1 00:00:00,600 --> 00:00:02,960 Speaker 1: CAFI. I am six forty. You're listening to the John 2 00:00:03,000 --> 00:00:05,560 Speaker 1: and Ken Show on demand on the iHeartRadio app. 3 00:00:08,680 --> 00:00:12,039 Speaker 2: I'm Doug mcintary in for John and Ken. And on Monday, 4 00:00:12,560 --> 00:00:16,200 Speaker 2: we officially send the Johnny Ken Show off into history. 5 00:00:16,239 --> 00:00:19,040 Speaker 2: As you know, Ken Champau has retired. And on Tuesday, 6 00:00:19,120 --> 00:00:21,319 Speaker 2: John Cobbolt we'll be back in this chair and we 7 00:00:21,320 --> 00:00:23,360 Speaker 2: will launch a brand new show, the John Cobbolt Show, 8 00:00:23,360 --> 00:00:24,720 Speaker 2: which will go on forever. 9 00:00:25,400 --> 00:00:26,080 Speaker 3: Be very simple. 10 00:00:26,160 --> 00:00:29,080 Speaker 2: At some point in the farthest and future, John's skeleton 11 00:00:29,160 --> 00:00:29,960 Speaker 2: will still be in. 12 00:00:29,920 --> 00:00:33,080 Speaker 3: This chair because he's a lifer. 13 00:00:33,960 --> 00:00:38,280 Speaker 2: Ken'll be on a beach somewhere drinking beverages with umbrellas 14 00:00:38,280 --> 00:00:42,360 Speaker 2: in them, and John's bones will still be here at KFI. Anyway, 15 00:00:42,800 --> 00:00:44,440 Speaker 2: it's a pleasure to be with you. I'm happy to 16 00:00:44,440 --> 00:00:46,120 Speaker 2: have you. You don't want to miss this hour because 17 00:00:46,120 --> 00:00:47,440 Speaker 2: we've got good stuff coming up. 18 00:00:47,760 --> 00:00:49,280 Speaker 3: Started with this first story. 19 00:00:49,320 --> 00:00:51,279 Speaker 2: By the way, I saw this the other day said 20 00:00:51,320 --> 00:00:55,200 Speaker 2: I really want to talk to this professor, because, as 21 00:00:55,240 --> 00:00:58,080 Speaker 2: you know Taylor Swift, it's impossible to miss her. The 22 00:00:58,400 --> 00:01:03,040 Speaker 2: Aerostour just topped a billion in sales. It may go 23 00:01:03,160 --> 00:01:07,000 Speaker 2: to two billion before she's done. Traveling the globe her movie. 24 00:01:07,040 --> 00:01:09,680 Speaker 2: She bypassed the normal distribution routes and had a huge 25 00:01:09,720 --> 00:01:12,320 Speaker 2: hit with the movie that's still playing, still drawing people in. 26 00:01:13,319 --> 00:01:17,640 Speaker 2: And then Time magazine a Person of the Year, which 27 00:01:18,280 --> 00:01:22,080 Speaker 2: it probably came as well. There's actually a lot about 28 00:01:22,080 --> 00:01:25,080 Speaker 2: that that's fascinating because most Taylor Swift fans probably have 29 00:01:25,160 --> 00:01:27,559 Speaker 2: never heard of Time magazine. And then most other people 30 00:01:27,600 --> 00:01:30,200 Speaker 2: are probably shocked to find the Time magazine still exists, 31 00:01:30,360 --> 00:01:33,920 Speaker 2: but nonetheless Time Magazine's Person of the Year. But this 32 00:01:33,959 --> 00:01:36,720 Speaker 2: is the story that caught my attention that at UC 33 00:01:36,959 --> 00:01:41,280 Speaker 2: Berkeley you can actually take a class in Taylor Swift. 34 00:01:41,840 --> 00:01:46,200 Speaker 2: It's called Artistry and Entrepreneurship Taylor's version. And it's a 35 00:01:46,240 --> 00:01:49,760 Speaker 2: pleasure to welcome to the show, Crystal, harryanto A, Crystal, 36 00:01:49,800 --> 00:01:50,560 Speaker 2: thanks for being with us. 37 00:01:50,560 --> 00:01:51,600 Speaker 3: Did I get your name right. 38 00:01:52,680 --> 00:01:55,200 Speaker 4: Yes, that's correct, Doug, thanks so much for having me. 39 00:01:55,240 --> 00:01:58,880 Speaker 4: It's so great to be on iHeartRadio. Actually, my favorite 40 00:01:58,920 --> 00:02:01,960 Speaker 4: rendition of love Story is the one that Taylor performed 41 00:02:02,080 --> 00:02:05,280 Speaker 4: at the iHeartRadio Music Festival in twenty fourteen. 42 00:02:05,560 --> 00:02:07,000 Speaker 3: Well, we're happy to have you now. 43 00:02:07,440 --> 00:02:09,680 Speaker 2: I got a bunch of background questions on this before 44 00:02:09,680 --> 00:02:12,560 Speaker 2: we get into the nitty gritty. What department does this 45 00:02:12,639 --> 00:02:13,720 Speaker 2: class fall under? 46 00:02:15,120 --> 00:02:17,160 Speaker 4: Early part of the hospital of Business. 47 00:02:17,360 --> 00:02:19,880 Speaker 2: Okay, well that makes sense. I mean she's an industry 48 00:02:20,120 --> 00:02:22,760 Speaker 2: I mean, why would you not want to study? And 49 00:02:22,800 --> 00:02:26,240 Speaker 2: I actually, I mean this is I got a upfront 50 00:02:26,280 --> 00:02:29,120 Speaker 2: say I'm not a swiftie, but I'm also not a 51 00:02:29,200 --> 00:02:33,920 Speaker 2: tailor hater. First of all, I'm not her demographic and 52 00:02:33,960 --> 00:02:35,959 Speaker 2: I'm listening to Frank Sinatra and Eli Fitzgerald. 53 00:02:35,960 --> 00:02:36,360 Speaker 3: I'm listening. 54 00:02:36,400 --> 00:02:38,799 Speaker 2: I've always been listening to the wrong music from my age, 55 00:02:38,840 --> 00:02:44,320 Speaker 2: so I'm hopeless. But here's the thing about her. I 56 00:02:44,360 --> 00:02:45,519 Speaker 2: think that she's talented. 57 00:02:45,560 --> 00:02:46,160 Speaker 3: I hear it. 58 00:02:46,280 --> 00:02:49,520 Speaker 2: I've listened to her music when I read about her, 59 00:02:49,560 --> 00:02:51,040 Speaker 2: and I hear about a title I don't know I 60 00:02:51,080 --> 00:02:53,480 Speaker 2: have you know, you know who the AI name. I 61 00:02:53,480 --> 00:02:56,359 Speaker 2: don't want to say Alexa. Everybody's Alexa. Just went off 62 00:02:57,200 --> 00:02:59,400 Speaker 2: to play this song, so I can hear it. But 63 00:02:59,560 --> 00:03:02,360 Speaker 2: what I do I don't understand is how this became 64 00:03:02,520 --> 00:03:07,480 Speaker 2: a messianic following that her fans are beyond fans, they 65 00:03:07,520 --> 00:03:08,519 Speaker 2: are acolytes. 66 00:03:11,840 --> 00:03:14,160 Speaker 4: Yeah, that's a very good, various question, and it's going 67 00:03:14,240 --> 00:03:16,160 Speaker 4: to be part of what we explore in the class. 68 00:03:16,400 --> 00:03:18,880 Speaker 4: It's going to be part of about her as an 69 00:03:18,960 --> 00:03:21,320 Speaker 4: artist and her as an entrepreneur and how those two 70 00:03:21,320 --> 00:03:25,119 Speaker 4: factors mold together to become this great I think acolyte 71 00:03:25,160 --> 00:03:28,519 Speaker 4: is a word that you use just to take I mean, 72 00:03:28,880 --> 00:03:30,680 Speaker 4: as you know, as you mentioned in the intro, the 73 00:03:30,680 --> 00:03:33,800 Speaker 4: Aras tour has become so big, and I mean, if 74 00:03:33,840 --> 00:03:36,760 Speaker 4: you take a personal example, I actually I bought a 75 00:03:36,800 --> 00:03:38,720 Speaker 4: sweater at the Aras tour at the end of the 76 00:03:38,720 --> 00:03:42,760 Speaker 4: show that was three triple x L and I'm asy small, 77 00:03:42,840 --> 00:03:45,120 Speaker 4: so this doesn't this doesn't really fit me, probably, but 78 00:03:45,160 --> 00:03:47,560 Speaker 4: I was still willing to buy that sweater because it 79 00:03:47,600 --> 00:03:50,440 Speaker 4: reminded me of the Ariosto experience that I had and 80 00:03:50,520 --> 00:03:53,440 Speaker 4: the Taylor Slip experience. And I think the way that 81 00:03:53,480 --> 00:03:56,040 Speaker 4: she's been able to do that is just by writing 82 00:03:56,120 --> 00:03:58,600 Speaker 4: stories and writing songs from the heart that end up 83 00:03:58,640 --> 00:04:01,240 Speaker 4: relating to a lot of people. And she does this 84 00:04:01,440 --> 00:04:03,520 Speaker 4: in a myriad of ways. So it's not only that 85 00:04:03,560 --> 00:04:09,400 Speaker 4: she's authentic throughout every every album she's put out, every 86 00:04:09,440 --> 00:04:11,680 Speaker 4: song she's put out. It's also that she has very 87 00:04:11,920 --> 00:04:15,360 Speaker 4: aware and empathetic of her situation, the way that she 88 00:04:15,480 --> 00:04:18,160 Speaker 4: relates to the world, and she's able to put that 89 00:04:18,200 --> 00:04:21,320 Speaker 4: on in different ways. For example, if you take two 90 00:04:21,320 --> 00:04:26,120 Speaker 4: of her albums, like Reputation and Lover, they're both romantic albums, 91 00:04:26,120 --> 00:04:30,479 Speaker 4: and yet they're really defined by different visuals, different sounds, 92 00:04:31,279 --> 00:04:35,560 Speaker 4: just completely. Reputation is this dark, edgy persona, while Lover 93 00:04:35,720 --> 00:04:38,719 Speaker 4: is this happy, go lucky head in the clouds type 94 00:04:39,080 --> 00:04:41,960 Speaker 4: of feeling, and yet they're both about the same concept. 95 00:04:43,000 --> 00:04:46,160 Speaker 4: But she's able to take the way that she's able 96 00:04:46,200 --> 00:04:48,200 Speaker 4: to take her positions in the world and what's being 97 00:04:48,200 --> 00:04:50,360 Speaker 4: thrown at her and like come up with these two 98 00:04:50,560 --> 00:04:53,240 Speaker 4: entirely different worlds, and she's able to bring that to 99 00:04:53,320 --> 00:04:56,719 Speaker 4: life in so many ways on tour and music videos. 100 00:04:56,720 --> 00:05:00,640 Speaker 4: The way she can engages with her fans personally, and 101 00:05:00,880 --> 00:05:04,440 Speaker 4: it's just as fans, we listen to music and we 102 00:05:04,480 --> 00:05:08,240 Speaker 4: don't learn about her. Rather we've kind of learned stories, 103 00:05:08,839 --> 00:05:13,360 Speaker 4: learn about ourselves, like what makes us unique? What are 104 00:05:13,360 --> 00:05:15,960 Speaker 4: the stories that we're telling? And if you have so 105 00:05:16,040 --> 00:05:18,640 Speaker 4: many people able to relate to these stories, it kind 106 00:05:18,640 --> 00:05:23,160 Speaker 4: of brings together a huge fandom and makes this makes 107 00:05:23,160 --> 00:05:27,840 Speaker 4: this experience worth paying for and worth living through. 108 00:05:28,120 --> 00:05:31,080 Speaker 2: We'll talk about the Crystal Harrianto, who is a grad 109 00:05:31,080 --> 00:05:35,320 Speaker 2: student and she's teaching at UC Berkeley a class called 110 00:05:35,400 --> 00:05:38,280 Speaker 2: Artistry and Entrepreneurship Taylor's version. I bet you have no 111 00:05:38,320 --> 00:05:42,320 Speaker 2: absenteeism at all in this class. I was kidding before, 112 00:05:42,320 --> 00:05:45,440 Speaker 2: but you know, given how the hot secondary market for 113 00:05:45,480 --> 00:05:47,719 Speaker 2: Taylor Swift tickets are, you might be able to sell 114 00:05:47,760 --> 00:05:50,200 Speaker 2: spots in the classroom for twenty five hundred on stub up. 115 00:05:51,279 --> 00:05:54,000 Speaker 2: It's just funny, just the suggestion. You know, you might 116 00:05:54,040 --> 00:05:57,640 Speaker 2: pick up a little side cash here. But there's no 117 00:05:57,839 --> 00:06:02,440 Speaker 2: question that she is tapped into what people dream of 118 00:06:03,080 --> 00:06:05,320 Speaker 2: when you make a movie or a television show or 119 00:06:05,400 --> 00:06:07,880 Speaker 2: radio show, whatever, any kind of that. She tapped into 120 00:06:07,960 --> 00:06:15,599 Speaker 2: some kind of broadly important psychic gold mind where she 121 00:06:15,839 --> 00:06:19,440 Speaker 2: is creating a soundtrack that will fifty years from now, 122 00:06:19,560 --> 00:06:22,359 Speaker 2: people will in their seventies will be saying, oh, I 123 00:06:22,520 --> 00:06:25,240 Speaker 2: remember where I was when I heard that song. And 124 00:06:25,279 --> 00:06:28,960 Speaker 2: that's one of the amazing things about music in general, 125 00:06:29,080 --> 00:06:32,120 Speaker 2: or the arts in particular, but broadly music when you 126 00:06:32,120 --> 00:06:34,640 Speaker 2: can see the you know, a stadium filled with people 127 00:06:34,640 --> 00:06:38,400 Speaker 2: who know every single word, when people learn like you know, 128 00:06:38,480 --> 00:06:41,560 Speaker 2: Billy Joel plays overseas and people in you know who 129 00:06:41,600 --> 00:06:45,560 Speaker 2: speak Portuguese but they know every line to New York 130 00:06:45,640 --> 00:06:48,800 Speaker 2: state of mind or seeing some an Italian restaurant. It's 131 00:06:48,800 --> 00:06:51,479 Speaker 2: a really remarkable phenomenon when an artist can do that. 132 00:06:52,040 --> 00:06:56,000 Speaker 2: So she has mastered both ends of the term show business. 133 00:06:56,240 --> 00:07:00,360 Speaker 2: The show parts a huge emotional, psychic hit, but the 134 00:07:00,440 --> 00:07:04,320 Speaker 2: business side she makes no mistakes, no mistakes. 135 00:07:07,600 --> 00:07:10,440 Speaker 4: Yeah, I'd agree with you there, quick correction, I am 136 00:07:10,480 --> 00:07:14,280 Speaker 4: a recent graduate. Oh sorry, so I graduated. I graduated 137 00:07:14,360 --> 00:07:14,720 Speaker 4: in May. 138 00:07:15,240 --> 00:07:19,360 Speaker 2: Okay, Well maybe I need remedial reading so I can 139 00:07:19,400 --> 00:07:22,640 Speaker 2: read this properly anyway. But you know who she reminds 140 00:07:22,640 --> 00:07:24,960 Speaker 2: me of. Actually, another one who makes no mistakes is 141 00:07:24,960 --> 00:07:28,679 Speaker 2: Dolly Parton. Dolly Parton makes no mistakes. It's seventy seven. 142 00:07:28,760 --> 00:07:31,320 Speaker 2: She just dressed up as a Dallas Cowboys cheerleader and 143 00:07:31,320 --> 00:07:33,280 Speaker 2: did a halftime show at an NFL game and. 144 00:07:33,240 --> 00:07:34,080 Speaker 3: Everybody loved it. 145 00:07:34,440 --> 00:07:38,520 Speaker 2: She just she just doesn't make any mistakes with her brand. 146 00:07:38,680 --> 00:07:41,640 Speaker 4: I love, Yeah, I love Dolly Parton's performance with Miley 147 00:07:41,680 --> 00:07:42,680 Speaker 4: Cyrus this. 148 00:07:42,720 --> 00:07:47,040 Speaker 3: Past New Year's Yeah, Joline. Miley does a great version 149 00:07:47,040 --> 00:07:47,800 Speaker 3: of Jolene too. 150 00:07:51,320 --> 00:07:53,600 Speaker 2: So who's taking the class and why are they taking 151 00:07:53,640 --> 00:07:54,960 Speaker 2: the class and what do they hope to learn? 152 00:07:56,440 --> 00:07:59,800 Speaker 4: Well, the class officially launches in January twenty twenty four, 153 00:08:00,840 --> 00:08:04,640 Speaker 4: So I still waiting for my student roster, but I've 154 00:08:04,680 --> 00:08:08,320 Speaker 4: received interest from all sorts of majors with all sorts 155 00:08:08,360 --> 00:08:12,679 Speaker 4: of interests, whether they're swifties, tried and true, or whether 156 00:08:12,800 --> 00:08:16,600 Speaker 4: they're business students looking at her or a case study 157 00:08:16,640 --> 00:08:19,200 Speaker 4: and trying I get an interesting conversation with a student 158 00:08:19,360 --> 00:08:22,480 Speaker 4: or a potential student who was trying to think about 159 00:08:22,560 --> 00:08:24,240 Speaker 4: himself in a different way, and he was like, if 160 00:08:24,360 --> 00:08:27,080 Speaker 4: would I be someone subject to all that same, would 161 00:08:27,080 --> 00:08:29,280 Speaker 4: I be able to perform under that pressure? What I want? 162 00:08:29,320 --> 00:08:32,440 Speaker 4: What I even want that? And it's so I'm just 163 00:08:32,480 --> 00:08:34,600 Speaker 4: so happy that even leading up to the class were 164 00:08:34,600 --> 00:08:37,199 Speaker 4: able to have these kinds of conversations, and it just 165 00:08:37,240 --> 00:08:39,920 Speaker 4: makes me really excited for what the environment will be 166 00:08:39,960 --> 00:08:41,280 Speaker 4: when the class officially starts. 167 00:08:41,360 --> 00:08:44,840 Speaker 2: Well, by, by the way, you've just raised a point 168 00:08:44,880 --> 00:08:49,640 Speaker 2: that gets lost frequently in the shuffle about this idolatry, 169 00:08:49,720 --> 00:08:54,000 Speaker 2: this celebrity worship, and our culture is heavily into celebrity worship. 170 00:08:54,080 --> 00:08:56,520 Speaker 2: We don't have an aristocracy the way they do in 171 00:08:56,960 --> 00:09:00,200 Speaker 2: England with a you know, royal families, et cetera. We 172 00:09:00,240 --> 00:09:03,640 Speaker 2: have this kind of secular hierarchy of celebrities who are 173 00:09:03,800 --> 00:09:07,800 Speaker 2: exalted human beings and are treated when they're really big, 174 00:09:07,880 --> 00:09:10,720 Speaker 2: they are treated and they have a life that is 175 00:09:10,960 --> 00:09:12,280 Speaker 2: literally unimaginable. 176 00:09:12,320 --> 00:09:13,000 Speaker 3: I mean, maybe we. 177 00:09:12,960 --> 00:09:15,200 Speaker 2: Could dream of it, but the reality of it is 178 00:09:15,360 --> 00:09:19,080 Speaker 2: very different. The reality is is that when you have 179 00:09:19,360 --> 00:09:22,440 Speaker 2: the kind of success that somebody like Taylor Swift is having, 180 00:09:22,840 --> 00:09:25,760 Speaker 2: there's not a minute of the day that somebody doesn't 181 00:09:25,800 --> 00:09:29,400 Speaker 2: require your time to make a decision about something that 182 00:09:29,480 --> 00:09:33,160 Speaker 2: you can't put on a hoodie and a pair of 183 00:09:33,160 --> 00:09:35,160 Speaker 2: flip flops and run down to the seven to eleven 184 00:09:35,200 --> 00:09:37,720 Speaker 2: to pick up a quart of milk because the paparazzi 185 00:09:37,760 --> 00:09:39,360 Speaker 2: will take pictures of the next thing. You know, you're 186 00:09:39,400 --> 00:09:42,360 Speaker 2: being body shamed or wardrobe shamed or some kind of shamed. 187 00:09:42,360 --> 00:09:42,880 Speaker 3: Controlled. 188 00:09:43,520 --> 00:09:48,240 Speaker 2: It's a relentless machine that you end up in. And 189 00:09:48,760 --> 00:09:51,719 Speaker 2: I mean, you know, maybe the most famous example of 190 00:09:52,640 --> 00:09:56,000 Speaker 2: this is when John Lennon moved to New York City. 191 00:09:56,040 --> 00:09:58,360 Speaker 2: He decided to move into the middle of the busiest 192 00:09:58,360 --> 00:10:02,440 Speaker 2: city he could find and just blend in, and largely 193 00:10:02,520 --> 00:10:04,800 Speaker 2: the city accepted him, except the guy flowing from Hawaiian 194 00:10:04,800 --> 00:10:08,120 Speaker 2: and killed him. I mean, it's it's a really strange 195 00:10:08,120 --> 00:10:08,760 Speaker 2: way to live. 196 00:10:10,760 --> 00:10:14,080 Speaker 4: Definitely, I think Taylor Taylor Swift has navigated this line 197 00:10:15,040 --> 00:10:19,600 Speaker 4: extremely well. She's just she's super close with her family. 198 00:10:19,720 --> 00:10:22,440 Speaker 4: They're her team, and that kind of keeps her grounded 199 00:10:22,600 --> 00:10:26,800 Speaker 4: with managing all the celebrity press. And she really has 200 00:10:26,880 --> 00:10:30,120 Speaker 4: always made time to interact with fans despite her level 201 00:10:30,160 --> 00:10:35,040 Speaker 4: of fame. Back in back in the Tumblr era, she 202 00:10:35,080 --> 00:10:40,679 Speaker 4: would respond the Tumblr posts that's that fans made, just 203 00:10:40,679 --> 00:10:42,440 Speaker 4: just in the same way that every business would build 204 00:10:42,440 --> 00:10:44,640 Speaker 4: their community. There was even like a tumble a famous 205 00:10:44,679 --> 00:10:48,160 Speaker 4: Tumbler post back in the day where someone was putting 206 00:10:48,200 --> 00:10:50,880 Speaker 4: up a picture of Taylor Swift and said, you know, 207 00:10:51,040 --> 00:10:53,920 Speaker 4: don't like don't make mistakes, you'll end up like my 208 00:10:53,920 --> 00:10:56,679 Speaker 4: friend Becky. And then someone said that's Taylor's Swift and 209 00:10:56,720 --> 00:10:59,280 Speaker 4: then the person said, no, it's Becky. And it was 210 00:10:59,280 --> 00:11:01,640 Speaker 4: a joke among fans for some reason. And Taylor's has 211 00:11:01,640 --> 00:11:04,040 Speaker 4: actually emerged herself in front of the press wearing a 212 00:11:04,080 --> 00:11:06,880 Speaker 4: shirt called wearing a shirt saying no, it's Becky and 213 00:11:06,920 --> 00:11:09,079 Speaker 4: that was just like one of our inside jokes. And 214 00:11:09,240 --> 00:11:12,360 Speaker 4: she's just been able to really continue doing that in 215 00:11:12,360 --> 00:11:15,120 Speaker 4: different ways. She invites people to her house for secret 216 00:11:15,160 --> 00:11:18,880 Speaker 4: sessions before albums come out. She did this like TikTok 217 00:11:19,000 --> 00:11:24,040 Speaker 4: ts Anti Hero challenge when Midnights came out, and she's 218 00:11:24,120 --> 00:11:26,240 Speaker 4: surprises fans at weddings once in a while. 219 00:11:26,559 --> 00:11:28,840 Speaker 2: Well, every place that the tour went, every place the 220 00:11:28,880 --> 00:11:31,400 Speaker 2: Aras tour went, the economy of the city that she 221 00:11:31,480 --> 00:11:37,600 Speaker 2: toured in spiked hotel sales, restaurants, travel, even contributions to 222 00:11:37,679 --> 00:11:42,040 Speaker 2: food banks, voter registration, every single thing. It is a 223 00:11:42,080 --> 00:11:46,079 Speaker 2: remarkable cultural phenomenon. Good luck with the class thanks to 224 00:11:46,120 --> 00:11:49,439 Speaker 2: coming on with us. I appreciate it. I appreciate it 225 00:11:49,520 --> 00:11:55,000 Speaker 2: talking talking with you. And I can't imagine what my 226 00:11:55,200 --> 00:11:57,360 Speaker 2: father's reaction would have been if I had called him 227 00:11:57,360 --> 00:11:59,200 Speaker 2: from college and said, by the way, I'm taking a 228 00:11:59,240 --> 00:12:00,440 Speaker 2: class and tell swift. 229 00:12:00,920 --> 00:12:02,480 Speaker 3: But times have changed, haven't they. 230 00:12:03,400 --> 00:12:06,760 Speaker 5: You're listening to John and Ken on demand from KFI 231 00:12:07,000 --> 00:12:07,680 Speaker 5: AM six. 232 00:12:07,640 --> 00:12:12,440 Speaker 2: Forty, David Vesse coming up, mister La Dodger, and we're 233 00:12:12,440 --> 00:12:16,320 Speaker 2: on Otani Watch. Rumors in the baseball world say that 234 00:12:16,360 --> 00:12:20,360 Speaker 2: Otani's gonna announce, possibly today. So where's he gonna go? 235 00:12:20,440 --> 00:12:22,079 Speaker 2: Is he going to the Dodgers? Is he's staying with 236 00:12:22,160 --> 00:12:23,800 Speaker 2: the Angels. He's not staying with the Angels. 237 00:12:24,040 --> 00:12:26,320 Speaker 3: Is he going to Toronto? Who knows. We'll get into 238 00:12:26,360 --> 00:12:26,920 Speaker 3: that just a bit. 239 00:12:27,000 --> 00:12:32,080 Speaker 2: So earlier, we were talking about Dan Walters from cal Matters, 240 00:12:32,120 --> 00:12:34,360 Speaker 2: his op ed piece of the La Daily News Orange 241 00:12:34,400 --> 00:12:39,640 Speaker 2: Kenny Register about the fiscal reality in California despite what 242 00:12:39,679 --> 00:12:44,040 Speaker 2: Governor Newsom has said in his debate with Ron DeSantis. 243 00:12:44,559 --> 00:12:47,000 Speaker 2: We also earlier, just a few minutes ago, had a 244 00:12:47,040 --> 00:12:51,959 Speaker 2: conversation with with Fox eleven's Alex Michaelson, who spent the 245 00:12:52,080 --> 00:12:55,720 Speaker 2: day kind of shadowing a Governor k Newsom, and asked 246 00:12:55,760 --> 00:12:58,360 Speaker 2: him about the budget deficit, and he says, Oh, it's 247 00:12:58,360 --> 00:12:59,040 Speaker 2: not that bad. 248 00:12:59,520 --> 00:13:02,280 Speaker 3: Looks bad. Let's find out. Let's talk with Dan Walters. 249 00:13:02,320 --> 00:13:04,400 Speaker 1: Dan, how are you hello? 250 00:13:04,920 --> 00:13:06,520 Speaker 3: Thank you for ben well us appreciate it. 251 00:13:06,960 --> 00:13:08,120 Speaker 6: Uh so, you bet? 252 00:13:08,320 --> 00:13:10,479 Speaker 3: I mentioned according to. 253 00:13:11,160 --> 00:13:17,120 Speaker 2: The Analyst Office, the Legislative Analyst Office, the California budget, 254 00:13:17,400 --> 00:13:22,000 Speaker 2: they the shortfall is rather staggering, twenty six billion under projections. 255 00:13:22,600 --> 00:13:26,400 Speaker 2: And you're saying that runs into the twenty twenty four 256 00:13:26,440 --> 00:13:30,400 Speaker 2: to twenty twenty five fiscal year and the numbers could 257 00:13:30,440 --> 00:13:33,839 Speaker 2: be as high as fifty eight billion below the budget projections. 258 00:13:34,640 --> 00:13:37,520 Speaker 2: Alex Michael said of Fox eleven was chatting with the 259 00:13:37,559 --> 00:13:41,080 Speaker 2: governor just maybe about an hour or so ago, and 260 00:13:41,120 --> 00:13:43,600 Speaker 2: the governor says, no, no, no, we have contingencies. It's 261 00:13:43,600 --> 00:13:45,040 Speaker 2: not gonna be as bad. It's not gonna be as 262 00:13:45,080 --> 00:13:47,400 Speaker 2: draconian as it looks. And as you point out, we 263 00:13:47,480 --> 00:13:50,080 Speaker 2: have a thirty billion dollar rainy day fund, but that 264 00:13:50,120 --> 00:13:53,760 Speaker 2: would be swallowed instantly by this deficit if it's as 265 00:13:53,840 --> 00:13:55,400 Speaker 2: high as it looks like it could be. 266 00:13:57,080 --> 00:14:01,600 Speaker 1: Yeah, the shortfall in revenue for the two year period 267 00:14:01,720 --> 00:14:04,160 Speaker 1: is about fifty eight billion dollars according to the analyst, 268 00:14:04,840 --> 00:14:08,640 Speaker 1: and the overall deficit for three years, because they do 269 00:14:08,720 --> 00:14:11,920 Speaker 1: these things in you know, in blocks, that's twenty two 270 00:14:11,920 --> 00:14:14,199 Speaker 1: to twenty three, twenty three, twenty four, and twenty four 271 00:14:14,240 --> 00:14:18,720 Speaker 1: twenty five, it's about sixty eight billion dollars. Now, the 272 00:14:18,800 --> 00:14:21,400 Speaker 1: governor says, that's not a big deal, and in one 273 00:14:21,440 --> 00:14:24,400 Speaker 1: sense it's not a big deal in that, as the 274 00:14:24,440 --> 00:14:28,680 Speaker 1: analyst says, you can slip by, you can do this. 275 00:14:29,400 --> 00:14:33,800 Speaker 1: You have to use your reserves, you have to pull 276 00:14:33,880 --> 00:14:37,520 Speaker 1: back money that's been allocated but not spent. You've got 277 00:14:37,600 --> 00:14:42,880 Speaker 1: to reduce the school aid down to the bare minimum 278 00:14:42,920 --> 00:14:45,160 Speaker 1: required by law. I mean, there's these all these things 279 00:14:45,200 --> 00:14:49,360 Speaker 1: you can do to get that sixty eight billion dollars. 280 00:14:50,680 --> 00:14:53,840 Speaker 1: But then you've you've this is the real button, the 281 00:14:53,920 --> 00:14:58,040 Speaker 1: thing that's then you've shot all the arrows in your quiver. 282 00:14:59,400 --> 00:15:03,400 Speaker 1: And then he says, after this sixty eight billion dollar deficit, 283 00:15:04,000 --> 00:15:07,120 Speaker 1: then you're going to have thirty billion dollar deficits every 284 00:15:07,200 --> 00:15:11,000 Speaker 1: year for the rest of Gavenusm's term. There's where the 285 00:15:11,200 --> 00:15:14,440 Speaker 1: rubber would really hit the road, because you've now shot everything. 286 00:15:14,480 --> 00:15:17,800 Speaker 1: You've used your reserves, you've cut everything you can possibly cut, 287 00:15:17,920 --> 00:15:19,880 Speaker 1: you've done all the little gimmicks that they always do 288 00:15:20,000 --> 00:15:23,400 Speaker 1: during these things, and you're still looking at very large 289 00:15:23,440 --> 00:15:28,200 Speaker 1: budget deficits a year after year after year. This becomes 290 00:15:27,880 --> 00:15:32,120 Speaker 1: what they do with the being Counters and Sacramento call 291 00:15:32,280 --> 00:15:35,320 Speaker 1: a structural deficit. And what's that mean. It means that 292 00:15:35,400 --> 00:15:39,640 Speaker 1: you've added up all the obligations that you've written into 293 00:15:39,720 --> 00:15:44,640 Speaker 1: law to spend money, you add up all of your 294 00:15:44,760 --> 00:15:48,600 Speaker 1: revenues that you expect to get, and they don't match, 295 00:15:48,960 --> 00:15:51,960 Speaker 1: and so they shortfall between all what's now in the 296 00:15:52,040 --> 00:15:55,560 Speaker 1: law that you are required to spend and what the 297 00:15:55,600 --> 00:15:58,960 Speaker 1: revenues are going to be. That's their structural deficit. It's 298 00:15:58,960 --> 00:16:03,440 Speaker 1: not a deficit. Necess Necessarily that is just a temporary 299 00:16:03,800 --> 00:16:07,640 Speaker 1: bookkeeping glitch or something. It's now baked into the system, 300 00:16:08,120 --> 00:16:11,359 Speaker 1: and that's the problem. They have to deal with that really, basically, 301 00:16:11,440 --> 00:16:14,400 Speaker 1: for the rest of Gavin Newsom's terms governor, he's going 302 00:16:14,440 --> 00:16:16,560 Speaker 1: to have to deal with his dest And now, what's 303 00:16:16,600 --> 00:16:22,080 Speaker 1: the underlying cause of this? The underlying cause is revenues 304 00:16:22,200 --> 00:16:26,160 Speaker 1: are not coming close to what was projected to be. 305 00:16:26,480 --> 00:16:31,800 Speaker 1: Why aren't they Because the economy of California started doing 306 00:16:31,840 --> 00:16:35,640 Speaker 1: a kind of a slow motion recession last year twenty 307 00:16:35,680 --> 00:16:41,440 Speaker 1: twenty two. Unemployment started to go up, the economic activity 308 00:16:41,440 --> 00:16:43,800 Speaker 1: in general started to slow down. Why because the Federal 309 00:16:43,840 --> 00:16:46,000 Speaker 1: Reserve system was trying to slow it down, right. 310 00:16:45,840 --> 00:16:51,760 Speaker 3: They were trying to beat in and it slowed everything. 311 00:16:51,160 --> 00:16:54,640 Speaker 1: Slowed down, slowed down, everything higher, unemployment and so forth. 312 00:16:55,400 --> 00:16:59,400 Speaker 1: But for some reason, the administration and this is and 313 00:16:59,520 --> 00:17:03,560 Speaker 1: there didn't see this coming. In fact, if you go 314 00:17:03,640 --> 00:17:07,760 Speaker 1: back to twenty twenty two, in May if twenty twenty two, 315 00:17:07,800 --> 00:17:10,240 Speaker 1: the governor was telling everybody we had a ninety seven 316 00:17:10,400 --> 00:17:12,440 Speaker 1: billion dollar surplus. 317 00:17:13,000 --> 00:17:14,720 Speaker 3: How can their numbers be this far off? 318 00:17:15,000 --> 00:17:18,439 Speaker 2: I mean, I understand that we've had this structural problem 319 00:17:18,520 --> 00:17:22,040 Speaker 2: for a long time that the general revenue fund is 320 00:17:22,600 --> 00:17:26,120 Speaker 2: highly dependent on the top wage earners, and when the 321 00:17:26,160 --> 00:17:29,960 Speaker 2: markets are soft, capital gains are down, and they don't 322 00:17:30,000 --> 00:17:32,400 Speaker 2: Simply they just don't take in as much money as 323 00:17:32,400 --> 00:17:33,400 Speaker 2: they expect to take in. 324 00:17:33,600 --> 00:17:35,680 Speaker 3: But they never seem to learn the lesson. I mean, 325 00:17:35,680 --> 00:17:37,040 Speaker 3: a thirty billion dollar. 326 00:17:38,800 --> 00:17:40,720 Speaker 2: Rainy day fund sounds like a lot of money, but 327 00:17:40,840 --> 00:17:44,320 Speaker 2: not relative to a three hundred and ten billion dollar budget. 328 00:17:44,359 --> 00:17:46,800 Speaker 1: Oh it's not, it's not that big. How do they 329 00:17:46,840 --> 00:17:53,159 Speaker 1: do it? Because it's very, very difficult to project what 330 00:17:53,320 --> 00:17:56,400 Speaker 1: a handful of rich people are going to do with 331 00:17:56,440 --> 00:18:00,720 Speaker 1: their investments. What I mean by a handful shut this way. 332 00:18:01,640 --> 00:18:06,000 Speaker 1: Income taxes, personal income taxes are about somewhere between two 333 00:18:06,000 --> 00:18:09,480 Speaker 1: thirds and three fourths of the states general fund revenue. 334 00:18:09,520 --> 00:18:13,280 Speaker 1: Half of those income taxes are paid by one percent 335 00:18:13,440 --> 00:18:17,680 Speaker 1: of taxpayers. What's one percent of taxpayers? It's really about 336 00:18:17,720 --> 00:18:20,640 Speaker 1: one hundred and fifty thousand people in a state of 337 00:18:21,160 --> 00:18:25,480 Speaker 1: forty million. We have about fifteen million tax returns every year, 338 00:18:25,480 --> 00:18:28,480 Speaker 1: and about one hundred and fifty thousand of those pay 339 00:18:28,520 --> 00:18:29,360 Speaker 1: half of taxes. 340 00:18:29,440 --> 00:18:33,000 Speaker 2: That's you know, when you hear about pay their fair share, 341 00:18:33,040 --> 00:18:34,919 Speaker 2: the rich have to pay their fair share. They're not 342 00:18:34,960 --> 00:18:38,080 Speaker 2: paying their fair share. They're paying everybody's share. Basically, Dan 343 00:18:38,240 --> 00:18:40,960 Speaker 2: cal Matters columnists, thank you so much for being with us. 344 00:18:41,000 --> 00:18:41,840 Speaker 3: Really appreciated. 345 00:18:42,119 --> 00:18:45,560 Speaker 2: Okay, ladies and gentlemen, DAVIDSA, where's Otani gonna go? Speaking 346 00:18:45,600 --> 00:18:48,879 Speaker 2: of top tax bracket payers if he lands with the 347 00:18:48,880 --> 00:18:51,840 Speaker 2: Dodgers and keeps all that money in California. 348 00:18:51,960 --> 00:18:55,320 Speaker 5: You're listening to John and Ken on demand from KFI 349 00:18:55,560 --> 00:18:56,800 Speaker 5: AM six forty. 350 00:18:58,280 --> 00:19:00,840 Speaker 2: On Tuesday. It's the John cob Show. I'll be back 351 00:19:00,880 --> 00:19:04,760 Speaker 2: on Monday for the very final John and Ken broadcast. 352 00:19:04,760 --> 00:19:07,320 Speaker 2: Of course, Ken Champeau is off to a golden retirement, 353 00:19:07,320 --> 00:19:10,119 Speaker 2: well earned, by the way. Conway still got Does he 354 00:19:10,160 --> 00:19:13,080 Speaker 2: have the monkey pox belly? O? Is he got monkey pokes? 355 00:19:13,119 --> 00:19:15,119 Speaker 3: A bird flu? Which one is it? This time? 356 00:19:15,640 --> 00:19:16,040 Speaker 6: So is? 357 00:19:16,560 --> 00:19:18,280 Speaker 3: It's what he does with monkeys and birds? I don't 358 00:19:18,320 --> 00:19:18,920 Speaker 3: understand anyway. 359 00:19:18,960 --> 00:19:22,240 Speaker 2: Kelvin Washington and Joe Kwan will begin for Timmy tonight 360 00:19:22,640 --> 00:19:26,240 Speaker 2: and hopefully he'll get well and be back here on Monday. Meanwhile, 361 00:19:26,400 --> 00:19:31,280 Speaker 2: the interweb is a gog with rumors about where shohe 362 00:19:31,280 --> 00:19:36,680 Speaker 2: Atani is going to go, with one major website reporting 363 00:19:36,720 --> 00:19:39,240 Speaker 2: that he signed with the Blue Jays, not the Dodgers. 364 00:19:39,320 --> 00:19:41,560 Speaker 2: Let's find out the truth because we've got with us 365 00:19:41,600 --> 00:19:45,240 Speaker 2: mister Dodge and himself from a five seventy Los Angeles 366 00:19:45,320 --> 00:19:48,200 Speaker 2: Sports LA Sports Welcome, David Vesse, David. 367 00:19:47,920 --> 00:19:49,840 Speaker 3: How are you hey? 368 00:19:50,280 --> 00:19:54,240 Speaker 6: Great to hear you again, And yes, Otani watch went 369 00:19:54,280 --> 00:19:58,080 Speaker 6: to another level today because a Dodger fan site, not 370 00:19:58,160 --> 00:20:03,280 Speaker 6: the LA Times, reported that show Haotani had made his 371 00:20:03,440 --> 00:20:07,159 Speaker 6: decision and it was the Blue Jays, and then a 372 00:20:07,240 --> 00:20:11,600 Speaker 6: reporter for MLB Network since six am this morning has 373 00:20:11,680 --> 00:20:16,240 Speaker 6: been crowing that Otani was on a private jet en 374 00:20:16,320 --> 00:20:20,240 Speaker 6: route to Toronto. Well you know this, Doug, you got 375 00:20:20,240 --> 00:20:23,280 Speaker 6: to put eyes on who's on the jet and who's not. 376 00:20:23,960 --> 00:20:27,080 Speaker 6: Nobody took the time to go to John Wayne before 377 00:20:27,160 --> 00:20:31,040 Speaker 6: that private jet took off at nine am, but our 378 00:20:31,080 --> 00:20:37,879 Speaker 6: friends in Canada, responsible journalists actually did. The CBC News 379 00:20:37,920 --> 00:20:43,080 Speaker 6: outlet in Canada had their photographer Evan Mitsouey take a 380 00:20:43,119 --> 00:20:47,760 Speaker 6: photo of the jet and its passengers, breaking news. It 381 00:20:47,920 --> 00:20:54,040 Speaker 6: wasn't show Heotani. Instead it was Canadian businessman Robert Herjevik 382 00:20:54,240 --> 00:20:57,439 Speaker 6: and his family. You know Robert, Yeah, right? 383 00:20:58,000 --> 00:20:59,600 Speaker 3: Is he now going to play? Is he going to 384 00:20:59,640 --> 00:21:01,000 Speaker 3: be the d for the Dodgers. 385 00:21:02,960 --> 00:21:04,199 Speaker 1: No, but he is. 386 00:21:04,680 --> 00:21:08,879 Speaker 6: He did immigrate to Canada and is a big success 387 00:21:09,000 --> 00:21:12,600 Speaker 6: as a businessman in Canada. So that's who went from 388 00:21:12,680 --> 00:21:15,840 Speaker 6: John Wayne to Toronto on a private jet. 389 00:21:16,960 --> 00:21:20,680 Speaker 2: Well that's that dampens that rumor a bit. But obviously 390 00:21:20,680 --> 00:21:22,760 Speaker 2: the Blue Jays kind of came out of left field, 391 00:21:22,760 --> 00:21:27,760 Speaker 2: if I'm allowed to use that cliche, to be real 392 00:21:28,240 --> 00:21:32,080 Speaker 2: serious contenders in a market for Otani. And you know 393 00:21:32,119 --> 00:21:34,359 Speaker 2: why are we talking about this because show hey Otani is. 394 00:21:34,400 --> 00:21:38,760 Speaker 2: He is the Taylor Swift of baseball. He's an unprecedented talent. Really, 395 00:21:39,280 --> 00:21:43,560 Speaker 2: and you can't even say, I mean, the only comparison 396 00:21:43,600 --> 00:21:46,800 Speaker 2: is Babe Ruth, who pitched and hit home runs and 397 00:21:46,840 --> 00:21:48,679 Speaker 2: he really didn't do that at the same time the 398 00:21:48,680 --> 00:21:49,680 Speaker 2: way Otani does. 399 00:21:50,080 --> 00:21:51,520 Speaker 3: So he's an. 400 00:21:51,440 --> 00:21:55,320 Speaker 2: Amazing talent, a game changer, a superstar if ever there 401 00:21:55,440 --> 00:21:58,800 Speaker 2: was one. And who are the real competitors? We know 402 00:21:58,880 --> 00:22:00,800 Speaker 2: the Dodgers are in we know, oh, the Blue Jays 403 00:22:00,800 --> 00:22:03,200 Speaker 2: are Who else is out there? The Giants are they 404 00:22:03,240 --> 00:22:04,040 Speaker 2: still in the running? 405 00:22:05,720 --> 00:22:08,280 Speaker 6: I'm not sure if the Giants are still in the running, 406 00:22:08,359 --> 00:22:12,960 Speaker 6: they definitely have made their pitch to Otani. And don't 407 00:22:13,000 --> 00:22:16,760 Speaker 6: discount the team that he played his first six years 408 00:22:16,760 --> 00:22:19,840 Speaker 6: in Major League Baseball with the Angels. I've been told 409 00:22:20,280 --> 00:22:23,199 Speaker 6: the Angels are still in the mix for Otani. So 410 00:22:23,320 --> 00:22:26,640 Speaker 6: you do have the Blue Jays, the Giants, the Dodgers, 411 00:22:26,680 --> 00:22:29,879 Speaker 6: and the Angels. Dug and I have been reporting on 412 00:22:29,920 --> 00:22:33,320 Speaker 6: A five to seventy the last two weeks that Toronto 413 00:22:33,480 --> 00:22:37,119 Speaker 6: was a serious player in all this. They are owned 414 00:22:37,160 --> 00:22:41,080 Speaker 6: by the Rogers Media Group. They have quite a bit 415 00:22:41,119 --> 00:22:45,520 Speaker 6: of assets and wealth up there in Canada and can 416 00:22:45,600 --> 00:22:48,879 Speaker 6: get unique with a contract for a player like Otani. 417 00:22:49,440 --> 00:22:52,119 Speaker 6: And look, I'm not saying he's not signing with the 418 00:22:52,160 --> 00:22:55,520 Speaker 6: Blue Jays, but at this point it's very premature and 419 00:22:55,680 --> 00:22:59,280 Speaker 6: Otani is very much the opposite when it comes to 420 00:22:59,320 --> 00:23:03,040 Speaker 6: the entertain a business. Like Kayla Swift is so good 421 00:23:03,040 --> 00:23:07,920 Speaker 6: at publicly showing her personal life, Otani is the complete opposite. 422 00:23:07,960 --> 00:23:13,440 Speaker 6: This whole process has been very secretive. There has been 423 00:23:13,520 --> 00:23:18,560 Speaker 6: reports that if any team leaks out any details of 424 00:23:18,600 --> 00:23:22,040 Speaker 6: their meetings with Otani, it will be held against them. 425 00:23:22,200 --> 00:23:26,640 Speaker 6: So it's been the complete opposite, and that's why nobody 426 00:23:26,720 --> 00:23:30,760 Speaker 6: knows what Otani is thinking or what team he has chosen. 427 00:23:30,880 --> 00:23:33,320 Speaker 2: We're talking about Dave sa from A five to seventy 428 00:23:33,400 --> 00:23:36,560 Speaker 2: our brother station LA Sports. And of course that was 429 00:23:36,600 --> 00:23:41,439 Speaker 2: a big controversy when Dave Roberts admitted that the Dodgers 430 00:23:41,520 --> 00:23:43,600 Speaker 2: had met with Otani, because it was all supposed to 431 00:23:43,640 --> 00:23:46,600 Speaker 2: be on the hush hush. I personally can't imagine that 432 00:23:47,000 --> 00:23:50,880 Speaker 2: really torpedoing a deal if it makes sense for Otani 433 00:23:51,640 --> 00:23:54,800 Speaker 2: that he would somehow not sign with the Dodgers because 434 00:23:54,880 --> 00:23:57,359 Speaker 2: Dave Roberts told the truth. Now, let me ask you 435 00:23:57,440 --> 00:24:00,960 Speaker 2: about a couple of Otani's quoted this are told that 436 00:24:01,080 --> 00:24:03,880 Speaker 2: he said to somebody and it filtered to us that 437 00:24:03,920 --> 00:24:06,440 Speaker 2: he doesn't want he couldn't see himself playing in New York. 438 00:24:07,119 --> 00:24:10,760 Speaker 2: But the Yankees obviously still are out there as the Yankees, 439 00:24:10,800 --> 00:24:12,600 Speaker 2: as the evil Empire. And then there is a guy 440 00:24:12,720 --> 00:24:16,760 Speaker 2: named Steve Kono owns the Mets, who I understand flew 441 00:24:16,800 --> 00:24:22,560 Speaker 2: over to Japan to meet we're told with Yoshiwo Yamamoto, 442 00:24:22,680 --> 00:24:26,200 Speaker 2: the picture that everybody's coveting. But as long as he's 443 00:24:26,240 --> 00:24:29,120 Speaker 2: in Japan, I mean, what's to stop him from having 444 00:24:29,119 --> 00:24:32,120 Speaker 2: a covert meeting with shoe Hey Otani? And God knows 445 00:24:32,160 --> 00:24:34,040 Speaker 2: he's got enough money to bring him back. 446 00:24:35,760 --> 00:24:39,680 Speaker 6: Yes, but Otani is in Newport Beach as we speak, Doug, 447 00:24:39,760 --> 00:24:40,679 Speaker 6: He's not in Japan. 448 00:24:40,800 --> 00:24:42,880 Speaker 3: Now, do you have your people over there? Are you? 449 00:24:42,920 --> 00:24:45,119 Speaker 2: Are you outside his driveway? I want to know what 450 00:24:45,160 --> 00:24:47,000 Speaker 2: photographers are at Newport Beach. 451 00:24:48,200 --> 00:24:52,840 Speaker 6: Multiple reports and confirmed that Otani is still in Newport 452 00:24:52,840 --> 00:24:56,960 Speaker 6: Beach and he was actually spotted at the Equinox Gym 453 00:24:56,960 --> 00:25:00,600 Speaker 6: in Orange County. There was an Instagram post by trainer 454 00:25:00,640 --> 00:25:03,399 Speaker 6: out there that took a picture with Otani at the 455 00:25:03,400 --> 00:25:06,760 Speaker 6: Equinox in Orange County. So by all accounts, he is 456 00:25:07,040 --> 00:25:11,120 Speaker 6: still a Newport Beach. But yeah, the Yankees and Mets 457 00:25:11,359 --> 00:25:15,960 Speaker 6: seemed to be at the point where they don't believe 458 00:25:16,040 --> 00:25:19,640 Speaker 6: they had a real chance at Shohei Otani. The Yankees 459 00:25:19,720 --> 00:25:22,400 Speaker 6: just made a huge trade for one of the other 460 00:25:22,520 --> 00:25:26,360 Speaker 6: great players in baseball, Juan Soto, and the Mets obviously 461 00:25:26,400 --> 00:25:31,160 Speaker 6: are going after the most coveted Japanese picture this year, 462 00:25:31,200 --> 00:25:32,800 Speaker 6: twenty five year old Yama Moto. 463 00:25:33,119 --> 00:25:36,960 Speaker 2: Yeah, and obviously the decision that Otani makes. Whenever that 464 00:25:37,040 --> 00:25:39,720 Speaker 2: decision comes, if it's today, tomorrow, or you know, two 465 00:25:39,720 --> 00:25:42,919 Speaker 2: weeks from tomorrow, the bottom line is is that that 466 00:25:43,000 --> 00:25:48,760 Speaker 2: will probably unlock the off season free agent deals. It 467 00:25:48,880 --> 00:25:51,840 Speaker 2: just seems like the whole industry is really frozen. With 468 00:25:51,880 --> 00:25:54,600 Speaker 2: the exception of the one Soto deal. It's just locked 469 00:25:54,640 --> 00:25:57,120 Speaker 2: up until people find out where Otani's going. 470 00:25:58,640 --> 00:26:01,800 Speaker 6: Right, because there's so many big players still waiting on 471 00:26:01,880 --> 00:26:06,120 Speaker 6: his decision, and depending on where he goes or doesn't go, 472 00:26:06,720 --> 00:26:09,720 Speaker 6: teams will have to pivot to some of these other 473 00:26:09,800 --> 00:26:14,040 Speaker 6: players like Blake Snell or for the Dodgers, Yam Momoto 474 00:26:14,400 --> 00:26:18,040 Speaker 6: and or any other hitter to try to find a 475 00:26:18,080 --> 00:26:21,520 Speaker 6: way to replace some production that they may be losing 476 00:26:21,560 --> 00:26:25,120 Speaker 6: with their thirty home run hitting DHJD Martinez Right. 477 00:26:25,200 --> 00:26:27,439 Speaker 3: Okay, listen, David, Thanks so much for coming on with us. 478 00:26:27,480 --> 00:26:27,960 Speaker 3: I'm a fan. 479 00:26:28,119 --> 00:26:30,119 Speaker 2: I love seeing you on the MLB Network two in 480 00:26:30,119 --> 00:26:32,359 Speaker 2: addition to listening to you on AM five to seventy. 481 00:26:32,400 --> 00:26:33,919 Speaker 3: Thanks for your time today. I appreciate it. 482 00:26:34,960 --> 00:26:35,520 Speaker 6: You're the best. 483 00:26:35,800 --> 00:26:39,160 Speaker 2: Thanks Okay, kick kat Crime. We're going to get into 484 00:26:39,160 --> 00:26:41,200 Speaker 2: that when we come back. I maybe we'll hear from 485 00:26:41,440 --> 00:26:44,040 Speaker 2: Kelvin Washington and Joe Kwan coming up for Timmy and 486 00:26:44,160 --> 00:26:44,520 Speaker 2: just a bit. 487 00:26:45,520 --> 00:26:48,840 Speaker 5: You're listening to John and Ken on demand from KFI 488 00:26:49,080 --> 00:26:50,280 Speaker 5: AM six forty. 489 00:26:53,359 --> 00:26:56,639 Speaker 2: Online at KFI AM six forty dot com, Forward Slash 490 00:26:56,800 --> 00:26:59,960 Speaker 2: Listen and let me invite you again because it's tomorrow. 491 00:27:00,000 --> 00:27:03,000 Speaker 2: So if you're out in a bout tomorrow in the 492 00:27:03,000 --> 00:27:07,120 Speaker 2: San Fernanda Valley or anywhere in America, fly to Los 493 00:27:07,119 --> 00:27:09,400 Speaker 2: Angeles and then drive to San Fernana Valley. I will 494 00:27:09,440 --> 00:27:11,800 Speaker 2: be doing a book signing of my novel Frank Shadow 495 00:27:11,880 --> 00:27:12,679 Speaker 2: at David K. 496 00:27:13,160 --> 00:27:13,560 Speaker 3: Books. 497 00:27:13,600 --> 00:27:17,480 Speaker 2: That's Kaye David K Books in Woodland Hills, right there 498 00:27:17,520 --> 00:27:21,240 Speaker 2: on Ventura Boulevard under the big yellow sign between shop 499 00:27:21,760 --> 00:27:25,520 Speaker 2: and Fallbrook, And I'll be there from noon to two pm. 500 00:27:25,680 --> 00:27:27,840 Speaker 2: And I would love to see you and say hello 501 00:27:27,880 --> 00:27:29,720 Speaker 2: and be happy to sign a book. And as you're 502 00:27:29,960 --> 00:27:34,040 Speaker 2: buying for the holidays, don't forget nothing says Christmas like 503 00:27:34,280 --> 00:27:37,640 Speaker 2: a novel Frank Shadow in particular. Love to see it tomorrow, 504 00:27:37,680 --> 00:27:40,080 Speaker 2: So come on out noon to two pm. David K 505 00:27:40,240 --> 00:27:46,200 Speaker 2: Books right there in Woodland Hills. So there are crimes 506 00:27:46,240 --> 00:27:49,320 Speaker 2: and then there are crimes. And sometimes you see a 507 00:27:49,400 --> 00:27:51,840 Speaker 2: crime where you say, oh, I get it, like this 508 00:27:51,960 --> 00:27:55,640 Speaker 2: is the most famous explanation of crime was the bank 509 00:27:55,720 --> 00:27:58,040 Speaker 2: Robert Willie Sutton, And they asked him why he robbed 510 00:27:58,080 --> 00:27:59,960 Speaker 2: banks and he said, because that's where the money is, 511 00:28:00,160 --> 00:28:04,280 Speaker 2: all right, very famous line in American culture. But every 512 00:28:04,320 --> 00:28:06,199 Speaker 2: once in a while you'll see a crime that's so 513 00:28:06,440 --> 00:28:10,240 Speaker 2: astonishing that you don't understand how somebody even thought to 514 00:28:10,320 --> 00:28:13,000 Speaker 2: commit it. Like for a while, you know, there are people. 515 00:28:13,000 --> 00:28:16,840 Speaker 2: There are trucks that go around and they're big tanker trucks, 516 00:28:16,880 --> 00:28:22,679 Speaker 2: and they suck out the filthy grease from deep fry machines. 517 00:28:22,800 --> 00:28:25,280 Speaker 2: Like if there's a company that has a lot of 518 00:28:25,320 --> 00:28:27,600 Speaker 2: French fries or fried chicken or something like that, they 519 00:28:27,640 --> 00:28:31,040 Speaker 2: take the dirty oil away and allegedly clean it up 520 00:28:31,080 --> 00:28:35,520 Speaker 2: in some capacity. Somebody hijacked one of those trucks, and 521 00:28:35,840 --> 00:28:39,880 Speaker 2: I guess that there's an aftermarket for stolen French fried grease. 522 00:28:40,320 --> 00:28:43,400 Speaker 2: I don't know how you put those pieces together. Many 523 00:28:43,480 --> 00:28:45,240 Speaker 2: years ago, there was a guy who went and he 524 00:28:45,360 --> 00:28:50,520 Speaker 2: killed somebody doing this accidentally. He was making helicopter rotor 525 00:28:50,600 --> 00:28:53,760 Speaker 2: blades at home, Like the small ones in the back 526 00:28:53,800 --> 00:28:55,800 Speaker 2: of the helicopter couldn't make it is of his easy 527 00:28:55,840 --> 00:28:58,440 Speaker 2: bake oven wasn't big enough, so he couldn't make it, 528 00:28:59,280 --> 00:29:00,040 Speaker 2: you know, the full. 529 00:28:59,800 --> 00:29:02,720 Speaker 3: Size rotor blades. Well, here's the story. 530 00:29:03,080 --> 00:29:08,440 Speaker 2: I saw the daily news about these exotic flavored KitKat bars, 531 00:29:08,960 --> 00:29:11,480 Speaker 2: you know, over in Japan, they make all these spicy 532 00:29:11,600 --> 00:29:17,640 Speaker 2: flavored kitcat bars and they're very desirable for people to 533 00:29:17,920 --> 00:29:22,520 Speaker 2: like the extra tweak to their KitKat habit. And the 534 00:29:22,560 --> 00:29:26,040 Speaker 2: guy had fifty five thousand dollars worth of them coming 535 00:29:26,040 --> 00:29:28,200 Speaker 2: into the Oh no, excuse me, fifty five thousand kit 536 00:29:28,280 --> 00:29:31,240 Speaker 2: cat bars worth one hundred and ten thousand. That's what 537 00:29:31,320 --> 00:29:33,600 Speaker 2: he paid for him. And he hoped to flip him 538 00:29:33,640 --> 00:29:36,760 Speaker 2: for two hundred and fifty thousand, but somebody hacked into 539 00:29:36,800 --> 00:29:41,719 Speaker 2: the trucking company website and managed to divert them. And 540 00:29:41,880 --> 00:29:44,600 Speaker 2: here's the deal. When they track down who stole the 541 00:29:44,680 --> 00:29:48,080 Speaker 2: KitKat bars, that person's not going to do well in prison. 542 00:29:48,760 --> 00:29:52,160 Speaker 2: You just can't do well in prison if your crime 543 00:29:52,320 --> 00:29:56,000 Speaker 2: is you stole kitcat bars. I could just see that conversation. 544 00:29:55,560 --> 00:29:58,680 Speaker 3: In the yard. What are he and Va Shifty? I 545 00:29:58,720 --> 00:30:01,840 Speaker 3: showed up with school bus the kids? What about you? 546 00:30:02,400 --> 00:30:07,880 Speaker 2: I stole some exotic kit cat bars. Just I'm sorry. 547 00:30:08,040 --> 00:30:09,680 Speaker 2: You're just not going to do well in the yard 548 00:30:09,680 --> 00:30:11,560 Speaker 2: with that. You know you're gonna do well. Listened to 549 00:30:11,680 --> 00:30:15,080 Speaker 2: KFI for the next three hours because in for Tim 550 00:30:15,200 --> 00:30:20,240 Speaker 2: Conway Junior, who's got monkey pox and or avian bird flow, 551 00:30:20,520 --> 00:30:22,400 Speaker 2: it's gonna be Kelvin Washington and Joe Kwan. 552 00:30:22,480 --> 00:30:23,560 Speaker 3: What do you got coming up today? 553 00:30:23,920 --> 00:30:27,760 Speaker 7: Not exotic kit cats? Yeah, I mean I've actually had. 554 00:30:27,600 --> 00:30:29,360 Speaker 3: Some of those. I can't. 555 00:30:30,680 --> 00:30:33,280 Speaker 7: Someone who works with us Gil, you know, he came 556 00:30:33,320 --> 00:30:35,840 Speaker 7: back from Japan with a bunch of different type. 557 00:30:36,320 --> 00:30:38,880 Speaker 2: My daughter in law brought brought over a bunch of them. 558 00:30:38,880 --> 00:30:42,160 Speaker 2: But I'm the guy that you know, Uh pepper is 559 00:30:42,200 --> 00:30:44,560 Speaker 2: too much, I mean regular black pepper. Yeah, I can't 560 00:30:44,920 --> 00:30:48,440 Speaker 2: look at me tradition, look at me, traditional, look at me. 561 00:30:48,480 --> 00:30:52,560 Speaker 2: I'm translucent. I make Anderson Cooper look like a person 562 00:30:52,600 --> 00:30:53,000 Speaker 2: of color. 563 00:30:57,280 --> 00:30:58,840 Speaker 7: I'll get you a little season, and we'll get you 564 00:30:58,880 --> 00:31:00,120 Speaker 7: some season and we'll make it. 565 00:31:00,600 --> 00:31:05,880 Speaker 4: Yeah, what were mobile food pantry lakers in town? 566 00:31:05,920 --> 00:31:08,680 Speaker 7: I see there's like seven military helicopters that are hovering 567 00:31:08,680 --> 00:31:10,880 Speaker 7: around burbank areas. So I don't know he's around. 568 00:31:11,120 --> 00:31:12,320 Speaker 2: I don't know if you heard this, but I have 569 00:31:12,360 --> 00:31:14,640 Speaker 2: a solution to this traffic time with these guys, and 570 00:31:14,680 --> 00:31:17,240 Speaker 2: it's been right in front of our eyes for years. 571 00:31:17,760 --> 00:31:21,200 Speaker 2: At LAX, they got the theme restaurant that flying saucer. 572 00:31:21,720 --> 00:31:22,400 Speaker 3: It's empty. 573 00:31:23,080 --> 00:31:28,360 Speaker 2: We make that the mandatory designated politician fundraiser. Event location 574 00:31:28,680 --> 00:31:31,040 Speaker 2: like it. They get off the airplane, they go to 575 00:31:31,080 --> 00:31:34,200 Speaker 2: the take a shuttle van right there. Everybody comes in, 576 00:31:34,360 --> 00:31:36,560 Speaker 2: throws money at them, and they go right back to 577 00:31:36,600 --> 00:31:37,280 Speaker 2: Air Force one. 578 00:31:37,360 --> 00:31:37,920 Speaker 3: Nobody's there. 579 00:31:37,960 --> 00:31:39,560 Speaker 6: And if they ever get their stuff together with the 580 00:31:39,600 --> 00:31:41,360 Speaker 6: people mover, then there won't be any. 581 00:31:41,160 --> 00:31:42,360 Speaker 3: Traffic, no traffic at all. 582 00:31:42,600 --> 00:31:45,840 Speaker 2: Did Steven Spielberg and George Cloney wants they just take 583 00:31:46,520 --> 00:31:49,200 Speaker 2: the people people move it right in there, hand them 584 00:31:49,200 --> 00:31:50,680 Speaker 2: some And this is bipartisan. 585 00:31:51,080 --> 00:31:53,440 Speaker 7: Yeah, you know what I'm gonna Usually somebody has an idea. 586 00:31:53,440 --> 00:31:55,520 Speaker 7: You're gonna go you're laughing. Oh, that's terrible. That's actually 587 00:31:55,560 --> 00:31:56,280 Speaker 7: a great idea. 588 00:31:56,320 --> 00:31:56,960 Speaker 3: Well, here's the thing. 589 00:31:57,000 --> 00:31:58,760 Speaker 2: You know. Some people get it to talk radio to 590 00:31:58,800 --> 00:32:01,200 Speaker 2: create problems. Yeah, I got into its soft problems. 591 00:32:01,280 --> 00:32:01,480 Speaker 6: Yeah. 592 00:32:01,600 --> 00:32:05,080 Speaker 7: And and there's much less of you. There's much less 593 00:32:05,080 --> 00:32:06,920 Speaker 7: of you. The problem is they want to hear. They 594 00:32:06,920 --> 00:32:09,000 Speaker 7: gotta do their thing. They gotta go to Roscoe's chicken 595 00:32:09,080 --> 00:32:10,160 Speaker 7: while they got to do the whole. 596 00:32:10,160 --> 00:32:11,280 Speaker 3: You know, the whole circuit. 597 00:32:11,480 --> 00:32:13,480 Speaker 7: Yeah, you kissed the babies. 598 00:32:13,560 --> 00:32:16,000 Speaker 2: Yeah, I can't blame them for going to Roscoe's Chickens. 599 00:32:16,160 --> 00:32:19,800 Speaker 2: Although you go to pans On Losienica, that's pretty love 600 00:32:19,920 --> 00:32:20,920 Speaker 2: pants you. 601 00:32:20,920 --> 00:32:22,680 Speaker 7: Just went up with me. You just you were here. 602 00:32:22,760 --> 00:32:23,560 Speaker 7: You just went up here. 603 00:32:24,600 --> 00:32:28,280 Speaker 2: You know diners by the way, that's not bad either, 604 00:32:28,680 --> 00:32:30,360 Speaker 2: but but Pans is my favorite. 605 00:32:30,400 --> 00:32:33,520 Speaker 7: Pans get the catfish next time. You'll thank me later, 606 00:32:33,680 --> 00:32:34,360 Speaker 7: but you gotta get. 607 00:32:34,280 --> 00:32:35,960 Speaker 3: It from I'm already would just see my eyes bolts 608 00:32:36,040 --> 00:32:37,360 Speaker 3: because the idea. 609 00:32:37,360 --> 00:32:38,400 Speaker 7: You gotta get the catfish. 610 00:32:38,480 --> 00:32:40,000 Speaker 2: Folks, if you don't know what we're talking about, Pans 611 00:32:40,000 --> 00:32:42,360 Speaker 2: on Lost. He has been there for like fifty five years. 612 00:32:42,600 --> 00:32:45,520 Speaker 2: Fantastic diner. I mean it's it's it's one of those 613 00:32:45,560 --> 00:32:46,600 Speaker 2: Googy architecture. 614 00:32:46,640 --> 00:32:48,400 Speaker 7: Literally just passed it on my way here today. I 615 00:32:48,440 --> 00:32:50,040 Speaker 7: had to take uh problem. 616 00:32:50,080 --> 00:32:53,160 Speaker 2: I actually I get off Lost again and work around 617 00:32:53,160 --> 00:32:55,520 Speaker 2: it because I can't pass it. Oh god, I just 618 00:32:55,520 --> 00:32:57,800 Speaker 2: go in and I start ordering chicken and waffles and 619 00:32:57,800 --> 00:32:59,360 Speaker 2: the milkshakes they have like. 620 00:32:59,240 --> 00:33:02,280 Speaker 7: Any is really good, so good I almost left. I 621 00:33:02,360 --> 00:33:05,360 Speaker 7: actually left mine vis a line in the trash there. Wow, 622 00:33:05,760 --> 00:33:06,600 Speaker 7: that's a long story. 623 00:33:06,680 --> 00:33:10,840 Speaker 2: So we got Lakers, we got we got possibly Otani. 624 00:33:10,920 --> 00:33:12,680 Speaker 2: That could break while you're on the air, because we're 625 00:33:12,680 --> 00:33:15,360 Speaker 2: hearing said Otani may declare. I know this isn't a 626 00:33:15,360 --> 00:33:18,240 Speaker 2: sports station, but these stories are beyond sports like Taylor's 627 00:33:18,680 --> 00:33:21,880 Speaker 2: story though it is very much so. Either he's coming 628 00:33:21,960 --> 00:33:24,880 Speaker 2: or going one way or another from Orange County. Anyway, 629 00:33:24,920 --> 00:33:27,840 Speaker 2: that's coming up in for Conway, who hopefully will be 630 00:33:27,880 --> 00:33:30,240 Speaker 2: back on Monday, and I will be back on Monday 631 00:33:30,280 --> 00:33:33,719 Speaker 2: as well for what will in really technically be the 632 00:33:33,760 --> 00:33:37,080 Speaker 2: final John and Ken Show, because on Tuesday KFI rolls 633 00:33:37,080 --> 00:33:39,320 Speaker 2: out the red carpet for the John Cobbolt Show. An 634 00:33:39,400 --> 00:33:42,040 Speaker 2: a thank ca Sharon Belli oh ed, thanks so much, 635 00:33:42,800 --> 00:33:44,320 Speaker 2: and Deborah Mark as well. 636 00:33:44,760 --> 00:33:46,560 Speaker 3: Hey, you've been listening to The John and Ken Show. 637 00:33:46,600 --> 00:33:49,280 Speaker 6: You can always hear us live on KFI AM six 638 00:33:49,440 --> 00:33:52,719 Speaker 6: forty one pm to four pm every Monday through Friday, 639 00:33:52,760 --> 00:33:56,360 Speaker 6: and of course anytime on demand on the iHeartRadio app