1 00:00:09,760 --> 00:00:14,320 Speaker 1: All right, folks, here we are on Oscar Sunday. Last 2 00:00:14,320 --> 00:00:17,439 Speaker 1: movie for you sentimental value. We got a lot to 3 00:00:17,480 --> 00:00:20,480 Speaker 1: say about this one, but it has nine nominations. 4 00:00:20,880 --> 00:00:22,680 Speaker 2: Robes, was this the last one we watched? 5 00:00:23,360 --> 00:00:24,840 Speaker 3: This was the last one we watched? 6 00:00:24,840 --> 00:00:25,040 Speaker 2: Okay? 7 00:00:25,079 --> 00:00:30,600 Speaker 3: Yes, And I understand these nominations because there are so 8 00:00:30,880 --> 00:00:34,320 Speaker 3: many acting nominations in this movie, and when you watch 9 00:00:34,360 --> 00:00:38,120 Speaker 3: it you will understand why. So yes, nine nominations Best Picture, 10 00:00:38,159 --> 00:00:42,519 Speaker 3: of course, but get this Best Actress, Best Supporting Actor, 11 00:00:42,920 --> 00:00:48,720 Speaker 3: Best Supporting Actress, Best Supporting Actress, Best Original Screenplay, Best Director, 12 00:00:49,159 --> 00:00:52,800 Speaker 3: Best International Feature Film, and Best Editing. That's impressive. 13 00:00:53,840 --> 00:01:00,960 Speaker 1: They have four four actors nominated in acting categories. Correct, 14 00:01:01,720 --> 00:01:03,960 Speaker 1: there are only four acting categories. 15 00:01:04,640 --> 00:01:06,399 Speaker 3: It's incredibly impressive. 16 00:01:06,560 --> 00:01:10,760 Speaker 1: Doubled up in the Supporting actress category. And Rhodes. I 17 00:01:10,760 --> 00:01:16,080 Speaker 1: don't know these actors at all. Stellin Scarsguard of course, 18 00:01:16,160 --> 00:01:18,080 Speaker 1: and el Fanning that we know El Fanning? 19 00:01:18,319 --> 00:01:19,720 Speaker 2: Who was I didn't recognize her? 20 00:01:19,840 --> 00:01:22,959 Speaker 3: Really, Yeah, she's all grown up, you know. And in 21 00:01:23,080 --> 00:01:24,960 Speaker 3: one point, at one point in the movie, she turns 22 00:01:25,000 --> 00:01:28,240 Speaker 3: her hair brunette, so yes it is, but I recognized her. 23 00:01:28,280 --> 00:01:29,959 Speaker 3: She's got that sweet little face we all. 24 00:01:29,840 --> 00:01:31,840 Speaker 1: Know a lot, and she was really impressive in this 25 00:01:31,880 --> 00:01:34,360 Speaker 1: movie as well. But scars Guard, who what do you 26 00:01:34,400 --> 00:01:36,440 Speaker 1: call him? The head of a acting dinery? 27 00:01:36,760 --> 00:01:38,800 Speaker 3: Or yes, he is the head of an acting dynasty. 28 00:01:38,920 --> 00:01:40,040 Speaker 3: It's a really good way to put it. 29 00:01:40,080 --> 00:01:43,360 Speaker 1: But I love watching him, loving in all he does. 30 00:01:43,480 --> 00:01:46,199 Speaker 1: I'll never get to see him really in a lead role. 31 00:01:46,640 --> 00:01:48,400 Speaker 1: He's always in a supporting actor in some way, but 32 00:01:48,440 --> 00:01:51,480 Speaker 1: he is fantastic. But he leads this thing up. This 33 00:01:51,520 --> 00:01:53,680 Speaker 1: one made twenty two million at the box office, not 34 00:01:54,640 --> 00:01:57,880 Speaker 1: didn't do Gangbusters there And how would you will read 35 00:01:57,880 --> 00:02:00,480 Speaker 1: the synopsis, but I'm just gonna put your spot and 36 00:02:00,560 --> 00:02:03,840 Speaker 1: challenge you. How would you describe this movie if you 37 00:02:03,920 --> 00:02:04,680 Speaker 1: had to say, what is. 38 00:02:04,600 --> 00:02:05,160 Speaker 2: This movie about? 39 00:02:05,160 --> 00:02:11,440 Speaker 3: It's about family trauma. It's about relationships, like fractured relationships 40 00:02:11,440 --> 00:02:14,080 Speaker 3: and healing. I mean, you see the relationships between the 41 00:02:14,080 --> 00:02:18,160 Speaker 3: two sisters between and each sister has a different relationship 42 00:02:18,160 --> 00:02:20,480 Speaker 3: with her father, and it's and it's all messed up 43 00:02:20,520 --> 00:02:23,880 Speaker 3: based on life, and you chose who he chose at 44 00:02:23,919 --> 00:02:27,120 Speaker 3: different parts in his life. And then this American who 45 00:02:27,160 --> 00:02:30,800 Speaker 3: comes in and her acknowledgment of just kind of pushing 46 00:02:30,800 --> 00:02:33,280 Speaker 3: her way into something that maybe where she didn't belong. 47 00:02:33,280 --> 00:02:37,120 Speaker 3: I feel like there was some interesting themes that were 48 00:02:37,120 --> 00:02:38,680 Speaker 3: going on that could be applied in a lot of 49 00:02:38,680 --> 00:02:43,240 Speaker 3: different ways. But it's it's a story about trauma and 50 00:02:43,280 --> 00:02:46,400 Speaker 3: healing and love and relationships. 51 00:02:45,680 --> 00:02:46,840 Speaker 2: And the way they put it. 52 00:02:46,880 --> 00:02:50,760 Speaker 1: One synopsis robes an intimate exploration of family memories and 53 00:02:50,800 --> 00:02:55,040 Speaker 1: the reconciliatory power of art. That nails it. And it 54 00:02:55,280 --> 00:02:59,120 Speaker 1: is really really well written. After you've seen it, you go, wow, 55 00:02:59,400 --> 00:03:01,640 Speaker 1: that's it. If you haven't seen it and you hear that, 56 00:03:01,760 --> 00:03:03,200 Speaker 1: it doesn't tell you a whole lot. 57 00:03:03,280 --> 00:03:06,360 Speaker 3: Yeah, I wouldn't understand the reconciliatory power of art, But 58 00:03:06,440 --> 00:03:10,760 Speaker 3: when you understand what happens in this movie, it's really cool. Actually, 59 00:03:10,800 --> 00:03:13,320 Speaker 3: I see this anopsis. This really gets into the meat 60 00:03:13,360 --> 00:03:17,160 Speaker 3: of it. Yes, sisters Nora and Agnes reunite with their 61 00:03:17,240 --> 00:03:22,079 Speaker 3: estrange father, the charismatic Gustav, a once renowned director who 62 00:03:22,120 --> 00:03:25,440 Speaker 3: offers stage actress Nora a role in what he hopes 63 00:03:25,520 --> 00:03:28,800 Speaker 3: will be his comeback film. When Nora, his daughter, turns 64 00:03:28,840 --> 00:03:31,560 Speaker 3: it down, she soon discovers he has given her part 65 00:03:31,600 --> 00:03:34,960 Speaker 3: to an eager young Hollywood star. Suddenly, the two sisters 66 00:03:35,040 --> 00:03:38,320 Speaker 3: must navigate their complicated relationship with their father and deal 67 00:03:38,360 --> 00:03:41,240 Speaker 3: with an American star dropped right into the middle of 68 00:03:41,280 --> 00:03:45,040 Speaker 3: their complex family dynamics. Yeah, that is exactly what the 69 00:03:45,080 --> 00:03:49,160 Speaker 3: movie is about. And I just thought the acting, I 70 00:03:49,280 --> 00:03:53,920 Speaker 3: can't say enough it was. It was remarkable. This was 71 00:03:53,960 --> 00:03:56,080 Speaker 3: like a masterclass in acting. 72 00:03:56,640 --> 00:03:58,640 Speaker 2: Was there any action in this movie? 73 00:03:58,720 --> 00:04:02,240 Speaker 1: Now, I'm trying to think even like any type of 74 00:04:02,280 --> 00:04:04,920 Speaker 1: action scene, not like an action movie type thing, but 75 00:04:04,960 --> 00:04:09,360 Speaker 1: anything that was high paced or intense or anything like that. 76 00:04:09,760 --> 00:04:12,800 Speaker 1: I'm saying that to think the acting you're talking about 77 00:04:13,520 --> 00:04:15,640 Speaker 1: conversations carried. 78 00:04:16,120 --> 00:04:18,080 Speaker 3: This entire movie in Swedish. 79 00:04:18,480 --> 00:04:22,360 Speaker 1: Yes, there were not even there weren't very many situations 80 00:04:22,440 --> 00:04:26,680 Speaker 1: even to figure out you're reading this whole movie about 81 00:04:27,200 --> 00:04:29,080 Speaker 1: the complexities of relationship and it. 82 00:04:29,000 --> 00:04:32,680 Speaker 3: Works with some red Yeah, I really Again, I forgot 83 00:04:32,760 --> 00:04:37,440 Speaker 3: that I was reading subtitles and when el Fanning parts 84 00:04:37,480 --> 00:04:39,960 Speaker 3: came in and she then of course they would switch 85 00:04:40,000 --> 00:04:42,760 Speaker 3: over to English. I didn't even realize that it switched 86 00:04:42,800 --> 00:04:46,120 Speaker 3: to English. That's so cool. So I'm watching a movie 87 00:04:46,160 --> 00:04:49,000 Speaker 3: in Swedish with English subtitles and then it switches to 88 00:04:49,040 --> 00:04:51,080 Speaker 3: English and I don't even know the difference between the two. 89 00:04:51,240 --> 00:04:53,039 Speaker 3: I had to stop and go Oh wait, they're actually 90 00:04:53,080 --> 00:04:56,960 Speaker 3: all now in English. Oh didn't even realize that was happening. 91 00:04:57,000 --> 00:05:00,200 Speaker 3: I was transported into that world. That to me is 92 00:05:00,240 --> 00:05:01,520 Speaker 3: a sign of a really good movie. 93 00:05:01,760 --> 00:05:08,440 Speaker 1: You forget, Robes. I got lost in this movie because 94 00:05:08,640 --> 00:05:12,320 Speaker 1: it was another very heavy movie with some very heavy themes, 95 00:05:12,720 --> 00:05:17,920 Speaker 1: not just about dynamics of a father and his daughters, 96 00:05:18,120 --> 00:05:23,000 Speaker 1: but very heavy themes of suicide, correct very heavy themes. 97 00:05:23,200 --> 00:05:25,119 Speaker 3: And yeah, we forgot to point that out. That's something 98 00:05:25,120 --> 00:05:27,760 Speaker 3: to actually know before you think about watching this, because 99 00:05:27,760 --> 00:05:31,760 Speaker 3: that's not for everybody. But yes, and oh my goodness, 100 00:05:31,760 --> 00:05:32,960 Speaker 3: there is a twist at the end. 101 00:05:33,000 --> 00:05:35,880 Speaker 1: Yeah, there's a central theme and it's a powerful theme, 102 00:05:35,920 --> 00:05:39,000 Speaker 1: and it plays throughout almost the movie, and it's central 103 00:05:39,040 --> 00:05:43,000 Speaker 1: to really what is weirdly to say, the payoff at 104 00:05:43,040 --> 00:05:45,320 Speaker 1: the end of this movie that is almost just gutting 105 00:05:45,360 --> 00:05:46,000 Speaker 1: and beautiful. 106 00:05:46,040 --> 00:05:46,360 Speaker 2: It is. 107 00:05:46,560 --> 00:05:49,240 Speaker 1: It's a hell of a movie. But Robes, these converts, 108 00:05:49,839 --> 00:05:55,919 Speaker 1: they I am. I am floored at the level of 109 00:05:55,960 --> 00:05:56,719 Speaker 1: acting in this movie. 110 00:05:56,839 --> 00:05:59,240 Speaker 3: Yeah. Same, I don't think I've seen anything quite like it. 111 00:05:59,240 --> 00:06:04,520 Speaker 1: It is stunning and well, I know, my god, this 112 00:06:04,600 --> 00:06:07,719 Speaker 1: I'm not taking away from anybody else's performance. I just 113 00:06:07,839 --> 00:06:12,159 Speaker 1: do not understand how it's possible for an artist to 114 00:06:12,320 --> 00:06:13,919 Speaker 1: produce what I saw on film. 115 00:06:14,000 --> 00:06:17,680 Speaker 3: Yeah, and this is up to your points original screenplay. 116 00:06:18,000 --> 00:06:21,120 Speaker 3: So this is something this came from someone's mind. And 117 00:06:21,600 --> 00:06:23,760 Speaker 3: you know you're watching this as you point out a 118 00:06:24,000 --> 00:06:30,240 Speaker 3: non action, really relationship conversation forward movie. That so the 119 00:06:30,279 --> 00:06:33,520 Speaker 3: conversation and the emotion are what drive the energy of 120 00:06:33,560 --> 00:06:36,200 Speaker 3: this movie to the end. But then there's this twist. 121 00:06:36,360 --> 00:06:41,040 Speaker 3: I did not see it coming, but it was so brilliant, 122 00:06:41,120 --> 00:06:44,200 Speaker 3: it was so clever, and you are actually holding your 123 00:06:44,279 --> 00:06:46,880 Speaker 3: breath at at least I was at the end of. 124 00:06:46,800 --> 00:06:51,440 Speaker 1: This movie really really well done. At the same time, 125 00:06:51,960 --> 00:06:54,000 Speaker 1: do I say, do I consider that I did? I 126 00:06:54,160 --> 00:06:57,520 Speaker 1: enjoy the movie watching experience. You're not supposed to write 127 00:06:57,560 --> 00:06:59,000 Speaker 1: this is different. 128 00:06:59,080 --> 00:06:59,440 Speaker 2: You weren't. 129 00:07:00,120 --> 00:07:04,400 Speaker 1: Are you entertained? I was in awe of these actors. 130 00:07:04,440 --> 00:07:06,599 Speaker 1: I was in awe. I do not know how they 131 00:07:06,720 --> 00:07:06,960 Speaker 1: do this. 132 00:07:07,560 --> 00:07:09,240 Speaker 3: Yeah, And you know another thing I would say about 133 00:07:09,240 --> 00:07:12,000 Speaker 3: this movie, I was in the moment. I was not 134 00:07:12,360 --> 00:07:14,840 Speaker 3: thinking about what I had to do later that day 135 00:07:14,920 --> 00:07:19,200 Speaker 3: or tomorrow, or whose texts I hadn't returned. Like I 136 00:07:19,320 --> 00:07:22,200 Speaker 3: was in the moment, even though and I think it's 137 00:07:22,200 --> 00:07:24,320 Speaker 3: pretty cool for a movie to capture that kind of 138 00:07:24,440 --> 00:07:29,040 Speaker 3: attention when you don't have bullets flying and explosions or 139 00:07:29,400 --> 00:07:31,800 Speaker 3: saw a masked man on the loose, like, actually, this 140 00:07:32,000 --> 00:07:35,679 Speaker 3: was just a compelling, a compelling drama. 141 00:07:36,040 --> 00:07:37,720 Speaker 2: You know, it felt really quiet. 142 00:07:38,360 --> 00:07:38,800 Speaker 3: It was. 143 00:07:38,880 --> 00:07:40,480 Speaker 2: It was a quiet movie. 144 00:07:40,560 --> 00:07:44,720 Speaker 1: It was quiet because even the actors their personalities, they 145 00:07:44,720 --> 00:07:48,160 Speaker 1: aren't overwhelming, and they're not a loud They're and not 146 00:07:48,200 --> 00:07:50,160 Speaker 1: even I just not allowed. 147 00:07:50,440 --> 00:07:51,600 Speaker 2: They don't emokee that much. 148 00:07:51,680 --> 00:07:55,440 Speaker 3: No, there's Scandinavian. Yeah, yes, it read. And the funny 149 00:07:55,440 --> 00:07:57,600 Speaker 3: thing is we had just this year we for the 150 00:07:57,640 --> 00:07:59,480 Speaker 3: first time, we went to Sweden, and so you kind 151 00:07:59,480 --> 00:08:01,400 Speaker 3: of get a feel for the culture. So when you're 152 00:08:01,440 --> 00:08:04,280 Speaker 3: watching this movie, you get it. You're like, yes, all 153 00:08:04,360 --> 00:08:07,960 Speaker 3: even like looking at this set, the design, the Swedish architecture, 154 00:08:08,320 --> 00:08:12,760 Speaker 3: the Swedish way of having no clutter, it was actually 155 00:08:12,960 --> 00:08:16,680 Speaker 3: visually pleasing to see all of those clean lines that 156 00:08:16,720 --> 00:08:19,600 Speaker 3: the Swedish are known for all incorporated in the movie. 157 00:08:19,800 --> 00:08:21,000 Speaker 3: It fit with everything. 158 00:08:21,280 --> 00:08:23,520 Speaker 1: But should you want you to should you skip it? 159 00:08:23,680 --> 00:08:25,200 Speaker 1: I don't know if Robes and I are going to 160 00:08:25,200 --> 00:08:37,280 Speaker 1: see eyed eye on this one. All right, we continue here, 161 00:08:37,360 --> 00:08:39,160 Speaker 1: Robes just worry we're about to get into an argument 162 00:08:39,240 --> 00:08:43,600 Speaker 1: over sentimental value. We I do not think we are 163 00:08:43,679 --> 00:08:46,480 Speaker 1: sentimental value. Hour and forty two, No, scoot. This one's 164 00:08:46,480 --> 00:08:52,520 Speaker 1: two hours and thirteen minutes long. This is an emotional ride. 165 00:08:52,760 --> 00:08:55,320 Speaker 1: I don't think I felt Robes as some of the 166 00:08:55,480 --> 00:08:59,040 Speaker 1: lowest lows that I felt in some of the other movies. Yeah, 167 00:08:59,080 --> 00:09:01,920 Speaker 1: that were gutting. This was emotional and sweet and kind 168 00:09:01,920 --> 00:09:05,400 Speaker 1: of sad. It wasn't painfully gutting like some of the others. 169 00:09:05,400 --> 00:09:09,400 Speaker 3: Correct, there wasn't massive loss of life. There was the 170 00:09:09,400 --> 00:09:11,360 Speaker 3: threat of it, there was the fear of it, there 171 00:09:11,559 --> 00:09:16,320 Speaker 3: was the emotion behind depression, and definitely some heavy topics. 172 00:09:16,400 --> 00:09:18,800 Speaker 3: Yet there was so much love and connection and there 173 00:09:18,840 --> 00:09:22,160 Speaker 3: was redemption and there was support, and so it ended 174 00:09:22,240 --> 00:09:25,079 Speaker 3: up making you feel kind of warm and fuzzy after 175 00:09:25,120 --> 00:09:27,480 Speaker 3: all of that darkness. But isn't that what all of 176 00:09:27,520 --> 00:09:30,360 Speaker 3: us feel in our lives and how relationships can help 177 00:09:30,440 --> 00:09:33,560 Speaker 3: us heal. And that That's where I liked this movie, 178 00:09:33,600 --> 00:09:36,679 Speaker 3: because there was redemption, there was hope, It was hopeful, 179 00:09:37,080 --> 00:09:40,560 Speaker 3: even just Elf Fanning's character, how she came in and 180 00:09:40,559 --> 00:09:43,679 Speaker 3: and made made us all feel like there is some 181 00:09:43,800 --> 00:09:47,320 Speaker 3: humanity in the world. You know, you see she was 182 00:09:47,400 --> 00:09:51,320 Speaker 3: so good by the way the table was thinking about it, 183 00:09:51,400 --> 00:09:53,400 Speaker 3: and it was subtle, but it was. It was so 184 00:09:53,679 --> 00:09:58,280 Speaker 3: real and I think every single person watching those scenes 185 00:09:58,360 --> 00:10:00,960 Speaker 3: with el Fanning and then between the you can put 186 00:10:01,000 --> 00:10:04,480 Speaker 3: yourself in those shoes. You can imagine feeling what they're 187 00:10:04,480 --> 00:10:07,559 Speaker 3: feeling and saying what they're saying. It just was so good. 188 00:10:07,920 --> 00:10:10,520 Speaker 3: And two hours and thirteen minutes, I don't think is 189 00:10:10,640 --> 00:10:12,840 Speaker 3: a huge I guess I'm just now thinking of it 190 00:10:12,880 --> 00:10:15,840 Speaker 3: relative to the longer movies on this list. I thought 191 00:10:15,960 --> 00:10:19,320 Speaker 3: it was absolutely worth a watch. I think I would 192 00:10:19,360 --> 00:10:21,640 Speaker 3: love to watch this with my daughters, with my mom, 193 00:10:21,760 --> 00:10:25,920 Speaker 3: like just kind of this family feel of just recognizing 194 00:10:25,960 --> 00:10:29,960 Speaker 3: we all have strained relationships here and there, we can 195 00:10:30,040 --> 00:10:33,720 Speaker 3: all do better at communicating and understanding one another. I 196 00:10:33,760 --> 00:10:36,040 Speaker 3: just I felt the love in this movie. So yes, 197 00:10:36,160 --> 00:10:37,760 Speaker 3: I absolutely say watch it. 198 00:10:38,640 --> 00:10:43,040 Speaker 1: I do too, for no other reason than the acting. 199 00:10:43,640 --> 00:10:46,800 Speaker 1: The acting is a must see. I don't know who's 200 00:10:46,840 --> 00:10:49,600 Speaker 1: been winning the Best Actress awards during the. 201 00:10:49,520 --> 00:10:52,320 Speaker 3: Awards, so she so and I feel so bad because 202 00:10:52,360 --> 00:10:55,560 Speaker 3: I'm not good at pronouncing these Swedish names, but Renate 203 00:10:56,840 --> 00:11:02,000 Speaker 3: Rensive she has one. She has won in a couple 204 00:11:02,160 --> 00:11:05,680 Speaker 3: of the award ceremonies, certainly a lot a lot of 205 00:11:05,679 --> 00:11:06,760 Speaker 3: eyes are going to be on her. 206 00:11:07,320 --> 00:11:10,400 Speaker 2: Stellan Jesse Buckley is the front runner for this. 207 00:11:10,559 --> 00:11:14,600 Speaker 3: Yes, so I would say she is probably right behind 208 00:11:14,600 --> 00:11:18,480 Speaker 3: her in terms of expectations what people think or who 209 00:11:18,559 --> 00:11:19,960 Speaker 3: people think should win Best Acting. 210 00:11:20,080 --> 00:11:23,560 Speaker 1: This lady was unfrick and believable. The relationship between her 211 00:11:23,559 --> 00:11:25,400 Speaker 1: and her sister, how they pulled that off, that was. 212 00:11:25,679 --> 00:11:28,760 Speaker 1: I love the acting in this movie. I absolutely say 213 00:11:28,800 --> 00:11:31,360 Speaker 1: check this one out if it is the best. If 214 00:11:31,360 --> 00:11:33,240 Speaker 1: we had to give out an award for the best acting, 215 00:11:34,120 --> 00:11:36,200 Speaker 1: this would ensemble acting, this would have to be it. 216 00:11:36,679 --> 00:11:39,760 Speaker 3: Yes, so she yeah, and by the way, so she's Norwegian, 217 00:11:39,840 --> 00:11:43,880 Speaker 3: So I mean, it was just remarkable to see what 218 00:11:44,000 --> 00:11:46,040 Speaker 3: these actors were able to do and what they were 219 00:11:46,040 --> 00:11:49,320 Speaker 3: able to pull off. And yes, I hope everyone runs 220 00:11:49,320 --> 00:11:50,240 Speaker 3: out and sees this one. 221 00:11:50,920 --> 00:11:54,760 Speaker 1: Well, y'all cut up now, folks, you're ready for Even 222 00:11:54,800 --> 00:11:56,360 Speaker 1: if you didn't spend the twenty three hours and ten 223 00:11:56,400 --> 00:11:58,800 Speaker 1: minutes like we did watching every single one of these movies, 224 00:11:58,880 --> 00:12:00,760 Speaker 1: give or take a few minutes there, Marty Supreme, I 225 00:12:00,800 --> 00:12:01,959 Speaker 1: was gonna say, maybe. 226 00:12:01,679 --> 00:12:05,160 Speaker 3: It was only twenty two hours and thirty five minutes. 227 00:12:06,400 --> 00:12:09,240 Speaker 1: We gave it the college try point being yeah, we 228 00:12:09,280 --> 00:12:11,400 Speaker 1: just wanted to. We thought this would be fun. Maybe 229 00:12:11,400 --> 00:12:13,360 Speaker 1: get you caught up a little more excited about the 230 00:12:13,640 --> 00:12:16,400 Speaker 1: Oscars if you knew a little more. And we're a 231 00:12:16,440 --> 00:12:18,640 Speaker 1: little more invested in some of these movies. But that's 232 00:12:19,000 --> 00:12:21,760 Speaker 1: number ten for us. What you got on you? You're 233 00:12:21,760 --> 00:12:22,360 Speaker 1: about to say. 234 00:12:22,240 --> 00:12:23,959 Speaker 3: Something, Oh well, no, do we want to pick who 235 00:12:23,960 --> 00:12:25,560 Speaker 3: we think is going to win Best Picture? 236 00:12:25,920 --> 00:12:26,920 Speaker 2: Not in this episode. 237 00:12:27,200 --> 00:12:28,960 Speaker 3: Oh all right, we'll save it for later. 238 00:12:29,559 --> 00:12:32,200 Speaker 1: Folks, we always appreciate hanging with us. We will talk 239 00:12:32,240 --> 00:12:32,679 Speaker 1: to you soon.