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Speaker 1: So I'm sitting on Green Goblin's lap doing cruise in USA,

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Speaker 1: and I'm like trying to tell him which way to

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Speaker 1: turn and stuff because he's reaching out sun and driving

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Speaker 1: mm hmmm, because it like, but I don't think like

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Speaker 1: because he insists that's like how you're supposed to You

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Speaker 1: need the one person who to like tell you.

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Speaker 2: What to do and the one person to actually steer

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Speaker 2: the controls.

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Speaker 1: Yes, but I think it was just that he didn't

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Speaker 1: want to wait his turn right.

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Speaker 2: Well, so when I've done it, I find that his

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Speaker 2: hands are rarely on the wheel. Yeah, which is the

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Speaker 2: other he's like, because I'll be like, turn this way,

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Speaker 2: and he goes like this, and he'll be touching my

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Speaker 2: chest and stomach and trying to stick shift, and I

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Speaker 2: just feel like that's definitely not going to get us

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Speaker 2: the winning score of the game.

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Speaker 1: And meanwhile, like you're saying, like, put on the break

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Speaker 1: because you don't know any other way to say it,

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Speaker 1: say stop other than put on the brakes, and that

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Speaker 1: of course stops the car. And meanwhile everyone else is

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Speaker 1: just blowing by you.

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Speaker 2: Oh, and don't think you didn't try to pull the

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Speaker 2: emergency brake.

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Speaker 3: You know, there's the stick shift and then the emergency brake.

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Speaker 2: I got two of them.

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Speaker 1: Hey, welcome to Hollywood Handbook and inside his guy to

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Speaker 1: a kicking button, dropping names of the red carpet lineback

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Speaker 1: always of this industry week called show. But we're going

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Speaker 1: to get into our guest segment in a second with Allen.

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Speaker 1: But Sean, I mean, I think we could be candid

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Speaker 1: about this. You're feeling sort of cranky and so like,

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Speaker 1: just good to get through this first part is just

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Speaker 1: a fast one, as fast as possible.

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Speaker 2: Yeah, I've been in a pissy mood today and I've

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Speaker 2: been rude to everyone.

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Speaker 1: But we did want to talk about Bassward Executioner for

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Speaker 1: a minute. Yeah, this is a show like when we

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Speaker 1: can be fans of TV.

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Speaker 2: That's one thing that makes my mood actually good is talking.

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Speaker 1: Yes, And that's well, that's why I want to talk

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Speaker 1: about Basroot Executioner because by the time our guest comes

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Speaker 1: and see now I can see you're already Yes.

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Speaker 3: I'm really having fun thinking about that.

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Speaker 1: You're already getting very excited because we're fans of TV

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Speaker 1: as much as doing it, and when a show comes along,

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Speaker 1: it seems like it's really fresh and like.

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Speaker 2: A new take on being bad ass of our time.

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Speaker 1: Yes, yes, because it is taking place in ancient England.

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Speaker 3: But the whole idea first, it's not.

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Speaker 2: About English stuff.

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Speaker 3: It's about us, Yes, it's about us.

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Speaker 1: And it's the same guy who did Sons of Anarchy

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Speaker 1: and who came up with the idea for Southpaw.

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Speaker 3: Yes, and what it is it's this bastard executioner.

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Speaker 1: I haven't seen it yet, but just the idea of it,

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Speaker 1: just like being this like bastard, just like son of

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Speaker 1: a bitch, you know, just being like.

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Speaker 2: A badass, just this mass motherfucker you know. Yes, and

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Speaker 2: just a real hard ass and chopping with an axe.

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Speaker 1: And the thing that gets the thing that's really exciting

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Speaker 1: is I like seeing white guys who are being really tough,

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Speaker 1: tough and strong. Yeah, like the Motorcycle the guys.

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Speaker 2: Motorcycle gang, tough white guys, Yes, South South Paw, white

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Speaker 2: puncher who's the strongest one of them all?

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Speaker 3: Yeah, over everybody.

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Speaker 1: Yeah, And I like thinking about like that means like

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Speaker 1: it makes me almost like wonder if I could do that.

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Speaker 2: Yes, I have a tough time sometimes imagining myself being

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Speaker 2: the tough character in a movie. And I that's what

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Speaker 2: I really want, or in a show, and I wonder

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Speaker 2: if I could lift an axe and smash through a

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Speaker 2: sharp head or whatever.

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Speaker 1: I need to see people who look like me being

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Speaker 1: the toughest one in the universe andnger.

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Speaker 2: Than even the other guys who are different looking.

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Speaker 1: Yes, although sometimes in order to do this we do

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Speaker 1: have to go back into ancient times in order to

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Speaker 1: establish a world where we don't have that kind of

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Speaker 1: competition that.

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Speaker 3: We have now, Yes, and England making it not as

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Speaker 3: fun anymore.

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Speaker 2: Maybe there's not it's not so hard to buy necessarily

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Speaker 2: that we'd be the toughest ones it used to be

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Speaker 2: as in modern times it feels like we're not.

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Speaker 1: Yes, and so that's why you can go back and

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Speaker 1: pretend to be like cowboys were. There isn't all this

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Speaker 1: stuff like messing it up, ruining.

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Speaker 2: It mm hm, Trump will build that wall.

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Speaker 1: And also that's why I like those Boston noir movies.

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Speaker 1: I like seeing gangsters, but gangsters like you know gangsters,

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Speaker 1: and like the shooting and all that.

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Speaker 4: But I wanted to look like me and my friends.

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Speaker 5: Oh al capo a cap old Chicago and yes, and

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Speaker 5: the mob even like that's something because that is white

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Speaker 5: guys and they're fucking strong.

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Speaker 3: But like a lot of the.

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Speaker 2: Other stuff with tough guys and strong guys and guys

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Speaker 2: who are gritty. Yeah, it takes not it takes me

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Speaker 2: out of it for me, yes, and is really not

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Speaker 2: going to be popular, let's face it. So this is

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Speaker 2: going to be finally a show for me. I've been

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Speaker 2: missing Sons of Anarchy and let's get into something new

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Speaker 2: that's good in the way that we like. Was there

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Speaker 2: anything else do you want to say about Bastard Executioner? Oh?

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Speaker 2: Just I heard Ed Sheeran's on it, and what better

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Speaker 2: way to like show your toughness and if you're friends

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Speaker 2: with a little British fop singing about love he's friends

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Speaker 2: with Taylor Swift and getting him in there, he's already

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Speaker 2: got the look, so yeah, that's cool too.

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Speaker 3: What did you want to say something else about it?

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Speaker 4: Yeah?

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Speaker 2: I want to talk about how our Ed Sheeron is

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Speaker 2: in it. He plays he lives in a tree and

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Speaker 2: like he gives the Bassard Executioner advice mm and he

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Speaker 2: tortures him.

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Speaker 1: Yeah not in sorry, not in the top of a

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Speaker 1: tree in the trunk.

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Speaker 2: Yeah, or it's just a wooden place, right.

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Speaker 3: Yeah, is there another word for that? No, I don't know.

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Speaker 2: I mean, but it's just a place made of trees. Yeah, yeah, yeah,

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Speaker 2: that's what I Wooden pieces, Yeah, like boards out of.

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Speaker 1: Wood on the outside and on the bottom it's like

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Speaker 1: uh right, but there's wood there too, sure. And then

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Speaker 1: the top is wood like a tree. And he's burning

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Speaker 1: in the fireplace. There's a stone fireplace.

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Speaker 3: He lives in a tree.

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Speaker 4: Uh.

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Speaker 3: Anyway, I'm excited for that.

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Speaker 2: And uh, and look out for us, you know, because

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Speaker 2: now this is going to give me the courage to

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Speaker 2: be as strong like these men.

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Speaker 3: We have a great guest.

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Speaker 1: But people don't like, you know, we like to go

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Speaker 1: through these fast hols because people don't like to wait

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Speaker 1: so long for the ads after the first one. They

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Speaker 1: you know, they just heard the first one at the

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Speaker 1: very beginning, and then they want to hear the next one.

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Speaker 1: Didn't know sort of how the story ends, and so

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Speaker 1: this is, uh, you'll.

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Speaker 4: Hear the part two of the ad story.

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Speaker 1: Uh, and then we'll we'll we'll bring in our guests.

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Speaker 3: On Hollywood Handbook.

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Speaker 1: So everyone's cheering this we and it's because it's parade.

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Speaker 2: Yeah.

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Speaker 3: On the float, me Joshua, I love this song, Jackson.

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Speaker 2: Do you ever really listen to the song? And the

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Speaker 2: float is like Free Willie's tank on wheels because it's

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Speaker 2: somebody made a mistake with the word float.

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Speaker 1: I don't know, but it's my fortieth. The parade is

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Speaker 1: not for my forty. The parade is the parade Saint

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Speaker 1: Patrick's Day. The float is for my fourth. And this

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Speaker 1: was when like Free Willy, this was when the first

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Speaker 1: Free Willy had like really gotten around.

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Speaker 2: And you know, so talk to Joshua jumping over the

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Speaker 2: raised fists on the rocks, and that's what I wanted

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Speaker 2: to sort of for my party to sort of be

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Speaker 2: about on this float.

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Speaker 3: And so.

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Speaker 1: At some point the zoo keeper comes up, which is

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Speaker 1: like or like the animal. She says like I'm the

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Speaker 1: animal supervisor or whatever. But it's like you're fucking zoo keeper. Uh,

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Speaker 1: And it's like you uh, you have to stop the float?

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Speaker 4: What?

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Speaker 2: Because you don't stop a float in a beat?

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Speaker 1: Because girls are throwing their bras into the tank. They're

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Speaker 1: like missing me and hitting the tank, and Free Willy

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Speaker 1: is eating the bras because he thinks they're like circley eels,

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Speaker 1: you know how bras are those circles.

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Speaker 2: The front's part. Yes, yes, he thinks they're like circle

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Speaker 2: of eels. Okay, he's not supposed to the strap. They

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Speaker 2: have like long parts on the side. Yes, that's the

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Speaker 2: eel part, undone, that's the eel part.

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Speaker 1: Yes, yes, that's the party thought was an eel, and

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Speaker 1: so zoo Keeper's likes.

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Speaker 2: Not almost like two jellyfish humping. I guess the problem

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Speaker 2: was that he was embarrassed that like the zookeeper's worried

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Speaker 2: that he's gonna be embarrassed about eating bras that free

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Speaker 2: Willie will yes, or that it's just bad press.

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Speaker 1: And so we all eat that we all start eating

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Speaker 1: the bras as well so he doesn't get embarrassed.

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Speaker 3: And that was the most bras I so he had birthday.

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Speaker 2: So he had wanted you to stop the flow because

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Speaker 2: the whale was embarrassed, and then being embarrassed, you guys

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Speaker 2: ate the braus, so you didn't stop the flow.

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Speaker 4: No.

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Speaker 2: Wow, it almost feels like part of the story got

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Speaker 2: skipped or messed up.

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Speaker 1: Which part just you? Like you said you can't stop

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Speaker 1: a float during a parade, So I had to come

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Speaker 1: up with an alternative reason to stop free Willy from

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Speaker 1: being embarrassed.

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Speaker 2: You know what I made was even, Yeah, I should

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Speaker 2: have said that. I should have said I had an idea.

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Speaker 3: You're right.

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Speaker 2: I love to see that part of every story.

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Speaker 3: You're right.

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Speaker 2: Some things that I love about stories and storytelling. Number one,

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Speaker 2: why now why today? You know, like, yes, you're having parys,

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Speaker 2: which I did.

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Speaker 3: Today.

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Speaker 2: That's not a note because I did. Why is this

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Speaker 2: happening now to this character? Hayes?

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Speaker 3: Okay, I thought I did establish that.

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Speaker 1: I thought I actually did almost too many of those,

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Speaker 1: because it was both my fortieth birthday and it was St.

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Speaker 1: Patrick's Day, and it was right around the time that

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Speaker 1: Free Willie was exciting to people.

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Speaker 2: And I like to feel like the protagonist is active

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Speaker 2: in the story, right, and that they.

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Speaker 3: Made a choice.

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Speaker 2: Things are just happening to them, you know, because that's

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Speaker 2: not how life is.

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Speaker 3: Nothing ever happens to you. You create it. Hey, Welcome

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Speaker 3: to Hollywood Book.

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Speaker 1: An Insider's Guide to kicking button dropping names in the

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Speaker 1: red carpet lineback hallways of this industry we call Showbez.

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Speaker 1: We're so excited to have a corker of a guest

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Speaker 1: on the show.

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Speaker 2: Mega corker, and it's blowing my fucking tits off. Brother,

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Speaker 2: you guess who's here? And heyes, I'm trying out a

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Speaker 2: new persona. It's almost like dirtier and edgier and more

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Speaker 2: in your face the way.

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Speaker 3: Wait, what did you say that was? You said, guess

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Speaker 3: is here?

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Speaker 2: I said mega corkor it's blowing my fucking tits off?

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Speaker 2: Guess who's here?

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Speaker 3: Oh that is?

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Speaker 2: Yes, that is, and it's Alan mcleoden. Hey, fuck you, buddy.

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Speaker 2: What's up Alan?

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Speaker 4: Hey? Fuck you guys.

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Speaker 3: That's really sweet.

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Speaker 4: Yeah, happy to be here. Thanks for having me, Alan.

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Speaker 4: Tell me who you are? Well? Uh, I'm Alan. Uh.

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Speaker 4: I live right here in Los Angeles. I do comedy

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Speaker 4: stuff and an actor and a writer.

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Speaker 3: I love it.

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Speaker 4: Yeah yeah yeah, I sing sometimes.

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Speaker 3: And great lay a couple of bars on us.

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Speaker 2: Yeah, this feels good.

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Speaker 4: The energy here, yeah yeah, I love the energy.

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Speaker 6: The false and on Emmy's Weekend no less oh yeah, gredictionions,

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Speaker 6: Well uh, well you know he's gonna get one.

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Speaker 3: Well yeah, yeah, say it so, David.

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Speaker 4: David, David's gonna get one.

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Speaker 2: Bringing home the hardware, Sharon, mm, Sharon bringing home the hardware.

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Speaker 2: What she does with the hardware, I don't want to guess.

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Speaker 2: Oh man, once she gets at home.

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Speaker 4: I heard they get very nasty at those Ammy parties

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Speaker 4: with the little gold hardware.

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Speaker 1: They make them do, yes, because they make them do

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Speaker 1: stuff with the make the awards act like they're doing

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Speaker 1: stuff with each other. Oh yeah, you know, make it

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Speaker 1: seem like the awards are rubbing up on each other

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Speaker 1: in in the nasty West.

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Speaker 4: Yeah, the Ammy Awards are the new Barbie dolls.

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Speaker 7: You know.

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Speaker 2: Yeah, And if you do ever win two awards, if

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Speaker 2: you're a hyphen it like me and you win two awards,

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Speaker 2: you can make them sixty nine and stick that sort

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Speaker 2: of wiry globe at each other's butts.

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Speaker 4: Oh yeah.

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Speaker 2: So, and it's and I'm not proud of it, but

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Speaker 2: I'm not ashamed of it. No, because what else are

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Speaker 2: you gonna at a certain point they've been on your shelf?

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Speaker 3: What else are you gonna do?

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Speaker 4: And how else are you gonna teach your kids how

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Speaker 4: to you know, do that stuff safely?

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Speaker 2: Well? Yeah, I mean, you can't get pregnant from sixty

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Speaker 2: nine y unless you do.

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Speaker 3: There's a way you can't.

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Speaker 2: But I yeah, so alan enough about sixty nine's. You

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Speaker 2: of course love the Emmys. You love Hollywood. You have

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Speaker 2: had many roles which you loved, and tell us about

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Speaker 2: some of what you're in right now. And you're the

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Speaker 2: worst and more like, it's the best. Yes, you're the

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Speaker 2: friend on It's the best.

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Speaker 4: Yes, yes, I'm a friend.

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Speaker 2: We call it the best.

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Speaker 4: I'm a husband of one of the one of the

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Speaker 4: best worsties there. Mm hmm. And that's a lot of fun.

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Speaker 4: It's like the just the perfect amount of medium pressure.

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Speaker 4: I'm not having to carry FX or fxx, fx X

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Speaker 4: even better. It was on FX. It was on f

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Speaker 4: and then it was on f X, and now it's

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Speaker 4: on fx X.

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Speaker 2: Andy Greenwald said it's the funniest comedy on TV the

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Speaker 2: past two years.

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Speaker 3: And it just and do you like that? Do you

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Speaker 3: like that? Or is that embarrassing?

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Speaker 4: Did he? Were you hanging out with?

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Speaker 3: You want him? Though?

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Speaker 2: It's he's writing it on the show and I and

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Speaker 2: do you is that weep somebody you're friends with? Uh no, no,

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Speaker 2: I don't really nice, don't hang out with your friend

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Speaker 2: And he's saying that, yeah that none of us do.

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Speaker 2: But yeah, you know you like it, then it's not embarrassing.

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Speaker 4: I like it. I like I like when people like stuff.

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Speaker 4: That I'm in you know, all people. Yeah, yeah, well,

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Speaker 4: I mean if Hitler liked you're the worst, I'd be like,

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Speaker 4: maybe we shouldn't be doing this. This isn't that Yeah,

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Speaker 4: but yeah, this guy's adweb but you know whatever.

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Speaker 2: He's not honestly not cool enough to I mean imagine

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Speaker 2: him like trying to do like a Hitler, Like, yes,

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Speaker 2: trying to be a Hitler stuff being like people would

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Speaker 2: kind of be.

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Speaker 3: Able to.

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Speaker 2: Anyway, link to is like manifesto or something, and check

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Speaker 2: out these other ones I did last year. But here

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Speaker 2: and here, and then it's the different color of the

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Speaker 2: letter on the screen and then you click it. It's

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Speaker 2: like an old speech that he gave.

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Speaker 4: I don't like that when sometimes the words a hyperlink

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Speaker 4: to a thing longer. I'm in the middle of reading

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Speaker 4: this thing though. Yeah, but if it, if it, if

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Speaker 4: the hyperlink takes you to a different to a different page,

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Speaker 4: that I can then book bark that page for later.

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Speaker 4: But if it covers up the page that I'm on,

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Speaker 4: well then it's like.

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Speaker 2: I have to go all the way through being curious

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Speaker 2: then go back up to the top. Yes, and then

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Speaker 2: one thing this guy would do maybe is it always

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Speaker 2: hyper just something else, he said, Yeah.

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Speaker 1: And imagine, Alan, you're going into that. You're clicking the

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Speaker 1: hyperlink is say, the first article, and you're starting to

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Speaker 1: read the second one. But guess what, Alan, that one

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Speaker 1: has a hyperlink as well, and so you have to

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Speaker 1: go inside that one.

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Speaker 2: How are you supposed to do it? Are you supposed

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Speaker 2: to do it when you see it?

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Speaker 3: And are you supposed to do that?

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Speaker 4: I don't know if you're supposed to remember the hyperlink.

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Speaker 4: But when you finish the thing you were reading.

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Speaker 2: Are you supposed to click it? See the headline, go back, finish.

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Speaker 2: You have to read the whole thing and then if

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Speaker 2: you liked it, really but there is hyperlinks in it.

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Speaker 3: Yeah, you have to read. You have to go in order.

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Speaker 3: You'll never read, you'll never finish reading.

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Speaker 4: I mean, sometimes it's important to get that hyperlink out

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Speaker 4: of the way right away because they're hyperlinking it because

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Speaker 4: it's important to the next word of the article.

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Speaker 3: Yeah.

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Speaker 4: Sure, about to read and you're going to be lost.

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Speaker 2: Are hyperlinks just a nasty trick?

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Speaker 4: Alan? I think they started off innocently enough and now

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Speaker 4: there's just too many darn hyperlinks.

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Speaker 3: Speak on that.

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Speaker 4: Well, you know when kids get hyper they call it

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Speaker 4: add and I think, well, maybe we need to prescribe

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Speaker 4: a you know, that sort of medicine riddling and whatnot

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Speaker 4: to us.

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Speaker 3: Well the Internet, you know some of these links.

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Speaker 4: Yeah, yeah, for some of these links, because I mean

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Speaker 4: it's like hard to pay attention to what's going on.

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Speaker 4: It's like it's hard enough, you know. It's like I'm

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Speaker 4: trying to read the Internet, and then there's like this

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Speaker 4: hyperlink and that hyperlink, and then maybe a car passes by.

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Speaker 4: That's a really cool car, and I'm well, I'm destroyed

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00:19:20,680 --> 00:19:22,399
Speaker 4: by that too, and it's like that car's got a

360
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Speaker 4: hyperlink on it. Well I got to see what that's about.

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Speaker 2: Oh okay, okay, Alan, And that's maybe too much.

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Speaker 4: Now I'm at a cafe. I should have said, I

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Speaker 4: should have said, now this is a problem. I should

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Speaker 4: have said. I was outside of a cafe when I'm

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Speaker 4: reading this article on the internet. And that's why car passed.

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Speaker 3: That's why you could see a car.

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00:19:38,280 --> 00:19:41,080
Speaker 4: Yeah, that's a I'm still working on my storytelling too.

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00:19:41,160 --> 00:19:42,240
Speaker 4: You guys are talking about.

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Speaker 3: That, Okay, Okay, that's why.

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00:19:44,640 --> 00:19:47,280
Speaker 2: And that's maybe too much why today, because what I

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00:19:47,320 --> 00:19:49,720
Speaker 2: really want to talk about is these you've done these roles.

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Speaker 2: You're the best friend on the it's the best and.

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Speaker 4: Then the husband on it it's the it's the.

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Speaker 2: One of the main best friends, and you and so.

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Speaker 2: But there's a lot of roles that you almost had.

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Speaker 2: And Hollywood a town of just these almost in god,

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00:20:07,440 --> 00:20:10,320
Speaker 2: you don't you know. It's some forks in the road

378
00:20:10,480 --> 00:20:12,680
Speaker 2: and sliding doors and all that.

379
00:20:12,840 --> 00:20:14,840
Speaker 4: Oh, I've come very close on a few things.

380
00:20:15,440 --> 00:20:16,960
Speaker 3: The path isn't a straight line.

381
00:20:17,840 --> 00:20:21,480
Speaker 4: No, I mean, well, most of the time it is,

382
00:20:21,520 --> 00:20:24,080
Speaker 4: I guess. Actually, oh well, I mean it depends on

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00:20:24,200 --> 00:20:24,439
Speaker 4: it is.

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Speaker 3: But it almost wasn't right.

385
00:20:26,520 --> 00:20:29,200
Speaker 4: It almost wasn't a straight line. And you think it's

386
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Speaker 4: gonna be well, I might have to take a twister

387
00:20:32,760 --> 00:20:35,640
Speaker 4: return today. But sometimes there's one foot right in front

388
00:20:35,640 --> 00:20:36,239
Speaker 4: of the other. You know.

389
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Speaker 2: Tell me about you almost became Master Robot.

390
00:20:39,800 --> 00:20:44,040
Speaker 4: Well, I went in for this Master Robot show and

391
00:20:44,400 --> 00:20:47,760
Speaker 4: for the role of Master Robot and to who we

392
00:20:47,800 --> 00:20:55,200
Speaker 4: all know, went to Christie Slasher. So I go in there,

393
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Speaker 4: We go in there, my team and I go in there.

394
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Speaker 2: All your agents are there with the at the audition.

395
00:21:00,640 --> 00:21:04,000
Speaker 3: With bring your agents.

396
00:21:04,320 --> 00:21:06,359
Speaker 1: We haven't talked to the scroop troop in a long time,

397
00:21:06,359 --> 00:21:09,439
Speaker 1: but this is a good opportunity to shake them and

398
00:21:09,480 --> 00:21:12,840
Speaker 1: say get your pens and say bring your team to

399
00:21:13,000 --> 00:21:13,800
Speaker 1: the auditions.

400
00:21:13,920 --> 00:21:15,679
Speaker 2: Shake your pen and suck on the tip of it

401
00:21:15,720 --> 00:21:17,760
Speaker 2: a little bit so that you get the ink flowing

402
00:21:18,280 --> 00:21:21,000
Speaker 2: and write down bring your team to the audition. Because

403
00:21:21,040 --> 00:21:23,520
Speaker 2: even if you don't get the role, your agents might

404
00:21:23,600 --> 00:21:25,600
Speaker 2: be like that guy could really do it.

405
00:21:26,160 --> 00:21:28,600
Speaker 4: You want your agents to see you perform every time.

406
00:21:28,960 --> 00:21:33,960
Speaker 4: Every audition is really a performance opportunity, and you should

407
00:21:33,960 --> 00:21:36,320
Speaker 4: be performed for your agents just as much as any

408
00:21:36,320 --> 00:21:41,160
Speaker 4: other audience. So we're in there. I've got my sides,

409
00:21:41,520 --> 00:21:45,439
Speaker 4: which also, by the way, sides are the little pieces

410
00:21:45,440 --> 00:21:50,240
Speaker 4: of paper that you write the script on, not the

411
00:21:50,280 --> 00:21:53,720
Speaker 4: sides of the paper, which is sure that'll cut you.

412
00:21:54,600 --> 00:21:56,959
Speaker 4: I got my little sides, and I'm going through the

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Speaker 4: scene with the master robot.

414
00:22:00,080 --> 00:22:03,040
Speaker 2: You reading with the actual actor who was cast Pete

415
00:22:03,119 --> 00:22:04,240
Speaker 2: Davidson in a hoodie.

416
00:22:04,640 --> 00:22:09,320
Speaker 4: Uh, I was reading with him. He's wearing his hoodie.

417
00:22:09,800 --> 00:22:12,840
Speaker 4: It's his. This is an interesting They may know it's

418
00:22:12,840 --> 00:22:13,400
Speaker 4: his hoodie.

419
00:22:14,040 --> 00:22:16,719
Speaker 3: No way get out of here, but it's so perfect

420
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Speaker 3: for the character.

421
00:22:17,960 --> 00:22:20,400
Speaker 4: I know, but it's his. It's one of those. It's

422
00:22:20,480 --> 00:22:23,400
Speaker 4: just one of those things. Anyway. So we're reading, uh,

423
00:22:23,480 --> 00:22:24,440
Speaker 4: and I'm just about.

424
00:22:24,160 --> 00:22:25,800
Speaker 3: To start and whoses the other clothes?

425
00:22:27,800 --> 00:22:31,000
Speaker 4: The other clothes is they did a clothing swap some

426
00:22:31,440 --> 00:22:34,600
Speaker 4: of these shows they do. They have people that they're

427
00:22:34,800 --> 00:22:38,560
Speaker 4: that are called wardrobe people and with them, yeah, you

428
00:22:38,600 --> 00:22:42,000
Speaker 4: switch clothes with them. It's the lion, the witch and

429
00:22:42,040 --> 00:22:45,159
Speaker 4: the wardrobe people. And so you might get a lion's

430
00:22:45,280 --> 00:22:49,639
Speaker 4: hat and you might get a witch's birtual Detroit Lions

431
00:22:49,680 --> 00:22:55,760
Speaker 4: Hat and Detroit Witches Broom and then uh, you know

432
00:22:55,840 --> 00:22:57,960
Speaker 4: in the in the you go into the wardrobe and

433
00:22:58,000 --> 00:23:01,680
Speaker 4: then you're on the TV show. So but uh, but

434
00:23:01,920 --> 00:23:04,840
Speaker 4: so that's how everybody else. Yeah, I hope everybody keeps

435
00:23:04,840 --> 00:23:09,560
Speaker 4: on writing this stuff down, but I'm in so but

436
00:23:09,840 --> 00:23:13,680
Speaker 4: the audition, now, now it gets to this and well,

437
00:23:13,840 --> 00:23:15,359
Speaker 4: on the hold, I trip and I fall and I

438
00:23:15,480 --> 00:23:18,000
Speaker 4: dropped all my sides everywhere. They just scattered all over

439
00:23:18,040 --> 00:23:22,119
Speaker 4: the floor, all up in the air. The sides are

440
00:23:22,160 --> 00:23:24,520
Speaker 4: the little pieces of paper where the script is writing

441
00:23:24,600 --> 00:23:28,480
Speaker 4: down so you can read it and uh, you know,

442
00:23:29,000 --> 00:23:31,800
Speaker 4: read it with another actor and perform it and that

443
00:23:31,880 --> 00:23:32,320
Speaker 4: sort of thing.

444
00:23:32,440 --> 00:23:34,240
Speaker 2: And did you have an easy time picking them? Up

445
00:23:34,320 --> 00:23:35,560
Speaker 2: and reorganizing them.

446
00:23:35,720 --> 00:23:38,680
Speaker 4: No, I didn't, and this was my downfall. Ultimately, why

447
00:23:38,720 --> 00:23:43,320
Speaker 4: I'm not master Robine and Christi schlate is is that

448
00:23:43,480 --> 00:23:48,560
Speaker 4: I dropped all the sides and they scattered to and

449
00:23:48,560 --> 00:23:52,240
Speaker 4: fro and I could I was slipping and sliding on them.

450
00:23:52,600 --> 00:23:55,680
Speaker 4: I was getting cut by the actual sides of them.

451
00:23:55,720 --> 00:23:57,240
Speaker 4: So I start then I start bleeding.

452
00:23:57,359 --> 00:23:59,800
Speaker 2: You fell into a soapy tub at one point, right.

453
00:23:59,680 --> 00:24:04,359
Speaker 4: There is a tub in the room and it there

454
00:24:04,400 --> 00:24:06,720
Speaker 4: was soap all outside, it all inside. It was very bubbly.

455
00:24:07,359 --> 00:24:11,560
Speaker 4: Fell into that, get out and uh there was a

456
00:24:11,560 --> 00:24:13,240
Speaker 4: moment of silence. Every was worried, and then we all

457
00:24:13,240 --> 00:24:15,720
Speaker 4: had a good laugh. But then I still couldn't organize

458
00:24:15,760 --> 00:24:18,639
Speaker 4: all the sides again. Some of them when we started

459
00:24:18,680 --> 00:24:21,080
Speaker 4: back were upside down. So then I'm reading, you know.

460
00:24:23,600 --> 00:24:24,280
Speaker 3: Full of blood.

461
00:24:24,600 --> 00:24:27,400
Speaker 2: Yeah, you did upside down language.

462
00:24:27,480 --> 00:24:31,000
Speaker 1: Yeah, which seems like for a hacker would actually be

463
00:24:31,160 --> 00:24:31,760
Speaker 1: very useful.

464
00:24:31,960 --> 00:24:33,760
Speaker 3: Is that sort of code to be able to speak

465
00:24:33,800 --> 00:24:35,920
Speaker 3: that code? But maybe you don't know how to speak

466
00:24:35,960 --> 00:24:36,400
Speaker 3: it so well.

467
00:24:36,480 --> 00:24:41,080
Speaker 4: I wasn't. I hadn't. I'd done the research, but I

468
00:24:41,119 --> 00:24:43,320
Speaker 4: didn't do a good job on that day because my

469
00:24:43,359 --> 00:24:45,600
Speaker 4: hands were also wet so then that got the sides

470
00:24:45,640 --> 00:24:49,080
Speaker 4: all wet, and then they became brittle.

471
00:24:49,600 --> 00:24:56,720
Speaker 2: Wet sides. Everyone more auditions than almost any other thing,

472
00:24:57,640 --> 00:24:58,840
Speaker 2: and that.

473
00:24:59,000 --> 00:25:00,800
Speaker 4: I would, but I I I think it's these tubs

474
00:25:00,800 --> 00:25:02,439
Speaker 4: in the room. I think the sobey tubs in the

475
00:25:02,480 --> 00:25:04,400
Speaker 4: room don't help that.

476
00:25:03,920 --> 00:25:06,960
Speaker 2: That they're always there and they're taking a bath between

477
00:25:07,000 --> 00:25:10,000
Speaker 2: auditions so that they can always see fresh.

478
00:25:10,200 --> 00:25:13,760
Speaker 3: Yeah, you say that until the one time you need

479
00:25:13,800 --> 00:25:14,200
Speaker 3: a bath.

480
00:25:14,920 --> 00:25:16,000
Speaker 4: That's true. That's true.

481
00:25:16,280 --> 00:25:18,879
Speaker 2: Well for me, having been in the casting chair and

482
00:25:18,920 --> 00:25:23,359
Speaker 2: having seen multiple actors, if I don't fully bathe in

483
00:25:23,440 --> 00:25:26,600
Speaker 2: between each audition, you're coming in and I'm maybe still

484
00:25:26,680 --> 00:25:29,960
Speaker 2: thinking about the last guy who was in right before,

485
00:25:30,160 --> 00:25:35,040
Speaker 2: whether it be John ham or Rinaldo the soccer player,

486
00:25:35,400 --> 00:25:37,560
Speaker 2: or any you know, any of the people that we're

487
00:25:37,600 --> 00:25:41,199
Speaker 2: seeing for the roles in your sort of same milieu.

488
00:25:41,359 --> 00:25:44,320
Speaker 4: Oh yeah, yeah, the people you're constantly yes with.

489
00:25:44,720 --> 00:25:48,439
Speaker 2: Now, speaking of John Hamm, it's not just Master Robot

490
00:25:48,520 --> 00:25:50,840
Speaker 2: that you almost played. It was you were up for

491
00:25:51,040 --> 00:25:56,119
Speaker 2: Don Draper. You were almost breaking bad Brother, almost happen

492
00:25:56,200 --> 00:25:56,800
Speaker 2: to have.

493
00:25:58,760 --> 00:25:59,760
Speaker 3: The halt catch fire.

494
00:25:59,800 --> 00:26:04,080
Speaker 2: Guys, you were the one who's uh spray paint, the

495
00:26:04,200 --> 00:26:04,959
Speaker 2: spray paint all.

496
00:26:05,160 --> 00:26:07,080
Speaker 4: This is another because I get a lot of these

497
00:26:07,119 --> 00:26:11,120
Speaker 4: hacker computer computer master guy.

498
00:26:11,440 --> 00:26:14,320
Speaker 2: Yeah, I see that. It's the headphones that you're wearing.

499
00:26:14,359 --> 00:26:16,280
Speaker 2: I think, yeah, they've got a wire.

500
00:26:17,119 --> 00:26:18,920
Speaker 4: They have a wire, and it's like, well, this guy

501
00:26:19,000 --> 00:26:21,080
Speaker 4: is ready to go. He's ready to plug in. He's

502
00:26:21,119 --> 00:26:27,600
Speaker 4: ready to jack in, hacking, smacking. Let's get a packing

503
00:26:28,920 --> 00:26:34,720
Speaker 4: to come on to the you know the sack in. Yeah, yeah,

504
00:26:34,760 --> 00:26:38,920
Speaker 4: well it's a it's a it's a phrase that I

505
00:26:38,960 --> 00:26:41,600
Speaker 4: don't know they were using on the show at that

506
00:26:41,640 --> 00:26:44,200
Speaker 4: time before, but I didn't really get on the show,

507
00:26:44,440 --> 00:26:48,680
Speaker 4: so the this was a mishap too. They had a

508
00:26:48,840 --> 00:26:50,800
Speaker 4: you know what it was in that room. They had

509
00:26:50,800 --> 00:26:54,480
Speaker 4: one of those rainforest showers, yes, which are beautiful and refreshing,

510
00:26:54,480 --> 00:26:56,520
Speaker 4: and they I like them because it's not like a

511
00:26:56,560 --> 00:26:59,359
Speaker 4: nozzle like in the like a shower head. It's just

512
00:26:59,400 --> 00:27:01,960
Speaker 4: like built into the ceiling. So I didn't even know

513
00:27:02,000 --> 00:27:03,840
Speaker 4: I was standing in it when they turned it on.

514
00:27:03,920 --> 00:27:08,080
Speaker 4: When they said when they said and start your engines,

515
00:27:08,080 --> 00:27:10,640
Speaker 4: which is what they say to you know, start reading. Yeah,

516
00:27:11,800 --> 00:27:16,040
Speaker 4: and then the water the rainforest poured down on me

517
00:27:16,359 --> 00:27:18,920
Speaker 4: and I'm trying to and I'm like in the middle

518
00:27:18,960 --> 00:27:20,200
Speaker 4: It was funny because I was in the middle of

519
00:27:20,240 --> 00:27:25,760
Speaker 4: saying halt, uh, you know, and uh, and then I

520
00:27:25,760 --> 00:27:27,760
Speaker 4: was about saying catch fire. But it was like I

521
00:27:27,800 --> 00:27:31,119
Speaker 4: was like, I can't read the signs now because they're

522
00:27:31,160 --> 00:27:32,600
Speaker 4: covered in rainforest.

523
00:27:32,720 --> 00:27:33,640
Speaker 3: Can I tell you what I think?

524
00:27:33,680 --> 00:27:39,520
Speaker 1: It was maybe the problem with a previous auditioner, somebody saying.

525
00:27:39,440 --> 00:27:40,879
Speaker 4: That master rope catch fire.

526
00:27:41,040 --> 00:27:47,439
Speaker 1: Oh oh hat and inadvertently like a Johnny storm setting them.

527
00:27:47,520 --> 00:27:50,280
Speaker 1: You know, he say catch fire. If you audition right

528
00:27:50,320 --> 00:27:53,440
Speaker 1: before you, you would need a rainforest hour to put

529
00:27:53,520 --> 00:27:55,480
Speaker 1: him out after he says catch fire.

530
00:27:55,600 --> 00:27:57,960
Speaker 4: Yeah, well there was a lot written up about that.

531
00:27:58,000 --> 00:27:59,679
Speaker 4: A lot of fire marshals had a problem with the

532
00:27:59,720 --> 00:28:05,320
Speaker 4: tidle and catch fire. It's it's like that phrase, you know,

533
00:28:05,440 --> 00:28:06,840
Speaker 4: yelling fire in a movie theater.

534
00:28:06,960 --> 00:28:09,160
Speaker 3: Do you feel like the fire marshals run Hollywood?

535
00:28:09,200 --> 00:28:11,960
Speaker 4: Allan, I do? You know?

536
00:28:12,560 --> 00:28:12,800
Speaker 2: Yeah?

537
00:28:12,840 --> 00:28:14,640
Speaker 4: Yeah, I mean, I mean I don't know. Maybe that's

538
00:28:14,680 --> 00:28:16,160
Speaker 4: not PC to say, you know.

539
00:28:16,440 --> 00:28:18,480
Speaker 2: No, I mean they still wield a lot of power

540
00:28:19,440 --> 00:28:24,080
Speaker 2: as it used to be. But yeah, Alan, talk about

541
00:28:24,119 --> 00:28:26,720
Speaker 2: your SNL audition a little bit with us, because I

542
00:28:26,760 --> 00:28:28,639
Speaker 2: know that was one where you were so excited to

543
00:28:28,680 --> 00:28:31,840
Speaker 2: be on that stage. And you were in the elevator

544
00:28:31,840 --> 00:28:35,640
Speaker 2: on the way up and then you you know, fell

545
00:28:35,680 --> 00:28:36,800
Speaker 2: down the shaft and.

546
00:28:37,200 --> 00:28:43,080
Speaker 4: Yeah, yeah, that's so I was excited about the audition,

547
00:28:43,240 --> 00:28:45,920
Speaker 4: well because there weren't sides involved in this case, because

548
00:28:45,960 --> 00:28:48,080
Speaker 4: it was all my own material that I knew from

549
00:28:48,120 --> 00:28:50,480
Speaker 4: my nothing to get wet brain, Yeah, there was nothing

550
00:28:50,520 --> 00:28:52,120
Speaker 4: to get wet, doesn't thank goodness.

551
00:28:51,840 --> 00:28:53,680
Speaker 2: Yeah, thank god, no sides for once.

552
00:28:53,840 --> 00:28:58,239
Speaker 4: Yeah. And I had asked some of my friends who

553
00:28:58,240 --> 00:29:01,040
Speaker 4: have been auditioned before, are they any tubs in the

554
00:29:01,080 --> 00:29:03,720
Speaker 4: stage where you audition are because you audition right there

555
00:29:03,760 --> 00:29:08,440
Speaker 4: on the stage on stage twenty twenty.

556
00:29:07,760 --> 00:29:11,400
Speaker 2: Nine or right there, yeah, right on stage.

557
00:29:11,200 --> 00:29:14,280
Speaker 4: Twenty right on stage twenty nine. F And then so

558
00:29:15,440 --> 00:29:18,560
Speaker 4: is there a tub? You know? Is there a rainforest shower?

559
00:29:19,080 --> 00:29:21,720
Speaker 4: Is there you know, a leaky faucet? Even because at

560
00:29:21,720 --> 00:29:23,120
Speaker 4: this point I'm just not having.

561
00:29:22,880 --> 00:29:25,880
Speaker 1: Any just exhausting all the possibilities for things that could

562
00:29:25,880 --> 00:29:27,560
Speaker 1: get you wet, So you aren't don't.

563
00:29:27,400 --> 00:29:29,040
Speaker 4: Get me wet, even if I don't have size, I

564
00:29:29,040 --> 00:29:31,160
Speaker 4: don't want to get wet because that'll I'll flash to

565
00:29:31,960 --> 00:29:32,680
Speaker 4: master Robot.

566
00:29:32,920 --> 00:29:34,480
Speaker 2: It is New York, and there was a time in

567
00:29:34,520 --> 00:29:36,880
Speaker 2: the sixties that there was a hydrant there on stage

568
00:29:36,920 --> 00:29:39,440
Speaker 2: and somebody would just whack the front of it.

569
00:29:39,480 --> 00:29:42,400
Speaker 3: All kids would play in God remember that summer.

570
00:29:43,120 --> 00:29:46,200
Speaker 4: Yeah, And so I'm in the elevator on the way

571
00:29:46,280 --> 00:29:52,280
Speaker 4: up and I'm hearing some commotion up on the up above.

572
00:29:54,400 --> 00:29:58,680
Speaker 4: And what happened was there was like, what's going on

573
00:29:58,880 --> 00:30:04,720
Speaker 4: your brain? I'm thinking, I'm thinking, what, yeah, you know?

574
00:30:05,080 --> 00:30:08,200
Speaker 4: So and then then but then what what what happened

575
00:30:08,360 --> 00:30:11,320
Speaker 4: was a man with big scissors cut the wire of

576
00:30:11,360 --> 00:30:18,760
Speaker 4: the and it was, uh, Finesse Mitchell. If it was

577
00:30:18,800 --> 00:30:24,320
Speaker 4: Finesse Mitchell and he who auditioned and you know a

578
00:30:24,360 --> 00:30:28,480
Speaker 4: while back, but he had only just gotten those big scissors,

579
00:30:29,200 --> 00:30:31,440
Speaker 4: and so he came to kind of finally do what

580
00:30:31,520 --> 00:30:35,320
Speaker 4: his revenge was for, you know, for whatever happened for

581
00:30:35,400 --> 00:30:39,160
Speaker 4: him leaving the show or getting fired from the show.

582
00:30:38,960 --> 00:30:41,280
Speaker 3: And revenge on you on.

583
00:30:41,160 --> 00:30:45,959
Speaker 4: Me because it's the same type of thing with you

584
00:30:46,040 --> 00:30:50,800
Speaker 4: and John Hamshawn him. You go in with these same people.

585
00:30:50,800 --> 00:30:53,880
Speaker 4: I'm always going in with Finesse. Yes a lot of

586
00:30:53,920 --> 00:30:58,120
Speaker 4: these same hackers. So anyway, he cut the thing and

587
00:30:58,160 --> 00:31:02,480
Speaker 4: then the so the so you know thirty Rock where

588
00:31:02,880 --> 00:31:09,840
Speaker 4: SNL takes place, it is a two hundred story tall

589
00:31:09,840 --> 00:31:15,000
Speaker 4: building and I was on the floor one thirty nine

590
00:31:15,080 --> 00:31:20,600
Speaker 4: or between one, and so then it falls and it

591
00:31:20,640 --> 00:31:25,520
Speaker 4: doesn't fall slowly. Tell you that falls very fast.

592
00:31:25,800 --> 00:31:26,880
Speaker 3: In that building. Yeah.

593
00:31:27,160 --> 00:31:31,040
Speaker 4: Oh yeah, because everything moves really fast in New York City.

594
00:31:31,360 --> 00:31:34,400
Speaker 2: Yeah, the pace of it. Yeah, and it can be

595
00:31:34,480 --> 00:31:35,360
Speaker 2: a little much.

596
00:31:35,840 --> 00:31:37,280
Speaker 3: And so it fell fast and.

597
00:31:37,280 --> 00:31:40,480
Speaker 4: Fast and then crashing down. Yeah. The doors open up

598
00:31:40,800 --> 00:31:43,760
Speaker 4: and there's lorn and then I go right into my

599
00:31:43,800 --> 00:31:48,280
Speaker 4: bit and I booked snl and do the bit. Hey,

600
00:31:48,440 --> 00:31:51,160
Speaker 4: what's talking about? Now? What's talking about? What's talking about?

601
00:31:51,200 --> 00:31:53,920
Speaker 4: I got these allies. I'm a skateboard man. I'm a

602
00:31:53,960 --> 00:31:59,120
Speaker 4: skateboard man. Was one the first character that I like

603
00:31:59,200 --> 00:32:00,800
Speaker 4: to open up with. Skateboard man.

604
00:32:00,960 --> 00:32:02,080
Speaker 3: Did you do any impressions?

605
00:32:03,560 --> 00:32:06,320
Speaker 4: Well, I cannot tell a lot. Now, I cannot tell

606
00:32:06,360 --> 00:32:09,600
Speaker 4: a lot. I'll chop down that trio and that's just

607
00:32:09,680 --> 00:32:15,000
Speaker 4: a that's an impression of a couple different presidents mashed up, Yeah,

608
00:32:15,240 --> 00:32:22,360
Speaker 4: American presidents. And then I uh, I play, Uh, I'll play.

609
00:32:22,520 --> 00:32:24,640
Speaker 4: I don't play an instrument, but I'll play like if

610
00:32:24,640 --> 00:32:28,000
Speaker 4: there's a hard surface around hm, I can play like

611
00:32:31,120 --> 00:32:32,560
Speaker 4: I don't know if the microphones.

612
00:32:32,160 --> 00:32:34,840
Speaker 2: Are if you're not picking up that microphone he is.

613
00:32:35,080 --> 00:32:40,040
Speaker 2: Did we get that, Brian, did we get that? Yeah,

614
00:32:40,280 --> 00:32:44,000
Speaker 2: coming in and it's almost a Blue Man Group thing.

615
00:32:44,240 --> 00:32:49,520
Speaker 4: Yeah, it's kind of a stompy a stomp, a stompy stamp.

616
00:32:49,280 --> 00:32:53,240
Speaker 3: In world, like using the world to make music.

617
00:32:54,560 --> 00:32:56,000
Speaker 4: I was in my own head. I wasn't even paying

618
00:32:56,000 --> 00:32:57,560
Speaker 4: attention as like at this point, as like, I'm just

619
00:32:57,600 --> 00:33:00,320
Speaker 4: doing my thing as I practiced and rehearsed and weren't

620
00:33:00,320 --> 00:33:02,800
Speaker 4: even paying attention. I don't know, opened my eyes because

621
00:33:02,800 --> 00:33:04,560
Speaker 4: they were shut the whole time. And I opened He

622
00:33:04,720 --> 00:33:08,520
Speaker 4: was still there looking at me, just looking right down

623
00:33:08,880 --> 00:33:11,680
Speaker 4: in my eyeballs, and uh.

624
00:33:12,600 --> 00:33:12,840
Speaker 2: You know.

625
00:33:13,000 --> 00:33:17,760
Speaker 4: And then he said, he said, Alan, this is the

626
00:33:17,760 --> 00:33:18,720
Speaker 4: best thing I've ever seen.

627
00:33:19,760 --> 00:33:22,360
Speaker 2: And he said, and I've seen Rob Schneider.

628
00:33:22,520 --> 00:33:27,480
Speaker 4: I've seen Rob Schneider, I've seen Will Ferrell, seen Eddie Murphy. Uh.

629
00:33:29,000 --> 00:33:32,280
Speaker 2: And you he didn't really see him Eddie Murphy.

630
00:33:32,840 --> 00:33:36,560
Speaker 4: Uh, he saw him. He saw him at SNL fort.

631
00:33:36,680 --> 00:33:37,600
Speaker 2: He watched him on TV.

632
00:33:38,560 --> 00:33:42,640
Speaker 3: The vibrant. Yeah, that's Ryan's been going. Oh Ryan, that's you. Yeah,

633
00:33:42,680 --> 00:33:47,840
Speaker 3: he's hungry. Oh no, tummy makes Ryan.

634
00:33:47,960 --> 00:33:50,440
Speaker 2: Would you get some bring some crackers or something into

635
00:33:50,480 --> 00:33:51,440
Speaker 2: the studio.

636
00:33:51,560 --> 00:33:55,080
Speaker 3: A granola bar before you guys got yeah, you can breath.

637
00:33:55,200 --> 00:33:55,400
Speaker 4: Yeah.

638
00:33:55,680 --> 00:33:57,720
Speaker 2: And if you're gonna eat a grrilla by our crackers,

639
00:33:57,720 --> 00:33:59,840
Speaker 2: can you soak it in water first so that it

640
00:34:00,040 --> 00:34:02,440
Speaker 2: doesn't make such a crunch when you're eating it, because

641
00:34:02,480 --> 00:34:04,120
Speaker 2: it really distracts the guests.

642
00:34:04,400 --> 00:34:06,520
Speaker 3: Okay, sorry, now.

643
00:34:07,480 --> 00:34:08,759
Speaker 4: I thought it was an earthquake.

644
00:34:09,239 --> 00:34:12,800
Speaker 2: Yeah, well it's yes, should have made it soggy first.

645
00:34:13,880 --> 00:34:14,480
Speaker 3: Soggy.

646
00:34:14,560 --> 00:34:17,879
Speaker 2: That's like remember Shaggy mister boombastic, But it's like if

647
00:34:17,880 --> 00:34:20,560
Speaker 2: he was having your problem where he fell in a

648
00:34:20,600 --> 00:34:23,960
Speaker 2: tub and he's trying to do boombast, it comes possible

649
00:34:24,040 --> 00:34:24,880
Speaker 2: snl sketch.

650
00:34:25,960 --> 00:34:28,080
Speaker 4: I'm gonna I'm gonna write it up this week.

651
00:34:28,360 --> 00:34:29,680
Speaker 3: I'm excited to see it.

652
00:34:29,800 --> 00:34:30,040
Speaker 4: Now.

653
00:34:30,360 --> 00:34:31,799
Speaker 3: We have some questions for you.

654
00:34:32,800 --> 00:34:34,719
Speaker 1: Had let me see if we can play the theme

655
00:34:34,800 --> 00:34:37,400
Speaker 1: if the sound has been turned on by the engineer

656
00:34:37,400 --> 00:34:43,080
Speaker 1: and it has not.

657
00:34:40,680 --> 00:34:41,799
Speaker 3: Too late to it.

658
00:34:42,920 --> 00:34:48,319
Speaker 1: This is the popcorn gallery where we the questions are

659
00:34:48,360 --> 00:34:52,640
Speaker 1: the popcorn and the gallery is like your mind, uh,

660
00:34:53,120 --> 00:34:54,680
Speaker 1: and it.

661
00:34:54,400 --> 00:34:55,120
Speaker 3: Just has whatever.

662
00:34:55,360 --> 00:34:58,560
Speaker 1: It has these paintings that sort of describe your experience

663
00:34:58,640 --> 00:34:59,839
Speaker 1: in Hollywood.

664
00:35:00,080 --> 00:35:01,440
Speaker 4: So they're my questions.

665
00:35:02,160 --> 00:35:05,640
Speaker 2: Well, no, well, the questions of popcorn mm hmm. And

666
00:35:05,800 --> 00:35:07,680
Speaker 2: you can have some mm hmm.

667
00:35:08,239 --> 00:35:12,240
Speaker 1: But it is your gallery and they tell the paintings

668
00:35:12,239 --> 00:35:17,680
Speaker 1: are like a chronological story, you know, when from like

669
00:35:16,880 --> 00:35:22,640
Speaker 1: you like when you first dreamed of performing, is like

670
00:35:22,680 --> 00:35:25,680
Speaker 1: a picture of that, you know, like you as a

671
00:35:25,760 --> 00:35:27,120
Speaker 1: baby thinking like oh.

672
00:35:26,960 --> 00:35:27,600
Speaker 3: Well what if?

673
00:35:28,040 --> 00:35:28,359
Speaker 4: All right?

674
00:35:28,440 --> 00:35:28,560
Speaker 3: Right?

675
00:35:28,560 --> 00:35:30,440
Speaker 4: Because you flash to that image of when.

676
00:35:30,280 --> 00:35:33,839
Speaker 1: You, yes, when a thing happened, and then you look

677
00:35:33,880 --> 00:35:35,719
Speaker 1: at that picture and then you go into in your

678
00:35:35,719 --> 00:35:39,160
Speaker 1: school play and just like it's like it's that's it's

679
00:35:39,200 --> 00:35:41,160
Speaker 1: the gallery of your mind. Does that make sense?

680
00:35:41,360 --> 00:35:41,640
Speaker 4: Yes?

681
00:35:42,440 --> 00:35:43,719
Speaker 2: So this is a quest where you have to reach

682
00:35:43,760 --> 00:35:46,160
Speaker 2: and get the popcorn, which is and that's where the

683
00:35:46,239 --> 00:35:46,640
Speaker 2: question is.

684
00:35:46,800 --> 00:35:50,680
Speaker 4: That's where the questions are. Okay, do you want me

685
00:35:50,719 --> 00:35:51,560
Speaker 4: to reach Ina?

686
00:35:53,400 --> 00:35:54,759
Speaker 3: We have to play the sound drop. If you want

687
00:35:54,760 --> 00:35:56,160
Speaker 3: to hit the button for the sound drop, you can

688
00:35:56,200 --> 00:35:56,400
Speaker 3: do that.

689
00:35:57,239 --> 00:36:00,960
Speaker 2: But my friend from high school, but it's very buttons small.

690
00:36:00,960 --> 00:36:03,920
Speaker 2: It's hard to reach. Sometimes you need a long chopstick

691
00:36:04,000 --> 00:36:05,120
Speaker 2: or something to get at it.

692
00:36:05,760 --> 00:36:06,000
Speaker 4: Hmm.

693
00:36:07,239 --> 00:36:08,520
Speaker 2: And are you getting any closer?

694
00:36:09,400 --> 00:36:11,839
Speaker 4: I did pass a Chinese restaurant on the way.

695
00:36:12,080 --> 00:36:13,879
Speaker 2: Oh, you're going to go back and get one?

696
00:36:13,960 --> 00:36:14,080
Speaker 7: No?

697
00:36:14,080 --> 00:36:15,960
Speaker 4: No, I grabbed one chick.

698
00:36:16,239 --> 00:36:16,919
Speaker 3: Oh that's good.

699
00:36:17,000 --> 00:36:19,960
Speaker 2: So see if you can get at it. M m.

700
00:36:27,400 --> 00:36:30,440
Speaker 3: Hey, did somebody need a towel? It wasn't me, or

701
00:36:30,600 --> 00:36:34,520
Speaker 3: it was me? It was me, So I think this

702
00:36:34,719 --> 00:36:35,640
Speaker 3: is well.

703
00:36:35,960 --> 00:36:37,480
Speaker 2: I think what Mark was trying to do was the

704
00:36:37,560 --> 00:36:41,840
Speaker 2: Saggy character, and I get how he had some trouble

705
00:36:41,880 --> 00:36:43,799
Speaker 2: with it because, like, what you really want to hear

706
00:36:43,960 --> 00:36:46,719
Speaker 2: from Shaggy is it wasn't me. It sounded like he was,

707
00:36:46,760 --> 00:36:49,440
Speaker 2: but Soggy would need a towel.

708
00:36:49,600 --> 00:36:52,719
Speaker 1: Yeah, it sounded like we haven't used Mark in a

709
00:36:52,760 --> 00:36:54,960
Speaker 1: long time, but it sounded like he was very excited

710
00:36:56,360 --> 00:36:59,000
Speaker 1: to be able to do something for the show.

711
00:36:59,080 --> 00:36:59,360
Speaker 3: Again.

712
00:36:59,640 --> 00:37:01,920
Speaker 4: That was a fresh drop right there, because that was

713
00:37:02,160 --> 00:37:05,040
Speaker 4: that was a real recent reference. Yeah.

714
00:37:05,080 --> 00:37:07,120
Speaker 2: I mean he may have independently just had the idea

715
00:37:07,200 --> 00:37:07,800
Speaker 2: for Sogy.

716
00:37:07,880 --> 00:37:11,200
Speaker 3: It's it's been the ether. Yeah, it's about time.

717
00:37:11,600 --> 00:37:13,799
Speaker 4: I'm not one of those people that's like this, that

718
00:37:13,840 --> 00:37:16,360
Speaker 4: person stole my idea. I think a lot of parallel

719
00:37:16,400 --> 00:37:17,080
Speaker 4: ideas happen.

720
00:37:17,480 --> 00:37:20,040
Speaker 2: Mm hmm. Well they did that study.

721
00:37:20,960 --> 00:37:23,160
Speaker 3: Yeah, to talk about that study.

722
00:37:24,360 --> 00:37:29,319
Speaker 4: Well, they did the parallel thinking study. Harvard did it

723
00:37:29,400 --> 00:37:34,200
Speaker 4: and at the same time Yale was doing it. And

724
00:37:34,239 --> 00:37:38,040
Speaker 4: then they couldn't really get the study done because they

725
00:37:38,120 --> 00:37:40,600
Speaker 4: started accusing each other who had the idea for the

726
00:37:40,640 --> 00:37:41,840
Speaker 4: parallel thinking study?

727
00:37:42,040 --> 00:37:45,400
Speaker 2: Do I sound crazy if I'm talking in a cup?

728
00:37:47,200 --> 00:37:49,520
Speaker 1: I thought I thought Master Robot. I honestly thought for

729
00:37:49,520 --> 00:37:51,000
Speaker 1: a second that Master Robot was here.

730
00:37:52,600 --> 00:37:54,520
Speaker 3: I am Master Robot.

731
00:37:54,640 --> 00:37:56,600
Speaker 2: You know, like, is that what you were doing?

732
00:37:57,480 --> 00:38:00,359
Speaker 4: Yeah? Yeah, he does talk into a cup when the show.

733
00:38:00,440 --> 00:38:07,160
Speaker 1: Yeah, okay, go ahead, Yeah, the question is from a bear?

734
00:38:07,360 --> 00:38:08,279
Speaker 3: Which is his name?

735
00:38:08,600 --> 00:38:08,959
Speaker 4: A bear?

736
00:38:09,280 --> 00:38:09,680
Speaker 3: Yeah?

737
00:38:09,840 --> 00:38:11,879
Speaker 2: I mean I think it's supposed to be to get

738
00:38:11,920 --> 00:38:15,680
Speaker 2: me to say that the questions from a bear, it's

739
00:38:15,719 --> 00:38:18,279
Speaker 2: like a funny like the sound of me saying that

740
00:38:18,440 --> 00:38:20,719
Speaker 2: is it's like a It's like it's supposed to be

741
00:38:20,760 --> 00:38:24,759
Speaker 2: a trick on me, but it actually is the guy's name, so.

742
00:38:26,239 --> 00:38:28,799
Speaker 3: And so it doesn't even work as a trick.

743
00:38:28,880 --> 00:38:31,279
Speaker 1: But his question is it's actually something you were talking

744
00:38:31,280 --> 00:38:34,800
Speaker 1: about a little earlier, which is interesting, and it's what's

745
00:38:34,840 --> 00:38:36,000
Speaker 1: the coolest car?

746
00:38:36,239 --> 00:38:38,240
Speaker 3: Because you remember when you saw that cool car?

747
00:38:38,719 --> 00:38:41,319
Speaker 4: This goes back to when I saw that cool car

748
00:38:41,360 --> 00:38:45,440
Speaker 4: with the hyperlink on it. What's the question? What's the

749
00:38:45,480 --> 00:38:46,080
Speaker 4: cool what?

750
00:38:46,080 --> 00:38:47,960
Speaker 3: What is the coolest car? Is it that one?

751
00:38:48,080 --> 00:38:50,480
Speaker 4: It was that car oh it was that car well,

752
00:38:50,480 --> 00:38:52,960
Speaker 4: because not only was it going at hyper speed, it

753
00:38:53,000 --> 00:38:54,719
Speaker 4: had a hyper link that you could click if you

754
00:38:54,719 --> 00:38:56,600
Speaker 4: could catch it, and it makes you want to catch it,

755
00:38:56,680 --> 00:38:57,759
Speaker 4: and it makes you want the car.

756
00:38:57,960 --> 00:39:02,720
Speaker 3: And do you know what the hyperlink was? Two? Or

757
00:39:02,760 --> 00:39:04,520
Speaker 3: did you? Were you ever able to find out?

758
00:39:04,760 --> 00:39:08,000
Speaker 4: Yeah? I ran after it because you were sitting still.

759
00:39:08,520 --> 00:39:11,720
Speaker 4: I was siting a meal. I was sitting dead still.

760
00:39:12,080 --> 00:39:15,280
Speaker 2: And was it to a True Detective season one recap

761
00:39:15,400 --> 00:39:15,840
Speaker 2: or something?

762
00:39:16,320 --> 00:39:21,279
Speaker 4: I was reading a True Detective season one hyperlink was Yeah,

763
00:39:21,280 --> 00:39:23,080
Speaker 4: that's what he was reading. I was reading that.

764
00:39:23,360 --> 00:39:24,439
Speaker 3: Sorry, sorry, but.

765
00:39:24,360 --> 00:39:26,640
Speaker 4: That happened to be what the hyperlink was too, was

766
00:39:26,640 --> 00:39:30,279
Speaker 4: to the article that I was already reading. That was disappointment.

767
00:39:30,320 --> 00:39:33,400
Speaker 4: I just ran after this corvette for nothing. It was

768
00:39:33,400 --> 00:39:34,279
Speaker 4: a Corvette, by the way.

769
00:39:34,320 --> 00:39:35,960
Speaker 3: That's so, that's the coolest car.

770
00:39:36,040 --> 00:39:37,400
Speaker 4: And then I walked all the way back to the

771
00:39:37,440 --> 00:39:40,840
Speaker 4: cafe and my laptop was gone for me.

772
00:39:41,040 --> 00:39:46,480
Speaker 2: Coolest car, no question, batmobile. And so you and the

773
00:39:46,800 --> 00:39:49,400
Speaker 2: way we're doing this now is this is sort of

774
00:39:49,400 --> 00:39:51,280
Speaker 2: a new thing where like everybody answer.

775
00:39:51,200 --> 00:39:54,720
Speaker 1: You answer the question, and then Sean gets one chance

776
00:39:55,360 --> 00:39:58,120
Speaker 1: to top you, Yeah, to beat you.

777
00:39:58,440 --> 00:40:00,879
Speaker 4: The Batmobile is a good one. I like that too.

778
00:40:00,960 --> 00:40:02,600
Speaker 4: Can I change mine?

779
00:40:03,160 --> 00:40:06,440
Speaker 3: Yeah? But as long as after like it's sort of

780
00:40:06,440 --> 00:40:07,719
Speaker 3: a rebuttal Yeah, the.

781
00:40:10,120 --> 00:40:11,840
Speaker 2: Goal is to change yours.

782
00:40:11,920 --> 00:40:14,560
Speaker 3: You do get one change chance per question.

783
00:40:14,760 --> 00:40:16,960
Speaker 2: I think it's I think it's what we said, but

784
00:40:17,000 --> 00:40:20,000
Speaker 2: it has to be it has to be two seawans.

785
00:40:20,120 --> 00:40:22,600
Speaker 2: But then Hayes can try to convince you. If you

786
00:40:22,719 --> 00:40:24,719
Speaker 2: do change, he can try to change you back.

787
00:40:25,880 --> 00:40:29,000
Speaker 4: Okay, Okay, so I'm changing to the batmobile, Hayes, do you.

788
00:40:29,680 --> 00:40:31,319
Speaker 3: I don't want to use my change back?

789
00:40:31,440 --> 00:40:34,040
Speaker 2: Okay, so this isn't the time I want to hang

790
00:40:34,080 --> 00:40:35,640
Speaker 2: on to my chan change back.

791
00:40:36,440 --> 00:40:38,399
Speaker 4: Does that mean you can? You could get to change

792
00:40:38,400 --> 00:40:39,160
Speaker 4: backs next time?

793
00:40:39,520 --> 00:40:41,720
Speaker 3: It carries over. Yes, So it's.

794
00:40:42,000 --> 00:40:46,000
Speaker 2: Because he did change, I don't lose my change. Like,

795
00:40:46,080 --> 00:40:47,920
Speaker 2: if he didn't change, then I lose the chance to

796
00:40:47,920 --> 00:40:50,799
Speaker 2: try to change him next time. But because he did change, he.

797
00:40:50,760 --> 00:40:54,919
Speaker 1: Did change, you don't lose it. Yes, but you didn't

798
00:40:54,960 --> 00:40:58,840
Speaker 1: announce either. You have to you know, you have to

799
00:40:58,880 --> 00:41:00,760
Speaker 1: system that you're using your change.

800
00:41:00,880 --> 00:41:02,560
Speaker 3: I know I'm not saying I'm just telling you for

801
00:41:02,640 --> 00:41:02,920
Speaker 3: next time.

802
00:41:02,960 --> 00:41:05,279
Speaker 4: Well, I think it's important to I don't think you're

803
00:41:05,280 --> 00:41:07,040
Speaker 4: even being a stickler for the rules. I think it's

804
00:41:07,080 --> 00:41:10,120
Speaker 4: good to know. I'm always I agree, I want the rules.

805
00:41:10,239 --> 00:41:11,279
Speaker 4: But he's being up.

806
00:41:11,560 --> 00:41:13,840
Speaker 3: Do you want to do it? You keep doing it wrong?

807
00:41:13,960 --> 00:41:15,680
Speaker 3: Or like do no? But I do.

808
00:41:15,800 --> 00:41:18,200
Speaker 2: But you're being pissy about it and you're being yes,

809
00:41:18,239 --> 00:41:22,239
Speaker 2: you were. That's ridiculous. I used a completely normal voice.

810
00:41:22,440 --> 00:41:23,440
Speaker 2: Did I feel pissy?

811
00:41:23,480 --> 00:41:23,680
Speaker 3: I know.

812
00:41:23,800 --> 00:41:25,520
Speaker 1: See, that's how I know I use a normal voice

813
00:41:25,520 --> 00:41:27,839
Speaker 1: because I felt a little pissy about it.

814
00:41:27,960 --> 00:41:30,319
Speaker 2: Working so hard to keep it well, it came to

815
00:41:30,360 --> 00:41:33,360
Speaker 2: sound normally me. And it's and Alan, I'm sorry you

816
00:41:33,360 --> 00:41:34,839
Speaker 2: had to see this, but you know.

817
00:41:34,920 --> 00:41:37,120
Speaker 1: Now we have to get another uncomfortable we have to

818
00:41:37,120 --> 00:41:38,839
Speaker 1: get another question, Alan, And I'm a little word because

819
00:41:38,880 --> 00:41:40,719
Speaker 1: it sounds like when you did hit the button last time,

820
00:41:40,719 --> 00:41:44,600
Speaker 1: it did sound like you were exerting yourself a little bit.

821
00:41:44,800 --> 00:41:47,439
Speaker 4: It was it wasn't easy. I mean, I had well,

822
00:41:47,560 --> 00:41:52,120
Speaker 4: the chopstick is heavy, is pretty heavy, yeah, and the

823
00:41:52,160 --> 00:41:58,560
Speaker 4: whole is sticky yeah yeah, but gets stuck to the side.

824
00:41:58,360 --> 00:41:59,480
Speaker 3: And the button isn't a hole.

825
00:41:59,560 --> 00:42:01,400
Speaker 4: Yeah. But I'm happy to do it again. I mean,

826
00:42:01,560 --> 00:42:04,120
Speaker 4: it wasn't that crazy. I'm happy to do it.

827
00:42:04,560 --> 00:42:07,279
Speaker 2: Give it a two more times, Okay, Okay, all right,

828
00:42:07,440 --> 00:42:08,319
Speaker 2: do you have an ow?

829
00:42:08,480 --> 00:42:08,600
Speaker 3: Is that?

830
00:42:08,640 --> 00:42:08,719
Speaker 2: What?

831
00:42:08,719 --> 00:42:09,600
Speaker 3: Do you have a heart out?

832
00:42:10,440 --> 00:42:10,960
Speaker 5: Uh?

833
00:42:11,160 --> 00:42:13,600
Speaker 2: You said one or two? I mean yeah, if we

834
00:42:13,719 --> 00:42:15,960
Speaker 2: do one, then we're only doing two questions if you

835
00:42:16,000 --> 00:42:16,839
Speaker 2: only do it one more time.

836
00:42:16,880 --> 00:42:19,319
Speaker 4: So I have I have to be out in like

837
00:42:19,719 --> 00:42:20,360
Speaker 4: eight hours.

838
00:42:20,440 --> 00:42:24,040
Speaker 8: Okay, okay, okay. So I got the stick in my hand.

839
00:42:24,080 --> 00:42:26,560
Speaker 8: I'm curling my hand into a fist around the stick

840
00:42:26,600 --> 00:42:30,920
Speaker 8: and I'm pushing it into this guiye hole. There's an

841
00:42:30,920 --> 00:42:35,000
Speaker 8: ant calling up the stick now, but I'm just gonna

842
00:42:35,000 --> 00:42:35,880
Speaker 8: push it a little deeper.

843
00:42:35,960 --> 00:42:38,239
Speaker 4: And I thought this is about where I reached it

844
00:42:38,320 --> 00:42:40,759
Speaker 4: last time, but it receded a little bit.

845
00:42:45,800 --> 00:42:50,400
Speaker 2: They called me based on boom Bastick or a fantastic

846
00:42:51,880 --> 00:42:56,440
Speaker 2: master fad Master boom Bastick. Okay, so here's what I

847
00:42:56,440 --> 00:42:59,640
Speaker 2: think is happening for Mark and this sound drop. I

848
00:42:59,640 --> 00:43:02,200
Speaker 2: think that he sort of heard the master robot talk,

849
00:43:02,520 --> 00:43:04,640
Speaker 2: got a robot voice and then was like, oh I

850
00:43:04,800 --> 00:43:07,440
Speaker 2: was doing that Sagi thing that went over so well

851
00:43:08,600 --> 00:43:12,840
Speaker 2: that maybe like Sagi is somehow now a robot, and

852
00:43:12,880 --> 00:43:16,319
Speaker 2: then he'd be master, would be master boombastic. I mean

853
00:43:16,360 --> 00:43:20,360
Speaker 2: it feels like it's in that it's in the rain. Ultimately,

854
00:43:20,400 --> 00:43:22,600
Speaker 2: I think he said that maybe he meant to say

855
00:43:22,600 --> 00:43:24,239
Speaker 2: it right away and then he had to double back

856
00:43:24,280 --> 00:43:28,759
Speaker 2: to say it later. But he did say something about that,

857
00:43:28,880 --> 00:43:31,000
Speaker 2: and I think he started to do the chorus of

858
00:43:31,040 --> 00:43:36,839
Speaker 2: Hot Stepper two, but then found a piece of the

859
00:43:36,840 --> 00:43:38,600
Speaker 2: mister Boubastik chorus.

860
00:43:41,719 --> 00:43:44,839
Speaker 3: And then and then realized that he should have said master.

861
00:43:44,880 --> 00:43:45,479
Speaker 3: He said a mister.

862
00:43:45,840 --> 00:43:47,719
Speaker 2: So it was a very good sound drop by Mark,

863
00:43:47,760 --> 00:43:49,560
Speaker 2: and I think he's not out of practice.

864
00:43:50,239 --> 00:43:52,359
Speaker 4: That was good on the shelf. That was a good

865
00:43:52,440 --> 00:43:54,560
Speaker 4: like sort of dijet, like a thirty three and a

866
00:43:54,600 --> 00:43:57,000
Speaker 4: third type of digest of that sound drop.

867
00:43:57,120 --> 00:43:59,799
Speaker 3: Oh thanks, well, I just thought I love those.

868
00:44:00,640 --> 00:44:02,959
Speaker 1: Oh god, I have them all people. What's the best

869
00:44:03,040 --> 00:44:05,880
Speaker 1: one with you when they come to my house? The

870
00:44:05,880 --> 00:44:08,440
Speaker 1: one that's for the Beatles.

871
00:44:09,960 --> 00:44:12,080
Speaker 3: You know they rock?

872
00:44:13,080 --> 00:44:16,399
Speaker 1: Explaining the Beatles and some of their which one did

873
00:44:16,440 --> 00:44:17,920
Speaker 1: which of the instruments and stuff?

874
00:44:18,000 --> 00:44:20,320
Speaker 2: Yes, because they do rock. But when I first listen

875
00:44:20,440 --> 00:44:22,520
Speaker 2: without a book, I don't get it.

876
00:44:23,520 --> 00:44:25,600
Speaker 4: If you sound if you just listen to the Beatles,

877
00:44:25,600 --> 00:44:29,560
Speaker 4: it sounds like for men or women. If you're just listening,

878
00:44:29,560 --> 00:44:36,799
Speaker 4: you're not usually seeing all playing the same instrument simultaneously. Yes,

879
00:44:37,440 --> 00:44:39,720
Speaker 4: or maybe two instruments simultaneously.

880
00:44:39,840 --> 00:44:42,600
Speaker 2: Thank you, thank you for saying thank you. We used

881
00:44:42,640 --> 00:44:44,520
Speaker 2: to have a lot of women on this show actually,

882
00:44:44,719 --> 00:44:46,160
Speaker 2: so we totally get that.

883
00:44:46,239 --> 00:44:50,360
Speaker 4: Yeah, well we should be cognizant of women, I guess.

884
00:44:52,040 --> 00:44:54,959
Speaker 2: So is there a question for the guy?

885
00:44:55,120 --> 00:44:59,640
Speaker 1: The question is from ran ran Hi Alan. Your character

886
00:44:59,680 --> 00:45:01,960
Speaker 1: on Your Worst is a real dweb. How much do

887
00:45:02,000 --> 00:45:03,680
Speaker 1: you get picked on in real life because of it?

888
00:45:03,719 --> 00:45:06,319
Speaker 1: And what's the worst anyone has bullied you in Hollywood?

889
00:45:07,800 --> 00:45:10,239
Speaker 4: Well, there are a lot of people that don't separate

890
00:45:10,440 --> 00:45:14,960
Speaker 4: that character Paul on near the Worst from me allan

891
00:45:15,760 --> 00:45:19,000
Speaker 4: in real life. And then so in turn, a lot

892
00:45:19,040 --> 00:45:25,280
Speaker 4: of the football players uh that are on LA doesn't

893
00:45:25,280 --> 00:45:28,440
Speaker 4: have a football team, but except Blue Mountain State and

894
00:45:28,960 --> 00:45:32,000
Speaker 4: the Blue Mountain State football players. Though, they do pick

895
00:45:32,040 --> 00:45:34,480
Speaker 4: on me. They pushed me in the locker, They've put

896
00:45:34,520 --> 00:45:38,760
Speaker 4: my head in toilets and done swirlies. They've pooped down

897
00:45:39,040 --> 00:45:45,040
Speaker 4: my chest. Down my chest made me well yeah, because

898
00:45:45,040 --> 00:45:47,040
Speaker 4: I'm standing up and then they're standing on a ladder

899
00:45:47,040 --> 00:45:47,920
Speaker 4: and they poop on my.

900
00:45:48,040 --> 00:45:50,120
Speaker 3: I said chest. Were you going to say something else?

901
00:45:51,040 --> 00:45:53,080
Speaker 4: Well, I was the first time they pooped on me.

902
00:45:53,200 --> 00:45:56,359
Speaker 4: It was they pooped into my butt. They poop went

903
00:45:56,400 --> 00:45:57,160
Speaker 4: into my butt and.

904
00:45:57,239 --> 00:46:00,560
Speaker 2: Well because you said down and you said pooped down

905
00:46:00,640 --> 00:46:05,440
Speaker 2: my butt down, But I was on my head. Then

906
00:46:05,480 --> 00:46:06,400
Speaker 2: they were on a ladder.

907
00:46:06,480 --> 00:46:08,239
Speaker 4: Yeah, I just I Then I skipped it because I

908
00:46:08,280 --> 00:46:11,520
Speaker 4: was like, gonna be statues if you if the Amy

909
00:46:11,560 --> 00:46:13,680
Speaker 4: statues were here, I could show you what I'm talking about.

910
00:46:15,120 --> 00:46:23,040
Speaker 4: But to suffice it to uh suggest, uh, yes, I

911
00:46:23,080 --> 00:46:31,520
Speaker 4: have been bullied cyber bullied as well. My Space, they

912
00:46:31,880 --> 00:46:34,799
Speaker 4: go to town on me there. It's like a field day

913
00:46:34,800 --> 00:46:37,319
Speaker 4: on my Space when I when I when I log on,

914
00:46:38,520 --> 00:46:42,480
Speaker 4: because then they just start going your space. It's my

915
00:46:42,560 --> 00:46:47,600
Speaker 4: space now you dweep and then well then I'm and

916
00:46:47,640 --> 00:46:48,040
Speaker 4: then you.

917
00:46:48,000 --> 00:46:53,439
Speaker 2: Know, I'm a motional guy and like, huh green World,

918
00:46:53,480 --> 00:46:55,000
Speaker 2: he likes it?

919
00:46:55,080 --> 00:46:56,400
Speaker 3: Is that? Why is what?

920
00:46:56,640 --> 00:46:59,200
Speaker 2: Why did they see? Allan is a deep too?

921
00:47:00,160 --> 00:47:05,200
Speaker 4: Yeah, it might be it's a thing we haven't because

922
00:47:05,320 --> 00:47:06,800
Speaker 4: nerds are cool.

923
00:47:07,320 --> 00:47:09,800
Speaker 2: Nerds is cool. But then at the same time, weeves

924
00:47:09,840 --> 00:47:10,120
Speaker 2: are not.

925
00:47:10,480 --> 00:47:12,920
Speaker 3: Yeah, I know they're not. Like that's still not is

926
00:47:12,960 --> 00:47:13,720
Speaker 3: that what's next?

927
00:47:13,800 --> 00:47:16,719
Speaker 4: Maybe? But I think if if weeps get their own

928
00:47:16,760 --> 00:47:19,279
Speaker 4: candy the way nerds have their candy, then and think

929
00:47:19,320 --> 00:47:22,040
Speaker 4: that's a step in the right direction for equality?

930
00:47:22,239 --> 00:47:24,800
Speaker 2: Would weeps candy be allen, It would.

931
00:47:24,560 --> 00:47:28,880
Speaker 4: Be a chewy version of nerds, It would be they

932
00:47:28,920 --> 00:47:32,839
Speaker 4: would each be really well, let me take it one

933
00:47:32,840 --> 00:47:35,719
Speaker 4: step further. They would gush into your mouth when you

934
00:47:35,800 --> 00:47:37,640
Speaker 4: bite into something, would gush.

935
00:47:37,360 --> 00:47:41,280
Speaker 2: Out and what exactly what specifically gushes out?

936
00:47:41,880 --> 00:47:45,000
Speaker 4: Glue? Horse glue?

937
00:47:45,440 --> 00:47:49,400
Speaker 3: Okay, Well, I thought I was gonna made of horses?

938
00:47:49,520 --> 00:47:52,840
Speaker 2: Or is it to attach horses to something?

939
00:47:53,200 --> 00:47:55,400
Speaker 4: To attach horses? And I don't want to hurt horses,

940
00:47:55,960 --> 00:47:59,040
Speaker 4: but I would don't mind attaching them to things and

941
00:48:00,080 --> 00:48:02,680
Speaker 4: painless way, because.

942
00:48:02,560 --> 00:48:04,719
Speaker 3: If you use normal glue, it would hurt them.

943
00:48:05,000 --> 00:48:08,280
Speaker 4: Yeah, because glue is made of we all know, mashed

944
00:48:08,360 --> 00:48:08,960
Speaker 4: up horses.

945
00:48:10,280 --> 00:48:12,080
Speaker 3: What are you attaching them to.

946
00:48:14,360 --> 00:48:20,440
Speaker 4: Spikes? The sides of the spikes, not that.

947
00:48:23,080 --> 00:48:25,640
Speaker 3: It would have to be seem like to the side.

948
00:48:27,320 --> 00:48:29,839
Speaker 1: Okay, And now we did do we did say we

949
00:48:29,840 --> 00:48:31,920
Speaker 1: were gonna and they you know, I hate to ask

950
00:48:31,960 --> 00:48:33,680
Speaker 1: you to do this again because the second time it

951
00:48:33,719 --> 00:48:36,680
Speaker 1: was even harder with the chopstick. But uh, and the

952
00:48:36,760 --> 00:48:40,080
Speaker 1: chopstick has gotten so gooey that.

953
00:48:40,640 --> 00:48:44,239
Speaker 4: I now do wish that when on the way here,

954
00:48:44,440 --> 00:48:47,480
Speaker 4: when I stopped at the Chinese restaurant, I hadn't gotten

955
00:48:47,520 --> 00:48:51,000
Speaker 4: the second chopstick because the guy was like, would you

956
00:48:51,040 --> 00:48:54,360
Speaker 4: like a second chopstick? So I think that the button

957
00:48:56,680 --> 00:49:02,520
Speaker 4: is only in a hole that one chopstick size. So

958
00:49:03,280 --> 00:49:07,000
Speaker 4: I think I think I only need the one chopstick.

959
00:49:07,920 --> 00:49:13,120
Speaker 4: And he said, he said, he's okay, but I could

960
00:49:13,120 --> 00:49:17,560
Speaker 4: get an ant on it. And I said, well, yeah,

961
00:49:17,640 --> 00:49:20,600
Speaker 4: I like the ant Man too, buddy, Okay, I gotta go.

962
00:49:20,760 --> 00:49:22,319
Speaker 4: I can't. I don't have time to sit here and

963
00:49:22,360 --> 00:49:24,719
Speaker 4: talk to you all damn day about the chopstick. You know,

964
00:49:25,840 --> 00:49:29,720
Speaker 4: it was one of those. But I was there for

965
00:49:29,719 --> 00:49:33,040
Speaker 4: for two more hours, just just just really having a

966
00:49:33,080 --> 00:49:38,360
Speaker 4: go at this guy. Yeah, they have an a on

967
00:49:38,480 --> 00:49:41,520
Speaker 4: the on the outside of the restaurant, so you know,

968
00:49:41,560 --> 00:49:46,959
Speaker 4: the for me, it's for Allen. I left my mark

969
00:49:47,160 --> 00:49:50,520
Speaker 4: if you will. Oh, but I so, I but I

970
00:49:50,560 --> 00:49:52,560
Speaker 4: think that this chopstick that I have will still work.

971
00:49:52,600 --> 00:49:52,759
Speaker 8: Though.

972
00:49:53,120 --> 00:50:01,360
Speaker 4: Okay, I don't know where that ant went. Oh is

973
00:50:01,400 --> 00:50:07,279
Speaker 4: it my ear? They went to my ear? God, oh

974
00:50:07,360 --> 00:50:13,680
Speaker 4: my god. Okay, Well, I put the back on.

975
00:50:13,840 --> 00:50:16,200
Speaker 2: You would think the headphones would stop an was trying

976
00:50:16,200 --> 00:50:17,360
Speaker 2: to be headphones ant.

977
00:50:18,480 --> 00:50:21,120
Speaker 4: Well, the ant went sub atomic like ant Man and

978
00:50:22,040 --> 00:50:25,240
Speaker 4: went underneath the headphone pillow.

979
00:50:26,000 --> 00:50:29,080
Speaker 2: So I know that it is Ryan's stomach that keeps

980
00:50:29,080 --> 00:50:33,439
Speaker 2: making the buzzing noise. Yeah, but if it was let's

981
00:50:33,480 --> 00:50:35,400
Speaker 2: say a phone, and we didn't want to turn off

982
00:50:35,400 --> 00:50:37,160
Speaker 2: the vibrate, maybe what we could even do was take

983
00:50:37,200 --> 00:50:39,760
Speaker 2: the phone off a hard surface so that the vibrating

984
00:50:39,840 --> 00:50:40,640
Speaker 2: would be quieter.

985
00:50:40,800 --> 00:50:42,120
Speaker 3: There's like a chair.

986
00:50:41,960 --> 00:50:45,480
Speaker 1: Next to it in that In that situation, I would

987
00:50:45,480 --> 00:50:47,720
Speaker 1: think that that would make sense.

988
00:50:47,840 --> 00:50:50,840
Speaker 2: I would agree with you if that were the case. Yes,

989
00:50:51,520 --> 00:50:53,960
Speaker 2: the case, but it's just not no, it's not. It's right,

990
00:50:54,120 --> 00:50:56,120
Speaker 2: but it's almost weird that I'm bringing it up.

991
00:50:56,160 --> 00:50:59,880
Speaker 1: We could have Ryan not rest his stomach on the table,

992
00:51:00,200 --> 00:51:03,520
Speaker 1: you could, you could that would be good for us,

993
00:51:03,800 --> 00:51:04,840
Speaker 1: or just on your lap.

994
00:51:06,040 --> 00:51:08,600
Speaker 2: Just have it sit where it is in your body.

995
00:51:08,560 --> 00:51:10,439
Speaker 1: And just have your like have a lap that could

996
00:51:10,440 --> 00:51:14,480
Speaker 1: support your own stomach instead of needing something to like

997
00:51:14,640 --> 00:51:15,480
Speaker 1: prop it up on.

998
00:51:16,080 --> 00:51:19,799
Speaker 2: Well, you know, this is maybe sidetracking us a little bit,

999
00:51:19,920 --> 00:51:22,400
Speaker 2: and maybe you should put the chopstick in the hole

1000
00:51:22,520 --> 00:51:24,400
Speaker 2: and hit the button for the last question.

1001
00:51:24,520 --> 00:51:26,719
Speaker 4: Did anybody see where I put the chompstick.

1002
00:51:28,120 --> 00:51:31,720
Speaker 1: And see now here? Now here's my now here's my concern.

1003
00:51:32,680 --> 00:51:37,560
Speaker 1: We know Ryan was hungry, m and you put something

1004
00:51:37,600 --> 00:51:42,360
Speaker 1: down next to him that looks like like sort of

1005
00:51:42,400 --> 00:51:44,920
Speaker 1: a long cracker, which is what you did.

1006
00:51:44,960 --> 00:51:48,640
Speaker 2: Tell me that, But I if he ate it, I

1007
00:51:48,640 --> 00:51:50,680
Speaker 2: would have heard it crunching everywhere.

1008
00:51:51,760 --> 00:51:55,360
Speaker 4: That's right, that's true, unless unless you just swallow it whole.

1009
00:51:55,760 --> 00:51:56,920
Speaker 4: Did you swallow it whole?

1010
00:51:59,120 --> 00:51:59,279
Speaker 7: No?

1011
00:51:59,480 --> 00:52:04,800
Speaker 3: I didn't all that hole he's so, he says, okay,

1012
00:52:04,840 --> 00:52:05,440
Speaker 3: so he's saved.

1013
00:52:05,480 --> 00:52:07,560
Speaker 4: Oh no, there it is. I found it. It was

1014
00:52:07,600 --> 00:52:08,719
Speaker 4: in my ear.

1015
00:52:10,320 --> 00:52:13,400
Speaker 3: They carried it in there, so okay.

1016
00:52:13,520 --> 00:52:18,320
Speaker 4: So I'm wrapping my hand around the stick, one little

1017
00:52:18,360 --> 00:52:23,200
Speaker 4: digit at a time. He's still two, three, four, five,

1018
00:52:24,000 --> 00:52:25,640
Speaker 4: six seven.

1019
00:52:26,160 --> 00:52:27,640
Speaker 3: Those are how many fingers he has.

1020
00:52:28,120 --> 00:52:34,040
Speaker 4: Then I'm inserting this choppy into a little hole here.

1021
00:52:34,239 --> 00:52:37,520
Speaker 4: I think the hole got smaller. This hole feels a

1022
00:52:37,560 --> 00:52:40,959
Speaker 4: little tighter, but no matter, I'll just use a little

1023
00:52:41,000 --> 00:52:41,560
Speaker 4: more force.

1024
00:52:48,280 --> 00:52:57,840
Speaker 3: Here come the wet step. Uh me, you need.

1025
00:53:02,920 --> 00:53:10,040
Speaker 2: Something about wit or soggy, But kikhosey innykhose.

1026
00:53:09,520 --> 00:53:15,040
Speaker 4: Spray little insight into the process.

1027
00:53:14,640 --> 00:53:16,840
Speaker 2: I think, And a very interesting part of it to

1028
00:53:16,920 --> 00:53:24,000
Speaker 2: me is that Mark was thinking in Soggy's accent. Mm hmm.

1029
00:53:25,520 --> 00:53:27,640
Speaker 3: So was that supposed to be a break character?

1030
00:53:27,719 --> 00:53:30,160
Speaker 1: I guess, okay, so that that wasn't supposed to be

1031
00:53:30,239 --> 00:53:33,520
Speaker 1: soggy thinking of something. This is like Mark as Soggy

1032
00:53:33,640 --> 00:53:35,360
Speaker 1: not knowing what to say in his song.

1033
00:53:35,520 --> 00:53:38,919
Speaker 2: Well, because last time, if you remember, he accidentally did

1034
00:53:38,960 --> 00:53:42,400
Speaker 2: the hot stepper thing. And I think that you know,

1035
00:53:42,560 --> 00:53:46,200
Speaker 2: because Shaggy became soggy, maybe hot stepper becomes wet stepper.

1036
00:53:46,320 --> 00:53:48,600
Speaker 2: Like Soufie Weaver. He did not want it to be

1037
00:53:48,640 --> 00:53:51,399
Speaker 2: a mistake, but rather to become part of the pattern. Yes,

1038
00:53:52,120 --> 00:53:54,840
Speaker 2: and so I see where he's going. But I just

1039
00:53:54,960 --> 00:53:57,360
Speaker 2: wish he would have come up with any cohose spray

1040
00:53:57,520 --> 00:54:00,319
Speaker 2: before he started recording the sound drop or he did

1041
00:54:00,320 --> 00:54:00,960
Speaker 2: a second take.

1042
00:54:02,719 --> 00:54:03,279
Speaker 4: I liked it.

1043
00:54:03,440 --> 00:54:05,960
Speaker 2: Oh great, Alan, okay, good, Well.

1044
00:54:05,840 --> 00:54:07,439
Speaker 4: I thought that was a good sound. I think that's

1045
00:54:07,480 --> 00:54:10,040
Speaker 4: gonna be a good another thirty three and a third.

1046
00:54:10,160 --> 00:54:13,880
Speaker 3: We have a question for the guy questions from Steve Age.

1047
00:54:15,480 --> 00:54:22,680
Speaker 1: Steve ag Yes, Allen, what was the information for your

1048
00:54:22,800 --> 00:54:26,759
Speaker 1: famous character additional voices in Monsters, Inc.

1049
00:54:27,480 --> 00:54:32,600
Speaker 2: Where there's a mistake of information? Yeah, inspimation, inspimraation.

1050
00:54:33,440 --> 00:54:33,759
Speaker 3: Mm hm.

1051
00:54:36,440 --> 00:54:43,440
Speaker 4: Well the inspiration, sorry, the inspiration for additional voices.

1052
00:54:43,320 --> 00:54:49,760
Speaker 2: Was and that was University University by the way that's.

1053
00:54:50,000 --> 00:54:51,400
Speaker 3: University is like a corporation.

1054
00:54:51,600 --> 00:54:54,640
Speaker 4: But anyway, well, I mean, look we could get into

1055
00:54:56,040 --> 00:54:59,840
Speaker 4: you know, student loans. Pixar being kind of basically a

1056
00:55:00,040 --> 00:55:02,759
Speaker 4: operation now, you know, but I mean, I don't know.

1057
00:55:02,840 --> 00:55:05,680
Speaker 2: It's almost starting to become almost it's kind of becoming

1058
00:55:05,719 --> 00:55:08,040
Speaker 2: like a business. And it used to just be our hangout.

1059
00:55:08,280 --> 00:55:11,080
Speaker 4: Yeah. It used to be like, come on over to

1060
00:55:11,120 --> 00:55:12,879
Speaker 4: Pixar if you want to hang in, we'll play some.

1061
00:55:13,080 --> 00:55:16,319
Speaker 2: It's like a clubhouse where we just animate our ideas

1062
00:55:15,960 --> 00:55:17,680
Speaker 2: and they wind up being a movie.

1063
00:55:17,719 --> 00:55:19,640
Speaker 3: Great, but about dollars.

1064
00:55:20,200 --> 00:55:23,719
Speaker 2: Yeah, And now they're like intentionally making movies with budgets

1065
00:55:23,760 --> 00:55:25,799
Speaker 2: and the whole thing, and it's disgusting.

1066
00:55:26,600 --> 00:55:31,120
Speaker 4: I don't like it either. But the inspiration was that

1067
00:55:31,360 --> 00:55:39,920
Speaker 4: they had two characters coming back for Monster University, eyeball

1068
00:55:40,320 --> 00:55:48,480
Speaker 4: Man and John Goodman. And I said, I was at

1069
00:55:48,520 --> 00:55:51,200
Speaker 4: Pixar kind of in the little corner where we all

1070
00:55:51,320 --> 00:55:52,799
Speaker 4: used to hang out, where it just used to be

1071
00:55:52,920 --> 00:55:56,240
Speaker 4: chill hangout, and now there's like a secretary over there,

1072
00:55:56,320 --> 00:55:59,920
Speaker 4: and I said to the secretary, Hey, maybe there should

1073
00:55:59,920 --> 00:56:03,520
Speaker 4: be some additional voices, you know, because there's only two

1074
00:56:03,920 --> 00:56:07,239
Speaker 4: you got a whole movie, right, And it's a prequel,

1075
00:56:07,920 --> 00:56:10,120
Speaker 4: and maybe we should meet some of the other people

1076
00:56:10,200 --> 00:56:14,440
Speaker 4: that uh, you know, uh made Eyeball and John Goodman

1077
00:56:14,480 --> 00:56:17,719
Speaker 4: who they are? You know, co Eds, co eds, you know,

1078
00:56:18,440 --> 00:56:22,520
Speaker 4: before we get to Monsters, inc. You know. And so

1079
00:56:22,640 --> 00:56:26,719
Speaker 4: I so she was like prove it. She just like

1080
00:56:26,840 --> 00:56:31,600
Speaker 4: prove it. I said, Oh, great, I will, Oh you

1081
00:56:31,680 --> 00:56:33,600
Speaker 4: are Now we're going to have a real good time here.

1082
00:56:33,680 --> 00:56:41,960
Speaker 4: Sean im a purple guy. I'm a skateboard man. I'm

1083
00:56:41,960 --> 00:56:50,759
Speaker 4: a skateboard man. And then and then and then they

1084
00:56:50,760 --> 00:56:54,360
Speaker 4: were like, uh, yeah, you're hired, You're.

1085
00:56:54,640 --> 00:56:58,759
Speaker 3: And so skateboard man has that ever failed for.

1086
00:56:58,760 --> 00:57:03,000
Speaker 4: You know, skateboard man has always always kills it.

1087
00:57:02,960 --> 00:57:05,680
Speaker 2: Always always that you end up being because you know,

1088
00:57:05,840 --> 00:57:09,000
Speaker 2: because you know when to use it. Yeah, Alan, that's

1089
00:57:09,080 --> 00:57:11,680
Speaker 2: the tone and everything of that story just seems so great.

1090
00:57:11,719 --> 00:57:14,120
Speaker 2: I didn't listen to any of the words, but just

1091
00:57:14,400 --> 00:57:16,920
Speaker 2: felt like a good sneeze.

1092
00:57:17,280 --> 00:57:29,360
Speaker 7: Sneezy, sneezy. The sneeze was unavoidable. But I knew that

1093
00:57:29,400 --> 00:57:30,480
Speaker 7: I needed to warn you.

1094
00:57:30,480 --> 00:57:31,120
Speaker 3: Somehow, you know.

1095
00:57:31,320 --> 00:57:34,440
Speaker 2: Yeah, so I tried to say the words sneeze.

1096
00:57:35,120 --> 00:57:37,200
Speaker 4: Well, during that story, you got up and you walked

1097
00:57:37,200 --> 00:57:39,720
Speaker 4: into the corner and you started tickling your nose with

1098
00:57:39,760 --> 00:57:40,160
Speaker 4: a feather.

1099
00:57:40,440 --> 00:57:44,600
Speaker 2: I don't know, but but I love that you came

1100
00:57:44,680 --> 00:57:50,000
Speaker 2: and told us that bye bye.

1101
00:57:53,880 --> 00:57:56,600
Speaker 7: This has been an ear Wolf production executive produced by

1102
00:57:56,640 --> 00:57:58,440
Speaker 7: Scott Ackerman, Adam Sachs.

1103
00:57:58,200 --> 00:57:58,960
Speaker 3: And Chris Bannon.

1104
00:57:59,240 --> 00:58:07,040
Speaker 2: For more information and content, visit earwolf dot comm.