1 00:00:00,120 --> 00:00:02,840 Speaker 1: Hey everybody, I am excited to announce that There Are 2 00:00:02,840 --> 00:00:04,800 Speaker 1: No Girls on the Internet. We'll be back with a 3 00:00:04,800 --> 00:00:08,360 Speaker 1: brand new season on May sixteenth, and and even more 4 00:00:08,400 --> 00:00:11,000 Speaker 1: exciting news, There Are No Girls on the Internet is 5 00:00:11,000 --> 00:00:13,640 Speaker 1: a finalist for a Shorty Award for Best Technology and 6 00:00:13,720 --> 00:00:17,600 Speaker 1: Science Podcast, and y'all, I am so thrilled about it. 7 00:00:18,079 --> 00:00:20,160 Speaker 1: So can you do me a huge favor and vote 8 00:00:20,160 --> 00:00:22,799 Speaker 1: for us to win. Just go to tangoty dot com 9 00:00:22,840 --> 00:00:25,480 Speaker 1: slash vote or use the link in our show description. 10 00:00:26,040 --> 00:00:28,400 Speaker 1: It only takes a moment, I promise, and you can 11 00:00:28,480 --> 00:00:31,159 Speaker 1: vote every day until April twenty sixth. Just go to 12 00:00:31,200 --> 00:00:34,640 Speaker 1: tangote dot com slash vote. That's t a n G 13 00:00:34,840 --> 00:00:37,560 Speaker 1: O t I dot com slash vote or use the 14 00:00:37,560 --> 00:00:39,680 Speaker 1: link in our show description. It would really mean a 15 00:00:39,680 --> 00:00:45,920 Speaker 1: lot to me. There Are No Girls on the Internet 16 00:00:45,920 --> 00:00:53,360 Speaker 1: as a production of iHeartRadio and Unbossed Creative. I'm Bridget 17 00:00:53,400 --> 00:00:55,520 Speaker 1: Todd and this is There Are No Girls on the Internet. 18 00:00:58,400 --> 00:01:00,200 Speaker 1: So if you've been listening to their No I was 19 00:01:00,240 --> 00:01:02,200 Speaker 1: on the Internet for a while, then you probably know 20 00:01:02,280 --> 00:01:04,080 Speaker 1: that I have been on the Internet for a very 21 00:01:04,120 --> 00:01:07,360 Speaker 1: long time and I joined the podcast. Main accounts the 22 00:01:07,400 --> 00:01:10,040 Speaker 1: story of MySpace to talk about the early days of 23 00:01:10,040 --> 00:01:13,319 Speaker 1: one of my favorite ever social media platforms. You guessed it, 24 00:01:13,640 --> 00:01:16,440 Speaker 1: MySpace and Wyatt was such a huge part of my 25 00:01:16,520 --> 00:01:19,560 Speaker 1: online upbringing and development, and it was really fun to 26 00:01:19,560 --> 00:01:23,840 Speaker 1: take a nostalgic, sometimes cringey, digital walk down memory lane. 27 00:01:24,200 --> 00:01:26,120 Speaker 1: So take a listen and don't forget to vote for 28 00:01:26,200 --> 00:01:31,120 Speaker 1: us to win a Shorty Award Originals. 29 00:01:31,240 --> 00:01:33,400 Speaker 2: This is an iHeart original. 30 00:01:35,720 --> 00:01:38,600 Speaker 1: If the beginning of Tila Tequila being on my radar 31 00:01:38,640 --> 00:01:43,039 Speaker 1: as this, like, you know, MySpace influencer for being a 32 00:01:43,080 --> 00:01:46,520 Speaker 1: queer woman of color, if that was like the promise 33 00:01:46,560 --> 00:01:49,080 Speaker 1: of the Internet. The day that I saw that image 34 00:01:49,080 --> 00:01:51,800 Speaker 1: of her in my hometown in DC doing a Nazi 35 00:01:51,880 --> 00:01:54,720 Speaker 1: salute at a restaurant with a bunch of al right dirtbags, 36 00:01:55,120 --> 00:01:56,880 Speaker 1: that was the nail in the coffin. And so I 37 00:01:56,880 --> 00:02:00,360 Speaker 1: feel like that moment for me really crystallized where we 38 00:02:00,400 --> 00:02:03,120 Speaker 1: started and unfortunately where we wound up. 39 00:02:03,400 --> 00:02:07,640 Speaker 2: I'm Joanne McNeil and this his main accounts the story 40 00:02:07,920 --> 00:02:18,200 Speaker 2: of MySpace, Episode three, MySpace Famous. In this episode, we're 41 00:02:18,200 --> 00:02:22,920 Speaker 2: going to discuss how MySpace, like reality TV, became a 42 00:02:23,040 --> 00:02:26,760 Speaker 2: vehicle for celebrity. The people who became famous through the 43 00:02:26,760 --> 00:02:32,320 Speaker 2: platform gave way to the culture of influencers. MySpace felt 44 00:02:32,440 --> 00:02:37,680 Speaker 2: like a party. I've heard a few people make this 45 00:02:37,800 --> 00:02:41,040 Speaker 2: comparison when I've talked about the platform with them. Recently. 46 00:02:42,760 --> 00:02:46,080 Speaker 2: Julia Angwin said it in the first episode of our series. 47 00:02:47,040 --> 00:02:52,639 Speaker 3: Was definitely a party atmosphere, and my friend Dorothy Santos 48 00:02:52,720 --> 00:02:55,560 Speaker 3: said it too when we were reminiscing about it the 49 00:02:55,600 --> 00:02:56,080 Speaker 3: other day. 50 00:02:56,360 --> 00:02:59,760 Speaker 4: So I wasn't really seeing MySpace as a professional platform 51 00:03:00,280 --> 00:03:04,120 Speaker 4: as this kind of digital party that just would I 52 00:03:04,160 --> 00:03:05,519 Speaker 4: could pop in anytime. 53 00:03:06,120 --> 00:03:09,440 Speaker 2: Well, what's something people usually want to know about a 54 00:03:09,480 --> 00:03:13,560 Speaker 2: party before they show up? Who is going to be there? 55 00:03:14,800 --> 00:03:19,320 Speaker 2: The answer was Tila Tequila. 56 00:03:19,919 --> 00:03:20,799 Speaker 1: Was that rare bids you go? 57 00:03:21,040 --> 00:03:23,280 Speaker 5: Miss Tila also known as Cio Tequila. 58 00:03:23,360 --> 00:03:28,240 Speaker 2: Tila was the party before MySpace. Tila was a model 59 00:03:28,520 --> 00:03:32,240 Speaker 2: in Playboy and car shows. In two thousand and three, 60 00:03:32,600 --> 00:03:36,640 Speaker 2: she appeared on Surviving Nugent, a reality show on BH 61 00:03:36,680 --> 00:03:40,200 Speaker 2: one hosted by Ted Nugent on his Texas ranch. 62 00:03:40,680 --> 00:03:43,120 Speaker 1: Lare I can't handle? 63 00:03:46,520 --> 00:03:52,120 Speaker 2: But it was social media that made Tila famous. 64 00:03:50,800 --> 00:03:55,520 Speaker 1: The very first MySpace kind of influencer celebrity that I 65 00:03:55,600 --> 00:03:58,040 Speaker 1: was very, very interested in and like she was on 66 00:03:58,120 --> 00:04:01,320 Speaker 1: my top eight and it was this person, Tila Tequila. 67 00:04:01,400 --> 00:04:04,040 Speaker 1: When I think about like, who was the first MySpace 68 00:04:04,560 --> 00:04:06,280 Speaker 1: big account, it was her. 69 00:04:06,560 --> 00:04:09,600 Speaker 2: That's Bridget Todd, host of the podcast There Are No 70 00:04:09,720 --> 00:04:13,080 Speaker 2: Girls on the Internet on my Space way back when, 71 00:04:13,400 --> 00:04:17,240 Speaker 2: Bridget was one of Tila's hundreds of thousands of fans. 72 00:04:17,440 --> 00:04:19,960 Speaker 1: One of the notable things about her is that she 73 00:04:20,360 --> 00:04:23,720 Speaker 1: was openly queer. And you know, I'm queer and she's 74 00:04:23,760 --> 00:04:25,760 Speaker 1: a person of color. I'm a person of color, and 75 00:04:25,800 --> 00:04:28,680 Speaker 1: I remember thinking like, wow, how cool, Like this famous 76 00:04:28,880 --> 00:04:31,880 Speaker 1: person of color, you know, has a platform around the 77 00:04:31,880 --> 00:04:32,800 Speaker 1: fact that she's queer. 78 00:04:34,560 --> 00:04:39,080 Speaker 2: Tila, the daughter of Vietnamese immigrants, was no heiress like 79 00:04:39,200 --> 00:04:42,680 Speaker 2: Paris Hilton. Her parents didn't have a lot of money. 80 00:04:43,040 --> 00:04:45,120 Speaker 2: She had to hustle to get her name out in 81 00:04:45,160 --> 00:04:48,520 Speaker 2: the world. The Internet was part of that hustle. 82 00:04:49,120 --> 00:04:57,479 Speaker 6: I have an addiction, yes, okay, So my theramist is 83 00:04:57,480 --> 00:05:00,960 Speaker 6: that I have a highly addictive personality, and you know 84 00:05:02,200 --> 00:05:02,400 Speaker 6: I do. 85 00:05:02,960 --> 00:05:07,600 Speaker 5: So it's I'm addicts internet. So I'm always sweating them 86 00:05:07,680 --> 00:05:11,000 Speaker 5: online trying to fans. I do this, do that, And 87 00:05:11,760 --> 00:05:13,040 Speaker 5: I'm addicted to shopping. 88 00:05:13,720 --> 00:05:15,200 Speaker 7: I'm addicted to sex. 89 00:05:15,360 --> 00:05:16,599 Speaker 1: You know whatever. 90 00:05:17,880 --> 00:05:23,039 Speaker 2: This is how people came to know Tila Tequila. She 91 00:05:23,160 --> 00:05:28,119 Speaker 2: sent friend requests to hundreds and hundreds of people. First 92 00:05:28,120 --> 00:05:32,600 Speaker 2: she did this on Friendster, and Tila ran into some 93 00:05:32,640 --> 00:05:37,839 Speaker 2: trouble doing this because Friendster, compared to MySpace, did not 94 00:05:38,120 --> 00:05:44,680 Speaker 2: feel like a party. Friendster was pretty rigid about rules. 95 00:05:46,320 --> 00:05:50,640 Speaker 2: In the summer of two thousand and three, Friendster started 96 00:05:50,720 --> 00:05:56,120 Speaker 2: cracking down on accounts known as fakester's accounts that represented 97 00:05:56,279 --> 00:06:01,320 Speaker 2: anything other than a user's real identity. So you might 98 00:06:01,320 --> 00:06:06,200 Speaker 2: have seen Marilyn Monroe fakester that was a user impersonating 99 00:06:06,279 --> 00:06:10,599 Speaker 2: Marilyn Monroe on Friendster, or you might have come across 100 00:06:10,680 --> 00:06:15,120 Speaker 2: a snowy owl fakester and people obsessed with bird watching 101 00:06:15,480 --> 00:06:22,800 Speaker 2: would have friended that account. The fakesters became sort of 102 00:06:22,920 --> 00:06:28,719 Speaker 2: like community pages, but Friendster founder Jonathan Abrams hated them. 103 00:06:29,200 --> 00:06:32,400 Speaker 2: He hired a bunch of moderators to remove them all. 104 00:06:36,839 --> 00:06:41,039 Speaker 2: A group of these outlaw fakesters came together and wrote 105 00:06:41,080 --> 00:06:46,760 Speaker 2: an open letter protesting Friendster's policy. The ringleader was someone 106 00:06:46,800 --> 00:06:50,320 Speaker 2: who went by Roy Batti on Friendster, you know, like 107 00:06:50,360 --> 00:06:51,960 Speaker 2: the Replicant and blade Runner. 108 00:06:53,360 --> 00:06:56,840 Speaker 7: The corporate masters at Friendster should be thrilled that they 109 00:06:56,880 --> 00:07:00,599 Speaker 7: have such a vibrant online community as they now have 110 00:07:00,720 --> 00:07:05,000 Speaker 7: on their hands. What they forget is that a living community, 111 00:07:05,200 --> 00:07:08,320 Speaker 7: by definition, has a life of its own. 112 00:07:09,200 --> 00:07:13,320 Speaker 8: Deleting the photos in or entire accounts of fakesters is 113 00:07:13,400 --> 00:07:17,200 Speaker 8: going to rudely, terribly backfire against the management of this 114 00:07:17,360 --> 00:07:22,520 Speaker 8: site and will ultimately take the entire community, real or parodied, 115 00:07:22,960 --> 00:07:23,960 Speaker 8: down with it. 116 00:07:24,680 --> 00:07:28,280 Speaker 7: The rumblings of descent are already grown, getting louder by 117 00:07:28,280 --> 00:07:31,040 Speaker 7: the minute. If Friendster wants to see all of the 118 00:07:31,080 --> 00:07:34,040 Speaker 7: goodwill and excellent word of mouth that is generated go 119 00:07:34,160 --> 00:07:39,080 Speaker 7: down and scorching, smoking very public flames, then they can 120 00:07:39,120 --> 00:07:43,400 Speaker 7: go right ahead with their little extermination campaign. The Internet 121 00:07:43,480 --> 00:07:46,160 Speaker 7: is a big place, and we can easily take our 122 00:07:46,240 --> 00:07:50,080 Speaker 7: party somewhere else, to a site where we are not 123 00:07:50,120 --> 00:07:54,600 Speaker 7: only tolerated, but enthusiastically embraced. 124 00:07:56,200 --> 00:08:03,480 Speaker 2: You know where they took that party. I mean, of course, 125 00:08:03,600 --> 00:08:09,400 Speaker 2: the fakesters went to MySpace. Friendster was so aggressive about 126 00:08:09,520 --> 00:08:13,600 Speaker 2: kicking out faxters that it impacted people using their real 127 00:08:13,680 --> 00:08:17,960 Speaker 2: identities on the platform too. This happened to Tila Tequila. 128 00:08:19,160 --> 00:08:23,400 Speaker 2: She kept getting kicked off Friendster for adding too many friends. 129 00:08:23,880 --> 00:08:27,640 Speaker 2: Tila knew about MySpace because Tom Anderson had been an 130 00:08:27,720 --> 00:08:31,480 Speaker 2: offline acquaintance. He sent her a bunch of invites to 131 00:08:31,560 --> 00:08:35,960 Speaker 2: join MySpace, but she declined. It wasn't cool. In Tila's mind. 132 00:08:36,440 --> 00:08:40,120 Speaker 2: MySpace wasn't a party yet. The site had just launched, 133 00:08:40,360 --> 00:08:43,839 Speaker 2: and no one was really on MySpace yet except for 134 00:08:44,080 --> 00:08:48,560 Speaker 2: Euniverse staff and their immediate friends. Still, it was a 135 00:08:48,600 --> 00:08:53,000 Speaker 2: hassle dealing with Friendster mods. Each time Tela's account was 136 00:08:53,040 --> 00:08:56,680 Speaker 2: deleted from Friendster, she'd have to rebuild her list of 137 00:08:56,720 --> 00:09:00,920 Speaker 2: friends manually add all of her friends again. And in 138 00:09:00,960 --> 00:09:04,280 Speaker 2: September two thousand and three, when Tila got kicked off 139 00:09:04,280 --> 00:09:09,199 Speaker 2: Friendster for the fifth time, she'd had enough. Tila finally 140 00:09:09,240 --> 00:09:14,440 Speaker 2: took Tom up on his offer, and Tila didn't just 141 00:09:14,480 --> 00:09:18,920 Speaker 2: sign up for MySpace, she invited everyone she knew on 142 00:09:19,000 --> 00:09:23,240 Speaker 2: Friendster to join her there. At this point, after months 143 00:09:23,280 --> 00:09:27,840 Speaker 2: of strategies to evade friends to mods, she had tens 144 00:09:27,880 --> 00:09:33,280 Speaker 2: of thousands of friends on friends der MySpace exploded with 145 00:09:33,440 --> 00:09:38,079 Speaker 2: thousands of new users. By two thousand and six, Tila 146 00:09:38,160 --> 00:09:44,280 Speaker 2: had over a million MySpace friends. It's possible MySpace never 147 00:09:44,320 --> 00:09:47,960 Speaker 2: would have taken off without Tila if she had declined 148 00:09:48,360 --> 00:09:52,640 Speaker 2: Tom's invitation social media history might have gone another way, 149 00:09:53,080 --> 00:09:57,319 Speaker 2: and without MySpace, we probably never would have heard about 150 00:09:57,360 --> 00:10:00,320 Speaker 2: Tila Tequila. Tila was a new kind of st are, 151 00:10:00,720 --> 00:10:04,920 Speaker 2: someone who became famous because of the Internet. Sure, on 152 00:10:05,000 --> 00:10:08,320 Speaker 2: MySpace you called each other friends, but what Tila and 153 00:10:08,400 --> 00:10:13,120 Speaker 2: many other Internet celebrities were collecting were really just fans. 154 00:10:13,559 --> 00:10:16,560 Speaker 1: Something about her really represents the sort of duality of 155 00:10:16,640 --> 00:10:19,040 Speaker 1: all of our Internet experiences, and. 156 00:10:19,040 --> 00:10:23,720 Speaker 2: What happened next in Tila's career feels representative of how 157 00:10:23,800 --> 00:10:25,840 Speaker 2: social media itself has changed. 158 00:10:26,440 --> 00:10:28,240 Speaker 1: I think about her all the time. It's just such 159 00:10:28,280 --> 00:10:31,560 Speaker 1: an interesting case study for what social media and the 160 00:10:31,600 --> 00:10:34,320 Speaker 1: Internet can do to people. On the one hand, it 161 00:10:34,360 --> 00:10:37,400 Speaker 1: can be this like fabulous way to connect and to 162 00:10:37,520 --> 00:10:40,760 Speaker 1: like see yourself and be seen and build a platform 163 00:10:40,800 --> 00:10:43,720 Speaker 1: around that. On the other hand, it can be so dark. 164 00:10:51,240 --> 00:10:55,000 Speaker 3: You had these people that kind of became known from 165 00:10:55,040 --> 00:10:57,960 Speaker 3: MySpace and from this particular scene and had a very 166 00:10:58,880 --> 00:11:02,280 Speaker 3: definitive esthetic and sort of cults around them. 167 00:11:02,640 --> 00:11:07,320 Speaker 2: That's Taylor the Runs, a technology reporter at the Washington Post. 168 00:11:07,600 --> 00:11:14,080 Speaker 2: Those people today would be just regular influencers. What actually 169 00:11:14,240 --> 00:11:17,480 Speaker 2: is an influencer? When we use that word, what are 170 00:11:17,480 --> 00:11:18,280 Speaker 2: we talking about? 171 00:11:19,040 --> 00:11:22,360 Speaker 3: I think if it as somebody who creates content and 172 00:11:22,400 --> 00:11:27,839 Speaker 3: sort of monetizes that content through social platforms or builds 173 00:11:27,880 --> 00:11:31,640 Speaker 3: an audience through social platforms. They're almost independent media companies 174 00:11:31,679 --> 00:11:33,800 Speaker 3: where there are people that have a lot of times 175 00:11:34,360 --> 00:11:38,120 Speaker 3: developed an audience for around their own personality, but it 176 00:11:38,160 --> 00:11:41,440 Speaker 3: can also be around a certain interest or style or whatever, 177 00:11:41,840 --> 00:11:45,640 Speaker 3: and then they monetize that online audience. Basically, I guess 178 00:11:45,640 --> 00:11:48,960 Speaker 3: someone who builds and then monetizes an online audience. 179 00:11:49,520 --> 00:11:53,360 Speaker 2: Taylor makes an interesting distinction. People figured out how to 180 00:11:53,400 --> 00:12:00,400 Speaker 2: get famous on MySpace, but it wasn't exactly a business, 181 00:12:00,440 --> 00:12:03,720 Speaker 2: not like what you see with internet celebrities on Twitch 182 00:12:03,840 --> 00:12:06,280 Speaker 2: or YouTube or Instagram these days. 183 00:12:06,679 --> 00:12:10,160 Speaker 3: My Space was pretty like embedded in sort of the 184 00:12:10,240 --> 00:12:13,360 Speaker 3: music industry, not quite the way TikTok is now, but 185 00:12:13,640 --> 00:12:16,040 Speaker 3: you know, music was a strong culture of MySpace, and 186 00:12:16,080 --> 00:12:19,280 Speaker 3: so you had a lot of people growing audiences on 187 00:12:19,320 --> 00:12:21,640 Speaker 3: the platform and using that to get a record deal, 188 00:12:21,840 --> 00:12:25,080 Speaker 3: you know, or sell out shows or promote themselves. And 189 00:12:25,120 --> 00:12:28,760 Speaker 3: then you kind of had these more like individual figures 190 00:12:28,800 --> 00:12:32,400 Speaker 3: that I think seemed like kind of like party type 191 00:12:32,400 --> 00:12:35,839 Speaker 3: of people. And then you of course had celebrities using 192 00:12:35,880 --> 00:12:40,439 Speaker 3: it as well, like you know, Katie Perry again because 193 00:12:40,440 --> 00:12:43,520 Speaker 3: it was sort of like music adjacent, and Jeffrey Star 194 00:12:43,640 --> 00:12:44,520 Speaker 3: started in music. 195 00:12:45,600 --> 00:12:51,040 Speaker 2: Jeffree Star, like Tila Tequila, was another larger than life 196 00:12:51,320 --> 00:12:56,880 Speaker 2: MySpace superstar. He had an iconic look, mac makeup, hot 197 00:12:56,960 --> 00:13:01,320 Speaker 2: pink hair, a look that you could instantly identify in 198 00:13:01,400 --> 00:13:06,320 Speaker 2: a thumbnail profile picture. He got famous for creating drama 199 00:13:06,559 --> 00:13:10,600 Speaker 2: and feuding with other MySpace celebrities. But to be honest, 200 00:13:11,120 --> 00:13:14,079 Speaker 2: Jeffree Star's deal, I don't get it. 201 00:13:14,440 --> 00:13:17,400 Speaker 1: Hello, Hey God, it's Jeffree Star. 202 00:13:18,760 --> 00:13:19,280 Speaker 5: Yeah. 203 00:13:19,480 --> 00:13:23,760 Speaker 1: Well, if been in flux with me, they kind of die, okay, love. 204 00:13:23,640 --> 00:13:24,200 Speaker 7: You to your bike. 205 00:13:24,640 --> 00:13:28,480 Speaker 2: Why does someone follow a person like Jeffree Star, Like, 206 00:13:28,520 --> 00:13:33,120 Speaker 2: what do the users who follow the page of a 207 00:13:33,160 --> 00:13:35,840 Speaker 2: celebrity on MySpace get from that interaction? 208 00:13:36,679 --> 00:13:40,240 Speaker 3: Well, a lot of it was like aspiration around kind 209 00:13:40,280 --> 00:13:44,080 Speaker 3: of like emo culture or like esthetics. It was like 210 00:13:44,120 --> 00:13:47,000 Speaker 3: people with a certain aesthetic, and you would follow these 211 00:13:47,000 --> 00:13:49,720 Speaker 3: people because they were like a lot of modern day 212 00:13:49,960 --> 00:13:53,480 Speaker 3: influencers or content creators. They were kind of aspirational figures 213 00:13:54,160 --> 00:13:57,120 Speaker 3: for that era where they were kind of leading this 214 00:13:57,240 --> 00:14:00,280 Speaker 3: cool party girl lifestyle or they had like, you know, 215 00:14:00,400 --> 00:14:02,959 Speaker 3: awesome tattoos and makeup and this. 216 00:14:03,000 --> 00:14:08,040 Speaker 2: Aesthetic that people really gravitated to. On MySpace, people could 217 00:14:08,120 --> 00:14:13,800 Speaker 2: advertise themselves. Users would post comments like thanks for the 218 00:14:13,840 --> 00:14:18,760 Speaker 2: ad when someone added them as friends. The visibility was, 219 00:14:19,040 --> 00:14:23,640 Speaker 2: in a way its own reward. Jeffree Starr could get 220 00:14:23,680 --> 00:14:28,440 Speaker 2: gigs for his band through MySpace. Tila Tequila found modeling 221 00:14:28,480 --> 00:14:33,400 Speaker 2: and acting opportunities through it, but this happened informally, and 222 00:14:33,440 --> 00:14:37,040 Speaker 2: mind you, most people on MySpace were not trying to 223 00:14:37,040 --> 00:14:38,560 Speaker 2: be Tila or Jeffrey. 224 00:14:39,040 --> 00:14:41,680 Speaker 3: My Space was never really like pushing you to like 225 00:14:42,320 --> 00:14:45,400 Speaker 3: become a creator. You mostly just like looked at other 226 00:14:45,400 --> 00:14:49,400 Speaker 3: people's pages. The stakes were so low for the average user, 227 00:14:49,960 --> 00:14:52,080 Speaker 3: and nothing on the internet feels that way now. 228 00:14:52,520 --> 00:14:56,320 Speaker 2: And if you did become famous on MySpace, it wasn't 229 00:14:56,480 --> 00:14:59,160 Speaker 2: entirely clear what that would even bring you. 230 00:15:00,200 --> 00:15:02,680 Speaker 4: I never had a strategy because there was no such 231 00:15:02,720 --> 00:15:05,440 Speaker 4: thing as being an influencer back then, so like I 232 00:15:05,560 --> 00:15:08,960 Speaker 4: literally was just posting my life and I guess people 233 00:15:09,080 --> 00:15:11,320 Speaker 4: enjoyed it, so then I kind of built a following. 234 00:15:12,560 --> 00:15:17,280 Speaker 2: That's Hannahbath. She wasn't an influencer, but she was definitely 235 00:15:17,360 --> 00:15:18,920 Speaker 2: MySpace famous. 236 00:15:19,120 --> 00:15:21,120 Speaker 4: I never had like a plan where I was like, oh, yeah, 237 00:15:21,160 --> 00:15:22,480 Speaker 4: like I'm going to do this, and like that's how 238 00:15:22,680 --> 00:15:24,360 Speaker 4: I followers. I literally just did it because I was 239 00:15:24,400 --> 00:15:28,040 Speaker 4: having fun, and then a following grew from that, and 240 00:15:28,520 --> 00:15:30,840 Speaker 4: people seem to enjoy to watch me and my friends 241 00:15:30,920 --> 00:15:31,880 Speaker 4: kind of live our lives. 242 00:15:31,920 --> 00:15:36,400 Speaker 2: So Hannah Bath was in high school in southern California, 243 00:15:36,480 --> 00:15:39,760 Speaker 2: where she ran in similar circles with jeffree Star. They 244 00:15:39,800 --> 00:15:43,200 Speaker 2: were in each other's Top eight. Hannah Bath had an 245 00:15:43,320 --> 00:15:46,880 Speaker 2: offbeat fashion sense, which came through in the picture she 246 00:15:47,040 --> 00:15:48,160 Speaker 2: posted to MySpace. 247 00:15:49,120 --> 00:15:51,400 Speaker 4: When I first started on MySpace, when I was probably 248 00:15:51,400 --> 00:15:54,200 Speaker 4: like around fifteen or so, I was very into like 249 00:15:54,560 --> 00:15:56,680 Speaker 4: kind of like a vintage like punk look. I was 250 00:15:56,680 --> 00:15:59,160 Speaker 4: listening to a lot of like late seventies punk bands. 251 00:16:00,400 --> 00:16:01,280 Speaker 1: I cut my hair. 252 00:16:01,120 --> 00:16:03,800 Speaker 4: Really short, and I just like it was kind of 253 00:16:03,840 --> 00:16:06,120 Speaker 4: like a vintage punk golf. 254 00:16:05,880 --> 00:16:07,160 Speaker 2: Look that I was going with. 255 00:16:07,280 --> 00:16:09,720 Speaker 4: But I'd wear like all these like wild like vintage clothing, 256 00:16:09,760 --> 00:16:11,760 Speaker 4: like a vintage wedding dress or something crazy. 257 00:16:12,280 --> 00:16:16,400 Speaker 2: Hundreds of thousands of people visited her page just to 258 00:16:16,560 --> 00:16:17,360 Speaker 2: look at her. 259 00:16:17,840 --> 00:16:19,800 Speaker 4: And then it kind of went from that to like, 260 00:16:20,200 --> 00:16:22,320 Speaker 4: as I was getting older and kind of finding like 261 00:16:22,360 --> 00:16:24,960 Speaker 4: who I was, the whole kind of like scene kid 262 00:16:25,000 --> 00:16:27,720 Speaker 4: thing was starting and I had made friends with a 263 00:16:27,760 --> 00:16:30,760 Speaker 4: few other girls that were also kind of like MySpace people, 264 00:16:31,520 --> 00:16:34,800 Speaker 4: and I guess we started the whole kind of scene 265 00:16:34,880 --> 00:16:38,560 Speaker 4: girl look or vibe, and then that was just that 266 00:16:38,640 --> 00:16:39,200 Speaker 4: took off. 267 00:16:40,480 --> 00:16:41,880 Speaker 2: I mean I'd like, like look at the. 268 00:16:41,800 --> 00:16:44,080 Speaker 4: Photos now and like I feel like it looks ridiculous, 269 00:16:44,120 --> 00:16:46,640 Speaker 4: but like back then, like I don't know, we thought 270 00:16:46,640 --> 00:16:47,760 Speaker 4: we looked like so cool. 271 00:16:48,000 --> 00:16:52,200 Speaker 2: MySpace became a huge part of Hanna About's daily life. 272 00:16:52,280 --> 00:16:55,160 Speaker 2: She even traveled across the country to meet friends she 273 00:16:55,280 --> 00:16:59,040 Speaker 2: met on MySpace. I think I was like fifteen or sixteen. 274 00:16:59,040 --> 00:17:03,320 Speaker 4: I'd met this girl who lived in Minnesota, and like 275 00:17:03,360 --> 00:17:05,560 Speaker 4: she had messaged me because I always wore like these 276 00:17:05,600 --> 00:17:08,720 Speaker 4: like gluin extensions because that was a big thing back then, 277 00:17:09,280 --> 00:17:12,520 Speaker 4: which was horrible for your hair, and she was like, yeah, look, 278 00:17:12,560 --> 00:17:14,600 Speaker 4: i'd love it. It's like you did my extensions. And 279 00:17:14,640 --> 00:17:16,560 Speaker 4: I was like, yeah, for sure. So if my dad 280 00:17:16,720 --> 00:17:19,040 Speaker 4: got me a ticket to Minnesota, who lets meet this 281 00:17:19,160 --> 00:17:21,399 Speaker 4: random girl. I ended up staying with her for like 282 00:17:21,760 --> 00:17:23,919 Speaker 4: a week or like maybe two weeks even, and I 283 00:17:23,960 --> 00:17:26,720 Speaker 4: made all of these friends in Minnesota. I met someone 284 00:17:26,760 --> 00:17:28,479 Speaker 4: else that I knew from MySpace, and it was like 285 00:17:28,720 --> 00:17:31,400 Speaker 4: such a fun and awesome time. I feel like MySpace 286 00:17:31,480 --> 00:17:33,560 Speaker 4: could kind of bring you together like that. Like I 287 00:17:33,560 --> 00:17:36,120 Speaker 4: feel like now there's maybe like more danger going on 288 00:17:36,119 --> 00:17:38,159 Speaker 4: on the internet, but back then maybe because it was 289 00:17:38,200 --> 00:17:40,720 Speaker 4: so new, but I'm sure there was danger there as well. 290 00:17:41,000 --> 00:17:42,560 Speaker 4: I don't know, everyone was kind of like in this 291 00:17:42,760 --> 00:17:45,520 Speaker 4: scene and everyone kind of knew everyone, or there was 292 00:17:45,640 --> 00:17:47,840 Speaker 4: just some kind of like you felt more safe just 293 00:17:47,880 --> 00:17:49,119 Speaker 4: meeting up with random people. 294 00:17:49,520 --> 00:17:52,320 Speaker 2: Part of what drew her to connect to people online, 295 00:17:52,600 --> 00:17:56,240 Speaker 2: even traveled across the country to meet people, was that 296 00:17:56,280 --> 00:18:02,560 Speaker 2: her offline life could be rough. On my Space, Hannah 297 00:18:02,600 --> 00:18:07,240 Speaker 2: Bath was glamorous, a scene queen at her high school. 298 00:18:07,840 --> 00:18:10,400 Speaker 2: People made fun of her for dressing the way she did. 299 00:18:12,160 --> 00:18:13,720 Speaker 4: At that time in my life, I was like getting 300 00:18:13,720 --> 00:18:17,200 Speaker 4: bullied really bad. I was dealing with like self harm, 301 00:18:17,359 --> 00:18:19,679 Speaker 4: and I was just like very depressed and all of that. 302 00:18:20,440 --> 00:18:23,600 Speaker 4: And I was very open about all of my struggles 303 00:18:23,680 --> 00:18:26,600 Speaker 4: through like my blogging and my rioting, So the people 304 00:18:26,600 --> 00:18:29,080 Speaker 4: I was connecting with knew like the real me, and 305 00:18:29,119 --> 00:18:32,000 Speaker 4: I feel like that's why I was so drawn to it. 306 00:18:32,359 --> 00:18:34,399 Speaker 4: I just started like posting like things I liked, and 307 00:18:34,400 --> 00:18:36,879 Speaker 4: then people like like that as well, and I love 308 00:18:36,880 --> 00:18:39,240 Speaker 4: being able to like express my fashion through my Space 309 00:18:39,320 --> 00:18:41,560 Speaker 4: because I feel like I got bullied a lot for 310 00:18:41,640 --> 00:18:44,159 Speaker 4: like how I looked in my style, and then on 311 00:18:44,200 --> 00:18:47,320 Speaker 4: my Space people like loved how I look looked up 312 00:18:47,359 --> 00:18:49,520 Speaker 4: to me and like loved my style. So it was 313 00:18:49,560 --> 00:18:51,520 Speaker 4: like a whole different thing for me because I was like, 314 00:18:51,520 --> 00:18:54,920 Speaker 4: I'm such a loser at school, and then when I'm 315 00:18:54,960 --> 00:18:58,280 Speaker 4: like online, I was becoming this like my Space girl. 316 00:18:59,040 --> 00:19:00,720 Speaker 4: I don't know, it was just it was a trip. 317 00:19:01,560 --> 00:19:05,600 Speaker 2: With the attention she garnered from MySpace, Hannah Beth built 318 00:19:05,640 --> 00:19:09,480 Speaker 2: a career, first as a blogger with Buzznet and later 319 00:19:09,560 --> 00:19:13,119 Speaker 2: working in fashion, including a spot on the reality TV 320 00:19:13,240 --> 00:19:16,960 Speaker 2: show House of DVF a competition to become a brand 321 00:19:16,960 --> 00:19:21,640 Speaker 2: ambassador for Diane von Furstenberg, Hannah Beth won. Hannah Beth 322 00:19:21,760 --> 00:19:25,960 Speaker 2: was never Kardashian style famous, but people paid attention to 323 00:19:26,000 --> 00:19:28,800 Speaker 2: her in a way that didn't really happen to ordinary 324 00:19:28,840 --> 00:19:34,240 Speaker 2: people before the Internet. There are blogs dedicated to MySpace stars, 325 00:19:34,520 --> 00:19:37,520 Speaker 2: and these people were kind of covered in other Internet 326 00:19:37,880 --> 00:19:43,720 Speaker 2: like subcommunities and forums places like Sticky Drama. But for 327 00:19:43,800 --> 00:19:47,359 Speaker 2: other MySpace celebrities, the Internet was a double edged sword. 328 00:19:48,600 --> 00:19:52,080 Speaker 2: They faced harassment online where they built their fate. 329 00:19:53,400 --> 00:19:56,800 Speaker 3: People would set up blogs about MySpace stars and they 330 00:19:56,800 --> 00:19:59,359 Speaker 3: would sort of speculate on different things. They would try 331 00:19:59,359 --> 00:20:02,520 Speaker 3: and find information on these people, and a lot of 332 00:20:02,520 --> 00:20:04,840 Speaker 3: the comment section would be other fans and they would 333 00:20:04,880 --> 00:20:08,080 Speaker 3: kind of all Sometimes it was really positive, and then 334 00:20:08,160 --> 00:20:10,920 Speaker 3: obviously some of it turned extremely dark, where you had 335 00:20:10,960 --> 00:20:16,320 Speaker 3: kind of the worst of internet comment culture attacking these people, 336 00:20:16,600 --> 00:20:20,919 Speaker 3: and they had stalkers and you know, harassment and safety problems. 337 00:20:22,520 --> 00:20:26,639 Speaker 2: Unlike movie stores, the MySpace famous probably didn't have the 338 00:20:26,720 --> 00:20:32,400 Speaker 2: money to hire bodyguards, they didn't have representation agents, managers 339 00:20:33,000 --> 00:20:37,120 Speaker 2: invested in their career longevity, and it all came out 340 00:20:37,119 --> 00:20:38,200 Speaker 2: the cost of privacy. 341 00:20:38,760 --> 00:20:43,080 Speaker 3: All of that stuff was so niche and so misunderstood 342 00:20:43,119 --> 00:20:45,359 Speaker 3: at the time, Like now we have this concept of 343 00:20:45,359 --> 00:20:49,080 Speaker 3: online safety. There wasn't that in the two thousands. So 344 00:20:49,760 --> 00:20:52,960 Speaker 3: you know, these a lot of women were kind of 345 00:20:53,000 --> 00:20:58,840 Speaker 3: like building audiences, getting micro fame and had this like 346 00:20:59,000 --> 00:21:02,560 Speaker 3: dedicated group of people on the Internet that was obsessed 347 00:21:02,560 --> 00:21:06,560 Speaker 3: with them. But there wasn't like there weren't really like 348 00:21:06,840 --> 00:21:09,440 Speaker 3: guardrails around any of it. They were almost like too 349 00:21:09,560 --> 00:21:14,120 Speaker 3: accessible to their fandoms. Like now there's this like you 350 00:21:14,119 --> 00:21:17,440 Speaker 3: think of influencers as celebrities, so you kind of almost 351 00:21:17,680 --> 00:21:20,359 Speaker 3: respect them a little bit more, whereas back then, I 352 00:21:20,400 --> 00:21:26,080 Speaker 3: think my Space stars felt almost like too much, like 353 00:21:26,080 --> 00:21:28,200 Speaker 3: like they were too kind of on the level of 354 00:21:28,520 --> 00:21:32,159 Speaker 3: normal people almost, and so like average people just felt 355 00:21:32,280 --> 00:21:37,680 Speaker 3: entitled to be horrible to them. The visibility that users 356 00:21:37,720 --> 00:21:41,240 Speaker 3: like Tila Tequila could attain on MySpace was like a 357 00:21:41,320 --> 00:21:46,240 Speaker 3: hyper popularity I think, the most popular kid at high 358 00:21:46,240 --> 00:21:52,160 Speaker 3: school times a thousand, and in some ways it could 359 00:21:52,200 --> 00:21:58,359 Speaker 3: be more invasive than a traditional celebrity experience because my Space, 360 00:21:58,880 --> 00:22:02,520 Speaker 3: like every social now work, was designed for looking at others, 361 00:22:02,960 --> 00:22:08,160 Speaker 3: surveilling others. People clicked on other people's profiles and assessed 362 00:22:08,240 --> 00:22:13,440 Speaker 3: them from a distance, and there was no blueprint for it, 363 00:22:13,560 --> 00:22:17,720 Speaker 3: Like there was no understanding of online fame at that point, 364 00:22:17,800 --> 00:22:22,199 Speaker 3: so people I think had less boundaries. And then also, 365 00:22:23,160 --> 00:22:25,119 Speaker 3: you know, the mid two thousands was kind of like 366 00:22:25,480 --> 00:22:31,080 Speaker 3: peak reality fame and kind of like this really toxic 367 00:22:32,320 --> 00:22:35,120 Speaker 3: type of celebrity, Like that was like that whole Britney 368 00:22:35,119 --> 00:22:39,520 Speaker 3: Paris Lindsay era where it was like this culture of excess. 369 00:22:49,000 --> 00:22:55,320 Speaker 2: No other form of entertainment defines the aughts like reality Television. 370 00:22:58,440 --> 00:23:02,760 Speaker 2: Survivor and Big Brother both debuted in two thousand that 371 00:23:02,880 --> 00:23:07,520 Speaker 2: shows like The Bachelor, The Osbourne's and American Idol arrived 372 00:23:07,560 --> 00:23:13,600 Speaker 2: shortly after These programs could be made cheaply. New software 373 00:23:13,640 --> 00:23:16,600 Speaker 2: had just made it easier to edit down large quantities 374 00:23:16,600 --> 00:23:21,280 Speaker 2: of video footage. Producers didn't have to hire professional actors 375 00:23:21,359 --> 00:23:27,320 Speaker 2: or screenwriters. It's no coincidence that the reality TV boom 376 00:23:27,760 --> 00:23:31,320 Speaker 2: happened while the Screen Actors Guild and later the Writer's 377 00:23:31,400 --> 00:23:38,359 Speaker 2: Guild were negotiating streaming royalties. With reality TV, celebrities projected 378 00:23:38,400 --> 00:23:44,240 Speaker 2: the illusion of living ordinary lives, while ordinary people projected 379 00:23:44,240 --> 00:23:48,119 Speaker 2: the illusion of celebrity. It was a lot like the 380 00:23:48,160 --> 00:23:53,119 Speaker 2: immediacy and intimacy that early online celebrities like Tila Tequila 381 00:23:53,240 --> 00:23:57,320 Speaker 2: offered their friends on MySpace. Tom Anderson even said in 382 00:23:57,359 --> 00:24:00,639 Speaker 2: an interview once he thought of my Space as the 383 00:24:00,680 --> 00:24:06,000 Speaker 2: reality TV of the Internet. It felt inevitable then that 384 00:24:06,200 --> 00:24:10,160 Speaker 2: Tila Tequila would leverage her online popularity with a reality 385 00:24:10,240 --> 00:24:13,280 Speaker 2: show of her own. In two thousand and seven, A 386 00:24:13,359 --> 00:24:15,159 Speaker 2: Shot at Love debuted a. 387 00:24:16,160 --> 00:24:18,560 Speaker 7: Tila Tequila began her Quest for Love. 388 00:24:19,119 --> 00:24:20,720 Speaker 5: I'm a bisexual. Oh. 389 00:24:22,119 --> 00:24:26,560 Speaker 2: This season on A Shot at Love, it was the 390 00:24:26,600 --> 00:24:30,520 Speaker 2: first reality dating show featuring a bisexual person. 391 00:24:30,880 --> 00:24:34,440 Speaker 1: She got a reality show on MTV called Shot at 392 00:24:34,520 --> 00:24:37,480 Speaker 1: Love with Tila Tequila, and the conceit was that you know, 393 00:24:37,680 --> 00:24:40,480 Speaker 1: she's a queer girl looking for love and that the 394 00:24:40,600 --> 00:24:42,560 Speaker 1: house was going to be filled with both women and 395 00:24:42,680 --> 00:24:45,520 Speaker 1: men because she's queer. Me and my friends like my 396 00:24:45,680 --> 00:24:48,359 Speaker 1: queer circle of friends when I say that, we watched 397 00:24:48,359 --> 00:24:51,760 Speaker 1: this show religiously, like we had parties, but we thought 398 00:24:51,800 --> 00:24:52,640 Speaker 1: it was so earnest. 399 00:24:53,160 --> 00:24:56,560 Speaker 2: It was one of MTV's biggest releases that year and 400 00:24:56,680 --> 00:25:00,440 Speaker 2: ran for a couple seasons. Tila appeared to be doing 401 00:25:00,520 --> 00:25:04,879 Speaker 2: really well in the late odds. She made music and 402 00:25:04,920 --> 00:25:08,960 Speaker 2: published a book, and she made some savvy business decisions 403 00:25:09,320 --> 00:25:14,719 Speaker 2: to monetize her fame, working with Joe Francis, he of 404 00:25:14,760 --> 00:25:18,760 Speaker 2: the Girls Gone Wild franchise. She set up a website 405 00:25:18,800 --> 00:25:23,520 Speaker 2: called Tela's Hotspot, where she had a blog and webcam 406 00:25:23,640 --> 00:25:26,639 Speaker 2: and basically posted the kind of content she had on MySpace, 407 00:25:26,800 --> 00:25:30,240 Speaker 2: but on a website of her own. Tela even appeared 408 00:25:30,280 --> 00:25:33,479 Speaker 2: to be settling down. In two thousand and nine, she 409 00:25:33,600 --> 00:25:37,320 Speaker 2: was engaged to Casey Johnson, the Johnson and Johnson Heiress, 410 00:25:38,200 --> 00:25:39,560 Speaker 2: but then tragedy struck. 411 00:25:41,200 --> 00:25:45,360 Speaker 4: She was young, beautiful, and an heiress to an empire. Now, 412 00:25:45,440 --> 00:25:49,359 Speaker 4: Casey Johnson's sudden death has many asking how and why. 413 00:25:51,480 --> 00:25:54,439 Speaker 5: At the end of two thousand and nine and the 414 00:25:54,480 --> 00:25:58,760 Speaker 5: beginning of twenty and ten was very hard for me. 415 00:25:59,000 --> 00:26:01,240 Speaker 5: And as you get to know, during those times, I 416 00:26:01,359 --> 00:26:04,639 Speaker 5: made lots of headlines of meltdowns, and you know, that 417 00:26:04,840 --> 00:26:08,040 Speaker 5: was my way of like when you lose someone and 418 00:26:07,240 --> 00:26:09,399 Speaker 5: I didn't know how to cope. 419 00:26:09,880 --> 00:26:13,800 Speaker 2: Casey died of diabetes complications. It was only a month 420 00:26:13,840 --> 00:26:18,679 Speaker 2: after they announced their engagement. Things went down hell from there. 421 00:26:19,960 --> 00:26:24,160 Speaker 2: In twenty twelve, Tala was hospitalized after a drug overdose 422 00:26:24,240 --> 00:26:28,560 Speaker 2: and a brain aneurysm. It had been a suicide attempt. 423 00:26:28,920 --> 00:26:32,960 Speaker 2: In twenty fifteen, Tila prepared to come back and joined 424 00:26:32,960 --> 00:26:36,560 Speaker 2: the cast of Celebrity Big Brother. Then post resurface of 425 00:26:36,600 --> 00:26:41,600 Speaker 2: Tila two years earlier in twenty thirteen, defending Hitler on 426 00:26:41,680 --> 00:26:45,800 Speaker 2: her blog and posing a Nazi regalia. She was kicked 427 00:26:45,800 --> 00:26:50,200 Speaker 2: out of the house because of it. Tila apologized. Tila 428 00:26:50,280 --> 00:26:53,720 Speaker 2: called it a terrible mistake. In a statement posted to 429 00:26:53,760 --> 00:26:58,280 Speaker 2: social media, she mentioned her suicide attempt and said she 430 00:26:58,400 --> 00:27:03,520 Speaker 2: suffered from severe depress and addiction, and her words, I 431 00:27:03,560 --> 00:27:06,959 Speaker 2: felt worthless and unloved as that pain continued to grow, 432 00:27:07,440 --> 00:27:12,040 Speaker 2: causing me to further spiral out of control. And then 433 00:27:12,080 --> 00:27:16,159 Speaker 2: she reiterated that she is absolutely, one hundred percent not 434 00:27:16,320 --> 00:27:22,800 Speaker 2: a Nazi supporter. Tla's apology sounded heartfelt, and maybe it was. 435 00:27:24,400 --> 00:27:28,080 Speaker 2: But two months later, Tila posted a photo of her 436 00:27:28,080 --> 00:27:33,600 Speaker 2: baby daughter with a Hitler mustache, and for Bridget, who 437 00:27:33,640 --> 00:27:37,040 Speaker 2: had followed Tila's career for over a decade by that point, 438 00:27:37,880 --> 00:27:38,920 Speaker 2: it was heartbreaking. 439 00:27:40,240 --> 00:27:44,919 Speaker 1: And I remember watching her trajectory from being this person 440 00:27:45,000 --> 00:27:47,760 Speaker 1: that I loved and really admired as like a clear 441 00:27:47,840 --> 00:27:51,119 Speaker 1: woman of color, watching her go from someone who like 442 00:27:51,240 --> 00:27:54,040 Speaker 1: that was her thing in my mind to the way 443 00:27:54,080 --> 00:27:58,440 Speaker 1: that now she basically was like radicalized on the Internet 444 00:27:58,520 --> 00:27:59,760 Speaker 1: and via the alt right. 445 00:28:00,160 --> 00:28:04,560 Speaker 2: In twenty sixteen, Tila was photographed giving a Nazi salute 446 00:28:04,720 --> 00:28:07,920 Speaker 2: at a conference with white nationalists in Washington, d C. 447 00:28:08,880 --> 00:28:11,800 Speaker 1: If the beginning of Tila Tequila being on my radar 448 00:28:11,840 --> 00:28:15,680 Speaker 1: as this like MySpace influencer for being a queer woman 449 00:28:15,720 --> 00:28:19,440 Speaker 1: of color, if that was like the promise of the Internet. 450 00:28:19,800 --> 00:28:21,679 Speaker 1: The day that I saw that image of her in 451 00:28:21,760 --> 00:28:24,480 Speaker 1: my hometown in DC doing a Nazi salute at a 452 00:28:24,520 --> 00:28:27,320 Speaker 1: restaurant with a bunch of alt right dirt bags. That 453 00:28:27,520 --> 00:28:29,240 Speaker 1: was the nail in the coffin. And so I feel 454 00:28:29,280 --> 00:28:32,960 Speaker 1: like that moment for me really crystallized where we started 455 00:28:33,200 --> 00:28:36,480 Speaker 1: and unfortunately where we wound up. But those early days 456 00:28:36,480 --> 00:28:39,000 Speaker 1: were so full of promise, and then that picture is 457 00:28:39,040 --> 00:28:43,400 Speaker 1: like burned in my mind of because of platforms like MySpace. 458 00:28:43,720 --> 00:28:45,480 Speaker 1: This was a person who allowed me to see part 459 00:28:45,520 --> 00:28:48,560 Speaker 1: of myself that I was still getting comfortable with, and 460 00:28:48,600 --> 00:28:51,760 Speaker 1: then where we wound up was so dark and so 461 00:28:52,000 --> 00:28:53,440 Speaker 1: sad and so heavy. 462 00:28:54,960 --> 00:28:59,880 Speaker 2: For others, Fame on MySpace came as easily as it went. 463 00:29:00,440 --> 00:29:03,840 Speaker 3: You had people like Tila Tequila go on to become 464 00:29:03,840 --> 00:29:06,000 Speaker 3: a reality star because that was the only kind of 465 00:29:06,080 --> 00:29:10,160 Speaker 3: attainable access to quote unquote like mainstream fame in the 466 00:29:10,200 --> 00:29:14,000 Speaker 3: two thousands was like reality shows. But even then, like 467 00:29:14,280 --> 00:29:17,960 Speaker 3: going on a reality show doesn't mean that you yourself 468 00:29:18,000 --> 00:29:20,400 Speaker 3: profit very much. So I think all the people from 469 00:29:20,400 --> 00:29:22,840 Speaker 3: that era kind of fell off and never really were 470 00:29:22,840 --> 00:29:25,600 Speaker 3: able to capture the true value of the brand that 471 00:29:25,640 --> 00:29:26,480 Speaker 3: they built Back then. 472 00:29:27,720 --> 00:29:30,840 Speaker 2: A few MySpace celebrities dropped out of the public eye 473 00:29:30,840 --> 00:29:33,120 Speaker 2: by choice, including Hannahbath. 474 00:29:34,280 --> 00:29:36,000 Speaker 4: I think just like as I got older, I just 475 00:29:36,000 --> 00:29:39,080 Speaker 4: started to enjoy like having like my privacy a bit 476 00:29:39,120 --> 00:29:42,000 Speaker 4: more now, and I just don't love social media like 477 00:29:42,040 --> 00:29:43,600 Speaker 4: how I used to love it. So it's just like 478 00:29:43,600 --> 00:29:45,400 Speaker 4: it's not one of my top priorities. 479 00:29:46,640 --> 00:29:50,080 Speaker 2: But for others who became famous on MySpace, those years 480 00:29:50,120 --> 00:29:53,240 Speaker 2: were less than idyllic. It was a horrible time to 481 00:29:53,280 --> 00:29:56,000 Speaker 2: be famous. Like it was so toxic and so bad. 482 00:29:56,040 --> 00:29:57,440 Speaker 2: Tabloid culture ruled. 483 00:29:57,960 --> 00:30:01,280 Speaker 3: It was really playing out on the inner in small 484 00:30:01,320 --> 00:30:05,560 Speaker 3: scale through blogs, and so I think a lot of 485 00:30:05,560 --> 00:30:07,920 Speaker 3: MySpace stars just kind of like got chewed up by 486 00:30:07,920 --> 00:30:12,960 Speaker 3: that system. And you see them now like into crystal healing, 487 00:30:13,120 --> 00:30:16,680 Speaker 3: or they've totally reinvented themselves, or they're like super offline, 488 00:30:17,080 --> 00:30:20,320 Speaker 3: or you have people like Jeffrey who just leaned one 489 00:30:20,400 --> 00:30:23,040 Speaker 3: hundred and fifty percent into it and kind of became 490 00:30:23,120 --> 00:30:27,000 Speaker 3: this like internet villain because he literally thrived in that 491 00:30:27,120 --> 00:30:28,160 Speaker 3: type of toxicity. 492 00:30:29,080 --> 00:30:33,520 Speaker 2: The blowback to visibility online that Taylor describes wasn't only 493 00:30:33,600 --> 00:30:37,480 Speaker 2: impacting people like Tila with hundreds of thousands of friends 494 00:30:37,560 --> 00:30:43,320 Speaker 2: on social media. People with small followings and relatively ordinary 495 00:30:43,440 --> 00:30:48,760 Speaker 2: lives faced harassment and fullying on a social network that 496 00:30:48,880 --> 00:30:52,800 Speaker 2: had quickly become the center of their social life. More 497 00:30:52,840 --> 00:30:57,800 Speaker 2: on this in the next episode of Main Accounts. Thanks 498 00:30:57,800 --> 00:31:01,160 Speaker 2: for listening to Main Accounts, The Story of MySpace and 499 00:31:01,320 --> 00:31:06,880 Speaker 2: iHeart original podcast Main Accounts. The Story of MySpace is 500 00:31:06,920 --> 00:31:10,760 Speaker 2: written and hosted by me Joanne McNeil. Editing it's sound 501 00:31:10,840 --> 00:31:15,440 Speaker 2: design by Mike Coscarelli and Mary Do Original music by 502 00:31:15,600 --> 00:31:20,160 Speaker 2: Elise McCoy, Mixing and mastering by Josh Fisher, Research and 503 00:31:20,280 --> 00:31:24,680 Speaker 2: fact checking by Austin Thompson, Jocelyn Sears, and Marissa Brown. 504 00:31:25,360 --> 00:31:29,960 Speaker 2: Show logo by Lucy Kintania. Special thanks to Ryan Murdoch 505 00:31:30,280 --> 00:31:34,320 Speaker 2: Grace Views at the head Frasier. Our associate producer is 506 00:31:34,360 --> 00:31:38,200 Speaker 2: Lauren Phillip, our senior producer is Mike Coscarelli, and our 507 00:31:38,240 --> 00:31:42,120 Speaker 2: executive producer is Jason English. If you're enjoying the show, 508 00:31:42,400 --> 00:31:44,840 Speaker 2: leave us a rating and review on your favorite podcast 509 00:31:44,880 --> 00:31:49,800 Speaker 2: platform Sadly, my MySpace page is no longer around, but 510 00:31:49,880 --> 00:31:52,480 Speaker 2: you can find me on Twitter at Joe mick. Let 511 00:31:52,560 --> 00:31:56,400 Speaker 2: us hear your MySpace story at check out my book 512 00:31:56,880 --> 00:32:01,080 Speaker 2: Lurking Main Accounts. The Story of my Space is a 513 00:32:01,080 --> 00:32:03,400 Speaker 2: production of iHeart Podcasts.