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Speaker 1: Hey, guys. Last week Paul and I caught up with

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Speaker 1: Andrew Bernstein, one of the greatest photographers of the NBA.

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Speaker 1: Y'all check this out.

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Speaker 2: Certain faster and certain faster, certain fast, certain faster and

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Speaker 2: certain faster, certain fast.

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Speaker 1: Certain it's a green summer. Yeah, we built differently. You

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Speaker 1: aren't watching the games. I can't watch it again. You're outside,

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Speaker 1: We're alive. That's when you stopped production. No bad, but

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Speaker 1: we want.

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Speaker 3: He hello Fellas.

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Speaker 1: I for you to no and he came to today.

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Speaker 3: I put one of these Ryan Stones on myself.

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Speaker 1: The iconic listen man fell and the house got the

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Speaker 1: most icon photos and hoops. If we could talk and

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Speaker 1: say that Michael Jordan is probably one of the best

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Speaker 1: to ever pick up a basketball, I gotta say, man,

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Speaker 1: you probably one the best at shoot the best. This

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Speaker 1: is taking along right here. This man has forty years

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Speaker 1: of being in the NBA. Man, he has shot the

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Speaker 1: best of the best. He's been. He's probably seen.

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Speaker 3: I did forty straight final.

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Speaker 2: But it's all about It's all about the content. It's

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Speaker 2: all about the subject matter, you know. I mean, if

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Speaker 2: I didn't have you guys to shoot and the talent

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Speaker 2: that I was in front of me every single night,

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Speaker 2: you know, starting with showtime.

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Speaker 3: Going all through you know, the Jordan era.

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Speaker 2: Shaq and Kbe and Kobe and Powell and you guys

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Speaker 2: and man would have had to find another job.

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Speaker 1: I gotta that's amazing that you shot. I know you

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Speaker 1: just don't have one, but can you have Do you

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Speaker 1: have some memorable moments where you was like, wow, I

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Speaker 1: got that?

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Speaker 3: Well?

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Speaker 2: You know, two of my most memorable moments are not

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Speaker 2: action shots, which I'm kind of known.

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Speaker 3: As an action photographer. You know, the great Dunks and

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Speaker 3: all that was.

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Speaker 2: Number One's got to be Michael Jordan holding the trophy

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Speaker 2: first Championship ninety one, crying his eyeballs out, was his

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Speaker 2: dad next to him in the forum. The visitor's locker

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Speaker 2: room is a thing that happened in two seconds. In fact,

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Speaker 2: in the last stance, they did almost a whole episode

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Speaker 2: about that moment.

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Speaker 3: And you can see me. It's crazy.

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Speaker 2: If you look at the ball of the trophy, you

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Speaker 2: see the flash.

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Speaker 3: Going, yeah, I've been the reflection. It's bizarre.

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Speaker 2: And then my second favorite, probably one a is is

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Speaker 2: I like to call it Kobe on Ice. You guys

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Speaker 2: are probably seeing the black and White when the Mambas

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Speaker 2: got his legs in ice. He's got his little broken

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Speaker 2: finger in a coffee cup, meditating all by himself and

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Speaker 2: Madison square Garden in the locker room, which, as you

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Speaker 2: guys know, that locker room, visitors, locker room. But it's

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Speaker 2: tiny time, and he didn't have any other room to

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Speaker 2: go to, like another arenas where he'd go to a broom,

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Speaker 2: closet or a jack's room.

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Speaker 3: Whatever. He had to do it in the locker room.

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Speaker 3: And it's one of my favorite photos.

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Speaker 1: In those days. The locker room was so small, but

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Speaker 1: media still had to come in. Yeah, in New York,

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Speaker 1: the media, Paul, you know this, We all know this. Yeah, yeah,

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Speaker 1: when you probably would have maybe titer reporters. You get

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Speaker 1: to New York and they would probably be over easy

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Speaker 1: one hundred, probably fifty. Yeah, crowd into.

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Speaker 3: The room, yeah, packed in. Yeah.

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Speaker 1: Sure.

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Speaker 3: So I was traveling with them during that season that

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Speaker 3: was twenty nine and ten. I was here.

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Speaker 2: I was working on the book with Phil Jackson, and

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Speaker 2: I was you know, I was able to wait till

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Speaker 2: the media left, and then I had about thirty seconds

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Speaker 2: before Phil came in and gave me the eyebrow and

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Speaker 2: if you guys never seen the Phil bring the hell

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Speaker 2: out it means, but I had then I just I

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Speaker 2: just turned and there there he was, just sitting there

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Speaker 2: meditating in the locker.

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Speaker 1: So you've gotten access, You've been in some yeah moments

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Speaker 1: where players at the highest, players at the lowest, and

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Speaker 1: just captured it all through through photography.

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Speaker 4: Yeah.

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Speaker 2: Absolutely, But it's access to that I had to earn ken.

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Speaker 2: I mean, you know, nobody lets you in the inner sanctum,

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Speaker 2: and the inner sanctum to you guys, is sacred right.

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Speaker 3: And I had to learn to how to respect that.

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Speaker 3: Had to earn my access. This is way back in

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Speaker 3: the pat Riley days where you know, Pat challenged me.

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Speaker 2: He said, look, man, I'm gonna let you kind of

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Speaker 2: in this thing once, but you screw it up, you're

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Speaker 2: not coming back. And I was the first photographer in

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Speaker 2: for all Phil Jackson's eleven championships.

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Speaker 1: Wow.

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Speaker 3: And it's a funny story.

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Speaker 2: So the first year, you know, I'm the first guy

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Speaker 2: in and the champagne's flying in the whole thing, and

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Speaker 2: I'm looking for Phil, looking for Phil. He's in the

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Speaker 2: back smoking stogies, you know, and he gives me the

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Speaker 2: eye and then the next year, same thing. Right the

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Speaker 2: third year, he looks at me and goes, are we

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Speaker 2: even going to make a habit of this?

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Speaker 3: And I said, I hope so, Coach, you know why not?

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Speaker 3: So you know, there were a bunch after that, but

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Speaker 3: it was great.

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Speaker 1: Where do you store in today's world? Yeah, you're probably

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Speaker 1: so marvel right now because the world is full of

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Speaker 1: full of photos. When Paul and I played was very

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Speaker 1: very secretive, very private, a lot more private when we

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Speaker 1: played back in twenty thirty years ago. It has to

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Speaker 1: be a lot easier.

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Speaker 3: Everybody's got the phone.

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Speaker 1: Everybody photography, So you're probably loving all of this. Yeah,

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Speaker 1: where do you store? Would? Where do you I can

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Speaker 1: only imagine your portfolio of pictures? Yeah, with everything going digital,

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Speaker 1: with everything being hard drives, where do you I know

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Speaker 1: you have album covers, I know you have hard copies.

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Speaker 1: Were not specifically, but do you have a place where

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Speaker 1: you store all your things?

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Speaker 3: And that's a great question. I mean half my career

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Speaker 3: was pre digital, so that means.

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Speaker 1: Yes.

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Speaker 3: For NBA Photos.

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Speaker 2: When we created NBA Photos in nineteen eighty six, David

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Speaker 2: Stern's mandate was that we need to have a central

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Speaker 2: point where film is stored with the history of the

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Speaker 2: league moving forward, but he also wanted the history of

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Speaker 2: the league moving backward, because the NBA at that time

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Speaker 2: did not have an art going back to the beginning of.

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Speaker 3: The league did capture no So we had to go

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Speaker 3: reach out to photographers who had been around since the

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Speaker 3: inceptional League and the great Shelding and stuff.

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Speaker 2: Dick Rayfield, remember Dick Rayfield, little guy who used to

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Speaker 2: sit on the stool. So we met with Dick and

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Speaker 2: got his collection, of course of the great Celtic era

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Speaker 2: all of that.

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Speaker 3: So listen, I got well, I want to.

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Speaker 1: So what did you bring today? Tell us what your brain?

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Speaker 3: What's going on with that?

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Speaker 1: Hey boy?

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Speaker 3: This durfday.

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Speaker 1: This is look, this is Paul. Look boy, you look

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Speaker 1: fresh as hell. What that man got on? Make up? Man?

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Speaker 4: Man?

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Speaker 1: That man got on blush man.

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Speaker 2: But these are the moments that I love you guys.

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Speaker 2: All Star weekend, All Star weekends out.

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Speaker 1: You know, I'm getting ready. You know you ain't talking

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Speaker 1: about what happened, man, y'all should have been.

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Speaker 4: In the day.

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Speaker 3: I never listened. I just took.

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Speaker 1: I'm like, man, get the pitching, you know, man, I

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Speaker 1: hated what year is this?

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Speaker 3: That, so that that's kind of.

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Speaker 1: It looks like, yeah, yeah, two thousand six.

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Speaker 3: Yeah, I remember that. We go back to let's see

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Speaker 3: what we got here?

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Speaker 1: Man, you got he got some classes.

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Speaker 3: I like this one. I like this portrait.

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Speaker 5: I shot the clippers and you came through right there,

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Speaker 5: you came home, and I never got the Clipper colors, man.

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Speaker 2: And of course you can't leave out something. I kind

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Speaker 2: of hosted garden right final.

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Speaker 1: That's two thousand. Yeah, he got about two o'clock. I

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Speaker 1: can tell you to get there.

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Speaker 3: I used to get there when Larry had shooting.

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Speaker 1: Yeah, it is a hard.

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Speaker 3: People, it's a great deal. Love this story.

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Speaker 2: So Larry, you know, used to come hours and hours

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Speaker 2: just like Kobe did you know. And I always wanted

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Speaker 2: to get a picture of an empty Boston.

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Speaker 3: Garden with all the banners.

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Speaker 2: Yeah, and Larry shooting and he had one ball boy,

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Speaker 2: that was it.

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Speaker 3: So I eased myself over to his side of the

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Speaker 3: court and crouched down right next to the basket.

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Speaker 2: And as he took the shot, I hit the button

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Speaker 2: and the strobe the flash went off. Oh, Larry looked

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Speaker 2: around like this, and then he looked at me, and he.

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Speaker 3: Came up to me and says, look down to me,

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Speaker 3: because you.

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Speaker 2: Never you're gonna do that during the game, right, And

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Speaker 2: I can't do his you know, Indiana draw And I said,

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Speaker 2: uh no, sir, thank you, But it tells you I'd

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Speaker 2: be the greatest picture, one of the greatest ever shot

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Speaker 2: all the banners and everything.

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Speaker 1: So how far did technology have to come for you

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Speaker 1: to be able to not just get long lands and

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Speaker 1: get things from a distance, but be able to get

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Speaker 1: things from the backboard. Well, you actually incorporated a bunch

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Speaker 1: of stuff that wasn't there as far as photography that

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Speaker 1: you actually I thought just totally to the league and

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Speaker 1: how you saw it.

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Speaker 3: I appreciate that camera.

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Speaker 2: It was a there was a generation this one, this one.

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Speaker 3: I'm laying I'm laying on the floor. One of you

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Speaker 3: guys doesn't step on me.

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Speaker 4: I look.

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Speaker 2: But you know, it's funny you mentioned that can because

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Speaker 2: there was a generation of photographers before us who set

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Speaker 2: the set the table, Neil Life or John Zimmerman. These

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Speaker 2: guys were the first ones to put cameras behind backboard,

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Speaker 2: up in the rafters. But in those days you can

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Speaker 2: only do what was called one remote camera that synced

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Speaker 2: with the flashes you can see a little flashes going off,

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Speaker 2: and it was one one camera, one remote camera. Well,

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Speaker 2: we at the NBA helped develop a system where you

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Speaker 2: could have multiple cameras fire at exactly the same moment.

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Speaker 2: So cameras are mounted all over the arena and the catwalk,

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Speaker 2: behind the backboard, on the stanchion. Sometimes we had human

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Speaker 2: beings holding them. You know Jordan's zero point six shot

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Speaker 2: over Utah, Yeah, that was actually a person named Fernando Medina,

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Speaker 2: longtime photographer in Orlando, holding the camera on the other baselines. Yes,

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Speaker 2: where I pushed the button and his camera went off, and.

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Speaker 3: That's the photo you see.

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Speaker 1: Wow listen.

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Speaker 3: So that's that was a team effort.

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Speaker 1: A lot of people don't understand when players are playing

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Speaker 1: sometimes you see flash. Yeah, yeah, people is probably better

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Speaker 1: at shooting through distractions. Pea and I seen Pee have

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Speaker 1: damn near a wall up and he don't see nothing.

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Speaker 1: He shoots it the same. Yeah, I'm gonna use loft

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Speaker 1: and all this other shit, right, And I've always always

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Speaker 1: had a special appreciation for focus. He's probably one of

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Speaker 1: the least focused months I know, but when he locked

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Speaker 1: in some at least he locked in and he sees

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Speaker 1: it right, But the flaners does go all right, right,

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Speaker 1: talk about what had to go into play to protect

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Speaker 1: the players in the in the game, in the play

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Speaker 1: of game, to not just get a moment, but not

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Speaker 1: to you know, not to distract they'll become.

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Speaker 3: Or potentially be dangerous. So this photo, this is a

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Speaker 3: case in point.

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Speaker 2: We used to do a remote where a remote camera

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Speaker 2: was placed on the floor off to the side where

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Speaker 2: the photographers and videographers sit and an assistant would sit

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Speaker 2: behind it. And if one of you guys came close

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Speaker 2: on you know, some kind of you know play that

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Speaker 2: was going out of bounds whatever, they pull it and

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Speaker 2: then you know, protect you and protect the camera. But

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Speaker 2: the most important thing for us was always to protect

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Speaker 2: the players.

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Speaker 1: Right.

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Speaker 2: Well, a couple of times, like Barkley landed on one,

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Speaker 2: Michael felt on bron cut his head on the cameras,

245
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Speaker 2: So the NBA outlawed what was called the floor remote

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Speaker 2: and I was like mortified. My favorite shot because so

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Speaker 2: I spent the summer trying to figure out how can

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Speaker 2: I do this flory mode and have it be safe

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Speaker 2: for the players.

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Speaker 1: So you put it underneath and didn't put a black

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Speaker 1: listen I saw that I saw that. Listen, listen, listen.

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Speaker 1: I used to go to Jeff twisting like then they

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Speaker 1: got a camera right, listen, Yeah, I got I got everything.

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Speaker 1: I got fine. I got fine one time blocking somebody's

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Speaker 1: shot and then telling them about it. But it was

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Speaker 1: a mic underneath the rimp. They didn't tell us this. Yeah,

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Speaker 1: it's also at the bottom of the basket. Right, it's

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Speaker 1: a it's a it's a little circle and it's got

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Speaker 1: So I saw it when they came back and said,

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Speaker 1: at six seventeen, you told getting for reek to seventy five,

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Speaker 1: and I got fine. So when I first thing I

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Speaker 1: came out, we came out, I looked for all the

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Speaker 1: cameras and mic right right.

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Speaker 3: I remember you came out once there was a fire.

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Speaker 1: It's weird, but you think it the south of him

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Speaker 1: on the back. You come to shake Hans, you look good.

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Speaker 1: It's you're like, YoY, what are you doing? I gotta

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Speaker 1: get it? Just keep doing what but you make a

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Speaker 1: picture like that? Go back to you laying on your

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Speaker 1: fucking back. You almost got tramp, you understand. Yes, listen,

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Speaker 1: in another day where we all have enough time, I

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Speaker 1: would love to come to your price and see someone.

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Speaker 1: But I know you got I know you have lifestyle.

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Speaker 1: I know you have things outside of basketball. I know

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Speaker 1: you got a beautiful collection.

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Speaker 2: Man.

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Speaker 1: Yeah, that'll be you guys. That'd be a pleasure.

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Speaker 3: There's some intensity going on in this photo.

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Speaker 1: Right, what are you telling him in this picture, Paul,

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Speaker 1: and I can say this with right too. Very few

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Speaker 1: people understood. I call it control chaos, and actually he

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Speaker 1: would throw fire on the control. K He wanted me.

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Speaker 1: He wanted me wearing wolf. He wanted me wear wolf.

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Speaker 1: So he understood that. So we got along great. When

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Speaker 1: we suited up in what I am, we was best

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Speaker 1: fucking friends. We never any issues and was cutting dry.

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Speaker 1: You know what I'm saying. We played great together because

288
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Speaker 1: we never had a issue on whatever it was. You

289
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Speaker 1: know what I'm saying. It was always whatever's the best situation.

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Speaker 3: You're in battle and.

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Speaker 2: Went in the same way, Yeah, Kobe, the same thing.

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Speaker 1: Yeah what we What was going on in this It

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Speaker 1: might have been a situation where walking this happened to me.

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Speaker 1: My interpretation is looked like I had to mind. It

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Speaker 1: looked like I took a bad shot. He looked at

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Speaker 1: me like you could pass me the ball to no, No, no, no,

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Speaker 1: look like I took the bad shot walking back like that,

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Speaker 1: like I'm looking at him the way I'm looking at him,

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Speaker 1: it looked like I got him out of some real ship,

300
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Speaker 1: like he's getting tacked up and like hold down that

301
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Speaker 1: like I took you out a song, I said, I

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Speaker 1: got he looking like right here, swing the ball you got.

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Speaker 3: I'll tell you something. I got to thank both of you, guys.

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Speaker 2: I mean, combined twenty five All Star games between the

305
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Speaker 2: two of you, that's just all those great moments, and

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Speaker 2: you know, thank you for allowing me in the end

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Speaker 2: or sanctum.

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Speaker 3: I know you sometimes.

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00:15:20,480 --> 00:15:23,520
Speaker 2: Didn't like it cool, but but you know what, we

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Speaker 2: got our job done.

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Speaker 3: And documenting both of your careers was amazing. I documented

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Speaker 3: this guy today.

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Speaker 2: He announced that he was going to Kansas and I'd

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Speaker 2: been trying too.

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Speaker 3: And at the form interview the.

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Speaker 1: Kansas you remember that it's crazy.

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Speaker 3: Well it was a great moment.

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Speaker 1: Yeah, they gave me announced I was going to Kansas

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Speaker 1: talking to ship. Always a great many bursters, awesome guys,

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00:15:54,720 --> 00:15:59,080
Speaker 1: and appreciate you man, dangn may probably everybody comes see

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Speaker 1: that collection too. Let us know, dog real shit, yo, guys, yo,

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Speaker 1: I caught up my guy Matt from DAPs, one of

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Speaker 1: the greatest in memobilia of learn his name, DAPs the

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00:16:12,040 --> 00:16:14,480
Speaker 1: name for real, y'all. Check this footage'all him and I

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Speaker 1: opening up some different memorabilia. That was really cool. Check

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Speaker 1: this out.

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Speaker 6: Man.

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Speaker 1: Listen, man, we got my dog Matt from DAPs today. Boy,

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Speaker 1: this is my dog. You know what I'm saying. Man,

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Speaker 1: I love everything y'all doing over there, Man, switch straight

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Speaker 1: up at DAPs. Man, You guys have activated the fun

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00:16:31,960 --> 00:16:34,600
Speaker 1: in memobilia. Man, talk about how you started that. Man.

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Speaker 6: I started this company in my bedroom, all right, and

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00:16:38,720 --> 00:16:41,680
Speaker 6: I'm just, hey, let me do a little side hustle.

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Speaker 4: Let me try to make one hundred dollars a night.

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00:16:44,600 --> 00:16:47,640
Speaker 6: One hundred turns into five hundred, five hundred turns into

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Speaker 6: one thousand. I do seventy grand one night in my bedroom.

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Speaker 6: I'm like, I should probably take this.

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Speaker 1: A little more seriously, right you think.

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00:16:55,120 --> 00:16:57,240
Speaker 6: So I get a little shot on Melrose and we

341
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Speaker 6: just slowly grow the business. And you know, we on TikTok,

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00:17:00,680 --> 00:17:03,320
Speaker 6: we're big on Instagram, We're big on.

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Speaker 4: All the social platforms that you can find us on.

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Speaker 6: And you know, we're pretty good at this thing called

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Speaker 6: live shopping, which I don't know you heard about. But

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Speaker 6: collectibles are a big deal, man, and they're also fun,

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Speaker 6: and people don't realize that. Like, if you have a

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Speaker 6: knowledge of sports, you can apply that to this business

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00:17:19,760 --> 00:17:22,800
Speaker 6: and really hustle and make money. I remember, right, So

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Speaker 6: I grew up in the nineties, was born in the

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Speaker 6: late eighties, so I love all the nineties stuff.

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Speaker 4: You were drafted in ninety five.

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Speaker 1: That'll be fine.

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Speaker 4: So let me show you something real quick.

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Speaker 1: Oh shit, you brought some exclusives with you today. So

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Speaker 1: if y'all don't know this man always has to exclusive.

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00:17:39,680 --> 00:17:42,200
Speaker 1: You always got some fire shit. Bro, I already know you.

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Speaker 1: You g four classified. I know you probably got a

359
00:17:45,520 --> 00:17:48,680
Speaker 1: whole nother alphabet passing here and shit talking about where

360
00:17:48,680 --> 00:17:50,720
Speaker 1: you get your stuff from before you even show orders.

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Speaker 1: Look at this, this is ment. Oh we need gloves.

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Speaker 1: What are gloves there?

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00:17:53,840 --> 00:17:57,760
Speaker 4: Bro? Jem Man ten ten out of ten they call

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Speaker 4: it a dime.

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00:17:58,520 --> 00:18:01,520
Speaker 6: So listen. I, like I said, I grew up in

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Speaker 6: the nineties collecting Pokemon. It just came out late nineties.

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Speaker 6: Like I'm like, you know that generation, right. The thing

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00:18:08,840 --> 00:18:11,000
Speaker 6: about all this stuff is like people didn't care about

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00:18:11,000 --> 00:18:14,560
Speaker 6: it debt because they were overprinted, right, So the manufacturer

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00:18:14,560 --> 00:18:17,000
Speaker 6: of the cards, they made too many cards, which drove

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Speaker 6: the value down. So then in twenty eleven they start

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Speaker 6: to print them and they start to serial number these things.

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Speaker 6: And they had been doing it a little bit before then,

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Speaker 6: but they really get big with this company, Pinini, and

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00:18:28,800 --> 00:18:33,040
Speaker 6: it's it's been wild to watch. They produced these cards

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00:18:33,080 --> 00:18:36,479
Speaker 6: called one on ones, right, and the flex is if

377
00:18:36,520 --> 00:18:39,520
Speaker 6: you've got the Rookie one to one Steph Curry, you're

378
00:18:39,560 --> 00:18:42,879
Speaker 6: the only person in the world with that car. WHOA Right,

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00:18:43,119 --> 00:18:46,639
Speaker 6: So there's this huge chase. You remember what is the

380
00:18:46,680 --> 00:18:50,080
Speaker 6: Monopoly game? Right, you go to you know, walk you

381
00:18:50,200 --> 00:18:52,439
Speaker 6: and you pull the yeah yeah, and on the fries

382
00:18:52,480 --> 00:18:54,200
Speaker 6: and on the burgers, and you're pulling off the stickers.

383
00:18:54,240 --> 00:18:56,000
Speaker 6: You're collecting and you're trying to win a million dollars.

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00:18:56,320 --> 00:19:00,720
Speaker 6: That's sports cards, right, that's collectibles. So you know growing

385
00:19:00,800 --> 00:19:04,880
Speaker 6: up like this was my shit ninety five medal Michael Jordan, Right,

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Speaker 6: but look at this.

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Speaker 1: Old John. I gotta show the camera this. You go

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00:19:08,480 --> 00:19:12,080
Speaker 1: the camera. This is like a sexy lady right here. Boy,

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00:19:12,119 --> 00:19:14,280
Speaker 1: you hear me. This is the pre mode of the

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00:19:14,320 --> 00:19:17,000
Speaker 1: premo right here. This is we should have gloves on

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Speaker 1: touching this film me.

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Speaker 6: What's even cooler though, is that that's you remember.

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Speaker 4: This young man right here?

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00:19:23,400 --> 00:19:23,960
Speaker 1: Who is that?

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00:19:24,200 --> 00:19:27,960
Speaker 6: But this is the same ninety five medal KG and

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00:19:28,040 --> 00:19:29,840
Speaker 6: again rookie right.

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Speaker 4: So these are the cards.

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Speaker 6: That I wanted when I was a kid, you know,

399
00:19:33,640 --> 00:19:35,920
Speaker 6: put them in a binder. And the reason these things

400
00:19:35,960 --> 00:19:38,560
Speaker 6: are valuable now is think about how many kids put

401
00:19:38,600 --> 00:19:42,040
Speaker 6: these cards in binders, didn't take care of them. Somebody

402
00:19:42,160 --> 00:19:45,040
Speaker 6: was smart enough to keep this preserved. So this is

403
00:19:45,080 --> 00:19:48,080
Speaker 6: a gem in ten out of ten conditions, and that's

404
00:19:48,119 --> 00:19:49,600
Speaker 6: what keeps the value up of these things.

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Speaker 1: That's crazy. One of the reasons when I'm starting to

406
00:19:52,760 --> 00:19:55,520
Speaker 1: think called the house of authentics, where you actually have

407
00:19:55,600 --> 00:19:58,640
Speaker 1: a chance to have authentic things like this. I think

408
00:19:58,680 --> 00:20:02,840
Speaker 1: that the market too has so many chases of things

409
00:20:02,840 --> 00:20:06,760
Speaker 1: that have been in the past. And is it that

410
00:20:06,800 --> 00:20:10,000
Speaker 1: we're trying to always hold on to things in the

411
00:20:10,080 --> 00:20:13,600
Speaker 1: past commemorate them. Why you think it's such a demand

412
00:20:13,720 --> 00:20:17,120
Speaker 1: for things that come from the past versus commodity being

413
00:20:17,160 --> 00:20:18,400
Speaker 1: built in the future.

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00:20:19,040 --> 00:20:22,440
Speaker 6: Well, I think at some point something that is present

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00:20:22,600 --> 00:20:25,399
Speaker 6: and people are hyped about, like for example, like remember

416
00:20:25,440 --> 00:20:25,920
Speaker 6: the whole.

417
00:20:25,760 --> 00:20:27,480
Speaker 4: Beanie baby craze back in the day.

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00:20:27,680 --> 00:20:31,160
Speaker 6: Those things went up in value tremendously then, but they're

419
00:20:31,200 --> 00:20:33,000
Speaker 6: not even as valuable now as they were then, even

420
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Speaker 6: though we're twenty thirty years in the future.

421
00:20:34,600 --> 00:20:35,159
Speaker 4: Right.

422
00:20:35,960 --> 00:20:40,000
Speaker 6: But then there's other commodities like listen, Mickey Mantle rookie

423
00:20:40,040 --> 00:20:44,280
Speaker 6: card that was produced in nineteen fifty two. Right, So

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00:20:44,440 --> 00:20:46,679
Speaker 6: a couple of years ago I had the privilege of

425
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Speaker 6: holding this card. It was an SGC nine point five

426
00:20:50,880 --> 00:20:53,320
Speaker 6: out of ten. It wasn't a ten. It sold for

427
00:20:53,440 --> 00:20:55,000
Speaker 6: twelve million dollars.

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00:20:55,320 --> 00:20:56,920
Speaker 1: What didn't make it the ten.

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00:20:58,520 --> 00:21:01,840
Speaker 6: The small So there four conditions of grading a card,

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00:21:02,480 --> 00:21:03,400
Speaker 6: all right.

431
00:21:03,520 --> 00:21:05,160
Speaker 4: There's the edges, some.

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00:21:05,080 --> 00:21:07,520
Speaker 1: Of these defects that affect the value of everything.

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00:21:07,560 --> 00:21:11,120
Speaker 6: There's the corners, there's the surface, and the fourth one

434
00:21:11,680 --> 00:21:15,440
Speaker 6: is the centering. So the machine that cuts the card

435
00:21:15,520 --> 00:21:18,680
Speaker 6: if it's slightly off center, that day, your card's off center.

436
00:21:18,720 --> 00:21:21,280
Speaker 6: So that means right out the pack, brand new, you

437
00:21:21,280 --> 00:21:22,360
Speaker 6: don't have a ten out of ten.

438
00:21:22,520 --> 00:21:22,920
Speaker 1: Oh wow.

439
00:21:23,160 --> 00:21:28,160
Speaker 6: And that's what makes this collecting thing quote unquote valuable

440
00:21:28,240 --> 00:21:31,600
Speaker 6: is that there's only so many psa ten Kevin Garnett

441
00:21:31,680 --> 00:21:33,760
Speaker 6: ninety five medals like, there's a lot of this card,

442
00:21:33,760 --> 00:21:37,360
Speaker 6: but there's only two hundred psa tens, right, so you're

443
00:21:37,400 --> 00:21:40,520
Speaker 6: one of two hundred people. Now when you talk about memorabilia, though,

444
00:21:40,520 --> 00:21:44,399
Speaker 6: I brought you a little some check this out. You

445
00:21:44,520 --> 00:21:49,760
Speaker 6: got worthy, Steve Kerr, Horace Grant, Divac. But check on

446
00:21:49,760 --> 00:21:53,560
Speaker 6: the back. That's a piece of Magic Johnson's jersey. That's

447
00:21:53,600 --> 00:21:56,399
Speaker 6: a piece of Jordan's jersey. That's a piece of Scotty

448
00:21:56,400 --> 00:21:58,760
Speaker 6: Pippens jerseys. And they put it into this one card

449
00:21:59,280 --> 00:22:02,440
Speaker 6: and that's cool. That's why people collect this stuff. There's

450
00:22:02,480 --> 00:22:06,800
Speaker 6: only three of these in the entire world. Right, So

451
00:22:06,840 --> 00:22:10,800
Speaker 6: now imagine game use Kevin Gardnet jersey. You cut it up,

452
00:22:10,960 --> 00:22:13,520
Speaker 6: you have a Kobe jersey or a Team Ac jersey

453
00:22:13,600 --> 00:22:16,800
Speaker 6: or whoever you used to play ball with, and you

454
00:22:16,840 --> 00:22:20,800
Speaker 6: make something like this, right, Like that's something who somebody

455
00:22:20,840 --> 00:22:23,680
Speaker 6: like me or somebody who watched you, somebody from Boston

456
00:22:23,680 --> 00:22:26,520
Speaker 6: who watched you in a championship. They want to collect

457
00:22:26,520 --> 00:22:30,000
Speaker 6: the Kevin Gardner at Paul Pierce piece of that jersey

458
00:22:30,040 --> 00:22:30,800
Speaker 6: from that game.

459
00:22:30,880 --> 00:22:32,440
Speaker 4: Like that means something to them.

460
00:22:32,720 --> 00:22:36,160
Speaker 6: So it's it's a moment in time, but it's also

461
00:22:36,240 --> 00:22:40,040
Speaker 6: the scarcity right of the of the actual collectible.

462
00:22:39,840 --> 00:22:43,440
Speaker 1: The verity things that people can't have or having very

463
00:22:43,440 --> 00:22:46,600
Speaker 1: little of them. How much more does a signature help

464
00:22:46,720 --> 00:22:49,359
Speaker 1: cards go up in value or does it even do

465
00:22:49,400 --> 00:22:52,040
Speaker 1: any Does a signature does anything to the value of.

466
00:22:52,000 --> 00:22:52,879
Speaker 4: A car tremendously?

467
00:22:53,160 --> 00:22:53,440
Speaker 1: Yeah?

468
00:22:53,520 --> 00:22:59,000
Speaker 6: Yeah, So like this one for example, So that's Saint Vincent,

469
00:22:59,080 --> 00:23:01,720
Speaker 6: Saint Mary's hard lebron James, how.

470
00:23:01,640 --> 00:23:05,800
Speaker 1: Do you have these outside? Man, motherfucking man.

471
00:23:06,320 --> 00:23:10,200
Speaker 4: So you know, listen, this card without that signature.

472
00:23:09,760 --> 00:23:13,840
Speaker 1: On it is, Oh, I ain't even it's cool, right,

473
00:23:14,080 --> 00:23:18,159
Speaker 1: he laid it perfectly on here too, bro, the signature yep.

474
00:23:19,400 --> 00:23:21,959
Speaker 4: And this card is from Let's see.

475
00:23:22,119 --> 00:23:26,840
Speaker 1: You're no bullshit. You should see how he laid the

476
00:23:27,000 --> 00:23:29,200
Speaker 1: signature perfectly on this, right.

477
00:23:29,119 --> 00:23:30,800
Speaker 4: And believe it or not, that matters too.

478
00:23:31,320 --> 00:23:33,280
Speaker 6: So you can have the same way you get a

479
00:23:33,320 --> 00:23:35,399
Speaker 6: grade on the card, you can have a grade on

480
00:23:35,440 --> 00:23:37,359
Speaker 6: the autograph. So you can have a ten out of

481
00:23:37,359 --> 00:23:39,679
Speaker 6: ten autograph. So this might be a ten out of ten.

482
00:23:39,720 --> 00:23:42,840
Speaker 1: So I definitely have fucked up. I've definitely messed up

483
00:23:42,880 --> 00:23:46,800
Speaker 1: some goddamn signature. We're doing that because sometime my signature,

484
00:23:47,240 --> 00:23:49,919
Speaker 1: sure I should be all over the place like that's

485
00:23:49,960 --> 00:23:51,800
Speaker 1: why I'm amaze when y'all see this. I don't know

486
00:23:51,800 --> 00:23:53,240
Speaker 1: if he's gonna let yall see these or whatever, but

487
00:23:53,280 --> 00:23:55,840
Speaker 1: when you see the signature, that is a that's got

488
00:23:55,880 --> 00:23:56,320
Speaker 1: to be a ten.

489
00:23:56,520 --> 00:23:56,639
Speaker 6: Right?

490
00:23:56,800 --> 00:23:58,000
Speaker 1: Does he put that perfectly?

491
00:23:58,160 --> 00:23:59,480
Speaker 4: He did that very well, that is.

492
00:23:59,640 --> 00:24:01,440
Speaker 1: And if you see to see to see is about

493
00:24:01,480 --> 00:24:02,840
Speaker 1: what this big? Yeah?

494
00:24:02,880 --> 00:24:05,440
Speaker 6: This is a great patch and this is what collectors want.

495
00:24:05,480 --> 00:24:07,520
Speaker 1: Holy how much of something like this?

496
00:24:07,880 --> 00:24:08,560
Speaker 4: Like four grand?

497
00:24:08,720 --> 00:24:09,400
Speaker 1: Holy? Ship?

498
00:24:09,560 --> 00:24:11,080
Speaker 6: Yeah?

499
00:24:11,680 --> 00:24:13,440
Speaker 1: So you got some ship man? Yeah?

500
00:24:13,480 --> 00:24:15,200
Speaker 6: Man? And I mean listen, like this is some more

501
00:24:15,200 --> 00:24:16,200
Speaker 6: stuff from the nineties.

502
00:24:16,359 --> 00:24:18,760
Speaker 4: This was a This was a collab with Duncan Donuts.

503
00:24:20,800 --> 00:24:21,520
Speaker 3: So check that out.

504
00:24:21,520 --> 00:24:22,480
Speaker 1: It's your fucking cars.

505
00:24:23,920 --> 00:24:24,880
Speaker 4: So you got Kobe?

506
00:24:27,880 --> 00:24:28,160
Speaker 1: Yeah?

507
00:24:28,520 --> 00:24:30,080
Speaker 4: So I bought this for like.

508
00:24:31,960 --> 00:24:36,480
Speaker 1: You got Yeah, you wrought your heat today. Say bring the.

509
00:24:36,440 --> 00:24:37,720
Speaker 3: Heat, bro.

510
00:24:37,800 --> 00:24:40,000
Speaker 6: There's only like sixty of these in the world, bro.

511
00:24:40,440 --> 00:24:42,720
Speaker 6: So you know, you see something like this, they say

512
00:24:42,720 --> 00:24:45,280
Speaker 6: collect what you like. When I saw this, it reminded

513
00:24:45,320 --> 00:24:47,520
Speaker 6: me of being a kid, and I'm like, this is sick.

514
00:24:48,000 --> 00:24:49,280
Speaker 6: You know, it's just sick.

515
00:24:51,760 --> 00:24:56,080
Speaker 1: D You told me you got the Kobe Duncans Yo,

516
00:24:56,160 --> 00:24:59,640
Speaker 1: what are you doing? Yo? This ship hard? Low key?

517
00:24:59,800 --> 00:25:03,000
Speaker 1: You see this, it's a hard car Bro.

518
00:25:04,320 --> 00:25:06,399
Speaker 6: And the other cool thing about this though, is that.

519
00:25:06,320 --> 00:25:07,640
Speaker 1: Like that's a hard ass car.

520
00:25:07,960 --> 00:25:10,000
Speaker 6: Not only is it cool, but like I bought this

521
00:25:10,000 --> 00:25:13,040
Speaker 6: thing for five grand and it's worth fifteen now, right,

522
00:25:13,080 --> 00:25:16,600
Speaker 6: So like you can make there's an investment opportunity here

523
00:25:16,680 --> 00:25:19,399
Speaker 6: for people. Listen, there's a lot of cards you invest

524
00:25:19,440 --> 00:25:21,800
Speaker 6: in you. I've lost money on Zion, I've lost money

525
00:25:21,800 --> 00:25:22,320
Speaker 6: on Luca.

526
00:25:22,520 --> 00:25:23,600
Speaker 4: Like, it's not.

527
00:25:23,720 --> 00:25:26,879
Speaker 6: All plus money, but when you make the right moves,

528
00:25:27,560 --> 00:25:30,480
Speaker 6: like this one has gone up insane and it's Michael

529
00:25:30,520 --> 00:25:30,959
Speaker 6: Jordan bro.

530
00:25:31,160 --> 00:25:34,080
Speaker 1: So let me tell you what my theory is. When

531
00:25:34,080 --> 00:25:37,159
Speaker 1: it comes to players that you just named. All players

532
00:25:37,160 --> 00:25:41,639
Speaker 1: you just name have high high side yep. And I

533
00:25:41,720 --> 00:25:45,600
Speaker 1: look at the memorabilia industry, it's like this. So it's

534
00:25:45,640 --> 00:25:51,800
Speaker 1: all constant peaks and valleys, right, perfect time for anybody

535
00:25:51,840 --> 00:25:58,520
Speaker 1: to get things on Luca Zion. No, why because I

536
00:25:58,560 --> 00:26:01,440
Speaker 1: think the upside is going to be more up than low.

537
00:26:02,160 --> 00:26:05,919
Speaker 1: Not only that, but the lead their potential. Yeah, you know,

538
00:26:06,040 --> 00:26:08,360
Speaker 1: think about players growth. You know what we never get

539
00:26:08,400 --> 00:26:13,720
Speaker 1: players never give them the never We never give them

540
00:26:13,800 --> 00:26:17,160
Speaker 1: the development or the equation or even at the end,

541
00:26:19,240 --> 00:26:22,520
Speaker 1: the growth pattern or the growth options. I just think

542
00:26:22,680 --> 00:26:25,920
Speaker 1: Zion gonna be Zion. But of year four, well, when

543
00:26:25,960 --> 00:26:28,280
Speaker 1: Zion gets to year seven, year eight, I'm expecting a

544
00:26:28,320 --> 00:26:31,520
Speaker 1: different Zion in his thinking. Sure, so I'm expecting his

545
00:26:31,600 --> 00:26:34,280
Speaker 1: play to be different if he's on another team with

546
00:26:34,400 --> 00:26:38,760
Speaker 1: other players, stuff like that and how he develops. But yeah,

547
00:26:38,800 --> 00:26:41,600
Speaker 1: when I see things like that and I see players

548
00:26:41,640 --> 00:26:43,639
Speaker 1: on their lower end, those are the times I like

549
00:26:43,680 --> 00:26:45,480
Speaker 1: to actually acquire things.

550
00:26:45,560 --> 00:26:48,879
Speaker 6: And that's the exact time to require them. I mean, listen,

551
00:26:49,000 --> 00:26:51,000
Speaker 6: you just made a perfect example Sam Donald.

552
00:26:51,560 --> 00:26:53,879
Speaker 1: Right, oh, man fu, that's a perfect example, right.

553
00:26:53,800 --> 00:26:56,720
Speaker 6: Like he's on the Nobody wanted Sam Donald. The Jets,

554
00:26:56,800 --> 00:26:59,760
Speaker 6: by the way, completely mismanage him. I'm a Jet fan,

555
00:26:59,840 --> 00:27:04,159
Speaker 6: so yeah, you know I witnessed this first game. Absolutely,

556
00:27:04,760 --> 00:27:06,840
Speaker 6: they give up on him. They trade him to Carolina,

557
00:27:06,880 --> 00:27:09,119
Speaker 6: write him off, Carolina doesn't want him. He goes to

558
00:27:09,200 --> 00:27:11,080
Speaker 6: the Niners. They don't want him. Then the man wins

559
00:27:11,119 --> 00:27:12,480
Speaker 6: fourteen games in Minnesota.

560
00:27:13,080 --> 00:27:16,240
Speaker 1: Minnesota, Come on, man, you're supposed to do that over

561
00:27:16,280 --> 00:27:18,880
Speaker 1: But then, I mean, how many interceptions did that motherfucking

562
00:27:19,000 --> 00:27:21,960
Speaker 1: like damn? The six to seven that's like that was

563
00:27:22,000 --> 00:27:24,640
Speaker 1: like the worst game you can ever dream of the playoff.

564
00:27:24,640 --> 00:27:25,679
Speaker 1: It was like a nightmare va.

565
00:27:25,880 --> 00:27:29,000
Speaker 6: Yeah, yeah that was. And then this man wins a.

566
00:27:28,920 --> 00:27:32,400
Speaker 1: Super Bowl a year later. You feel me, So you.

567
00:27:32,359 --> 00:27:33,160
Speaker 4: Know it takes.

568
00:27:34,080 --> 00:27:36,359
Speaker 6: And by the way, even if you bought Sam Donald

569
00:27:36,400 --> 00:27:40,000
Speaker 6: a year ago, you twenty thirty extra money because now

570
00:27:40,080 --> 00:27:44,200
Speaker 6: he's a super Bowl champion now, Drake May even him.

571
00:27:44,320 --> 00:27:44,720
Speaker 1: You are.

572
00:27:46,240 --> 00:27:49,280
Speaker 6: Here, Drake May if you bought him in the off season. Yeah,

573
00:27:49,880 --> 00:27:52,640
Speaker 6: if you buy a player who gets to the championship.

574
00:27:53,680 --> 00:27:57,040
Speaker 6: So if you think you're a professional scout, buy those

575
00:27:57,080 --> 00:27:58,720
Speaker 6: guys cards, you're gonna make money.

576
00:27:58,840 --> 00:28:02,560
Speaker 1: Like start, It's like stock starts. That's crazy. Is it

577
00:28:02,600 --> 00:28:06,040
Speaker 1: a card that you always love him have never had

578
00:28:06,080 --> 00:28:08,280
Speaker 1: the chance to be able to obtain. Is there cards

579
00:28:08,280 --> 00:28:10,840
Speaker 1: out there that you or top I'm wanna say three,

580
00:28:10,920 --> 00:28:14,000
Speaker 1: but you got three cards that you got your eyes on.

581
00:28:14,400 --> 00:28:16,320
Speaker 6: You know what, I don't know if you're the same

582
00:28:16,320 --> 00:28:17,800
Speaker 6: way the same personality type keV.

583
00:28:17,880 --> 00:28:20,520
Speaker 4: But like I want every card.

584
00:28:20,280 --> 00:28:23,439
Speaker 6: I see, I want too much, So that has to

585
00:28:23,560 --> 00:28:26,160
Speaker 6: like you know, I gotta I gotta reset and go Okay,

586
00:28:26,160 --> 00:28:27,120
Speaker 6: you can't have it all.

587
00:28:27,240 --> 00:28:29,400
Speaker 1: So where does quality come in versus quantity?

588
00:28:29,800 --> 00:28:30,119
Speaker 4: For me?

589
00:28:30,280 --> 00:28:33,400
Speaker 6: What happens is like these cards, like I just looked

590
00:28:33,400 --> 00:28:34,760
Speaker 6: at them, and like, I don't want to sell these,

591
00:28:35,200 --> 00:28:36,840
Speaker 6: like even though I'm up, I'm like, I think.

592
00:28:36,680 --> 00:28:39,160
Speaker 4: They're gonna keep like Jerry low Key like Jeweler.

593
00:28:39,240 --> 00:28:41,000
Speaker 1: Yeah, if I had to sell, you would definitely be

594
00:28:41,040 --> 00:28:42,400
Speaker 1: all in my neck, like what the fuck has he

595
00:28:42,440 --> 00:28:43,040
Speaker 1: got on this ship?

596
00:28:43,040 --> 00:28:45,160
Speaker 6: If I had just like saying, and by the way

597
00:28:45,160 --> 00:28:48,160
Speaker 6: they make, they make like diamond case, you could live.

598
00:28:48,560 --> 00:28:50,640
Speaker 1: I saw the kid, little kid yeah, yeah, yeah, he

599
00:28:50,680 --> 00:28:51,440
Speaker 1: had one of those ships.

600
00:28:51,480 --> 00:28:56,760
Speaker 6: Yeah, and his going yeah, that was a Pokemon card.

601
00:28:56,240 --> 00:28:58,280
Speaker 1: The first time somebody put this around their neck and

602
00:28:58,360 --> 00:28:59,920
Speaker 1: make this you know what I'm saying.

603
00:29:00,040 --> 00:29:02,000
Speaker 4: And that was just a chain that the card was tendlling.

604
00:29:02,200 --> 00:29:05,920
Speaker 6: Yeah, so you know, so they said, yeah, yeah, yeah,

605
00:29:05,960 --> 00:29:06,320
Speaker 6: we'll see.

606
00:29:06,400 --> 00:29:08,120
Speaker 1: I'm just what I'm saying. My boy, kool Aid would

607
00:29:08,120 --> 00:29:09,560
Speaker 1: have solved a little bit of difference, you know what

608
00:29:09,560 --> 00:29:11,600
Speaker 1: I'm saying, Like, you know what I mean. So I

609
00:29:11,640 --> 00:29:13,880
Speaker 1: wanted you to check this out. My boy Andy came

610
00:29:13,880 --> 00:29:16,920
Speaker 1: through earlier. Andy Bursity is like one of the most

611
00:29:17,000 --> 00:29:19,560
Speaker 1: famous photographers of the league. It has been around forty

612
00:29:19,600 --> 00:29:22,760
Speaker 1: some years. He's damned this shot Wilt Chamberlain. God damn it,

613
00:29:22,800 --> 00:29:24,840
Speaker 1: you know what I'm saying. But Andy is the man.

614
00:29:24,920 --> 00:29:28,440
Speaker 1: We can send him the Jordan of photos man. He

615
00:29:28,480 --> 00:29:32,240
Speaker 1: brought me some crazy images. And actually I'm going through here.

616
00:29:32,400 --> 00:29:34,160
Speaker 1: And the one thing I want to say that when

617
00:29:34,200 --> 00:29:37,240
Speaker 1: you are creating a card, you want to create something

618
00:29:37,280 --> 00:29:41,320
Speaker 1: that I guess it's kind of its own thing. Yep,

619
00:29:41,640 --> 00:29:44,239
Speaker 1: Like what would you like when you go into how

620
00:29:44,320 --> 00:29:45,520
Speaker 1: you even go back on this ship?

621
00:29:45,840 --> 00:29:47,760
Speaker 6: So like I think it's about I appeal, right, So

622
00:29:47,800 --> 00:29:48,960
Speaker 6: if you go up a little.

623
00:29:48,720 --> 00:29:49,440
Speaker 4: Bit, did you do it?

624
00:29:49,680 --> 00:29:50,480
Speaker 3: Yeah?

625
00:29:50,520 --> 00:29:52,960
Speaker 6: So like the first two that stand out to me

626
00:29:53,040 --> 00:29:54,480
Speaker 6: are definitely this one and that one.

627
00:29:55,480 --> 00:29:57,440
Speaker 1: This is us talking shit to Mike.

628
00:29:58,080 --> 00:30:02,160
Speaker 6: So like in my mind to take this right, to

629
00:30:02,240 --> 00:30:05,400
Speaker 6: take this image right, I'm gonna I'm gonna take Jordan

630
00:30:05,480 --> 00:30:06,920
Speaker 6: out of it. I'm gonna take you out of it,

631
00:30:07,040 --> 00:30:10,200
Speaker 6: and then I'm gonna put art behind it. Right, And

632
00:30:10,240 --> 00:30:12,560
Speaker 6: that's how you're gonna make a card at it. That's

633
00:30:12,600 --> 00:30:14,560
Speaker 6: how you're gonna make a collectible out of it. And

634
00:30:14,600 --> 00:30:16,840
Speaker 6: then you have to serialize it, and you gotta go, Okay,

635
00:30:17,080 --> 00:30:19,800
Speaker 6: we're gonna make ten golds of this card. We're gonna

636
00:30:19,840 --> 00:30:22,920
Speaker 6: make fifty purples, and we're gonna make one hundred reds, right,

637
00:30:22,960 --> 00:30:25,560
Speaker 6: and then the rest are just overprinted and you know

638
00:30:25,560 --> 00:30:28,360
Speaker 6: when people open them, like you could hit the overprinted

639
00:30:28,360 --> 00:30:30,440
Speaker 6: card and it's not worth much. But if you hit

640
00:30:30,480 --> 00:30:33,200
Speaker 6: that goal, that's out of ten. Again, like I said,

641
00:30:33,240 --> 00:30:35,680
Speaker 6: like you're one of ten people who has it, you're

642
00:30:35,680 --> 00:30:36,880
Speaker 6: one of three people who has it.

643
00:30:37,240 --> 00:30:41,760
Speaker 1: So so all the low intangibles and the intricates they

644
00:30:41,840 --> 00:30:42,440
Speaker 1: mean something.

645
00:30:43,440 --> 00:30:45,720
Speaker 6: So like there's a reason this is out of twenty

646
00:30:45,720 --> 00:30:49,080
Speaker 6: three because it's Lebron facts, right, So like you might

647
00:30:49,160 --> 00:30:52,320
Speaker 6: even go, you know, my pictures with Jordan, I'm gonna

648
00:30:52,360 --> 00:30:53,120
Speaker 6: number to twenty three.

649
00:30:53,440 --> 00:30:57,360
Speaker 1: So if you got to twenty three of twenty three

650
00:30:57,720 --> 00:30:59,880
Speaker 1: and it just Lebron joint of this, this probably got

651
00:30:59,920 --> 00:31:01,600
Speaker 1: a crazy Okay, so I see what you're saying. So

652
00:31:01,640 --> 00:31:03,520
Speaker 1: all those little things that go in and either way,

653
00:31:03,800 --> 00:31:05,960
Speaker 1: this is nineteen, he got nineteen.

654
00:31:06,400 --> 00:31:08,720
Speaker 6: And by the way, twenty three out of twenty three.

655
00:31:08,840 --> 00:31:11,959
Speaker 6: They call that Jordan number, like that's more expensive than

656
00:31:12,040 --> 00:31:15,080
Speaker 6: nineteen out of twenty three because it's the twenty third

657
00:31:15,560 --> 00:31:19,000
Speaker 6: number of twenty three. So like these little details matter

658
00:31:19,080 --> 00:31:20,080
Speaker 6: to collective.

659
00:31:20,320 --> 00:31:24,280
Speaker 1: So the twenty wow. So so the twenty four of

660
00:31:24,320 --> 00:31:28,360
Speaker 1: a Kobe pat would make that card go to the moon.

661
00:31:28,480 --> 00:31:30,400
Speaker 1: Not even the one, the one in the twenty four

662
00:31:30,480 --> 00:31:31,120
Speaker 1: probably right.

663
00:31:31,000 --> 00:31:33,280
Speaker 4: I should have brought it. I have a Kobe card.

664
00:31:33,360 --> 00:31:35,960
Speaker 6: It's number eight eight out of twenty four.

665
00:31:35,880 --> 00:31:37,200
Speaker 4: So I got both numbers.

666
00:31:37,480 --> 00:31:38,920
Speaker 1: You got the one eighth to four.

667
00:31:39,080 --> 00:31:41,400
Speaker 4: Yeah, I should have brought it. I can't believe I

668
00:31:41,440 --> 00:31:42,040
Speaker 4: didn't bring down.

669
00:31:42,080 --> 00:31:47,000
Speaker 1: So right before this, that's cool cause it's two free throws.

670
00:31:47,400 --> 00:31:50,280
Speaker 1: On the first one, he was like, you know what

671
00:31:50,440 --> 00:31:52,040
Speaker 1: number you call? I was saying, man, I don't even

672
00:31:52,080 --> 00:31:57,280
Speaker 1: want to hear, matter of fact, the one you're talking

673
00:31:57,280 --> 00:32:00,760
Speaker 1: about Church. I'm in bean because I got a jersey on.

674
00:32:01,080 --> 00:32:03,320
Speaker 1: And he's leaning over like this, ay man, I'm like, man,

675
00:32:03,320 --> 00:32:04,640
Speaker 1: I don't want to hear this ship. Man, I called

676
00:32:04,680 --> 00:32:07,040
Speaker 1: you the whole fucking summer. You couldn't even call back down.

677
00:32:07,120 --> 00:32:09,880
Speaker 1: I know you saw me. I know you saw my number.

678
00:32:10,160 --> 00:32:12,840
Speaker 1: I know your agent. Then and he was like no, no, no,

679
00:32:12,960 --> 00:32:15,400
Speaker 1: and we're it's a free throw, you know what I'm saying.

680
00:32:15,760 --> 00:32:20,800
Speaker 1: And we're in the real and we see that. Man, young,

681
00:32:21,560 --> 00:32:23,800
Speaker 1: I don't want to hear that ship go down. He

682
00:32:24,400 --> 00:32:27,920
Speaker 1: hey swap swap, so he swap swap. So we're doing

683
00:32:27,920 --> 00:32:29,920
Speaker 1: this referee ship and refereence like, hey, look both of

684
00:32:30,040 --> 00:32:31,600
Speaker 1: y'all pick a try to get over here. So the

685
00:32:31,760 --> 00:32:33,760
Speaker 1: obviously he gaged it. Both come over, Elsa. Now I

686
00:32:33,800 --> 00:32:36,080
Speaker 1: do not want to hear this ship. What number you called?

687
00:32:36,160 --> 00:32:41,560
Speaker 1: So we're in. So now went back and watched the film,

688
00:32:41,560 --> 00:32:44,520
Speaker 1: because you gotta watch fail. I see him and I arguing,

689
00:32:44,640 --> 00:32:46,600
Speaker 1: not argue, but we on the free throw line, looking

690
00:32:46,680 --> 00:32:49,800
Speaker 1: like some work arguing. Man then was a real one. Man,

691
00:32:49,800 --> 00:32:53,760
Speaker 1: he was. You know, it's specially because you know, throughout

692
00:32:53,760 --> 00:32:56,920
Speaker 1: this whole duration of high school players coming into the league. Man,

693
00:32:57,680 --> 00:32:59,560
Speaker 1: the high school players would come to you and ask

694
00:32:59,640 --> 00:33:02,840
Speaker 1: you and you and you know, Uh, his dad brought

695
00:33:02,920 --> 00:33:05,120
Speaker 1: him to Philly and I got to talk to him.

696
00:33:05,160 --> 00:33:07,320
Speaker 1: After Philly. We spent like two three hours flip let

697
00:33:07,400 --> 00:33:10,400
Speaker 1: us both sit right there and just chop and uh

698
00:33:10,440 --> 00:33:12,760
Speaker 1: we you know, we became friends right there and then

699
00:33:12,800 --> 00:33:15,600
Speaker 1: throughout his whole little process, we just talked, talked, talk,

700
00:33:16,160 --> 00:33:17,960
Speaker 1: And then he obviously got to the league. Our first

701
00:33:18,080 --> 00:33:21,320
Speaker 1: preseason game was against the Lakers and some ship the.

702
00:33:21,040 --> 00:33:23,960
Speaker 4: League made up, and uh he was a year after you, right.

703
00:33:23,920 --> 00:33:26,160
Speaker 1: Yeah, he was ninety six. He had fucked his hand

704
00:33:26,240 --> 00:33:28,760
Speaker 1: up that broke his hand or something, and he was

705
00:33:28,760 --> 00:33:31,520
Speaker 1: out for a minute playing in Venice, fucking around and

706
00:33:31,760 --> 00:33:33,360
Speaker 1: we were just chopping. Each time I say him, it

707
00:33:33,440 --> 00:33:37,720
Speaker 1: was chop, chop, chop. And we got to he got

708
00:33:37,720 --> 00:33:39,160
Speaker 1: to a point where he was playing the All Star

709
00:33:39,280 --> 00:33:43,200
Speaker 1: Game in New York. We were both voted in as starters,

710
00:33:43,960 --> 00:33:47,240
Speaker 1: and that was the first time I saw him nervous.

711
00:33:47,560 --> 00:33:49,360
Speaker 1: First time I saw him nervous, and I was like, look,

712
00:33:49,520 --> 00:33:52,280
Speaker 1: fuck these old niggas. We finna fuck these niggas up.

713
00:33:52,560 --> 00:33:54,640
Speaker 1: We listen, we get out here on Niokys for you

714
00:33:54,720 --> 00:33:56,880
Speaker 1: in me. He was like yeah. I was like, nah,

715
00:33:56,960 --> 00:33:59,840
Speaker 1: look if he if, if big fellas see you like this,

716
00:34:00,040 --> 00:34:02,040
Speaker 1: he gonna go at you. So we gonna get your

717
00:34:02,040 --> 00:34:04,040
Speaker 1: shit together. And I hit him in his chest. The

718
00:34:04,240 --> 00:34:07,120
Speaker 1: NBA got the camera right here, but I'm cursing, right okay,

719
00:34:07,120 --> 00:34:10,480
Speaker 1: I'm saying, nigga. I'm like, nah, nigga, come on, a nigga,

720
00:34:10,560 --> 00:34:13,560
Speaker 1: let's clow you out here. Nigga ain't man's whim shore gas.

721
00:34:13,600 --> 00:34:16,400
Speaker 1: So nigga wan dunk you know what I'm saying. But

722
00:34:16,560 --> 00:34:19,040
Speaker 1: we hit the ship. I said, listen, we get out here,

723
00:34:19,239 --> 00:34:21,120
Speaker 1: you get a first bucket. If you can dunk it,

724
00:34:21,120 --> 00:34:24,239
Speaker 1: it'll take the it'll take the vibs off. So man,

725
00:34:24,680 --> 00:34:26,840
Speaker 1: I'm talking about third play in If you look at me,

726
00:34:26,920 --> 00:34:28,759
Speaker 1: I damn near wall. I didn't put the ball down

727
00:34:28,760 --> 00:34:31,560
Speaker 1: because I thought Grant was go poking, but he had

728
00:34:31,600 --> 00:34:33,160
Speaker 1: man to me. And the first thing I thought, I

729
00:34:33,200 --> 00:34:35,760
Speaker 1: saw him running, and I saw how hard he was running.

730
00:34:35,760 --> 00:34:37,279
Speaker 1: I didn't even get the chance to put it down.

731
00:34:37,360 --> 00:34:40,120
Speaker 1: I looked down. I just and then when I threw it,

732
00:34:40,239 --> 00:34:43,000
Speaker 1: I had to split the rim. And how fast he was.

733
00:34:44,560 --> 00:34:46,879
Speaker 1: You gotta remember real time. He moving in real time.

734
00:34:46,960 --> 00:34:49,360
Speaker 1: So I was like, and I said, oh shit, I

735
00:34:49,360 --> 00:34:51,000
Speaker 1: thought it. I think I threw it too high because

736
00:34:51,040 --> 00:34:53,279
Speaker 1: I thought he caught that two hen and just kept

737
00:34:53,280 --> 00:34:56,120
Speaker 1: on going boom. When he did that, I was say, yeah,

738
00:34:56,360 --> 00:34:58,400
Speaker 1: I told you a bit. Yeah, then let's go, nigga,

739
00:34:58,520 --> 00:34:59,160
Speaker 1: who we're doing?

740
00:34:59,239 --> 00:35:01,000
Speaker 4: There was George, Oh.

741
00:35:00,960 --> 00:35:03,439
Speaker 1: Yeah, that's what Mike was blowing his head, getting any

742
00:35:03,480 --> 00:35:07,200
Speaker 1: ones on him and ship Now nah, that's why he

743
00:35:07,280 --> 00:35:10,600
Speaker 1: was I'm saying, but it come on, we got we're going.

744
00:35:10,880 --> 00:35:14,000
Speaker 1: So I kept it up beat. Bro we we knew

745
00:35:14,000 --> 00:35:15,520
Speaker 1: what the stage was and it was set up for

746
00:35:15,560 --> 00:35:17,800
Speaker 1: them to the dude. But that was probably one of

747
00:35:17,800 --> 00:35:21,640
Speaker 1: the more remember probably one of the more. Where were

748
00:35:21,640 --> 00:35:24,000
Speaker 1: you in that moments in the All Star Game? Bro?

749
00:35:24,400 --> 00:35:27,280
Speaker 6: What was when that that play where Iverson and Jordan

750
00:35:27,440 --> 00:35:30,279
Speaker 6: had that first like they were at the top of

751
00:35:30,320 --> 00:35:33,399
Speaker 6: the key. It was the first time, and Phil Jackson's like, Michael.

752
00:35:33,120 --> 00:35:39,000
Speaker 1: No, and then like, so, so Ai is a rookie. Yeah,

753
00:35:39,640 --> 00:35:46,120
Speaker 1: AI is killing Randy Brown and Ron Harper. He got

754
00:35:46,160 --> 00:35:48,120
Speaker 1: like thirty five and both of them. We're just going.

755
00:35:49,040 --> 00:35:53,839
Speaker 1: So fourth quarter they come up and they switched, and

756
00:35:53,960 --> 00:35:57,200
Speaker 1: you hear Phil say, Michael and he had to take

757
00:35:57,200 --> 00:35:59,520
Speaker 1: the switch. He you know, usually that's a player called

758
00:35:59,520 --> 00:36:02,360
Speaker 1: it out, like hey, hey, hey man going you know

759
00:36:02,400 --> 00:36:06,680
Speaker 1: what I'm saying. We community right, Phil called it out,

760
00:36:06,680 --> 00:36:09,520
Speaker 1: so that means he really wanted it. And they said, yeah,

761
00:36:09,560 --> 00:36:11,600
Speaker 1: this kid quicker than you, because Mike quick as fuck,

762
00:36:12,000 --> 00:36:14,000
Speaker 1: this kid quicker than you. I ain't quicking of me,

763
00:36:14,320 --> 00:36:16,200
Speaker 1: all right, take the take, take to take the joint.

764
00:36:16,280 --> 00:36:19,440
Speaker 1: So then Lloyd got even here. And if you know

765
00:36:19,640 --> 00:36:25,720
Speaker 1: anything about the DC crossover, the DC crossover is high

766
00:36:26,000 --> 00:36:28,440
Speaker 1: and they shifted and they go over your hand, and

767
00:36:28,640 --> 00:36:30,360
Speaker 1: it used to be they go over your hand. Uh,

768
00:36:30,480 --> 00:36:32,879
Speaker 1: it's it's I'm going blank on a couple of kids

769
00:36:32,880 --> 00:36:37,880
Speaker 1: that I uh God damn, I'm going blank on the

770
00:36:37,960 --> 00:36:40,600
Speaker 1: kids that I know, the the Tyreek turners to Luther Head,

771
00:36:40,760 --> 00:36:42,839
Speaker 1: like all these guys that used to have the wigger, right,

772
00:36:42,880 --> 00:36:47,080
Speaker 1: but they was DC guys, Virginia boys. Ifferson took it

773
00:36:47,360 --> 00:36:50,319
Speaker 1: and he used to take it under your hand and

774
00:36:50,320 --> 00:36:53,240
Speaker 1: that changed the game. And then he would have it spinning.

775
00:36:53,800 --> 00:36:55,960
Speaker 1: And then if you didn't honor this, he would keep

776
00:36:56,000 --> 00:36:57,960
Speaker 1: going right. And then when you did honor, here was

777
00:36:58,040 --> 00:37:00,279
Speaker 1: just and he had a way that he can yank

778
00:37:00,360 --> 00:37:02,600
Speaker 1: your ass. And Lord, when he yank Mike the first time,

779
00:37:02,640 --> 00:37:06,279
Speaker 1: we were like, oh ship hold On remixed that when

780
00:37:06,320 --> 00:37:08,680
Speaker 1: he read the read? No, the read Now you don't remix, God,

781
00:37:08,760 --> 00:37:11,960
Speaker 1: you don't. You don't do that. That's that's that's like

782
00:37:12,000 --> 00:37:17,279
Speaker 1: the cardinal sin of embarrassment. What hold On? Oh he

783
00:37:17,400 --> 00:37:18,880
Speaker 1: read no, no No?

784
00:37:20,000 --> 00:37:23,160
Speaker 6: Was that a whole nother Listen, another level of respect

785
00:37:23,160 --> 00:37:24,839
Speaker 6: for AI when he did that, Like, was the whole

786
00:37:24,920 --> 00:37:25,720
Speaker 6: league like holy?

787
00:37:25,920 --> 00:37:29,040
Speaker 1: So you gotta think about the wild Grimlins, right, That's

788
00:37:29,120 --> 00:37:32,320
Speaker 1: how we I call everybody from ninety five on in

789
00:37:32,680 --> 00:37:35,000
Speaker 1: all wild grimlins because none of us want to wear suits.

790
00:37:35,000 --> 00:37:36,640
Speaker 1: Who used to you know, no school? Right?

791
00:37:36,719 --> 00:37:36,959
Speaker 3: Share?

792
00:37:37,280 --> 00:37:42,040
Speaker 1: Well, he merely wold Mike. We're all like, oh, you

793
00:37:42,080 --> 00:37:44,480
Speaker 1: can do that, you can get that off on him?

794
00:37:45,000 --> 00:37:48,759
Speaker 1: Did he? Oh he remixed it? No, that was like

795
00:37:48,800 --> 00:37:52,839
Speaker 1: a no, no, you remixed the god. Oh no. Yeah,

796
00:37:53,200 --> 00:37:55,440
Speaker 1: that's when David standing on all the tatoos on the

797
00:37:56,920 --> 00:38:01,359
Speaker 1: streets loved me. But he gave itbody. Oh ship, that's

798
00:38:01,360 --> 00:38:06,680
Speaker 1: what ayall got there? Yeah, fucking me right. You know

799
00:38:06,719 --> 00:38:09,400
Speaker 1: what I'm saying, suits to go and sleeve to God. Like,

800
00:38:10,360 --> 00:38:12,479
Speaker 1: that's what I'm saying. He was made, he got made

801
00:38:12,560 --> 00:38:14,920
Speaker 1: right there. I just I just I just done a

802
00:38:14,960 --> 00:38:17,279
Speaker 1: boss right here. I just done a boss. Done the

803
00:38:17,280 --> 00:38:18,840
Speaker 1: boss in from everybody.

804
00:38:18,640 --> 00:38:20,520
Speaker 4: Because Kobe spoke so highly of him too.

805
00:38:20,600 --> 00:38:24,600
Speaker 1: And I'm the shortest guy out here. What easy he was?

806
00:38:24,640 --> 00:38:27,440
Speaker 6: Like if AI was my height, it would have been

807
00:38:27,480 --> 00:38:28,279
Speaker 6: a problem.

808
00:38:28,480 --> 00:38:31,439
Speaker 1: Hey, y'all probably you know a y'all has a football heart.

809
00:38:31,480 --> 00:38:35,000
Speaker 1: You know that, right, y'all play y'all played football first.

810
00:38:35,239 --> 00:38:36,480
Speaker 1: His first love is football.

811
00:38:36,760 --> 00:38:37,040
Speaker 4: Wow.

812
00:38:37,200 --> 00:38:40,239
Speaker 1: So he's toughest nails. And he's always been the smaller guy,

813
00:38:40,320 --> 00:38:43,120
Speaker 1: the shorter guy. So you know, you've been around some

814
00:38:43,160 --> 00:38:45,200
Speaker 1: short guys. They always had the biggest fight. They're always

815
00:38:45,239 --> 00:38:47,319
Speaker 1: the biggest swag. Though. You know what I'm saying, So

816
00:38:47,400 --> 00:38:49,920
Speaker 1: he was no different Chuck man, thinking about Chuck when

817
00:38:49,960 --> 00:38:53,719
Speaker 1: you hit Chuck finding stapping to get back up, come

818
00:38:53,760 --> 00:38:55,160
Speaker 1: and to give him up for I don't worry about it.

819
00:38:57,239 --> 00:38:59,000
Speaker 1: That's all y'all can do is hit y'all. You know

820
00:38:59,000 --> 00:39:00,680
Speaker 1: I've been hit hard on that. Y'all know I play

821
00:39:00,800 --> 00:39:03,279
Speaker 1: quarterback in safety. Y'all don't know you, But but yall,

822
00:39:03,360 --> 00:39:04,680
Speaker 1: you get to get on that Chuck shit. You know

823
00:39:04,680 --> 00:39:07,600
Speaker 1: what I'm saying, Chuck, Hell yeah, yeah, Huck, go shoot

824
00:39:07,640 --> 00:39:12,759
Speaker 1: that shit. What I really do, consider you innovative in

825
00:39:12,800 --> 00:39:16,440
Speaker 1: this space to where you've taken the dads and the

826
00:39:16,520 --> 00:39:20,640
Speaker 1: suns and got them to actually get together. Normally, your

827
00:39:20,719 --> 00:39:22,880
Speaker 1: dad's going over here talking shit, the Sun's going in

828
00:39:22,920 --> 00:39:26,799
Speaker 1: the opposite direction. You've innovated this industry to where you've

829
00:39:26,800 --> 00:39:29,000
Speaker 1: got a big old conversation. And what I like to

830
00:39:29,040 --> 00:39:33,040
Speaker 1: say is grow the pot. Sure, terminology, you should come

831
00:39:33,080 --> 00:39:36,320
Speaker 1: up with a terminology when something is of someone's number,

832
00:39:37,239 --> 00:39:41,200
Speaker 1: in that player's favor and call it something because you can.

833
00:39:41,280 --> 00:39:43,160
Speaker 1: You can do that. You got to flow for that.

834
00:39:43,320 --> 00:39:43,919
Speaker 4: Yeah, for sure.

835
00:39:43,920 --> 00:39:45,840
Speaker 1: If finally, note, I would have thought you was like

836
00:39:45,880 --> 00:39:48,520
Speaker 1: the third or fourth Memen and the Beastie Boys. You

837
00:39:48,600 --> 00:39:50,320
Speaker 1: know what I'm saying. You come on with a you

838
00:39:50,440 --> 00:39:54,120
Speaker 1: come on with a Mike check, you come up with

839
00:39:54,200 --> 00:39:55,600
Speaker 1: a bunch of you know what I'm saying. You know

840
00:39:55,600 --> 00:39:56,040
Speaker 1: what I'm trying.

841
00:39:56,120 --> 00:39:56,279
Speaker 4: Mom.

842
00:39:56,400 --> 00:39:59,320
Speaker 6: It's funny you say that because when I was first

843
00:39:59,480 --> 00:40:02,120
Speaker 6: like in the bedroom building a business, like, I was

844
00:40:02,160 --> 00:40:06,359
Speaker 6: on camera alive every night, right, So I don't know

845
00:40:06,360 --> 00:40:09,120
Speaker 6: if it was like a Russell Wilson thing or the Seahawks,

846
00:40:09,120 --> 00:40:10,879
Speaker 6: but they had that whole like let Russ cook thing,

847
00:40:11,960 --> 00:40:14,919
Speaker 6: so I like kind of bit off of that. Yeah,

848
00:40:14,920 --> 00:40:17,040
Speaker 6: And it was just like I'd be pulling a card

849
00:40:17,080 --> 00:40:18,680
Speaker 6: open and I'd kind of cheat and I'd see there's

850
00:40:18,680 --> 00:40:21,640
Speaker 6: a good card coming out right before the chat saw

851
00:40:22,000 --> 00:40:24,799
Speaker 6: and I'd be like, guys, when you're sitting at home

852
00:40:25,160 --> 00:40:27,839
Speaker 6: and you're hungry in the kitchen, all you gotta do

853
00:40:28,360 --> 00:40:30,960
Speaker 6: is lead dabs cook. And then I'd rip the card open,

854
00:40:31,040 --> 00:40:33,200
Speaker 6: right and like that, and then the whole chow would

855
00:40:33,200 --> 00:40:35,759
Speaker 6: be like, let dabs cook, right. So like I fed

856
00:40:35,800 --> 00:40:41,880
Speaker 6: into all of those Hold up, hold up? Can I

857
00:40:42,800 --> 00:40:45,279
Speaker 6: know it's funny? Check this out?

858
00:40:45,280 --> 00:40:46,000
Speaker 4: Thank you, Kamela.

859
00:40:46,560 --> 00:40:48,960
Speaker 6: This by the way, this by the way, We had

860
00:40:48,960 --> 00:40:52,279
Speaker 6: this made for you. There is no other colorway. This

861
00:40:52,360 --> 00:40:56,160
Speaker 6: is the Celtics pack DAP's hoodie. All right, you heard

862
00:40:56,480 --> 00:41:01,719
Speaker 6: nobody has this color except for Shore. You gotta hope

863
00:41:01,800 --> 00:41:04,160
Speaker 6: three XL works the work.

864
00:41:04,200 --> 00:41:07,120
Speaker 1: What you mean, right, I asked to put up my

865
00:41:07,200 --> 00:41:10,319
Speaker 1: old uniform and it works, you understand, right, T will

866
00:41:10,800 --> 00:41:14,919
Speaker 1: fight right. This is fly bro. Thank you brother, thank

867
00:41:14,960 --> 00:41:17,840
Speaker 1: you for coming through. Man. Yeah, we're gonna have to

868
00:41:17,880 --> 00:41:19,720
Speaker 1: do something in summer league. Man, we got an album

869
00:41:19,760 --> 00:41:22,000
Speaker 1: and everybody here. We want to actually do like a

870
00:41:22,080 --> 00:41:25,160
Speaker 1: something many with with with a partnership with you and death.

871
00:41:25,160 --> 00:41:27,759
Speaker 1: So we come in do a big old collectible thing.

872
00:41:28,080 --> 00:41:30,720
Speaker 1: Then the summer league. Man, we're doing the film festival

873
00:41:30,840 --> 00:41:33,120
Speaker 1: doing we want to do a collectible type of thing.

874
00:41:33,719 --> 00:41:35,000
Speaker 6: The way I see it is like the same way

875
00:41:35,160 --> 00:41:36,320
Speaker 6: I used to be on the live stream.

876
00:41:36,360 --> 00:41:38,160
Speaker 4: We just do it for the event, you know what

877
00:41:38,200 --> 00:41:39,760
Speaker 4: I mean. We can throw something in the crowd.

878
00:41:40,320 --> 00:41:42,640
Speaker 1: Word, well, this is album. He runs some league we

879
00:41:42,719 --> 00:41:45,480
Speaker 1: want to talk to. Okay, we're gonna do something, man,

880
00:41:45,560 --> 00:41:47,160
Speaker 1: We're gonna figure this out. Check this out.

881
00:41:47,280 --> 00:41:50,399
Speaker 7: So the floor this is you talk about collectibles, right,

882
00:41:51,239 --> 00:41:52,799
Speaker 7: So this is a collectible desk.

883
00:41:53,000 --> 00:41:54,600
Speaker 1: This is the All Star Game.

884
00:41:54,840 --> 00:41:59,080
Speaker 7: Right right there. Check that ship out, sick. That's this,

885
00:41:59,440 --> 00:42:02,760
Speaker 7: that's his take. Oh ship in my office, Los Angeles.

886
00:42:02,800 --> 00:42:05,280
Speaker 7: I got doors that opened our studio with those panels.

887
00:42:05,840 --> 00:42:08,040
Speaker 1: But that's what we're doing to some collectible stuff.

888
00:42:08,200 --> 00:42:09,920
Speaker 6: And you could you could take this stuff and put

889
00:42:09,920 --> 00:42:12,120
Speaker 6: it in cards too. Oh yeah, for sure, you could

890
00:42:12,160 --> 00:42:13,600
Speaker 6: take a piece of your jersey and a piece of do.

891
00:42:13,560 --> 00:42:15,600
Speaker 3: All, you gotta get one of these for KG certified.

892
00:42:15,719 --> 00:42:17,680
Speaker 1: Let's get it. Let's let's get it. Let's get it.

893
00:42:17,920 --> 00:42:19,919
Speaker 1: Let's get it. You see what we're doing. You see

894
00:42:19,920 --> 00:42:22,840
Speaker 1: what we doing. You see what we doing. Y'all know

895
00:42:22,880 --> 00:42:25,640
Speaker 1: what time it is. God damn KG certify. My dog

896
00:42:25,719 --> 00:42:27,239
Speaker 1: DAPs in here, man. Let's get it, man,