WEBVTT - Starring Taran Killam as Jordan Cahill in “Stuck in the Suburbs”

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<v Speaker 1>Well, thank you so much for joining us on our

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<v Speaker 1>park Hopper episode this week, where we are going to

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<v Speaker 1>be talking to I mean, I guess Dcom royalty in

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<v Speaker 1>the way that En Sync is royalty, that the Backstreet

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<v Speaker 1>Boys is royalty, that any pop star in the early

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<v Speaker 1>aughts is royalty in that we are talking to Jordan

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<v Speaker 1>ky Hill. Yet actually we're not. We're talking to Terarren Killham,

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<v Speaker 1>who of course played Jordan k Hill, the frosted tip

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<v Speaker 1>locker pin up icon from Stuck in the Suburbs, who

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<v Speaker 1>apparently doesn't ever hold his own phone, and who's assistant

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<v Speaker 1>can't tell the difference between his phone and a giant

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<v Speaker 1>pink one.

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<v Speaker 2>Nope, we gotta we gotta ask him about that. I

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<v Speaker 2>really terrible assistant.

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<v Speaker 1>We love that. So if you could do us a

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<v Speaker 1>favor and please help us welcome Taran Killer.

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<v Speaker 3>Hello, Hello, Hello, how are you? I'm good? How are

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<v Speaker 3>you guys?

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<v Speaker 4>Welcome?

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<v Speaker 3>We're good having me.

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<v Speaker 4>Thank you for joining us.

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<v Speaker 1>I'm sure you've been asked to do tons of podcasts

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<v Speaker 1>about like SNL and some of the movies you've done, but.

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<v Speaker 4>Is this the first?

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<v Speaker 1>This is the one peoples, Yeah, people are waiting for.

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<v Speaker 3>There I love that, you know what I mean.

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<v Speaker 1>Well, we just recapped the movie.

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<v Speaker 3>Okay, okay, awesome.

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<v Speaker 2>How long has it been since you've seen Stuck in Suburbs.

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<v Speaker 5>It's been a while. It's been a long time. Yeah,

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<v Speaker 5>I'm gonna say, I'm gonna say five or six years.

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<v Speaker 3>Okay, Okay.

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<v Speaker 5>Vanessa Bayer, who I was on SNL with, became very

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<v Speaker 5>obsessed with the fact that I was in this movie

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<v Speaker 5>when I was twenty one, and so for a birthday

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<v Speaker 5>for her, I was able to try down a DVD

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<v Speaker 5>of it and gift that to her, and I think

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<v Speaker 5>that was the last time I watched it. Was like

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<v Speaker 5>for her birthday. For Vanessa Beyer's birthday, we watched Stuck

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<v Speaker 5>in the Suburbs.

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<v Speaker 2>Well, she was like every other girl at that time, Okay,

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<v Speaker 2>obsessed with the movie and with you as Jordan Gale,

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<v Speaker 2>I mean, goes hand in hand. Sure, I can't hate

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<v Speaker 2>her for.

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<v Speaker 5>That, you know, I can't hate her for anything. And

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<v Speaker 5>I've tried really hard.

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<v Speaker 3>I've looked for a lot of reasons to hate for Essa.

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<v Speaker 5>No, I mean, it's so funny the way, and I'm

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<v Speaker 5>sure you have covered this in previous watches or just

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<v Speaker 5>explorations of your your premise in general. But Disney just

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<v Speaker 5>just will replay the heck out of all these movies. Yeah,

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<v Speaker 5>and in a way you know it hasn't died.

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<v Speaker 3>This isn't a thing from the past.

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<v Speaker 5>And because of that anytime I would leave SNL at

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<v Speaker 5>the stage door. Stuck in the Suburbs was probably the

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<v Speaker 5>thing I was asked about the most.

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<v Speaker 2>Ohow, we were gonna have amazing people are coming up

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<v Speaker 2>to you a lot. It's true amazing.

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<v Speaker 1>I don't know if you're aware of this. There's been

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<v Speaker 1>a huge resurgence in the love of the d Cooms.

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<v Speaker 3>We're a huge descendant's family or too appreciate that too, both.

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<v Speaker 1>Well, the thing about Disney's there, they're kind of evergreen,

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<v Speaker 1>so you know you can go watch normally not people

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<v Speaker 1>like myself who don't have young children, but you know,

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<v Speaker 1>you can go and watch. A twelve or thirteen year

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<v Speaker 1>old kid can go and watch Stuck in the Suburbs

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<v Speaker 1>right now and enjoy it just as much as a

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<v Speaker 1>twelve or thirteen year old kid.

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<v Speaker 4>Did in two thousand and four.

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<v Speaker 1>I mean, it's the same kind of It's just a

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<v Speaker 1>nice movie.

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<v Speaker 2>Well, and it's available now with Disney. Plus these movies

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<v Speaker 2>are available, that's all. Okay, we were just having a

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<v Speaker 2>conversation of streaming is the way people watch TV majority

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<v Speaker 2>of the date of the times now, especially young kids.

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<v Speaker 2>So they see something that there's one actor, you know,

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<v Speaker 2>if they're a Brenda song fan, they're all sudden booms.

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<v Speaker 2>Stuck in the Suburbs is gonna come up of feature

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<v Speaker 2>that they should watch, you know. So that's that's why

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<v Speaker 2>they're all circulating back around and they're finding these great

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<v Speaker 2>gems that Disney put out. Yeah, during the time movie

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<v Speaker 2>came out, they were hitting them almost monthly, the movies

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<v Speaker 2>you well.

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<v Speaker 1>Remember of course, now can you remember first hearing about

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<v Speaker 1>Stuck in the Suburbs. Was this a typical there's an

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<v Speaker 1>audition coming up? Or were you just asked me in

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<v Speaker 1>the film or what happened?

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<v Speaker 3>No, no, no, no, no no no.

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<v Speaker 5>It's it was a long slog to get to offer.

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<v Speaker 3>Only well.

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<v Speaker 5>And still still like sitting by the phone, it brings

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<v Speaker 5>in frequently. But this was an audition that was exciting

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<v Speaker 5>because singing was required. They wanted someone who was able

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<v Speaker 5>to sing, and I had been a musical theater major

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<v Speaker 5>in college. So this was a very exciting opportunity to

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<v Speaker 5>use those tools in theory. I auditioned, you know, I

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<v Speaker 5>did my initial audition, and my memory is that pretty

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<v Speaker 5>quickly I was like one of the producer's choices or

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<v Speaker 5>I got to the sort of callback level very quickly. Okay, okay,

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<v Speaker 5>And there were three of us, and it was at

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<v Speaker 5>night time. I just remember because I got there and

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<v Speaker 5>this very talented actor, singer Drew Seely, who is featured

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<v Speaker 5>in Stuck in the Suburb.

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<v Speaker 1>Because I didn't know who it was.

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<v Speaker 2>It was the hotel desk clerk that they try to

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<v Speaker 2>get up to you or your character, so.

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<v Speaker 3>There was he wasn't he had a guitar, and I

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<v Speaker 3>was like, oh no, damn it.

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<v Speaker 5>Oh no, that's like that is the next level of

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<v Speaker 5>ability right there. And then there's another another actor and

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<v Speaker 5>my memory is his first name's Sad. Forgive me that

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<v Speaker 5>if that's even your name. He actually ended up playing

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<v Speaker 5>my brother in Just Married. He's one of my older

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<v Speaker 5>brothers in that, which or actually maybe that happened before.

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<v Speaker 3>Oh boy time, right guys, Yeah, yeah, alright.

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<v Speaker 1>Chat is sitting somewhere going it's Chat.

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<v Speaker 5>It's yeah, that's why I'm gonna be real soft at

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<v Speaker 5>my thh. He was there and I'm remembering that better

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<v Speaker 5>now that that because we knew each other, was like.

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<v Speaker 1>Hey, what's going on, man, Fad Luck and Bill?

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<v Speaker 5>There you go, Lu and Bill there you have it okay,

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<v Speaker 5>And we had to do the scenes. There was a

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<v Speaker 5>couple of scenes and then sing a song of our choice,

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<v Speaker 5>and you knew Drew was going to do an original

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<v Speaker 5>acoustic guitar something amazing. I sang Unchained Melody by the

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<v Speaker 5>Everly Brothers yep as Famous and Ghost and it went

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<v Speaker 5>well and went well, and that's the last I heard

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<v Speaker 5>of it for some time, for like you know, days

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<v Speaker 5>and maybe even weeks. And and after that, I had

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<v Speaker 5>booked a studio audition for a pilot. I was going

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<v Speaker 5>to uh to the Fox Network to audition for this

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<v Speaker 5>multi cam for the lead. And this is where it

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<v Speaker 5>gets really exciting.

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<v Speaker 2>Kids, Get close, Get close.

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<v Speaker 5>I was about to go into the audition for this

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<v Speaker 5>sitcom that never happened, and I got a call and

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<v Speaker 5>my reps were like, Disney just called. They want to

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<v Speaker 5>offer you the role, but you have to you have

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<v Speaker 5>to walk away from the test. You can't if you

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<v Speaker 5>if you test, they're going to ask somebody else. Oh,

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<v Speaker 5>And I was like, oh my god, I don't know

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<v Speaker 5>what to do. And and my reps at the time

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<v Speaker 5>were like, do the test.

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<v Speaker 3>Because of this show goes it could be a huge hit.

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<v Speaker 5>You never know, and as excited as you are about this,

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<v Speaker 5>this Disney Channel original movie, it's just a better opportunity.

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<v Speaker 3>So I said no.

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<v Speaker 5>And I was so sad about it, and like, I

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<v Speaker 5>feel like I was probably.

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<v Speaker 3>In my head about it. In the audition, was only

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<v Speaker 3>me and Jonathan Taylor Thomas.

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<v Speaker 4>Oh no.

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<v Speaker 1>Guitar.

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<v Speaker 5>He is a human guitar are basically he is the

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<v Speaker 5>human equivalent.

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<v Speaker 3>J JTT. In the house, I was like, well, did

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<v Speaker 3>you see him in the lobby too?

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<v Speaker 5>I saw him in the hallway. It was just him

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<v Speaker 5>and we didn't I wanted to, you know, you never

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<v Speaker 5>know whether you want to people want to engage.

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<v Speaker 3>Or social life quarter So I left him alone. Did

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<v Speaker 3>the test get called the next day? You didn't get it.

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<v Speaker 5>JTT didn't get it either, So I think I think

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<v Speaker 5>what happened is that the whole show imploded. Quite honestly, Okay,

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<v Speaker 5>thanks for another podcast.

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<v Speaker 2>Yes whoops, yeah, yeah, whoopsie Daisy's Yeah, man.

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<v Speaker 5>I was so sad at that point in my life.

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<v Speaker 5>I was, you know, twenty twenty one. I was like,

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<v Speaker 5>I've I'm an idiot, I'm an idiot. And it was

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<v Speaker 5>like a full forty eight hours of wallowing, of listening

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<v Speaker 5>to the saddest you two songs. And then on day three,

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<v Speaker 5>my reps call and they go, Okay, Disney's back, and

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<v Speaker 5>we're they're willing to offer you triple the amount.

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<v Speaker 3>Before it was.

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<v Speaker 4>They thought, there you were holding out.

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<v Speaker 3>That's the best. It was so glory.

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<v Speaker 5>I I learned everything I need to know about negotiations.

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<v Speaker 3>Oh oh, they.

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<v Speaker 5>Were absolutely that is hysterical. And and then and then

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<v Speaker 5>they go, you're going You're going to New Orleans. You're

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<v Speaker 5>gonna fly to New Orleans for a month and pretend

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<v Speaker 5>to be a pop star.

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<v Speaker 3>It was, it was so exciting.

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<v Speaker 1>What was the shoot?

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<v Speaker 5>Like?

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<v Speaker 1>Was new was shooting in New Orleans?

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<v Speaker 3>School was?

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<v Speaker 5>It's it to this day even probably the best most

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<v Speaker 5>enjoyable job I've had, because I was.

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<v Speaker 3>Twenty one New Orleans at Jordan K. Hill.

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<v Speaker 5>You know, he's he's featured, but he but but it's

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<v Speaker 5>mostly Danielle and Brandon set.

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<v Speaker 3>I had some time maybe ten days, maybe ten days

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<v Speaker 3>out of the month. Yeah, all of.

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<v Speaker 5>My per diem went to Harris Casino. We got there

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<v Speaker 5>the last week of Marty Gras, Ryan Belleville, who plays

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<v Speaker 5>my best friend in the film, and then Todd Stashwick

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<v Speaker 5>who is the manager. Brilliantly funny guys. We all come

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<v Speaker 5>from improv stand up sketch.

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<v Speaker 1>Like I just saw Todd not longer.

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<v Speaker 3>Oh awesome. Yeah, so it was truly like a vacation

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<v Speaker 3>of a job. It was extraordinary.

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<v Speaker 5>Oh wow, like airboat tours and holding alligators.

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<v Speaker 3>Yes, did the only new.

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<v Speaker 2>We just get off another interview that says, it's like

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<v Speaker 2>I was filming in New Zealand for d com and

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<v Speaker 2>it was like a vacation. It's like Disney. All you

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<v Speaker 2>got to do is book a job on Disney.

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<v Speaker 3>Truly.

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<v Speaker 1>So before we get into then, what actually happened with

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<v Speaker 1>the singing in the movie. And you've already said to

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<v Speaker 1>us and set up and I could kind of see

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<v Speaker 1>in the last scene that you don't actually play guitar.

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<v Speaker 3>Sure, well, I was being nice. I was I was

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<v Speaker 3>chewing on the guitar.

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<v Speaker 4>It was not the best The guitar.

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<v Speaker 3>Wasn't the best part.

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<v Speaker 1>What was it like so me growing up, Better Off Dead,

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<v Speaker 1>One Crazy Summer. These were hugely important things to me.

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<v Speaker 1>So what was it like working with Savage Steve.

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<v Speaker 5>Hond Yeah, I only found out that's who like that

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<v Speaker 5>he had directed those films and One Crazy Summer in

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<v Speaker 5>particular for me.

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<v Speaker 3>Is I watched it on a loop me too.

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<v Speaker 5>And he's the best. He's such a crazy, fun guy.

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<v Speaker 5>He really was sort of like he enhanced that energy

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<v Speaker 5>of like we're in New Orleans, we're having the time

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<v Speaker 5>of our lives.

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<v Speaker 3>Let's shoot this really fun, charming movie, and then let's

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<v Speaker 3>get out there you guys.

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<v Speaker 5>So he was just like the best social chair of

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<v Speaker 5>a director. And I picked his brain at about certainly

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<v Speaker 5>both those movies, but One Crazy Summer in particular because

0:11:53.320 --> 0:11:56.920
<v Speaker 5>bobcat Goldwaite in that movie, like I would quote all

0:11:57.200 --> 0:11:58.920
<v Speaker 5>the time, I could do it too, I could do

0:11:59.000 --> 0:12:02.360
<v Speaker 5>it today. This is background a little fat kid that

0:12:02.440 --> 0:12:05.320
<v Speaker 5>nobody liked and Curnis Armstrong or the little.

0:12:07.559 --> 0:12:08.520
<v Speaker 3>Just like a grandma bur.

0:12:14.320 --> 0:12:18.680
<v Speaker 5>Yeah, it's just like everything worked out all in my favor,

0:12:19.040 --> 0:12:22.600
<v Speaker 5>from going from like oh no, I do it, I'll

0:12:22.640 --> 0:12:24.959
<v Speaker 5>never have this to truly like one of the most

0:12:25.040 --> 0:12:27.199
<v Speaker 5>formative jobs I've ever had.

0:12:27.320 --> 0:12:29.719
<v Speaker 1>The industry that's the industry in three days, isn't that?

0:12:29.960 --> 0:12:35.719
<v Speaker 2>I mean you almost were this close to buying your

0:12:35.760 --> 0:12:42.120
<v Speaker 2>manager exactly. How could you even suggest to then it

0:12:42.240 --> 0:12:45.720
<v Speaker 2>being so incredible? Okay, So the movie is obviously based

0:12:45.760 --> 0:12:49.240
<v Speaker 2>around the you know, mecca of boy bands and seeing

0:12:49.360 --> 0:12:54.640
<v Speaker 2>Backstreet Boys, you know, all of those pop sensations. What

0:12:54.760 --> 0:12:58.040
<v Speaker 2>was told that That seems where Jordan ca Hill's you

0:12:58.080 --> 0:13:03.400
<v Speaker 2>know your Son is built around what was told to

0:13:03.440 --> 0:13:06.040
<v Speaker 2>you about Jordan Kate, Like, how did they prep you

0:13:06.280 --> 0:13:10.120
<v Speaker 2>of how they wanted you to play that part of him?

0:13:10.559 --> 0:13:13.600
<v Speaker 3>Interesting? That's yeah, that part was a little it was

0:13:13.679 --> 0:13:14.520
<v Speaker 3>more casual.

0:13:14.720 --> 0:13:19.400
<v Speaker 5>I was and am a huge fan of boy bands,

0:13:20.040 --> 0:13:23.120
<v Speaker 5>you know, Backstreet Boys and SYNC in particular, So I

0:13:23.160 --> 0:13:25.040
<v Speaker 5>think like I was kind of left to my own

0:13:25.080 --> 0:13:30.719
<v Speaker 5>devices to kind of draw from whatever source material I that.

0:13:30.720 --> 0:13:32.120
<v Speaker 3>Spoke to me, that spoke to my heart.

0:13:32.200 --> 0:13:34.400
<v Speaker 5>So in my mind, it was definitely like more in

0:13:34.440 --> 0:13:37.920
<v Speaker 5>the Timberlake lane than in the card or lane, if

0:13:37.960 --> 0:13:38.960
<v Speaker 5>that makes sense.

0:13:39.679 --> 0:13:40.800
<v Speaker 3>Thank you for understanding.

0:13:43.200 --> 0:13:45.880
<v Speaker 2>Highlighted hair is in both lane.

0:13:46.240 --> 0:13:48.480
<v Speaker 5>Yeah, no, I know, but if you think about it,

0:13:48.520 --> 0:13:52.800
<v Speaker 5>like what what real hair transformation did? Did like Nick

0:13:52.880 --> 0:13:56.720
<v Speaker 5>go through But JT when he lost when he shaved,

0:13:57.440 --> 0:13:59.280
<v Speaker 5>he shaved down the hair and went solo.

0:14:00.040 --> 0:14:03.840
<v Speaker 2>A difference the huge it was huge. Well Nick did

0:14:04.080 --> 0:14:07.800
<v Speaker 2>the bold cut blonde to the spikes.

0:14:08.000 --> 0:14:09.360
<v Speaker 1>Actually the strangest conversation.

0:14:10.440 --> 0:14:15.880
<v Speaker 2>Strange conversation, you know, but again not as extreme nor

0:14:16.080 --> 0:14:18.800
<v Speaker 2>cared about as much as it was actually a big day.

0:14:19.040 --> 0:14:21.200
<v Speaker 2>That's exactly what I thought of when I saw the

0:14:21.200 --> 0:14:23.920
<v Speaker 2>movie was this is like JT when he cut his

0:14:24.000 --> 0:14:26.440
<v Speaker 2>hair off. No one could believe he cut those curly

0:14:26.480 --> 0:14:27.040
<v Speaker 2>locks off.

0:14:27.160 --> 0:14:28.440
<v Speaker 3>I think that's what they were going for. But I

0:14:28.640 --> 0:14:32.600
<v Speaker 3>have very he looked good. I yeah, I looked better.

0:14:32.920 --> 0:14:33.160
<v Speaker 3>It was.

0:14:33.240 --> 0:14:35.680
<v Speaker 5>It was very interesting because the first half of my

0:14:35.800 --> 0:14:39.200
<v Speaker 5>shoot had I had like these actual hair extensions and

0:14:39.400 --> 0:14:44.240
<v Speaker 5>right they like hot they hot glued hair into it.

0:14:44.360 --> 0:14:46.280
<v Speaker 5>And like at the time, I'm living in a in

0:14:46.320 --> 0:14:48.880
<v Speaker 5>an apartment with like three of my college buddies, Like

0:14:48.880 --> 0:14:52.320
<v Speaker 5>it's just in this disgusting like bachelor pad and I

0:14:52.400 --> 0:14:54.600
<v Speaker 5>come home with you and they just gave me so

0:14:54.880 --> 0:14:59.680
<v Speaker 5>much for them this because you know, like JT's got

0:14:59.760 --> 0:15:01.920
<v Speaker 5>you know it just his hair naturally grew out. But

0:15:02.480 --> 0:15:07.240
<v Speaker 5>mind also went back to almost like Cinderella or like

0:15:07.400 --> 0:15:10.440
<v Speaker 5>you know, like poisoned, big hair band.

0:15:10.320 --> 0:15:11.480
<v Speaker 3>Kind of flowing locks.

0:15:11.520 --> 0:15:14.320
<v Speaker 5>I'm like, I have not seen this kind of boy

0:15:14.360 --> 0:15:20.880
<v Speaker 5>band member in my experience, Like, who's got long flowy nobody, nobody, No.

0:15:21.160 --> 0:15:22.360
<v Speaker 1>Some of the K pop stars do.

0:15:22.480 --> 0:15:27.040
<v Speaker 5>Now, if you're in the rain then of course, but.

0:15:28.600 --> 0:15:32.000
<v Speaker 3>Bts definitely never dips their toes shoulder.

0:15:32.760 --> 0:15:35.960
<v Speaker 2>We watched Brink a lot of the movies we've watched

0:15:35.960 --> 0:15:40.200
<v Speaker 2>that were on the Disney Channel. That was their signature thing. Hello,

0:15:40.480 --> 0:15:43.120
<v Speaker 2>Will had long gorgeous.

0:15:42.640 --> 0:15:44.120
<v Speaker 1>Like the nineties.

0:15:46.120 --> 0:15:50.160
<v Speaker 5>Will confirmed this for me because this is just wasn't yeah,

0:15:50.200 --> 0:15:51.920
<v Speaker 5>this is this is out of that. But but that

0:15:52.120 --> 0:15:55.720
<v Speaker 5>sort of sent that centered park flow like step cup

0:15:55.800 --> 0:16:00.800
<v Speaker 5>thing to me. Edward verlong Terminator two is what made

0:16:00.960 --> 0:16:03.040
<v Speaker 5>every guy of my generation want to have?

0:16:03.520 --> 0:16:06.280
<v Speaker 3>Is that toss? I don't know, I don't know.

0:16:06.360 --> 0:16:09.080
<v Speaker 5>I mean it was very it was very specific to

0:16:09.080 --> 0:16:11.040
<v Speaker 5>me him on that dirt bike flipping that hair.

0:16:11.080 --> 0:16:12.680
<v Speaker 3>I was like, I gotta, I gotta grow my hair out.

0:16:12.800 --> 0:16:14.480
<v Speaker 1>I hate to say this because I know he was

0:16:14.520 --> 0:16:16.360
<v Speaker 1>a rival of yours apparently at the time, but I

0:16:16.400 --> 0:16:20.520
<v Speaker 1>think Jonathan Taylor Thomas was another one all improvement that

0:16:20.960 --> 0:16:22.880
<v Speaker 1>kind of Yeah, we and we were right next to

0:16:22.920 --> 0:16:25.240
<v Speaker 1>home improvement. We shared a gym class. We literally took

0:16:25.280 --> 0:16:27.880
<v Speaker 1>gym class together. So I think it was all we

0:16:27.920 --> 0:16:31.880
<v Speaker 1>all had the kind of sweeping middle part cut. Yeah, wow,

0:16:32.400 --> 0:16:35.320
<v Speaker 1>was was the way we decided to go. So let's

0:16:35.440 --> 0:16:37.840
<v Speaker 1>talk about a little bit about the singing.

0:16:38.280 --> 0:16:40.600
<v Speaker 3>Great because you can sing.

0:16:40.680 --> 0:16:43.400
<v Speaker 1>You were on Broadway, for God's sakes. You you can sing.

0:16:43.880 --> 0:16:46.960
<v Speaker 1>So did you know going in that you weren't going

0:16:47.040 --> 0:16:49.160
<v Speaker 1>to record the songs? Did you try to record the songs?

0:16:49.200 --> 0:16:49.240
<v Speaker 5>Like?

0:16:49.280 --> 0:16:50.640
<v Speaker 1>How did that whole thing work out?

0:16:51.320 --> 0:16:56.400
<v Speaker 5>I think in my like very hard line negotiation tactics, just.

0:16:58.960 --> 0:17:04.359
<v Speaker 3>Yeah, in that time production, I think like and and

0:17:04.440 --> 0:17:06.320
<v Speaker 3>Steve may like may have.

0:17:06.320 --> 0:17:08.919
<v Speaker 5>Confirmed this at one point. I have like a faint memory,

0:17:08.960 --> 0:17:11.720
<v Speaker 5>but I think they wanted that. I think, or I

0:17:11.760 --> 0:17:14.240
<v Speaker 5>think Steve was like I like Thad and then a

0:17:14.240 --> 0:17:17.000
<v Speaker 5>scheduling thing happened, and like, you know, like that's how

0:17:17.080 --> 0:17:18.520
<v Speaker 5>that you know, the business works.

0:17:18.720 --> 0:17:21.000
<v Speaker 3>It was not like we got to get him. They weren't.

0:17:21.119 --> 0:17:24.040
<v Speaker 5>They weren't strategizing in a boardroom like how do we

0:17:24.080 --> 0:17:26.520
<v Speaker 5>get darn. It was just kind of like, all right,

0:17:26.600 --> 0:17:31.480
<v Speaker 5>second choice, we'll take him. And so but in that time,

0:17:31.520 --> 0:17:33.720
<v Speaker 5>I think, because you know, we shot a old music

0:17:33.760 --> 0:17:35.080
<v Speaker 5>video and there was choreography.

0:17:35.240 --> 0:17:35.640
<v Speaker 4>Yeah.

0:17:35.840 --> 0:17:38.920
<v Speaker 5>Production had already needed to record the songs and didn't

0:17:38.960 --> 0:17:40.879
<v Speaker 5>want to spend the time or money to re record

0:17:40.880 --> 0:17:43.159
<v Speaker 5>them with my voice. So it was because it was

0:17:43.160 --> 0:17:44.800
<v Speaker 5>a thing where it was like you got the gig

0:17:45.160 --> 0:17:49.200
<v Speaker 5>going tomorrow to whatever Beverly Hill salon and have long

0:17:50.160 --> 0:17:52.919
<v Speaker 5>dead person hair glued didn't on to your skull and

0:17:52.960 --> 0:17:54.840
<v Speaker 5>then and then the next day we're.

0:17:54.680 --> 0:17:59.640
<v Speaker 3>Flying to New Orleans at the time, have you done these?

0:17:59.720 --> 0:18:00.920
<v Speaker 3>Have experience these?

0:18:01.200 --> 0:18:04.720
<v Speaker 2>I've had them? Yes, my god, It's what Jennifer Andison

0:18:04.800 --> 0:18:08.120
<v Speaker 2>was wearing at the time, so everyone had them. They're

0:18:08.240 --> 0:18:10.760
<v Speaker 2>hurt to sleep, to sleep on there to.

0:18:10.720 --> 0:18:13.639
<v Speaker 1>Take they did it all start with Jennifer Aniston? Or

0:18:13.680 --> 0:18:14.840
<v Speaker 1>was it really Eddie Furlong?

0:18:24.880 --> 0:18:27.879
<v Speaker 2>Okay, I have a theory. I don't know if this

0:18:28.040 --> 0:18:30.320
<v Speaker 2>is confirmed or not for you, Terry, because I did

0:18:30.359 --> 0:18:33.359
<v Speaker 2>look up a lot of the music producers of the time.

0:18:33.440 --> 0:18:35.480
<v Speaker 2>I've worked with quite a few of those. They were

0:18:35.520 --> 0:18:37.840
<v Speaker 2>like set Disney ones at the time, and that was

0:18:37.960 --> 0:18:40.680
<v Speaker 2>right between two of my the movies that I did

0:18:40.680 --> 0:18:42.480
<v Speaker 2>with the Cheetah Girls, so there was a lot of

0:18:42.480 --> 0:18:46.320
<v Speaker 2>the same overview of producers Drew was locked in with

0:18:46.359 --> 0:18:48.840
<v Speaker 2>a lot of them. I don't know how, but there's

0:18:48.880 --> 0:18:51.880
<v Speaker 2>a chance. What I think happened was he was already

0:18:51.880 --> 0:18:55.360
<v Speaker 2>on the demos. Interesting that they bought that that were

0:18:55.400 --> 0:18:58.840
<v Speaker 2>submitted into the channel, and so, like you said, the

0:18:58.880 --> 0:19:01.240
<v Speaker 2>cost of going back in and re recording and all

0:19:01.280 --> 0:19:03.520
<v Speaker 2>that stuff could have been it. But he was really

0:19:03.520 --> 0:19:05.639
<v Speaker 2>big on the demos. He was really big within the

0:19:05.760 --> 0:19:09.600
<v Speaker 2>channel because of the producers that he did write and

0:19:09.720 --> 0:19:13.440
<v Speaker 2>record with. So I again, this is a theory.

0:19:14.000 --> 0:19:15.960
<v Speaker 1>I'm still stuck on if if my hair is like

0:19:15.960 --> 0:19:17.840
<v Speaker 1>that because of Eddie Furlong, I'm still.

0:19:19.560 --> 0:19:19.800
<v Speaker 3>Bond.

0:19:20.160 --> 0:19:21.200
<v Speaker 4>I'm Princess Bond.

0:19:21.720 --> 0:19:24.359
<v Speaker 2>I can't believe those were extensions because they looked wonderful.

0:19:25.520 --> 0:19:27.680
<v Speaker 2>They looked so good never in my life. What I

0:19:27.680 --> 0:19:29.639
<v Speaker 2>thought I was my question one of the questions I

0:19:29.680 --> 0:19:31.560
<v Speaker 2>was going to say, how did you feel about cutting

0:19:31.560 --> 0:19:33.600
<v Speaker 2>your hair? Was that like a hard thing for you?

0:19:33.800 --> 0:19:34.359
<v Speaker 3>So happy?

0:19:34.440 --> 0:19:36.480
<v Speaker 4>So happy because it was not your hair?

0:19:37.040 --> 0:19:37.480
<v Speaker 3>Correct?

0:19:37.520 --> 0:19:39.119
<v Speaker 5>Get it out of I want to I want to

0:19:39.160 --> 0:19:45.120
<v Speaker 5>not have to sleep face down anymore. What was interesting

0:19:45.200 --> 0:19:48.040
<v Speaker 5>is is and Todd was was the one who said

0:19:48.040 --> 0:19:52.040
<v Speaker 5>this verses that without the extensions like that, long hair

0:19:52.200 --> 0:19:55.280
<v Speaker 5>aged me up, and it is true. I remember watching

0:19:55.280 --> 0:19:59.280
<v Speaker 5>the like go from like it's so interesting that long hair,

0:19:59.320 --> 0:20:00.880
<v Speaker 5>and then and then going to the shortcut.

0:20:00.920 --> 0:20:03.639
<v Speaker 3>I looked, you know, he did like my hair. I

0:20:03.680 --> 0:20:05.000
<v Speaker 3>looked like my age.

0:20:04.680 --> 0:20:07.960
<v Speaker 5>Suddenly, which is fascinating and and and and sort of

0:20:07.960 --> 0:20:10.240
<v Speaker 5>related to the look. I do remember that the woman

0:20:10.280 --> 0:20:13.520
<v Speaker 5>who designed the wardrobe had done Clueless, which.

0:20:13.320 --> 0:20:17.439
<v Speaker 3>Was very excited. Yes, Mona, Ma, did you work with

0:20:17.480 --> 0:20:18.000
<v Speaker 3>her too?

0:20:18.600 --> 0:20:23.040
<v Speaker 5>She's amazing, so funny, so cool, and she Jordan had

0:20:23.080 --> 0:20:26.680
<v Speaker 5>like legit stuff I had until maybe a year ago

0:20:27.200 --> 0:20:29.240
<v Speaker 5>of her saucy jacket.

0:20:29.040 --> 0:20:32.320
<v Speaker 3>Like that's what she loves, leather jacket with like.

0:20:34.280 --> 0:20:35.960
<v Speaker 4>It seems like you could wear that anywhere.

0:20:36.119 --> 0:20:37.040
<v Speaker 3>Chowbiness.

0:20:41.280 --> 0:20:44.119
<v Speaker 2>Mona is known to do that. She takes her budget

0:20:44.200 --> 0:20:46.960
<v Speaker 2>and if there's something in the movie that she thinks

0:20:47.040 --> 0:20:49.640
<v Speaker 2>is going to be sort of a key to your

0:20:49.920 --> 0:20:53.600
<v Speaker 2>iconic look, which that jacket, you know that she wants

0:20:53.720 --> 0:20:56.919
<v Speaker 2>to spend good money on making that a great jacket,

0:20:56.960 --> 0:20:59.560
<v Speaker 2>not getting a cheap she'll do cheap stuff other places

0:20:59.800 --> 0:21:02.040
<v Speaker 2>to make it all round out. But she's brilliant at

0:21:02.040 --> 0:21:04.560
<v Speaker 2>that absolutely and she's cool right.

0:21:07.000 --> 0:21:17.240
<v Speaker 1>Same now, when you were on SNL, did you or

0:21:17.359 --> 0:21:19.800
<v Speaker 1>anybody ever pitch a stuck in the suburbs.

0:21:20.080 --> 0:21:23.840
<v Speaker 5>Let's get no. I think enough time passed, Enough time

0:21:23.840 --> 0:21:27.520
<v Speaker 5>had passed. The first, the first and maybe only time

0:21:27.560 --> 0:21:29.360
<v Speaker 5>I got called out for it was the first time

0:21:29.440 --> 0:21:33.639
<v Speaker 5>Miley hosted. And on Monday, you go into Lauren's office

0:21:33.760 --> 0:21:37.080
<v Speaker 5>and every cast member and every rider has to pitch

0:21:37.080 --> 0:21:39.280
<v Speaker 5>an idea to the host to be like, I'm thinking

0:21:39.280 --> 0:21:41.160
<v Speaker 5>about this this week to kind of get them excited.

0:21:42.040 --> 0:21:45.159
<v Speaker 5>And when it came to me Lawrences and I.

0:21:45.040 --> 0:21:47.719
<v Speaker 3>Was like, oh, I know who you are. I know

0:21:47.720 --> 0:21:48.920
<v Speaker 3>who you are. Yeah.

0:21:49.119 --> 0:21:51.320
<v Speaker 5>I was like anything that ever happened on Disney, I

0:21:51.320 --> 0:21:55.680
<v Speaker 5>know everything about it, which is really funny and all

0:21:55.760 --> 0:21:59.800
<v Speaker 5>of these like very funny but cynical, too cool for school.

0:22:00.000 --> 0:22:01.840
<v Speaker 3>How many people are like what the hell?

0:22:05.400 --> 0:22:07.240
<v Speaker 2>So they didn't even know about stuff?

0:22:07.560 --> 0:22:09.000
<v Speaker 3>No no.

0:22:09.040 --> 0:22:11.560
<v Speaker 5>When Vanessa found out about it, she didn't know. I

0:22:11.680 --> 0:22:15.280
<v Speaker 5>wasn't no no, because like it was funny. Also, I

0:22:15.320 --> 0:22:19.359
<v Speaker 5>remember Lauren's daughter was very excited that I was on

0:22:19.400 --> 0:22:19.879
<v Speaker 5>the show.

0:22:20.920 --> 0:22:23.000
<v Speaker 3>Lauren came up to me and it was an.

0:22:22.840 --> 0:22:26.480
<v Speaker 5>Episode where Steve Martin was doing a cameo and Paul

0:22:26.560 --> 0:22:29.480
<v Speaker 5>Simon and after our meeting between jessinayir. Lauren comes up

0:22:29.520 --> 0:22:32.640
<v Speaker 5>and goes Steve Martin and Paul Simon in that room,

0:22:32.720 --> 0:22:35.080
<v Speaker 5>and all the SHOPHI wanted to talk about was you.

0:22:35.720 --> 0:22:37.920
<v Speaker 5>I was like, that's the power of Disney, and Lauren,

0:22:39.200 --> 0:22:42.240
<v Speaker 5>I'm sorry.

0:22:40.920 --> 0:22:44.800
<v Speaker 1>Oh man, I can't even just so so amazing. So

0:22:44.920 --> 0:22:48.320
<v Speaker 1>the girls were all One of the things we noticed

0:22:49.040 --> 0:22:51.399
<v Speaker 1>was that they're all supposed to be in middle school,

0:22:51.920 --> 0:22:56.280
<v Speaker 1>but Danielle and Brenda are probably sixteen at the time,

0:22:57.040 --> 0:23:01.000
<v Speaker 1>so I imagine they're shooting kind of their own stuff essentially,

0:23:01.040 --> 0:23:03.840
<v Speaker 1>Like you said, you're only working ten days. Yeah, So

0:23:05.040 --> 0:23:07.720
<v Speaker 1>I mean, was it kind of really discombobulated where you're

0:23:07.800 --> 0:23:10.080
<v Speaker 1>kind of going in shooting a little bit and then

0:23:10.160 --> 0:23:11.960
<v Speaker 1>leaving and then coming back and shooting, or did you

0:23:12.000 --> 0:23:14.520
<v Speaker 1>do essentially your stuff out in like ten days.

0:23:15.160 --> 0:23:17.600
<v Speaker 3>It was. It was definitely spread out throughout the month.

0:23:18.119 --> 0:23:18.359
<v Speaker 3>You know.

0:23:18.640 --> 0:23:21.240
<v Speaker 5>It was like it wasn't like in terms of staying

0:23:21.280 --> 0:23:24.880
<v Speaker 5>in it right right, Okay, I wasn't like to concerned.

0:23:24.920 --> 0:23:27.720
<v Speaker 5>It was it was joyful and and Steve do.

0:23:27.720 --> 0:23:29.440
<v Speaker 1>Your thing, you know, take off. Yeah.

0:23:29.520 --> 0:23:29.920
<v Speaker 3>Yeah.

0:23:29.960 --> 0:23:33.119
<v Speaker 5>Like the biggest sort of heaviest moment was probably the

0:23:33.119 --> 0:23:34.320
<v Speaker 5>fundraiser there at the end.

0:23:34.840 --> 0:23:36.240
<v Speaker 3>And I, you know, no.

0:23:36.640 --> 0:23:41.240
<v Speaker 5>Excuses, but excuse, I said, savage. Can someone teach me chords?

0:23:41.280 --> 0:23:41.840
<v Speaker 5>Can someone?

0:23:42.119 --> 0:23:42.199
<v Speaker 2>No?

0:23:42.240 --> 0:23:44.760
<v Speaker 3>I don't worry about it, buddy, we're gonna, we're gonna.

0:23:45.560 --> 0:23:47.800
<v Speaker 1>We were gonna asks like, did they not at least

0:23:47.840 --> 0:23:48.840
<v Speaker 1>teach him a chord to p.

0:23:49.880 --> 0:23:51.880
<v Speaker 3>Pleague and say he's like, no, don't any word, just

0:23:51.880 --> 0:23:53.560
<v Speaker 3>just go up there and do it.

0:23:53.600 --> 0:23:56.879
<v Speaker 4>Oh, you're gonna be great, buddy. Teach him a G

0:23:57.200 --> 0:23:58.720
<v Speaker 4>teaching one G chord.

0:23:58.720 --> 0:24:03.159
<v Speaker 2>Normal, just three chords is all you probably needed to do, truly,

0:24:03.240 --> 0:24:05.120
<v Speaker 2>three one, two three, And.

0:24:05.080 --> 0:24:06.720
<v Speaker 5>I know for a fact there were takes where I

0:24:06.840 --> 0:24:08.439
<v Speaker 5>was at least moving my hand around.

0:24:08.520 --> 0:24:09.760
<v Speaker 3>And of course the one.

0:24:09.640 --> 0:24:12.680
<v Speaker 5>That they didn't they didn't use those dead fingers, dead

0:24:12.720 --> 0:24:13.639
<v Speaker 5>fingers on the thread.

0:24:14.000 --> 0:24:15.600
<v Speaker 3>Ah.

0:24:15.640 --> 0:24:17.840
<v Speaker 1>And there's also the great Disney trope we've noticed, which

0:24:17.920 --> 0:24:22.080
<v Speaker 1>is towards the Big did the end, Big finale? No

0:24:22.200 --> 0:24:23.440
<v Speaker 1>microphones are needed.

0:24:23.400 --> 0:24:30.160
<v Speaker 2>No microphones, there's a band, no microphones.

0:24:30.280 --> 0:24:32.680
<v Speaker 1>No, they cut to one guy on drums, and there's

0:24:32.760 --> 0:24:34.080
<v Speaker 1>here's your band at.

0:24:34.040 --> 0:24:36.080
<v Speaker 3>Act three D coms have their own reverb.

0:24:36.440 --> 0:24:37.920
<v Speaker 4>They do, yes, they do.

0:24:38.640 --> 0:24:40.720
<v Speaker 1>Was it the only one of the because we enjoyed

0:24:40.720 --> 0:24:42.280
<v Speaker 1>the movie? I mean it's a good it's a fun

0:24:42.359 --> 0:24:42.920
<v Speaker 1>good movie.

0:24:42.960 --> 0:24:45.120
<v Speaker 4>We really did a great movie.

0:24:45.280 --> 0:24:47.439
<v Speaker 1>One of the things that bumped us, though, One of

0:24:47.480 --> 0:24:50.680
<v Speaker 1>the things that bumped us, did anybody mentioned that maybe

0:24:50.720 --> 0:24:53.160
<v Speaker 1>the phone should have looked a little more like each.

0:24:52.960 --> 0:24:57.000
<v Speaker 2>Other's right right? Pink, No and silver.

0:24:57.040 --> 0:24:59.520
<v Speaker 4>Never never brought up, not even they're not even the.

0:24:59.400 --> 0:25:04.360
<v Speaker 5>Same ship brand now Yep, No, okay, I think I

0:25:04.400 --> 0:25:08.720
<v Speaker 5>think just the sort of star wattage of being in

0:25:08.800 --> 0:25:13.280
<v Speaker 5>Jordan Cahill's presence kind of numbs the hands, numbs the eyes.

0:25:14.440 --> 0:25:15.119
<v Speaker 3>That makes sense.

0:25:15.600 --> 0:25:17.280
<v Speaker 4>Do you still talk to anybody from the.

0:25:17.240 --> 0:25:21.000
<v Speaker 5>Movie, Ryan and Todd, Ryan Bellville and his brother Jason,

0:25:21.080 --> 0:25:25.120
<v Speaker 5>who's very a very very funny TV writer, I see frequently.

0:25:25.160 --> 0:25:30.359
<v Speaker 5>We actually were going to because we filmed it in

0:25:31.359 --> 0:25:36.040
<v Speaker 5>I guess we filmed it in March February of maybe

0:25:36.040 --> 0:25:37.280
<v Speaker 5>two thousand and three.

0:25:37.640 --> 0:25:37.880
<v Speaker 1>Yeah.

0:25:38.080 --> 0:25:40.840
<v Speaker 2>It premiered in two thousand and four, so probably.

0:25:41.040 --> 0:25:43.800
<v Speaker 5>Yeah, So it was like sort of the twentieth anniversary

0:25:43.800 --> 0:25:45.680
<v Speaker 5>of it coming out in US filming. We were gonna

0:25:45.680 --> 0:25:48.679
<v Speaker 5>go to New Orleans together, me and the Belleville's all

0:25:48.720 --> 0:25:53.000
<v Speaker 5>together and bring our now our wives and say where

0:25:53.359 --> 0:25:54.640
<v Speaker 5>I had princess beads here?

0:25:54.720 --> 0:25:55.840
<v Speaker 3>No princess beads.

0:25:55.640 --> 0:26:00.720
<v Speaker 2>There and then I said that, I said.

0:26:00.520 --> 0:26:07.720
<v Speaker 3>That something different. That's funny though. We were gonna go

0:26:07.760 --> 0:26:09.080
<v Speaker 3>and then of course life happens, and.

0:26:09.400 --> 0:26:12.119
<v Speaker 1>Yeah, that's the way it works. And yeah, Stashwick is

0:26:12.160 --> 0:26:17.440
<v Speaker 1>actually he has DM for me, so for the Fort Dragons. Yes,

0:26:17.480 --> 0:26:20.120
<v Speaker 1>and I've seen him at seven. Okay, he's great, He's

0:26:20.119 --> 0:26:23.960
<v Speaker 1>got you. Yeah, we got Kim Possible as well. Yeah,

0:26:24.000 --> 0:26:25.960
<v Speaker 1>so you know he was in the live action version.

0:26:26.000 --> 0:26:27.399
<v Speaker 1>I was in the cartoon. But yes, we have that

0:26:27.440 --> 0:26:29.280
<v Speaker 1>link as well. And then we see each other at

0:26:29.320 --> 0:26:32.040
<v Speaker 1>conventions all the time. So very good guy, very funny guy.

0:26:32.200 --> 0:26:32.800
<v Speaker 3>So funny.

0:26:32.920 --> 0:26:34.600
<v Speaker 1>Was this the only movie you've been in where you

0:26:34.640 --> 0:26:37.640
<v Speaker 1>had to wear a fedora? Ooh ooh.

0:26:39.680 --> 0:26:41.320
<v Speaker 3>Maybe try to get to the TV.

0:26:41.680 --> 0:26:44.320
<v Speaker 5>But yeah, gosh, I mean that fedora is maybe something

0:26:44.320 --> 0:26:47.320
<v Speaker 5>I tried to buy off of, Like I went crazy.

0:26:47.359 --> 0:26:50.600
<v Speaker 5>I'm like, I'm twenty one, I'm a freaking hard thrub

0:26:50.640 --> 0:26:53.719
<v Speaker 5>pop star. I gotta buy all this because everything at

0:26:53.720 --> 0:26:56.919
<v Speaker 5>home is urban outfitter t shirts. Everything at home is

0:26:56.920 --> 0:27:01.639
<v Speaker 5>cargo shorts, an urban outfitter like old movie reference T shirts.

0:27:01.880 --> 0:27:03.800
<v Speaker 2>Oh god, that's where did you grow up?

0:27:04.080 --> 0:27:07.840
<v Speaker 3>I grew up in Big Bear, California. Represent Big Bear

0:27:08.119 --> 0:27:10.600
<v Speaker 3>the cabin up there. I saw your your Are you

0:27:10.640 --> 0:27:11.320
<v Speaker 3>at moon Ridge?

0:27:11.960 --> 0:27:13.320
<v Speaker 2>We are right off of moon Ridge?

0:27:13.359 --> 0:27:17.760
<v Speaker 3>Yes, very nice. Yeah, Big Bear. I did Scondz second

0:27:17.800 --> 0:27:20.840
<v Speaker 3>grade and through ninth grade. We lived we lived there. Yeah.

0:27:22.040 --> 0:27:23.240
<v Speaker 3>So did you go to that?

0:27:23.240 --> 0:27:25.159
<v Speaker 1>That high school that's right up in that area?

0:27:25.440 --> 0:27:28.200
<v Speaker 5>So people go past rim of the World, and that's

0:27:28.280 --> 0:27:30.640
<v Speaker 5>the one that people ask about. But that's Arrowhead, That's

0:27:30.720 --> 0:27:34.000
<v Speaker 5>that's right. I was okay, okay, No, Big Bear has

0:27:34.000 --> 0:27:36.480
<v Speaker 5>its own high school, Bear big Bear High School, and

0:27:36.520 --> 0:27:40.840
<v Speaker 5>I went there. Yeah, Big Bear High the Bears, that

0:27:41.240 --> 0:27:41.639
<v Speaker 5>the Bears.

0:27:41.640 --> 0:27:44.600
<v Speaker 2>I love that. And then do you go up there

0:27:44.600 --> 0:27:44.840
<v Speaker 2>at all?

0:27:44.840 --> 0:27:46.440
<v Speaker 3>It would have been a missed up. It would have been.

0:27:46.320 --> 0:27:48.480
<v Speaker 4>Weird like Big Band Big Bear.

0:27:48.520 --> 0:27:49.320
<v Speaker 1>Were the Eagles like.

0:27:49.280 --> 0:27:52.240
<v Speaker 3>The Big Bear comments? Yeah, making these guys.

0:27:52.480 --> 0:27:53.240
<v Speaker 4>How are we the spartan?

0:27:53.640 --> 0:27:53.840
<v Speaker 2>Yeah?

0:27:53.880 --> 0:27:56.440
<v Speaker 3>Yeah, yeah, we I try.

0:27:56.920 --> 0:27:59.479
<v Speaker 5>I was doing like a like a President's Day weekend

0:27:59.560 --> 0:28:02.600
<v Speaker 5>for a few is running okay, and but we haven't

0:28:02.640 --> 0:28:05.520
<v Speaker 5>been up in maybe two years now something like that.

0:28:06.080 --> 0:28:07.359
<v Speaker 3>Yeah. We when we moved from.

0:28:07.280 --> 0:28:10.040
<v Speaker 5>There, we moved down here to Los Angeles and I

0:28:10.040 --> 0:28:12.240
<v Speaker 5>went to the I went to LASA, which is the La.

0:28:12.160 --> 0:28:13.359
<v Speaker 3>County High School for the Arts.

0:28:13.840 --> 0:28:16.080
<v Speaker 5>Okay, so that's where I graduated from, and all my

0:28:16.119 --> 0:28:17.480
<v Speaker 5>family is still down.

0:28:17.280 --> 0:28:18.399
<v Speaker 3>Here in the area.

0:28:19.320 --> 0:28:22.560
<v Speaker 1>So you said it is now twenty years since yeah, yeah,

0:28:22.720 --> 0:28:23.560
<v Speaker 1>since the movie came.

0:28:23.480 --> 0:28:25.840
<v Speaker 2>Out, you have trying to make that New Orleans trip.

0:28:25.920 --> 0:28:26.880
<v Speaker 3>Yeah, yeah, we will.

0:28:26.920 --> 0:28:28.800
<v Speaker 5>We'll we'll find it, We'll find it. It was just nice

0:28:28.840 --> 0:28:31.520
<v Speaker 5>that it was very like, you know, it's yeah when

0:28:31.560 --> 0:28:35.040
<v Speaker 5>it's supposed to make the time. Yeah, yeah, yeah, the

0:28:35.080 --> 0:28:37.000
<v Speaker 5>actual anniversary.

0:28:36.480 --> 0:28:39.640
<v Speaker 1>Twenty years later. What is Jordan Cahill doing right now?

0:28:39.760 --> 0:28:41.760
<v Speaker 3>Oh gosh, gosh.

0:28:41.920 --> 0:28:45.680
<v Speaker 5>I mean he's probably got a residency somewhere, you know,

0:28:47.720 --> 0:28:48.000
<v Speaker 5>don't you.

0:28:48.040 --> 0:28:50.680
<v Speaker 4>Okay, he made it, so he made it.

0:28:51.000 --> 0:28:51.880
<v Speaker 1>He made it.

0:28:51.760 --> 0:28:53.080
<v Speaker 2>Because his own word.

0:28:53.200 --> 0:28:54.120
<v Speaker 3>He didn't want to sell out.

0:28:54.160 --> 0:28:56.760
<v Speaker 5>His own world is his own thing, and so he's

0:28:56.800 --> 0:29:00.560
<v Speaker 5>like maybe downtown singer songwriter, like storytelling.

0:29:00.360 --> 0:29:03.200
<v Speaker 3>Okay, and you know, like and once I was.

0:29:03.840 --> 0:29:07.200
<v Speaker 5>I remember being in this little playground cement to with

0:29:07.240 --> 0:29:11.160
<v Speaker 5>these two big fans of mine said, who are be

0:29:11.240 --> 0:29:11.760
<v Speaker 5>true to you?

0:29:11.880 --> 0:29:14.200
<v Speaker 3>And be true too.

0:29:16.720 --> 0:29:20.080
<v Speaker 1>That's awesome. I don't play chords. I just am the guitar.

0:29:21.680 --> 0:29:24.240
<v Speaker 3>Only do the slides, just the side.

0:29:25.680 --> 0:29:30.720
<v Speaker 1>Oh my, well, thank you for taking the time to

0:29:30.800 --> 0:29:33.280
<v Speaker 1>talk to us about thanks for the movie, because we

0:29:33.360 --> 0:29:35.000
<v Speaker 1>really had a lot of fun watching it.

0:29:35.040 --> 0:29:36.160
<v Speaker 3>Oh good, good, good good.

0:29:36.480 --> 0:29:37.880
<v Speaker 1>And I know it's been five or six years, but

0:29:37.880 --> 0:29:39.720
<v Speaker 1>you should go back and have your kids.

0:29:39.520 --> 0:29:40.200
<v Speaker 3>Watched this movie.

0:29:40.280 --> 0:29:43.640
<v Speaker 5>No, that was the closest we came to watching it

0:29:43.680 --> 0:29:46.520
<v Speaker 5>again was Disney Plus they're like, oh, it's on streaming,

0:29:46.560 --> 0:29:49.280
<v Speaker 5>and so I showed them the thing, the title.

0:29:49.520 --> 0:29:51.480
<v Speaker 3>It was a hard pass from both of my children.

0:29:52.800 --> 0:29:53.560
<v Speaker 1>How are they?

0:29:53.840 --> 0:29:56.160
<v Speaker 3>My oldest is fourteen, my youngest is nine. I bet

0:29:56.160 --> 0:29:57.880
<v Speaker 3>my year old age.

0:29:58.360 --> 0:30:01.600
<v Speaker 5>My fourteen year old is like, I want Bridgerton, I

0:30:01.600 --> 0:30:02.360
<v Speaker 5>want Bridgeton.

0:30:02.600 --> 0:30:06.440
<v Speaker 2>Yeah, they're so grown. Now is not the age that's

0:30:06.440 --> 0:30:09.680
<v Speaker 2>really caring about Disney at all? Maybe nine though.

0:30:11.080 --> 0:30:13.320
<v Speaker 3>And she's like she but she likes Bluey.

0:30:13.360 --> 0:30:18.240
<v Speaker 5>We're loving, loving, and this is good cross promotion because

0:30:18.240 --> 0:30:22.240
<v Speaker 5>it's in the family X X Men ninety seven.

0:30:22.880 --> 0:30:23.800
<v Speaker 1>Oh it's just so good.

0:30:24.080 --> 0:30:27.280
<v Speaker 5>I'm like getting teary eyed because it's this perfect blend,

0:30:27.880 --> 0:30:32.080
<v Speaker 5>just really well executed material but also so nostalgic. But

0:30:32.840 --> 0:30:35.720
<v Speaker 5>it's like just hitting my core and every scene, every

0:30:35.720 --> 0:30:37.760
<v Speaker 5>line of dialogue, everybody.

0:30:37.440 --> 0:30:41.040
<v Speaker 2>And you're doing it now together with the yeah yeah.

0:30:40.880 --> 0:30:43.720
<v Speaker 3>Exactly is really cool.

0:30:44.520 --> 0:30:46.000
<v Speaker 4>Thank you again for joining us.

0:30:46.240 --> 0:30:48.800
<v Speaker 5>Of course, yes, thank you so fun. You guys go

0:30:48.920 --> 0:30:52.080
<v Speaker 5>chronologically all over the place.

0:30:52.240 --> 0:30:54.959
<v Speaker 2>You know one one movie since you were on Disney

0:30:54.960 --> 0:30:58.440
<v Speaker 2>Plus that we would like to recommend. It's called buzz Bucket.

0:30:58.680 --> 0:31:01.320
<v Speaker 3>If you see a buzz bucket, no, no, not familiar.

0:31:01.680 --> 0:31:03.840
<v Speaker 2>It is a forty six minute movie.

0:31:03.840 --> 0:31:05.400
<v Speaker 4>Forty six minute film.

0:31:05.760 --> 0:31:08.760
<v Speaker 2>Great that wish you with lots of questions, but would

0:31:08.800 --> 0:31:12.760
<v Speaker 2>probably give you a ton of material material.

0:31:13.160 --> 0:31:15.600
<v Speaker 1>We're pretty sure we saw it and now we did

0:31:15.640 --> 0:31:17.600
<v Speaker 1>not share a payote trip understood.

0:31:17.880 --> 0:31:20.720
<v Speaker 3>It is in my bucket.

0:31:20.520 --> 0:31:22.600
<v Speaker 1>Fuzzy budget, It's in the promise.

0:31:22.640 --> 0:31:25.360
<v Speaker 3>It's worth it. That's a style of hair extensions too,

0:31:25.400 --> 0:31:26.200
<v Speaker 3>it is it is.

0:31:27.400 --> 0:31:29.000
<v Speaker 4>Well, when you watch.

0:31:28.880 --> 0:31:31.240
<v Speaker 3>Your fuzz bucket, you'll understand.

0:31:31.520 --> 0:31:35.480
<v Speaker 5>Yeah, yeah, I was a big Susie Ce Susie Cuns.

0:31:35.920 --> 0:31:39.440
<v Speaker 3>That was my Yeah, Amy, Joe Johnson, Susie c That

0:31:39.560 --> 0:31:41.720
<v Speaker 3>was huge for me. That was my my era.

0:31:41.920 --> 0:31:44.040
<v Speaker 1>Well, again, thank you so much for joining us. Yes,

0:31:44.280 --> 0:31:47.560
<v Speaker 1>and everybody out there go once again watch Stuck in

0:31:47.600 --> 0:31:48.360
<v Speaker 1>the Suburbs.

0:31:48.040 --> 0:31:51.800
<v Speaker 2>Because it's best with Jordan K. Hill like the rest

0:31:51.840 --> 0:31:53.960
<v Speaker 2>of the girls in two thousand and four.

0:31:56.160 --> 0:31:57.400
<v Speaker 1>Thanks so much. Terror appreciate it.

0:31:57.440 --> 0:31:58.280
<v Speaker 3>Thank you guys.

0:32:00.800 --> 0:32:03.280
<v Speaker 1>God, that was funny. He has some great stories of that,

0:32:03.880 --> 0:32:06.240
<v Speaker 1>just being in New World, the idea that this is

0:32:06.560 --> 0:32:11.400
<v Speaker 1>such an industry thing that he turns something down because

0:32:11.440 --> 0:32:13.280
<v Speaker 1>he's given the advice to turn it down, and it

0:32:13.400 --> 0:32:16.160
<v Speaker 1>crushes him that he has to do that, and Disney

0:32:16.240 --> 0:32:20.320
<v Speaker 1>thinks he's holding out so times the amount of money

0:32:20.360 --> 0:32:21.000
<v Speaker 1>to come back.

0:32:21.320 --> 0:32:26.000
<v Speaker 2>Absolutely, they most likely thought that he booked the job

0:32:26.120 --> 0:32:29.120
<v Speaker 2>and not to get him to actually come do the movie.

0:32:29.400 --> 0:32:31.840
<v Speaker 2>He was going to need more money, which I'm sure

0:32:31.880 --> 0:32:33.880
<v Speaker 2>his manager would like to own.

0:32:35.760 --> 0:32:37.240
<v Speaker 1>That's not how that worked with the.

0:32:37.240 --> 0:32:41.440
<v Speaker 2>Manager at all. But wow, good for him though. That's incredible.

0:32:41.720 --> 0:32:44.320
<v Speaker 1>It's also the perfect example of the industry. You're down

0:32:44.320 --> 0:32:45.680
<v Speaker 1>and then you're up, and then you're down and then

0:32:45.680 --> 0:32:47.520
<v Speaker 1>you're up. I mean, it's just the way it.

0:32:47.440 --> 0:32:49.960
<v Speaker 2>Works, fluctuates, and you just got to be able to

0:32:50.040 --> 0:32:53.239
<v Speaker 2>take the ride. And if you've got him, that is

0:32:53.320 --> 0:32:56.520
<v Speaker 2>not the industry at all. You know what I love here?

0:32:56.560 --> 0:32:58.840
<v Speaker 2>And I feel like so many when we talk when

0:32:58.840 --> 0:33:02.400
<v Speaker 2>we ask them about the audition process, how it's such

0:33:02.640 --> 0:33:06.760
<v Speaker 2>human nature, especially as an actor. You know you're you're competitive,

0:33:06.800 --> 0:33:09.960
<v Speaker 2>but yet you know respectful and everything that you sit

0:33:10.040 --> 0:33:11.360
<v Speaker 2>there and you do size up.

0:33:11.520 --> 0:33:13.240
<v Speaker 4>Oh you're either.

0:33:13.080 --> 0:33:16.520
<v Speaker 2>Like I got this over you, which we've heard from actors,

0:33:16.800 --> 0:33:17.840
<v Speaker 2>and then it's also.

0:33:18.480 --> 0:33:22.560
<v Speaker 1>You showed up with a good suchar yes.

0:33:22.240 --> 0:33:24.400
<v Speaker 4>Exactly, you never know.

0:33:24.720 --> 0:33:29.320
<v Speaker 2>It's it's how that those lobbies of the auditions you

0:33:29.400 --> 0:33:33.520
<v Speaker 2>have got to stay so focused because I mean your

0:33:33.520 --> 0:33:36.680
<v Speaker 2>brain can go either way with the drop of a hat.

0:33:36.880 --> 0:33:39.680
<v Speaker 1>Yeah, well usually it's right when you're starting in an industry,

0:33:40.000 --> 0:33:42.520
<v Speaker 1>you're in a room with fifty other people who look

0:33:42.560 --> 0:33:44.680
<v Speaker 1>exactly like you. Yes, and then if you can get

0:33:44.680 --> 0:33:46.239
<v Speaker 1>to a higher part of the industry, then you're with

0:33:46.280 --> 0:33:49.560
<v Speaker 1>two or three people you know. Well, so you're like, oh,

0:33:49.800 --> 0:33:51.800
<v Speaker 1>we're back together, the three of us again, and then

0:33:51.840 --> 0:33:55.040
<v Speaker 1>hopefully you get to you know, straight offers, which is

0:33:55.200 --> 0:33:58.840
<v Speaker 1>very rare, but man, yes, yeah, oh my well, thank

0:33:58.880 --> 0:34:01.320
<v Speaker 1>you so much for joining us on this park Opper

0:34:01.360 --> 0:34:03.240
<v Speaker 1>episode of Magical Rewind where we got to speak with

0:34:03.280 --> 0:34:06.720
<v Speaker 1>Taryn Killum about the wonder that was Jordan K. Hill

0:34:06.760 --> 0:34:09.000
<v Speaker 1>and stuck in the Suburbs. Go out and watch this

0:34:09.080 --> 0:34:11.200
<v Speaker 1>again because it was definitely worth it and we had

0:34:11.200 --> 0:34:13.000
<v Speaker 1>a ton of fun, and thank you so much for

0:34:13.080 --> 0:34:16.160
<v Speaker 1>joining us all yes, and please join us next time.

0:34:16.280 --> 0:34:30.360
<v Speaker 1>Thanks everybody, bye bye,