1
00:00:01,440 --> 00:00:05,200
Speaker 1: It's the Best Bits of the Week with Morgan number two.

2
00:00:06,400 --> 00:00:09,680
Speaker 1: What is up? Y'all, welcome to the Best Bits of

3
00:00:09,720 --> 00:00:12,480
Speaker 1: the Year, and this is just the bits I'm Morgan.

4
00:00:12,840 --> 00:00:14,800
Speaker 1: Make sure you go listen to part one of Best

5
00:00:14,800 --> 00:00:17,600
Speaker 1: Bits of the Year because Abby and I broke down

6
00:00:17,960 --> 00:00:21,640
Speaker 1: are awards for twenty twenty two. Basically our favorite moments

7
00:00:21,680 --> 00:00:23,960
Speaker 1: from the year, Album of the Year, New Artists of

8
00:00:24,000 --> 00:00:27,080
Speaker 1: the Year, TV show, movies, food. We tried just talking

9
00:00:27,120 --> 00:00:29,760
Speaker 1: about twenty twenty two in reviews, so check that out.

10
00:00:29,960 --> 00:00:32,960
Speaker 1: But we are going to get started in countdown the

11
00:00:33,000 --> 00:00:35,760
Speaker 1: best Bits of the Year on The Bobby Bones Show.

12
00:00:35,840 --> 00:00:38,000
Speaker 1: It was such an amazing year for people stopping by

13
00:00:38,040 --> 00:00:41,120
Speaker 1: our studio. We had so many awesome guests, Reese Witherspoon,

14
00:00:41,520 --> 00:00:44,720
Speaker 1: Ryan Reynolds, Joey Logano. I mean, just the list goes

15
00:00:44,720 --> 00:00:46,479
Speaker 1: on of so many great people that came in. But

16
00:00:46,520 --> 00:00:49,279
Speaker 1: one of the most engaged with interviews we had this year,

17
00:00:49,320 --> 00:00:52,120
Speaker 1: it was with Jelly Roll. Y'all loved him. Whether you

18
00:00:52,159 --> 00:00:54,280
Speaker 1: became a new fan of his or you were already

19
00:00:54,280 --> 00:00:57,280
Speaker 1: a fan, the interview was just fabulous in all kinds

20
00:00:57,280 --> 00:01:00,400
Speaker 1: of ways, from how genuine and authentic he was just

21
00:01:00,680 --> 00:01:03,760
Speaker 1: totally sharing every moment of his life. You all love

22
00:01:03,840 --> 00:01:06,080
Speaker 1: this one. We loved this one, and so coming in

23
00:01:06,160 --> 00:01:08,560
Speaker 1: up at number seven spot, it's Jelly Roll on the

24
00:01:08,560 --> 00:01:11,520
Speaker 1: Bobby Bone Show, number seven. I saw that you have

25
00:01:11,640 --> 00:01:14,679
Speaker 1: posted announcement Senior coming on the show and that The

26
00:01:14,800 --> 00:01:17,800
Speaker 1: Rock had liked it. Yes, sir, on your Instagram. Yes,

27
00:01:18,000 --> 00:01:20,480
Speaker 1: how do you know the Rock? Dude? It's kind of weird.

28
00:01:20,520 --> 00:01:23,240
Speaker 1: So you know, the Rock has real Nashville roots, like

29
00:01:23,480 --> 00:01:26,000
Speaker 1: super Nashville roots. So he was like, I think it

30
00:01:26,000 --> 00:01:29,360
Speaker 1: went to mcgavock. So he just keeps his finger on

31
00:01:29,400 --> 00:01:32,280
Speaker 1: the pulse of Nashville like he's just like engulfed in

32
00:01:32,319 --> 00:01:34,560
Speaker 1: the culture. And I think like a song of my

33
00:01:34,680 --> 00:01:36,200
Speaker 1: randomly came up on his play. It's like the most

34
00:01:36,280 --> 00:01:38,280
Speaker 1: random occurrence ever. And somebody reached out. It was like, Yo,

35
00:01:38,280 --> 00:01:41,440
Speaker 1: the Rock's gonna post saw a video with one of

36
00:01:41,440 --> 00:01:44,000
Speaker 1: your songs. I was like, please don't play with me.

37
00:01:44,080 --> 00:01:45,520
Speaker 1: It's like, don't do that to me. It was like

38
00:01:45,520 --> 00:01:46,920
Speaker 1: I sweared to guy. This was like four or five

39
00:01:47,000 --> 00:01:49,920
Speaker 1: years six years ago, and he sure did and ever

40
00:01:49,960 --> 00:01:51,520
Speaker 1: since then we stayed in touch. Man. He was the

41
00:01:51,520 --> 00:01:55,480
Speaker 1: first person to congratulate me whenever I got invited to

42
00:01:55,480 --> 00:01:58,240
Speaker 1: the Grand Old Obry and he congratulated you. How he

43
00:01:58,480 --> 00:02:00,480
Speaker 1: sent me a voice. He sends, like the voice that's

44
00:02:00,520 --> 00:02:03,040
Speaker 1: like his thing. You know, he'll like, you got a voice,

45
00:02:03,040 --> 00:02:05,360
Speaker 1: mamil from the rock. Yeah, yeah, for sure, I want

46
00:02:05,360 --> 00:02:07,400
Speaker 1: to play it, but I don't want to be that guy. Yeah,

47
00:02:07,520 --> 00:02:09,640
Speaker 1: I mean, I said, I listened to it every now

48
00:02:09,639 --> 00:02:12,560
Speaker 1: and then to myself. It's like it's like my pre

49
00:02:12,639 --> 00:02:14,959
Speaker 1: workout before I go get drunk, because I don't work out,

50
00:02:15,240 --> 00:02:16,920
Speaker 1: so right before I go to a bar, I'll listened

51
00:02:16,919 --> 00:02:18,760
Speaker 1: to like a voice memo from the Rocket Black. Let's

52
00:02:18,760 --> 00:02:24,520
Speaker 1: go jelly rolls with us. Let's talk about for the

53
00:02:24,560 --> 00:02:27,400
Speaker 1: audience that hasn't come across your music yet or who

54
00:02:27,440 --> 00:02:29,440
Speaker 1: you are. Like, what's up with the name jelly Roll?

55
00:02:29,800 --> 00:02:34,160
Speaker 1: So I'm obviously looked apart and my mother named me

56
00:02:34,240 --> 00:02:36,800
Speaker 1: that whenever I was a little chubby kid. Been fat

57
00:02:36,880 --> 00:02:39,720
Speaker 1: my whole life, and she tried to call me jelly

58
00:02:39,760 --> 00:02:41,240
Speaker 1: roll when I was young, and I spent the next

59
00:02:41,280 --> 00:02:43,600
Speaker 1: thirty years trying to grow into the name. I think

60
00:02:43,600 --> 00:02:46,600
Speaker 1: I've done it, and yeah, just stuck. And then I

61
00:02:46,639 --> 00:02:48,320
Speaker 1: had a guy in high school that jokingly called me

62
00:02:48,440 --> 00:02:50,079
Speaker 1: jelly Roll. He didn't know that was my house name.

63
00:02:50,440 --> 00:02:52,280
Speaker 1: And his name was one Arm Clay and you won't

64
00:02:52,280 --> 00:02:55,200
Speaker 1: believe it, but he had one arm and one Arm

65
00:02:55,240 --> 00:02:57,000
Speaker 1: Clay was like, we should call you jelly Roll. I'm

66
00:02:57,000 --> 00:02:58,720
Speaker 1: one arm Clay and you'll be jellyros. Like my mama

67
00:02:58,720 --> 00:03:00,440
Speaker 1: calls me jelly Roll. And then one to the high

68
00:03:00,480 --> 00:03:03,239
Speaker 1: school starts calling you something. You know that's that's the

69
00:03:03,320 --> 00:03:05,880
Speaker 1: kid in Kaboodle. And so when did you start doing music?

70
00:03:06,680 --> 00:03:08,959
Speaker 1: I started writing songs whenever I was like seven or eight.

71
00:03:09,639 --> 00:03:11,440
Speaker 1: In the words of Brantley Gilbert, I didn't know I

72
00:03:11,480 --> 00:03:13,840
Speaker 1: could sing, but I knew I could talk fast, So

73
00:03:13,880 --> 00:03:16,240
Speaker 1: I wrote a lot of raps. What did it for

74
00:03:16,280 --> 00:03:19,000
Speaker 1: me was my mother Strove. First of all, my mother

75
00:03:19,040 --> 00:03:21,440
Speaker 1: follows this show and she only follows like six people,

76
00:03:21,440 --> 00:03:22,760
Speaker 1: and I don't even think I'm one of them. I

77
00:03:22,800 --> 00:03:25,720
Speaker 1: think it's like my three aunts, some dude that she

78
00:03:25,760 --> 00:03:27,680
Speaker 1: shouldn't be following that has a six pack in the

79
00:03:27,720 --> 00:03:29,320
Speaker 1: Bobby Bones show. So if you want to put me

80
00:03:29,360 --> 00:03:31,680
Speaker 1: on Y'all'stagram, that'll be fine. We'll put you up. But

81
00:03:31,840 --> 00:03:34,560
Speaker 1: uh yeah, just kind of just kind of came that way.

82
00:03:34,760 --> 00:03:36,160
Speaker 1: So I do want to play some of the song

83
00:03:36,200 --> 00:03:38,400
Speaker 1: because it's such a good song. This is called Son

84
00:03:38,440 --> 00:03:40,240
Speaker 1: of a Singer and I'm gonna play it for you

85
00:03:40,280 --> 00:03:51,000
Speaker 1: now from Jelly Rolly search way I can get go,

86
00:03:52,320 --> 00:04:01,080
Speaker 1: I'm if you have a ride song. So it's kind

87
00:04:01,080 --> 00:04:03,240
Speaker 1: of a different approach from you from what I've heard,

88
00:04:03,280 --> 00:04:07,160
Speaker 1: Like this is very emotional you're singing. It's I mean,

89
00:04:07,160 --> 00:04:10,640
Speaker 1: it's a country song, Like why create this song in

90
00:04:10,640 --> 00:04:13,800
Speaker 1: this way? Well, I had a record. I've always wrote

91
00:04:13,880 --> 00:04:18,960
Speaker 1: very cathartic music. My mother struggled with addictions and mental

92
00:04:18,960 --> 00:04:21,360
Speaker 1: health issues when I was younger. She's a totally different

93
00:04:21,360 --> 00:04:24,200
Speaker 1: woman now. But Bobby, she would listen to music and

94
00:04:24,240 --> 00:04:26,640
Speaker 1: it would change everything. You know. She'd put old records

95
00:04:26,640 --> 00:04:28,600
Speaker 1: on at smoke cigarettes and that old mumu and sit

96
00:04:28,640 --> 00:04:31,279
Speaker 1: at the kitchen table and just white trashes could be

97
00:04:31,360 --> 00:04:34,480
Speaker 1: just singing along to Bob Seeg or Wayland Jennings, and

98
00:04:34,520 --> 00:04:36,359
Speaker 1: I just remember thinking, Man, I want to make music

99
00:04:36,400 --> 00:04:38,880
Speaker 1: that makes people feel like this music makes my mother feel.

100
00:04:39,400 --> 00:04:41,839
Speaker 1: You know, had my mother had help from a doctor,

101
00:04:41,880 --> 00:04:43,279
Speaker 1: I might have been a surgeon and I had a

102
00:04:43,279 --> 00:04:45,880
Speaker 1: six pack and been called slim totem or something. But

103
00:04:46,680 --> 00:04:48,760
Speaker 1: it's it just turned out the other way. So I've

104
00:04:48,760 --> 00:04:50,760
Speaker 1: always kind of wrote real songs for real people. It's

105
00:04:50,760 --> 00:04:53,240
Speaker 1: been my goal, and the country thing was just kind

106
00:04:53,240 --> 00:04:54,680
Speaker 1: of me leaning into my roots. I was born and

107
00:04:54,760 --> 00:04:56,839
Speaker 1: raised right here in Nashville. You know, it's every kid's

108
00:04:56,920 --> 00:04:59,799
Speaker 1: dream in Nashville to some sort to be a country

109
00:05:00,000 --> 00:05:02,720
Speaker 1: as a artist. And it just kind of happened organically.

110
00:05:02,760 --> 00:05:05,320
Speaker 1: Men Ernest were in the studio about as high as

111
00:05:05,320 --> 00:05:09,039
Speaker 1: a hippie, about three sheets gone, and picked up a

112
00:05:09,040 --> 00:05:11,400
Speaker 1: guitar and there it went. When you played the opera,

113
00:05:11,440 --> 00:05:13,840
Speaker 1: I think it was in the last year twenty one, right,

114
00:05:14,240 --> 00:05:17,400
Speaker 1: that'd be a special moment, especially growing up here in Nashville. Yeah,

115
00:05:17,440 --> 00:05:20,320
Speaker 1: it's like not only the historic side of country music,

116
00:05:21,040 --> 00:05:24,200
Speaker 1: but it's the sight of like driving by there my

117
00:05:24,279 --> 00:05:27,279
Speaker 1: whole life, dude. I remember the grand old Opry House

118
00:05:27,320 --> 00:05:30,360
Speaker 1: from the Screaming Delta Demon at opry Land at his

119
00:05:30,480 --> 00:05:33,040
Speaker 1: old school Nashville Talk before that Whack Mall was at

120
00:05:33,120 --> 00:05:35,800
Speaker 1: Mall Sucks. Before that mall was there, it was a

121
00:05:35,880 --> 00:05:38,240
Speaker 1: theme park, you know what I mean. So we would

122
00:05:38,279 --> 00:05:40,000
Speaker 1: watch it from the theme park. Dude. It was like

123
00:05:40,040 --> 00:05:42,960
Speaker 1: I just remember as a kid, just thinking, man, and yeah,

124
00:05:43,000 --> 00:05:44,880
Speaker 1: it was just like a dream come true on all fronts.

125
00:05:44,880 --> 00:05:46,320
Speaker 1: Did your family think it was super cool that you

126
00:05:46,360 --> 00:05:49,000
Speaker 1: were performing in that circle? Oh yeah, dude. My mother came,

127
00:05:49,040 --> 00:05:51,240
Speaker 1: My whole family came. It was a white trash bash. Dude,

128
00:05:51,240 --> 00:05:53,200
Speaker 1: we were all there. Everybody wore their Sunday beasts. Man,

129
00:05:53,200 --> 00:05:54,880
Speaker 1: you should have seen it. I bought a sports coat.

130
00:05:55,320 --> 00:05:57,080
Speaker 1: It was big, dude. It's a big deal. Man. My

131
00:05:57,160 --> 00:05:58,960
Speaker 1: daughter got dressed up. It was huge for us. We

132
00:05:58,960 --> 00:06:01,240
Speaker 1: don't dress up like that for funerals or weddings. I mean,

133
00:06:01,279 --> 00:06:03,280
Speaker 1: it was that big of a deal. Were you nervous?

134
00:06:03,920 --> 00:06:06,320
Speaker 1: I'm nervous now. This whole thing is unreal. Do you

135
00:06:06,360 --> 00:06:08,000
Speaker 1: got a real I'm a kid that was spenting most

136
00:06:08,040 --> 00:06:10,760
Speaker 1: of his juvenile life in jail. Dude, you are the

137
00:06:10,839 --> 00:06:13,880
Speaker 1: Joe Rogan of country music. I am sitting on dishes.

138
00:06:14,080 --> 00:06:15,560
Speaker 1: I am here, you know what I mean. It's like,

139
00:06:15,560 --> 00:06:17,919
Speaker 1: if you think I'm nervous of all this, you know,

140
00:06:18,560 --> 00:06:20,279
Speaker 1: I don't want to cuss, but yeah, this is all

141
00:06:20,680 --> 00:06:22,640
Speaker 1: my nervousness makes me want to start spouting out of

142
00:06:22,680 --> 00:06:26,080
Speaker 1: the mouth. What is it about now that I mean?

143
00:06:26,080 --> 00:06:28,360
Speaker 1: Because you're I'll just say, you're kind of blowing up

144
00:06:28,360 --> 00:06:31,080
Speaker 1: more mainstream than ever. Like, what is it about this

145
00:06:31,200 --> 00:06:35,760
Speaker 1: chapter of your life that is creating this for you? Now?

146
00:06:37,400 --> 00:06:40,040
Speaker 1: I think it's the ten year overnight success story, right,

147
00:06:40,120 --> 00:06:41,680
Speaker 1: it's the kid that slept in a van and did

148
00:06:41,720 --> 00:06:44,200
Speaker 1: two hundred and thirty shows a year for one hundred

149
00:06:44,240 --> 00:06:46,760
Speaker 1: dollars a show. Dude, I used to open up for

150
00:06:46,760 --> 00:06:48,400
Speaker 1: a pack of bubble gum and a bag of bud

151
00:06:48,720 --> 00:06:51,280
Speaker 1: you know what I mean. So it's like, I think

152
00:06:51,279 --> 00:06:53,839
Speaker 1: it's just years of writing a thousand songs and thousands

153
00:06:53,839 --> 00:06:56,280
Speaker 1: of songs and just kind of coming here. And I

154
00:06:56,279 --> 00:06:58,040
Speaker 1: don't know. I think it's getting the opportunity to sit

155
00:06:58,080 --> 00:07:00,520
Speaker 1: in places like this and tell my story that's helping

156
00:07:00,520 --> 00:07:02,880
Speaker 1: the most. Because when you look at me, you probably

157
00:07:02,880 --> 00:07:04,839
Speaker 1: don't expect to hear from me what you hear, you know,

158
00:07:05,279 --> 00:07:07,279
Speaker 1: So what is your story? I mean, if someone said,

159
00:07:07,279 --> 00:07:10,440
Speaker 1: hey man, we're thinking about doing a book with you, right,

160
00:07:10,520 --> 00:07:13,360
Speaker 1: are you considering it? I well, let's let's hear your stories.

161
00:07:13,960 --> 00:07:16,800
Speaker 1: What is and you know you can tight it up

162
00:07:16,800 --> 00:07:18,440
Speaker 1: a bit, But what is your story that you think

163
00:07:18,480 --> 00:07:20,480
Speaker 1: inspire so many people? I want y'all to be clear,

164
00:07:20,560 --> 00:07:22,480
Speaker 1: Bobby Bonele will just signed me to a book publisher

165
00:07:22,520 --> 00:07:25,320
Speaker 1: dealing on this show, y'all. So in a nutshell, I'm

166
00:07:25,320 --> 00:07:27,559
Speaker 1: from Antio, Tennessee. I grew up in a middle, lower

167
00:07:27,600 --> 00:07:30,480
Speaker 1: class community. My father was a hard working meat salesman.

168
00:07:30,480 --> 00:07:32,360
Speaker 1: He round a meat company called D fort Sausage and

169
00:07:32,440 --> 00:07:35,720
Speaker 1: dfort O Sale meets. It's our family name on the

170
00:07:35,720 --> 00:07:40,320
Speaker 1: Saddy book bets. My mother struggle with addiction. I was

171
00:07:40,360 --> 00:07:42,640
Speaker 1: the youngest of four. I never controlled the radio. That's

172
00:07:42,640 --> 00:07:44,160
Speaker 1: the reason that I make the kind of music I

173
00:07:44,240 --> 00:07:48,200
Speaker 1: make now. And at about the age of fourteen, I

174
00:07:48,200 --> 00:07:51,120
Speaker 1: started making a decision, series of decisions that would lead

175
00:07:51,160 --> 00:07:53,679
Speaker 1: to what we call the revolving door of the judicial system.

176
00:07:54,560 --> 00:07:57,760
Speaker 1: And I spent probably twelve years in and out of

177
00:07:57,800 --> 00:08:00,880
Speaker 1: that system, probably nine years in, three years out, you know,

178
00:08:01,560 --> 00:08:03,640
Speaker 1: the old due a year in three months home, two

179
00:08:03,680 --> 00:08:06,720
Speaker 1: years in four months home kind of thing. And I

180
00:08:06,760 --> 00:08:08,760
Speaker 1: won't even talk about the crimes because I don't think

181
00:08:08,760 --> 00:08:10,640
Speaker 1: there's no glory in them and I'm not proud of them.

182
00:08:10,640 --> 00:08:13,040
Speaker 1: But it is a part of my story, and it's

183
00:08:13,080 --> 00:08:15,520
Speaker 1: also too minute to list on this show. But um

184
00:08:16,240 --> 00:08:20,560
Speaker 1: I yeah, man, I had a Damascus Road experience in

185
00:08:20,640 --> 00:08:23,960
Speaker 1: the old Baptist term. On May twenty second two thousand

186
00:08:23,960 --> 00:08:26,440
Speaker 1: and eight, I was at CS on Hardened Place, right

187
00:08:26,480 --> 00:08:28,120
Speaker 1: down the street from here. I was in Sail two

188
00:08:28,200 --> 00:08:30,640
Speaker 1: twenty three, and a guard knocked on my door and

189
00:08:30,640 --> 00:08:33,520
Speaker 1: had told me that I had had a daughter. And

190
00:08:34,000 --> 00:08:35,679
Speaker 1: I knew that I had heard that I had got

191
00:08:35,679 --> 00:08:39,440
Speaker 1: a young woman pregnant during one of my outs or ends,

192
00:08:39,480 --> 00:08:42,760
Speaker 1: I guess in that case, but I had. But when

193
00:08:42,800 --> 00:08:45,840
Speaker 1: I was back in jailed, the baby was born, and

194
00:08:45,960 --> 00:08:47,640
Speaker 1: I just remember thinking, man, I mean I had a

195
00:08:47,640 --> 00:08:49,600
Speaker 1: good father. He was a hustler, but he was a

196
00:08:49,600 --> 00:08:51,319
Speaker 1: really good man. And I was like, I want to

197
00:08:51,320 --> 00:08:53,160
Speaker 1: be a good father, you know, And I didn't. I

198
00:08:53,160 --> 00:08:55,360
Speaker 1: didn't have any skill sets. I'd never had a job.

199
00:08:55,640 --> 00:08:57,679
Speaker 1: I'm still to this day not qualified to do much

200
00:08:57,720 --> 00:09:01,000
Speaker 1: more than talk to you. And seeing I was like, well,

201
00:09:01,040 --> 00:09:02,640
Speaker 1: I know I can do music. So I came home

202
00:09:02,640 --> 00:09:05,760
Speaker 1: and started selling CDs off of spindles and mix tapes

203
00:09:05,800 --> 00:09:08,920
Speaker 1: out of trunks and doing shows and you know, selling

204
00:09:08,960 --> 00:09:10,280
Speaker 1: a little bag of bud here and there when I

205
00:09:10,320 --> 00:09:13,520
Speaker 1: had too. But I got away from real criminal, nefarious activities,

206
00:09:14,320 --> 00:09:16,320
Speaker 1: and uh yeah, it just kind of led to here

207
00:09:16,320 --> 00:09:18,080
Speaker 1: and now I'm sitting here at the Bobby Bone show.

208
00:09:18,280 --> 00:09:21,520
Speaker 1: You know, ready to talk to lunchbox about drinking tequila?

209
00:09:21,720 --> 00:09:24,319
Speaker 1: Are you a big tequila drinker? Oh? God, that is

210
00:09:24,360 --> 00:09:27,040
Speaker 1: that the drink? Oh boy, listen, it's like when you

211
00:09:27,080 --> 00:09:28,839
Speaker 1: blow the whistle of a dog. Here's and he's the

212
00:09:28,880 --> 00:09:30,640
Speaker 1: only one of the room that hears it. Can we

213
00:09:30,720 --> 00:09:39,120
Speaker 1: are we shooting some you got something not? I thought

214
00:09:39,200 --> 00:09:41,720
Speaker 1: this is where you bust out the bottom like well, coincidentally,

215
00:09:42,040 --> 00:09:43,920
Speaker 1: the Rocks sent us some terre mind. I was gonna

216
00:09:43,960 --> 00:09:46,600
Speaker 1: be like, yes, you have a lot of face tattoos.

217
00:09:46,760 --> 00:09:49,319
Speaker 1: I do how many on your face? I never counted. Well,

218
00:09:49,320 --> 00:09:52,880
Speaker 1: I'm guessing, well some of them connect. Right. When you

219
00:09:52,920 --> 00:09:55,800
Speaker 1: have to commit to your first face tattoo, is that

220
00:09:55,880 --> 00:09:57,960
Speaker 1: a big decision? I was too young to commit to

221
00:09:57,960 --> 00:09:59,640
Speaker 1: anything when I did that. For what it's worth, what

222
00:09:59,800 --> 00:10:01,960
Speaker 1: was it? I think I had the cross in the

223
00:10:01,960 --> 00:10:03,679
Speaker 1: tear drop at the same time when I was one

224
00:10:03,720 --> 00:10:06,920
Speaker 1: of my stints on a state funded vacation. Oh you

225
00:10:06,960 --> 00:10:10,640
Speaker 1: had him done in prison? Oh yeah, I doesn't seem safe, No, no, no,

226
00:10:10,679 --> 00:10:14,160
Speaker 1: But it's that it's the safest thing there. You think

227
00:10:14,200 --> 00:10:18,439
Speaker 1: that's not safe, you see the stuff that happens in prison, right,

228
00:10:18,480 --> 00:10:21,400
Speaker 1: there is great a safety bud let me that would

229
00:10:21,400 --> 00:10:23,880
Speaker 1: pass the commission, the CDC would have proved compared to

230
00:10:23,880 --> 00:10:25,400
Speaker 1: the other stuff happening in there. Well, you have a

231
00:10:25,480 --> 00:10:27,800
Speaker 1: rose up near your I do, above your left eye.

232
00:10:28,280 --> 00:10:30,439
Speaker 1: It connects down to what is that? It's a heart

233
00:10:30,480 --> 00:10:32,960
Speaker 1: with a locket and at this point you've seen it

234
00:10:33,000 --> 00:10:35,120
Speaker 1: so many times it's probably just your face right. Well,

235
00:10:35,160 --> 00:10:38,080
Speaker 1: I see it backwards too, So you know, you gotta

236
00:10:38,120 --> 00:10:39,960
Speaker 1: think when you're telling me something on I don't know

237
00:10:40,000 --> 00:10:44,280
Speaker 1: what side what's on? You have one that goes down

238
00:10:44,400 --> 00:10:47,719
Speaker 1: Bobby bones is reading man, Listen, I'm being rid. I

239
00:10:47,760 --> 00:10:50,000
Speaker 1: want to describe. He also has one that's like a

240
00:10:50,040 --> 00:10:51,880
Speaker 1: straight line going down into his left eye. It comes

241
00:10:51,920 --> 00:10:55,439
Speaker 1: down below away the clown. Yeah, what's the word above

242
00:10:55,480 --> 00:10:59,120
Speaker 1: the eyebrow? My son? Noah, okay, yeah. And this is

243
00:10:59,200 --> 00:11:02,200
Speaker 1: ignorance on my part. But we've always heard the tear drops.

244
00:11:02,280 --> 00:11:05,160
Speaker 1: Like if you have a teardrop and it's not filled in, well,

245
00:11:05,200 --> 00:11:08,839
Speaker 1: I'm just asking. I don't know, ignorance. You can teach me.

246
00:11:09,320 --> 00:11:12,320
Speaker 1: If it's not filled in, you attempted to kill someone

247
00:11:12,320 --> 00:11:15,360
Speaker 1: and we're unsuccessful. If it's filled in, it was a success.

248
00:11:16,640 --> 00:11:23,959
Speaker 1: No comment. That's why I don't minor for the tears,

249
00:11:23,960 --> 00:11:31,559
Speaker 1: would never forget. We shared see powerful jelly rolls in studio.

250
00:11:31,679 --> 00:11:35,120
Speaker 1: By the way is which By the way, dead Man

251
00:11:35,200 --> 00:11:38,440
Speaker 1: Walking number one rock song as of today. I thought

252
00:11:38,440 --> 00:11:40,960
Speaker 1: that's why we were shooting to kiling. You muffed the

253
00:11:41,000 --> 00:11:46,880
Speaker 1: punt most added dead Man Walking number one on the

254
00:11:46,960 --> 00:11:48,240
Speaker 1: rock chart. Do we have a clip at that ray?

255
00:11:48,320 --> 00:11:57,800
Speaker 1: Same album? Here it is? And you would you consider

256
00:11:57,840 --> 00:12:01,240
Speaker 1: yourself first and foremost a hip hop artist? No, no, no, dude,

257
00:12:01,240 --> 00:12:04,439
Speaker 1: I consider myself a singer songwriter. I guess I just

258
00:12:04,520 --> 00:12:06,320
Speaker 1: knew you from doing hip hop first though. I know,

259
00:12:06,559 --> 00:12:08,640
Speaker 1: ain't that crazy, and it's you being a hip hop

260
00:12:08,720 --> 00:12:11,040
Speaker 1: artist and then the rock stuff and now the country stuff.

261
00:12:11,080 --> 00:12:12,960
Speaker 1: But I think that's that's the attitude, like you're just

262
00:12:13,040 --> 00:12:15,559
Speaker 1: creating based on what you feel. Just make just make

263
00:12:15,600 --> 00:12:18,160
Speaker 1: real music for real people. I call a therapeutic music, Bobby.

264
00:12:18,200 --> 00:12:20,400
Speaker 1: It's just important. Some music's meant to be heard and

265
00:12:20,480 --> 00:12:23,080
Speaker 1: some music's meant to be felt, and I hyper focus

266
00:12:23,160 --> 00:12:25,040
Speaker 1: on making music to people can feel. You know. It's

267
00:12:25,080 --> 00:12:27,680
Speaker 1: kind of the Willie Nelson effect. I'm a he wasn't big,

268
00:12:27,679 --> 00:12:29,640
Speaker 1: but I'm a big, jovial guy in real life. You know,

269
00:12:29,720 --> 00:12:32,800
Speaker 1: kind of a hippie. But Willie wrote the saddest songs,

270
00:12:32,920 --> 00:12:34,439
Speaker 1: and I feel like that's kind of where When I

271
00:12:34,480 --> 00:12:36,400
Speaker 1: get in that studio, my wife calls it my uh

272
00:12:36,840 --> 00:12:40,120
Speaker 1: confessional booth. It's kind of my therapy ever confessor something.

273
00:12:40,160 --> 00:12:42,520
Speaker 1: And she's like, I didn't know that. No, no, no, dude,

274
00:12:42,520 --> 00:12:45,440
Speaker 1: we're best friends. Dude, I can't surprise that one with anything.

275
00:12:45,440 --> 00:12:48,240
Speaker 1: I wish I could surprise her. We've lost all surprise.

276
00:12:48,800 --> 00:12:51,040
Speaker 1: She helps me find bulls on my butt. I mean,

277
00:12:51,040 --> 00:12:54,960
Speaker 1: we're as close as you could be. Boils on his butt,

278
00:12:55,000 --> 00:12:58,880
Speaker 1: like they're so close she'll look to find them. The

279
00:12:59,000 --> 00:13:01,920
Speaker 1: watch watch a screaming at me. Why thank you? Like that?

280
00:13:01,960 --> 00:13:06,559
Speaker 1: I was hoping it would. Is that's that real? Yes, sir,

281
00:13:06,920 --> 00:13:08,640
Speaker 1: well no, in case Mobody wants to hit me in

282
00:13:08,640 --> 00:13:10,880
Speaker 1: the head later. It depends on who's as. I mean,

283
00:13:10,920 --> 00:13:14,000
Speaker 1: that is a watch and it looks loaded with diamonds, yes, sir,

284
00:13:14,200 --> 00:13:16,240
Speaker 1: like that is. My wife bought me this back to her.

285
00:13:16,280 --> 00:13:18,160
Speaker 1: Shout out to my wife, Bunny, I lover to death.

286
00:13:18,720 --> 00:13:21,880
Speaker 1: And your wife's name is Bunny Bunnie, And is that

287
00:13:22,240 --> 00:13:25,120
Speaker 1: is like jelly roll Bunny or is her name really Bunny.

288
00:13:25,240 --> 00:13:27,199
Speaker 1: Her name is Bunny. Yeah, she was Bunny before me.

289
00:13:27,400 --> 00:13:29,760
Speaker 1: So you ever think about changing your name officially to

290
00:13:29,880 --> 00:13:31,560
Speaker 1: Jelly Roll so it could be your legal name. I've

291
00:13:31,600 --> 00:13:33,800
Speaker 1: thought about it, but I just I don't. You know,

292
00:13:34,040 --> 00:13:36,280
Speaker 1: I don't like going. I don't like paperwork. You probably

293
00:13:36,320 --> 00:13:41,200
Speaker 1: could imagine. Yeah, I've considered making Bones my real middle

294
00:13:41,280 --> 00:13:42,520
Speaker 1: name so I can use it, or if I run

295
00:13:42,559 --> 00:13:44,319
Speaker 1: for office and I can officially use it when you

296
00:13:44,440 --> 00:13:46,720
Speaker 1: run for office? Can I be your running mate? Can?

297
00:13:46,760 --> 00:13:49,800
Speaker 1: Did I get a book deal? And ning mate? Show?

298
00:13:50,720 --> 00:13:52,599
Speaker 1: I'm blown away by this. This is more than I

299
00:13:52,720 --> 00:13:57,040
Speaker 1: ever expected. What are your life shows like? Like? Incredible? Okay,

300
00:13:57,440 --> 00:13:59,559
Speaker 1: let me brag for a second. And I'm a humble guy,

301
00:13:59,640 --> 00:14:02,160
Speaker 1: but man, we turn that thing upside down. It is.

302
00:14:02,559 --> 00:14:06,959
Speaker 1: The live shows cover everything from old classic rock to

303
00:14:07,120 --> 00:14:09,680
Speaker 1: hip hop to country, the soul. We do a little

304
00:14:09,720 --> 00:14:12,240
Speaker 1: motown in there. I mean, it is an incredible show.

305
00:14:12,320 --> 00:14:15,920
Speaker 1: It's a live band, two guitars, bass DJ to keep

306
00:14:15,960 --> 00:14:18,160
Speaker 1: the old school hip hop element alive and well more

307
00:14:18,200 --> 00:14:20,160
Speaker 1: of an MC than a DJ, but he'll still scratch

308
00:14:20,160 --> 00:14:22,440
Speaker 1: a little bit here and there. Drums we do it right,

309
00:14:22,520 --> 00:14:24,640
Speaker 1: adding a steel player this year. It's gonna be fire.

310
00:14:25,320 --> 00:14:27,480
Speaker 1: You're adding a steel player. We are. That's awesome. We

311
00:14:27,560 --> 00:14:29,440
Speaker 1: got a full blown country album in the works. Baby,

312
00:14:29,600 --> 00:14:32,520
Speaker 1: this wasn't this, you know, make no mistake. It looks

313
00:14:32,520 --> 00:14:34,280
Speaker 1: like a toe tap, But I'm gonna do a cannonball

314
00:14:34,320 --> 00:14:36,280
Speaker 1: in the country music bubba. I'm on the way. I'm

315
00:14:36,320 --> 00:14:38,080
Speaker 1: belly flopping. I saw that you and Branley are doing

316
00:14:38,120 --> 00:14:40,800
Speaker 1: some shows together. One of my favorite dudes on earth.

317
00:14:41,320 --> 00:14:43,520
Speaker 1: So how did Branley Gilbert? I guess he got in

318
00:14:43,600 --> 00:14:45,000
Speaker 1: touch with you and said, hey, come do some shows

319
00:14:45,040 --> 00:14:47,080
Speaker 1: with me. Yeah, he called me one night, which was

320
00:14:47,160 --> 00:14:51,120
Speaker 1: like the craziest call ever. But I kept hearing around town,

321
00:14:51,240 --> 00:14:53,080
Speaker 1: hey man, you need to meet Branley Gilbert. Man, y'all

322
00:14:53,080 --> 00:14:54,680
Speaker 1: look like y'all get in trouble and I love people

323
00:14:54,680 --> 00:14:57,480
Speaker 1: all get in trouble with and everybody kept telling him, hey,

324
00:14:57,520 --> 00:14:59,480
Speaker 1: have you met Jelly Roll? Y'all should meet? And he finally,

325
00:14:59,560 --> 00:15:01,760
Speaker 1: you know, I guess worded traveled to camm and say

326
00:15:01,960 --> 00:15:04,680
Speaker 1: I want to do some shows next summer. And what's

327
00:15:04,720 --> 00:15:06,680
Speaker 1: crazy is I had done a podcast with my wife

328
00:15:06,720 --> 00:15:09,360
Speaker 1: a couple of years earlier, and I was like, when

329
00:15:09,400 --> 00:15:13,000
Speaker 1: it comes to doing shows, I think artists missed the

330
00:15:13,040 --> 00:15:16,280
Speaker 1: old school approach of like doing it for people and

331
00:15:16,400 --> 00:15:18,320
Speaker 1: doing it for the exposure. So I was like, if

332
00:15:18,760 --> 00:15:20,720
Speaker 1: this was two years ago my wife's podcast, three years ago,

333
00:15:20,720 --> 00:15:24,040
Speaker 1: I said, if Brantley Gilbert kid rockers Shined Down called me,

334
00:15:24,640 --> 00:15:26,760
Speaker 1: I would not even ask what the amount of money was.

335
00:15:26,840 --> 00:15:28,840
Speaker 1: I'd say, yes, I want to go on tour with them.

336
00:15:29,280 --> 00:15:31,760
Speaker 1: And I'm literally doing thirty dates with Shine Down this

337
00:15:31,880 --> 00:15:34,480
Speaker 1: year in like ten dates with Brandley Gilbert. That's cool. Yeah,

338
00:15:34,560 --> 00:15:38,240
Speaker 1: it was just a complete manifestation. So I'm looking at

339
00:15:38,320 --> 00:15:40,440
Speaker 1: you and you're in black and you got the chains

340
00:15:40,520 --> 00:15:44,720
Speaker 1: on and the face tattoos and the Blaine. Do you

341
00:15:44,800 --> 00:15:47,840
Speaker 1: know we've met before? Oh yeah, no, see you listen.

342
00:15:48,120 --> 00:15:49,880
Speaker 1: I tried to make them turn the golf cart around

343
00:15:49,880 --> 00:15:52,400
Speaker 1: and chase you, but we've met, and I didn't want to.

344
00:15:52,600 --> 00:15:55,080
Speaker 1: I've met Jelly well playing golf before. Yeah. I was

345
00:15:55,120 --> 00:15:57,280
Speaker 1: fixing to say, this is the most memory I have

346
00:15:58,520 --> 00:16:00,800
Speaker 1: was I was with Steve Hodges from right and he's

347
00:16:00,800 --> 00:16:03,600
Speaker 1: like playing golf on a nice course. Yeah yeah, I

348
00:16:03,600 --> 00:16:06,120
Speaker 1: didn't want to fine, like I've seen Jelly role playing

349
00:16:06,120 --> 00:16:08,120
Speaker 1: in a nice golf course. Oh yeah, so are you?

350
00:16:08,200 --> 00:16:11,120
Speaker 1: Are you a big golfer. Well, I'm I'm big in golf,

351
00:16:11,480 --> 00:16:13,800
Speaker 1: but I am not a big golfer. I'm not a

352
00:16:13,840 --> 00:16:16,440
Speaker 1: good golfer, but I really I enjoy anything that you

353
00:16:16,520 --> 00:16:18,640
Speaker 1: can have a cocktail at nine am and people don't

354
00:16:18,720 --> 00:16:21,480
Speaker 1: judge you. And golf is that sport. We've all been

355
00:16:21,520 --> 00:16:23,280
Speaker 1: out there with an old man that ordered a jack

356
00:16:23,320 --> 00:16:25,960
Speaker 1: and coke at eight fifteen in the morning. Nobody says

357
00:16:26,040 --> 00:16:28,680
Speaker 1: nothing that old man except that's awesome, right. That only

358
00:16:28,760 --> 00:16:30,800
Speaker 1: happens on tour and a golf course. You know, when

359
00:16:30,840 --> 00:16:32,600
Speaker 1: I saw you with a big record guy, what are

360
00:16:32,600 --> 00:16:35,840
Speaker 1: you guys talking about this project now? Or no, we're

361
00:16:35,880 --> 00:16:38,400
Speaker 1: just having life. No, I was already I'd already signed

362
00:16:38,440 --> 00:16:40,680
Speaker 1: with Broken Boat at that time, and we were just

363
00:16:40,840 --> 00:16:42,680
Speaker 1: you know, I love how just man. He's a good dude,

364
00:16:42,720 --> 00:16:43,880
Speaker 1: and you know I've got a you know, I'm just

365
00:16:43,960 --> 00:16:46,680
Speaker 1: good dude. Man. He's fine to golf with. We played

366
00:16:46,720 --> 00:16:48,480
Speaker 1: good together. And I'll also gass him up, get him

367
00:16:48,520 --> 00:16:51,080
Speaker 1: drunk on that back nine. And I think people intentionally

368
00:16:51,160 --> 00:16:53,120
Speaker 1: bring me out on days when they want to get loose.

369
00:16:53,600 --> 00:16:55,280
Speaker 1: Whenever you have to go to the golf course, though

370
00:16:55,320 --> 00:16:57,880
Speaker 1: you know it's tucked in he got you nice because

371
00:16:57,880 --> 00:17:00,200
Speaker 1: I saw you looking like a golfer. Yes, sir, does

372
00:17:00,240 --> 00:17:02,720
Speaker 1: that feel foreign with the collar shirt? Oh yeah, I'd

373
00:17:02,760 --> 00:17:05,359
Speaker 1: never looked goof here. Yeah, I've never looked goof here. Man.

374
00:17:05,720 --> 00:17:07,480
Speaker 1: I'm telling you, I don't wear collared church for nothing,

375
00:17:07,520 --> 00:17:10,560
Speaker 1: but the opera. I didn't wear them the court. How

376
00:17:10,600 --> 00:17:14,200
Speaker 1: many times do you think you've been to court? Oh? Fifty, easy,

377
00:17:14,440 --> 00:17:17,639
Speaker 1: one hundred. I couldn't even imagine. If we get serious

378
00:17:17,680 --> 00:17:18,800
Speaker 1: for a second, what would you say to a kid

379
00:17:18,880 --> 00:17:21,680
Speaker 1: now that's listening to this at fourteen fifteen years old,

380
00:17:22,040 --> 00:17:23,920
Speaker 1: that maybe is not growing up in the most ideal

381
00:17:23,960 --> 00:17:25,879
Speaker 1: situation and has to make some tough choices right now

382
00:17:25,960 --> 00:17:28,040
Speaker 1: like you did. Man, it's if we can get serious

383
00:17:28,040 --> 00:17:30,520
Speaker 1: about that subject. We're doing a show later in Nashville

384
00:17:30,560 --> 00:17:34,240
Speaker 1: this year, big show, and I'm donating one hundred percent

385
00:17:34,280 --> 00:17:36,879
Speaker 1: of the money from the show to help build a

386
00:17:37,000 --> 00:17:39,320
Speaker 1: music program in the juvenile here in Davidson County. And

387
00:17:39,400 --> 00:17:41,680
Speaker 1: I'm matching it with my own money dollar for dollar.

388
00:17:42,440 --> 00:17:45,080
Speaker 1: So you're raising money and then matching the money you raise. Yes, sir,

389
00:17:45,160 --> 00:17:47,159
Speaker 1: I believe artists need to start stroking a check man.

390
00:17:47,200 --> 00:17:48,919
Speaker 1: I hate when artists just want to fundraise and they

391
00:17:48,920 --> 00:17:51,040
Speaker 1: don't want to reach in their old precious bank account.

392
00:17:51,320 --> 00:17:53,080
Speaker 1: Put your money where your mouth is, you know. And

393
00:17:53,200 --> 00:17:55,760
Speaker 1: why is that important to you? Because I think these

394
00:17:55,880 --> 00:17:58,480
Speaker 1: kids when I was in juvenile Bobby, nobody ever came

395
00:17:58,560 --> 00:18:01,600
Speaker 1: to talk to me that I understood, right, God bless them.

396
00:18:01,600 --> 00:18:03,880
Speaker 1: The guideons would come and they'd slide a Bible under

397
00:18:03,880 --> 00:18:05,359
Speaker 1: the door, and I appreciate that because I read that

398
00:18:05,359 --> 00:18:08,359
Speaker 1: babble of a thousand times and they go, God bless you,

399
00:18:08,480 --> 00:18:09,919
Speaker 1: young man. But you know, it was eighty year old

400
00:18:10,000 --> 00:18:12,159
Speaker 1: dude with a suit and tie that was disconnected by

401
00:18:12,200 --> 00:18:14,280
Speaker 1: a door. Nobody comes to and gives these kids hope.

402
00:18:14,800 --> 00:18:16,560
Speaker 1: And I've been to the adult prison and I've been

403
00:18:16,600 --> 00:18:18,520
Speaker 1: to the juvenile prison. The adult prison is full of

404
00:18:18,560 --> 00:18:20,120
Speaker 1: a bunch of grown mens who need to figure out

405
00:18:20,119 --> 00:18:22,480
Speaker 1: a way to break a cycle. The juvenile is full

406
00:18:22,560 --> 00:18:24,239
Speaker 1: of a bunch of young kids that don't think they

407
00:18:24,359 --> 00:18:27,480
Speaker 1: know any better. They don't know any better, you know.

408
00:18:27,560 --> 00:18:29,919
Speaker 1: And I'm a big advocate for justice reform because when

409
00:18:29,920 --> 00:18:32,920
Speaker 1: I was sixteen, I made a decision that I'm not

410
00:18:33,040 --> 00:18:35,160
Speaker 1: proud of, but ended up getting charged as an adult.

411
00:18:35,240 --> 00:18:36,960
Speaker 1: And here I stand in front of you twenty years

412
00:18:37,000 --> 00:18:39,639
Speaker 1: removed from that decision. I'm not allowed to carry a firearm.

413
00:18:39,960 --> 00:18:42,160
Speaker 1: I'm not allowed to vote. I just had to fight

414
00:18:42,280 --> 00:18:44,719
Speaker 1: tooth and nail to get a passport. I'm missing millions

415
00:18:44,760 --> 00:18:46,680
Speaker 1: of dollars in Canada that I'll never be able to

416
00:18:46,720 --> 00:18:49,960
Speaker 1: go get because of a decision I made twenty years ago.

417
00:18:50,000 --> 00:18:51,600
Speaker 1: I was sixteen years old, dude. I mean, I don't

418
00:18:51,600 --> 00:18:53,480
Speaker 1: know if I can say this, but I hadn't even

419
00:18:53,520 --> 00:18:56,920
Speaker 1: started sprouting hair down there, you know, and here I

420
00:18:57,160 --> 00:18:59,679
Speaker 1: was being charged as a full blown I couldn't buy

421
00:18:59,680 --> 00:19:03,359
Speaker 1: a pack cigarettes, but you justified my criminal act is

422
00:19:03,480 --> 00:19:05,800
Speaker 1: enough to charge me as an adult. I'm super passionate

423
00:19:05,840 --> 00:19:09,720
Speaker 1: about that. These kids need chances, they need to see

424
00:19:09,800 --> 00:19:12,120
Speaker 1: outside of their environment. I have people right now barby

425
00:19:12,200 --> 00:19:14,679
Speaker 1: that are from my neighborhood that never left my neighborhood.

426
00:19:15,000 --> 00:19:17,439
Speaker 1: They watch the Tennessee Titans on TV, and I call

427
00:19:17,520 --> 00:19:19,240
Speaker 1: them now that I'm successful, I'm like, I'll take you

428
00:19:19,320 --> 00:19:21,000
Speaker 1: to a game. They're like, no, I'm cool. I'm like,

429
00:19:21,119 --> 00:19:24,520
Speaker 1: you know that stadium's eleven minutes from your house, never

430
00:19:24,640 --> 00:19:27,959
Speaker 1: seen it. They don't know anything past that environment. Nobody

431
00:19:28,000 --> 00:19:30,119
Speaker 1: ever comes through and tries to help these kids, man,

432
00:19:30,760 --> 00:19:33,040
Speaker 1: And that's what I'm the most passionate about, and that's

433
00:19:33,080 --> 00:19:34,480
Speaker 1: what i want to help with the most. And I'm

434
00:19:34,480 --> 00:19:36,399
Speaker 1: gonna put my money where my mouth is when it

435
00:19:36,480 --> 00:19:39,399
Speaker 1: comes to it. What about your kids? How do you

436
00:19:39,440 --> 00:19:42,120
Speaker 1: plan to be a good dad and use what you've

437
00:19:42,160 --> 00:19:44,720
Speaker 1: been through as an example to your kids. My daughter

438
00:19:44,880 --> 00:19:48,800
Speaker 1: is almost will be fourteen this month, and her mother

439
00:19:49,760 --> 00:19:53,399
Speaker 1: had got into about with heroin and had a rough

440
00:19:53,440 --> 00:19:55,280
Speaker 1: addiction and we ended up getting custoded of her, her,

441
00:19:55,760 --> 00:19:58,600
Speaker 1: me and my wife eight or nine years ago. I

442
00:19:58,760 --> 00:20:01,440
Speaker 1: have my daughter all the time. She flies out on weekends.

443
00:20:01,560 --> 00:20:03,280
Speaker 1: I mean, I've seen her this morning on the way

444
00:20:03,320 --> 00:20:04,879
Speaker 1: to school. I'll be the first thing she sees when

445
00:20:04,920 --> 00:20:08,760
Speaker 1: she comes home from school. And to me, parenting is

446
00:20:08,800 --> 00:20:12,280
Speaker 1: just about honesty, you know, it's just about being really

447
00:20:12,359 --> 00:20:15,680
Speaker 1: honest and having an open dialogue. These kids are exposed

448
00:20:15,720 --> 00:20:17,639
Speaker 1: to stuff so much faster than we were because of

449
00:20:17,720 --> 00:20:19,840
Speaker 1: the Internet. Dude, back whenever I wanted to get a

450
00:20:19,880 --> 00:20:23,800
Speaker 1: little risky, I had to go put together pieces of magazines, right,

451
00:20:23,920 --> 00:20:26,240
Speaker 1: you know, I had to go find them in various spots.

452
00:20:26,320 --> 00:20:28,879
Speaker 1: You know, these kids are exposed to so much stuff,

453
00:20:29,480 --> 00:20:31,840
Speaker 1: and to me, it's just about being honest and having

454
00:20:31,880 --> 00:20:34,520
Speaker 1: a dialogue. My daughter is like I called her my

455
00:20:34,560 --> 00:20:36,840
Speaker 1: little road dog. That's my little homie, you know, that's

456
00:20:36,880 --> 00:20:38,840
Speaker 1: my little best friend. And we talked like that and

457
00:20:38,920 --> 00:20:40,960
Speaker 1: every now and then, you gotta be dad. You got

458
00:20:41,080 --> 00:20:43,040
Speaker 1: to growl and show your teeth. But ultimately it's just

459
00:20:43,119 --> 00:20:45,280
Speaker 1: about bringing her along the way and keeping as close

460
00:20:45,280 --> 00:20:47,320
Speaker 1: as you can, just kind of watching it grow. Sounds

461
00:20:47,359 --> 00:20:50,040
Speaker 1: like honesty is a massive part of who you are. Yeah,

462
00:20:50,920 --> 00:20:53,520
Speaker 1: but you know I lunchboxes met me outside of here.

463
00:20:53,600 --> 00:20:55,560
Speaker 1: The same guy that's sitting here. The same guy was there.

464
00:20:55,640 --> 00:20:58,040
Speaker 1: You know, where'd you guys meet? Well? Softball? We played

465
00:20:58,040 --> 00:21:00,840
Speaker 1: softball together and we drink a lot. Did It's fact?

466
00:21:01,359 --> 00:21:05,119
Speaker 1: So I was. I was excited to bring this up.

467
00:21:05,280 --> 00:21:07,880
Speaker 1: Do you think you play softball? You play golf? Yea?

468
00:21:08,119 --> 00:21:11,800
Speaker 1: Where are you doing the equestrian dude, I'm listen. I

469
00:21:11,920 --> 00:21:15,480
Speaker 1: am an athlete in an alcoholic's body. Bobby, I'm trying

470
00:21:15,600 --> 00:21:17,840
Speaker 1: to tell you, man, I have I had a bomb.

471
00:21:18,280 --> 00:21:20,240
Speaker 1: Didn't I had a stinger? Dude? I had the most

472
00:21:20,280 --> 00:21:23,960
Speaker 1: famous base hit in celebrity softball history. I was one

473
00:21:24,000 --> 00:21:25,720
Speaker 1: of the celebrity games. H don't you guys are like

474
00:21:25,760 --> 00:21:29,680
Speaker 1: a secret league or something on Tuesday nights. Yeah, yeah,

475
00:21:29,720 --> 00:21:32,200
Speaker 1: can we bowled on Wednesdays? Come hang out. We'll talk

476
00:21:32,240 --> 00:21:36,680
Speaker 1: about that book. Jelly rolls here with us again. Congratulations.

477
00:21:36,720 --> 00:21:39,080
Speaker 1: I had been walking thanking the number one song It's

478
00:21:39,119 --> 00:21:42,400
Speaker 1: great Son of a Center again, most added at country radio.

479
00:21:42,440 --> 00:21:44,720
Speaker 1: And you have a whole country album coming out. I do, Yeah.

480
00:21:44,800 --> 00:21:46,680
Speaker 1: Me and Brandley have been writing a lot. Me in earnest.

481
00:21:46,720 --> 00:21:49,480
Speaker 1: I got some stuff in the kettle pot. Man, I'm cooking, baby.

482
00:21:49,640 --> 00:21:52,000
Speaker 1: We're gonna play a Son of a Center now. But man,

483
00:21:52,119 --> 00:21:54,720
Speaker 1: just appreciate you coming in. You know. I think you

484
00:21:54,800 --> 00:21:57,040
Speaker 1: gotta have a great message. I think you can speak

485
00:21:57,080 --> 00:21:59,640
Speaker 1: to the people that you want to speak to. And again,

486
00:21:59,680 --> 00:22:02,399
Speaker 1: you're probably one of the only people that can, you know,

487
00:22:02,440 --> 00:22:04,880
Speaker 1: because unless you come from something, you almost don't want

488
00:22:04,880 --> 00:22:07,040
Speaker 1: to listen to people lecture you. You know. I'm from

489
00:22:07,040 --> 00:22:09,320
Speaker 1: a very small town in Arkansas, and it's like people

490
00:22:09,320 --> 00:22:12,480
Speaker 1: don't understand unless they've experienced it, right. So I appreciate

491
00:22:12,680 --> 00:22:14,639
Speaker 1: your message, and I think you're probably reaching a lot

492
00:22:14,680 --> 00:22:17,639
Speaker 1: of people when others can't. So and you have to

493
00:22:17,680 --> 00:22:19,119
Speaker 1: go through a lot to actually get that message and

494
00:22:19,320 --> 00:22:21,679
Speaker 1: gather those tools. But man, it's good to see you here.

495
00:22:21,880 --> 00:22:23,760
Speaker 1: I feel good, dude. I'm a huge fan of the show.

496
00:22:23,880 --> 00:22:25,720
Speaker 1: My mom is a fan of the show. We're all like,

497
00:22:26,440 --> 00:22:28,280
Speaker 1: this is a big deal. Man. We're keeping up with

498
00:22:28,400 --> 00:22:31,720
Speaker 1: the big acting debut and I'm looking forward to drinking

499
00:22:31,720 --> 00:22:34,760
Speaker 1: with Lunchbox again. I'm totally in the know of this show.

500
00:22:34,840 --> 00:22:36,720
Speaker 1: This isn't I didn't do research on the way in.

501
00:22:37,240 --> 00:22:39,680
Speaker 1: I literally I've seen Luke Comb sitting this seat and

502
00:22:39,720 --> 00:22:42,240
Speaker 1: I was like, we're getting close. I'm bigger than Luke,

503
00:22:42,280 --> 00:22:44,439
Speaker 1: but it looks like he's comfortable in it. So now

504
00:22:44,520 --> 00:22:46,520
Speaker 1: that I'm in it, I feel great and I'd love

505
00:22:46,600 --> 00:22:48,560
Speaker 1: to come back and talk a ken. And one thing

506
00:22:48,600 --> 00:22:50,640
Speaker 1: you're always gonna get from me, Bobby, for better or worse,

507
00:22:50,680 --> 00:22:53,000
Speaker 1: it's honest and real. And I do want to be

508
00:22:53,040 --> 00:22:54,800
Speaker 1: a voice for the voiceless. I do want to help

509
00:22:54,840 --> 00:22:57,560
Speaker 1: the people that you know the music's here to help,

510
00:22:57,680 --> 00:23:00,080
Speaker 1: and I think that's what music did for me to

511
00:23:00,200 --> 00:23:02,720
Speaker 1: this day. Music helps me through my darkest moments. We

512
00:23:02,800 --> 00:23:05,520
Speaker 1: got three minutes of songwriters to change the way people

513
00:23:05,600 --> 00:23:07,880
Speaker 1: feel or to ride with them in the darkest moment

514
00:23:08,000 --> 00:23:09,800
Speaker 1: or the best moment of their life, and I take

515
00:23:09,880 --> 00:23:11,760
Speaker 1: those three minutes more than I more serious and I

516
00:23:11,840 --> 00:23:14,080
Speaker 1: take anything else in my life. I appreciate that. And

517
00:23:14,520 --> 00:23:16,480
Speaker 1: at jelly roll six one five, if you want to

518
00:23:16,480 --> 00:23:21,439
Speaker 1: follow him, it's the best bits of the week with Morgan.

519
00:23:21,560 --> 00:23:26,080
Speaker 1: Number two, Lunchbox made his big acting debut in twenty

520
00:23:26,240 --> 00:23:28,600
Speaker 1: twenty two. This was a huge one. No it wasn't

521
00:23:28,640 --> 00:23:30,560
Speaker 1: in Hollywood, and no it wasn't on Broadway, but it

522
00:23:30,680 --> 00:23:33,160
Speaker 1: was in Las Vegas for the bat Out of Hell

523
00:23:33,440 --> 00:23:36,479
Speaker 1: Musical and he went down made his debut. There were

524
00:23:36,520 --> 00:23:38,320
Speaker 1: some crazy things that happened around it, like he was

525
00:23:38,320 --> 00:23:40,040
Speaker 1: supposed to have lines and then he didn't end up

526
00:23:40,080 --> 00:23:42,560
Speaker 1: having lines when he still made his acting debut, and

527
00:23:42,640 --> 00:23:44,600
Speaker 1: it was a very exciting moment on the show. We

528
00:23:44,680 --> 00:23:47,160
Speaker 1: got to hear him audition and then of course get

529
00:23:47,240 --> 00:23:49,720
Speaker 1: to hear what happened when he went down to Las

530
00:23:49,840 --> 00:23:54,159
Speaker 1: Vegas and made his dreams a reality. Number six a

531
00:23:54,320 --> 00:23:56,960
Speaker 1: big weekend for Lunchbox. All right, you go to Las Vegas.

532
00:23:57,520 --> 00:23:59,440
Speaker 1: You got a part in bat at a Hell. Yeah,

533
00:23:59,520 --> 00:24:01,119
Speaker 1: I can't was they like to call it? Yeah? I

534
00:24:01,240 --> 00:24:04,040
Speaker 1: guess you call it that a walk on role. So okay,

535
00:24:04,080 --> 00:24:06,800
Speaker 1: what happened? What's the day of the show, like Saturday.

536
00:24:06,960 --> 00:24:09,040
Speaker 1: So I mean, I gotta be there called time. It's

537
00:24:09,080 --> 00:24:11,960
Speaker 1: five o'clock, the show's not till seven. I get my

538
00:24:12,160 --> 00:24:14,320
Speaker 1: show up and they take me backstage. I got my

539
00:24:14,440 --> 00:24:17,359
Speaker 1: own dressing room, and guys, they must have listened to

540
00:24:17,440 --> 00:24:19,800
Speaker 1: the show because they had me a bottle of tequila.

541
00:24:20,080 --> 00:24:22,159
Speaker 1: They had a bottle of wine from my wife. They

542
00:24:22,240 --> 00:24:24,119
Speaker 1: had a big old thing of peanut m and elms.

543
00:24:24,440 --> 00:24:27,200
Speaker 1: They had everything I wanted right there in the room.

544
00:24:27,760 --> 00:24:32,840
Speaker 1: H Reese's peanut butter cut h Yeah, it was so

545
00:24:32,960 --> 00:24:35,080
Speaker 1: it was awesome. Anything else, that's all I wanted. That's

546
00:24:35,080 --> 00:24:37,040
Speaker 1: all I had. They didn't. They didn't have the gambling money.

547
00:24:37,080 --> 00:24:38,720
Speaker 1: But that's okay. So do you think they heard that

548
00:24:38,840 --> 00:24:40,359
Speaker 1: or did they ask you what you wanted? No, they

549
00:24:40,440 --> 00:24:42,080
Speaker 1: must have heard it. They never came to me. I

550
00:24:42,240 --> 00:24:43,600
Speaker 1: was asking you how I do it? And you said, Bob,

551
00:24:43,680 --> 00:24:47,879
Speaker 1: did you tell them what he wanted? Uh? Sure, Okay.

552
00:24:50,040 --> 00:24:52,480
Speaker 1: Don't want to take credit for anything, yeah, because he

553
00:24:52,520 --> 00:24:54,440
Speaker 1: won't give it to you even if you did. Okay.

554
00:24:55,160 --> 00:24:56,760
Speaker 1: And then they had a poster there that I was

555
00:24:56,760 --> 00:24:58,359
Speaker 1: supposed to sign, because I guess they give them to

556
00:24:58,400 --> 00:25:01,239
Speaker 1: their VIPs and so I signed the poster with all

557
00:25:01,280 --> 00:25:02,639
Speaker 1: the rest of the cast, and then I sit in

558
00:25:02,720 --> 00:25:05,960
Speaker 1: my dressing room and then wardrobe comes by brings me

559
00:25:06,000 --> 00:25:08,480
Speaker 1: in my wardrobe. Then I go to hair and makeup,

560
00:25:08,520 --> 00:25:10,879
Speaker 1: and some of the other cast members stopping in saying, hey,

561
00:25:10,920 --> 00:25:12,840
Speaker 1: good luck tonight. You know, we're glad to have you.

562
00:25:13,400 --> 00:25:16,680
Speaker 1: It's awesome. See he felt loved, felt loved. Man met

563
00:25:16,720 --> 00:25:18,520
Speaker 1: one guy named Connor who's in there. He's a big

564
00:25:18,560 --> 00:25:21,360
Speaker 1: fan of the show. Been listening. He's from Virginia, he's nineteen,

565
00:25:21,880 --> 00:25:25,360
Speaker 1: grew up he is. I don't know the guy's name,

566
00:25:26,160 --> 00:25:28,199
Speaker 1: but he did play Strapp, the main guy in one

567
00:25:28,240 --> 00:25:31,080
Speaker 1: of the performances, Like he's the Connor. Yeah, he's the

568
00:25:31,160 --> 00:25:33,920
Speaker 1: fill in yea. But yeah. So Connor's family's big, huge fans,

569
00:25:34,200 --> 00:25:36,320
Speaker 1: so I was really cool. So you go, what do

570
00:25:36,400 --> 00:25:38,400
Speaker 1: they do. Let's like five minutes before the show would happen.

571
00:25:38,480 --> 00:25:41,320
Speaker 1: They start calling over the intercom, all right, fifteen minutes

572
00:25:41,359 --> 00:25:44,040
Speaker 1: to places and they say the names like fifteen minutes

573
00:25:44,119 --> 00:25:46,399
Speaker 1: for this, this and lunchbox, and I'm like, that's me,

574
00:25:47,000 --> 00:25:49,719
Speaker 1: that's me. And so then at five minutes they come

575
00:25:49,760 --> 00:25:51,600
Speaker 1: by and say, hey, you ready, let's go get in spots,

576
00:25:51,640 --> 00:25:53,960
Speaker 1: and we go outside and we wait there and say

577
00:25:53,960 --> 00:25:56,080
Speaker 1: you're good to go, and I go up on the stage.

578
00:25:56,440 --> 00:25:58,639
Speaker 1: Is as the show's on. No, no, no, this is

579
00:25:58,760 --> 00:26:00,800
Speaker 1: as the audience is coming in. I'm on the stage

580
00:26:00,880 --> 00:26:05,040
Speaker 1: with three other people and we're cleaning the motorcycle and

581
00:26:05,119 --> 00:26:10,000
Speaker 1: we're there and then so as the seats are being filled,

582
00:26:11,119 --> 00:26:13,960
Speaker 1: you're like a mannequin. No no, no, like I'm with

583
00:26:14,080 --> 00:26:17,639
Speaker 1: the main people, like Raven, who is the like the no,

584
00:26:17,920 --> 00:26:21,680
Speaker 1: Raven is the character in the play. She's the second star.

585
00:26:22,359 --> 00:26:24,960
Speaker 1: She is up there and we're cleaning the motorcycle and

586
00:26:25,119 --> 00:26:27,840
Speaker 1: then there's a flashing light and that tells you to

587
00:26:27,880 --> 00:26:29,440
Speaker 1: go over and getting your places, and we go getting

588
00:26:29,440 --> 00:26:32,879
Speaker 1: our spots, and then the curtain drops and she's like,

589
00:26:33,480 --> 00:26:39,399
Speaker 1: I remember everything. And that's when the play starts. Boom.

590
00:26:39,560 --> 00:26:42,520
Speaker 1: How long till you're on? I'm already on the stage. Man, No,

591
00:26:42,640 --> 00:26:44,400
Speaker 1: I mean like on, like, when do you do your thing?

592
00:26:44,960 --> 00:26:47,280
Speaker 1: Look like this part I'm on. I am on. When

593
00:26:47,320 --> 00:26:48,760
Speaker 1: do you speak? Yeah, when do you speak? When do

594
00:26:48,760 --> 00:26:51,480
Speaker 1: you have lines? Well, it's coming, okay, it's coming, okay,

595
00:26:51,840 --> 00:26:54,639
Speaker 1: so you know they come out. It starts and everybody,

596
00:26:54,640 --> 00:26:58,320
Speaker 1: are you wearing I'm wearing jeans black Doc Martin's. I

597
00:26:58,440 --> 00:27:01,639
Speaker 1: got a nice lead their jacket that says the lost.

598
00:27:01,920 --> 00:27:04,439
Speaker 1: I got a bandana, and I got a bandana out

599
00:27:04,480 --> 00:27:06,679
Speaker 1: of my back pocket. I got a red glove, got

600
00:27:06,800 --> 00:27:09,440
Speaker 1: a spiky wrist band, and I got some war paint

601
00:27:09,480 --> 00:27:11,760
Speaker 1: on my face. Okay, get the vibe here. Yeah, so

602
00:27:11,840 --> 00:27:13,879
Speaker 1: when do you talk? So hold on? Well, hold just

603
00:27:14,080 --> 00:27:17,359
Speaker 1: let me get there, man. So the first scene, they

604
00:27:17,440 --> 00:27:19,800
Speaker 1: do this dance and I jump on the motorcycle and

605
00:27:20,000 --> 00:27:22,080
Speaker 1: me and Zahara we ride out. We're out of here.

606
00:27:22,119 --> 00:27:25,240
Speaker 1: We gotta get there's a big fight that the motorcycle move.

607
00:27:25,320 --> 00:27:28,480
Speaker 1: Oh yeah, then you talk hold on? Sorry, sorry, sorry, sorry?

608
00:27:28,680 --> 00:27:32,399
Speaker 1: Can I get there? So the motorcycle goes out boom,

609
00:27:32,760 --> 00:27:36,399
Speaker 1: all right, cool. Then they do a whole other scene

610
00:27:36,720 --> 00:27:39,639
Speaker 1: and then we come back out on the motorcycle. Another

611
00:27:39,800 --> 00:27:43,679
Speaker 1: dance scene, and then it's my time to shine. Okay,

612
00:27:44,119 --> 00:27:46,600
Speaker 1: and we have a right you want to hit it? Okay,

613
00:27:46,960 --> 00:27:54,600
Speaker 1: here we go. There's no audio. My speaking lines got cut.

614
00:27:56,880 --> 00:27:58,920
Speaker 1: I didn't know that. I didn't know that. Oh I

615
00:27:59,000 --> 00:28:00,920
Speaker 1: got the call. I was right. I didn't know that, dude.

616
00:28:01,119 --> 00:28:03,480
Speaker 1: I didn't find this out till about an hour before

617
00:28:03,520 --> 00:28:06,119
Speaker 1: show they cut your lines. Oh yeah, they cut the

618
00:28:06,280 --> 00:28:08,440
Speaker 1: entire scene. I did not know that, and I was

619
00:28:08,560 --> 00:28:10,159
Speaker 1: not leading you into that. I didn't know they did

620
00:28:10,200 --> 00:28:12,240
Speaker 1: that in stage perfect. I knew they had audio, or

621
00:28:12,280 --> 00:28:14,159
Speaker 1: I was told there was audio. I didn't know it

622
00:28:14,240 --> 00:28:17,160
Speaker 1: was them messing with him. Yeah, well I felt bad

623
00:28:17,200 --> 00:28:19,560
Speaker 1: now I didn't know that he got cut. Yeah. I

624
00:28:19,760 --> 00:28:22,000
Speaker 1: was all excited. Remember, I mean, they had this whole

625
00:28:22,040 --> 00:28:24,959
Speaker 1: thing for me and they cut that entire scene. Why

626
00:28:25,000 --> 00:28:27,439
Speaker 1: would they do that? Yeah? Like why am irritated at

627
00:28:27,480 --> 00:28:30,560
Speaker 1: them now? Like now completely. It's like it's like you

628
00:28:30,640 --> 00:28:32,320
Speaker 1: can make fun of your brother, but nobody else can

629
00:28:32,359 --> 00:28:33,840
Speaker 1: because then you want to beat him up. That's what

630
00:28:33,920 --> 00:28:36,320
Speaker 1: I feel like right now. No, No, no, it was

631
00:28:36,440 --> 00:28:39,120
Speaker 1: the play was a lot longer, and after you know,

632
00:28:39,280 --> 00:28:41,640
Speaker 1: doing a few runs, they decided to cut some scenes

633
00:28:42,040 --> 00:28:43,720
Speaker 1: and that happened to be one of the scenes that

634
00:28:43,800 --> 00:28:46,680
Speaker 1: they cut. But they adjusted on the fly and were

635
00:28:46,720 --> 00:28:49,760
Speaker 1: able to still get me in there and still get

636
00:28:49,800 --> 00:28:51,680
Speaker 1: me on stage to perform. So I was in two

637
00:28:51,720 --> 00:28:55,080
Speaker 1: different scenes. Did you get and you didn't speak at all? Well,

638
00:28:55,120 --> 00:28:57,880
Speaker 1: I mean I did speak, but just not to the crowd.

639
00:28:58,160 --> 00:29:00,400
Speaker 1: Oh you were like talking to the other guy got

640
00:29:00,440 --> 00:29:02,880
Speaker 1: my lines. But it was crazy because I didn't realize

641
00:29:02,920 --> 00:29:04,720
Speaker 1: that they talked to each other. Why the other main

642
00:29:04,800 --> 00:29:06,560
Speaker 1: scenes are going on, but like things are going on,

643
00:29:06,600 --> 00:29:08,440
Speaker 1: and people be like, he didn't that guy an idiot?

644
00:29:08,440 --> 00:29:10,120
Speaker 1: And I'm like, yeah, he's an idiot and we're actually

645
00:29:10,200 --> 00:29:13,200
Speaker 1: talking and I didn't know. But so the microphone didn't

646
00:29:13,200 --> 00:29:15,160
Speaker 1: pick up. What do you think about this? I didn't

647
00:29:15,160 --> 00:29:17,120
Speaker 1: know his lines got cut? Did you? Yeah? I found

648
00:29:17,160 --> 00:29:20,120
Speaker 1: out when he called me that evening and I was like,

649
00:29:20,720 --> 00:29:22,160
Speaker 1: did you call him? Like, I can't believe they cut

650
00:29:22,160 --> 00:29:25,280
Speaker 1: my lines? No, kind I was like, oh, dude, developing story,

651
00:29:25,400 --> 00:29:27,560
Speaker 1: but my lines got cut. I mean, it happens all

652
00:29:27,560 --> 00:29:29,280
Speaker 1: the time in Hollywood where they done a film and

653
00:29:29,320 --> 00:29:31,480
Speaker 1: they chop it down and it just sucks. It was

654
00:29:31,600 --> 00:29:33,520
Speaker 1: him because this whole thing was around him and him

655
00:29:33,560 --> 00:29:36,400
Speaker 1: being on, but it was it's because they it's edited

656
00:29:36,560 --> 00:29:37,880
Speaker 1: and it's a movie and they have to pick what

657
00:29:38,040 --> 00:29:40,760
Speaker 1: scenes based on camera shots and this is a live

658
00:29:41,360 --> 00:29:44,000
Speaker 1: How long would your whole scene have been? Oh, it

659
00:29:44,040 --> 00:29:48,480
Speaker 1: would have been like thirty seconds. But but the storyline,

660
00:29:48,520 --> 00:29:51,000
Speaker 1: they they must they took a lot out because it

661
00:29:51,280 --> 00:29:53,960
Speaker 1: was a two and a half hour play. Oh, and

662
00:29:54,040 --> 00:29:55,479
Speaker 1: I did read it in Vegas. They can't do two

663
00:29:55,520 --> 00:29:59,320
Speaker 1: and a half hour and thirty seconds, Like I mean,

664
00:29:59,440 --> 00:30:01,160
Speaker 1: I'm here to hit it for you right now. No, no, dude.

665
00:30:01,160 --> 00:30:04,520
Speaker 1: It was awesome. The cast was awesome. It was so fun.

666
00:30:05,000 --> 00:30:08,080
Speaker 1: It was you want to act out your scene here? No? Yeah,

667
00:30:08,400 --> 00:30:11,040
Speaker 1: him do it reever wants Jaco and performed at CMAS

668
00:30:11,280 --> 00:30:13,480
Speaker 1: and it rained him out. Yeah. They made him cut

669
00:30:13,520 --> 00:30:15,320
Speaker 1: like eighty percent of a set, and so he said,

670
00:30:15,360 --> 00:30:17,080
Speaker 1: you'd come up here and bring the whole band to perform.

671
00:30:17,160 --> 00:30:19,520
Speaker 1: He did his whole set up here all hour and

672
00:30:19,560 --> 00:30:21,720
Speaker 1: it was an amazing performance by him. We were lucky

673
00:30:21,720 --> 00:30:22,920
Speaker 1: to be able to see it and be a part

674
00:30:22,960 --> 00:30:25,160
Speaker 1: of it. We're offering you that, Well here's the problem.

675
00:30:25,360 --> 00:30:27,840
Speaker 1: I don't remember my lines. No, well, that's that's difficual.

676
00:30:28,520 --> 00:30:30,240
Speaker 1: I flushed him. You know, like when you cram for

677
00:30:30,320 --> 00:30:33,120
Speaker 1: a test and you walk out of that classroom after

678
00:30:33,200 --> 00:30:34,480
Speaker 1: you take the test and you just flush it and

679
00:30:34,520 --> 00:30:37,160
Speaker 1: you don't remember it. That is exactly what happened. Once

680
00:30:37,200 --> 00:30:39,960
Speaker 1: they've told me I didn't have any lines, I was like, ah, Scooba,

681
00:30:39,960 --> 00:30:42,520
Speaker 1: Should I be mad or no? Because like I'm on

682
00:30:42,600 --> 00:30:44,680
Speaker 1: the edge of no, dude, it was have some behind

683
00:30:44,720 --> 00:30:46,440
Speaker 1: the scenes things. Well that my theories. I don't want

684
00:30:46,440 --> 00:30:47,560
Speaker 1: to get to it on the air. It's too much

685
00:30:47,560 --> 00:30:49,480
Speaker 1: inside baseball. So are you telling me not to be

686
00:30:49,560 --> 00:30:51,000
Speaker 1: mad for lunch I don't think so. But I think

687
00:30:51,000 --> 00:30:53,080
Speaker 1: it's just that's just lunchboxes life. He gets something and

688
00:30:53,160 --> 00:30:55,360
Speaker 1: it goes away, yeah, or doesn't happen. That's just that.

689
00:30:55,600 --> 00:30:58,280
Speaker 1: But it was Listen. They had a big you know

690
00:30:58,320 --> 00:31:00,760
Speaker 1: how cool. They had an after party like he was

691
00:31:00,880 --> 00:31:02,640
Speaker 1: opening night. So we went upstairs and I thought it

692
00:31:02,680 --> 00:31:04,600
Speaker 1: was gonna be some lame after party. Dude. It was

693
00:31:04,720 --> 00:31:07,320
Speaker 1: out by the pool, overlooking the Las Vegas trip. They

694
00:31:07,360 --> 00:31:11,560
Speaker 1: had a live band, food, free drinks. It was awesome. Okay,

695
00:31:11,640 --> 00:31:14,240
Speaker 1: so you're happy with the weekend man, Yes, I would

696
00:31:14,280 --> 00:31:15,920
Speaker 1: have loved listen. I would have loved to have had

697
00:31:16,000 --> 00:31:25,000
Speaker 1: some lines or some more action. Yea A star. I

698
00:31:25,520 --> 00:31:28,160
Speaker 1: crushed it on that stage. The caller was right, I

699
00:31:28,200 --> 00:31:30,640
Speaker 1: can't believe it. Ry can you play that VOICEMAILO? No, no,

700
00:31:30,680 --> 00:31:33,680
Speaker 1: we don't, we don't here. I don't know. We just

701
00:31:33,920 --> 00:31:38,040
Speaker 1: left bad a hell and Lunchbox did not perform. He

702
00:31:38,200 --> 00:31:41,600
Speaker 1: had zero words, and it was a decent show. But

703
00:31:41,880 --> 00:31:45,280
Speaker 1: Lunchboxes did nothing. He sat on the motorcycle and made

704
00:31:45,320 --> 00:31:48,640
Speaker 1: awkward movements. I have no idea what that was all about.

705
00:31:48,960 --> 00:31:52,560
Speaker 1: Four minutes of the show he was on. That's it.

706
00:31:53,040 --> 00:31:56,200
Speaker 1: Four minutes. He didn't say anything, didn't do anything. I

707
00:31:56,320 --> 00:31:58,040
Speaker 1: only played that earlier because I thought this caller was

708
00:31:58,080 --> 00:31:59,760
Speaker 1: so wrong, and I was gonna give Lunchboxes shot test

709
00:32:00,000 --> 00:32:04,200
Speaker 1: one of them. I didn't know he was exactly right. Okay, Well,

710
00:32:04,280 --> 00:32:06,120
Speaker 1: scoop By manxious to hear it would happened behind the scenes.

711
00:32:06,680 --> 00:32:08,840
Speaker 1: Oh yeah it was. It was but man hot on

712
00:32:08,880 --> 00:32:11,040
Speaker 1: the air. No, no, but no, but hey, and I

713
00:32:11,160 --> 00:32:12,880
Speaker 1: thought the cast was gonna be like, oh my god,

714
00:32:12,920 --> 00:32:14,800
Speaker 1: this is so annoying to have some dude jumping in

715
00:32:14,880 --> 00:32:18,680
Speaker 1: our production. They were so nice, every single one of

716
00:32:18,720 --> 00:32:20,880
Speaker 1: them stopped by my dress and the sledge five bucks

717
00:32:20,920 --> 00:32:23,320
Speaker 1: talking nice about it. No, no, even like in between

718
00:32:23,360 --> 00:32:25,600
Speaker 1: scenes they're they're going in between dressing rooms or whatever.

719
00:32:25,640 --> 00:32:27,640
Speaker 1: They would stop on my dress room. Dude, you're killing

720
00:32:27,680 --> 00:32:29,480
Speaker 1: it out there, thanks for coming. And they were high

721
00:32:29,520 --> 00:32:31,560
Speaker 1: five would be, but you were sitting on a motor

722
00:32:31,760 --> 00:32:34,640
Speaker 1: they think they were told me, no, they were not.

723
00:32:35,480 --> 00:32:39,360
Speaker 1: Maybe a good point. They said, hey, this is maga

724
00:32:39,360 --> 00:32:44,440
Speaker 1: wish to let treat him well. No, they were so cool,

725
00:32:45,720 --> 00:32:48,600
Speaker 1: every single one of them. Well I'm glad you had fun. Yeah,

726
00:32:48,680 --> 00:32:51,960
Speaker 1: that's what's most important. I mightn't go back just to

727
00:32:52,000 --> 00:32:55,160
Speaker 1: watch what about it? Didn't do two shows that night? Yeah,

728
00:32:55,480 --> 00:32:57,240
Speaker 1: so the second show. Yeah, they didn't give you the

729
00:32:57,280 --> 00:33:00,360
Speaker 1: lines of that one either. No, no, no, no. Were

730
00:33:00,400 --> 00:33:02,680
Speaker 1: you better at cleaning the motorcycle? And second show? Yeah?

731
00:33:02,800 --> 00:33:05,640
Speaker 1: I shined it up good. I crushed it on that

732
00:33:05,840 --> 00:33:08,400
Speaker 1: rock and I rode that motorcycle like a chance. But

733
00:33:08,440 --> 00:33:10,640
Speaker 1: I didn't drive the motorcycle. I just rode behind the girl.

734
00:33:10,720 --> 00:33:13,120
Speaker 1: If you're good, I'm good. Yeah. If you're good, I'm bad.

735
00:33:13,160 --> 00:33:15,800
Speaker 1: Out of hell? No, no, are you saying you're good? Dude?

736
00:33:15,800 --> 00:33:17,320
Speaker 1: My name was on the mark. You're good, I'm good?

737
00:33:17,360 --> 00:33:19,040
Speaker 1: Are you seeing my picture that saw it? I don't

738
00:33:19,040 --> 00:33:20,520
Speaker 1: think he's good. I think I'm have to burn it down.

739
00:33:22,000 --> 00:33:26,880
Speaker 1: Are you good like I'm bad? Out of head? Okay,

740
00:33:27,000 --> 00:33:28,920
Speaker 1: well let me let's let's let's get out of here.

741
00:33:30,200 --> 00:33:33,920
Speaker 1: It's the best bits of the week with Morgan. Number two.

742
00:33:36,920 --> 00:33:38,680
Speaker 1: A huge moment for the show this year. It was

743
00:33:38,760 --> 00:33:41,920
Speaker 1: the CMA Awards. We won the National Personality of the

744
00:33:42,000 --> 00:33:44,320
Speaker 1: Year award and we all went on stage and accepted

745
00:33:44,360 --> 00:33:46,280
Speaker 1: the award. Gotta get all dressed up and have a

746
00:33:46,440 --> 00:33:49,680
Speaker 1: great time. It was a huge moment for us this year,

747
00:33:49,760 --> 00:33:53,040
Speaker 1: and you guys also enjoyed hearing about it from Amy's

748
00:33:53,120 --> 00:33:56,560
Speaker 1: trophy getting broken and the award night stories. You guys

749
00:33:56,640 --> 00:33:59,640
Speaker 1: just really loved hearing this and hearing us come together

750
00:33:59,720 --> 00:34:01,760
Speaker 1: to set that award. And it's all because of you

751
00:34:01,840 --> 00:34:04,120
Speaker 1: guys that it happened. So coming in here at this

752
00:34:04,280 --> 00:34:06,800
Speaker 1: number five spots of the best bits of the year,

753
00:34:07,240 --> 00:34:10,959
Speaker 1: it's us talking about the CMA Awards. Number five CMA

754
00:34:11,000 --> 00:34:12,880
Speaker 1: Awards were last night. I hope everybody got a chance

755
00:34:12,920 --> 00:34:15,400
Speaker 1: to check it out. Eddie had his eye issue and

756
00:34:15,600 --> 00:34:19,040
Speaker 1: he had a broken award once Lunchbox is chilling, Yeah,

757
00:34:19,160 --> 00:34:21,160
Speaker 1: doing my thing. It is what it is. And so

758
00:34:21,760 --> 00:34:23,239
Speaker 1: we all got an award though, which is cool, like

759
00:34:23,360 --> 00:34:26,520
Speaker 1: this was the year that everybody the whole show like

760
00:34:26,600 --> 00:34:28,840
Speaker 1: we purposefully submitted it whereverybody's name was on it. So

761
00:34:28,920 --> 00:34:32,160
Speaker 1: everybody got a big glass, nice award. And I have

762
00:34:32,239 --> 00:34:34,319
Speaker 1: the award at my house. Your award, you have it yet,

763
00:34:34,600 --> 00:34:36,880
Speaker 1: I don't think so maybe nobody else have theirs. I

764
00:34:36,960 --> 00:34:38,680
Speaker 1: have mine, Okay, you have yours, Okay, finds at home,

765
00:34:39,360 --> 00:34:41,000
Speaker 1: so you had to go sign for it. You gotta

766
00:34:41,000 --> 00:34:42,560
Speaker 1: go pick it up, it up. It's okay. You broke

767
00:34:42,600 --> 00:34:44,440
Speaker 1: yours last year, so maybe they're not letting you have it,

768
00:34:45,600 --> 00:34:48,000
Speaker 1: or maybe they're like, oh, we're whipping you up another one.

769
00:34:48,160 --> 00:34:49,719
Speaker 1: So what So you had yours last year? It was

770
00:34:49,800 --> 00:34:51,520
Speaker 1: in a box and he had it leaning on your door.

771
00:34:51,680 --> 00:34:53,840
Speaker 1: You opened the door, Nicclarion, box fell out and it

772
00:34:53,960 --> 00:34:57,960
Speaker 1: shattered this humongous glass award. Yes, that's the end of

773
00:34:58,000 --> 00:35:03,520
Speaker 1: the story. Yeah, why is it? Why is there more

774
00:35:03,560 --> 00:35:04,799
Speaker 1: to it than I don't know about. I'm just that's

775
00:35:04,800 --> 00:35:06,320
Speaker 1: gonna fell into the story. Yeah, that's the end of

776
00:35:06,320 --> 00:35:08,440
Speaker 1: the story. So Scooba Steve went to pick up some

777
00:35:08,560 --> 00:35:10,719
Speaker 1: folks awards. Yeah, he said he was gonna pick up

778
00:35:10,760 --> 00:35:12,520
Speaker 1: We gave him marsheet a paper in the place Scooba.

779
00:35:12,680 --> 00:35:15,960
Speaker 1: So phillis in on what happened yesterday before the show yesterday.

780
00:35:16,000 --> 00:35:18,040
Speaker 1: So we would go there, me and Lunchbox get our

781
00:35:18,080 --> 00:35:21,680
Speaker 1: COVID tests, pick up the awards. Lunchbox loaded them all

782
00:35:21,719 --> 00:35:24,680
Speaker 1: in my truck, not the way I would load them,

783
00:35:24,880 --> 00:35:27,120
Speaker 1: but he load them in my truck. We get back

784
00:35:27,120 --> 00:35:28,680
Speaker 1: here of the station, we're doing some work and all

785
00:35:28,719 --> 00:35:30,520
Speaker 1: that stuff, and as everyone's leaving, I'm like, hey, let's

786
00:35:30,520 --> 00:35:32,080
Speaker 1: go to my truck. We'll grab your award and now

787
00:35:32,120 --> 00:35:36,160
Speaker 1: we could take it with you. It's yours, congratulations. So

788
00:35:36,280 --> 00:35:39,400
Speaker 1: we got to open the door to grab Eddie's award

789
00:35:39,920 --> 00:35:46,960
Speaker 1: and we immediately hear and I'm like, oh my god,

790
00:35:47,160 --> 00:35:49,080
Speaker 1: it was like a rock falling down the mount. You

791
00:35:49,160 --> 00:35:51,080
Speaker 1: heard it too, was right there? Yeah, I was right there.

792
00:35:51,200 --> 00:35:53,320
Speaker 1: So it was it just one box, one box that

793
00:35:53,480 --> 00:35:55,759
Speaker 1: was on top of another wooden box that slid off

794
00:35:55,880 --> 00:35:58,480
Speaker 1: when I opened it and hit the floor immediately. And

795
00:35:58,560 --> 00:36:03,160
Speaker 1: whose award was it? You just he just said it

796
00:36:03,239 --> 00:36:06,000
Speaker 1: was Eddie's. No, no, no, we were getting out Whose

797
00:36:06,040 --> 00:36:08,120
Speaker 1: award was it? Who he thinks award was? Whose award

798
00:36:08,200 --> 00:36:14,200
Speaker 1: was it? It was on the box. It's Amy, this

799
00:36:14,360 --> 00:36:22,640
Speaker 1: happened to bring it in you. That's crazy. Two years

800
00:36:22,680 --> 00:36:27,239
Speaker 1: in a row shattered. Oh no, careful, Amy, open it

801
00:36:27,360 --> 00:36:31,200
Speaker 1: up there? Oh Amy? How bad is it? I don't know.

802
00:36:33,960 --> 00:36:36,239
Speaker 1: It works like it's super glue it. No, no, no,

803
00:36:36,320 --> 00:36:40,239
Speaker 1: you can't super blue out boxes. The box bros. Will

804
00:36:40,239 --> 00:36:42,560
Speaker 1: comes right off. Oh yeah, yeah, yeah, that's exactly what

805
00:36:42,640 --> 00:36:47,439
Speaker 1: happened my other one. Oh wow, it's split right. Next,

806
00:36:48,880 --> 00:36:56,120
Speaker 1: we should just break Amy's. So let me see it's

807
00:36:56,200 --> 00:37:00,920
Speaker 1: broke it. Just where is the necklace now at the

808
00:37:00,960 --> 00:37:06,799
Speaker 1: top part? Oh? Amy, that's terrible. Yeah, so Scuba who

809
00:37:07,120 --> 00:37:10,279
Speaker 1: set it out towards fall like that lunchbox. So lunch

810
00:37:10,320 --> 00:37:12,760
Speaker 1: box broke Amy award this year. Yes, I think lunchbox

811
00:37:12,840 --> 00:37:14,800
Speaker 1: broke it, but because of the way he positioned it

812
00:37:14,840 --> 00:37:16,759
Speaker 1: put it in. But now y'all see how this can

813
00:37:16,840 --> 00:37:19,400
Speaker 1: happen to you, you even when you're not there. It's so,

814
00:37:19,800 --> 00:37:24,080
Speaker 1: what does this mean? You like signs? Yeah? I have

815
00:37:24,200 --> 00:37:27,400
Speaker 1: two broken CMA awards. Do you think I mean? You

816
00:37:27,440 --> 00:37:37,880
Speaker 1: should quit? I can't quit? She said, I need a shop?

817
00:37:40,360 --> 00:37:48,120
Speaker 1: What sign is that? Amy? Yea, I need a job

818
00:37:48,320 --> 00:37:52,319
Speaker 1: like I'd be out of here. I'm sorry, Amy, your

819
00:37:52,320 --> 00:37:55,319
Speaker 1: award broke. Everything is fine. I don't want to put

820
00:37:55,320 --> 00:37:57,239
Speaker 1: on lunchbox. I was looking for someone to throw it on.

821
00:37:57,400 --> 00:38:00,400
Speaker 1: I felt awful. I almost threw up when I went

822
00:38:00,440 --> 00:38:01,840
Speaker 1: home to my wife, and I took it out on

823
00:38:01,920 --> 00:38:04,880
Speaker 1: my family and my kids and what you do. I

824
00:38:04,920 --> 00:38:06,640
Speaker 1: didn't like beat him or anything, but like I went ho,

825
00:38:08,080 --> 00:38:09,799
Speaker 1: but you know how when you when something happens at work,

826
00:38:09,840 --> 00:38:12,160
Speaker 1: you take it home, that anxiety and it gets out

827
00:38:12,200 --> 00:38:15,000
Speaker 1: on them. And so I'm so sorry, Amy. I will

828
00:38:15,040 --> 00:38:16,920
Speaker 1: get it. I will get it fixed. Wow, you should

829
00:38:16,920 --> 00:38:18,799
Speaker 1: have seen it. We were like when we saw Amy

830
00:38:18,920 --> 00:38:21,400
Speaker 1: on there, We're like the irony, this is effort. Did

831
00:38:21,440 --> 00:38:24,200
Speaker 1: you go when we saw Amy's name? Me laugh? Okay, absolutely,

832
00:38:26,040 --> 00:38:30,120
Speaker 1: I'm sorry. We're gonna play Luke Bryan knocking boots two years,

833
00:38:30,239 --> 00:38:34,600
Speaker 1: two awards. Oh my gosh, both of Amy shattered. Eddie's

834
00:38:34,600 --> 00:38:37,239
Speaker 1: eye did not get smaller last night before the CMAS. No,

835
00:38:37,440 --> 00:38:40,439
Speaker 1: and it's gotten worse. It's crazy, like way worse. Eddie

836
00:38:40,520 --> 00:38:43,040
Speaker 1: had a sty in his eye and he kept swelling,

837
00:38:43,160 --> 00:38:44,520
Speaker 1: and then he got a second sty on top of

838
00:38:44,560 --> 00:38:46,000
Speaker 1: the first eye and he kept swelling. And then he

839
00:38:46,040 --> 00:38:47,719
Speaker 1: was like, I'm not going to the CMAS. We say, Eddie,

840
00:38:47,719 --> 00:38:49,760
Speaker 1: you gotta go full blues brother, you're going to the CMA's.

841
00:38:50,040 --> 00:38:53,040
Speaker 1: Where are your sunglasses? And so you did. Do you

842
00:38:53,120 --> 00:38:55,120
Speaker 1: know how many people came up to is it dude

843
00:38:55,280 --> 00:38:57,840
Speaker 1: looking cool? I'm like, thank you, thank you. Well, they

844
00:38:57,880 --> 00:38:59,960
Speaker 1: just had to address it because if they don't say

845
00:39:00,160 --> 00:39:02,000
Speaker 1: anything about it at all, it's like somebody who has

846
00:39:02,040 --> 00:39:06,759
Speaker 1: a crazy but like ugly hairstyle, hairstyle like oh look

847
00:39:06,760 --> 00:39:08,719
Speaker 1: at you, Like you have to say something because you

848
00:39:08,800 --> 00:39:13,239
Speaker 1: can't just ignore it. How about that hair? Hey, Eddie?

849
00:39:13,360 --> 00:39:15,480
Speaker 1: How about those glass They were like men in black

850
00:39:15,640 --> 00:39:19,399
Speaker 1: cool man? Oh god, okay, so I have a sty guy.

851
00:39:19,560 --> 00:39:21,399
Speaker 1: He did have a sunglasses on and it was great.

852
00:39:21,719 --> 00:39:24,399
Speaker 1: You can see you in the group picture we took. Yeah,

853
00:39:24,440 --> 00:39:26,480
Speaker 1: you're like a few rows back. Yeah. I was kind

854
00:39:26,480 --> 00:39:28,319
Speaker 1: of hiding behind a little bit, but you can see

855
00:39:28,360 --> 00:39:30,360
Speaker 1: my face with the glasses. Yeah, you didn't need to.

856
00:39:31,360 --> 00:39:32,560
Speaker 1: It kind of felt word that you and Mike d

857
00:39:32,760 --> 00:39:35,600
Speaker 1: like hitting the back. Well, they kind of arranged it.

858
00:39:35,719 --> 00:39:38,200
Speaker 1: That's where they put us. I got very last second.

859
00:39:38,200 --> 00:39:39,960
Speaker 1: I have no idea. Yeah I did. This is what

860
00:39:40,160 --> 00:39:47,879
Speaker 1: happened on the email It said six fifty. What time

861
00:39:48,000 --> 00:39:52,440
Speaker 1: was it? What time? Okay? Yes, it said five fifty.

862
00:39:52,600 --> 00:39:54,840
Speaker 1: So I get there and I have other stuff to do.

863
00:39:54,920 --> 00:39:56,919
Speaker 1: I have other obligations when I get there. I haven't

864
00:39:56,960 --> 00:39:59,000
Speaker 1: timed exactly right. You guys know how I am. I

865
00:39:59,040 --> 00:40:02,520
Speaker 1: am punctual to this second. I'm texting on Scooba. It's

866
00:40:02,520 --> 00:40:05,959
Speaker 1: five forty seven. No problem, I get there. Forty nine

867
00:40:06,920 --> 00:40:10,120
Speaker 1: one minute before. Everybody's already gathered just waiting on me.

868
00:40:10,160 --> 00:40:13,200
Speaker 1: They're all like, okay, finally I'm here one minute early.

869
00:40:13,360 --> 00:40:15,879
Speaker 1: I'm here exactly when you told me to be here.

870
00:40:16,120 --> 00:40:19,000
Speaker 1: And everybody's like, yeah, oh look who's look who decided

871
00:40:19,040 --> 00:40:22,839
Speaker 1: to show up. I'm on time. And so I get

872
00:40:22,920 --> 00:40:26,120
Speaker 1: up and we takes picture and then I go back

873
00:40:26,160 --> 00:40:27,800
Speaker 1: and do the other work that I promised that I

874
00:40:27,840 --> 00:40:29,799
Speaker 1: would do. I didn't missed a picture. I wasn't liked

875
00:40:29,800 --> 00:40:31,879
Speaker 1: to the picture. Everybody treated me like I was bad

876
00:40:31,960 --> 00:40:34,920
Speaker 1: dude getting there. I was on time. Yeah. I think

877
00:40:34,920 --> 00:40:37,080
Speaker 1: it's just because we were all there like an hour early. No,

878
00:40:37,200 --> 00:40:38,279
Speaker 1: I hear you, but I was just told to be

879
00:40:38,320 --> 00:40:39,640
Speaker 1: there at fifty after. When I was there at forty

880
00:40:39,719 --> 00:40:43,200
Speaker 1: nine after. I get everywhere on time, and so I

881
00:40:43,280 --> 00:40:45,800
Speaker 1: get there and Scooba, it's like having install forty people

882
00:40:45,920 --> 00:40:47,520
Speaker 1: for me, and I appreciate that, but I'm like, no, no, no,

883
00:40:47,560 --> 00:40:49,520
Speaker 1: I'm on time. And I know when I got there,

884
00:40:49,520 --> 00:40:51,880
Speaker 1: everybody's like a huh not you guys. Everybody about to

885
00:40:51,880 --> 00:40:53,880
Speaker 1: say we were it. I just I laughed when you

886
00:40:53,920 --> 00:40:55,759
Speaker 1: walked up. I was like, hey, we've been standing here waiting,

887
00:40:56,000 --> 00:41:01,279
Speaker 1: like the camera guy. They were about to just take

888
00:41:01,360 --> 00:41:04,960
Speaker 1: it anyway, and then the director maybe or whoever, is like, no,

889
00:41:05,239 --> 00:41:08,480
Speaker 1: let's wait for let's wait for Bobby Bones, and like rollout.

890
00:41:10,360 --> 00:41:12,759
Speaker 1: That's why when you woke up, I was like, everybody's

891
00:41:12,800 --> 00:41:17,360
Speaker 1: been standing. I did everything exactly according to what I

892
00:41:17,480 --> 00:41:20,160
Speaker 1: was told. I followed my calendar that I was told.

893
00:41:20,200 --> 00:41:22,760
Speaker 1: I was a good soldier last night by the minute,

894
00:41:22,960 --> 00:41:25,680
Speaker 1: and I get there and I'm the villain. No, no,

895
00:41:26,000 --> 00:41:29,080
Speaker 1: you weren't a funny moment. Well, for Ray, I guess

896
00:41:29,200 --> 00:41:31,719
Speaker 1: kind of was. He was on the front row with us,

897
00:41:32,040 --> 00:41:34,799
Speaker 1: and at one point when they were arranging everybody, they

898
00:41:34,840 --> 00:41:36,959
Speaker 1: were like, oh, hey you we need a taller person

899
00:41:37,040 --> 00:41:38,399
Speaker 1: in the back, and it looked like they were pointing

900
00:41:38,440 --> 00:41:40,279
Speaker 1: to Ray to move, and soil Ray started to move

901
00:41:40,360 --> 00:41:44,560
Speaker 1: and they were like, oh no, no, not you stay right,

902
00:41:44,800 --> 00:41:50,400
Speaker 1: you stay foot Hey Feller, hello guy. So we got

903
00:41:50,440 --> 00:41:52,120
Speaker 1: to go a picture. It was great. Yeah. You see

904
00:41:52,239 --> 00:41:53,960
Speaker 1: Eddie with sunglasses like in the middle, and there's like

905
00:41:54,320 --> 00:41:56,680
Speaker 1: fifty people in this picture. And you see Mike like

906
00:41:56,719 --> 00:41:59,000
Speaker 1: a hidden in the back corner, and that's typical Mike

907
00:41:59,040 --> 00:42:01,719
Speaker 1: d like he's just trying to be behind but ill

908
00:42:01,960 --> 00:42:04,080
Speaker 1: you can get up froud and so hop up and

909
00:42:04,840 --> 00:42:07,160
Speaker 1: lunchbox and I hold the award. Yeah, it looks like

910
00:42:07,200 --> 00:42:10,480
Speaker 1: you guys are fighting for the award. You Lunch I

911
00:42:10,520 --> 00:42:12,239
Speaker 1: was hoping you didn't show up. He was getting to

912
00:42:12,320 --> 00:42:14,279
Speaker 1: hold it. Well, I didn't want to hold. So I

913
00:42:14,320 --> 00:42:16,920
Speaker 1: get up there and Lunch is on the award and

914
00:42:17,600 --> 00:42:19,359
Speaker 1: one of the guys that goes hey hand the word

915
00:42:19,400 --> 00:42:21,160
Speaker 1: over to Bobby and MUCH have to hand him. I go, no,

916
00:42:21,200 --> 00:42:23,440
Speaker 1: you go half. I don't care, and so I was

917
00:42:23,480 --> 00:42:25,320
Speaker 1: almost crossed. For real story, but it looks like you

918
00:42:25,360 --> 00:42:28,600
Speaker 1: guys are actually fighting my award. I didn't even want

919
00:42:28,640 --> 00:42:30,239
Speaker 1: to hold the award. I didn't want to take it

920
00:42:30,320 --> 00:42:32,680
Speaker 1: from lunchbods. So we shared it. I said, you hold

921
00:42:32,680 --> 00:42:34,479
Speaker 1: half of them. I don't care. And so we're holding

922
00:42:34,520 --> 00:42:36,319
Speaker 1: it like we wanted together, like we're Dan and Jay

923
00:42:36,440 --> 00:42:38,840
Speaker 1: or ros Osborne and so we're in the picture we

924
00:42:38,960 --> 00:42:41,640
Speaker 1: posted up. It's great. Everybody was great, and so I

925
00:42:41,719 --> 00:42:45,680
Speaker 1: had to go back to do more stuff, and so

926
00:42:45,800 --> 00:42:47,759
Speaker 1: I said, Amy, we have to do. They don't show

927
00:42:47,800 --> 00:42:50,200
Speaker 1: the speech on TV, but I say, hey, do this

928
00:42:50,520 --> 00:42:52,840
Speaker 1: thing when you walk out, and you say whatever, And

929
00:42:53,000 --> 00:42:55,560
Speaker 1: so you did walked out you did your speech. Yeah,

930
00:42:55,600 --> 00:42:58,440
Speaker 1: we all walked out there together. But backstage I worked

931
00:42:58,480 --> 00:43:01,080
Speaker 1: with Mike d to come up with, like, you know

932
00:43:01,200 --> 00:43:03,560
Speaker 1: what I was gonna say, because I just wanted to

933
00:43:03,680 --> 00:43:07,279
Speaker 1: be super quick, but maybe referencing you know, obviously the

934
00:43:07,360 --> 00:43:09,479
Speaker 1: award and whatnot. And then Mike had this great idea

935
00:43:09,480 --> 00:43:12,640
Speaker 1: about how, um, you know, my CMA had broken and

936
00:43:13,480 --> 00:43:14,839
Speaker 1: no one ever sees this because we've done it before

937
00:43:14,840 --> 00:43:17,080
Speaker 1: and I've never seen one one ounce of this. No,

938
00:43:17,360 --> 00:43:19,120
Speaker 1: they say it goes into like the archive. Yeah, We've

939
00:43:19,120 --> 00:43:21,120
Speaker 1: done hilarious things. And then they were like, well, I

940
00:43:21,160 --> 00:43:22,520
Speaker 1: goes in the archives, and I was like, well, they're

941
00:43:22,560 --> 00:43:25,240
Speaker 1: yelling at me to get back over to this interview stand,

942
00:43:25,480 --> 00:43:27,319
Speaker 1: So Amy, just do the speech. No one's ever going

943
00:43:27,360 --> 00:43:29,239
Speaker 1: to see it anyway, and then you know, I go back.

944
00:43:29,560 --> 00:43:32,560
Speaker 1: So here's Amy, given that speech. Go ahead. The winners

945
00:43:32,600 --> 00:43:35,719
Speaker 1: of the Daily National Broadcast Personality of the Year are

946
00:43:35,920 --> 00:43:41,560
Speaker 1: Bobby Bones, Amy Brown, Lunchbox, Dan Chapelle, Eddie Garcia, Morgan Husselman,

947
00:43:42,040 --> 00:43:46,880
Speaker 1: Season Raymundo, Steven Scuba, Steve Spradlin, Mike Rodriguez, and phone

948
00:43:46,920 --> 00:43:51,520
Speaker 1: screener Abby Anderson. The Bobby Bones Show, Who Okay, we

949
00:43:51,600 --> 00:43:56,400
Speaker 1: love Parker McCollum. Also, my cmas may have shattered, but

950
00:43:56,600 --> 00:44:09,799
Speaker 1: may they never shatter our dreams. Parker introducing y Yeah, yeah, yeah,

951
00:44:09,880 --> 00:44:11,640
Speaker 1: he had just stepped off the mic, so that's why

952
00:44:11,800 --> 00:44:15,279
Speaker 1: I gave him a shout out. Plus Texas Boy, Texas Forever,

953
00:44:15,440 --> 00:44:18,160
Speaker 1: clear eyes, full of hearts, can't lose make sense. People

954
00:44:18,160 --> 00:44:19,640
Speaker 1: to watch those art guys in eighty years and they

955
00:44:19,719 --> 00:44:22,200
Speaker 1: dig that out, have no idea to go, what's that?

956
00:44:22,440 --> 00:44:26,520
Speaker 1: Let's Parker McCall him like they say that. So that happened.

957
00:44:26,600 --> 00:44:28,800
Speaker 1: It is great. We're super pumped, just happy to be

958
00:44:28,840 --> 00:44:30,319
Speaker 1: able to do this show every day more than an award.

959
00:44:30,320 --> 00:44:31,800
Speaker 1: Were just happy to do this show. And yeah, we

960
00:44:31,880 --> 00:44:33,439
Speaker 1: hope you feel like you're our friends, because we feel

961
00:44:33,440 --> 00:44:38,120
Speaker 1: like where are your friends? Uh? Security got called on

962
00:44:38,920 --> 00:44:43,239
Speaker 1: Ray and Lunchbox. Yeah, I mean I'm not surprised obviously, Well,

963
00:44:43,600 --> 00:44:46,319
Speaker 1: there was just so much happening. It is Mayhem with them.

964
00:44:46,360 --> 00:44:49,680
Speaker 1: It's Mayhem, Mayhem may think after us being to get

965
00:44:49,680 --> 00:44:53,040
Speaker 1: how long we've been to get lunchbox nineteen years? Nineteen years? Yeah,

966
00:44:53,120 --> 00:44:55,759
Speaker 1: you think at this point I would be like used

967
00:44:55,800 --> 00:44:59,040
Speaker 1: to it or he wouldn't do it, But that's that's

968
00:44:59,120 --> 00:45:02,160
Speaker 1: not the case. What happened? All right? Well, we walk

969
00:45:02,200 --> 00:45:06,480
Speaker 1: off stage, we're backstage, and there's all are you crying? Look?

970
00:45:06,680 --> 00:45:08,759
Speaker 1: I saw Scuba Steve squirting honey in his throat. This

971
00:45:08,840 --> 00:45:11,000
Speaker 1: morning lunch is heavy back and Scuba had to think

972
00:45:11,000 --> 00:45:13,759
Speaker 1: of honey just squirting it in his throat. Yell yes, No,

973
00:45:13,880 --> 00:45:17,360
Speaker 1: he's acting like it's allergies last night. Hey. As the

974
00:45:17,440 --> 00:45:20,759
Speaker 1: morning has gone on, it's got worse. And we're backstage.

975
00:45:20,760 --> 00:45:24,279
Speaker 1: There's celebrities everywhere and we are just Papa Rozzie in them,

976
00:45:24,360 --> 00:45:27,440
Speaker 1: all up in their face? What up? Oh? There's John Party,

977
00:45:27,560 --> 00:45:31,720
Speaker 1: there's Runaway June, there's Luke Brian, there's oh Morgan Wallen.

978
00:45:31,960 --> 00:45:35,319
Speaker 1: What up? And then the lady goes, do you guys

979
00:45:35,400 --> 00:45:39,600
Speaker 1: have passes? And we were like, and she goes, stay

980
00:45:39,719 --> 00:45:42,839
Speaker 1: right here, I'm gonna go get security. And that's when

981
00:45:42,880 --> 00:45:46,600
Speaker 1: we went did you have no? Well? Then had you

982
00:45:46,640 --> 00:45:48,839
Speaker 1: get back there? I walked off the stage after getting

983
00:45:48,840 --> 00:45:50,480
Speaker 1: our reward and there were all the celebrities you just

984
00:45:50,600 --> 00:45:52,680
Speaker 1: hung out back. So I just stood there and started

985
00:45:52,760 --> 00:45:57,280
Speaker 1: talking to people in like, hey, why not are you okay?

986
00:45:57,640 --> 00:46:01,320
Speaker 1: I don't know? Hey, if he gets a sty in

987
00:46:01,400 --> 00:46:04,960
Speaker 1: his throat. I have a sty. I'd rather have a

988
00:46:05,000 --> 00:46:07,359
Speaker 1: sty in my eye than one voice. Were like all

989
00:46:07,400 --> 00:46:10,759
Speaker 1: falling apart all did you stay out late? No? No,

990
00:46:10,920 --> 00:46:13,360
Speaker 1: he left you surely Did you scream a lot less? No?

991
00:46:14,440 --> 00:46:17,719
Speaker 1: Yes he did? Yes, Yes, I saw your instagram story.

992
00:46:17,719 --> 00:46:20,200
Speaker 1: I saw the instagram of you man screaming at everybody,

993
00:46:20,480 --> 00:46:23,200
Speaker 1: every artist, every artist was happy to see me. Oh

994
00:46:23,239 --> 00:46:25,840
Speaker 1: my gosh. No, I don't know, just because they're stunned

995
00:46:25,880 --> 00:46:28,040
Speaker 1: when they see you. If you're screaming into me, they're happy.

996
00:46:28,120 --> 00:46:29,960
Speaker 1: Like Morgan wall And saw me, he is like, what up?

997
00:46:30,719 --> 00:46:33,200
Speaker 1: High five? That means he was happy to see me.

998
00:46:34,160 --> 00:46:36,120
Speaker 1: And can we talk about how we work with a

999
00:46:36,160 --> 00:46:40,200
Speaker 1: bunch of sissies? Because we're driving driving up to the

1000
00:46:40,239 --> 00:46:46,640
Speaker 1: awards right and Peyton Peyton Manning is hosting, okay, And

1001
00:46:47,000 --> 00:46:51,000
Speaker 1: Peyton Manning is standing outside his bus, and we stopped

1002
00:46:51,040 --> 00:46:52,680
Speaker 1: the car and yell at him and I am trying

1003
00:46:52,760 --> 00:46:57,480
Speaker 1: to climb out of the car. You're okay, okay, Eddie

1004
00:46:57,520 --> 00:47:00,560
Speaker 1: pat him on the back through this. I am trying

1005
00:47:00,600 --> 00:47:02,760
Speaker 1: to climb out of the car to talk to Peyton Manning.

1006
00:47:03,160 --> 00:47:05,799
Speaker 1: And Scuba rolls up the window and tells the driver

1007
00:47:05,880 --> 00:47:19,239
Speaker 1: to keep driving. Here's a clip, go ahead, Peyton. Yeah,

1008
00:47:19,280 --> 00:47:23,200
Speaker 1: but you aren't yelling. Ye I weren't yelling. Yeah. That

1009
00:47:23,360 --> 00:47:27,359
Speaker 1: clip sums up basically the whole night with every Star.

1010
00:47:27,680 --> 00:47:29,120
Speaker 1: I wanted to climb out of the car and talk

1011
00:47:29,160 --> 00:47:30,879
Speaker 1: to Peyton and they would not let me. Yeah, well,

1012
00:47:31,040 --> 00:47:33,800
Speaker 1: thank god, yeah, why thank you? He was there with

1013
00:47:33,840 --> 00:47:36,000
Speaker 1: this with his kids and like, yes, and he's working

1014
00:47:36,040 --> 00:47:37,600
Speaker 1: and I know he's outead of his bus. I saw

1015
00:47:37,680 --> 00:47:41,279
Speaker 1: him a couple times last night. He's huge. Yeah, he's

1016
00:47:41,360 --> 00:47:43,600
Speaker 1: so big, but don't worry. I saw him again and

1017
00:47:43,680 --> 00:47:45,880
Speaker 1: I got that pick. I saw the pick and Payton's like,

1018
00:47:47,520 --> 00:47:51,840
Speaker 1: let me tell you. Yeah. I yelled, Joe Peyton, I

1019
00:47:51,960 --> 00:47:55,879
Speaker 1: need that picture, and he was like, okay, bluddy, come here. Yeah.

1020
00:47:55,960 --> 00:47:58,480
Speaker 1: Lunchbox talk to him like Peyton owed him a photo

1021
00:47:59,120 --> 00:48:01,759
Speaker 1: or something awkward. I mean, it was cool to see

1022
00:48:01,840 --> 00:48:03,840
Speaker 1: him walk right by us and I just looked in

1023
00:48:03,920 --> 00:48:06,200
Speaker 1: calmly and I said hi, mister Manning, and then he

1024
00:48:06,320 --> 00:48:09,240
Speaker 1: kept walking and then Lunchbox like belsd on him. Lunchbox

1025
00:48:09,360 --> 00:48:13,000
Speaker 1: jumped off for a piggyback, right. I mean, Morgan, what

1026
00:48:13,080 --> 00:48:15,880
Speaker 1: happened with the police and you? Well, Eddie, so we

1027
00:48:15,960 --> 00:48:18,400
Speaker 1: all met here before we went into the awards to

1028
00:48:18,440 --> 00:48:21,480
Speaker 1: get an uber and Eddie hands me a champagne bottle

1029
00:48:21,480 --> 00:48:23,080
Speaker 1: and he's like, you're good, just drink out of that

1030
00:48:23,160 --> 00:48:25,680
Speaker 1: and bring it with us. It'll be fine. We show

1031
00:48:25,760 --> 00:48:28,080
Speaker 1: up to where we're supposed to go in and immediately

1032
00:48:28,120 --> 00:48:29,920
Speaker 1: as soon as I step out of the car, cop goes,

1033
00:48:30,000 --> 00:48:32,000
Speaker 1: you're all supposed to have that here, And I'm just

1034
00:48:32,080 --> 00:48:34,920
Speaker 1: holding this champagne bottle in my hand like we're like,

1035
00:48:35,160 --> 00:48:38,239
Speaker 1: we get a pass. We're like, we want awards. What

1036
00:48:38,280 --> 00:48:44,239
Speaker 1: are you talking about? You get award? And so Eddie's like, Morgan,

1037
00:48:44,280 --> 00:48:46,359
Speaker 1: just keep walking and keep walking. I don't know at

1038
00:48:46,440 --> 00:48:48,400
Speaker 1: this point why I'm listening to Eddie when cops are

1039
00:48:48,480 --> 00:48:50,640
Speaker 1: yelling at you, Eddie going just keep walking, just keep walking,

1040
00:48:50,800 --> 00:48:53,040
Speaker 1: act like you don't hear him. Yes, yea worst case

1041
00:48:53,040 --> 00:48:56,520
Speaker 1: scenario wise, good knocker down and handcover. I mean, maybe

1042
00:48:56,840 --> 00:48:58,920
Speaker 1: we're good. Yes, it will get there. If you ignore

1043
00:48:58,960 --> 00:49:00,400
Speaker 1: a cop when you're breaking the do you know what

1044
00:49:00,480 --> 00:49:03,320
Speaker 1: to do? They do, they go copy and they arrestue.

1045
00:49:04,120 --> 00:49:08,240
Speaker 1: So it was good night for everybody. I met Peyton,

1046
00:49:08,280 --> 00:49:11,120
Speaker 1: it was great. M PM Buz hung out with Luke

1047
00:49:11,200 --> 00:49:15,680
Speaker 1: Combs and Morgan Walla. They hung out. Yeah, like Morgan

1048
00:49:15,680 --> 00:49:17,680
Speaker 1: wall and high five. Me said hung out like you

1049
00:49:17,719 --> 00:49:19,960
Speaker 1: had you hang out with Luke holmbs and well, Luke

1050
00:49:20,080 --> 00:49:22,600
Speaker 1: walk by and gave me the surf ub Dude, that's

1051
00:49:22,640 --> 00:49:25,719
Speaker 1: hanging out. Yeah, hang loose, that's hanging out. Yeah, Luke

1052
00:49:25,719 --> 00:49:31,040
Speaker 1: comes hung out. Yeah okay he acknowledged me. Good Yeah, good.

1053
00:49:31,080 --> 00:49:34,440
Speaker 1: It was cool. Good okay. Quickly the coolest moment, favorite

1054
00:49:34,480 --> 00:49:38,360
Speaker 1: moment of the night in ten seconds or less. Amy, Okay,

1055
00:49:38,520 --> 00:49:41,279
Speaker 1: mine was. I kept my son on speaker for phone

1056
00:49:41,360 --> 00:49:43,480
Speaker 1: the first thirty minutes of the show, so he got

1057
00:49:43,520 --> 00:49:45,440
Speaker 1: to hear tons of performances and that was like a

1058
00:49:45,480 --> 00:49:50,239
Speaker 1: really special moment, especially Jody Messina with Colswindel, what about

1059
00:49:50,280 --> 00:49:53,319
Speaker 1: the TV you don't want to watch on TV? Yeah,

1060
00:49:53,320 --> 00:49:55,399
Speaker 1: I mean that would have been better audio in video.

1061
00:49:55,719 --> 00:49:58,320
Speaker 1: You could have seen it too. He was playing a

1062
00:49:58,440 --> 00:50:00,840
Speaker 1: video game or something about had in the nive was

1063
00:50:00,880 --> 00:50:03,399
Speaker 1: on speaker, Eddie. Yeah, I got to take my son,

1064
00:50:03,560 --> 00:50:05,880
Speaker 1: so that was really cool, and him just being starstruck

1065
00:50:05,920 --> 00:50:08,479
Speaker 1: with everyone was really awesome. Oh Dad, that's Katy Perry.

1066
00:50:08,520 --> 00:50:10,319
Speaker 1: I'm like, Son, we gotta find the bathroom. I gotta

1067
00:50:10,320 --> 00:50:12,279
Speaker 1: go peet. I saw Katie last night too, And you know,

1068
00:50:12,320 --> 00:50:14,640
Speaker 1: we worked together for four years on Idol, and I

1069
00:50:14,680 --> 00:50:16,360
Speaker 1: wasn't gonna bother She was doing pressed and so I

1070
00:50:16,440 --> 00:50:18,279
Speaker 1: was just gonna walk by and say high real quick,

1071
00:50:18,320 --> 00:50:20,000
Speaker 1: not even we were just passing it. I didn't want

1072
00:50:20,000 --> 00:50:22,320
Speaker 1: to be rude, but I still wanted to nut. I

1073
00:50:22,360 --> 00:50:24,480
Speaker 1: don't want to bother her. And also I never know

1074
00:50:24,760 --> 00:50:27,600
Speaker 1: we worked with the four years, but La selebrities are different. Yeah,

1075
00:50:27,760 --> 00:50:30,680
Speaker 1: and that who knows she's even remember me. Although we

1076
00:50:30,920 --> 00:50:33,239
Speaker 1: spent hours and hours together. Still I'm like, I don't

1077
00:50:33,239 --> 00:50:35,759
Speaker 1: know my wife's of course you worked together hours, you

1078
00:50:35,840 --> 00:50:37,919
Speaker 1: want the trips, And so I was like, okay, let's

1079
00:50:37,920 --> 00:50:41,200
Speaker 1: just walk by, and she came up and grabbed us.

1080
00:50:41,320 --> 00:50:44,279
Speaker 1: Kaitlin and I both just ignored. Everybody talked to us

1081
00:50:44,280 --> 00:50:47,160
Speaker 1: like ten minutes. So it's not that different. Well, was

1082
00:50:47,320 --> 00:50:49,799
Speaker 1: shocked because she was so busy, and I will say

1083
00:50:50,280 --> 00:50:52,360
Speaker 1: that it was really kind to her to stop and

1084
00:50:52,440 --> 00:50:55,480
Speaker 1: just hang out because I didn't expect it. Love just

1085
00:50:55,640 --> 00:50:57,080
Speaker 1: it was great. It's a love that was lovely even

1086
00:50:57,160 --> 00:50:59,120
Speaker 1: heard to do that. Yeah, yeah, Kati Perry was there.

1087
00:50:59,160 --> 00:51:01,040
Speaker 1: Pretty cool, Katy Perry. I missed her. I didn't see her.

1088
00:51:01,120 --> 00:51:02,960
Speaker 1: And then when we saw Peyton Manning, he was with

1089
00:51:03,040 --> 00:51:04,480
Speaker 1: his son, so I was like, hey, I told my

1090
00:51:04,560 --> 00:51:06,279
Speaker 1: son go be friends with him. So they met and

1091
00:51:06,280 --> 00:51:10,839
Speaker 1: Peyton can be friends. But he didn't. He chicking out. Yeah, lunchbox. Oh,

1092
00:51:10,920 --> 00:51:14,520
Speaker 1: me and Peyton Manning awesome. I mean, didn't have a

1093
00:51:14,560 --> 00:51:16,480
Speaker 1: lot to say, but it was really cool to me.

1094
00:51:16,600 --> 00:51:18,399
Speaker 1: He didn't know you didn't he didn't. Did he say

1095
00:51:18,440 --> 00:51:24,080
Speaker 1: anything at all? He goes, Okay, that was it. That's

1096
00:51:24,080 --> 00:51:27,840
Speaker 1: hanging out more than you did. Tombs though, Yeah, probably,

1097
00:51:27,960 --> 00:51:30,200
Speaker 1: but I mean to get a picture of one of them.

1098
00:51:31,840 --> 00:51:36,359
Speaker 1: Be vulnerable, be emotional. You're crying, Morgan. It was hanging

1099
00:51:36,360 --> 00:51:37,960
Speaker 1: out with the show. That was the first time we've

1100
00:51:38,040 --> 00:51:39,480
Speaker 1: hung out in a while, and we kind of from

1101
00:51:39,520 --> 00:51:41,160
Speaker 1: start to finish, we're all hanging out together and that

1102
00:51:41,239 --> 00:51:44,080
Speaker 1: was pretty cool, right. Yeah. Randomly the Uber ride down,

1103
00:51:44,160 --> 00:51:46,239
Speaker 1: we were in a murdered out escalade and we kept

1104
00:51:46,239 --> 00:51:47,879
Speaker 1: telling the driver that we were famous, and he really

1105
00:51:47,920 --> 00:51:50,200
Speaker 1: didn't believe it. I thought, you guys, sho rented a

1106
00:51:50,239 --> 00:51:51,759
Speaker 1: car something because it looked like one of those cars

1107
00:51:51,800 --> 00:51:54,160
Speaker 1: that yeah we looked awesome. Yeah, And so then we

1108
00:51:54,280 --> 00:51:56,279
Speaker 1: get next to all the fans and we rolled out

1109
00:51:56,280 --> 00:51:58,319
Speaker 1: in the window just a hair and everybody just starts

1110
00:51:58,360 --> 00:52:00,880
Speaker 1: screaming our uber drivers like you guys really our famous

1111
00:52:00,920 --> 00:52:03,480
Speaker 1: Oh my gosh. And then Scuba tips him forty dollars

1112
00:52:03,560 --> 00:52:05,240
Speaker 1: so he would drop us off on the red carpet.

1113
00:52:05,280 --> 00:52:07,759
Speaker 1: It was sick. Did the people start scamming because they

1114
00:52:07,800 --> 00:52:09,120
Speaker 1: you were just in a black car and they didn't

1115
00:52:09,120 --> 00:52:13,120
Speaker 1: know who it was. They thought it like artists, Yeah, yeah, thob.

1116
00:52:13,280 --> 00:52:15,240
Speaker 1: They didn't really see anybody, but they just knew somebody

1117
00:52:15,320 --> 00:52:16,920
Speaker 1: was in it because it was all blacked out. Yeah,

1118
00:52:16,920 --> 00:52:19,200
Speaker 1: that's fun. You got that car like, that's pretty random. Right.

1119
00:52:19,800 --> 00:52:21,759
Speaker 1: Thank god we did have an astro van but it

1120
00:52:21,800 --> 00:52:27,319
Speaker 1: got switched up last. That would have been great, hilarious. Um.

1121
00:52:27,520 --> 00:52:30,640
Speaker 1: I think seeing Jordan, Davis Win and Laney Win, two

1122
00:52:30,640 --> 00:52:34,520
Speaker 1: people that outside of just this world that I'm close to,

1123
00:52:35,280 --> 00:52:38,600
Speaker 1: it is the coolest thing. I don't know. Usually I'm like, okay,

1124
00:52:38,640 --> 00:52:40,239
Speaker 1: it's an industry, a war, that's a cool, good job,

1125
00:52:40,320 --> 00:52:42,239
Speaker 1: good for you. But for those two, especially when Jordan

1126
00:52:42,280 --> 00:52:45,240
Speaker 1: went like the first award, that was awesome. It was amazing.

1127
00:52:45,680 --> 00:52:47,840
Speaker 1: This is just a dear friend and could not be

1128
00:52:47,920 --> 00:52:49,719
Speaker 1: happier for him. And said to me that was that

1129
00:52:49,840 --> 00:52:51,480
Speaker 1: was the best part of the night. Obviously, ask getting

1130
00:52:51,480 --> 00:52:54,520
Speaker 1: the awards always cool, so thankful for that, but it's cool.

1131
00:52:54,560 --> 00:52:58,200
Speaker 1: And then we was it. I freaked out for brothers Osborne,

1132
00:52:58,280 --> 00:53:01,279
Speaker 1: like probably a little too hard, Like I jumped out

1133
00:53:01,320 --> 00:53:02,799
Speaker 1: of my seat. I don't know why it was. I mean,

1134
00:53:02,920 --> 00:53:04,960
Speaker 1: I think probably because I lived next door to TJ

1135
00:53:05,120 --> 00:53:06,600
Speaker 1: for a while. But it was just really cool to

1136
00:53:06,719 --> 00:53:10,840
Speaker 1: see them and just their growth and really cool to

1137
00:53:10,880 --> 00:53:17,200
Speaker 1: see them honored in that way. But I think everyone yeah, yeah, yeah, yeah.

1138
00:53:17,239 --> 00:53:19,520
Speaker 1: Ebby was like calm down, Amy, Yeah, like you were

1139
00:53:20,040 --> 00:53:23,080
Speaker 1: their neighbor. Well, it was a great it's a great night.

1140
00:53:23,200 --> 00:53:27,400
Speaker 1: Congratulations to everybody. Thank you all. I think that's it. CMA.

1141
00:53:27,520 --> 00:53:37,480
Speaker 1: Is everybody good? Yeah, guys, but are you okay? Allergies

1142
00:53:37,520 --> 00:53:40,320
Speaker 1: are terrible. We have clubs of you screaming for a

1143
00:53:40,360 --> 00:53:47,120
Speaker 1: whole night. That's not allergies, man, who sounds It's the

1144
00:53:47,280 --> 00:53:51,960
Speaker 1: best bits of the week with Morgan. Number two. Another

1145
00:53:52,200 --> 00:53:54,279
Speaker 1: huge moment for a show member This year in the

1146
00:53:54,400 --> 00:53:58,759
Speaker 1: world of acting, Amy made her debut in Hollywood. She

1147
00:53:59,200 --> 00:54:01,440
Speaker 1: has always wanted to be in a Christmas movie and

1148
00:54:01,600 --> 00:54:04,000
Speaker 1: that happened this year. She was in a Christmas movie

1149
00:54:04,000 --> 00:54:06,640
Speaker 1: called Holiday Harmony on HBO Max, and she went and

1150
00:54:06,719 --> 00:54:08,560
Speaker 1: filmed it in Hollywood. There was a big reveal that

1151
00:54:08,600 --> 00:54:10,840
Speaker 1: happened on the show when we found out she was

1152
00:54:10,920 --> 00:54:12,640
Speaker 1: going to be in a movie. It was just a

1153
00:54:12,800 --> 00:54:15,759
Speaker 1: huge moment in general from the show aspect and also

1154
00:54:15,880 --> 00:54:19,120
Speaker 1: for Amy personally. So of course that is in on

1155
00:54:19,280 --> 00:54:23,800
Speaker 1: this list right here at number four, number four. It's time.

1156
00:54:26,960 --> 00:54:29,480
Speaker 1: In the next few minutes, somebody on the show will reveal.

1157
00:54:29,719 --> 00:54:33,800
Speaker 1: We will reveal that you have a movie role, multiple lines,

1158
00:54:34,320 --> 00:54:37,720
Speaker 1: a major streaming service movie. We're down to three people.

1159
00:54:38,560 --> 00:54:42,560
Speaker 1: Either Amy's gonna get the role, either Lunchbox that's the

1160
00:54:42,640 --> 00:54:45,839
Speaker 1: most likely, that's the most likely scenario, or Eddie gets

1161
00:54:45,880 --> 00:54:48,400
Speaker 1: the role. I feel it. I did not give this role.

1162
00:54:48,480 --> 00:54:49,800
Speaker 1: I did not pursue it. It came to me and

1163
00:54:49,840 --> 00:54:52,840
Speaker 1: asked for one of you specifically. Now, this is a

1164
00:54:52,880 --> 00:54:55,400
Speaker 1: listener who left us this vo has happened on the

1165
00:54:55,400 --> 00:54:57,160
Speaker 1: show yesterday, but went to play it to set it up.

1166
00:54:57,680 --> 00:55:03,280
Speaker 1: One Lady, two boys, one contest. Hollywood is the trip.

1167
00:55:03,760 --> 00:55:06,480
Speaker 1: The outcome will only be known by Bobby Bones and

1168
00:55:06,560 --> 00:55:12,040
Speaker 1: it has already been decided. Catch messages, Facebook messages, can't talk.

1169
00:55:12,560 --> 00:55:16,080
Speaker 1: It all doesn't matter. Bobby didn't pick the personally. All

1170
00:55:16,160 --> 00:55:19,919
Speaker 1: you idiots don't miss him about anything. And Bobby also

1171
00:55:20,040 --> 00:55:23,200
Speaker 1: deserves to have an honorary doctorate. I'd say he also

1172
00:55:23,280 --> 00:55:28,200
Speaker 1: an ice cream cone. Let's goodness, there's a couple of

1173
00:55:28,280 --> 00:55:31,160
Speaker 1: quick things from each of you. Eddie believes he manifested

1174
00:55:31,239 --> 00:55:33,839
Speaker 1: this because when I was a kid, my dad got

1175
00:55:33,920 --> 00:55:36,279
Speaker 1: me a little oscar thing from our business trip he

1176
00:55:36,360 --> 00:55:37,960
Speaker 1: took to LA and I would stand in front of

1177
00:55:38,000 --> 00:55:39,840
Speaker 1: the mirror and say, I want to thank my parents

1178
00:55:40,120 --> 00:55:43,520
Speaker 1: for believing me. I would thank Tom Hanks for inspiring me.

1179
00:55:43,719 --> 00:55:46,640
Speaker 1: All the above. This is my dream come true. Bones,

1180
00:55:47,719 --> 00:55:50,800
Speaker 1: I know it. Earlier on the show, Edie said his

1181
00:55:50,880 --> 00:55:52,719
Speaker 1: dad called him and was like, I think he got

1182
00:55:52,760 --> 00:55:55,120
Speaker 1: the role. He called me two times yesterday saying, as

1183
00:55:55,160 --> 00:55:56,919
Speaker 1: Bobby told you anything. It's like Dad, Bobby's not telling

1184
00:55:56,960 --> 00:56:00,360
Speaker 1: me anything. I haven't told anyone. Let's why do you

1185
00:56:00,400 --> 00:56:03,080
Speaker 1: think he manifested the role? Man? Guys, I've been how

1186
00:56:03,120 --> 00:56:04,960
Speaker 1: did you get back in this? By the way, the

1187
00:56:05,120 --> 00:56:07,560
Speaker 1: plot twist got it. Plot twist like a movie, like

1188
00:56:07,880 --> 00:56:10,320
Speaker 1: like a movie, Like a good murder mystery. There's always

1189
00:56:10,360 --> 00:56:13,080
Speaker 1: a plot twist and Bobby is the king of the

1190
00:56:13,200 --> 00:56:16,600
Speaker 1: plot twist, and he knew that everybody would be so happy.

1191
00:56:16,640 --> 00:56:19,560
Speaker 1: I was eliminated in boom plot twist. I'm back to

1192
00:56:19,719 --> 00:56:22,920
Speaker 1: steal the role and I cannot wait. I took theater

1193
00:56:23,239 --> 00:56:25,879
Speaker 1: in seventh grade, Miss Dawson, and then I just thought

1194
00:56:25,920 --> 00:56:27,799
Speaker 1: about being on the big screen the rest of my life.

1195
00:56:27,840 --> 00:56:30,759
Speaker 1: I started taking acting classes a couple of years ago.

1196
00:56:30,800 --> 00:56:32,520
Speaker 1: I was like, you know what, it's time to chase

1197
00:56:32,600 --> 00:56:37,160
Speaker 1: that dream. And the dream has finally come true. Hollywood.

1198
00:56:37,200 --> 00:56:42,479
Speaker 1: I'm coming, baby, open the doors. I'm on my way. Wow, Okay,

1199
00:56:42,600 --> 00:56:45,319
Speaker 1: it sounds like he's dying. I'm sitting my team here

1200
00:56:45,320 --> 00:56:47,640
Speaker 1: and my creative team of Scuba and Mike Dia text,

1201
00:56:48,160 --> 00:56:54,480
Speaker 1: Oh boy, I don't even know what that means. They're

1202
00:56:54,480 --> 00:56:57,440
Speaker 1: gonna bring in the present for me my plane ticket.

1203
00:56:57,560 --> 00:56:59,960
Speaker 1: You think you've manifested this somehow? Well, I mean yeah.

1204
00:57:00,120 --> 00:57:02,279
Speaker 1: So I've said for years that I would love a

1205
00:57:02,440 --> 00:57:05,880
Speaker 1: role in, for example, a Hallmark Christmas movie. I mean,

1206
00:57:05,920 --> 00:57:07,960
Speaker 1: back in the day, Hallmark was one making most of them,

1207
00:57:08,440 --> 00:57:12,319
Speaker 1: but now all kinds of networks and streaming platforms make

1208
00:57:12,440 --> 00:57:16,400
Speaker 1: Christmas movies. So that's what I often have put out there,

1209
00:57:16,800 --> 00:57:19,760
Speaker 1: and I did it recently on the show. Pulled a

1210
00:57:19,840 --> 00:57:22,040
Speaker 1: clip of it, just so you can hear of times

1211
00:57:22,040 --> 00:57:24,640
Speaker 1: that I've randomly mentioned it. Okay, here's some clips. Maybe

1212
00:57:24,800 --> 00:57:27,439
Speaker 1: there you go. Okay, So I have a bucket list item,

1213
00:57:27,440 --> 00:57:30,040
Speaker 1: which would be, I don't know, being a Hallmark Christmas

1214
00:57:30,120 --> 00:57:32,919
Speaker 1: movie somehow, even if just an extra. And I saw

1215
00:57:33,040 --> 00:57:35,400
Speaker 1: that Hershey's has teamed up with the Hallmark Channel and

1216
00:57:35,480 --> 00:57:38,439
Speaker 1: they have a baking contest going on and a lucky

1217
00:57:38,480 --> 00:57:40,160
Speaker 1: winner is going to get a walk on role as

1218
00:57:40,200 --> 00:57:43,760
Speaker 1: a baker and the Hallmark Movie Channel, and I thought,

1219
00:57:43,840 --> 00:57:46,760
Speaker 1: maybe that could be me. So I've said that for years,

1220
00:57:47,400 --> 00:57:51,040
Speaker 1: maybe even a barista. And I well, no, I mean

1221
00:57:51,120 --> 00:57:53,480
Speaker 1: that was just an example of me saying it on

1222
00:57:53,560 --> 00:57:57,320
Speaker 1: the show. I've said it multiple times. You don't know. Okay,

1223
00:57:57,560 --> 00:58:01,880
Speaker 1: you know he doesn't know what you can just text me,

1224
00:58:01,960 --> 00:58:04,080
Speaker 1: just take me back. Okay, why do you have secrets?

1225
00:58:05,320 --> 00:58:06,680
Speaker 1: This is my creative team. When we can't take in

1226
00:58:06,760 --> 00:58:08,520
Speaker 1: front of you get guys. You know you guys are

1227
00:58:08,520 --> 00:58:10,080
Speaker 1: so stress. Don't worry about it. If you got the role,

1228
00:58:10,120 --> 00:58:13,440
Speaker 1: you got the role. But I am nervous. I'm not

1229
00:58:14,480 --> 00:58:16,200
Speaker 1: well one. I don't get nervous in front of the camera.

1230
00:58:16,480 --> 00:58:21,680
Speaker 1: Well that's acting, it's not just wow, I act. One

1231
00:58:21,720 --> 00:58:26,120
Speaker 1: of you has to be eliminated. Oh sorry, suckers, I

1232
00:58:26,240 --> 00:58:28,720
Speaker 1: just I just said a prayer. So the elimination is

1233
00:58:28,760 --> 00:58:32,280
Speaker 1: going to happen, and then we'll find out. Here's the thing.

1234
00:58:32,640 --> 00:58:37,360
Speaker 1: I and we don't think that this is a Christmas movie.

1235
00:58:38,040 --> 00:58:45,040
Speaker 1: Oh no, Amy, say bye, I'll wait for my time

1236
00:58:45,200 --> 00:58:51,640
Speaker 1: movie Roles gone. Sorry, I still manifested it. And I

1237
00:58:51,760 --> 00:58:54,800
Speaker 1: don't think scuba right or are we just confused on it?

1238
00:58:55,160 --> 00:58:57,440
Speaker 1: I think we're confused. Yeah, I'm double check right. It

1239
00:58:57,520 --> 00:59:00,800
Speaker 1: might be, but we don't know if it is or isn't. Yeah.

1240
00:59:00,960 --> 00:59:02,560
Speaker 1: I think that they're known for this, but I don't

1241
00:59:02,560 --> 00:59:07,240
Speaker 1: think it's that. I'm alone for exactly. And the kids

1242
00:59:07,280 --> 00:59:11,240
Speaker 1: growing up in a lunchbox A good word, one of

1243
00:59:11,320 --> 00:59:24,200
Speaker 1: you will be eliminated. Oh good person eliminated? Now? Is Amy?

1244
00:59:24,320 --> 00:59:32,400
Speaker 1: Do you think it's you? I was like, man, my

1245
00:59:32,560 --> 00:59:38,240
Speaker 1: good championship literally on sweating right now. So I don't know.

1246
00:59:38,360 --> 00:59:40,000
Speaker 1: I don't want to play this game. I have no

1247
00:59:40,120 --> 00:59:42,520
Speaker 1: idea honestly, whoever it is, and would be happy for them.

1248
00:59:42,560 --> 00:59:44,320
Speaker 1: It's gonna be cool, like you said, it could be

1249
00:59:44,920 --> 00:59:49,840
Speaker 1: like an amazing experience that you know, alters someone's life

1250
00:59:49,840 --> 00:59:54,800
Speaker 1: a little bit. Okay, don't do that, lunchbox. What talking

1251
00:59:54,800 --> 00:59:56,720
Speaker 1: to you right now? Yeah? That's good. I'm run to

1252
00:59:56,760 --> 00:59:59,000
Speaker 1: move on. I'm running. Let's go get runner of these fools.

1253
00:59:59,080 --> 01:00:01,800
Speaker 1: Let's go. Just say it. I got troll. You are,

1254
01:00:02,280 --> 01:00:08,240
Speaker 1: I'm going on, great person after you are? I need

1255
01:00:08,360 --> 01:00:15,760
Speaker 1: I need to be quiet. You are still in? Yeah,

1256
01:00:24,800 --> 01:00:29,520
Speaker 1: So it's either or it's not good. Ye oh god,

1257
01:00:30,080 --> 01:00:38,640
Speaker 1: I don't want not like he's hair doing what and

1258
01:00:39,000 --> 01:00:43,080
Speaker 1: I just I don't feel confident. No, I mean, now

1259
01:00:43,160 --> 01:00:45,840
Speaker 1: you're possibly up against lung. Don't. It's you. It's it's

1260
01:00:45,880 --> 01:00:48,120
Speaker 1: you that I'm worried about, not him. He brought himself

1261
01:00:48,200 --> 01:00:51,360
Speaker 1: back in amy it can't be lunchbots. I feel like

1262
01:00:51,400 --> 01:00:54,040
Speaker 1: it's was I going to bring him back in? Was

1263
01:00:54,040 --> 01:00:56,200
Speaker 1: it a plot with I don't know? Yeah, this lobby

1264
01:00:56,280 --> 01:00:58,640
Speaker 1: does he makes things really complicated? You are, yeah, you

1265
01:00:58,720 --> 01:01:03,240
Speaker 1: do stuff like this? Yes? So oh man, Eddie, come

1266
01:01:03,280 --> 01:01:05,880
Speaker 1: on both please, I told you dude, I didn't do it.

1267
01:01:05,920 --> 01:01:07,320
Speaker 1: I didn't I didn't think this. No, no, no, I'm

1268
01:01:07,320 --> 01:01:16,840
Speaker 1: just what you are? Come on? Still in it? Still

1269
01:01:16,920 --> 01:01:28,200
Speaker 1: in it? Ye no, sorry, Ray, why are you levin

1270
01:01:28,240 --> 01:01:33,200
Speaker 1: so heart? Because he truly thought it was him? I

1271
01:01:33,320 --> 01:01:39,200
Speaker 1: really did, Yeah, I really really did. So it's either Amy,

1272
01:01:40,040 --> 01:01:45,720
Speaker 1: oh my goodness, or Okay, so I made a father unit.

1273
01:01:46,160 --> 01:01:49,200
Speaker 1: So we're gonna take it. We're gonna take we gotta

1274
01:01:49,240 --> 01:01:51,520
Speaker 1: take a break. Yeah, we gotta come back and finish

1275
01:01:51,560 --> 01:01:54,920
Speaker 1: in the next Oh goodness. Do you think, Eddie now

1276
01:01:54,920 --> 01:01:57,200
Speaker 1: there's any chance it can be a lunchbox? You still don't?

1277
01:01:57,240 --> 01:02:00,440
Speaker 1: I still now now even more, I think it's be Amy.

1278
01:02:00,520 --> 01:02:02,400
Speaker 1: But what don't I've limited him here? Yeah, but this

1279
01:02:02,560 --> 01:02:04,720
Speaker 1: is just fun to mess with his emotions. I love it. Okay,

1280
01:02:05,280 --> 01:02:08,800
Speaker 1: I'm sorry, it's not it wasn't you. It's okay. I

1281
01:02:08,920 --> 01:02:10,120
Speaker 1: have the rest of the day to get over it.

1282
01:02:10,240 --> 01:02:15,240
Speaker 1: My wife just texted, congrats. I'm freaking out. I place

1283
01:02:15,320 --> 01:02:17,960
Speaker 1: your bets. Who gets the job? It's an acting role

1284
01:02:18,040 --> 01:02:21,680
Speaker 1: that I just reached out to it, says La La.

1285
01:02:21,800 --> 01:02:27,240
Speaker 1: La approached us about a movie. They want Blank to

1286
01:02:27,400 --> 01:02:31,720
Speaker 1: appear in the movie. There will be lines they will

1287
01:02:31,760 --> 01:02:43,160
Speaker 1: work with this major actress. It's on a major streaming service.

1288
01:02:45,800 --> 01:02:48,560
Speaker 1: I think that's all I can say for here. Yes, So,

1289
01:02:48,800 --> 01:02:54,240
Speaker 1: either Lunchbox or he gets the role. Place your bets,

1290
01:02:54,440 --> 01:02:57,720
Speaker 1: m Ray, Now lunch boxes back in. He brought himself

1291
01:02:57,800 --> 01:03:01,320
Speaker 1: back in? What like that could have been the plan

1292
01:03:01,400 --> 01:03:03,000
Speaker 1: the whole time because there was gonna be a twist.

1293
01:03:03,080 --> 01:03:05,080
Speaker 1: Who do you think gets the role? Ray? I'm going

1294
01:03:05,120 --> 01:03:07,520
Speaker 1: with Amy just because lunch has a voice for radio.

1295
01:03:07,600 --> 01:03:11,240
Speaker 1: He has a face for radio. Okay, dumb joke from

1296
01:03:11,280 --> 01:03:14,360
Speaker 1: this organ. My bets been on Amy the whole time,

1297
01:03:14,480 --> 01:03:16,919
Speaker 1: so I'm sticking with it. Heavy favorite is Amy. Eddie.

1298
01:03:17,240 --> 01:03:19,840
Speaker 1: I don't know, man, I'm very lost right now. I

1299
01:03:19,960 --> 01:03:22,320
Speaker 1: still just keep thinking it's me and maybe there's another twist.

1300
01:03:22,440 --> 01:03:25,640
Speaker 1: But since we're putting the money, put yourself back into it? Yes?

1301
01:03:26,000 --> 01:03:29,000
Speaker 1: Can I put myself back? Remember when you know what

1302
01:03:29,280 --> 01:03:33,120
Speaker 1: you can? Okay? All right? There are three people Eddie eliminated,

1303
01:03:33,200 --> 01:03:40,280
Speaker 1: Lost sucks twenty dollars on Amy. So all you guys

1304
01:03:40,320 --> 01:03:42,840
Speaker 1: are going for Amy. Why that's fine? So I will

1305
01:03:42,880 --> 01:03:44,840
Speaker 1: have played this perfectly if the lunch box is what

1306
01:03:44,920 --> 01:03:50,520
Speaker 1: you guys say? Pretty much? Okay? Who well, I'd like

1307
01:03:50,600 --> 01:03:52,480
Speaker 1: to say, Oh my god, this has been a fun

1308
01:03:52,560 --> 01:03:55,360
Speaker 1: bet for me and to our audience. They have no idea.

1309
01:03:55,440 --> 01:03:58,640
Speaker 1: The shows had no idea. Even during the break I'd

1310
01:03:58,800 --> 01:04:00,280
Speaker 1: tell the show was like, it hurt me not to

1311
01:04:00,360 --> 01:04:04,000
Speaker 1: tell Eddie, and I never asked you either didn't, which

1312
01:04:04,080 --> 01:04:07,640
Speaker 1: was hard. The person, Oh my gosh, are we shooting

1313
01:04:07,640 --> 01:04:10,840
Speaker 1: in Hollywood? Where are we going on? Somewhere? Excited location, Holly,

1314
01:04:11,320 --> 01:04:16,439
Speaker 1: that's why I feel my best? What the person? Yes,

1315
01:04:17,240 --> 01:04:22,760
Speaker 1: come on going to Hollywood? Oh, Bobby, lunchbox, how do

1316
01:04:22,840 --> 01:04:28,040
Speaker 1: you feel? I feel great about this? Man, Let's go.

1317
01:04:28,640 --> 01:04:31,720
Speaker 1: I'm sweating. Don't be sweating, Amy. When you're an actor,

1318
01:04:31,760 --> 01:04:34,760
Speaker 1: you can't sweat on stage. You gotta be cool called collecting.

1319
01:04:35,760 --> 01:04:45,120
Speaker 1: The person getting the acting role is Amy. I guess

1320
01:04:45,120 --> 01:04:47,720
Speaker 1: I'm doing what I just The title has just been

1321
01:04:47,760 --> 01:04:56,760
Speaker 1: released called lame Girls. Okay, it doesn't seem real because yes,

1322
01:04:56,880 --> 01:04:59,840
Speaker 1: none of us have any acting experience, so whoever been?

1323
01:05:00,080 --> 01:05:03,720
Speaker 1: Seems totally like not like it's really happening. And I

1324
01:05:03,800 --> 01:05:05,960
Speaker 1: am sweating right now, And I feel bad for lunch

1325
01:05:06,120 --> 01:05:08,960
Speaker 1: because he's definitely. Do you feel like you can act?

1326
01:05:09,720 --> 01:05:13,320
Speaker 1: I don't know. I think I can. Well, what's the like?

1327
01:05:13,440 --> 01:05:16,800
Speaker 1: What are the son? You have a lot? You have

1328
01:05:16,880 --> 01:05:18,080
Speaker 1: a you have a lot of lines. I don't have

1329
01:05:18,120 --> 01:05:20,240
Speaker 1: your script. I could probably get your script. Are you

1330
01:05:20,320 --> 01:05:23,040
Speaker 1: going to run lines with me. You've been in a movie.

1331
01:05:23,320 --> 01:05:26,120
Speaker 1: I don't how are how do they expect us radio

1332
01:05:26,240 --> 01:05:29,040
Speaker 1: people to know how to do this? But Ammy will

1333
01:05:29,080 --> 01:05:31,600
Speaker 1: be gone for a few days next month. Lets we'll

1334
01:05:31,640 --> 01:05:33,760
Speaker 1: talk about it after this segment. Okay, you're free to go.

1335
01:05:33,840 --> 01:05:39,000
Speaker 1: But congratulations, thank you. Ammy has won the role. You

1336
01:05:39,080 --> 01:05:44,640
Speaker 1: put yourself back in it yourself. It's so dumb, guys, Ammy,

1337
01:05:44,720 --> 01:05:47,320
Speaker 1: that's really cool. I'm happy for you. I'm not say it.

1338
01:05:48,600 --> 01:05:51,920
Speaker 1: Oh no, you say you know? Okay, relax, let her

1339
01:05:51,960 --> 01:05:53,840
Speaker 1: have her moment. I don't know. I just it's something

1340
01:05:53,920 --> 01:05:57,240
Speaker 1: that I've said and I never thought would actually really happen.

1341
01:05:57,960 --> 01:06:02,320
Speaker 1: So my mind is all over the place, and I

1342
01:06:02,520 --> 01:06:05,000
Speaker 1: just now I just want to do a good job

1343
01:06:05,160 --> 01:06:08,560
Speaker 1: and make y'all proud. I mean, especially representing iHeart, because

1344
01:06:08,600 --> 01:06:13,040
Speaker 1: I guess that's the part. Okay, sorry the Bobby Yes

1345
01:06:13,160 --> 01:06:15,360
Speaker 1: you does Amy the host of the show. I don't know,

1346
01:06:15,560 --> 01:06:16,919
Speaker 1: don't I guess. I'm telling I don't know what anything

1347
01:06:16,920 --> 01:06:19,440
Speaker 1: about it. Okay, Yes, I want to make the Bobby

1348
01:06:19,480 --> 01:06:21,320
Speaker 1: Bones Show proud. I was trying to make a faceless

1349
01:06:21,360 --> 01:06:26,360
Speaker 1: company proud. So we're going to a faceless company. What

1350
01:06:26,520 --> 01:06:28,520
Speaker 1: does that mean? Your friends here. No, I want to

1351
01:06:28,560 --> 01:06:34,400
Speaker 1: make y'all proud and even the listeners too. Congratulations, Thank you, congratulations. Amy.

1352
01:06:35,640 --> 01:06:38,520
Speaker 1: Wait so well, I don't know. I don't have any details.

1353
01:06:38,520 --> 01:06:39,960
Speaker 1: I wish I had more. I could probably get the scrap.

1354
01:06:40,040 --> 01:06:42,520
Speaker 1: But you have to go soon. You're gonna go. We're

1355
01:06:42,520 --> 01:06:46,040
Speaker 1: gonna make sure. I'm gonna watch your kids. Oh you're awesome.

1356
01:06:46,680 --> 01:06:50,840
Speaker 1: Oh boy. All right, there we go. That concludes this. Good.

1357
01:06:50,880 --> 01:06:52,440
Speaker 1: Everybody take a breath, proud of all all of you.

1358
01:06:52,480 --> 01:06:55,520
Speaker 1: You're all great in my mind. All right, cool, It's

1359
01:06:55,600 --> 01:06:59,040
Speaker 1: the best bits of the week with Morgan. Number two,

1360
01:07:00,640 --> 01:07:04,720
Speaker 1: also with Amy, this is one that was highly highly anticipated.

1361
01:07:04,800 --> 01:07:08,320
Speaker 1: She shared several several months ago that a package got

1362
01:07:08,360 --> 01:07:10,080
Speaker 1: delivered to her house but it wasn't for her, and

1363
01:07:10,120 --> 01:07:12,640
Speaker 1: it had some crazy contents in it, and she never

1364
01:07:12,720 --> 01:07:15,200
Speaker 1: thought she'd actually reveal it. But she ended up revealing

1365
01:07:15,400 --> 01:07:17,600
Speaker 1: just about a month ago what the contents of that

1366
01:07:17,760 --> 01:07:21,520
Speaker 1: package were. And you guys loved that it finally got revealed.

1367
01:07:21,560 --> 01:07:23,120
Speaker 1: There was so much build up to it and it

1368
01:07:23,240 --> 01:07:25,800
Speaker 1: was a crazy story. It's still a crazy story and

1369
01:07:26,000 --> 01:07:28,760
Speaker 1: still wild that this happened to Amy, and also one

1370
01:07:28,880 --> 01:07:31,400
Speaker 1: that maybe has happened to some other people and just

1371
01:07:32,040 --> 01:07:36,320
Speaker 1: all around. I cannot believe this happened. Number three. I

1372
01:07:36,400 --> 01:07:38,920
Speaker 1: guess a year or so ago, Amy sent me a

1373
01:07:39,000 --> 01:07:42,400
Speaker 1: note and goes, hey, this is weird. I got this

1374
01:07:42,720 --> 01:07:47,520
Speaker 1: package and it's weird and I'm scared. Let's talk about it.

1375
01:07:47,920 --> 01:07:50,240
Speaker 1: And I was like, I admire your bravery. And she

1376
01:07:50,400 --> 01:07:53,800
Speaker 1: came and we're gonna have it, have a talk. Chit

1377
01:07:53,880 --> 01:07:56,439
Speaker 1: chatted up, chop it up, as they say on the air. Yeah,

1378
01:07:56,600 --> 01:07:58,400
Speaker 1: And then I was like, you can't. I don't feel

1379
01:07:58,400 --> 01:08:01,080
Speaker 1: comfortable with it. She goes, okay, so we wait, and

1380
01:08:01,120 --> 01:08:03,440
Speaker 1: then she asked some questions. Okay, I'm good to go.

1381
01:08:03,520 --> 01:08:04,840
Speaker 1: Now we come on the air. She goes, I can't.

1382
01:08:05,960 --> 01:08:09,080
Speaker 1: I've been given some advice by people with badges not

1383
01:08:09,240 --> 01:08:11,480
Speaker 1: to talk about it. Yet I'm like okay. And so

1384
01:08:11,840 --> 01:08:14,240
Speaker 1: we know that we've kind of dragged you guys along

1385
01:08:14,280 --> 01:08:15,880
Speaker 1: that listen to the show, but we've also dragged along

1386
01:08:15,920 --> 01:08:17,519
Speaker 1: the people that at work on the show because Eddie

1387
01:08:17,520 --> 01:08:20,040
Speaker 1: doesn't know lunchboxes. Ye, no clue. So as you guys

1388
01:08:20,120 --> 01:08:21,400
Speaker 1: get mad at us, just know the rest of the

1389
01:08:21,439 --> 01:08:24,800
Speaker 1: show's ahead us too. So I've been very annoyed with you. Amy.

1390
01:08:25,160 --> 01:08:26,680
Speaker 1: You can have it because we're gonna talk about it now.

1391
01:08:26,840 --> 01:08:29,080
Speaker 1: But first, why do you feel comfortable now talking about

1392
01:08:29,080 --> 01:08:31,320
Speaker 1: it without revealing what it is? I think enough time

1393
01:08:31,479 --> 01:08:36,680
Speaker 1: has passed by and it's hopefully okay. That's really the

1394
01:08:36,800 --> 01:08:41,240
Speaker 1: answer is time, right, Hey, time does time, and gunshot

1395
01:08:41,280 --> 01:08:43,560
Speaker 1: wounds time. And I don't know that I'll get in

1396
01:08:43,680 --> 01:08:46,160
Speaker 1: specifically to this detail because I don't want to, but

1397
01:08:46,240 --> 01:08:49,960
Speaker 1: I will say, let's just call it a turnover of people, okay,

1398
01:08:50,160 --> 01:08:53,200
Speaker 1: to where I'm maybe not concerned that they're even turnover.

1399
01:08:53,640 --> 01:08:58,400
Speaker 1: Maybe they're not okay, but maybe they're not even you know,

1400
01:08:58,520 --> 01:09:05,479
Speaker 1: turnover people. Sounds like that, I don't know. No, that's

1401
01:09:05,520 --> 01:09:07,720
Speaker 1: all like somebody went on vacation didn't come back, Like

1402
01:09:07,880 --> 01:09:10,720
Speaker 1: somebody went for a swim with some fishy didn't come

1403
01:09:10,720 --> 01:09:13,640
Speaker 1: out for air. Okay, So when I tell you what

1404
01:09:13,760 --> 01:09:16,640
Speaker 1: it is, don't ask me what we did with it.

1405
01:09:17,880 --> 01:09:20,160
Speaker 1: That's all I ask. But how do you bury a

1406
01:09:20,240 --> 01:09:24,200
Speaker 1: body that big? Come on? What wasn't there? Okay, we'll

1407
01:09:24,240 --> 01:09:27,519
Speaker 1: take us back in time the day of you happening,

1408
01:09:27,640 --> 01:09:29,320
Speaker 1: and it happening, what happens? I don't I don't know

1409
01:09:29,360 --> 01:09:30,400
Speaker 1: where you want me to take you. So I'm just

1410
01:09:30,439 --> 01:09:33,840
Speaker 1: gonna leave it blank. Okay, Well, we picked up we

1411
01:09:34,000 --> 01:09:36,439
Speaker 1: pick up our mail from somewhere because we have it

1412
01:09:36,680 --> 01:09:39,960
Speaker 1: delivered to not to our house. So we pick up boxes.

1413
01:09:40,000 --> 01:09:43,040
Speaker 1: It's very normal to get packages and whatnot. Get home

1414
01:09:43,120 --> 01:09:46,760
Speaker 1: with the mail and realize that inside one of the

1415
01:09:46,840 --> 01:09:49,120
Speaker 1: boxes was it were all the boxes with your name

1416
01:09:49,160 --> 01:09:52,280
Speaker 1: on it? Yeah? But I think it was a mix

1417
01:09:52,400 --> 01:09:54,479
Speaker 1: up because I think it was meant to be under

1418
01:09:54,720 --> 01:09:56,720
Speaker 1: someone else's name that happened to be my same name.

1419
01:09:57,760 --> 01:10:01,840
Speaker 1: Oh you do have a very common named Amy Brown. Okay,

1420
01:10:02,000 --> 01:10:06,720
Speaker 1: well yeah, someone, Oh that's your name, Amy? Hey your name? Yeah,

1421
01:10:07,320 --> 01:10:09,960
Speaker 1: for the sake of the story, I'm getting confused with that.

1422
01:10:10,600 --> 01:10:15,599
Speaker 1: But okay. So then we open packages like normal, la lala,

1423
01:10:15,840 --> 01:10:20,960
Speaker 1: let and see here except for except for, oh, this

1424
01:10:21,200 --> 01:10:28,240
Speaker 1: is a box of heroin. What on when you say

1425
01:10:28,320 --> 01:10:31,400
Speaker 1: box of heroin? Yeah? Yeah, yeah, and listen box, but

1426
01:10:31,479 --> 01:10:34,880
Speaker 1: I need you opened the box in this what the

1427
01:10:34,920 --> 01:10:40,400
Speaker 1: heroine in a bag? Wrapped duct tape? Um? I don't

1428
01:10:40,400 --> 01:10:45,479
Speaker 1: know brand wrapped bubble tape situation, big big box enough

1429
01:10:45,600 --> 01:10:49,280
Speaker 1: to where if this went missing? Someone's listen. I've watched

1430
01:10:49,360 --> 01:10:52,559
Speaker 1: enough show me with your fists. How big the package

1431
01:10:52,560 --> 01:10:56,200
Speaker 1: of heroine. Well, no, like, there's the bricks or whatever

1432
01:10:56,320 --> 01:11:00,600
Speaker 1: they are seem vision okay, small and show us with

1433
01:11:00,640 --> 01:11:05,200
Speaker 1: your hands. The bricks are like this. The box is

1434
01:11:05,280 --> 01:11:08,479
Speaker 1: like a massive, like super cheeseburger from one of those

1435
01:11:08,600 --> 01:11:11,519
Speaker 1: truck stop places. Dan, That's what she did with her hands,

1436
01:11:11,560 --> 01:11:13,560
Speaker 1: a big cheeseburger, right, and then the box was like

1437
01:11:14,360 --> 01:11:16,560
Speaker 1: yeah big. The only way I can describe it is

1438
01:11:16,680 --> 01:11:21,120
Speaker 1: big enough to where if this package is missing, someone's losing.

1439
01:11:21,680 --> 01:11:23,920
Speaker 1: Most would say their job over it, but I've seen

1440
01:11:24,040 --> 01:11:26,800
Speaker 1: enough cartel shows that there's somebody's losing their life. And

1441
01:11:26,880 --> 01:11:28,960
Speaker 1: what do you think it is? Initially because I don't

1442
01:11:29,080 --> 01:11:32,320
Speaker 1: know what heroin looks like. Well, there's someone at my

1443
01:11:32,400 --> 01:11:35,160
Speaker 1: house that kind of did know. Listen, there's a lot

1444
01:11:35,200 --> 01:11:37,080
Speaker 1: of things running through our head of where this came

1445
01:11:37,160 --> 01:11:41,160
Speaker 1: from and why or immediately, No, we didn't immediately how

1446
01:11:41,200 --> 01:11:43,760
Speaker 1: many bricks it wasn't until later. I don't remember how

1447
01:11:43,840 --> 01:11:47,080
Speaker 1: many I specifics and numbers of bricks. Okay, I'm getting

1448
01:11:47,160 --> 01:11:51,519
Speaker 1: specific on really anything other than who knows. Maybe it

1449
01:11:51,640 --> 01:11:55,880
Speaker 1: was multiple narcotics, but from what the research we did,

1450
01:11:56,360 --> 01:11:58,680
Speaker 1: that is what it was. But not that I'm some

1451
01:11:58,920 --> 01:12:02,679
Speaker 1: expert and I don't again, this is just something crazy

1452
01:12:02,760 --> 01:12:05,160
Speaker 1: that you don't want it in your hands, because for me,

1453
01:12:05,320 --> 01:12:08,000
Speaker 1: I felt like people come looking for this kind of thing.

1454
01:12:08,360 --> 01:12:13,000
Speaker 1: Did you do then where you dip your finger? Innocent

1455
01:12:13,280 --> 01:12:16,080
Speaker 1: people end up dying just because they happen to end

1456
01:12:16,200 --> 01:12:18,640
Speaker 1: up in the wrong place, at the wrong time, with

1457
01:12:18,800 --> 01:12:21,800
Speaker 1: the wrong drugs. Was it the kind of snort? I

1458
01:12:21,920 --> 01:12:24,200
Speaker 1: don't know, jack, right, don't you? I don't know why

1459
01:12:24,560 --> 01:12:30,080
Speaker 1: you're asking me details when all I know is that

1460
01:12:30,280 --> 01:12:33,879
Speaker 1: was what we determined, and there was multiple adults involved.

1461
01:12:34,080 --> 01:12:35,880
Speaker 1: And well you think the going rate was for it?

1462
01:12:35,920 --> 01:12:38,560
Speaker 1: I know you googled that. Oh man, Oh, I don't know.

1463
01:12:39,280 --> 01:12:41,880
Speaker 1: I don't guess. I don't know the going right, I

1464
01:12:41,960 --> 01:12:46,479
Speaker 1: mean you could have been a millionaire. No, no, this

1465
01:12:46,760 --> 01:12:49,080
Speaker 1: is just something I wanted, like far far away, from

1466
01:12:49,680 --> 01:12:54,040
Speaker 1: far far away and listen. Then the situation was because

1467
01:12:54,120 --> 01:12:58,559
Speaker 1: it was from a male place. We got a call

1468
01:12:59,640 --> 01:13:02,599
Speaker 1: that a box. We accidentally ended up with a box

1469
01:13:02,760 --> 01:13:07,759
Speaker 1: and they need those documents back documents. Wait, the heroin documents.

1470
01:13:08,479 --> 01:13:10,680
Speaker 1: Well that's what we were very confused because we were like,

1471
01:13:11,640 --> 01:13:13,439
Speaker 1: this is not a box full of documents. But I

1472
01:13:13,520 --> 01:13:18,320
Speaker 1: think that was their code for listen. So I don't

1473
01:13:18,360 --> 01:13:20,439
Speaker 1: know who was involved in this ring of how we

1474
01:13:20,560 --> 01:13:23,000
Speaker 1: ended up with Honestly, I feel uncomfortable still talking, right,

1475
01:13:23,080 --> 01:13:26,760
Speaker 1: so do I. And again I don't want authorities to

1476
01:13:26,840 --> 01:13:28,920
Speaker 1: be like I did the wrong thing with it. I

1477
01:13:29,000 --> 01:13:30,680
Speaker 1: don't want the other people to think I went to

1478
01:13:30,760 --> 01:13:35,880
Speaker 1: the authorities. So that is what happened. So you're just

1479
01:13:35,960 --> 01:13:39,960
Speaker 1: doing the trash. I don't ask you what we did

1480
01:13:40,040 --> 01:13:42,800
Speaker 1: with it, don't ask what I wasn't the one that

1481
01:13:43,000 --> 01:13:48,400
Speaker 1: handled it. It was, you know, I passed that along. Um.

1482
01:13:48,880 --> 01:13:51,320
Speaker 1: But yeah, it was very selfie with it. No, that

1483
01:13:51,320 --> 01:13:58,040
Speaker 1: would have been cool, but not check it out. At

1484
01:13:58,080 --> 01:14:00,679
Speaker 1: the time, I think I was more scared than anything

1485
01:14:01,000 --> 01:14:04,360
Speaker 1: or like yeah, and there was other things going on

1486
01:14:04,760 --> 01:14:06,559
Speaker 1: in life at the time that led to these other

1487
01:14:06,720 --> 01:14:08,920
Speaker 1: theories of how we ended up with it. And then

1488
01:14:08,960 --> 01:14:11,240
Speaker 1: I thought, But then once we got the call about

1489
01:14:11,280 --> 01:14:15,080
Speaker 1: the documents, we were like, oh, this is legit. Wrong place,

1490
01:14:15,120 --> 01:14:17,599
Speaker 1: wrong time, wrong package, and now we're going to die

1491
01:14:17,640 --> 01:14:22,240
Speaker 1: for it. That's what I concluded. Oh my goodness, that's

1492
01:14:22,240 --> 01:14:24,240
Speaker 1: scary because they say bring us the documents, and you

1493
01:14:24,360 --> 01:14:28,439
Speaker 1: bring it back, and that's when they I'm not saying no, no,

1494
01:14:28,520 --> 01:14:33,120
Speaker 1: I'm saying no I'm saying that is scary to stop saying. Yeah, yeah,

1495
01:14:33,280 --> 01:14:35,760
Speaker 1: just in general, say, but do you know how there's

1496
01:14:35,800 --> 01:14:38,000
Speaker 1: guys don't understand what I'm saying. There's thing there's real

1497
01:14:38,120 --> 01:14:41,639
Speaker 1: life situations like this, or at least even in fictional

1498
01:14:41,720 --> 01:14:45,800
Speaker 1: shows where innocent people end up Yeah, you know, paying

1499
01:14:45,880 --> 01:14:49,600
Speaker 1: the price for something. They literally just had nothing to

1500
01:14:49,640 --> 01:14:51,920
Speaker 1: do with place, wrong time. Yeah, I had nothing to do,

1501
01:14:52,040 --> 01:14:55,080
Speaker 1: We had nothing my family. Then I was nervous, they

1502
01:14:55,120 --> 01:14:58,160
Speaker 1: had our address. There was all kinds of things. Let

1503
01:14:58,240 --> 01:15:01,080
Speaker 1: me talk to John in Boston. He's an officer. Hey, John,

1504
01:15:01,200 --> 01:15:03,840
Speaker 1: what would you like to say about this? Hey John,

1505
01:15:03,880 --> 01:15:05,960
Speaker 1: how are you guys doing? Three? Pretty good? I appreciate

1506
01:15:06,000 --> 01:15:09,600
Speaker 1: you calling. Can you shed some insight here? Yeah, So

1507
01:15:09,920 --> 01:15:14,479
Speaker 1: I work for a government agency in Massachusetts and I

1508
01:15:14,640 --> 01:15:16,600
Speaker 1: actually work with products. I've been doing it for a

1509
01:15:16,640 --> 01:15:21,519
Speaker 1: while now and large drug organizations, drug traffing organizations. That's

1510
01:15:21,520 --> 01:15:23,559
Speaker 1: actually one of the main methods of how they get

1511
01:15:23,600 --> 01:15:26,800
Speaker 1: their product in the US now because our borders, it's

1512
01:15:26,840 --> 01:15:31,360
Speaker 1: getting increasingly difficult to actually smuggle stuff over the over

1513
01:15:31,400 --> 01:15:35,400
Speaker 1: the border. So we see a lot of people in

1514
01:15:35,640 --> 01:15:39,120
Speaker 1: Amy's situation where they'll get home and they'll see a

1515
01:15:39,160 --> 01:15:42,000
Speaker 1: package there and most of the time they have a

1516
01:15:42,040 --> 01:15:44,519
Speaker 1: good handle on like tracking of what the packages are,

1517
01:15:44,720 --> 01:15:46,760
Speaker 1: where they're going. But they'll pick a random address and

1518
01:15:46,880 --> 01:15:49,519
Speaker 1: drop off the package and they'll think Amy's at work

1519
01:15:49,560 --> 01:15:51,519
Speaker 1: and they'll come over and scoop the package off the porch.

1520
01:15:51,600 --> 01:15:53,200
Speaker 1: And a lot of times we get those calls and

1521
01:15:53,280 --> 01:15:59,080
Speaker 1: it's multiple kilos of cocaine heroines at Noel and it's

1522
01:15:59,160 --> 01:16:03,680
Speaker 1: it's actually pretty common. They use usps UM you know,

1523
01:16:03,880 --> 01:16:08,040
Speaker 1: ups DHL, all those companies and um. They'll actually pay

1524
01:16:08,080 --> 01:16:09,720
Speaker 1: someone to catch a package, is what we call it.

1525
01:16:10,160 --> 01:16:15,360
Speaker 1: They'll pay someone to porch pirates. Yeah, yeah, they actually do. Wow, Yeah,

1526
01:16:18,000 --> 01:16:20,000
Speaker 1: you know yeah. I guess My question is what happens

1527
01:16:20,040 --> 01:16:21,960
Speaker 1: if someone, let's say it was delivered to my door

1528
01:16:22,160 --> 01:16:23,639
Speaker 1: and I just take it in at all my packages,

1529
01:16:23,720 --> 01:16:25,080
Speaker 1: so now I have it in my house, but they

1530
01:16:25,160 --> 01:16:26,800
Speaker 1: know that a package should have been dropped off and

1531
01:16:26,840 --> 01:16:28,840
Speaker 1: it's not out there, it's probably in my house. What

1532
01:16:29,000 --> 01:16:32,360
Speaker 1: happens to me? Then it's they ride it off as

1533
01:16:32,400 --> 01:16:35,439
Speaker 1: a loss. They don't break in holding my breath. I

1534
01:16:35,560 --> 01:16:39,040
Speaker 1: just have a free box at cocaine. Yeah, they rte

1535
01:16:39,040 --> 01:16:45,200
Speaker 1: it off as a loss. Taxes, So what are so okay,

1536
01:16:45,920 --> 01:16:48,959
Speaker 1: that's really really comforting to die. That is so comforting

1537
01:16:49,040 --> 01:16:52,400
Speaker 1: to hear that hopefully this box was written off as

1538
01:16:52,400 --> 01:16:58,519
Speaker 1: a loss. But have people ever, innocent people ever been harmed? So,

1539
01:16:58,680 --> 01:17:01,479
Speaker 1: not that I know of, No, I mean, we've actually

1540
01:17:01,640 --> 01:17:04,360
Speaker 1: we've we've actually seen I mean everything across the game.

1541
01:17:04,400 --> 01:17:08,599
Speaker 1: But we've seen heroin, cove, meth. Uh, we've even seen money.

1542
01:17:08,920 --> 01:17:12,880
Speaker 1: You know, people they mail their currency back or try

1543
01:17:12,960 --> 01:17:16,200
Speaker 1: to and although mail currency to an address to pay off,

1544
01:17:17,080 --> 01:17:19,400
Speaker 1: you know, a drug debt. And people open up the

1545
01:17:19,439 --> 01:17:21,960
Speaker 1: box and see this money wrapped obviously in a in

1546
01:17:22,080 --> 01:17:25,840
Speaker 1: a in a way that currency normally is unpackaged, and uh,

1547
01:17:26,040 --> 01:17:28,599
Speaker 1: they'll call us up and say, hey, this is really concerning,

1548
01:17:28,680 --> 01:17:32,439
Speaker 1: and it's it's legitimately a loss for the drug trafficing organizations.

1549
01:17:32,479 --> 01:17:35,320
Speaker 1: There's just so much product that they mail out. So

1550
01:17:35,560 --> 01:17:37,840
Speaker 1: if I well, that's this is really good to hear.

1551
01:17:38,040 --> 01:17:40,519
Speaker 1: Let's say they drop off a box of the age

1552
01:17:40,560 --> 01:17:42,360
Speaker 1: in my house. It's a big box and I open it,

1553
01:17:42,400 --> 01:17:43,880
Speaker 1: I see it. Should I call the cops or should

1554
01:17:43,880 --> 01:17:48,120
Speaker 1: I just thought up on craigslist? Oh yeah, one hundred percent?

1555
01:17:48,200 --> 01:17:50,599
Speaker 1: Call you to look a law enforcement agency and uh,

1556
01:17:50,720 --> 01:17:53,280
Speaker 1: they'll probably tell you the same stuff I'm telling you that. Um,

1557
01:17:53,640 --> 01:17:55,920
Speaker 1: you know, it's they just picked. A lot of times,

1558
01:17:55,960 --> 01:17:58,280
Speaker 1: they pick random addresses or addresses where they think people

1559
01:17:58,320 --> 01:18:00,720
Speaker 1: are at work during the daytime, and then they'll have

1560
01:18:00,840 --> 01:18:04,679
Speaker 1: their tracking information and as soon as the package is delivered,

1561
01:18:05,080 --> 01:18:07,280
Speaker 1: they'll have a runner go over and scoop that package

1562
01:18:07,360 --> 01:18:09,800
Speaker 1: right up. That's crazy, have you? You know? You said

1563
01:18:09,840 --> 01:18:12,920
Speaker 1: sometimes they'll pay people off, Like what what about people

1564
01:18:13,000 --> 01:18:17,519
Speaker 1: that work in the mail business? Are they ever on

1565
01:18:17,680 --> 01:18:24,960
Speaker 1: the inside? So I can't comment on that, but yeah,

1566
01:18:25,000 --> 01:18:26,840
Speaker 1: I'm not. I'm gonna let that one. We like it.

1567
01:18:27,240 --> 01:18:29,120
Speaker 1: No comment. Wait, that's all We're gonna hold you to

1568
01:18:29,400 --> 01:18:35,080
Speaker 1: no comment. I'm all about no commenting really not. The

1569
01:18:35,120 --> 01:18:36,800
Speaker 1: opposite of what you stand for is no comment. I'm

1570
01:18:36,800 --> 01:18:39,800
Speaker 1: not gonna do you stand for all comments. But in

1571
01:18:39,920 --> 01:18:42,639
Speaker 1: this situation, you're trying to be a little better. Yes, Hey, Joe,

1572
01:18:42,640 --> 01:18:44,720
Speaker 1: I really appreciate that call. Thank you for spending a

1573
01:18:44,720 --> 01:18:46,280
Speaker 1: few minutes with us and shedding some light on that

1574
01:18:46,320 --> 01:18:48,240
Speaker 1: because we kid but Amy was scared for a long

1575
01:18:48,280 --> 01:18:50,320
Speaker 1: time and that's good for people to know, and that's

1576
01:18:50,439 --> 01:18:53,360
Speaker 1: just interesting to see how that works. So thank you.

1577
01:18:54,600 --> 01:18:56,439
Speaker 1: All right, all right, see buddy, and thanks for you know,

1578
01:18:56,560 --> 01:18:58,439
Speaker 1: risking your life out there doing that out of the

1579
01:18:58,520 --> 01:19:01,840
Speaker 1: job that I do not have the cojonans to do. Man,

1580
01:19:01,960 --> 01:19:04,240
Speaker 1: this is crazy. I'll tell you what, Amy, this is

1581
01:19:04,280 --> 01:19:05,840
Speaker 1: worth the wait. Like I thought it was going to

1582
01:19:05,880 --> 01:19:08,400
Speaker 1: be some let down, but this is good. Even though

1583
01:19:08,439 --> 01:19:11,200
Speaker 1: you didn't answer my questions. You're going to a box up? Wow,

1584
01:19:12,640 --> 01:19:14,080
Speaker 1: bring it in, we have it. Bring it in. Oh,

1585
01:19:14,160 --> 01:19:18,639
Speaker 1: yours wheel? Why wouldn't we spin the wheel? Let's see

1586
01:19:18,640 --> 01:19:22,519
Speaker 1: if it's real. That's funny. Oh it was heroin. That's

1587
01:19:22,520 --> 01:19:24,880
Speaker 1: what it was. Heroin. I would have known me. I

1588
01:19:24,920 --> 01:19:28,080
Speaker 1: don't know heroin. I haven't seen any drugs like we

1589
01:19:28,160 --> 01:19:31,280
Speaker 1: were just on Google. You know two things that are

1590
01:19:31,280 --> 01:19:36,800
Speaker 1: always accurate, well three Google web md and Wikipedia. Wikipedia

1591
01:19:37,200 --> 01:19:41,800
Speaker 1: always right. It's the best bits of the week with

1592
01:19:42,080 --> 01:19:49,080
Speaker 1: Morgan number two. Unfortunately for me at this number two spot,

1593
01:19:49,160 --> 01:19:51,560
Speaker 1: this is one that all of you guys really connected with,

1594
01:19:51,840 --> 01:19:57,000
Speaker 1: whether personally or via someone else, however you want to

1595
01:19:57,080 --> 01:20:00,559
Speaker 1: say it. It is my relationship news that I shared

1596
01:20:00,600 --> 01:20:05,080
Speaker 1: earlier this year that I was newly single and no

1597
01:20:05,240 --> 01:20:08,639
Speaker 1: longer with the partner that I had. And so there's

1598
01:20:08,680 --> 01:20:10,880
Speaker 1: been you know, lots of updates since this one happened

1599
01:20:10,960 --> 01:20:13,040
Speaker 1: back in June. But when I shared those news, it

1600
01:20:13,200 --> 01:20:15,120
Speaker 1: was very emotional and I thought I was ready to

1601
01:20:15,120 --> 01:20:17,639
Speaker 1: share it and I ended up crying. So maybe that's

1602
01:20:17,680 --> 01:20:20,360
Speaker 1: why a lot of you guys really felt connected to it.

1603
01:20:20,560 --> 01:20:22,960
Speaker 1: But it did come in with the most engagement at

1604
01:20:23,000 --> 01:20:25,960
Speaker 1: our Number two spot. So I'm sharing it, even though

1605
01:20:26,120 --> 01:20:28,639
Speaker 1: it feels a little weird for me to be sharing

1606
01:20:28,720 --> 01:20:31,400
Speaker 1: this one right now, especially because this is like a

1607
01:20:31,600 --> 01:20:34,599
Speaker 1: couple of months, six months, five months or so ago now,

1608
01:20:34,720 --> 01:20:37,280
Speaker 1: But I got to be authentic to the fact that

1609
01:20:37,400 --> 01:20:42,840
Speaker 1: you guys really engaged and connected and felt empowered with

1610
01:20:42,960 --> 01:20:45,720
Speaker 1: this story. So I'm sharing it here now for you

1611
01:20:45,880 --> 01:20:49,320
Speaker 1: all to relive, though I am so not listening right now.

1612
01:20:50,640 --> 01:20:54,639
Speaker 1: Number two, Well, we have some unfortunate news to address. Morgan.

1613
01:20:54,680 --> 01:20:56,240
Speaker 1: I'm going to come over to you and I'll just

1614
01:20:56,360 --> 01:20:59,920
Speaker 1: let you say what you want to say. I didn't

1615
01:20:59,920 --> 01:21:02,439
Speaker 1: know she was gonna get emotional. No, I'm trying really

1616
01:21:02,520 --> 01:21:05,880
Speaker 1: her not too. But my boyfriend and I are no

1617
01:21:05,960 --> 01:21:09,280
Speaker 1: longer together. Oh man, I think I didn't know you

1618
01:21:09,400 --> 01:21:11,639
Speaker 1: mean an emotional Sorry about that. I know you said

1619
01:21:11,880 --> 01:21:14,120
Speaker 1: we could mention it today. You get it over with yeah,

1620
01:21:14,200 --> 01:21:20,800
Speaker 1: I'm ready to move forward. Well, so obviously we're not

1621
01:21:20,960 --> 01:21:25,679
Speaker 1: gonna extract everything from it. I guess the only question

1622
01:21:25,840 --> 01:21:28,360
Speaker 1: is it seemed like pretty recently you guys were talking

1623
01:21:28,360 --> 01:21:32,120
Speaker 1: about moving in together. That's a yeah, quick quick week

1624
01:21:32,160 --> 01:21:34,400
Speaker 1: and a half or so. Yep. I mean, I guess

1625
01:21:34,479 --> 01:21:37,280
Speaker 1: I was hopeful that things were going to be really

1626
01:21:37,360 --> 01:21:39,080
Speaker 1: great and it was going to stay on that path.

1627
01:21:39,280 --> 01:21:42,160
Speaker 1: But you know, you can't dictate what happens in somebody's

1628
01:21:42,240 --> 01:21:47,240
Speaker 1: life and how they respond to it. So it's not

1629
01:21:47,360 --> 01:21:51,519
Speaker 1: something I wanted and I'm just trying to survive right now.

1630
01:21:51,720 --> 01:21:55,080
Speaker 1: That's just one foot forward. Amy any advice from Morgan,

1631
01:21:55,640 --> 01:21:57,679
Speaker 1: I want to get up and give her a hug.

1632
01:21:58,120 --> 01:22:02,280
Speaker 1: I mean that's I'm We're here for you, Morgan, and like,

1633
01:22:02,640 --> 01:22:04,840
Speaker 1: thank you for sharing that with us. I obviously was

1634
01:22:05,000 --> 01:22:06,880
Speaker 1: I was like, wait, what is happening? I thought she

1635
01:22:06,960 --> 01:22:12,920
Speaker 1: was too. I was surprised too, because I was like, hey,

1636
01:22:13,400 --> 01:22:15,960
Speaker 1: should my boyfriend I broke up? So that meant it's

1637
01:22:15,960 --> 01:22:17,800
Speaker 1: free to talk about and so I was like, hey,

1638
01:22:18,080 --> 01:22:20,720
Speaker 1: bad news. Yeah, you would never intentionally like be like,

1639
01:22:20,800 --> 01:22:24,960
Speaker 1: oh something bad coming on, heartbroke. I'm gonna make her

1640
01:22:25,000 --> 01:22:27,720
Speaker 1: say this, but I don't know. It's so cliche, but

1641
01:22:27,920 --> 01:22:31,960
Speaker 1: I have been so heartbroken before Morgan too. I mean,

1642
01:22:32,720 --> 01:22:35,720
Speaker 1: but at time, like you said, one day at a time,

1643
01:22:35,800 --> 01:22:39,040
Speaker 1: taking that next right step for you, and we're here

1644
01:22:39,080 --> 01:22:41,080
Speaker 1: for you in this process. I know that it's so

1645
01:22:41,240 --> 01:22:44,200
Speaker 1: hard and I'm so sorry, especially sharing as much as

1646
01:22:44,240 --> 01:22:47,479
Speaker 1: you do on the air. That's another layer of it, too,

1647
01:22:47,880 --> 01:22:49,599
Speaker 1: is we try to share what's going on in our

1648
01:22:49,640 --> 01:22:52,280
Speaker 1: lives and I'm sure and Morgan said, she's like, well, amazing.

1649
01:22:52,360 --> 01:22:53,680
Speaker 1: A week and a half ago, I was saying we

1650
01:22:53,800 --> 01:22:56,280
Speaker 1: might live together, and now I'm saying we're broken up,

1651
01:22:56,360 --> 01:22:59,960
Speaker 1: Like that sucks. Did you let's see, did you expect

1652
01:23:00,120 --> 01:23:03,200
Speaker 1: to get as emotional right now? Sometimes when I'm about

1653
01:23:03,200 --> 01:23:04,439
Speaker 1: talk about Steve, it will just hit me like a

1654
01:23:04,520 --> 01:23:06,240
Speaker 1: ton of bricks, and I'm like, yeah, I'm good to go,

1655
01:23:06,479 --> 01:23:09,360
Speaker 1: and I'm like whoa, and you start to lose it.

1656
01:23:09,680 --> 01:23:11,960
Speaker 1: Yeah no, And I and I sat on it for

1657
01:23:12,080 --> 01:23:15,800
Speaker 1: a bit to try to avoid that, but I can't

1658
01:23:15,840 --> 01:23:18,320
Speaker 1: help it because I'm just really sad, I'm angry, I'm

1659
01:23:18,880 --> 01:23:21,200
Speaker 1: feeling so many emotions. So I knew bringing it up

1660
01:23:21,320 --> 01:23:24,360
Speaker 1: was going to hurt, but I can't, you know, I

1661
01:23:24,439 --> 01:23:26,960
Speaker 1: can't keep having people reach out and ask how we're doing.

1662
01:23:27,280 --> 01:23:30,080
Speaker 1: That's the worst. Yeah, casually, that's what happens here. So

1663
01:23:30,240 --> 01:23:32,280
Speaker 1: she needs to air it here because we might next

1664
01:23:32,320 --> 01:23:34,840
Speaker 1: something be like so when moving well, every time I

1665
01:23:35,040 --> 01:23:37,680
Speaker 1: even was even asking he about okay, you guys still together, right,

1666
01:23:38,000 --> 01:23:39,200
Speaker 1: And then I just kind of gave up on that

1667
01:23:39,200 --> 01:23:42,280
Speaker 1: because I kept going yeah, And so I was like, okay, fine,

1668
01:23:42,960 --> 01:23:44,519
Speaker 1: So I'm glad that you told me because I for

1669
01:23:44,600 --> 01:23:47,760
Speaker 1: sure we just fired it. Yeah, what can we do

1670
01:23:47,960 --> 01:23:52,240
Speaker 1: to help you? Um, Bobby telephony story? Oh here's a

1671
01:23:52,240 --> 01:23:57,960
Speaker 1: good one, right, Okay, Well, yeah, I will not poke

1672
01:23:58,040 --> 01:24:00,920
Speaker 1: and pride. But are you Is it over over? I mean,

1673
01:24:01,000 --> 01:24:02,920
Speaker 1: I don't know. I never want to say it's over over,

1674
01:24:03,080 --> 01:24:07,920
Speaker 1: but you know, my heart wants that again, and I

1675
01:24:07,960 --> 01:24:11,080
Speaker 1: would still hope for that. But I think the universe

1676
01:24:11,160 --> 01:24:14,240
Speaker 1: has a way of doing what needs to be done,

1677
01:24:14,479 --> 01:24:16,120
Speaker 1: even if you don't see it at the time. So

1678
01:24:16,680 --> 01:24:19,200
Speaker 1: I'm just trying to have belief in that. I don't

1679
01:24:19,240 --> 01:24:21,560
Speaker 1: have a lot of answers. It was just like he

1680
01:24:21,760 --> 01:24:26,519
Speaker 1: needed space to heal from past trauma and I couldn't

1681
01:24:26,600 --> 01:24:29,639
Speaker 1: fix that, so and I can't try. I can't try

1682
01:24:29,680 --> 01:24:31,479
Speaker 1: to hold onto something that doesn't want to be held

1683
01:24:31,560 --> 01:24:34,360
Speaker 1: on too as much as I would want to. Well,

1684
01:24:34,400 --> 01:24:36,280
Speaker 1: I'm very sorry to hear this. I think in a

1685
01:24:36,400 --> 01:24:40,360
Speaker 1: month you will look back and go, wow, that was

1686
01:24:40,360 --> 01:24:42,720
Speaker 1: crazy when we were broken up or you know what,

1687
01:24:42,800 --> 01:24:46,040
Speaker 1: the probably needed to happen, And now emotionally I'm out

1688
01:24:46,080 --> 01:24:48,280
Speaker 1: of it enough to realize it's probably the best thing

1689
01:24:48,680 --> 01:24:51,439
Speaker 1: for our independent situations. But yeah, sucks. I'm gonna lie

1690
01:24:51,439 --> 01:24:55,320
Speaker 1: to it. Just sucks. It's pretty miserable. That's it one

1691
01:24:55,360 --> 01:24:57,160
Speaker 1: hour to the next, one day to the next, and

1692
01:24:57,240 --> 01:24:59,160
Speaker 1: eventually it's one week to the next. He kind of

1693
01:24:59,439 --> 01:25:01,639
Speaker 1: it starts to a little easier. But all right, well

1694
01:25:01,680 --> 01:25:03,800
Speaker 1: that's you see me in my Taylor Swish space. Just

1695
01:25:03,880 --> 01:25:07,000
Speaker 1: to mind your business, you have to listening to all

1696
01:25:07,040 --> 01:25:12,240
Speaker 1: Taylor stuffs, guys, lunchbox anything. Man. I'm sorry, I'm too.

1697
01:25:12,400 --> 01:25:15,720
Speaker 1: I think maybe going public with the she didn't really

1698
01:25:15,760 --> 01:25:18,120
Speaker 1: go public, no no, no, with the moving in together.

1699
01:25:18,200 --> 01:25:20,360
Speaker 1: He kind of got scared, I think. And then also,

1700
01:25:20,520 --> 01:25:23,200
Speaker 1: can I say what I'm frustrated about? Yeah, no, I

1701
01:25:23,439 --> 01:25:26,080
Speaker 1: don't know. I don't know. This gives her early lead

1702
01:25:26,080 --> 01:25:27,760
Speaker 1: for Employee of the Month for sharing this on the air.

1703
01:25:27,880 --> 01:25:30,479
Speaker 1: Oh she said this, this is fake. Now what if

1704
01:25:30,479 --> 01:25:32,800
Speaker 1: this isn't real? And this is Employee the Months just

1705
01:25:32,920 --> 01:25:37,320
Speaker 1: so ye oh my gosh, we get employee of the

1706
01:25:37,400 --> 01:25:43,760
Speaker 1: Month for sharing super vulnerable personal stuff starts doing the

1707
01:25:43,840 --> 01:25:48,000
Speaker 1: craziest lifestyle. Okay, I wish this is fake, y'all. Morgan,

1708
01:25:48,160 --> 01:25:51,800
Speaker 1: We are very sorry. Um, you know, tougher things have

1709
01:25:51,880 --> 01:25:54,040
Speaker 1: happened to weaker people and they got to it. Just fine.

1710
01:25:54,560 --> 01:25:56,320
Speaker 1: It sucks right now, You're going to be great in

1711
01:25:56,360 --> 01:25:58,680
Speaker 1: the end regardless of what happens, I promise you. And

1712
01:25:58,760 --> 01:26:01,439
Speaker 1: we're here for you. Yeah, We're here for you. That's

1713
01:26:01,479 --> 01:26:05,080
Speaker 1: more than the hours of five to eleven eighty. I'm

1714
01:26:05,160 --> 01:26:07,519
Speaker 1: kidding what Lets I got one more question? Did he

1715
01:26:07,600 --> 01:26:09,720
Speaker 1: get jealous that we dance on TikTok? Is that what

1716
01:26:09,840 --> 01:26:12,760
Speaker 1: it was? That could be it? I have nothing to

1717
01:26:12,840 --> 01:26:16,599
Speaker 1: do with him. My girl was hanging on a guy

1718
01:26:16,680 --> 01:26:19,960
Speaker 1: like you, really masculine exactly. Some of those dances were

1719
01:26:19,960 --> 01:26:23,639
Speaker 1: a little risque where yeah, just making sure all right, Morgan,

1720
01:26:23,640 --> 01:26:27,280
Speaker 1: We're sorry to hear that. It's the best Bits of

1721
01:26:27,360 --> 01:26:32,240
Speaker 1: the Week with Morgan number two and at that number

1722
01:26:32,439 --> 01:26:36,080
Speaker 1: one spot, it is Bobby and he shared a skip

1723
01:26:36,160 --> 01:26:39,439
Speaker 1: that he did at his comedically inspirational show about the

1724
01:26:39,520 --> 01:26:42,479
Speaker 1: CMA Awards, and he got a lot of threats to

1725
01:26:42,600 --> 01:26:44,880
Speaker 1: be canceled, and it was a whole thing that happened,

1726
01:26:44,960 --> 01:26:47,840
Speaker 1: and he kind of slowly revealed different parts of that

1727
01:26:48,040 --> 01:26:51,000
Speaker 1: story and what happened. And this was a really big,

1728
01:26:51,200 --> 01:26:53,400
Speaker 1: engaged with segment from the show this year. This is

1729
01:26:53,439 --> 01:26:56,200
Speaker 1: one that you guys were curious about, wanted to know

1730
01:26:56,280 --> 01:26:58,280
Speaker 1: what was happening. You showed a lot of support for

1731
01:26:58,400 --> 01:27:01,040
Speaker 1: Bobby just in general. This was bigg across all of

1732
01:27:01,080 --> 01:27:04,800
Speaker 1: our platforms and one that it's also interesting considering the

1733
01:27:05,000 --> 01:27:07,320
Speaker 1: place we're in right now in society where cancel culture

1734
01:27:07,400 --> 01:27:09,800
Speaker 1: is a really big thing, and Bobby's been very outspoken

1735
01:27:09,840 --> 01:27:12,880
Speaker 1: about how he does not really like cancel culture and

1736
01:27:13,000 --> 01:27:15,479
Speaker 1: what it does. So all of this was a big

1737
01:27:15,600 --> 01:27:18,880
Speaker 1: segment and one that there's a reason and came in

1738
01:27:19,120 --> 01:27:21,680
Speaker 1: at the number one spot. So in case you missed it,

1739
01:27:22,120 --> 01:27:24,400
Speaker 1: here it is. This is where it all began. Number

1740
01:27:24,479 --> 01:27:26,479
Speaker 1: one did a comedy show, and in the comedy show

1741
01:27:26,840 --> 01:27:28,320
Speaker 1: about a week and a half ago, I said, Hey,

1742
01:27:28,360 --> 01:27:30,679
Speaker 1: if I were hosting the CMAS, this would be my monologue.

1743
01:27:30,680 --> 01:27:32,200
Speaker 1: They've never let me host a CMA so I'm just

1744
01:27:32,200 --> 01:27:35,280
Speaker 1: gonna do it now about a thousand people in the crowd,

1745
01:27:35,320 --> 01:27:36,840
Speaker 1: and they were awesome, and we just acted like we

1746
01:27:36,920 --> 01:27:38,479
Speaker 1: were at the CMAS and put all the all the

1747
01:27:38,560 --> 01:27:41,479
Speaker 1: digital boards. I came out introduction and I just started

1748
01:27:41,520 --> 01:27:46,240
Speaker 1: going in and I started making fun of everybody and

1749
01:27:46,640 --> 01:27:50,240
Speaker 1: not malicious, but I just being hilarious. I thought hilarious.

1750
01:27:50,720 --> 01:27:53,519
Speaker 1: And so somebody recorded it from the crowd and they'd

1751
01:27:53,560 --> 01:27:54,920
Speaker 1: sent it to a few people, and I started to

1752
01:27:54,920 --> 01:27:56,560
Speaker 1: get some threats and like, hey, if you released this

1753
01:27:57,000 --> 01:27:59,080
Speaker 1: either physically or we're going to cancel you. La la

1754
01:27:59,160 --> 01:28:01,639
Speaker 1: la la la. So I haven't released it. I've released

1755
01:28:01,680 --> 01:28:04,080
Speaker 1: a couple of the jokes that were tame on my

1756
01:28:04,360 --> 01:28:06,439
Speaker 1: TikTok at mister Bobby Bones. But I want to get

1757
01:28:06,439 --> 01:28:08,679
Speaker 1: our boss on who's head of all the country music,

1758
01:28:09,560 --> 01:28:11,400
Speaker 1: and get his feedback because I just sent him the

1759
01:28:11,520 --> 01:28:15,080
Speaker 1: video to watch like fifteen minutes ago. He hadn't seen it. All. Right,

1760
01:28:15,120 --> 01:28:17,439
Speaker 1: this is Rod Phillips, the head of country music. Here.

1761
01:28:17,920 --> 01:28:20,200
Speaker 1: You watch the video, which you think number one? I

1762
01:28:20,280 --> 01:28:23,760
Speaker 1: mean it's funny. Yeah for sure, Yeah, thank you for sure.

1763
01:28:25,120 --> 01:28:27,040
Speaker 1: Go ahead. I don't know where this conversation is going.

1764
01:28:27,200 --> 01:28:31,680
Speaker 1: Let's start with it's funny and there's other commentary, But

1765
01:28:32,520 --> 01:28:35,960
Speaker 1: what's up if I released the whole video? Am I

1766
01:28:36,080 --> 01:28:39,439
Speaker 1: going to be canceled canceled? No, But there's definitely some

1767
01:28:39,640 --> 01:28:44,000
Speaker 1: insider stuff that is sort of you know, we know

1768
01:28:44,080 --> 01:28:47,400
Speaker 1: about things because we hear about things that maybe isn't

1769
01:28:47,479 --> 01:28:50,559
Speaker 1: just top of mine. Even if you're a massive country

1770
01:28:50,600 --> 01:28:52,519
Speaker 1: fan that you know exactly what that's about. I mean,

1771
01:28:52,520 --> 01:28:55,200
Speaker 1: you think I shared things that the general public doesn't

1772
01:28:55,280 --> 01:28:57,519
Speaker 1: know in my comedy act when talking about country artists

1773
01:28:57,720 --> 01:29:00,400
Speaker 1: probably didn't share things they don't know, but probably not

1774
01:29:00,520 --> 01:29:03,080
Speaker 1: things they think of, depending on which you know which

1775
01:29:03,200 --> 01:29:06,680
Speaker 1: artists you sort of let's call it made fun of.

1776
01:29:06,800 --> 01:29:09,479
Speaker 1: I mean, and look, my mentality is let's all make

1777
01:29:09,520 --> 01:29:11,920
Speaker 1: fun of all of each other all the time. So

1778
01:29:12,200 --> 01:29:14,880
Speaker 1: I'm fine with it, but not everybody is fine with it,

1779
01:29:14,960 --> 01:29:18,200
Speaker 1: which is probably your concerned about. Did it dig too

1780
01:29:18,320 --> 01:29:20,920
Speaker 1: far in some of the some of the jokes and

1781
01:29:21,080 --> 01:29:24,240
Speaker 1: are people going to get get upset about it? If

1782
01:29:24,320 --> 01:29:26,160
Speaker 1: I were to do that and I would host in

1783
01:29:26,200 --> 01:29:28,919
Speaker 1: the CMAS, would it not be the funniest CMA monologue

1784
01:29:28,960 --> 01:29:31,160
Speaker 1: in the history of the CMA monologue. Listen, I'll go

1785
01:29:31,240 --> 01:29:33,559
Speaker 1: back to the beginning. I mean it was legit funny.

1786
01:29:33,760 --> 01:29:36,599
Speaker 1: I think that with this DMA show there's a lot

1787
01:29:36,640 --> 01:29:39,280
Speaker 1: of that where they trust dig on people and the

1788
01:29:39,400 --> 01:29:43,320
Speaker 1: hair stuff, and some of those comments are natural. There

1789
01:29:43,360 --> 01:29:46,360
Speaker 1: were others that probably went deeper that not everybody would

1790
01:29:46,400 --> 01:29:51,679
Speaker 1: think was funny if it was them so funny and right, yeah, yeah,

1791
01:29:51,680 --> 01:29:52,960
Speaker 1: but I'm okay. I like people making fun of me

1792
01:29:53,000 --> 01:29:55,559
Speaker 1: because I feel like if anyone takes a few minutes

1793
01:29:55,600 --> 01:29:57,479
Speaker 1: to make fun of me on a stage, that means

1794
01:29:57,520 --> 01:29:59,880
Speaker 1: I'm important enough to be made fun of. And this talent,

1795
01:30:00,080 --> 01:30:03,080
Speaker 1: this format takes us a way too seriously, don't we agree? Everybody? Yeah,

1796
01:30:03,400 --> 01:30:07,280
Speaker 1: it's like old crotchets that are twenty five to forty

1797
01:30:07,360 --> 01:30:09,840
Speaker 1: years old. That being said, which artists do you think

1798
01:30:09,920 --> 01:30:13,479
Speaker 1: I probably went a little too hard on in your opinion? Well,

1799
01:30:13,560 --> 01:30:15,840
Speaker 1: the stunt that probably won't go over well if you're

1800
01:30:16,000 --> 01:30:20,960
Speaker 1: that person, the chase go probably at gl and the

1801
01:30:21,080 --> 01:30:23,760
Speaker 1: rest of it I think was fine. I might be

1802
01:30:23,840 --> 01:30:26,519
Speaker 1: forgetting one. Those are the two that stand out. You

1803
01:30:26,600 --> 01:30:28,880
Speaker 1: agree with me? By the way, I am serious, like um,

1804
01:30:29,080 --> 01:30:33,519
Speaker 1: I feel the one I was most and I was

1805
01:30:33,520 --> 01:30:35,440
Speaker 1: just gonna put it out and just deal with consequences,

1806
01:30:35,479 --> 01:30:37,640
Speaker 1: but like eighty people are like no, no, And then

1807
01:30:37,640 --> 01:30:39,200
Speaker 1: I started to go people going, hey, we're gonna leak

1808
01:30:39,200 --> 01:30:41,360
Speaker 1: it and you're gonna get in trouble. But the Morgan

1809
01:30:41,439 --> 01:30:43,160
Speaker 1: Wallen joke at the beginning I didn't think was over

1810
01:30:43,280 --> 01:30:45,920
Speaker 1: the line, but I thought it would definitely stir some

1811
01:30:46,040 --> 01:30:48,400
Speaker 1: people up. Yeah, that might be one that feels the

1812
01:30:48,680 --> 01:30:52,360
Speaker 1: you know too soon like that. It's funny. Yeah, I

1813
01:30:52,439 --> 01:30:54,360
Speaker 1: like that, it's funny. It's funny. Um, So what do

1814
01:30:54,400 --> 01:30:56,160
Speaker 1: you think if I just released the whole video? Well,

1815
01:30:56,240 --> 01:30:58,000
Speaker 1: let me ask you this. Where does it live now? Like?

1816
01:30:58,200 --> 01:31:01,519
Speaker 1: Is nowhere? No? No? No? Somebody has a recording from

1817
01:31:01,560 --> 01:31:04,479
Speaker 1: the show and it's been spread around. So I said, okay,

1818
01:31:04,479 --> 01:31:06,400
Speaker 1: well somebody's gonna have it and threatened me to release it.

1819
01:31:06,640 --> 01:31:08,200
Speaker 1: I'm gonna produce my own version of it, and if

1820
01:31:08,240 --> 01:31:10,200
Speaker 1: it ever gets released, I'm just gonna load mine up instead,

1821
01:31:10,240 --> 01:31:11,479
Speaker 1: and if they have to watch, at least I can

1822
01:31:11,560 --> 01:31:14,400
Speaker 1: watch it in full context with camera angles and laughs

1823
01:31:14,439 --> 01:31:15,960
Speaker 1: and stuff. Do you think I should release it? Yes?

1824
01:31:16,040 --> 01:31:18,280
Speaker 1: Or no? Man? Now I'm like, now, you put me

1825
01:31:18,320 --> 01:31:19,720
Speaker 1: out of the spot. If you were me, would you

1826
01:31:19,760 --> 01:31:22,120
Speaker 1: put it out? Has everybody else voted. Um no. I

1827
01:31:22,200 --> 01:31:24,599
Speaker 1: never asked them because they're all gonna say yes they

1828
01:31:24,760 --> 01:31:27,120
Speaker 1: want They just they wanted to see Rome burn, So

1829
01:31:28,200 --> 01:31:32,640
Speaker 1: um not burn. Just have a little fun Listen, you

1830
01:31:32,760 --> 01:31:34,200
Speaker 1: just asked me. If I were you, would I put

1831
01:31:34,240 --> 01:31:35,680
Speaker 1: it out? If I were you, I would put it out.

1832
01:31:35,760 --> 01:31:39,599
Speaker 1: But but that's my job is are you? Are we sure?

1833
01:31:39,680 --> 01:31:41,960
Speaker 1: Are we sure? That's where should go? You should put

1834
01:31:42,000 --> 01:31:43,760
Speaker 1: it out? But should we put it out? Is it?

1835
01:31:45,240 --> 01:31:48,200
Speaker 1: It's funny? But everybody knows you're funny? So what's the

1836
01:31:48,240 --> 01:31:51,640
Speaker 1: goal putting it out? Um? To highlight DMA? Probably not

1837
01:31:51,920 --> 01:31:55,519
Speaker 1: to to you know, take the next step to host DMA. Yeah,

1838
01:31:55,560 --> 01:31:59,800
Speaker 1: probably not? It does it help hurd? So man, is

1839
01:31:59,840 --> 01:32:01,840
Speaker 1: it that one we need an answer? You're known for

1840
01:32:01,880 --> 01:32:04,160
Speaker 1: your decisions. You're one of the highest ranking executives in

1841
01:32:04,200 --> 01:32:07,200
Speaker 1: the company. You are often credited for making quick decisions

1842
01:32:07,320 --> 01:32:10,080
Speaker 1: at an elite level. I've heard that yes constantly. That's

1843
01:32:10,120 --> 01:32:12,560
Speaker 1: what is Wikipedia says, what do you say yes or no?

1844
01:32:13,120 --> 01:32:16,080
Speaker 1: In my in my role, and it's it's it's a

1845
01:32:16,160 --> 01:32:19,360
Speaker 1: great spot our country, a giant thing we had to

1846
01:32:19,360 --> 01:32:21,840
Speaker 1: pay attention to. So I have to I have to

1847
01:32:21,960 --> 01:32:25,240
Speaker 1: be more politically correct and say don't put it out.

1848
01:32:25,400 --> 01:32:27,439
Speaker 1: But if I'm Bobby, because you could be a little

1849
01:32:27,479 --> 01:32:30,920
Speaker 1: more transparent and it's a little more personal, you can

1850
01:32:31,040 --> 01:32:33,679
Speaker 1: put it out. I wouldn't. I wouldn't. I wouldn't say, yeah,

1851
01:32:33,720 --> 01:32:36,000
Speaker 1: let's put that out. Okay. I think he's saying put

1852
01:32:36,040 --> 01:32:38,720
Speaker 1: it out. He's sending a message that says, Bobby, put

1853
01:32:38,800 --> 01:32:42,000
Speaker 1: it out yourself. But I can't be on air saying that. Yes,

1854
01:32:42,120 --> 01:32:45,799
Speaker 1: he is saying that. Stretched now we're now, we're stretching.

1855
01:32:47,920 --> 01:32:50,240
Speaker 1: Say okay, this is our I'll let you go. I

1856
01:32:50,280 --> 01:32:51,559
Speaker 1: know you got a lot of big decisions to make,

1857
01:32:51,720 --> 01:32:53,800
Speaker 1: high ranking executive making a lot of decisions. I'm holding

1858
01:32:53,880 --> 01:32:56,160
Speaker 1: up time right now. But so what you're saying is

1859
01:32:56,600 --> 01:32:58,840
Speaker 1: win quink, nudge, nudge, and I got I hear it.

1860
01:32:58,880 --> 01:33:00,760
Speaker 1: I hear the winkquink nudge us to the phone. What

1861
01:33:00,920 --> 01:33:03,040
Speaker 1: I'm saying is, if I'm not having a bad part

1862
01:33:03,080 --> 01:33:04,280
Speaker 1: of my day to day, I'm gonna go back and

1863
01:33:04,320 --> 01:33:07,479
Speaker 1: watch the video. It's funny. Okay, it's funny. There is

1864
01:33:07,560 --> 01:33:09,920
Speaker 1: he said. No officially, we heard him. Okay. So anyway,

1865
01:33:09,960 --> 01:33:12,320
Speaker 1: that's Rod. Phillips are our big box. All right, Rod,

1866
01:33:12,680 --> 01:33:16,519
Speaker 1: thank you very much. I hope you have an awesome day. Okay,

1867
01:33:16,600 --> 01:33:18,240
Speaker 1: well have a great day. Thank you for your time.

1868
01:33:18,640 --> 01:33:21,600
Speaker 1: All right, I see there is all right? Well, so

1869
01:33:21,720 --> 01:33:22,800
Speaker 1: what are you gonna do? I don't know. I come

1870
01:33:22,840 --> 01:33:26,640
Speaker 1: off confused. I know you know what to do. No,

1871
01:33:26,960 --> 01:33:29,920
Speaker 1: I think I think it does help The CMA is one. Yeah,

1872
01:33:30,080 --> 01:33:32,120
Speaker 1: you're talking about cmas are coming up in a few days.

1873
01:33:32,120 --> 01:33:35,479
Speaker 1: I think it's the greatest promotion ever. Secondly, I think it.

1874
01:33:36,439 --> 01:33:38,040
Speaker 1: I probably doesn't help me host it, but who cares.

1875
01:33:38,080 --> 01:33:39,479
Speaker 1: I don't never let the host it anyware it might

1876
01:33:39,520 --> 01:33:43,200
Speaker 1: What if somebody listening is like, it's so they blackballed

1877
01:33:43,240 --> 01:33:47,200
Speaker 1: me already. You can't get any worse. What's the difference, right? Right?

1878
01:33:47,600 --> 01:33:48,720
Speaker 1: You can only go up from here? Do you know

1879
01:33:48,760 --> 01:33:54,680
Speaker 1: what I say? Put it out, come out? Hold on.

1880
01:33:55,040 --> 01:33:58,240
Speaker 1: I'm thinking of the people that if you're the person,

1881
01:33:58,560 --> 01:34:00,960
Speaker 1: if you really can't take it joke like in their

1882
01:34:01,040 --> 01:34:05,240
Speaker 1: feelings or hurt other people. Yeah, that's what And that

1883
01:34:05,320 --> 01:34:08,920
Speaker 1: means great because hurt people, hurt people. Yeah yeah, and

1884
01:34:08,960 --> 01:34:11,120
Speaker 1: I don't want to be hurt. But I'm sure the

1885
01:34:11,240 --> 01:34:13,960
Speaker 1: internet has said worse things about them than this. This

1886
01:34:14,040 --> 01:34:16,120
Speaker 1: isn't about I'm just poking for right, that's what I'm saying,

1887
01:34:16,200 --> 01:34:19,320
Speaker 1: so I love that disclaimer. This is just a joke. Nope,

1888
01:34:19,400 --> 01:34:22,000
Speaker 1: well that yeah, it's called comedy. It's just a joke.

1889
01:34:23,280 --> 01:34:27,000
Speaker 1: It's the Best Bits of the Week with Morgan number two.

1890
01:34:28,160 --> 01:34:29,840
Speaker 1: I just want to thank you guys so much for

1891
01:34:29,960 --> 01:34:32,160
Speaker 1: hanging out with me in twenty twenty two. If you

1892
01:34:32,320 --> 01:34:34,479
Speaker 1: are a new listener, a listener that's been here since

1893
01:34:34,520 --> 01:34:36,880
Speaker 1: the beginning of the Best Bits, or maybe you just

1894
01:34:37,040 --> 01:34:39,360
Speaker 1: listen whenever you get a chance too, or you need

1895
01:34:39,400 --> 01:34:40,840
Speaker 1: to catch up on the show, I want to thank

1896
01:34:40,840 --> 01:34:43,280
Speaker 1: you for listening to this podcast and letting me be

1897
01:34:43,320 --> 01:34:45,840
Speaker 1: a part of your life in some way, form or fashion.

1898
01:34:46,200 --> 01:34:48,000
Speaker 1: I love you guys so much, and I hope you

1899
01:34:48,080 --> 01:34:51,040
Speaker 1: get to enjoy your New Year's Eve holiday, whether you

1900
01:34:51,160 --> 01:34:53,679
Speaker 1: are at home, out celebrating, whatever it may be. Please

1901
01:34:53,760 --> 01:34:56,120
Speaker 1: be safe, take care of yourself, get ready for the

1902
01:34:56,200 --> 01:34:58,080
Speaker 1: new year. Twenty twenty three is going to be a

1903
01:34:58,160 --> 01:35:00,240
Speaker 1: big one for all of us. I feel it, and

1904
01:35:00,400 --> 01:35:04,439
Speaker 1: I'm excited. I hope it brings some wonderful things into

1905
01:35:04,560 --> 01:35:08,040
Speaker 1: your lives. I love you guys so much. Happy New Year.

1906
01:35:08,479 --> 01:35:12,599
Speaker 1: By uh huh