1 00:00:00,840 --> 00:00:05,280 Speaker 1: Happy holidays. Here's one of our favorite moments of twenty 2 00:00:05,320 --> 00:00:08,479 Speaker 1: twenty four. In turn, Ava is here, High, Ava, good morning. 3 00:00:08,880 --> 00:00:10,119 Speaker 2: I know you have to put the headphones on. 4 00:00:10,160 --> 00:00:10,400 Speaker 3: Ava. 5 00:00:10,440 --> 00:00:11,320 Speaker 1: Oh yeah, she can't hear it. 6 00:00:11,360 --> 00:00:12,720 Speaker 4: I don't think I have headphones. 7 00:00:13,360 --> 00:00:14,560 Speaker 1: Oh that's not good. 8 00:00:14,600 --> 00:00:14,880 Speaker 3: Thank you. 9 00:00:16,000 --> 00:00:19,000 Speaker 1: All right, here's some headphones we love. Ava. Of course, 10 00:00:19,040 --> 00:00:22,640 Speaker 1: Ava was here when we talked about the cockroach problem 11 00:00:22,640 --> 00:00:25,759 Speaker 1: in her apartment. Yeah, we're still not over that conversation. 12 00:00:26,160 --> 00:00:26,560 Speaker 1: All of a. 13 00:00:26,560 --> 00:00:29,639 Speaker 2: Sudden, I can hear Okay, yeah, okay, let's move on 14 00:00:29,720 --> 00:00:30,920 Speaker 2: beyond the cockroach thing. 15 00:00:31,880 --> 00:00:34,199 Speaker 1: Ava. So do you do a lot of auditions for 16 00:00:34,640 --> 00:00:35,640 Speaker 1: parts in film? 17 00:00:36,000 --> 00:00:38,560 Speaker 4: And I jose I do, yes. 18 00:00:39,720 --> 00:00:42,400 Speaker 1: What's that like living in New York City and hitting 19 00:00:42,479 --> 00:00:46,160 Speaker 1: the pavement and going to these auditions and and what's 20 00:00:46,200 --> 00:00:46,479 Speaker 1: it like? 21 00:00:46,840 --> 00:00:48,120 Speaker 4: It's not the same anymore. 22 00:00:48,159 --> 00:00:51,440 Speaker 3: I think we all got to watch like the gorgeous 23 00:00:51,560 --> 00:00:54,000 Speaker 3: little interviews of people like being found on the street 24 00:00:54,040 --> 00:00:57,240 Speaker 3: at fourteen and then like being who they are now. 25 00:00:57,640 --> 00:00:59,960 Speaker 3: Now it's like self tapes. You're like in your close 26 00:01:00,080 --> 00:01:04,520 Speaker 3: is it your roommate's reading for you? Everything's online. It's 27 00:01:04,640 --> 00:01:06,560 Speaker 3: all a little bit like what do you look like? 28 00:01:06,560 --> 00:01:09,479 Speaker 3: Do you look the part? Okay, got it go. There's 29 00:01:09,560 --> 00:01:14,800 Speaker 3: no kind of It's not about like bringing your personality 30 00:01:14,800 --> 00:01:16,680 Speaker 3: into the room as much as it used to be 31 00:01:16,880 --> 00:01:19,240 Speaker 3: until you get like the callback or the second callback 32 00:01:19,520 --> 00:01:21,920 Speaker 3: to finally get to be yourself. But the first two 33 00:01:22,000 --> 00:01:24,560 Speaker 3: are pretty much like do you look the part? Do 34 00:01:24,600 --> 00:01:25,480 Speaker 3: you live nearby? 35 00:01:25,720 --> 00:01:27,600 Speaker 4: Are you union? Do you have an agent? 36 00:01:28,800 --> 00:01:28,920 Speaker 5: So? 37 00:01:29,240 --> 00:01:32,679 Speaker 1: Have you had offers to some some comeback offers? 38 00:01:34,240 --> 00:01:34,399 Speaker 3: Few? 39 00:01:35,080 --> 00:01:37,160 Speaker 1: And what? This is kind of funny because Gandhi was 40 00:01:37,160 --> 00:01:39,440 Speaker 1: telling me, you told the story. What makes it so 41 00:01:39,560 --> 00:01:42,800 Speaker 1: unique about the parts that you get callbacks for? 42 00:01:43,360 --> 00:01:47,680 Speaker 3: Well, there's a range between like Charlie Chaplin's daughter and 43 00:01:47,800 --> 00:01:51,520 Speaker 3: like singing girl in Woods. But the main thing I 44 00:01:51,560 --> 00:01:55,480 Speaker 3: get the callback for tend to be either foster children 45 00:01:55,640 --> 00:01:56,520 Speaker 3: or drug addicts. 46 00:01:56,800 --> 00:02:01,960 Speaker 4: Okay, and I don't I don't have I don't know. 47 00:02:01,960 --> 00:02:04,600 Speaker 3: If I don't know, if it looks vulnerable, I must 48 00:02:04,640 --> 00:02:06,720 Speaker 3: look like like small. 49 00:02:07,000 --> 00:02:09,119 Speaker 4: I'm five to two. I don't know. People maybe see 50 00:02:09,120 --> 00:02:12,799 Speaker 4: me and are like, oh no, I don't know. 51 00:02:13,200 --> 00:02:17,160 Speaker 3: My agent told me I have sad eyes, which I 52 00:02:17,160 --> 00:02:22,600 Speaker 3: don't know. Apparently they're sad and maybe it's like the 53 00:02:22,639 --> 00:02:25,480 Speaker 3: tragic beauty or like right brooding. 54 00:02:25,880 --> 00:02:28,680 Speaker 1: Yeah, I don't know. I mean, I don't know what 55 00:02:28,720 --> 00:02:30,679 Speaker 1: a foster child will look like, because it's a whole 56 00:02:30,720 --> 00:02:35,240 Speaker 1: rainbow of looks. I was told by Gandhi that the 57 00:02:35,280 --> 00:02:38,000 Speaker 1: most things you're called back for are crackheads and runaways. 58 00:02:38,200 --> 00:02:40,359 Speaker 4: Yep, yep, that sounds about right. 59 00:02:42,160 --> 00:02:44,440 Speaker 3: I recently did a self tape where I had to 60 00:02:44,520 --> 00:02:47,440 Speaker 3: be well, like, I'm sitting obviously in my closet in 61 00:02:47,440 --> 00:02:49,200 Speaker 3: my apartment in New York City, but I meant to 62 00:02:49,200 --> 00:02:53,840 Speaker 3: be on a train to nowhere, running away to like 63 00:02:54,040 --> 00:02:56,400 Speaker 3: and it's like the self tape is calling my parents 64 00:02:56,440 --> 00:02:59,200 Speaker 3: and being like, don't look for me. I'm gonna be fine. 65 00:02:59,240 --> 00:03:02,040 Speaker 3: I just I have to go my own way. And 66 00:03:02,080 --> 00:03:04,519 Speaker 3: now he's like, what is happening right now? 67 00:03:04,760 --> 00:03:07,280 Speaker 4: Also, the girl was like sixteen. I like, I don't know, 68 00:03:08,160 --> 00:03:10,240 Speaker 4: I'm doing my best here with what I got. 69 00:03:11,000 --> 00:03:15,400 Speaker 1: I could kind of see it, well, hold on the 70 00:03:16,160 --> 00:03:18,080 Speaker 1: crackhead or the runaway. The runaway. 71 00:03:18,080 --> 00:03:19,440 Speaker 5: I could see you, like, you know, give you a 72 00:03:19,480 --> 00:03:22,559 Speaker 5: denim jacket, a pack of smokes, maybe a little malmourished. 73 00:03:22,760 --> 00:03:25,560 Speaker 1: Yeah, And I'm I think you got yourself? 74 00:03:25,560 --> 00:03:27,320 Speaker 4: Are you telling her she looks malnurse? 75 00:03:27,919 --> 00:03:31,440 Speaker 1: I'm saying, maybe, well, you're very very well. What you're saying, 76 00:03:33,200 --> 00:03:39,120 Speaker 1: Oh my god, you are you saying? Are you saying 77 00:03:39,160 --> 00:03:41,040 Speaker 1: she needs to lose a few pounds if she wants 78 00:03:41,120 --> 00:03:43,160 Speaker 1: to play the runaway? I'm not saying that. 79 00:03:44,120 --> 00:03:48,440 Speaker 3: Maybe a little you know the eye liney yeah, yeah, yeah, Dothy. 80 00:03:48,520 --> 00:03:51,160 Speaker 3: Look all right, I have freckles in the summer. Does 81 00:03:51,200 --> 00:03:52,320 Speaker 3: that make me less white? 82 00:03:52,600 --> 00:03:54,880 Speaker 4: I think it makes me more No, I. 83 00:03:54,840 --> 00:03:58,080 Speaker 1: Think freckles make you look more bougie. 84 00:03:58,360 --> 00:03:58,800 Speaker 4: What do you think? 85 00:03:58,960 --> 00:04:01,600 Speaker 5: Okay, so and so somebody that tried acting as well 86 00:04:01,720 --> 00:04:03,800 Speaker 5: and had an agent, you do get I don't want 87 00:04:03,800 --> 00:04:07,480 Speaker 5: to say type cast a certain parts when you haven't 88 00:04:07,480 --> 00:04:10,840 Speaker 5: gotten any roles yet. And frankly I was because I 89 00:04:10,840 --> 00:04:14,720 Speaker 5: got called in for every police officer, military guy. I'm like, fine, 90 00:04:14,800 --> 00:04:17,880 Speaker 5: I don't care. You give me a job yeah back 91 00:04:17,960 --> 00:04:18,440 Speaker 5: in the day. 92 00:04:18,640 --> 00:04:20,400 Speaker 1: Yeah, No, I see you like a member of the 93 00:04:20,480 --> 00:04:24,719 Speaker 1: village people, documentary docuies. 94 00:04:24,560 --> 00:04:25,400 Speaker 4: Or a serial killer. 95 00:04:25,760 --> 00:04:28,640 Speaker 1: I'll tell you what. So, Ava, not only are you 96 00:04:28,680 --> 00:04:31,560 Speaker 1: intern Ava, but your actress Ava actor or AVA will 97 00:04:31,600 --> 00:04:35,120 Speaker 1: call you could go ahead look at us and type 98 00:04:35,120 --> 00:04:37,680 Speaker 1: cast us. You be the you be the casting director 99 00:04:37,720 --> 00:04:38,320 Speaker 1: for us. 100 00:04:38,480 --> 00:04:40,120 Speaker 4: All right, I've already done. 101 00:04:40,160 --> 00:04:43,120 Speaker 3: Gandhi, Gandhi CEO who needs to have an eat pre 102 00:04:43,240 --> 00:04:46,279 Speaker 3: love moment. So like she's in her office, she's like, 103 00:04:46,640 --> 00:04:49,240 Speaker 3: I'm just not happy anymore, and then she goes on 104 00:04:49,279 --> 00:04:49,919 Speaker 3: an adventure. 105 00:04:51,080 --> 00:04:56,640 Speaker 1: Wow, Danielle, I do see that, daniel What do you 106 00:04:56,680 --> 00:04:57,279 Speaker 1: see with Danielle? 107 00:04:57,440 --> 00:04:58,200 Speaker 4: Cheerleading coach? 108 00:05:00,160 --> 00:05:03,240 Speaker 3: Yeah, but like one of the inspiring ones, you know, 109 00:05:03,400 --> 00:05:06,719 Speaker 3: like like it's you know, but like you have to 110 00:05:06,720 --> 00:05:08,599 Speaker 3: be like a coach of something like something. But I 111 00:05:08,720 --> 00:05:11,320 Speaker 3: feel like cheerleading is creative and like beautiful but also 112 00:05:11,320 --> 00:05:14,120 Speaker 3: really difficult, and people judge it not knowing the work 113 00:05:14,160 --> 00:05:14,599 Speaker 3: that goes. 114 00:05:14,480 --> 00:05:21,960 Speaker 4: Into straight see. Now I don't see the militant. 115 00:05:22,000 --> 00:05:23,520 Speaker 3: But that's because you're wearing like a hoodie and you're 116 00:05:23,560 --> 00:05:27,440 Speaker 3: like military. 117 00:05:27,520 --> 00:05:30,279 Speaker 2: I'm sorry, that's true. 118 00:05:30,320 --> 00:05:34,640 Speaker 4: That's true. That's that's actually very true. Uh you are. 119 00:05:35,680 --> 00:05:38,720 Speaker 4: I can see you as a writer, like a struggling writer. 120 00:05:39,279 --> 00:05:46,280 Speaker 5: Always struggle, struggling, not a success, cabaret not a success. 121 00:05:46,440 --> 00:05:49,120 Speaker 3: Yeah, I feel like I feel like writer in Brooklyn 122 00:05:49,400 --> 00:05:52,480 Speaker 3: apartment that like is it like your it was your 123 00:05:52,520 --> 00:05:56,240 Speaker 3: grandma's apartment and you're like and your grandma was like 124 00:05:56,279 --> 00:05:57,960 Speaker 3: wanted to be a writer, but and now you're like 125 00:05:58,000 --> 00:06:00,720 Speaker 3: fulfilling the dream. For both of you and have a 126 00:06:00,839 --> 00:06:01,880 Speaker 3: pot or something. 127 00:06:02,680 --> 00:06:05,599 Speaker 4: Yeah he's allergic to Yeah. 128 00:06:04,760 --> 00:06:07,839 Speaker 3: Okay, well actually even better, you like ourself like like 129 00:06:07,880 --> 00:06:09,680 Speaker 3: a masochist writer'. 130 00:06:09,400 --> 00:06:12,080 Speaker 1: I'm sleeping lady to pay the rent and. 131 00:06:12,080 --> 00:06:15,080 Speaker 3: Then you actually love and then you guys start like 132 00:06:15,120 --> 00:06:17,839 Speaker 3: a coffee shop or something. 133 00:06:18,279 --> 00:06:21,080 Speaker 1: Eva. Not only is she typecasting, especially's writing the play. 134 00:06:21,240 --> 00:06:23,120 Speaker 1: The screenplay. Yeah, gandhi, what do you think so far? 135 00:06:23,240 --> 00:06:26,039 Speaker 2: So when we were trying to typecast Nate, somebody I 136 00:06:26,080 --> 00:06:28,000 Speaker 2: won't say who said he might be able to do 137 00:06:28,279 --> 00:06:31,160 Speaker 2: the like the the basketball or football coach who hung 138 00:06:31,160 --> 00:06:32,400 Speaker 2: out with the kids a little too much. 139 00:06:33,880 --> 00:06:38,599 Speaker 1: Yes, I forgot about Wow who was always monitoring the 140 00:06:38,640 --> 00:06:44,160 Speaker 1: soaps in the shower? Can we move on? Probably the 141 00:06:44,200 --> 00:06:49,760 Speaker 1: same thing? Hold hold on, hold on, hold on, hold on, 142 00:06:50,000 --> 00:06:52,360 Speaker 1: actor Ava, go ahead, typecast. 143 00:06:53,279 --> 00:06:55,839 Speaker 3: It seems I feel like Scary has so many options, 144 00:06:56,000 --> 00:06:58,479 Speaker 3: like but they're all very like niche, but they all 145 00:06:58,520 --> 00:07:07,080 Speaker 3: fit within the Okay, I'm thinking middle school principal, also baseball. Also, oh, 146 00:07:07,440 --> 00:07:12,000 Speaker 3: the cop actually could be fun. But NYPD like NYPD. 147 00:07:11,960 --> 00:07:13,840 Speaker 1: I would think copy. 148 00:07:17,400 --> 00:07:21,200 Speaker 3: I can see you writing about Dega, and I can 149 00:07:21,280 --> 00:07:21,720 Speaker 3: see you. 150 00:07:23,640 --> 00:07:28,280 Speaker 4: I don't I'm trying to think about your story. 151 00:07:28,400 --> 00:07:30,440 Speaker 1: I look how you're painting with such a vivid brush, 152 00:07:30,680 --> 00:07:33,760 Speaker 1: like this isn't just like you're this, You're that. She's 153 00:07:33,800 --> 00:07:36,080 Speaker 1: like giving like like scene. 154 00:07:36,520 --> 00:07:38,400 Speaker 3: You need it because otherwise how are you meant to 155 00:07:38,480 --> 00:07:39,520 Speaker 3: fulfill your destiny? 156 00:07:39,880 --> 00:07:40,760 Speaker 4: This is your moment. 157 00:07:41,800 --> 00:07:43,360 Speaker 3: I have something it's like on the tip of my 158 00:07:43,440 --> 00:07:44,880 Speaker 3: tongue and I can't think about it for you. 159 00:07:45,000 --> 00:07:45,280 Speaker 2: Help me. 160 00:07:45,320 --> 00:07:47,440 Speaker 4: Guys think beyond. 161 00:07:49,880 --> 00:07:50,160 Speaker 3: Whatever. 162 00:07:50,200 --> 00:07:52,040 Speaker 1: They was mall cop, but he has to have a 163 00:07:52,080 --> 00:07:53,520 Speaker 1: sandwich while he's writing his scooter. 164 00:07:53,640 --> 00:08:01,520 Speaker 4: A dedicated owner of summer camp who loves. 165 00:08:01,320 --> 00:08:08,040 Speaker 2: These kids, that takes the kid the. 166 00:08:08,120 --> 00:08:12,440 Speaker 1: Kids, he would teach them how to smoke. You know what? 167 00:08:12,440 --> 00:08:15,880 Speaker 1: What you did do was scary. Half of those roles 168 00:08:15,920 --> 00:08:18,120 Speaker 1: were people in some sort of uniform. 169 00:08:18,240 --> 00:08:20,360 Speaker 4: I thought, that's a good point. 170 00:08:20,840 --> 00:08:23,360 Speaker 1: Now what should I do? What should I do? I 171 00:08:23,400 --> 00:08:25,480 Speaker 1: want to be an actor? Now, Ava, what should I do? 172 00:08:25,760 --> 00:08:26,200 Speaker 1: Cast me? 173 00:08:27,880 --> 00:08:29,680 Speaker 3: I want you to be like the wizard of oz. 174 00:08:30,560 --> 00:08:32,480 Speaker 3: I feel like you're like a wizard. You have a 175 00:08:32,480 --> 00:08:35,280 Speaker 3: fantasy to you. I feel like you should do like 176 00:08:36,000 --> 00:08:37,600 Speaker 3: some kind of wizardly thing. 177 00:08:38,280 --> 00:08:41,000 Speaker 1: Okay, I'll do it. Iman, you are a. 178 00:08:41,040 --> 00:08:43,720 Speaker 2: Very wizard of Ozzy. You're definitely a man behind the 179 00:08:43,760 --> 00:08:48,120 Speaker 2: curtain exactly. There's a magic but also a humanness, you 180 00:08:48,160 --> 00:08:49,560 Speaker 2: know how. 181 00:08:49,880 --> 00:08:52,240 Speaker 1: You know the wizard actually turned out to be a 182 00:08:52,360 --> 00:08:55,720 Speaker 1: very vulnerable, interesting character. You know, he actually showed his 183 00:08:55,760 --> 00:08:57,839 Speaker 1: true side when they figured out how to open the curtain. 184 00:08:58,280 --> 00:09:00,760 Speaker 1: I love that, So Ava, let us know if you 185 00:09:00,800 --> 00:09:04,400 Speaker 1: get some more offers for anything other than crackheads and runaways, 186 00:09:05,040 --> 00:09:08,000 Speaker 1: and let's let's watch your career blossom, because I totally 187 00:09:08,040 --> 00:09:12,079 Speaker 1: believe in You're fabulous. You're right, Thank you, he'd welcome. 188 00:09:12,200 --> 00:09:16,280 Speaker 2: My agents think the same thing, Inns and actor Ava, 189 00:09:16,400 --> 00:09:16,840 Speaker 2: everyone