1 00:00:00,120 --> 00:00:02,840 Speaker 1: Hello and welcome back to Movie Mikes Movie Podcast, your 2 00:00:02,880 --> 00:00:05,080 Speaker 1: go to source for all things movies. I am your 3 00:00:05,080 --> 00:00:07,560 Speaker 1: host Movie Mike a K eight Mike d really fun 4 00:00:07,600 --> 00:00:10,320 Speaker 1: episode for you today. I'm talking to actor David Morris 5 00:00:10,440 --> 00:00:12,960 Speaker 1: all about The Green Mile. Also want to ask him 6 00:00:12,960 --> 00:00:14,760 Speaker 1: about one of my favorite movies from the year two 7 00:00:14,760 --> 00:00:17,640 Speaker 1: thousand and seven. But before that, I want to talk 8 00:00:17,680 --> 00:00:21,239 Speaker 1: about some popular songs that instantly make you think of movies. 9 00:00:21,280 --> 00:00:23,560 Speaker 1: I'll give you my big list and how that ties 10 00:00:23,560 --> 00:00:27,480 Speaker 1: into the interview. Also a spoiler free review of Death 11 00:00:27,480 --> 00:00:30,240 Speaker 1: on the Nile, which is out in theaters now. Thanks 12 00:00:30,240 --> 00:00:33,440 Speaker 1: again for being subscribed in listening every single week. You 13 00:00:33,479 --> 00:00:36,080 Speaker 1: already know what it is. Let's talk movies. In a 14 00:00:36,159 --> 00:00:39,800 Speaker 1: world where everyone and their mother has a podcast, one 15 00:00:39,880 --> 00:00:43,760 Speaker 1: man stands to infiltrate the ears of listeners like never 16 00:00:43,840 --> 00:00:47,880 Speaker 1: before in a movie podcast. A man with so much 17 00:00:47,920 --> 00:00:51,840 Speaker 1: movie knowledge, he's basically like a walking I m David 18 00:00:52,000 --> 00:00:58,720 Speaker 1: Woos Classes from the Nashville podcast Networks Movie MI Movie Podcast. 19 00:00:59,560 --> 00:01:02,160 Speaker 1: Before get into this week's interview, I want to talk 20 00:01:02,200 --> 00:01:05,480 Speaker 1: about songs that instantly make you think of movies, and 21 00:01:05,560 --> 00:01:08,360 Speaker 1: for this list, I didn't want to pick songs that 22 00:01:08,400 --> 00:01:11,760 Speaker 1: were written for movies or have become movie theme songs. 23 00:01:12,120 --> 00:01:14,480 Speaker 1: They're just songs that are used in movies, and I 24 00:01:14,520 --> 00:01:17,160 Speaker 1: think they just instantly kind of spark a memory with me. 25 00:01:17,640 --> 00:01:20,520 Speaker 1: And every time I hear these songs specifically out in public, 26 00:01:20,520 --> 00:01:23,880 Speaker 1: whether it being on the radio, at a grocery store, 27 00:01:24,040 --> 00:01:28,400 Speaker 1: or on maybe sometimes even another movie, I instantly associate 28 00:01:28,440 --> 00:01:31,600 Speaker 1: these songs with very specific movies, very specific memories from 29 00:01:31,640 --> 00:01:33,920 Speaker 1: the first time I saw them. So on this list, 30 00:01:34,000 --> 00:01:36,000 Speaker 1: I'm not including things like my Heart Will Go On 31 00:01:36,240 --> 00:01:38,559 Speaker 1: or I Will Always Love You. I wanted to focus 32 00:01:38,560 --> 00:01:41,080 Speaker 1: on an entirely different category of songs. I think what 33 00:01:41,160 --> 00:01:43,440 Speaker 1: they started playing some of these, you'll totally get it. 34 00:01:43,520 --> 00:01:46,160 Speaker 1: And I bet you have songs much like I do, 35 00:01:46,280 --> 00:01:48,840 Speaker 1: that spark these memories. So first I want to get 36 00:01:48,880 --> 00:01:51,600 Speaker 1: into Number one on my list is Immigrant song from 37 00:01:51,680 --> 00:01:56,120 Speaker 1: Led Zeppelin, and you probably think of thor Ragnarok, which 38 00:01:56,160 --> 00:01:59,760 Speaker 1: I think had a really special use of this song. 39 00:02:00,040 --> 00:02:02,200 Speaker 1: It was also featured in Shrek the Third But when 40 00:02:02,240 --> 00:02:05,400 Speaker 1: I hear Immigrants song, it immediately makes me think of 41 00:02:05,480 --> 00:02:10,480 Speaker 1: two thousand and three School of Rock, and it's Jack 42 00:02:10,520 --> 00:02:14,280 Speaker 1: Black driving the van, all the kids on board and 43 00:02:14,320 --> 00:02:27,800 Speaker 1: just start singing it, and really that entire movie had 44 00:02:27,880 --> 00:02:30,280 Speaker 1: such a great use of there's so many great rock 45 00:02:30,360 --> 00:02:33,160 Speaker 1: songs in the school of rock that they really went 46 00:02:33,160 --> 00:02:36,200 Speaker 1: above and beyond and getting the rights to all these songs. 47 00:02:36,200 --> 00:02:38,560 Speaker 1: I think Immigrants song from led Zeppelin, it's one of 48 00:02:38,600 --> 00:02:42,320 Speaker 1: the most expensive songs to get the royalties too. I 49 00:02:42,400 --> 00:02:45,880 Speaker 1: know when the director of Door Ragnarok wanted to use 50 00:02:45,919 --> 00:02:49,080 Speaker 1: that song in that movie, like that was the biggest 51 00:02:49,080 --> 00:02:51,799 Speaker 1: part of their budget. And it's very hard to get 52 00:02:51,840 --> 00:02:55,480 Speaker 1: any led Zeppelin song in a movie, and you may think, well, 53 00:02:55,520 --> 00:02:58,160 Speaker 1: they probably could have used the different song, a cheaper song, 54 00:02:58,960 --> 00:03:02,760 Speaker 1: but having this song in that scene is so memorable 55 00:03:03,200 --> 00:03:05,840 Speaker 1: and just so fun that I love scenes where the 56 00:03:05,919 --> 00:03:09,240 Speaker 1: characters are actually connecting with the music. It's not just 57 00:03:09,320 --> 00:03:13,000 Speaker 1: in the background. You know, there's an actual addressing of 58 00:03:13,040 --> 00:03:16,600 Speaker 1: the song and the characters being interactive with the Jack 59 00:03:16,639 --> 00:03:19,760 Speaker 1: Black singing along like a madman to this song. It 60 00:03:19,880 --> 00:03:24,359 Speaker 1: really just adds another level of how powerful the use 61 00:03:24,400 --> 00:03:27,720 Speaker 1: of music is in movies. So I always feel like 62 00:03:27,720 --> 00:03:31,080 Speaker 1: it's more than just picking the biggest songs. There's an 63 00:03:31,080 --> 00:03:35,120 Speaker 1: actual fine art to picking the right song, and I 64 00:03:35,120 --> 00:03:37,160 Speaker 1: think this one is a perfect example of that I 65 00:03:37,240 --> 00:03:39,680 Speaker 1: can't hear Immigrants song without thinking of School of Rock. 66 00:03:39,840 --> 00:03:41,880 Speaker 1: Next up on my list is dust in the Wind 67 00:03:41,920 --> 00:03:45,920 Speaker 1: from Kansas. Otherwise I probably would never listen to Kansas, 68 00:03:46,520 --> 00:03:49,600 Speaker 1: but an old School from two thousand and three, there 69 00:03:49,680 --> 00:03:51,520 Speaker 1: was such a funny use of this song with Will 70 00:03:51,640 --> 00:04:03,720 Speaker 1: Ferrell singing get a blues Funeral, Oh a moment Again. 71 00:04:03,720 --> 00:04:06,200 Speaker 1: It's another point in a movie to where it's an 72 00:04:06,240 --> 00:04:10,200 Speaker 1: actual character singing this song, and in this case used 73 00:04:10,280 --> 00:04:14,160 Speaker 1: in a comedic sense. You take a really sad, moving 74 00:04:14,240 --> 00:04:17,120 Speaker 1: song like this, but have Will Ferrell crying while singing 75 00:04:17,120 --> 00:04:24,839 Speaker 1: this song. Great use of it. Along those same lines. 76 00:04:24,839 --> 00:04:28,560 Speaker 1: While I'm talking about Will Ferrell, I probably wouldn't have 77 00:04:28,640 --> 00:04:30,599 Speaker 1: even heard of this song or known of this song 78 00:04:30,880 --> 00:04:32,839 Speaker 1: and realized it was such a big deal in my 79 00:04:33,000 --> 00:04:35,839 Speaker 1: life if it wouldn't be for the movie Anchorman, and 80 00:04:35,880 --> 00:04:40,360 Speaker 1: the song is Afternoon Delight from Starland vocal band Gonna 81 00:04:40,440 --> 00:04:46,400 Speaker 1: Find My Baby, Gonna Holder, Gonna Grab Some And it 82 00:04:46,480 --> 00:04:48,720 Speaker 1: was such an irreverent use of this song in that 83 00:04:48,760 --> 00:04:51,880 Speaker 1: movie where they just for no reason start singing this 84 00:04:51,960 --> 00:04:54,520 Speaker 1: song a cappella. And I remember how much of a 85 00:04:54,600 --> 00:04:57,360 Speaker 1: comedic impact Anchorman had back when it came out in 86 00:04:57,400 --> 00:05:00,279 Speaker 1: two thousand and four to the point to where it 87 00:05:00,320 --> 00:05:04,840 Speaker 1: affected like my entire group of friends, and I remember specifically, 88 00:05:05,120 --> 00:05:07,200 Speaker 1: I think the year this movie came out, somebody in 89 00:05:07,240 --> 00:05:10,159 Speaker 1: the talent show gathered up a group of friends and 90 00:05:10,200 --> 00:05:12,520 Speaker 1: they all sang this song a cappella like it was 91 00:05:12,560 --> 00:05:15,400 Speaker 1: in the movie. Such a random song, such a random moment, 92 00:05:15,400 --> 00:05:17,520 Speaker 1: but it's funny and I love it, so I had 93 00:05:17,560 --> 00:05:20,919 Speaker 1: to put Afternoon Delight on the list. Next up, I 94 00:05:20,960 --> 00:05:33,400 Speaker 1: want to talk about m I A Paper Planes, because 95 00:05:33,440 --> 00:05:36,559 Speaker 1: this is an example of the use of a song 96 00:05:36,760 --> 00:05:40,279 Speaker 1: in a movie trailer which instantly gives the movie a 97 00:05:40,440 --> 00:05:42,960 Speaker 1: feeling like, Okay, this is something I want to watch, 98 00:05:43,000 --> 00:05:46,479 Speaker 1: This is something fresh and new, and this song perfectly 99 00:05:46,520 --> 00:05:50,400 Speaker 1: in capsules what Pineapple Express was back in two thousand 100 00:05:50,400 --> 00:05:54,400 Speaker 1: and eight, and I think a lot of that just 101 00:05:54,480 --> 00:05:57,200 Speaker 1: kind of doesn't get used anymore. Like how important it 102 00:05:57,279 --> 00:06:00,640 Speaker 1: is for a movie to have a good movie be trailer. 103 00:06:01,200 --> 00:06:02,640 Speaker 1: I know they come out all the time when we 104 00:06:02,680 --> 00:06:04,760 Speaker 1: get hyped on them, but you have a movie trailer 105 00:06:04,760 --> 00:06:08,240 Speaker 1: where the song itself makes it memorable. Because I remember 106 00:06:08,240 --> 00:06:10,160 Speaker 1: the use of this song more and the trailer than 107 00:06:10,200 --> 00:06:13,240 Speaker 1: I do. Actually, from the movie and a problem might 108 00:06:13,240 --> 00:06:16,440 Speaker 1: have with movie trailers now, which because of this podcast, 109 00:06:16,480 --> 00:06:18,400 Speaker 1: I you know, I watched every single one because I 110 00:06:18,400 --> 00:06:20,240 Speaker 1: want to share with you guys what's coming out in 111 00:06:20,279 --> 00:06:23,080 Speaker 1: the trailer park. But for a long time I had 112 00:06:23,080 --> 00:06:25,920 Speaker 1: like a love hate relationship with trailers because they would 113 00:06:26,000 --> 00:06:29,040 Speaker 1: show the entire movie in a trailer, and it blew 114 00:06:29,120 --> 00:06:31,919 Speaker 1: my mind, Like, why would I go watch a movie 115 00:06:31,920 --> 00:06:35,160 Speaker 1: when you've literally told me the beginning, middle, and end 116 00:06:35,200 --> 00:06:37,000 Speaker 1: in the entire trailer. I know, you want to get 117 00:06:37,040 --> 00:06:40,960 Speaker 1: people interested and enticed into the plot to the point 118 00:06:40,960 --> 00:06:42,880 Speaker 1: to where they're going to spend money on a movie ticket, 119 00:06:43,400 --> 00:06:47,320 Speaker 1: but if you give away the entire story, there's no 120 00:06:47,440 --> 00:06:50,640 Speaker 1: reason to go into watching that movie and expect anything different. 121 00:06:51,040 --> 00:06:52,719 Speaker 1: And then those are the movies where we end up 122 00:06:52,720 --> 00:06:55,560 Speaker 1: believing like, well, I didn't really get anything else out 123 00:06:55,560 --> 00:06:57,720 Speaker 1: of that. And sometimes I still like to call out 124 00:06:57,760 --> 00:06:59,600 Speaker 1: movies when they do that. I'm like, if you want 125 00:06:59,600 --> 00:07:02,760 Speaker 1: to save your fifteen bucks, just watch this trailer and 126 00:07:02,800 --> 00:07:04,159 Speaker 1: you don't have to see the rest of the movie. 127 00:07:04,440 --> 00:07:07,360 Speaker 1: A lot of the times now I can pretty much 128 00:07:07,360 --> 00:07:09,160 Speaker 1: tell if a movie's gonna suck or not based on 129 00:07:09,200 --> 00:07:11,960 Speaker 1: the trailer, because movies that are going to suck will 130 00:07:12,000 --> 00:07:15,160 Speaker 1: tell you the entire story within two minutes. But back 131 00:07:15,200 --> 00:07:20,760 Speaker 1: to this song, it's also just a great song, and 132 00:07:20,760 --> 00:07:22,920 Speaker 1: out of all the songs on this list, is one 133 00:07:22,960 --> 00:07:25,880 Speaker 1: I would probably listen to on my own even if 134 00:07:25,880 --> 00:07:34,240 Speaker 1: it wasn't associated with a movie. And it also kind 135 00:07:34,280 --> 00:07:36,480 Speaker 1: of feels like a time capsule of that time now, 136 00:07:36,560 --> 00:07:39,680 Speaker 1: so so every time I hear paper Planes, I always 137 00:07:39,680 --> 00:07:43,040 Speaker 1: think of Pineapple Express. Next up on my list is 138 00:07:43,080 --> 00:07:56,560 Speaker 1: a song from The Cure called Just Like Heaven Secure, 139 00:07:56,560 --> 00:08:00,480 Speaker 1: one of my favorite bands of all time. I discovered 140 00:08:00,520 --> 00:08:02,080 Speaker 1: The Cure because I was a really big fan of 141 00:08:02,080 --> 00:08:04,840 Speaker 1: the band Alkaline Trio and one of their biggest influences 142 00:08:04,840 --> 00:08:07,480 Speaker 1: where it's the Cure. So I started listening to all 143 00:08:07,520 --> 00:08:11,080 Speaker 1: their albums and Disintegration became one of my favorite albums 144 00:08:11,080 --> 00:08:13,560 Speaker 1: of all time. But I think this song specifically is 145 00:08:13,600 --> 00:08:16,200 Speaker 1: just my favorite Cure song. But it's from a different 146 00:08:16,240 --> 00:08:19,040 Speaker 1: album called kiss Me, kiss Me, kiss Me, And there 147 00:08:19,120 --> 00:08:22,280 Speaker 1: was actually a romantic comedy that came out in two 148 00:08:22,280 --> 00:08:26,080 Speaker 1: thousand and five star Reese Witherspoon and Mark Ruffalo that 149 00:08:26,160 --> 00:08:28,800 Speaker 1: was named Just Like Heaven. They used this song in 150 00:08:28,840 --> 00:08:30,920 Speaker 1: that movie, but that's not the movie I think about 151 00:08:30,960 --> 00:08:33,400 Speaker 1: when I hear just like Heaven. It always takes me 152 00:08:33,480 --> 00:08:36,480 Speaker 1: back to adventure Land, which came out in two thousand 153 00:08:36,559 --> 00:08:39,000 Speaker 1: and nine, which is one of my favorite movies. I've 154 00:08:39,040 --> 00:08:41,559 Speaker 1: talked about it before on this podcast. But the scene 155 00:08:41,559 --> 00:08:44,439 Speaker 1: where this song is used, it's Jesse Eisenberg's character with 156 00:08:44,520 --> 00:08:47,680 Speaker 1: Kristin Stewart. They're writing go karts and for the first 157 00:08:47,720 --> 00:08:50,760 Speaker 1: time like having like a real fun moment together, and 158 00:08:50,800 --> 00:08:54,760 Speaker 1: I thought this song captured that emotional moment like perfectly. 159 00:08:55,160 --> 00:08:57,800 Speaker 1: There are very few times when I'm watching a movie 160 00:08:58,240 --> 00:09:00,960 Speaker 1: and the song itself will eat this kind of feeling 161 00:09:00,960 --> 00:09:03,240 Speaker 1: of warmth around me. Because I already liked the song 162 00:09:03,320 --> 00:09:06,080 Speaker 1: to begin with, I'm already loving this movie, but at 163 00:09:06,080 --> 00:09:08,920 Speaker 1: the time this song plays, it really just brings everything 164 00:09:08,960 --> 00:09:11,800 Speaker 1: together in their chemistry that you really want them to 165 00:09:11,880 --> 00:09:14,480 Speaker 1: end up together. So it always takes me back to 166 00:09:14,520 --> 00:09:16,760 Speaker 1: that movie and just that memory you're going to a 167 00:09:16,800 --> 00:09:19,560 Speaker 1: carnival and having fun. That's what I associate just like 168 00:09:19,600 --> 00:09:21,800 Speaker 1: heav with with now. Next up on my list as 169 00:09:21,840 --> 00:09:38,200 Speaker 1: a song called Motherless Child from Eric Clapton shot and 170 00:09:38,440 --> 00:09:41,040 Speaker 1: I'm already doing the scene here, but it's from the 171 00:09:41,120 --> 00:09:44,680 Speaker 1: movie Twister, which came out back in and the part 172 00:09:44,679 --> 00:09:48,280 Speaker 1: of the movie was Philip Seymour Hoffman's character Dusty. His 173 00:09:48,480 --> 00:09:50,960 Speaker 1: entire kind of role in that movie is being like 174 00:09:51,000 --> 00:09:54,120 Speaker 1: the fun guy, but he's always blasting this classic rock 175 00:09:54,160 --> 00:09:57,280 Speaker 1: out of this school bus that he drives. And when 176 00:09:57,320 --> 00:09:59,559 Speaker 1: he plays this song and is singing along to it, 177 00:09:59,720 --> 00:10:02,960 Speaker 1: I is I've never really listened to Eric Clapton outside 178 00:10:02,960 --> 00:10:05,080 Speaker 1: of that movie, outside of this song, But if I 179 00:10:05,120 --> 00:10:07,640 Speaker 1: had to pick a favorite Eric Clapton song, it would 180 00:10:07,640 --> 00:10:10,800 Speaker 1: be Motherless Child because I always associated with Twister and 181 00:10:10,800 --> 00:10:12,360 Speaker 1: I love how he just does it in the movie. 182 00:10:12,400 --> 00:10:14,520 Speaker 1: It's him playing that song and singing along to it 183 00:10:14,559 --> 00:10:16,520 Speaker 1: like I just out of nowhere, just started doing no 184 00:10:16,559 --> 00:10:19,520 Speaker 1: matter what. But yeah, one of my favorite movies, and 185 00:10:19,600 --> 00:10:21,880 Speaker 1: I love that song in it. Next up on my list, 186 00:10:21,920 --> 00:10:25,719 Speaker 1: it's a song called Little Bitty Pretty One from Thurston Harris. 187 00:10:25,720 --> 00:10:38,400 Speaker 1: Here's the song, and it's from one of my favorite 188 00:10:38,400 --> 00:10:42,560 Speaker 1: movies to watch as a kid from is Matilda, a 189 00:10:42,760 --> 00:10:46,440 Speaker 1: very underrated kids movie, And this is a point in 190 00:10:46,440 --> 00:10:49,000 Speaker 1: the movie where Matilda really starts to come into her 191 00:10:49,040 --> 00:10:52,200 Speaker 1: own with her ability to control things with her mind, 192 00:10:52,240 --> 00:10:54,800 Speaker 1: and this song is playing as she's you know, feeding 193 00:10:54,800 --> 00:10:58,440 Speaker 1: herself cereal, moving things around in the house. And I 194 00:10:58,520 --> 00:11:02,440 Speaker 1: love the use of songs from the fifties sixties because 195 00:11:02,480 --> 00:11:04,840 Speaker 1: I always had kind of an affinity with that type 196 00:11:04,880 --> 00:11:08,000 Speaker 1: of music. I think it all came from back in 197 00:11:08,040 --> 00:11:10,800 Speaker 1: the day living in the trailer park. Some of my 198 00:11:10,920 --> 00:11:13,800 Speaker 1: greatest enjoyment on the weekends or late at night was 199 00:11:13,880 --> 00:11:17,240 Speaker 1: seeing these infomercials that would sell these box sets of 200 00:11:17,320 --> 00:11:20,439 Speaker 1: like songs from the fifties, and I got real into 201 00:11:20,480 --> 00:11:23,319 Speaker 1: listening to do what mainly because I would watch these 202 00:11:23,320 --> 00:11:28,280 Speaker 1: infomercials memorize them and then was drawn to music like 203 00:11:28,320 --> 00:11:32,920 Speaker 1: The Drifters, Little Anthony and the Imperials, the Platters, all 204 00:11:32,960 --> 00:11:36,360 Speaker 1: that type of music I always just loved. And when 205 00:11:36,360 --> 00:11:40,000 Speaker 1: it comes to movies, I really love movies set in 206 00:11:40,040 --> 00:11:42,800 Speaker 1: the fifties, especially if they have to do with music. 207 00:11:43,160 --> 00:11:45,480 Speaker 1: So for that reason, this is probably a song that 208 00:11:45,520 --> 00:11:48,640 Speaker 1: I would also listen to and my normal everyday life, 209 00:11:48,640 --> 00:11:51,440 Speaker 1: because sometimes this type of music just makes me happy, 210 00:11:51,520 --> 00:11:58,439 Speaker 1: and it really just makes that scene of Matilda kind 211 00:11:58,480 --> 00:12:01,600 Speaker 1: of keeping the same theme year. The next song up 212 00:12:01,720 --> 00:12:11,400 Speaker 1: is called Hippie Hippie Shake from the Swinging Blue Jeans, 213 00:12:11,800 --> 00:12:13,920 Speaker 1: and I hear this song, and the only movie I 214 00:12:14,000 --> 00:12:17,400 Speaker 1: can think about is a movie from called Angels in 215 00:12:17,440 --> 00:12:21,880 Speaker 1: the Outfield, a movie that is the hardest movie to 216 00:12:22,040 --> 00:12:25,160 Speaker 1: find to watch online. It's a Disney movie, it's a 217 00:12:25,200 --> 00:12:28,760 Speaker 1: baseball movie. For some reason, Disney has not taken this 218 00:12:28,840 --> 00:12:31,920 Speaker 1: movie out of the vault. They won't put it on Disney. Plus, 219 00:12:31,960 --> 00:12:34,520 Speaker 1: it's not we're even available for you to rent. And 220 00:12:34,520 --> 00:12:37,480 Speaker 1: I don't know why I'm getting so like frustrated right now, 221 00:12:37,559 --> 00:12:41,920 Speaker 1: but it's one of my favorite sports movies and the 222 00:12:42,000 --> 00:12:44,520 Speaker 1: movie I probably watched the most as a kid because 223 00:12:44,559 --> 00:12:46,360 Speaker 1: we had it on VHS. But I guess I need 224 00:12:46,400 --> 00:12:49,040 Speaker 1: to go dig through my parents VHS is at their 225 00:12:49,040 --> 00:12:50,840 Speaker 1: house because that's the only place I'm going to be 226 00:12:50,880 --> 00:12:52,439 Speaker 1: able to watch it. But this is a scene in 227 00:12:52,480 --> 00:12:56,400 Speaker 1: the movie where Al who is the angel who has 228 00:12:56,440 --> 00:13:01,360 Speaker 1: come to help the team, the Angels, get their season back, 229 00:13:01,480 --> 00:13:04,920 Speaker 1: and he is kicking around a baseball and doing all 230 00:13:04,960 --> 00:13:07,199 Speaker 1: these things because he is invisible to the other team, 231 00:13:07,280 --> 00:13:09,920 Speaker 1: and only the kid in the movie played by Joseph 232 00:13:09,960 --> 00:13:13,440 Speaker 1: Gordon Levitt is able to see him doing these things. 233 00:13:13,640 --> 00:13:17,240 Speaker 1: And it's just a fun movie, especially if you have kids, 234 00:13:17,400 --> 00:13:20,040 Speaker 1: because it was the first time I remember watching a 235 00:13:20,120 --> 00:13:23,319 Speaker 1: movie to where the kid didn't have a perfect life, 236 00:13:23,679 --> 00:13:26,680 Speaker 1: And in Disney movies they always lived in big houses 237 00:13:26,840 --> 00:13:30,440 Speaker 1: and their parents were always well put together. They you know, 238 00:13:30,559 --> 00:13:32,680 Speaker 1: come down for breakfast and there'll be a big spread 239 00:13:32,720 --> 00:13:34,880 Speaker 1: no matter what, even if it was just a random 240 00:13:34,960 --> 00:13:37,760 Speaker 1: day in the week like that. Was always really hard 241 00:13:37,800 --> 00:13:39,960 Speaker 1: to relate to for me. But this is the first 242 00:13:40,000 --> 00:13:43,360 Speaker 1: time I remember seeing a kid who, in this case 243 00:13:43,440 --> 00:13:45,920 Speaker 1: was in foster care but lived in a trailer park. 244 00:13:46,600 --> 00:13:50,000 Speaker 1: His dad wasn't the best dude, and it was just 245 00:13:50,080 --> 00:13:53,520 Speaker 1: a very real movie for a Disney movie. But I 246 00:13:53,640 --> 00:13:55,720 Speaker 1: just love the use of this song in that movie. 247 00:13:55,760 --> 00:13:58,920 Speaker 1: It was very fun. So if you're ever able to 248 00:13:58,960 --> 00:14:02,480 Speaker 1: get a copy of Angels in the Outfield or it 249 00:14:02,600 --> 00:14:04,920 Speaker 1: comes to Disney Plus, you need to watch it with 250 00:14:04,920 --> 00:14:07,800 Speaker 1: your kids, or even if you don't have kids like me, 251 00:14:08,200 --> 00:14:11,000 Speaker 1: watch it anyway. But you'll love the use of this song. 252 00:14:11,040 --> 00:14:21,800 Speaker 1: And that alright, I have some more here to run through. 253 00:14:22,760 --> 00:14:25,640 Speaker 1: Let's hop over now to some classic rock. The song 254 00:14:25,760 --> 00:14:39,680 Speaker 1: is Sptunate son my Clearance Clearwater Revival. This song specifically, 255 00:14:40,400 --> 00:14:42,960 Speaker 1: I feel like it's used a lot in movies. I 256 00:14:43,000 --> 00:14:46,760 Speaker 1: think I knew this song. It was familiar with it 257 00:14:46,840 --> 00:14:48,640 Speaker 1: more before I ever heard it on the radio or 258 00:14:48,680 --> 00:14:51,800 Speaker 1: even knew who sang it. Because this song just sounds 259 00:14:51,800 --> 00:14:53,200 Speaker 1: good in a movie, and you can use it in 260 00:14:53,200 --> 00:14:56,480 Speaker 1: a montage, you can use it as like a very 261 00:14:56,480 --> 00:14:59,080 Speaker 1: pivotal point to where the character is doing something big 262 00:14:59,080 --> 00:15:01,920 Speaker 1: and inspiring because it fits that so good. And it's 263 00:15:01,960 --> 00:15:04,920 Speaker 1: another song that's expensive to get the rights too. But 264 00:15:05,040 --> 00:15:07,640 Speaker 1: the movie it always makes me think about is from NT. 265 00:15:08,480 --> 00:15:11,480 Speaker 1: Forest Gump. It's the scene where he gets drafted and 266 00:15:11,520 --> 00:15:14,240 Speaker 1: he said to fight in Vietnam. And like I said, 267 00:15:14,320 --> 00:15:17,320 Speaker 1: it goes great in a montage, especially if it's a 268 00:15:17,320 --> 00:15:24,360 Speaker 1: war footage montage. So this is the part of the 269 00:15:24,400 --> 00:15:33,200 Speaker 1: movie where he meets Lieutenant Dan, he also meets Bubba. 270 00:15:34,160 --> 00:15:36,960 Speaker 1: Will always make me think of Forrest Gump. Staying in 271 00:15:37,000 --> 00:15:40,240 Speaker 1: the classic rock genre. Another song that's been also used 272 00:15:40,240 --> 00:15:42,800 Speaker 1: in a lot of movies is Sweet Home Alabama from 273 00:15:42,840 --> 00:15:51,680 Speaker 1: Leonard Skinnered. This song was used in a lot of movies. 274 00:15:51,880 --> 00:15:56,920 Speaker 1: It was also used in Forrest Gump and Joe Dirt Texas, 275 00:15:57,000 --> 00:15:59,280 Speaker 1: Chainsaw Massacre, the one that came out into dials in 276 00:15:59,360 --> 00:16:03,400 Speaker 1: Three crim Some Tied. The movie Sweet Home Alabama also 277 00:16:03,480 --> 00:16:06,800 Speaker 1: Despicable Me. It has a pretty wide range of movies 278 00:16:06,840 --> 00:16:08,440 Speaker 1: that can be used in, but the one that always 279 00:16:08,440 --> 00:16:11,960 Speaker 1: makes me think of it is from Seven Connyir. I 280 00:16:12,000 --> 00:16:15,720 Speaker 1: hear this song and I instantly think of, you know, 281 00:16:16,520 --> 00:16:20,200 Speaker 1: the mullet worn by Nicholas Cage and it's when all 282 00:16:20,320 --> 00:16:24,160 Speaker 1: the prisoners are celebrating on the blade. That movie is 283 00:16:24,200 --> 00:16:27,920 Speaker 1: so ridiculous, Like I love con Air because of how 284 00:16:28,000 --> 00:16:31,000 Speaker 1: ridiculous it is, and it almost felt like a parody 285 00:16:31,040 --> 00:16:33,400 Speaker 1: movie the first time I watched it, mainly because of 286 00:16:33,520 --> 00:16:36,520 Speaker 1: Nick Cage's accident and his hair and his entire demeanor 287 00:16:36,560 --> 00:16:39,320 Speaker 1: in that movie. But it's still such a fun and 288 00:16:39,440 --> 00:16:45,320 Speaker 1: underrated action movie. It's what I love about big Hollywood 289 00:16:45,400 --> 00:16:47,720 Speaker 1: movies where you can just turn your brain off. So 290 00:16:47,840 --> 00:16:50,360 Speaker 1: my favorite use of that song, and when I hear 291 00:16:50,400 --> 00:16:53,120 Speaker 1: that song, that's always the movie I think about. Next 292 00:16:53,200 --> 00:16:55,200 Speaker 1: up on my list is Bad to the Bone by 293 00:16:55,240 --> 00:17:04,400 Speaker 1: George Thurgood. Mh I mean, just an iconic guitar riff 294 00:17:05,080 --> 00:17:07,359 Speaker 1: a song. That's another one that's been used in a 295 00:17:07,359 --> 00:17:10,760 Speaker 1: lot of movies from The Parent Trap Major Pain. But 296 00:17:10,960 --> 00:17:14,200 Speaker 1: really I remember seeing it a lot in TV, especially 297 00:17:14,240 --> 00:17:16,800 Speaker 1: on Married with Children. They would always play this riff, 298 00:17:21,160 --> 00:17:24,480 Speaker 1: but when I hear it, I immediately go to Problem 299 00:17:24,600 --> 00:17:30,320 Speaker 1: Child from one of the weirdest movies. Based on the plot, 300 00:17:30,359 --> 00:17:33,720 Speaker 1: The entire thing is John Ritter's kid in the movie 301 00:17:34,040 --> 00:17:38,120 Speaker 1: is just this little jerk, and that's the entire premise 302 00:17:38,440 --> 00:17:42,760 Speaker 1: of Problem Child. He's basically like a knockoff version of 303 00:17:42,840 --> 00:17:46,280 Speaker 1: Dennis the Menace, doing all these things to mess with 304 00:17:46,320 --> 00:17:49,440 Speaker 1: his dad, his grandpa, to any love interest that gets 305 00:17:49,440 --> 00:17:51,800 Speaker 1: in his way, and whenever he's about to do something 306 00:17:51,920 --> 00:18:01,200 Speaker 1: DVS this song plays. It's so this song always makes 307 00:18:01,240 --> 00:18:03,280 Speaker 1: me think of that movie. And sometimes I'll just get 308 00:18:03,359 --> 00:18:06,000 Speaker 1: random thoughts and just to look into my life. When 309 00:18:06,000 --> 00:18:08,000 Speaker 1: I get random thoughts, I always wonder, like, what is 310 00:18:08,000 --> 00:18:10,600 Speaker 1: the kid from Problem Child up to now? Those are 311 00:18:10,600 --> 00:18:13,040 Speaker 1: the kind of random thoughts. I have a few more 312 00:18:13,040 --> 00:18:15,280 Speaker 1: honorable mentions to run through before I get to my 313 00:18:15,359 --> 00:18:19,320 Speaker 1: final one. When I hear Natasha bedding Fields Pocket Full 314 00:18:19,320 --> 00:18:21,760 Speaker 1: of Sunshine, I immediately go to easy A. In the 315 00:18:21,800 --> 00:18:27,560 Speaker 1: shower scene, it starts with her getting a card and 316 00:18:27,600 --> 00:18:29,600 Speaker 1: this song plays every time she opens it and she's like, 317 00:18:29,640 --> 00:18:31,639 Speaker 1: I hate this song, and then by the end of it, 318 00:18:31,760 --> 00:18:34,560 Speaker 1: she's singing this song and nailing it. In the shower. 319 00:18:41,119 --> 00:18:43,240 Speaker 1: Another one I was going to mention is You Make 320 00:18:43,320 --> 00:18:54,720 Speaker 1: My Dreams Come True from Hall and Notes. That song 321 00:18:54,760 --> 00:18:57,280 Speaker 1: always makes me think of Five Days of Summer, which 322 00:18:57,320 --> 00:18:59,600 Speaker 1: came out back in two thousand and nine. I was 323 00:18:59,680 --> 00:19:01,520 Speaker 1: to prob is that movie came out in two thousand 324 00:19:01,560 --> 00:19:11,080 Speaker 1: and nine. It does not feel like that long ago. 325 00:19:11,520 --> 00:19:14,240 Speaker 1: And then I don't think my wife would be happy 326 00:19:14,280 --> 00:19:16,800 Speaker 1: if I did not mention her favorite song from her 327 00:19:16,840 --> 00:19:20,359 Speaker 1: favorite movie, because every time she hears this she basically 328 00:19:20,400 --> 00:19:32,199 Speaker 1: goes full on Bridesmaids. And then the final one I 329 00:19:32,200 --> 00:19:34,840 Speaker 1: wanted to mention actually ties into the interview we're about 330 00:19:34,840 --> 00:19:37,920 Speaker 1: to get into. And one of my favorite movies from 331 00:19:37,960 --> 00:19:41,960 Speaker 1: two thousand and seven is a movie called Disturbing starring 332 00:19:42,000 --> 00:19:45,560 Speaker 1: Shila buff and my guests coming up David Morse. And 333 00:19:45,680 --> 00:19:48,280 Speaker 1: this is the only time I've really ever heard this 334 00:19:48,359 --> 00:19:51,119 Speaker 1: song used in a movie. And it came up on 335 00:19:51,160 --> 00:19:54,399 Speaker 1: a two thousands playlist the other day, and I was 336 00:19:54,440 --> 00:19:57,480 Speaker 1: in the kitchen and I immediately started doing what he 337 00:19:57,640 --> 00:20:00,840 Speaker 1: was doing in the movie, because i' know why, Sometimes 338 00:20:00,840 --> 00:20:03,960 Speaker 1: I watch movies and I'll mimic their movements. And this 339 00:20:04,040 --> 00:20:06,600 Speaker 1: song called Lonely Day from System of a down is 340 00:20:06,640 --> 00:20:12,400 Speaker 1: playing in the background, Such a lonely day, and it's 341 00:20:12,480 --> 00:20:22,600 Speaker 1: mine the most loneliest damn my life. And it wasn't 342 00:20:22,600 --> 00:20:25,640 Speaker 1: even until I was researching this podcast and finding all 343 00:20:25,640 --> 00:20:28,720 Speaker 1: these songs to play that I realized, I've only heard 344 00:20:28,800 --> 00:20:33,320 Speaker 1: this song from this movie and it came on randomly 345 00:20:33,320 --> 00:20:35,960 Speaker 1: on that playlist, and I immediately thought of Disturb You 346 00:20:40,760 --> 00:20:48,320 Speaker 1: lones loneliest damn. And then the opportunity came up to 347 00:20:48,359 --> 00:20:50,199 Speaker 1: talk to David Morris, and I was like, I have 348 00:20:50,359 --> 00:20:52,560 Speaker 1: to ask him about Disturb You because it's one of 349 00:20:52,560 --> 00:20:55,040 Speaker 1: my favorite movies from one of my favorite years of film. 350 00:20:55,119 --> 00:20:57,920 Speaker 1: Came out back in two thousand and seven. It's about 351 00:20:58,000 --> 00:21:02,320 Speaker 1: Shila Buff's character who gets put on house arrest and 352 00:21:02,359 --> 00:21:04,720 Speaker 1: then while he's on house arrest, he's trying to find 353 00:21:04,760 --> 00:21:08,560 Speaker 1: things to occupy his time and he starts to suspect 354 00:21:08,720 --> 00:21:13,280 Speaker 1: his neighbor played by David Morris, of being a murderer 355 00:21:13,280 --> 00:21:15,320 Speaker 1: that the news is trying to find. So I'm a 356 00:21:15,320 --> 00:21:17,639 Speaker 1: bad to get into that interview with David Morse, but 357 00:21:17,720 --> 00:21:20,440 Speaker 1: the reason he's on is to talk about The Green Mile, 358 00:21:20,880 --> 00:21:24,280 Speaker 1: which came out back in and it's actually available for 359 00:21:24,280 --> 00:21:29,359 Speaker 1: the first time starting tomorrow Tuesday February on four K. 360 00:21:29,600 --> 00:21:33,040 Speaker 1: So if you want to watch this movie now completely restored, 361 00:21:33,080 --> 00:21:36,440 Speaker 1: it's available. It's a movie with an amazing cast from 362 00:21:36,480 --> 00:21:40,920 Speaker 1: Tom Hanks, Michael Clark, Duncan, Sam Rockwell, and my guest 363 00:21:41,040 --> 00:21:44,840 Speaker 1: David Morse. Also just a very powerful and emotional film. 364 00:21:44,920 --> 00:21:46,760 Speaker 1: So I want to talk to him about the emotion 365 00:21:46,840 --> 00:21:49,439 Speaker 1: that went into making this movie. So here we go 366 00:21:49,600 --> 00:21:53,000 Speaker 1: my interview with David Morse. Gonna talk to you, David, 367 00:21:53,000 --> 00:21:56,080 Speaker 1: How are you? How are you good? So we're here 368 00:21:56,080 --> 00:21:58,520 Speaker 1: to talk about The Green Mile, coming to four K 369 00:21:58,640 --> 00:22:01,080 Speaker 1: for the first time ever. When you first got the 370 00:22:01,080 --> 00:22:03,000 Speaker 1: script for The Green Mile, how did you know that 371 00:22:03,040 --> 00:22:05,639 Speaker 1: it was something special. I don't think it's one of 372 00:22:05,640 --> 00:22:08,439 Speaker 1: the things you know that as special. It just is 373 00:22:08,520 --> 00:22:13,800 Speaker 1: special because it just goes right after your heart. And 374 00:22:13,840 --> 00:22:16,400 Speaker 1: it did that for everybody who read it, and from me. 375 00:22:17,040 --> 00:22:21,560 Speaker 1: I actually hadn't read the novellas by Stephen King before that, 376 00:22:22,080 --> 00:22:24,720 Speaker 1: and then to see that that frank to everybont actually 377 00:22:24,760 --> 00:22:30,520 Speaker 1: put those things into this beautiful script. Um, that's it's 378 00:22:30,600 --> 00:22:32,800 Speaker 1: just you know, it's what you feel. It's not what 379 00:22:32,880 --> 00:22:35,320 Speaker 1: you know, it's what you feel. So on this movie. 380 00:22:35,320 --> 00:22:37,840 Speaker 1: You worked with an amazing group of actors from Tom 381 00:22:37,880 --> 00:22:41,880 Speaker 1: Hanks to Sam Rockwell, and there's it's such heavy material 382 00:22:41,880 --> 00:22:45,880 Speaker 1: while you're filming the movie. During the filming process, are 383 00:22:45,880 --> 00:22:49,119 Speaker 1: you able to kind of break in between scenes and 384 00:22:49,160 --> 00:22:51,240 Speaker 1: like hang out and have fun or the entire time? 385 00:22:51,320 --> 00:22:53,480 Speaker 1: Is it just very emotional, very heavy, not a whole 386 00:22:53,520 --> 00:22:56,480 Speaker 1: lot of interaction. Oh my gosh. You could never get 387 00:22:56,480 --> 00:22:58,800 Speaker 1: through that movie if it was heavy all the time. 388 00:22:59,119 --> 00:23:01,440 Speaker 1: And Tom Hanks make sure that it is not heavy 389 00:23:01,480 --> 00:23:05,000 Speaker 1: all the time. He's dedicated to to that. Listen. His 390 00:23:05,119 --> 00:23:08,359 Speaker 1: company is called Playtone, and it's called play Tone for 391 00:23:08,359 --> 00:23:11,439 Speaker 1: a reason. He likes to play and he likes to 392 00:23:11,600 --> 00:23:16,000 Speaker 1: make sure things are light on the set. Um. I 393 00:23:16,080 --> 00:23:21,480 Speaker 1: don't do that myself, but I try, but he succeeds. Um. 394 00:23:21,920 --> 00:23:23,760 Speaker 1: So there was. It was a pretty good feeling there 395 00:23:23,800 --> 00:23:25,959 Speaker 1: and between things. So how did he do that as 396 00:23:25,960 --> 00:23:29,240 Speaker 1: he cracking jokes? Did he like purposely messing up lines? 397 00:23:29,440 --> 00:23:32,159 Speaker 1: How did he keep the tone light? Well, you know 398 00:23:32,359 --> 00:23:34,320 Speaker 1: this heavy scene where we're all supposed to come around 399 00:23:34,320 --> 00:23:37,160 Speaker 1: the corner and all the guards go down and to 400 00:23:37,880 --> 00:23:40,119 Speaker 1: copy sell and get the camera down there and all 401 00:23:40,119 --> 00:23:43,160 Speaker 1: the cruise down to the end of there and shooting us. 402 00:23:43,160 --> 00:23:45,560 Speaker 1: We come around the corner just before they say action, 403 00:23:45,840 --> 00:23:48,160 Speaker 1: Tom says, follow me when I when I fall down, 404 00:23:48,240 --> 00:23:53,280 Speaker 1: everybody fall down, Like what, I'll just fall down. Okay. 405 00:23:53,480 --> 00:23:54,920 Speaker 1: It's like, oh my god, are we really going to 406 00:23:55,000 --> 00:23:57,600 Speaker 1: do this? And we actually we go around the corner. 407 00:23:57,640 --> 00:24:00,639 Speaker 1: We're all marching down there to copy cell. So all 408 00:24:00,760 --> 00:24:03,480 Speaker 1: sometime Ianks falls downs on the floor. It's like, okay, 409 00:24:03,520 --> 00:24:06,200 Speaker 1: here we go, and we go We're all fall down 410 00:24:06,240 --> 00:24:08,480 Speaker 1: on the floor. And of course the crew thought it 411 00:24:08,480 --> 00:24:12,159 Speaker 1: was funny. You felt like it hts But that's not like, 412 00:24:13,280 --> 00:24:16,159 Speaker 1: so when you're filming this movie, you're working as a 413 00:24:16,200 --> 00:24:19,520 Speaker 1: prison guard in the movie, are you able to like 414 00:24:19,760 --> 00:24:22,240 Speaker 1: you go home and feel like you're that character, like 415 00:24:22,320 --> 00:24:24,679 Speaker 1: you're living as a prison guard throughout the entire filming, 416 00:24:24,800 --> 00:24:27,560 Speaker 1: or you're able to switch it off and be yourself again. Well, 417 00:24:27,600 --> 00:24:30,080 Speaker 1: thank god, I don't go home and feel that every time. 418 00:24:30,119 --> 00:24:33,480 Speaker 1: But this is something I say just in terms of 419 00:24:33,480 --> 00:24:36,359 Speaker 1: the process of working, because you don't get rehearsals like 420 00:24:36,400 --> 00:24:38,600 Speaker 1: in the play. You know, you get your four weeks 421 00:24:38,600 --> 00:24:40,639 Speaker 1: of rehearsals and you get a chance to kind of 422 00:24:40,680 --> 00:24:43,760 Speaker 1: live in the characters that way. Um, you don't get 423 00:24:43,760 --> 00:24:47,600 Speaker 1: that usually movies or TV. Occasionally you do, but at 424 00:24:47,600 --> 00:24:52,600 Speaker 1: the beginning, I do feel I need to feel myself 425 00:24:52,640 --> 00:24:55,640 Speaker 1: to be as much that character as I can. And 426 00:24:56,160 --> 00:24:58,760 Speaker 1: um so when I get there, I don't. I don't. 427 00:24:59,040 --> 00:25:02,200 Speaker 1: I don't feel like liar the first day of shooting, 428 00:25:03,119 --> 00:25:07,480 Speaker 1: which sometimes I do anyway, but but you know, you 429 00:25:07,840 --> 00:25:10,520 Speaker 1: really want to believe as much as you can that 430 00:25:10,600 --> 00:25:12,959 Speaker 1: you are in that world and you are that person, 431 00:25:13,600 --> 00:25:16,080 Speaker 1: and people go out different ways. But at the beginning, 432 00:25:16,119 --> 00:25:18,720 Speaker 1: I really, I really, I feel I need to do that. 433 00:25:19,320 --> 00:25:21,920 Speaker 1: One of my other favorite films of years is Disturb YOUA. 434 00:25:22,640 --> 00:25:25,080 Speaker 1: Is it true that you actually broke a few fingers 435 00:25:25,119 --> 00:25:27,720 Speaker 1: during that fight scene with chyle A Buff I broke 436 00:25:27,760 --> 00:25:30,160 Speaker 1: a finger. I wouldn't have a few. Now it's gotten 437 00:25:30,160 --> 00:25:33,360 Speaker 1: to be a few fingers. No, I did. I did 438 00:25:33,400 --> 00:25:35,600 Speaker 1: break a finger. I didn't want to tell anybody about 439 00:25:35,600 --> 00:25:37,240 Speaker 1: it because you know, I don't want to cast on 440 00:25:37,280 --> 00:25:40,359 Speaker 1: my hand or anything. But um, I did break a finger. 441 00:25:40,680 --> 00:25:42,280 Speaker 1: So you just got through the paint of that scene 442 00:25:42,280 --> 00:25:44,679 Speaker 1: with a broken finger. I just did the rest of 443 00:25:44,680 --> 00:25:47,280 Speaker 1: the movie with a broken finger. But I have done 444 00:25:47,320 --> 00:25:49,520 Speaker 1: that before on something else where I broke a bone 445 00:25:49,520 --> 00:25:51,560 Speaker 1: in my hand. I had a conversation with a friend, 446 00:25:52,080 --> 00:25:53,960 Speaker 1: you know, my friend on my phone. I got co mad. 447 00:25:54,000 --> 00:25:56,520 Speaker 1: I punched this solid door and broke a bone in 448 00:25:56,560 --> 00:25:58,200 Speaker 1: my hand. I had to start shooting the next day, 449 00:25:58,440 --> 00:26:02,520 Speaker 1: so I was familiar with with the experience. Well, that's amazing. 450 00:26:02,560 --> 00:26:04,359 Speaker 1: It's been awesome to get to talk to you. Everybody 451 00:26:04,400 --> 00:26:07,080 Speaker 1: should go check out The Green Mile on four K. Now, 452 00:26:07,720 --> 00:26:10,639 Speaker 1: thanks for talking to me. I'm happy to talk to you. 453 00:26:10,680 --> 00:26:12,480 Speaker 1: Thanks for doing it. All right, have a good one. 454 00:26:17,119 --> 00:26:19,760 Speaker 1: I'm gonna get into a spoiler free review now. I 455 00:26:19,800 --> 00:26:21,600 Speaker 1: want to talk about Death on the Nile, which is 456 00:26:21,640 --> 00:26:24,920 Speaker 1: out in theaters now. It's a good old murder mystery 457 00:26:24,960 --> 00:26:27,720 Speaker 1: movie with a bunch of a list Hollywood actors. It's 458 00:26:27,760 --> 00:26:31,040 Speaker 1: a sequel to Murder on the Orient Express, which came 459 00:26:31,040 --> 00:26:34,720 Speaker 1: out back in You have Kenneth's brain of back starring 460 00:26:34,800 --> 00:26:37,760 Speaker 1: and directing this movie. Before I get into my review, 461 00:26:37,840 --> 00:26:41,840 Speaker 1: here's just a little bit of the trailer. Someone is dead, 462 00:26:43,600 --> 00:26:52,840 Speaker 1: the climbing His Medowa is one on you. Were you 463 00:26:52,880 --> 00:26:59,000 Speaker 1: aware of any used to getting what she wants? I 464 00:26:59,000 --> 00:27:03,160 Speaker 1: don't feel safair that. I don't feel safe with any 465 00:27:03,160 --> 00:27:07,399 Speaker 1: of them. So Kenneth Braina plays the main detective in 466 00:27:07,440 --> 00:27:11,560 Speaker 1: this movie. You also have Army Hammer, Gal Gadot, Russell Brand, 467 00:27:11,560 --> 00:27:13,840 Speaker 1: which I thought was an interesting casting choice. But the 468 00:27:14,000 --> 00:27:18,479 Speaker 1: entire movie is about Army Hammer and gal Gadot's character 469 00:27:18,640 --> 00:27:22,760 Speaker 1: who get married. But the drama comes because Army Hammer 470 00:27:22,920 --> 00:27:25,200 Speaker 1: was at the beginning of the movie engaged to gal 471 00:27:25,280 --> 00:27:30,040 Speaker 1: Gado's friend and now that friend is very angry wants 472 00:27:30,080 --> 00:27:33,119 Speaker 1: to win him back, so on their honeymoon, starts following 473 00:27:33,160 --> 00:27:37,280 Speaker 1: them around and still threatening them, but not doing anything 474 00:27:37,320 --> 00:27:39,240 Speaker 1: to the point to where they could call the police. 475 00:27:39,320 --> 00:27:44,000 Speaker 1: So instead they call upon this world class detective to 476 00:27:44,880 --> 00:27:47,639 Speaker 1: trail her and figure out what she's planning on doing. 477 00:27:47,880 --> 00:27:51,080 Speaker 1: So in efforts to escape her, they chartered this boat 478 00:27:51,160 --> 00:27:53,600 Speaker 1: that takes him out on the nile. It's only supposed 479 00:27:53,640 --> 00:27:55,840 Speaker 1: to be them on their honeymoon with their family and 480 00:27:56,119 --> 00:27:58,200 Speaker 1: you know, get away from her. The idea of being 481 00:27:58,240 --> 00:28:00,679 Speaker 1: if they're out on the water, she can't get to them. 482 00:28:00,760 --> 00:28:04,200 Speaker 1: But while they are on there, that's where the murder 483 00:28:04,240 --> 00:28:06,880 Speaker 1: happens and the story unfolds. And I love a good 484 00:28:06,920 --> 00:28:10,919 Speaker 1: who Done It movie, and I think in recent history, 485 00:28:11,200 --> 00:28:13,720 Speaker 1: Knives Out has probably done it the best. So when 486 00:28:13,760 --> 00:28:15,919 Speaker 1: talking about Death on the Nile, I'm gonna kind of 487 00:28:15,960 --> 00:28:19,640 Speaker 1: hold it to that regard because I think Knives Out 488 00:28:19,720 --> 00:28:21,639 Speaker 1: kind of had the best of both worlds of having 489 00:28:21,680 --> 00:28:25,440 Speaker 1: the great story to where watching Knives Out, I really 490 00:28:25,480 --> 00:28:28,480 Speaker 1: didn't exactly know where it was going to go and 491 00:28:28,520 --> 00:28:30,360 Speaker 1: who was going to be, And I think that's kind 492 00:28:30,359 --> 00:28:33,320 Speaker 1: of the great formula for a great murder mystery movie 493 00:28:33,359 --> 00:28:35,320 Speaker 1: where you're trying to figure out who you know did 494 00:28:35,359 --> 00:28:39,080 Speaker 1: the killing. So I hold every movie to that standard 495 00:28:39,120 --> 00:28:42,120 Speaker 1: now when it comes to Death on the Nile. Visually 496 00:28:42,120 --> 00:28:44,719 Speaker 1: it's a very fun movie to watch. I feel like 497 00:28:44,720 --> 00:28:47,680 Speaker 1: it's a little bit too c g I for me, though, 498 00:28:48,000 --> 00:28:51,360 Speaker 1: So I won't give away any details or indication of 499 00:28:51,400 --> 00:28:54,640 Speaker 1: who did it in this movie. But I don't think 500 00:28:54,680 --> 00:28:57,720 Speaker 1: it was at that same level as far as it 501 00:28:57,840 --> 00:29:00,320 Speaker 1: was the writing as good as that, I don't think so. 502 00:29:00,440 --> 00:29:01,920 Speaker 1: I think they could have made the story a little 503 00:29:01,960 --> 00:29:05,000 Speaker 1: bit stronger. And maybe that's just my inquisitive mind if 504 00:29:05,000 --> 00:29:08,480 Speaker 1: I'm thinking of all the small details, picking apart everything 505 00:29:08,520 --> 00:29:12,560 Speaker 1: they're showing, everything they're saying, and allowing that to build 506 00:29:12,640 --> 00:29:15,000 Speaker 1: up my case. So if you watch this movie, you 507 00:29:15,080 --> 00:29:16,920 Speaker 1: kind of have to watch it like a detective too, 508 00:29:17,280 --> 00:29:19,600 Speaker 1: so that part of it is fun. But with all 509 00:29:19,600 --> 00:29:22,160 Speaker 1: that said, when it comes to a great mystery, it 510 00:29:22,240 --> 00:29:24,600 Speaker 1: all comes down to the acting. And was the acting 511 00:29:24,600 --> 00:29:27,840 Speaker 1: there completely I don't think so. And you have, you know, 512 00:29:27,920 --> 00:29:30,440 Speaker 1: some pretty big actors here with gal Gado, you have 513 00:29:30,560 --> 00:29:33,240 Speaker 1: Russell Brand who is normally a comedic actor. You see 514 00:29:33,280 --> 00:29:34,840 Speaker 1: a little bit of a different side of him in 515 00:29:34,880 --> 00:29:37,280 Speaker 1: this movie. But I felt like the entire thing felt 516 00:29:37,320 --> 00:29:41,360 Speaker 1: a little bit disjointed. I felt like the story itself 517 00:29:41,480 --> 00:29:44,640 Speaker 1: maybe wasn't strong enough to make a sequel to Murder 518 00:29:44,680 --> 00:29:47,480 Speaker 1: on the Orient Express. I think they took that exact 519 00:29:47,520 --> 00:29:50,920 Speaker 1: same formula with less of the star power in the casting, 520 00:29:51,400 --> 00:29:53,000 Speaker 1: and then kind of tried to make up for it 521 00:29:53,040 --> 00:29:56,080 Speaker 1: with the special effects and all the kind of shiny 522 00:29:56,200 --> 00:29:59,040 Speaker 1: elements that they tried to do. But I think what 523 00:29:59,320 --> 00:30:02,000 Speaker 1: that was you to do was kind of high the 524 00:30:02,040 --> 00:30:04,719 Speaker 1: fact that there wasn't really a sequel here. But the 525 00:30:04,720 --> 00:30:08,040 Speaker 1: thing about it is I still enjoyed watching this movie, 526 00:30:09,280 --> 00:30:11,800 Speaker 1: and while watching it, I couldn't really decide if I 527 00:30:11,880 --> 00:30:15,040 Speaker 1: hated it or loved it, because it was kind of 528 00:30:15,080 --> 00:30:18,719 Speaker 1: just right in the middle. It's not a particularly bad movie, 529 00:30:19,400 --> 00:30:21,400 Speaker 1: but it's nothing that would inspire me to come on 530 00:30:21,480 --> 00:30:22,840 Speaker 1: and give it a review of like, you have to 531 00:30:22,880 --> 00:30:25,680 Speaker 1: go see this movie in theaters now. Even looking at 532 00:30:25,680 --> 00:30:28,840 Speaker 1: the box office numbers the opening weekend it was number one, 533 00:30:28,880 --> 00:30:32,240 Speaker 1: but with only twelve point eight million dollars. Granted it's 534 00:30:32,280 --> 00:30:34,880 Speaker 1: going up against the Super Bowl, but I still feel 535 00:30:34,880 --> 00:30:38,080 Speaker 1: like that's a pretty weak number one, So it's not 536 00:30:38,160 --> 00:30:40,240 Speaker 1: the worst thing you can go and see in theaters 537 00:30:40,360 --> 00:30:43,680 Speaker 1: right now. I do think it does have a bit 538 00:30:43,720 --> 00:30:47,280 Speaker 1: of a quality to where if you're trying to appease 539 00:30:47,360 --> 00:30:49,800 Speaker 1: a lot of people in your family, try to watch 540 00:30:49,840 --> 00:30:52,800 Speaker 1: something that everybody will enjoy. It kind of has that 541 00:30:52,880 --> 00:30:56,960 Speaker 1: appeal to where adults would like it. It's okay enough 542 00:30:57,000 --> 00:30:59,760 Speaker 1: for kids if they're fine with violence. That depends on 543 00:30:59,800 --> 00:31:02,320 Speaker 1: you know, what you want to show your kids. But 544 00:31:02,400 --> 00:31:04,120 Speaker 1: I feel like this is a movie maybe my parents 545 00:31:04,160 --> 00:31:07,080 Speaker 1: would also enjoy and understand. So if you're looking to 546 00:31:07,080 --> 00:31:09,240 Speaker 1: go to the movies for an all out family affair, 547 00:31:09,760 --> 00:31:11,800 Speaker 1: maybe look a little bit more into the rating to 548 00:31:11,800 --> 00:31:13,959 Speaker 1: see if it's fine for your younger kids. But I 549 00:31:14,000 --> 00:31:16,200 Speaker 1: thought there was nothing crazy in it that you wouldn't 550 00:31:16,200 --> 00:31:19,000 Speaker 1: see probably on regular network TV. But also, if you're 551 00:31:19,000 --> 00:31:21,280 Speaker 1: going to spend your money on something in theaters to 552 00:31:21,320 --> 00:31:23,880 Speaker 1: watch something that's kind of I really don't think it's 553 00:31:23,920 --> 00:31:26,560 Speaker 1: worth it. If I had to give it a rating, 554 00:31:26,640 --> 00:31:29,480 Speaker 1: I would give Death on the Nile three out of 555 00:31:29,600 --> 00:31:32,400 Speaker 1: five bullets. I think it's a case of where they 556 00:31:32,440 --> 00:31:34,920 Speaker 1: were really trying to sell all the stars in this movie. 557 00:31:35,360 --> 00:31:37,880 Speaker 1: They really went hard on promoting this movie. I think 558 00:31:37,920 --> 00:31:40,440 Speaker 1: every time I turned on the TV, the trailer was playing. 559 00:31:40,760 --> 00:31:43,720 Speaker 1: So unless you're really just itching for a who Donnant movie, 560 00:31:44,000 --> 00:31:46,800 Speaker 1: you can probably wait until this one comes out onto streaming. 561 00:31:51,480 --> 00:31:53,440 Speaker 1: Now it's time for the part of the podcast where 562 00:31:53,440 --> 00:31:55,960 Speaker 1: I breakdown new movie trailers of films coming to you 563 00:31:56,160 --> 00:31:59,000 Speaker 1: very soon in theaters or streaming on demand. In a 564 00:31:59,080 --> 00:32:02,360 Speaker 1: segment we like to hall, it's time to head down 565 00:32:02,440 --> 00:32:06,600 Speaker 1: to movie Mike trailor Paul And first up, I want 566 00:32:06,640 --> 00:32:10,160 Speaker 1: to talk about Elvis, which is coming out on June. 567 00:32:12,840 --> 00:32:14,960 Speaker 1: I've been curious to see how they're going to pull 568 00:32:15,000 --> 00:32:18,160 Speaker 1: this movie off, and with the first look at this trailer, 569 00:32:18,280 --> 00:32:21,120 Speaker 1: I'm both excited and a little bit worried about it. 570 00:32:21,160 --> 00:32:23,320 Speaker 1: But if you haven't seen the trailer yet for Elvis, 571 00:32:23,640 --> 00:32:25,840 Speaker 1: here's just a little bit of that. Here's the old 572 00:32:25,920 --> 00:32:30,440 Speaker 1: singer from Memphis, Tennessee. Give him a warm hay ride. Welcome, 573 00:32:32,800 --> 00:32:41,320 Speaker 1: Mr Elvis Presley get a hair cut. In that moment, 574 00:32:42,160 --> 00:32:53,760 Speaker 1: I watched that skinny boy transformed into a superhero. So 575 00:32:53,800 --> 00:32:56,320 Speaker 1: what this movie is going to be about? Of course, 576 00:32:56,360 --> 00:32:59,920 Speaker 1: it's about Elvis played by Austin Butler, and it's about 577 00:33:00,080 --> 00:33:03,640 Speaker 1: his relationship with his manager, Colonel Tom Parker played by 578 00:33:03,720 --> 00:33:07,600 Speaker 1: Tom Hanks, who looks very different in this trailer. It 579 00:33:07,600 --> 00:33:10,600 Speaker 1: looks like he has some face prosthetics. Really went all 580 00:33:10,600 --> 00:33:14,600 Speaker 1: in on this role. And why I'm excited and hesitant 581 00:33:14,600 --> 00:33:19,040 Speaker 1: about this movie is I think it looks up to 582 00:33:19,040 --> 00:33:21,840 Speaker 1: the quality that I was expecting, but it also looks 583 00:33:21,920 --> 00:33:24,440 Speaker 1: very polished, and I worry when you make a biopic 584 00:33:24,560 --> 00:33:26,720 Speaker 1: a little bit too polished that it won't get into 585 00:33:26,720 --> 00:33:29,120 Speaker 1: the nitty gritty that I really like. And I'm going 586 00:33:29,160 --> 00:33:31,720 Speaker 1: to compare this to one of my favorite music biopics, 587 00:33:31,760 --> 00:33:35,720 Speaker 1: Walk the Line, and I loved in that movie how 588 00:33:35,760 --> 00:33:38,680 Speaker 1: they showed the bad parts about Johnny Cash too. They 589 00:33:38,720 --> 00:33:41,440 Speaker 1: didn't make him out to be the biggest hero in 590 00:33:41,480 --> 00:33:44,600 Speaker 1: every aspect of his life. They showed the low moments 591 00:33:44,880 --> 00:33:48,360 Speaker 1: to make the higher moments just that much more rich. 592 00:33:49,200 --> 00:33:51,840 Speaker 1: And when it comes to somebody like Elvis. I want 593 00:33:51,840 --> 00:33:53,720 Speaker 1: to see all the bad parts too, and you see 594 00:33:53,760 --> 00:33:55,680 Speaker 1: a little bit here in the trailer, but I felt 595 00:33:55,720 --> 00:33:58,760 Speaker 1: like it looks a little bit too glamorized, a little 596 00:33:58,760 --> 00:34:01,600 Speaker 1: bit too flashy. I just hope it has a little 597 00:34:01,600 --> 00:34:03,760 Speaker 1: bit of rawness and a little bit of edge to 598 00:34:03,880 --> 00:34:08,400 Speaker 1: it to really make it a polarizing portrayal of Elvis Presley, 599 00:34:08,440 --> 00:34:10,800 Speaker 1: which I think is what we're all wanting. We haven't 600 00:34:10,800 --> 00:34:13,000 Speaker 1: really seen his story done like this on the big 601 00:34:13,000 --> 00:34:16,680 Speaker 1: screen before. One of the biggest figures in music ever, 602 00:34:16,840 --> 00:34:19,560 Speaker 1: one of the biggest icons. You have to do this 603 00:34:19,600 --> 00:34:23,080 Speaker 1: movie justice, and I think the benefit it has is 604 00:34:23,120 --> 00:34:25,920 Speaker 1: Tom Hanks is a part of it, and I know 605 00:34:26,040 --> 00:34:28,920 Speaker 1: his performance in it looks pretty strong. Austin Butler looks 606 00:34:28,960 --> 00:34:32,799 Speaker 1: like a pretty convincing Elvis Pressley. I'm just hoping the 607 00:34:32,880 --> 00:34:35,600 Speaker 1: story in it and the details they choose to leave 608 00:34:35,640 --> 00:34:38,880 Speaker 1: in live up to the expectations of what an Elvis 609 00:34:39,000 --> 00:34:43,080 Speaker 1: movie should be. But that comes out on June two 610 00:34:43,120 --> 00:34:46,200 Speaker 1: in theaters. It's going to tell his entire story and 611 00:34:46,320 --> 00:34:48,920 Speaker 1: rise to fame. I think the whole movie takes place 612 00:34:48,920 --> 00:34:51,160 Speaker 1: over twenty years, so I think it should be interesting, 613 00:34:51,840 --> 00:34:53,680 Speaker 1: So I'm excited for that one. I think it will 614 00:34:53,760 --> 00:34:56,560 Speaker 1: be pretty good just basing off this trailer, if they 615 00:34:56,560 --> 00:34:59,719 Speaker 1: get into all the good details up next. And the 616 00:34:59,760 --> 00:35:02,319 Speaker 1: trail La Park is when you probably saw during the 617 00:35:02,360 --> 00:35:05,759 Speaker 1: Super Bowl. It is from one of my favorite new directors, 618 00:35:05,840 --> 00:35:08,520 Speaker 1: Jordan Peel. And if you're watching the game and saw 619 00:35:08,560 --> 00:35:11,040 Speaker 1: this trailer, come on, you probably said what a bunch 620 00:35:11,080 --> 00:35:13,920 Speaker 1: of other people said after seeing it, was what did 621 00:35:13,960 --> 00:35:16,400 Speaker 1: I just watch? But the movie is called Nope. It 622 00:35:16,480 --> 00:35:20,359 Speaker 1: comes out on July. And here's just a little bit 623 00:35:20,400 --> 00:35:38,600 Speaker 1: of that trailer. It's a bad miracle and even in 624 00:35:38,640 --> 00:35:42,600 Speaker 1: what I played here doesn't say much and I love that. 625 00:35:43,480 --> 00:35:46,480 Speaker 1: And I was talking about movie trailers earlier, and I 626 00:35:46,520 --> 00:35:48,920 Speaker 1: think Jordan Peel does a really good job of not 627 00:35:49,080 --> 00:35:52,960 Speaker 1: telling the entire story in a trailer, and that's very 628 00:35:53,040 --> 00:35:56,640 Speaker 1: important with horror movies because you can completely give away 629 00:35:56,680 --> 00:35:59,640 Speaker 1: the entire plot. So I had already put this movie 630 00:35:59,640 --> 00:36:02,880 Speaker 1: as one of my most anticipated of this year because 631 00:36:02,920 --> 00:36:06,600 Speaker 1: I just love Jordan Peel's style, and this trailer is 632 00:36:06,600 --> 00:36:09,920 Speaker 1: a perfect example of that. I love the color in 633 00:36:09,960 --> 00:36:13,000 Speaker 1: this trailer, I love just the feeling it creates, the 634 00:36:13,120 --> 00:36:18,440 Speaker 1: mystery behind it. I think he is really modernizing what 635 00:36:18,719 --> 00:36:23,520 Speaker 1: suspenses and what horror is. And he's the only director 636 00:36:23,640 --> 00:36:27,000 Speaker 1: right now that I will watch just based on a premise, 637 00:36:27,640 --> 00:36:29,960 Speaker 1: And it's a very special thing when you can just 638 00:36:30,040 --> 00:36:33,280 Speaker 1: create a mood through a trailer that makes me excited 639 00:36:33,320 --> 00:36:36,399 Speaker 1: to see it, Like I really have no idea what 640 00:36:36,440 --> 00:36:40,239 Speaker 1: the plot points are. It's described as caretakers at a 641 00:36:40,280 --> 00:36:45,640 Speaker 1: California ranch encounter this mysterious force that affects humans and 642 00:36:45,680 --> 00:36:48,120 Speaker 1: animal behavior, and what you see in the trailer has 643 00:36:48,160 --> 00:36:50,680 Speaker 1: something to do with something coming out of the sky, 644 00:36:50,840 --> 00:36:54,000 Speaker 1: people getting ripped up into the sky. You have these 645 00:36:54,040 --> 00:36:58,760 Speaker 1: crazy inflatable wavy arms guys that they usually have outside 646 00:36:58,800 --> 00:37:02,200 Speaker 1: of car dealerships and the trailer. So I think part 647 00:37:02,239 --> 00:37:04,239 Speaker 1: of the appeal of his work and part of the 648 00:37:04,239 --> 00:37:07,840 Speaker 1: appeal of this movie is not having all the details 649 00:37:07,920 --> 00:37:10,200 Speaker 1: and going to watch this movie to fill in all 650 00:37:10,200 --> 00:37:14,759 Speaker 1: the blanks. And I think after his third film, and 651 00:37:14,800 --> 00:37:17,279 Speaker 1: he also did the screenplay for Candyman, which I really 652 00:37:17,320 --> 00:37:20,920 Speaker 1: enjoyed last year too, but after this third film, I 653 00:37:21,000 --> 00:37:23,839 Speaker 1: feel like he's gonna start working his way into my 654 00:37:23,960 --> 00:37:26,759 Speaker 1: favorite directors. Right now, I think two films is maybe 655 00:37:26,800 --> 00:37:29,839 Speaker 1: early to put him in that category. But after three 656 00:37:29,880 --> 00:37:33,160 Speaker 1: films that have been just so intriguing and so refreshing, 657 00:37:34,040 --> 00:37:36,319 Speaker 1: I think I have to mention Jordan Peele is one 658 00:37:36,360 --> 00:37:40,080 Speaker 1: of my favorite directors. And there's very few directors that 659 00:37:40,520 --> 00:37:43,640 Speaker 1: just have this stylistic approach that's just kind of a 660 00:37:43,680 --> 00:37:46,000 Speaker 1: signature that you can tell it's a project of theirs, 661 00:37:46,640 --> 00:37:48,759 Speaker 1: and he is already one of those with just two 662 00:37:48,760 --> 00:37:51,439 Speaker 1: movies under his belt. So I hope this movie does 663 00:37:51,480 --> 00:37:56,600 Speaker 1: well again. That comes out on July two, and that 664 00:37:56,640 --> 00:38:00,400 Speaker 1: has been this week's this links it to shoot a 665 00:38:00,560 --> 00:38:04,480 Speaker 1: movie law Pa. Well, there you go. That'll do it 666 00:38:04,560 --> 00:38:07,239 Speaker 1: for another episode this week. But before I hop out 667 00:38:07,239 --> 00:38:09,840 Speaker 1: of here. Every single week, what do I do? I 668 00:38:09,880 --> 00:38:11,680 Speaker 1: give a listener shout out? How do you get a 669 00:38:11,680 --> 00:38:13,560 Speaker 1: listener shout out? All you have to do is tag 670 00:38:13,600 --> 00:38:16,440 Speaker 1: me in your Instagram story just at Mike Destro. It 671 00:38:16,440 --> 00:38:18,800 Speaker 1: could be a screenshot of you listening to the episode, 672 00:38:19,040 --> 00:38:22,279 Speaker 1: a picture of your car dash, whatever you want. I 673 00:38:22,400 --> 00:38:25,160 Speaker 1: usually repost those. You can tweet me at Mike Destro. 674 00:38:25,280 --> 00:38:27,520 Speaker 1: I also have a Facebook page And if you don't 675 00:38:27,560 --> 00:38:30,040 Speaker 1: remember all this stuff, it's always in the episode notes. 676 00:38:30,719 --> 00:38:32,880 Speaker 1: One of my favorite things to get our emails you 677 00:38:32,920 --> 00:38:35,759 Speaker 1: can email me Movie Mike d at gmail dot com. 678 00:38:35,800 --> 00:38:39,000 Speaker 1: This one's actually an email from Rachel, who said, so, 679 00:38:39,040 --> 00:38:41,719 Speaker 1: I took the time to binge all of your podcasts 680 00:38:41,719 --> 00:38:44,600 Speaker 1: and I just finished today and loved them. I learned 681 00:38:44,680 --> 00:38:46,680 Speaker 1: so much and it's great to hear your point of view. 682 00:38:46,760 --> 00:38:50,160 Speaker 1: I typically don't look at reviews before watching a movie, 683 00:38:50,200 --> 00:38:52,840 Speaker 1: but I found myself saving movies you recommend to my 684 00:38:52,880 --> 00:38:57,200 Speaker 1: profile and enjoying them. Do you ever enjoy watching a 685 00:38:57,280 --> 00:39:01,560 Speaker 1: movie or you always taking no than thinking about your podcast? 686 00:39:01,880 --> 00:39:03,800 Speaker 1: Thanks Rachel for that question. I kind of feel like 687 00:39:03,840 --> 00:39:06,279 Speaker 1: it's a mixture of the two because I still don't 688 00:39:06,280 --> 00:39:09,640 Speaker 1: really consider myself a movie critic. I'm just like a 689 00:39:09,680 --> 00:39:12,239 Speaker 1: film enthusiast, and I would go watch these movies even 690 00:39:12,239 --> 00:39:15,240 Speaker 1: if I didn't have this podcast. There are some movies 691 00:39:15,280 --> 00:39:19,160 Speaker 1: that I'm just more excited to see that I don't 692 00:39:19,160 --> 00:39:21,200 Speaker 1: even think about what I'm gonna do in the review 693 00:39:21,200 --> 00:39:23,359 Speaker 1: because I just want to take the movies in. These 694 00:39:23,360 --> 00:39:26,879 Speaker 1: are usually the Marvel movies, usually horror movies that I'm 695 00:39:26,960 --> 00:39:29,840 Speaker 1: just going into watch because I would do it anyway. 696 00:39:30,360 --> 00:39:34,040 Speaker 1: There are other movies like the one I reviewed this week, 697 00:39:34,120 --> 00:39:35,839 Speaker 1: Death on the Nile, where I was just a little 698 00:39:35,840 --> 00:39:38,600 Speaker 1: bit more curious about it. I know people were talking 699 00:39:38,600 --> 00:39:41,160 Speaker 1: about it, and I wanted to be in the know 700 00:39:41,440 --> 00:39:44,160 Speaker 1: on that movie, so I went to go see it 701 00:39:44,320 --> 00:39:48,719 Speaker 1: without really any high expectations. So with that one, the 702 00:39:48,719 --> 00:39:51,200 Speaker 1: whole time, I was kind of thinking to myself, you know, 703 00:39:51,640 --> 00:39:54,000 Speaker 1: how am I going to review this without spoiling it 704 00:39:54,640 --> 00:39:57,560 Speaker 1: and kind of picking apart how I'm going to angle 705 00:39:57,680 --> 00:40:01,920 Speaker 1: my review of it for that specific movie. So sometimes 706 00:40:01,920 --> 00:40:04,760 Speaker 1: some movies do feel like work. If it's a big 707 00:40:04,800 --> 00:40:07,799 Speaker 1: movie that I know people are going to ask what 708 00:40:07,920 --> 00:40:10,200 Speaker 1: I thought about it, I will watch it. If I 709 00:40:10,239 --> 00:40:12,080 Speaker 1: do it at home, I have my phone out and 710 00:40:12,080 --> 00:40:14,080 Speaker 1: I'll be making notes at the entire time, just so 711 00:40:14,120 --> 00:40:18,240 Speaker 1: I remember certain things. But oftentimes I'll just go enjoy 712 00:40:18,280 --> 00:40:20,759 Speaker 1: a movie, and then sometimes after I get out of 713 00:40:20,800 --> 00:40:22,600 Speaker 1: the theater, I'll go to my notes top and just 714 00:40:22,680 --> 00:40:24,759 Speaker 1: kind of give my initial thoughts so I can have 715 00:40:24,800 --> 00:40:27,239 Speaker 1: that same kind of emotion when I come back and 716 00:40:27,280 --> 00:40:30,319 Speaker 1: do the review. But yes, I still enjoy movies, even 717 00:40:30,360 --> 00:40:33,520 Speaker 1: though I watch a brand new movie at least once 718 00:40:33,520 --> 00:40:35,600 Speaker 1: a week to do it here on the podcast, and 719 00:40:35,640 --> 00:40:39,560 Speaker 1: then sometimes even more. But that has been this week's episode. 720 00:40:39,600 --> 00:40:42,000 Speaker 1: You can always send me your movie questions at the 721 00:40:42,080 --> 00:40:44,920 Speaker 1: email address. I hope you have a great rest of 722 00:40:44,960 --> 00:40:47,640 Speaker 1: your week. Be sure to follow me on TikTok at 723 00:40:47,680 --> 00:40:51,000 Speaker 1: Mike Destro. You can see videos from interviews and just 724 00:40:51,200 --> 00:40:53,879 Speaker 1: other little bite sized movie content clips that I put 725 00:40:53,960 --> 00:40:56,920 Speaker 1: up there. And until next time, go out and watch 726 00:40:56,920 --> 00:40:59,359 Speaker 1: good movies and I'll talk to you later