WEBVTT - #355 - FendiDa Rappa

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<v Speaker 1>Yo, it's your girl Fanny to rapper and check me

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<v Speaker 1>out on a bootleg care podcast. Let's get it.

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<v Speaker 2>It's the Boutlet Cab Podcast. Special guests in your if

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<v Speaker 2>I need the rappers here. Welcome, Yo, Welcome, Welcome. You've

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<v Speaker 2>had quite a amazing four weeks or so. Is that

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<v Speaker 2>safe to say, uh huh? A month ago? Do you

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<v Speaker 2>remember like where you were follower wise? Because I think

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<v Speaker 2>I feel like I followed you when you're around like

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<v Speaker 2>forty thousand, and that was maybe like two weeks ago.

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<v Speaker 1>Yeah, like a month ago, I'll say I was at

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<v Speaker 1>well what I saw was like sixteen k That's what

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<v Speaker 1>I remember seeing.

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<v Speaker 2>It's a big month, you ver like one hundred and

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<v Speaker 2>fifteen thousand?

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<v Speaker 1>Yeah, yeah, yeah, yeah, I definitely seen Like the last

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<v Speaker 1>thing I saw was probably I won't paying attention like that,

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<v Speaker 1>but I definitely saw sixteen Yeah.

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<v Speaker 2>I think do you like when you when you get

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<v Speaker 2>a big influx and follower like that, how much of

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<v Speaker 2>like do you see the famous blue checks following you?

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<v Speaker 2>Like any of the famous people who you like maybe

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<v Speaker 2>grew up watching or checking out, like you're like, oh

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<v Speaker 2>ship following Yeah, who was like like two or three

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<v Speaker 2>of those names where you were like, oh Ship.

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<v Speaker 1>Well everybody, we all just not coming up. But a

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<v Speaker 1>couple of people that I've seen that I was like,

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<v Speaker 1>oh ship, I say Glorilla.

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<v Speaker 2>Glorilla, Yeah she's.

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<v Speaker 1>Great, Sexy Red Shit, Fredo Bang. It was a couple

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<v Speaker 1>of motherfuckers. I was just like, oh ship.

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<v Speaker 2>Right, Yeah, you tap in with Sexy read to Glorilla

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<v Speaker 2>about working working out some music.

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<v Speaker 1>Yeah, I definitely did. Agent dal Glow. I mean, yeah, Sexy.

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<v Speaker 2>Sexy Red, she's cool to sell to, Like, if you

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<v Speaker 2>ever meet her, she's she's like I always say, like

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<v Speaker 2>when you meet Boozie, like he doesn't disappoint because you know,

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<v Speaker 2>you meet like certain famous people and you have this

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<v Speaker 2>idea who they are and then you meet him and

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<v Speaker 2>you're like, like, when you meet Boozy, he's exactly who

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<v Speaker 2>you think. Yeah, yeah, when you meet Sexy Red, she's amazing.

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<v Speaker 2>For sure, She's incredible. Shout out to her. How long

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<v Speaker 2>have you been making music.

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<v Speaker 1>Since like twenty nineteen? I've been taking this is I

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<v Speaker 1>just been to.

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<v Speaker 2>I can rap though, right been You've just known this.

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<v Speaker 1>Like since twenty tweve I've been to I have boss.

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<v Speaker 2>So what made you like because it's a big step

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<v Speaker 2>to break out of your shell and out of your

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<v Speaker 2>comfort zone and become vulnerable in front of a micro.

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<v Speaker 1>Michael phone and all that. Yeah, Like twenty twelve, when

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<v Speaker 1>I was doing it, I was just doing something, you know,

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<v Speaker 1>trying things with my friends. And then but I knew

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<v Speaker 1>I had boss because after I tried it, I'm like, oh,

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<v Speaker 1>this shit hard. But then she taime went back. I

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<v Speaker 1>was just I kept doing it. I just didn't take

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<v Speaker 1>it serious until twenty ninety.

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<v Speaker 2>What was the difference for you to start taking it serious?

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<v Speaker 1>I had a friend, a best friend. She actually inspired

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<v Speaker 1>me to do this to rap. She used to be rapping.

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<v Speaker 1>She was real popular, more popular than me, and I

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<v Speaker 1>never even like took it serious. But she always took

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<v Speaker 1>it serious. She was just like, bro, you the rapper.

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<v Speaker 1>I'm just popular or whatever the case may be. But

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<v Speaker 1>she ended up passing away in like twenty seventeen, and

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<v Speaker 1>then I agree for like two years. Twenty nineteen came

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<v Speaker 1>I got an action shit for her. Damn.

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<v Speaker 2>So she's like the whole inspiration the way they're doing

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<v Speaker 2>this shit. Literally, what's your name?

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<v Speaker 1>Tinker?

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<v Speaker 2>Rest in peace? Yeah?

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<v Speaker 1>Rest in peace?

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<v Speaker 2>Do you have any unreleased songs with her that you're

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<v Speaker 2>hold on to, like, no, no, no, no, I don't.

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<v Speaker 1>Got no unreleased. She got some unreleased though. I'm like, shit,

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<v Speaker 1>I bit hop on that.

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<v Speaker 2>Yeah, I gotta fin it though, I got like your

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<v Speaker 2>you gotta get the fire or something, get it on

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<v Speaker 2>your album.

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<v Speaker 1>Yeah for sure.

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<v Speaker 2>Crazy. You grew up in Chicago, Yeah, south Side. Uh.

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<v Speaker 2>When I think of like female rappers from Chicago, the

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<v Speaker 2>name that really comes to mind is Shawna, who was

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<v Speaker 2>like obviously Shawna's oh yeah, you know, she's like, I

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<v Speaker 2>don't remember Shanna. She was signed the dt P for

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<v Speaker 2>a little bit.

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<v Speaker 1>I heard of it.

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<v Speaker 2>Remember getting some head, get getting some head?

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<v Speaker 1>Oh yeah, I was getting some me Shawna on well

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<v Speaker 1>hold on and the chick like me, Yeah, oh yeah,

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<v Speaker 1>that's huh from Chicago.

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<v Speaker 2>She is, Damn, who are you growing up listening to

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<v Speaker 2>in Chicago?

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<v Speaker 1>CEO My Goodies Not my Goodies?

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<v Speaker 2>Sierra, Oh Sierras great.

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<v Speaker 1>Yeah, Sierra, Little Mama, my little losses.

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<v Speaker 2>Pot, little Mama getting some flowers.

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<v Speaker 1>Kill me little Mama for real. I'm talking about real,

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<v Speaker 1>taking real, back, back back, definitely, Chris Brown, Love Mama

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<v Speaker 1>t Pain, you know, Little Ship like that.

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<v Speaker 2>Hot the one t.

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<v Speaker 1>I I could go back, but yeah, them some they

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<v Speaker 1>hard though.

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<v Speaker 2>It sounds like like a one O six in Park

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<v Speaker 2>episode from when I was five?

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<v Speaker 1>Me for sure?

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<v Speaker 2>Who's the best one O six in Park host? Is

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<v Speaker 2>it the Ogs? Is a Free and Aja? Yeah?

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<v Speaker 1>Yeah, yeah it's the Ogs? Yeah, it's a for sure. Damn.

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<v Speaker 1>I wish we could have one of them again.

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<v Speaker 2>Yeah, I'm surprised they haven't tried to.

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<v Speaker 1>I wanted to look just like that, and I want

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<v Speaker 1>them to look just like how they looked at.

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<v Speaker 2>I don't know if that's I know right. I think

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<v Speaker 2>AJ is on entertainment tonight. Oh okay, Free was doing

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<v Speaker 2>morning radio in DC. I don't know what happened to Free.

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<v Speaker 2>Shout out to her. She's a legend. But now the

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<v Speaker 2>Tyler Perry ones b T Hey, maybe he might bring

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<v Speaker 2>it back, write the check, get Free and AJ back together.

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<v Speaker 2>That'd be an interesting idea, Tyler Perry. It's not a

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<v Speaker 2>crazy idea, you know, it's like an obvious idea.

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<v Speaker 1>Yeah, that's it feels like my idea that need to

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<v Speaker 1>happen for sure.

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<v Speaker 2>Okay, so you're obviously doing your thing. You have this record.

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<v Speaker 2>What transpires to get Cardi B or you on her radar,

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<v Speaker 2>and obviously the song, because that obviously is a life

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<v Speaker 2>changing moment, a career changing moment.

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<v Speaker 1>So when when Cardi B manager reached out to me

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<v Speaker 1>to hop on the record, I'm like, what the fuck?

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<v Speaker 1>I thought it was a joke. I ain't even think

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<v Speaker 1>it was serious, because you know Cardi, she real be

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<v Speaker 1>like one.

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<v Speaker 2>Of the biggest you.

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<v Speaker 1>Know, female, big artist period, female male period. You feel me,

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<v Speaker 1>So I just really thought that was like next level,

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<v Speaker 1>on another level, on a whole other level type of thing, like, oh,

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<v Speaker 1>she my lyrics, you want to get on the song?

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<v Speaker 1>She heard the song, it was literally a life changing

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<v Speaker 1>But when they reached out to me, I'm like, man,

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<v Speaker 1>get back to the may Sap. I told my manager,

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<v Speaker 1>reach it back out to the may Sap. And she

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<v Speaker 1>did exactly that, and we got on the phone, Me

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<v Speaker 1>and Krty. We ended up getting on the phone and

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<v Speaker 1>we was discussing it. She loved the song. She was

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<v Speaker 1>like I loved it. She was so sweet and nice

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<v Speaker 1>about it all. And I'm like, you know, I'm do

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<v Speaker 1>it in l A. Do the video in l A.

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<v Speaker 1>She like, no, we're coming to Chicago. We're going to Chicago.

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<v Speaker 1>So that was like a whole nother.

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<v Speaker 2>Like okay, you so where do I go to you?

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<v Speaker 1>And then she like you, I'm coming to your city.

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<v Speaker 1>You just got im, you just got lead, and I'm

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<v Speaker 1>a follower. It was lit. I'm like, what the that

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<v Speaker 1>was the best?

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<v Speaker 2>How was the video? Shit? I mean, I mean, but

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<v Speaker 2>you guys have fun? Was it was it?

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<v Speaker 1>We had we had a ball, We have fun, like

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<v Speaker 1>we had past fun.

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<v Speaker 2>When you guys first met was it obviously talked on

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<v Speaker 2>the phone, but when you guys first meet, it's like

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<v Speaker 2>Carti is also one of those people who's exactly who

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<v Speaker 2>you think she is.

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<v Speaker 1>He's incredible, She exactly who she was on that phone.

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<v Speaker 2>Yeah, so was.

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<v Speaker 1>I was actually getting ready and I think she was

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<v Speaker 1>out doing her scene and it was like, come on, Fender,

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<v Speaker 1>you gotta go do a scene with Karti. And this

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<v Speaker 1>was my first time. You know, we didn't even meet,

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<v Speaker 1>like you know, we ain't even go to the back

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<v Speaker 1>or none of that. We just they was just like

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<v Speaker 1>go ahead and get in the scene. And it was

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<v Speaker 1>like a throw in a scene. And I hopped in

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<v Speaker 1>and she was like, oh my god, you so pretty,

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<v Speaker 1>and we hugged and it just went from there.

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<v Speaker 2>That's amazing.

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<v Speaker 1>Yes, Like it's just slate.

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<v Speaker 2>Have you like, because you always I feel like when

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<v Speaker 2>you have a quick trajectory, like the last month of

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<v Speaker 2>your life has been, there has to be some like

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<v Speaker 2>have you seen the hate coming from? Like, because usually

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<v Speaker 2>you get the most hate from your hometown, right, has

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<v Speaker 2>there been a like any of that that you have

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<v Speaker 2>to deal with in terms of like maybe people acting

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<v Speaker 2>different or acting a little jealous or yeah.

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<v Speaker 1>Like even at the video shoot, it was just like

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<v Speaker 1>love hate, but it got real, Like at the worst

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<v Speaker 1>after the video drop, the hate got real. But it's

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<v Speaker 1>like I'm used to it for sure, it got real.

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<v Speaker 2>Would you like? Because I feel like a lot of

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<v Speaker 2>people who are from Chicago eventually end up maybe getting

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<v Speaker 2>a place somewhere else, still going home, maybe keeping cribbt,

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<v Speaker 2>you know at home base. Now that you're getting bigger,

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<v Speaker 2>are you're considering pivoting out of you know, because you know,

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<v Speaker 2>look at the end of the day, like like I said,

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<v Speaker 2>some of the greatest artists we've had ever have lost

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<v Speaker 2>their lives in their hometown. Think about golf, Nipsey will

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<v Speaker 2>go on.

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<v Speaker 1>And oh yeah, yeah, I'm definitely thinking about moving. I

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<v Speaker 1>ain't trying to lose my life and nobody else hometown,

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<v Speaker 1>but I'm definitely thinking about moving for sure.

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<v Speaker 2>For you, I saw, I just saw you did a

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<v Speaker 2>pride event. You're you're lesbian, right? Yeah? Yeah? For you?

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<v Speaker 2>Like is it do you do you like? Because I

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<v Speaker 2>think of like, we've had too many artists in hip

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<v Speaker 2>hop who are like lesbian artists. I think of young

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<v Speaker 2>and may you think of Queen Latifa? For you, do

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<v Speaker 2>you feel like any sort of like burden to represent

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<v Speaker 2>that community on a bigger scale or you just gonna

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<v Speaker 2>do you? And if you know, you're unapologetic for yourself.

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<v Speaker 1>But that's one thing about me, Like, I'm just I

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<v Speaker 1>just do me. Like I'm just in my own lane,

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<v Speaker 1>doing my own thing. I ain't trying to have none

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<v Speaker 1>of that on my back. I'm just I'm just me

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<v Speaker 1>doing me. Whatever y'all see is what y'all you know,

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<v Speaker 1>what it is is what it is, what y'all get,

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<v Speaker 1>what y'all see, what y'all see is what y'all get us.

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<v Speaker 2>After the interview to say about our good folks at

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<v Speaker 2>odd socks, baby, yeah, shots of odd socks. Now, this

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<v Speaker 2>is what I love about odd socks. One, they're family,

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<v Speaker 2>we love them. But also they have the most comfortable

0:11:10.360 --> 0:11:12.320
<v Speaker 2>socks in the fucking world. All right. Now, look, they

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<v Speaker 2>got the craziest licenses. You see the Jolly Rancher. These

0:11:15.160 --> 0:11:19.840
<v Speaker 2>are actually flies. Fuck some Dorido socks. They got the

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<v Speaker 2>WWE license, which is just my absolute favorite. And then

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<v Speaker 2>personally my favorite is the odd socks basics. Now, these

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<v Speaker 2>are just the basic socks. Now, these are in my

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<v Speaker 2>bag because I'm taking these. I love these odd socks basics.

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<v Speaker 2>These are literally the most comfortable socks in the world.

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<v Speaker 2>All right. These are just the plain guys. All right. Also,

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<v Speaker 2>they got the scarface, they got the Godfather, and they

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<v Speaker 2>You gotta get this bag. They got to book you.

0:13:41.800 --> 0:13:43.839
<v Speaker 2>There's this. I was in Miami. I used to live

0:13:43.840 --> 0:13:46.720
<v Speaker 2>in Florida, and I went to South Beach one weekend

0:13:47.040 --> 0:13:49.160
<v Speaker 2>and I went to South Beach and it was like

0:13:49.200 --> 0:13:52.160
<v Speaker 2>the weekend of like stud Mayhem. I don't know what

0:13:52.200 --> 0:13:54.720
<v Speaker 2>was going on, but it was like the studs took

0:13:54.760 --> 0:13:57.400
<v Speaker 2>over South Beach really and it's like some event they

0:13:57.440 --> 0:14:00.760
<v Speaker 2>do every year. But like everybody look like Latifa and said,

0:14:00.840 --> 0:14:03.839
<v Speaker 2>are you serious or Lil Wayne or younger man. Do

0:14:03.880 --> 0:14:06.320
<v Speaker 2>you know what it is? No, it wasn't Pride. It

0:14:06.400 --> 0:14:08.760
<v Speaker 2>was not Pride. It's something else. It's like a stud thing.

0:14:09.360 --> 0:14:10.800
<v Speaker 2>So it was like it was crazy.

0:14:10.920 --> 0:14:11.640
<v Speaker 1>It was crazy.

0:14:11.679 --> 0:14:13.040
<v Speaker 2>It was like and I was talking. I talked to

0:14:13.040 --> 0:14:15.400
<v Speaker 2>one of the homegirls who I was We were eating

0:14:15.400 --> 0:14:17.400
<v Speaker 2>at a restaurant, and I was like, what's going on?

0:14:17.440 --> 0:14:20.440
<v Speaker 2>There's some event. What's her name? Jozzie who writes for

0:14:20.480 --> 0:14:23.480
<v Speaker 2>Ditty Diddy's R and B artists. She she knew the

0:14:23.520 --> 0:14:25.120
<v Speaker 2>name of it. I forget the name of it. But

0:14:25.720 --> 0:14:28.400
<v Speaker 2>you got to get bagged because that ship is crazy.

0:14:28.520 --> 0:14:31.400
<v Speaker 2>It's like all the South Beach is just studs.

0:14:33.760 --> 0:14:35.640
<v Speaker 1>It's it's I love to see that.

0:14:35.960 --> 0:14:37.960
<v Speaker 2>Yeah. No, it's good times for sure. Are you a

0:14:38.000 --> 0:14:39.000
<v Speaker 2>big strip club goer?

0:14:39.720 --> 0:14:43.360
<v Speaker 1>Uh? Like, I'm just a type of go with the

0:14:43.400 --> 0:14:46.360
<v Speaker 1>flow type of person. If we end up at a

0:14:46.400 --> 0:14:47.840
<v Speaker 1>strip club, okay.

0:14:47.600 --> 0:14:49.160
<v Speaker 2>Well you're gonna be ending up at a lot of them.

0:14:50.280 --> 0:14:53.040
<v Speaker 2>It's in the next year, the next like thirty days.

0:14:53.040 --> 0:14:55.320
<v Speaker 2>Maybe you never know. I mean, your record's going fucking crazy.

0:14:55.360 --> 0:14:58.560
<v Speaker 1>So sure. And I have been to a couple they

0:14:58.600 --> 0:14:58.960
<v Speaker 1>love me.

0:14:59.320 --> 0:15:00.280
<v Speaker 2>Yeah.

0:15:00.080 --> 0:15:00.240
<v Speaker 1>Yeah.

0:15:00.320 --> 0:15:06.320
<v Speaker 2>So the best city obviously, Atlanta is amazing. At Houston Houston.

0:15:05.960 --> 0:15:09.760
<v Speaker 1>Yeah, I gotta go to Miami. Yeah, I went to Miami.

0:15:09.960 --> 0:15:10.720
<v Speaker 1>It was buzzing.

0:15:11.520 --> 0:15:12.320
<v Speaker 2>Miami's wild.

0:15:12.760 --> 0:15:13.520
<v Speaker 1>Yeah, it was lit.

0:15:13.800 --> 0:15:15.960
<v Speaker 2>They got a place called Tootsies there.

0:15:16.320 --> 0:15:16.720
<v Speaker 1>Oh yeah.

0:15:16.760 --> 0:15:19.840
<v Speaker 2>You get the fried lobster tail and then you get

0:15:19.840 --> 0:15:21.680
<v Speaker 2>the lady to come and give you a back massage.

0:15:21.760 --> 0:15:22.680
<v Speaker 1>Are you serious?

0:15:22.960 --> 0:15:27.120
<v Speaker 2>Yeah, they have it's uh, it's in Miami. It's called Tootsies.

0:15:27.160 --> 0:15:29.280
<v Speaker 1>Why ain't nobody telling me about Drake.

0:15:29.160 --> 0:15:32.320
<v Speaker 2>Said on his song got what did? He says he's

0:15:32.320 --> 0:15:35.120
<v Speaker 2>getting shoulder rubs. You don't even get lap dances at Tootsies.

0:15:35.240 --> 0:15:38.560
<v Speaker 2>You just there's like a lady who's like fully dressed

0:15:39.240 --> 0:15:41.680
<v Speaker 2>with like a little bottle of oil and she just

0:15:41.960 --> 0:15:45.160
<v Speaker 2>like there's like five of them just walking around massage And.

0:15:45.800 --> 0:15:46.920
<v Speaker 1>Are you serious?

0:15:47.200 --> 0:15:47.800
<v Speaker 2>It's amazing.

0:15:48.000 --> 0:15:49.920
<v Speaker 1>No, they need to take me to tonight.

0:15:50.560 --> 0:15:52.440
<v Speaker 2>You might have to take the private jet over there.

0:15:52.880 --> 0:15:56.480
<v Speaker 2>Great food, even strip clothes, have the best hot wings.

0:15:56.480 --> 0:16:00.760
<v Speaker 1>You gotta reserve what you gotta reserve to go to Nah,

0:16:01.080 --> 0:16:05.280
<v Speaker 1>you just walk in fuck? Yeah, yeah they have life.

0:16:06.840 --> 0:16:08.920
<v Speaker 1>Thirty people walk in at once hand, thirty men and

0:16:08.920 --> 0:16:09.920
<v Speaker 1>it's bad woman in there.

0:16:10.880 --> 0:16:13.160
<v Speaker 2>I mean that would be a I don't know what time.

0:16:13.160 --> 0:16:15.560
<v Speaker 2>It would probably be at like seven thirty in the morning. No,

0:16:16.640 --> 0:16:19.080
<v Speaker 2>seven thirty in the morning is probably decent. That'd probably

0:16:19.120 --> 0:16:21.360
<v Speaker 2>be at eleven am if there was only five women dancing.

0:16:21.360 --> 0:16:22.040
<v Speaker 2>It's a big place.

0:16:22.440 --> 0:16:24.320
<v Speaker 1>Oh okay, But also you gotta.

0:16:24.080 --> 0:16:25.920
<v Speaker 2>Go booby Trap on the River. Booby Trap on the river.

0:16:25.960 --> 0:16:27.320
<v Speaker 1>Is a movie booby trap.

0:16:27.600 --> 0:16:30.760
<v Speaker 2>Yeah, you'll you'll be in the mix doing all that shit.

0:16:31.600 --> 0:16:33.120
<v Speaker 2>What's been your biggest show so far?

0:16:34.640 --> 0:16:35.400
<v Speaker 1>Rolling loud?

0:16:36.160 --> 0:16:38.640
<v Speaker 2>How was you did rolling lout in Miami? Right? Huh?

0:16:38.880 --> 0:16:41.440
<v Speaker 2>What was because first of all, it's humand as fuck

0:16:41.480 --> 0:16:41.880
<v Speaker 2>out there?

0:16:42.040 --> 0:16:43.960
<v Speaker 1>Oh my god.

0:16:43.920 --> 0:16:47.600
<v Speaker 2>Rolling loud time. It is swamp ass city.

0:16:48.000 --> 0:16:49.640
<v Speaker 1>I could not believe it.

0:16:49.640 --> 0:16:52.200
<v Speaker 2>It is terrible. I mean, I love rolling loud, but

0:16:52.240 --> 0:16:54.520
<v Speaker 2>this is the weather yet.

0:16:54.760 --> 0:16:58.080
<v Speaker 1>Oh I ain't never felt none like that. Yeah, yeah,

0:16:58.280 --> 0:17:01.320
<v Speaker 1>I take that back. Vegas was so hot.

0:17:02.200 --> 0:17:05.840
<v Speaker 2>Yes, Vegas gets hot, but it's a dry heat.

0:17:06.600 --> 0:17:08.880
<v Speaker 1>Yeah. But Miami, Yeah, Miami was hot.

0:17:08.920 --> 0:17:11.400
<v Speaker 2>I was sweating, so yeah, Miami you'll have like, uh

0:17:11.800 --> 0:17:15.399
<v Speaker 2>this sweat coming out of every orifice, spat if you

0:17:15.400 --> 0:17:18.119
<v Speaker 2>ain't got that ACS jamming, yes, And then you gotta

0:17:18.160 --> 0:17:24.320
<v Speaker 2>walk even like it's fucking crazy, and then you catch

0:17:24.359 --> 0:17:28.080
<v Speaker 2>pneumonia exactly like I just walked from outside. I'm wet

0:17:28.119 --> 0:17:31.159
<v Speaker 2>and now it's sixty degrees. Now I'm sick. Thank you, Miami,

0:17:31.560 --> 0:17:34.119
<v Speaker 2>thank you. Yeah. On top of that, I may have

0:17:34.119 --> 0:17:36.840
<v Speaker 2>had too many shoulder rubs. How was that? What was

0:17:36.880 --> 0:17:39.280
<v Speaker 2>that like though? For you? Like touching that rolling out stage?

0:17:39.320 --> 0:17:40.640
<v Speaker 2>That's obviously a big bucket listening.

0:17:40.720 --> 0:17:43.960
<v Speaker 1>Yes, that was it was lit again, Like I was

0:17:44.000 --> 0:17:49.040
<v Speaker 1>so happy, and man, I don't went out there. I

0:17:49.080 --> 0:17:53.800
<v Speaker 1>feel like I was in Chicago. Yeah, it was so lit.

0:17:54.040 --> 0:17:57.920
<v Speaker 1>I had a ball. It was like different from other

0:17:58.080 --> 0:18:00.399
<v Speaker 1>love other love stuff.

0:18:01.520 --> 0:18:03.320
<v Speaker 2>You know, you get the little bad the back end

0:18:03.359 --> 0:18:05.000
<v Speaker 2>and then right, but the Rolling Loud is a big

0:18:05.080 --> 0:18:06.000
<v Speaker 2>the big level.

0:18:05.800 --> 0:18:09.240
<v Speaker 1>Is too different. I'm like, what I'll type different kind

0:18:09.280 --> 0:18:13.880
<v Speaker 1>of people, you know, singing your lyrics. I'm like, well, ship, did.

0:18:13.800 --> 0:18:15.800
<v Speaker 2>You mean anybody at Rolling Loud like any other artists.

0:18:17.600 --> 0:18:20.960
<v Speaker 1>I definitely ran into I Candy, she.

0:18:20.960 --> 0:18:24.240
<v Speaker 2>Got that keep that song? Yeah it's going.

0:18:24.040 --> 0:18:26.679
<v Speaker 1>Crazy, you can keep that.

0:18:27.000 --> 0:18:30.560
<v Speaker 2>I can't say that obviously. Yeah, yeah, yeah. I think

0:18:30.560 --> 0:18:34.080
<v Speaker 2>it's the trick daddy sample right it is, take it.

0:18:34.080 --> 0:18:36.280
<v Speaker 2>I think it's to take it to the house beat.

0:18:36.760 --> 0:18:40.000
<v Speaker 2>Are you gonna Are you gonna sample some old ship?

0:18:40.320 --> 0:18:44.320
<v Speaker 2>Because I feel like right now every artist is just

0:18:44.400 --> 0:18:49.040
<v Speaker 2>remaking old records respectfully. It's it's really a thing. I

0:18:49.040 --> 0:18:51.119
<v Speaker 2>feel like I just saw Annelie Choppa just did the

0:18:51.200 --> 0:18:56.000
<v Speaker 2>Nelly song keep that Eye. Candy is obviously an older

0:18:56.160 --> 0:18:56.720
<v Speaker 2>whole song.

0:18:56.960 --> 0:19:00.639
<v Speaker 1>Who'll say, who'll sing that song when they say, you

0:19:00.680 --> 0:19:06.040
<v Speaker 1>don't love me, Gucci, Gucci, you don't love me.

0:19:06.560 --> 0:19:10.280
<v Speaker 2>Oh yeah, yeah, I just really did that. You did that.

0:19:10.440 --> 0:19:12.919
<v Speaker 1>I just did that. I didn't do that. Gucci, you

0:19:13.000 --> 0:19:16.120
<v Speaker 1>don't love me. Same beat, I didn't do the beat. No,

0:19:16.400 --> 0:19:18.800
<v Speaker 1>I just did you don't love me.

0:19:19.520 --> 0:19:21.119
<v Speaker 2>It's kind of the thing right now. It's kind of

0:19:21.119 --> 0:19:24.760
<v Speaker 2>like going back and paying homage to the literally, which

0:19:24.800 --> 0:19:27.480
<v Speaker 2>is what puff Daddy was doing in the nineties. A

0:19:27.520 --> 0:19:31.280
<v Speaker 2>lot for you, Uh, talk to me about what you

0:19:31.320 --> 0:19:34.000
<v Speaker 2>would be doing in a world in which you weren't

0:19:34.000 --> 0:19:36.920
<v Speaker 2>making music. What was your other passion that you would

0:19:36.960 --> 0:19:37.640
<v Speaker 2>have pursued.

0:19:40.280 --> 0:19:42.680
<v Speaker 1>I actually wanted to be a teacher growing up.

0:19:42.960 --> 0:19:43.400
<v Speaker 2>Me too.

0:19:43.840 --> 0:19:45.880
<v Speaker 1>I really wanted to be a teacher. I don't even

0:19:45.920 --> 0:19:48.440
<v Speaker 1>know why. I don't have no patience for kids, but

0:19:48.520 --> 0:19:49.840
<v Speaker 1>I really wanted to do that.

0:19:50.000 --> 0:19:51.840
<v Speaker 2>I wanted to be a history teacher in high school.

0:19:51.880 --> 0:19:55.840
<v Speaker 1>I wanted to be a reading teacher, writing teacher, all that. Yeah,

0:19:56.080 --> 0:19:57.639
<v Speaker 1>and I wanted to do it for like fifth and

0:19:57.720 --> 0:19:58.480
<v Speaker 1>sixth graders.

0:19:58.880 --> 0:20:01.120
<v Speaker 2>I found out how much teachers made it, and then

0:20:01.119 --> 0:20:01.520
<v Speaker 2>I was.

0:20:01.520 --> 0:20:03.920
<v Speaker 1>Like, yeah, yeah, yeah, they always really do in my face,

0:20:03.960 --> 0:20:06.600
<v Speaker 1>but I still was excited then. But then I got old.

0:20:06.680 --> 0:20:09.600
<v Speaker 2>I'm like, yeah, I mean the thing is is that's

0:20:09.600 --> 0:20:12.240
<v Speaker 2>why teachers are the best people, because they knowingly go

0:20:12.320 --> 0:20:14.520
<v Speaker 2>to school and put themselves in debt to make fifty

0:20:14.560 --> 0:20:18.000
<v Speaker 2>five thousand dollars a year. Yeah so yeahs among us.

0:20:18.080 --> 0:20:19.560
<v Speaker 1>Yeah yeah, so you would.

0:20:19.400 --> 0:20:20.000
<v Speaker 2>Have been a teacher.

0:20:20.200 --> 0:20:20.360
<v Speaker 1>Yeah.

0:20:20.440 --> 0:20:20.600
<v Speaker 2>Yeah.

0:20:20.840 --> 0:20:25.520
<v Speaker 1>Then and then after that I got into security. I

0:20:25.640 --> 0:20:29.320
<v Speaker 1>was unarmed security, then I went to armed security.

0:20:29.440 --> 0:20:31.720
<v Speaker 2>You were security guard. Yeah, you're very small.

0:20:31.800 --> 0:20:33.160
<v Speaker 1>Yeah yeah, so you.

0:20:33.119 --> 0:20:36.399
<v Speaker 2>Were strapped like protect What were you protecting? Like? What

0:20:36.400 --> 0:20:38.600
<v Speaker 2>were you securing? Was it a place? Was it a business?

0:20:38.720 --> 0:20:40.639
<v Speaker 1>It was a building? Old folks on?

0:20:41.160 --> 0:20:43.120
<v Speaker 2>Oh nice, that's got to be the easiest job.

0:20:43.320 --> 0:20:45.359
<v Speaker 1>That was the easiest job of what.

0:20:46.400 --> 0:20:48.520
<v Speaker 2>You got the air pods in the ears all day?

0:20:48.720 --> 0:20:50.880
<v Speaker 1>Yeah, looking at cam? Who are you here to see

0:20:51.080 --> 0:20:53.240
<v Speaker 1>exactly what?

0:20:53.440 --> 0:20:58.600
<v Speaker 2>And she died she got COVID. You can't come in.

0:20:59.000 --> 0:21:00.800
<v Speaker 2>She got COVID. You gotta get the fuck out of here.

0:21:01.800 --> 0:21:03.400
<v Speaker 1>It was that easy and simple.

0:21:03.480 --> 0:21:05.960
<v Speaker 2>Every day you're just sitting at a desk. You gotta

0:21:06.000 --> 0:21:10.760
<v Speaker 2>sign in, yes, signing, Yeah, go ahead, she's down there somewhere.

0:21:14.240 --> 0:21:16.080
<v Speaker 1>I swear to God, Yes.

0:21:16.320 --> 0:21:18.960
<v Speaker 2>I know my grandma's an old folks home. Yes, that

0:21:19.840 --> 0:21:24.160
<v Speaker 2>signing and then just oh yeah, just down there, y yeah,

0:21:24.520 --> 0:21:29.920
<v Speaker 2>Cafeccia bust are right, Yeah, you'll find it. You'll find

0:21:29.960 --> 0:21:31.000
<v Speaker 2>someone else to ask.

0:21:31.280 --> 0:21:35.880
<v Speaker 1>Exactly in there, Yes, they're in there with the wheelchairs,

0:21:36.000 --> 0:21:39.040
<v Speaker 1>the rolling chairs, electronic chairs. They death.

0:21:39.280 --> 0:21:41.640
<v Speaker 2>You know what's crazy is like going into an old

0:21:41.680 --> 0:21:48.680
<v Speaker 2>folks home. The smell, yes, it just smells like fuck man,

0:21:50.000 --> 0:21:53.159
<v Speaker 2>it smells like someone's getting their diaper change. Bro like

0:21:53.320 --> 0:21:56.159
<v Speaker 2>six feet away everywhere it smells that. And then it

0:21:56.160 --> 0:22:04.399
<v Speaker 2>also smells like damn, someone's finna die. You know, like

0:22:04.480 --> 0:22:06.879
<v Speaker 2>how many times do they did? People pass away? Like

0:22:06.920 --> 0:22:08.800
<v Speaker 2>I'm sure that happened a lot, right.

0:22:08.720 --> 0:22:12.040
<v Speaker 1>Oh my god, I just got to shut this one

0:22:12.080 --> 0:22:21.320
<v Speaker 1>story and it's it's over with. But this man came

0:22:21.400 --> 0:22:25.439
<v Speaker 1>into the property. Okay, it was like I want to say,

0:22:26.119 --> 0:22:28.240
<v Speaker 1>I'm not gonna say an old folks home.

0:22:28.359 --> 0:22:31.600
<v Speaker 2>It was like a rehabilitation.

0:22:33.200 --> 0:22:37.439
<v Speaker 1>Senior citizen building. Yeah, okay, oh folks home. But it

0:22:37.560 --> 0:22:40.639
<v Speaker 1>was like some people in there, like fifty, like they

0:22:40.640 --> 0:22:42.880
<v Speaker 1>could walk, talk, do everything.

0:22:44.080 --> 0:22:46.560
<v Speaker 2>This is just where they're at. They're like, I rather yeah, okay, yeah.

0:22:46.600 --> 0:22:51.320
<v Speaker 1>They was literally good people, nice people dressed nice. Did

0:22:51.359 --> 0:22:57.040
<v Speaker 1>you say white wife wife or a husband said no, no, no, no,

0:22:57.040 --> 0:23:02.240
<v Speaker 1>no wife, husband, and he was like really really regular people.

0:23:02.280 --> 0:23:06.719
<v Speaker 1>So this one man, he was always just like weird.

0:23:07.000 --> 0:23:10.680
<v Speaker 1>He came in every day and one day he was

0:23:10.760 --> 0:23:14.600
<v Speaker 1>leaving out with a suitcase. In the suitcase the man's

0:23:14.640 --> 0:23:18.760
<v Speaker 1>the man couldn't even carry the suitcase, and he was

0:23:18.840 --> 0:23:23.080
<v Speaker 1>just dragging me, dragging me. Do you know this man?

0:23:24.000 --> 0:23:26.560
<v Speaker 1>Why would he have a body in a suitcase? He

0:23:26.600 --> 0:23:30.760
<v Speaker 1>had a body, a body in a body. And then listen,

0:23:30.800 --> 0:23:32.679
<v Speaker 1>I wasn't even on the shift that night I was on.

0:23:33.119 --> 0:23:35.880
<v Speaker 1>I came back that morning and it happened from a

0:23:36.000 --> 0:23:38.080
<v Speaker 1>twelve or eight shift. I was on eighth to four.

0:23:39.960 --> 0:23:42.639
<v Speaker 1>I said, when I ran the cameras back because the

0:23:42.640 --> 0:23:44.639
<v Speaker 1>man who was on, the person who was on the

0:23:44.680 --> 0:23:47.760
<v Speaker 1>shift wasn't even paying attention. They was all in their phone.

0:23:47.960 --> 0:23:49.920
<v Speaker 1>So when I got there from a four to the

0:23:50.440 --> 0:23:53.399
<v Speaker 1>exactly I got there eight to four, I heard what

0:23:53.560 --> 0:23:55.359
<v Speaker 1>was going on. I say, wait, let me run the

0:23:55.440 --> 0:23:58.920
<v Speaker 1>cameras back. I ran the cameras back all the way back.

0:24:00.080 --> 0:24:02.600
<v Speaker 2>This man was did he kill someone?

0:24:02.680 --> 0:24:05.680
<v Speaker 1>Tweaking? Yeah, he killed some Yeah, he.

0:24:05.720 --> 0:24:08.400
<v Speaker 2>Just tweeked like, did you find the cameras of when

0:24:08.400 --> 0:24:09.000
<v Speaker 2>he killed someone?

0:24:09.640 --> 0:24:12.919
<v Speaker 1>He did is inside his apartment, came out with a

0:24:12.920 --> 0:24:14.640
<v Speaker 1>big old suitcase.

0:24:14.240 --> 0:24:16.400
<v Speaker 2>Like with the dead body in it, with it in there.

0:24:16.960 --> 0:24:17.879
<v Speaker 2>Do you know who he killed?

0:24:18.119 --> 0:24:18.960
<v Speaker 1>I know exactly.

0:24:20.080 --> 0:24:21.040
<v Speaker 2>Was it another old lady?

0:24:21.119 --> 0:24:22.440
<v Speaker 1>Yeah, it was another old lady.

0:24:22.560 --> 0:24:26.720
<v Speaker 2>So maybe they had like a fiagria raged like maybe

0:24:26.760 --> 0:24:31.679
<v Speaker 2>she died from like you know, she a heart attacker. Yeah,

0:24:31.720 --> 0:24:34.160
<v Speaker 2>and he was like, I gotta get rid of this bitch,

0:24:34.359 --> 0:24:37.520
<v Speaker 2>you know, and also like no one's gonna miss her,

0:24:37.520 --> 0:24:38.920
<v Speaker 2>like she's here, you know exactly.

0:24:38.960 --> 0:24:41.000
<v Speaker 1>That's why he was thinking. But you don't think like

0:24:41.040 --> 0:24:41.720
<v Speaker 1>that with other.

0:24:42.400 --> 0:24:45.000
<v Speaker 2>So how did they find out there was a body

0:24:45.000 --> 0:24:46.639
<v Speaker 2>in the suitcase? And someone stop him and say, sir,

0:24:46.720 --> 0:24:47.960
<v Speaker 2>what's up? What's up with a suitcase?

0:24:48.040 --> 0:24:52.240
<v Speaker 1>Or that's what I'm saying. We know the security guard

0:24:52.320 --> 0:24:54.760
<v Speaker 1>didn't stop him. He just let him walk out. And

0:24:54.800 --> 0:24:56.920
<v Speaker 1>he just walked out to the back of the building.

0:24:57.400 --> 0:24:58.920
<v Speaker 2>Did he throw the suitcase in the trash?

0:24:59.040 --> 0:25:02.560
<v Speaker 1>He just threw the suitcase in the trash? Oh my god, Like,

0:25:02.720 --> 0:25:06.760
<v Speaker 1>what are you serious? He took I watched him. He

0:25:06.840 --> 0:25:10.600
<v Speaker 1>took all the garbage out the trash and then he

0:25:10.680 --> 0:25:13.879
<v Speaker 1>put it in and then he took the garbage. He

0:25:13.920 --> 0:25:15.640
<v Speaker 1>took out the trash and put it back into.

0:25:15.760 --> 0:25:16.720
<v Speaker 2>Has to be a white guy.

0:25:17.800 --> 0:25:20.119
<v Speaker 1>No, really exactly.

0:25:22.080 --> 0:25:23.719
<v Speaker 2>And you know, if I'm thinking of who's gonna put

0:25:23.720 --> 0:25:26.280
<v Speaker 2>a suitcase in the body, I'm thinking quite for sure.

0:25:26.600 --> 0:25:30.479
<v Speaker 1>You feel me and I'm thinking like you tweaking wow?

0:25:30.680 --> 0:25:32.879
<v Speaker 1>But yeah, that was serious. That was somebody life, That

0:25:33.040 --> 0:25:34.000
<v Speaker 1>was someone's family.

0:25:34.280 --> 0:25:37.560
<v Speaker 2>So did some Yeah, it's up. So did someone find

0:25:37.800 --> 0:25:40.359
<v Speaker 2>the body and that's how they or were someone just missing?

0:25:40.760 --> 0:25:48.199
<v Speaker 1>Someone was just missing someone. Someone was just literally crazy

0:25:48.280 --> 0:25:50.520
<v Speaker 1>and you know how they come get the garbage.

0:25:50.520 --> 0:25:51.679
<v Speaker 2>And you were working that shift.

0:25:51.720 --> 0:25:56.040
<v Speaker 1>You would have caught him career Oh yeah, and I

0:25:56.040 --> 0:25:58.000
<v Speaker 1>had to run them cameras back, but I definitely would

0:25:58.040 --> 0:25:58.439
<v Speaker 1>have caught him.

0:25:59.359 --> 0:26:02.280
<v Speaker 2>So when you're an armed security guard, is it gun?

0:26:02.600 --> 0:26:03.400
<v Speaker 2>What are you armed with?

0:26:03.480 --> 0:26:05.600
<v Speaker 1>Or is it like you armed with? No? No, no,

0:26:05.640 --> 0:26:08.639
<v Speaker 1>you armed with the gun. Unarmed not a gun. Arm.

0:26:09.200 --> 0:26:10.359
<v Speaker 2>So when you have the do you have to go

0:26:10.400 --> 0:26:10.879
<v Speaker 2>to training?

0:26:11.400 --> 0:26:14.080
<v Speaker 1>Yes, you have to go through training so you know.

0:26:14.119 --> 0:26:17.760
<v Speaker 2>Your way around a piece. Yeah, I wouldn't know what

0:26:17.800 --> 0:26:18.480
<v Speaker 2>to do with a gun.

0:26:19.200 --> 0:26:23.280
<v Speaker 1>I'd be like, oh, oh yeah, were not the same.

0:26:23.800 --> 0:26:29.879
<v Speaker 2>We're not shout out to uh my man cyrus. He

0:26:29.920 --> 0:26:31.560
<v Speaker 2>knows what to do with a gun. Hey, let's stop

0:26:31.600 --> 0:26:33.080
<v Speaker 2>the interview real quick to tell you about our good

0:26:33.080 --> 0:26:35.040
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0:26:35.119 --> 0:26:38.440
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0:26:46.200 --> 0:26:48.200
<v Speaker 2>love King Poms. The only thing I'm smoking at him. Now.

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0:26:50.920 --> 0:26:53.240
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<v Speaker 2>so are you working on like, what's what's coming? Because

0:29:30.080 --> 0:29:32.160
<v Speaker 2>I'm sure you're working on an album. How do you

0:29:32.240 --> 0:29:33.720
<v Speaker 2>work mixtape? What's coming next?

0:29:33.880 --> 0:29:37.520
<v Speaker 1>I'm working on an album, gonna probably throw a couple

0:29:37.520 --> 0:29:41.480
<v Speaker 1>of features on it. Actually, really, I'm thirsty to work

0:29:41.520 --> 0:29:42.640
<v Speaker 1>with Agent Dow right now.

0:29:42.920 --> 0:29:45.320
<v Speaker 2>You're thirsty to work with her or work with her,

0:29:45.720 --> 0:29:49.480
<v Speaker 2>work with Yeah, I'm sure she'd be with it.

0:29:49.680 --> 0:29:50.640
<v Speaker 1>Yeah yeah, yeah.

0:29:50.720 --> 0:29:55.520
<v Speaker 2>So does she know you wanna yahyah work with her? Yeah?

0:29:56.000 --> 0:30:00.400
<v Speaker 1>Yeah, yeah, all right, for sure?

0:30:00.760 --> 0:30:02.240
<v Speaker 2>Does she know you want to pull the strap on it?

0:30:02.520 --> 0:30:06.160
<v Speaker 1>No, not that, oh, or we would have liked that.

0:30:06.520 --> 0:30:09.320
<v Speaker 2>Well, I don't know. I mean maybe you show her

0:30:09.400 --> 0:30:10.520
<v Speaker 2>how to use the gun.

0:30:11.000 --> 0:30:13.800
<v Speaker 1>Yeah, you know, I'm pretty sure you know how to

0:30:13.800 --> 0:30:14.080
<v Speaker 1>do that.

0:30:14.200 --> 0:30:16.920
<v Speaker 2>I mean, she was dating King Vaughan. I would hope so, right,

0:30:17.320 --> 0:30:19.280
<v Speaker 2>if you're gonna date King Vaughan got rest of Soul,

0:30:19.280 --> 0:30:20.800
<v Speaker 2>I'd hope you come out of the relationship on the

0:30:20.840 --> 0:30:22.960
<v Speaker 2>other side knowing how to handle yourself, you know, for

0:30:23.000 --> 0:30:26.600
<v Speaker 2>sure recip k von so Asian Doll.

0:30:28.040 --> 0:30:30.680
<v Speaker 1>Yeah, but yeah, I'm working on the album. Ma'ma let

0:30:30.720 --> 0:30:34.240
<v Speaker 1>the Feendi and Karate rad out for a couple of moments.

0:30:34.200 --> 0:30:37.480
<v Speaker 1>You got two weeks and then I'm working on my album,

0:30:37.960 --> 0:30:40.240
<v Speaker 1>A nice little row album for y'all.

0:30:41.920 --> 0:30:47.560
<v Speaker 2>How many songs in twelve twelve? I like that? Okay,

0:30:49.240 --> 0:30:52.440
<v Speaker 2>so yeah, hopefully you get Asian Doll cooking that up.

0:30:53.320 --> 0:30:55.480
<v Speaker 2>Asian Doll not Asian.

0:30:57.040 --> 0:30:57.520
<v Speaker 1>For sure.

0:30:57.800 --> 0:31:01.880
<v Speaker 2>Shout to her. You know, I'm glad that the doll

0:31:01.960 --> 0:31:04.440
<v Speaker 2>thing kind of There was a lot of dolls. You

0:31:04.480 --> 0:31:07.120
<v Speaker 2>remember that Cash Doll, Cuban Doll, Asian Doll.

0:31:08.560 --> 0:31:11.200
<v Speaker 1>Oh yeah, I like cash down.

0:31:11.480 --> 0:31:14.880
<v Speaker 2>Cash Doll is incredible, She's amazing and she's beautiful. She

0:31:14.960 --> 0:31:17.800
<v Speaker 2>just had a kid. Shout to her. Congratulations. Cuban Doll

0:31:17.920 --> 0:31:21.280
<v Speaker 2>was she was, she had like she got canceled. She

0:31:21.400 --> 0:31:23.479
<v Speaker 2>was one of the first canceled people.

0:31:23.680 --> 0:31:24.440
<v Speaker 1>Are you serious.

0:31:24.480 --> 0:31:24.840
<v Speaker 2>I don't know.

0:31:24.960 --> 0:31:25.680
<v Speaker 1>Cuban Dow.

0:31:27.840 --> 0:31:29.800
<v Speaker 2>She had like a chicken a cage.

0:31:30.160 --> 0:31:31.120
<v Speaker 1>Oh, I don't know none.

0:31:31.440 --> 0:31:33.640
<v Speaker 2>Yeah, it was crazy. It was crazy. She's from I

0:31:33.680 --> 0:31:36.000
<v Speaker 2>think she's from Texas. There was and then Cuban Doll

0:31:36.000 --> 0:31:37.920
<v Speaker 2>and Asian Doll had a beef because it was like,

0:31:38.000 --> 0:31:41.680
<v Speaker 2>who's the doll, Cash Dolls.

0:31:42.600 --> 0:31:43.240
<v Speaker 1>She's the og.

0:31:44.560 --> 0:31:48.640
<v Speaker 2>Yeah yeah, anyway, well look obviously, uh the song is

0:31:48.680 --> 0:31:54.280
<v Speaker 2>going crazy. Congratulations, thank you of course. Uh you got

0:31:54.360 --> 0:31:57.200
<v Speaker 2>more music on the way project on the way. I'm

0:31:57.240 --> 0:32:01.200
<v Speaker 2>sure you got some live shows coming yep, anything else

0:32:01.240 --> 0:32:03.520
<v Speaker 2>on the way you want to talk about. You got

0:32:03.520 --> 0:32:05.680
<v Speaker 2>to promote anything else. You got some like weed coming out,

0:32:05.760 --> 0:32:07.920
<v Speaker 2>or you got like a we.

0:32:08.000 --> 0:32:09.480
<v Speaker 1>Gonna get into that next time.

0:32:09.880 --> 0:32:14.600
<v Speaker 2>Okay, you gonna get it. There it is everybody, Benny

0:32:14.640 --> 0:32:19.320
<v Speaker 2>the Rapper, for sure. She is her own bodyguard, She

0:32:19.480 --> 0:32:24.000
<v Speaker 2>is her own arm security. There it is Blue le

0:32:24.120 --> 0:32:26.920
<v Speaker 2>Cap podcast. Hey, this interview is brought to you by

0:32:26.920 --> 0:32:29.320
<v Speaker 2>our good folks at hard Dean. All right, shout out

0:32:29.360 --> 0:32:31.560
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