WEBVTT - Best Picture Countdown to the Oscars: "Sentimental Value" 

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<v Speaker 1>All right, folks, here we are on Oscar Sunday. Last

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<v Speaker 1>movie for you sentimental value. We got a lot to

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<v Speaker 1>say about this one, but it has nine nominations.

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<v Speaker 2>Robes, was this the last one we watched?

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<v Speaker 3>This was the last one we watched?

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<v Speaker 2>Okay?

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<v Speaker 3>Yes, And I understand these nominations because there are so

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<v Speaker 3>many acting nominations in this movie, and when you watch

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<v Speaker 3>it you will understand why. So yes, nine nominations Best Picture,

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<v Speaker 3>of course, but get this Best Actress, Best Supporting Actor,

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<v Speaker 3>Best Supporting Actress, Best Supporting Actress, Best Original Screenplay, Best Director,

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<v Speaker 3>Best International Feature Film, and Best Editing. That's impressive.

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<v Speaker 1>They have four four actors nominated in acting categories. Correct,

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<v Speaker 1>there are only four acting categories.

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<v Speaker 3>It's incredibly impressive.

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<v Speaker 1>Doubled up in the Supporting actress category. And Rhodes. I

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<v Speaker 1>don't know these actors at all. Stellin Scarsguard of course,

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<v Speaker 1>and el Fanning that we know El Fanning?

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<v Speaker 2>Who was I didn't recognize her?

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<v Speaker 3>Really, Yeah, she's all grown up, you know. And in

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<v Speaker 3>one point, at one point in the movie, she turns

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<v Speaker 3>her hair brunette, so yes it is, but I recognized her.

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<v Speaker 3>She's got that sweet little face we all.

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<v Speaker 1>Know a lot, and she was really impressive in this

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<v Speaker 1>movie as well. But scars Guard, who what do you

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<v Speaker 1>call him? The head of a acting dinery?

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<v Speaker 3>Or yes, he is the head of an acting dynasty.

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<v Speaker 3>It's a really good way to put it.

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<v Speaker 1>But I love watching him, loving in all he does.

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<v Speaker 1>I'll never get to see him really in a lead role.

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<v Speaker 1>He's always in a supporting actor in some way, but

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<v Speaker 1>he is fantastic. But he leads this thing up. This

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<v Speaker 1>one made twenty two million at the box office, not

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<v Speaker 1>didn't do Gangbusters there And how would you will read

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<v Speaker 1>the synopsis, but I'm just gonna put your spot and

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<v Speaker 1>challenge you. How would you describe this movie if you

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<v Speaker 1>had to say, what is.

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<v Speaker 2>This movie about?

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<v Speaker 3>It's about family trauma. It's about relationships, like fractured relationships

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<v Speaker 3>and healing. I mean, you see the relationships between the

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<v Speaker 3>two sisters between and each sister has a different relationship

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<v Speaker 3>with her father, and it's and it's all messed up

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<v Speaker 3>based on life, and you chose who he chose at

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<v Speaker 3>different parts in his life. And then this American who

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<v Speaker 3>comes in and her acknowledgment of just kind of pushing

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<v Speaker 3>her way into something that maybe where she didn't belong.

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<v Speaker 3>I feel like there was some interesting themes that were

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<v Speaker 3>going on that could be applied in a lot of

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<v Speaker 3>different ways. But it's it's a story about trauma and

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<v Speaker 3>healing and love and relationships.

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<v Speaker 2>And the way they put it.

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<v Speaker 1>One synopsis robes an intimate exploration of family memories and

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<v Speaker 1>the reconciliatory power of art. That nails it. And it

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<v Speaker 1>is really really well written. After you've seen it, you go, wow,

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<v Speaker 1>that's it. If you haven't seen it and you hear that,

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<v Speaker 1>it doesn't tell you a whole lot.

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<v Speaker 3>Yeah, I wouldn't understand the reconciliatory power of art, But

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<v Speaker 3>when you understand what happens in this movie, it's really cool. Actually,

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<v Speaker 3>I see this anopsis. This really gets into the meat

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<v Speaker 3>of it. Yes, sisters Nora and Agnes reunite with their

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<v Speaker 3>estrange father, the charismatic Gustav, a once renowned director who

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<v Speaker 3>offers stage actress Nora a role in what he hopes

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<v Speaker 3>will be his comeback film. When Nora, his daughter, turns

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<v Speaker 3>it down, she soon discovers he has given her part

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<v Speaker 3>to an eager young Hollywood star. Suddenly, the two sisters

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<v Speaker 3>must navigate their complicated relationship with their father and deal

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<v Speaker 3>with an American star dropped right into the middle of

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<v Speaker 3>their complex family dynamics. Yeah, that is exactly what the

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<v Speaker 3>movie is about. And I just thought the acting, I

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<v Speaker 3>can't say enough it was. It was remarkable. This was

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<v Speaker 3>like a masterclass in acting.

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<v Speaker 2>Was there any action in this movie?

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<v Speaker 1>Now, I'm trying to think even like any type of

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<v Speaker 1>action scene, not like an action movie type thing, but

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<v Speaker 1>anything that was high paced or intense or anything like that.

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<v Speaker 1>I'm saying that to think the acting you're talking about

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<v Speaker 1>conversations carried.

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<v Speaker 3>This entire movie in Swedish.

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<v Speaker 1>Yes, there were not even there weren't very many situations

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<v Speaker 1>even to figure out you're reading this whole movie about

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<v Speaker 1>the complexities of relationship and it.

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<v Speaker 3>Works with some red Yeah, I really Again, I forgot

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<v Speaker 3>that I was reading subtitles and when el Fanning parts

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<v Speaker 3>came in and she then of course they would switch

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<v Speaker 3>over to English. I didn't even realize that it switched

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<v Speaker 3>to English. That's so cool. So I'm watching a movie

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<v Speaker 3>in Swedish with English subtitles and then it switches to

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<v Speaker 3>English and I don't even know the difference between the two.

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<v Speaker 3>I had to stop and go Oh wait, they're actually

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<v Speaker 3>all now in English. Oh didn't even realize that was happening.

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<v Speaker 3>I was transported into that world. That to me is

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<v Speaker 3>a sign of a really good movie.

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<v Speaker 1>You forget, Robes. I got lost in this movie because

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<v Speaker 1>it was another very heavy movie with some very heavy themes,

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<v Speaker 1>not just about dynamics of a father and his daughters,

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<v Speaker 1>but very heavy themes of suicide, correct very heavy themes.

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<v Speaker 3>And yeah, we forgot to point that out. That's something

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<v Speaker 3>to actually know before you think about watching this, because

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<v Speaker 3>that's not for everybody. But yes, and oh my goodness,

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<v Speaker 3>there is a twist at the end.

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<v Speaker 1>Yeah, there's a central theme and it's a powerful theme,

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<v Speaker 1>and it plays throughout almost the movie, and it's central

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<v Speaker 1>to really what is weirdly to say, the payoff at

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<v Speaker 1>the end of this movie that is almost just gutting

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<v Speaker 1>and beautiful.

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<v Speaker 2>It is.

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<v Speaker 1>It's a hell of a movie. But Robes, these converts,

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<v Speaker 1>they I am. I am floored at the level of

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<v Speaker 1>acting in this movie.

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<v Speaker 3>Yeah. Same, I don't think I've seen anything quite like it.

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<v Speaker 1>It is stunning and well, I know, my god, this

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<v Speaker 1>I'm not taking away from anybody else's performance. I just

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<v Speaker 1>do not understand how it's possible for an artist to

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<v Speaker 1>produce what I saw on film.

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<v Speaker 3>Yeah, and this is up to your points original screenplay.

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<v Speaker 3>So this is something this came from someone's mind. And

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<v Speaker 3>you know you're watching this as you point out a

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<v Speaker 3>non action, really relationship conversation forward movie. That so the

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<v Speaker 3>conversation and the emotion are what drive the energy of

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<v Speaker 3>this movie to the end. But then there's this twist.

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<v Speaker 3>I did not see it coming, but it was so brilliant,

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<v Speaker 3>it was so clever, and you are actually holding your

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<v Speaker 3>breath at at least I was at the end of.

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<v Speaker 1>This movie really really well done. At the same time,

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<v Speaker 1>do I say, do I consider that I did? I

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<v Speaker 1>enjoy the movie watching experience. You're not supposed to write

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<v Speaker 1>this is different.

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<v Speaker 2>You weren't.

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<v Speaker 1>Are you entertained? I was in awe of these actors.

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<v Speaker 1>I was in awe. I do not know how they

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<v Speaker 1>do this.

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<v Speaker 3>Yeah, And you know another thing I would say about

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<v Speaker 3>this movie, I was in the moment. I was not

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<v Speaker 3>thinking about what I had to do later that day

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<v Speaker 3>or tomorrow, or whose texts I hadn't returned. Like I

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<v Speaker 3>was in the moment, even though and I think it's

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<v Speaker 3>pretty cool for a movie to capture that kind of

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<v Speaker 3>attention when you don't have bullets flying and explosions or

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<v Speaker 3>saw a masked man on the loose, like, actually, this

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<v Speaker 3>was just a compelling, a compelling drama.

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<v Speaker 2>You know, it felt really quiet.

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<v Speaker 3>It was.

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<v Speaker 2>It was a quiet movie.

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<v Speaker 1>It was quiet because even the actors their personalities, they

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<v Speaker 1>aren't overwhelming, and they're not a loud They're and not

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<v Speaker 1>even I just not allowed.

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<v Speaker 2>They don't emokee that much.

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<v Speaker 3>No, there's Scandinavian. Yeah, yes, it read. And the funny

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<v Speaker 3>thing is we had just this year we for the

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<v Speaker 3>first time, we went to Sweden, and so you kind

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<v Speaker 3>of get a feel for the culture. So when you're

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<v Speaker 3>watching this movie, you get it. You're like, yes, all

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<v Speaker 3>even like looking at this set, the design, the Swedish architecture,

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<v Speaker 3>the Swedish way of having no clutter, it was actually

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<v Speaker 3>visually pleasing to see all of those clean lines that

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<v Speaker 3>the Swedish are known for all incorporated in the movie.

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<v Speaker 3>It fit with everything.

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<v Speaker 1>But should you want you to should you skip it?

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<v Speaker 1>I don't know if Robes and I are going to

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<v Speaker 1>see eyed eye on this one. All right, we continue here,

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<v Speaker 1>Robes just worry we're about to get into an argument

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<v Speaker 1>over sentimental value. We I do not think we are

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<v Speaker 1>sentimental value. Hour and forty two, No, scoot. This one's

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<v Speaker 1>two hours and thirteen minutes long. This is an emotional ride.

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<v Speaker 1>I don't think I felt Robes as some of the

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<v Speaker 1>lowest lows that I felt in some of the other movies. Yeah,

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<v Speaker 1>that were gutting. This was emotional and sweet and kind

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<v Speaker 1>of sad. It wasn't painfully gutting like some of the others.

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<v Speaker 3>Correct, there wasn't massive loss of life. There was the

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<v Speaker 3>threat of it, there was the fear of it, there

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<v Speaker 3>was the emotion behind depression, and definitely some heavy topics.

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<v Speaker 3>Yet there was so much love and connection and there

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<v Speaker 3>was redemption and there was support, and so it ended

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<v Speaker 3>up making you feel kind of warm and fuzzy after

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<v Speaker 3>all of that darkness. But isn't that what all of

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<v Speaker 3>us feel in our lives and how relationships can help

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<v Speaker 3>us heal. And that That's where I liked this movie,

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<v Speaker 3>because there was redemption, there was hope, It was hopeful,

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<v Speaker 3>even just Elf Fanning's character, how she came in and

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<v Speaker 3>and made made us all feel like there is some

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<v Speaker 3>humanity in the world. You know, you see she was

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<v Speaker 3>so good by the way the table was thinking about it,

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<v Speaker 3>and it was subtle, but it was. It was so

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<v Speaker 3>real and I think every single person watching those scenes

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<v Speaker 3>with el Fanning and then between the you can put

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<v Speaker 3>yourself in those shoes. You can imagine feeling what they're

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<v Speaker 3>feeling and saying what they're saying. It just was so good.

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<v Speaker 3>And two hours and thirteen minutes, I don't think is

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<v Speaker 3>a huge I guess I'm just now thinking of it

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<v Speaker 3>relative to the longer movies on this list. I thought

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<v Speaker 3>it was absolutely worth a watch. I think I would

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<v Speaker 3>love to watch this with my daughters, with my mom,

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<v Speaker 3>like just kind of this family feel of just recognizing

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<v Speaker 3>we all have strained relationships here and there, we can

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<v Speaker 3>all do better at communicating and understanding one another. I

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<v Speaker 3>just I felt the love in this movie. So yes,

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<v Speaker 3>I absolutely say watch it.

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<v Speaker 1>I do too, for no other reason than the acting.

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<v Speaker 1>The acting is a must see. I don't know who's

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<v Speaker 1>been winning the Best Actress awards during the.

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<v Speaker 3>Awards, so she so and I feel so bad because

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<v Speaker 3>I'm not good at pronouncing these Swedish names, but Renate

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<v Speaker 3>Rensive she has one. She has won in a couple

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<v Speaker 3>of the award ceremonies, certainly a lot a lot of

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<v Speaker 3>eyes are going to be on her.

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<v Speaker 2>Stellan Jesse Buckley is the front runner for this.

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<v Speaker 3>Yes, so I would say she is probably right behind

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<v Speaker 3>her in terms of expectations what people think or who

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<v Speaker 3>people think should win Best Acting.

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<v Speaker 1>This lady was unfrick and believable. The relationship between her

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<v Speaker 1>and her sister, how they pulled that off, that was.

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<v Speaker 1>I love the acting in this movie. I absolutely say

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<v Speaker 1>check this one out if it is the best. If

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<v Speaker 1>we had to give out an award for the best acting,

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<v Speaker 1>this would ensemble acting, this would have to be it.

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<v Speaker 3>Yes, so she yeah, and by the way, so she's Norwegian,

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<v Speaker 3>So I mean, it was just remarkable to see what

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<v Speaker 3>these actors were able to do and what they were

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<v Speaker 3>able to pull off. And yes, I hope everyone runs

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<v Speaker 3>out and sees this one.

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<v Speaker 1>Well, y'all cut up now, folks, you're ready for Even

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<v Speaker 1>if you didn't spend the twenty three hours and ten

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<v Speaker 1>minutes like we did watching every single one of these movies,

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<v Speaker 1>give or take a few minutes there, Marty Supreme, I

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<v Speaker 1>was gonna say, maybe.

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<v Speaker 3>It was only twenty two hours and thirty five minutes.

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<v Speaker 1>We gave it the college try point being yeah, we

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<v Speaker 1>just wanted to. We thought this would be fun. Maybe

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<v Speaker 1>get you caught up a little more excited about the

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<v Speaker 1>Oscars if you knew a little more. And we're a

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<v Speaker 1>little more invested in some of these movies. But that's

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<v Speaker 1>number ten for us. What you got on you? You're

0:12:21.760 --> 0:12:22.360
<v Speaker 1>about to say.

0:12:22.240 --> 0:12:23.959
<v Speaker 3>Something, Oh well, no, do we want to pick who

0:12:23.960 --> 0:12:25.560
<v Speaker 3>we think is going to win Best Picture?

0:12:25.920 --> 0:12:26.920
<v Speaker 2>Not in this episode.

0:12:27.200 --> 0:12:28.960
<v Speaker 3>Oh all right, we'll save it for later.

0:12:29.559 --> 0:12:32.200
<v Speaker 1>Folks, we always appreciate hanging with us. We will talk

0:12:32.240 --> 0:12:32.679
<v Speaker 1>to you soon.