WEBVTT - Everyone That Showed Up Got Held Up

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<v Speaker 1>My father had invested everything he had made from hustling,

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<v Speaker 1>numbers and everything into this party because that was his dream.

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<v Speaker 1>Everything was at state and to lose it like that

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<v Speaker 1>and one night that was just like devastating because people

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<v Speaker 1>thought he was responsible. Everybody thought my dad set that

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<v Speaker 1>party up. You're having a party two or three days

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<v Speaker 1>in a row. On that last day, the robberts could

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<v Speaker 1>have been at the previous parties the nights before. And

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<v Speaker 1>the fellow came into video what you were, and he

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<v Speaker 1>took the lord of cocaine. And that's where you who

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<v Speaker 1>you are. Some of the richest me into discut some

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<v Speaker 1>of the toughest being in this guys not hesitate to

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<v Speaker 1>throw your head off, you know, because you stepped on

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<v Speaker 1>the shoes from my Heart radio and doghouse pictures. This

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<v Speaker 1>is fight Night. I'm Jeff Keating. As we mentioned in

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<v Speaker 1>episode five, we believe Richard Wheeler was the mastermind of

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<v Speaker 1>the heist. Wheeler had flown back to New York as

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<v Speaker 1>an alibi, but his top enforcer, a man named fast

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<v Speaker 1>Eddie Parker, had his crew masked, armed and ready to

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<v Speaker 1>hit the after party. I tracked down the house where

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<v Speaker 1>the robbery occurred and the current owner, Chicken Man's nephew,

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<v Speaker 1>invited me in. So we're standing here with the robbery

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<v Speaker 1>took place almost fifty years ago. It's just unbelievable to

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<v Speaker 1>be at the spot where this all took place. After

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<v Speaker 1>doing so many years of research. I'm imagining where the

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<v Speaker 1>robbers would have been stationed as all of the partygoers

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<v Speaker 1>were coming up to the house, How they would have

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<v Speaker 1>been communicating on their walkie talkies, How they would have

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<v Speaker 1>been basically figuring out how to stay hidden while crowds

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<v Speaker 1>of people were coming up to the house. It's a

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<v Speaker 1>cul de sac. There's no way out. My name is

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<v Speaker 1>James Martin. I'm the owner of the house, also the

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<v Speaker 1>nephew of Chicken Man, Gordon Williams. So somewhere down on

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<v Speaker 1>Handy Drive, I'm guessing maybe a football field or less.

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<v Speaker 1>You've got a car parked with one or two of

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<v Speaker 1>the robbers inside on walkie talkies, and they're basically communicating

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<v Speaker 1>to one or two of the gentlemen at the front

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<v Speaker 1>door of your house, letting them know that more cars

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<v Speaker 1>and partygoers are coming up and preparing to come in.

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<v Speaker 1>So they've got to look out Somewhere down there telling

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<v Speaker 1>them what's about to happen as they enter the house.

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<v Speaker 1>We also think that there's somebody parked on Old No

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<v Speaker 1>on the other side of this that is letting that

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<v Speaker 1>lookout car No that cars are about to turn as well.

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<v Speaker 1>But I'm really imagining what's going on in the house

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<v Speaker 1>right now, so I'm just inside the door where the

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<v Speaker 1>robbery took place. Fast. Eddie Parker would have been one

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<v Speaker 1>of the gunmen at the front door, holding a three

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<v Speaker 1>fifty seven with a silencer. The other gunmen would have

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<v Speaker 1>been McKinley Rogers holding a sawed off shotgun. William Knox

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<v Speaker 1>is the first person that greets the party goers. We

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<v Speaker 1>found out, and as soon as William let's in these

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<v Speaker 1>three guys, a party is over and things are about

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<v Speaker 1>to change. This is from one of my interviews with

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<v Speaker 1>Chicken Man, as he reflected on that night. Barbara was

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<v Speaker 1>getting ready in her bedroom when one of the masked

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<v Speaker 1>gunmen came in while she was taking a blow of cocaine.

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<v Speaker 1>This is the moment the robbery really began. The robbers

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<v Speaker 1>came and planned themselves early in the house. Lived in

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<v Speaker 1>the house. Yeah, she had some cocaine arobbit and she

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<v Speaker 1>told me that she was in the making up in

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<v Speaker 1>her bedroom and the fellow came into bed room where

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<v Speaker 1>she were, and he took the blow of the cocaine

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<v Speaker 1>and that's what he explaining her who you were, So

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<v Speaker 1>they kept her there under under gone, the after party

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<v Speaker 1>never gets going because the robbers came in during the

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<v Speaker 1>time while everybody was leaving the Muhammad Ali fight and

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<v Speaker 1>got set up before they arrived. James and I concluded

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<v Speaker 1>how they entered Barbara's bedroom At some point there is

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<v Speaker 1>one of the robbers that comes into the room, either

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<v Speaker 1>through this front door leading into the bedroom or through

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<v Speaker 1>the Jack and Jill bathroom, sneaking in this way, and

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<v Speaker 1>as she's dressing, he basically pulls out a gun and

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<v Speaker 1>lets her know that the robbery is on. And sense

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<v Speaker 1>to me is that if you're having a party two

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<v Speaker 1>or three days in a row, on that last day,

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<v Speaker 1>the robbers could have been at the previous parties the

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<v Speaker 1>nights before they were. They absolutely were casing the place out. Meanwhile,

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<v Speaker 1>after Ali's victory, Chicken Man left the municipal auditorium and

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<v Speaker 1>headed to the Regency Hotel. He was so excited from

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<v Speaker 1>the victory he wasn't even thinking about what was going

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<v Speaker 1>down at his house. I go find it. Fight to

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<v Speaker 1>the regions so I see Frank all the people I

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<v Speaker 1>had Frank Frank Morden ring with the number. Chicken Man

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<v Speaker 1>is speaking about Frank Molten, one of the key characters

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<v Speaker 1>in our story. Frank started out running numbers in Atlanta

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<v Speaker 1>in the nineteen fifties and sixties and eventually moved to

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<v Speaker 1>New York. There he worked his way up and became

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<v Speaker 1>a major drug dealer and distributor. Frank was known as

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<v Speaker 1>the Black Godfather and supposedly one of the leaders of

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<v Speaker 1>the Council of Twelve. This was a group of high

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<v Speaker 1>level decision makers for black organized crime. The Council of

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<v Speaker 1>Twelve was known to be responsible for drug dealing, prostitution, racketeering,

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<v Speaker 1>and other illegal activities around the country. We found out

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<v Speaker 1>that Frank Molten would eventually be indicted and charged with

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<v Speaker 1>twenty five years to life for participating in a narcotics

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<v Speaker 1>ring that had sold over two hundred million dollars worth

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<v Speaker 1>of cocaine and heroin. Frank was a serious gangster, but

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<v Speaker 1>he was also Chicken Man's friend, and Frank was the

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<v Speaker 1>one who went to Fireball and told him to ask

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<v Speaker 1>Chicken Man to host the after party in Atlanta. Here's

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<v Speaker 1>Chicken Man telling j D where he went after the fight.

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<v Speaker 1>I ain't ated the reading to for why. Talking to

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<v Speaker 1>JB as a fish, he said, I might come out there,

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<v Speaker 1>but he didn't really want to be where the gowls

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<v Speaker 1>was because he was in the gownlin. I remember, Sen,

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<v Speaker 1>you re bro back down when you back nine and

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<v Speaker 1>came in and the people impressed and everybody, well, I

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<v Speaker 1>was there, yeah, I remember seeing you. Now, at about

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<v Speaker 1>one am, Chicken Man and Fireball leave the Regency, heading

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<v Speaker 1>to the house where the robbery was already in full effect.

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<v Speaker 1>Chicken Man is so hyped up from the celebration he's

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<v Speaker 1>not even thinking about why Barbara Smith never showed up

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<v Speaker 1>at the fight. They've never done on mean, why she

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<v Speaker 1>didn't come, But God didn't matter that the fact was

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<v Speaker 1>over nine. He's on the way home. So I tell

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<v Speaker 1>a friend of Man don DNSA, the death's something to go.

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<v Speaker 1>I go in good time. I go. I had no idea.

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<v Speaker 1>I mean, they everything was up in there, back where

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<v Speaker 1>the robbery took place. I continued my tour with James Martin.

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<v Speaker 1>That's Chicken man's nephew and the current owner of the house.

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<v Speaker 1>It was looking like a place where you were gonna

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<v Speaker 1>go gamble. In part. The curtains were drawn, but there's

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<v Speaker 1>music blaring from inside of the house and specifically the

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<v Speaker 1>front room they had lights going, and that behind the

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<v Speaker 1>curtains they had people dancing and partying. So even it

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<v Speaker 1>looked like with the shadows and movement, like people were

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<v Speaker 1>celebrating inside. So as you're walking towards the house, you

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<v Speaker 1>feel like you're walking into a celebration. And people are

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<v Speaker 1>walking up this stone walkway with grass on either side

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<v Speaker 1>of it to the front door, probably drunk, probably high,

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<v Speaker 1>and definitely completely excited and full of celebration after the

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<v Speaker 1>Muhammad Ali fight, and many of them carrying stacks of

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<v Speaker 1>cash and covered in jewelry. I'm thinking that the first

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<v Speaker 1>thing your experiences is shock that you are celebrating about

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<v Speaker 1>ten to twenty minutes earlier, and now you've got a

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<v Speaker 1>shotgun or a three fifty seven with a silencer to

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<v Speaker 1>your head. I'm thinking that you're scared. I'm thinking that

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<v Speaker 1>you're trying to figure out what happened. Here's an interview

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<v Speaker 1>between J. D. Hudson and Chicken Man That was recorded

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<v Speaker 1>several years after the heist. Chicken Man is explaining what

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<v Speaker 1>happened when he first arrived out at the house. I'm

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<v Speaker 1>linking them to the park. But when I do show up,

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<v Speaker 1>I mean the causes lying all around the play, you understand.

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<v Speaker 1>I mean, I said, what do you people gonna think

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<v Speaker 1>we have up in here? I had a special way

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<v Speaker 1>I would come to that and this house handing to

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<v Speaker 1>be where it waters. It was. It was you had

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<v Speaker 1>to know where you were going. Yeah, to go down.

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<v Speaker 1>There's no way you could have him up to get

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<v Speaker 1>to go down and train and then train and then side.

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<v Speaker 1>And when I came in that second drive as a

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<v Speaker 1>Cadillac park ground, I don't know who's Kadak World? And

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<v Speaker 1>I looked at my period cor to Lightning Place, New York.

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<v Speaker 1>Actually play the causes lying all around the place, you understand.

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<v Speaker 1>I mean, I said, what do you people gonna think

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<v Speaker 1>we have up in here? All these cars, the Roles,

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<v Speaker 1>Rows and Andrasine, and I don't know who's Kodak World.

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<v Speaker 1>I come to find out it was them, the robberts.

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<v Speaker 1>I fired to get me a little place on the corner,

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<v Speaker 1>and I found about running out the way. They was

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<v Speaker 1>doing the edge and it was the fake set up

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<v Speaker 1>in the little room, and they had the music loud.

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<v Speaker 1>And when I came to the door, by me having

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<v Speaker 1>the key, everybody else knocked on the door where I can't.

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<v Speaker 1>So the guy said, you must be the house man.

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<v Speaker 1>Chicken Man came in the house jiggling his keys with

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<v Speaker 1>fireball right behind him. The robbers thought, oh, he must

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<v Speaker 1>be the house man. He's got the keys to the house.

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<v Speaker 1>Here's what Chicken Man walked in on. When I came in,

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<v Speaker 1>the robbery was in pri so he got a shotgun

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<v Speaker 1>and he said it ain't nothing but a robber. And

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<v Speaker 1>that reading he said it was number the robbery because

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<v Speaker 1>it wasn't the police. You know that, because the robber

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<v Speaker 1>could take the runy and go with it to put

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<v Speaker 1>at least dad. We're gonna end back. The robbers announced

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<v Speaker 1>the Chicken Man, the house man, this ain't nothing but

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<v Speaker 1>a robbery. Chicken Man interprets this that losing their cash

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<v Speaker 1>and jewelry isn't as bad as going to jail, which

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<v Speaker 1>is what would have happened if the cops showed up.

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<v Speaker 1>Our research shows that Chicken Man and every partygoer who

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<v Speaker 1>stepped into the house had a three fifty seven magnum

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<v Speaker 1>pushed up against their head by fast Eddie Parker, or,

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<v Speaker 1>as was the case with Fireball, had assault off shotgun

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<v Speaker 1>pressed against their back by McKinley Rogers. Tobe, the guest

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<v Speaker 1>of honor, and a few partygoers were used as decoys

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<v Speaker 1>in the front room of the house. Just imagine the

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<v Speaker 1>extended horror on their faces as they were forced to

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<v Speaker 1>fake party with the gunmen in the room for the

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<v Speaker 1>past few hours. The tension in this scene must have

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<v Speaker 1>been overwhelming. The gunmen had to manage every new guest

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<v Speaker 1>as they walk through the door, and then forced them

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<v Speaker 1>through the front room and the kitchen to the basement stairs.

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<v Speaker 1>Here I am with James in the house at the

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<v Speaker 1>top of the staircase. So just to be clear, is

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<v Speaker 1>this always been the way that is down to the basement.

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<v Speaker 1>These stairs are the original corponness. You've always had to

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<v Speaker 1>come through the kitchen and gone down into the basement.

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<v Speaker 1>So if we're talking a tight squeeze getting through this

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<v Speaker 1>little thing, you got someone behind you. Oh my goodness, out,

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<v Speaker 1>oh my goodness, and look at look at how why

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<v Speaker 1>I mean you're talking. You can't even get two people

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<v Speaker 1>necessarily side by side on this thing. Oh my goodness,

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<v Speaker 1>here's Chicken Man telling J. D. Hudson what it was

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<v Speaker 1>like being forced down into the basement. Will they take

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<v Speaker 1>me downstre behind me? So so they hit him when

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<v Speaker 1>they're coming in. They was a full basement in the house.

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<v Speaker 1>So they took the people's down the steps into the

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<v Speaker 1>basement and they were making to lay down, and men

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<v Speaker 1>undressed so they could sist the pockets in that kind

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<v Speaker 1>of thing. They were talking on the walker, talking, talking

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<v Speaker 1>to the people in the car on the outside. Every

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<v Speaker 1>time they see a car car, so they would follow

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<v Speaker 1>him up and when they get out of coming to

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<v Speaker 1>the house, they would tell the people in the house,

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<v Speaker 1>how many people are coming to approaching. We know that

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<v Speaker 1>this basement would have been decorated like a casino in Vegas,

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<v Speaker 1>and Chicken Man wanted this to look just like Vegas.

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<v Speaker 1>So the craps tables could have been over here. You

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<v Speaker 1>could have had a blackjack table that was over here.

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<v Speaker 1>You could have had another card table over here. There

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<v Speaker 1>was supposedly a bar that was set up in this

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<v Speaker 1>area right here, with maybe seven or eight bar stools

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<v Speaker 1>for the ladies to say that. I mean it literally

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<v Speaker 1>was supposed to look like a casino. Oh wow, okay,

0:15:21.720 --> 0:15:24.320
<v Speaker 1>it's hard to imagine that. Now this would have been

0:15:24.520 --> 0:15:29.160
<v Speaker 1>like decked out to the nines. Here's j D asking

0:15:29.280 --> 0:15:35.840
<v Speaker 1>Chicken Man if he remembers a woman being involved. They

0:15:35.880 --> 0:15:38.440
<v Speaker 1>had to be about six of them and a level

0:15:38.560 --> 0:15:43.120
<v Speaker 1>was there. Remember he has them he goes quick. Yeah.

0:15:43.960 --> 0:15:45.840
<v Speaker 1>They said some of them had on high and they

0:15:45.920 --> 0:15:48.680
<v Speaker 1>kept on getting ars quick and she was taking she

0:15:48.720 --> 0:15:51.480
<v Speaker 1>had put in in the in the uh good looking.

0:15:53.840 --> 0:15:57.320
<v Speaker 1>Some of the victims claimed they did hear high heels

0:15:57.440 --> 0:16:00.840
<v Speaker 1>clicking on the basement floor, and so that gave them

0:16:00.920 --> 0:16:04.120
<v Speaker 1>the idea that there may have been a woman involved

0:16:04.160 --> 0:16:08.880
<v Speaker 1>in the robbery. Plus, one of the women who reported

0:16:08.920 --> 0:16:13.280
<v Speaker 1>the robbery said she saw a thin female hand reaching

0:16:13.360 --> 0:16:16.120
<v Speaker 1>towards one of the garbage cans where she had thrown

0:16:16.200 --> 0:16:19.600
<v Speaker 1>her diamond necklace to try to hide it, and so

0:16:19.800 --> 0:16:23.880
<v Speaker 1>that only increased their suspicions that a female was involved.

0:16:25.040 --> 0:16:29.400
<v Speaker 1>That female robber may have been Lillian Dabney, and she

0:16:29.520 --> 0:16:33.680
<v Speaker 1>could have been assisted by Bookie Brown. We think he

0:16:33.840 --> 0:16:36.880
<v Speaker 1>was forcing people down into the basement with the help

0:16:36.960 --> 0:16:41.200
<v Speaker 1>of James Henry Hall, Charles Lee was probably in the

0:16:41.240 --> 0:16:46.040
<v Speaker 1>house somewhere as well, and maybe even Houston Hammond's. All

0:16:46.120 --> 0:16:48.920
<v Speaker 1>of these names will continue to come up when j

0:16:49.080 --> 0:16:53.600
<v Speaker 1>D begins his investigation into the robbery. Let's go back

0:16:53.640 --> 0:16:57.120
<v Speaker 1>to the house where I explained to James what happened

0:16:57.120 --> 0:17:02.640
<v Speaker 1>to his uncle. So, James, your uncle Gordon. Chicken Man

0:17:03.000 --> 0:17:06.639
<v Speaker 1>comes in as the robbery is in full effect. Okay,

0:17:07.320 --> 0:17:09.480
<v Speaker 1>Chicken Man walks in the door. He's got a shotgun

0:17:09.560 --> 0:17:12.240
<v Speaker 1>that greets him in the face. They escorted him down here,

0:17:12.720 --> 0:17:15.480
<v Speaker 1>they strip him out of his clothes. Supposedly, they robbed

0:17:15.560 --> 0:17:18.640
<v Speaker 1>him of nine d seventy one dollars plus some jewelry.

0:17:19.040 --> 0:17:21.800
<v Speaker 1>But what was interesting about Chicken Man is underneath his

0:17:21.880 --> 0:17:25.280
<v Speaker 1>suit and stuff that he had for the Muhammad Ali fight,

0:17:25.400 --> 0:17:28.600
<v Speaker 1>he had on long underwear. Now it's October and it

0:17:28.720 --> 0:17:31.639
<v Speaker 1>may be kind of cold, but everybody else supposedly had

0:17:31.760 --> 0:17:34.520
<v Speaker 1>kind of like skimpy underwear of just normal under Wherever

0:17:35.840 --> 0:17:38.119
<v Speaker 1>a few of the hustlers who saw Chicken Man in

0:17:38.240 --> 0:17:41.040
<v Speaker 1>his long underwear thought that he was prepared to be

0:17:41.200 --> 0:17:46.119
<v Speaker 1>stripped and that meant he was implicated. But Chicken Man

0:17:46.240 --> 0:17:49.680
<v Speaker 1>felt he was a victim, just like everyone else here

0:17:49.720 --> 0:17:52.920
<v Speaker 1>he is remembering one woman named Gladys who did not

0:17:53.080 --> 0:17:57.040
<v Speaker 1>want to give up her ring the same thing. Well,

0:17:57.080 --> 0:17:59.320
<v Speaker 1>you can hear him. It was briefing that they were smoking,

0:18:00.040 --> 0:18:03.440
<v Speaker 1>and you bet him. I know the man glad from

0:18:03.480 --> 0:18:06.560
<v Speaker 1>New York and she said, you want to range, Yeah,

0:18:06.560 --> 0:18:09.199
<v Speaker 1>I want a big rain. You gotta get that right,

0:18:09.320 --> 0:18:16.000
<v Speaker 1>which one said, Zach cut that they wouldn't drive. Here's

0:18:16.040 --> 0:18:18.480
<v Speaker 1>how j D described it to me back in two

0:18:18.560 --> 0:18:21.840
<v Speaker 1>thousand and two when we had our first interview together

0:18:23.280 --> 0:18:26.520
<v Speaker 1>the Robins the preseason in math. They bought masks and

0:18:26.920 --> 0:18:29.240
<v Speaker 1>saw a shot and stuff, and they pre seeded the bag.

0:18:29.320 --> 0:18:32.720
<v Speaker 1>When they got bad, they gleeded, okay. And as each

0:18:32.760 --> 0:18:36.280
<v Speaker 1>one came into a bad say, they run dressed for

0:18:36.480 --> 0:18:41.280
<v Speaker 1>women and men that jury and many let's say, big shoes.

0:18:42.280 --> 0:18:44.840
<v Speaker 1>They didn't take any means. And those out of gatto

0:18:44.880 --> 0:18:51.520
<v Speaker 1>shoes they didn't take any They took cash and you okay, right, um, okay.

0:18:51.800 --> 0:18:54.359
<v Speaker 1>So I'm still trying to get this in my heade.

0:18:54.440 --> 0:18:56.600
<v Speaker 1>If people were down in the basements, you know, some

0:18:56.760 --> 0:18:59.000
<v Speaker 1>of them are already there. Some of them were pulling

0:18:59.080 --> 0:19:01.640
<v Speaker 1>up in there's roll or their big cars or their

0:19:01.680 --> 0:19:05.200
<v Speaker 1>limousine and they can't tell anything that is going on

0:19:05.400 --> 0:19:07.960
<v Speaker 1>as far as the robbery. There's no screaming going on,

0:19:08.080 --> 0:19:11.320
<v Speaker 1>there's no gunshots going on. They don't know what's going on.

0:19:11.480 --> 0:19:14.960
<v Speaker 1>I got shopped us. You know, we have guys who

0:19:16.160 --> 0:19:19.120
<v Speaker 1>told us they went into the house of ten fifteen

0:19:19.359 --> 0:19:23.080
<v Speaker 1>twenty thirty thousands in the pockets. A lot of people

0:19:23.080 --> 0:19:28.760
<v Speaker 1>would we in that house. And that was when fifteen

0:19:28.840 --> 0:19:31.560
<v Speaker 1>thousand novel is a lot of many, like having one

0:19:31.600 --> 0:19:34.520
<v Speaker 1>point five million the US today, that's kind of many

0:19:34.520 --> 0:19:37.399
<v Speaker 1>of those guys carried That was a hustler who always

0:19:37.480 --> 0:19:40.879
<v Speaker 1>had three bodyguards. Anytime you went into a building to

0:19:41.040 --> 0:19:44.520
<v Speaker 1>went inside with him. Once they within where it was

0:19:44.600 --> 0:19:48.160
<v Speaker 1>on a building, oven stayed near the door, another one

0:19:48.200 --> 0:19:51.880
<v Speaker 1>stayed outside in the car, never got out the car.

0:19:52.760 --> 0:19:57.800
<v Speaker 1>And he was the last guy that came in. James,

0:19:57.880 --> 0:20:01.000
<v Speaker 1>and I imagine what happened to Frank Mo, the Black

0:20:01.080 --> 0:20:05.919
<v Speaker 1>Godfather and his bodyguards when they walked into shotguns pointed

0:20:05.960 --> 0:20:09.920
<v Speaker 1>at their faces. A man they would have known Tobe,

0:20:10.600 --> 0:20:13.800
<v Speaker 1>we found out was the honored birthday guest, and he

0:20:14.000 --> 0:20:17.240
<v Speaker 1>was sitting with a ghastly look on his face, greeting

0:20:17.280 --> 0:20:21.240
<v Speaker 1>the guests as they walked through the front door. James

0:20:21.320 --> 0:20:25.159
<v Speaker 1>then asked me an important question. Were they able to

0:20:25.200 --> 0:20:27.080
<v Speaker 1>get the guns from them as they were coming through

0:20:27.119 --> 0:20:29.199
<v Speaker 1>the door. They did get the guns from them. As

0:20:29.280 --> 0:20:30.920
<v Speaker 1>soon as they walked in the door. One of the

0:20:31.000 --> 0:20:35.800
<v Speaker 1>guys supposedly not Frank's bodyguard on the back of the

0:20:35.880 --> 0:20:38.639
<v Speaker 1>head or his back and basically pushed him down these stairs.

0:20:38.960 --> 0:20:41.760
<v Speaker 1>As soon as you walk off the stairs here, you

0:20:42.040 --> 0:20:47.680
<v Speaker 1>are probably forced into one corner of this basement. You've

0:20:47.720 --> 0:20:50.360
<v Speaker 1>got one of those guns, either either a sawed off

0:20:50.400 --> 0:20:53.760
<v Speaker 1>shotgun or a three seven with a silencer to your head.

0:20:54.200 --> 0:20:58.080
<v Speaker 1>You are forced to undress down to your underwear. I'm

0:20:58.160 --> 0:21:02.800
<v Speaker 1>imagining as a one when you're completely embarrassed and pissed

0:21:03.400 --> 0:21:07.119
<v Speaker 1>and scared of what these men with guns might do

0:21:07.280 --> 0:21:14.520
<v Speaker 1>to you outside of making you undress. Listen to how J. D.

0:21:14.680 --> 0:21:18.360
<v Speaker 1>Hudson described these gangsters like Frank Moten to Chicken Man

0:21:18.840 --> 0:21:21.640
<v Speaker 1>when I interviewed them on camera for the first time

0:21:21.680 --> 0:21:25.679
<v Speaker 1>ever in two thousand and three. Some of the richest

0:21:25.720 --> 0:21:28.840
<v Speaker 1>men in this guy, some of the toughest men in

0:21:28.880 --> 0:21:31.359
<v Speaker 1>this country. Guys who were not hesitate to blow your

0:21:31.400 --> 0:21:35.680
<v Speaker 1>head off, you know, because you stepped on that shoot,

0:21:37.160 --> 0:21:39.840
<v Speaker 1>you're gonna take that money. And that was not impart

0:21:39.880 --> 0:21:42.440
<v Speaker 1>of for them. What was the part of They made

0:21:42.480 --> 0:21:47.960
<v Speaker 1>those goddess beautiful men with the meat coats and all

0:21:48.040 --> 0:21:52.359
<v Speaker 1>the doubt be undressed down to their panics. Now that

0:21:52.640 --> 0:21:58.680
<v Speaker 1>was then, so I can't protect my woman day. This

0:21:58.880 --> 0:22:01.159
<v Speaker 1>is what it's crazy change. You have some of the

0:22:01.280 --> 0:22:04.879
<v Speaker 1>biggest gangsters in the country, from Philadelphia, from d C,

0:22:05.480 --> 0:22:08.960
<v Speaker 1>from Chicago, from New York. Some of them are killers.

0:22:09.280 --> 0:22:12.080
<v Speaker 1>If they're not, they are tough hustlers from the streets.

0:22:12.400 --> 0:22:15.520
<v Speaker 1>They all are packing heat and not a shot was

0:22:15.640 --> 0:22:18.280
<v Speaker 1>fired that night, James, I still cannot figure that out.

0:22:18.560 --> 0:22:20.560
<v Speaker 1>That to me is the most shocking part of this

0:22:20.600 --> 0:22:24.560
<v Speaker 1>whole robbery. Now, I understand when you've got guns pointed

0:22:24.600 --> 0:22:27.639
<v Speaker 1>to your head and when you've got sawed off shotguns

0:22:27.720 --> 0:22:30.639
<v Speaker 1>at your back, that you know that if you make

0:22:30.680 --> 0:22:32.879
<v Speaker 1>a move you could be killed. But there's so many

0:22:33.119 --> 0:22:36.680
<v Speaker 1>of these gangsters that are being robbed. I just don't

0:22:36.720 --> 0:22:40.280
<v Speaker 1>know how they don't pull off some type of retaliation

0:22:40.440 --> 0:22:43.440
<v Speaker 1>during this whole thing. So with all this, I'm assuming

0:22:43.520 --> 0:22:45.960
<v Speaker 1>that Chicken Man had been thinking, okay with everyone becoming

0:22:46.000 --> 0:22:48.119
<v Speaker 1>from me at some point unless I've definitely proved that

0:22:48.200 --> 0:22:50.240
<v Speaker 1>I had nothing to do with this, because they would

0:22:50.280 --> 0:22:51.359
<v Speaker 1>think that he would have something to do with them

0:22:51.359 --> 0:22:53.200
<v Speaker 1>with him being the owner of the home and having

0:22:53.240 --> 0:22:59.399
<v Speaker 1>online Johns. So I definitely understand that even though not

0:22:59.520 --> 0:23:02.240
<v Speaker 1>a shot is fired that night, you have to think

0:23:02.320 --> 0:23:05.920
<v Speaker 1>that the gangsters who got robbed, who were embarrassed, who

0:23:06.040 --> 0:23:09.719
<v Speaker 1>couldn't protect their women, had one thing on their minds.

0:23:11.160 --> 0:23:19.399
<v Speaker 1>Payback Fight Night is a joint production from I Heart Radio,

0:23:19.560 --> 0:23:23.880
<v Speaker 1>Will Packer Media and Doghouse Pictures in association with Psychopia Pictures.

0:23:24.240 --> 0:23:28.080
<v Speaker 1>Produced and hosted by Jeff Keating. Executive producers are Will Packer,

0:23:28.440 --> 0:23:33.200
<v Speaker 1>James Lopez, Kenny Burns, Dan Bush, Lars Jacobson, and Noel Brown.

0:23:33.840 --> 0:23:38.000
<v Speaker 1>Supervising producer is Taylor Hickoyne. Story editors are Noel Brown

0:23:38.040 --> 0:23:41.359
<v Speaker 1>and Dan Bush. Written by Jeff Keating and Jim Roberts.

0:23:42.000 --> 0:23:45.400
<v Speaker 1>Edited by Matt Owen. Mixing and sound designed by Jeremiah

0:23:45.480 --> 0:23:49.520
<v Speaker 1>Kolanni Prescott. Music written and performed by the Diamond Street Players.

0:23:49.720 --> 0:23:54.520
<v Speaker 1>Additional music by Ben Lovett. Audio archives courtesy of WSB

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<v Speaker 1>News Film and Video Tape Collection, Brown Media Archives, University

0:23:58.480 --> 0:24:02.159
<v Speaker 1>of Georgia Libraries. Special thanks to Dr Maurice Hobson and

0:24:02.320 --> 0:24:06.359
<v Speaker 1>David Davis. Fight Night is a production of I heart Radio.

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<v Speaker 1>For more podcasts from my heart Radio, check out the

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<v Speaker 1>i heart Radio app, Apple Podcasts, or wherever you get

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