1
00:00:00,680 --> 00:00:03,520
Speaker 1: You are listening to The Dan Patrick Show on Fox

2
00:00:03,560 --> 00:00:09,080
Speaker 1: Sports Radio. Somehow we made it final hour Meet Friday,

3
00:00:09,160 --> 00:00:12,800
Speaker 1: Dan and the Danetstan Patrick's show. He plays coach Beard

4
00:00:12,840 --> 00:00:15,680
Speaker 1: on Ted Lasso. Brendan Hunt will join us coming up

5
00:00:15,720 --> 00:00:18,560
Speaker 1: in a little bit full weekend of conference tournaments. No

6
00:00:18,680 --> 00:00:22,560
Speaker 1: bids handed out last night, Patrick ewing out as Georgetown

7
00:00:22,600 --> 00:00:25,640
Speaker 1: head coach and the name to keep an eye on

8
00:00:26,239 --> 00:00:29,720
Speaker 1: Rick Pattino. Rick Pettino has done a wonderful job at

9
00:00:29,760 --> 00:00:33,480
Speaker 1: IONA and Saint John's is gonna be open. You're gonna

10
00:00:33,479 --> 00:00:37,199
Speaker 1: have Georgetown open, Texas Tech open. And I know Rick

11
00:00:37,280 --> 00:00:40,879
Speaker 1: Pattino said to me a couple of times, Iona is

12
00:00:40,920 --> 00:00:45,920
Speaker 1: my last stop. Well maybe maybe it was easier to

13
00:00:45,960 --> 00:00:47,920
Speaker 1: say that instead of saying, Hey, I'm gonna go to

14
00:00:47,920 --> 00:00:50,000
Speaker 1: Ionah for a couple of years and then I hopefully

15
00:00:50,040 --> 00:00:53,560
Speaker 1: will get a bigger job. He's been great, He can coach.

16
00:00:54,360 --> 00:00:56,400
Speaker 1: He is one of the great coaches of all time.

17
00:00:57,200 --> 00:01:00,160
Speaker 1: I know there's a lot that comes with Rick, but

18
00:01:00,600 --> 00:01:03,600
Speaker 1: when it when it comes to coaching, he knows he's

19
00:01:03,640 --> 00:01:07,000
Speaker 1: on the short list of great college coaches and U

20
00:01:07,760 --> 00:01:09,840
Speaker 1: I would think he's going to have an opportunity here

21
00:01:10,360 --> 00:01:14,640
Speaker 1: if if he's interested in Saint John's h certainly Georgetown

22
00:01:14,680 --> 00:01:18,479
Speaker 1: in Texas tech or opens there. Marv madness is going

23
00:01:18,480 --> 00:01:20,760
Speaker 1: on right now. Go to Dan patrick dot com go

24
00:01:20,800 --> 00:01:23,720
Speaker 1: to the sales section. Got t shirts on sale for

25
00:01:23,760 --> 00:01:27,119
Speaker 1: his lowest fifteen dollars thanks to Marv while it supplies.

26
00:01:27,200 --> 00:01:28,920
Speaker 1: Last stat of the day brought to was always buy

27
00:01:29,000 --> 00:01:31,720
Speaker 1: penning the America the official trading cards of the Dan

28
00:01:31,800 --> 00:01:34,360
Speaker 1: Patrick's Show. Poll question for the final hour of this

29
00:01:34,480 --> 00:01:38,040
Speaker 1: award nominated program Seaton O'Connor, Dan, this is going to

30
00:01:38,080 --> 00:01:41,480
Speaker 1: surprise you. But daylight saving time? Yeah not popular? Yeah,

31
00:01:41,640 --> 00:01:44,080
Speaker 1: I didn't think so at all. Yeah, seventy Actually though

32
00:01:44,080 --> 00:01:47,760
Speaker 1: it could be more unpopular because twenty nine percent of

33
00:01:47,760 --> 00:01:50,720
Speaker 1: the audience want to keep it, seventy something percent want

34
00:01:50,720 --> 00:01:53,400
Speaker 1: to dump it. Yeah. Are we going to stay with

35
00:01:53,400 --> 00:01:58,840
Speaker 1: that final our poll question? Uh, we could go with.

36
00:01:59,240 --> 00:02:00,840
Speaker 1: So there's a bunch of on this weekend. You can

37
00:02:00,920 --> 00:02:06,080
Speaker 1: only watch one of these selection Sunday, the Oscars Players Championship, NBA,

38
00:02:06,480 --> 00:02:11,919
Speaker 1: NHL Spring Training soccer throwing there. Okay, any of those

39
00:02:11,960 --> 00:02:15,560
Speaker 1: getting you going? They all do? Yeah. Yeah, I've been

40
00:02:15,600 --> 00:02:18,640
Speaker 1: watching a lot more. I've been watching the World Baseball.

41
00:02:19,120 --> 00:02:22,880
Speaker 1: I've been watching some of that and and watching more

42
00:02:22,880 --> 00:02:29,560
Speaker 1: spring training this year. I'll watch the players. What else

43
00:02:29,639 --> 00:02:34,679
Speaker 1: is going on this weekend? So you got players oscars? Yeah,

44
00:02:35,040 --> 00:02:38,760
Speaker 1: I'm not as interested in the oscars. It doesn't seem

45
00:02:38,800 --> 00:02:41,400
Speaker 1: like there's any real oh wow, that's gonna be the

46
00:02:41,480 --> 00:02:45,040
Speaker 1: moment or it's gonna come down to those two actors

47
00:02:45,160 --> 00:02:47,560
Speaker 1: or those two movies there. It's kind of I think

48
00:02:47,600 --> 00:02:50,919
Speaker 1: for us personally, it's more about the Top Gun nuns

49
00:02:50,960 --> 00:02:53,440
Speaker 1: than anything. Yeah, it is. That's really the only thing

50
00:02:53,440 --> 00:02:56,919
Speaker 1: that I'm most interested in. Yes, if now Top Guns

51
00:02:57,000 --> 00:03:02,840
Speaker 1: not winning the Best Movie eight or eight, No, I'm

52
00:03:02,840 --> 00:03:06,519
Speaker 1: the one. I'm the big proponent for Top Gun. Oh

53
00:03:06,560 --> 00:03:09,720
Speaker 1: so you're going lower low expectations. Yes, yes, I don't

54
00:03:09,720 --> 00:03:13,200
Speaker 1: want to be disappointed when they when they announced that

55
00:03:13,320 --> 00:03:16,560
Speaker 1: it's not Top Gun as the best movie. But I

56
00:03:16,600 --> 00:03:20,359
Speaker 1: think that Tom Cruise should still get an award just

57
00:03:20,440 --> 00:03:22,679
Speaker 1: for bringing everybody back to the theater. I don't know

58
00:03:22,720 --> 00:03:26,640
Speaker 1: if you can say and the winner best Actor, the

59
00:03:26,639 --> 00:03:29,320
Speaker 1: most important person for bringing people back to the theater,

60
00:03:30,280 --> 00:03:33,519
Speaker 1: it's Tom Cruise and then he gets yeah, he gets

61
00:03:33,520 --> 00:03:35,560
Speaker 1: an award. I think that would be nice to give

62
00:03:35,600 --> 00:03:39,200
Speaker 1: Tom an award he's not gonna win an Academy award. Yes, yes,

63
00:03:39,320 --> 00:03:43,600
Speaker 1: more quick question about the Oscars. You can take your time, Okay,

64
00:03:43,680 --> 00:03:46,560
Speaker 1: I will all right. So there you threw me off.

65
00:03:46,600 --> 00:03:49,840
Speaker 1: That's sounding like me asking Deebo Samuel question. So Pop

66
00:03:49,880 --> 00:03:53,040
Speaker 1: Warner or any who for the Oscars? How crazy is

67
00:03:53,040 --> 00:03:55,200
Speaker 1: it that so many people watch the Oscars but we

68
00:03:55,280 --> 00:03:58,120
Speaker 1: only know maybe for people that get up there and

69
00:03:58,160 --> 00:04:01,960
Speaker 1: actually win the award. We like seeing famous people. It

70
00:04:02,000 --> 00:04:04,680
Speaker 1: doesn't mean that they're winning, but they could be presenting,

71
00:04:04,720 --> 00:04:06,880
Speaker 1: they could be in the audience. We like seeing famous

72
00:04:06,960 --> 00:04:10,320
Speaker 1: people like Jennifer Lopez and Channy Tatum are presenters. Yeah,

73
00:04:10,360 --> 00:04:12,880
Speaker 1: they won't be up for it. They will not Magic

74
00:04:13,040 --> 00:04:16,159
Speaker 1: Mike XXL is not going to be up for an award.

75
00:04:16,200 --> 00:04:18,520
Speaker 1: I think it's x x X l oh oh okay.

76
00:04:18,880 --> 00:04:25,960
Speaker 1: And then Jlo, what movie did she have? L oh? Yeah, yeah, yeah,

77
00:04:26,040 --> 00:04:29,760
Speaker 1: what's the name of that something? Honeymoon Wedding, Shotgun Wedding.

78
00:04:30,000 --> 00:04:32,600
Speaker 1: It was now an eight Best Picture? No, no, no no, no,

79
00:04:33,040 --> 00:04:35,560
Speaker 1: it was eight. Fritzie, I I'm sure you reached out

80
00:04:35,560 --> 00:04:38,279
Speaker 1: to Josh Dumel to be on our bracket. Did you

81
00:04:38,320 --> 00:04:41,120
Speaker 1: reach out to Jlo? I don't think I invited. Oh,

82
00:04:41,160 --> 00:04:45,400
Speaker 1: you've invited everybody in makes sense? Yeah, we save time

83
00:04:45,400 --> 00:04:47,520
Speaker 1: to invite her. Yeah, sure, just see, he's got five

84
00:04:47,600 --> 00:04:50,120
Speaker 1: days to get it in. Okay, Yeah, Paul. A lot

85
00:04:50,160 --> 00:04:52,239
Speaker 1: of people think for Best Actor and look at the odds.

86
00:04:52,279 --> 00:04:54,200
Speaker 1: Austin Butler, who played Elvis, A lot of people think

87
00:04:54,240 --> 00:04:57,279
Speaker 1: he's gonna get it the award. But the spoilers Brendan

88
00:04:57,320 --> 00:05:00,599
Speaker 1: Frasier in the movie The Whale, and that a good story.

89
00:05:00,960 --> 00:05:03,600
Speaker 1: I think it feels like it's more Brendan Frasier. Yeah,

90
00:05:03,640 --> 00:05:06,719
Speaker 1: in Austin Butler. Maybe Brendan Frasier. I mean he was.

91
00:05:06,839 --> 00:05:09,160
Speaker 1: He had a great career. Now, he didn't gain six

92
00:05:09,320 --> 00:05:13,200
Speaker 1: hundred pounds. No, he portrayed somebody who waged six hundred correct. Yes,

93
00:05:13,279 --> 00:05:15,320
Speaker 1: but this is kind of like one of those. He

94
00:05:15,400 --> 00:05:19,600
Speaker 1: was a hot property, yes, everything when he was George

95
00:05:19,600 --> 00:05:22,040
Speaker 1: of the Jungle and The Mummy. Was he in the

96
00:05:22,120 --> 00:05:25,360
Speaker 1: Mummy too? School ties? Yeah, he was a big deal. Yes, yeah,

97
00:05:25,360 --> 00:05:27,159
Speaker 1: he was in everything for a while. Yeah. Women liked

98
00:05:27,400 --> 00:05:30,520
Speaker 1: Brendan Frasier and sim too bad he didn't fully commit

99
00:05:30,560 --> 00:05:35,080
Speaker 1: though he should have gained the way Oh oh, okay,

100
00:05:36,040 --> 00:05:41,120
Speaker 1: I mean DeNiro would have of course, it always comes

101
00:05:41,160 --> 00:05:44,320
Speaker 1: back to it. Well, DeNiro would have done it, yeah he.

102
00:05:44,600 --> 00:05:47,520
Speaker 1: I don't know how much weight DeNiro gained for Raging Bowls.

103
00:05:47,520 --> 00:05:51,880
Speaker 1: He said at least sixty Okay, and you know I would.

104
00:05:51,960 --> 00:05:53,960
Speaker 1: I had met Jake LaMotta a couple of times. He

105
00:05:54,000 --> 00:05:58,000
Speaker 1: was a wonderful character. And his wife, VICKI was stunning.

106
00:05:59,400 --> 00:06:03,320
Speaker 1: Uh and we found out house stunning. She was in Playboy.

107
00:06:03,720 --> 00:06:06,120
Speaker 1: I don't know how old she was, but in person,

108
00:06:06,400 --> 00:06:08,800
Speaker 1: those two you'd meet him, You go, all right, Jake

109
00:06:08,920 --> 00:06:15,560
Speaker 1: Lamana and that's your a wife, Okay, beautiful, beautiful, But

110
00:06:15,680 --> 00:06:18,680
Speaker 1: he was character Jake Lamana, who that's a who de

111
00:06:18,760 --> 00:06:23,440
Speaker 1: Niro portrayed in Raging bull alrighty, it's a meat Friday case.

112
00:06:23,440 --> 00:06:29,120
Speaker 1: You're wondering grilled chicken fajitas? Is it fajitas or fahitas?

113
00:06:30,680 --> 00:06:35,400
Speaker 1: Because I called them beef and cheese to quitos? And

114
00:06:35,480 --> 00:06:38,200
Speaker 1: then Seten goes, well, did you drink some to quila

115
00:06:38,440 --> 00:06:40,800
Speaker 1: last night? And as a matter of fact, I did.

116
00:06:41,360 --> 00:06:45,320
Speaker 1: I had some chorsh to quila and we also have

117
00:06:45,440 --> 00:06:47,880
Speaker 1: chips in guac. That's who has a better than we do.

118
00:06:48,080 --> 00:06:54,080
Speaker 1: And no, no, buddy, uh, let's see, so no bids

119
00:06:54,160 --> 00:06:57,320
Speaker 1: last night Kevin Durant out two to three weeks. The

120
00:06:57,360 --> 00:07:02,080
Speaker 1: Grizzlies with John Morant all quiet right now and Patrick

121
00:07:02,120 --> 00:07:05,400
Speaker 1: Hewing out is the Georgetown head coach. Here is something

122
00:07:05,480 --> 00:07:08,839
Speaker 1: to keep an eye on. There'll be some names that'll

123
00:07:08,880 --> 00:07:13,320
Speaker 1: be released with free agency coming up and probably mid level.

124
00:07:13,400 --> 00:07:19,280
Speaker 1: But the Vikings reportedly are going to release Adam Feeling. Okay,

125
00:07:20,240 --> 00:07:23,120
Speaker 1: don't know what his numbers were last year. Kind of

126
00:07:23,120 --> 00:07:27,040
Speaker 1: overshadowed there with Justin Jefferson, but Adam Feeling was a

127
00:07:27,040 --> 00:07:30,600
Speaker 1: great story, came out of nowhere and probably went to

128
00:07:30,640 --> 00:07:33,680
Speaker 1: a couple of Pro Bowls. But he is going to

129
00:07:33,760 --> 00:07:40,440
Speaker 1: be released. Also, here's another thing complicating the Lamar Jackson situation.

130
00:07:40,560 --> 00:07:43,520
Speaker 1: If a team signs Lamar Jackson to an offer sheet,

131
00:07:44,280 --> 00:07:47,520
Speaker 1: the Ravens have five days to match, and then that

132
00:07:47,560 --> 00:07:51,520
Speaker 1: means the team will be out of free agency and

133
00:07:51,840 --> 00:07:55,520
Speaker 1: lose out on the other available quarterbacks if they do this,

134
00:07:56,040 --> 00:08:01,120
Speaker 1: because Baltimore can match that, and you know you're you're wondering, Okay,

135
00:08:01,120 --> 00:08:03,960
Speaker 1: do we tire herself up for five days in free

136
00:08:04,000 --> 00:08:07,880
Speaker 1: agency and we lose out maybe on Jimmy Garoppolo if

137
00:08:07,920 --> 00:08:12,440
Speaker 1: he goes someplace else, But the NFL reminded clubs. According

138
00:08:12,480 --> 00:08:15,640
Speaker 1: to Tom Pelicero, the NFL network sent out a memo

139
00:08:15,720 --> 00:08:20,000
Speaker 1: on Wednesday that next week's two day negotiating period applies

140
00:08:20,040 --> 00:08:23,600
Speaker 1: only to unrestricted free agents. So for these six franchise

141
00:08:23,680 --> 00:08:27,840
Speaker 1: tag players, including Lamar Jackson, no contract is allowed or

142
00:08:27,880 --> 00:08:31,960
Speaker 1: no contact I'm sorry, is allowed with other clubs until Wednesday,

143
00:08:32,040 --> 00:08:36,240
Speaker 1: March fifteen. So this is dragging out, and the question

144
00:08:36,400 --> 00:08:40,200
Speaker 1: is is Baltimore going to have to match this? Is

145
00:08:40,240 --> 00:08:42,360
Speaker 1: somebody going to be willing to give two first round

146
00:08:42,400 --> 00:08:46,080
Speaker 1: draft picks for Lamar Jackson. I'm also wondering if this

147
00:08:46,120 --> 00:08:49,400
Speaker 1: could happen, and I'm wondering this with the benefit of

148
00:08:49,400 --> 00:08:52,760
Speaker 1: a source I have with the NFL. Could you just

149
00:08:52,880 --> 00:08:57,000
Speaker 1: offer him three years? And let's say you give him

150
00:08:57,160 --> 00:09:02,880
Speaker 1: three years one hundred and forty million dollars guaranteed. How

151
00:09:02,880 --> 00:09:06,520
Speaker 1: would that go over? Three years, one hundred and forty

152
00:09:06,559 --> 00:09:11,360
Speaker 1: million dollars guaranteed, and then he would be twenty nine

153
00:09:11,960 --> 00:09:14,200
Speaker 1: and then he would be eligible for a new contract,

154
00:09:14,480 --> 00:09:16,760
Speaker 1: another contract. Who knows what the market's going to be like,

155
00:09:17,320 --> 00:09:20,200
Speaker 1: I mean, the salary cap keeps going on. Why not

156
00:09:21,480 --> 00:09:25,439
Speaker 1: do a shorter deal? Everybody wants, you know, Hey, can

157
00:09:25,440 --> 00:09:29,800
Speaker 1: I get five guaranteed? Five years guaranteed? How about three guaranteed?

158
00:09:30,640 --> 00:09:33,520
Speaker 1: I'll bet on myself, which seems to be the new

159
00:09:33,559 --> 00:09:37,560
Speaker 1: approach for players and see what it's like at age

160
00:09:37,600 --> 00:09:42,160
Speaker 1: twenty nine. Just a possibility there with Lamar Jackson because

161
00:09:42,200 --> 00:09:45,480
Speaker 1: if he is dead set on taking anything less than

162
00:09:45,520 --> 00:09:50,080
Speaker 1: two hundred and thirty and everything now with quarterbacks is guaranteed.

163
00:09:51,160 --> 00:09:54,920
Speaker 1: That's the approach now. But if I keep looking at

164
00:09:54,920 --> 00:09:57,880
Speaker 1: two hundred and thirty million guaranteed, I might miss out

165
00:09:57,920 --> 00:10:01,600
Speaker 1: on one hundred and forty million guarant and an opportunity

166
00:10:01,640 --> 00:10:05,080
Speaker 1: to get back into the market in three years. And

167
00:10:05,960 --> 00:10:09,600
Speaker 1: maybe that's something that he would consider. It's guaranteed, you

168
00:10:09,679 --> 00:10:13,240
Speaker 1: like the number that you're going to get. And this

169
00:10:13,320 --> 00:10:15,920
Speaker 1: is about respect as well, because I hear this all

170
00:10:15,960 --> 00:10:19,920
Speaker 1: the time, isn't that enough money? Well no, not to

171
00:10:20,000 --> 00:10:23,079
Speaker 1: these players and their agents. Get what you can get,

172
00:10:24,080 --> 00:10:26,240
Speaker 1: and it sound like they're going to be working for

173
00:10:26,400 --> 00:10:30,040
Speaker 1: thirty years. This is their time to get their money.

174
00:10:30,320 --> 00:10:31,880
Speaker 1: And a lot of this has to do with the

175
00:10:31,920 --> 00:10:34,880
Speaker 1: agent pushing that or the respect that they're going to

176
00:10:34,920 --> 00:10:38,760
Speaker 1: show you. Hey, they're willing to give you thirty one

177
00:10:38,800 --> 00:10:43,080
Speaker 1: million dollars being there disrespectful. I mean, Baltimore is running

178
00:10:43,080 --> 00:10:46,480
Speaker 1: a business here. As much as Lamar Jackson's done for

179
00:10:46,520 --> 00:10:49,560
Speaker 1: that franchise, Baltimore still has to look at this and say,

180
00:10:49,600 --> 00:10:51,840
Speaker 1: thank you for what you did. Now, what are you

181
00:10:51,880 --> 00:10:57,120
Speaker 1: going to do? And is this the business? Do we

182
00:10:57,160 --> 00:10:59,600
Speaker 1: want to be in Lamar Jackson business for five years?

183
00:11:00,559 --> 00:11:05,000
Speaker 1: And I don't think they do. You got him this year.

184
00:11:05,559 --> 00:11:08,679
Speaker 1: I would franchise him next year. Now I wonder if

185
00:11:08,679 --> 00:11:10,800
Speaker 1: he's going to sit out. I wonder. I don't think

186
00:11:10,800 --> 00:11:14,520
Speaker 1: he's going to go to any of these offseason the OTAs.

187
00:11:15,360 --> 00:11:17,880
Speaker 1: And maybe he gets fine for it, but he might

188
00:11:18,000 --> 00:11:20,560
Speaker 1: just say, you know what, you don't you don't love

189
00:11:20,600 --> 00:11:23,720
Speaker 1: me enough, you like me, you don't love me, and

190
00:11:23,840 --> 00:11:26,640
Speaker 1: I want to go elsewhere. Are you willing to tell

191
00:11:26,640 --> 00:11:29,440
Speaker 1: the Falcons. I'll take a three year, one hundred forty

192
00:11:29,480 --> 00:11:32,400
Speaker 1: million dollars guaranteed deal, give up the two first round

193
00:11:32,400 --> 00:11:36,080
Speaker 1: picks and let's go. You could probably get a deal done.

194
00:11:37,080 --> 00:11:40,160
Speaker 1: Now what's Baltimore do? Because then you call their bluff.

195
00:11:42,320 --> 00:11:45,280
Speaker 1: All it takes is one team. Also, the source where

196
00:11:45,280 --> 00:11:48,720
Speaker 1: the NFL said this, you know Lamar not having an agent.

197
00:11:49,600 --> 00:11:51,920
Speaker 1: While we get caught up on you know, his mom's

198
00:11:51,960 --> 00:11:55,680
Speaker 1: not experienced in this. He's not experienced in this. An

199
00:11:55,720 --> 00:12:00,280
Speaker 1: agent is able to control the dialogue. They can leak,

200
00:12:00,840 --> 00:12:04,400
Speaker 1: they can leak stories like they There's way two ways

201
00:12:04,440 --> 00:12:07,839
Speaker 1: to manipulate this with an agent, because an agent can

202
00:12:07,880 --> 00:12:11,760
Speaker 1: say to somebody, Hey, uh, you know GM, can you

203
00:12:11,800 --> 00:12:13,960
Speaker 1: do me a solid here? Can you say that you

204
00:12:13,960 --> 00:12:17,439
Speaker 1: guys are interested in more? That's how this works. It's

205
00:12:17,840 --> 00:12:20,880
Speaker 1: I need I need a favor. Here. Can I leak

206
00:12:20,960 --> 00:12:24,880
Speaker 1: this information? Hey, I'm going to call, you know, Stephen A.

207
00:12:25,000 --> 00:12:27,400
Speaker 1: Smith and say, hey, you know what this is what

208
00:12:27,480 --> 00:12:29,559
Speaker 1: I'm hearing. You didn't get it from me. That's how

209
00:12:29,559 --> 00:12:33,080
Speaker 1: these things work. And I wonder not having the agent

210
00:12:33,160 --> 00:12:36,840
Speaker 1: to play the PR game is hurting Lamar Jackson as well.

211
00:12:37,600 --> 00:12:41,040
Speaker 1: A couple of phone calls in here Jamie in Texas, Hi, Jamie,

212
00:12:41,080 --> 00:12:50,800
Speaker 1: what's on your mind today? Nine seventy? Hey, so I

213
00:12:50,840 --> 00:12:52,640
Speaker 1: have it. I noticed off topic. I have a little

214
00:12:52,640 --> 00:12:58,160
Speaker 1: situation going on. Um, I need your relationship advice. Oh okay,

215
00:12:58,400 --> 00:13:02,240
Speaker 1: Oh and if you don't mind, I'd like also Marvin

216
00:13:02,280 --> 00:13:06,560
Speaker 1: and Fritzie's opinions as well. So I have I worked,

217
00:13:07,320 --> 00:13:11,480
Speaker 1: I've worked in the in the oil field, and usually

218
00:13:11,520 --> 00:13:14,040
Speaker 1: gone like nine weeks. I'm in the field and I'm

219
00:13:14,080 --> 00:13:18,080
Speaker 1: home for three weeks. So I have three women now

220
00:13:18,400 --> 00:13:21,640
Speaker 1: ex girlfriends that I love very much. I'll care about him.

221
00:13:22,760 --> 00:13:27,280
Speaker 1: And one wants she's dying, which is horrible, and she

222
00:13:27,320 --> 00:13:34,319
Speaker 1: wants to get engaged, and she's an ex playboy calendar girl.

223
00:13:35,400 --> 00:13:37,719
Speaker 1: And then the other one, she actually called into your

224
00:13:37,720 --> 00:13:40,880
Speaker 1: show last year and lished me a happy birthday and

225
00:13:41,000 --> 00:13:45,120
Speaker 1: said that she followed the DP show rule or I do,

226
00:13:45,760 --> 00:13:47,600
Speaker 1: and I told her not to do it, and so

227
00:13:48,280 --> 00:13:50,160
Speaker 1: she's trying to get back with me. And then another

228
00:13:50,200 --> 00:13:56,920
Speaker 1: one is pretending like she's her daughter and texting me

229
00:13:57,000 --> 00:13:59,080
Speaker 1: that you love my mother, And so I don't know

230
00:13:59,120 --> 00:14:02,520
Speaker 1: what to do. What the hell is happening with you, Jamie.

231
00:14:02,520 --> 00:14:07,079
Speaker 1: You've got three girl friends ex girlfriends, and one calls

232
00:14:07,120 --> 00:14:12,080
Speaker 1: into the show, one's dying, and one is acting like

233
00:14:12,160 --> 00:14:17,360
Speaker 1: a daughter. It's a hard knock life. And you're gone

234
00:14:17,480 --> 00:14:22,000
Speaker 1: nine weeks and then you come back for three weeks, Yes, sir, okay.

235
00:14:22,240 --> 00:14:25,400
Speaker 1: Uh So you're asking us who we should go or

236
00:14:25,440 --> 00:14:27,640
Speaker 1: you you should go? Who we're going with? Who we're

237
00:14:27,640 --> 00:14:30,960
Speaker 1: going with? I got and it's basically a B And

238
00:14:31,000 --> 00:14:34,640
Speaker 1: then two Okay, Well, let me start with Todd because

239
00:14:34,640 --> 00:14:37,680
Speaker 1: that's where all relationships us start. Well, my first question me,

240
00:14:37,760 --> 00:14:40,000
Speaker 1: which one does he feel emotionally attached to the most.

241
00:14:40,040 --> 00:14:42,040
Speaker 1: You know, I know it's horrible that this woman's dying,

242
00:14:42,080 --> 00:14:44,160
Speaker 1: but if he's more in love with one of the

243
00:14:44,160 --> 00:14:46,720
Speaker 1: other ones, you can't just, you know, just because you

244
00:14:46,760 --> 00:14:49,560
Speaker 1: know she's got this ill fated situation to just you know,

245
00:14:49,920 --> 00:14:52,120
Speaker 1: take her down the aisle, unless that's what you know

246
00:14:52,160 --> 00:14:54,840
Speaker 1: he wants to do. But I think he's got she's dying.

247
00:14:54,880 --> 00:14:57,160
Speaker 1: Will you hurry up? He's got he's got to decide

248
00:14:57,160 --> 00:14:59,240
Speaker 1: which one he's got the most emotional attachment too. It's

249
00:14:59,280 --> 00:15:03,480
Speaker 1: not just about the the next playboy model. Okay, who

250
00:15:03,520 --> 00:15:09,360
Speaker 1: you tenched to emotionally? One? B Shelley, and Shelley is

251
00:15:09,360 --> 00:15:14,520
Speaker 1: is who? Shelley is My ass that we've been trying

252
00:15:14,520 --> 00:15:18,560
Speaker 1: to get back together. But for that whole did Shelley

253
00:15:18,600 --> 00:15:23,280
Speaker 1: call into the show? Yes, sir? Okay, all right, yeah, seton, Yeah,

254
00:15:23,320 --> 00:15:24,720
Speaker 1: I was gonna say so. I think Shelley is the

255
00:15:24,760 --> 00:15:27,360
Speaker 1: one who called into the show happy birthday. And you know,

256
00:15:27,480 --> 00:15:30,160
Speaker 1: we we probably favor her a little bit because she's

257
00:15:30,160 --> 00:15:33,000
Speaker 1: got good taste. What Todd. No. I think he just

258
00:15:33,520 --> 00:15:35,600
Speaker 1: gave us his answer. Whether he realized it or not,

259
00:15:36,120 --> 00:15:39,400
Speaker 1: this seems to be the one, Paul. Would Shelley be

260
00:15:39,440 --> 00:15:43,080
Speaker 1: okay with you doing a brief courtesy marriage to the

261
00:15:43,240 --> 00:15:47,040
Speaker 1: first girl, the playboy girl who's sick and under the

262
00:15:47,200 --> 00:15:50,440
Speaker 1: pretense that everyone knows it's a temp situation and you'd

263
00:15:50,480 --> 00:15:52,320
Speaker 1: be going back to her in the near future. What

264
00:15:52,480 --> 00:15:58,480
Speaker 1: about that? Jamie? Absolutely not yea, but but but but

265
00:15:58,800 --> 00:16:02,040
Speaker 1: I think she would think to us, Hey, as long

266
00:16:02,080 --> 00:16:04,000
Speaker 1: as there's no marriage, I just I give her a

267
00:16:04,040 --> 00:16:08,360
Speaker 1: fake iconium ring. No, no, No, you can't do that.

268
00:16:08,800 --> 00:16:16,480
Speaker 1: You just announced it. Oh, Mark, you got any Can

269
00:16:16,520 --> 00:16:20,320
Speaker 1: you offer any advice? I sure can't. Okay, what are

270
00:16:20,320 --> 00:16:22,120
Speaker 1: you gonna You know what I said? I sure can't.

271
00:16:22,120 --> 00:16:24,520
Speaker 1: Oh you can't, Okay, just like my marriage advice? Yeah,

272
00:16:24,560 --> 00:16:29,640
Speaker 1: I don't have any. Yeah, I'm gonna go with Shelley. Okay, Okay, man,

273
00:16:29,720 --> 00:16:32,160
Speaker 1: hold on, Jamie, Fritzie's got some more advice. I want

274
00:16:32,200 --> 00:16:33,480
Speaker 1: what up the first one? All of a sudden, there's

275
00:16:33,480 --> 00:16:35,480
Speaker 1: a cure. She was miss dying, no somehow, and she's

276
00:16:35,480 --> 00:16:37,680
Speaker 1: been a little lot longer. And how could you do

277
00:16:37,720 --> 00:16:41,600
Speaker 1: Shelley wrong? Like that I kind of stuck stuck at

278
00:16:41,640 --> 00:16:45,080
Speaker 1: that point. Um, we're leaning towards Shelley. But but that's

279
00:16:45,080 --> 00:16:47,360
Speaker 1: only because she, uh you know, she called into the

280
00:16:47,360 --> 00:16:50,440
Speaker 1: show there. But Jamie is Jamie. Good luck with that.

281
00:16:50,640 --> 00:16:52,880
Speaker 1: Jamie got a lot to offer. If you've got three

282
00:16:52,960 --> 00:16:56,920
Speaker 1: women in the on deck circle. Thanks Lovell, all right,

283
00:16:56,960 --> 00:17:04,040
Speaker 1: thank you, Jane. There you go. Yeah, Mark, I haven't

284
00:17:04,040 --> 00:17:06,359
Speaker 1: had three women claim her for me in my entire life.

285
00:17:06,640 --> 00:17:11,040
Speaker 1: I got three at one time. Uh. I think they

286
00:17:11,040 --> 00:17:13,119
Speaker 1: love the fact that he's gone for nine weeks and

287
00:17:13,160 --> 00:17:15,000
Speaker 1: then he comes back for three. I mean that to me.

288
00:17:15,400 --> 00:17:19,520
Speaker 1: You keep a marriage, you know, gone for a long time. Yeah,

289
00:17:19,560 --> 00:17:22,400
Speaker 1: I'm gone for a while and then I'll be back. Hey,

290
00:17:22,400 --> 00:17:24,399
Speaker 1: when are you leaving? I'm leaving in a couple of

291
00:17:24,400 --> 00:17:26,960
Speaker 1: a couple of days. Yeah. More. I should have asked him,

292
00:17:27,040 --> 00:17:31,439
Speaker 1: who do you like the best? Liking somebody is to

293
00:17:31,560 --> 00:17:34,600
Speaker 1: me more important than loving someone. There's luck. There's people

294
00:17:34,600 --> 00:17:36,920
Speaker 1: that are in love with one another that are divorced.

295
00:17:37,520 --> 00:17:39,239
Speaker 1: My grandfather asked me that when I moved in with

296
00:17:39,280 --> 00:17:42,159
Speaker 1: my girlfriend that wife, Oh, Marvin, you know, do you

297
00:17:42,200 --> 00:17:44,960
Speaker 1: like her? I was like, I love her? I didn't.

298
00:17:45,080 --> 00:17:46,760
Speaker 1: He's like I didn't ask you that. I didn't ask

299
00:17:46,800 --> 00:17:49,359
Speaker 1: you that. Do you better like there with you every

300
00:17:49,400 --> 00:17:52,119
Speaker 1: single day? You better like that? I think that's the

301
00:17:52,320 --> 00:17:54,960
Speaker 1: valid point. But if she was in Playboy, you don't

302
00:17:54,960 --> 00:17:57,879
Speaker 1: have to like her or love her that Trump's everything.

303
00:17:59,160 --> 00:18:02,200
Speaker 1: Thank Yeah, she wasn't Playboy? Was this ten years ago?

304
00:18:02,320 --> 00:18:05,000
Speaker 1: Twenty years ago? Last Thursday? When was he in Playboy? Airpoint?

305
00:18:05,000 --> 00:18:06,600
Speaker 1: You don't stay looking like that. It's just the way

306
00:18:06,640 --> 00:18:09,560
Speaker 1: the world have you looked at yourself? I know that, Okay,

307
00:18:09,440 --> 00:18:12,120
Speaker 1: I remember constant reminded what that picture you got backed

308
00:18:12,160 --> 00:18:14,119
Speaker 1: up by the weights of what I used to look Yes, seton.

309
00:18:14,200 --> 00:18:20,760
Speaker 1: This woman is dying, yeahs like yeah, but she's still

310
00:18:20,880 --> 00:18:24,239
Speaker 1: like Playboy high. She's dying. But he described her. Why

311
00:18:24,280 --> 00:18:26,040
Speaker 1: does he have to describe her, whatever her name is,

312
00:18:26,080 --> 00:18:29,240
Speaker 1: as a former Playboy? Obviously that's important to him enough

313
00:18:29,320 --> 00:18:31,040
Speaker 1: to describe this person as someone that used to be

314
00:18:31,040 --> 00:18:33,560
Speaker 1: in Playboy, as opposed to she's just this nice person

315
00:18:33,640 --> 00:18:38,560
Speaker 1: that's a great personality. Break, Renny, take a break. Yeah,

316
00:18:38,680 --> 00:18:40,840
Speaker 1: Coach Beard will join us on loan from ted Lasso.

317
00:18:41,000 --> 00:18:44,160
Speaker 1: What would ted Lassa do in this situation? What would

318
00:18:44,160 --> 00:18:48,560
Speaker 1: coach Coach Beard has some relationship problems and tastes. How

319
00:18:48,560 --> 00:18:51,040
Speaker 1: about we take a break. Everybody a fellow that loves love?

320
00:18:51,240 --> 00:18:53,920
Speaker 1: Yes he does, so do I back after this? Dan

321
00:18:54,000 --> 00:18:57,440
Speaker 1: Patrick show, I love love, but I love Simply Save

322
00:18:57,520 --> 00:19:02,359
Speaker 1: home Security segue. US News recently named simply Safe best

323
00:19:02,440 --> 00:19:06,040
Speaker 1: home security system of twenty twenty three, also twenty twenty two,

324
00:19:06,119 --> 00:19:10,000
Speaker 1: also twenty twenty one, and Cnut recently awarded them their

325
00:19:10,119 --> 00:19:13,040
Speaker 1: editor's choice for home security. What are you waiting for?

326
00:19:14,000 --> 00:19:17,000
Speaker 1: Simply Safe designed with cutting edge technology back by twenty

327
00:19:17,000 --> 00:19:22,320
Speaker 1: four seven professional monitoring. They use fast protect technology only

328
00:19:22,359 --> 00:19:26,880
Speaker 1: from simply Safe, capturing critical evidence, verifying a threat is real,

329
00:19:26,960 --> 00:19:30,399
Speaker 1: so you get priority police dispatch. All right, Dan, how

330
00:19:30,480 --> 00:19:33,480
Speaker 1: much is this going to cost? Twenty four seven Professional

331
00:19:33,520 --> 00:19:37,120
Speaker 1: monitoring cost you hundred dollars a day, less than half

332
00:19:37,119 --> 00:19:40,800
Speaker 1: the price of traditional home security systems. You can lock,

333
00:19:40,880 --> 00:19:44,679
Speaker 1: unlock your doors, access your camera's arm, disarm your system

334
00:19:44,680 --> 00:19:47,760
Speaker 1: from anywhere, Customize the perfect system for your home in

335
00:19:47,800 --> 00:19:50,200
Speaker 1: just a couple of minutes. It's simply safetan dot com

336
00:19:50,200 --> 00:19:53,080
Speaker 1: and you go today. Claim if free under a security

337
00:19:53,119 --> 00:19:56,480
Speaker 1: camera plus twenty percent off your order with interactive monitoring

338
00:19:56,880 --> 00:20:00,000
Speaker 1: simply Safe, Dan dot com. There's no safe, like simply safe.

339
00:20:00,960 --> 00:20:03,560
Speaker 1: Thanks for listening to The Dan Patrick Show podcast. Be

340
00:20:03,600 --> 00:20:06,160
Speaker 1: sure to catch us live every weekday morning nine until

341
00:20:06,200 --> 00:20:09,200
Speaker 1: noon eastern six to nine Pacific on Fox Sports Radio,

342
00:20:09,480 --> 00:20:12,399
Speaker 1: and you can find us on the iHeartRadio app at

343
00:20:12,440 --> 00:20:16,440
Speaker 1: FSR or stream us live on the Peacock app. Yes,

344
00:20:16,600 --> 00:20:18,680
Speaker 1: Tom quick, nugget that the girl Simone. I told you

345
00:20:18,720 --> 00:20:21,240
Speaker 1: about that story where she was significantly older than she loved.

346
00:20:21,480 --> 00:20:23,720
Speaker 1: She said, Bay Brooklyn, she's to love me singing that song?

347
00:20:23,920 --> 00:20:26,639
Speaker 1: Can you sing? This girl is poison? Poison, She's to

348
00:20:26,720 --> 00:20:29,160
Speaker 1: love it? I would sing that to Wait, what kind

349
00:20:29,200 --> 00:20:31,480
Speaker 1: of accent to this? He was the French Israeli woman

350
00:20:31,520 --> 00:20:33,600
Speaker 1: and she brought the crugete and we were up there

351
00:20:33,600 --> 00:20:35,400
Speaker 1: in the her condo and she's like, can you sing?

352
00:20:35,440 --> 00:20:38,440
Speaker 1: I think I'm falling in love with you this. So

353
00:20:38,480 --> 00:20:42,200
Speaker 1: the woman brought like cauliflower and bron play and food

354
00:20:42,200 --> 00:20:45,360
Speaker 1: and toys. She was ready to roll. And you were

355
00:20:45,400 --> 00:20:47,480
Speaker 1: like eighteen and she was twenty four, was nineteen and

356
00:20:47,520 --> 00:20:51,040
Speaker 1: she was thirty four. Thirty four met her on a boat.

357
00:20:51,080 --> 00:20:54,760
Speaker 1: It was my parents anniversary as a bone, Holy smokes,

358
00:20:58,119 --> 00:21:00,600
Speaker 1: did you dip anything else in the crew? We want

359
00:21:00,600 --> 00:21:02,320
Speaker 1: to see him were called Wild Orchid, which is like

360
00:21:02,400 --> 00:21:08,240
Speaker 1: nine and a half otis this girl poison to me? Yeah?

361
00:21:10,720 --> 00:21:13,080
Speaker 1: He placed coach Beard on Ted Lasso. I don't know

362
00:21:13,160 --> 00:21:15,720
Speaker 1: if Brendan wants to join us now, but Brendon Hunt

363
00:21:15,800 --> 00:21:18,800
Speaker 1: joining us on the program. Uh, come on in stay

364
00:21:18,840 --> 00:21:21,000
Speaker 1: a while. Good to talk to you. How are you?

365
00:21:21,560 --> 00:21:23,520
Speaker 1: I mean, gosh, I gotta start my day with talk

366
00:21:23,600 --> 00:21:26,919
Speaker 1: of Philthy true to day? Yeah how many days? Well

367
00:21:26,960 --> 00:21:32,120
Speaker 1: that's a normal day for you, uh show? So, uh

368
00:21:33,119 --> 00:21:37,600
Speaker 1: take me back to when it's this all started? Uh sure?

369
00:21:37,800 --> 00:21:40,760
Speaker 1: I mean, first of all, Brendan Hunt, uh six foot nothing,

370
00:21:40,800 --> 00:21:45,440
Speaker 1: one nine five and I yeah, we did these commercials

371
00:21:45,520 --> 00:21:48,680
Speaker 1: for NBC Sports, UM because they got the coverage of

372
00:21:48,720 --> 00:21:52,320
Speaker 1: the Premier League back in twenty thirteen. Um. The offer

373
00:21:52,560 --> 00:21:55,000
Speaker 1: was to fly me and Jason Dakis and Joe Kelly

374
00:21:55,040 --> 00:21:57,240
Speaker 1: to London for three whole days. And we were like,

375
00:21:57,320 --> 00:22:00,720
Speaker 1: three days in London, that's the job of a lifetime.

376
00:22:02,280 --> 00:22:05,040
Speaker 1: So we happily took it. And uh, now we are

377
00:22:05,280 --> 00:22:07,439
Speaker 1: three years into a TV show, this crazy dumb thing.

378
00:22:08,080 --> 00:22:11,800
Speaker 1: But when the promos were done, when did the idea

379
00:22:11,840 --> 00:22:15,680
Speaker 1: of we could make this a show? We did the

380
00:22:15,760 --> 00:22:18,719
Speaker 1: promos two years in a row because the first one

381
00:22:18,920 --> 00:22:21,720
Speaker 1: well enough that like that ad company won like you know,

382
00:22:22,119 --> 00:22:24,800
Speaker 1: whatever kind of awards they win for for ads. And

383
00:22:25,680 --> 00:22:28,159
Speaker 1: after the second one, me and Joe and Jason, I

384
00:22:28,240 --> 00:22:30,280
Speaker 1: means led. Jason particularly was like, hey guys, this thing

385
00:22:30,480 --> 00:22:32,800
Speaker 1: is fun, right, There's something more to this than than

386
00:22:32,960 --> 00:22:35,440
Speaker 1: some of its parts. Let's figure out something more to

387
00:22:35,520 --> 00:22:36,680
Speaker 1: do with it. We didn't know if it was a

388
00:22:36,760 --> 00:22:39,720
Speaker 1: movie or more commercials or a TV show. We started

389
00:22:39,720 --> 00:22:41,879
Speaker 1: thinking about a TV show and thinking about it in

390
00:22:41,960 --> 00:22:44,880
Speaker 1: the in the model of the UK office of six episodes,

391
00:22:44,880 --> 00:22:48,080
Speaker 1: six episodes and a special, you know, sort of three chunks.

392
00:22:49,400 --> 00:22:52,160
Speaker 1: We wrote up a pilot, we put together a structure,

393
00:22:52,320 --> 00:22:57,840
Speaker 1: and and then nothing happened. For about five years, Jason

394
00:22:57,880 --> 00:23:00,879
Speaker 1: and Joe's careers were going very well. I was rotting

395
00:23:00,880 --> 00:23:05,320
Speaker 1: on them block very much, considering a career return to

396
00:23:05,600 --> 00:23:09,760
Speaker 1: dinner theater. And then at the last minute a couple

397
00:23:09,760 --> 00:23:11,560
Speaker 1: of years ago, Jason was like, oh, having lunch with

398
00:23:11,600 --> 00:23:15,240
Speaker 1: Bill Lawrence tomorrow, We'll see what happens. And this happened.

399
00:23:16,840 --> 00:23:20,479
Speaker 1: Is it a benefit an advantage to know more soccer

400
00:23:20,640 --> 00:23:26,560
Speaker 1: or less soccer? In my shoes? It's a benefit because

401
00:23:26,920 --> 00:23:28,880
Speaker 1: it turns out. Even though we have some English people

402
00:23:28,920 --> 00:23:32,240
Speaker 1: on the writing staff. I'm like the soccer guy, and

403
00:23:33,440 --> 00:23:35,720
Speaker 1: every once in a while I just get turned to

404
00:23:35,800 --> 00:23:37,320
Speaker 1: be like, Okay, Brandon, what would happen here? And I

405
00:23:37,400 --> 00:23:39,560
Speaker 1: tell them what would really happened for a given situation,

406
00:23:39,680 --> 00:23:43,040
Speaker 1: and then we generally ignore that. But it's it's good

407
00:23:43,080 --> 00:23:45,320
Speaker 1: to know what's supposed to happen before we break the

408
00:23:45,440 --> 00:23:48,520
Speaker 1: rule of what we decide to actually do. Because you're

409
00:23:48,560 --> 00:23:51,520
Speaker 1: sort of a savant. But I don't know if people

410
00:23:51,600 --> 00:23:54,720
Speaker 1: realize you're a soccer savant during the show. Is that

411
00:23:55,160 --> 00:23:59,840
Speaker 1: fair with your character? Yeah? I mean I think it's

412
00:24:00,119 --> 00:24:01,920
Speaker 1: it's kind of kind of at least comparatively, you know,

413
00:24:02,040 --> 00:24:04,280
Speaker 1: ctly compared to most of the rest of America. Um,

414
00:24:04,840 --> 00:24:06,840
Speaker 1: because I didn't get into soccer until I was in

415
00:24:07,000 --> 00:24:10,119
Speaker 1: my mid twenties and when I had this job in

416
00:24:10,200 --> 00:24:14,320
Speaker 1: Amsterdam doing comedy out there, and then I discovered that

417
00:24:14,359 --> 00:24:17,840
Speaker 1: soccer didn't suck um, and I became a sponge and

418
00:24:17,920 --> 00:24:20,760
Speaker 1: tried to just you know, soak up every every bit

419
00:24:20,800 --> 00:24:24,840
Speaker 1: of history and trivia and infectualities that I possibly could.

420
00:24:25,400 --> 00:24:28,800
Speaker 1: Um and uh. And it hasn't gone away since I've

421
00:24:29,119 --> 00:24:31,560
Speaker 1: since I moved to the States. I'm still now full

422
00:24:31,680 --> 00:24:35,800
Speaker 1: on soccer nut. The reaction in the United States compared

423
00:24:35,840 --> 00:24:40,040
Speaker 1: to the reaction in England. How big of a discreptancy

424
00:24:40,200 --> 00:24:44,640
Speaker 1: disparity between the two when it first started? Um well,

425
00:24:44,720 --> 00:24:47,040
Speaker 1: I just when well, when it first started, yeah, no

426
00:24:47,200 --> 00:24:50,000
Speaker 1: one in England knew who we were at all. Uh,

427
00:24:50,080 --> 00:24:53,000
Speaker 1: and we could walk freely among them. Um And then

428
00:24:53,240 --> 00:24:55,960
Speaker 1: shooting the second season was was COVID mostly so we

429
00:24:56,000 --> 00:24:58,960
Speaker 1: could still kind of walk around. But now year three,

430
00:25:00,000 --> 00:25:01,359
Speaker 1: you know, I decided if for year three I was

431
00:25:01,359 --> 00:25:03,560
Speaker 1: gonna live in Richmond, I could. I'm sure I could

432
00:25:03,560 --> 00:25:07,000
Speaker 1: do so quite anonymously. The UK isn't watching this show yet, um,

433
00:25:07,160 --> 00:25:09,119
Speaker 1: and I wanted the pub from the show to be

434
00:25:09,280 --> 00:25:13,240
Speaker 1: my local. Um. Well, by year three, the UK is

435
00:25:13,240 --> 00:25:15,040
Speaker 1: caught up to Ted Lasso and I can no longer

436
00:25:15,119 --> 00:25:19,400
Speaker 1: go to that pub. It's like, um, if if tourists

437
00:25:19,880 --> 00:25:21,640
Speaker 1: go to Boston and they go to the Cheers bar

438
00:25:21,800 --> 00:25:27,960
Speaker 1: and suddenly clisses there, and so you actually would go

439
00:25:28,040 --> 00:25:32,560
Speaker 1: to the bar, you go to the local pub. Yeah yeah, yeah.

440
00:25:33,040 --> 00:25:35,960
Speaker 1: Richmond's awesome and Richmond Green you know that little that

441
00:25:36,080 --> 00:25:38,920
Speaker 1: little park basically where the pub is in real life

442
00:25:38,960 --> 00:25:42,680
Speaker 1: in the show is hypnotically quaint. I would I would

443
00:25:42,720 --> 00:25:44,920
Speaker 1: spend weeks at a time there if I possibly could,

444
00:25:45,320 --> 00:25:49,959
Speaker 1: except now I absolutely can't. The timing with COVID, uh,

445
00:25:50,680 --> 00:25:52,800
Speaker 1: it felt like, you know, we needed feel good every

446
00:25:53,040 --> 00:25:54,960
Speaker 1: A lot of these shows are let me pick out

447
00:25:55,040 --> 00:25:59,720
Speaker 1: the guy that is the least detestable, and everybody's detestable,

448
00:25:59,800 --> 00:26:02,239
Speaker 1: like Succession. You know, you watch and you go, well,

449
00:26:02,359 --> 00:26:04,399
Speaker 1: you don't like any of them, but you do love

450
00:26:04,480 --> 00:26:08,840
Speaker 1: the show. It was different with ted Lasso, But I

451
00:26:08,880 --> 00:26:12,119
Speaker 1: don't know what role COVID played or the pandemic and

452
00:26:12,200 --> 00:26:15,159
Speaker 1: we're at home and needing feel good stories played and

453
00:26:15,240 --> 00:26:19,320
Speaker 1: the success Yeah, we're not quite sure either. I mean,

454
00:26:19,960 --> 00:26:22,080
Speaker 1: and obviously you know we we we sure would have

455
00:26:22,119 --> 00:26:24,960
Speaker 1: preferred the people were watching it m you know, of

456
00:26:25,040 --> 00:26:28,040
Speaker 1: their own volition, and you know, despite having plenty of

457
00:26:28,080 --> 00:26:31,080
Speaker 1: options of how they could do their night, now here

458
00:26:31,119 --> 00:26:33,119
Speaker 1: we were with a captive audience. And if we're going

459
00:26:33,160 --> 00:26:34,879
Speaker 1: to have a captive audience, at least at least make

460
00:26:34,920 --> 00:26:37,520
Speaker 1: them feel a little better. But certainly the show was

461
00:26:37,560 --> 00:26:40,680
Speaker 1: written before COVID and edited during COVID, and then it

462
00:26:40,800 --> 00:26:43,360
Speaker 1: finally came out. Yeah, like at a real COVID high

463
00:26:43,400 --> 00:26:47,040
Speaker 1: point about six months into it, I guess, and whether

464
00:26:47,119 --> 00:26:50,680
Speaker 1: that was a a you know, a multiplier or not.

465
00:26:51,480 --> 00:26:53,560
Speaker 1: From then on, the reaction that we were getting from people,

466
00:26:53,600 --> 00:26:55,440
Speaker 1: even before a lot of people were watching the show

467
00:26:55,640 --> 00:27:00,800
Speaker 1: was immediately intense and really like elevated kind of connection

468
00:27:00,960 --> 00:27:03,600
Speaker 1: for a show that had only just come out, and

469
00:27:03,680 --> 00:27:06,000
Speaker 1: it's been pretty breathtaking to be to be part of.

470
00:27:06,240 --> 00:27:08,960
Speaker 1: We're talking to Brendan Hunt, the actor, writer, producer. He's

471
00:27:09,000 --> 00:27:12,760
Speaker 1: coached Beard and ted Lasso. Season three arrived, Finals season

472
00:27:12,920 --> 00:27:18,800
Speaker 1: apparently on Apple TV Plus. That'll be Wednesday, March fifteenth, Final,

473
00:27:18,960 --> 00:27:23,280
Speaker 1: Final Season. We just don't know for sure right now. Um.

474
00:27:23,600 --> 00:27:25,560
Speaker 1: You know again, we've always saw this as like a

475
00:27:25,680 --> 00:27:29,399
Speaker 1: three sweet movement and here we are with the with

476
00:27:29,520 --> 00:27:33,520
Speaker 1: the conductor waving that baton with a sense of finality,

477
00:27:33,600 --> 00:27:36,200
Speaker 1: and we're definitely ending this story we started out to tell.

478
00:27:36,560 --> 00:27:39,840
Speaker 1: But that doesn't necessarily mean it's the it's the end. End.

479
00:27:39,880 --> 00:27:41,800
Speaker 1: It does mean we're gonna we're gonna finish this up

480
00:27:41,800 --> 00:27:44,800
Speaker 1: and we're gonna take a little break because we're very

481
00:27:44,880 --> 00:27:49,720
Speaker 1: tired of each other's adorable, hairy faces. And and after

482
00:27:49,760 --> 00:27:51,480
Speaker 1: about a year and a half or so well, come

483
00:27:51,520 --> 00:27:54,480
Speaker 1: back together and see what's up. Give me the episode

484
00:27:54,520 --> 00:28:00,520
Speaker 1: where you go, I can't believe we're doing this. Um.

485
00:28:02,440 --> 00:28:06,120
Speaker 1: I guess season the first episode of season two where

486
00:28:06,200 --> 00:28:08,160
Speaker 1: we really felt it was important to start things off

487
00:28:08,200 --> 00:28:12,440
Speaker 1: by killing a dog. Um, because we had become by then.

488
00:28:13,160 --> 00:28:16,040
Speaker 1: You know the Fielding show, the Shield, that's like a hug.

489
00:28:18,040 --> 00:28:20,320
Speaker 1: I don't know, we're kind of a sitcom guys. Um,

490
00:28:20,960 --> 00:28:22,760
Speaker 1: just a just remind everybody what's up here. We're just

491
00:28:22,800 --> 00:28:26,640
Speaker 1: going to kill a dog right away, the first rule

492
00:28:26,640 --> 00:28:30,240
Speaker 1: of sitcoms. And everybody can just sit a little further

493
00:28:30,240 --> 00:28:32,080
Speaker 1: away from our television for a little bit and we'll

494
00:28:32,119 --> 00:28:35,119
Speaker 1: we'll get you back. We'll get you back. Whose idea

495
00:28:35,280 --> 00:28:40,000
Speaker 1: was it to kill the dog? Jason? Of course there was.

496
00:28:40,840 --> 00:28:43,760
Speaker 1: Jason was reading, reading, reading Twitter. He was crying at

497
00:28:43,800 --> 00:28:45,640
Speaker 1: all the reactions like, oh my god, this show me

498
00:28:45,800 --> 00:28:47,880
Speaker 1: so much to people. We have to kill a dog.

499
00:28:48,240 --> 00:28:53,600
Speaker 1: We got. I wonder if you had a spinoff of

500
00:28:54,440 --> 00:28:56,360
Speaker 1: one of one or two of the characters coming to

501
00:28:56,440 --> 00:29:00,959
Speaker 1: the United States. I mean, there are there have been

502
00:29:01,080 --> 00:29:03,400
Speaker 1: some pitches, there are there are some things on the table.

503
00:29:03,720 --> 00:29:06,640
Speaker 1: Um and uh, and I'm not at liberty to say,

504
00:29:06,760 --> 00:29:09,640
Speaker 1: but you're on You're on the right track. Dad. Oh okay,

505
00:29:10,080 --> 00:29:12,280
Speaker 1: all right, it's gonna happen, but you're on the right track.

506
00:29:13,320 --> 00:29:18,280
Speaker 1: When's the last time you got mad at Jason? Um?

507
00:29:18,720 --> 00:29:22,760
Speaker 1: I mean, uh, blessed Jason's heart, Like he's built to

508
00:29:22,920 --> 00:29:27,720
Speaker 1: suffer a million micromads. Um, you know, because he just

509
00:29:27,840 --> 00:29:30,800
Speaker 1: he's on his own time. Um. He will answer emails

510
00:29:31,320 --> 00:29:34,680
Speaker 1: uh and tax it at his own at his own pace. Um,

511
00:29:35,040 --> 00:29:37,320
Speaker 1: which is very understandable. The man's got the way of

512
00:29:37,320 --> 00:29:40,800
Speaker 1: the world on his shoulders and all that. But like, oh, Jason, please,

513
00:29:40,840 --> 00:29:43,360
Speaker 1: I just gotta let this guy know if if if

514
00:29:43,400 --> 00:29:45,760
Speaker 1: I need three tickets or four, please just just tell me,

515
00:29:46,120 --> 00:29:49,480
Speaker 1: Just tell me. Um. So I'd say uh ten times

516
00:29:49,520 --> 00:29:55,400
Speaker 1: a day. Really, final answer, who who do you model

517
00:29:55,480 --> 00:30:01,320
Speaker 1: your acting career after? Well, I mean, um, I mean

518
00:30:01,400 --> 00:30:04,360
Speaker 1: we you know, whenever you're trying to set your life up,

519
00:30:04,400 --> 00:30:06,320
Speaker 1: you definitely want to like try to find that person

520
00:30:06,520 --> 00:30:08,640
Speaker 1: who no one knew about till they were forty eight

521
00:30:08,680 --> 00:30:13,440
Speaker 1: years old. Tommy Lee Jones was like that though, Brendan

522
00:30:14,000 --> 00:30:17,640
Speaker 1: Tommy Lee Jones, that's it. We did it, Tommy Tommy

523
00:30:18,400 --> 00:30:21,800
Speaker 1: Tommy Lee Jones. I could have had vice President for

524
00:30:21,840 --> 00:30:23,240
Speaker 1: a roommate. That's all that would have happened just a

525
00:30:23,280 --> 00:30:25,760
Speaker 1: little bit faster. But you know we can. Okay, but

526
00:30:25,920 --> 00:30:30,320
Speaker 1: you're playing a coach. Do you channel any coaches? You know?

527
00:30:30,360 --> 00:30:32,800
Speaker 1: You're obviously you grew up in Chicago's here a sports fan.

528
00:30:32,920 --> 00:30:35,560
Speaker 1: Do you kind of say, okay, this is the coach

529
00:30:35,760 --> 00:30:40,920
Speaker 1: or coaches I'm going to kind of form my personality with. Um,

530
00:30:41,600 --> 00:30:44,680
Speaker 1: I am a rather poor athlete, Dan, and I just

531
00:30:44,800 --> 00:30:46,600
Speaker 1: have not had many coaches in my life. I've had

532
00:30:46,600 --> 00:30:48,560
Speaker 1: a lot of acting teachers, and I've had a lot

533
00:30:48,600 --> 00:30:53,040
Speaker 1: of cool bosses and um, but you have watched sports.

534
00:30:53,160 --> 00:30:55,880
Speaker 1: You know Phil Jackson or might be you know, a

535
00:30:56,000 --> 00:31:02,440
Speaker 1: football coach and could be Bill Parcels, Bill Belichick. If anything,

536
00:31:02,520 --> 00:31:07,640
Speaker 1: it's Text Winter, um, because it's a guy who is

537
00:31:07,680 --> 00:31:11,080
Speaker 1: perfectly happy being on the sidelines. Um. You know you

538
00:31:11,200 --> 00:31:14,000
Speaker 1: got to explain text to people who aren't, you know,

539
00:31:14,120 --> 00:31:19,480
Speaker 1: familiar with Tex Winter. Happily us might know Phil Jackson, who,

540
00:31:19,800 --> 00:31:22,440
Speaker 1: of course, his glittering career got really going when he

541
00:31:22,520 --> 00:31:24,080
Speaker 1: was coach of Michael Jordan at the Bulls and they

542
00:31:24,120 --> 00:31:27,680
Speaker 1: won six titles and um. But his offense was a

543
00:31:27,720 --> 00:31:32,240
Speaker 1: triangle offense, which was accredited to his assistant coach, Text Winter,

544
00:31:32,320 --> 00:31:35,040
Speaker 1: who had literally written the book on the subject decades earlier.

545
00:31:35,480 --> 00:31:38,920
Speaker 1: And tex Winter was just happily an old man with

546
00:31:39,080 --> 00:31:41,440
Speaker 1: gray haired and a real nice suit that got nicer

547
00:31:41,520 --> 00:31:44,320
Speaker 1: every year. Uh, sitting a few seats down from Phil.

548
00:31:44,400 --> 00:31:48,440
Speaker 1: He had no um, you know, Julius Caesar aspirations or

549
00:31:48,480 --> 00:31:50,960
Speaker 1: brutus aspirations of of taking any other seat. He was

550
00:31:51,000 --> 00:31:52,960
Speaker 1: perfectly happy where he was, and he knew his place,

551
00:31:53,040 --> 00:31:55,440
Speaker 1: and he'd be there for Phil no matter what um.

552
00:31:55,880 --> 00:31:58,680
Speaker 1: And And that's that's really where what Beard is. You know.

553
00:31:58,760 --> 00:32:01,840
Speaker 1: He's the opposite of like, say, you know Charlie Weiss,

554
00:32:01,920 --> 00:32:04,840
Speaker 1: who's like, wow, we're a really good team. I should

555
00:32:04,880 --> 00:32:12,040
Speaker 1: probably be a head coach now, not being Charlie wise

556
00:32:12,080 --> 00:32:14,480
Speaker 1: as much as I'm about trying to be anyone else,

557
00:32:14,520 --> 00:32:17,040
Speaker 1: but text Winter, Yeah, I'll stick with that. Are you

558
00:32:17,160 --> 00:32:22,400
Speaker 1: in the Brackett celebrity Brackett Challenge with us March Madness? Knowledge?

559
00:32:22,480 --> 00:32:25,880
Speaker 1: But I but you know, I've been losing brackets for decades. Dan,

560
00:32:25,960 --> 00:32:28,320
Speaker 1: I'd happily do it here, all right, Fritzie, did you

561
00:32:28,400 --> 00:32:30,680
Speaker 1: reach out to Brenda? We did. Sounds like we're gonna

562
00:32:30,680 --> 00:32:32,120
Speaker 1: work out and he'll be a part of it. Okay,

563
00:32:32,560 --> 00:32:38,680
Speaker 1: can you teach timing comedic timing? I think you can,

564
00:32:39,680 --> 00:32:42,000
Speaker 1: but you have to start young and you have to

565
00:32:42,240 --> 00:32:46,040
Speaker 1: really drill it, like I think I learned timing from uh,

566
00:32:46,480 --> 00:32:49,400
Speaker 1: you know, neglectual parents who didn't necessarily know for sure

567
00:32:49,440 --> 00:32:51,360
Speaker 1: that I was going to school, even as far back

568
00:32:51,480 --> 00:32:54,440
Speaker 1: was first grade. And so I stayed home and watched

569
00:32:55,120 --> 00:32:58,320
Speaker 1: every day, watched Bugs Bunny and Tom and Jerry and

570
00:32:58,560 --> 00:33:02,280
Speaker 1: Woody Woodpecker, and uh, yes those were violent. You're not

571
00:33:02,440 --> 00:33:06,200
Speaker 1: allowed to watch them anymore. But my god, the clinic

572
00:33:06,440 --> 00:33:10,680
Speaker 1: in timing was invaluable. And so I don't know, I

573
00:33:10,720 --> 00:33:12,120
Speaker 1: don't know if you can, like, you know, just show

574
00:33:12,240 --> 00:33:16,840
Speaker 1: up to some you know, random masterclass a video and

575
00:33:17,040 --> 00:33:19,600
Speaker 1: get it. But but Bugs Bunny, I'll set you straight

576
00:33:19,640 --> 00:33:23,000
Speaker 1: for sure. What was it the advice Jerry Seinfeld gave

577
00:33:23,080 --> 00:33:29,320
Speaker 1: us be loud and fast on a sitcom that that

578
00:33:29,520 --> 00:33:31,479
Speaker 1: has been the rule for for many many a sitcom

579
00:33:31,560 --> 00:33:33,840
Speaker 1: for the last several years. And that's because it's been

580
00:33:33,880 --> 00:33:36,200
Speaker 1: the rule, it's kind of been maxed out by like

581
00:33:36,720 --> 00:33:40,920
Speaker 1: essentially the greatest sitcoms of all time. So we very

582
00:33:41,000 --> 00:33:44,680
Speaker 1: consciously has sort of broken that rule from the beginning.

583
00:33:44,720 --> 00:33:46,880
Speaker 1: We go a little quieter and a little slower, and

584
00:33:47,040 --> 00:33:50,400
Speaker 1: we lure them in with like a hypnotize of them.

585
00:33:50,880 --> 00:33:54,840
Speaker 1: And no dog dies in season three. I can't speak

586
00:33:54,920 --> 00:33:59,120
Speaker 1: to that. All right, okay, all right? Does anybody die

587
00:33:59,240 --> 00:34:03,320
Speaker 1: in season three? Oh? Everybody died? Is this like the

588
00:34:03,440 --> 00:34:08,719
Speaker 1: Sopranos of soccer? Like it? Everybody dies at the end. Yeah,

589
00:34:08,760 --> 00:34:10,680
Speaker 1: it fades to black in the eighty ninth minute. I

590
00:34:10,840 --> 00:34:15,000
Speaker 1: like it. I like it. Great to meet you. Congratsland

591
00:34:15,040 --> 00:34:18,800
Speaker 1: being an overnight success after forty nine years. But we

592
00:34:18,960 --> 00:34:21,640
Speaker 1: look forward to season three that drops is we like

593
00:34:21,760 --> 00:34:25,640
Speaker 1: to say Wednesday, March fifteen, Thank you Brendan, Thank you Dan.

594
00:34:25,719 --> 00:34:29,280
Speaker 1: This is a thrill man, appreciate it. It's Brendan Hunt, actor, writer, producer,

595
00:34:29,760 --> 00:34:32,960
Speaker 1: all around good guy coach Beard on ted Lasso. It

596
00:34:33,200 --> 00:34:35,560
Speaker 1: was a little jarring when they killed the dog in

597
00:34:36,480 --> 00:34:39,520
Speaker 1: season one or season two, episode one. I went, wait,

598
00:34:39,880 --> 00:34:45,680
Speaker 1: they do fun things, they do huggable episodes here, everybody

599
00:34:45,760 --> 00:34:48,719
Speaker 1: loves everybody there. Bennett started to turn a little dark.

600
00:34:49,600 --> 00:34:53,200
Speaker 1: But Nate, you know where you're gonna what's going on here?

601
00:34:53,640 --> 00:34:57,239
Speaker 1: The great man Coach beards like story arc has been

602
00:34:57,320 --> 00:34:59,840
Speaker 1: really interesting. He had. One of the last episodes of

603
00:35:00,200 --> 00:35:03,120
Speaker 1: season two was fantastic where Hey, you just sort of

604
00:35:03,200 --> 00:35:06,120
Speaker 1: go through his personal life on the show was always

605
00:35:06,200 --> 00:35:08,439
Speaker 1: it was kind of hinted at or just like little bits,

606
00:35:08,600 --> 00:35:10,759
Speaker 1: but there's one episode where they just spend diving into

607
00:35:10,800 --> 00:35:12,960
Speaker 1: coach beer that was really good. Let me take a break,

608
00:35:13,080 --> 00:35:15,080
Speaker 1: last call for phone calls, what we learn, what's in

609
00:35:15,160 --> 00:35:18,640
Speaker 1: store tomorrow. If you're watching on peacock, we will take

610
00:35:18,719 --> 00:35:21,719
Speaker 1: the food off the triggers. There we're back after this.

611
00:35:23,040 --> 00:35:26,040
Speaker 1: Every week we talk about Panini America, the official trading

612
00:35:26,080 --> 00:35:28,319
Speaker 1: cards to the Dan Patrick Show. They also bring us

613
00:35:28,360 --> 00:35:30,759
Speaker 1: our stat of the day. Also check out the NFT

614
00:35:30,920 --> 00:35:33,759
Speaker 1: marketplace at Panini America dot net slash blockchain. They have

615
00:35:33,840 --> 00:35:35,799
Speaker 1: one of a kind digital cards there, and make sure

616
00:35:35,840 --> 00:35:39,000
Speaker 1: you check out the newly released NFL Mosaic. They also

617
00:35:39,080 --> 00:35:42,000
Speaker 1: sent us the Don Russ cards last week, Prism, NBA,

618
00:35:42,120 --> 00:35:45,600
Speaker 1: Hoops and more of your favorite Panini brands. Now is NFTs,

619
00:35:45,760 --> 00:35:48,640
Speaker 1: speaking of which, this is the only platform Panini NFT

620
00:35:48,760 --> 00:35:52,400
Speaker 1: platform where you can win physical versions of your NFTs.

621
00:35:52,560 --> 00:35:54,960
Speaker 1: These are the official products not only of The Dan

622
00:35:55,040 --> 00:35:58,760
Speaker 1: Patrick Show, but the NFL, the NBA, UFC, FIFA, World

623
00:35:58,800 --> 00:36:02,880
Speaker 1: Cup and Collegiates. Panini NFT Trading Cards, giving you the

624
00:36:02,960 --> 00:36:06,879
Speaker 1: opportunity to pull autograph cards, memorabilia cards, rare inserts, even

625
00:36:06,960 --> 00:36:09,960
Speaker 1: one of one NFTs from every pack one of a

626
00:36:10,040 --> 00:36:13,799
Speaker 1: kind digital cards. NFT marketplace at Pennini America dot net

627
00:36:13,880 --> 00:36:16,520
Speaker 1: slash blockchain. So that's where you go. That's where you start.

628
00:36:16,600 --> 00:36:20,200
Speaker 1: Penney America dot net, slash blockchain, the official trading Cards

629
00:36:20,200 --> 00:36:23,560
Speaker 1: and NFTs The Dan Patrick Show. Thanks for listening to

630
00:36:23,600 --> 00:36:26,080
Speaker 1: The Dan Patrick Show podcast. Be sure to catch us

631
00:36:26,200 --> 00:36:28,960
Speaker 1: live every weekday morning nine until noon eastern six to

632
00:36:29,120 --> 00:36:31,879
Speaker 1: nine Pacific on Fox Sports Radio, and you can find

633
00:36:32,000 --> 00:36:36,000
Speaker 1: us on the iHeartRadio app at FSR or stream us

634
00:36:36,080 --> 00:36:38,840
Speaker 1: live on the Peacock app. Hey, it's Ben, host of

635
00:36:38,880 --> 00:36:41,279
Speaker 1: The Fifth Hour with Ben Maller, with mean a lot

636
00:36:41,360 --> 00:36:43,960
Speaker 1: to have you join us on our weekly auditory journey.

637
00:36:44,120 --> 00:36:46,439
Speaker 1: You're asking one in God's name is the Fifth Hour?

638
00:36:46,800 --> 00:36:48,719
Speaker 1: I'll tell you it's a spin off of The Ben

639
00:36:48,880 --> 00:36:53,080
Speaker 1: Maller Show, cult hit overnights on FSR. Why should you listen?

640
00:36:53,200 --> 00:36:55,040
Speaker 1: Picture if you will a world will we chat with

641
00:36:55,200 --> 00:36:58,680
Speaker 1: captives of industry in media, sports and more every week Explorer.

642
00:36:58,800 --> 00:37:01,680
Speaker 1: It's some amazing acts about a human nature and more.

643
00:37:01,880 --> 00:37:03,719
Speaker 1: Listen to the Fifth Hour with Ben Mallow on the

644
00:37:03,800 --> 00:37:07,680
Speaker 1: iHeart Radio app, Apple Podcast or wherever you get your podcast. Okay,

645
00:37:07,840 --> 00:37:10,799
Speaker 1: I want you to be honest with me. Are you sure? Yes? Yes?

646
00:37:11,040 --> 00:37:14,320
Speaker 1: When I said to Marvin Well, I didn't tell Marvin.

647
00:37:14,360 --> 00:37:18,240
Speaker 1: I just said, last night at dinner, I played Simon

648
00:37:18,280 --> 00:37:22,400
Speaker 1: and Garfuncle, and I said to my wife, just listened

649
00:37:22,440 --> 00:37:25,440
Speaker 1: to Art Garfuncles sing Bridge over Trouble Waters. Now she

650
00:37:25,560 --> 00:37:27,600
Speaker 1: had heard that it's a legendary song. But I said,

651
00:37:27,840 --> 00:37:30,759
Speaker 1: if I went to see him in concert, this would

652
00:37:30,800 --> 00:37:36,040
Speaker 1: make me cry, because he's taking you to where very

653
00:37:36,080 --> 00:37:39,000
Speaker 1: few voices can take you. Todd, I'll start with you.

654
00:37:39,800 --> 00:37:42,759
Speaker 1: How was the three minutes that was about an hour

655
00:37:42,760 --> 00:37:45,320
Speaker 1: and a half ago. Wasn't great? I don't think we

656
00:37:45,440 --> 00:37:52,759
Speaker 1: needed it, Okay, Seaton O'Connor. It was similar to the

657
00:37:52,960 --> 00:37:57,000
Speaker 1: moment when we are listening to your Solvain and it's like, oh,

658
00:37:57,080 --> 00:37:59,319
Speaker 1: these Mick Jagger vocals are gonna be you gotta listen

659
00:37:59,360 --> 00:38:02,200
Speaker 1: to these and they never came. Oh that was kind

660
00:38:02,239 --> 00:38:04,320
Speaker 1: of It was almost the exact same bit, just like

661
00:38:04,719 --> 00:38:09,040
Speaker 1: different words. Yeah, Mick Jagger. We looked it up afterwards.

662
00:38:09,160 --> 00:38:11,439
Speaker 1: Is at the last verse of the song Jagger joints.

663
00:38:11,719 --> 00:38:14,080
Speaker 1: We didn't know that before. Yeah, so Marvin being a

664
00:38:14,160 --> 00:38:17,480
Speaker 1: good op there you mentioned a song, he cues it

665
00:38:17,560 --> 00:38:19,239
Speaker 1: up and gets it ready. That's good. I didn't ask

666
00:38:19,320 --> 00:38:20,960
Speaker 1: him to do it, no, but that's good producing on

667
00:38:21,080 --> 00:38:24,040
Speaker 1: his part. He didn't know and no one told him

668
00:38:24,120 --> 00:38:25,440
Speaker 1: that the best part of the song, on the part

669
00:38:25,480 --> 00:38:27,480
Speaker 1: you were referring to, was in the last third, not

670
00:38:27,600 --> 00:38:31,200
Speaker 1: the first three minutes. Yeah, which, so it started bad

671
00:38:31,280 --> 00:38:32,759
Speaker 1: because it took so long to get there, and then

672
00:38:32,800 --> 00:38:35,960
Speaker 1: the awkwardness took over and it actually became really great

673
00:38:36,760 --> 00:38:39,160
Speaker 1: because it was so all correct. All right, that's fine,

674
00:38:39,760 --> 00:38:43,680
Speaker 1: it's content. Yeah. Yeah, I mean if you're just describing

675
00:38:43,719 --> 00:38:51,120
Speaker 1: this show awkward acts and all awkwardity, because this show

676
00:38:51,239 --> 00:38:55,000
Speaker 1: is about relationships not sports, Yes it is, and that's

677
00:38:55,000 --> 00:38:57,759
Speaker 1: what works. Yeah. Yeah, this is no different than the

678
00:38:57,880 --> 00:39:00,560
Speaker 1: movie Formula. Yeah. Somebody tweeted that earlier. They were like,

679
00:39:00,600 --> 00:39:03,680
Speaker 1: I finally get it this show. Yes, ye, yeah, that's right,

680
00:39:03,760 --> 00:39:06,919
Speaker 1: it's about relationship. How about this day in sports history?

681
00:39:06,960 --> 00:39:09,600
Speaker 1: How about that talk about soft day? In nineteen forty one,

682
00:39:09,600 --> 00:39:12,040
Speaker 1: the Brooklyn Dodgers announce that their players would begin wearing

683
00:39:12,120 --> 00:39:15,359
Speaker 1: batting helmets during the nineteen forty one season, So that's

684
00:39:15,360 --> 00:39:18,120
Speaker 1: why they shipped them out to lay too saft for Brooklyn.

685
00:39:18,400 --> 00:39:20,920
Speaker 1: I don't know if that's true. Two thousand and two,

686
00:39:21,160 --> 00:39:24,920
Speaker 1: ESPN aired their first ever ever original motion picture. Anyone

687
00:39:24,920 --> 00:39:26,800
Speaker 1: want to take a shot at the name and the person,

688
00:39:27,160 --> 00:39:30,000
Speaker 1: Dale Earnhardt. That was the second one. But you're right there, Night,

689
00:39:30,160 --> 00:39:33,399
Speaker 1: Bob Night, A season on the brink. I didn't think

690
00:39:33,400 --> 00:39:37,839
Speaker 1: it was good. No, no, there it is. Okay. Uh

691
00:39:38,600 --> 00:39:41,640
Speaker 1: let me see, let me see there anything else that

692
00:39:41,800 --> 00:39:48,759
Speaker 1: needs to be mentioned here? Anything? Um Oh. Nineteen seventy six,

693
00:39:50,320 --> 00:39:55,040
Speaker 1: Texas Tech rallies in the Southwestern Conference Basketball Tournament championship game,

694
00:39:55,520 --> 00:40:00,319
Speaker 1: and the sports director sports information director with Texas Tech,

695
00:40:00,880 --> 00:40:09,040
Speaker 1: Ralph Carpenter, is quoted as saying the following the opera eight, Ralph,

696
00:40:10,480 --> 00:40:13,799
Speaker 1: I got it. I think that's the move. I didn't

697
00:40:13,840 --> 00:40:16,439
Speaker 1: get it first, but now it's hilarious because you're eating.

698
00:40:19,560 --> 00:40:28,520
Speaker 1: Ralph Carpenter is quoted as saying, he's not God. Can

699
00:40:28,600 --> 00:40:32,600
Speaker 1: we play Bridge over Troubled Waters? The opera ain't over

700
00:40:32,719 --> 00:40:36,440
Speaker 1: until the fat Lady sings He's the original. Yes. The

701
00:40:36,560 --> 00:40:40,160
Speaker 1: earliest recorded usage of the phrase in conjunction with a

702
00:40:40,239 --> 00:40:46,680
Speaker 1: sporting event. A right, Ralph, How often do you think

703
00:40:46,760 --> 00:40:55,680
Speaker 1: people went up to Ralph Carpenter and went, oh, why

704
00:40:56,000 --> 00:41:08,040
Speaker 1: go bridge jover trouble water, let's charge in the weekend

705
00:41:08,080 --> 00:41:11,440
Speaker 1: with this yes, charge. Yeah, I'd rather listen to me

706
00:41:13,040 --> 00:41:19,200
Speaker 1: crazy easy, good easy. You don't know anything about music. Oh,

707
00:41:19,360 --> 00:41:25,640
Speaker 1: stay your lane, it's person. Yeah. You over here teaching

708
00:41:25,680 --> 00:41:28,360
Speaker 1: you guys during Black History Month and Marv Madness. I

709
00:41:28,560 --> 00:41:31,759
Speaker 1: gave you a couple of weeks in Marv Madness, we

710
00:41:31,840 --> 00:41:37,960
Speaker 1: could be playing bon Jovi Wall to wall Billy. Yes,

711
00:41:40,719 --> 00:41:43,400
Speaker 1: it's just give us a sports I mean now it's ceremony.

712
00:41:44,160 --> 00:41:46,200
Speaker 1: What a waste of time? Todd, What did you learn

713
00:41:46,280 --> 00:41:49,160
Speaker 1: today at Dylan Brooks because his antics force him to

714
00:41:49,160 --> 00:41:52,000
Speaker 1: be on the side of Draymond Green set no coun

715
00:41:52,200 --> 00:41:55,640
Speaker 1: I actually had to defend Draymond. Yeah, I know, Marv

716
00:41:56,760 --> 00:41:59,480
Speaker 1: you said Rolling Stone was trash. Yeah, yeah, because they

717
00:41:59,520 --> 00:42:02,919
Speaker 1: didn't have our Garfuncle in there's raised voices of all time.

718
00:42:06,440 --> 00:42:10,120
Speaker 1: I will leave me that we now have something where

719
00:42:10,160 --> 00:42:14,759
Speaker 1: a segment has been garfunkeled. That's that was established today,

720
00:42:14,840 --> 00:42:18,960
Speaker 1: like you just Garfuncle that segment up. Come on, Uh

721
00:42:19,360 --> 00:42:21,200
Speaker 1: Todd Wood and I learned telling out a dog on

722
00:42:21,239 --> 00:42:23,120
Speaker 1: a popular sit. I'm not necessarily the best way to

723
00:42:23,160 --> 00:42:25,960
Speaker 1: go hottest Rookie's biggest superstars, the old time Great's the

724
00:42:26,000 --> 00:42:28,000
Speaker 1: only place to collect them all up in any trading cards.

725
00:42:28,040 --> 00:42:31,240
Speaker 1: The official trading cards so the Dan Patrick Show, Instant Classics,

726
00:42:31,280 --> 00:42:34,760
Speaker 1: autographed cards, member Billiard, card's, rare Insearch and more started

727
00:42:34,840 --> 00:42:39,400
Speaker 1: continued collection now at Candy America dot now. Thanks for

728
00:42:39,480 --> 00:42:41,600
Speaker 1: joining us. Have a great weekend, everybody. Look forward to

729
00:42:41,680 --> 00:42:45,640
Speaker 1: talking to you on Monday over trouble