WEBVTT - Episode 148 w/ Timbaland

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<v Speaker 1>And his Drink Chance, motherfucking podcast. Mason, he's a legendary

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<v Speaker 1>queen's rapper. He's agreed, is your boy in o R.

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<v Speaker 1>He's a Miami hippop pioneer. Up his dj e FN.

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<v Speaker 1>Together they drink it up with some of the biggest

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<v Speaker 1>players in the most professional unprofessional podcast and your number

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<v Speaker 1>one sorts for drunk fat drink chans motherfucking is New year'

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<v Speaker 1>z that it's time for drink Chance, drink up, mother mother.

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<v Speaker 1>Wouldn't gonna be hoping you with the super boy in

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<v Speaker 1>o R. What up his dj e F and his

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<v Speaker 1>Drink Chance motherfucker Happy Hour makes up? And I don't

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<v Speaker 1>know if you know, but me introduced uh interviewing producers.

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<v Speaker 1>It's probably one of my favorite things to do is

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<v Speaker 1>because the the producers not only have the story of

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<v Speaker 1>the song, they have the story to make it in

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<v Speaker 1>the song. So if you guys don't know who I'm

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<v Speaker 1>talking about right now, when you think of Mrs Elliott,

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<v Speaker 1>you think of a Leah, you think a genuine wine,

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<v Speaker 1>you think of there's so many different artists who took

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<v Speaker 1>artists and made them great. From the sounds of his stay,

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<v Speaker 1>I heard that he used to make beat Stu beatbox.

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<v Speaker 1>I heard he he he has so many people's careers

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<v Speaker 1>in his hands. He's come from Virginia. He has stayed

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<v Speaker 1>in this time relevant well over twenty years well and

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<v Speaker 1>been kicking people's ass and staying here doing what the

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<v Speaker 1>funk he gotta do. In case you don't know who

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<v Speaker 1>the funk I'm talking about, we're talking about Timberland make

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<v Speaker 1>something that now we want to we wanna this is

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<v Speaker 1>a hip hop historic show, so we want to take

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<v Speaker 1>it from the very like beginning by how how did

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<v Speaker 1>you get your start? Because I heard somewhere that you

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<v Speaker 1>was a beatbox at first, prior to you actually making beats,

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<v Speaker 1>So how did you even start beatboxing? Like, you know,

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<v Speaker 1>like I think it was. It was a contest. It

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<v Speaker 1>was back in Virginia, just just um place called Stars

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<v Speaker 1>I can remember, and I was a beatboxing. I always

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<v Speaker 1>thought it was, you know, okay, but then it's like

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<v Speaker 1>my main passion back then was djan And how I

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<v Speaker 1>got into making beats is the music. You know, like

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<v Speaker 1>every every season you got a drought season where it's

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<v Speaker 1>like it's just the music you ain't like, you ain't feeling.

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<v Speaker 1>So I'm like, let me just make a beat. And

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<v Speaker 1>then my mom brought this cassio keyboard, the only extapp

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<v Speaker 1>for one second, let me try to make it a

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<v Speaker 1>beat so I can blend my records too, you know

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<v Speaker 1>what I'm saying. So you have to you have to

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<v Speaker 1>be very creative back then, and were already severing your

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<v Speaker 1>beatboxing at that point. I didn't sapping my box. You

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<v Speaker 1>started doing that. I just had my beat box too.

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<v Speaker 1>I got introduced to a studio, you know what I'm saying,

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<v Speaker 1>And then, you know, really like when I got induce

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<v Speaker 1>to a sampler that can sample longer than the second.

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<v Speaker 1>So then it got to the point where I got

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<v Speaker 1>a sh EPs something like that, a keyboard with sample

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<v Speaker 1>up to sixteen seconds. So that kind of gave me

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<v Speaker 1>for one second. Sixteen second back then was like sixteen minutes.

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<v Speaker 1>So I just took what I had and I was

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<v Speaker 1>just passionate about sounds. I love noise. Now. Now now

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<v Speaker 1>we we recually have Molly mare here, right, and Molly

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<v Speaker 1>mall alluded to um kind of making the new Jack swing.

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<v Speaker 1>Yeah he didn't, so he kind of And it made

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<v Speaker 1>me think of Telly Riley immediately. Riley's relationship to Virginia.

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<v Speaker 1>What do you think when you hear a person like

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<v Speaker 1>Marty mar said that he might have been the first

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<v Speaker 1>person to start New Jackson. I kind of I would

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<v Speaker 1>say he's correct. No way, I would say he's almost correct,

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<v Speaker 1>because when you listen to le Me, like all the

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<v Speaker 1>big Daddy cane, all the all and all stuff that

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<v Speaker 1>he did, he had big that he king had. He

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<v Speaker 1>gave a lot of different bounces, like what is a raw? Raw?

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<v Speaker 1>Was kind of like the introduction to the New jack

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<v Speaker 1>swing sound, and he Teddy just took it and enhanced

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<v Speaker 1>it and modified it more. But he kind of introduced

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<v Speaker 1>that because Teddy did produce the show with Douggy Fresh

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<v Speaker 1>and yeah yeah, so so now now what does Telly

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<v Speaker 1>Ronny meaning Virginia? Because I guess that was like a

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<v Speaker 1>man's more. But what did he mean to New York?

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<v Speaker 1>He just moved to Virginia from New York, So it

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<v Speaker 1>was almost like some New jack city and you know,

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<v Speaker 1>Brown moving into jail, you know what I'm saying, Like,

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<v Speaker 1>but he was from New York, so it was like

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<v Speaker 1>Virginia was like we're getting this big time producer from

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<v Speaker 1>New York. Like we was more excited about that because

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<v Speaker 1>he was already already like I mean, he was already yeah,

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<v Speaker 1>because like I thought, you might have knew him from

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<v Speaker 1>New York like new from Guy days like that he

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<v Speaker 1>was in New York, so like we knew but I

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<v Speaker 1>guess I guess New York wasn't like on it like

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<v Speaker 1>but we we knew him Virginia like who because it

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<v Speaker 1>was guy It was Teddy like he was coming to Virginia.

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<v Speaker 1>So I was like, whoa, where were those dudes from

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<v Speaker 1>Rex Rex and effects from They was from New York,

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<v Speaker 1>from New York, Virginia. They just they just move, They

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<v Speaker 1>just moved to uh oh man. I definitely didn't know

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<v Speaker 1>that you'll have any animosity towards New York dudes moving there.

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<v Speaker 1>It was almost like we did have a little animal

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<v Speaker 1>it was. It was it was exciting, you know what

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<v Speaker 1>I'm saying, because we're Commonwealth and getting somebody from the

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<v Speaker 1>boys getting locked up in media up. It was cool. Yeah,

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<v Speaker 1>it won't on jealousy. Back it was more like that's

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<v Speaker 1>Teddy Rock, I guess what people do today, but in

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<v Speaker 1>a different form back then. Did you did you be

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<v Speaker 1>influenced by the New Jack Swing? I think I wasn't

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<v Speaker 1>I think. I wasn't influenced by the swing. I was

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<v Speaker 1>influenced by the sonics of the swing, meaning the sound

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<v Speaker 1>high sounded so crisp, Like, how did he make was

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<v Speaker 1>once a James Brown bounce from Funky Drummer? Did you

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<v Speaker 1>get that's like Funky Drummer that he took it and

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<v Speaker 1>enhanced it and made it more moderate. So it's let's

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<v Speaker 1>be clear, because not everybody knows the definition of what

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<v Speaker 1>new Jack swing was real? What is it to you?

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<v Speaker 1>What made it new Jack swing? The swing? That's why

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<v Speaker 1>he had to say, I don't know why they put

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<v Speaker 1>new Jack to give it a sling, I think, but

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<v Speaker 1>it was a swing. When James Brown did Funky Drummer,

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<v Speaker 1>that was a swing. That's why everything about it when

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<v Speaker 1>you go back into the Funky Drummer, James Brown will

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<v Speaker 1>do nothing on that was the timing of it was

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<v Speaker 1>a different like a he fu. He was just he

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<v Speaker 1>was hitting the pockets to make people, to make the origin,

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<v Speaker 1>to make the masses get it. So he didn't he

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<v Speaker 1>left me think about it, go back into the um

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<v Speaker 1>Funky Drummer. He I just could imagine them too in

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<v Speaker 1>the studio right and it's like he walked into a

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<v Speaker 1>little bobble. I'm just thinking like James Brown, So the

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<v Speaker 1>studio and the drum, that's all he do on the

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<v Speaker 1>record is athlete. So when you think about music today,

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<v Speaker 1>is like it's all about that feeling and that that

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<v Speaker 1>swing back then was like a new swing to make him.

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<v Speaker 1>They made him do that. So when you talk about uh,

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<v Speaker 1>Eddy Rowley, I don't know Jake so he they found

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<v Speaker 1>how to write in those pockets of that swing. So

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<v Speaker 1>that was like a that was the fastest swing the

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<v Speaker 1>most songs from like Boom Boom that was. So it's

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<v Speaker 1>like that's making the how do you make a person

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<v Speaker 1>do this without being corny? You know what I'm saying.

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<v Speaker 1>So that's a that's like a whole different swing. Now

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<v Speaker 1>we have pushed your tea on here and push your

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<v Speaker 1>tea told us that you for around and no Malice

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<v Speaker 1>went to the same school seeing that school to no,

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<v Speaker 1>she was from a noto like another town Portsmouth. Okay,

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<v Speaker 1>so hold on, I just need to understand this school.

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<v Speaker 1>And when you're in the same class, it was like,

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<v Speaker 1>you know, it's just I think it's just like anything

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<v Speaker 1>up today. Now would I look back and I look

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<v Speaker 1>at music up today, I'm like, man, it's the same way,

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<v Speaker 1>and you don't see it until you get older, and

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<v Speaker 1>you'll be like, it's no different. You know, God put

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<v Speaker 1>people together with the same kind of brilliant minds, and

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<v Speaker 1>you know you connect. You know, it's like y'all too connected.

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<v Speaker 1>He he from you from Miami, and people are gonna

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<v Speaker 1>be like, how it's gonna be some other kids like

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<v Speaker 1>how to free you be like, damn, it was just

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<v Speaker 1>It's just it's just supposed to be and for Real

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<v Speaker 1>was always for real. If I when I look at

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<v Speaker 1>for Real, it's nothing, nothing to change about him from

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<v Speaker 1>what I know. So how did you meet Missy? How

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<v Speaker 1>did how did Missy? Actually a friend of mine introduced

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<v Speaker 1>When the Missy told Missy that I needed that she

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<v Speaker 1>needed to meet me, and Missy came to my house

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<v Speaker 1>and start doing music, You're like, oh man, he was artist. No,

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<v Speaker 1>I was just doing beats and she she didn't want that.

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<v Speaker 1>I was just doing music and she's like, he made

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<v Speaker 1>dope beats. And I was like when she introduced me

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<v Speaker 1>to singing over hip hop or hip hop beats, and

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<v Speaker 1>when she was singing, I'm like, I ain't never heard

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<v Speaker 1>that before, Like I never heard melodies over the music

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<v Speaker 1>I was making. And she introduced my ears to somebody

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<v Speaker 1>new candy you know before you heard? Yeah, she she

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<v Speaker 1>the one like it was because I heard she introduced

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<v Speaker 1>me to singing. You know what I'm saying. I didn't.

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<v Speaker 1>I was I was more of man tronics. Uh trial

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<v Speaker 1>call quests were fanatics and try call quest. What I'm saying. So, so,

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<v Speaker 1>who'd you meet first, Missy Aaliyah? It's like, I feel

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<v Speaker 1>like you're speeding right now, man, Like I know, because

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<v Speaker 1>I'm just saying I want you know why Virginia is.

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<v Speaker 1>History is so rich and a a lot of people don't

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<v Speaker 1>don't know that history like history. Yeah, So, like who

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<v Speaker 1>was the first one that you met that wasn't a

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<v Speaker 1>star at the time, but later on you realized as

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<v Speaker 1>a star. You know what I don't. I think we

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<v Speaker 1>just love music. I think when you love something, it's

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<v Speaker 1>gonna take you what you It's gonna make you who

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<v Speaker 1>you are. Like I think about it, when you made

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<v Speaker 1>what what what? What? What? Was it? You didn't know?

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<v Speaker 1>You just know the feeling of like I know this,

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<v Speaker 1>this feels big for me, and you know, I think

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<v Speaker 1>that nobody knew who was gonna be a star. We

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<v Speaker 1>just love music and we was dedicated through through thick

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<v Speaker 1>and thin, and I think that's what made and then

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<v Speaker 1>music once you love it in a determined where your

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<v Speaker 1>place should be in it, you know what I'm saying.

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<v Speaker 1>I felt like Virginia connected all of us and we

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<v Speaker 1>was the chosen ones out of that batch of probably

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<v Speaker 1>that Commonwealth area. I look at it like lottery ticket.

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<v Speaker 1>You know what I'm saying. Who's gonna be the lottery person?

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<v Speaker 1>You know what I'm saying. And Virginia was a part

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<v Speaker 1>of history. It was someplace that people never expected. Now,

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<v Speaker 1>look look what we advanced to Toronto, Cleveland. Now we're like,

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<v Speaker 1>you know, it's but we was like the first of

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<v Speaker 1>the Mohegans being from Commonwealth and in Virginia, it was

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<v Speaker 1>it was kind of um weird for us because y'all

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<v Speaker 1>was like East Coast. Yeah, it was weird. It was

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<v Speaker 1>that I heard from Virginia that was killing it. And

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<v Speaker 1>I was gonna say him, he was the first, But

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<v Speaker 1>I'm not gonna say, like, you know, everybody to be

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<v Speaker 1>a star, you know, like that, that's that's up to music.

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<v Speaker 1>But he loved music, you know what I'm saying. And

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<v Speaker 1>he did do a lot of successful things that put

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<v Speaker 1>Virginia on the map. And I feel like he was

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<v Speaker 1>a part of that whole, that whole chemistry, Like he

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<v Speaker 1>was the one who kind of like jumped out first

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<v Speaker 1>to me, what was the first major record that came

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<v Speaker 1>from Virginia? But it was like yo, you was like

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<v Speaker 1>we got something now, we had nothing we want like that,

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<v Speaker 1>I'm gonna tell you, Like it was come on and look, man,

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<v Speaker 1>have you seen Hustle and Flow? Okay, Like when you

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<v Speaker 1>look at Hustle and Flow, you just think about it, like, bro,

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<v Speaker 1>you ain't think about, no, what's a hit? You're thinking

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<v Speaker 1>about I'm trying to get out? Like we weren't thinking

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<v Speaker 1>like you know, this is a hit. It was more

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<v Speaker 1>like we're getting recognized more than anything, you know what

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<v Speaker 1>I'm saying. We're getting the job, we're getting out. We

0:13:00.080 --> 0:13:03.400
<v Speaker 1>our passion is getting looked at. It's not it's not

0:13:04.000 --> 0:13:06.560
<v Speaker 1>taking for granted. And I think that was the beauty

0:13:06.559 --> 0:13:09.720
<v Speaker 1>of us because we put in a lot of work

0:13:09.960 --> 0:13:12.360
<v Speaker 1>and that work was accepted. You know what I'm saying.

0:13:12.400 --> 0:13:15.120
<v Speaker 1>I think everybody wants that on Earth. Wants to be accepted.

0:13:15.200 --> 0:13:16.920
<v Speaker 1>What was the first record you worked on? And he

0:13:17.040 --> 0:13:19.840
<v Speaker 1>was like, this is it for you? Because all of

0:13:19.920 --> 0:13:21.920
<v Speaker 1>us does it for a hobby at first, right, all

0:13:21.960 --> 0:13:24.280
<v Speaker 1>of us we love music. Most of us will still

0:13:24.280 --> 0:13:26.199
<v Speaker 1>do it if he wasn't getting paid or not, but

0:13:26.240 --> 0:13:28.079
<v Speaker 1>we wouldn't do it as much as we would. But

0:13:28.200 --> 0:13:30.160
<v Speaker 1>it was the first record where you did, and he

0:13:30.240 --> 0:13:32.800
<v Speaker 1>was like, this is this is it? I'm done, I'm

0:13:32.920 --> 0:13:35.880
<v Speaker 1>I'm I'm I'm gonna bury myself with this. And I

0:13:35.880 --> 0:13:37.800
<v Speaker 1>don't think it's no record, you know what, cause I'm

0:13:37.800 --> 0:13:40.880
<v Speaker 1>always trying to outdo myself. Okay, I'm trying to say

0:13:41.240 --> 0:13:44.240
<v Speaker 1>I need to. I feel like I'm just beginning because

0:13:45.080 --> 0:13:47.920
<v Speaker 1>that record and I feel and you're right. And the

0:13:47.960 --> 0:13:50.240
<v Speaker 1>reason the reason I feel like that, I watched the

0:13:50.320 --> 0:13:54.000
<v Speaker 1>Quincy Jones documentary twice. I ain't watch it yet. Ahead,

0:13:54.040 --> 0:13:58.200
<v Speaker 1>please school, I'm not I'm no in there close as

0:13:58.240 --> 0:14:01.719
<v Speaker 1>he said his second his second or something like that.

0:14:03.080 --> 0:14:06.840
<v Speaker 1>But the thing is we look at the times win.

0:14:07.760 --> 0:14:09.920
<v Speaker 1>So I look at what I've done in the past

0:14:11.080 --> 0:14:15.240
<v Speaker 1>was a great It was like my first Harry Potter book,

0:14:15.679 --> 0:14:18.720
<v Speaker 1>so that I need to create the next chapter. So

0:14:21.280 --> 0:14:22.960
<v Speaker 1>hold up, one second had Let's see what the homies

0:14:23.000 --> 0:14:26.760
<v Speaker 1>that Spotify got going on. Amy Schumer presents Three Girls,

0:14:26.800 --> 0:14:29.880
<v Speaker 1>One Keith, Let You Be a Flying, Comedy's Filthiest Wall.

0:14:30.400 --> 0:14:33.560
<v Speaker 1>Each week, Amy joins her friends and fellow comedians Bridget Everett,

0:14:33.720 --> 0:14:37.560
<v Speaker 1>Rachel Feinstein, and Keith Robinson for candid conversations about sex,

0:14:37.960 --> 0:14:41.560
<v Speaker 1>culture and stand up comedy. It's your typical, hard hitting

0:14:41.680 --> 0:14:46.560
<v Speaker 1>educational roundtable, except with recurring segments like Okay, now, I'm horny.

0:14:47.080 --> 0:14:50.160
<v Speaker 1>With the help of songs, games, and special guests, Amy

0:14:50.200 --> 0:14:53.120
<v Speaker 1>and her friends explore their very singular, very n SFW

0:14:53.280 --> 0:14:56.240
<v Speaker 1>perspectives on the world. Get your Mind into the Gutter

0:14:56.280 --> 0:14:59.800
<v Speaker 1>with Comedy's Greatest girl Gang plus Keith. Of course, stream

0:14:59.840 --> 0:15:02.960
<v Speaker 1>the a new second season of Amy Shumers presents Three Girls,

0:15:03.120 --> 0:15:09.280
<v Speaker 1>One Kid Now on Spotify. This chapter ain't as easy

0:15:09.360 --> 0:15:11.800
<v Speaker 1>as those, because once I master how to get in

0:15:11.840 --> 0:15:14.120
<v Speaker 1>the door, I knew how to keep it, you know,

0:15:14.160 --> 0:15:16.840
<v Speaker 1>I know how to keep jabbing. And then Swiss Cade

0:15:17.240 --> 0:15:20.560
<v Speaker 1>he had his run, and then it's like I gotta say, Okay,

0:15:21.080 --> 0:15:23.360
<v Speaker 1>let me come back. I gotta figure out how to

0:15:23.400 --> 0:15:26.280
<v Speaker 1>because he switched the whole swing. It was harder back then,

0:15:26.720 --> 0:15:30.400
<v Speaker 1>but it's I say, back then was like a a

0:15:30.680 --> 0:15:33.160
<v Speaker 1>more challenge I was coming, you know, I was ready

0:15:33.200 --> 0:15:36.440
<v Speaker 1>for this, this era where I'm facing. When I said

0:15:36.440 --> 0:15:39.640
<v Speaker 1>I'm just beginning, it's just like when you look at

0:15:39.680 --> 0:15:42.240
<v Speaker 1>Quincy Jones, man he went from Frank Sinatra to this.

0:15:42.680 --> 0:15:44.520
<v Speaker 1>It's just a challenge. And I feel like I'm just

0:15:44.560 --> 0:15:47.840
<v Speaker 1>starting because this erab music is totally different from what

0:15:47.880 --> 0:15:52.480
<v Speaker 1>I'm used to so but it's not. But it's music

0:15:52.560 --> 0:15:54.920
<v Speaker 1>and I love music. So I feel like I'm just

0:15:55.920 --> 0:15:58.800
<v Speaker 1>and the way technology is, I'm just starting to crack

0:15:58.840 --> 0:16:01.800
<v Speaker 1>the code because I couldn't do what I can do now.

0:16:02.080 --> 0:16:05.080
<v Speaker 1>Back then, I had to have to have to go research,

0:16:05.160 --> 0:16:07.000
<v Speaker 1>I had to go do I had to really go

0:16:07.120 --> 0:16:09.000
<v Speaker 1>put in a lot of work to get a lot

0:16:09.040 --> 0:16:12.479
<v Speaker 1>of those sounds. And now all of that is available

0:16:12.520 --> 0:16:17.040
<v Speaker 1>to me in the laptop. So now it's like, Okay,

0:16:17.320 --> 0:16:20.280
<v Speaker 1>I'm challenging the clip like people on the fruity loops.

0:16:20.280 --> 0:16:22.760
<v Speaker 1>It's like I'm challenging. It's like a game. It's like

0:16:22.840 --> 0:16:25.960
<v Speaker 1>I gotta be the Fortnight. I gotta be that guy.

0:16:26.080 --> 0:16:28.960
<v Speaker 1>I gotta be the guy. I gotta be all the teenagers,

0:16:29.000 --> 0:16:31.680
<v Speaker 1>you know what. I gotta oh, that's the new you know,

0:16:31.680 --> 0:16:34.720
<v Speaker 1>that's the way of music. Music is colors now. First

0:16:34.720 --> 0:16:37.360
<v Speaker 1>it was all about field people playing the room, and

0:16:37.400 --> 0:16:41.320
<v Speaker 1>now I'm trying to get this generation with that same

0:16:41.440 --> 0:16:43.960
<v Speaker 1>kind of vibe, but with the computers. You know what

0:16:44.000 --> 0:16:47.480
<v Speaker 1>I'm saying, I'm doing that. So it's like I'm really

0:16:47.520 --> 0:16:51.200
<v Speaker 1>just beginning, because my my beginning now is more than

0:16:51.240 --> 0:16:55.040
<v Speaker 1>just producing, is teaching. The youth of the generation is

0:16:55.080 --> 0:16:57.760
<v Speaker 1>about to come like, Okay, this is what we got

0:16:57.800 --> 0:17:00.360
<v Speaker 1>to make music with. I don't we come for you know,

0:17:00.440 --> 0:17:03.320
<v Speaker 1>playing with everybody, you know how easily getting person to play.

0:17:03.440 --> 0:17:06.960
<v Speaker 1>But now it's like kids making sample packs and it's like, okay,

0:17:06.960 --> 0:17:10.160
<v Speaker 1>well let's do it together. And so they've never been

0:17:10.200 --> 0:17:13.080
<v Speaker 1>introduced to that, so it's like taking. So for me,

0:17:13.160 --> 0:17:17.960
<v Speaker 1>I feel like my generation wasn't like my fifthy My

0:17:18.040 --> 0:17:22.960
<v Speaker 1>fifthy age could be teaching and producing and inspiring the

0:17:23.040 --> 0:17:25.879
<v Speaker 1>next nine year old on the computer and seeing the

0:17:25.960 --> 0:17:27.639
<v Speaker 1>genius and him. You know what I'm saying. It's just

0:17:28.000 --> 0:17:30.800
<v Speaker 1>so I feel like I'm just beginning. You know, based

0:17:30.800 --> 0:17:32.879
<v Speaker 1>on that what you're saying, do you think the age

0:17:32.960 --> 0:17:35.160
<v Speaker 1>of and this is just hip hop? Because it could

0:17:35.160 --> 0:17:38.560
<v Speaker 1>be in every genre the age of the Super Producers

0:17:38.640 --> 0:17:42.119
<v Speaker 1>over because it was like the superdu just swiss. It

0:17:42.160 --> 0:17:46.639
<v Speaker 1>was you. That's a good question, I feel like and

0:17:46.640 --> 0:17:52.080
<v Speaker 1>that made years. I feel like it ain't over. I

0:17:52.119 --> 0:17:54.040
<v Speaker 1>feel like it's just it's just a little bit more

0:17:54.080 --> 0:17:56.399
<v Speaker 1>hard to work. This is different. They're just like I

0:17:56.440 --> 0:18:00.280
<v Speaker 1>gotta crack of cold. It's like it's like a video game.

0:18:00.359 --> 0:18:02.960
<v Speaker 1>It's just like I gotta crack some codes because it's

0:18:03.000 --> 0:18:05.680
<v Speaker 1>everything is cold. But let me ask the question. You

0:18:05.720 --> 0:18:11.679
<v Speaker 1>actually is over for like no over like specifically like

0:18:11.680 --> 0:18:18.080
<v Speaker 1>like like like I feel like I haven't seen that

0:18:18.119 --> 0:18:23.080
<v Speaker 1>bubble in the last five years. Who do that? I

0:18:23.080 --> 0:18:25.760
<v Speaker 1>don't know, but I like who did ty? You see

0:18:25.800 --> 0:18:28.919
<v Speaker 1>the fact that y'all even questioning it? Yeah, but right

0:18:28.920 --> 0:18:31.960
<v Speaker 1>now he did what else he does? He did ship,

0:18:32.119 --> 0:18:34.760
<v Speaker 1>he did me good producers, But to me producers, I

0:18:34.800 --> 0:18:36.880
<v Speaker 1>think I think I think it's I think it goes

0:18:36.920 --> 0:18:39.159
<v Speaker 1>to like I don't know, like I'm I look at

0:18:39.200 --> 0:18:45.040
<v Speaker 1>it like like a game man. That's all about styling. Now,

0:18:45.200 --> 0:18:47.840
<v Speaker 1>like your production is like your tag gotta feel right

0:18:48.080 --> 0:18:50.280
<v Speaker 1>like I get it now, like I feel like I'm nineteen.

0:18:50.320 --> 0:18:52.439
<v Speaker 1>I'm like you got the computer, you can dress your

0:18:52.480 --> 0:19:00.680
<v Speaker 1>ship up so crazy that, like, ment know what I'm saying,

0:19:01.040 --> 0:19:05.800
<v Speaker 1>It's like you ain't thinking about that tag coming. You

0:19:05.800 --> 0:19:12.640
<v Speaker 1>know who you got right take up? You know, it's

0:19:12.680 --> 0:19:15.440
<v Speaker 1>like it's already set. That's like the whole new way

0:19:15.440 --> 0:19:17.840
<v Speaker 1>of producing. But we have to figure out how to

0:19:18.119 --> 0:19:20.480
<v Speaker 1>introduce that ship to make them like yo, Nigga, y'all,

0:19:21.160 --> 0:19:23.280
<v Speaker 1>y'all tack do you know, like when you did a

0:19:23.359 --> 0:19:26.040
<v Speaker 1>lending on the track, like Nigga y'all gotta stand proud

0:19:26.119 --> 0:19:27.880
<v Speaker 1>with that ship like that, And I feel like that's

0:19:27.920 --> 0:19:32.240
<v Speaker 1>the way of us really kind of identifying who's that

0:19:32.320 --> 0:19:34.720
<v Speaker 1>next to producing and then we gotta say, okay, now

0:19:34.760 --> 0:19:37.720
<v Speaker 1>you gotta go put that same tag on area on

0:19:37.720 --> 0:19:40.520
<v Speaker 1>the grand day and made me feel like, you know

0:19:40.560 --> 0:19:42.520
<v Speaker 1>what I'm saying, that's where the trick come in. You know,

0:19:43.600 --> 0:19:46.439
<v Speaker 1>yeah do that. So it's like, you know, it just

0:19:46.480 --> 0:19:50.199
<v Speaker 1>takes somebody like a coach, which you should be me

0:19:50.480 --> 0:19:54.200
<v Speaker 1>or barrel or clients, like all right, now murder do

0:19:54.359 --> 0:19:57.640
<v Speaker 1>this like murder on him beating man. It's like hit

0:19:57.760 --> 0:19:59.920
<v Speaker 1>every like he picked the right tone for when the

0:20:00.040 --> 0:20:03.840
<v Speaker 1>ain't away drop. It just feels right. So it's like

0:20:04.240 --> 0:20:06.280
<v Speaker 1>you don't go by and be like it's a different

0:20:06.320 --> 0:20:08.520
<v Speaker 1>way of judging producing. You know what I'm saying. It's

0:20:08.600 --> 0:20:11.760
<v Speaker 1>like you can kind of like package your ship so cool.

0:20:12.280 --> 0:20:13.879
<v Speaker 1>You know what I'm saying. It's like the first producer

0:20:13.960 --> 0:20:16.280
<v Speaker 1>that uh we saut to you other than your camp

0:20:16.280 --> 0:20:18.199
<v Speaker 1>because you know you have worked inside the camp. You

0:20:18.200 --> 0:20:21.000
<v Speaker 1>had the genuine y that to live up. Who was

0:20:21.040 --> 0:20:23.520
<v Speaker 1>the first person the outside your capital was huge because

0:20:23.520 --> 0:20:25.280
<v Speaker 1>he was like, get your funk out of head, jay

0:20:25.359 --> 0:20:30.520
<v Speaker 1>Z jay Z said, jay Z had a party. He

0:20:30.560 --> 0:20:31.720
<v Speaker 1>was like, yeah, I want to I want to work

0:20:31.760 --> 0:20:35.520
<v Speaker 1>with you. And the first all we did was what

0:20:35.600 --> 0:20:40.040
<v Speaker 1>and I did this beat and he was like, I ain't.

0:20:41.040 --> 0:20:43.480
<v Speaker 1>He's spend to wrap him in, motherfucker. Want to add

0:20:43.520 --> 0:20:46.840
<v Speaker 1>lowcom at you? I said, oh, so I'll put my

0:20:46.880 --> 0:20:50.520
<v Speaker 1>headphones on and I said, He's like, you're done. See

0:20:50.560 --> 0:20:52.639
<v Speaker 1>back then, won't they won't no clicking? You know, I

0:20:52.720 --> 0:20:56.360
<v Speaker 1>want to computer to me actually playing feeling it. So

0:20:56.400 --> 0:20:59.920
<v Speaker 1>I was playing it and then he was like you're done.

0:21:00.320 --> 0:21:02.639
<v Speaker 1>I'm like it's five minutes. You know that was that

0:21:02.720 --> 0:21:04.840
<v Speaker 1>was because you know it's it's it's a keyboard. So

0:21:04.960 --> 0:21:06.880
<v Speaker 1>you like the day the way he done. So he's

0:21:06.880 --> 0:21:08.880
<v Speaker 1>walking around. You know, I played it and he did

0:21:08.880 --> 0:21:11.240
<v Speaker 1>his rat this like I heard his cadence and I

0:21:11.359 --> 0:21:13.960
<v Speaker 1>made that beat to bounce to what I heard. So

0:21:14.119 --> 0:21:16.399
<v Speaker 1>might I have a photographic memory when it comes to

0:21:16.600 --> 0:21:20.320
<v Speaker 1>sounds and sonics and melodies enough, that's only that. So

0:21:20.400 --> 0:21:23.359
<v Speaker 1>with music, I can kind of memorize anything. And that

0:21:23.480 --> 0:21:26.080
<v Speaker 1>was the first thing. He was like the first and

0:21:26.119 --> 0:21:28.320
<v Speaker 1>I was like, he kind of introduced me to he

0:21:28.400 --> 0:21:31.560
<v Speaker 1>kind of his tone he did. That made me step

0:21:31.600 --> 0:21:35.320
<v Speaker 1>my game up because I'm like, whoa, because it was me, missy,

0:21:35.400 --> 0:21:38.040
<v Speaker 1>all of us. So that was the first person from

0:21:38.080 --> 0:21:42.000
<v Speaker 1>the like the outside. You know what I'm saying, And

0:21:42.080 --> 0:21:46.840
<v Speaker 1>what jay Z is this? Now? This is is this? Um,

0:21:46.880 --> 0:21:49.120
<v Speaker 1>I don't know it's this it's this throwback jay Z?

0:21:49.160 --> 0:21:54.200
<v Speaker 1>He went, he went giants Jersey's what's jay Z? I

0:21:54.320 --> 0:22:01.520
<v Speaker 1>think that? Well, yeah, I don't know, mm hmm right, okay,

0:22:01.520 --> 0:22:03.440
<v Speaker 1>but I gotta hold jay Z section so like this,

0:22:03.720 --> 0:22:07.119
<v Speaker 1>that's what I'm trying to give up this question into it. No, no,

0:22:07.160 --> 0:22:09.199
<v Speaker 1>I'm trying to figure out with We'll come back to that.

0:22:09.280 --> 0:22:12.639
<v Speaker 1>But that's what that was. That was that was the prime. Okay,

0:22:13.200 --> 0:22:16.399
<v Speaker 1>So when you got this call from Justin Timberlake. Right.

0:22:18.440 --> 0:22:21.720
<v Speaker 1>He was fifteen though, so it's not like you know

0:22:21.720 --> 0:22:24.560
<v Speaker 1>what I'm saying. It was like fifteen, So it was

0:22:24.600 --> 0:22:28.720
<v Speaker 1>like he was fifteen and there people reached out. He

0:22:28.800 --> 0:22:31.760
<v Speaker 1>was like, y'all like your music man, and like he's

0:22:31.760 --> 0:22:34.119
<v Speaker 1>about like maybe the sixteens ever seen we did? And

0:22:34.240 --> 0:22:37.359
<v Speaker 1>then um, because I got the studio had heard that

0:22:37.480 --> 0:22:40.600
<v Speaker 1>Justin had fell out with Farrell or something like that

0:22:40.800 --> 0:22:43.679
<v Speaker 1>or so, I don't think nobody never falls out. I

0:22:43.720 --> 0:22:48.119
<v Speaker 1>just think that. I just think that you know, in life,

0:22:48.880 --> 0:22:50.800
<v Speaker 1>you know, as we go back and look at it,

0:22:50.800 --> 0:22:55.800
<v Speaker 1>I just it's just sometimes misunderstandings, all business could be

0:22:55.920 --> 0:22:59.560
<v Speaker 1>just misconstrued or misinterpreted. So that's all I think that

0:22:59.600 --> 0:23:02.280
<v Speaker 1>happened on that moment. It wasn't like he wasn't not

0:23:02.440 --> 0:23:06.000
<v Speaker 1>using for real. He was always working, but he was fifteen,

0:23:06.040 --> 0:23:09.080
<v Speaker 1>but he was down with the he was but he

0:23:09.240 --> 0:23:13.160
<v Speaker 1>was like breaking a breaking huge he was breaking. How

0:23:13.320 --> 0:23:15.840
<v Speaker 1>was he did? Done? He was that's for the Mickey

0:23:15.840 --> 0:23:20.600
<v Speaker 1>Mounth Club. So he so, so you don't so he's

0:23:20.640 --> 0:23:22.960
<v Speaker 1>not justin you saying this is that's what trying to

0:23:23.000 --> 0:23:27.640
<v Speaker 1>establish the point, Like yeah, so he was. He didn't

0:23:27.680 --> 0:23:29.359
<v Speaker 1>it's not like the same. You know, Like when we

0:23:29.400 --> 0:23:33.240
<v Speaker 1>got in the room when we did cry me the

0:23:33.320 --> 0:23:37.080
<v Speaker 1>rim and all the crazy red, we thought he was black.

0:23:38.480 --> 0:23:40.720
<v Speaker 1>You sucked us up for a minute. He was like,

0:23:41.160 --> 0:23:44.920
<v Speaker 1>who is this black? I think? But then we realized

0:23:45.080 --> 0:23:47.520
<v Speaker 1>the Mickey Mouse Club. Holy no, no, no, no no, I

0:23:47.560 --> 0:23:50.960
<v Speaker 1>don't think it was me. I'm not gonna take the

0:23:51.000 --> 0:23:52.960
<v Speaker 1>credit for me and to do the thing y'all think

0:23:52.960 --> 0:23:55.479
<v Speaker 1>he was black because he had so it was the

0:23:55.480 --> 0:24:02.240
<v Speaker 1>song that he put out in sync that uh whatever,

0:24:03.240 --> 0:24:06.280
<v Speaker 1>And I was like, who the AGAs? And that's when

0:24:06.560 --> 0:24:09.000
<v Speaker 1>they got That's when they got everybody attention. And it

0:24:09.119 --> 0:24:12.600
<v Speaker 1>was him right that he was like the first like

0:24:12.840 --> 0:24:18.840
<v Speaker 1>other than calling me bad, calling me bad, say they

0:24:18.920 --> 0:24:23.920
<v Speaker 1>had they had like eight months before we knew yesterday

0:24:23.960 --> 0:24:28.639
<v Speaker 1>these dudes ain't white. And Justin was the new version

0:24:28.680 --> 0:24:31.080
<v Speaker 1>of that. I mean, it was, it was, it was,

0:24:30.760 --> 0:24:35.840
<v Speaker 1>It was. It was evolution man like music to E

0:24:36.000 --> 0:24:38.639
<v Speaker 1>ball because we just want through parts of the dope artist.

0:24:38.720 --> 0:24:41.800
<v Speaker 1>And yeah, like he was dope and sometimes you know,

0:24:42.760 --> 0:24:45.080
<v Speaker 1>got a line of things the way it should be aligned,

0:24:45.960 --> 0:24:48.840
<v Speaker 1>you know, and him we just had we we got

0:24:49.160 --> 0:24:53.080
<v Speaker 1>we brothers and we got chemistry, right we just got chemistry,

0:24:53.160 --> 0:25:00.320
<v Speaker 1>you know, like chemistry. Chemistry can only be how can

0:25:00.359 --> 0:25:04.879
<v Speaker 1>I say it? Chemistry can only be not You can

0:25:04.920 --> 0:25:06.840
<v Speaker 1>tell when the person if they if we o was

0:25:06.960 --> 0:25:09.280
<v Speaker 1>singing mean like if I got stuff going on in

0:25:09.320 --> 0:25:13.399
<v Speaker 1>my life, he got stuff going on. Like we love music,

0:25:13.440 --> 0:25:15.200
<v Speaker 1>but the music ain't gonna come out right. You get

0:25:15.240 --> 0:25:17.240
<v Speaker 1>what I'm saying. Because we all, I think when we're

0:25:17.280 --> 0:25:20.040
<v Speaker 1>going that studio, we'd be aligned. Like everything that's on

0:25:20.080 --> 0:25:23.439
<v Speaker 1>the outside it is on the outside and everything when

0:25:23.520 --> 0:25:25.560
<v Speaker 1>we when we see each other, me and justice each

0:25:25.560 --> 0:25:29.760
<v Speaker 1>other is let's put out foot on nigga's throats. You know,

0:25:29.840 --> 0:25:32.040
<v Speaker 1>let's put out foot on their throats. You know, just

0:25:32.160 --> 0:25:35.520
<v Speaker 1>let's let's let's let's let's let's just make this crazy music.

0:25:36.080 --> 0:25:41.000
<v Speaker 1>What was your favorite studio session ever? The studio? Man?

0:25:41.160 --> 0:25:43.560
<v Speaker 1>Like how you you're asking me this question? You're just saying,

0:25:43.600 --> 0:25:51.120
<v Speaker 1>what's your favorite stud studio back then? Like come over come, Yeah,

0:25:51.160 --> 0:25:53.200
<v Speaker 1>it's just a mad of that's going to the studio.

0:25:53.760 --> 0:25:56.000
<v Speaker 1>That's true, you know, because people will come in what

0:25:56.840 --> 0:26:00.320
<v Speaker 1>you had in Virginia and all of yourself. I think,

0:26:00.359 --> 0:26:02.119
<v Speaker 1>so only y'all I'll be in there, Like you know

0:26:02.160 --> 0:26:04.760
<v Speaker 1>what the fun everybody, but being in there like but

0:26:04.800 --> 0:26:08.080
<v Speaker 1>that's the point, so you can't say back then, I

0:26:08.200 --> 0:26:12.080
<v Speaker 1>steal sessions meant something because there was adventurous, like you

0:26:12.119 --> 0:26:16.159
<v Speaker 1>don't know, you know what I'm saying, you know it

0:26:16.280 --> 0:26:18.600
<v Speaker 1>was it was wow, man, I still your sessions was

0:26:19.119 --> 0:26:21.480
<v Speaker 1>the thing. It was like the studio. It won't like

0:26:21.520 --> 0:26:24.359
<v Speaker 1>what's your favorite studio session? It was born like we're

0:26:24.359 --> 0:26:27.520
<v Speaker 1>going to the studio, like if people were studio hot,

0:26:27.600 --> 0:26:29.679
<v Speaker 1>like it was a club like I've ever ready to

0:26:29.680 --> 0:26:31.919
<v Speaker 1>go to what's the studio? Jay had that Beanie was

0:26:31.960 --> 0:26:43.600
<v Speaker 1>all base everybody like it'd be like that was the whole. Yeah,

0:26:43.640 --> 0:26:46.840
<v Speaker 1>it was. It wasn't hit back there. Then they had

0:26:46.840 --> 0:26:52.560
<v Speaker 1>Sony Up, it's crazy. That's what they hold. They ever

0:26:52.640 --> 0:26:55.800
<v Speaker 1>made a beat from somebody and um, they didn't do

0:26:55.880 --> 0:26:57.600
<v Speaker 1>exactly what you wanted them to do, and he was

0:26:57.640 --> 0:27:02.359
<v Speaker 1>disappointed in the record. Is it shot time? Tipling? I

0:27:02.359 --> 0:27:06.360
<v Speaker 1>feel like it's shot time? You know what? I never

0:27:06.440 --> 0:27:08.960
<v Speaker 1>meant that. I'm like, I don't know because the beat

0:27:09.000 --> 0:27:12.199
<v Speaker 1>won't letting them make something crazy. Talking about like the

0:27:12.240 --> 0:27:14.120
<v Speaker 1>beat won't let you make something crazy, like it's gonna

0:27:14.119 --> 0:27:16.159
<v Speaker 1>tell you like you just staying because my beast of,

0:27:16.440 --> 0:27:21.960
<v Speaker 1>my best are disrupted. My beast of, Like it's uncomfortable.

0:27:22.160 --> 0:27:24.360
<v Speaker 1>That's about that. I hear somebody tell me your beat

0:27:24.400 --> 0:27:27.040
<v Speaker 1>for your first I don't know how to bob. Somebody

0:27:27.040 --> 0:27:30.320
<v Speaker 1>tells you like it's so crazy, like it's a bob,

0:27:30.720 --> 0:27:33.480
<v Speaker 1>but it's just throwing me off. So back then, it's

0:27:33.600 --> 0:27:36.920
<v Speaker 1>like it was a new bound, so people was trying

0:27:36.960 --> 0:27:40.600
<v Speaker 1>to find a new bound. So it won't Hey, the

0:27:40.680 --> 0:27:42.840
<v Speaker 1>track will let you know that you lost. I'll tell

0:27:42.880 --> 0:27:46.679
<v Speaker 1>you one artist that you brought the sound out of

0:27:46.760 --> 0:27:50.120
<v Speaker 1>them and in such a remarkable way. I had never

0:27:50.160 --> 0:27:52.119
<v Speaker 1>seen this. I was a big fan of this artist.

0:27:52.440 --> 0:27:56.919
<v Speaker 1>His name is Pastor Troy. Yeah, Pastor Troy had this

0:27:57.040 --> 0:28:00.440
<v Speaker 1>big underground following people from New York with away because

0:28:00.440 --> 0:28:03.960
<v Speaker 1>people from New York wouldn't travel outside. I had these beasts.

0:28:03.960 --> 0:28:05.800
<v Speaker 1>I would rhyme on down South beat, so I would

0:28:05.800 --> 0:28:09.280
<v Speaker 1>get Down South shows and I didn't know why. And

0:28:09.320 --> 0:28:12.239
<v Speaker 1>it was this artist called Passortroy, and he would come

0:28:12.240 --> 0:28:14.879
<v Speaker 1>out and he was like, I ain't gonna understand, you

0:28:14.960 --> 0:28:18.760
<v Speaker 1>ain't gonna play with yet we were that and he

0:28:18.880 --> 0:28:22.080
<v Speaker 1>was like he would perform this song seventeen times and

0:28:22.160 --> 0:28:24.920
<v Speaker 1>not one person would say, you did that are like

0:28:25.240 --> 0:28:27.080
<v Speaker 1>he was just you know, and then when you did

0:28:27.200 --> 0:28:29.919
<v Speaker 1>that record with him, it was like it was the

0:28:29.960 --> 0:28:34.760
<v Speaker 1>first time any producer like even try to uh to

0:28:34.840 --> 0:28:38.720
<v Speaker 1>give him up a worldwide sound. Did you feel like

0:28:38.760 --> 0:28:40.760
<v Speaker 1>that because that was like, to me, that was his

0:28:40.760 --> 0:28:44.960
<v Speaker 1>illess record he ever made. I just did me what

0:28:45.200 --> 0:28:46.600
<v Speaker 1>he made? You want to work with him because he

0:28:46.640 --> 0:28:50.360
<v Speaker 1>was super, super underground at the time, That's what I'm

0:28:50.520 --> 0:28:51.959
<v Speaker 1>about to say that, Like, I feel like you got

0:28:52.080 --> 0:28:55.840
<v Speaker 1>to see that's the problem. Like, you know, I didn't

0:28:55.840 --> 0:28:57.800
<v Speaker 1>know if I was like to Pete the world kind

0:28:57.840 --> 0:29:00.000
<v Speaker 1>of let me know, you know what. But I'm still

0:29:00.080 --> 0:29:02.200
<v Speaker 1>from the South, so it's like that's what was out.

0:29:02.600 --> 0:29:05.920
<v Speaker 1>I was attracted to all things with different flows spars.

0:29:05.960 --> 0:29:09.200
<v Speaker 1>You killed it with was the first group that shocked

0:29:09.240 --> 0:29:12.840
<v Speaker 1>me that me and Missy was a cruicial conflict. Crucial

0:29:12.880 --> 0:29:16.880
<v Speaker 1>co Yeah, I see, like we we loved all that

0:29:16.920 --> 0:29:20.480
<v Speaker 1>type of stuff. So passing trolley right up my alley,

0:29:20.840 --> 0:29:23.760
<v Speaker 1>right up my alley. Anyway, why you never signed him,

0:29:24.280 --> 0:29:26.200
<v Speaker 1>I don't know. I think he was already signed like

0:29:26.240 --> 0:29:30.360
<v Speaker 1>back then, and I won't think about my business music man,

0:29:31.680 --> 0:29:34.360
<v Speaker 1>you know, but he was dope. We made good records.

0:29:34.400 --> 0:29:36.239
<v Speaker 1>We made that good record. We made another record too,

0:29:36.240 --> 0:29:39.680
<v Speaker 1>But I don't think we're what's going on drink Champs Army.

0:29:40.000 --> 0:29:42.840
<v Speaker 1>There's nothing better about the holiday season than unwrapping a

0:29:42.920 --> 0:29:45.200
<v Speaker 1>brand new phone, right until you get hit with your

0:29:45.200 --> 0:29:48.840
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0:29:48.880 --> 0:29:51.280
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0:29:51.360 --> 0:29:54.560
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0:30:20.800 --> 0:30:23.240
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0:31:05.520 --> 0:31:08.840
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0:31:08.880 --> 0:31:16.840
<v Speaker 1>mitmobile dot com Forward slash drink. Well, but we're cutting

0:31:16.920 --> 0:31:20.320
<v Speaker 1>was was hard because that was hard. That was hard.

0:31:20.320 --> 0:31:22.760
<v Speaker 1>I did my own unofficial remix to it and everything.

0:31:24.400 --> 0:31:29.480
<v Speaker 1>I ain't care if y'all co sign didape I love

0:31:29.600 --> 0:31:31.760
<v Speaker 1>to be some I was like, fuck it. I think

0:31:31.800 --> 0:31:37.360
<v Speaker 1>like four Giffing freestunds this year. So, okay, we're gonna

0:31:37.360 --> 0:31:45.440
<v Speaker 1>get a little deep right now. Your relationship with so,

0:31:45.520 --> 0:31:50.080
<v Speaker 1>your relationship with Scott Storch Scotty, Yes, that's my boy,

0:31:50.360 --> 0:31:53.520
<v Speaker 1>because it was your boy. But at one point it

0:31:53.640 --> 0:31:57.600
<v Speaker 1>got a little shaky. I mean, nor, come on, I

0:31:57.640 --> 0:32:02.520
<v Speaker 1>mean right, and when I look at because I look

0:32:02.520 --> 0:32:05.120
<v Speaker 1>at music today, I look at you know who I

0:32:05.320 --> 0:32:11.360
<v Speaker 1>was yesterday, and I'm like, that's just called yeah, that's

0:32:11.400 --> 0:32:14.160
<v Speaker 1>just called not its blunts. But all right, cool, it's

0:32:14.200 --> 0:32:16.480
<v Speaker 1>his ninety conversation and we're gonna put up pair of

0:32:16.480 --> 0:32:23.600
<v Speaker 1>free lives later to come on, come on, were just young,

0:32:23.960 --> 0:32:25.800
<v Speaker 1>you know what I'm saying. We were just young, that's ego.

0:32:26.320 --> 0:32:29.000
<v Speaker 1>Was it competition or was it like brother just compe

0:32:29.160 --> 0:32:31.920
<v Speaker 1>its brothers? But it was competition. But it's like you

0:32:32.040 --> 0:32:34.960
<v Speaker 1>got and I realized that you gotta do that. You

0:32:35.040 --> 0:32:37.160
<v Speaker 1>have to do that to really like say it for

0:32:37.200 --> 0:32:39.520
<v Speaker 1>me and you. I have to get into a zone

0:32:39.600 --> 0:32:43.080
<v Speaker 1>like that to challenge you else I'm not. I'm like, damn,

0:32:43.080 --> 0:32:45.719
<v Speaker 1>that's my homeboy. You know what high pos do that,

0:32:45.720 --> 0:32:47.280
<v Speaker 1>that's my big you know what I'm saying. So when

0:32:47.280 --> 0:32:50.160
<v Speaker 1>I look back at it now, I'm like, that's why

0:32:50.240 --> 0:32:52.680
<v Speaker 1>I don't do that battling and beef because I can't

0:32:53.120 --> 0:32:56.080
<v Speaker 1>mentally psyche myself out. And I know I'm gonna go

0:32:56.120 --> 0:32:58.320
<v Speaker 1>back with like, yeo, man, why I would lose crazy?

0:32:58.320 --> 0:33:00.640
<v Speaker 1>You know what I'm saying, Like that, that takes a

0:33:00.640 --> 0:33:03.160
<v Speaker 1>lot out of somebody. So I think back there, we're

0:33:03.160 --> 0:33:06.640
<v Speaker 1>just being young because we work together way and passive,

0:33:06.720 --> 0:33:10.080
<v Speaker 1>you know. But um so, what do you think things

0:33:10.120 --> 0:33:12.320
<v Speaker 1>like that happened in the hip hop game? Because I

0:33:12.360 --> 0:33:15.280
<v Speaker 1>remember y'all as brothers at first correct started all this.

0:33:15.320 --> 0:33:20.360
<v Speaker 1>I just think I just think maybe, you know, maybe

0:33:20.400 --> 0:33:23.120
<v Speaker 1>I got jealous. Oh, I don't think I got jealous.

0:33:23.120 --> 0:33:29.760
<v Speaker 1>I think it was the entourage telling Oh I heard,

0:33:30.720 --> 0:33:34.680
<v Speaker 1>and I'm already probably slightly probably like going to Scott stories.

0:33:34.720 --> 0:33:36.760
<v Speaker 1>You know what I'm saying, that's that's a part of job.

0:33:36.880 --> 0:33:39.280
<v Speaker 1>I'm seeing the studio in the in the hip factory

0:33:39.320 --> 0:33:41.480
<v Speaker 1>from not Kac and you having your talk Pats to

0:33:41.480 --> 0:33:44.840
<v Speaker 1>the left, and Scott having his Scott was on fire

0:33:44.880 --> 0:33:46.760
<v Speaker 1>at one point, you know what I'm saying. He was.

0:33:46.840 --> 0:33:49.120
<v Speaker 1>He was on fire. I just don't remember you never

0:33:49.200 --> 0:33:51.520
<v Speaker 1>not being on fire. That's the reason why I was like, no,

0:33:51.760 --> 0:33:54.320
<v Speaker 1>it's always a moment. You're not on fire as you

0:33:54.440 --> 0:33:57.120
<v Speaker 1>do it. Because what happens and now I can take

0:33:57.120 --> 0:33:59.520
<v Speaker 1>you the promise after because what Scott was on five

0:33:59.600 --> 0:34:02.680
<v Speaker 1>there was it was people, it was artists in my session,

0:34:02.960 --> 0:34:05.400
<v Speaker 1>and when Scott pulled up, they left to go to

0:34:05.480 --> 0:34:08.520
<v Speaker 1>his session. Wow. So it's kind of like like a notification.

0:34:08.600 --> 0:34:12.000
<v Speaker 1>Let you know, like he that it's like that new

0:34:12.080 --> 0:34:16.160
<v Speaker 1>chocolate ball, that new whatever that knew nothing that new news,

0:34:16.200 --> 0:34:19.920
<v Speaker 1>like that new refragator. But like, and then it kind

0:34:19.920 --> 0:34:21.840
<v Speaker 1>of makes you mad because then when you like remind

0:34:21.880 --> 0:34:23.640
<v Speaker 1>people like, don't come over here. And now I told

0:34:23.680 --> 0:34:26.279
<v Speaker 1>you you know what I'm saying, So you have to

0:34:26.320 --> 0:34:30.440
<v Speaker 1>realize that that just that just humans humans gonna We're

0:34:30.480 --> 0:34:35.680
<v Speaker 1>gonna always flock to what others say is great and

0:34:35.920 --> 0:34:39.719
<v Speaker 1>kind of throw us off balance. And what I've learned is,

0:34:40.840 --> 0:34:43.200
<v Speaker 1>you know, you gotta stay true to who you are.

0:34:43.600 --> 0:34:47.279
<v Speaker 1>You know what I'm saying. Don't let that you don't

0:34:47.320 --> 0:34:49.279
<v Speaker 1>throw me off, you know, throw you off off your

0:34:49.320 --> 0:34:52.279
<v Speaker 1>game because you know it's always gonna be the next

0:34:52.280 --> 0:34:54.439
<v Speaker 1>man on the block, the next person on the block

0:34:54.520 --> 0:34:57.360
<v Speaker 1>that you know, you can't run things and be the

0:34:57.360 --> 0:34:59.800
<v Speaker 1>guy to everybody go to. It's always a new sound.

0:35:00.040 --> 0:35:04.319
<v Speaker 1>And what happens is where everybody go to you, you're

0:35:04.360 --> 0:35:07.800
<v Speaker 1>thinking you're the only one. And that's what got in

0:35:07.880 --> 0:35:10.319
<v Speaker 1>my head. And when the Scott and I'm like, he

0:35:10.400 --> 0:35:11.759
<v Speaker 1>came up on to me, you know what I'm saying,

0:35:11.840 --> 0:35:14.320
<v Speaker 1>like those are things those that's the other man running

0:35:14.320 --> 0:35:17.440
<v Speaker 1>into my head. So that gave me the competitive spirit.

0:35:17.520 --> 0:35:21.799
<v Speaker 1>But to say but then that that was just in

0:35:21.880 --> 0:35:23.959
<v Speaker 1>my head. What kind of took it over the top

0:35:24.080 --> 0:35:27.759
<v Speaker 1>is the enter. Oh this person said, oh, Scott, yeah,

0:35:27.760 --> 0:35:30.319
<v Speaker 1>he said this, so what you know, it kind of

0:35:30.320 --> 0:35:35.600
<v Speaker 1>fed the ego to like, I'm a real producer. You

0:35:35.680 --> 0:35:37.680
<v Speaker 1>just a piano man, you know what I'm saying. So

0:35:38.160 --> 0:35:40.520
<v Speaker 1>it kind of led. It kind of led to that,

0:35:42.200 --> 0:35:44.759
<v Speaker 1>you know, because I already had that other demon in

0:35:44.840 --> 0:35:48.120
<v Speaker 1>my head about you know, that's all you need is

0:35:48.160 --> 0:35:51.080
<v Speaker 1>that push over the edge to make you be like, oh,

0:35:51.120 --> 0:35:55.600
<v Speaker 1>that's it, but you really don't. We're young, so I'm

0:35:55.640 --> 0:35:58.480
<v Speaker 1>not trying to research and be like, wait, manute, this

0:35:58.520 --> 0:36:01.120
<v Speaker 1>is my man, Like I might be tripping over there,

0:36:01.160 --> 0:36:02.520
<v Speaker 1>you know what I'm saying, Like, let let me go

0:36:02.560 --> 0:36:05.160
<v Speaker 1>get some wound. Listen to somebody else, he says. He say,

0:36:06.239 --> 0:36:08.040
<v Speaker 1>I didn't get to the game to listen to he says,

0:36:08.080 --> 0:36:10.600
<v Speaker 1>he say, but but what's the history there though, because

0:36:10.640 --> 0:36:12.360
<v Speaker 1>I didn't even know that he came up under you

0:36:12.360 --> 0:36:14.279
<v Speaker 1>in a sense, like I know he used to mess

0:36:14.320 --> 0:36:16.520
<v Speaker 1>with the roots and all that I met him, like

0:36:16.640 --> 0:36:20.160
<v Speaker 1>Dr Drake kind of like introduced d is the big Yeah,

0:36:20.360 --> 0:36:25.680
<v Speaker 1>like he's like Jedi, So you know we're people tapping

0:36:25.719 --> 0:36:29.240
<v Speaker 1>into him for him to be Yeah, he was dope. Scott.

0:36:29.360 --> 0:36:33.640
<v Speaker 1>Scott got a realm that nobody don't have. All right,

0:36:35.840 --> 0:36:40.400
<v Speaker 1>all right, Scott to attack a beat totally different from

0:36:40.440 --> 0:36:44.840
<v Speaker 1>anybody else, without attack a beat his soul in his body,

0:36:45.239 --> 0:36:48.720
<v Speaker 1>he would go down. When I watched the Quincy Jones special,

0:36:48.880 --> 0:36:51.319
<v Speaker 1>he is one of those white guys. It's gonna go

0:36:51.400 --> 0:36:55.319
<v Speaker 1>down going the old dudes like wow, because Quincy had

0:36:55.360 --> 0:36:57.400
<v Speaker 1>a lot of white dudes. That was some bad white

0:36:57.560 --> 0:37:00.000
<v Speaker 1>ron timperture I didn't. He was one of the illests.

0:37:00.920 --> 0:37:02.839
<v Speaker 1>And so when you look at Scott's storch, he can

0:37:02.920 --> 0:37:05.319
<v Speaker 1>go that's one of the illness. So that's just a

0:37:05.400 --> 0:37:10.279
<v Speaker 1>matter of ego yet in the place. But we really

0:37:10.320 --> 0:37:12.799
<v Speaker 1>didn't have on beef beef. Yeah, I knew that. It

0:37:12.840 --> 0:37:14.959
<v Speaker 1>was one of the things that finished, Um, that fixed

0:37:14.960 --> 0:37:17.719
<v Speaker 1>your relationship with seeing how bad he went as far

0:37:17.760 --> 0:37:19.719
<v Speaker 1>as the drugs go. And you know he's been on here,

0:37:19.760 --> 0:37:22.839
<v Speaker 1>he's talked about it on here, this very show. So um,

0:37:22.920 --> 0:37:24.960
<v Speaker 1>it's not I mean, I didn't know, I know the job,

0:37:25.040 --> 0:37:27.080
<v Speaker 1>but like he live in life, so I won't even

0:37:27.080 --> 0:37:28.799
<v Speaker 1>thinking about that. I was thinking, like why they're going

0:37:28.840 --> 0:37:30.799
<v Speaker 1>to Scott stood you know what I'm saying, Like I'm

0:37:30.840 --> 0:37:34.520
<v Speaker 1>the man you thinking about fixed the relationship like after

0:37:34.760 --> 0:37:37.040
<v Speaker 1>I think I think just because of who I am

0:37:37.080 --> 0:37:38.960
<v Speaker 1>as a person and who we is, that's like that's

0:37:39.000 --> 0:37:41.000
<v Speaker 1>not us. You know what I'm saying. All we did

0:37:41.040 --> 0:37:42.759
<v Speaker 1>is a matter of just talking. And all we did

0:37:42.880 --> 0:37:47.040
<v Speaker 1>just talk and we was cool. Right. So now speaking

0:37:47.080 --> 0:37:50.680
<v Speaker 1>of school, the one thing I always see about you

0:37:50.680 --> 0:37:54.000
<v Speaker 1>just you always give Dr Dre his probs, Like no

0:37:54.040 --> 0:37:56.160
<v Speaker 1>matter what I'm told, height that hight the height of

0:37:56.480 --> 0:37:58.920
<v Speaker 1>you know, you know, ain't nobody better Drake Man. And and

0:37:58.800 --> 0:38:00.880
<v Speaker 1>and then and that's what you think you think that's

0:38:02.280 --> 0:38:05.640
<v Speaker 1>got your face a good town? You mean that like

0:38:05.640 --> 0:38:08.520
<v Speaker 1>like I can tell the producer level what is it exactly?

0:38:09.760 --> 0:38:12.200
<v Speaker 1>People be trying to be like dot, don't you do it?

0:38:12.760 --> 0:38:15.960
<v Speaker 1>That's like that's like you can't put put you back

0:38:19.120 --> 0:38:22.200
<v Speaker 1>And I'll still trying to. I just know he's just

0:38:22.200 --> 0:38:31.799
<v Speaker 1>super du trying to like damn you get to keep

0:38:31.840 --> 0:38:34.279
<v Speaker 1>the sound like that, you know, like damn man, Like

0:38:34.320 --> 0:38:37.560
<v Speaker 1>he's still amazing me and he doing so It's like

0:38:37.640 --> 0:38:43.160
<v Speaker 1>we are like in a lot of ways, like we

0:38:43.320 --> 0:38:46.640
<v Speaker 1>like to be home, you know what I'm sayings the music,

0:38:46.680 --> 0:38:49.160
<v Speaker 1>we don't go out like he's just like he the best,

0:38:49.239 --> 0:38:54.520
<v Speaker 1>Like he it's like people. I think people would similar personalities,

0:38:55.719 --> 0:39:00.080
<v Speaker 1>be attractive and be more amused by some someone and

0:39:00.239 --> 0:39:02.200
<v Speaker 1>like themselves. So the first day you met Dr Dre,

0:39:02.360 --> 0:39:05.560
<v Speaker 1>first time you met Dr Dre, let's take it Mr

0:39:05.640 --> 0:39:10.279
<v Speaker 1>Lei first, dingy and describe a situation like how how

0:39:10.320 --> 0:39:11.880
<v Speaker 1>does that? You know what? I can't even call you?

0:39:12.280 --> 0:39:14.880
<v Speaker 1>You called down. I don't even know. I just I

0:39:15.000 --> 0:39:17.360
<v Speaker 1>just thank God that he invited me into his presence.

0:39:18.760 --> 0:39:20.720
<v Speaker 1>And you're in the scope to at the time. Yeah,

0:39:20.840 --> 0:39:23.520
<v Speaker 1>but I see here go being young and then it's

0:39:23.600 --> 0:39:28.160
<v Speaker 1>like I can't even talk about them because I didn't

0:39:28.160 --> 0:39:30.959
<v Speaker 1>know how to digest it. Then, you know what I'm saying.

0:39:31.000 --> 0:39:34.440
<v Speaker 1>And now when I look back at it, I'm like, yo,

0:39:36.440 --> 0:39:40.799
<v Speaker 1>I was kicking it with doctor. Really, You're like I

0:39:40.960 --> 0:39:48.080
<v Speaker 1>made it. I was like you right here with you

0:39:48.160 --> 0:39:50.120
<v Speaker 1>have been to bres seat too, So you know what

0:39:50.120 --> 0:39:52.000
<v Speaker 1>I'm saying. You know you're not looking at it like,

0:39:52.200 --> 0:39:56.080
<v Speaker 1>but I still was amazed, Like I said, not how

0:39:56.120 --> 0:39:58.840
<v Speaker 1>to take it in? Now know how to take it in.

0:39:59.480 --> 0:40:02.920
<v Speaker 1>And I can give you what I felt, what I

0:40:02.920 --> 0:40:05.160
<v Speaker 1>thought I felt back then, and what I thought I

0:40:05.200 --> 0:40:10.000
<v Speaker 1>felt back then was this is motherfucking doctor. Drake Dr

0:40:10.080 --> 0:40:14.920
<v Speaker 1>Dre like Dr Dre's my Quincy Jones. Well, because when

0:40:14.920 --> 0:40:17.239
<v Speaker 1>I talked with Jones, I always say, people sho be

0:40:17.280 --> 0:40:21.160
<v Speaker 1>like man like Jay, like be that Quincy Jones. And

0:40:21.200 --> 0:40:24.160
<v Speaker 1>I get why Jay said, you know, produce for me

0:40:24.280 --> 0:40:27.400
<v Speaker 1>and be mak us you know, give us that you know,

0:40:27.560 --> 0:40:30.920
<v Speaker 1>give ja like be the young Quincy like he should

0:40:30.920 --> 0:40:33.439
<v Speaker 1>try to preach that to me all the time. And

0:40:33.520 --> 0:40:36.640
<v Speaker 1>being in young Quincy is making smart moves, like when

0:40:36.680 --> 0:40:39.719
<v Speaker 1>you got a beautiful record, you gotta know where to

0:40:40.040 --> 0:40:43.600
<v Speaker 1>place that beautiful record, not be stubborn and caught in

0:40:43.680 --> 0:40:46.279
<v Speaker 1>your ways and be like, oh that's my record. You

0:40:46.360 --> 0:40:49.240
<v Speaker 1>gotta Quincy. You don't know how to place beautiful music

0:40:49.280 --> 0:40:59.400
<v Speaker 1>with beautiful people. And Dr Dre was the god of wrap.

0:41:00.080 --> 0:41:02.960
<v Speaker 1>Say that I know New York No, no no. When

0:41:03.000 --> 0:41:08.279
<v Speaker 1>he touched rap, he made rap sound. He made it

0:41:08.320 --> 0:41:15.680
<v Speaker 1>sound so clean like he actually mixed. He did not

0:41:16.000 --> 0:41:20.439
<v Speaker 1>brag about it, he did not talk about it other

0:41:20.520 --> 0:41:23.520
<v Speaker 1>people talk. So to hear word with not to drink

0:41:23.520 --> 0:41:26.560
<v Speaker 1>people like he's going to speak. And that's how I

0:41:26.600 --> 0:41:29.239
<v Speaker 1>was because I want to know, like yo, how you

0:41:29.320 --> 0:41:31.680
<v Speaker 1>mix that drum, how you get the drum sound so

0:41:31.760 --> 0:41:35.520
<v Speaker 1>obviously he was a fan of n w A. All right, yeah,

0:41:35.560 --> 0:41:38.239
<v Speaker 1>that goes without saying so now let now listen. So

0:41:38.320 --> 0:41:41.840
<v Speaker 1>now look on n w A. Um, there's a line

0:41:42.160 --> 0:41:45.360
<v Speaker 1>where easy he says, Ice Cu rites the rhymes that

0:41:45.560 --> 0:41:50.520
<v Speaker 1>I say, point blanks, straight out frivously says it it

0:41:50.640 --> 0:41:56.040
<v Speaker 1>missed to it. So what that was there? Nowadays? People

0:41:56.320 --> 0:41:59.960
<v Speaker 1>the screwed I don't know if that's a word screwed.

0:42:00.040 --> 0:42:03.160
<v Speaker 1>They flipped on Drake for the same exact thing. And

0:42:03.200 --> 0:42:05.680
<v Speaker 1>here's one of the greatest groups of all time. What

0:42:05.840 --> 0:42:09.040
<v Speaker 1>is the difference between that Timperland being Okay, so you

0:42:09.160 --> 0:42:18.359
<v Speaker 1>asking me the Lucien Fox, So you asked the guy

0:42:18.400 --> 0:42:23.520
<v Speaker 1>who prot finds the superstars with the superpowers. Because I

0:42:23.640 --> 0:42:29.000
<v Speaker 1>heard that, We've heard it. So I think Drake told

0:42:29.040 --> 0:42:32.640
<v Speaker 1>you I'm I'm resilient for real. People need to really

0:42:32.680 --> 0:42:34.840
<v Speaker 1>look at what that word resilient means. I don't know

0:42:34.840 --> 0:42:37.120
<v Speaker 1>what that means for me and I really don't either

0:42:37.680 --> 0:42:43.480
<v Speaker 1>looking up, But that word so brilliant, and I can

0:42:46.360 --> 0:42:49.160
<v Speaker 1>what does he say? I mean he could like he

0:42:49.200 --> 0:42:54.600
<v Speaker 1>could withstand anything basically, okay, like and said that's how

0:42:54.640 --> 0:42:57.239
<v Speaker 1>I took it. So when I said, wow, when I

0:42:57.280 --> 0:43:00.480
<v Speaker 1>looked it up. It said that, and more so when

0:43:00.480 --> 0:43:08.000
<v Speaker 1>you look at Drake, he's like, yeah, okay, he's like

0:43:08.120 --> 0:43:15.920
<v Speaker 1>Black Panther. I don't know where you're gonna How did

0:43:15.960 --> 0:43:19.640
<v Speaker 1>Black Panther come in in the world? It was a shock? Right,

0:43:20.280 --> 0:43:22.560
<v Speaker 1>didn't shock you by stomp? What did it do? A building?

0:43:23.560 --> 0:43:27.480
<v Speaker 1>Like the movie? Listen to the character. Listen to the character.

0:43:27.840 --> 0:43:31.320
<v Speaker 1>The character, he's like a new character. He's like the Okay,

0:43:31.360 --> 0:43:33.440
<v Speaker 1>what I'm trying to say, He's like the equivalent to

0:43:33.520 --> 0:43:38.759
<v Speaker 1>Black Panther. He came in out of nowhere, and but

0:43:38.880 --> 0:43:42.799
<v Speaker 1>you worked through them earlier, very very early, so he

0:43:42.880 --> 0:43:45.080
<v Speaker 1>was already in the bill to where he was about

0:43:45.120 --> 0:43:48.080
<v Speaker 1>to be. So what I so you asked me the

0:43:48.160 --> 0:43:54.000
<v Speaker 1>question of why they trip it because he's the next

0:43:54.160 --> 0:43:57.640
<v Speaker 1>biggest thing. How many times they trip on jay Z?

0:43:58.080 --> 0:44:01.040
<v Speaker 1>It's just the topic of gold right and all that.

0:44:01.239 --> 0:44:06.400
<v Speaker 1>But music is music? Why do I don't know? Like

0:44:06.680 --> 0:44:09.439
<v Speaker 1>I guess I'm not a rapper, and I tell people

0:44:09.480 --> 0:44:16.240
<v Speaker 1>I can't really I look at rappers like Avengers of movie.

0:44:16.280 --> 0:44:19.400
<v Speaker 1>Character like, who's the next character? He to me is

0:44:19.440 --> 0:44:22.520
<v Speaker 1>like the next Black Path. That's why I say Black Path.

0:44:22.600 --> 0:44:27.759
<v Speaker 1>You're I look at like he came in like people

0:44:27.840 --> 0:44:30.359
<v Speaker 1>gonna try to pick apart or he didn't do this

0:44:30.719 --> 0:44:33.080
<v Speaker 1>why he got the necklace. So it's like he's that

0:44:33.200 --> 0:44:37.000
<v Speaker 1>new character. You know what I'm saying that he's great

0:44:37.040 --> 0:44:39.480
<v Speaker 1>at what do he do? He do it with so

0:44:39.600 --> 0:44:44.600
<v Speaker 1>much class, so much pride. I mean, you know, but

0:44:44.640 --> 0:44:46.239
<v Speaker 1>when I say you worked through them early on, you

0:44:46.280 --> 0:44:50.080
<v Speaker 1>worked at them really really mixtape, I mean, how did

0:44:50.080 --> 0:44:51.840
<v Speaker 1>you know? How did you like? How does the do

0:44:52.200 --> 0:44:54.759
<v Speaker 1>like you even know? That's not all mean, that's like

0:44:55.120 --> 0:44:59.480
<v Speaker 1>that's you. I'm gonna tell you that's that's that's being

0:44:59.520 --> 0:45:03.600
<v Speaker 1>around eight jedies and then that Jedi. The other Jedi

0:45:03.880 --> 0:45:08.880
<v Speaker 1>was jay Z. Jay Z knew he know because you

0:45:08.960 --> 0:45:11.239
<v Speaker 1>did together, you and Jed. I'm off that was the

0:45:11.280 --> 0:45:15.279
<v Speaker 1>first record, but he knew when he knew was that

0:45:15.360 --> 0:45:17.799
<v Speaker 1>the first record? Though I'm on point at my own point.

0:45:18.040 --> 0:45:23.640
<v Speaker 1>When I'm on point, God damn, I'm get like now

0:45:23.640 --> 0:45:25.520
<v Speaker 1>I'm getting hype, now come on and get shot that

0:45:26.200 --> 0:45:28.799
<v Speaker 1>and talking about I don't know what the earth, But

0:45:28.840 --> 0:45:32.560
<v Speaker 1>I just know that jay Z knew he was the

0:45:32.600 --> 0:45:38.040
<v Speaker 1>next one. Just like he called fifty six wait wait wait,

0:45:38.080 --> 0:45:40.520
<v Speaker 1>wait to meet j J called this is a lot

0:45:40.520 --> 0:45:43.799
<v Speaker 1>you're giving us right now. Stay stay on, Drake for now.

0:45:43.840 --> 0:45:46.000
<v Speaker 1>I'm even gonna go back to please remind us to

0:45:46.040 --> 0:45:47.920
<v Speaker 1>go back. So did what did he say? He said,

0:45:47.960 --> 0:45:51.000
<v Speaker 1>he's just like me. He said, I'm putting this young

0:45:51.040 --> 0:45:53.960
<v Speaker 1>this young boy, the kid from Canada like this young boys.

0:45:54.680 --> 0:45:56.959
<v Speaker 1>And it's early. It's not like it's already got about

0:45:58.200 --> 0:46:00.000
<v Speaker 1>when you When I go back and listen to him,

0:46:00.160 --> 0:46:02.960
<v Speaker 1>he's one of us. He's a genius to me. You

0:46:03.000 --> 0:46:07.160
<v Speaker 1>know what I'm saying, Jake. The way Jay articulate things,

0:46:07.239 --> 0:46:11.839
<v Speaker 1>the way he talks, the way he strategized life, where

0:46:11.880 --> 0:46:15.440
<v Speaker 1>he moved even his braves. Now you know what I'm everything.

0:46:15.520 --> 0:46:18.120
<v Speaker 1>I mean, he's just honest, got twist. Now, I love

0:46:18.160 --> 0:46:23.200
<v Speaker 1>it because Ja like a black eystyle. Let's make some noise. Fact,

0:46:23.760 --> 0:46:27.160
<v Speaker 1>jay Z. He look like a black eyestein. Little people

0:46:27.280 --> 0:46:34.799
<v Speaker 1>like the culture. That's what he's he looked like. And

0:46:34.880 --> 0:46:37.960
<v Speaker 1>he's music. He's like he's like a mote. He's like

0:46:38.080 --> 0:46:40.520
<v Speaker 1>Einstein to music. That's what I said, baby, And he

0:46:41.080 --> 0:46:48.520
<v Speaker 1>he is. He's so brilliant and it's like he knows

0:46:49.520 --> 0:46:54.680
<v Speaker 1>somebody else he knows. He's a separate elliot. Jay Z's

0:46:54.680 --> 0:46:57.799
<v Speaker 1>a separate he knows who fit in his alien group.

0:46:57.840 --> 0:46:59.640
<v Speaker 1>But but let's take it so hid when he heard

0:46:59.719 --> 0:47:03.480
<v Speaker 1>Drake he said off that he probably said no bump

0:47:03.560 --> 0:47:07.240
<v Speaker 1>off that he heard Drake before. You're like, oh, he's special.

0:47:08.160 --> 0:47:11.439
<v Speaker 1>I mean, come on, he got j Cole. Yeah, which

0:47:11.480 --> 0:47:13.880
<v Speaker 1>is crazy because for him to have seen that, he

0:47:13.960 --> 0:47:18.120
<v Speaker 1>saw that super okay smart. It took a minute for

0:47:18.200 --> 0:47:22.360
<v Speaker 1>Jacob to really he smart. He knows smart people because

0:47:22.400 --> 0:47:24.480
<v Speaker 1>like but he but like, that's why when I go

0:47:24.520 --> 0:47:26.400
<v Speaker 1>to jail, I play him somebody is smart and like

0:47:26.480 --> 0:47:30.319
<v Speaker 1>he that's I know he because because when he just

0:47:30.520 --> 0:47:33.240
<v Speaker 1>I guess he knows how they are as a person

0:47:33.280 --> 0:47:37.000
<v Speaker 1>when he hears them rap. I feel like I tried

0:47:37.040 --> 0:47:38.360
<v Speaker 1>to say, well, how do you know this person is

0:47:38.400 --> 0:47:40.399
<v Speaker 1>gonna be big? I guess when you hear the rap,

0:47:40.480 --> 0:47:45.440
<v Speaker 1>you can hear the who that person is and um

0:47:45.480 --> 0:47:47.719
<v Speaker 1>in their rap, you know what I'm saying. Like, but

0:47:47.800 --> 0:47:52.440
<v Speaker 1>then today's wrapped. You'll be shocked because you'll find somebody

0:47:52.440 --> 0:47:54.399
<v Speaker 1>doing something that did. You might like, no, this poor

0:47:54.520 --> 0:47:56.440
<v Speaker 1>is crazy, but then you go to talk to him.

0:47:57.120 --> 0:47:59.720
<v Speaker 1>He wanted the smartest kids, and you'd be like, wow,

0:48:00.040 --> 0:48:03.319
<v Speaker 1>music has definitely did the flip floppers. But he is

0:48:03.400 --> 0:48:09.200
<v Speaker 1>the leader of this generation. Um he is. He is

0:48:09.360 --> 0:48:12.440
<v Speaker 1>like the leader. He can go like he's the o

0:48:12.600 --> 0:48:16.080
<v Speaker 1>G like three kids like he is that guy. Big

0:48:16.160 --> 0:48:19.520
<v Speaker 1>up my man, forty, big up Drake, goddamn big up

0:48:19.520 --> 0:48:22.279
<v Speaker 1>my Canada. Niggers pick up most of my other nigger

0:48:22.400 --> 0:48:26.000
<v Speaker 1>name Belly know the other dude for this that one

0:48:27.280 --> 0:48:30.640
<v Speaker 1>I know, belly chops chops. Um, he picked them up. Man.

0:48:31.040 --> 0:48:34.640
<v Speaker 1>I love to see O G s, especially the O

0:48:34.800 --> 0:48:38.400
<v Speaker 1>G slash veterans giving. Yeah, this is this is a

0:48:38.400 --> 0:48:45.759
<v Speaker 1>tradition for the show, just for the show. Listen. I

0:48:45.800 --> 0:48:50.359
<v Speaker 1>don't know if you know, don't listen work. I don't

0:48:50.400 --> 0:48:52.680
<v Speaker 1>know if you know all the hip hop shows, they

0:48:52.800 --> 0:48:55.840
<v Speaker 1>just they listen at our hip hop show, we celebrate

0:48:55.880 --> 0:48:58.160
<v Speaker 1>all legends. We give them their flowers when they could

0:48:58.160 --> 0:49:00.000
<v Speaker 1>smell them, give them their thoughts when they can tell

0:49:00.080 --> 0:49:01.680
<v Speaker 1>them you get a need, drinks where they can take them,

0:49:02.600 --> 0:49:10.600
<v Speaker 1>they can take him. So goddamn. That's definitely different. And

0:49:10.600 --> 0:49:13.239
<v Speaker 1>I'm sorry. I'm sorry. I hated every time y'all gave

0:49:13.280 --> 0:49:32.040
<v Speaker 1>me some ship man ship. The terrible commination Young so

0:49:32.239 --> 0:49:37.680
<v Speaker 1>Jorans first album, Jenior Wants first album, Junior wants not

0:49:37.800 --> 0:49:42.120
<v Speaker 1>on correct these people come to you and says, I

0:49:42.160 --> 0:49:44.919
<v Speaker 1>need to understand how it's about that. Let me break

0:49:44.960 --> 0:49:51.840
<v Speaker 1>this down. Okay, I'm back then, I am young. I

0:49:51.920 --> 0:49:57.920
<v Speaker 1>am enjoying the moment. I don't know ship about why

0:49:58.200 --> 0:50:02.959
<v Speaker 1>and what. I didn't know. We had a run, let's

0:50:03.000 --> 0:50:05.239
<v Speaker 1>keep it running. And you know what I'm saying, like,

0:50:05.320 --> 0:50:08.040
<v Speaker 1>if if I know what I know now, I would

0:50:08.080 --> 0:50:10.239
<v Speaker 1>have been like, wait man, wait man, we got something, y'all.

0:50:10.239 --> 0:50:12.799
<v Speaker 1>We gotta focus because we got we got it by

0:50:13.200 --> 0:50:16.040
<v Speaker 1>people talking about it. But we were so glad to

0:50:16.120 --> 0:50:19.520
<v Speaker 1>be It was like it's almost like slavery, dude, like

0:50:19.640 --> 0:50:23.840
<v Speaker 1>common Well, we were from Virginia. To be accepted was

0:50:23.960 --> 0:50:26.279
<v Speaker 1>the biggest thing into not you know, you could be

0:50:26.320 --> 0:50:29.960
<v Speaker 1>accepted and then be thrown back into the bushes. So

0:50:30.600 --> 0:50:35.680
<v Speaker 1>we were trying to stay afloat. We weren't thinking like

0:50:36.880 --> 0:50:39.480
<v Speaker 1>this sound. We just know we had a sound that

0:50:39.640 --> 0:50:43.560
<v Speaker 1>was different and we knew that people it would make

0:50:43.600 --> 0:50:49.080
<v Speaker 1>people uncomfortable, but you enjoyed later. That's what we knew.

0:50:49.719 --> 0:50:54.560
<v Speaker 1>That's what you went in to. That we had a sound.

0:50:54.640 --> 0:50:57.840
<v Speaker 1>Back in Rochester with Davante, we all had a sound.

0:50:57.920 --> 0:51:02.400
<v Speaker 1>We was a crew. We had a sound about jod C. Yeah, yeah,

0:51:02.760 --> 0:51:05.160
<v Speaker 1>how did that? How did that? Let's let's let's stack

0:51:05.200 --> 0:51:09.560
<v Speaker 1>one first. He came from that so but he's from

0:51:09.640 --> 0:51:15.759
<v Speaker 1>Virginia to this jod C from DC South bast but

0:51:15.880 --> 0:51:18.920
<v Speaker 1>it's all close. It's right there. Yes, it's next day.

0:51:19.239 --> 0:51:22.000
<v Speaker 1>It's pretty it's pretty clol South. You don't don't do that.

0:51:23.320 --> 0:51:27.320
<v Speaker 1>I thought that's new disrespect Southeast d C with j Beach.

0:51:29.400 --> 0:51:31.359
<v Speaker 1>So it's not safe to say Baltimore as well. Throw

0:51:31.400 --> 0:51:34.200
<v Speaker 1>it on the that you're gonna say Baltimore O d C.

0:51:34.360 --> 0:51:37.560
<v Speaker 1>They're it's gonna be it's we Baltimore, we be more

0:51:37.800 --> 0:51:41.600
<v Speaker 1>we d C. It's just it's no B. But it's

0:51:41.600 --> 0:51:45.920
<v Speaker 1>just like, don't put you know. So so so here

0:51:46.080 --> 0:51:47.960
<v Speaker 1>you're gonna say Brooklyn and Queen you know say no,

0:51:48.040 --> 0:51:50.799
<v Speaker 1>we're Brooklyn. Well, if I'm from Miamie, I'm gonna say

0:51:50.840 --> 0:51:57.800
<v Speaker 1>it's like York, I'm just saying no. You gonna say no, no,

0:51:58.160 --> 0:52:00.720
<v Speaker 1>Liberty City is Liberty City. No, no, no over town

0:52:00.760 --> 0:52:03.319
<v Speaker 1>And you can't tell me that in Miami. And I'm

0:52:03.320 --> 0:52:07.040
<v Speaker 1>gonna divide it up from is that what I'm saying?

0:52:07.160 --> 0:52:11.200
<v Speaker 1>Like k mac did man it's like, but everybody was

0:52:11.200 --> 0:52:14.040
<v Speaker 1>listening to Go Go in those areas. I guess go

0:52:14.040 --> 0:52:18.600
<v Speaker 1>Go Google. I connected all y'all because we don't have

0:52:18.680 --> 0:52:23.759
<v Speaker 1>the Miami to listen to go North Carolina, North Carolina.

0:52:23.960 --> 0:52:29.440
<v Speaker 1>How the hell jo to see Devonte? How did you? Missy? Missy?

0:52:29.680 --> 0:52:33.120
<v Speaker 1>Missy was in a group called phay Z and Missy

0:52:34.280 --> 0:52:37.600
<v Speaker 1>I was a producer for fa Z. So Missy met

0:52:37.680 --> 0:52:41.640
<v Speaker 1>Devonte in the backstage, you know, like, this's this the

0:52:41.920 --> 0:52:44.920
<v Speaker 1>luck of a draw. She met them, she played the music.

0:52:45.680 --> 0:52:49.200
<v Speaker 1>Davante flew them up to Jersey. They said she wanted

0:52:49.239 --> 0:52:52.399
<v Speaker 1>to fly the producer up. He said, cool. I came

0:52:52.480 --> 0:53:04.839
<v Speaker 1>up there and I stayed up there my sound. So

0:53:04.920 --> 0:53:08.840
<v Speaker 1>you're working with Devonte, working with them, and they introduced

0:53:08.880 --> 0:53:12.520
<v Speaker 1>you to Genuine yep, because he met Genuine the same

0:53:12.520 --> 0:53:16.280
<v Speaker 1>way through a concert. So genuine I mean, so Devonte

0:53:16.280 --> 0:53:20.880
<v Speaker 1>actually built my crew. Think about it? I had static

0:53:20.920 --> 0:53:23.960
<v Speaker 1>before Static Distatic Major who wrote Lollipop for a Little

0:53:23.960 --> 0:53:28.600
<v Speaker 1>White he wrote try again. So Devonte really kind of like,

0:53:29.880 --> 0:53:32.400
<v Speaker 1>it's funny, I gotta work because the Bonte built a

0:53:32.400 --> 0:53:37.520
<v Speaker 1>crew for himself when it was actually for me. Do

0:53:37.719 --> 0:53:39.560
<v Speaker 1>you think about it? Because he didn't work with no

0:53:39.680 --> 0:53:44.600
<v Speaker 1>th it was me. Wow, But he found all the

0:53:44.640 --> 0:53:48.320
<v Speaker 1>talent for me. So he found who was the talent?

0:53:48.920 --> 0:54:01.000
<v Speaker 1>Genuine static missy. Um. Yeah, that's enough, that's more. It's

0:54:01.000 --> 0:54:03.280
<v Speaker 1>all right. So how did this happen? I did Mistand

0:54:03.320 --> 0:54:04.960
<v Speaker 1>I don't know, man, I'm just I just told you

0:54:05.080 --> 0:54:08.640
<v Speaker 1>when nutshells like I was a guy under the missy,

0:54:08.760 --> 0:54:11.640
<v Speaker 1>Missy brought me in like you do, like y'all gotta

0:54:11.680 --> 0:54:15.919
<v Speaker 1>do the math like that. It's just it's the universe, man,

0:54:16.080 --> 0:54:19.239
<v Speaker 1>how it's meant to be. You know what I'm saying,

0:54:19.239 --> 0:54:22.480
<v Speaker 1>Like I could be on this show and from this

0:54:22.560 --> 0:54:26.160
<v Speaker 1>show A thousand producers called me or this person called

0:54:26.160 --> 0:54:30.680
<v Speaker 1>me the inhibition man. It's like, it's what it is,

0:54:30.840 --> 0:54:35.680
<v Speaker 1>and that's what. And DeVante brought somebody, he built something

0:54:36.640 --> 0:54:41.439
<v Speaker 1>and which was posted probably be for him. I wind

0:54:41.560 --> 0:54:44.600
<v Speaker 1>up doing all the records for them. So what was

0:54:44.880 --> 0:54:47.080
<v Speaker 1>How was it like working with Ginia wacause you didn't

0:54:47.080 --> 0:54:53.040
<v Speaker 1>know he wasn't like Virginia like working with us. I thought, right, well,

0:54:53.120 --> 0:54:55.279
<v Speaker 1>it's a putting. He put us together. You know what

0:54:55.320 --> 0:54:58.240
<v Speaker 1>I'm saying. What I'm saying, DeVante is building a squad

0:54:58.320 --> 0:55:01.640
<v Speaker 1>for himself, but he actually building it for me. I'm

0:55:01.680 --> 0:55:05.279
<v Speaker 1>the guy who's doing a hundred beats to night. So

0:55:05.600 --> 0:55:11.920
<v Speaker 1>they're coming in the studio. Yeah, I'm in the studio

0:55:12.400 --> 0:55:17.200
<v Speaker 1>from Virginia. I ain't got no studio. I'm having a

0:55:17.320 --> 0:55:21.239
<v Speaker 1>ball and I got a call to Yeah, I'm having

0:55:21.280 --> 0:55:24.399
<v Speaker 1>a ball. So I'm knocking beats out there in there

0:55:24.440 --> 0:55:29.919
<v Speaker 1>with me. I'm building, I'm creating the sound. M dare

0:55:30.000 --> 0:55:34.600
<v Speaker 1>you have it? And did as curls back then, I

0:55:34.640 --> 0:55:40.480
<v Speaker 1>don't know. I think because I wanted I'm trying to

0:55:40.520 --> 0:55:44.239
<v Speaker 1>picture the studio seeing. Yeah, I'm trying to vat you like,

0:55:44.560 --> 0:55:52.280
<v Speaker 1>did you ask girls? Didn't? I only introduced the videos.

0:55:52.320 --> 0:55:55.480
<v Speaker 1>I was like, yo, I just wanted to make a

0:55:55.520 --> 0:55:57.920
<v Speaker 1>record and give my mom a three thousand dollars. I

0:55:58.000 --> 0:56:01.400
<v Speaker 1>ain't know about nothing about no video. When that stuff

0:56:01.440 --> 0:56:03.640
<v Speaker 1>came out, I was fun onto, like, oh man, people

0:56:03.680 --> 0:56:07.719
<v Speaker 1>don't real. Okay, I'm a country boy. I was like,

0:56:07.840 --> 0:56:11.480
<v Speaker 1>you know, I'm like, you know, I'm like, dude, you

0:56:11.520 --> 0:56:16.920
<v Speaker 1>know the hell I'm like, Okay, that's cool, that's dope. Okay,

0:56:16.920 --> 0:56:20.279
<v Speaker 1>I'll made some crazy records. Okay. Now, now you just

0:56:20.360 --> 0:56:23.040
<v Speaker 1>did a battle with Swiss Speeds. We didn't do the

0:56:23.040 --> 0:56:26.200
<v Speaker 1>battle yet, but it was somewhat of a battle. Some

0:56:26.280 --> 0:56:29.160
<v Speaker 1>of it's called Instagram talk. What would you call call

0:56:29.600 --> 0:56:33.920
<v Speaker 1>called I talk? That was wanted the derivative of drink champs.

0:56:34.400 --> 0:56:36.759
<v Speaker 1>Oh yeah, that started on this. Yeah that started here.

0:56:36.760 --> 0:56:38.360
<v Speaker 1>I don't know if you know that. That's cool. It

0:56:38.440 --> 0:56:43.600
<v Speaker 1>didn't start here. It ain't the same whole whole thing.

0:56:45.800 --> 0:56:48.960
<v Speaker 1>Maybe sho maybe should begin here, that's what That's what

0:56:48.960 --> 0:56:51.319
<v Speaker 1>I'm saying. He didn't start. I felt like you. I

0:56:51.320 --> 0:56:54.919
<v Speaker 1>felt like when we seem the actual battle, I felt

0:56:54.920 --> 0:56:57.120
<v Speaker 1>like it was unfair, even though I'm from New York.

0:56:57.640 --> 0:57:00.320
<v Speaker 1>I felt it was unfair because you know, he was

0:57:00.360 --> 0:57:03.000
<v Speaker 1>playing a lot of New York records with New York artists,

0:57:03.280 --> 0:57:06.399
<v Speaker 1>because that's just a summer jam. Correct. So um, how

0:57:06.400 --> 0:57:09.160
<v Speaker 1>did you feel about that? I thought you had fun.

0:57:09.239 --> 0:57:10.960
<v Speaker 1>You was out there having fun. But yeah, that's how

0:57:11.000 --> 0:57:12.840
<v Speaker 1>I thought was. I mean, we played a lot of it.

0:57:12.840 --> 0:57:15.920
<v Speaker 1>We couldn't. I think it was me and Swiss look

0:57:15.920 --> 0:57:20.200
<v Speaker 1>at it like this. It's not a battle. It's a reminder,

0:57:24.160 --> 0:57:29.320
<v Speaker 1>don't ever forget who we are. And Swiss speaks like

0:57:29.960 --> 0:57:32.320
<v Speaker 1>when people might have doubted, oh he ain't got none

0:57:32.440 --> 0:57:36.080
<v Speaker 1>or people say, oh Timbo gud dudes, no, no, no,

0:57:36.080 --> 0:57:41.160
<v Speaker 1>no no, I'm on stage with my friend. He's my friend.

0:57:42.120 --> 0:57:46.200
<v Speaker 1>We had just as much accolles, but it's just it's me.

0:57:46.640 --> 0:57:48.959
<v Speaker 1>So when we play songs back to back, it gave

0:57:49.040 --> 0:57:51.520
<v Speaker 1>people a reminder. I don't think people knew how to

0:57:51.600 --> 0:57:54.880
<v Speaker 1>judge it. It won't no judge and people like people like,

0:57:55.000 --> 0:57:56.920
<v Speaker 1>damn we played that Beyonce after Yeah he did that.

0:57:57.680 --> 0:58:03.600
<v Speaker 1>It was more of a remind Does that play with

0:58:03.720 --> 0:58:07.080
<v Speaker 1>the Game of Thrones? You know what I'm saying, Like

0:58:07.120 --> 0:58:09.600
<v Speaker 1>we could go all night and it's like people don't

0:58:09.600 --> 0:58:12.520
<v Speaker 1>realize the history that we had. Would you do that

0:58:12.560 --> 0:58:16.120
<v Speaker 1>with for Frol that's my brother. Of course, we can't

0:58:16.120 --> 0:58:20.640
<v Speaker 1>wait to play records because to us it is like

0:58:22.240 --> 0:58:25.200
<v Speaker 1>it could never be a battle, but the battle will be.

0:58:25.440 --> 0:58:31.640
<v Speaker 1>People will always judge it as That was my last question.

0:58:31.720 --> 0:58:35.200
<v Speaker 1>Without doing I's gonna because he he has to set

0:58:35.280 --> 0:58:37.560
<v Speaker 1>up the summons, but always at the table and say

0:58:38.680 --> 0:58:44.640
<v Speaker 1>him yeah, like he like, you know, what, what's that movie?

0:58:44.960 --> 0:58:49.040
<v Speaker 1>What's the Warlocks? And he'll be like the speller, like

0:58:49.040 --> 0:58:51.360
<v Speaker 1>you know, I love the respect he shows. Dr Dreke

0:58:52.240 --> 0:58:54.760
<v Speaker 1>What it would it wouldn't be a battle, will be fun.

0:58:54.880 --> 0:58:59.280
<v Speaker 1>It'll be chess like pawn like chess. Like we're playing songs.

0:58:59.320 --> 0:59:03.040
<v Speaker 1>It's like checkmate. Besides Dr Dre, if you was to

0:59:03.040 --> 0:59:05.480
<v Speaker 1>go head to head with anybody else in this game,

0:59:06.000 --> 0:59:11.040
<v Speaker 1>would you ever be worried? Like besides Dre like worried

0:59:11.080 --> 0:59:13.400
<v Speaker 1>Like it's like song for song, I don't okay, So

0:59:13.640 --> 0:59:17.760
<v Speaker 1>it's it's two different legacy, say Teddy Wiling. Let's say, uh,

0:59:20.480 --> 0:59:24.120
<v Speaker 1>track for track. You know what I think when I

0:59:24.200 --> 0:59:26.760
<v Speaker 1>think it's healthy for all of us to do that,

0:59:27.680 --> 0:59:30.080
<v Speaker 1>You know why, because it really lets you know how

0:59:30.160 --> 0:59:32.520
<v Speaker 1>far you really come and how you know. It lets

0:59:32.520 --> 0:59:36.560
<v Speaker 1>you know your beginning of your journey and where it's

0:59:36.560 --> 0:59:39.360
<v Speaker 1>really like a self a self moment thing where you'd

0:59:39.360 --> 0:59:43.600
<v Speaker 1>be like I quit. Then you'd be like, damn, my

0:59:43.680 --> 0:59:45.959
<v Speaker 1>ship was I thought it was just longer. It won't

0:59:45.960 --> 0:59:47.760
<v Speaker 1>that long. It's kind of like a reflection of who

0:59:47.800 --> 0:59:49.800
<v Speaker 1>you are. But you know what I'm saying, Like when

0:59:49.800 --> 0:59:51.760
<v Speaker 1>I when we play our music and our heads and

0:59:51.920 --> 0:59:54.760
<v Speaker 1>be like, man, why I stopped here? You know that's

0:59:54.760 --> 0:59:56.880
<v Speaker 1>how I look at it. Somebody might look at it different.

0:59:56.880 --> 1:00:01.720
<v Speaker 1>I would get like that was it that I'm not

1:00:01.760 --> 1:00:04.320
<v Speaker 1>even listening to other dude that they play right like

1:00:04.840 --> 1:00:08.240
<v Speaker 1>two oh man, I gotta pick it up, like you

1:00:08.240 --> 1:00:09.479
<v Speaker 1>know what I'm saying, Like you know what I'm saying.

1:00:09.560 --> 1:00:11.880
<v Speaker 1>That's how I look at it, is like the journey

1:00:12.360 --> 1:00:16.080
<v Speaker 1>must continue, you know. He's like, look how I thought

1:00:16.120 --> 1:00:19.360
<v Speaker 1>we came and see if we're still relevant right now?

1:00:19.360 --> 1:00:22.360
<v Speaker 1>How are working with Little Wayne? The Wayne right now

1:00:22.440 --> 1:00:27.400
<v Speaker 1>has uh quarterfi quarter fly. Um. I'm gonna be honest,

1:00:28.800 --> 1:00:32.720
<v Speaker 1>I've never seen somebody take off this long come back

1:00:33.800 --> 1:00:38.400
<v Speaker 1>and his fans stay right there like they were right

1:00:38.600 --> 1:00:41.920
<v Speaker 1>there like ready to line up, and just like I've

1:00:41.960 --> 1:00:44.080
<v Speaker 1>never seen it. Like you know in this game, you take,

1:00:44.280 --> 1:00:47.600
<v Speaker 1>you take two and a half years off those ACCCO

1:00:47.760 --> 1:00:51.920
<v Speaker 1>is in your bad spot. I mean you're talking about

1:00:52.040 --> 1:00:56.560
<v Speaker 1>young money. Yeah, I know that you're talking about Nicki Minaj,

1:00:56.920 --> 1:01:01.920
<v Speaker 1>but even Eminem. Let's let's look even Eminem like I'm

1:01:01.920 --> 1:01:07.800
<v Speaker 1>gonna go back here. They came back and hearing me

1:01:08.320 --> 1:01:11.800
<v Speaker 1>definitely not. I'm doctor darre can put the record out

1:01:11.920 --> 1:01:17.160
<v Speaker 1>right now and people don't go crazy. Certainly it's gonna

1:01:17.160 --> 1:01:20.400
<v Speaker 1>be his fan base because of what he left, Like

1:01:20.640 --> 1:01:24.760
<v Speaker 1>Little Wayne left a mark, right I just think little

1:01:24.760 --> 1:01:28.360
<v Speaker 1>Wayne's on the Wayne. Then he got, then he he signed,

1:01:29.080 --> 1:01:32.240
<v Speaker 1>he signed the he signed the next person in this

1:01:32.360 --> 1:01:35.520
<v Speaker 1>generation to be like him, which is Drake or Nicki

1:01:35.600 --> 1:01:38.680
<v Speaker 1>Mina like those. He got two heavy hitters that keep

1:01:39.320 --> 1:01:43.320
<v Speaker 1>him alive. Like it's not about him rapping sometimes, it's

1:01:43.360 --> 1:01:46.520
<v Speaker 1>about the decisions he made, like you know, look at

1:01:46.520 --> 1:01:51.360
<v Speaker 1>look what he look. I'm telling you, I'm great. He's great,

1:01:52.160 --> 1:01:56.240
<v Speaker 1>She's great, And y'all paid attention. So it kept you,

1:01:58.840 --> 1:02:02.680
<v Speaker 1>It kept you, It kept Wayne on your mind when

1:02:03.120 --> 1:02:06.400
<v Speaker 1>when he didn't do nothing, I mean he blessed man.

1:02:06.440 --> 1:02:13.320
<v Speaker 1>He got a gift. Wayne, gotta he can wrap right now. Um,

1:02:13.360 --> 1:02:15.000
<v Speaker 1>I wanted to say this to the very end and

1:02:15.040 --> 1:02:16.880
<v Speaker 1>then guy, I'm gonna get into my whole questions and

1:02:16.880 --> 1:02:19.000
<v Speaker 1>then we're gonna go wrap it up. But so, how

1:02:19.040 --> 1:02:22.160
<v Speaker 1>did you initially meet Eliah? Because I know we spoke

1:02:22.200 --> 1:02:25.240
<v Speaker 1>about her in the beginning, Like how was my lawyer

1:02:25.280 --> 1:02:29.000
<v Speaker 1>Louise West at that time, my lawyer was Louise West.

1:02:29.040 --> 1:02:35.400
<v Speaker 1>She introduced the families to each other, which was Aliyah's

1:02:35.440 --> 1:02:39.320
<v Speaker 1>family with you know uncle Mike, he rest in peace,

1:02:39.400 --> 1:02:45.280
<v Speaker 1>he passed away. Um, that was the introduction. There was

1:02:45.360 --> 1:02:53.960
<v Speaker 1>Louise West. How was the Craig Craig Coleman, Craig Coleman. Yeah,

1:02:54.320 --> 1:02:59.880
<v Speaker 1>it was Louise West and Craig Coleman. Craig, Craig get

1:02:59.880 --> 1:03:01.920
<v Speaker 1>the man and create no music. Man, He's gonna find

1:03:01.960 --> 1:03:04.320
<v Speaker 1>a way to dig yourself like he if he if,

1:03:04.360 --> 1:03:06.120
<v Speaker 1>he gonna know now, he's gonna figure out. He gonna

1:03:06.120 --> 1:03:08.880
<v Speaker 1>figure out what's hot now. He was a DJ. He

1:03:08.960 --> 1:03:13.680
<v Speaker 1>was a serious DJ. So Craig got he got good

1:03:13.720 --> 1:03:18.919
<v Speaker 1>ear is man, he got great ears, and Craig had

1:03:18.960 --> 1:03:22.000
<v Speaker 1>I had a sound. He introduced us made the link.

1:03:22.200 --> 1:03:25.400
<v Speaker 1>But it was Louisa gave Creig the demo of me

1:03:25.480 --> 1:03:31.920
<v Speaker 1>and Missy to play Poor Leah that Leah Like. And

1:03:32.000 --> 1:03:40.160
<v Speaker 1>then those sessions and see's from Detroit Detroit and y'all Lincoln, Virginia, Detroit,

1:03:40.280 --> 1:03:44.600
<v Speaker 1>Oh yeah, Lincoln Detroit. Yeah, and your first session was

1:03:48.360 --> 1:03:51.960
<v Speaker 1>my first session we did records. But then out of

1:03:52.000 --> 1:03:54.480
<v Speaker 1>that first session came one of a million, and then

1:03:54.520 --> 1:03:57.200
<v Speaker 1>the second session came if your girl only knew Wow,

1:04:01.200 --> 1:04:03.640
<v Speaker 1>the first and second s the first session can't want

1:04:03.640 --> 1:04:08.840
<v Speaker 1>the million, which is crazy, meaning that that won the

1:04:08.880 --> 1:04:12.720
<v Speaker 1>first song in the first meaning like before we left

1:04:12.760 --> 1:04:16.600
<v Speaker 1>we did one in the million. Okay, so we did

1:04:16.720 --> 1:04:20.400
<v Speaker 1>other songs prior to won't like that was like, I'm

1:04:20.400 --> 1:04:22.560
<v Speaker 1>not trying to make myself like no superhero like I

1:04:22.640 --> 1:04:25.280
<v Speaker 1>just the first song I did one a million that

1:04:25.360 --> 1:04:29.720
<v Speaker 1>was at the You don't think that's in the first

1:04:29.720 --> 1:04:32.320
<v Speaker 1>session made won the million. That's enough by but you

1:04:32.320 --> 1:04:34.720
<v Speaker 1>know what I'm saying. Then the second one was if

1:04:34.760 --> 1:04:37.200
<v Speaker 1>you girls in there, all right? Cool? Now you've got

1:04:37.240 --> 1:04:39.640
<v Speaker 1>like a triple album with jay Z. I've looked so

1:04:39.680 --> 1:04:43.760
<v Speaker 1>when I do interviews, we we pull up everything. So

1:04:44.160 --> 1:04:47.000
<v Speaker 1>you got you got the list. I'm gonna just name

1:04:47.040 --> 1:04:50.680
<v Speaker 1>out some certain songs. You just tell me these certain

1:04:50.720 --> 1:04:54.480
<v Speaker 1>sessions with you and Jams right during off show. This

1:04:54.600 --> 1:04:56.520
<v Speaker 1>is this is one of them. All you can watch

1:04:56.520 --> 1:05:00.640
<v Speaker 1>out on the Black album. Come on, no, we told

1:05:00.640 --> 1:05:02.720
<v Speaker 1>you in the movie. No, this is a millennials. This

1:05:02.760 --> 1:05:05.360
<v Speaker 1>is what new millennials right now. We gotta you want

1:05:05.360 --> 1:05:09.280
<v Speaker 1>to see it on the Black people never see him

1:05:09.280 --> 1:05:12.160
<v Speaker 1>on here. So there your shows. How did this come about? It?

1:05:13.480 --> 1:05:19.560
<v Speaker 1>Just like all that thing, I mean, let's post these

1:05:19.600 --> 1:05:21.760
<v Speaker 1>fourteen year olds who listened to us, who don't listen

1:05:21.760 --> 1:05:24.600
<v Speaker 1>to these motherfucker's. But it's on the movie. I'm gonna

1:05:24.600 --> 1:05:26.360
<v Speaker 1>tell you to same thing in the movie like I wanted.

1:05:26.480 --> 1:05:29.840
<v Speaker 1>He came down. It was the exact I had to beat.

1:05:30.360 --> 1:05:34.520
<v Speaker 1>Uh huh. I knew that beat was five and there

1:05:34.520 --> 1:05:37.640
<v Speaker 1>it was. And the beauty about that that was the

1:05:37.680 --> 1:05:41.400
<v Speaker 1>first time he captured the moment that can't be explained

1:05:41.840 --> 1:05:46.080
<v Speaker 1>on film, and you can watch it the old Phil

1:05:46.240 --> 1:05:51.200
<v Speaker 1>I don't know every time watchar timilar fans. You don't

1:05:51.200 --> 1:05:56.320
<v Speaker 1>explave to these people, the dumb fans. The Blade the

1:05:56.360 --> 1:05:59.920
<v Speaker 1>Black the Black, it's on the movie. You want for

1:06:00.160 --> 1:06:03.240
<v Speaker 1>albums four four four on of fans. They're kind of

1:06:03.240 --> 1:06:09.640
<v Speaker 1>slow fans, come on, just continued, I don't think that's

1:06:09.640 --> 1:06:14.040
<v Speaker 1>his first album, not just Fade the Black, Fade the Black.

1:06:14.320 --> 1:06:17.720
<v Speaker 1>That movie kind of he captured. So it's like he

1:06:18.160 --> 1:06:20.560
<v Speaker 1>it was the perfect time and said, look when people

1:06:20.560 --> 1:06:22.360
<v Speaker 1>have can go shore, I said, watch paper they on.

1:06:22.520 --> 1:06:24.600
<v Speaker 1>He asked me about that, said, man, I watched Fade

1:06:24.600 --> 1:06:26.400
<v Speaker 1>to Black Man we went Darrell show. I said, day,

1:06:26.480 --> 1:06:30.160
<v Speaker 1>thank you, because I got this play. It's on camera.

1:06:31.240 --> 1:06:33.720
<v Speaker 1>Everything is caught on camera, and people want to know more.

1:06:33.840 --> 1:06:36.320
<v Speaker 1>It's like, no more, Okay, then how about big pimping

1:06:36.960 --> 1:06:40.480
<v Speaker 1>you g K because at this time it's definitely not

1:06:40.520 --> 1:06:44.160
<v Speaker 1>known in the New York area. Maybe Okay, it's gonna

1:06:44.160 --> 1:06:47.320
<v Speaker 1>be real short and so goodhead cool. That was a

1:06:47.360 --> 1:06:50.439
<v Speaker 1>track I was saving for Tim and Magoo me being

1:06:50.520 --> 1:06:54.600
<v Speaker 1>sharpers and because I'm thinking I was on my I

1:06:54.680 --> 1:06:58.080
<v Speaker 1>was on my sharpness right, and I was like, this

1:06:58.160 --> 1:07:02.400
<v Speaker 1>ship bigger than me, this ship bigger than you, bigger

1:07:02.400 --> 1:07:05.000
<v Speaker 1>than me. I told him when he's walking he's about

1:07:05.000 --> 1:07:09.919
<v Speaker 1>to leave studio, I told him, and man, I gotta

1:07:09.960 --> 1:07:11.320
<v Speaker 1>be don't want to play. I don't want to play

1:07:11.320 --> 1:07:15.480
<v Speaker 1>it for you, but he took him before heats the studio.

1:07:16.040 --> 1:07:17.400
<v Speaker 1>I'm like you, I don't want to play the beat

1:07:17.440 --> 1:07:21.000
<v Speaker 1>for you, but I know it's for you, so I'm

1:07:21.000 --> 1:07:25.080
<v Speaker 1>gonna play. So I played he take off his jacket,

1:07:25.160 --> 1:07:30.560
<v Speaker 1>hip hop take off day Jack's like, oh, J face

1:07:30.680 --> 1:07:35.080
<v Speaker 1>lit up and hip hop with it, say big him

1:07:35.160 --> 1:07:37.960
<v Speaker 1>and Do said we're on something, and Jay said, I

1:07:38.000 --> 1:07:44.280
<v Speaker 1>see the mark was automatic that you came would be

1:07:44.360 --> 1:07:46.840
<v Speaker 1>on that record or now at that point that track.

1:07:46.960 --> 1:07:50.160
<v Speaker 1>J took time with that track. He didn't do this

1:07:50.240 --> 1:07:53.640
<v Speaker 1>like Hi, jay Z do it. This was he took

1:07:53.640 --> 1:07:57.200
<v Speaker 1>his time with that record. And you can tell because

1:07:57.240 --> 1:07:59.560
<v Speaker 1>look at what it's so weve got sued over this ship?

1:08:00.000 --> 1:08:03.560
<v Speaker 1>How did that lawsuit ended up? Just production? You know,

1:08:03.640 --> 1:08:06.080
<v Speaker 1>I don't like the brag, but you know, like you know,

1:08:06.640 --> 1:08:10.600
<v Speaker 1>we walked out of there. You know, I just believe

1:08:10.880 --> 1:08:13.200
<v Speaker 1>that it was good. It was good. But you know

1:08:13.200 --> 1:08:14.960
<v Speaker 1>what I'm saying, because it was I just think the

1:08:15.000 --> 1:08:19.400
<v Speaker 1>injury of the song. It was not done in the malice. Wait,

1:08:19.760 --> 1:08:21.400
<v Speaker 1>you know what I'm saying. It wasn't like we was

1:08:21.439 --> 1:08:24.800
<v Speaker 1>trying to get over. I paid you know what I'm saying.

1:08:24.960 --> 1:08:27.519
<v Speaker 1>The sample. Yeah, it's like I paid you that I

1:08:27.560 --> 1:08:32.519
<v Speaker 1>don't know I paid. So that's how I paid whatever.

1:08:32.560 --> 1:08:36.360
<v Speaker 1>There you go, and then they tried to come back afterwards. Yeah,

1:08:36.439 --> 1:08:39.320
<v Speaker 1>you know it's beauty. It the song is beautiful. Man

1:08:39.400 --> 1:08:41.639
<v Speaker 1>Like when something is so beautiful, you know you're gonna

1:08:41.680 --> 1:08:44.200
<v Speaker 1>it's always gonna be evil around the corner, you know

1:08:44.200 --> 1:08:46.760
<v Speaker 1>what I'm saying. So that song is beautiful, and you

1:08:46.760 --> 1:08:49.760
<v Speaker 1>know it was made out of love. It's like when

1:08:49.840 --> 1:08:51.439
<v Speaker 1>jay Z did that, I saw the love in his

1:08:51.479 --> 1:08:53.639
<v Speaker 1>face to track put a smile on his face, Like

1:08:54.320 --> 1:08:57.840
<v Speaker 1>I saw that this was that one for him. You

1:08:57.880 --> 1:08:59.840
<v Speaker 1>know what I'm saying. I saw like this what's gonna

1:08:59.880 --> 1:09:03.320
<v Speaker 1>make can think? Like I know, jay Z's a he's

1:09:03.320 --> 1:09:06.120
<v Speaker 1>a person who likes to read. If he if he

1:09:06.200 --> 1:09:09.639
<v Speaker 1>ever texts you the way he texts, he's very short,

1:09:09.760 --> 1:09:15.760
<v Speaker 1>so smart. He texts you he's I'm telling you man,

1:09:15.760 --> 1:09:19.360
<v Speaker 1>he's like John Q. I'm telling you now, Holy ground.

1:09:20.400 --> 1:09:26.120
<v Speaker 1>He only called me. I was in New York. Dream

1:09:26.240 --> 1:09:29.240
<v Speaker 1>had the hook already. He he wanted me to remake

1:09:29.320 --> 1:09:32.559
<v Speaker 1>the beat and I did. I did my part. I

1:09:32.560 --> 1:09:35.400
<v Speaker 1>didn't Lucien's Fox he wanted. He called me into upgrade

1:09:35.400 --> 1:09:47.360
<v Speaker 1>the equipment. That's what this did, like a little bit

1:09:47.680 --> 1:09:50.479
<v Speaker 1>the same you know im same dream had. Dream gave

1:09:50.479 --> 1:09:52.800
<v Speaker 1>me all the two. She said, this is what you got.

1:09:52.840 --> 1:09:55.240
<v Speaker 1>I said, all right to me up leave a little

1:09:55.280 --> 1:09:58.560
<v Speaker 1>my my hard drive. Whoop, whoop. There it is and

1:09:58.720 --> 1:10:03.720
<v Speaker 1>me not just me by myself. Jerome Jay Rock. He

1:10:03.880 --> 1:10:06.799
<v Speaker 1>was great. He called it. He was like my side partner.

1:10:06.800 --> 1:10:08.960
<v Speaker 1>He was my you know, not not gonna say my assistant.

1:10:09.280 --> 1:10:12.760
<v Speaker 1>And I like to say my partner because at that

1:10:12.800 --> 1:10:16.120
<v Speaker 1>time he was my partner. And he when I needed

1:10:16.479 --> 1:10:21.040
<v Speaker 1>assistant on this particular project. I'm gonna when he happens

1:10:20.720 --> 1:10:25.240
<v Speaker 1>to uh, I wanted to uh. I needed some keys.

1:10:25.680 --> 1:10:27.679
<v Speaker 1>He knew how to elevate, so he was a great

1:10:27.720 --> 1:10:30.880
<v Speaker 1>partner at that time. Okay, now I'm gonna go on more.

1:10:31.920 --> 1:10:38.639
<v Speaker 1>Is that your bitch? I think that's a I had

1:10:38.680 --> 1:10:46.120
<v Speaker 1>that track and I gave it to Puff originally, but

1:10:47.400 --> 1:10:50.200
<v Speaker 1>ye time, what I think I think I gave it

1:10:50.200 --> 1:10:52.800
<v Speaker 1>to I was. I believe it was a Puff but

1:10:52.840 --> 1:11:00.320
<v Speaker 1>Puff Daddy, Yeah, I believe, I think so. But he

1:11:00.439 --> 1:11:02.719
<v Speaker 1>turned that down. He didn't turn it down. I think

1:11:03.000 --> 1:11:07.160
<v Speaker 1>he was late. I think maybe I might have been

1:11:08.600 --> 1:11:12.880
<v Speaker 1>just playing music to be playing and jay zs just

1:11:13.439 --> 1:11:17.720
<v Speaker 1>held at me. You know. That was like but when

1:11:17.760 --> 1:11:20.040
<v Speaker 1>he did the rap, It's like, oh man, he fitted

1:11:22.200 --> 1:11:25.920
<v Speaker 1>did you call Puff and tell him it's a rap? Yeah?

1:11:26.000 --> 1:11:27.720
<v Speaker 1>I mean, how did you do that? How did that

1:11:27.720 --> 1:11:30.840
<v Speaker 1>phone go out? Did the record just come out? That

1:11:30.920 --> 1:11:35.880
<v Speaker 1>was a messy system way because I I didn't. That

1:11:35.960 --> 1:11:38.040
<v Speaker 1>was the first thing, like, oh man, what do I do?

1:11:38.280 --> 1:11:39.760
<v Speaker 1>You know what I'm saying. But that wasn't me being

1:11:39.800 --> 1:11:46.519
<v Speaker 1>young and naive and not understanding the ethics of business

1:11:47.160 --> 1:11:51.000
<v Speaker 1>and jumping the gun, you know, And I learned my lesson.

1:11:51.840 --> 1:11:54.640
<v Speaker 1>Nothing major happened, But just like I don't like to

1:11:54.640 --> 1:11:58.320
<v Speaker 1>have confusion, and music. I don't like to have one

1:11:58.360 --> 1:12:01.759
<v Speaker 1>person upset with me because I get another person something

1:12:02.720 --> 1:12:04.599
<v Speaker 1>that I didn't know their treasure, you know what I'm saying.

1:12:04.640 --> 1:12:08.840
<v Speaker 1>So it just business ethics came in, like when you

1:12:08.920 --> 1:12:11.200
<v Speaker 1>do something, you know, have your word and or do

1:12:11.360 --> 1:12:17.280
<v Speaker 1>the right way. Would be another temple in the Magoo Procectgo.

1:12:17.439 --> 1:12:19.720
<v Speaker 1>That's the only person we ain't talking about talk about

1:12:19.720 --> 1:12:22.120
<v Speaker 1>anybody else that was like he Magoo was my friend.

1:12:22.200 --> 1:12:25.080
<v Speaker 1>So it was like it was a fun thing and

1:12:25.080 --> 1:12:27.000
<v Speaker 1>it was fun to do because he was like the

1:12:27.080 --> 1:12:30.439
<v Speaker 1>down south que tip almost yeah, I guess he was

1:12:30.840 --> 1:12:33.240
<v Speaker 1>like Flex told me that today he was like he

1:12:33.360 --> 1:12:37.280
<v Speaker 1>was like cute tip Um. He said he was my friend.

1:12:37.439 --> 1:12:46.519
<v Speaker 1>He's my friend, Maxim. Sorry, I tried to make I mean,

1:12:47.200 --> 1:12:49.519
<v Speaker 1>he's my friend. You know. That was something that we

1:12:49.560 --> 1:12:53.200
<v Speaker 1>did that was a dream or a passion of ours

1:12:53.240 --> 1:12:55.960
<v Speaker 1>and we did it. But it wasn't meant to be

1:12:56.240 --> 1:12:58.519
<v Speaker 1>one or two or three or four with something that

1:12:58.600 --> 1:13:01.880
<v Speaker 1>like we're doing for fun. Yeah, and it happened right

1:13:02.200 --> 1:13:04.120
<v Speaker 1>then we get paid for it and the funding was

1:13:05.040 --> 1:13:08.439
<v Speaker 1>worth while at a moment, I think it was well, Timberland,

1:13:08.479 --> 1:13:10.320
<v Speaker 1>we just want you to know we salute our legends.

1:13:10.640 --> 1:13:14.080
<v Speaker 1>We in our game that's every ten years. These people

1:13:14.400 --> 1:13:16.160
<v Speaker 1>want to ride you off and they want to say

1:13:16.200 --> 1:13:18.400
<v Speaker 1>you're over, and they want to say no matter if

1:13:18.439 --> 1:13:20.519
<v Speaker 1>you're getting money or not. And in this game, I

1:13:20.520 --> 1:13:22.559
<v Speaker 1>want to reverse that. I want to change that. I

1:13:22.600 --> 1:13:24.760
<v Speaker 1>want you to people to know that you know the

1:13:24.800 --> 1:13:26.479
<v Speaker 1>black of the very, that sweet of the juice. You

1:13:26.520 --> 1:13:28.719
<v Speaker 1>know what I'm saying. The older you get, the older

1:13:28.760 --> 1:13:31.280
<v Speaker 1>you're loose. And the older you don't get old because

1:13:31.280 --> 1:13:33.599
<v Speaker 1>you stop playing. You get old. Of course you stop playing.

1:13:34.720 --> 1:13:39.920
<v Speaker 1>It's a different generation and we're the O G S.

1:13:40.040 --> 1:13:42.360
<v Speaker 1>And we got to figure out how to translate that

1:13:42.439 --> 1:13:47.720
<v Speaker 1>to the new genes, to the new generation. And I

1:13:47.840 --> 1:13:51.600
<v Speaker 1>understand it now. It's like the problem with us. We

1:13:51.640 --> 1:13:54.840
<v Speaker 1>always criticize so much. But when we was young, win

1:13:54.960 --> 1:13:59.920
<v Speaker 1>criticize nothing. And when you look at Takai six nine,

1:14:00.000 --> 1:14:03.120
<v Speaker 1>and these people are great, man, pick them up. You

1:14:03.160 --> 1:14:05.920
<v Speaker 1>know they all, they all, they are great artists. Let

1:14:05.960 --> 1:14:08.120
<v Speaker 1>them be who they're gonna be. Let's watch, let's watch

1:14:08.160 --> 1:14:11.920
<v Speaker 1>their journey. And some way Quincy Jones watched all the

1:14:12.000 --> 1:14:14.920
<v Speaker 1>people he produced and he looked back at it and

1:14:14.960 --> 1:14:17.120
<v Speaker 1>he was like, man, I produced all these people and

1:14:17.160 --> 1:14:19.479
<v Speaker 1>they all died. And I'm not I'm not saying that

1:14:19.520 --> 1:14:24.280
<v Speaker 1>about a new generation. But let's just watch their journey

1:14:25.040 --> 1:14:28.400
<v Speaker 1>and see what happened and hand down that information over here.

1:14:28.439 --> 1:14:30.479
<v Speaker 1>And if they they're taken, if they don't want it,

1:14:30.520 --> 1:14:33.280
<v Speaker 1>that's on them. And it's not fun because they made

1:14:33.280 --> 1:14:36.160
<v Speaker 1>great music to me. And then you would have changed,

1:14:36.200 --> 1:14:38.840
<v Speaker 1>if people ever would have started over anything you would

1:14:39.000 --> 1:14:43.360
<v Speaker 1>like to change. I just should have been more alert

1:14:43.880 --> 1:14:47.360
<v Speaker 1>when it comes to business and not let the fund

1:14:48.920 --> 1:14:52.120
<v Speaker 1>get in a way. It should have been more, you know,

1:14:53.800 --> 1:14:55.680
<v Speaker 1>just alert a lot of things. You know, you know,

1:14:55.760 --> 1:14:57.840
<v Speaker 1>we're young, we're doing me we you know what I'm saying.

1:14:58.680 --> 1:15:01.120
<v Speaker 1>And I'm still y'all you still, I'm still but I'm

1:15:01.160 --> 1:15:03.160
<v Speaker 1>not what I'm saying. But I didn't come from that world.

1:15:03.160 --> 1:15:06.479
<v Speaker 1>So when everything moving fast, I just, you know, should

1:15:06.520 --> 1:15:08.400
<v Speaker 1>have slowed it down at my pace. And you're in

1:15:08.400 --> 1:15:12.720
<v Speaker 1>the gym, crazy, what's your trainer? Hooked me up doing

1:15:12.720 --> 1:15:20.639
<v Speaker 1>this job? You know? For real, you're looking very young?

1:15:21.479 --> 1:15:23.840
<v Speaker 1>How is that? How is that you know, getting on

1:15:23.960 --> 1:15:27.240
<v Speaker 1>and getting into the gym and what makes you sparking

1:15:27.400 --> 1:15:29.960
<v Speaker 1>and do that? It was because I read I've seen

1:15:29.960 --> 1:15:32.400
<v Speaker 1>a room or where people were quitting because they was

1:15:32.439 --> 1:15:35.519
<v Speaker 1>hanging with Dr Dre being the engineers, and Dre would

1:15:35.560 --> 1:15:38.920
<v Speaker 1>make his engineers and his assisted go to the studio

1:15:38.920 --> 1:15:40.960
<v Speaker 1>and if people were quit and I've never heard of that,

1:15:41.120 --> 1:15:44.200
<v Speaker 1>are you like that? The yeah, he would make them

1:15:44.240 --> 1:15:46.240
<v Speaker 1>go to the gym like filming and all type of

1:15:46.280 --> 1:15:48.920
<v Speaker 1>ship because you gotta be a machine like we all.

1:15:49.880 --> 1:15:53.720
<v Speaker 1>So your engineer, your assisted, everybody gotta do the same.

1:15:54.120 --> 1:15:58.639
<v Speaker 1>I got my own legenda, you know what I'm saying.

1:15:58.680 --> 1:16:02.679
<v Speaker 1>And I got a partner, my girl, and my partner

1:16:03.200 --> 1:16:07.000
<v Speaker 1>pick up your girl and we do everything. Man, We

1:16:07.160 --> 1:16:11.559
<v Speaker 1>like on the New Incredibles. Goddamnit, the Incredibles with the

1:16:11.600 --> 1:16:19.520
<v Speaker 1>red suit long niggers all give me how fine the Incredibles?

1:16:19.800 --> 1:16:23.559
<v Speaker 1>So you and your lady is the new Incredibles? That can?

1:16:23.600 --> 1:16:26.160
<v Speaker 1>We do everything together? I seen y'all to Jay Z

1:16:26.560 --> 1:16:31.880
<v Speaker 1>and Beyonce concert, y'all was over there. Gucci down, y'all now,

1:16:31.960 --> 1:16:34.559
<v Speaker 1>I seen you Gucci down to me? Is she here

1:16:34.680 --> 1:16:46.519
<v Speaker 1>right now? Okay? And I was like the club car

1:16:46.600 --> 1:16:50.280
<v Speaker 1>that correct, it was club car, club car works? She work? Yeah,

1:16:50.280 --> 1:16:57.880
<v Speaker 1>we do everything together. This is so beautiful, all doesn't

1:16:58.000 --> 1:17:01.120
<v Speaker 1>I'm married I'm marriedn't make some noise for me. I

1:17:01.160 --> 1:17:06.200
<v Speaker 1>can make my mad. He's gonna give two all give me.

1:17:06.400 --> 1:17:13.519
<v Speaker 1>I'm goddamn marriage. Give me marriage Backsten. You know, it's

1:17:13.560 --> 1:17:16.680
<v Speaker 1>beautiful to show hip hop growing up because back in

1:17:16.720 --> 1:17:19.320
<v Speaker 1>the days, in the nineties, we're talking about sucking all

1:17:19.320 --> 1:17:21.720
<v Speaker 1>these niggas. Ain't sucking these businesses right now. I think

1:17:21.720 --> 1:17:25.360
<v Speaker 1>it's this old man my knees. First of all, you

1:17:25.360 --> 1:17:28.880
<v Speaker 1>don't want we thank too much, you know. You know

1:17:28.880 --> 1:17:33.639
<v Speaker 1>what I'm saying, Like, I don't like I'm comfortable. Listen,

1:17:33.760 --> 1:17:37.960
<v Speaker 1>Atlantic records ain't fit. Atlantic records back a personal party

1:17:38.040 --> 1:17:41.200
<v Speaker 1>today and I said, Yo, got up my knees hurt it.

1:17:41.280 --> 1:17:43.200
<v Speaker 1>I said, I'm sorry, No, I don't hurt. I just

1:17:43.240 --> 1:17:46.240
<v Speaker 1>don't want to do that. I want to fox like

1:17:46.320 --> 1:17:48.080
<v Speaker 1>me and my girl. We're in incredible we can't be

1:17:48.120 --> 1:17:50.720
<v Speaker 1>seen everywhere. That's oh god damn it. I'm gonna start

1:17:50.800 --> 1:17:54.360
<v Speaker 1>using that because le's come take that. I'm like, but

1:17:54.360 --> 1:17:57.400
<v Speaker 1>I'm gonna be honest sometimes the older you know, that's

1:17:57.400 --> 1:18:00.760
<v Speaker 1>why I love four four four is four four four

1:18:00.800 --> 1:18:04.840
<v Speaker 1>actually reflected a grown man. Yeah, but they but the

1:18:04.880 --> 1:18:07.240
<v Speaker 1>kids ain't gonna be that till later. That's why I'm

1:18:07.280 --> 1:18:10.640
<v Speaker 1>less for for the kids. Correct, it's for them. It's

1:18:10.680 --> 1:18:14.799
<v Speaker 1>the Bible for them. Don't get it, it's the Bible.

1:18:15.400 --> 1:18:17.599
<v Speaker 1>And I can leave on that note. Jay Z left

1:18:17.640 --> 1:18:21.040
<v Speaker 1>the Bible. He left the Book of Eli for this generation.

1:18:21.320 --> 1:18:28.759
<v Speaker 1>That's four four four goddamn. Make some t the pictures

1:18:28.800 --> 1:18:32.200
<v Speaker 1>in the goddamn. I thank you so much. Sim This

1:18:32.320 --> 1:18:34.640
<v Speaker 1>was great. Yeah, I think if I go to Jim