great.

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Speaker 2: I thought in the performances good. So yeah, totally no.

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Speaker 2: All around, I was like, and you know what, it

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Speaker 2: felt like characters were themselves again. It felt like everybody

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Speaker 2: had Everybody felt like they were grounded, like in a

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Speaker 2: solid base of like we know who these people are,

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Speaker 2: we know who to Pank is, we know who Corey is.

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Speaker 2: We know who Sewan is, we know who Eric is,

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Speaker 2: we know who Jack is. Finally like, yeah, he felt

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Speaker 2: like he had a position. It was just like everything

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Speaker 2: sort of clicked and you were like, ah, it feels

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Speaker 2: like a show again. So I think something was something

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Speaker 2: was a little chaotic those first six weeks. What, as

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Speaker 2: Danielle said, what's the difference? I know, I know, I think,

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Speaker 2: I know. I think the direction really makes it makes

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Speaker 2: a huge difference. Does it looked better? It looked better.

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Speaker 2: The blocking is better. Eric was grounded again. Eric was funny,

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Speaker 2: but grounded. He wasn't.

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Speaker 3: I wasn't doing a Jim Carrey impression. Like everything felt

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Speaker 3: right again.

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Speaker 1: I know all the crosses made sense. We knew when

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Speaker 1: there was a moment where where writer slash Sean crosses

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Speaker 1: to get away from the purse, because if otherwise, Angela

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Speaker 1: would have seen the purse, like because it was sitting

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Speaker 1: right next to you on the couch. Now, granted, by

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Speaker 1: the time we get to the end of the episode,

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Speaker 1: we realized it wasn't even her purse, but she had

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Speaker 1: borrowed it, so she knew she was the one who

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Speaker 1: had lost it. She definitely would have spotted it and

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Speaker 1: It's like all of it made sense and there were

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Speaker 1: no logic issues. I also laughed a lot. I know

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Speaker 1: you said it wasn't super I laughed a lot too,

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Speaker 1: not only in the B story but in the A story.

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Speaker 1: I thought this is one of Ben's best performances. It

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Speaker 1: was so well done, and a couple of my favorite

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Speaker 1: line readings from him were in the kitchen scene with

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Speaker 1: Sean where he has the purse and he's talking about

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Speaker 1: I'm in love and his understated with the purse with

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Speaker 1: the person truly laugh out loud.

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Speaker 2: His moment when he puts a hand on the table

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Speaker 2: and he starts like just improvising about like relationships, and

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Speaker 2: you're like.

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Speaker 4: No, no, no, no.

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Speaker 2: It was one of the most natural because yeah, I

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Speaker 2: feel like, you know. One of the things that was

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Speaker 2: striking about this episode too, I was like, Okay, Sean

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Speaker 2: is the protagonist of a story and Eric.

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Speaker 4: Is the.

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Speaker 2: This is this keeps happening later, Where's Corey? But what

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Speaker 2: that does is takes pressure off of Ben and you

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Speaker 2: can feel him relaxed, and he's so good when he

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Speaker 2: is in that position, when he is able to just

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Speaker 2: come in listen to the other person in the scene.

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Speaker 2: You know, it's it's the best Corey. It's so fun.

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Speaker 2: It's just yeah, it's it's so interesting that when you

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Speaker 2: create a television show, especially for kids, it seems like

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Speaker 2: you have to have a main character that can be

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Speaker 2: sort of average or you know, be a sort of

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Speaker 2: less you know, he can't be he can't have too

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Speaker 2: many sharp edges, right, you just because that's the way

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Speaker 2: you write it. And so, of course what that means

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Speaker 2: is that the other characters end up as the show

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Speaker 2: goes on, becoming more the story. Yeah, and I think

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Speaker 2: that that's it's fine. You know, it's not Ben fault,

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Speaker 2: it's not you know, it's just it's an interesting dynamic

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Speaker 2: that I didn't realize was happening at the time. You know.

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Speaker 2: I always still thought of it as boy meets World

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Speaker 2: and we were these side characters. But by now the

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Speaker 2: side characters are the story propellers, you know, that's what

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Speaker 2: keeps the story going. And then Corey reacting to those

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Speaker 2: changes in the thing, is is this that's the heart

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Speaker 2: of the show. It's really good.

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Speaker 1: Yeah.

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Speaker 2: I thought it was so happy.

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Speaker 1: I was so happy.

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Speaker 2: I was like, oh, yes, thank god, me cool.

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Speaker 1: So guest starring Trina McGee is back as Angela Moore.

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Speaker 1: Maggie Lawson is Debbie. Maggie is best known as Juliette

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Speaker 1: O'Hara on Very Popular Psych. But back in the nineties

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Speaker 1: she was a sitcom regular with appearances on Hangtime, Step

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Speaker 1: by Step, Home Improvement, and Party of Five. She has

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Speaker 1: also been a TV mainstay ever since on shows like

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Speaker 1: Santa Clarita, Diet two and a Half, Men, Justified, and Smallville.

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Speaker 1: And then there's mckims show.

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Speaker 2: I guest starred on a show that she was doing

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Speaker 2: called Crumbs Fred Fred remember this. Yeah, it was gen

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Speaker 2: Fred and I for that role.

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Speaker 3: We just screen tested against each other over and over

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Speaker 3: and over again.

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Speaker 2: Gave it to Fred. Yeah, And so I came on

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Speaker 2: and played a guy dating Fred, which is so interesting

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Speaker 2: and so I yeah, because he was a gay writer.

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Speaker 2: I think it was the story. Yeah, And then came

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Speaker 2: and so I did just did one episode where we

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Speaker 2: dated and she was on the bad Why was she

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Speaker 2: in the show? Was she his sister or she was

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Speaker 2: like a beat? She was like a major character regular show.

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Speaker 2: And we reconnected then and then she was she dated

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Speaker 2: my friend Eric Olsen for a while, so we actually

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Speaker 2: became friendly and I can't wait to see her again.

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Speaker 3: That was one of my biggest disappointments in my entire

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Speaker 3: career was that because it was between Fred and it

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Speaker 3: was a great show, and it was just it was

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Speaker 3: just down to the two of us, and we just

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Speaker 3: kept screen testing against each other and could have gone

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Speaker 3: either way. And I was like, oh, it was so

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Speaker 3: pissed because it was a great script, it was a

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Speaker 3: great story.

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Speaker 2: So yeah, it was that was that was a bummer.

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Speaker 1: And then we have McKenna Jones's Beth. She appears in

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Speaker 1: two Boy Meets World episodes, this one and next week's episode.

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Speaker 1: She was also seen on Monk, the Bold and the

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Speaker 1: Beautiful and The Infamous Cousin Skeeter. She appears to have

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Speaker 1: stopped acting in twenty thirteen. And now, jumping into our recap,

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Speaker 1: we have Chut. We are in Chubbies, Sean and Angela

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Speaker 1: are sitting at a booth holding hands. I did not

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Speaker 1: remember that we started this way, so I was very confused.

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Speaker 1: I was like, wait a minute, I must have missed it.

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Speaker 2: Am I in the right one?

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Speaker 1: Apparently she went from sitting behind the gang to now

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Speaker 1: dating one of us.

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Speaker 2: Corey, you guys. I'm sorry you guys just instantly of chemistry.

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Speaker 3: Yeah, you and Trina just instantly the second year on screen.

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Speaker 3: And it's not because I know where the relationship goes.

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Speaker 3: It just works right away.

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Speaker 2: Yeah. Well, you know they've talked about, like I read

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Speaker 2: this book once about soap operas and it was like

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Speaker 2: this really overly scholastic study of soap operas. But they

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Speaker 2: talked about casting for soap operas, and this woman, the

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Speaker 2: woman who was writing this book said, in a weird way,

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Speaker 2: it's it's like the word chemistry is perfect because it's

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Speaker 2: almost physical. Yeah, there's something about two actors. It has

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Speaker 2: nothing to do with the way they look, It has

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Speaker 2: nothing to do with their acting styles. It's like when

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Speaker 2: you get some people together, it just there's something about

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Speaker 2: you want to watch them together. And yeah, like I

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Speaker 2: remember feeling that when I've read with Tree and I

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Speaker 2: was like we just got into it and was like, oh,

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Speaker 2: this makes sense. Yeah, this we're just comfortable and you

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Speaker 2: can feel it. You can't.

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Speaker 3: It pops something you can't. Nope, now it comes right

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Speaker 3: through the screen.

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Speaker 1: Yeah, Corey and Tapanga are admiring them from Afar when

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Speaker 1: Tapega suggests that the four of them all go out.

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Speaker 1: Corey cuts her off with a chuckle. The four of

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Speaker 1: us Tapega's confused, so Corey reminds her of Sean's two

437
00:19:41,520 --> 00:19:44,639
Speaker 1: week rule. Back at the booth, Angela tells Sean, I

438
00:19:44,680 --> 00:19:47,840
Speaker 1: guess that's it. It's over. Sean shrugs, two weeks. You

439
00:19:47,920 --> 00:19:51,160
Speaker 1: knew that going in. Angela nodds. She grabs her backpack

440
00:19:51,160 --> 00:19:53,360
Speaker 1: and gets up to leave. Sean asks where she's going,

441
00:19:53,359 --> 00:19:55,679
Speaker 1: and Angela bites back, Oh, I'm sorry. I thought you

442
00:19:55,680 --> 00:19:59,160
Speaker 1: were done letting me down easy. Sean looks surprised. You're

443
00:19:59,200 --> 00:20:02,040
Speaker 1: just taking this so well. Angela shrugs, it was a

444
00:20:02,040 --> 00:20:04,719
Speaker 1: great two weeks. We had fun. After a few seconds

445
00:20:04,720 --> 00:20:09,480
Speaker 1: of awkward silence, Sean whimpers out a see you. Angela leaves,

446
00:20:09,480 --> 00:20:11,560
Speaker 1: but give Sean one last lingering look as she goes

447
00:20:11,600 --> 00:20:14,440
Speaker 1: up the stairs. Sean smiles. He then turns to Corey

448
00:20:14,440 --> 00:20:17,360
Speaker 1: into Panga that Angela is all right, I'm gonna miss her.

449
00:20:17,680 --> 00:20:20,720
Speaker 1: To pegas flabbergasted, Well then why did you break up

450
00:20:20,760 --> 00:20:23,919
Speaker 1: with her? Sean confidently responds. As they say south of

451
00:20:23,920 --> 00:20:27,000
Speaker 1: the border doc him on us to Pega won't take

452
00:20:27,000 --> 00:20:29,520
Speaker 1: that for an answer. Your two week rule is dumb.

453
00:20:29,880 --> 00:20:32,840
Speaker 1: Corey corrects her. No, No, his one week rule was dumb.

454
00:20:33,000 --> 00:20:34,440
Speaker 1: His two week rule shows.

455
00:20:34,160 --> 00:20:35,240
Speaker 2: Growth, shows growth.

456
00:20:35,640 --> 00:20:38,600
Speaker 1: I love that to Peka insists Sean is afraid of commitment.

457
00:20:38,800 --> 00:20:41,439
Speaker 1: Sean is offended. I've been with Corey for fifteen years.

458
00:20:41,840 --> 00:20:45,600
Speaker 1: Corey sighs, Ah, they've been good years. Sean agrees, you

459
00:20:45,640 --> 00:20:49,199
Speaker 1: worked very hard at it. Cory lovingly reaches across the table.

460
00:20:49,400 --> 00:20:53,560
Speaker 1: It takes two and this I love it?

461
00:20:53,960 --> 00:20:55,159
Speaker 2: This wor fine?

462
00:20:55,240 --> 00:20:55,400
Speaker 3: Why?

463
00:20:55,480 --> 00:20:55,720
Speaker 2: Why?

464
00:20:55,840 --> 00:20:56,000
Speaker 3: So?

465
00:20:56,119 --> 00:20:56,280
Speaker 4: What?

466
00:20:57,880 --> 00:21:01,560
Speaker 2: Something's something that made this work? And because it's.

467
00:21:00,920 --> 00:21:04,720
Speaker 1: As fest and they're leaning into it and it's sweet,

468
00:21:04,800 --> 00:21:07,600
Speaker 1: and it's about two friends saying things that could be

469
00:21:07,720 --> 00:21:09,720
Speaker 1: that could be either something you would say to a

470
00:21:09,840 --> 00:21:12,800
Speaker 1: romantic partner or something you would say to a friend.

471
00:21:13,480 --> 00:21:16,400
Speaker 1: We've worked hard at our friendship. We've made efforts, You've

472
00:21:16,440 --> 00:21:18,919
Speaker 1: done a good job. Thanks for making me a priority.

473
00:21:19,160 --> 00:21:19,720
Speaker 2: I love you.

474
00:21:20,560 --> 00:21:22,520
Speaker 3: Did it also seem like and I noticed it throughout

475
00:21:22,520 --> 00:21:24,800
Speaker 3: the entire episode, But did it really seem like there

476
00:21:24,880 --> 00:21:27,000
Speaker 3: was a ton of background actors this week?

477
00:21:28,160 --> 00:21:29,199
Speaker 2: I did notice that too.

478
00:21:30,000 --> 00:21:32,720
Speaker 3: It seemed to have a we have a budget, Yeah,

479
00:21:32,920 --> 00:21:35,399
Speaker 3: Like the hallways were full and Chubby's was full. And

480
00:21:35,440 --> 00:21:38,520
Speaker 3: there was just background actors everywhere this episode. It gave

481
00:21:38,560 --> 00:21:41,080
Speaker 3: it so much energy. It was great and life. Yeah,

482
00:21:41,280 --> 00:21:41,880
Speaker 3: well a.

483
00:21:41,800 --> 00:21:44,040
Speaker 2: Part of that is blocking, right and framing. I think

484
00:21:44,040 --> 00:21:47,200
Speaker 2: that they cross camera more, you know, it's just it's

485
00:21:47,240 --> 00:21:49,000
Speaker 2: it's I think it goes back to direction. I think

486
00:21:49,080 --> 00:21:50,760
Speaker 2: what's so funny is that the experience of a good

487
00:21:50,760 --> 00:21:53,359
Speaker 2: director when you're an actor in front of the camera

488
00:21:53,800 --> 00:21:56,120
Speaker 2: is often about how they communicate with you about your

489
00:21:56,160 --> 00:21:58,679
Speaker 2: performance or your fellow actors, and you're not aware of

490
00:21:58,720 --> 00:22:00,560
Speaker 2: all the other stuff that's going on. So like, if

491
00:22:00,600 --> 00:22:02,000
Speaker 2: you had asked me at the time, I would have

492
00:22:02,240 --> 00:22:04,840
Speaker 2: not known what it is that Kendall brought, you know,

493
00:22:05,280 --> 00:22:06,760
Speaker 2: But now I can see it, and I'm like, oh,

494
00:22:07,320 --> 00:22:10,120
Speaker 2: he's thinking about all these other things and doing it

495
00:22:10,240 --> 00:22:12,920
Speaker 2: really really well. Yeah, yeah, I was surprised.

496
00:22:14,040 --> 00:22:17,119
Speaker 1: Tapega interrupts the love fest, slamming her hand on the table.

497
00:22:18,280 --> 00:22:20,919
Speaker 1: She says to Sean, you're afraid to get to know someone,

498
00:22:21,040 --> 00:22:23,760
Speaker 1: and you're afraid for someone to get to know you. Meanwhile,

499
00:22:23,800 --> 00:22:26,359
Speaker 1: a pretty girl walks by their table and catches Sean's eye.

500
00:22:26,480 --> 00:22:29,080
Speaker 1: Tapanga tells Corey she thinks she finally got through to

501
00:22:29,160 --> 00:22:31,600
Speaker 1: Sean only to look over and see him making out

502
00:22:31,720 --> 00:22:34,439
Speaker 1: with that girl who had just passed by. Guess not,

503
00:22:35,160 --> 00:22:37,639
Speaker 1: it's a funny moment, it's great. And then we're in

504
00:22:37,720 --> 00:22:39,760
Speaker 1: John Adams Hig. Corey and Sean are walking down the

505
00:22:39,760 --> 00:22:43,080
Speaker 1: hall and Writer is in the biggest pants I've ever seen.

506
00:22:47,119 --> 00:22:51,240
Speaker 1: They are so large, and I felt like I was

507
00:22:51,320 --> 00:22:56,040
Speaker 1: back in ninety seven. Sean wonders what Tapanga meant about

508
00:22:56,080 --> 00:22:59,040
Speaker 1: him being afraid of commitment. Corey says they just want

509
00:22:59,080 --> 00:23:01,760
Speaker 1: him to be happy, and then Sean finds a lost

510
00:23:01,800 --> 00:23:04,160
Speaker 1: purse just as mister Feenie walks out of his office.

511
00:23:04,720 --> 00:23:07,159
Speaker 1: Corey asks mister Feenie, who runs the Lost and Found,

512
00:23:07,200 --> 00:23:09,640
Speaker 1: and feene just looks at him with an amazed look

513
00:23:09,680 --> 00:23:13,560
Speaker 1: of shock. I do, mister Matthews. I teach English history

514
00:23:13,640 --> 00:23:16,919
Speaker 1: and film and I run the Lost and Found. I

515
00:23:16,920 --> 00:23:19,880
Speaker 1: guess he stole Eli's job, and he forgot to mention

516
00:23:19,960 --> 00:23:23,439
Speaker 1: he also teaches health, so yeah, he forgot some jobs.

517
00:23:23,560 --> 00:23:23,800
Speaker 4: Yep.

518
00:23:24,640 --> 00:23:26,960
Speaker 1: Sean says he'll put up a notice, then encourages Corey

519
00:23:26,960 --> 00:23:29,200
Speaker 1: to look through the purse to find an ID. Corey

520
00:23:29,200 --> 00:23:31,919
Speaker 1: immediately turns this idea down. I once went through my

521
00:23:32,000 --> 00:23:33,959
Speaker 1: mom's purse and I can't look at her anymore.

522
00:23:34,240 --> 00:23:38,120
Speaker 2: Io. Yeah, can't do it, can't do it. To this day,

523
00:23:38,160 --> 00:23:38,960
Speaker 2: I don't look through Susan.

524
00:23:39,000 --> 00:23:41,359
Speaker 1: I feel like that's such as neither does Jensen. If

525
00:23:41,440 --> 00:23:43,640
Speaker 1: I need something from my purse, Jensen goes over, picks

526
00:23:43,680 --> 00:23:44,360
Speaker 1: up my purse.

527
00:23:44,160 --> 00:23:47,040
Speaker 2: And hands presse Exactly. That's what I do too.

528
00:23:47,520 --> 00:23:49,720
Speaker 1: Yeah, I'll never forget being a kid and sitting in

529
00:23:49,720 --> 00:23:51,399
Speaker 1: the middle of a restaurant with my mom and my

530
00:23:51,440 --> 00:23:53,840
Speaker 1: brother and my brother digging through my mom's purse for

531
00:23:53,920 --> 00:23:55,560
Speaker 1: something which we were never allowed to do.

532
00:23:55,640 --> 00:23:55,720
Speaker 3: So.

533
00:23:55,760 --> 00:23:57,439
Speaker 1: I don't know why it happened this one time, but

534
00:23:57,520 --> 00:23:59,480
Speaker 1: my brother went digging through his pers and he pulled

535
00:23:59,520 --> 00:24:01,159
Speaker 1: out a tamp on and literally held it way over

536
00:24:01,200 --> 00:24:01,879
Speaker 1: his head and went.

537
00:24:01,880 --> 00:24:07,400
Speaker 3: What's explained exactly too much in there.

538
00:24:07,920 --> 00:24:09,280
Speaker 2: It needs too much explanation.

539
00:24:10,119 --> 00:24:15,320
Speaker 1: Uh uh, such a relatable thing. Don't go through a

540
00:24:15,320 --> 00:24:16,480
Speaker 1: woman's purse, Nope.

541
00:24:16,480 --> 00:24:18,040
Speaker 2: Just handed to her and walk away. That's all you

542
00:24:18,080 --> 00:24:18,359
Speaker 2: could do.

543
00:24:19,480 --> 00:24:21,960
Speaker 1: Sean rummages through the bag and he finds no wallet,

544
00:24:22,040 --> 00:24:25,840
Speaker 1: no id, only lip gloss Corey Sniff's it Kiwi mango.

545
00:24:26,119 --> 00:24:28,200
Speaker 2: Oh, Sean's excited. That's so sexy.

546
00:24:28,520 --> 00:24:31,040
Speaker 1: Did you know the Ted Copple show called that the

547
00:24:31,119 --> 00:24:32,880
Speaker 1: lift Gloss of Forbidden Love.

548
00:24:33,400 --> 00:24:35,960
Speaker 2: What is It's just a random group of words that

549
00:24:36,000 --> 00:24:38,920
Speaker 2: works perfectly. It's funny. That's great, But you know, it's

550
00:24:38,960 --> 00:24:41,480
Speaker 2: so funny. We did a reference to this on Girl

551
00:24:41,520 --> 00:24:43,439
Speaker 2: Meets World. And yeah, at the time when we were

552
00:24:43,440 --> 00:24:46,480
Speaker 2: making Girl Meets World, I remember being like, what lip gloss? Why?

553
00:24:46,520 --> 00:24:51,000
Speaker 2: Is like, that's funny. We should have been making mango

554
00:24:51,040 --> 00:24:53,399
Speaker 2: on Girl Meets World too. They did that. Yeah, it

555
00:24:53,520 --> 00:24:55,440
Speaker 2: was like we went to a time capitle or something

556
00:24:55,520 --> 00:24:58,600
Speaker 2: and and there was a jacket, and there was the

557
00:24:58,640 --> 00:25:00,879
Speaker 2: lip gloss was in there, a it was all the

558
00:25:00,920 --> 00:25:03,159
Speaker 2: objects in the purse were in there. But I remember

559
00:25:03,160 --> 00:25:04,439
Speaker 2: a house talking to and I was like, what is

560
00:25:04,480 --> 00:25:06,320
Speaker 2: this a reference to? It's just so funny that you know,

561
00:25:06,359 --> 00:25:08,440
Speaker 2: here we were making a sequel to our show and

562
00:25:09,440 --> 00:25:11,480
Speaker 2: show what was going on you played Sean?

563
00:25:12,040 --> 00:25:16,680
Speaker 1: Okay, Yeah, I you know what I think is really

564
00:25:16,720 --> 00:25:20,040
Speaker 1: funny is that if you look at all of the

565
00:25:20,119 --> 00:25:23,879
Speaker 1: other items in the purse, there's nothing in there that

566
00:25:23,920 --> 00:25:26,320
Speaker 1: would tell you whether or not you would be sexually

567
00:25:26,359 --> 00:25:30,280
Speaker 1: attracted to this person. And they had to include something.

568
00:25:31,280 --> 00:25:34,680
Speaker 1: Let's show Sean that this is a sexy woman.

569
00:25:34,880 --> 00:25:39,280
Speaker 2: Right, Well, fantastic interest. Well true, but you never know,

570
00:25:39,800 --> 00:25:43,480
Speaker 2: you never really knows a good That's a really good point, Daniel.

571
00:25:43,520 --> 00:25:45,000
Speaker 2: And in a way it had to be either a

572
00:25:45,040 --> 00:25:50,960
Speaker 2: smell or it had and also thinking you're also thinking

573
00:25:50,960 --> 00:25:53,200
Speaker 2: about kids drawing attention to the lips. But I love

574
00:25:53,200 --> 00:25:58,800
Speaker 2: the callback to Corey when you love it.

575
00:25:59,119 --> 00:26:02,120
Speaker 1: I love that one of the best jokes still has

576
00:26:02,200 --> 00:26:05,280
Speaker 1: the purse, so there's no question that he stole the

577
00:26:05,280 --> 00:26:06,080
Speaker 1: one that was in there.

578
00:26:06,200 --> 00:26:13,640
Speaker 2: He went and bought it Ted Copple. It's so funny.

579
00:26:13,760 --> 00:26:16,879
Speaker 1: I just love it so much. Meanwhile, Corey puts the

580
00:26:16,920 --> 00:26:19,560
Speaker 1: lip gloss on himself. He notices something else from the bag,

581
00:26:19,720 --> 00:26:23,040
Speaker 1: a book of sonnets. Sean sees that it's Shakespeare. I've

582
00:26:23,040 --> 00:26:26,639
Speaker 1: heard He's good. Sean notices the bookmark. Next it's a

583
00:26:26,680 --> 00:26:30,080
Speaker 1: ticket stub to a Van Damn movie which star ever made?

584
00:26:30,160 --> 00:26:32,280
Speaker 2: I still want to know which Vandamn movie it was? Well,

585
00:26:32,280 --> 00:26:35,280
Speaker 2: now is in this like the third reference or four

586
00:26:37,280 --> 00:26:39,800
Speaker 2: were actually coming out, but there were a lot.

587
00:26:39,880 --> 00:26:43,320
Speaker 3: But my god, I wonder what's gone. It's probably hard target.

588
00:26:43,320 --> 00:26:44,920
Speaker 3: If it's ninety seven, we'll see.

589
00:26:44,960 --> 00:26:45,560
Speaker 2: I don't know, just.

590
00:26:45,600 --> 00:26:51,440
Speaker 1: Curious, Sean says the greatest movie star ever made. Shawn's impressed.

591
00:26:51,600 --> 00:26:53,679
Speaker 1: I'd give her two weeks. And then we're in the

592
00:26:53,680 --> 00:26:58,360
Speaker 1: Matthews backyard. We get a very distinct phoene car.

593
00:26:58,480 --> 00:27:01,400
Speaker 2: Yeah, the one shot as.

594
00:27:01,160 --> 00:27:04,800
Speaker 1: We are in it. Guys. Ye, Also, this is a

595
00:27:04,840 --> 00:27:05,919
Speaker 1: shorter haircut for you.

596
00:27:06,080 --> 00:27:10,000
Speaker 2: A shorter haircut, mustard shirt, and bad makeup.

597
00:27:10,040 --> 00:27:12,399
Speaker 3: This week, I had like something on the side of

598
00:27:12,400 --> 00:27:14,720
Speaker 3: my face that distracted me for most of the episode.

599
00:27:14,760 --> 00:27:15,919
Speaker 3: So for I don't know, if I told them I

600
00:27:15,920 --> 00:27:17,800
Speaker 3: didn't want makeup or something. Sometimes I would do that.

601
00:27:17,800 --> 00:27:18,880
Speaker 3: I'd be like, I just don't want to get any

602
00:27:18,880 --> 00:27:22,000
Speaker 3: makeup tonight. But yeah, so I noticed that. But other

603
00:27:22,040 --> 00:27:24,520
Speaker 3: than that, yes, short hair, I think they want to

604
00:27:25,200 --> 00:27:27,760
Speaker 3: They've now officially decided Matt and I are going to

605
00:27:27,760 --> 00:27:30,679
Speaker 3: be a partnership, so they wanted to distinguish us as

606
00:27:30,760 --> 00:27:35,880
Speaker 3: much as possible. So one, you know, Tan incredibly good looking,

607
00:27:36,280 --> 00:27:41,200
Speaker 3: amazingly in shape guy and Matt Lawrence together. You want

608
00:27:41,240 --> 00:27:44,040
Speaker 3: to make sure that people could distinguish between the two

609
00:27:44,080 --> 00:27:44,320
Speaker 3: of us.

610
00:27:44,680 --> 00:27:46,720
Speaker 2: I think between the they really did. Because of the

611
00:27:46,760 --> 00:27:50,639
Speaker 2: way the season started, you had three of us flopping. Guys,

612
00:27:50,720 --> 00:27:52,840
Speaker 2: it was like, we gotta shake this up at least

613
00:27:52,880 --> 00:27:53,399
Speaker 2: a little bit.

614
00:27:54,359 --> 00:27:56,240
Speaker 3: And so that's my guess is that once again, like

615
00:27:56,280 --> 00:27:58,760
Speaker 3: the like the stand in for skating, I got the

616
00:27:58,760 --> 00:28:01,520
Speaker 3: haircut instead of the stand infrascating, So yeah, I think right,

617
00:28:01,680 --> 00:28:02,840
Speaker 3: I took one for the team again.

618
00:28:03,400 --> 00:28:06,280
Speaker 1: So phoene rushes out the door in an absolutely kill

619
00:28:06,280 --> 00:28:09,240
Speaker 1: her sweater vest and in a panic, asking Eric what's wrong.

620
00:28:09,560 --> 00:28:11,440
Speaker 1: It's a crisis. He has a big test and he's

621
00:28:11,440 --> 00:28:13,960
Speaker 1: come to realize how important tests are in college. He

622
00:28:14,000 --> 00:28:16,720
Speaker 1: looks at phoene let's get cracking. Okay, phoene puts his

623
00:28:16,760 --> 00:28:19,000
Speaker 1: foot down. Eric needs to do this on his own.

624
00:28:19,200 --> 00:28:22,359
Speaker 1: He's confident that Eric has all the skills. Phoeney turns

625
00:28:22,359 --> 00:28:24,920
Speaker 1: to leave, and Eric sneaks a look into his house. Hey,

626
00:28:25,280 --> 00:28:28,920
Speaker 1: you're tutoring another student in there, aren't you? And did

627
00:28:28,960 --> 00:28:38,560
Speaker 1: you guys hear Steve Hayfer laugh. No, Yes, it's so great, great,

628
00:28:39,120 --> 00:28:42,360
Speaker 1: listen to it again, he says. He says that you

629
00:28:42,400 --> 00:28:44,600
Speaker 1: know like he's like he's been hurt, he's scorned, and

630
00:28:44,680 --> 00:28:49,000
Speaker 1: you hear the most crisp, clear Steve Heyer laugh and

631
00:28:49,080 --> 00:28:51,880
Speaker 1: it just warmed my heart. So please, I beg you

632
00:28:51,880 --> 00:28:52,400
Speaker 1: to go back.

633
00:28:53,280 --> 00:28:56,000
Speaker 2: We'll take us back to every rehearsal exactly because Steve

634
00:28:56,160 --> 00:28:58,240
Speaker 2: Steve as the stage manager, would have been there for

635
00:28:58,280 --> 00:29:00,960
Speaker 2: every rehearsal, so he's one of the most important last

636
00:29:01,040 --> 00:29:03,560
Speaker 2: for us to earn during the week. And so yeah,

637
00:29:03,640 --> 00:29:04,720
Speaker 2: hearing that again would be so.

638
00:29:05,240 --> 00:29:08,200
Speaker 1: It's so wonderful. Phoene pushes the door closed. He has

639
00:29:08,240 --> 00:29:10,880
Speaker 1: no idea what Eric is talking about. Eric pushes further.

640
00:29:11,080 --> 00:29:14,400
Speaker 1: It's Kevin McDougall, isn't it the kid from the other

641
00:29:16,120 --> 00:29:21,720
Speaker 1: There's another side, is in the middle of two houses houses.

642
00:29:21,800 --> 00:29:24,160
Speaker 2: There's a whole nother boy meets World. There's an alternative

643
00:29:24,240 --> 00:29:29,800
Speaker 2: Kevin McDougall, Boy meets World. We could do a whole

644
00:29:29,800 --> 00:29:32,920
Speaker 2: alternative show. That's what we do. We'll do instead of

645
00:29:33,000 --> 00:29:36,280
Speaker 2: just we just create Kevin meets World and it's like

646
00:29:36,320 --> 00:29:38,080
Speaker 2: the mirror image on the other side.

647
00:29:39,680 --> 00:29:40,480
Speaker 1: It'd be great.

648
00:29:40,720 --> 00:29:42,440
Speaker 2: Yeah, we should, and we could. We could use Ai

649
00:29:42,600 --> 00:29:44,880
Speaker 2: to you know, have Bill still be Mister Feenie and

650
00:29:44,920 --> 00:29:47,520
Speaker 2: that and that show. It's a good idea.

651
00:29:47,800 --> 00:29:49,440
Speaker 1: I love it. I want I want to do it.

652
00:29:49,440 --> 00:29:52,080
Speaker 1: It's it makes it made me laugh so much that

653
00:29:52,480 --> 00:29:53,120
Speaker 1: it's the kid.

654
00:29:53,040 --> 00:29:54,120
Speaker 2: From the other side.

655
00:29:55,120 --> 00:29:57,760
Speaker 1: So Phoene reiterates that Eric has the ability to do

656
00:29:57,840 --> 00:30:00,280
Speaker 1: well on this test. He just needs to study. I

657
00:30:00,320 --> 00:30:02,640
Speaker 1: have confidence in you. I just wish you had confidence

658
00:30:02,680 --> 00:30:05,640
Speaker 1: in yourself. He returns into his house and Eric screams,

659
00:30:05,760 --> 00:30:11,520
Speaker 1: he's a professional tutor. You'll need nothing to him. And

660
00:30:11,560 --> 00:30:14,280
Speaker 1: then we are in Eric, Jack and Shawn's apartment. Jack

661
00:30:14,360 --> 00:30:18,719
Speaker 1: is helping Eric's study the Louisiana purchase. Eric screams so

662
00:30:18,960 --> 00:30:20,640
Speaker 1: loudly at him, I don't.

663
00:30:20,400 --> 00:30:21,920
Speaker 2: Know, stop bounding me.

664
00:30:22,160 --> 00:30:24,000
Speaker 1: And I laughed so hard.

665
00:30:24,120 --> 00:30:25,800
Speaker 3: I don't know if I made that up on the spot.

666
00:30:25,840 --> 00:30:27,480
Speaker 3: I can't remember if that's how it was, or I

667
00:30:27,600 --> 00:30:28,360
Speaker 3: just screamed at him.

668
00:30:28,360 --> 00:30:32,720
Speaker 1: One take the aggressive then it made me laugh so hard,

669
00:30:33,160 --> 00:30:41,320
Speaker 1: so aggressive. Jack sighs, but continues to try Lewis hand Louis.

670
00:30:41,160 --> 00:30:43,240
Speaker 2: The Lewis Twins.

671
00:30:46,960 --> 00:30:49,320
Speaker 1: Eric answers and throws his arms in the air. He

672
00:30:49,360 --> 00:30:52,320
Speaker 1: doesn't belong in college. Jack encourages him to hit the

673
00:30:52,320 --> 00:30:54,320
Speaker 1: books a little harder, and he takes a break. He'll

674
00:30:54,320 --> 00:30:57,120
Speaker 1: come back later to help. Eric gives himself a pep

675
00:30:57,160 --> 00:31:02,160
Speaker 1: talk Columbus Cortes. Then he gets to Marco and he

676
00:31:02,200 --> 00:31:05,760
Speaker 1: can't remember his last name. He racks his brain, Marco,

677
00:31:06,680 --> 00:31:10,160
Speaker 1: Marco Marco. Then we hear Phoenie's voice.

678
00:31:11,640 --> 00:31:14,200
Speaker 3: By the way, the thing that's interesting is is in college,

679
00:31:14,320 --> 00:31:18,880
Speaker 3: Eric is apparently taking eighth grade history, which is like.

680
00:31:18,880 --> 00:31:24,560
Speaker 2: Covering Explorers of the World, relationship to Louisiana purchased.

681
00:31:26,040 --> 00:31:26,400
Speaker 4: Guys.

682
00:31:26,600 --> 00:31:30,160
Speaker 1: I appreciate that this is like his version of junior

683
00:31:30,200 --> 00:31:33,360
Speaker 1: college where he tested in and this is where he.

684
00:31:33,440 --> 00:31:37,160
Speaker 2: Was water finds its own level is what it comes

685
00:31:37,160 --> 00:31:37,520
Speaker 2: down to.

686
00:31:38,120 --> 00:31:40,360
Speaker 3: But yes, that was that's all I was like, Okay, yeah,

687
00:31:40,360 --> 00:31:42,880
Speaker 3: he's taking eighth grade history in college.

688
00:31:45,720 --> 00:31:50,120
Speaker 1: So Eric looks around the room. Confused. Phoenie is nowhere

689
00:31:50,160 --> 00:31:53,720
Speaker 1: to be seen. He asks again Marco. Then Feenie, annoyed

690
00:31:53,760 --> 00:31:56,800
Speaker 1: this time, yells back Polo. Eric looks at the couch

691
00:31:56,840 --> 00:31:59,760
Speaker 1: and Feenie has appeared. He's here to help Eric, right.

692
00:31:59,800 --> 00:32:01,600
Speaker 1: Then Jack comes out of his room and wonders who

693
00:32:01,680 --> 00:32:04,640
Speaker 1: Eric is talking to. Eric asks Jack if he remembers

694
00:32:04,680 --> 00:32:08,280
Speaker 1: his mentor mister Feenie. Jack responds, yeah, I do. Who

695
00:32:08,280 --> 00:32:11,760
Speaker 1: are you talking to? Eric retorts mister Feenie, the British

696
00:32:11,760 --> 00:32:15,520
Speaker 1: guy sitting on the couch right there. Phoene rolls his eyes.

697
00:32:15,800 --> 00:32:18,600
Speaker 1: I'm from Boston, you boob boob.

698
00:32:23,040 --> 00:32:23,240
Speaker 2: Joke.

699
00:32:25,040 --> 00:32:27,640
Speaker 1: Eric scoffs and asks feene for some respect. He's a

700
00:32:27,680 --> 00:32:30,760
Speaker 1: guest in their house. Jack thinks this comment is directed

701
00:32:30,800 --> 00:32:35,400
Speaker 1: toward him. Excuse me, I pay rent here. Eric clarifies

702
00:32:35,440 --> 00:32:39,040
Speaker 1: that he was talking to mister Feenie. Jack sarcastically responds, Oh, yeah,

703
00:32:39,280 --> 00:32:42,720
Speaker 1: your mentor on the couch. We now see Jack's POV

704
00:32:43,000 --> 00:32:46,440
Speaker 1: and Feoenie has disappeared. Eric is frustrated, pointing right at Phoene.

705
00:32:46,560 --> 00:32:50,280
Speaker 1: He's on the couch eating their beer nuts. Jack looks

706
00:32:50,280 --> 00:32:53,080
Speaker 1: at Eric like he's crazy and declares he's leaving. Eric

707
00:32:53,120 --> 00:32:55,960
Speaker 1: tells Feene, man, did I pick a Rootie for a roommate?

708
00:32:56,080 --> 00:32:59,160
Speaker 1: He looks like you don't even exist. Phoenie nonchalantly tells

709
00:32:59,280 --> 00:33:02,400
Speaker 1: Eric that Jack can't see him. Only Eric can see

710
00:33:02,440 --> 00:33:04,520
Speaker 1: him because he exists in his imagination.

711
00:33:05,040 --> 00:33:07,120
Speaker 2: And this is like, I went right back to season one,

712
00:33:07,120 --> 00:33:10,240
Speaker 2: because remember when Corey was being haunted by a fantasy

713
00:33:10,280 --> 00:33:12,920
Speaker 2: Feenie in the like I Dream of Phenie or yeah,

714
00:33:14,120 --> 00:33:16,840
Speaker 2: it was It's like, oh wow, now that whole relationship,

715
00:33:16,880 --> 00:33:18,600
Speaker 2: Like you think about when was the last time Corey

716
00:33:18,800 --> 00:33:21,920
Speaker 2: and Feenie had time, Like, you know, you spend the

717
00:33:21,920 --> 00:33:24,320
Speaker 2: whole first season building up that relationship, but now that's

718
00:33:24,360 --> 00:33:28,240
Speaker 2: transferred to Eric. Like Eric and Feenie are the essential Phoenie.

719
00:33:28,320 --> 00:33:31,080
Speaker 2: Now that's the essential relationship of you know, the mentor.

720
00:33:31,280 --> 00:33:33,840
Speaker 2: It's so interesting that, like what like I was saying earlier,

721
00:33:34,080 --> 00:33:36,720
Speaker 2: how the show is branched out into these different you

722
00:33:36,720 --> 00:33:39,080
Speaker 2: know sides, it's still the same thing. It's still the

723
00:33:39,120 --> 00:33:41,640
Speaker 2: same story, which is I'm fantasizing about I'm in my

724
00:33:41,680 --> 00:33:44,920
Speaker 2: imaginary teachers. I can't get away from this teacher. I

725
00:33:44,960 --> 00:33:47,480
Speaker 2: need him, you know, And here it is. But now

726
00:33:47,480 --> 00:33:49,640
Speaker 2: it's the same thing, but with Eric. It's so interesting.

727
00:33:50,880 --> 00:33:53,200
Speaker 1: In one of my favorite moments of the show, it

728
00:33:53,280 --> 00:33:57,840
Speaker 1: happens right now when Eric just accepts immediately without any

729
00:33:57,840 --> 00:33:59,920
Speaker 1: further questions. You've got it, Okay, no one else can.

730
00:34:00,240 --> 00:34:03,640
Speaker 1: It's just me. Great, he just no further questions, and

731
00:34:03,680 --> 00:34:06,600
Speaker 1: I love it. It's so it's such a this, this

732
00:34:06,840 --> 00:34:10,200
Speaker 1: very this feels exactly what we were missing so much

733
00:34:10,239 --> 00:34:14,000
Speaker 1: from season four. Eric. Everything about this episode is perfect.

734
00:34:14,080 --> 00:34:17,279
Speaker 1: It's the perfect mix of Eric still being a little

735
00:34:17,280 --> 00:34:19,319
Speaker 1: bit of a dumb dumb but a very lovable, very

736
00:34:19,360 --> 00:34:23,480
Speaker 1: funny one, and also trusting himself and being smart and

737
00:34:23,520 --> 00:34:25,640
Speaker 1: in college and trying to learn. It's like, it's all

738
00:34:25,640 --> 00:34:27,879
Speaker 1: the greatest things of Eric's So do not.

739
00:34:27,960 --> 00:34:30,600
Speaker 3: Know if this happened, and I could completely be making

740
00:34:30,600 --> 00:34:32,600
Speaker 3: this up, but I know the man well enough to know.

741
00:34:32,880 --> 00:34:33,759
Speaker 2: I will bet you.

742
00:34:34,000 --> 00:34:36,360
Speaker 3: At one point during a run through, Kendall pulled me

743
00:34:36,400 --> 00:34:38,799
Speaker 3: aside and was like, what are you doing? You know

744
00:34:38,880 --> 00:34:42,560
Speaker 3: like I was, because he had probably hadn't seen Eric

745
00:34:42,640 --> 00:34:44,919
Speaker 3: this season and he was different. I mean, you watched

746
00:34:44,920 --> 00:34:47,600
Speaker 3: the last couple episodes and Eric was just different and

747
00:34:47,680 --> 00:34:50,479
Speaker 3: he felt like Eric again this episode. And I will

748
00:34:50,640 --> 00:34:54,520
Speaker 3: bet you absolutely that. At one point Kendall pulled me

749
00:34:54,520 --> 00:34:56,600
Speaker 3: aside and was like, hey, man, you know, let's.

750
00:34:57,120 --> 00:35:01,719
Speaker 2: Remember maybe just what you back into the mindset of like,

751
00:35:01,760 --> 00:35:03,480
Speaker 2: oh great, because we you know, he had directed a

752
00:35:03,480 --> 00:35:06,520
Speaker 2: lot of seasons, two seasons, so like maybe you just

753
00:35:06,600 --> 00:35:07,960
Speaker 2: went into a different mindset.

754
00:35:08,000 --> 00:35:09,960
Speaker 3: It must have been because it was different and it

755
00:35:09,960 --> 00:35:12,040
Speaker 3: felt so good again, and it was just like, oh

756
00:35:12,120 --> 00:35:12,680
Speaker 3: this is great.

757
00:35:12,840 --> 00:35:14,280
Speaker 4: Yeah.

758
00:35:14,360 --> 00:35:17,440
Speaker 1: So Feoenie explains he's there to help Eric's study. Eric

759
00:35:17,480 --> 00:35:19,359
Speaker 1: goes along with it, then yells out to Jack, who

760
00:35:19,400 --> 00:35:22,799
Speaker 1: returns into the room. He gestures to imaginary Feenie and

761
00:35:22,840 --> 00:35:26,640
Speaker 1: asks Feenie or no Feenie, Jack size no, Feenie, and

762
00:35:26,680 --> 00:35:29,560
Speaker 1: we see that Eric is gesturing to thin air. Eric understands,

763
00:35:29,600 --> 00:35:32,080
Speaker 1: then turns his attention back to Feenie. You ready, I'm driving.

764
00:35:32,120 --> 00:35:34,320
Speaker 1: Come on. So depending on who.

765
00:35:34,200 --> 00:35:37,560
Speaker 2: You the first time I will say I think you

766
00:35:37,640 --> 00:35:41,160
Speaker 2: missed that joke? Did I think I think I'm driving?

767
00:35:41,200 --> 00:35:43,239
Speaker 2: Could have been a bigger beat, Like, imagine if you

768
00:35:43,280 --> 00:35:45,279
Speaker 2: had to tell him that you're driving, because if he

769
00:35:45,320 --> 00:35:48,200
Speaker 2: was driving, Oh yeah, no I'm driving. No, no, I'm driving.

770
00:35:48,320 --> 00:35:50,719
Speaker 2: You just barreled through it. It's a great looks the

771
00:35:50,760 --> 00:35:52,440
Speaker 2: imaginary guy's gonna drive it. But I love that you

772
00:35:52,440 --> 00:35:54,680
Speaker 2: accept that he's imaginary, but then you have to insist

773
00:35:54,719 --> 00:35:56,719
Speaker 2: that you're driving. I was like, I feel like Will

774
00:35:56,760 --> 00:35:58,239
Speaker 2: could have made a meal out of that if you

775
00:35:58,320 --> 00:36:00,759
Speaker 2: missed it. It's the only time about your So you

776
00:36:00,760 --> 00:36:05,960
Speaker 2: had a better joke and you.

777
00:36:07,000 --> 00:36:22,040
Speaker 1: Right then we're in Chubby's Sean is sitting at a

778
00:36:22,040 --> 00:36:25,160
Speaker 1: booth alone, accompanied only by the missing purse he found earlier.

779
00:36:25,280 --> 00:36:28,719
Speaker 1: He's reading the Sonnet book that was inside, which feels like,

780
00:36:28,840 --> 00:36:34,680
Speaker 1: again an invasion of privacy. But okay, sure it's not

781
00:36:34,760 --> 00:36:35,280
Speaker 1: a diary.

782
00:36:35,400 --> 00:36:36,160
Speaker 2: It's like.

783
00:36:37,920 --> 00:36:38,920
Speaker 1: It's hard, it's hard.

784
00:36:39,160 --> 00:36:40,080
Speaker 2: Yeah.

785
00:36:40,239 --> 00:36:42,600
Speaker 1: Corey walks up and asks if anyone's called about the

786
00:36:42,600 --> 00:36:46,080
Speaker 1: purse yet. Sean responds, love is not love, which alters

787
00:36:46,280 --> 00:36:50,800
Speaker 1: when it alteration, finds or bends with the remover to remove.

788
00:36:51,320 --> 00:36:54,440
Speaker 1: Corey brushes the poetry aside and reiterates Corey and Topanga

789
00:36:54,520 --> 00:36:57,480
Speaker 1: believe if Sean met the right girl. Shawn interrupts him,

790
00:36:57,600 --> 00:37:00,440
Speaker 1: Wait wait, wait, is this you or Topanga talking? Corey

791
00:37:00,480 --> 00:37:04,680
Speaker 1: answers she's decided where one person. He continues on, revealing

792
00:37:04,719 --> 00:37:08,520
Speaker 1: that Tapanga has a friend named Debrah. Sean immediately turns

793
00:37:08,560 --> 00:37:10,399
Speaker 1: down the idea. He doesn't want to be fixed up.

794
00:37:10,560 --> 00:37:13,000
Speaker 1: He focuses back on the purse, revealing the other things

795
00:37:13,000 --> 00:37:15,680
Speaker 1: he's found in there, a guitar pick, a green peace sticker,

796
00:37:15,760 --> 00:37:18,440
Speaker 1: and a box of snow caps, which are only the

797
00:37:18,480 --> 00:37:20,000
Speaker 1: greatest movie snack ever made.

798
00:37:20,239 --> 00:37:26,680
Speaker 2: Obviously completely disagree. I know I don't like chocolatey movie snacks.

799
00:37:26,680 --> 00:37:28,560
Speaker 2: Can we just I mean, like, give me sall?

800
00:37:29,719 --> 00:37:30,000
Speaker 4: No?

801
00:37:30,200 --> 00:37:33,160
Speaker 2: I mean, first, first of all, popcorn is priority. That's

802
00:37:33,200 --> 00:37:39,399
Speaker 2: what you watch. It's you go for the sour patch

803
00:37:39,480 --> 00:37:43,640
Speaker 2: kids or the craziest you ready hot to Molly's candy,

804
00:37:45,880 --> 00:37:47,920
Speaker 2: Hot in your popcorn?

805
00:37:48,000 --> 00:37:48,600
Speaker 1: Yeah, that's great.

806
00:37:48,840 --> 00:37:52,680
Speaker 2: I do that with Eminem's in the popcorn is a

807
00:37:52,680 --> 00:37:55,279
Speaker 2: little bit of Okay, yeah, yeah, I.

808
00:37:57,680 --> 00:37:58,479
Speaker 1: Can't really go wrong.

809
00:37:58,560 --> 00:38:02,480
Speaker 3: I Also, I'm just curious, where does Tapanga have this

810
00:38:02,480 --> 00:38:05,040
Speaker 3: friend named Debbie that neither Corey nor Sean has met.

811
00:38:05,560 --> 00:38:09,680
Speaker 1: Oh who knows? Also, why now is Tapanga deciding they're

812
00:38:09,719 --> 00:38:13,560
Speaker 1: one person? Why was Topanga so intuitive at the beginning

813
00:38:14,120 --> 00:38:16,520
Speaker 1: and know Sean so well that this is a fear

814
00:38:16,560 --> 00:38:19,280
Speaker 1: of commitment and not getting to know, But then somehow

815
00:38:19,320 --> 00:38:23,080
Speaker 1: thinks Debbie, the fitness enthusiast, is a good match for him.

816
00:38:23,160 --> 00:38:24,120
Speaker 2: It's the only thing.

817
00:38:24,160 --> 00:38:26,480
Speaker 3: If I had any complaints about this episode, and I'd

818
00:38:26,520 --> 00:38:28,719
Speaker 3: have to struggle for him because I really really like this.

819
00:38:28,840 --> 00:38:31,799
Speaker 3: It's an overall they still don't know who Topega is.

820
00:38:31,920 --> 00:38:35,600
Speaker 3: That's my That's just an overall note. That's still character.

821
00:38:35,320 --> 00:38:41,680
Speaker 1: Who started off so strong and he is becoming a little.

822
00:38:42,480 --> 00:38:44,920
Speaker 2: That's how easy would it have been to lean into

823
00:38:44,960 --> 00:38:46,960
Speaker 2: like season one, to Panga and have her friend be

824
00:38:47,320 --> 00:38:51,120
Speaker 2: some new age yoga instructor who Sean can't you know,

825
00:38:51,840 --> 00:38:54,640
Speaker 2: get along with because she's so you know, airheaded or something.

826
00:38:54,640 --> 00:38:57,359
Speaker 2: You know, you can create a version that is makes

827
00:38:57,400 --> 00:39:00,600
Speaker 2: sense with Tapanga's character. If you had a character. Yeah, yes,

828
00:39:00,680 --> 00:39:03,719
Speaker 2: that would be my only note for him. It's a

829
00:39:03,719 --> 00:39:05,000
Speaker 2: global note, yep.

830
00:39:05,400 --> 00:39:08,280
Speaker 1: Cory asks Sean if he wants that feeling, that feeling

831
00:39:08,320 --> 00:39:10,720
Speaker 1: you get when you meet someone special. It's the feeling

832
00:39:10,719 --> 00:39:14,440
Speaker 1: Corey has every day when he's with Tapanga, happy, warm, fuzzy.

833
00:39:14,760 --> 00:39:17,800
Speaker 1: I can't describe it, but there are bunnies, lots of bunnies.

834
00:39:18,360 --> 00:39:20,600
Speaker 1: Sean gives him a weird look. Corey says, they just

835
00:39:20,640 --> 00:39:22,960
Speaker 1: want him to have that feeling. He urges Sean to

836
00:39:23,000 --> 00:39:26,080
Speaker 1: meet Debbie, and Sean reluctantly agrees. Then we are in

837
00:39:26,080 --> 00:39:29,520
Speaker 1: the Matthews living room. Sean is loudly playing Vivaldi's Four

838
00:39:29,600 --> 00:39:32,959
Speaker 1: Seasons as he happily strolls around the room. Corey joins

839
00:39:33,000 --> 00:39:35,520
Speaker 1: him downstairs with a grin on his face. Sean shouts

840
00:39:35,560 --> 00:39:38,480
Speaker 1: over the music. I wonder if Debbie's anything like this girl.

841
00:39:38,800 --> 00:39:41,600
Speaker 1: Cory asks which girl, and Sean clarifies the purse girl.

842
00:39:41,760 --> 00:39:45,640
Speaker 1: She likes classical music. Corey laughs, you hate classical music.

843
00:39:45,960 --> 00:39:47,800
Speaker 1: Sean says, yeah, he never gave it a chance.

844
00:39:48,080 --> 00:39:52,719
Speaker 2: He gets eat because you know, I remembered, like, you know,

845
00:39:52,760 --> 00:39:55,239
Speaker 2: the sort of the conceit of the purse, right the

846
00:39:55,280 --> 00:39:58,040
Speaker 2: idea that inside is all the same things Sean likes.

847
00:39:58,080 --> 00:40:00,120
Speaker 2: But what I like about this moment is that it's

848
00:40:00,160 --> 00:40:02,799
Speaker 2: something he doesn't know and he leans into it and

849
00:40:03,040 --> 00:40:05,000
Speaker 2: likes it. And that was like, it was just a

850
00:40:05,080 --> 00:40:07,439
Speaker 2: nice touch. I was like, Oh, it's not just the like, oh,

851
00:40:07,480 --> 00:40:09,360
Speaker 2: she's all the things I are, you know, need and

852
00:40:09,400 --> 00:40:11,440
Speaker 2: a girl. It's like, I'm willing to you know, I'm

853
00:40:11,480 --> 00:40:15,080
Speaker 2: already learning from this relationship and I'm growing, even though

854
00:40:15,120 --> 00:40:17,040
Speaker 2: it's you know, spell with a purse. I just thought

855
00:40:17,040 --> 00:40:18,840
Speaker 2: that was such a nice little touch. It was really

856
00:40:18,920 --> 00:40:22,719
Speaker 2: important actually that Sean is like actually exploring something new because.

857
00:40:23,000 --> 00:40:26,280
Speaker 3: Kind of manic, giddy Sean is one of my favorite

858
00:40:26,320 --> 00:40:29,360
Speaker 3: versions of Sean. Yeah, so the kind of giggly like

859
00:40:29,440 --> 00:40:30,840
Speaker 3: he doesn't know, I don't I've.

860
00:40:30,680 --> 00:40:32,719
Speaker 2: Got this this happiness. I have no idea what to

861
00:40:32,719 --> 00:40:34,799
Speaker 2: do with this, as like kind of one of my

862
00:40:34,800 --> 00:40:35,759
Speaker 2: favorite versions of Jean.

863
00:40:36,160 --> 00:40:36,359
Speaker 4: Great.

864
00:40:36,680 --> 00:40:40,040
Speaker 2: We don't get it very well. It's very nice to see.

865
00:40:40,360 --> 00:40:42,960
Speaker 1: Yeah, it's very sweet. I agree with you, writer. It's

866
00:40:42,960 --> 00:40:45,920
Speaker 1: so it's so cute that he's like, if this person

867
00:40:46,000 --> 00:40:49,160
Speaker 1: I like likes all these other things I already think

868
00:40:49,160 --> 00:40:52,160
Speaker 1: are cool, I must be the one who's missing something

869
00:40:52,200 --> 00:40:54,520
Speaker 1: about thee I need to learn more about this.

870
00:40:54,560 --> 00:40:56,360
Speaker 2: I mean, even with the Sonnets that you know, it's

871
00:40:56,400 --> 00:40:59,359
Speaker 2: it's not like I always in my memory was like, oh,

872
00:40:59,400 --> 00:41:01,880
Speaker 2: of course one likes poetry, but we haven't really established

873
00:41:01,880 --> 00:41:04,319
Speaker 2: the poetry thing with Sean. So this might be the

874
00:41:04,320 --> 00:41:06,920
Speaker 2: beginning of Sean's poetic you know, he might because he

875
00:41:07,000 --> 00:41:09,719
Speaker 2: finds the Sonnets. He's not like, I love Shakespeare's She's

876
00:41:09,800 --> 00:41:11,759
Speaker 2: just like me. He's like, hey, now he's reading it.

877
00:41:11,800 --> 00:41:14,319
Speaker 2: He's discovering it, and that's so cool. It's like it's

878
00:41:14,360 --> 00:41:17,759
Speaker 2: an element of this storyline that I didn't remember and

879
00:41:17,800 --> 00:41:19,560
Speaker 2: I think is really actually essential to it.

880
00:41:19,600 --> 00:41:21,719
Speaker 3: Do you also remember writer this was I don't know

881
00:41:21,719 --> 00:41:23,600
Speaker 3: if this was right around the time, but you and

882
00:41:23,680 --> 00:41:27,160
Speaker 3: I went through a big classical phase while we were

883
00:41:27,160 --> 00:41:28,960
Speaker 3: doing the show, and I wonder if this was the

884
00:41:29,000 --> 00:41:31,000
Speaker 3: time we were listening to it in the dressing rooms.

885
00:41:31,000 --> 00:41:33,120
Speaker 3: Who were listening to it when we're getting our makeup done,

886
00:41:33,200 --> 00:41:34,920
Speaker 3: and I wonder if they heard it and they were like,

887
00:41:34,960 --> 00:41:36,680
Speaker 3: you know, once again wrote.

888
00:41:36,480 --> 00:41:38,440
Speaker 2: It into the show and I was getting into poetry.

889
00:41:38,480 --> 00:41:40,400
Speaker 2: I was like, yeah, fool on, Like I was reading

890
00:41:40,400 --> 00:41:42,400
Speaker 2: poetry from season one but like, you know, thanks to

891
00:41:42,480 --> 00:41:45,319
Speaker 2: David Colmbs. Really by this time, I was like, you know,

892
00:41:45,600 --> 00:41:48,719
Speaker 2: you're in scott So they took these things from our lives, Yeah,

893
00:41:48,960 --> 00:41:49,560
Speaker 2: inserted them.

894
00:41:49,600 --> 00:41:53,120
Speaker 1: Well, so Sean gets excited and he pretends to play along.

895
00:41:53,320 --> 00:41:56,080
Speaker 1: This is the part where the violins rock. Corey tells

896
00:41:56,080 --> 00:41:58,200
Speaker 1: Sean that Debbie is under the impression that he doesn't

897
00:41:58,239 --> 00:42:00,759
Speaker 1: do this, and he pretends to be a conductor with

898
00:42:00,800 --> 00:42:03,960
Speaker 1: his hands. The doorbell rings, and Sean disappointedly turns off

899
00:42:04,000 --> 00:42:06,320
Speaker 1: the music. Corey opens the door and kisses to Panga

900
00:42:06,320 --> 00:42:10,200
Speaker 1: before introducing Debbie to Sean. Debbie gasps, you're very thin.

901
00:42:10,880 --> 00:42:14,800
Speaker 1: Sean's confused. Is that bad? Debbie assures him, No, it's good,

902
00:42:15,000 --> 00:42:18,000
Speaker 1: low impact, high impact kickboxing, cross training. What are you doing,

903
00:42:18,040 --> 00:42:21,560
Speaker 1: because whatever it is, it's working. Sean flatly explains, I

904
00:42:21,600 --> 00:42:22,240
Speaker 1: eat a lot.

905
00:42:22,080 --> 00:42:24,400
Speaker 2: Of Burgersbbie smiles.

906
00:42:27,040 --> 00:42:30,160
Speaker 1: Debbie smiles, good eat fat to burn fat to Panga

907
00:42:30,160 --> 00:42:34,800
Speaker 1: butts in. Debbie is an aerobics instructor. So funny, Sean

908
00:42:34,920 --> 00:42:43,920
Speaker 1: and Corey ridiculously enthusiastic. Oh my gosh, so made me

909
00:42:44,000 --> 00:42:47,160
Speaker 1: laugh so much. Then Sean pulls Corey to the side.

910
00:42:47,239 --> 00:42:49,480
Speaker 1: Why would you think this girl is for me. Debbie

911
00:42:49,520 --> 00:42:56,799
Speaker 1: ignores the sidebar and strolls word around the gym. Is

912
00:42:57,040 --> 00:42:59,920
Speaker 1: Sean Hunter is quite a kisser? Corey smiles and leave

913
00:43:00,040 --> 00:43:00,600
Speaker 1: the two alone.

914
00:43:01,520 --> 00:43:02,800
Speaker 2: Can you imagine.

915
00:43:07,360 --> 00:43:11,120
Speaker 1: What the hell to Panga is excited? This could work?

916
00:43:11,280 --> 00:43:15,319
Speaker 1: They seem right for each other. What way? I have

917
00:43:15,360 --> 00:43:18,000
Speaker 1: no idea? I have no I have no idea. Why

918
00:43:18,040 --> 00:43:22,800
Speaker 1: the pega thinks they have anything in commons and requires Yeah,

919
00:43:22,840 --> 00:43:25,399
Speaker 1: Corey isn't sure. Sean doesn't sweat that much. I hope

920
00:43:25,440 --> 00:43:28,319
Speaker 1: she's okay with that. Debbie leans into kiss Shawn and

921
00:43:28,360 --> 00:43:31,200
Speaker 1: he stops her. Can they talk first? He prisses play

922
00:43:31,200 --> 00:43:33,840
Speaker 1: on the stereo and Vivaldi is playing again. He asks

923
00:43:33,840 --> 00:43:36,160
Speaker 1: Debbie what kind of music she likes, and she scoffs.

924
00:43:36,280 --> 00:43:39,480
Speaker 1: Not this. You can't work out to this. Sean tries

925
00:43:39,520 --> 00:43:41,480
Speaker 1: to convince her. If you close your eyes, you can

926
00:43:41,520 --> 00:43:46,080
Speaker 1: actually see spring animals winking from their winter rest, flowers

927
00:43:46,080 --> 00:43:48,800
Speaker 1: blossoming into full bloom. He urges Debbie to try it,

928
00:43:48,840 --> 00:43:52,360
Speaker 1: and she does. She admits she just sees fat people bouncing.

929
00:43:54,800 --> 00:43:55,120
Speaker 3: It is.

930
00:43:55,520 --> 00:43:59,120
Speaker 2: Yeah, the scene couldn't be a little bit longer, you know,

931
00:43:59,120 --> 00:44:01,640
Speaker 2: It's like they have to just acre kind of one note. Yes,

932
00:44:01,680 --> 00:44:05,600
Speaker 2: she's very funny like Maggie. Yeah, like that's a hard

933
00:44:05,680 --> 00:44:08,000
Speaker 2: role to play, you know, to pull this off. And yeah,

934
00:44:08,000 --> 00:44:10,000
Speaker 2: I just wish if we had another twenty two minutes,

935
00:44:10,040 --> 00:44:12,560
Speaker 2: this could have been a whole sequence, you know, because

936
00:44:12,600 --> 00:44:14,280
Speaker 2: she's so good. Yes, she is great.

937
00:44:14,800 --> 00:44:18,000
Speaker 1: Tapanga admires them from afar. She thinks there's a relationship

938
00:44:18,040 --> 00:44:20,960
Speaker 1: happening here. Cory agrees, let's let us go to our

939
00:44:21,000 --> 00:44:25,560
Speaker 1: new couple friends and make plans for weekends at the cottage. Meanwhile,

940
00:44:25,600 --> 00:44:28,120
Speaker 1: Sean's reading his favorite sonnet to Debbie as she groans

941
00:44:28,120 --> 00:44:30,600
Speaker 1: in pain and covers her ears. Why are you doing

942
00:44:30,680 --> 00:44:35,760
Speaker 1: this to me? Corey waltzes up, How is the happy

943
00:44:35,800 --> 00:44:38,360
Speaker 1: couple doing? They both glare at him, and Sean turns

944
00:44:38,400 --> 00:44:43,240
Speaker 1: off the music. I need chocolate, I love. Debbie points

945
00:44:43,239 --> 00:44:46,000
Speaker 1: out that's fourteen grams of fat. And you have a purse.

946
00:44:46,520 --> 00:44:49,719
Speaker 1: Sean nods, yes, I do. Corey explains, no, that's not

947
00:44:49,840 --> 00:44:52,520
Speaker 1: his purse. He found that purse. Debbie scoffs, well, he

948
00:44:52,560 --> 00:44:54,600
Speaker 1: found an ugly one. Sean's offended.

949
00:44:54,640 --> 00:44:59,239
Speaker 2: Do you hear the audience like this point, the purse

950
00:44:59,360 --> 00:45:00,959
Speaker 2: was a character At this point, It's like oh.

951
00:45:02,880 --> 00:45:05,720
Speaker 1: Sewan's offended. He happens to like this purse, and Debbie

952
00:45:05,760 --> 00:45:09,040
Speaker 1: tells Tapanga this is not working, so Pega begs her

953
00:45:09,040 --> 00:45:10,960
Speaker 1: to give it a chance. Sean tells the group, I

954
00:45:11,000 --> 00:45:13,640
Speaker 1: can't do this, okay, don't fix me up. Corey tries

955
00:45:13,640 --> 00:45:16,000
Speaker 1: to stop him, but Shan declares, I'm perfectly happy with

956
00:45:16,040 --> 00:45:18,200
Speaker 1: the way things are. He slings the purse over his

957
00:45:18,200 --> 00:45:21,960
Speaker 1: shoulder and stomps out, carrying it proudly. Great exit, great scene,

958
00:45:22,000 --> 00:45:22,560
Speaker 1: great exit.

959
00:45:22,840 --> 00:45:23,000
Speaker 3: Yep.

960
00:45:23,600 --> 00:45:25,560
Speaker 1: Then we're in John Adams Highean is sitting on the

961
00:45:25,560 --> 00:45:28,880
Speaker 1: couch wearing headphones and loudly humming along to music. Corey

962
00:45:28,920 --> 00:45:31,840
Speaker 1: walks up and apologizes for last night. Debbie sounded pretty

963
00:45:31,840 --> 00:45:35,000
Speaker 1: good on paper. Sean excitedly tells Corey not to worry

964
00:45:35,000 --> 00:45:37,799
Speaker 1: about it and hands him a snowcap. Then Angela walks

965
00:45:37,840 --> 00:45:40,440
Speaker 1: up and says she notices something different about Sean. Is

966
00:45:40,520 --> 00:45:42,680
Speaker 1: that a new shirt, which was very funny to me

967
00:45:42,800 --> 00:45:44,839
Speaker 1: because of the minute the scene opened and we were

968
00:45:44,880 --> 00:45:46,920
Speaker 1: on Sean sitting on the couch, I went, look at

969
00:45:46,920 --> 00:45:47,360
Speaker 1: that shirt.

970
00:45:47,480 --> 00:45:48,160
Speaker 2: It's a new shirt.

971
00:45:48,719 --> 00:45:51,760
Speaker 1: I really, without knowing it was going to come into play,

972
00:45:51,880 --> 00:45:54,080
Speaker 1: I was like, that's a change of a shirt for Sean,

973
00:45:54,440 --> 00:45:56,719
Speaker 1: like fully called it from a mile away, which I

974
00:45:56,760 --> 00:45:59,439
Speaker 1: just think is so funny. Is that a new shirt?

975
00:45:59,680 --> 00:46:02,879
Speaker 1: Sean giggles, this whole thing. No, step, well it works

976
00:46:02,920 --> 00:46:05,040
Speaker 1: for you. Angela admits. He thanks her, and she gives

977
00:46:05,080 --> 00:46:06,560
Speaker 1: him a shy smile before leaving.

978
00:46:06,880 --> 00:46:09,920
Speaker 2: Corey, No, I mean this moment. It's funny because when

979
00:46:09,920 --> 00:46:12,919
Speaker 2: I saw it happening, I remember it, but I don't

980
00:46:12,960 --> 00:46:15,239
Speaker 2: remember how it evolved. But where she takes the cup

981
00:46:15,280 --> 00:46:17,520
Speaker 2: from me and drinks from it, did you guys know? Yeah?

982
00:46:17,520 --> 00:46:19,920
Speaker 2: Oh yeah, I did not know. It's like a really

983
00:46:20,160 --> 00:46:22,880
Speaker 2: interesting mandane moment. And I'm not sure if it was

984
00:46:22,920 --> 00:46:26,600
Speaker 2: something Trina did or something Kendall suggested, but it is

985
00:46:26,680 --> 00:46:30,640
Speaker 2: such a cool, little unspoken thing that says we're so

986
00:46:30,760 --> 00:46:33,120
Speaker 2: comfortable with each other. Yes, she can just do that,

987
00:46:33,400 --> 00:46:35,480
Speaker 2: and you can feel it. You can feel both of us.

988
00:46:35,600 --> 00:46:38,399
Speaker 2: You know that chemistry that you're talking about is on

989
00:46:38,440 --> 00:46:41,880
Speaker 2: display in that moment. I can't remember how it occurred, Like,

990
00:46:42,040 --> 00:46:45,279
Speaker 2: I'm so curious if Trina remembers, but I do. Once

991
00:46:45,320 --> 00:46:46,880
Speaker 2: I saw it happen, I was like, oh, I remember

992
00:46:46,880 --> 00:46:49,080
Speaker 2: that because we realize we're going to keep that in

993
00:46:49,200 --> 00:46:51,279
Speaker 2: like she did it one take, or somebody suggested it

994
00:46:51,400 --> 00:46:53,080
Speaker 2: and she did it. We were like, that's so cool.

995
00:46:53,160 --> 00:46:55,360
Speaker 2: Let's us keep that and we never have to mention it.

996
00:46:55,400 --> 00:46:58,600
Speaker 2: But it says volumes you know about our intimacy and

997
00:46:58,680 --> 00:47:00,839
Speaker 2: our comfort with each other. Were just in that moment

998
00:47:00,840 --> 00:47:02,880
Speaker 2: where she's comfortable enough to drink from my cup and

999
00:47:02,920 --> 00:47:04,960
Speaker 2: I take it back from her and don't even notice.

1000
00:47:05,239 --> 00:47:08,279
Speaker 1: Corey is still confused. Why is Sean so happy? Sean

1001
00:47:08,320 --> 00:47:10,759
Speaker 1: says he met someone, someone special, Then he lets out

1002
00:47:10,760 --> 00:47:13,640
Speaker 1: a giddy laugh. Corey points out the giggle. Sean is

1003
00:47:13,719 --> 00:47:17,120
Speaker 1: very happy. Yeah, I've been doing that a lot. Sean

1004
00:47:17,160 --> 00:47:19,040
Speaker 1: explains it. When he woke up this morning. I know,

1005
00:47:19,160 --> 00:47:19,600
Speaker 1: so funny.

1006
00:47:19,840 --> 00:47:20,279
Speaker 4: I love it.

1007
00:47:20,600 --> 00:47:22,480
Speaker 1: When he woke up this morning, it was like rays

1008
00:47:22,480 --> 00:47:25,760
Speaker 1: of sunshine. No, it was more like marshmallow clouds coated

1009
00:47:25,800 --> 00:47:29,480
Speaker 1: in syrup. No, which you hate? Syrup is the next

1010
00:47:29,560 --> 00:47:35,680
Speaker 1: man is something they did not active. He can't explain it,

1011
00:47:35,719 --> 00:47:38,040
Speaker 1: but he thinks he saw bunny. Cory is happy for

1012
00:47:38,080 --> 00:47:39,279
Speaker 1: Sean and asks who it is.

1013
00:47:39,640 --> 00:47:40,279
Speaker 2: I want to know.

1014
00:47:40,200 --> 00:47:43,160
Speaker 1: Why he doesn't question when he met this person? Since

1015
00:47:43,239 --> 00:47:46,640
Speaker 1: last night you left the like, my first question would

1016
00:47:46,640 --> 00:47:49,080
Speaker 1: be when, yeah, you know, but why couldn't this have

1017
00:47:49,120 --> 00:47:50,400
Speaker 1: been a front? Why couldn't you have gone on the

1018
00:47:50,480 --> 00:47:53,120
Speaker 1: date with Debbie on a Friday and this be Monday morning?

1019
00:47:54,080 --> 00:47:54,720
Speaker 2: That makes sense?

1020
00:47:55,200 --> 00:47:58,600
Speaker 1: Just wondering anyway, Sean points to the purse. It's her,

1021
00:47:59,040 --> 00:48:01,920
Speaker 1: the purse girl. Corey says Sean doesn't actually know her,

1022
00:48:02,040 --> 00:48:05,000
Speaker 1: but Sean says he actually knows everything about her. He's

1023
00:48:05,000 --> 00:48:07,840
Speaker 1: in love. Sean compares his love with purse Girl to

1024
00:48:07,880 --> 00:48:10,680
Speaker 1: Corey and too Panga. Corey chimes in, yeah, but I

1025
00:48:10,680 --> 00:48:12,720
Speaker 1: didn't fall in love with her luggage, which is another

1026
00:48:12,800 --> 00:48:15,200
Speaker 1: really great, subdued kind of funny joke.

1027
00:48:15,360 --> 00:48:17,240
Speaker 2: And now did you guys? This is where I started

1028
00:48:17,280 --> 00:48:21,319
Speaker 2: really making the connections that make this episode genius in

1029
00:48:21,360 --> 00:48:26,359
Speaker 2: my mind, which is that my storyline is about an

1030
00:48:26,400 --> 00:48:30,719
Speaker 2: imaginary person and Eric's storyline is about heineering person, and

1031
00:48:31,040 --> 00:48:33,840
Speaker 2: they're about how we have people in our mind, like

1032
00:48:33,920 --> 00:48:37,240
Speaker 2: the ideal version of people, and how sometimes that is good.

1033
00:48:37,440 --> 00:48:41,040
Speaker 2: Like I was like, WHOA. These two storylines, as crazy

1034
00:48:41,080 --> 00:48:43,600
Speaker 2: as they are, are about the same thing they're just

1035
00:48:43,600 --> 00:48:45,680
Speaker 2: coming out of from one is about how the person

1036
00:48:45,719 --> 00:48:48,160
Speaker 2: that you have in your memory from you know, years

1037
00:48:48,200 --> 00:48:50,319
Speaker 2: of it being a mentor stay with you in your mind,

1038
00:48:50,320 --> 00:48:52,640
Speaker 2: and that's a positive thing. And the other storyline is

1039
00:48:52,640 --> 00:48:54,920
Speaker 2: how a person you haven't even met yet but you

1040
00:48:54,920 --> 00:48:56,920
Speaker 2: can have an idealized version of them can be a

1041
00:48:56,920 --> 00:49:00,200
Speaker 2: positive influence. It was like whoa the crossing and a

1042
00:49:00,200 --> 00:49:03,520
Speaker 2: perfect thematic way. It's genius, it's really it's really great.

1043
00:49:04,080 --> 00:49:07,520
Speaker 1: It's I didn't even think of that. Yeah, so great.

1044
00:49:08,280 --> 00:49:10,800
Speaker 1: Then we're in the apartment elevator. Eric reads his test

1045
00:49:10,840 --> 00:49:14,520
Speaker 1: grade to imaginary Feenie. B all be in college is like,

1046
00:49:14,760 --> 00:49:15,719
Speaker 1: the best you can do?

1047
00:49:15,880 --> 00:49:16,839
Speaker 2: Yes, you can do.

1048
00:49:18,000 --> 00:49:21,000
Speaker 1: Imaginary Feenie praises him. You did very well, Eric.

1049
00:49:21,120 --> 00:49:24,880
Speaker 3: It also looked like it was multiple choice if you

1050
00:49:24,920 --> 00:49:26,840
Speaker 3: saw the piece of paper, So it was a multiple

1051
00:49:26,920 --> 00:49:29,920
Speaker 3: choice on eighth grade history, and he still only managed

1052
00:49:29,960 --> 00:49:30,960
Speaker 3: to be for the record.

1053
00:49:32,400 --> 00:49:34,239
Speaker 4: Just say. Then.

1054
00:49:34,280 --> 00:49:37,759
Speaker 1: The elevator stops and a handyman joins Eric in the elevator,

1055
00:49:37,840 --> 00:49:40,680
Speaker 1: Eric tells imaginary Feenie, a lot of people might not

1056
00:49:40,760 --> 00:49:43,799
Speaker 1: appreciate what you do, but I do. The handyman is

1057
00:49:43,840 --> 00:49:46,279
Speaker 1: touched since he thinks he's the only other person in

1058
00:49:46,320 --> 00:49:48,560
Speaker 1: the elevator with Eric, but he can't tell him that

1059
00:49:48,600 --> 00:49:49,600
Speaker 1: because they're not paying him.

1060
00:49:49,600 --> 00:49:54,080
Speaker 3: A sag rate yep, thing like extra extra there you go,

1061
00:49:54,360 --> 00:49:56,319
Speaker 3: just a nice, a nice little head bob, Like can

1062
00:49:56,360 --> 00:49:58,600
Speaker 3: you can you do all the acting without in your mouth?

1063
00:49:58,600 --> 00:50:01,120
Speaker 2: Because we don't want to pay you. It's like give

1064
00:50:01,160 --> 00:50:02,200
Speaker 2: the guy.

1065
00:50:03,080 --> 00:50:06,480
Speaker 1: Phoene complains, I understand that I'm in your imagination, but

1066
00:50:06,560 --> 00:50:09,640
Speaker 1: this ascot and I think we can do better. Eric,

1067
00:50:09,760 --> 00:50:12,879
Speaker 1: who is still technically alone with the handyman, says, I'll

1068
00:50:12,920 --> 00:50:16,040
Speaker 1: do anything you want. And now the handyman is a

1069
00:50:16,080 --> 00:50:19,680
Speaker 1: little startled. Phoene continues, You've got me in briefs. I'm

1070
00:50:19,680 --> 00:50:22,960
Speaker 1: a boxer man. So Eric innocently asks you want me

1071
00:50:23,000 --> 00:50:28,760
Speaker 1: to change your underwear? And now a hand way.

1072
00:50:30,080 --> 00:50:33,880
Speaker 2: More, Phoenie, you know that he becomes like even more

1073
00:50:34,040 --> 00:50:38,520
Speaker 2: like his character. Phoeneus, Yes, we could have kept going

1074
00:50:38,560 --> 00:50:40,640
Speaker 2: with that, you know, like he could have kept a

1075
00:50:42,320 --> 00:50:48,560
Speaker 2: walking stick. He just shirt over the top, mister peanut

1076
00:50:48,600 --> 00:50:49,240
Speaker 2: for some reason.

1077
00:50:54,560 --> 00:50:57,160
Speaker 1: When the elevator stops at the next floor, he quickly

1078
00:50:57,360 --> 00:51:00,640
Speaker 1: shoves his way out. Eric and Imaginary look at each

1079
00:51:00,640 --> 00:51:04,360
Speaker 1: other and shrug before walking into Eric, Jack and Sean's apartment,

1080
00:51:04,640 --> 00:51:06,920
Speaker 1: where Eric bursts through the door and greets Jack with

1081
00:51:07,360 --> 00:51:11,160
Speaker 1: a song I'm waving a bee in his story. Jack

1082
00:51:11,239 --> 00:51:13,720
Speaker 1: is shocked. How did he get a bee? Eric points

1083
00:51:13,719 --> 00:51:17,799
Speaker 1: and exclaims Phoeney. Feeney leaves, while Jack mocks Eric. All right,

1084
00:51:17,960 --> 00:51:21,000
Speaker 1: your invisible mentor guy, if you've got a secret, let

1085
00:51:21,040 --> 00:51:23,680
Speaker 1: me in on it. Eric shakes his head. It's no secret.

1086
00:51:23,719 --> 00:51:26,239
Speaker 1: It's feene I believed in him, he helped me. I

1087
00:51:26,320 --> 00:51:29,080
Speaker 1: got a good grade. Eric goes to his room and Jack,

1088
00:51:29,239 --> 00:51:32,279
Speaker 1: now alone, looks around, mister Feeney.

1089
00:51:32,080 --> 00:51:32,680
Speaker 2: Mister Feni.

1090
00:51:33,400 --> 00:51:36,759
Speaker 1: He gets nothing, so he asks again, mister Feenie, are

1091
00:51:36,800 --> 00:51:40,879
Speaker 1: you here, sir? It's me Jack, Eric's friend. He talks

1092
00:51:40,920 --> 00:51:43,120
Speaker 1: into the void. He got beat by Eric on a

1093
00:51:43,160 --> 00:51:46,319
Speaker 1: test that's just plain wrong. He's ready to learn, and

1094
00:51:46,360 --> 00:51:49,120
Speaker 1: he asks imaginary feene to begin with his arms out

1095
00:51:49,160 --> 00:51:52,760
Speaker 1: and his eyes closed. Eric observes from the doorway Jack

1096
00:51:53,400 --> 00:51:56,680
Speaker 1: he's not there, and then he reveals he's on the balcony,

1097
00:51:57,960 --> 00:52:01,240
Speaker 1: and Imaginary Feenee pops up and gives Jack a cute

1098
00:52:01,320 --> 00:52:01,920
Speaker 1: little wave.

1099
00:52:02,800 --> 00:52:03,320
Speaker 4: That's great.

1100
00:52:04,120 --> 00:52:06,279
Speaker 1: Then we're in the Matthew's kitchen. Sean walks in and

1101
00:52:06,320 --> 00:52:08,239
Speaker 1: Corey's glad to see him. He finished something in a

1102
00:52:08,280 --> 00:52:10,640
Speaker 1: notebook and says, based on the information we've gathered from

1103
00:52:10,680 --> 00:52:13,560
Speaker 1: the contents of the purse. I put together a composite

1104
00:52:13,640 --> 00:52:17,319
Speaker 1: drawing of the woman. You Ah, he.

1105
00:52:17,400 --> 00:52:19,760
Speaker 3: Was so honest about it, and when he turns it around,

1106
00:52:19,760 --> 00:52:22,759
Speaker 3: it was like his face was like this is her,

1107
00:52:23,320 --> 00:52:25,760
Speaker 3: Like this is what this is obviously.

1108
00:52:25,360 --> 00:52:27,000
Speaker 2: What she's gonna look like. So you can have this

1109
00:52:27,040 --> 00:52:28,880
Speaker 2: for help. Guy. So great.

1110
00:52:28,920 --> 00:52:33,080
Speaker 1: He shows off a very poorly drawn stick figure girl.

1111
00:52:33,560 --> 00:52:36,400
Speaker 1: She's surrounded by music notes and she has a big frown.

1112
00:52:36,880 --> 00:52:40,640
Speaker 1: Corey explains she's gorgeous, but she's sad, sad because she

1113
00:52:40,760 --> 00:52:46,600
Speaker 1: lost her verse. Sean reveals that she called Corey's ecstatic.

1114
00:52:46,680 --> 00:52:48,680
Speaker 1: That's great. He asks who it is and Sean tells

1115
00:52:48,719 --> 00:52:50,759
Speaker 1: him he doesn't know Jack took the message, but he's

1116
00:52:50,760 --> 00:52:53,239
Speaker 1: supposed to meet her at Chubby's. Corey tells him to

1117
00:52:53,239 --> 00:52:55,560
Speaker 1: take the drawing so he can make sure it's the girl.

1118
00:52:55,640 --> 00:52:59,919
Speaker 2: Hurt's the right girl. Oh God, favorite Corey, favorite John.

1119
00:53:00,480 --> 00:53:01,400
Speaker 2: It all just works.

1120
00:53:01,560 --> 00:53:12,560
Speaker 4: It's so good.

1121
00:53:14,120 --> 00:53:16,120
Speaker 2: So this is something that you know, we've talked a

1122
00:53:16,160 --> 00:53:18,000
Speaker 2: lot about it conventions and stuff, and I don't think

1123
00:53:18,040 --> 00:53:20,160
Speaker 2: we've really talked about much on the show. But like

1124
00:53:21,440 --> 00:53:26,000
Speaker 2: there how boy Mean's world dealt with race, right, Like

1125
00:53:26,160 --> 00:53:30,160
Speaker 2: how we had this inerational relationship which people have talked about,

1126
00:53:30,200 --> 00:53:33,319
Speaker 2: but we never actually reference it, right, We never on

1127
00:53:33,360 --> 00:53:36,960
Speaker 2: our show talk about the fact that Angela's black Sean

1128
00:53:37,080 --> 00:53:40,240
Speaker 2: is white and that that is overcoming any sort of barrier.

1129
00:53:40,320 --> 00:53:44,080
Speaker 2: We sort of act in this like, you know, race blind,

1130
00:53:44,160 --> 00:53:47,680
Speaker 2: color Blind Universe, and we had lots of conversations about

1131
00:53:47,680 --> 00:53:49,439
Speaker 2: it back in the day about whether we were ever

1132
00:53:49,520 --> 00:53:51,719
Speaker 2: going to do it. But what I never realized is

1133
00:53:51,760 --> 00:53:56,399
Speaker 2: that this episode actually functions as a metaphor for race

1134
00:53:56,480 --> 00:53:59,120
Speaker 2: or an analogy for race, in the sense that I

1135
00:53:59,239 --> 00:54:01,840
Speaker 2: fall in love with the contents of her character without

1136
00:54:01,920 --> 00:54:04,520
Speaker 2: knowing who it is. Yeah, and that and that it's

1137
00:54:04,600 --> 00:54:08,320
Speaker 2: actually it is encoded in boy Meet's world that we're saying,

1138
00:54:08,600 --> 00:54:10,400
Speaker 2: it's not about what you look like, it's not about

1139
00:54:10,560 --> 00:54:12,960
Speaker 2: where you come from. It's about the contents of your character.

1140
00:54:13,320 --> 00:54:15,440
Speaker 2: And so, you know, I never realized that in an

1141
00:54:15,440 --> 00:54:18,160
Speaker 2: indirect way, it was about race from the get go

1142
00:54:18,520 --> 00:54:21,359
Speaker 2: that I take you know, I'm I don't know who

1143
00:54:21,400 --> 00:54:22,880
Speaker 2: this person is, I don't know what she looks like,

1144
00:54:22,920 --> 00:54:24,759
Speaker 2: I don't know what her skin color is, but I

1145
00:54:24,800 --> 00:54:27,359
Speaker 2: fall in love with her, and then that eventually leads

1146
00:54:27,360 --> 00:54:29,719
Speaker 2: to a real relationship where I'm able to bridge what

1147
00:54:29,840 --> 00:54:32,560
Speaker 2: otherwise I might have not, you know, we might not

1148
00:54:32,600 --> 00:54:35,560
Speaker 2: have been able to fall in love. And like, so

1149
00:54:36,239 --> 00:54:38,360
Speaker 2: it was it's it's it's there. It's what I'm saying,

1150
00:54:38,400 --> 00:54:40,279
Speaker 2: Like it's so interesting, Like I never thought of this

1151
00:54:40,360 --> 00:54:42,560
Speaker 2: as having to do with race, but in a weird way,

1152
00:54:42,600 --> 00:54:45,680
Speaker 2: the whole storyline of Sean and Angela is about falling

1153
00:54:45,680 --> 00:54:49,400
Speaker 2: in love with the person despite what is on the surface,

1154
00:54:49,800 --> 00:54:50,959
Speaker 2: and that's just it's there.

1155
00:54:51,040 --> 00:54:53,120
Speaker 3: But they also they had to they did something very

1156
00:54:53,120 --> 00:54:55,799
Speaker 3: important at the beginning because if Sean was flipped with

1157
00:54:55,960 --> 00:54:57,759
Speaker 3: breaking up with her at the beginning where he just

1158
00:54:57,800 --> 00:54:59,759
Speaker 3: didn't care it was the regular two week one, she

1159
00:54:59,800 --> 00:55:01,880
Speaker 3: did care. They walked away, and then he falls in

1160
00:55:01,880 --> 00:55:03,960
Speaker 3: love with her purse, it would have been like the

1161
00:55:04,000 --> 00:55:06,920
Speaker 3: spark wasn't there initially, but they had it where the

1162
00:55:06,960 --> 00:55:09,080
Speaker 3: spark was there initially, where he was like, you're taking

1163
00:55:09,160 --> 00:55:13,759
Speaker 3: this very well, and god, that Angela is like the works. Yeah,

1164
00:55:13,800 --> 00:55:18,600
Speaker 3: they's where it's like you, you and Angela got along. Yes,

1165
00:55:18,640 --> 00:55:20,560
Speaker 3: you fall in love with perse girl, but wow, there's

1166
00:55:20,600 --> 00:55:22,560
Speaker 3: that Angela girl is still there too, And when you

1167
00:55:22,600 --> 00:55:24,960
Speaker 3: find out it's the same person, that's really where it

1168
00:55:25,000 --> 00:55:27,120
Speaker 3: goes to the next level, So they easily could have

1169
00:55:27,200 --> 00:55:28,880
Speaker 3: that could have been a screw up in the writing

1170
00:55:28,880 --> 00:55:31,520
Speaker 3: where it's just like yep, two weeks about but it wasn't.

1171
00:55:31,520 --> 00:55:33,880
Speaker 3: It was like, huh, wow, she's really amazing and looking

1172
00:55:33,960 --> 00:55:36,080
Speaker 3: after her, like the beat where you're looking after where

1173
00:55:36,080 --> 00:55:38,440
Speaker 3: she walks out of Chubby's all that stuff. They the

1174
00:55:38,480 --> 00:55:42,399
Speaker 3: attention to detail of this relationship could have worked. But yay,

1175
00:55:42,520 --> 00:55:45,080
Speaker 3: perse girl fell in love with her. But man, Angela

1176
00:55:45,160 --> 00:55:46,799
Speaker 3: too that. I had a great time with her.

1177
00:55:47,080 --> 00:55:50,360
Speaker 2: And I think this episode is very It's so well written,

1178
00:55:50,360 --> 00:55:53,400
Speaker 2: probably because it was written very early on because you know,

1179
00:55:53,440 --> 00:55:55,680
Speaker 2: we had already cast Trina. She was already in that

1180
00:55:55,760 --> 00:55:59,960
Speaker 2: other episode, so they knew this storyline before the season started,

1181
00:56:00,000 --> 00:56:02,720
Speaker 2: which means to me it was probably had more time

1182
00:56:02,800 --> 00:56:05,439
Speaker 2: to grow and rewritten, so by the time we got

1183
00:56:05,440 --> 00:56:08,680
Speaker 2: to it as our seventh episode, all everything was. It's

1184
00:56:08,760 --> 00:56:11,719
Speaker 2: really locked in, and I just it's smart, Like, you know,

1185
00:56:12,239 --> 00:56:14,400
Speaker 2: I wish the rest of the other story lines that

1186
00:56:14,480 --> 00:56:16,920
Speaker 2: Jack had had this much care, you know, because this

1187
00:56:17,040 --> 00:56:19,600
Speaker 2: was really well positioned and planned, and you know, it's

1188
00:56:19,600 --> 00:56:21,719
Speaker 2: a two parter, we get a lot of it to

1189
00:56:21,760 --> 00:56:23,839
Speaker 2: introduce Tom nothing of the second part.

1190
00:56:24,160 --> 00:56:26,600
Speaker 1: I I don't either. I didn't remember anything about this

1191
00:56:26,640 --> 00:56:28,560
Speaker 1: part other than the con what you know, the Van

1192
00:56:28,640 --> 00:56:32,320
Speaker 1: Dam ticket and stuff. For a show that has had

1193
00:56:32,400 --> 00:56:38,600
Speaker 1: some not so stellar character introductions, this one is a pinnacle.

1194
00:56:38,880 --> 00:56:43,720
Speaker 1: It is perfect, so and so well deserved. So Sean

1195
00:56:43,880 --> 00:56:47,320
Speaker 1: tells Corey he's not going. Corey should go instead. Sean

1196
00:56:47,360 --> 00:56:49,680
Speaker 1: can't meet her. The feeling is so incredible he just

1197
00:56:49,680 --> 00:56:51,640
Speaker 1: wants to hold onto it for as long as possible.

1198
00:56:52,000 --> 00:56:54,920
Speaker 1: Corey understands, but assures Sean that when he actually meets her,

1199
00:56:55,040 --> 00:56:57,600
Speaker 1: that feeling is only going to get better. Sean asks

1200
00:56:57,600 --> 00:56:59,160
Speaker 1: what if it doesn't and what if it's not as

1201
00:56:59,200 --> 00:57:02,040
Speaker 1: good as what I have now? Corey asks with the purse?

1202
00:57:02,160 --> 00:57:06,000
Speaker 1: With the purse, Ben is so good in this episode.

1203
00:57:06,360 --> 00:57:08,680
Speaker 1: Sean tells Corey to drop it, but Corey asks what

1204
00:57:08,719 --> 00:57:11,640
Speaker 1: Sean is so afraid of. Sean loudly admits, I'm afraid

1205
00:57:11,680 --> 00:57:14,080
Speaker 1: of getting hurt. I've seen the pain on my father's

1206
00:57:14,080 --> 00:57:16,240
Speaker 1: face every time a woman walks out because he's not

1207
00:57:16,280 --> 00:57:19,440
Speaker 1: good enough. Corey reminds Sean he is not his father.

1208
00:57:19,840 --> 00:57:23,160
Speaker 1: He grabs the purse and reminds him this thing isn't real. Right.

1209
00:57:23,160 --> 00:57:25,600
Speaker 1: Then Topanga walks in and Corey greets here with an embrace.

1210
00:57:25,840 --> 00:57:29,360
Speaker 1: He explains, this is real. Sean says, where I come from,

1211
00:57:29,440 --> 00:57:32,200
Speaker 1: I've never seen love work. Corey says, but it can.

1212
00:57:32,520 --> 00:57:35,640
Speaker 1: This purse girl could potentially be his love, his destiny.

1213
00:57:36,000 --> 00:57:38,560
Speaker 1: To Panga tells Corey that was beautiful. They kiss each

1214
00:57:38,560 --> 00:57:41,480
Speaker 1: other and to Panga notices something. What is that key

1215
00:57:41,560 --> 00:57:45,440
Speaker 1: we mango? Corey grins and she tells him it's very sexy.

1216
00:57:46,520 --> 00:57:49,160
Speaker 1: Sean still has the purse so, like I said, it's

1217
00:57:49,440 --> 00:57:52,840
Speaker 1: pretty obvious Corey went out and bought some. It just

1218
00:57:52,920 --> 00:57:54,200
Speaker 1: makes me love him.

1219
00:57:54,640 --> 00:57:56,120
Speaker 2: I love him.

1220
00:57:57,280 --> 00:57:59,760
Speaker 1: Then we are in Eric, Jack and Shawn's apartment. Eric's

1221
00:57:59,760 --> 00:58:02,880
Speaker 1: making eggs and recites Whitman major work Leaves of Grass,

1222
00:58:03,000 --> 00:58:06,960
Speaker 1: po major work The Raven quoth the Raven. Then Phoene

1223
00:58:07,000 --> 00:58:10,080
Speaker 1: startlingly appears behind the fridge door, wearing a tacky tourist

1224
00:58:10,080 --> 00:58:12,760
Speaker 1: get up, even with a camera around his neck. Phoene

1225
00:58:12,840 --> 00:58:16,600
Speaker 1: finishes the thought nevermore. Eric asks, aren't you a little

1226
00:58:16,640 --> 00:58:19,720
Speaker 1: overdressed for the library. Phoene explains, not for the one

1227
00:58:19,720 --> 00:58:23,600
Speaker 1: in Laughlin, Nevada. Eric nods, ooh. Laughlin population eighty nine

1228
00:58:23,720 --> 00:58:27,120
Speaker 1: hundred major business, legalized gambling, birthplace of the two ninety

1229
00:58:27,200 --> 00:58:28,440
Speaker 1: nine Prime Rib Special.

1230
00:58:28,640 --> 00:58:33,800
Speaker 2: What air under studying in college? It's English literature with geography.

1231
00:58:34,000 --> 00:58:35,160
Speaker 2: What do you managing in?

1232
00:58:35,600 --> 00:58:38,440
Speaker 3: I am majoring in populations of small US states.

1233
00:58:39,760 --> 00:58:43,040
Speaker 2: That's what's so weird, so funny.

1234
00:58:43,920 --> 00:58:46,680
Speaker 1: Eric wonders, why are we going to Laughlin? Phoene corrects him,

1235
00:58:46,760 --> 00:58:49,880
Speaker 1: we are not going. I'm going. Eric pleads, I can't

1236
00:58:49,880 --> 00:58:52,400
Speaker 1: do this without you. Phoene reminds him you did this

1237
00:58:52,560 --> 00:58:54,840
Speaker 1: all on your own. You've always had the skills. Just

1238
00:58:54,920 --> 00:58:57,680
Speaker 1: keep using them and you'll never be without me. Eric says,

1239
00:58:57,680 --> 00:59:00,160
Speaker 1: that's what the real mister Feenie would say. Imagine Mary

1240
00:59:00,200 --> 00:59:03,480
Speaker 1: Feenie nods and says, smart man that Phoenie. Then Foene

1241
00:59:03,560 --> 00:59:07,040
Speaker 1: points into the distance, Look a rare bird. Eric immediately

1242
00:59:07,080 --> 00:59:09,200
Speaker 1: turns his head to look, but doesn't find anything, and

1243
00:59:09,240 --> 00:59:12,360
Speaker 1: when he looks back at Phoene, he's gone. He shouts

1244
00:59:12,360 --> 00:59:17,360
Speaker 1: into the void again, Marco, Marco, and when he gets

1245
00:59:17,360 --> 00:59:21,120
Speaker 1: no response, he says to himself, Polo, mister Matthews, and

1246
00:59:21,200 --> 00:59:22,760
Speaker 1: I wrote kallute.

1247
00:59:23,320 --> 00:59:25,800
Speaker 2: This was so cute.

1248
00:59:25,680 --> 00:59:28,400
Speaker 1: Yeah, I loved it. It was touching and sweet and

1249
00:59:28,400 --> 00:59:31,960
Speaker 1: it just so great and then we're back in Chubby's.

1250
00:59:32,160 --> 00:59:35,040
Speaker 1: Sean puts a quarter in the jukebox and picks the song.

1251
00:59:35,280 --> 00:59:39,640
Speaker 1: It's the Vivaldi. It's quite a weird jukebox.

1252
00:59:42,640 --> 00:59:46,760
Speaker 2: Semi Sonics closing time right next to.

1253
00:59:49,600 --> 00:59:51,760
Speaker 1: The rest of the diners give him a look. Sean

1254
00:59:51,880 --> 00:59:54,480
Speaker 1: just stands there awkwardly waiting for perse girl to arrive.

1255
00:59:54,880 --> 00:59:57,680
Speaker 1: And then a beautiful brunette we've never seen before walks

1256
00:59:57,680 --> 01:00:00,240
Speaker 1: down the stairs and stands by herself. Sean and of

1257
01:00:00,280 --> 01:00:02,720
Speaker 1: gasps when he sees her. The girl seems to notice

1258
01:00:02,720 --> 01:00:05,040
Speaker 1: her purse and walks over to Sean. As soon as

1259
01:00:05,080 --> 01:00:08,440
Speaker 1: Sean commits to this being his destiny, another boy walks

1260
01:00:08,480 --> 01:00:11,840
Speaker 1: down the stairs and hugs her. Rats. Sean looks at

1261
01:00:11,840 --> 01:00:12,560
Speaker 1: the two's embrace.

1262
01:00:12,680 --> 01:00:17,680
Speaker 2: Silent film, like exactly silent film where we're acting, no

1263
01:00:17,680 --> 01:00:19,560
Speaker 2: one speaking, but we have to act out this whole

1264
01:00:19,600 --> 01:00:21,560
Speaker 2: little love try, and it was pretty interesting. It was

1265
01:00:21,880 --> 01:00:23,640
Speaker 2: a kind of a risky it was.

1266
01:00:23,800 --> 01:00:25,920
Speaker 1: It was a risk, but it didn't work. Although if

1267
01:00:25,920 --> 01:00:28,760
Speaker 1: anyone had just said one line, especially because we paid

1268
01:00:28,760 --> 01:00:31,040
Speaker 1: her to say a line, yes, she could have said

1269
01:00:31,520 --> 01:00:34,360
Speaker 1: my purse, thank you so much. And then the guy

1270
01:00:34,400 --> 01:00:36,080
Speaker 1: comes down the stairs and she goes, honey, look he

1271
01:00:36,120 --> 01:00:36,800
Speaker 1: brought my purse.

1272
01:00:37,080 --> 01:00:39,800
Speaker 2: But I think that they were hoped because if she

1273
01:00:39,880 --> 01:00:42,200
Speaker 2: knew that it was Sean, then she could tell Angela

1274
01:00:42,360 --> 01:00:43,040
Speaker 2: that it was Sean.

1275
01:00:43,720 --> 01:00:46,520
Speaker 1: So that's what she didn't know was Sean because I

1276
01:00:46,520 --> 01:00:47,160
Speaker 1: don't think so.

1277
01:00:47,360 --> 01:00:51,680
Speaker 2: Because she's turn away and it's just on the table.

1278
01:00:51,800 --> 01:00:54,680
Speaker 2: It's really tricky. It's a lot of they had to

1279
01:00:54,680 --> 01:00:56,520
Speaker 2: get me away from the purse for her to find

1280
01:00:56,560 --> 01:00:58,560
Speaker 2: it without knowing that I was the person who gave

1281
01:00:58,600 --> 01:01:00,960
Speaker 2: it to her, and it's a very no. I think

1282
01:01:01,000 --> 01:01:02,520
Speaker 2: that's what they were going for. Yeah, I think that

1283
01:01:02,680 --> 01:01:04,680
Speaker 2: what they were going Otherwise she would say like, oh,

1284
01:01:04,720 --> 01:01:06,600
Speaker 2: it was this guy right here in the next scene

1285
01:01:06,680 --> 01:01:10,080
Speaker 2: or whatever Sean found, she would know Sean. Sean found Sean.

1286
01:01:10,360 --> 01:01:12,000
Speaker 1: I'm gonna have to rewatch it because none of that

1287
01:01:12,040 --> 01:01:12,720
Speaker 1: makes sense to me.

1288
01:01:12,920 --> 01:01:16,280
Speaker 3: And I think what they were going for, and I

1289
01:01:16,280 --> 01:01:19,080
Speaker 3: think they tried to do is Sean puts the purse

1290
01:01:19,160 --> 01:01:22,360
Speaker 3: down and backs away. He sees her come down and

1291
01:01:22,400 --> 01:01:24,800
Speaker 3: he's about to take a step towards her. She's like

1292
01:01:24,840 --> 01:01:27,880
Speaker 3: looking around, sees the purse. Then the boyfriend comes down,

1293
01:01:27,960 --> 01:01:31,720
Speaker 3: so Sean backs off even further so she doesn't she

1294
01:01:31,840 --> 01:01:34,240
Speaker 3: just like finds her purse and it's like oh, and

1295
01:01:34,280 --> 01:01:35,200
Speaker 3: then hugs the guy.

1296
01:01:35,720 --> 01:01:36,959
Speaker 2: Yeah, I think that's what they were going.

1297
01:01:37,320 --> 01:01:40,600
Speaker 1: I didn't. I didn't get that. Okay, that makes more sense.

1298
01:01:40,600 --> 01:01:42,080
Speaker 1: I was like, why didn't you just say, like, oh

1299
01:01:42,080 --> 01:01:43,800
Speaker 1: my god, honey, this guy like she could have just

1300
01:01:43,840 --> 01:01:44,560
Speaker 1: not known who Sean.

1301
01:01:44,800 --> 01:01:47,960
Speaker 2: Sean was, right, but then she was friends with you

1302
01:01:48,240 --> 01:01:51,440
Speaker 2: And the next episode is still about me and Angela

1303
01:01:51,520 --> 01:01:53,160
Speaker 2: need find out that it was each other.

1304
01:01:53,200 --> 01:01:59,680
Speaker 1: Right, So okay, all right? So the girl grabs the

1305
01:01:59,720 --> 01:02:01,880
Speaker 1: purse and continues talking to the other boy, but Sean

1306
01:02:02,040 --> 01:02:04,600
Speaker 1: is long gone, and then we're back in John Adams High.

1307
01:02:04,640 --> 01:02:06,959
Speaker 1: Sean stomps down the hall to Corey and Tapanga, don't

1308
01:02:07,040 --> 01:02:09,720
Speaker 1: ever talk to me about love or destiny again. I

1309
01:02:09,840 --> 01:02:11,840
Speaker 1: went there. I put my heart on the line. She's

1310
01:02:11,840 --> 01:02:13,840
Speaker 1: got a boyfriend, Corey, and do you know what I

1311
01:02:13,880 --> 01:02:16,920
Speaker 1: feel now? Pain? It's like my heart's been ripped out

1312
01:02:16,960 --> 01:02:18,880
Speaker 1: and stepped on. So just do me a favor and

1313
01:02:18,960 --> 01:02:22,560
Speaker 1: stay out of my personal life. Corey apologizes, and Sean counters,

1314
01:02:22,640 --> 01:02:26,240
Speaker 1: I mean it, Corey nods, I will. Sean storms away,

1315
01:02:26,240 --> 01:02:29,400
Speaker 1: and the audience lets out at a loud awe. The

1316
01:02:29,480 --> 01:02:32,920
Speaker 1: innature touched. Yeah, they are, and then perse girl and

1317
01:02:32,960 --> 01:02:36,160
Speaker 1: Angela walk by. Angela tells her she's so lucky someone

1318
01:02:36,240 --> 01:02:39,080
Speaker 1: found her purse. They both place their bags on the

1319
01:02:39,080 --> 01:02:41,000
Speaker 1: table right in front of Corey and Ta Panga. The

1320
01:02:41,000 --> 01:02:43,160
Speaker 1: girl begins shaking things out of her purse and giving

1321
01:02:43,200 --> 01:02:46,800
Speaker 1: items back to Angela. Corey butts in Angela's stuff was

1322
01:02:46,840 --> 01:02:49,640
Speaker 1: in your purse. The girl explains she actually lent the

1323
01:02:49,680 --> 01:02:52,240
Speaker 1: purse to Angela, and Angela ads, I felt awful when

1324
01:02:52,240 --> 01:02:55,640
Speaker 1: I lost it. Corey is shocked. Your stuff was in

1325
01:02:55,680 --> 01:02:59,600
Speaker 1: her purse, the lip glass, the snow caps. Angela confirms it. Yeah,

1326
01:02:59,640 --> 01:03:01,960
Speaker 1: and my book of sonnets. I can't live without these.

1327
01:03:02,440 --> 01:03:05,680
Speaker 1: The words to be continued appear on the screen. Corey

1328
01:03:05,720 --> 01:03:07,800
Speaker 1: and Tepanga look at each other with big grins on

1329
01:03:07,840 --> 01:03:10,920
Speaker 1: their faces, and we get a signature nineties freeze frame.

1330
01:03:11,080 --> 01:03:11,360
Speaker 4: Aah.

1331
01:03:12,280 --> 01:03:16,120
Speaker 1: Great, great episode, And then we're into the tag Eric,

1332
01:03:16,240 --> 01:03:18,320
Speaker 1: Jack and Shawn's apartment. Eric sees Jack out on the

1333
01:03:18,320 --> 01:03:21,120
Speaker 1: balcony shouting out to mister Feenie. Eric wonders what he's

1334
01:03:21,120 --> 01:03:23,440
Speaker 1: doing and Jack tries to play it off cool nothing.

1335
01:03:24,080 --> 01:03:27,000
Speaker 1: Eric asks you need help studying, don't you? But Jack's

1336
01:03:27,000 --> 01:03:27,840
Speaker 1: ego gets in the way.

1337
01:03:27,960 --> 01:03:28,360
Speaker 4: Nah.

1338
01:03:28,760 --> 01:03:30,960
Speaker 1: Eric doesn't believe it one bit. He tells Jack to

1339
01:03:31,000 --> 01:03:33,680
Speaker 1: come on in. His prayers have been answered. Jack is

1340
01:03:33,720 --> 01:03:36,720
Speaker 1: let down. You, Oh man, I was kind of hoping

1341
01:03:36,800 --> 01:03:40,000
Speaker 1: for your magical mister feenie guy. Eric corrects him. First

1342
01:03:40,000 --> 01:03:42,880
Speaker 1: of all, he doesn't exist, okay. Second of all, he's

1343
01:03:42,920 --> 01:03:46,440
Speaker 1: in Laughlin, Nevada. Third of all, you've got the skills,

1344
01:03:46,440 --> 01:03:49,080
Speaker 1: my friend, you just gotta use them. Eric begins his

1345
01:03:49,160 --> 01:03:50,960
Speaker 1: lesson on the couch. He's going to shoot a question

1346
01:03:51,040 --> 01:03:54,160
Speaker 1: to Jack. It's a tough one. Poe's major work. I'm

1347
01:03:54,160 --> 01:03:57,680
Speaker 1: going to give you a hint. Never more. Jack is confused,

1348
01:03:57,960 --> 01:04:01,720
Speaker 1: explaining to Eric this is calculate. Eric pauses for a

1349
01:04:01,760 --> 01:04:08,760
Speaker 1: moment and then shouts, mister Vanus, so so funny. I

1350
01:04:08,880 --> 01:04:09,360
Speaker 1: was so.

1351
01:04:10,480 --> 01:04:13,320
Speaker 2: Relieved me too. It felt so good.

1352
01:04:13,320 --> 01:04:18,560
Speaker 1: This way about a season five episode. I now think hopefully,

1353
01:04:18,800 --> 01:04:21,880
Speaker 1: I mean hopefully part two is even a fraction of

1354
01:04:21,880 --> 01:04:24,240
Speaker 1: what Part one was. If Part two is, we should

1355
01:04:24,320 --> 01:04:26,040
Speaker 1: we should love it just as much. Do you think

1356
01:04:26,120 --> 01:04:27,600
Speaker 1: Kendall directed both parts?

1357
01:04:28,040 --> 01:04:28,520
Speaker 2: Probably?

1358
01:04:28,880 --> 01:04:30,960
Speaker 1: I hope so. I would hope that that they gave

1359
01:04:31,000 --> 01:04:32,160
Speaker 1: If you're going to do a part one and a

1360
01:04:32,160 --> 01:04:34,520
Speaker 1: part two they gave it to the same person. So

1361
01:04:34,680 --> 01:04:36,880
Speaker 1: join us for our next episode recap, which will be

1362
01:04:36,920 --> 01:04:41,160
Speaker 1: season five, Episode eight, Chasing Angela, Part two, which originally

1363
01:04:41,200 --> 01:04:45,040
Speaker 1: aired November twenty first, nineteen ninety seven. I changed that

1364
01:04:45,160 --> 01:04:47,880
Speaker 1: on the fly because it says here aired November fourteenth,

1365
01:04:47,880 --> 01:04:49,880
Speaker 1: But that's what I said at the beginning of this one.

1366
01:04:50,000 --> 01:04:52,280
Speaker 1: So I did the math in my head to twenty one.

1367
01:04:52,480 --> 01:04:55,040
Speaker 1: I did math added seven to fourteen in my head

1368
01:04:55,040 --> 01:04:55,600
Speaker 1: on the fly.

1369
01:04:55,960 --> 01:04:57,880
Speaker 2: Or did they play back to back on the same date.

1370
01:04:58,040 --> 01:04:59,680
Speaker 1: Maybe they did, and I should have said November foteenth,

1371
01:04:59,720 --> 01:05:00,600
Speaker 1: nineteen ninety seven.

1372
01:05:00,760 --> 01:05:02,320
Speaker 2: So yeah, because they could have aired.

1373
01:05:02,560 --> 01:05:03,960
Speaker 1: It could have aired part one and part two. It

1374
01:05:03,960 --> 01:05:05,600
Speaker 1: could have been a whole hour on.

1375
01:05:05,880 --> 01:05:10,560
Speaker 2: They played back back to back, they played back. There

1376
01:05:10,560 --> 01:05:10,800
Speaker 2: you go.

1377
01:05:11,280 --> 01:05:13,400
Speaker 1: We had a full hour. I love it. Okay it

1378
01:05:13,440 --> 01:05:16,880
Speaker 1: originally it also originally aired November fourteenth, nineteen ninety seven.

1379
01:05:17,040 --> 01:05:21,280
Speaker 1: And very exciting news, we will be joined by Angela

1380
01:05:21,320 --> 01:05:26,439
Speaker 1: Moore herself, Miss trinam a game woo so excited. Thank

1381
01:05:26,480 --> 01:05:28,640
Speaker 1: you for listening to this episode of Pod Meets World.

1382
01:05:28,680 --> 01:05:30,959
Speaker 1: As always, you can follow us on Instagram pod Meets

1383
01:05:30,960 --> 01:05:33,600
Speaker 1: World Show. You can send us your emails Podmeets World

1384
01:05:33,600 --> 01:05:36,120
Speaker 1: Show at gmail dot com and we.

1385
01:05:36,040 --> 01:05:38,960
Speaker 2: Have merch Sexy Kiwi Mango merch.

1386
01:05:40,720 --> 01:05:43,800
Speaker 1: Podmeetsworldshow dot com writer send us out.

1387
01:05:44,200 --> 01:05:48,800
Speaker 2: We love you all, pod dismissed. Pod Meets World is

1388
01:05:48,800 --> 01:05:52,080
Speaker 2: an iHeart podcast producer hosted by Danielle Fischel, Wilfredell and

1389
01:05:52,200 --> 01:05:56,160
Speaker 2: Ryder Straw Executive producers Jensen Carp and Amy Sugarman Executive

1390
01:05:56,160 --> 01:05:59,240
Speaker 2: in charge of production, Danielle Romo, producer and editor, TaRaSu

1391
01:05:59,400 --> 01:06:02,800
Speaker 2: Bosch producer, Maddie Moore engineer and boy meets World Superman

1392
01:06:02,960 --> 01:06:06,360
Speaker 2: Easton Allen. Our theme song is by Kyle Morton of Typhoon.

1393
01:06:06,640 --> 01:06:09,560
Speaker 2: Follow us on Instagram at podmets World Show or email

1394
01:06:09,680 --> 01:06:15,800
Speaker 2: us at podmetworldshowat gmail dot com