WEBVTT - STBYM Listener Mail: The Magical Mystery Cult

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.

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<v Speaker 2>Hey you welcome to Stuff to Blow your Mind Listener Mail.

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<v Speaker 2>This is Robert Lamb.

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<v Speaker 3>And I am Joe McCormick and today as Rob I

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<v Speaker 3>think just said, we are bringing you listener mail. Of course,

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<v Speaker 3>at the end of every episode we give out our

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<v Speaker 3>email address for listeners like you to get in touch.

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<v Speaker 3>That address is contact at stuff to Blow your Mind

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<v Speaker 3>dot com. It's been a little bit since the last one,

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<v Speaker 3>so we are doing some catch up on series that

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<v Speaker 3>have been a few weeks back at this point. But yeah,

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<v Speaker 3>please keep the email coming. We do love all the

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<v Speaker 3>messages we get. We're not able to respond to everything

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<v Speaker 3>that comes into the inbox on the show itself, but

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<v Speaker 3>rest assured we do read all of it. We appreciate

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<v Speaker 3>all that we get. And again that is contact at

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<v Speaker 3>stuff to Blow your Mind dot com. Get in touch

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<v Speaker 3>anytime to let us know your thoughts about episodes we've

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<v Speaker 3>done on the show, or just to suggest something for

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<v Speaker 3>us to cover, or even just to share something interesting,

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<v Speaker 3>something you think that would tickle our fancy.

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<v Speaker 2>Yeah, you never know. Sometimes it can we can spin

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<v Speaker 2>it off into an episode and some folks also choose

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<v Speaker 2>to take part in the Discord Server for Stuff to

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<v Speaker 2>Blow your Mind and Weird House Cinema. If you would

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<v Speaker 2>like to join that discord Server, we'll just shoot us

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<v Speaker 2>an email at the aforementioned address and we'll shoot you

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<v Speaker 2>the link to join.

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<v Speaker 3>All right, well, I think we should kick things off

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<v Speaker 3>with some responses to the series we did called The Mysteries.

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<v Speaker 3>This was a collection of episodes about the mystery religions

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<v Speaker 3>or the mystery cults of the ancient Greco Roman world.

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<v Speaker 3>Let's see, Rob, Do you mind if I start with

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<v Speaker 3>this message from Hannah.

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<v Speaker 2>Yeah.

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<v Speaker 3>This message is responding to a part of the series

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<v Speaker 3>where we were talking about the general context of ancient

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<v Speaker 3>Greek and Roman polytheism, like how the cults of those

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<v Speaker 3>gods were quite a bit different from what a person

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<v Speaker 3>today might expect, especially if that person grew up in

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<v Speaker 3>culture primarily influenced by one of the big monotheisms. Some

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<v Speaker 3>of those differences were that within these ancient Greco Roman polytheisms,

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<v Speaker 3>there was generally no expectation of exclusivity in a person's

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<v Speaker 3>relationship with any one god. The main public cults were

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<v Speaker 3>not really focused on things like faith and belief, but

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<v Speaker 3>instead on rituals and sacrifices, ritual sacrifices and festivals. You know,

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<v Speaker 3>it's a party time as well, so you know, people

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<v Speaker 3>would perform rituals and sacrifices in exchange for the expectation

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<v Speaker 3>of blessings from the god in question. Another thing is

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<v Speaker 3>just how many gods there were. There were lots and

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<v Speaker 3>lots of them who could each provide blessings related to

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<v Speaker 3>different parts of human life, things like economic situations, health

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<v Speaker 3>and reproduction, specific areas of geography and geographical features. And

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<v Speaker 3>in this discussion, Rob brought up this analogy comparing the

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<v Speaker 3>religious environment to a cheesecake factory menu except which I

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<v Speaker 3>thought was a good one, except with the variation that,

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<v Speaker 3>unlike the cheesecake fact which is centrally organized, it's a chain.

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<v Speaker 3>The public cults of the ancient Greek and Roman world

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<v Speaker 3>were not centrally organized. There wasn't really like a pope

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<v Speaker 3>of Greco Roman religion to make everybody do the same thing. Instead,

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<v Speaker 3>you had lots of local cult control and even tons

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<v Speaker 3>of local gods and local variations on the worship of

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<v Speaker 3>widespread gods. And so listener Hannah gets in touch to

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<v Speaker 3>offer a contribution to this analogy, Hannah says, with subject

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<v Speaker 3>line A variety platter of deities. Hi, again, I had

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<v Speaker 3>to pause the Mystery Cult episode just to send you this.

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<v Speaker 3>The perfect metaphor for ancient polytheism isn't a cheesecake factory menu.

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<v Speaker 3>It's a local diner menu. Now that's the kind of

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<v Speaker 3>distinction I appreciate it. Let's hear Hannah's case here. Hannah says,

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<v Speaker 3>you know how some of them can be improbably long

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<v Speaker 3>because they keep adding on odds and ends or recombinations

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<v Speaker 3>of the same and green vidience. Plus, you have some

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<v Speaker 3>standard diner fair you'd expect to see almost anywhere, and

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<v Speaker 3>then in parentheses burger slash sun God maybe, plus local

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<v Speaker 3>stuff parentheses grits in the South scrapple and Pennsylvania hyperlocal

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<v Speaker 3>river God perhaps, and whatever stuff from the culture of

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<v Speaker 3>the diner owners who maybe came from elsewhere. You've probably

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<v Speaker 3>been to a Greek diner or an Italian flavored diner.

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<v Speaker 3>Maybe these are the deities brought to a region by migration,

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<v Speaker 3>trade or conquest. Anyway, thank you as always for sharing

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<v Speaker 3>the joy and light of learning and exploring ideas. Y'all

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<v Speaker 3>are life savers and now I really want to milkshake.

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<v Speaker 3>Cheers Hannah. Well, Hannah, bravo. I thoroughly approve of this analogy.

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<v Speaker 3>I think it's great.

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<v Speaker 2>Yes, our original analogy was imperfect, as sometimes our real

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<v Speaker 2>time analogies tend to be. This is a perfection of

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<v Speaker 2>the analogy, so greatly appreciate it.

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<v Speaker 3>All right, let's see Rob, you want to do this next?

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<v Speaker 3>And from Jamie. Yeah, let's see a bit of context.

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<v Speaker 3>This one brings up a couple things in the episode.

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<v Speaker 3>One is the comparisons between ancient Greco Roman mystery cults

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<v Speaker 3>and Christianity. It's long been a question in historical and

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<v Speaker 3>religious scholarship to what extent Christianity should or should not

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<v Speaker 3>be thought of as one of the mystery cults or

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<v Speaker 3>influenced by one of the mystery cults. And then the

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<v Speaker 3>other thing is just about our use of the word

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<v Speaker 3>cult in the context of ancient Greek and Roman religion,

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<v Speaker 3>where it has none of the negative connotations as today.

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<v Speaker 2>All right, then here is the email from Jamie. Dear

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<v Speaker 2>Robert and Joe. I'm enjoying the pod as always, and

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<v Speaker 2>especially the recent episode on the mystery cults of the

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<v Speaker 2>ancient world. I would have liked to hear even more,

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<v Speaker 2>not just about how Christianity may have been a kind

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<v Speaker 2>of mystery cult to begin with, but about how this

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<v Speaker 2>tradition has continued even to this day, at least in Catholicism.

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<v Speaker 2>Mysteries such as the Trinity, for example, are our essentral

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<v Speaker 2>part of faith, and one is encouraged to contemplate the

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<v Speaker 2>mysteries such as the Resurrection and Denunciation while praying the Rosary.

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<v Speaker 2>On another cult point, I liked how you pointed out

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<v Speaker 2>the call of Cthulhu version of the cultist as a

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<v Speaker 2>hooded fiend. But if you are interested in reading a

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<v Speaker 2>story that does an excellent job, in my opinion, presenting

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<v Speaker 2>Cthulhu worship as if it were a mystery cult in

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<v Speaker 2>the ancient sense, I recommend copying Squid by Michael Shae.

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<v Speaker 2>Keep up the good work, Jane.

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<v Speaker 3>Oh thanks, Jamie. Well maybe we should go in reverse

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<v Speaker 3>order here. I've only read one story ever by Michael,

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<v Speaker 3>she called The Autopsy. But that story was fantastic, so

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<v Speaker 3>I'm interested to read more. Michael Shay's a horror, horror

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<v Speaker 3>and fantasy writer.

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<v Speaker 2>Yeah, horror, fantasy, some science fiction thrown in there as well.

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<v Speaker 2>He lived nineteen forty six through twenty fourteen. One of

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<v Speaker 2>my favorite weird fiction authors. I actually got to exchange

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<v Speaker 2>a couple of like fan emails with him once. Yeah,

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<v Speaker 2>the highlight of my fan emailing career. But his Niffeline

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<v Speaker 2>fantasy tales are absolutely amazing, well worth seeking out. He

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<v Speaker 2>also wrote a number of great weird fiction tales, including

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<v Speaker 2>several that take place in the Cthulhu mythos. Coughing Squid

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<v Speaker 2>is a good one. I haven't read that one in years, though,

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<v Speaker 2>so the mystery cult aspects of it have kind of

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<v Speaker 2>faded for my recollection. But this one is collected in

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<v Speaker 2>a collection that I have demiurge, the Complete Cthulhu Mythos Tales.

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<v Speaker 2>That one also includes fat Face, which is one of

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<v Speaker 2>his better known stories. And yeah, the Autopsy, as you mentioned, Yeah,

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<v Speaker 2>that is another really well known Shay story. That one

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<v Speaker 2>was adapted into an episode of Germeal de Toro's Cabinet

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<v Speaker 2>of Curiosity, that one directed by David Pryor.

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<v Speaker 3>Now I wonder in what sense Jamie means Coping Squid

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<v Speaker 3>is about Cuthulhu worship as an actual mystery cult in

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<v Speaker 3>the historical sense. Does that mean that it relies on

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<v Speaker 3>secret knowledge. I mean, I guess the grit knowledge is

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<v Speaker 3>sort of already there in the original story. Maybe that

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<v Speaker 3>it's more about the experience of the initiate like that, Yeah,

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<v Speaker 3>the core part.

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<v Speaker 2>I think. So there are there are two different Michael

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<v Speaker 2>she myth those stories that are kind of combined in

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<v Speaker 2>my memory, and I really need to revisit them to

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<v Speaker 2>tease them apart. But I have a vague recollection of

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<v Speaker 2>a story that is very much from the the cultest

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<v Speaker 2>or would be cultest point of view, you know, beginning

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<v Speaker 2>to have this initiation into the sacred rights of Cuthula.

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<v Speaker 3>That's actually a great idea for a story, given the

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<v Speaker 3>like historical knowledge we have now about what the initiation

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<v Speaker 3>process was. Probably, like I'm thinking specifically of the Eleusinian mysteries,

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<v Speaker 3>where there's this idea that you know, everyone would have

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<v Speaker 3>been told that it's a you know, it's a really

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<v Speaker 3>powerful experience, it'll change your life, it'll let you go

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<v Speaker 3>without a burden into the into the underworld at the

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<v Speaker 3>time of death. And so you've heard all this good

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<v Speaker 3>stuff about it, but people can't tell you what it is. Yeah,

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<v Speaker 3>and so like what if you get there and the

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<v Speaker 3>truth of what the experience is is quite horrifying. But

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<v Speaker 3>then for some reason you have to keep go telling

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<v Speaker 3>people like, yeah, it's great, you got to go, and yeah.

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<v Speaker 2>I really need to read these stories again, because again,

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<v Speaker 2>Michael Shay is terrific. He is one of those authors

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<v Speaker 2>that I will I keep coming back to and I'll

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<v Speaker 2>just figure out is well, what's a story of his

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<v Speaker 2>that I'm very fond of, but I've also forgotten most

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<v Speaker 2>off and then it's time to dive back in.

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<v Speaker 3>Now coming back to the first half of Jamie's email

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<v Speaker 3>about the comparisons between Christianity and mystery cults, for one thing,

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<v Speaker 3>extending into the comparisons of modern Christianity to mystery cults.

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<v Speaker 3>There's actually a significant part of the book. One of

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<v Speaker 3>the main sources we talked about in that series, the

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<v Speaker 3>book by Hugh Boden Mystery Cults in the Ancient World.

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<v Speaker 3>But yeah, so Boden toward the end of the book

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<v Speaker 3>has a long section in which you makes some pretty

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<v Speaker 3>strong comparisons between what we know about the experience of

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<v Speaker 3>being in an ancient mystery cult, and not so much

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<v Speaker 3>with Catholicism but with certain Pentecostal forms of Christianity. Specifically

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<v Speaker 3>like the ecstatic snake handling cults of Appalachia. But as

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<v Speaker 3>to the broader question of Christianity and mystery cults, it

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<v Speaker 3>is interesting, like there have long been these questions, like

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<v Speaker 3>to what extent does the Christian practice of baptism constitute

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<v Speaker 3>and initiation ritual is the Eucharist, like the ritual taking

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<v Speaker 3>of bread and wine as the body and blood of Christ?

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<v Speaker 3>Is that a mystery practice? Also questions about whether Christianity

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<v Speaker 3>began as something more like the other mystery religions or

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<v Speaker 3>was influenced by them and then maybe drifted away to

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<v Speaker 3>become a more doctrinal cult. But I think a lot

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<v Speaker 3>of scholars now kind of disagree with that interpretive lens

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<v Speaker 3>because specifically the idea that Christianity was strongly influenced by

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<v Speaker 3>the mystery cults or began as a mystery cult. And

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<v Speaker 3>I think one of the main reasons a lot of

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<v Speaker 3>historians have turned against that is that that kind of

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<v Speaker 3>under the particular features of Judaism as a foundational influence

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<v Speaker 3>on Christianity. And it's fair to point out that there

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<v Speaker 3>is a lot we don't know about the early years

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<v Speaker 3>of Christianity and its origins, but of course, that cuts

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<v Speaker 3>both ways against all interpretations, but based on what we

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<v Speaker 3>do know, I think the best interpretation of the origin

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<v Speaker 3>of Christianity is that it began as an apocalyptic movement

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<v Speaker 3>within Judaism, which was focused on the idea that the

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<v Speaker 3>Jewish God would soon come down to destroy wickedness, invert

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<v Speaker 3>existing power relationships like overthrow Roman control and so forth,

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<v Speaker 3>and establish a good, just kingdom on earth, sort of

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<v Speaker 3>right all wrongs. And then as early Christians tried to

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<v Speaker 3>make sense of the death and then their belief in

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<v Speaker 3>the resurrection of their leader, Jesus of Nazareth. And then

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<v Speaker 3>also as the story of Jesus began to spread among

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<v Speaker 3>Greek and Roman polytheists rather than only among Jews, it

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<v Speaker 3>morphed into a religion of individual salvation, being not about

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<v Speaker 3>the fact that God would soon come to earth and

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<v Speaker 3>set things right, but about the idea that you need

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<v Speaker 3>to set yourself right with God by accepting the saving

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<v Speaker 3>sacrifice of Christ. But again, there's a lot we don't

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<v Speaker 3>know about the early years of Christianity with great confidence,

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<v Speaker 3>so it's hard to be too sure about any particular

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<v Speaker 3>story of how it evolved. However, there is an interesting

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<v Speaker 3>vocabulary fact that I don't think we talked about in

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<v Speaker 3>the episode Rob let me know if we did get

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<v Speaker 3>into this, and I'm forgetting. But it's the idea of

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<v Speaker 3>the early Christian use of the Greek word mysterion, which

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<v Speaker 3>is often used to refer to the mystery the initiation rights,

0:12:39.960 --> 0:12:43.800
<v Speaker 3>the secret initiation rights of cults, like the Elusinian mysteries.

0:12:44.520 --> 0:12:49.079
<v Speaker 3>The word mysterion does appear in early Christian texts such

0:12:49.120 --> 0:12:51.760
<v Speaker 3>as the Gospels and in some of the epistles in

0:12:51.800 --> 0:12:55.640
<v Speaker 3>the New Testament, where it seems in this context it's

0:12:55.760 --> 0:13:00.280
<v Speaker 3>used not to refer to initiation rights. Instead, mysterion here

0:13:00.400 --> 0:13:05.400
<v Speaker 3>is always used to refer to secret knowledge, generally hidden

0:13:05.480 --> 0:13:09.680
<v Speaker 3>knowledge that has been revealed in secret to a privileged group.

0:13:09.840 --> 0:13:13.160
<v Speaker 3>So one example is like when Jesus is telling the

0:13:13.200 --> 0:13:16.760
<v Speaker 3>parable of the Sower in the Gospel of Mark. Apparently

0:13:16.800 --> 0:13:20.079
<v Speaker 3>in the Greek there is invocation of the word mysterion there,

0:13:20.280 --> 0:13:25.199
<v Speaker 3>referring to the secret interpretation of the parable that Jesus

0:13:25.240 --> 0:13:28.640
<v Speaker 3>gives only to his inner circle of disciples, so that

0:13:28.760 --> 0:13:32.000
<v Speaker 3>the masses only sort of hear the parable and puzzle

0:13:32.080 --> 0:13:33.959
<v Speaker 3>what to make of it. But then there is a

0:13:35.040 --> 0:13:38.120
<v Speaker 3>secret knowledge, a sort of secret reading of the parable

0:13:38.760 --> 0:13:41.640
<v Speaker 3>that is given to his inner circle. So that's how

0:13:41.679 --> 0:13:44.840
<v Speaker 3>the word mysterion is used in early Christian writings from

0:13:44.840 --> 0:13:48.920
<v Speaker 3>the first and second centuries CE, but then a few

0:13:48.960 --> 0:13:52.160
<v Speaker 3>centuries later, I think it's by like the fourth century CE.

0:13:52.640 --> 0:13:55.760
<v Speaker 3>Boden says, this is happening. The word mysterion is now

0:13:55.800 --> 0:14:00.760
<v Speaker 3>just commonly used to refer to Christian ritual like the

0:14:00.800 --> 0:14:06.480
<v Speaker 3>Eucharist or baptism, and there has been scholarly debate about why,

0:14:06.640 --> 0:14:10.280
<v Speaker 3>like why is the word mysterion used here. Some think

0:14:10.360 --> 0:14:14.280
<v Speaker 3>that it's like the influence of Greek and Roman polytheism. Basically,

0:14:14.320 --> 0:14:16.400
<v Speaker 3>it's like, you know, taking a word from one religious

0:14:16.400 --> 0:14:19.960
<v Speaker 3>context and applying it to the new dominant religion where

0:14:20.000 --> 0:14:23.560
<v Speaker 3>it once referred to these rituals. But Boden actually makes

0:14:23.600 --> 0:14:27.480
<v Speaker 3>an argument that this application of the word mystery on

0:14:27.560 --> 0:14:32.360
<v Speaker 3>to something like the Eucharist is it reflects, in his view,

0:14:32.520 --> 0:14:37.080
<v Speaker 3>an understanding that the Christians had at the time that

0:14:37.200 --> 0:14:41.800
<v Speaker 3>the rituals were forms of secret knowledge. So it's more

0:14:42.400 --> 0:14:44.640
<v Speaker 3>in keeping with the way the word is used in

0:14:44.680 --> 0:14:47.920
<v Speaker 3>the early Christian texts, like forms of secret knowledge that

0:14:48.000 --> 0:14:52.200
<v Speaker 3>are now revealed, So you know, the secret of baptism

0:14:52.240 --> 0:14:55.320
<v Speaker 3>and the Eucharist that was previously known only to God

0:14:55.400 --> 0:14:57.880
<v Speaker 3>and perhaps to some of the prophets, but now these

0:14:57.960 --> 0:15:01.920
<v Speaker 3>rituals are known to all Christians, have been revealed by Jesus.

0:15:01.960 --> 0:15:04.000
<v Speaker 3>It is a secret that has been that you have

0:15:04.080 --> 0:15:06.840
<v Speaker 3>been brought in on. And of course, Uh, there is

0:15:07.480 --> 0:15:12.280
<v Speaker 3>the long running question of comparisons between baptism and UH

0:15:12.320 --> 0:15:16.840
<v Speaker 3>and various forms of cultic initiation, including initiation to the

0:15:16.880 --> 0:15:21.000
<v Speaker 3>mystery cults. Uh. This could well be a legitimate sort

0:15:21.040 --> 0:15:25.000
<v Speaker 3>of common growth or or you know, a legitimate comparison here.

0:15:25.240 --> 0:15:28.680
<v Speaker 3>But of course it's worth pointing out that baptism predates Christianity,

0:15:28.680 --> 0:15:31.640
<v Speaker 3>and that's not even a controversial fact even among Christians.

0:15:31.680 --> 0:15:34.440
<v Speaker 3>Like you know, Jesus was baptized by John the Baptist.

0:15:34.480 --> 0:15:37.479
<v Speaker 3>It's it was a pre existing practice, right right.

0:15:37.720 --> 0:15:41.920
<v Speaker 2>I can I can see that, basing it for in

0:15:41.960 --> 0:15:46.120
<v Speaker 2>part just on my own experience, like baptism as a child. Uh,

0:15:46.160 --> 0:15:49.640
<v Speaker 2>it's uh, you know, it's it's there are mysteries involved,

0:15:49.680 --> 0:15:52.560
<v Speaker 2>it's it's it's kind of frightful, like you're you have

0:15:52.600 --> 0:15:54.720
<v Speaker 2>to go in the back of the church and go

0:15:54.760 --> 0:15:56.880
<v Speaker 2>through like secret chambers. They're not really secret, but they

0:15:56.880 --> 0:16:00.320
<v Speaker 2>felt kind of secret. You have to like wear awn

0:16:00.440 --> 0:16:02.720
<v Speaker 2>over your swimsuit and then go into a like a

0:16:02.800 --> 0:16:05.960
<v Speaker 2>walk in bathtub with a master it's you know, and

0:16:06.000 --> 0:16:10.560
<v Speaker 2>then you're dunked. It was. It was a weird, memorable experience.

0:16:11.680 --> 0:16:13.840
<v Speaker 3>Yeah, though, as you know, we talked about, I think

0:16:13.880 --> 0:16:16.000
<v Speaker 3>a little bit in the episode, the idea that there

0:16:16.040 --> 0:16:19.320
<v Speaker 3>may have been some ways rituals were done earlier in

0:16:19.440 --> 0:16:22.600
<v Speaker 3>Christianity that tended to be more in the imagistic religious

0:16:22.680 --> 0:16:25.080
<v Speaker 3>fashion that became more doctrinal as.

0:16:24.960 --> 0:16:25.520
<v Speaker 2>Time went on.

0:16:25.600 --> 0:16:28.640
<v Speaker 3>That might not be always true in every case, but

0:16:28.800 --> 0:16:31.280
<v Speaker 3>in some certain cases it is. And I think baptism

0:16:31.400 --> 0:16:34.640
<v Speaker 3>might be a good point there, because it could well

0:16:34.680 --> 0:16:38.000
<v Speaker 3>be that baptism was something that was initially meant as

0:16:38.360 --> 0:16:42.240
<v Speaker 3>a much more overwhelming, powerful emotional experience, and then it

0:16:42.320 --> 0:16:45.360
<v Speaker 3>transitioned into something that people did with infants where you're

0:16:45.400 --> 0:16:47.960
<v Speaker 3>not even really going to have an experiential memory of it.

0:16:48.160 --> 0:16:52.320
<v Speaker 3>So yeah, there's less emphasis on the overwhelming emotional experience

0:16:52.360 --> 0:16:54.080
<v Speaker 3>and encounter with the power of God.

0:16:54.680 --> 0:16:56.920
<v Speaker 2>Yeah. Yeah, And of course walk in bathtubs came later

0:16:56.960 --> 0:16:57.600
<v Speaker 2>as well.

0:16:57.680 --> 0:17:00.320
<v Speaker 3>Right, Yes, but as your story points out, of course,

0:17:00.360 --> 0:17:03.240
<v Speaker 3>I mean even later Christians and modern Christians still do

0:17:03.280 --> 0:17:06.080
<v Speaker 3>adult baptism, not just infant baptism. You know, it's just,

0:17:06.320 --> 0:17:09.200
<v Speaker 3>you know, there there are different theological points of view

0:17:09.240 --> 0:17:09.520
<v Speaker 3>on that.

0:17:10.000 --> 0:17:11.919
<v Speaker 2>Clearly we could come back at some later date and

0:17:11.960 --> 0:17:15.560
<v Speaker 2>do an entire episode on baptism and baptism related rites.

0:17:15.840 --> 0:17:19.000
<v Speaker 2>Oh yeah, absolutely, all right, I'm gonna read the next

0:17:19.000 --> 0:17:21.320
<v Speaker 2>one since, uh, since you had a long response to

0:17:21.320 --> 0:17:23.159
<v Speaker 2>that last one, give you, We'll give you a break.

0:17:23.640 --> 0:17:25.920
<v Speaker 2>This one's This one comes to us from Josh, also

0:17:25.920 --> 0:17:29.760
<v Speaker 2>a response to the Mystery Cults, specifically to part three. Uh.

0:17:29.800 --> 0:17:31.880
<v Speaker 2>I don't remember which part three really was, but I'm

0:17:31.880 --> 0:17:39.000
<v Speaker 2>sure the email will get into it, so Josh says, Hi,

0:17:39.280 --> 0:17:43.000
<v Speaker 2>Joe Robert at all. Listening to the Mysteries Part three,

0:17:43.200 --> 0:17:45.439
<v Speaker 2>one of you mentioned eating in the Spirit Realm in

0:17:45.440 --> 0:17:49.080
<v Speaker 2>connection with Cora and Hades. I made an immediate connection

0:17:49.200 --> 0:17:51.919
<v Speaker 2>to one of my favorite films, Spirited Away, which seems

0:17:51.920 --> 0:17:55.240
<v Speaker 2>to have the opposite physics. To Heroes parents were turned

0:17:55.240 --> 0:17:58.800
<v Speaker 2>into pigs, but they had eaten the food for the spirits,

0:17:58.800 --> 0:18:01.320
<v Speaker 2>and thus it was a punished whereas to hero herself

0:18:01.680 --> 0:18:04.560
<v Speaker 2>had to eat from the Spirit realm food in order

0:18:04.600 --> 0:18:08.000
<v Speaker 2>to avoid fading. Out of existence as far as the

0:18:08.040 --> 0:18:11.600
<v Speaker 2>mysteries themselves are concerned. The totality of the descriptions led

0:18:11.600 --> 0:18:14.399
<v Speaker 2>me to wonder if they were what would now be

0:18:14.440 --> 0:18:18.480
<v Speaker 2>considered a magic show. Obviously, if viewers did partake in

0:18:18.600 --> 0:18:22.359
<v Speaker 2>an hallucinogenic substance, it would certainly have heightened the experience.

0:18:22.880 --> 0:18:26.600
<v Speaker 2>If the rights were magic tricks, you wouldn't want outsiders

0:18:26.640 --> 0:18:30.120
<v Speaker 2>copying them because of competition, but also a poor reenactment

0:18:30.400 --> 0:18:34.000
<v Speaker 2>would possibly ruin the magic by exposing the trick.

0:18:34.240 --> 0:18:37.280
<v Speaker 3>I think that's a good point, and I don't. Yeah,

0:18:37.520 --> 0:18:40.800
<v Speaker 3>a lot clearly a lot of theatricality was involved could

0:18:40.840 --> 0:18:43.320
<v Speaker 3>well extend to like sleight of hand or other types

0:18:43.359 --> 0:18:43.760
<v Speaker 3>of tricks.

0:18:43.840 --> 0:18:45.760
<v Speaker 2>Yeah, yeah, I mean we got into this a little

0:18:45.760 --> 0:18:49.480
<v Speaker 2>bit with Glicon too. Like the criticism of glic On

0:18:49.880 --> 0:18:53.240
<v Speaker 2>the Serpent God was that it was a like an

0:18:53.280 --> 0:18:56.000
<v Speaker 2>obvious puppet, and you know, they might have had an

0:18:56.000 --> 0:18:59.000
<v Speaker 2>ax to grind, as we discussed, but we might read

0:18:59.040 --> 0:19:01.600
<v Speaker 2>into that that like, yeah, whatever your tricks are, they

0:19:01.640 --> 0:19:05.600
<v Speaker 2>need to be convincing. But then again, are your tricks

0:19:05.600 --> 0:19:09.360
<v Speaker 2>going to be convincing to someone who doesn't like, willingly

0:19:09.840 --> 0:19:12.280
<v Speaker 2>want to believe and be you know, wowed. I can

0:19:12.359 --> 0:19:15.080
<v Speaker 2>imagine some folks just coming into the mystery cults and like,

0:19:15.240 --> 0:19:17.800
<v Speaker 2>do you not want to be converted? Do you not

0:19:17.960 --> 0:19:21.280
<v Speaker 2>want to have a revelation about the nature of the universe?

0:19:21.800 --> 0:19:23.719
<v Speaker 2>You just want to point at things and accuse them

0:19:23.720 --> 0:19:24.879
<v Speaker 2>of being puppets? You know.

0:19:24.920 --> 0:19:27.720
<v Speaker 3>I still think we never got an answer on the

0:19:27.800 --> 0:19:29.960
<v Speaker 3>question I had about like what was the spirit of

0:19:30.000 --> 0:19:33.040
<v Speaker 3>the criticism of the puppet, Like, was it a problem

0:19:33.080 --> 0:19:35.800
<v Speaker 3>that it's a puppet? Because in the religious context here

0:19:35.840 --> 0:19:38.600
<v Speaker 3>you've got cult statues for most cults, so it's not

0:19:38.640 --> 0:19:42.159
<v Speaker 3>like it's a problem to have a physical representation of

0:19:42.200 --> 0:19:45.920
<v Speaker 3>the God that's not literally the God's body. So what's

0:19:45.960 --> 0:19:48.600
<v Speaker 3>the Was it an issue of taste? Did they not

0:19:48.800 --> 0:19:51.560
<v Speaker 3>like that the puppet was animated? I don't know, Like,

0:19:51.920 --> 0:19:53.960
<v Speaker 3>I think we never quite got to the bottom of like,

0:19:54.040 --> 0:19:56.600
<v Speaker 3>what was it about the fact that it's a puppet

0:19:57.040 --> 0:19:58.440
<v Speaker 3>that is so bad?

0:19:58.680 --> 0:20:00.960
<v Speaker 2>Yeah? I mean, there are lots of bits in churches

0:20:01.520 --> 0:20:04.920
<v Speaker 2>Protestant churches today and have been for decades. Christian puppetry

0:20:05.440 --> 0:20:07.360
<v Speaker 2>the whole realm unto itself.

0:20:07.720 --> 0:20:09.760
<v Speaker 3>But then you had the other side where you had

0:20:09.800 --> 0:20:13.199
<v Speaker 3>like the Christian writers just trying to spoil it for people, yeah, saying, like,

0:20:13.480 --> 0:20:16.600
<v Speaker 3>what really happens in the Secret Temple is that they

0:20:16.600 --> 0:20:17.680
<v Speaker 3>have sex in there.

0:20:19.560 --> 0:20:21.879
<v Speaker 2>All right. Well, Josh continues here and says in terms

0:20:21.920 --> 0:20:25.479
<v Speaker 2>of the idea that it may just be copulation or

0:20:25.520 --> 0:20:28.440
<v Speaker 2>some other such mondanity. If they had managed to make

0:20:28.480 --> 0:20:31.800
<v Speaker 2>a non lethal hallucinogen, and if that was not available

0:20:31.840 --> 0:20:35.040
<v Speaker 2>to the masses, anything they showed the initiates would have

0:20:35.119 --> 0:20:37.560
<v Speaker 2>been impressive. Maybe it was just the first black light

0:20:37.720 --> 0:20:43.760
<v Speaker 2>art accompanied by Rosius Floyd's Dark Side of Luna's That's cute. Nice.

0:20:44.000 --> 0:20:47.360
<v Speaker 2>As for Christmas, in the Netherlands, we have center Class,

0:20:47.800 --> 0:20:51.600
<v Speaker 2>which is the Saint's birthday, not Jesus's. Families do a

0:20:51.720 --> 0:20:54.320
<v Speaker 2>sort of secret Sannah where they give gifts which are

0:20:54.320 --> 0:20:57.320
<v Speaker 2>accompanied by a poem written by the giver about the

0:20:57.359 --> 0:21:00.159
<v Speaker 2>receiver from the point of view of the Saint. So,

0:21:00.320 --> 0:21:03.280
<v Speaker 2>even while believing in the authenticity of the living Saint,

0:21:03.359 --> 0:21:06.320
<v Speaker 2>children still pretend to be him and use their knowledge

0:21:06.320 --> 0:21:09.800
<v Speaker 2>of the recipient to further the illusion of the saints' omniscience.

0:21:10.200 --> 0:21:13.560
<v Speaker 2>They are simultaneously on both sides of the farce.

0:21:14.000 --> 0:21:14.760
<v Speaker 3>That's interesting.

0:21:14.800 --> 0:21:16.720
<v Speaker 2>I didn't know that. I like that, I like I

0:21:16.760 --> 0:21:18.600
<v Speaker 2>say I think I talked a little bit about Santa

0:21:18.600 --> 0:21:20.960
<v Speaker 2>Claus and these episodes as well, and I feel my

0:21:21.040 --> 0:21:23.399
<v Speaker 2>own take is like, that's the comfortable space to be

0:21:23.560 --> 0:21:26.959
<v Speaker 2>in with some sort of a right like this, you know,

0:21:27.359 --> 0:21:31.439
<v Speaker 2>to acknowledge the illusion but also embrace the illusion and

0:21:31.800 --> 0:21:34.040
<v Speaker 2>have that middle space for a kind of like the

0:21:34.080 --> 0:21:38.800
<v Speaker 2>mythic Yeah. Anyway, Josh says, thanks for the intellectual stimulation.

0:21:39.200 --> 0:21:43.440
<v Speaker 2>Cheers Josh. By the way, speaking of gods and goddesses

0:21:43.560 --> 0:21:48.040
<v Speaker 2>and cults and mystery cults and so forth, I want

0:21:48.080 --> 0:21:51.399
<v Speaker 2>to give a quick shout out to a product that

0:21:51.440 --> 0:21:53.720
<v Speaker 2>I've really been enjoying recently. This is not a sponsor.

0:21:54.280 --> 0:21:57.320
<v Speaker 2>This is just something I like that it looks like

0:21:57.520 --> 0:22:00.520
<v Speaker 2>like not enough people have heard about. It only came

0:22:00.520 --> 0:22:03.480
<v Speaker 2>out a few months back. It's called Deifi, a mythical

0:22:03.520 --> 0:22:08.480
<v Speaker 2>solo role playing game by Alison de' antonio, and it's

0:22:08.480 --> 0:22:11.439
<v Speaker 2>really good. Like it is essentially, it's a game you

0:22:11.480 --> 0:22:14.800
<v Speaker 2>play by yourself, but it's also heavily based in like

0:22:14.880 --> 0:22:17.480
<v Speaker 2>creative writing prompts, and you use a tarot deck to

0:22:17.880 --> 0:22:21.199
<v Speaker 2>decide like what's happening as you follow the path of

0:22:21.240 --> 0:22:25.520
<v Speaker 2>a god or goddess from their emergence, you know, through

0:22:25.560 --> 0:22:29.880
<v Speaker 2>their prime years into their decline along the way, sort

0:22:29.880 --> 0:22:32.880
<v Speaker 2>of like navigating what's happening between the gods and also

0:22:32.920 --> 0:22:35.159
<v Speaker 2>what's happening with the earthly following below.

0:22:35.560 --> 0:22:37.359
<v Speaker 3>Oh interesting, So.

0:22:37.400 --> 0:22:39.280
<v Speaker 2>Check that out. If that sounds interesting to you, check

0:22:39.280 --> 0:22:42.200
<v Speaker 2>it out. You can buy this book anywhere you get books.

0:22:42.680 --> 0:22:45.080
<v Speaker 2>I'm just personally enjoying it a lot right now.

0:22:52.880 --> 0:22:55.280
<v Speaker 3>All right, maybe let's move on to this email from

0:22:55.400 --> 0:22:58.239
<v Speaker 3>Jeff about an episode you did, Rob that was an

0:22:58.280 --> 0:23:00.000
<v Speaker 3>interview with an author about Douglas Adam.

0:23:00.760 --> 0:23:03.399
<v Speaker 2>Yeah, the episode in question was twenty twenty three's The

0:23:03.440 --> 0:23:07.159
<v Speaker 2>Mind of Douglas Adams with Kevin John Davies. Davies wrote

0:23:07.359 --> 0:23:10.640
<v Speaker 2>a book titled The Wildly Improbable Ideas of Douglas Adams,

0:23:11.680 --> 0:23:15.000
<v Speaker 2>detailing you know, a lot about the mind and the

0:23:15.040 --> 0:23:17.040
<v Speaker 2>life of the author who gave us The Hitchhiker's Guide

0:23:17.080 --> 0:23:20.200
<v Speaker 2>to the Galaxy. It was a fun little chat talking

0:23:20.200 --> 0:23:22.800
<v Speaker 2>about Adams, talking about Doctor Who, as well as some

0:23:22.840 --> 0:23:26.800
<v Speaker 2>other related classic science fiction and as is essential here

0:23:27.280 --> 0:23:31.000
<v Speaker 2>some video games that were related to the Hitchhikers world

0:23:31.080 --> 0:23:33.800
<v Speaker 2>and some of the other worlds of Douglas Adams and

0:23:33.840 --> 0:23:35.320
<v Speaker 2>his involvement in those games.

0:23:35.960 --> 0:23:38.879
<v Speaker 3>That's right, So Jeff says, Hey, guys, I found this

0:23:39.240 --> 0:23:41.080
<v Speaker 3>unsent in my drafts folder.

0:23:43.480 --> 0:23:46.320
<v Speaker 2>That's where the angry emails usually end up, right. They're like, oh,

0:23:46.359 --> 0:23:48.480
<v Speaker 2>I wisely decided not to send this one.

0:23:48.880 --> 0:23:53.160
<v Speaker 3>How dare you? So Jeff goes on to say, maybe

0:23:53.200 --> 0:23:55.800
<v Speaker 3>not so useful for the show, given the delayed response

0:23:55.840 --> 0:23:58.520
<v Speaker 3>to a Vault episode and even more digression than normal,

0:23:58.560 --> 0:24:01.879
<v Speaker 3>But I thought you two might be personal interested anyway, Jeff,

0:24:02.000 --> 0:24:05.360
<v Speaker 3>much to your surprise, here we are here, we are now.

0:24:05.440 --> 0:24:08.240
<v Speaker 3>Jeff did have responses to a few other episodes, but

0:24:08.280 --> 0:24:10.800
<v Speaker 3>we're skipping ahead to the response to Douglas Adams here,

0:24:11.320 --> 0:24:14.679
<v Speaker 3>Jeff says, regarding the Vault episode about Douglas Adams, I

0:24:14.920 --> 0:24:18.520
<v Speaker 3>played the Hitchhiker's Guide to the Galaxy Interactive Fiction game

0:24:18.560 --> 0:24:23.320
<v Speaker 3>back in the day, and it was indeed maddening. It

0:24:23.400 --> 0:24:27.439
<v Speaker 3>would lie to you at one point spoiler alert for

0:24:27.480 --> 0:24:30.600
<v Speaker 3>a forty year old game. You needed to impress an

0:24:30.680 --> 0:24:34.760
<v Speaker 3>AI screening device before it considered you worthy to access

0:24:34.800 --> 0:24:39.639
<v Speaker 3>a specific area. You had to show it something intellectually challenging.

0:24:40.200 --> 0:24:43.800
<v Speaker 3>The solution was to show it that you simultaneously possessed

0:24:43.840 --> 0:24:48.640
<v Speaker 3>both T and no ta. The only way to achieve

0:24:48.720 --> 0:24:51.760
<v Speaker 3>this was to go into your own mind and remove

0:24:51.840 --> 0:24:55.160
<v Speaker 3>your common sense, after which you could easily pick up

0:24:55.320 --> 0:24:59.080
<v Speaker 3>no tea while you had some tea in your inventory.

0:25:00.320 --> 0:25:02.600
<v Speaker 3>And Jeff, I sympathize. Part of the reason I wanted

0:25:02.600 --> 0:25:05.359
<v Speaker 3>to respond to this email despite your warnings was that

0:25:05.480 --> 0:25:07.920
<v Speaker 3>I also, when I was younger, played the Hitchhiker's Guide

0:25:07.960 --> 0:25:11.040
<v Speaker 3>to the Galaxy game, which was a if you never

0:25:11.359 --> 0:25:13.359
<v Speaker 3>played a game of this sort, it was kind of

0:25:13.359 --> 0:25:16.120
<v Speaker 3>like the Zork game. It was like text based adventure

0:25:16.119 --> 0:25:18.199
<v Speaker 3>game where you would type command so like you know,

0:25:18.320 --> 0:25:22.160
<v Speaker 3>open mailbox, pick up letter, use key, things like that,

0:25:23.280 --> 0:25:26.760
<v Speaker 3>and oh boy, this one. I never made it to

0:25:26.840 --> 0:25:30.119
<v Speaker 3>whatever situation you're talking about here. I got killed, just

0:25:30.240 --> 0:25:33.400
<v Speaker 3>over and over and over again. Much earlier in the game.

0:25:33.680 --> 0:25:36.639
<v Speaker 3>I would always get destroyed, like right in the initial invasion,

0:25:36.760 --> 0:25:38.600
<v Speaker 3>the Martians would come in, or I don't know if

0:25:38.640 --> 0:25:41.080
<v Speaker 3>they were martians, the aliens would come in and bulldoze

0:25:41.080 --> 0:25:41.400
<v Speaker 3>my house.

0:25:41.400 --> 0:25:41.720
<v Speaker 2>I could.

0:25:42.119 --> 0:25:43.680
<v Speaker 3>It took me forever to figure out how to get

0:25:43.720 --> 0:25:44.320
<v Speaker 3>out of the house.

0:25:44.480 --> 0:25:46.640
<v Speaker 2>Oh yeah, that's that's like that happens like right away

0:25:46.720 --> 0:25:47.480
<v Speaker 2>in Hitchhikers.

0:25:47.760 --> 0:25:50.119
<v Speaker 3>Yes, I mean I think I was in middle school.

0:25:50.440 --> 0:25:52.199
<v Speaker 3>Maybe I'd figure it out better now. I don't know,

0:25:52.280 --> 0:25:54.080
<v Speaker 3>maybe having a little bit of a better sense of

0:25:54.080 --> 0:25:56.639
<v Speaker 3>the Douglas Adams sense of humor. Because also when I

0:25:56.640 --> 0:25:58.680
<v Speaker 3>played this game, I had no idea what Hitchhiker's Guide

0:25:58.680 --> 0:26:01.080
<v Speaker 3>to the cos He was. This was just installed on

0:26:01.119 --> 0:26:04.959
<v Speaker 3>a computer at school. Oh, and I didn't know what

0:26:05.000 --> 0:26:05.879
<v Speaker 3>it was or why.

0:26:06.080 --> 0:26:06.840
<v Speaker 2>Yeah.

0:26:07.640 --> 0:26:10.920
<v Speaker 3>Anyway, coming back to Jeff's message, while playing a different

0:26:10.960 --> 0:26:15.000
<v Speaker 3>interactive fiction game, I was completely baffled by a problem.

0:26:15.040 --> 0:26:17.480
<v Speaker 3>I couldn't just google for cheats back then, so in

0:26:17.520 --> 0:26:20.639
<v Speaker 3>desperation I wrote directly to the author of the game,

0:26:21.400 --> 0:26:25.000
<v Speaker 3>whoa store bough games could be created entirely by one

0:26:25.040 --> 0:26:29.240
<v Speaker 3>person then, And he sent back a hand typed postcard

0:26:29.280 --> 0:26:32.000
<v Speaker 3>I kept for many years that just said, dear Jeff,

0:26:32.119 --> 0:26:35.320
<v Speaker 3>throw the tape recorder through the window. I wonder what

0:26:35.359 --> 0:26:39.600
<v Speaker 3>the postman thought, you know, I think if you're a

0:26:39.600 --> 0:26:42.440
<v Speaker 3>postal worker, you see so much of other people's mail,

0:26:42.480 --> 0:26:45.000
<v Speaker 3>you just get bored with other people's secrets. Does it

0:26:45.040 --> 0:26:46.400
<v Speaker 3>even matter to read it anymore?

0:26:46.560 --> 0:26:49.800
<v Speaker 2>Yeah? Nowadays they probably stop posting it on their Instagram,

0:26:49.960 --> 0:26:51.960
<v Speaker 2>Like after a couple of weeks of being a male

0:26:52.000 --> 0:26:53.879
<v Speaker 2>person Jeff continues.

0:26:53.920 --> 0:26:57.000
<v Speaker 3>The Hitchhiker's Game was released by Infocom, probably the most

0:26:57.040 --> 0:27:01.520
<v Speaker 3>famous interactive fiction game in the company. Infocom's solution to

0:27:01.720 --> 0:27:04.880
<v Speaker 3>easing the adult brains of stuck players was the invention

0:27:05.119 --> 0:27:10.360
<v Speaker 3>of Invisicule's books. The books would include hints without ruining

0:27:10.440 --> 0:27:13.679
<v Speaker 3>the whole game for you. The questions were printed in

0:27:13.800 --> 0:27:17.359
<v Speaker 3>regular ink, but the solutions were in invisible ink that

0:27:17.400 --> 0:27:20.399
<v Speaker 3>would only be revealed when you ran the included magic

0:27:20.520 --> 0:27:23.919
<v Speaker 3>marker over them. So if the question is how do

0:27:24.000 --> 0:27:26.800
<v Speaker 3>I open the locked door, the first clue might be

0:27:26.880 --> 0:27:30.560
<v Speaker 3>something like did you notice the keyhole? The next, have

0:27:30.680 --> 0:27:33.720
<v Speaker 3>you encountered anyone holding a set of keys? And the

0:27:33.760 --> 0:27:36.960
<v Speaker 3>third wait until the guard is sleeping and steal his key.

0:27:38.320 --> 0:27:40.160
<v Speaker 3>The books had a good sense of humor and would

0:27:40.160 --> 0:27:43.440
<v Speaker 3>also mess with you. Since all the questions were immediately

0:27:43.520 --> 0:27:47.000
<v Speaker 3>visible and therefore potential spoilers, they peppered the hints with

0:27:47.160 --> 0:27:50.600
<v Speaker 3>red herrings like don't reveal the next clue until the

0:27:50.680 --> 0:27:54.000
<v Speaker 3>magic bird gives you the shovel, followed by there is

0:27:54.080 --> 0:27:58.720
<v Speaker 3>no magic bird in this game, don't ruin your experience

0:27:58.760 --> 0:28:02.760
<v Speaker 3>by revealing clues before where you are absolutely stuck, and

0:28:02.760 --> 0:28:05.320
<v Speaker 3>then Finally, Jeff says, well, buying and running these lost

0:28:05.400 --> 0:28:07.760
<v Speaker 3>games is difficult to do these days. There are sites

0:28:07.800 --> 0:28:10.280
<v Speaker 3>that allow you to play them now. Infocom's games are

0:28:10.320 --> 0:28:13.840
<v Speaker 3>true classics, but new interactive fiction games are still being

0:28:13.840 --> 0:28:15.600
<v Speaker 3>written today worth checking out.

0:28:16.040 --> 0:28:18.360
<v Speaker 2>Yeah I should. I should check some of these out,

0:28:18.359 --> 0:28:22.000
<v Speaker 2>because this is a whole genre of games, early games

0:28:22.000 --> 0:28:24.399
<v Speaker 2>and contemporary games that I really don't know much about

0:28:24.480 --> 0:28:28.000
<v Speaker 2>and don't have any really any direct experience playing them.

0:28:28.400 --> 0:28:30.440
<v Speaker 3>I can't believe I didn't think about this until now,

0:28:30.480 --> 0:28:33.000
<v Speaker 3>but I not only played a few of these text

0:28:33.000 --> 0:28:36.040
<v Speaker 3>based adventure games, I actually created some when I was

0:28:37.240 --> 0:28:41.160
<v Speaker 3>in middle school. Once again, I guess I was exposed

0:28:41.160 --> 0:28:44.600
<v Speaker 3>to these things and I was learning CE basic and

0:28:44.640 --> 0:28:47.600
<v Speaker 3>I started programming little text based adventures that I thought

0:28:47.640 --> 0:28:50.400
<v Speaker 3>were hilarious at the time. I don't know what i'd

0:28:50.400 --> 0:28:52.440
<v Speaker 3>think now. I don't remember what I thought was so funny,

0:28:52.480 --> 0:28:55.280
<v Speaker 3>but I was really yucking it up there on my

0:28:55.440 --> 0:28:59.280
<v Speaker 3>IBM three eighty six. Okay, should we do some weird

0:28:59.280 --> 0:29:00.240
<v Speaker 3>house cinema? Respont?

0:29:00.720 --> 0:29:04.160
<v Speaker 2>Sure? Sure? This next one comes to us from Scott.

0:29:04.960 --> 0:29:14.360
<v Speaker 2>Subject line the telephone box comments from an old Hi guys.

0:29:14.600 --> 0:29:17.080
<v Speaker 2>I enjoyed listening to your recent weird House episode on

0:29:17.120 --> 0:29:20.080
<v Speaker 2>the telephone box. Being a person who grew up in

0:29:20.120 --> 0:29:23.480
<v Speaker 2>the long ago days when telephone booths ranged the landscape

0:29:23.520 --> 0:29:25.920
<v Speaker 2>in their thousands, I was amused by the two of

0:29:25.960 --> 0:29:28.400
<v Speaker 2>you trying to remember if you'd ever actually used one.

0:29:28.440 --> 0:29:32.080
<v Speaker 2>In questioning the apparent incongruity of seeking privacy to make

0:29:32.120 --> 0:29:34.280
<v Speaker 2>a phone call while standing in a class box in

0:29:34.320 --> 0:29:36.960
<v Speaker 2>full view. As an official old guy, I believe I

0:29:37.000 --> 0:29:40.040
<v Speaker 2>can enlighten you. Privacy is certainly an aspect of the

0:29:40.080 --> 0:29:42.680
<v Speaker 2>enclosed phone booths of your but not in the way

0:29:42.720 --> 0:29:46.040
<v Speaker 2>you surmised. Since phone booths were commonly located in busy

0:29:46.040 --> 0:29:49.800
<v Speaker 2>public spaces, environmental noise was a problem. The enclosure was

0:29:49.840 --> 0:29:54.080
<v Speaker 2>to keep external noises out, rather than keeping your conversation in.

0:29:54.720 --> 0:29:57.320
<v Speaker 2>Since you generally had to have coins in hand to

0:29:57.440 --> 0:30:00.160
<v Speaker 2>use one, it was extremely frustrating to pay for the

0:30:00.200 --> 0:30:03.400
<v Speaker 2>call only to have a loud bust roll past, obliterating

0:30:03.680 --> 0:30:05.560
<v Speaker 2>what you or the other person said.

0:30:06.280 --> 0:30:09.000
<v Speaker 3>They really should have thought of this. Yes, obviously, the

0:30:09.120 --> 0:30:11.920
<v Speaker 3>enclosure is to so you can hear your call despite

0:30:11.960 --> 0:30:13.280
<v Speaker 3>being right on the street corner.

0:30:13.480 --> 0:30:16.239
<v Speaker 2>Yeah, because nowadays we all on our cell phones, we

0:30:16.320 --> 0:30:18.560
<v Speaker 2>inevitably have that situation. I have, like a train that

0:30:18.640 --> 0:30:21.400
<v Speaker 2>runs by my house, so sometimes I'll be outside, I'll

0:30:21.400 --> 0:30:23.280
<v Speaker 2>be on the phone. Here comes a train, so I

0:30:23.320 --> 0:30:25.360
<v Speaker 2>can walk inside and get out of the noise. And

0:30:25.400 --> 0:30:27.800
<v Speaker 2>you can do that kind of thing obviously in various

0:30:28.320 --> 0:30:30.880
<v Speaker 2>urban environments as well, you know, walk around the corner,

0:30:31.160 --> 0:30:35.120
<v Speaker 2>walk inside a restaurant, maybe if they'll allow that. But yeah,

0:30:35.200 --> 0:30:38.280
<v Speaker 2>I should have thought about this as well. Anyway, they

0:30:38.280 --> 0:30:42.120
<v Speaker 2>continue making it out in public was a safety feature too.

0:30:42.240 --> 0:30:46.480
<v Speaker 2>By being fully exposed to view, thieves couldn't use one

0:30:46.520 --> 0:30:49.800
<v Speaker 2>to lie in ambush undetected, nor could a victim be

0:30:49.880 --> 0:30:54.080
<v Speaker 2>pulled into an opay box to be roughed up away

0:30:54.120 --> 0:30:58.080
<v Speaker 2>from witnesses. The full enclosure also protected the user from

0:30:58.080 --> 0:31:00.600
<v Speaker 2>the elements, keeping you dry in the rain and snow,

0:31:00.640 --> 0:31:03.880
<v Speaker 2>protected from wind, and helping to mitigate the cold. Some

0:31:03.920 --> 0:31:07.520
<v Speaker 2>had small ventilation fans to alleviate the greenhouse effect of

0:31:07.560 --> 0:31:10.800
<v Speaker 2>all that glass in summer, although one has to wonder

0:31:10.840 --> 0:31:13.120
<v Speaker 2>if the protection was for the benefit of the user

0:31:13.280 --> 0:31:16.640
<v Speaker 2>or the telephone equipment. I enjoy being entertained and enlightened

0:31:16.640 --> 0:31:17.200
<v Speaker 2>by your work.

0:31:17.280 --> 0:31:20.400
<v Speaker 3>Thank you, Scott, excellent point, Scott, Thank you very much.

0:31:21.800 --> 0:31:24.600
<v Speaker 3>For some reason, the telephone booth scene that kept going

0:31:24.640 --> 0:31:26.720
<v Speaker 3>through my head while reading this is actually the one

0:31:26.720 --> 0:31:29.760
<v Speaker 3>in Scanners where he hacks the computer with his brain

0:31:29.920 --> 0:31:31.040
<v Speaker 3>from the telephone.

0:31:31.600 --> 0:31:33.800
<v Speaker 2>Yes, great scene. Yeah, we talked about that in our

0:31:33.800 --> 0:31:39.280
<v Speaker 2>Weird House episode on Scanners. I also after we did

0:31:39.320 --> 0:31:42.680
<v Speaker 2>the episode, I kept thinking about Clark Kent, of course

0:31:42.760 --> 0:31:44.760
<v Speaker 2>always goes into or used to always going to a

0:31:44.760 --> 0:31:48.120
<v Speaker 2>phone booth to transform into Superman. Or maybe he didn't

0:31:48.120 --> 0:31:49.720
<v Speaker 2>even do it all that that many times, but he

0:31:49.840 --> 0:31:52.920
<v Speaker 2>became the cliche. It became like the iconic thing, like

0:31:53.040 --> 0:31:55.880
<v Speaker 2>it's a place where you can go and change all

0:31:55.880 --> 0:31:58.240
<v Speaker 2>your clothes and change your identity and come out as

0:31:58.240 --> 0:32:01.720
<v Speaker 2>a superhuman, come out as your real identity, take off

0:32:01.720 --> 0:32:03.440
<v Speaker 2>your human disguise, all right.

0:32:03.480 --> 0:32:06.200
<v Speaker 3>This next message is from Ken. Ken says, I love

0:32:06.240 --> 0:32:09.960
<v Speaker 3>the recent reviews of short films and I have a recommendation.

0:32:10.360 --> 0:32:12.240
<v Speaker 3>If you haven't heard of it before, there is a

0:32:12.280 --> 0:32:16.640
<v Speaker 3>short film called The Cube by Jim Henson of the Muppets, etc.

0:32:17.560 --> 0:32:19.440
<v Speaker 3>I think you can find it on YouTube. I saw

0:32:19.440 --> 0:32:21.520
<v Speaker 3>it on television when I was seven years old and

0:32:21.560 --> 0:32:24.880
<v Speaker 3>it really freaked me out. I also didn't understand it

0:32:24.960 --> 0:32:27.160
<v Speaker 3>at all. I had no recollection of what the film

0:32:27.240 --> 0:32:29.640
<v Speaker 3>was called, and years later I had to do numerous

0:32:29.680 --> 0:32:33.240
<v Speaker 3>online searches with vague descriptions until I finally found it.

0:32:33.600 --> 0:32:36.719
<v Speaker 3>Hope you find it interesting. Thanks again for the podcast. Sincerely,

0:32:37.200 --> 0:32:40.520
<v Speaker 3>Ken Well Ken Weird Minds Think Alike. This is already

0:32:40.520 --> 0:32:42.920
<v Speaker 3>on my list, It's on my running list for the show.

0:32:42.960 --> 0:32:44.920
<v Speaker 3>I've been thinking about it for months now.

0:32:45.360 --> 0:32:47.200
<v Speaker 2>Oh, I'm all for it. This is a film that

0:32:47.280 --> 0:32:51.640
<v Speaker 2>I'm very familiar with from some of the Jim Henson

0:32:51.680 --> 0:32:54.880
<v Speaker 2>documentaries I've seen over the years and exhibits to Atlanta's

0:32:55.200 --> 0:32:57.800
<v Speaker 2>Center for Pubetry Arts, that sort of thing. But I've

0:32:57.840 --> 0:32:59.640
<v Speaker 2>never seen it in full, or at least I don't

0:32:59.640 --> 0:33:02.480
<v Speaker 2>think I have. So Yeah, the next time we were

0:33:02.520 --> 0:33:07.400
<v Speaker 2>feeling the pull for some short cinema, let's do it.

0:33:08.360 --> 0:33:10.240
<v Speaker 3>By the way, for those who may be confused about

0:33:10.240 --> 0:33:13.120
<v Speaker 3>this right now, this is a different film than Cube,

0:33:13.240 --> 0:33:16.640
<v Speaker 3>the one where people awaken in a giant maze of cubes,

0:33:16.760 --> 0:33:19.200
<v Speaker 3>many of which are like full of saws and stuff

0:33:19.200 --> 0:33:19.920
<v Speaker 3>that murder them.

0:33:20.240 --> 0:33:23.640
<v Speaker 2>But I'm up for that one as well, and I

0:33:23.640 --> 0:33:25.600
<v Speaker 2>don't think I've ever seen that one in full. I've

0:33:25.640 --> 0:33:28.120
<v Speaker 2>just seen like chunks of it, bloody chunks of it

0:33:29.680 --> 0:33:31.320
<v Speaker 2>on TV back in the day.

0:33:31.560 --> 0:33:33.720
<v Speaker 3>I think that one's Canadian, isn't it.

0:33:33.400 --> 0:33:36.200
<v Speaker 2>It is, in fact Canadian. Yes, so they're both on

0:33:36.240 --> 0:33:39.640
<v Speaker 2>the list. Yeah, both get everything you want. Ken all right,

0:33:39.680 --> 0:33:48.080
<v Speaker 2>This next one comes to us from Lawrence. Lawrence says, Hi, Robert, Joe,

0:33:48.080 --> 0:33:50.680
<v Speaker 2>and JJ, thank you for covering The Hunger. I never

0:33:50.760 --> 0:33:53.920
<v Speaker 2>realized it was poorly received. It's resurgence in the nineties,

0:33:53.960 --> 0:33:58.600
<v Speaker 2>where all things vampire reign culturally supreme, was not nearly

0:33:58.640 --> 0:34:01.160
<v Speaker 2>as surprising. I'll always thought of The Hunger as one

0:34:01.200 --> 0:34:04.520
<v Speaker 2>of those non vampire vampire stories, movies that sort of

0:34:04.680 --> 0:34:07.880
<v Speaker 2>lie somewhere between sci fi blood drinkers and people who

0:34:07.960 --> 0:34:10.040
<v Speaker 2>only think they're vampires. Do you know what I mean?

0:34:10.800 --> 0:34:12.600
<v Speaker 3>I do know what you mean. The only movie I

0:34:12.680 --> 0:34:15.560
<v Speaker 3>can think of at the moment where it's ambiguous where

0:34:15.560 --> 0:34:20.200
<v Speaker 3>the vampire is actually a vampire is George Rameiro's Martin.

0:34:20.760 --> 0:34:24.520
<v Speaker 2>That's a big one. Yeah, you also see this if

0:34:24.520 --> 0:34:26.920
<v Speaker 2>we think of this as like a soft vampire film,

0:34:27.440 --> 0:34:31.120
<v Speaker 2>we do also have examples of software wolf films, and

0:34:31.200 --> 0:34:33.640
<v Speaker 2>as I recently discussed on The Monster Fact, this is

0:34:33.719 --> 0:34:36.600
<v Speaker 2>kind of an interesting category because you can get into

0:34:36.640 --> 0:34:40.600
<v Speaker 2>the history of the terminology for like lacanthropy and werewolf,

0:34:40.800 --> 0:34:45.160
<v Speaker 2>but especially lacanthropy is early usage being like a catch

0:34:45.160 --> 0:34:51.279
<v Speaker 2>all description for different conditions that were probably mental illnesses.

0:34:51.560 --> 0:34:55.080
<v Speaker 2>And so there's this whole realm of usage for the

0:34:55.160 --> 0:34:58.800
<v Speaker 2>term lacanthropy that is just tied to you know, actual

0:34:58.880 --> 0:35:04.880
<v Speaker 2>observations and atten to classify some forms of mental illness

0:35:06.120 --> 0:35:10.359
<v Speaker 2>or disease. So yeah, In fact, one of the big

0:35:10.360 --> 0:35:15.440
<v Speaker 2>ones the the Lon Cheney Junior Wolfman movie. Originally in

0:35:15.480 --> 0:35:17.719
<v Speaker 2>the script that one was going to leave it ambiguous

0:35:17.760 --> 0:35:20.319
<v Speaker 2>whether he was turning into a wolf or not, like

0:35:20.440 --> 0:35:23.480
<v Speaker 2>it was going to be a software wolf movie. And

0:35:23.520 --> 0:35:25.560
<v Speaker 2>then at some point in the production they were like, no, no, no,

0:35:25.920 --> 0:35:27.799
<v Speaker 2>we want a real wolf man. People want to see

0:35:27.800 --> 0:35:30.400
<v Speaker 2>a wolf man, and so it took the form that

0:35:30.440 --> 0:35:32.680
<v Speaker 2>we all know and love. It's hard to argue with

0:35:32.760 --> 0:35:37.399
<v Speaker 2>that absolutely anyway. The email continues here from Lawrence. Lawrence says,

0:35:37.400 --> 0:35:40.680
<v Speaker 2>as for Weird House Picks nineteen eighty two's Cat People

0:35:40.960 --> 0:35:44.200
<v Speaker 2>and Donkey Skin are both touched the fur movies. I

0:35:44.200 --> 0:35:47.719
<v Speaker 2>can recommend both because Criterion has a beautiful transfer of

0:35:47.760 --> 0:35:51.640
<v Speaker 2>Donkey Skin and Cat People spares showing us any Malcolm

0:35:51.719 --> 0:35:56.360
<v Speaker 2>McDowell Sex. Thanks thanks for all you do, Lawrence. Indeed, Lawrence,

0:35:56.440 --> 0:36:07.839
<v Speaker 2>that is all essential to know. Moving farm. All right.

0:36:07.920 --> 0:36:11.560
<v Speaker 3>This next message is from Jesse. Jesse says, hey, guys,

0:36:12.239 --> 0:36:14.279
<v Speaker 3>I'll have to not gush here. I love you both

0:36:14.280 --> 0:36:17.120
<v Speaker 3>and I'm so grateful for your shows. And then Jesse

0:36:17.239 --> 0:36:19.719
<v Speaker 3>goes on to say some very nice things about the podcast.

0:36:19.760 --> 0:36:22.399
<v Speaker 3>We'll skip a bit here, but thank you Jesse, very

0:36:22.440 --> 0:36:25.840
<v Speaker 3>kind of you. Jesse says, I do have some suggestions

0:36:25.880 --> 0:36:28.479
<v Speaker 3>that I have not seen on Weird House Cinema yet.

0:36:29.120 --> 0:36:32.279
<v Speaker 3>The first suggestion is an afterthought and not why I

0:36:32.320 --> 0:36:34.840
<v Speaker 3>originally wanted to write in. However, I was watching this

0:36:34.920 --> 0:36:38.040
<v Speaker 3>movie with my kids tonight and realized with surprise that

0:36:38.160 --> 0:36:40.920
<v Speaker 3>I hadn't yet seen it come into your purview. Flight

0:36:40.960 --> 0:36:44.160
<v Speaker 3>of the Navigator. It is so obvious I am forced

0:36:44.200 --> 0:36:47.240
<v Speaker 3>to conclude that you had already considered it and decided

0:36:47.280 --> 0:36:51.080
<v Speaker 3>it just doesn't fit, which I understand with protest if

0:36:51.120 --> 0:36:54.759
<v Speaker 3>the case. No, I don't think we've ruled it out yet,

0:36:55.000 --> 0:36:56.680
<v Speaker 3>or I don't know if you have. I haven't looked

0:36:56.719 --> 0:36:58.280
<v Speaker 3>into it. I haven't seen this movie.

0:36:58.920 --> 0:37:01.040
<v Speaker 2>I saw it as a kid, and I have to

0:37:01.080 --> 0:37:04.319
<v Speaker 2>say flight to the Navigator. This was nineteen eighty six.

0:37:04.640 --> 0:37:07.799
<v Speaker 2>This one really unsettled me in a way I don't

0:37:07.840 --> 0:37:11.960
<v Speaker 2>think I ever quite recovered from. Like, it has some

0:37:12.080 --> 0:37:15.040
<v Speaker 2>minor spoilers, it has some plot elements and including that

0:37:15.120 --> 0:37:20.560
<v Speaker 2>involved like time dilation, and and it just gets it

0:37:20.560 --> 0:37:24.319
<v Speaker 2>gets a lot heavier than perhaps I expected, to the

0:37:24.400 --> 0:37:27.840
<v Speaker 2>degree to which I had any expectations going into movies

0:37:27.880 --> 0:37:31.919
<v Speaker 2>as a kid. But yeah, this one troubled me. And

0:37:32.239 --> 0:37:34.640
<v Speaker 2>I think it troubled me enough that I've kind of

0:37:34.880 --> 0:37:37.399
<v Speaker 2>stayed away from it, Like not to this extent where

0:37:37.440 --> 0:37:40.960
<v Speaker 2>I'm turning down opportunities to watch it, but I've maybe

0:37:41.000 --> 0:37:44.160
<v Speaker 2>just have like subconscious barriers up to rewatching Flight of

0:37:44.200 --> 0:37:48.480
<v Speaker 2>the Navigator. Therefore, I would obviously love to go back

0:37:48.520 --> 0:37:51.239
<v Speaker 2>and watch it and reevaluate it as a grown up

0:37:51.520 --> 0:37:55.399
<v Speaker 2>and as a parent and all of that. So yeah,

0:37:55.520 --> 0:37:57.920
<v Speaker 2>I'd love to put it on the list. I know

0:37:57.960 --> 0:38:00.359
<v Speaker 2>it's one that a lot of folks saw. Ask and

0:38:00.800 --> 0:38:04.120
<v Speaker 2>I wonder how many other viewers had a similar reaction

0:38:04.640 --> 0:38:05.399
<v Speaker 2>to the one I had.

0:38:06.000 --> 0:38:08.520
<v Speaker 3>Sorry, I was laughing during your answer because I realized

0:38:08.520 --> 0:38:12.560
<v Speaker 3>I was mixing up two movies. Really, until you started

0:38:12.560 --> 0:38:15.560
<v Speaker 3>talking about I was not thinking of Flight of the Navigator.

0:38:15.600 --> 0:38:19.480
<v Speaker 3>I was thinking of night Flyers from nineteen eighty seven,

0:38:20.040 --> 0:38:24.600
<v Speaker 3>which is the George R. R. Martin and vampire movie

0:38:24.640 --> 0:38:29.040
<v Speaker 3>with Miguel Ferraer. Wait, oh my god, no, this is

0:38:29.080 --> 0:38:32.040
<v Speaker 3>I double mixed it up. I was mixing up George R.

0:38:32.040 --> 0:38:35.719
<v Speaker 3>Martin's Night Flyers, the sci fi horror movie, with Flight

0:38:35.760 --> 0:38:37.759
<v Speaker 3>of the Navigator. But what I really had in my

0:38:37.840 --> 0:38:41.280
<v Speaker 3>mind was not Night Flyers. It was The night Flyer,

0:38:42.160 --> 0:38:45.520
<v Speaker 3>a film with Miguel Ferrera about a vampire that is

0:38:45.560 --> 0:38:48.520
<v Speaker 3>based on a story by Stephen King, which I was

0:38:48.600 --> 0:38:52.800
<v Speaker 3>confusing with the Martin sci fi. This is all a

0:38:52.920 --> 0:38:56.160
<v Speaker 3>jumble now, but either way, I was thinking about like

0:38:56.200 --> 0:38:59.399
<v Speaker 3>an R rated horror movie, not not like I made

0:38:59.440 --> 0:38:59.759
<v Speaker 3>for kids.

0:39:02.040 --> 0:39:04.960
<v Speaker 2>Oh well, I haven't seen The night Flyer, nor did

0:39:04.960 --> 0:39:07.839
<v Speaker 2>I ever read the short story that it's based upon.

0:39:07.920 --> 0:39:10.160
<v Speaker 2>But I do remember seeing the video box with that

0:39:10.360 --> 0:39:14.400
<v Speaker 2>piteous looking vampire and the airplane on it.

0:39:14.400 --> 0:39:17.200
<v Speaker 3>It would be hilarious if Jesse wrote in like, yeah,

0:39:17.239 --> 0:39:19.440
<v Speaker 3>the other day I was watching The night Flyer with

0:39:19.520 --> 0:39:20.120
<v Speaker 3>my kids.

0:39:20.840 --> 0:39:22.960
<v Speaker 2>All right, well, we'll put them all on the consideration list.

0:39:23.560 --> 0:39:27.000
<v Speaker 3>Next, Jesse says, the second suggestion is why I'm writing

0:39:27.360 --> 0:39:30.160
<v Speaker 3>have you guys seen the nineteen eighty five made for

0:39:30.280 --> 0:39:34.840
<v Speaker 3>TV rendition of Alice in Wonderland? Hands down the weirdest

0:39:34.880 --> 0:39:38.880
<v Speaker 3>movie I have ever seen, terrifying in parts with the

0:39:39.080 --> 0:39:42.920
<v Speaker 3>grace of such stars as Ringo Starr and Sammy Davis Junior.

0:39:43.239 --> 0:39:47.160
<v Speaker 3>The music is terrible and the movie is long and bad.

0:39:47.600 --> 0:39:49.600
<v Speaker 3>Whether or not you ever take the leap and do

0:39:49.680 --> 0:39:52.520
<v Speaker 3>it for the show, given your proclivities, I highly recommend

0:39:52.520 --> 0:39:55.080
<v Speaker 3>you at least check it out for yourselves, as it

0:39:55.120 --> 0:39:59.200
<v Speaker 3>is unmatched as far as zany eighties fair goes. Also,

0:39:59.320 --> 0:40:02.200
<v Speaker 3>the rendition of the Jabberwaukee in that movie gave me

0:40:02.360 --> 0:40:06.040
<v Speaker 3>nightmares for years as a kid. It is great. You

0:40:06.080 --> 0:40:09.400
<v Speaker 3>can watch it free on YouTube, and then Jesse shares

0:40:09.440 --> 0:40:14.960
<v Speaker 3>a link. Jesse says all my best, deepest thanks to you, guys. Jesse, Well,

0:40:15.040 --> 0:40:18.040
<v Speaker 3>thank you so much, Jesse. I really really appreciate the

0:40:18.080 --> 0:40:21.600
<v Speaker 3>email and the suggestions. I've not seen either of these movies,

0:40:21.600 --> 0:40:23.560
<v Speaker 3>but I'm going to look up the Alice in Wonderland.

0:40:23.719 --> 0:40:26.359
<v Speaker 2>I looked at it briefly on IMDb, and I did

0:40:26.440 --> 0:40:31.000
<v Speaker 2>notice that Jason Lives director Tom McLachlan plays the Jabberwakie

0:40:31.040 --> 0:40:33.160
<v Speaker 2>is in the jabberwaki suit, So there you go.

0:40:34.080 --> 0:40:37.400
<v Speaker 3>Oh my god, I just looked it up. It looks

0:40:37.520 --> 0:40:39.759
<v Speaker 3>like what does it remind me of?

0:40:39.920 --> 0:40:40.520
<v Speaker 2>It's like.

0:40:42.320 --> 0:40:45.880
<v Speaker 3>That that Russian rendition of Lord of the Rings, but

0:40:45.960 --> 0:40:47.320
<v Speaker 3>with much brighter colors.

0:40:49.320 --> 0:40:55.319
<v Speaker 2>The jabberwaki costume in question does look horrifying, like in

0:40:55.360 --> 0:40:58.480
<v Speaker 2>not super JABBERWACKI e. You know, it doesn't look like

0:40:58.520 --> 0:41:03.760
<v Speaker 2>that iconic illustration so much. It looks a little weirdly fleshy.

0:41:03.840 --> 0:41:07.480
<v Speaker 3>Man says Bow Bridges and Carol Channing.

0:41:07.600 --> 0:41:10.160
<v Speaker 2>Oh wow, yeah, I glanced at the cast. It's a crazy,

0:41:10.440 --> 0:41:12.240
<v Speaker 2>crazy collection of actors.

0:41:12.680 --> 0:41:16.640
<v Speaker 3>Lloyd Bridges is the White Knight, John Stamos Wow.

0:41:17.400 --> 0:41:21.359
<v Speaker 2>All right. As we begin to close out here, I'm

0:41:21.440 --> 0:41:24.080
<v Speaker 2>just gonna turn to discord here. I have a few

0:41:24.640 --> 0:41:28.520
<v Speaker 2>just random short thoughts from folks here about various things,

0:41:29.440 --> 0:41:38.320
<v Speaker 2>beginning here with Thorkwall. Thorkwell writes then and says, I

0:41:38.440 --> 0:41:40.680
<v Speaker 2>just finished listening to part three of Hunters of the

0:41:40.719 --> 0:41:43.640
<v Speaker 2>Deep and had mentioned it to my significant other, and

0:41:43.680 --> 0:41:47.399
<v Speaker 2>she pointed out a fact I may have missed if

0:41:47.440 --> 0:41:51.240
<v Speaker 2>it was mentioned. I've never realized the Black Sea Devil

0:41:51.239 --> 0:41:54.040
<v Speaker 2>angler it was only six inches or fifteen centimeters or

0:41:54.080 --> 0:41:57.640
<v Speaker 2>so long. I too had similar posters of fish growing

0:41:57.719 --> 0:42:01.000
<v Speaker 2>up like rob and perhaps the various illustrations not drawn

0:42:01.040 --> 0:42:04.160
<v Speaker 2>to scale threw off my perspective. I'm glad it's not

0:42:04.200 --> 0:42:04.400
<v Speaker 2>just me.

0:42:06.120 --> 0:42:08.480
<v Speaker 3>See, it's often hard to get scale with uh, with

0:42:08.640 --> 0:42:10.759
<v Speaker 3>sea creatures, you know. Yeah, you don't have like a

0:42:10.800 --> 0:42:13.840
<v Speaker 3>tree in the background to.

0:42:13.160 --> 0:42:16.120
<v Speaker 2>Yeah, or tape measure or a tape dispenser. That's what

0:42:16.160 --> 0:42:23.719
<v Speaker 2>you put next to things, right, all right? And then

0:42:23.800 --> 0:42:26.360
<v Speaker 2>a shadow rat rites, Senden says. I just watched and

0:42:26.440 --> 0:42:29.800
<v Speaker 2>loved La Cabina. It really reminded me of the nineties

0:42:29.840 --> 0:42:33.960
<v Speaker 2>movie Cube. Oh, with this sense that some unchecked industry

0:42:34.360 --> 0:42:37.840
<v Speaker 2>is just producing this horrifying death trap for no reason.

0:42:38.560 --> 0:42:40.560
<v Speaker 2>It has to have been an inspiration for.

0:42:40.640 --> 0:42:43.040
<v Speaker 3>Cube seems quite possible.

0:42:43.120 --> 0:42:46.880
<v Speaker 2>Yeah, all right, then hot Napalm death rights, Senden says, finally,

0:42:46.880 --> 0:42:49.640
<v Speaker 2>listening to the Dune episodes, one factor that you missed

0:42:49.719 --> 0:42:53.120
<v Speaker 2>when discussing the failed Jodrowski Dune project was that if

0:42:53.160 --> 0:42:56.640
<v Speaker 2>it had succeeded, we probably wouldn't have Alien or the

0:42:56.640 --> 0:43:02.520
<v Speaker 2>Alien franchise. That's a great, great point as well. I

0:43:02.520 --> 0:43:06.920
<v Speaker 2>think we did allude to the fact that that project

0:43:07.000 --> 0:43:10.759
<v Speaker 2>not coming together did lead to a number of different projects,

0:43:10.800 --> 0:43:14.920
<v Speaker 2>things that Jordroowski himself did, like say the Metabarons graphic

0:43:14.960 --> 0:43:18.840
<v Speaker 2>novel series. That's great in his work with Mobius there,

0:43:19.680 --> 0:43:22.319
<v Speaker 2>but yeah, so many other things kind of sprang out

0:43:22.360 --> 0:43:26.000
<v Speaker 2>of that. It was very much like a we can

0:43:26.000 --> 0:43:29.480
<v Speaker 2>almost think of it as a whale fall, a cinematic

0:43:29.480 --> 0:43:31.719
<v Speaker 2>whale fall. Like it did not come to fruition. It

0:43:31.840 --> 0:43:34.239
<v Speaker 2>sank to the bottom and it was consumed by all

0:43:34.280 --> 0:43:43.120
<v Speaker 2>of these other creatures and therefore fed a rich ecosystem.

0:43:43.160 --> 0:43:46.000
<v Speaker 2>All right, Taylor Wright Senten says, just finish the Hunger episode,

0:43:46.040 --> 0:43:48.880
<v Speaker 2>and it reminded me of another eternal vampire goth romance

0:43:48.920 --> 0:43:51.600
<v Speaker 2>movie that The Hunger must have inspired and would make

0:43:51.640 --> 0:43:55.400
<v Speaker 2>its own excellent weird house episode Only Lovers Left Alive.

0:43:56.320 --> 0:44:00.799
<v Speaker 2>Tilda Swinton and Tom Hilston are our listless immortal in

0:44:00.880 --> 0:44:03.120
<v Speaker 2>that one, which tackles a lot of the same US

0:44:03.120 --> 0:44:05.960
<v Speaker 2>against the World themes that Joe referenced and has a

0:44:06.000 --> 0:44:09.480
<v Speaker 2>great shoegaze score. Also, my wife and I watched The

0:44:09.560 --> 0:44:12.480
<v Speaker 2>Love Witch for our Valentine's Day after a few of

0:44:12.560 --> 0:44:15.120
<v Speaker 2>y'all here in the discord turned me on to it,

0:44:15.520 --> 0:44:17.960
<v Speaker 2>and may I say thank you, it was a darkly

0:44:18.040 --> 0:44:21.359
<v Speaker 2>hilarious treat. All real world reds are dull.

0:44:21.480 --> 0:44:25.200
<v Speaker 3>Now The Love Witch is fantastic. I think often about

0:44:25.200 --> 0:44:28.239
<v Speaker 3>the way that movie looks, which is so interesting. It

0:44:28.280 --> 0:44:32.640
<v Speaker 3>feels both reminiscent of a time gone by, like it

0:44:32.680 --> 0:44:36.080
<v Speaker 3>looks like a way that it seems movies used to

0:44:36.120 --> 0:44:38.880
<v Speaker 3>look but don't look anymore, but also feels like a

0:44:38.960 --> 0:44:42.960
<v Speaker 3>totally different visual aesthetic has been created as well.

0:44:43.560 --> 0:44:47.120
<v Speaker 2>Yeah, I recently rewatched The Love Witch on an airplane

0:44:47.640 --> 0:44:50.200
<v Speaker 2>and fell in love with it all over again. I

0:44:50.200 --> 0:44:52.400
<v Speaker 2>feel like it in its own way. It's a perfect

0:44:52.400 --> 0:44:56.920
<v Speaker 2>film in that it clearly knew exactly what it wanted

0:44:57.040 --> 0:45:00.239
<v Speaker 2>to convey and what it wanted to capture and and

0:45:00.520 --> 0:45:03.720
<v Speaker 2>seemingly pulled all of that off. So I can't recommend

0:45:03.719 --> 0:45:06.000
<v Speaker 2>The love Which enough. It's you know, it's maybe not

0:45:06.080 --> 0:45:07.960
<v Speaker 2>for everyone, but if it is for you, then it's

0:45:07.960 --> 0:45:11.040
<v Speaker 2>perfect all right. And finally, there was some discussion on

0:45:11.040 --> 0:45:13.840
<v Speaker 2>the discord about what sort of film we should be

0:45:13.920 --> 0:45:17.160
<v Speaker 2>considering for the two hundredth Weird House Cinema selection, which

0:45:17.200 --> 0:45:22.000
<v Speaker 2>is coming up let's see a week from tomorrow, So Joe,

0:45:22.239 --> 0:45:23.520
<v Speaker 2>you can give me some feedback here I'm just going

0:45:23.600 --> 0:45:25.640
<v Speaker 2>to run through the list of the movies that were mentioned.

0:45:26.520 --> 0:45:28.560
<v Speaker 2>First of all, nineteen seventy five is the Rocky Horror

0:45:28.560 --> 0:45:32.719
<v Speaker 2>Picture Show classic of course. Yeah, seventy four's Phantom of

0:45:32.760 --> 0:45:35.160
<v Speaker 2>the Paradise. Ooh, I mean we talk about that at

0:45:35.239 --> 0:45:38.959
<v Speaker 2>least every couple of weeks anyway. Yeah, yeah, Midsommer from

0:45:39.239 --> 0:45:42.040
<v Speaker 2>twenty nineteen. I haven't seen that when I can't come.

0:45:43.320 --> 0:45:48.960
<v Speaker 3>I liked it. It's a great feel bad movie. But no,

0:45:49.120 --> 0:45:51.120
<v Speaker 3>I mean it really is good. But the vibes are

0:45:51.160 --> 0:45:55.680
<v Speaker 3>bad and it's a good film, and it I don't

0:45:55.680 --> 0:45:57.359
<v Speaker 3>know if I want to talk about that on Weird House.

0:45:57.920 --> 0:45:59.439
<v Speaker 3>It seems like it'd be a bummer of a time.

0:45:59.719 --> 0:46:03.840
<v Speaker 2>Was that a twenty four film? Yes, okay, there's I

0:46:03.920 --> 0:46:07.080
<v Speaker 2>recently with Serve some ads or maybe I follow the

0:46:07.160 --> 0:46:11.000
<v Speaker 2>account for an a twenty four film themed burless show,

0:46:11.440 --> 0:46:13.680
<v Speaker 2>and my initial thought was like, I think they pulled

0:46:13.719 --> 0:46:15.279
<v Speaker 2>it off. I think they pulled it off. I saw

0:46:15.320 --> 0:46:17.560
<v Speaker 2>later the images It's like it looked fun but I

0:46:17.600 --> 0:46:19.600
<v Speaker 2>was like, wow, that is a challenging theme for your

0:46:19.600 --> 0:46:21.759
<v Speaker 2>burless show to go with a twenty four But.

0:46:21.880 --> 0:46:25.040
<v Speaker 3>I respect that though. That's funny and I can see

0:46:25.080 --> 0:46:27.399
<v Speaker 3>how you can make it work. But yeah, Midsommar is great,

0:46:27.440 --> 0:46:29.399
<v Speaker 3>but I kind of doubt we'll do it on Weird House.

0:46:29.600 --> 0:46:31.919
<v Speaker 2>Okay, how about the next one? Nineteen ninety nine's BeO

0:46:32.000 --> 0:46:34.240
<v Speaker 2>Wolf starting with stuff Lambert.

0:46:34.600 --> 0:46:36.919
<v Speaker 3>I don't know, that's more possible. It's been a long

0:46:36.920 --> 0:46:39.440
<v Speaker 3>time since I've seen it. That's the one that's like

0:46:39.920 --> 0:46:42.600
<v Speaker 3>sci fi BeO Wolf It yeah, place in a castle

0:46:42.719 --> 0:46:44.960
<v Speaker 3>in the future or maybe with lasers.

0:46:45.280 --> 0:46:48.200
<v Speaker 2>Yeah, it's all fun and games until the worst CGI

0:46:48.760 --> 0:46:53.319
<v Speaker 2>thing of all time emerges. It's like Beyond the Rock

0:46:53.560 --> 0:46:54.879
<v Speaker 2>Scorpion monster.

0:46:54.880 --> 0:46:57.799
<v Speaker 3>The Grendel I recall looks like it's made out of

0:46:57.920 --> 0:46:59.440
<v Speaker 3>CGI link sausages.

0:46:59.680 --> 0:47:03.360
<v Speaker 2>Yeah, that's the one, all right. So that one's a

0:47:03.440 --> 0:47:07.080
<v Speaker 2>maybe nineteen ninety nine's bi centennial man.

0:47:07.400 --> 0:47:09.719
<v Speaker 3>Never seen it. But is that the one that's got

0:47:09.800 --> 0:47:12.520
<v Speaker 3>Robin Williams as a robot of some kind?

0:47:12.760 --> 0:47:16.520
<v Speaker 2>Yeah? Yeah, I feel like we might do a Robin

0:47:16.520 --> 0:47:19.360
<v Speaker 2>Williams film eventually. He was such a great and weird

0:47:19.400 --> 0:47:22.160
<v Speaker 2>performer in his own right. But I think there's some

0:47:22.200 --> 0:47:23.800
<v Speaker 2>other Robin Williams films that are going to be a

0:47:23.800 --> 0:47:29.280
<v Speaker 2>little higher up the list. Flubber sure, all right, nineteen

0:47:29.320 --> 0:47:33.160
<v Speaker 2>ninety nine's Wild Zero, the Japanese comedy horror film.

0:47:33.280 --> 0:47:36.520
<v Speaker 3>Weirdly Enough, I was just recently looking at revisiting that

0:47:36.640 --> 0:47:38.400
<v Speaker 3>on the show. I saw that when I was in

0:47:38.480 --> 0:47:40.600
<v Speaker 3>high school. My friend Ben showed it to me, and

0:47:40.640 --> 0:47:43.160
<v Speaker 3>that was a great time. I recall it's been for long.

0:47:43.320 --> 0:47:46.880
<v Speaker 3>I barely remember it, but I recall it was absolutely nuts,

0:47:47.000 --> 0:47:48.439
<v Speaker 3>but in a great, great way.

0:47:49.520 --> 0:47:52.399
<v Speaker 2>All right. The next one is the Romanian sci fi

0:47:52.640 --> 0:47:56.640
<v Speaker 2>animated film Delta Space Mission. This is one I haven't

0:47:56.640 --> 0:47:58.400
<v Speaker 2>seen it. I don't think you've seen it either, but

0:47:58.560 --> 0:48:01.000
<v Speaker 2>this one has been on my radar because looks super weird.

0:48:01.800 --> 0:48:04.400
<v Speaker 2>I actually I watched part of it on an airplane,

0:48:04.640 --> 0:48:06.719
<v Speaker 2>but then switch to something else because I just not

0:48:06.760 --> 0:48:08.520
<v Speaker 2>because there was anything wrong with it, but it just

0:48:08.600 --> 0:48:10.240
<v Speaker 2>wasn't the vibe I was going for at the moment.

0:48:10.960 --> 0:48:13.239
<v Speaker 2>But it was on Criterion Channel for a bit, and

0:48:13.280 --> 0:48:15.560
<v Speaker 2>I believe def Crocodile put it out on Blu Ray.

0:48:15.640 --> 0:48:18.840
<v Speaker 2>I have a really nice package. It looks amazing. I

0:48:18.840 --> 0:48:21.279
<v Speaker 2>don't know if it's right for the two hundredth Weird

0:48:21.320 --> 0:48:23.319
<v Speaker 2>House Cinema selection, but it is one we might come

0:48:23.360 --> 0:48:26.239
<v Speaker 2>back to. And then finally it was also mentioned that

0:48:26.280 --> 0:48:30.120
<v Speaker 2>we might consider nineteen eighty three's Video Drome, given that

0:48:30.800 --> 0:48:34.640
<v Speaker 2>we often reference the Atlanta Videodrome a rental store. Plus.

0:48:34.719 --> 0:48:36.799
<v Speaker 2>Videodrome is a movie that does come up in our

0:48:36.840 --> 0:48:40.040
<v Speaker 2>conversations a lot, both on Weird House Cinema and un

0:48:40.040 --> 0:48:41.000
<v Speaker 2>Stuck to Below Your Mind.

0:48:41.320 --> 0:48:43.160
<v Speaker 3>You know, I think of it almost more like a

0:48:43.320 --> 0:48:47.120
<v Speaker 3>reference text for us than something we would feature. But

0:48:47.719 --> 0:48:49.080
<v Speaker 3>if that doesn't make sense.

0:48:49.280 --> 0:48:53.799
<v Speaker 2>That's somehow I have similar feelings about. I'm very much

0:48:53.800 --> 0:48:55.600
<v Speaker 2>on the fence when it comes to Rocky Horror Picture

0:48:55.640 --> 0:48:59.160
<v Speaker 2>Show because it's Rocky Horror Picture Show feels like kind

0:48:59.160 --> 0:49:03.360
<v Speaker 2>of a foundation text, at least for me personally, and like, so,

0:49:03.440 --> 0:49:05.319
<v Speaker 2>I don't know. It's like sometimes I'm like, yes, we

0:49:05.320 --> 0:49:07.400
<v Speaker 2>absolutely should do Rocky Our Picture Show, and then other

0:49:07.440 --> 0:49:09.839
<v Speaker 2>times I'm like, no, It's like Rocky our Picture Show

0:49:09.920 --> 0:49:12.279
<v Speaker 2>is what you refer back to to make sense of

0:49:12.320 --> 0:49:12.959
<v Speaker 2>everything else.

0:49:13.000 --> 0:49:14.879
<v Speaker 3>So I know, I know exactly what you're talking about.

0:49:14.920 --> 0:49:16.480
<v Speaker 3>That's sort of what I mean about Video Dream.

0:49:16.719 --> 0:49:17.120
<v Speaker 1>Yeah.

0:49:17.200 --> 0:49:18.479
<v Speaker 2>Yeah, seems more like.

0:49:18.400 --> 0:49:21.960
<v Speaker 3>The thing that we compare and contrast the movie we're

0:49:21.960 --> 0:49:24.960
<v Speaker 3>talking about two rather than the movie we talk about.

0:49:25.360 --> 0:49:27.960
<v Speaker 2>Yeah, So ultimately, maybe we're more likely to do like

0:49:28.000 --> 0:49:31.440
<v Speaker 2>shock treatment at some point, or do some sort of

0:49:31.840 --> 0:49:34.799
<v Speaker 2>obviously a bad video drome rip off that sort of thing.

0:49:35.520 --> 0:49:39.440
<v Speaker 2>At any rate, I really enjoyed reading through everyone's suggestions

0:49:39.760 --> 0:49:41.440
<v Speaker 2>in the Discord Server. That's the sort of back and

0:49:41.520 --> 0:49:43.480
<v Speaker 2>forth you can get if you joined The Stuff to

0:49:43.480 --> 0:49:44.800
<v Speaker 2>Blow your Mind discord Server.

0:49:45.600 --> 0:49:48.040
<v Speaker 3>I'm not promising either one, but for some reason, I

0:49:48.040 --> 0:49:51.120
<v Speaker 3>would say it's more likely that we do existens than

0:49:51.160 --> 0:49:52.400
<v Speaker 3>that we do video drome.

0:49:53.080 --> 0:49:56.200
<v Speaker 2>Oh yeah, oh yeah, that would be that would be

0:49:56.200 --> 0:49:58.520
<v Speaker 2>a choice for sure. I haven't seen that one in

0:49:58.560 --> 0:50:01.480
<v Speaker 2>a while. All Right, well, we're going to keep thinking

0:50:01.520 --> 0:50:04.239
<v Speaker 2>about it. You'll find out one way or another in

0:50:04.480 --> 0:50:08.520
<v Speaker 2>about a week. In the meantime, we thank everyone for

0:50:08.560 --> 0:50:10.720
<v Speaker 2>writing in, and we just encourage you to keep writing.

0:50:10.960 --> 0:50:12.440
<v Speaker 2>We remind you The Stuff to Blow Your Mind is

0:50:12.480 --> 0:50:14.880
<v Speaker 2>primarily a science and culture podcast, with core episodes on

0:50:14.920 --> 0:50:18.280
<v Speaker 2>Tuesdays and Thursday, short form episodes on Wednesdays and on Fridays.

0:50:18.280 --> 0:50:20.560
<v Speaker 2>We set aside most serious concerns to just talk about

0:50:20.560 --> 0:50:25.000
<v Speaker 2>a weird film on Weird House Cinema. Again, write in

0:50:25.040 --> 0:50:27.239
<v Speaker 2>if you want to join the discord Server, look look

0:50:27.280 --> 0:50:30.200
<v Speaker 2>find us online. We're on various social media accounts as well.

0:50:30.320 --> 0:50:33.000
<v Speaker 2>Get the podcast wherever you get your podcasts, and if

0:50:33.000 --> 0:50:36.120
<v Speaker 2>you're on letterboxed, you can go there and find us.

0:50:36.200 --> 0:50:39.279
<v Speaker 2>On letterbox our username is weird House. Follow us there

0:50:39.320 --> 0:50:40.600
<v Speaker 2>and you can find a nice list of all the

0:50:40.600 --> 0:50:42.080
<v Speaker 2>Weird House movies we've ever done.

0:50:42.440 --> 0:50:46.040
<v Speaker 3>Huge thanks, as always to our excellent audio producer JJ Posway.

0:50:46.360 --> 0:50:48.000
<v Speaker 3>If you would like to get in touch with us

0:50:48.000 --> 0:50:50.480
<v Speaker 3>with feedback on this episode or any other, to suggest

0:50:50.520 --> 0:50:52.640
<v Speaker 3>a topic for the future, or just to say hello,

0:50:52.960 --> 0:50:55.560
<v Speaker 3>you can email us at contact at stuff to blow

0:50:55.560 --> 0:51:03.280
<v Speaker 3>your Mind dot com.

0:51:03.480 --> 0:51:06.440
<v Speaker 1>Stuffed Blow your Mind is a production of iHeartRadio. For

0:51:06.520 --> 0:51:10.360
<v Speaker 1>more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

0:51:10.440 --> 0:51:12.200
<v Speaker 1>or wherever you listen to your favorite shows.